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Gio reminded Mets fans they can't gloat—their team didn't even make the playoffs. Jazz talked big, blew a huge play, Daboll got dubbed “the munchkin man,” and the crew fielded possibly the dumbest call ever.
Yankees' season ends in style—fans, including Dan from Carteret, weigh in as Jazz Chisholm brags then blows a key double play. Callers blame coaching, fume over Blue Jays' celebrations, and Jerry kicks off updates with the Jays' manager's “start spreading the news bitches.” Jazz, Schlittler, and Volpe reflect on a rough postseason, while A-Rod backs Boone. Schwarber crushes two homers, Jaxson Dart previews the Eagles game, and Boomer wonders how Fangio will cope without top receivers. Gio shuts down Mets fans gloating, laughs off the “munchkin man” Daboll call, and calls it a wrap after the dumbest call yet.
Yankees' season ends, and fans are furious. Cashman takes heat as A-Rod rips the roster, while Gio compares the team to a once-great ‘90s restaurant in need of a refresh. Boomer dreams of next year's pitching with Cole, Schmidt, Schlittler, Fried, and Rodon, but Gio insists offense rules today. Jazz, Vlad, and Ortiz enjoy the chaos, Turner finally delivers a 2-run single, and callers vent their frustration. Daboll talks Eagles and Aaron Glenn talks.
Jerry kicked things off with the Jazz blunder that blew a double play and sent Shaun Morash fuming from the stadium. The Jays' manager dropped a savage “start spreading the news, bitches,” while Judge owned up to the little things they missed. Boone brushed off job talk, and Schwarber mashed two more bombs for the Phils in their win.
Guest: Samantha O'NeilHosted by: Courtney Ortiz DECAdance Competition provides a totally unique competition and “un”convention experience, with genre-specific adjudicators, live music at their “un”convention, and complimentary meals for studio owners! On this week's episode of Making the Impact, Courtney sits down with DECAdance Competition owner Samantha Tirone O'Neil to learn more about this incredible company in our first IDA-affiliated Competition Spotlight! Products and services mentioned in this episode include:Omara Floors - sprung floors for dancersRelative Motion - structured, measurable training designed for both dancers and teachersLearn more about the Andrea Michaels Scholarship Help support our podcast! Join Making The Impact's Platinum Premium Subscription today! Your membership includes:Monthly Q&A episodes released to members onlyPriority to have your questions answered each month on the live Q&A.Ad-free listening for all of Season 4 - 7. No sponsored ads!20% off all IDA MerchandiseExclusive bonus content released throughout the yearDiscounted IDA Online CritiqueGroup Zoom check-ins 3x per season with Courtney Ortiz!Your support helps us produce future episodes of Making The Impact for years to come!Making The Impact's Platinum Premium - Sign up now for only $5/month!This episode is sponsored by:DECAdance Competition - IDA Affiliated CompetitionView their 2026 tour dates and register now!http://www.decdancecompetition.comFollow your Hosts & Guests!Courtney Ortiz - @courtney.ortizSamantha O'Neil - @decadancecompJoin our NEW Facebook Group and connect with us! Making The Impact - A Dance Competition Podcast Community Leave us a review on Apple Podcasts! We would love to hear from you! Join our Newsletter for weekly episode releases straight to your inbox! Follow us on social media at @impactdanceadjudicators and for a list of IDA Affiliated dance competitions, visit our website at www.impactdanceadjudicators.comSupport the show
Hour 2 of John and Lance with John Granato and Lance Zierlein! The Aggies have a 90% 3PT shooter ... in practice Will Hardy and the Jazz are probably tanking again Are the Las Vegas Aces one of the biggest modern dynasties? Del learns new words from The Sopranos
In this snack episode, John Moe—host of Depresh Mode and Sleeping with Celebrities—shares memories with Ophira Eisenberg of sneaking into R-rated movies as a kid, including the terrifying but oddly comical Alien chest-burster scene that was softened by nearby jokesters comparing it to a hot dog with ketchup. He recalls being deeply shaken by The Exorcist and a low-budget Bigfoot “documentary,” which hit especially hard growing up in the Pacific Northwest. Moe also talks about the movies he's passed down to his kids—Back to the Future, The Blues Brothers, Smokey and the Bandit, and Star Wars—while reflecting on how their pacing collides with today's faster attention spans. Watching E.T. as an adult made him empathize more with the stressed single mother and even the government researchers than with the kids. Shifting to parenting, he describes handling discipline through conversations about consequences rather than punishment, being impressed by his teens' self-regulation with social media, and missing the portability of younger children more than the sleeplessness. He admits he never kept journals—unless there was a chance to get paid for writing—but loved the sense of renewal around back-to-school rituals. Ultimately, Moe says parenting has taught him that raising kids, like jazz, is improvisation, and he once even wrote a Sharpie “P” on his hand as a reminder to practice patience.
The guys debate whether or not Jazz Chisholm receiving criticism for yawning during the game is warranted.
Judge's 3-run homer ties the game, Jazz follows with a go-ahead shot, and Cal Raleigh goes deep for the Mariners. Brian Daboll shared his confidence in key players, and Jerry even premiered a Yankees promo featuring Al's iconic announcer voice. You also get some Giants preview from Daboll.
Jerry kicks off his first update with a bang — Dave Sims on the call as both Judge and Jazz go yard! But while the bats were wide awake, Jazz got caught yawning in the field — talk about mixed energy!
Yankees face another elimination game, and Cam Schlittler's on the hot seat to get them to Toronto. Judge ties it with a 3-run blast, Jazz puts them ahead, and Jerry drops a Yankees promo with Al's announcer voice. Meanwhile, the Blue Jays manager throws shade at Judge, Cal Raleigh homers for the Mariners, Eagles and Rangers struggle, and Boomer says Toronto's offense is red hot.
Judge's big HR and Jazz's go-ahead blast have Yankees fans buzzing as Cam Schlittler takes the mound tonight. Jerry recaps the action with Dave Sims, Knicks coach Mike Brown faces Giannis questions, and the Rangers stumble in their opener. Sims and Suzyn steal the Moment of the Day, while Bengals land Joe Flacco and Jaxson Dart preps to face the Eagles' dominance over the Giants.
Spooky Jazz Chords: 3 Creepy Voicings You Can Use in Jazz
On tonight's show: Arnett Cobb with Bobby Timmons, Sam Jones, Art Taylor & Buck Clark, Walkin' Al Hirt, Tin Roof Blues Lou Donaldson, Polka Dots and Moonbeams Horace Silver and the Jazz Messengers, The Preacher Hank Mobley, Soul Station Gerry Mulligan, Venus de Milo Cal Tjader, Willie Bobo, Mongo Santamaria & The Eddie Cano Big Band, Key Largo Shirley Scott, 411 West Herbie Hancock, Watermelon Man Howard Roberts, Mercy, Mercy, Mercy Boogaloo Joe Jones, The Beat Goes On
Charlie Rosen is an incredible multi-instrumentalist, composer, arranger and performer. He's half way to EGOT status as a 2x Grammy winner and a 2x Tony winner. He composes and plays video game music with his 8-Bit Big Band. His theater work includes Moulin Rouge. His TV and film credits include Wonka and Kenny G on HBO. And he also arranges for The Boston Pops and Lady Gaga. My featured song is “The Rich Ones All Stars”, my recent single which is also on my latest compilation album What's Up! by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHARLIE:www.charlierosen.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
On this episode of The Dunker Spot, Nekias Duncan and Steve Jones examine how the Las Vegas Aces have taken a 2-0 lead over the Phoenix Mercury, and discuss potential adjustments ahead of Game 3 and beyond.On the NBA side, the guys begin their NBA season preview series with the Northwest division. They discuss what they're excited about, key questions, potential breakout candidates, and the lineups that intrigue them the most.If you ever have NBA or WNBA questions, email us at dunkerspot@yahoo.com.If you'd like to join our Dunker Spot Playoff watch parties — they're free, and easy to sign up for — you can do so here: https://www.playback.tv/thedunkerspot(:47) Introduction(1:04) WNBA Finals Game 2 recap(11:06) Did the Aces find something with A'ja Wilson's pick and roll?(19:06) Mercury in a must-win situation(22:39) Thunder season preview(38:18) Nuggets season preview(50:30) Timberwolves season preview(101:09) Trail Blazers season preview(1:10:29) Jazz season preview
On this episode of The Dunker Spot, Nekias Duncan and Steve Jones examine how the Las Vegas Aces have taken a 2-0 lead over the Phoenix Mercury, and discuss potential adjustments ahead of Game 3 and beyond.On the NBA side, the guys begin their NBA season preview series with the Northwest division. They discuss what they're excited about, key questions, potential breakout candidates, and the lineups that intrigue them the most.If you ever have NBA or WNBA questions, email us at dunkerspot@yahoo.com.If you'd like to join our Dunker Spot Playoff watch parties — they're free, and easy to sign up for — you can do so here: https://www.playback.tv/thedunkerspot(:47) Introduction(1:04) WNBA Finals Game 2 recap(11:06) Did the Aces find something with A'ja Wilson's pick and roll?(19:06) Mercury in a must-win situation(22:39) Thunder season preview(38:18) Nuggets season preview(50:30) Timberwolves season preview(101:09) Trail Blazers season preview(1:10:29) Jazz season preview
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
Today on the Rarified Heir Podcast, we are talking to Nikki Nash, daughter of musician, trombonist Dick Nash. Now, you may not know the face or the name, Dick Nash but you certainly know his work with Henry Mancini, or should we say Hank Mancini with some of his best known work. Before the Wrecking Crew, Dick and a small group of side-men WERE the Wrecking Crew, playing on hundreds of studio dates for film, TV and major label albums in the 50s and 60s. But as we learn, Dick Nash didn't take every date offered for a very specific reason. Our conversation with Nikki centered around her new book, Collateral Stardust: Chasing Warren Beatty and Other Foolish Things, an autobiography about her life in and around show business that is one hell of a read. Some of the things we talk about in our conversation with Nikki include notable run-ins with everyone from the aforementioned Warren Beatty, as well as Dennis Miller, Louise Lasser, Don Cornelius, Robert Hays, the Black Panthers, Robert Altman and many others. We also discuss long-lost LA restaurants like The Old World and The Luau, the best toast, the job of an A.D. behind the camera, addiction, painting, depression, growing up in the San Fernando Valley of Los Angeles and much more. Nikki was open, honest, funny, matter-of-fact, attentive and gave us all we could handle in discussing her life and her book. And like her book, our interview was breezy and also had a lot of depth below the surface. But don't take my word for it, take a listen to this episode of the Rarified Heir Podcast and see for yourself. Everyone has a story.
Mom Curious is a weekly podcast produced by Hoff Studios in New York City, hosted by storyteller, actress, and thought leader Daniella Rabbani. Each episode dives into candid conversations about motherhood, womanhood, and the messy, magical spaces in between. With humor, honesty, and (you guessed it!) curiosity, Daniella sits down with women of all stripes to talk about what it really means to raise children—and ourselves—in today's world.About the Host:Daniella Rabbani (@DaniellaRabbani on Instagram) is a Brooklyn-based storyteller. On screen, she's appeared in HBO's Scenes from a Marriage, Amazon's The Better Sister, FX's The Americans, and films like Ocean's 8. On stage, she's headlined concerts worldwide, from Jazz at Lincoln Center in NYC to the State Jewish Theaters of Warsaw, Poland and Bucharest, Romania. She is also the voice behind national campaigns for Colgate, Starbucks, and Noom among others. Her award winning film OMA, inspired by her Holocaust survivor grandmother, can be seen on Amazon Prime.Through her podcast Mom Curious, Daniella blends her creative spirit and lived experience as a mother of two to spark conversations that are raw, hilarious, and deeply relatable. Her mission: to create a community where mothers (and those curious about motherhood) feel seen, supported, and inspired.This Week's Guest!Caitlin Murray is a humorist, content creator, writer, podcaster, mother of three and wife of one. She is the creator of Big Time Adulting. In 2016, Caitlin's oldest child was diagnosed with Leukemia at age three. Caitlin began sharing with family and friends about their journey and, specifically, her experience as a mother. Caitlin started her Instagram account in 2018 and has amassed over a million followers who appreciate her for her honest and humorous takes on motherhood. Her book comes out in 2026! Follow Caitlin at @bigtimeadulting on Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices
Gareth and Jake help a caller stop her friend from making a terrible decision. Then, they "Roxanne" a timeshare pitch meeting. Plus, Jake loses his phone and the follow-up to Ep 167 "I Feel Barfy."Sara, 38, Philadelphia is looking for a friend! Think you could be a good match? Submit to the Friendship Game by emailing the show or fill out the following form: https://tinyurl.com/friendforsaraSee images from the episode here: http://www.heretohelppod.com/post/episode-214Want to call in? Email your question to helpfulpod@gmail.com.PATREON: https://patreon.com/heretohelppodMERCH: heretohelppod.comINSTAGRAM: @HereToHelpPodIf you're enjoying the show, make sure to rate We're Here to Help 5-Stars on Apple Podcasts.Visit gemini.google/students to learn more and sign up. Terms apply.Advertise on We're Here to Help via Gumball.fmSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The RH Factor's Hard Groove might sound uncontroversial to modern ears, but in the early 2000s it was revolutionary. With this record, Roy Hargrove broke away from the straight-ahead jazz revival of the Young Lions era and created something entirely new. Hard Groove blended Roy's trumpet with the voices of R&B and soul heavyweights like D'Angelo, Erykah Badu, and Common, artists whose platinum-selling albums (Voodoo, Mama's Gun, Like Water for Chocolate) already featured Roy's melodic horn playing and orchestral arrangements.With Hard Groove, Roy flipped the script: instead of lending his sound to the hip hop and neo-soul world, he invited those artists into a jazz record. The result was a landmark project that blurred genres and redefined what jazz could be in the 21st century.You'll Hear It has been nominated for a Listener's Choice award for Best Music Podcast at the Signal Awards. Vote for us here: https://vote.signalaward.com/PublicVoting#/2025/shows/genre/musicWant more neo-soul? Check out our Voodoo episode: https://youtu.be/AYqmFNF2s0U Watch the documentary "Hargrove": https://youtu.be/liK1u6DQQ4M?si=SZ83SNHazZX2JMImStart your free Open Studio trial for ALLLLL your jazz lesson needs: https://osjazz.link/yhi
Don Kieffer, co-author of There's Got to Be a Better Way, shares why “common sense” often misguides leaders and how dynamic work design helps organizations thrive. From calling meetings the worst form of organizational abuse to showing why managers can become their own obstacles, Don explains how making work visible and partnering with people closest to the work can unlock both adaptability and efficiency. Topics [0:00] Intro and Speed Round with Don Kieffer [7:14] What Leaders Consistently Get Wrong [10:29] Dynamic Work - What Is It? [18:42] The Hot Stove Problem [22:56] When the Boss Becomes the Problem [28:18] The Power of Whiteboards [36:01] Meetings: The Worst Form of Organizational Abuse [42:46] Jazz, Improv, and Better Work Design [45:44] Grooving Session - Handoffs, Huddles, and Making Work Work ©2025 Behavioral Grooves Links Behavioral Grooves LIVE in Minneapolis! About Don Kieffer There's Got to Be a Better Way by Nelson Repenning and Donald Kieffer Join us on Substack! Join the Behavioral Grooves community Subscribe to Behavioral Grooves on YouTube Music Links John Coltrane - My Favorite Things Pandora Jazz Station
Smooth Groovers Licensed Jazz Funk Soul and Smooth Jazz Podcast
Licensed Episode BTGSeriesEp270 - In-between the regular shows featuring the Radio Issue.
Smooth Groovers Licensed Jazz Funk Soul and Smooth Jazz Podcast
Licensed Episode BTGSeriesEp269 - In-between the regular shows featuring the Radio Issue.
Ann Hampton Callaway is a Musical Star and a remarkably gifted artist. She's a leading champion of the Great American Songbook, and she's known for her work as a singer, pianist, composer, lyricist, actress, TV host, and producer.Her resume is off the charts. Ann was voted by Broadwayworld as “Celebrity of the Year” and two years in a row as “Best Jazz Vocalist”. On Broadway she was nominated for a Tony award for her performance in the hit musical “Swing!” On TV she was the one who wrote and sings the theme song for the hit series “The Nanny.” In film she starred opposite Angelina Jolie and Matt Damon in “The Good Shepherd”. As a songwriter she is a multi-platinum artist whose songs have been featured on seven of Barbra Streisand's CD's, and her songs have also been recorded by Michael Feinstein, Carole King and Liza Minelli. As a recording artist she has released 83 CDs. And she's won just about every award that there is out there. On top of all this she has a new album now called “Finding Beauty, Originals Vol. 1” which features 16 of her songs.My featured song is “No One's Fool” from the album East Side Sessions by my band Project Grand Slam. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ANN:www.annhamptoncallaway.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
Listen in to an amazing show as Joe features the newly released, two for one special album of Frank Sinatra, 'The Giants of Jazz'! Learn more about your ad choices. Visit megaphone.fm/adchoices
Niia joins me to unpack her forthcoming album—a modern, live-first take on jazz that blends an acoustic rhythm section with subtle, future-leaning electronic colors. Trained as a jazz vocalist and raised at the piano, she set out to create something timeless, without relying on retro tropes or trend-bound sounds. The result is a record that breathes: spacious mixes, genuine dynamics, and arrangements that allow for interplay while keeping the vocal narrative at the center.We trace her path from a fiercely musical Italian family outside Boston—classical piano with her mom, jazz studies at The New School in New York—to early studio reps as a jingle singer, where she learned mic technique, speed, and how to “translate” creative direction. A move to Los Angeles opened new collaborative circles and ultimately led to the creation of this album, co-produced with Lawrence Rothman and Spencer Zahn (whose bass work is a standout). Most core tracks were cut together, with Niia revisiting vocals after living with the songs; mixer John Castello kept the feel alive rather than over-processed. Her version of “Angel Eyes,” distilled to voice and piano, anchors the record and nods to the tradition she loves.We also discuss the human side of performing—stage fright, perfectionism, and the transition from singing with eyes closed to fully engaging with an audience. For Niia, connection beats ego: the goal is to help people feel something, not to sand every edge. As the album rolls out (release date: October 10), she's launching a 10-date European tour starting in Germany and Copenhagen, with hopes of bringing the show to Asia and the U.S. next. Long term, she dreams of a lush standards album—but, as she puts it, not just yet.To learn more about Niia, visit her website. Music from the Episode:throw my head out the window (Niia)pianos and great danes (Niia)f*cking happy (Niia)angel eyes (Niia)Thank you for listening! If you have any questions, feedback, or ideas for the show, please contact me at brad@thebandwichtapes.com.
Enjoy another playlist that shines a light on recent and upcoming releases and tries to bridge the gap between mainstream and progressive audiences. The playlist features Jon Irabagon; Josh Lawrence; Ben LaMar Gay [pictured]; Witold; Harald Lassen; Ventilateur. Detailed playlist at https://spinitron.com/RFB/pl/21274558/Mondo-Jazz [from "Buggin' the Mud" onwards]. Happy listening! Photo credit: Erik Luyten
⸻ Podcast: Redefining Society and Technologyhttps://redefiningsocietyandtechnologypodcast.com _____ Newsletter: Musing On Society And Technology https://www.linkedin.com/newsletters/musing-on-society-technology-7079849705156870144/_____ Watch on Youtube: https://youtu.be/nFn6CcXKMM0_____ My Website: https://www.marcociappelli.com_____________________________This Episode's SponsorsBlackCloak provides concierge cybersecurity protection to corporate executives and high-net-worth individuals to protect against hacking, reputational loss, financial loss, and the impacts of a corporate data breach.BlackCloak: https://itspm.ag/itspbcweb_____________________________A Musing On Society & Technology Newsletter Written By Marco Ciappelli | Read by TAPE3A new transmission from Musing On Society and Technology Newsletter, by Marco CiappelliReflections from Our Hybrid Analog-Digital SocietyFor years on the Redefining Society and Technology Podcast, I've explored a central premise: we live in a hybrid -digital society where the line between physical and virtual has dissolved into something more complex, more nuanced, and infinitely more human than we often acknowledge.Introducing a New Series: Analog Minds in a Digital World:Reflections from Our Hybrid Analog-Digital SocietyPart II: Lo-Fi Music and the Art of Imperfection — When Technical Limitations Become Creative LiberationI've been testing small speakers lately. Nothing fancy—just little desktop units that cost less than a decent dinner. As I cycled through different genres, something unexpected happened. Classical felt lifeless, missing all its dynamic range. Rock came across harsh and tinny. Jazz lost its warmth and depth. But lo-fi? Lo-fi sounded... perfect.Those deliberate imperfections—the vinyl crackle, the muffled highs, the compressed dynamics—suddenly made sense on equipment that couldn't reproduce perfection anyway. The aesthetic limitations of the music matched the technical limitations of the speakers. It was like discovering that some songs were accidentally designed for constraints I never knew existed.This moment sparked a bigger realization about how we navigate our hybrid analog-digital world: sometimes our most profound innovations emerge not from perfection, but from embracing limitations as features.Lo-fi wasn't born in boardrooms or designed by committees. It emerged from bedrooms, garages, and basement studios where young musicians couldn't afford professional equipment. The 4-track cassette recorder—that humble Portastudio that let you layer instruments onto regular cassette tapes for a fraction of what professional studio time cost—became an instrument of democratic creativity. Suddenly, anyone could record music at home. Sure, it would sound "imperfect" by industry standards, but that imperfection carried something the polished recordings lacked: authenticity.The Velvet Underground recorded on cheap equipment and made it sound revolutionary—so revolutionary that, as the saying goes, they didn't sell many records, but everyone who bought one started a band. Pavement turned bedroom recording into art. Beck brought lo-fi to the mainstream with "Mellow Gold." These weren't artists settling for less—they were discovering that constraints could breed creativity in ways unlimited resources never could.Today, in our age of infinite digital possibility, we see a curious phenomenon: young creators deliberately adding analog imperfections to their perfectly digital recordings. They're simulating tape hiss, vinyl scratches, and tube saturation using software plugins. We have the technology to create flawless audio, yet we choose to add flaws back in.What does this tell us about our relationship with technology and authenticity?There's something deeply human about working within constraints. Twitter's original 140-character limit didn't stifle creativity—it created an entirely new form of expression. Instagram's square format—a deliberate homage to Polaroid's instant film—forced photographers to think differently about composition. Think about that for a moment: Polaroid's square format was originally a technical limitation of instant film chemistry and optics, yet it became so aesthetically powerful that decades later, a digital platform with infinite formatting possibilities chose to recreate that constraint. Even more, Instagram added filters that simulated the color shifts, light leaks, and imperfections of analog film. We had achieved perfect digital reproduction, and immediately started adding back the "flaws" of the technology we'd left behind.The same pattern appears in video: Super 8 film gave you exactly 3 minutes and 12 seconds per cartridge at standard speed—grainy, saturated, light-leaked footage that forced filmmakers to be economical with every shot. Today, TikTok recreates that brevity digitally, spawning a generation of micro-storytellers who've mastered the art of the ultra-short form, sometimes even adding Super 8-style filters to their perfect digital video.These platforms succeeded not despite their limitations, but because of them. Constraints force innovation. They make the infinite manageable. They create a shared language of creative problem-solving.Lo-fi music operates on the same principle. When you can't capture perfect clarity, you focus on capturing perfect emotion. When your equipment adds character, you learn to make that character part of your voice. When technical perfection is impossible, artistic authenticity becomes paramount.This is profoundly relevant to how we think about artificial intelligence and human creativity today. As AI becomes capable of generating increasingly "perfect" content—flawless prose, technically superior compositions, aesthetically optimized images—we find ourselves craving the beautiful imperfections that mark something as unmistakably human.Walking through any record store today, you'll see teenagers buying vinyl albums they could stream in perfect digital quality for free. They're choosing the inconvenience of physical media, the surface noise, the ritual of dropping the needle. They're purchasing imperfection at a premium.This isn't nostalgia—most of these kids never lived in the vinyl era. It's something deeper: a recognition that perfect reproduction might not equal perfect experience. The crackle and warmth of analog playback creates what audiophiles call "presence"—a sense that the music exists in the same physical space as the listener.Lo-fi music replicates this phenomenon in digital form. It takes the clinical perfection of digital audio and intentionally degrades it to feel more human. The compression, the limited frequency range, the background noise—these aren't bugs, they're features. They create the sonic equivalent of a warm embrace.In our hyperconnected, always-optimized digital existence, lo-fi offers something precious: permission to be imperfect. It's background music that doesn't demand your attention, ambient sound that acknowledges life's messiness rather than trying to optimize it away.Here's where it gets philosophically interesting: we're using advanced digital technology to simulate the limitations of obsolete analog technology. Young producers spend hours perfecting their "imperfect" sound, carefully curating randomness, precisely engineering spontaneity.This creates a fascinating paradox. Is simulated authenticity still authentic? When we use AI-powered plugins to add "vintage" character to our digital recordings, are we connecting with something real, or just consuming a nostalgic fantasy?I think the answer lies not in the technology itself, but in the intention behind it. Lo-fi creators aren't trying to fool anyone—the artifice is obvious. They're creating a shared aesthetic language that values emotion over technique, atmosphere over precision, humanity over perfection.In a world where algorithms optimize everything for maximum engagement, lo-fi represents a conscious choice to optimize for something else entirely: comfort, focus, emotional resonance. It's a small rebellion against the tyranny of metrics.As artificial intelligence becomes increasingly capable of generating "perfect" content, the value of obviously human imperfection may paradoxically increase. The tremor in a hand-drawn line, the slight awkwardness in authentic conversation, the beautiful inefficiency of analog thinking—these become markers of genuine human presence.The challenge isn't choosing between analog and digital, perfection and imperfection. It's learning to consciously navigate between them, understanding when limitations serve us and when they constrain us, recognizing when optimization helps and when it hurts.My small speakers taught me something important: sometimes the best technology isn't the one with the most capabilities, but the one whose limitations align with our human needs. Lo-fi music sounds perfect on imperfect speakers because both embrace the same truth—that beauty often emerges not from the absence of flaws, but from making peace with them.In our quest to build better systems, smarter algorithms, and more efficient processes, we might occasionally pause to ask: what are we optimizing for? And what might we be losing in the pursuit of digital perfection?The lo-fi phenomenon—and its parallels in photography, video, and every art form we've digitized—reveals something profound about human nature. We are not creatures built for perfection. We are shaped by friction, by constraint, by the beautiful accidents that occur when things don't work exactly as planned. The crackle of vinyl, the grain of film, the compression of cassette tape—these aren't just nostalgic affectations. They're reminders that imperfection is where humanity lives. That the beautiful inefficiency of analog thinking—messy, emotional, unpredictable—is not a bug to be fixed but a feature to be preserved.Sometimes the most profound technology is the one that helps us remember what it means to be beautifully, imperfectly human. And maybe, in our hybrid analog-digital world, that's the most important thing we can carry forward.Let's keep exploring what it means to be human in this Hybrid Analog Digital Society.End of transmission.______________________________________
Welcome to Spooktober! It's my favorite month on History Fix because I get to bust out all of the spooky stories I've been saving. This week, we're talking about the notorious serial killer who operated in New Orleans in the nineteen teens known as the Axeman. The Axeman attacked strictly Italian grocers, breaking into their houses with stolen axes to bludgeon them to death. This guy has been embraced by popular culture, appearing on television shows like American Horror Story, not because of his brutal acts or the fact that we still have no idea who he was today. He's been embraced mostly because of a letter that was published in the local newspaper purporting that he loved jazz music and would spare anyone listening to jazz on a particular night in the spring of 1919. But who was the Axeman? And what does any of this have to do with jazz? Let's fix that. Support the show! Join the Patreon (patreon.com/historyfixpodcast)Buy some merchBuy Me a CoffeeVenmo @Shea-LaFountaineSources: "The Axeman of New Orleans: The True Story" by Miriam DavisCountry Roads Magazine "The Axeman of New Orleans"Smithsonian Magazine "The Axeman of New Orleans Preyed on Italian Immigrants"The Historic New Orleans Collection "The Mysterious Axeman's Jazz"Wikipedia "Axeman of New Orleans"Shoot me a message!
Tom Tallman hosts two hours of of jazz favorites.
Hosts of the 95bFM Jazz Show Miss Dom and Blind Mango Chutney are your Bosom Selectas this week! Tune in to the Jazz Show every Sunday from 12pm - 2pm. Whakarongo mai nei!
Go to https://www.HelloFresh.com/REJECTS10FM now to Get 10 Free Meals + a Free Item per box for Life with an active subscription! Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With 3 Seasons down & Dexter: Resurrection still garnering rave reviews, John & Andrew are BACK to continue their Dexter Season 3 Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Andrew Gordon & John Humphrey dive into Dexter Season 4 Episodes 1–4 in this Reaction, Review, Commentary, Analysis, and Breakdown of Showtime's hit psychological crime thriller. The series follows Dexter Morgan (Michael C. Hall – Six Feet Under, Gamer), a blood-spatter analyst for Miami Metro Police who moonlights as a vigilante serial killer. In Season 4, Dexter faces his most dangerous adversary yet: Arthur Mitchell, aka the Trinity Killer (John Lithgow – The Crown, Third Rock from the Sun), a chilling family man hiding his monstrous crimes. Lauren Vélez (Oz, Ugly Betty) returns as Lt. María LaGuerta, while David Zayas (Gotham, Blue Bloods) plays Detective Angel Batista. Jennifer Carpenter (The Exorcism of Emily Rose, Limitless) stars as Debra Morgan, Dexter's foul-mouthed but loyal sister, with James Remar (The Warriors, Once Upon a Time in Hollywood) as Harry Morgan, Dexter's ghostly conscience. C.S. Lee (Chuck, The Nine Lives of Chloe King) plays the quirky forensic specialist Vince Masuka, while Desmond Harrington (Gossip Girl, Rescue Me) reprises his role as Detective Joey Quinn. Episodes 1–4 set the stage for one of the show's most iconic arcs: Dexter struggling with fatherhood while balancing his dark urges, Debra's deepening investigation, Batista and LaGuerta's romantic entanglement, and the shocking early discoveries about Trinity's ritualistic murders. Key moments include Dexter's chaotic attempts at juggling his new baby Harrison's needs, his fateful car accident that risks exposing his secret, and Trinity's horrifying bathtub scene that instantly cements him as one of television's scariest villains. Join us as we break down the tension, dark humor, and character dynamics that make this season a fan favorite in the Dexter franchise! Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Adam Sieff has had a fascinating career in the UK music business. He's been a session guitar player and record producer, the manager of Tower Records UK jazz department, Sony Music UK's Director of Jazz, a record label executive, and currently he writes for UK Jazz News and broadcasts two radio shows. My featured song is “The Cut Of The Knife”, my recent single and on the compilation album What's Up. Spotify link.------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH ADAM:adamsieff.substack.com—----------------------------------------ROBERT'S NEWEST SINGLE:“SUNDAY SLIDE” is Robert's newest single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S NEWEST ALBUM:“WHAT'S UP!” is Robert's new compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com
The BEST Independent Music Artists & Singers from around the world: EDM, Indie Rock, Indie Pop, Hip Hop, R & B, Rap, reggae, Jazz, Country, Folk, & more...Hosted by DTongAdvertising & Sponsorship: http://goo.gl/ioP6HwGuaranteed Song Play & Promotion: http://goo.gl/4aD98wBROUGHT TO YOU BY:Teaching Academic Seminar with Purposehttps://bit.ly/4n8hTuXThe One Behind The Lens w/ Kate DeCostehttps://bit.ly/4gLnbdsTalking To The Moon by Ineda Pearlhttps://bit.ly/3Ki48LsThe Original Influencer: Indie Filmhttps://bit.ly/48oqULEBibbit.ai: The Child-Safe AI Chatbothttps://tinyurl.com/mvy469vvFitscapadeshttps://fitscapades.buzzsprout.comAlso New Music from:Murchy3 'Limitation'Newhaven 'Guiding Light'EarthTones 'Lets Go'Party Muscle 'I Belong'Bruno Costa 'Estatus'Aaron Watson III 'This Life'Kiya 'I Cry'DJai 'Big Bizzness'Poetic Music Lab 'Sad Songs'Viva Cristo Rey 'I Cant Lie'D-Grade 'Dream Echoes'Hard-R w/ a Triple PlayBirthday At The Morgue 'The Gift'Crystal Lalucci 'Liqs'Doctah 'Self Medicated'Frankie 'Im Sorry'Esco Darrell 'Stay On Ten'Bratty Bonnie 'Whats Beef'D Scott ft Don 'At The Top'Ken Kansky 'Jetsam 18'Alex Petion 'Baby Girl'Catch the show on iTunes, Spotify, iHeartRadio, PlayerFM, TuneIn, Soundcloud, & www.DTongRadio.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/dtong-radio-indie-music-showcase--954466/support.
Here a few more memorable finds from our weekly listening so you can go straight to the heart of today's vibrant West Coast, East Coast and European jazz scenes. The playlist features Vincent Peirani; Ballaké Sissoko, Vincent Segal, Emile Parisien; Carmen Staaf [pictured]; SML; Rachel Eckroth; Olivier Van Niekerk. Detailed playlist at https://spinitron.com/RFB/pl/21274558/Mondo-Jazz [from "Time Reflections: Clessidra" to "Strange Meeting"]. Happy listening!
Hey there! It's Michael here — and welcome back to another Happy English, Phrasal Verb Friday. I'm here every Friday, with a quick, one-point English lesson to help you learn one new phrasal verb and sound more natural when you speak. Today's phrasal verb is jazz up.When you jazz something up, it means you make it more interesting, exciting, or attractive. It's like giving something a little extra style or energy. Like, my friend Lisa was hosting a party last weekend. She jazzed up her living room with some cool lights and a new playlist. At work, Tony jazzed up his presentation by adding some funny memes. And me? Well, I jazzed up my dinner the other night by adding some hot chili sauce.So how about you? Do you like to jazz up your cooking, your house, or maybe even your social media posts? Leave a comment below, and remember to follow or subscribe so you don't miss the next Happy English Podcast and next week's Phrasal Verb Friday. Thanks for listening — and until next time, keep learning and keep it cool.Join my Podcast Learner's Study Group here: https://learn.myhappyenglish.com/plsgVisit my website for over 3,000 free English lessons: https://www.myhappyenglish.com/My AI English Tutor is HERE
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
Catch “The Drive with Spence Checketts” from 2 pm to 6 pm weekdays on ESPN 700 & 92.1 FM. Produced by Porter Larsen. The latest on the Utah Jazz, Real Salt Lake, Utes, BYU + more sports storylines.
Now that Jonathan Kuminga is in the fold, how did the Warriors do on the deal and what can they be on the floor this year with Al Horford et al? The hole keeps getting deeper for the LA Clippers as the circumvention allegations grow.What do we make of the Quentin Grimes situation in Philly, and is there actual reason for optimism there?Why did the Jazz agree not to extend Walker Kessler? And how should Houston handle the Tari Eason negotiations?Finally, we discuss which teams do the best and worst jobs of negotiating with their own players. Dunc'd On Prime is the only place to get every episode with Nate & Danny, plus every pod with John Hollinger & Nate as well! DuncdOn.SupportingCast.FM Subscribe on YouTube to see our hilarious faces and, more importantly, see the key moments from the pod each week.Or, sign up for our FREE mailing list to get Dan Feldman's Daily Duncs with all the major topics around the league twice a week. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Giants and Saints heat up with fiery calls and hot takes, while Robby Berger fumes over Marlins Man at Yankee Stadium. Jerry highlights Austin Wells' clutch single sending Jazz home, rookie pitchers ready to shine, and Malik Nabers primed to sign. Jaxson Dart talks his chip on the shoulder, Francesa delivers the “Tension Convention,” and Spencer Rattler stays winless at 0-10—all while Boomer tips his hat to the Saints' offense.
Dillon Gabriel gets the start for the Browns, while Boomer debates Shedeur's best landing spot with Patrick Mahomes. The Yankees shine as Jazz scores on Austin Wells' single and dazzles in the field, with Boone facing questions after Game 1. NFL chatter heats up—Gio weighs his knockout picks with Lions favored and Cardinals tempting over the Titans. Francesa calls it a “tension convention,” and Gio wonders which teams Boomer still has strong feelings about.
Ben Rice and Jazz Chisholm, benched in Game 1, lit up the field while Fernando Cruz and Jazz brought nonstop energy. Boomer fumes over analytics keeping hot bats out and drops a scorcher—no Stanton in tonight's lineup! Jerry returns with live sound, kicking off with Austin Wells ripping one down the line and Jazz flying home. Callers swear the baseball gods were on the Yankees' side, while postgame chatter included Jaxson Dart's Saints snub. The hour wraps with passionate fan calls, proving Bronx pride never sleeps!
The Yankees bounced back in Game 2 with Ben Rice and Jazz Chisholm lighting it up, while Austin Wells' clutch single sent Jazz home and postgame interviews fueled the excitement. Jerry delivered all the sounds, from Rickie Ricardo calling the action in Spanish to Boone fielding questions about Jazz not starting Game 1, as Francesa dubbed it a “tension convention.” NFL drama ran hot too—Dillon Gabriel starts for the Browns, Shedeur Sanders struggles, Spencer Rattler stays winless, and Boomer tipped the Saints' offense. Across baseball and football, hot bats, hot takes, and chips on shoulders kept the hour buzzing.
Austin Wells rips a single down the line to score Jazz, while Ben Rice launches a first-inning homer and dishes postgame. Mookie Betts shines as Dodgers roll on, Jerry previews Jaxson Dart's Giants heading to New Orleans minus Malik Nabers, and Jayden Daniels can't hide his glee over the Mets missing the playoffs!
Jerry opened with Austin Wells ripping one down the line and Jazz flying home from first, as even callers said the baseball gods were on the Yankees' side. Postgame reaction poured in from the clubhouse, and Jerry noted Jaxson Dart's chip after the Saints passed on him in the draft.
The Yankees roared back in Game 2 behind Ben Rice and Jazz Chisholm, who lit it up after riding the bench in the opener. Fernando Cruz and Jazz fueled the energy, while Boomer blasted analytics for ignoring hot bats and sitting game-changers when it mattered.