Podcasts about liberation music orchestra

In onda Gigi Longo. Musiche: Bob Moses, Cassie Kinoshi's Seed, Dave Holland Octet, Mike Westbrook & Company, Fred Pallem and Friends, Kip Hanrahan, Charlie Haden & the Liberation Music Orchestra.

Liberation Music Orchestra.Escuchar audio

La Liberation Music Orchestra de Charlie Haden, con arreglos y dirección de Carla Bley, tocando 'Rabo de nube' -de Silvio Rodríguez, arreglo de Karen Mantler, hija de Carla-, 'Sandino', 'Not in our name', 'Adagio' -de Samuel Barber-, 'This is not America'-de Pat Metheny, Lyle Mays y David Bowie- y 'Going home' -basada en el largo de la 'Sinfonía del nuevo mundo' de Dvorak-. Además, 'At first sight', 'Falo do amor' y 'A volta', del último disco de Eliane Elias 'Time and again'.Escuchar audio

Charlie Haden nos dejó el 11 de julio de 2014. Recordamos al añorado contrabajista con su Quartet West ('The long goodbye', 'My love and I'), con el guitarrista Pat Metheny ('Two for the road', 'Cinema Paradiso love theme', 'Cinema Paradiso main theme'), a dúo con los pianistas Hank Jones ('Going home') y Keith Jarrett ('Dance of the infidels'), en trío con el pianista Gonzalo Rubalcaba y el baterista Ignacio Berroa ('Nocturnal'), en cuarteto con Rubalcaba, el saxofonista Joe Lovano y el violinista Federico Britos Ruiz ('En la orilla del mundo'), con el saxofonista Jan Garbarek y el pianista y guitarrista Egberto Gismonti ('Palhaço') y con la Liberation Music Orchestra ('Not in our name').Escuchar audio

Hace unos días nos ha dejado Carla Bley. Recordamos a la compositora, pianista, arreglista y directora de orquesta californiana con 'Ladies in Mercedes' -de su disco 'Duets' con Steve Swallow-, 'The girl who cried champagne' y 'Lawns -del disco 'Sextet'-, 'Pretend you´re in love' -de 'Night-Glo- y 'This is not America', de Pat Metheny, Lyle Mays y David Bowie, y 'Adagio for strings' de Samuel Barber -del disco de la Liberation Music Orchestra 'Not in our name'-. Además, los brasileños Bebel Gilberto ('É preciso perdoar', 'Undiú') y Amaro Freitas ('Sankofa', 'Ayeye') que actúan la semana próxima en Madrid y Barcelona. Escuchar audio

Nell'aprile del 1969 Charlie Haden riunisce a New York una straordinaria compagine, con cui registra l'Lp Liberation Music Orchestra. Nel passaggio fra anni sessanta e settanta l'album fra epoca: è uno dei dischi che rappresentano il canto del cigno del free jazz, e, carico delle urgenze degli anni sessanta, è allora - e rimane a tutt'oggi - uno dei più riusciti esempi di impegno politico nel jazz. Fra i brani Song of the United Front, scritta nel '34 da Eisler/Bracht per sostenere il fronte unito fra socialdemocratici e comunisti nella lotta contro il nazismo. Nell'album Song of the United Front precede una ampia medley in cui con straordinario pathos l'orchestra interpreta tre canzoni repubblicane della guerra di Spagna. Nel disco Haden ha anche l'ardire di inserire una sua composizione - Song for Che - dedicata ad Ernesto Che Guevara, che era stato ucciso solo due anni prima. Haden pagherà cara la sua audacia politica: benché l'album venga considerato un capolavoro, per anni Haden non riuscirà ad incidere album a suo nome, e dovrà aspettare l'82 per incidere un'altro album orchestrale nello spirito di Liberation Music Orchestra, The Ballad of the Fallen, nel quale torna fra l'altro sulla guerra civile spagnola e dedica un brano a Dolores Ibarruri, la Pasionaria di "No pasaran". Nel '71, durante un concerto del quartetto di Ornette Coleman a Cascais, in Portogallo, Haden dedica il suo Song for Che "ai movimenti di liberazione dei popoli neri del Mozambico, dell'Angola e della Guinea", che stanno conducendo la lotta armata contro il colonialismo portoghese: in Portogallo c'è la dittatura fascista di Marcelo Caetano e Haden viene arrestato dalla polizia politica. Il 25 aprile 1974 Caetano è rovesciato da un sollevamento di militari democratici. In The Ballad of The Fallen Haden interpreta Grandola Villa Morena, la canzone che poco dopo la mezzanotte del 24 aprile aveva dato il segnale di inizio dell'operazione insurrezionale, mentre nel '76 intitola For a Free Portugal un suo duo con Paul Motian, in cui campiona il sonoro di un'azione militare del Movimento di Liberazione dell'Angola.

Angles es una de las formaciones más apasionadas e interesantes del saxofonista y compositor sueco Martin Küchen. Con un sonido caracterizado por una particular mezcla entre el jazz espiritual de raíz africana en general y los Brotherhood Of Breath en particular, los arreglos de Mingus y las composiciones solemnes de inspiración hispana en contexto casi free propias de la Liberation Music Orchestra; esta formación va afianzando una identidad musical cada vez más sólida y reconocible sin dejar de sorprender disco tras disco. Estamos ante una de las bandas más excitantes del panorama contemporáneo europeo y no podíamos obviarla a la hora de hacerle un monográfico necesario. Repertorio: Angles - My World of Mines - Every Woman Is A Tree Angles - Today Is Better Than Tomorrow (Epileptical West) Angles 8 - By Way Of Deception (Lets Speak About The Weather (And Not About The War) Angles 9 - Injuries (Injuries) Angles 9 - European Boogie (Injuries)

Charlie Haden, Geri Allen & MorePaul Motian Jazz with Charlie Haden, Geri Allen Dewey Redman. Readings from the Paul Motian Archive.Set List: https://jazzcloset.blogspot.com/2022/08/charlie-haden-geri-allen-and-more.htmlPhoto: Charlie Haden's Liberation Music Orchestra in Montreal 1989 photo: ©Jan-Henri Thijs

Charlie Haden, Ornette Coleman and MoreJazz with Paul Motian and Charlie Haden, Geri Allen, The Liberation Music Orchestra and Ornate Coleman. Readings from the Paul Motian ArchiveSet List: https://jazzcloset.blogspot.com/2022/06/charlie-haden-ornette-coleman-and-more.htmlPhoto: Geri Allen, Charlie Haden 1987 ©Ruth Cameron

Rock Around The Blog perehtyy rockin alkuperäiseen syntiseen soolosoittimeen, saksofoniin. Fonin historiasta ja merkityksestä keskustelevat esimerkkien kautta Sami Ruokangas ja Pauli Kauppila. Jakson soittolista: https://open.spotify.com/playlist/7BWy6mVuUy2kTC7RmJOwJ4?si=59fbe075c83b4a01 Muista myös RATB:n FB: facebook.com/RockAroundTheBlogFinland/ Tämän jakson menossa ovat mukana Chuck Berry, Jimi Hendrix, Little Richard, Big Joe Turner, Lynyrd Skynyrd, Rolling Stones, Blues Live!, Adolphe Sax, Illinois Jacquet, Bill Haley And His Comets, Rudy Pompilli, Lee Allen, Phil Alvin, Dave Alvin, The Blasters, Jim Campilongo, Fabulous Thunderbirds, Gene Taylor, GA-20, Hound Dog Taylor, The HouseRockers, Alligator Records, Bruce Iglauer, Professor Longhair, Alvin ”Red” Tyler, Dr. John, Earl Palmer, Robert Parker, Charles Burbank, Charles Burbeck, Bobby Keys, Eric Clapton, Earl Bostic, Charlie Christian, Mickey Spillane, John Zorn, Bill Frisell, Ennio Morricone, Pink Floyd, Neville Brothers, Daniel Lanois, Brian Eno, Art Neville, Charles Neville, Aaron Neville, Cyril Neville, Bob Dylan, Tony Hall, Keith Richards, Grateful Dead, Jerry Garcia, Carlos Santana, The Meters, Booker T. & the M.G.'s, Royal Southern Brotherhood, Matt Schofield, David Bowie, Donny McCaslin, Maria Schneider, Tony Visconti, Ziggy Stardust, Alice Cooper, Arthur Brown, The Crazy World Of Arthur Brown, Screamin´ Jay Hawkins, King Diamond, John Fogerty, Sam ”The Man” Taylor, Charlie Haden Quartet West, Liberation Music Orchestra, Humphrey Bogart, Philip Marlowe, Raymond Chandler, Chet Baker, Ernie Watts, Sonny Rollins, Wayne Shorter, James Brown, Maceo Parker, Pee Wee Ellis, Fred Wesley, Marvin Gaye, Los Lobos, Steve Berlin, Thin Lizzy, Bruce Springsteen, Van Morrison, Supertramp, UFO, Michael Schenker, Paul Chapman, Paul Raymond, Neil Carter, Gary Moore, Bobby Womack, The Dirty Dozens Brass Band, Sakari Kukko, Piirpauke, Van Der Graaf Generator, Tom Waits, Clarence Clemons, Deep Purple ja Billy Joel.

Da lunedì 15 a venerdì 19 febbraio 2021La Jazz Composers Orchestra, nata negli Stati Uniti nel 1965 su iniziativa di Carla Bley e Michael Mantler, è un po' l'antesignana delle grandi formazioni di jazz d'avanguardia nate a partire dal quel periodo, al di là e al di qua dell'Atlantico.Il multistrumentista Bill Dixon aveva dato vita poco prima ad una breve esperienza analoga, alla quale avevano partecipato - durante quella che fu chiamata la Rivoluzione d'ottobre del jazz del 1964 - anche la Bley e Mantler. Nel 65 la coppia ne prese le redini e il nome si trasformò da subito in quello che conosciamo, un'esperienza che durò fina a metà degli anni 70.La Jazz Composers Orchestra divenne ricettacolo di parte della creatività nell'ambito del jazz d'avanguardia nuovayorkese e per diversi anni fu attiva in parallelo alla Liberation Music Orchestra di Charlie Haden.Fra i musicisti che vi parteciparono ricordiamo Don Cherry, Gato Barbieri, Cecil Taylor, Pharoah Sanders, Grachan Moncur III, Leroy Jenkins. L'orchestra fu protagonista anche del lavoro più importante e ambizioso di Carla Bley, la jazz-opera Escalator Over the Hill.

Da lunedì 15 a venerdì 19 febbraio 2021La Jazz Composers Orchestra, nata negli Stati Uniti nel 1965 su iniziativa di Carla Bley e Michael Mantler, è un po' l'antesignana delle grandi formazioni di jazz d'avanguardia nate a partire dal quel periodo, al di là e al di qua dell'Atlantico.Il multistrumentista Bill Dixon aveva dato vita poco prima ad una breve esperienza analoga, alla quale avevano partecipato - durante quella che fu chiamata la Rivoluzione d'ottobre del jazz del 1964 - anche la Bley e Mantler. Nel 65 la coppia ne prese le redini e il nome si trasformò da subito in quello che conosciamo, un'esperienza che durò fina a metà degli anni 70.La Jazz Composers Orchestra divenne ricettacolo di parte della creatività nell'ambito del jazz d'avanguardia nuovayorkese e per diversi anni fu attiva in parallelo alla Liberation Music Orchestra di Charlie Haden.Fra i musicisti che vi parteciparono ricordiamo Don Cherry, Gato Barbieri, Cecil Taylor, Pharoah Sanders, Grachan Moncur III, Leroy Jenkins. L'orchestra fu protagonista anche del lavoro più importante e ambizioso di Carla Bley, la jazz-opera Escalator Over the Hill.

Da lunedì 15 a venerdì 19 febbraio 2021La Jazz Composers Orchestra, nata negli Stati Uniti nel 1965 su iniziativa di Carla Bley e Michael Mantler, è un po' l'antesignana delle grandi formazioni di jazz d'avanguardia nate a partire dal quel periodo, al di là e al di qua dell'Atlantico.Il multistrumentista Bill Dixon aveva dato vita poco prima ad una breve esperienza analoga, alla quale avevano partecipato - durante quella che fu chiamata la Rivoluzione d'ottobre del jazz del 1964 - anche la Bley e Mantler. Nel 65 la coppia ne prese le redini e il nome si trasformò da subito in quello che conosciamo, un'esperienza che durò fina a metà degli anni 70.La Jazz Composers Orchestra divenne ricettacolo di parte della creatività nell'ambito del jazz d'avanguardia nuovayorkese e per diversi anni fu attiva in parallelo alla Liberation Music Orchestra di Charlie Haden.Fra i musicisti che vi parteciparono ricordiamo Don Cherry, Gato Barbieri, Cecil Taylor, Pharoah Sanders, Grachan Moncur III, Leroy Jenkins. L'orchestra fu protagonista anche del lavoro più importante e ambizioso di Carla Bley, la jazz-opera Escalator Over the Hill.

Da lunedì 15 a venerdì 19 febbraio 2021La Jazz Composers Orchestra, nata negli Stati Uniti nel 1965 su iniziativa di Carla Bley e Michael Mantler, è un po' l'antesignana delle grandi formazioni di jazz d'avanguardia nate a partire dal quel periodo, al di là e al di qua dell'Atlantico.Il multistrumentista Bill Dixon aveva dato vita poco prima ad una breve esperienza analoga, alla quale avevano partecipato - durante quella che fu chiamata la Rivoluzione d'ottobre del jazz del 1964 - anche la Bley e Mantler. Nel 65 la coppia ne prese le redini e il nome si trasformò da subito in quello che conosciamo, un'esperienza che durò fina a metà degli anni 70.La Jazz Composers Orchestra divenne ricettacolo di parte della creatività nell'ambito del jazz d'avanguardia nuovayorkese e per diversi anni fu attiva in parallelo alla Liberation Music Orchestra di Charlie Haden.Fra i musicisti che vi parteciparono ricordiamo Don Cherry, Gato Barbieri, Cecil Taylor, Pharoah Sanders, Grachan Moncur III, Leroy Jenkins. L'orchestra fu protagonista anche del lavoro più importante e ambizioso di Carla Bley, la jazz-opera Escalator Over the Hill.

Da lunedì 15 a venerdì 19 febbraio 2021La Jazz Composers Orchestra, nata negli Stati Uniti nel 1965 su iniziativa di Carla Bley e Michael Mantler, è un po' l'antesignana delle grandi formazioni di jazz d'avanguardia nate a partire dal quel periodo, al di là e al di qua dell'Atlantico.Il multistrumentista Bill Dixon aveva dato vita poco prima ad una breve esperienza analoga, alla quale avevano partecipato - durante quella che fu chiamata la Rivoluzione d'ottobre del jazz del 1964 - anche la Bley e Mantler. Nel 65 la coppia ne prese le redini e il nome si trasformò da subito in quello che conosciamo, un'esperienza che durò fina a metà degli anni 70.La Jazz Composers Orchestra divenne ricettacolo di parte della creatività nell'ambito del jazz d'avanguardia nuovayorkese e per diversi anni fu attiva in parallelo alla Liberation Music Orchestra di Charlie Haden.Fra i musicisti che vi parteciparono ricordiamo Don Cherry, Gato Barbieri, Cecil Taylor, Pharoah Sanders, Grachan Moncur III, Leroy Jenkins. L'orchestra fu protagonista anche del lavoro più importante e ambizioso di Carla Bley, la jazz-opera Escalator Over the Hill.

A las puertas de nuestro vigésimo aniversario, convocamos en Club de Jazz a nuestros colaboradores para anticipar la celebración con un festín de músicas, que se abre con "Slipknots through a looking glass", trabajo del bajista Eric Revis junto a Kris Davis (piano), Bill McHenry (saxo tenor), Darius Jones (saxo alto), Chad Taylor (batería) y Justin Faulkner (batería). Alberto Varela nos acerca en el "Jazz Porteño" a la música de su compatriota, el contrabajista Horacio Fumero, a través de una grabación junto al pianista Michael Kanan y al baterista Guillem Arnedo. El disco lleva por título "Appearing tonight". "desde mi cadiera", Jesús Moreno nos propone cuatro versiones de "Sonia", composición del sudafricano Mongezi Feza. El trompetista fue miembro de The Blue Notes, el grupo comandado por el pianista Chris McGregor y que dejó una profunda huella en el jazz europeo, especialmente en Inglaterra y Francia. Entre las versiones, una a piano solo del propio McGregor o la incluida por Robert Wyatt en su disco "Ruth is stranger than Richard" de 1975. Recibimos llamada desde Londres de Fernando Ortiz de Urbina. El tiempo de "London calling" es para "Just friends", un trabajo excepcional que reunió en 1997 al pianista Martial Solal con Gary Peacock (contrabajo) y Paul Motian (batería). El último disco del pianista Alexander Von Schlippenbach se explica en su título. "Slow pieces for Aki" es un ejercicio minimalista del germano, dedicado a su mujer, la también pianista Aki Takase. Es el poema sonoro que nos propone Ferran Esteve en "La duda y el permanente". Expresión del compromiso, la Liberation Music Orchestra de Charlie Haden publicó su primer trabajo en 1970. En él incluyó una suite de temas populares vinculados con el bando republicano en la Guerra Civil española. Nos lo propone Anxo en el tiempo de los "Ritmos Latinos". Toda la información y derechos: http://www.elclubdejazz.com

Canciones de Silvio Rodríguez en grabaciones de la Liberation Music Orchestra ('Rabo de nube'), del propio trovador cubano ('Rabo de nube', 'Canción del elegido', 'Óleo de mujer con sombrero', 'Ojalá', Pequeña serenata diurna') y de Chico Buarque ('Pequeña serenata diurna'). Y canciones de Chico Buarque en grabaciones del propio compositor y cantante brasileño ('Querido diário', 'Barafunda', 'Sinhã', 'Se eu soubesse -con Thaís Gulin-. 'Sou eu' -con Wilson das Neves-) y de Mônica Salmaso & Pau Brasil ('Construção', 'Suburbano coração', 'Partido alto'). Escuchar audio

Un collectif de 13 musiciens renommés réunit autour du contrebassiste de jazz américain, compositeur et chef d’orchestre Charlie HADEN accouchant… The post S04E03 Charlie HADEN & LIBERATION MUSIC ORCHESTRA first appeared on Radio Campus Angers.

Un collectif de 13 musiciens renommés réunit autour du contrebassiste de jazz américain, compositeur et chef d’orchestre Charlie HADEN accouchant… The post S04E03 Charlie HADEN & LIBERATION MUSIC ORCHESTRA first appeared on Radio Campus Angers.

Grabaciones de 'Rabo de nube', la canción de Silvio Rodríguez, por el cantante de jazz Kurt Elling, el pianista Danilo Pérez y la Liberation Music Orchestra de Charlie Haden dirigida por Carla Bley. Y los dúos Sambuca ('Canto de Oxalufá', 'Ponteio', 'La javanaise') y Serena Fisseau & Vincent Peirani ('La javanaise', 'Close to you', 'Malandrinha', 'Luiza'). También tenemos a Affonsinho con 'Outros outros', 'A sua voz', 'Desazuis' y 'Uns a jato, outros a pé' de su último disco. Despiden Benjamim Taubkin, Itamar Doari y João Taubkin con 'África'. Escuchar audio

Piezas de dos discos de los años ochenta de la compositora y arreglista Carla Bley: 'Night-glo' ('Pretend you´re in love', 'Night-glo', 'Rut') y 'Sextet' ('More Brahms', 'The girl who cried champagne', 'Lawns'). Y de la Liberation Music Orchestra, de Charlie Haden, bajo su dirección y con sus arreglos, 'Not in our name', 'This is not America' y 'Blue anthem'. Escuchar audio

This week's episode is about the music of bassist Charlie Haden, and features music from the very beginning of his career playing with Paul Bley and Ornette Coleman to the last recordings he made with his own Liberation Music Orchestra. Enjoy!  Questions? Comments? Requests? Email me: WNPMPod@gmail.com

Next week's episode will be about the bassist Charlie Haden, who rose to fame in Ornette Coleman's group.  In preparation, this week features a selection from his album Liberation Music Orchestra.  Enjoy, and check in next week for a full episode about Haden. Questions? Comments? Requests? E-mail me: WNPMPod@gmail.com

a cura di Alessandro Achilli. Musiche di Syd Barrett, Liberation Music Orchestra, Keith Tippett Group, Taste, Aqsak Maboul, The Westbrook Blake

a cura di Alessandro Achilli. Musiche di Syd Barrett, Liberation Music Orchestra, Keith Tippett Group, Taste, Aqsak Maboul, The Westbrook Blake

a cura di Alessandro Achilli. Musiche di Syd Barrett, Liberation Music Orchestra, Keith Tippett Group, Taste, Aqsak Maboul, The Westbrook Blake

What a great way to kick off this podcast. In our debut episode, Sarah Belle Reid talks about her new album, Underneath and Sonder, how she interfaces her trumpet with electronics, her visceral performance style, using restraint in improvisation and so much more. This is part 1 in a two part interview. https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/KQFgBAP7.jpg Order Sarah's new album, Underneath and Sonder (https://www.sarahbellereid.com/store/underneath-and-sonder) https://files.fireside.fm/file/fireside-uploads/images/e/e089de38-368c-448b-8254-b01278e56695/wVW3Ed0v.jpg Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet was developed by Sarah Reid and Ryan Gaston at California Institute of the Arts. (https://www.sarahbellereid.com/projects#/migsi/) www.sarahbellereid.com (https://www.sarahbellereid.com) Find Sarah Belle Reid on Social Media: Instagram (http://instagram.com/sarahbellereid), Facebook (http://facebook.com/sarahbellereidofficial), YouTube (http://www.youtube.com/channel/sarahbellereid), Twitter (http://twitter.com/sarahbellereid) Sarah Belle Reid is a Canadian performer-composer, specializing in trumpet and electronics, modular synthesis, and alternate forms of graphical notation for composition and improvisation. She is a co-developer of the Minimally Invasive Gesture Sensing Interface (MIGSI) for trumpet: an open-source, wireless interface that captures performance data and provides real-time extended sonic and visual control for improvisation. Reid has presented and performed with MIGSI at institutions and festivals around the world including Moogfest, Stanford University’s Center for Computer Research in Music and Acoustics (CCRMA), the International Conference of New Interfaces for Musical Expression (NIME 2015: Brisbane, Australia), New Media Art & Sound Summit (NMASS 2017: Austin, TX), University of Oregon, UT Austin, and UC Irvine's Women in Music Technology Symposium (2016), among others. As a composer, Reid’s work explores themes of time and memory imprints both in sound and physical performance—a fascination inspired by Marcel Duchamp’s writings on infrathin—as well as the integration of electronics, hybrid/new instruments, and found objects. Her compositions have been performed by renowned musicians around the world, most recently pianist Vicki Ray, Caution Tape Sound Collective (supported by Association of Canadian Women Composers and SOCAN), Los Angeles Percussion Quartet, and Vinny Golia. In 2017 her composition “Flux” for amplified percussion quartet won the Grammy-nominated Los Angeles Percussion Quartet’s Next Wave Composer Initiative. As a performer dedicated to new and experimental music, Reid has premiered over 40 works for solo trumpet, as well as multiple chamber and performance art pieces. She is a founding member of the trumpet/modular synthesizer duo Burnt Dot, dedicated to exploring open forms of spontaneous creation and electroacoustic collaboration. Additionally, Reid has worked with a wide range of musicians and ensembles in a broad range of musical genres and settings. Highlights include Charlie Haden, Wadada Leo Smith, David Rosenboom, Todd Barton, Liberation Music Orchestra, KREation Ensemble, Orchestre de la Francophonie, and the Montreal Symphony Pops Orchestra, Julia Holter, Adele, Avey Tare (Animal Collective), and Estrella TV. As a scholar, Reid has studied with music technology leaders Dr. Ajay Kapur and Dr. Perry Cook, and published technical and theoretical papers on the subjects of interdisciplinary process and collaboration, musical interface design, and alternate methods of musical notation. Reid has been an invited speaker and guest artist at Stanford University, Hendrix University, University of Oregon, University of California, Santa Barbara, University of Southern California, UC Irvine’s Women in Music Technology symposium, the European Society for the Cognitive Sciences of Music, and the international conference of New Interfaces for Musical Expression (NIME). Reid received a Bachelor of Music in trumpet performance from McGill University’s Schulich School of Music and a Master of Fine Arts from the California Institute of the Arts, where she is currently on faculty teaching music technology (Music Technology: Interaction, Intelligence, and Design), and music theory. Episode Sponsor: Boutique Pedal NYC (http://www.boutiquepedalnyc.us/)

la musica di Charlie Haden nelle istanze libertarie del 1969, poi Eurovision con quattro vincitori e un classicone di Mina

la musica di Charlie Haden nelle istanze libertarie del 1969, poi Eurovision con quattro vincitori e un classicone di Mina

Jazz and the spirit, and the spirit of Jazz. Here's the playlist: 1. Charlie Haden & The Liberation Music Orchestra “We Shall Overcome” from Dream Keeper on Universal Music Division Decca Records France 2. Alice Coltrane “Journey in Satchidananda” from Journey in Satchidananda (1971) on GRP Records 3. Mor Thiam “Ayo Ayo Nene” from Spiritual Jazz on Jazzman 4. Matthew Halsall “The Sun In September” from Fletcher Moss Park on Gondwana Records 5. Alice Coltrane “Om shanti” from World Spirituality Classics 1: The Ecstatic Music of Alice Coltrane Turiyasangitananda on Luaka Bop (USA) 6. Makaya McCraven “Holy Lands” from Universal Beings (CD, 2018) on P-VINE RECORDS 7. Lonnie Liston Smith “Expansions” from Love Is the Answer (Expanded) (1980) 8. Nina Simone “If You Pray Right” from Baltimore (1978) 9. Idris Muhammad “Loran's Dance” from CTI CD Catalogue on Sony Music Media Wishing you Peace during the Holy Days!

Part 2 of the formative recordings of jazz musician, fan, and organizer, Craig Paterson.   You’ll hear some Miles, some Keith Jarrett, Wayne Shorter, John Coltrane, Liberation Music Orchestra, and Phil Dwyer.  Great music! And some great stories—-especially Craig’s description of a piano workshop led by Keith Jarrett that he attended.  And his delightful description of…Continue reading Episode 49, Craig Paterson’s Formative Recordings, Part 2

2-time GRAMMY Award winner and 4-time GRAMMY Nominee, saxophonist and composer Ernie Watts joins the show for the first time! He has been playing the saxophone for more than fifty years and from age 16 on he has been playing professionally, initially while still attending school. He won a Downbeat Scholarship to the Berklee College of Music in Boston. While studying at Berklee, Watts was recommended by trombonist Phil Wilson (a Berklee professor) to replace Gene Quill in Buddy Rich's Big Band, and left Berklee. Watts stayed with Rich from 1966-1968 and toured the world, also recording two albums with the band-Big Swing Face and The New One. Next, Watts moved to Los Angeles and began working in the big bands of Gerald Wilson and Oliver Nelson. With the Nelson band, Watts visited Africa on a U.S. State Department tour in 1969. In addition, Watts had the occasion to record with the legendary Thelonious Monk on the album “Monk's Blues” (Columbia). During the 1970s and '80s, Watts was immersed in the busy production scene of Los Angeles. His signature sound was heard on countless TV shows and movie scores, almost all the early West Coast Motown sessions, and with pop stars such as Aretha Franklin and Steely Dan. Watts has been featured on over 500 recordings by artists ranging from Cannonball Adderley to Frank Zappa. In 1982 Watts won the Grammy for best Best Pop Instrumental Performance for the “Chariots of Fire Theme (Dance Version)” In 1983, Watts performed with Charlie Haden's Liberation Music Orchestra and also toured with Pat Metheny's Special Quartet. In 1985, Watts won the Grammy Best R&B Instrumental Performance (Orchestra, Group Or Soloist) for Musician. Watts' charter membership in Haden's critically-acclaimed Quartet West, continued for almost 30 years until Haden's death. He has recorded 15 albums as a leader, for a variety of labels large and small, and in 2004, Watts started Flying Dolphin Records, releasing a series of critically acclaimed albums such as Alive, Spirit Song, Analog Man, To the Point, Four plus Four, Oasis and 2016's Wheel of Time. We talk about how he got his start playing music and how he developed, working with Buddy Rich, Thelonious Monk, his extensive studio work in the 70s and 80s, his GRAMMY Award winning recordings, his improvisational style as a solo artist, his solo discography and much, much more!

El trompetista estadounidense (padre iraquí) Amir ElSaffar lidera en "Rivers of sound: not two" un ambicioso proyecto que reúne a diecisiete músicos con nombres tan relevantes del jazz como Craig Taborn (piano) y Nasheet Waits (batería), músicos árabes como el palestino Tareq Abboushi (buzuq) y sus habituales colaboradores Carlo DeRosa (contrabajo) y Ole Mathisen (saxo), entre otros. En esta edición de 'Club de Jazz' del 27 de septiembre de 2017 estrenamos "Unfiltered universe", tercer disco del proyecto Invocation del guitarrista paquistaní Rez Abbasi. Grupo de lujo que lo componen Rudresh Mahanthappa (saxo alto), Vijay Iyer (piano), Dan Weiss (percusión) y Johannes Weindenmueller (conetrabajo), y al que se suma en esta ocasión la chelista Elizabeth Mikhael. Cerramos con "desde mi cadiera", la sección de Jesús Moreno, al que en esta ocasión le duelen (o algo así) las Españas y reflexiona acudiendo al trabajo fundacional de la Liberation Music Orchestra, de Charlie Haden. Toda la información y derechos: http://www.elclubdejazz.com

El trompetista estadounidense (padre iraquí) Amir ElSaffar lidera en "Rivers of sound: not two" un ambicioso proyecto que reúne a diecisiete músicos con nombres tan relevantes del jazz como Craig Taborn (piano) y Nasheet Waits (batería), músicos árabes como el palestino Tareq Abboushi (buzuq) y sus habituales colaboradores Carlo DeRosa (contrabajo) y Ole Mathisen (saxo), entre otros. En esta edición de 'Club de Jazz' del 27 de septiembre de 2017 estrenamos "Unfiltered universe", tercer disco del proyecto Invocation del guitarrista paquistaní Rez Abbasi. Grupo de lujo que lo componen Rudresh Mahanthappa (saxo alto), Vijay Iyer (piano), Dan Weiss (percusión) y Johannes Weindenmueller (conetrabajo), y al que se suma en esta ocasión la chelista Elizabeth Mikhael. Cerramos con "desde mi cadiera", la sección de Jesús Moreno, al que en esta ocasión le duelen (o algo así) las Españas y reflexiona acudiendo al trabajo fundacional de la Liberation Music Orchestra, de Charlie Haden. Toda la información y derechos: http://www.elclubdejazz.com

Octavo capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Solo in Mondsee", de Paul Bley; "Aurora", de Ran Blake y Sara Serpa; "Time/Life", de la Liberation Music Orchestra, de Charlie Haden. Toda la información y derechos: http://www.elclubdejazz.com

Octavo capítulo de 'Clásicos del Siglo XXI', producción de 'Club de Jazz' para Radio Vitoria (EiTB), en el que escuchamos algunos trabajos publicados en este comienzo de siglo y que, en opinión del programa, son ya clásicos de nuestro tiempo. En este podcast escuchamos: "Solo in Mondsee", de Paul Bley; "Aurora", de Ran Blake y Sara Serpa; "Time/Life", de la Liberation Music Orchestra, de Charlie Haden. Toda la información y derechos: http://www.elclubdejazz.com

El contrabajista y compositor Charlie Haden no sólo llevó la reivindicación política a su música por medio de la Liberation Music Orchestra, sino que en la grabación Old And New Dreams (ECM, 1979), realizaba por medio de “Song For The Whales” un grito ecologista a favor de las ballenas, acompañado por Don Cherry, Ed Blackwell y Dewey Redman. © Pachi Tapiz, 2017 Malditos Jazztardos es un podcast de jazz… para quienes no saben que les gusta el jazz. Malditos Jazztardos está editado, presentado y producido por Pachi Tapiz. Toda la información de MJ 12 en http://www.tomajazz.com/web/?p=29118. Toda la información de MJ en http://www.tomajazz.com/web/?cat=18516.

www.lossonidosdelplanetaazul.com / La tercera entrega de Michel Camilo y Tomatito, “Spain Forever”, reúne clásicos contemporáneos instrumentales en un “tono más reposado, de conocimiento profundo, de relación de largo recorrido”, bellísimas piezas E. Gismonti, A. Piazzolla, E. Satie, D. Reinhardt,… El álbum del pianista dominicano y el guitarrista almeriense encabeza las novedades que traemos en esta edición donde también escuchamos por primera vez los nuevos trabajos de Charlie Haden · Liberation Music Orchestra “Time / Life (Song for the whales and other beings” ?el gran compositor y contrabajista falleció en el verano de 2014?, Albert Sanz “Mediterraníes” e Isabel Vinardell & Isabel Laudenbach “A Solas”. A la memoria de Enrique Romero (Bogotá, 28 agosto 1958 ? Barcelona, 6 noviembre 2016), productor, locutor, fundador de Radio Gladys Palmera y experto en música latina y antillana.

La pianista Irene Aranda presenta su segundo piano solo, "Phonophobia". En esta edición de 'Club de Jazz' del 7 de diciembre de 2016 escuchamos a la jiennense. Además, "Folk souvenir", trabajo de la cantante mallorquina Joana Gomila sobre el folclore de su isla natal. Tiempo también para "Time/Life", trabajo de la Liberation Music Orchestra, de Charlie Haden, dirigida por Carla Bley. Y una hora dedicada a "A multitude of angels", la cuádruple caja de grabaciones del pianista Keith Jarrett con conciertos a solo grabados en Italia en 1996. Toda la información y derechos: http://www.elclubdejazz.com

La pianista Irene Aranda presenta su segundo piano solo, "Phonophobia". En esta edición de 'Club de Jazz' del 7 de diciembre de 2016 escuchamos a la jiennense. Además, "Folk souvenir", trabajo de la cantante mallorquina Joana Gomila sobre el folclore de su isla natal. Tiempo también para "Time/Life", trabajo de la Liberation Music Orchestra, de Charlie Haden, dirigida por Carla Bley. Y una hora dedicada a "A multitude of angels", la cuádruple caja de grabaciones del pianista Keith Jarrett con conciertos a solo grabados en Italia en 1996. Toda la información y derechos: http://www.elclubdejazz.com

La Liberation Music Orchestra de Charlie Haden presenta "Time/Life", primer disco publicado tras la muerte del contrabajista. En esta edición de 'Club de Jazz' del 23 de noviembre de 2016, escuchamos los dos temas en directo incluidos en el disco con la presencia de Haden y el tema que Carla Bley le dedicó tras su fallecimiento. Además, conversación con el trompetista noruego Didrik Ingvaldsen, que celebra los 30 años de actividad de su proyecto Pocket Corner. Como colofón, escuchamos en exclusiva una parte de su actuación el pasado 8 de noviembre en Huesca. Toda la información y derechos: http://www.elclubdejazz.com

La Liberation Music Orchestra de Charlie Haden presenta "Time/Life", primer disco publicado tras la muerte del contrabajista. En esta edición de 'Club de Jazz' del 23 de noviembre de 2016, escuchamos los dos temas en directo incluidos en el disco con la presencia de Haden y el tema que Carla Bley le dedicó tras su fallecimiento. Además, conversación con el trompetista noruego Didrik Ingvaldsen, que celebra los 30 años de actividad de su proyecto Pocket Corner. Como colofón, escuchamos en exclusiva una parte de su actuación el pasado 8 de noviembre en Huesca. Toda la información y derechos: http://www.elclubdejazz.com

Time Life (Impulse!, 2016; gr.2011 -2015) de Charlie Haden Liberation Music Orchestra, Musical Monsters (Intakt, 2016; gr.1980) de Don Cherry – John Tchicai – Irène Schweizer – Léon Francioli – Pierre Favre; Streams (ECM, 2016; gr. 2015) de Jakob Bro (junto a Thomas Morgan y Joey Baron) en HDO 188. © Pachi Tapiz, 2016 HDO es un podcast editado, producido y presentado por Pachi Tapiz. Toda la información de HDO en http://www.tomajazz.com/web/?cat=13298

Segundo jueves de mes que nos sirve para poner en antena una nueva entrega de nuestros "Míticos a 33 revoluciones". Discos históricos de la discografía jazzística al giradiscos. En este cuarto capitulo.. "The Blues and the Abstract Truth" de Oliver Nelson, "All or nothing at all" con Billie Holiday, "The Sermon" por Jimmy Smith y Charlie Haden y su "Liberation Music Orchestra" del 69. Paul Motian firma "Over the Rainbow", nuestro estándar de la semana y Julián Sánchez y Javier Galiana el... canalextremadura.es

Ramblin' Man....  Happy Birthday.Listening to music makes me happy in some ways. Look, here I am listening to ... .. . good lord: Bauhaus of all things.... and I'm not in a bad mood. I actually remember Seattle '99, a studio with 5 friends. One of whom, Tom (mother' stills owes me for the phone bill) shooting coke and listening to this proto-industrial rumble. Good Times. If music was invented today they'd make it illegal. Music is an altered state in the same way that a deep conversation is mind fuck. I hear the Special's "Ghost Town" and I remember that roadtrip where I totally faked fanhood cause I hoped to get laid.How much of my current list is based off that premise? Shit, I may not be the best with the ladies, but all of them have turned me on to music which is in-arguably essential. The Pixies, The Talking Heads, Paul Oakenfold, Neutral Milk Hotel .. . I should make a list of the the sounds I got turned on to and who did it too me. Honestly, it would be a mixed bag, I should shelve that for a bit I guess.I'm pretty mixed up about all this stuff actually. Torn between celebrating and crying have I been reduced to that?  I actually started to deal with deep buried emotional pain earlier this week, I might be getting to the point of maturity where I can spout masturbatory monologues of how life done me wrong and not actually be sarcastic anymore. Ah shit! Another round! Round the sun - open the bottle and let us listen to this music that I like ... . . I may never be Lester Bangs, I may yet be E. O. Wilson though. Fuck this life is getting on without me. I better lower that bar; I may never be myself but at least I won't be my dad. Danbert Nobacon - Nixon is my dentist I got my Obama shirt in the mail today. I do believe it is an omen. Got the Hope? Hank Williams III - Pills I TookThis was suggested by a certain "Mike Dunn". no no not the track - which is my own twisted sensibilty but the artist. Google on that man and I do hope you see me.BUKE & GASS - Rum for You (Edit)No thanks I'll have the wine.They Might Be Giants - The Shadow GovernmentGot their show at the Le Puisson Rouge. Man brings tears to my eyes.Cult of Sue Todd - Burn TampaTHE STAND OUT track - seriously not only do I find this in my heavy rotation but I also find myself absolutely floored over my own kick ass obscurity. Charlie Haden - Song Of The United FrontNow this cat is cutting country tracks now a days and that is fine for what it's worth. But he cut his teeth with the Liberation Music Orchestra and that is bonus in my book. Erin McKeown - BlackbirdsAlso a suggestion from Mike - now who would have thought that in my yearly return to Missoula the only hombre with an updated playlist of suggestions is a Freak Folk fan?Honest I didn't plan this. Caesars - Jerk It OutOf no bearing to this track, which is oversaturated 60's beach blanket bingo revivalism and nothing more, I must say that while in Missoula I had the chance to play a Dungeons and Dragons game with a group of Elementary Schoolers (let us just ball park the age as an average of 7) ... Carla Bruni - Those Dancing Days Are GoneNow that was exhausting and stupifiyng, good kids but they have the attention span of the cable news cycle. Now in returning to Brooklyn I may actually have the chance to play some 3.5 D&D with some local collegiate geeks. Feist - 1, 2, 3, 4If it happens it will be tough cause I know how distractions can do this to me where I lose focus on the important things and then wham 5 years later I'm wondering why I have a degree in Computer Science.Howard Hello - TelevisionWhich gets me thinking ... just how many CIS kids are where they are because of porn? I'm not saying that I wound up with this because of a brain wired in a pubescant formulation of priorities.. . . I'm just wondering. . . I don't see why it need be about me, right?Jeffery Lewis - The Last Time I Did Acid I Went InsaneWell sure ... yes yes that is the other half of the equation about how I got here, yes. Koufax - AnyMomentNowSee the important thing to remember is that is can all turn around right? That is why I've been working hard and going to school. To make this existence not merely about my mistakes but about my successes. The LK - Private Life of a CatI really think that is all I have to say about this - I mean music is important to me and to my context as a person but this is getting ridiculous I'm just wasting time and space writing down my string of consciousness figuring out the set list.Mickey Hart, Zakir Hussain, Sikiru Adepoju & Giovanni Hidalgo- Dances With WoodAlright alright alright - this is about the music then not about me or some greater 'truth' about myself. Coincedentally this sounds like trance made via organic instruments.... hmmm.Isobell Campbell and Mark Lanegan - Ramblin ManNow do you see what a fine mess this is? I was supposed to be all somber when I was introducing this song. it is supposed to be a reflective consideration of my own compulsion to flee the emotional turmoils of my life -and how they are bound up in other people. How I both want to please BPA - Toejamthem so they don't leave me and also run from them so that I don't have to be responsible for them.Legendary Pink Dots - Torchsongbut really it is just a song, and it doesn't mean anything .. . and I'm just feeling messed up because of midterms and work and how my mom is doing ... she sasy that the physical therapy is coming along pretty ell and she may qualify to retire early. Which is kind of like happiness right?Pernice Brothers - Discover A Lovelier YouBut, actually, things are good. I mean sure they could be better, but that is always the case. If you take a large enough sample of the universe you find out that there is nothing permanent nor certain - and yet we still, by chance, exist. . . Talking Heads - Once In A LifetimeAnd along with us are other chances and people and purposes. And sometimes you find yourself in college and sometimes you find yourself selling your plasma to the Portland blood bank to make rent. The Be Good Tanyas-The Littlest Birds Is anything a surprise? Have I finally quit being crazy? Was all the fun I had when young just a fluke of chemicals and not actually an appreciation of Brooklyn Rider - Crosstownthe world as it really is? Yeah, actually I can pretty much believe that to be the case. I'd like to think that it is entertaining to third parties if I leave out the details that happened in between.Bauhaus - Bela Lugosi's Dead Certainly it wasn't all just studio apartements and drugs? No. It was the kafkaesque moments of being escourted out of Amazon.com because after two weeks of coming to work and getting paid they realized I wasn't in their HR system. The Velvet Underground - Rock & RollIt was being fired from KFC for building a snowman, on off hours, in their parking lot ... The Dandy Warhols - Easythough admiteddly when it got smashed by that SUV and I threw the disembodied head at the windshield and it turned out to be the regional manager I couldn't particularly blame the store manager for his decision. Really, imagine his position.Ezra Furman - We Should FightBut that is what makes it all the more astonishing! Things have changed - I've changed! This summer I was the lab assistant to a immersive molecular biology course . ..  The Slits - Ping Pong Affairexcept it was at a community college.Paul Oakenfold - Ready Steady GoIs this it a string of anecdotes and misremembered memories? Didn't I use to have greater dreams? Do I taste the vomit of my body rebelling or is it the bile of my soul dying? The Clash - Capital Air with GinsbergIs that enough self important omphalous gazing or what? Do I have to have god damn soliquiy with cabeza here to get a MacArthur? Wynton Marsalis Septet-Juba And A O'Brown SquawThis music list is as authentically an accurate representation of my self as one can expect in our modern age. Or at least can be expected from me. image from: Berkely Breathed, "Opus" - hey I'm sure you get this all the time Mr. Breathed, but I really was influenced by your stuff when I was young and I've found it to be a well spring of wisdom throughout my life.note to future self, you once lived with a girl, and every morning you woke up to find flowers at the foot of the bed. each of you thought the other had put them there. It turned out to be the cat though. POSTSCRIPT: The birthday day itself was absolutely incredible featuring Central Park, Thai Food, Tequila shoots and a Mathematical based tattoo from Greenwich village, a walk in on Banksy's Pet Store, a dine and dash of margaritas and churros, a creepy deep house experience at club LOVE, and then the two hour train ride. Top it all off with a roll out of bed and go to morning Sunday class moment. Thanks for everything Babe. I guess I was just having a stupid moment there taking life seriously.

Quatorzième et dernière émission de la cinquième session. Après un "hit" de Charles Mingus on entre dans l'univers du Liberation Music Orchestra, fondé par Charlie Haden en 1969.

Quatorzième et dernière émission de la cinquième session. Après un "hit" de Charles Mingus on entre dans l'univers du Liberation Music Orchestra, fondé par Charlie Haden en 1969.