Podcasts about Morty

You're invited to an unforgettable surprise celebration for someone truly special! Join Chuck E. Cheese and his friends for a magical Christmas adventure filled with music, laughter, and holiday cheer. Alongside his pals Helen Henny, Jasper Jowls, Bella Brinca, Munch, and Pasqually, Chuck E. creates a plan to throw a surprise party to lift Santa's Christmas spirit! But surprising the man who “sees you when you're sleeping and knows when you're awake” won't be easy. Can the gang pull it off in time to save Christmas? Get ready to sing along as this Christmas special debuts two cheerful new tunes that are bound to be Christmas classics, co-written by Barry, Moncrief, composer Ben Bromfield (“Ginny & Georgia”), and Barry's father, legendary songwriter Jeff Barry, (songwriter of “I'm A Believer” for The Monkees, “Sugar Sugar”, for The Archies, and “Christmas (Baby Please Come Home)” popularized by Darlene Love, Mariah Carey, and Michael Bublé). Written and executive produced by Zac Moncrief and Jon Colton Barry (“Phineas & Ferb,” “Be Cool Scooby-Doo!”), A Chuck E. Cheese Christmas features a voice cast that includes Nathan Kress (“iCarly”) as Chuck E. Cheese, with Grey Griffin (“Avatar: The Last Airbender”), Nolan North (“Uncharted)”, Kari Wahlgren (“Rick & Morty”), Fred Tatasciore (“Kung Fu Panda 2”) and Michael Gough (“Doc McStuffins”). Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

" I appreciated your janitor's slow decline into madness." BLOT needs our help! The Bureau of Legitimate and Otherworldly Troubles has suffered a breach in their laboratory, and they need someone to clean up the mess. In the lab, there's a chalkboard to the left,  a table with beakers and test tubes to the right and a small computer desk. The room is covered with a strange, gunky substance all over the walls and floor. What would you like to do? BLOT was the official game for RECON Remote 25, available to play for all Community, Pro, and Champion ticket holders who opted in. It was created and run by Mark Larson, who was a guest on REPOD S5E11. On this episode, Yannick Trapman-O'Brien and Lyra Levin join us to play BLOT. Lyra was a featured speaker for RECON Remote 25 with her talk, Make Stuff Fast: Rapid Prototyping for Interactive Experiences, now available on YouTube. Yannick originally appeared on REPOD S8E7 to talk about his incredible show for one, Undersigned. They joined us on REPOD for an actual play of BLOT. Lyra and Yannick are both experienced improvisers, and I'd never laughed so hard watching a play-through. Scroll down to the timestamps to follow along with game images. If you missed playing this game during RECON Remote 25, or if you want to relive your glory moments, join us for this final play-through of BLOT.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

“ The joy of live performance is that we're all experiencing the same thing together and it unites us as a community.” When I think of crossword puzzles, I think of a quiet, cerebral exercise. It's often a solitary activity, maybe occasionally yelling out if anyone knows a four letter word for "milk's favorite cookie." When Zach Sherwin considered crossword puzzles, however, he thought, okay... but what if it also had comedians, rap, music, and just a little bit of chaos, all wrapped up in an epically funny live show? Zach Sherwin has long had a way with words. He cut his teeth performing sketch comedy and honing his rapping skills as MC Mr. Napkins. He eventually found his way to Epic Rap Battles of History, which found a way to make nerdy, boring history feel fun and – dare I say – cool. His love of wordplay and puzzles led him to create The Crossword Show. Zach Sherwin presides as two guest comedians solve a crossword puzzle live onstage, with everything displayed on a big screen so you can follow along. As the solvers decipher the clues, Zach takes the show down rabbit holes of comedy, music, wordplay and trivia, all inspired by the answer words. Everything ties together at the end for a grand finale. It is clever, hilarious, and had me awestruck at the mental gymnastics Zach goes through over the course of the show. Zach joins us on REPOD to talk about how he turned a quiet nerdy activity into something funny, thrilling, and interactive. I really enjoyed hearing him talk about the secret sauce of crafting this show, from how he adjusts the difficulty of the clues, to what makes a live show special. He was a delightful guest. Are you intrigued by how a live crossword stage show works? Zach will be performing at the Reality Escape Convention in Laval in 2026. This is a show you won't want to miss.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Happy Holidays!! We have a fantastic and fun Holiday Episode of You Should Know Better! with the stars Billy Flynn (The Young and the Restless) and Spencer Grammer (Rick & Morty) of Build A Prince, a fictional podcast that is like a Hallmark movie for your ears written and produced by friend of the pod Jenni Melear. Billy is playing for Echoes of Hope and Spencer is playing for Maeday Rescue. Play along with us and be sure to subscribe, rate and review wherever you listen to pods and follow us @youshouldknowbetterpod!

Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and entire existence It is what it claims to be, these days ring true Nothing these days sounds like music but you. I put that book back on the shelf; Rewound the tape before I put it in the case I knew it would be late because, well That's the way it always is That's the way I always am I'm sorry mom. That's the way it always is— They told me I don't need no makeup on, However this may have only been true when I was ten to twenty two, Or twenty two, Or two whole years ago before the motorcycles stole my story. When I put the sun up in the sky, I suppose, is when I started this [that's called a God Complex] It's all behind us now, or rather All up front And out in the open In twelve point font As if I would ever cop to it I took the wrong way to Wall Street l Believe me l, i think of the tree at the rock, Long before this all was ever thought of, And I held her seed in the heart of my palm God said go the other way, I said “Okay” I want to see how much money I make; I wear makeup, I got nothing So much for a body I got stuck with words and good talking, And long vocabulary instead of the coast and a longboard So what's the cost for a whole table turn? So what's the cost for a “her—perfect.” Huh? What is the cost for some popcorn in Lorne's office? What is the cost just to cover the love boat theme song— Don't get me wrong I have original music I'm just hard getting to it; The motors are running The mirror: my mind is a murderer, murderer Engine's are purring are hurting her, hurting But I been wanting some corn on the cob To talk to my mom To call some place home To care for my son To wake up on Sunday past noon like “That was a good show.” And the next sold out . real talk, I got real problems Someone knows I'm on top of my thoughts at the rock, Choking back cocaine All the world under me, Mad at the world though For not looking up to me Huh I call this suffering Cause I already been been hungry, And homeless So I know this Pit-of-your stomach And tied to a brick at the bottom of the ocean feeling, that really Sits somewhere between “Hopeless” And “not good” But hey— If you were to say “how's your day” I answer “I'm great!” Like a positive, programmed robot or something, my mantras lately, replaced however with repetitive honest pleas of “Please help me.” Seems like— the only thing meaningful is saying this inside my Google documents; However, Seems like, It isn't worth the breathing, really Oddly, I forget to— Then I get this special feeling, Almost sentimental, inside my head I don't need medicine as much as I just need a friend besides my cat —thoughts of hammers in my brain— If I could tell you what the level of the pain is? Mercy. There doesn't seem to be a number Merry Christmas, Let's get displaced; Case is dismissed— Let's get shitfaced Wash the dishes, Pick the peloton, Pick imaginary friends And watch the President be hilarious, Until it effects us negative and in the read, When peanut butter bread and jelly All you ever get for breakfast For extended periods of time. Hah. Bloodshed? Wrong. Blood hound? Bad. Segmented thoughts on a toothache? Too late. I hate to tell you what the truth is, Cause you'd hate it. Useless. Jew fits; I just saved two cents on toothpaste And you got two new fits to wear for your friends approval and some cool picks But I can't do this anymore I want to choose live; Inside my death is The whole of the city, Electric and Thomas Edison And impressive Mister Business— Rockerfeller read about it; Somebody gotta learn and teach to squeeze the money out the people! Something simple says, “Just stop it.” Choke a chicken over breakfast, Thoughts of Belfast, real fast train to somewhere in LA, I think Today will be the day That I give bacon To charity, No care left, to give a gift So thankful, For being blessed with time to waste To write this piece of shit I guess I died I guess in family guy? I didn't like it, yet I think sometime's in stewie's cadence— …like, a British baby? And a talking dog? And a dumb ass dad? And a bunch of songs? And some salad dressing, To go with that master habit of getting Grams and Grammies; But in the long run, after a long talk on the roof with the opposite of God, I finally call a conference with all the lawyers of the court— But not to work at all, Only order sandwhiches Obsession has its advantages and platinum records, If you tap into it directly. Forget it. I'm out of magic. Or out of patience— out of time for petitions, But which one is it? Which dimension actually gets me picture perfect Instead of nervous in the eye of the beholders? Learn your lesson well; There's got to, got to be a reason why The wrong way is the right. There's got to be a reason why— My day becomes the night. There's got to be a reason for the words upon the paper, But I've got to figure out my rhythm later; I gone up instead of downtown, Turn the clock before the sunrise, I just want to find the love and the peace in it agai. Gotta love a synchronicity; I get stuck inside bronze statues Door way syndrome And I shutter just to never remember him But here the picture is, a perfect person Headless and befriended him, the lover The line inside my mind is crossed I'll suffer till I turn to dust on this one. My thoughts the first time I saw him? I hate him, Cause he'll never love me. What a troubled thought for a little girl on a lot of drugs and a weight problem. One more, I don't remember where I'm going Day to, I have to remember to forget you Take three, I'm happy that they pay me to tape these things Because I'm maybe going crazy; From the outside though, you wouldn't know it Low and behold, this is my show afterall And covered in gold like the whole of the moon I can play to the tune of two men, to two million don't let it torment you, You looks twisted Get out of your head, and turn off your television Go on a walk, Get run over by a bus or motorcycles Turn around and talk to God and your disciples — cause they all watch. Oh, what's wrong now? That's a long run, And now another pilot that I'm proud of— Stop looking at the ground— It hurts. Today, I learned my lesson, It was not a new apartment— It's a prison. I gotta say I kinda gotta love to wonder where the fuck I'm at besides “Manhattan”. The cat needs water, My heart needs captions. New York needs Jesus Hope he don't see this (Even if he did he probably wouldn't believe it, Or Even if he did He's having trouble learning English, And, Even if he did he had he's been repealing all his promises to return to us; We worship dollars A cock-shaped structures in New York— TIME TRAVELER Its called The Rock. SUPER NEW YORKER What. TIME TRAVELER I'm looking for The Rock. SUPER NEW YORKER What's that. TIME TRAVEL It's called “Rockefeller Plaza.” SUPER NEW YORKER What's that. TIME TRAVELER It's a building? I guess? SUPER NEW YORKER It's not. TIME TRAVELER It is. It's— SUPER NEW YORKER It's not. TIME TRAVELER But— *fucks off immidiately without any closure whatsoever.* TIME TRAVELER Huh. the TIME TRAVELER pulls up a picture on their device; the building itself seems to have disappeared from the photo; (Like Marty McFlyim back to the future) Contd Must be the wrong dimension… But then JOHN D. ROCKERFELLER Is MURDERED at the height of STANDARD OIL. Oh no! So that's what happened… Yeah? He was a bastard. Well! Damn. {Enter athe Multiverse} So you're everywhere all the time, And I got nothing left to run And we already talked the talk And we're already back to one Let the waves blow over, Cravings, tasting haze of periwinkle, heaven waking Putting every penny on the promise that you got me But you never save me, Really, Jesus? Racist! I got a lot of stakes in the game And all these snakes keep weighing in! I got these eight days left inside my head, And I'm a murderer Remember to admit his wrong you are Next time the caw will crow. I crevice drawing under rock Inside the undertoe, My surfboard heading home for shore, My body going under. Oh Conan, what have you done. I'm not sure yet. So? Go get him, you old hoot. I just want to watch a little longer! *feathers ruffled* What! It is comical So i'm stuck inside the equinox on Wall Street catatonic, Adding up the dollar signs and losses, Well now, Got my hosts and calling cards, And struck with dirty dozens Doesn't anybody understand? [no. Nobody does.] Certainly, you know, nobody does this. Certainly, I'm folding all the shirts for all the husbands Certainly my love was lost, but for sure I didn't want it. For sure, I dropped a couple rocks I had inside my pocket . Well done, folks. Guess what? Those aren't crocodile tears I'm crying. I'm dehydrated but they're called psychic cause Nobody knows where they come from; Some would form the thought that you got water trapped inside your soul It only happens when the sun sheds hard tears Here, solar panels Animals and tragic circumstances, Fucking Asholes Never shine your diamond on the twilight, Shooting stars; Never shoot at birds from cars; Remember, They are flying. I swallowed you whole, I swallowed you whole, I swallowed you, done. I swallowed you whole, I swallows you whole, I swallowed you down some. I swallowed you whole, I swallowed you whole, I swallowed you up; I swallowed you whole I swallowed you whole, You know what the cost is Just a heads up, If you take a picture of a gamgstalkers face, They run away. The crime being committed is a non-contact form of combat, a scientifically proven biological weapon. When you begin to document this meticulously, a pattern of coordination begins to become established. It's no longer some sort of phenomenon, that can be written off as a symptom of a broken mind; The more evidence you gather, It becomes a verifiable crime. Remember that the point of it is to control you, to enslave your autonomy— to program you to believe something is wrong, when clearly, The signs of an awakened mind can pick out patterns in the construct of human social behavior that is not ours; it is a deficit in conciousness, a weakness, caused by the moral degradation of our souls in the societal world— A loss of God. And also remember, Humans have a history to seek and destroy which it does not understand, And cannot control— However, also, God comes in all forms. You must know when all is all. Okay, shh— Don't lock the door, now You got a pardon, You better run. I am an a-list celebrity; I am an “amen, sister— I hear that!” I am a medicine woman, A centrifugal figure, A ritual character, Skilled at charicature— A big Kimmel fan, A rick and a Morty, A woman a man, A puppet, the master, A cat in a hatbox, A blasphemous coffin; A wart on a warflower. Hm. Now who could possibly take that out of context? Soft surf rock at the equinox on Wall Street. I love all four stories, I rode all four horses, I put all four corners of the earth onto a surface Then I rolled it up Huh… Somebody does that. Leets go, hard core But don't forget the hot sauce Don't forget the — Smattercat?! SMATTERCAT?! SMAAAAAATERCAAAAAAAAAT! The Adventures of Atticus Catticus. Man, this is fucked up. I can't disagree with you. I can't get you out of my head (I want head) Can't get you out of my mind I find that You must want me dead Tan lines l You must want me off my meds! You want in me in bed at 9 sharp You know what!? You remind me of Harper. Now let's talk shop, Calm, little brother I went with the other oath— Don't you belong to God? Who's on the phone? Donald Trump. Tell him “no.” No to what? Just tell him “no.” Then he'll get here faster. So what do you got in your supplements? Simple psychology; Have a red album. Nah that. I got gold gold balls on all of my prostitutes Pulled apart orgasms, Never been touched, sire. Never have I took forgranted this passion( Never have —that flex— Theatrical pangentry. Never went Ham sandwhich Ham sandwhich Ham sandwhich GODDAMMIT. I thought you grant wishes. — also in charge of summoning. Part time. Well what are you mad about?! At least you got a job! I'm so sick of this kid, He just summons “Ham sandwhich” What's wrong with that? I gave him “ham sandwhich”, Alright?! All kinds, And you know what? That guy has all kinds of magic— All the kinds— Every kind you can imagine, And no matter what, He just wants. Hmmmm…: …. Come on. Summon a dog, or something… A new bike… ……. ……..:::: ……. …. Ham sandwhich. GOD DAMMIT. …and a kite. …what was that? I want a kite. Y…you want to fly a kite. Ya. Alright! But first. An, God. Ham Sandwhich. WHAT THE FUCK ARE YOU DOING? SO WHAT I LOVED NANCY REGAN! SHE HAD THE BEST CATCHPHRASES! AND ALL THE KENNEDIES! FUCK WITH ME. Somebody shoot that bitch. But sir— Before she runs for president. But sir… THINK OF IT LIKE KILLING BABY HITLER. You're right. TAKE THE SHOOOOOT. MEANWHILE… In the MULTIDIMENTIONAL SPACETIME SURVEILANCE FACILITY Oh good. What's that. Someone one assasinated me. That's good. I'll say. Wouldn't want you to run for president. Someone still would have had to elected me. Oh, you mean like in all these parallels over here. *shrugs* They'll collapse eventually. They haven't yet. I just got assasinated. Wait for it. I've been waiting. I don't get why you hate me so much. I'm indifferent, really, just waiting for something exciting. I just got assasinated. And I just got a ten cent raise. From what I can tell, doesn't make much of a differences. It's like, limited assimilation in this dimension; Did I correct you— Lessons, I'm not making any promises. Look out little brother! I set them on you. Got to put the pudding in your pot— And don't forget to floss. What's corrextions? Look, I'm anatomically correct— Shut up, Ken. I don't click on videos or images Because I love him It's just a crush, A pair of wooden crutches A horcrux And a fox A crucifix And Sunday Brunches. It's just a bunch of pictures, Edits, autographs, Extended plays It's just an infinite inside my head— It's been a couple days. A couple miles down And sure to go, You're all for it— Soon you got to know Whatever you done Has come for your— Stop the truck for misuse of four muses And autotune to ruin it— Your mascot is a narwhal But you're rooting for the Bruins. What is even a Bruin? A bunch of racist frat boys and hot bitches in sororities and covens? Bet that Okay, Like, I fall in love But just to write a bit I pour my heart out in a song And for the moment I could make forget i'm ugly Even if for the duration of the half time; Half a pack at halftime, Half a pack at bedtime 20 cigarettes on your 2020 vision. Three beers, Then three beers Thirty three years and he still won't love me Thirty three years and I'm still no woman. He show first, So I shot back I forgot rock doves Served a purpose Postage For lost albums on the surface Surfboards For hot rod bod host, I offered up Conan, Now pick that hard eye Banjo up Water dance Pick that apple, Off the tree With not a scratch Hands tied behind your back; Baggage claim, River dance Pick it up without a fork You whispered us a state of trance For God's socks, If I fly coach, Low ball Lost a fortune Don't call me ‘bud' I think about your walk all day; Like, Three or four times, maybe Not no noodle soup, you wonder But you're asking for a Ballroom. Haggard. God did far too good a job on you; As the car jumped over the moon. I complete your meat puppet, But recently went vegan Line them up and then A heart attack, A hot bath, And a hammock. You got your offer, But I want it back, I want my roses. Golden proses so rit and rattle. I rot in hell for all I've done, then scramble; Damn. I just can't get you off my head without ramble You're probably on a tour bus; She's pulling out all the stop— But you're my monster, just know that Although I'm on top of her turf. So much for Service Monday. So much for making money on a conduit, a conduct. So much for love as. He aim for the head; I aim for the neck; He aim for the heart, I duck, I fall in her eyes, High water— No more cam tide Sunsets. What, I get you really wanted oceans, So you got them. Godsense. Pull, Conan Pull— Haul in! All in on your cards, But take the occult off them; Offering? Totem pole. More than one? I love to hope. Fix your face. Pull the plug— I'm off till Sunday, Off till Sunday. Ten days to Tuesday, You want no more Ten days to Sunday And ten more before that; Ten tongues before dawn, And other I slaughter And slaught cross the sloth, I wither, Your honor. Ten tales too soon, Ten wide my diamonds; Ten eyes in your Isis, My mind, Orion. Ten lost in the Outback; Ten lost on your mass, tongue Two whipped at the alter— I called her about that. So to the effect you check your fax and press the send, I'm steady living, never coming back, Or cap the president— Never living, Never listing residence on Madison You're stuck inside my half-life That I'm mad besides the medicine. You're stuck inside my past, Like all the knives inside my back, And still I fondly think upon a laugh, As ice cream sundaes, Half a sandwich Appetite for having all you are inside my master work of art, The world, your face I cut from clay inside my hands And I still have you in my swollen arteries, and trees the veins, The wicked summers and the bitter winters came, But did not cross paths, So to not bear ties, and to not plug Holes in the hull of the whole ship I think I sunk overtime instead of rather All at once, You know, It doesn't suffix What it takes to turn it back from “Love him” Into nothing. 20 hours passed and 20 cigarettes and ivory towers, But forgive the lives inside of Mormon wives and ice cold showers— Scatterbrained but highly trained in “Never Happened.” “Didn't matter.” So you roll it up into a movie script and call them actors. Why'd you flash me, dancer, Don't you know how bad I want that? Out inside your dozens, for my cinnamon coated combat Nail box fires Had you ordered Your desires Flow the golden drifter Fear of rivers never frozen. Don't you know the sun draws close But the heart grows cold, But the want goes harder? Don't you know the doors get shut, And the Kings get cut, And the wind blows wilder? Don't you know the stars just fall from the sky (They all fall from the sky, They fell from the sky) Don't you know We're all gonna die Put a trial to the wand, Fore you take her heart out Ten times.

Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and entire existence It is what it claims to be, these days ring true Nothing these days sounds like music but you. I put that book back on the shelf; Rewound the tape before I put it in the case I knew it would be late because, well That's the way it always is That's the way I always am I'm sorry mom. That's the way it always is— They told me I don't need no makeup on, However this may have only been true when I was ten to twenty two, Or twenty two, Or two whole years ago before the motorcycles stole my story. When I put the sun up in the sky, I suppose, is when I started this [that's called a God Complex] It's all behind us now, or rather All up front And out in the open In twelve point font As if I would ever cop to it I took the wrong way to Wall Street l Believe me l, i think of the tree at the rock, Long before this all was ever thought of, And I held her seed in the heart of my palm God said go the other way, I said “Okay” I want to see how much money I make; I wear makeup, I got nothing So much for a body I got stuck with words and good talking, And long vocabulary instead of the coast and a longboard So what's the cost for a whole table turn? So what's the cost for a “her—perfect.” Huh? What is the cost for some popcorn in Lorne's office? What is the cost just to cover the love boat theme song— Don't get me wrong I have original music I'm just hard getting to it; The motors are running The mirror: my mind is a murderer, murderer Engine's are purring are hurting her, hurting But I been wanting some corn on the cob To talk to my mom To call some place home To care for my son To wake up on Sunday past noon like “That was a good show.” And the next sold out . real talk, I got real problems Someone knows I'm on top of my thoughts at the rock, Choking back cocaine All the world under me, Mad at the world though For not looking up to me Huh I call this suffering Cause I already been been hungry, And homeless So I know this Pit-of-your stomach And tied to a brick at the bottom of the ocean feeling, that really Sits somewhere between “Hopeless” And “not good” But hey— If you were to say “how's your day” I answer “I'm great!” Like a positive, programmed robot or something, my mantras lately, replaced however with repetitive honest pleas of “Please help me.” Seems like— the only thing meaningful is saying this inside my Google documents; However, Seems like, It isn't worth the breathing, really Oddly, I forget to— Then I get this special feeling, Almost sentimental, inside my head I don't need medicine as much as I just need a friend besides my cat —thoughts of hammers in my brain— If I could tell you what the level of the pain is? Mercy. There doesn't seem to be a number Merry Christmas, Let's get displaced; Case is dismissed— Let's get shitfaced Wash the dishes, Pick the peloton, Pick imaginary friends And watch the President be hilarious, Until it effects us negative and in the read, When peanut butter bread and jelly All you ever get for breakfast For extended periods of time. Hah. Bloodshed? Wrong. Blood hound? Bad. Segmented thoughts on a toothache? Too late. I hate to tell you what the truth is, Cause you'd hate it. Useless. Jew fits; I just saved two cents on toothpaste And you got two new fits to wear for your friends approval and some cool picks But I can't do this anymore I want to choose live; Inside my death is The whole of the city, Electric and Thomas Edison And impressive Mister Business— Rockerfeller read about it; Somebody gotta learn and teach to squeeze the money out the people! Something simple says, “Just stop it.” Choke a chicken over breakfast, Thoughts of Belfast, real fast train to somewhere in LA, I think Today will be the day That I give bacon To charity, No care left, to give a gift So thankful, For being blessed with time to waste To write this piece of shit I guess I died I guess in family guy? I didn't like it, yet I think sometime's in stewie's cadence— …like, a British baby? And a talking dog? And a dumb ass dad? And a bunch of songs? And some salad dressing, To go with that master habit of getting Grams and Grammies; But in the long run, after a long talk on the roof with the opposite of God, I finally call a conference with all the lawyers of the court— But not to work at all, Only order sandwhiches Obsession has its advantages and platinum records, If you tap into it directly. Forget it. I'm out of magic. Or out of patience— out of time for petitions, But which one is it? Which dimension actually gets me picture perfect Instead of nervous in the eye of the beholders? Learn your lesson well; There's got to, got to be a reason why The wrong way is the right. There's got to be a reason why— My day becomes the night. There's got to be a reason for the words upon the paper, But I've got to figure out my rhythm later; I gone up instead of downtown, Turn the clock before the sunrise, I just want to find the love and the peace in it agai. Gotta love a synchronicity; I get stuck inside bronze statues Door way syndrome And I shutter just to never remember him But here the picture is, a perfect person Headless and befriended him, the lover The line inside my mind is crossed I'll suffer till I turn to dust on this one. My thoughts the first time I saw him? I hate him, Cause he'll never love me. What a troubled thought for a little girl on a lot of drugs and a weight problem. One more, I don't remember where I'm going Day to, I have to remember to forget you Take three, I'm happy that they pay me to tape these things Because I'm maybe going crazy; From the outside though, you wouldn't know it Low and behold, this is my show afterall And covered in gold like the whole of the moon I can play to the tune of two men, to two million don't let it torment you, You looks twisted Get out of your head, and turn off your television Go on a walk, Get run over by a bus or motorcycles Turn around and talk to God and your disciples — cause they all watch. Oh, what's wrong now? That's a long run, And now another pilot that I'm proud of— Stop looking at the ground— It hurts. Today, I learned my lesson, It was not a new apartment— It's a prison. I gotta say I kinda gotta love to wonder where the fuck I'm at besides “Manhattan”. The cat needs water, My heart needs captions. New York needs Jesus Hope he don't see this (Even if he did he probably wouldn't believe it, Or Even if he did He's having trouble learning English, And, Even if he did he had he's been repealing all his promises to return to us; We worship dollars A cock-shaped structures in New York— TIME TRAVELER Its called The Rock. SUPER NEW YORKER What. TIME TRAVELER I'm looking for The Rock. SUPER NEW YORKER What's that. TIME TRAVEL It's called “Rockefeller Plaza.” SUPER NEW YORKER What's that. TIME TRAVELER It's a building? I guess? SUPER NEW YORKER It's not. TIME TRAVELER It is. It's— SUPER NEW YORKER It's not. TIME TRAVELER But— *fucks off immidiately without any closure whatsoever.* TIME TRAVELER Huh. the TIME TRAVELER pulls up a picture on their device; the building itself seems to have disappeared from the photo; (Like Marty McFlyim back to the future) Contd Must be the wrong dimension… But then JOHN D. ROCKERFELLER Is MURDERED at the height of STANDARD OIL. Oh no! So that's what happened… Yeah? He was a bastard. Well! Damn. {Enter athe Multiverse} So you're everywhere all the time, And I got nothing left to run And we already talked the talk And we're already back to one Let the waves blow over, Cravings, tasting haze of periwinkle, heaven waking Putting every penny on the promise that you got me But you never save me, Really, Jesus? Racist! I got a lot of stakes in the game And all these snakes keep weighing in! I got these eight days left inside my head, And I'm a murderer Remember to admit his wrong you are Next time the caw will crow. I crevice drawing under rock Inside the undertoe, My surfboard heading home for shore, My body going under. Oh Conan, what have you done. I'm not sure yet. So? Go get him, you old hoot. I just want to watch a little longer! *feathers ruffled* What! It is comical So i'm stuck inside the equinox on Wall Street catatonic, Adding up the dollar signs and losses, Well now, Got my hosts and calling cards, And struck with dirty dozens Doesn't anybody understand? [no. Nobody does.] Certainly, you know, nobody does this. Certainly, I'm folding all the shirts for all the husbands Certainly my love was lost, but for sure I didn't want it. For sure, I dropped a couple rocks I had inside my pocket . Well done, folks. Guess what? Those aren't crocodile tears I'm crying. I'm dehydrated but they're called psychic cause Nobody knows where they come from; Some would form the thought that you got water trapped inside your soul It only happens when the sun sheds hard tears Here, solar panels Animals and tragic circumstances, Fucking Asholes Never shine your diamond on the twilight, Shooting stars; Never shoot at birds from cars; Remember, They are flying. I swallowed you whole, I swallowed you whole, I swallowed you, done. I swallowed you whole, I swallows you whole, I swallowed you down some. I swallowed you whole, I swallowed you whole, I swallowed you up; I swallowed you whole I swallowed you whole, You know what the cost is Just a heads up, If you take a picture of a gamgstalkers face, They run away. The crime being committed is a non-contact form of combat, a scientifically proven biological weapon. When you begin to document this meticulously, a pattern of coordination begins to become established. It's no longer some sort of phenomenon, that can be written off as a symptom of a broken mind; The more evidence you gather, It becomes a verifiable crime. Remember that the point of it is to control you, to enslave your autonomy— to program you to believe something is wrong, when clearly, The signs of an awakened mind can pick out patterns in the construct of human social behavior that is not ours; it is a deficit in conciousness, a weakness, caused by the moral degradation of our souls in the societal world— A loss of God. And also remember, Humans have a history to seek and destroy which it does not understand, And cannot control— However, also, God comes in all forms. You must know when all is all. Okay, shh— Don't lock the door, now You got a pardon, You better run. I am an a-list celebrity; I am an “amen, sister— I hear that!” I am a medicine woman, A centrifugal figure, A ritual character, Skilled at charicature— A big Kimmel fan, A rick and a Morty, A woman a man, A puppet, the master, A cat in a hatbox, A blasphemous coffin; A wart on a warflower. Hm. Now who could possibly take that out of context? Soft surf rock at the equinox on Wall Street. I love all four stories, I rode all four horses, I put all four corners of the earth onto a surface Then I rolled it up Huh… Somebody does that. Leets go, hard core But don't forget the hot sauce Don't forget the — Smattercat?! SMATTERCAT?! SMAAAAAATERCAAAAAAAAAT! The Adventures of Atticus Catticus. Man, this is fucked up. I can't disagree with you. I can't get you out of my head (I want head) Can't get you out of my mind I find that You must want me dead Tan lines l You must want me off my meds! You want in me in bed at 9 sharp You know what!? You remind me of Harper. Now let's talk shop, Calm, little brother I went with the other oath— Don't you belong to God? Who's on the phone? Donald Trump. Tell him “no.” No to what? Just tell him “no.” Then he'll get here faster. So what do you got in your supplements? Simple psychology; Have a red album. Nah that. I got gold gold balls on all of my prostitutes Pulled apart orgasms, Never been touched, sire. Never have I took forgranted this passion( Never have —that flex— Theatrical pangentry. Never went Ham sandwhich Ham sandwhich Ham sandwhich GODDAMMIT. I thought you grant wishes. — also in charge of summoning. Part time. Well what are you mad about?! At least you got a job! I'm so sick of this kid, He just summons “Ham sandwhich” What's wrong with that? I gave him “ham sandwhich”, Alright?! All kinds, And you know what? That guy has all kinds of magic— All the kinds— Every kind you can imagine, And no matter what, He just wants. Hmmmm…: …. Come on. Summon a dog, or something… A new bike… ……. ……..:::: ……. …. Ham sandwhich. GOD DAMMIT. …and a kite. …what was that? I want a kite. Y…you want to fly a kite. Ya. Alright! But first. An, God. Ham Sandwhich. WHAT THE FUCK ARE YOU DOING? SO WHAT I LOVED NANCY REGAN! SHE HAD THE BEST CATCHPHRASES! AND ALL THE KENNEDIES! FUCK WITH ME. Somebody shoot that bitch. But sir— Before she runs for president. But sir… THINK OF IT LIKE KILLING BABY HITLER. You're right. TAKE THE SHOOOOOT. MEANWHILE… In the MULTIDIMENTIONAL SPACETIME SURVEILANCE FACILITY Oh good. What's that. Someone one assasinated me. That's good. I'll say. Wouldn't want you to run for president. Someone still would have had to elected me. Oh, you mean like in all these parallels over here. *shrugs* They'll collapse eventually. They haven't yet. I just got assasinated. Wait for it. I've been waiting. I don't get why you hate me so much. I'm indifferent, really, just waiting for something exciting. I just got assasinated. And I just got a ten cent raise. From what I can tell, doesn't make much of a differences. It's like, limited assimilation in this dimension; Did I correct you— Lessons, I'm not making any promises. Look out little brother! I set them on you. Got to put the pudding in your pot— And don't forget to floss. What's corrextions? Look, I'm anatomically correct— Shut up, Ken. I don't click on videos or images Because I love him It's just a crush, A pair of wooden crutches A horcrux And a fox A crucifix And Sunday Brunches. It's just a bunch of pictures, Edits, autographs, Extended plays It's just an infinite inside my head— It's been a couple days. A couple miles down And sure to go, You're all for it— Soon you got to know Whatever you done Has come for your— Stop the truck for misuse of four muses And autotune to ruin it— Your mascot is a narwhal But you're rooting for the Bruins. What is even a Bruin? A bunch of racist frat boys and hot bitches in sororities and covens? Bet that Okay, Like, I fall in love But just to write a bit I pour my heart out in a song And for the moment I could make forget i'm ugly Even if for the duration of the half time; Half a pack at halftime, Half a pack at bedtime 20 cigarettes on your 2020 vision. Three beers, Then three beers Thirty three years and he still won't love me Thirty three years and I'm still no woman. He show first, So I shot back I forgot rock doves Served a purpose Postage For lost albums on the surface Surfboards For hot rod bod host, I offered up Conan, Now pick that hard eye Banjo up Water dance Pick that apple, Off the tree With not a scratch Hands tied behind your back; Baggage claim, River dance Pick it up without a fork You whispered us a state of trance For God's socks, If I fly coach, Low ball Lost a fortune Don't call me ‘bud' I think about your walk all day; Like, Three or four times, maybe Not no noodle soup, you wonder But you're asking for a Ballroom. Haggard. God did far too good a job on you; As the car jumped over the moon. I complete your meat puppet, But recently went vegan Line them up and then A heart attack, A hot bath, And a hammock. You got your offer, But I want it back, I want my roses. Golden proses so rit and rattle. I rot in hell for all I've done, then scramble; Damn. I just can't get you off my head without ramble You're probably on a tour bus; She's pulling out all the stop— But you're my monster, just know that Although I'm on top of her turf. So much for Service Monday. So much for making money on a conduit, a conduct. So much for love as. He aim for the head; I aim for the neck; He aim for the heart, I duck, I fall in her eyes, High water— No more cam tide Sunsets. What, I get you really wanted oceans, So you got them. Godsense. Pull, Conan Pull— Haul in! All in on your cards, But take the occult off them; Offering? Totem pole. More than one? I love to hope. Fix your face. Pull the plug— I'm off till Sunday, Off till Sunday. Ten days to Tuesday, You want no more Ten days to Sunday And ten more before that; Ten tongues before dawn, And other I slaughter And slaught cross the sloth, I wither, Your honor. Ten tales too soon, Ten wide my diamonds; Ten eyes in your Isis, My mind, Orion. Ten lost in the Outback; Ten lost on your mass, tongue Two whipped at the alter— I called her about that. So to the effect you check your fax and press the send, I'm steady living, never coming back, Or cap the president— Never living, Never listing residence on Madison You're stuck inside my half-life That I'm mad besides the medicine. You're stuck inside my past, Like all the knives inside my back, And still I fondly think upon a laugh, As ice cream sundaes, Half a sandwich Appetite for having all you are inside my master work of art, The world, your face I cut from clay inside my hands And I still have you in my swollen arteries, and trees the veins, The wicked summers and the bitter winters came, But did not cross paths, So to not bear ties, and to not plug Holes in the hull of the whole ship I think I sunk overtime instead of rather All at once, You know, It doesn't suffix What it takes to turn it back from “Love him” Into nothing. 20 hours passed and 20 cigarettes and ivory towers, But forgive the lives inside of Mormon wives and ice cold showers— Scatterbrained but highly trained in “Never Happened.” “Didn't matter.” So you roll it up into a movie script and call them actors. Why'd you flash me, dancer, Don't you know how bad I want that? Out inside your dozens, for my cinnamon coated combat Nail box fires Had you ordered Your desires Flow the golden drifter Fear of rivers never frozen. Don't you know the sun draws close But the heart grows cold, But the want goes harder? Don't you know the doors get shut, And the Kings get cut, And the wind blows wilder? Don't you know the stars just fall from the sky (They all fall from the sky, They fell from the sky) Don't you know We're all gonna die Put a trial to the wand, Fore you take her heart out Ten times.

—1313. Chroma111. Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and entire existence It is what it claims to be, these days ring true Nothing these days sounds like music but you. I put that book back on the shelf; Rewound the tape before I put it in the case I knew it would be late because, well That's the way it always is That's the way I always am I'm sorry mom. That's the way it always is— They told me I don't need no makeup on, However this may have only been true when I was ten to twenty two, Or twenty two, Or two whole years ago before the motorcycles stole my story. When I put the sun up in the sky, I suppose, is when I started this [that's called a God Complex] It's all behind us now, or rather All up front And out in the open In twelve point font As if I would ever cop to it I took the wrong way to Wall Street l Believe me l, i think of the tree at the rock, Long before this all was ever thought of, And I held her seed in the heart of my palm God said go the other way, I said “Okay” I want to see how much money I make; I wear makeup, I got nothing So much for a body I got stuck with words and good talking, And long vocabulary instead of the coast and a longboard So what's the cost for a whole table turn? So what's the cost for a “her—perfect.” Huh? What is the cost for some popcorn in Lorne's office? What is the cost just to cover the love boat theme song— Don't get me wrong I have original music I'm just hard getting to it; The motors are running The mirror: my mind is a murderer, murderer Engine's are purring are hurting her, hurting But I been wanting some corn on the cob To talk to my mom To call some place home To care for my son To wake up on Sunday past noon like “That was a good show.” And the next sold out . real talk, I got real problems Someone knows I'm on top of my thoughts at the rock, Choking back cocaine All the world under me, Mad at the world though For not looking up to me Huh I call this suffering Cause I already been been hungry, And homeless So I know this Pit-of-your stomach And tied to a brick at the bottom of the ocean feeling, that really Sits somewhere between “Hopeless” And “not good” But hey— If you were to say “how's your day” I answer “I'm great!” Like a positive, programmed robot or something, my mantras lately, replaced however with repetitive honest pleas of “Please help me.” Seems like— the only thing meaningful is saying this inside my Google documents; However, Seems like, It isn't worth the breathing, really Oddly, I forget to— Then I get this special feeling, Almost sentimental, inside my head I don't need medicine as much as I just need a friend besides my cat —thoughts of hammers in my brain— If I could tell you what the level of the pain is? Mercy. There doesn't seem to be a number Merry Christmas, Let's get displaced; Case is dismissed— Let's get shitfaced Wash the dishes, Pick the peloton, Pick imaginary friends And watch the President be hilarious, Until it effects us negative and in the read, When peanut butter bread and jelly All you ever get for breakfast For extended periods of time. Hah. Bloodshed? Wrong. Blood hound? Bad. Segmented thoughts on a toothache? Too late. I hate to tell you what the truth is, Cause you'd hate it. Useless. Jew fits; I just saved two cents on toothpaste And you got two new fits to wear for your friends approval and some cool picks But I can't do this anymore I want to choose live; Inside my death is The whole of the city, Electric and Thomas Edison And impressive Mister Business— Rockerfeller read about it; Somebody gotta learn and teach to squeeze the money out the people! Something simple says, “Just stop it.” Choke a chicken over breakfast, Thoughts of Belfast, real fast train to somewhere in LA, I think Today will be the day That I give bacon To charity, No care left, to give a gift So thankful, For being blessed with time to waste To write this piece of shit I guess I died I guess in family guy? I didn't like it, yet I think sometime's in stewie's cadence— …like, a British baby? And a talking dog? And a dumb ass dad? And a bunch of songs? And some salad dressing, To go with that master habit of getting Grams and Grammies; But in the long run, after a long talk on the roof with the opposite of God, I finally call a conference with all the lawyers of the court— But not to work at all, Only order sandwhiches Obsession has its advantages and platinum records, If you tap into it directly. Forget it. I'm out of magic. Or out of patience— out of time for petitions, But which one is it? Which dimension actually gets me picture perfect Instead of nervous in the eye of the beholders? Learn your lesson well; There's got to, got to be a reason why The wrong way is the right. There's got to be a reason why— My day becomes the night. There's got to be a reason for the words upon the paper, But I've got to figure out my rhythm later; I gone up instead of downtown, Turn the clock before the sunrise, I just want to find the love and the peace in it agai. Gotta love a synchronicity; I get stuck inside bronze statues Door way syndrome And I shutter just to never remember him But here the picture is, a perfect person Headless and befriended him, the lover The line inside my mind is crossed I'll suffer till I turn to dust on this one. My thoughts the first time I saw him? I hate him, Cause he'll never love me. What a troubled thought for a little girl on a lot of drugs and a weight problem. One more, I don't remember where I'm going Day to, I have to remember to forget you Take three, I'm happy that they pay me to tape these things Because I'm maybe going crazy; From the outside though, you wouldn't know it Low and behold, this is my show afterall And covered in gold like the whole of the moon I can play to the tune of two men, to two million don't let it torment you, You looks twisted Get out of your head, and turn off your television Go on a walk, Get run over by a bus or motorcycles Turn around and talk to God and your disciples — cause they all watch. Oh, what's wrong now? That's a long run, And now another pilot that I'm proud of— Stop looking at the ground— It hurts. Today, I learned my lesson, It was not a new apartment— It's a prison. I gotta say I kinda gotta love to wonder where the fuck I'm at besides “Manhattan”. The cat needs water, My heart needs captions. New York needs Jesus Hope he don't see this (Even if he did he probably wouldn't believe it, Or Even if he did He's having trouble learning English, And, Even if he did he had he's been repealing all his promises to return to us; We worship dollars A cock-shaped structures in New York— TIME TRAVELER Its called The Rock. SUPER NEW YORKER What. TIME TRAVELER I'm looking for The Rock. SUPER NEW YORKER What's that. TIME TRAVEL It's called “Rockefeller Plaza.” SUPER NEW YORKER What's that. TIME TRAVELER It's a building? I guess? SUPER NEW YORKER It's not. TIME TRAVELER It is. It's— SUPER NEW YORKER It's not. TIME TRAVELER But— *fucks off immidiately without any closure whatsoever.* TIME TRAVELER Huh. the TIME TRAVELER pulls up a picture on their device; the building itself seems to have disappeared from the photo; (Like Marty McFlyim back to the future) Contd Must be the wrong dimension… But then JOHN D. ROCKERFELLER Is MURDERED at the height of STANDARD OIL. Oh no! So that's what happened… Yeah? He was a bastard. Well! Damn. {Enter athe Multiverse} So you're everywhere all the time, And I got nothing left to run And we already talked the talk And we're already back to one Let the waves blow over, Cravings, tasting haze of periwinkle, heaven waking Putting every penny on the promise that you got me But you never save me, Really, Jesus? Racist! I got a lot of stakes in the game And all these snakes keep weighing in! I got these eight days left inside my head, And I'm a murderer Remember to admit his wrong you are Next time the caw will crow. I crevice drawing under rock Inside the undertoe, My surfboard heading home for shore, My body going under. Oh Conan, what have you done. I'm not sure yet. So? Go get him, you old hoot. I just want to watch a little longer! *feathers ruffled* What! It is comical So imm stuck inside the equinox on Wall Street catatonic, Adding up the dollar signs and losses, Well now, Got my hosts and calling cards, And struck with dirty dozens Doesn't anybody understand? [no. Nobody does.] Certainly, you know, nobody does this. Certainly, I'm folding all the shirts for all the husbands Certainly my love was lost, but for sure I didn't want it. For sure, I dropped a couple rocks I had inside my pocket . Well done, folks. Guess what? Those aren't crocodile tears I'm crying. I'm dehydrated but they're called psychic cause Nobody knows where they come from; Some would form the thought that you got water trapped inside your soul It only happens when the sun sheds hard tears Here, solar panels Animals and tragic circumstances, Fucking Asholes Never shine your diamond on the twilight, Shooting stars; Never shoot at birds from cars; Remember, They are flying. I swallowed you whole, I swallowed you whole, I swallowed you, done. I swallowed you whole, I swallows you whole, I swallowed you down some. I swallowed you whole, I swallowed you whole, I swallowed you up; I swallowed you whole I swallowed you whole, You know what the cost is Just a heads up, If you take a picture of a gamgstalkers face, They run away. The crime being committed is a non-contact form of combat, a scientifically proven biological weapon. When you begin to document this meticulously, a pattern of coordination begins to become established. It's no longer some sort of phenomenon, that can be written off as a symptom of a broken mind; The more evidence you gather, It becomes a verifiable crime. Remember that the point of it is to control you, to enslave your autonomy— to program you to believe something is wrong, when clearly, The signs of an awakened mind can pick out patterns in the construct of human social behavior that is not ours; it is a deficit in conciousness, a weakness, caused by the moral degradation of our souls in the societal world— A loss of God. And also remember, Humans have a history to seek and destroy which it does not understand, And cannot control— However, also, God comes in all forms. You must know when all is all. Okay, shh— Don't lock the door, now You got a pardon, You better run. I am an a-list celebrity; I am an “amen, sister— I hear that!” I am a medicine woman, A centrifugal figure, A ritual character, Skilled at charicature— A big Kimmel fan, A rick and a Morty, A woman a man, A puppet, the master, A cat in a hatbox, A blasphemous coffin; A wart on a warflower. Hm. Now who could possibly take that out of context? Soft surf rock at the equinox on Wall Street. I love all four stories, I rode all four horses, I put all four corners of the earth onto a surface Then I rolled it up Huh… Somebody does that. Leets go, hard core But don't forget the hot sauce Don't forget the — Smattercat?! SMATTERCAT?! SMAAAAAATERCAAAAAAAAAT! The Adventures of Atticus Catticus. Man, this is fucked up. I can't disagree with you. I can't get you out of my head (I want head) Can't get you out of my mind I find that You must want me dead Tan lines l You must want me off my meds! You want in me in bed at 9 sharp You know what!? You remind me of Harper. Now let's talk shop, Calm, little brother I went with the other oath— Don't you belong to God? Who's on the phone? Donald Trump. Tell him “no.” No to what? Just tell him “no.” Then he'll get here faster. So what do you got in your supplements? Simple psychology; Have a red album. Nah that. I got gold gold balls on all of my prostitutes Pulled apart orgasms, Never been touched, sire. Never have I took forgranted this passion( Never have —that flex— Theatrical pangentry. Never went Ham sandwhich Ham sandwhich Ham sandwhich GODDAMMIT. I thought you grant wishes. — also in charge of summoning. Part time. Well what are you mad about?! At least you got a job! I'm so sick of this kid, He just summons “Ham sandwhich” What's wrong with that? I gave him “ham sandwhich”, Alright?! All kinds, And you know what? That guy has all kinds of magic— All the kinds— Every kind you can imagine, And no matter what, He just wants. Hmmmm…: …. Come on. Summon a dog, or something… A new bike… ……. ……..:::: ……. …. Ham sandwhich. GOD DAMMIT. …and a kite. …what was that? I want a kite. Y…you want to fly a kite. Ya. Alright! But first. An, God. Ham Sandwhich. WHAT THE FUCK ARE YOU DOING? SO WHAT I LOVED NANCY REGAN! SHE HAD THE BEST CATCHPHRASES! AND ALL THE KENNEDIES! FUCK WITH ME. Somebody shoot that bitch. But sir— Before she runs for president. But sir… THINK OF IT LIKE KILLING BABY HITLER. You're right. TAKE THE SHOOOOOT. MEANWHILE… In the MULTIDIMENTIONAL SPACETIME SURVEILANCE FACILITY Oh good. What's that. Someone one assasinated me. That's good. I'll say. Wouldn't want you to run for president. Someone still would have had to elected me. Oh, you mean like in all these parallels over here. *shrugs* They'll collapse eventually. They haven't yet. I just got assasinated. Wait for it. I've been waiting. I don't get why you hate me so much. I'm indifferent, really, just waiting for something exciting. I just got assasinated. And I just got a ten cent raise. From what I can tell, doesn't make much of a differences. It's like, limited assimilation in this dimension; Did I correct you— Lessons, I'm not making any promises. Look out little brother! I set them on you. Got to put the pudding in your pot— And don't forget to floss. What's corrextions? Look, I'm anatomically correct— Shut up, Ken. I don't click on videos or images Because I love him It's just a crush, A pair of wooden crutches A horcrux And a fox A crucifix And Sunday Brunches. It's just a bunch of pictures, Edits, autographs, Extended plays It's just an infinite inside my head— It's been a couple days. A couple miles down And sure to go, You're all for it— Soon you got to know Whatever you done Has come for your— Stop the truck for misuse of four muses And autotune to ruin it— Your mascot is a narwhal But you're rooting for the Bruins. What is even a Bruin? A bunch of racist frat boys and hot bitches in sororities and covens? Bet that Okay, Like, I fall in love But just to write a bit I pour my heart out in a song And for the moment I could make forget i'm ugly Even if for the duration of the half time; Half a pack at halftime, Half a pack at bedtime 20 cigarettes on your 2020 vision. Three beers, Then three beers Thirty three years and he still won't love me Thirty three years and I'm still no woman. He shot first, So I shot back I forgot rock doves Served a purpose Postage For lost albums on the surface Surfboards For hot rod bod host, I offered up Conan, Now pick that hard eye Banjo up Water dance Pick that apple, Off the tree With not a scratch Hands tied behind your back; Baggage claim, River dance Pick it up without a fork You whispered us a state of trance For God's socks, If I fly coach, Low ball Lost a fortune Don't call me ‘bud' I think about your walk all day; Like, Three or four times, maybe Not no noodle soup, you wonder But you're asking for a Ballroom. Haggard. God did far too good a job on you; As the car jumped over the moon. I complete your meat puppet, But recently went vegan Line them up and then A heart attack, A hot bath, And a hammock. You got your offer, But I want it back, I want my roses. Golden proses so rit and rattle. I rot in hell for all I've done, then scramble; Damn. I just can't get you off my head without ramble You're probably on a tour bus; She's pulling out all the stop— But you're my monster, just know that Although I'm on top of her turf. So much for Service Monday. So much for making money on a conduit, a conduct. So much for love as. He aim for the head; I aim for the neck; He aim for the heart, I duck, I fall in her eyes, High water— No more cam tide Sunsets. What, I get you really wanted oceans, So you got them. Godsense. Pull, Conan Pull— Haul in! All in on your cards, But take the occult off them; Offering? Totem pole. More than one? I love to hope. Fix your face. Pull the plug— I'm off till Sunday, Off till Sunday. Ten days to Tuesday, You want no more Ten days to Sunday And ten more before that; Ten tongues before dawn, And other I slaughter And slaught cross the sloth, I wither, Your honor. Ten tales too soon, Ten wide my diamonds; Ten eyes in your Isis, My mind, Orion. Ten lost in the Outback; Ten lost on your mass, tongue Two whipped at the alter— I called her about that. So to the effect you check your fax and press the send, I'm steady living, never coming back, Or cap the president— Never living, Never listing residence on Madison You're stuck inside my half-life That I'm mad besides the medicine. You're stuck inside my past, Like all the knives inside my back, And still I fondly think upon a laugh, As ice cream sundaes, Half a sandwich Appetite for having all you are inside my master work of art, The world, your face I cut from clay inside my hands And I still have you in my swollen arteries, and trees the veins, The wicked summers and the bitter winters came, But did not cross paths, So to not bear ties, and to not plug Holes in the hull of the whole ship I think I sunk overtime instead of rather All at once, You know, It doesn't suffix What it takes to turn it back from “Love him” Into nothing. 20 hours passed and 20 cigarettes and ivory towers, But forgive the lives inside of Mormon wives and ice cold showers— Scatterbrained but highly trained in “Never Happened.” “Didn't matter.” So you roll it up into a movie script and call them actors. Why'd you flash me, dancer, Don't you know how bad I want that? Out inside your dozens, for my cinnamon coated combat Nail box fires Had you ordered Your desires Flow the golden drifter Fear of rivers never frozen. Don't you know the sun draws close But the heart grows cold, But the want goes harder? Don't you know the doors get shut, And the Kings get cut, And the wind blows wilder? Don't you know the stars just fall from the sky (They all fall from the sky, They fell from the sky) Don't you know We're all gonna die Put a trial to the wand, Fore you take her heart out Ten times. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW ​​

Who left a whole box of corn flakes In a locker At the Equinox On Wall Street? I told you go to the one at The Rock. I told you, I'm not going on that block, like at all. {Enter The Multiverse} That's just my Karma, Ms. Nancy; I did a whole lot than just Thought about it More edits, More recognition that I—l couldn't stand it; The planet just seems to get smaller and smaller With less and less plants in it; I have your pants on, But shoes didn't fit I wrote a whole book and resenting But still not the movies, I meant it. Damn. She's just so much better than I am Head in a frying pan on high beforehand, And however damaged, It felt bad I know what I did I felt that Camera Obscura, for sure, you know But disconnect, Swallow badders, wha— t?! Get my peanut butter up; Why! I'm a circus monkey; Damn. I got karma faster Than I should have known I lost episodes And threw away the whole entire show I went running long And then I threw up on the subway I only like the one Sublime album (The one with wrong way.) You know? Cuh' I went the wrong way I fucked up on all my dollars I got karma back hard, yah Got a poem or prose or song on ol' Ms. Molly, too, (or two) I fall in love inside the tube, Truth is, though Teletubbies and teleportation Ain't so far off from where I come from Problem is, Opporsite world, I'm the story of the whole show; For sure dawg. —a situational Thought process. When the crack finally kicks in, Astounding the loss of my confidence I've gotten lost in a toxic land I got syndrome “talk to much” Not on the spectrum, nor diagnosable X's and O's on the tic tac toe board, Just an underhanded “I told you so” All the rockstars want —Subtle thoughts of suicide as the train approaches? Nah, Models and the other types of girls That never work at all, They just born at it. I got bored with it, But not the fourth one, Cross my first amendment, On my heart like catholic More like Bart Simpsons, Like art magic Cause I won't watch that show But love Matt Groening— Maybe I'm the type that just Love hating But hate loving with No way to I don't hate you; Yeah you're right, I'm off Take two. ((Good Luck Riding The J Home.)) Not a gym run, a different kind of cause, I guess I got so many plausible options, I guess I should call on one of them, Toss a number up, struck the dog on mathematics I can't let my lantern out of gas, We're not friends, are we? What a fiend! Are you offended? I just want to see my dreams relayed to me— Is that too much to ask? So I'm the asshole. What did I pack a bag for?! Picnic baskets. What did I leave this curse for? Nothing, Thanks for asking, Nance. I put a pilot on the presence of a whole color— phenomenon. I swallowed all my pride and presence just for an automaton. This automation algorithm— is it? Doesn't make a difference. I spilled blood inside my kitchen, Put deposits on a flicker, Tricked the treasure at a phantom, Phantom I want more but swallowed all my high pulp orange juice on knowledge of the only one; There's only God, There's only us— There's only cause+ effect, 6 more albums, note books and a couple novels that came out of that one. Squeeze em hard, ya'll. Don't let me love God. Don't let me talk back, I'm not about a rack. Tantrum, yes. Talk to my God. Please. Talk to me God. Now. Talk to my family one time. Now. Talk out me sideways— Now. Bring me a rebel. Now. I have a headache. Now. I got regrets son. Now I got a dead son, a dead daughter a ghost cat and George Jettson, Michael Jackson and George Zimmerman, all of my tabs open: I take a tab hoping I fall asleep on the cold ocean, Calm before storm comes Out on a surfboard Look at the full moon— Nobody can hear you so SCREAM. Now. For crying out loud, Take the knife out, For a second or thought, I'm a wife now; What back handed thought or a back and on blacklist— Your back room was only your conscious— Now I'm looking at my left side, Also catatonic, Not aboard the problem like you wanted, What an order form for border patrol, You want tall glasses of hard fortune, Work hard for it, or rosemary pork on sourdough. I'm in love with you, but in poverty— There the devil is. But oh, aren't we all familiar? Suit and tie hangs to the tide, I tie the knot with rope from which I die, And quickly crafting coffins, want to walk around before I go off, Diving board or world one antenna? Not to mention it, redirect the attention and energy into something other than consumptive— Everything I do and everywhere I go, I clutch this stone Or put inside my pockets knowing if I let it go Or it falls out and to the ground Not only will I float up, But the world will open And swallow us all whole ((Down.)) I live with the knowledge of criminal visions and masterpiece compilations, but as of today I owe a bank my very and entire existence It is what it claims to be, these days ring true Nothing these days sounds like music but you. I put that book back on the shelf; Rewound the tape before I put it in the case I knew it would be late because, well That's the way it always is That's the way I always am I'm sorry mom. That's the way it always is— They told me I don't need no makeup on, However this may have only been true when I was ten to twenty two, Or twenty two, Or two whole years ago before the motorcycles stole my story. When I put the sun up in the sky, I suppose, is when I started this [that's called a God Complex] It's all behind us now, or rather All up front And out in the open In twelve point font As if I would ever cop to it I took the wrong way to Wall Street l Believe me l, i think of the tree at the rock, Long before this all was ever thought of, And I held her seed in the heart of my palm God said go the other way, I said “Okay” I want to see how much money I make; I wear makeup, I got nothing So much for a body I got stuck with words and good talking, And long vocabulary instead of the coast and a longboard So what's the cost for a whole table turn? So what's the cost for a “her—perfect.” Huh? What is the cost for some popcorn in Lorne's office? What is the cost just to cover the love boat theme song— Don't get me wrong I have original music I'm just hard getting to it; The motors are running The mirror: my mind is a murderer, murderer Engine's are purring are hurting her, hurting But I been wanting some corn on the cob To talk to my mom To call some place home To care for my son To wake up on Sunday past noon like “That was a good show.” And the next sold out . real talk, I got real problems Someone knows I'm on top of my thoughts at the rock, Choking back cocaine All the world under me, Mad at the world though For not looking up to me Huh I call this suffering Cause I already been been hungry, And homeless So I know this Pit-of-your stomach And tied to a brick at the bottom of the ocean feeling, that really Sits somewhere between “Hopeless” And “not good” But hey— If you were to say “how's your day” I answer “I'm great!” Like a positive, programmed robot or something, my mantras lately, replaced however with repetitive honest pleas of “Please help me.” Seems like— the only thing meaningful is saying this inside my Google documents; However, Seems like, It isn't worth the breathing, really Oddly, I forget to— Then I get this special feeling, Almost sentimental, inside my head I don't need medicine as much as I just need a friend besides my cat —thoughts of hammers in my brain— If I could tell you what the level of the pain is? Mercy. There doesn't seem to be a number Merry Christmas, Let's get displaced; Case is dismissed— Let's get shitfaced Wash the dishes, Pick the peloton, Pick imaginary friends And watch the President be hilarious, Until it effects us negative and in the read, When peanut butter bread and jelly All you ever get for breakfast For extended periods of time. Hah. Bloodshed? Wrong. Blood hound? Bad. Segmented thoughts on a toothache? Too late. I hate to tell you what the truth is, Cause you'd hate it. Useless. Jew fits; I just saved two cents on toothpaste And you got two new fits to wear for your friends approval and some cool picks But I can't do this anymore I want to choose live; Inside my death is The whole of the city, Electric and Thomas Edison And impressive Mister Business— Rockerfeller read about it; Somebody gotta learn and teach to squeeze the money out the people! Something simple says, “Just stop it.” Choke a chicken over breakfast, Thoughts of Belfast, real fast train to somewhere in LA, I think Today will be the day That I give bacon To charity, No care left, to give a gift So thankful, For being blessed with time to waste To write this piece of shit I guess I died I guess in family guy? I didn't like it, yet I think sometime's in stewie's cadence— …like, a British baby? And a talking dog? And a dumb ass dad? And a bunch of songs? And some salad dressing, To go with that master habit of getting Grams and Grammies; But in the long run, after a long talk on the roof with the opposite of God, I finally call a conference with all the lawyers of the court— But not to work at all, Only order sandwhiches Obsession has its advantages and platinum records, If you tap into it directly. Forget it. I'm out of magic. Or out of patience— out of time for petitions, But which one is it? Which dimension actually gets me picture perfect Instead of nervous in the eye of the beholders? Learn your lesson well; There's got to, got to be a reason why The wrong way is the right. There's got to be a reason why— My day becomes the night. There's got to be a reason for the words upon the paper, But I've got to figure out my rhythm later; I gone up instead of downtown, Turn the clock before the sunrise, I just want to find the love and the peace in it agai. Gotta love a synchronicity; I get stuck inside bronze statues Door way syndrome And I shutter just to never remember him But here the picture is, a perfect person Headless and befriended him, the lover The line inside my mind is crossed I'll suffer till I turn to dust on this one. My thoughts the first time I saw him? I hate him, Cause he'll never love me. What a troubled thought for a little girl on a lot of drugs and a weight problem. One more, I don't remember where I'm going Day to, I have to remember to forget you Take three, I'm happy that they pay me to tape these things Because I'm maybe going crazy; From the outside though, you wouldn't know it Low and behold, this is my show afterall And covered in gold like the whole of the moon I can play to the tune of two men, to two million don't let it torment you, You looks twisted Get out of your head, and turn off your television Go on a walk, Get run over by a bus or motorcycles Turn around and talk to God and your disciples — cause they all watch. Oh, what's wrong now? That's a long run, And now another pilot that I'm proud of— Stop looking at the ground— It hurts. Today, I learned my lesson, It was not a new apartment— It's a prison. I gotta say I kinda gotta love to wonder where the fuck I'm at besides “Manhattan”. The cat needs water, My heart needs captions. New York needs Jesus Hope he don't see this (Even if he did he probably wouldn't believe it, Or Even if he did He's having trouble learning English, And, Even if he did he had he's been repealing all his promises to return to us; We worship dollars A cock-shaped structures in New York— TIME TRAVELER Its called The Rock. SUPER NEW YORKER What. TIME TRAVELER I'm looking for The Rock. SUPER NEW YORKER What's that. TIME TRAVEL It's called “Rockefeller Plaza.” SUPER NEW YORKER What's that. TIME TRAVELER It's a building? I guess? SUPER NEW YORKER It's not. TIME TRAVELER It is. It's— SUPER NEW YORKER It's not. TIME TRAVELER But— *fucks off immidiately without any closure whatsoever.* TIME TRAVELER Huh. the TIME TRAVELER pulls up a picture on their device; the building itself seems to have disappeared from the photo; (Like Marty McFlyim back to the future) Contd Must be the wrong dimension… But then JOHN D. ROCKERFELLER Is MURDERED at the height of STANDARD OIL. Oh no! So that's what happened… Yeah? He was a bastard. Well! Damn. {Enter athe Multiverse} So you're everywhere all the time, And I got nothing left to run And we already talked the talk And we're already back to one Let the waves blow over, Cravings, tasting haze of periwinkle, heaven waking Putting every penny on the promise that you got me But you never save me, Really, Jesus? Racist! I got a lot of stakes in the game And all these snakes keep weighing in! I got these eight days left inside my head, And I'm a murderer Remember to admit his wrong you are Next time the caw will crow. I crevice drawing under rock Inside the undertoe, My surfboard heading home for shore, My body going under. Oh Conan, what have you done. I'm not sure yet. So? Go get him, you old hoot. I just want to watch a little longer! *feathers ruffled* What! It is comical So i'm stuck inside the equinox on Wall Street catatonic, Adding up the dollar signs and losses, Well now, Got my hosts and calling cards, And struck with dirty dozens Doesn't anybody understand? [no. Nobody does.] Certainly, you know, nobody does this. Certainly, I'm folding all the shirts for all the husbands Certainly my love was lost, but for sure I didn't want it. For sure, I dropped a couple rocks I had inside my pocket . Well done, folks. Guess what? Those aren't crocodile tears I'm crying. I'm dehydrated but they're called psychic cause Nobody knows where they come from; Some would form the thought that you got water trapped inside your soul It only happens when the sun sheds hard tears Here, solar panels Animals and tragic circumstances, Fucking Asholes Never shine your diamond on the twilight, Shooting stars; Never shoot at birds from cars; Remember, They are flying. I swallowed you whole, I swallowed you whole, I swallowed you, done. I swallowed you whole, I swallows you whole, I swallowed you down some. I swallowed you whole, I swallowed you whole, I swallowed you up; I swallowed you whole I swallowed you whole, You know what the cost is Just a heads up, If you take a picture of a gamgstalkers face, They run away. The crime being committed is a non-contact form of combat, a scientifically proven biological weapon. When you begin to document this meticulously, a pattern of coordination begins to become established. It's no longer some sort of phenomenon, that can be written off as a symptom of a broken mind; The more evidence you gather, It becomes a verifiable crime. Remember that the point of it is to control you, to enslave your autonomy— to program you to believe something is wrong, when clearly, The signs of an awakened mind can pick out patterns in the construct of human social behavior that is not ours; it is a deficit in conciousness, a weakness, caused by the moral degradation of our souls in the societal world— A loss of God. And also remember, Humans have a history to seek and destroy which it does not understand, And cannot control— However, also, God comes in all forms. You must know when all is all. Okay, shh— Don't lock the door, now You got a pardon, You better run. I am an a-list celebrity; I am an “amen, sister— I hear that!” I am a medicine woman, A centrifugal figure, A ritual character, Skilled at charicature— A big Kimmel fan, A rick and a Morty, A woman a man, A puppet, the master, A cat in a hatbox, A blasphemous coffin; A wart on a warflower. Hm. Now who could possibly take that out of context? Soft surf rock at the equinox on Wall Street. I love all four stories, I rode all four horses, I put all four corners of the earth onto a surface Then I rolled it up Huh… Somebody does that. Leets go, hard core But don't forget the hot sauce Don't forget the — Smattercat?! SMATTERCAT?! SMAAAAAATERCAAAAAAAAAT! The Adventures of Atticus Catticus. Man, this is fucked up. I can't disagree with you. I can't get you out of my head (I want head) Can't get you out of my mind I find that You must want me dead Tan lines l You must want me off my meds! You want in me in bed at 9 sharp You know what!? You remind me of Harper. Now let's talk shop, Calm, little brother I went with the other oath— Don't you belong to God? Who's on the phone? Donald Trump. Tell him “no.” No to what? Just tell him “no.” Then he'll get here faster. So what do you got in your supplements? Simple psychology; Have a red album. Nah that. I got gold gold balls on all of my prostitutes Pulled apart orgasms, Never been touched, sire. Never have I took forgranted this passion( Never have —that flex— Theatrical pangentry. Never went Ham sandwhich Ham sandwhich Ham sandwhich GODDAMMIT. I thought you grant wishes. — also in charge of summoning. Part time. Well what are you mad about?! At least you got a job! I'm so sick of this kid, He just summons “Ham sandwhich” What's wrong with that? I gave him “ham sandwhich”, Alright?! All kinds, And you know what? That guy has all kinds of magic— All the kinds— Every kind you can imagine, And no matter what, He just wants. Hmmmm…: …. Come on. Summon a dog, or something… A new bike… ……. ……..:::: ……. …. Ham sandwhich. GOD DAMMIT. …and a kite. …what was that? I want a kite. Y…you want to fly a kite. Ya. Alright! But first. An, God. Ham Sandwhich. WHAT THE FUCK ARE YOU DOING? SO WHAT I LOVED NANCY REGAN! SHE HAD THE BEST CATCHPHRASES! AND ALL THE KENNEDIES! FUCK WITH ME. Somebody shoot that bitch. But sir— Before she runs for president. But sir… THINK OF IT LIKE KILLING BABY HITLER. You're right. TAKE THE SHOOOOOT. MEANWHILE… In the MULTIDIMENTIONAL SPACETIME SURVEILANCE FACILITY Oh good. What's that. Someone one assasinated me. That's good. I'll say. Wouldn't want you to run for president. Someone still would have had to elected me. Oh, you mean like in all these parallels over here. *shrugs* They'll collapse eventually. They haven't yet. I just got assasinated. Wait for it. I've been waiting. I don't get why you hate me so much. I'm indifferent, really, just waiting for something exciting. I just got assasinated. And I just got a ten cent raise. From what I can tell, doesn't make much of a differences. It's like, limited assimilation in this dimension; Did I correct you— Lessons, I'm not making any promises. Look out little brother! I set them on you. Got to put the pudding in your pot— And don't forget to floss. What's corrextions? Look, I'm anatomically correct— Shut up, Ken. I don't click on videos or images Because I love him It's just a crush, A pair of wooden crutches A horcrux And a fox A crucifix And Sunday Brunches. It's just a bunch of pictures, Edits, autographs, Extended plays It's just an infinite inside my head— It's been a couple days. A couple miles down And sure to go, You're all for it— Soon you got to know Whatever you done Has come for your— Stop the truck for misuse of four muses And autotune to ruin it— Your mascot is a narwhal But you're rooting for the Bruins. What is even a Bruin? A bunch of racist frat boys and hot bitches in sororities and covens? Bet that Okay, Like, I fall in love But just to write a bit I pour my heart out in a song And for the moment I could make forget i'm ugly Even if for the duration of the half time; Half a pack at halftime, Half a pack at bedtime 20 cigarettes on your 2020 vision. Three beers, Then three beers Thirty three years and he still won't love me Thirty three years and I'm still no woman. He show first, So I shot back I forgot rock doves Served a purpose Postage For lost albums on the surface Surfboards For hot rod bod host, I offered up Conan, Now pick that hard eye Banjo up Water dance Pick that apple, Off the tree With not a scratch Hands tied behind your back; Baggage claim, River dance Pick it up without a fork You whispered us a state of trance For God's socks, If I fly coach, Low ball Lost a fortune Don't call me ‘bud' I think about your walk all day; Like, Three or four times, maybe Not no noodle soup, you wonder But you're asking for a Ballroom. Haggard. God did far too good a job on you; As the car jumped over the moon. I complete your meat puppet, But recently went vegan Line them up and then A heart attack, A hot bath, And a hammock. You got your offer, But I want it back, I want my roses. Golden proses so rit and rattle. I rot in hell for all I've done, then scramble; Damn. I just can't get you off my head without ramble You're probably on a tour bus; She's pulling out all the stop— But you're my monster, just know that Although I'm on top of her turf. So much for Service Monday. So much for making money on a conduit, a conduct. So much for love as. He aim for the head; I aim for the neck; He aim for the heart, I duck, I fall in her eyes, High water— No more cam tide Sunsets. What, I get you really wanted oceans, So you got them. Godsense. Pull, Conan Pull— Haul in! All in on your cards, But take the occult off them; Offering? Totem pole. More than one? I love to hope. Fix your face. Pull the plug— I'm off till Sunday, Off till Sunday. Ten days to Tuesday, You want no more Ten days to Sunday And ten more before that; Ten tongues before dawn, And other I slaughter And slaught cross the sloth, I wither, Your honor. Ten tales too soon, Ten wide my diamonds; Ten eyes in your Isis, My mind, Orion. Ten lost in the Outback; Ten lost on your mass, tongue Two whipped at the alter— I called her about that. So to the effect you check your fax and press the send, I'm steady living, never coming back, Or cap the president— Never living, Never listing residence on Madison You're stuck inside my half-life That I'm mad besides the medicine. You're stuck inside my past, Like all the knives inside my back, And still I fondly think upon a laugh, As ice cream sundaes, Half a sandwich Appetite for having all you are inside my master work of art, The world, your face I cut from clay inside my hands And I still have you in my swollen arteries, and trees the veins, The wicked summers and the bitter winters came, But did not cross paths, So to not bear ties, and to not plug Holes in the hull of the whole ship I think I sunk overtime instead of rather All at once, You know, It doesn't suffix What it takes to turn it back from “Love him” Into nothing. 20 hours passed and 20 cigarettes and ivory towers, But forgive the lives inside of Mormon wives and ice cold showers— Scatterbrained but highly trained in “Never Happened.” “Didn't matter.” So you roll it up into a movie script and call them actors. Why'd you flash me, dancer, Don't you know how bad I want that? Out inside your dozens, for my cinnamon coated combat Nail box fires Had you ordered Your desires Flow the golden drifter Fear of rivers never frozen. Don't you know the sun draws close But the heart grows cold, But the want goes harder? Don't you know the doors get shut, And the Kings get cut, And the wind blows wilder? Don't you know the stars just fall from the sky (They all fall from the sky, They fell from the sky) Don't you know We're all gonna die Put a trial to the wand, Fore you take her heart out Ten times.

"Guests have become more sophisticated and our product needs to follow suit." Disney Theme Parks have always been at the top when it comes to large scale, interactive entertainment attractions. Doris Hardoon is a legendary Imagineer, and we don't use that term lightly. Her creative vision has graced every Disney Castle Park on the planet, from EPCOT to Disneyland and Disneyland Paris to Disney's Animal Kingdom, Disney Cruise Line, and beyond. Doris took a break from Disney to run her own design firm working on museums and other interactive design, but she returned to Disney as the executive creative director and producer for Shanghai Disney Resort. Her career at Disney theme parks and entertainment design has spanned over four decades. She joins us on REPOD to share her design philosophy and some life advice for aspiring designers. She's had a very interesting path in her career, starting with working as a model and becoming a well-known folk singer in Hong Kong in the 1960s and 70s. I especially enjoyed hearing her talk about working on the global theme parks and how “It's important to culturally understand who you're creating the happiest places on earth for.” She talks about how to design spaces that appeal to the local audience while still maintaining an authentic Disney experience. She's now turned much of her time to mentoring the next generation of entertainment designers. In this episode, Doris shares some reflections and advice on how to build the right team to support your creative vision. She also talks about how to manage corporate politics, especially when it comes to large creative companies like Walt Disney Imagineering. Doris Hardoon is a true legend, and I hope you find this episode as inspiring as I did.   Full Show Notes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Surely You Jest - Episode SYJ904: From Tricycle to Troubles: Embracing New ExperiencesHost: DJ Starsage Release Date: Tuesday, December 2, 2025

Join us for an in-depth conversation with Andrew Mortimer (aka Morty), co-founder of the Apertto Partnership and former media leader at Sky, as he shares insider insights into the media landscape and marketing mistakes to avoid. Learn about long-term brand investment, building trust with agencies through leadership and psychological safety, and the pros and cons of in-housing media capabilities. Perfect for marketers, media planners, and anyone wanting a clearer view of modern media strategy.

Weirdly Helpful advice on today's episode comes from Lainey, Margo, Rabbi Yoni and Zak! --- If you have a response to Morty's voice memo, send me something at Zak@weirdlyhelpful.show or call the hotline @ 844-935-2378 --- Become at Weirdly Helpful Supporter @ https://www.patreon.com/weirdlyhelpful --- This episode is brought to you with support from Uncommon Goods. To get 15% off your next gift, go to www.uncommongoods.com/podcast/bestadvice Learn more about your ad choices. Visit megaphone.fm/adchoices

"Screenwriting is like a puzzle that the writers are putting together." When a television screenwriter who loves puzzles and immersive experiences turns her attention to creating a boxed puzzle game, the result is beguiling and thoroughly engrossing. The Morrison Game Factory has a deeply intimate and emotional story that pulled at my heartstrings while still engaging my puzzle brain. Screenwriter Lauren Bello created The Morrison Game Factory as puzzle challenge during the pandemic. It would have remained a small one-off game played only by her friends until Rita Orlov of PostCurious played it. She fell in love with the game, and worked with Lauren to produce the game under the PostCurious brand. We originally interviewed Rita of PostCurious on REPOD S2E7 when her award winning game Light in the Mist had just come out. Since then, PostCurious has continually produced hit after hit, including the charming puzzle-focused Ministry of Lost Things series, along with longer epics like Emerald Echoes and Threads of Fate which is a remake of the first game that Rita became known for. PostCurious games are impeccably produced. All the games have authentic-feeling props, heavyweight paper, and a beautiful artistic flair. The puzzles are intriguing, and range from light and playful to complex and layered. The storylines are always interesting and tie into the gameplay. Rita Orlov and Lauren Bello talk about their collaboration. We also spend some time dissecting all the new PostCurious games to hit the market since we last had Rita on Reality Escape Pod. I really enjoyed learning about Lauren's writing process, especially when she described it as a series of waveforms, layering the different plots, storylines, and vibe that she's trying to achieve. If you enjoyed this episode, make sure to check out The Morrison Game Factory and PostCurious' newest game on Kickstarter, Ministry of Lost Things - Case 2: Finders Keypers.   Full Show Notes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

You're invited to an unforgettable surprise celebration for someone truly special! Join Chuck E. Cheese and his friends for a magical Christmas adventure filled with music, laughter, and holiday cheer. Alongside his pals Helen Henny, Jasper Jowls, Bella Brinca, Munch, and Pasqually, Chuck E. creates a plan to throw a surprise party to lift Santa's Christmas spirit! But surprising the man who “sees you when you're sleeping and knows when you're awake” won't be easy. Can the gang pull it off in time to save Christmas? Get ready to sing along as this Christmas special debuts two cheerful new tunes that are bound to be Christmas classics, co-written by Barry, Moncrief, composer Ben Bromfield (“Ginny & Georgia”), and Barry's father, legendary songwriter Jeff Barry, (songwriter of “I'm A Believer” for The Monkees, “Sugar Sugar”, for The Archies, and “Christmas (Baby Please Come Home)” popularized by Darlene Love, Mariah Carey, and Michael Bublé). Written and executive produced by Zac Moncrief and Jon Colton Barry (“Phineas & Ferb,” “Be Cool Scooby-Doo!”), A Chuck E. Cheese Christmas features a voice cast that includes Nathan Kress (“iCarly”) as Chuck E. Cheese, with Grey Griffin (“Avatar: The Last Airbender”), Nolan North (“Uncharted)”, Kari Wahlgren (“Rick & Morty”), Fred Tatasciore (“Kung Fu Panda 2”) and Michael Gough (“Doc McStuffins”). Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

You're invited to an unforgettable surprise celebration for someone truly special! Join Chuck E. Cheese and his friends for a magical Christmas adventure filled with music, laughter, and holiday cheer. Alongside his pals Helen Henny, Jasper Jowls, Bella Brinca, Munch, and Pasqually, Chuck E. creates a plan to throw a surprise party to lift Santa's Christmas spirit! But surprising the man who “sees you when you're sleeping and knows when you're awake” won't be easy. Can the gang pull it off in time to save Christmas? Get ready to sing along as this Christmas special debuts two cheerful new tunes that are bound to be Christmas classics, co-written by Barry, Moncrief, composer Ben Bromfield (“Ginny & Georgia”), and Barry's father, legendary songwriter Jeff Barry, (songwriter of “I'm A Believer” for The Monkees, “Sugar Sugar”, for The Archies, and “Christmas (Baby Please Come Home)” popularized by Darlene Love, Mariah Carey, and Michael Bublé). Written and executive produced by Zac Moncrief and Jon Colton Barry (“Phineas & Ferb,” “Be Cool Scooby-Doo!”), A Chuck E. Cheese Christmas features a voice cast that includes Nathan Kress (“iCarly”) as Chuck E. Cheese, with Grey Griffin (“Avatar: The Last Airbender”), Nolan North (“Uncharted)”, Kari Wahlgren (“Rick & Morty”), Fred Tatasciore (“Kung Fu Panda 2”) and Michael Gough (“Doc McStuffins”). Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

" We're evolving the [escape room] experience towards something that's more theatrical, with puzzling, gaming, and immersive art all together." Magnifico is currently (as of November 2025) the top escape room in the world, as voted on by experienced escape room enthusiasts. For 2.5 hours, we were transported to another world where magic is real and anything is possible. This game was a culmination of Escaparium's signature style: epically sized and meticulously built sets with large-scale puzzles that involve the whole team, and meaningful stories told through both gameplay and theatrical moments featuring live actors. Jonathan Driscoll and Sacha St. Denis are the owners and driving force behind Escaparium, in Laval, Canada (just outside of Montreal). Since their previous appearance on REPOD, they've cemented their spot as one of the top companies in world. Last year, in 2024, they captured the #1 and #3 spots on the TERPECA rankings, with their games Magnifico and Forgotten Cathedral, respectively. Wardrobe for Sale ranked at #14, and Lost Island of the Voodoo Queen ranked at #37 in the world. It's clearly not a fluke. Escaparium is consistently creating world-class games, year after year, and when they're not busy opening new games, they're renovating and remodeling old experiences. Rain Corp. has been given a make-over into Ctrl Alt Reboot. They are also overhauling their lobby once again, creating an immersive bar experience featuring a crashed space ship. Jonathan and Sacha joined us to talk about their new games, what's driving them, and where they're getting inspiration. My biggest takeaway from this conversation was that they are very involved in the escape room community and industry. They are constantly traveling and playing games. They attend every convention. For them, it's always about the details. If even one small detail inspires their next idea, Jonathan says it's gold. That's the mindset they instill in their whole team as well.   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Time is difficult to conceptualize in the abstract, even if you travel through it.   Check out our Discord!

Ryan K. Hudson is an American writer, animator, and cartoonist best known for his darkly funny webcomic Channelate (2008). With a background in animation and design, he's created viral short animations known for their absurd humor, minimal style, and sharp punchlines.https://www.youtube.com/@RyanKHudsonhttps://www.instagram.com/ryankhudsonhttps://www.facebook.com/channelateCHAPTERS:0:00 – Introduction0:59 – Meet Ryan Hudson1:41 – Unusual sleep schedule and daily routine2:48 – Transitioned from a regular job into animation and comics3:34 – The animation and comedy studios Ryan has worked with4:39 – Focused on over the past 6 months5:45 – How long Ryan's short-form animation videos usually are6:06 – Why Ryan shifted from longer content to short-form animation7:46 – How Ryan learned to create hooks, comedic timing, and pacing10:03 – Ryan's best advice for creators who want to go viral11:56 – How Ryan interprets a clip that flops (luck vs. editing vs. delivery)13:08 – Sora and AI animation tools14:03 – Could AI eventually replace Ryan's animation workflow?15:45 – How Ryan fits voiceovers into the pacing of his animations17:02 – How Ryan comes up with jokes and develops his ideas20:05 – How many short-form animations Ryan makes per week21:00 – What keeps Ryan motivated during slow view periods22:30 – The leap of faith Ryan took when he stopped freelancing24:59 – Why Ryan turned down freelance work to focus on creating content26:00 – How Ryan tracks his performance on YouTube and Facebook27:37 – Why Ryan thinks his views continue to rise over time29:46 – Can creators survive financially on short-form content alone?31:00 – Ideal short-form video length32:17 – How Ryan adjusts joke length to fit the ideal runtime33:14 – Quality vs. quantity in content creation35:41 – Which strategy works better: uploading all clips or only the best ones?36:43 – How algorithms behave after two years of posting37:40 – Times when Ryan scraps animations mid-way because they don't feel right39:16 – How Ryan decides which jokes deserve 8–9 hours of animation work41:05 – How Ryan picks jokes from his list of ideas42:41 – How Ryan stores and organizes hundreds of joke ideas44:18 – Ryan talks about being a “feeler” and managing creative stress45:39 – Ryan's mindset in his career while living his dream right now47:53 – Balancing creativity, work, and being in a relationship49:58 – How animation technically works (frame-by-frame vs. puppets)51:15 – Andy's Rick & Morty analogy: how writers create so many strong jokes52:37 – Opportunities Ryan has received because of his online reach54:53 – Ryan shares the story behind his 45M-view clip and how it blew up57:39 – Whether Ryan edits or re-exports videos when reposting them58:06 – Why YouTube doesn't like reposted content even if it's slightly edited59:43 – Whether reposting is worth it on TikTok, Instagram, and Snapchat1:00:56 – Does the Facebook Shotgun Strategy actually work?1:01:56 – 1,500-comic archive (2008–2021)1:03:26 – Process for writing comics1:04:51 – Why Ryan draws storyboard panels before writing dialogue1:07:03 – Builds community through recurring characters and inside jokes1:09:10 – What Ryan is known for: his characters or his own face1:10:44 – The origin of Ryan's art style for his animations1:12:42 – What art style Ryan would choose if he created a TV show1:13:29 – How Ryan's characters progress and grow in their stories1:15:19 – What Ryan's next career chapter looks like1:17:26 – Ryan's plans for creating an animated series1:21:33 – How lip-syncing works in animation1:23:57 – Should Ryan launch new animated series on the same channel or separate ones?1:26:16 – How Ryan grew his YouTube channel from 20K to 1M subscribers1:28:23 – The origin story behind “Channelate”1:30:11 – Recent discoveries1:33:59 – Personal goal for the next six months1:35:14 – Connect with Ryan Hudson1:35:49 – Outro

Alla shownotes finns på https://www.enlitenpoddomit.se,  skulle det se konstigt ut i din poddspelare så titta gärna där efter alla länkar kring det vi pratar om   Avsnitt 548 spelades in den 11 november och därför så handlar dagens avsnitt om: INTRO: - Vi börjar tidigare än vanligt!! (klockan är bara 11 minuter efter utställd tid). - Alla har haft en vecka... David har varit förkyld (en riktigt mancold), och därför sovit i en typ vecka. Björn har varit i Finland, och pratat med ChatGPT. Johan har varken pratat med ChatGPT eller varit sjuk, men istället så har han tittat på Harry Potter, bytt massor med batterier, lagat backupper, byggt ett cykelställ och tittat klart på "Star Trek Strange new Worlds", fått ett tyst rum på jobbet.  BONUSLÖNK: https://en.wikipedia.org/wiki/Star_Trek:_Strange_New_Worlds  FEEDBACK AND BACKLOG: - Tankar om Macbook med A chip. Ipad vs dator? ALLMÄNT NYTT - Ikea släpper en massa nya Matter prylar   https://www.ikea.com/se/sv/newsroom/range-news/ikea-lanserar-21-nya-produkter-foer-det-smarta-hemmet-pubc24b3f70/  - Danmark förbjuder sociala medier för barn (tips från Morty)   https://www.svt.se/nyheter/utrikes/danmark-forbjuder-sociala-medier-for-barn  - Nintendo släpper appstore till Android och iOS   https://www.androidauthority.com/nintendo-store-app-launch-3613249/  - Netflix loggar jättemycket 1:or och 0:or, varje dag (tips från en nördkompis till David)   https://clickhouse.com/blog/netflix-petabyte-scale-logging  LYSSNARFRÅGA: - Johan hade en fråga om smarta lås tidigare I år… du kan inte ana vad som hände sen MICROSOFT - Windows 11 26H1, om du har en ny CPU   https://www.theregister.com/2025/11/10/microsoft_breaks_new_ground_with/  - Man kan nu installera flera appar från Windows Store   https://www.thurrott.com/windows/windows-11/329279/microsoft-store-on-the-web-adds-multi-app-install  APPLE - Apple betalar en miljard för Gemini   https://swedroid.se/rapport-apple-betalar-en-miljard-dollar-till-google-for-gemini-drivna-siri/  - Apple Watch tappar WiFi Sync I EU (Är inte detta lite som utpressning? Kan Apples Storlek vara en del av detta)   https://appleinsider.com/articles/25/11/05/apple-plans-to-remove-wi-fi-network-syncing-on-apple-watch-in-the-eu  - Men vi får Live Transaltion i AirPods   https://appleinsider.com/articles/25/11/04/airpods-live-translation-is-coming-to-the-eu-soon-after-regulatory-delays  - Apple släpper en iPhone mankini   https://www.apple.com/newsroom/2025/11/introducing-iphone-pocket-a-beautiful-way-to-wear-and-carry-iphone/  GOOGLE: - Google "vill" sänka PlayStore avgifterna   https://9to5google.com/2025/11/05/google-play-store-fees-android-17-court-proposal/  - Google Play kommer att varna om en app drar mycket batteri   https://9to5google.com/2025/11/10/google-play-battery-wake-locks/  - Nano Banana 2   https://www.testingcatalog.com/exclusive-new-leaked-image-samples-by-nano-banana-2/  - Verizon råkade berätta om Pixels november-uppdateringen   https://www.androidauthority.com/pixel-november-update-verizon-3614531/  TIPS: - Använd inte gamla grejjer (windows server 2003) och använd inte korkade lösenord Jag tänkte att vi skulle prata om säkerhet, och vilka saker som faktiskt är "knasiga" att göra. (*klipp till bild på Louvren*) https://www.pcgamer.com/software/security/post-heist-reports-reveal-the-password-for-the-louvres-video-surveillance-was-louvre-and-suddenly-the-dumpster-tier-opsec-of-videogame-npcs-seems-a-lot-less-absurd/  PRYLLISTA - David: Alesis Andromeda A6, https://musikborsen.se/begagnat/begagnad-alesis-a6-andromeda-hos-musikborsen-i-goteborg/  - Björn: Jag behöver den på inget som helst sätt. Men den SER ju cool ut!! https://rode.com/en-int/products/rodecaster-video-s    Men från samma butik som David så hittade jag den här: https://musikborsen.se/sortiment/klaviatur/klav_digitalpiano/blackstar-carry-on-folding-piano-fp88t-black/    Å jag är _lite_ sugen - Johan: https://www.wired.com/story/lego-uss-enterprise-2025/  EGNA LÄNKAR - En Liten Podd Om IT på webben,      http://enlitenpoddomit.se/  - En Liten Podd Om IT på Facebook,      https://www.facebook.com/EnLitenPoddOmIt/  - En Liten Podd Om IT på Youtube,      https://www.youtube.com/enlitenpoddomit  - Ge oss gärna en recension    - https://podcasts.apple.com/se/podcast/en-liten-podd-om-it/id946204577?mt=2#see-all/reviews      - https://www.podchaser.com/podcasts/en-liten-podd-om-it-158069  LÄNKAR TILL VART MAN HITTAR PODDEN FÖR ATT LYSSNA: - Apple Podcaster (iTunes), https://itunes.apple.com/se/podcast/en-liten-podd-om-it/id946204577  - Overcast, https://overcast.fm/itunes946204577/en-liten-podd-om-it  - Acast, https://www.acast.com/enlitenpoddomit  - Spotify, https://open.spotify.com/show/2e8wX1O4FbD6M2ocJdXBW7?si=HFFErR8YRlKrELsUD--Ujg%20  - Stitcher, https://www.stitcher.com/podcast/the-nerd-herd/en-liten-podd-om-it  - YouTube, https://www.youtube.com/enlitenpoddomit  LÄNK TILL DISCORD DÄR MAN HITTAR LIVE STREAM + CHATT - http://discord.enlitenpoddomit.se  (Och glöm inte att maila bjorn@enlitenpoddomit.se  om du vill ha klistermärken, skicka med en postadress bara. :) 

"Bringing the escape room to the classroom." I might be just a teeny bit obsessed with disguising learning as play, and being tricked into learning. There is a joy to figuring things out for yourself, and iterating on past knowledge to further your skills. Besides the fun of solving puzzles, there is also a real sense of collaboration and the payoff from combining observation skills with critical thinking. Enter educator Adam Bellow. He saw the potential in escape rooms to hone the soft skills of team-building, communication, and problem solving. So he created his company, Breakout EDU, to bring escape rooms to the classroom. This comes in the form of a kit that includes multiple locks, cipher wheels, and black lights, and other props. Then on the Breakout EDU platform, teachers can choose from thousands of games, resetting the Breakout EDU kit to fit the game format. Adam joins us on Reality Escape Pod to talk about creating escape rooms for kids, especially in an academic setting. The Breakout EDU games all adhere to an academic curriculum, and also incorporate their "4 Cs" - communication, collaboration, critical thinking, and creativity. I really enjoyed learning about the "4 C" cards that students use to explore different concepts after the game. These cards ask follow-up questions like "How would this game work if you didn't play verbally?" Even as an adult, playing escape rooms has helped me learn to be a better team player. I'm glad that school kids today have this opportunity too. To learn more, visit the Breakout EDU website or check out the resources below.   Full Shownotes   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Merch Promo Code Knuckles25 for Free Shipping! Hey Knuckleheads! — jump into this episode where we roast Amazon mattresses, debate whether hot dogs count as sandwiches, dodge pandemic mask drama, and laugh at Florida Man while geeking out over Star Trek and Rick & Morty. It's messy, hilarious, and exactly the kind of chat you want with your loudest buddies.

"Quietly ambitious and a bit unhinged." Somewhere in the Midwest, a talented young couple is quietly building an escape room empire. Their company, 60 to Escape, has over 12 different escape rooms across 3 locations, a puzzle-filled mini-golf experience, and a haunt so extensive and scenic that it was used as the set for a horror movie called Haunt Season on Amazon Prime. Stephen Kristof literally has entertainment in his blood. His parents owned a family entertainment center, and he grew up bouncing around mini-golf, go carts, and fixing the arcade machines. Growing up, Stephen always wanted to work at a haunt, but he was too young. So at the ripe young age of thirteen, he presented his parents with business plan for opening up his own haunt, and his first venture was born. In the course of running the haunt, they brought in a talented young SFX makeup artist named Stevie Calabrese (now Stevie Kristof). During haunt season, she manages four other artists as they get eighty performers into costumes and makeup in under two hours. Stephen and Stevie met, fell in love, and became "The Steves." They now run their immersive entertainment ventures together, crafting and creating much of it themselves, along with their team of talented folks. If either of them look familiar, you may have seen them on a reality show. Stephen was a contestant on Season 1 of Holey Moley, a zany mini-golf reality competition show, and Stevie was a contestant on Season 9 of Face Off, a special effects makeup reality competition show. I really enjoyed hearing them talk about their commitment to the customer experience, and their dedication to production value and creativity. Their company 60 to Escape was part of the Escape Immerse Explore tour in the Chicago area in 2025. Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Heather is in a tight spot.  Morty returns, again.

Rob Schrab sits with Spencer to talk about writing and directing for things like Rick & Morty and Community, and opens up about his fears about being a "90-percenter", burnout, and the eternal question of whether to keep grinding or just accept that maybe you've done enough cool stuff for one lifetime. Spencer fires back with some ideas about lightning, eggs and the weird Silent Hill 2 ending. Learn more about your ad choices. Visit megaphone.fm/adchoices

"  Think of it as a wild Midwestern version of the MIT mystery hunt  for a slightly different crowd where people drink quite a bit more." For three whole days, over 10,000 trivia challengers descend on the tiny town of Stevens Point, Wisconsin, for The World's Largest Trivia Contest. The contest runs on the local college radio station at the University of Wisconsin- Stevens Point for 54 hours straight, asking eight questions per hour. Teams have only the length of two radio songs to call in their answer. Yup, that's right. You call into the radio, old school style. It's a madcap frenzy of teams frantically searching through bins of catalogued items spanning from cereal boxes to DVD covers, or racking their brains to remember an obscure cartoon reference. For 43 years Jim “Oz” Oliva was ringmaster of this trivia circus. He wrote most of the questions and organized the contest. Jim revels in finding the most obscure bits of trivia to throw at his players. In response, teams have amassed entire rooms filled with snack packaging, atlases, and the booklets from CDs, among other items. With the advent of the internet, Jim had to change how he formatted the questions to stay ahead of searchable keywords. You can hear the glee in Jim's voice when he talks about all the techniques he devised to outmaneuver trivia players. He even had to hold onto all of the garbage from the question writing room otherwise players have been known to go through the trash, attempting to gain an edge over the competition. Jim is blunt, funny, and mischievous. I really enjoyed hearing all his stories from his many years of running this crazy trivia contest and learning about the wild culture surrounding it. In our Bonus Aftershow, REA contributers Heather Burns and Theresa Piazza join us to share their perspective on the trivia contest. Heather has been involved in the trivia contest for over 20 years, and Theresa joined Heather for the first time last year. It was wild to hear all about how they prepare for three crazy days of trivia with a revolving door of team members marshalling to rifle through bins of material and sleeping in shifts. I hope you enjoy this episode about The World's Largest Trivia Contest.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

"With a performer, players can make their own stories." Will and Kim Rutherford met at a summer pool party while in college. Kim recruited Will to help her win a floaty race across the pool. Alas, they lost. " I thought the floaty race was for fun and apparently it was for, I don't know, life bragging rights or something," says Will. Since then, the couple have gone on to many other creative adventures, including creating home haunts. Will even proposed to Kim on Halloween while they were both still in their costumes. So when Will and Kim played their first escape room, they immediately thought it could be like a permanent home haunt experience that they didn't have to tear down and put up every year. They jumped in with both feet, and although they made a lot of mistakes along the way, Escape Artist Greenville was born. Today they have the second highest ranked escape room in the USA (Castle Fluffendor). They've also created a three-hour experience that combines three of their top escape rooms into one narratively cohesive saga called The Chimera Corp Saga. REA reviewer Matthew Stein calls it “a masterpiece of episodic storytelling.” Will and Kim join us on REPOD to talk about the thought process behind their compelling games. I especially appreciated hearing about how they're escape room enthusiasts themselves, and regularly travel the world playing games and seeking inspiration. They tell us, “we are trying to go to the most diverse, immersive experiences that we can and seek out things that actually are a little outside of our comfort zone.” The Rutherfords have also recently joined the team at Keepers of Balance and helped them launch their first project, the epic Temple of Light, which recently won a Golden Lock award. Will and Kim have a boundless enthusiasm for the escape room industry, and I hope you find this conversation as inspiring as I did.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

"The Shakespeare of our time." Stephen Sondheim practically reinvented musicals with his flair for theatrical storytelling through his lyrics and music. A lesser known fact is that Sondheim also played a huge role in the puzzling world. Before he was famous for musicals like West Side Story, Sweeney Todd, and Sundays in the Park with George, Sondheim was the first puzzle editor for New York Magazine in the 1960s. Sondheim's obsession with puzzles and games lasted his whole life. He discovered escape rooms while in his 80s, and played many of them! Sondheim famously said "art, in itself, is an attempt to bring order out of chaos," and the same could very much be said for puzzles. Barry Joseph joins us on REPOD to talk about his new book, Matching Minds with Sondheim, which dives into Sondheim's love of puzzles and games. The types of puzzles spanned everything from crosswords, to treasure hunts, jigsaw puzzles, and parlour games. Little known fact—Stephen Sondheim is credited with bringing British style cryptic crosswords to the USA! He also commissioned custom jigsaw puzzles as opening night gifts for the cast and crew of his Broadway shows. As prolific as Sondheim was with his musicals, he was equally invested in his puzzles and games. Guest Barry Joseph digs deep into all the different ways Sondheim incorporated puzzles into his creative work and daily life. If you found this topic interesting, be sure to get his book, Matching Minds with Sondheim and check out his podcast of the same name. I'd recommend starting with the two podcast episodes that featured our very own David and Lisa Spira: Escape Room Episode (ft. Lisa & David), Jigsaw Puzzles Episode (ft. David).   Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

In this episode of Fintech Chatter, Dexter Cousins speaks with Morty Tollo, co-founder of Elbaite and Faststables.com, about the intersection of traditional finance (TradFi) and decentralised finance (DeFi). They discuss the evolution of Elbaite, the importance of stablecoins in solving everyday business problems, and the challenges posed by regulation and banking in the crypto space. Morty shares insights on the future of crypto, and his observations from Token 2049 in Singapore. The need for optionality in payment solutions paints a bright future for stablecoins in the evolving landscape of financial services.Chapters00:00 Introduction to Elbaite and Morty Tollo02:20 Bridging TradFi and DeFi10:22 Challenges and Successes of FastStables17:04 The Future of Stablecoins and Banking27:37 Connecting with Elbaite and Closing ThoughtsFind out more: https://www.faststables.com/https://elbaite.com/auConnect with Morty on Linkedin: https://www.linkedin.com/in/mortytollo/Send us a textSubscribe Newsletter: https://www.linkedin.com/newsletters/fintech-leaders-7092732051488980992/Connect on Linkedin: https://bit.ly/3DsCJBp

"Will Shortz has probably done more to elevate public consciousness of puzzles than any other individual in history." For decades, the name Will Shortz has been synonymous with puzzles. Will Shortz is the crossword editor of The New York Times, the puzzle master on NPR's Weekend Edition Sunday, and the only person in the world with a college degree in “enigmatology,” the study of puzzles. inspired my most famous quote from the show—"Well Jeff, I'm good at Sudoku!" (You should check out the accompanying Bonus Aftershow on Patreon for the full story.) He has inspired David and me in our creative endeavors, like our new podcast PG's Playhouse, and he has inspired many of our past guests too. We talk about how crosswords have evolved to reflect pop culture, the impact of mini puzzles, and why wordplay connects people in ways you might not expect. Will Shortz was an absolute delight to interview, and as you can imagine, he was chock full of stories. I especially enjoyed hearing about how he landed a job at Games Magazine. Will also shares his philosophy on creating puzzles:  What I think I'm very good at is creating clues that are going to entertain people. I always think of the audience. I always think of who's going to be solving. I like to push people to their limit. I want people to break through in the end and to be able to solve the puzzle because that's where they get the satisfaction. That's my goal.  His closing thoughts to us were "I want to make the world a little better for being here." Will Shortz has certainly done so for all of us who love puzzles.     Episode Sponsors We are immensely grateful to our sponsors this season: REA Patreon Backers, PG's Playhouse, Buzzshot, and COGS. We truly appreciate your support of our mission to promote and improve the immersive gaming community.   Support Us On Patreon Today Love escape rooms as much as we do? At Room Escape Artist, we've been analyzing, reviewing, and exploring the world of immersive games since 2014. We help players find the best experiences, and push the industry forward with well-researched, rational, and reasonably humorous escape room and immersive gaming content and events. By becoming a Patreon supporter, you're not just backing a blog — you're fueling a mission to make the escape room and immersive gaming community stronger, more thoughtful, and more connected. Access exclusive Patreon content such as: The Bonus Aftershow The Spoilers Club Early access to escape room Tour tickets and REA articles. Your Patreon support goes toward our mission: paying our contributors, funding our infrastructure, and supporting deep research and industry advocacy.   PG's Playhouse If you love wordplay, puzzles, and trivia, this is the podcast for you! PG's Playhouse recreates a fun game night, all in a short, 30-minute format. Of course, what's game night without making new friends? We bring on different guests for the different episodes. Each episode features a puzzle packed with wordplay and trivia, a short chat with the guest, and a segment exploring an interesting topic. I hope you'll take a listen and play along with us at PG's Playhouse.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Production Credits Hosted by David Spira & Peih-Gee Law Produced by Theresa Piazza Supported by Lisa Spira Edited by Steve Ewing Music by Ryan Elder Logo by Janine Pracht  

Comedian Jon Allen joins Alan & Michelle to discuss his iconic role as Mr. Poopybutthole on the hit animated show, “Rick & Morty”, as well as the impact he thinks AI will have on voice actors like him. Listen to all of Gurvey's Law's episodes at www.gurveyslaw.com or wherever you stream your podcasts.

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TREAT! This week we talk about Superman, 20th Century Ghosts, The Natural, Robert Redford, The Long Walk, Coranado Hotel, Tiki Bars, Gen V, Abercrombie's The Devils, DC Universe Infinite vs Marvel Universe, All the President's Men, The Deer Hunter, Sunset Warriors series, Wolf Age, Rick n Morty, The Animal toy, Good Fortune, Ben Cooper Costumes and action figures, , malware in blockchain games, the Bigfoot Monster Truck Universe, Xbox raises prices again, Bitcoin Brigade, Kartoon Studios' AI Stan Lee, Jimmy Kimmel, Disney+ raising prices again, BRZRKR, and Phantasmophobia. Treat! GeekShock!

In this Reel Insights episode, Sean Tajipour, the Mayor of Nerdtropolis, chats with creator Matt Roller (Rick & Morty) and stars Eliza Coupe and Jimmi Simpson about their hilarious and spooky new animated series, The Haunted Hotel.Matt opens up about crafting the show's nostalgic opening sequence, balancing horror with comedy, and why he fought to make the theme song as catchy as The Simpsons or Bob's Burgers. Eliza and Jimmi dive into ghostly mischief, the fun of imagining their own hauntings, and even share one-sentence Yelp reviews for the UnderVeil Hotel.From behind-the-scenes stories about working with the Rick & Morty team and Titmouse Animation to playful debates about which pop culture characters should check into The Haunted Hotel, this conversation is a spirited and funny look at what makes the show stand out.Subscribe for more celebrity interviews, movie news & trailers from Nerdtropolis!Visit Nerdtropolis.comFacebookInstagramTwitter

The Nightmare of Eveline Shadow was a haunting experience where guests stepped into the nightmarish writings of a horror novelist. They had to navigate a hotel filled with nightmares, while being guided by the narrator's prompts and scripts. The closure of hotels during the pandemic quarantine era created a golden opportunity for a trio of talented creators from the Benelux region. Alexander Gierholz of Logiclocks, Jeroen van Hasselt of Entered, and Meggy Pepelanova came together to create a unique horror experience set in an entire empty wing of a hotel. Alas, they experienced their own nightmare when lockdown regulations became even more restricted. They had to put their experience on hold, and then suddenly regulations lifted entirely, and the hotel began to resume normal operations. Their window for hosting The Nightmare of Eveline Shadow at an empty hotel vanished, and we're left with only handful of photos and this Spoilers Club series as evidence of its existence.   To listen to Part 2, and the rest of the Spoilers Club category, support us on Patreon: https://www.patreon.com/cw/roomescapeartist      Episode Sponsors Thank you to our sponsors: Buzzshot, COGS by Clockwork Dog, and Patreon supporters like you.    Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Become a Patron Today! Supporitng us on Patreon helps to fund our work, pay our team, and it grants you access to an incredible library of bonus content including:  The REPOD Bonus Show The Spoilers Club The Travelogue Series Thank you to all of our ongoing supporters

Hope for Hard Days ReCreate Church | Michael Shockley | September 7, 2025 Esther Series, Part 9: Esther 9, 10 ---------- EPISODE SUMMARY In the final episode of the Esther series, Michael Shockley explores how God works through our worst days to bring about His greatest victories. Through the creative story of Hayden and Morty (paralleling Haman and Mordecai), discover how what appears to be a day of destruction becomes a day of deliverance for God's people. As Esther chapters 9-10 unfold, watch the ironic reversal where the enemies of the Jews are defeated, leading to the establishment of the holiday Purim. From the cafeteria catastrophe to the Persian Empire's transformation, learn how God's unseen hand can flip any story - even turning the worst day in history (the Crucifixion) into humanity's brightest hope. This message reminds us that God doesn't cause our worst days, but He absolutely redeems them. Core Message: God works through our worst days. ---------- KEY TOPICS COVERED The Hayden and Morty Story Introduction - Creative allegory of middle school cafeteria drama - Hayden's quest for revenge against his spelling bee nemesis Morty - The setup for disaster with gravy, creamed asparagus, and chocolate milk - Parallel to the Haman and Mordecai conflict in the Book of Esther - Cliffhanger moment showing how quickly situations can change The Historical Context of Esther 9-10 - Recap of the escalated grudge that led to genocidal decree - Haman's plot against the Jews and his subsequent downfall - The irreversible nature of Persian law requiring a counter-decree - Nine months between the plot's discovery and the day of execution - The choice given to potential attackers to change sides The Day of Reversal (Esther 9:1-5) - The 13th of Adar: from planned destruction to actual deliverance - "The opposite occurred" - complete reversal of expectations - Fear of Mordecai and the Jews falling upon their enemies - Government officials helping the Jews due to Mordecai's prominence - The Jews defeating their enemies throughout the 127 provinces The Spiritual Parallel to God's Law - The Law of Righteousness exposing all people as condemned - God's refusal to lower His standards of perfection - The Law of Grace through faith in Jesus as the "second decree" - Substitution: Jesus taking our punishment on the Cross - Imputation: Christ's righteousness credited to our account The Battle Results and Aftermath - 500 enemies killed in the capital city of Shushan - 75,000 total defeated throughout the Persian Empire - The death of Haman's ten sons (grown men who supported the decree) - The Jews refusing to take spoils - focused on defense, not wealth - Two days of battle followed by peace and celebration The Establishment of Purim - Mordecai's letters establishing an annual holiday - The 14th and 15th of Adar becoming days of celebration - Feasting, joy, gift-giving to family and the needy - The meaning of "Purim" - referring to the lots (Pur) Haman cast - God directing even the roll of dice to accomplish His purposes The Unseen Hand of God - God's fingerprints everywhere despite His name never being mentioned - From orphan and intended victim to champions of peace - The transformation of superstition into recognition of divine favor - How apparent coincidences reveal providence in hindsight The Conclusion of Hayden and Morty - The backpack tear held together by failing duct tape - The pencil on the floor causing Hayden's spectacular fall - The complete reversal: Hayden covered in food, Morty triumphant - "You got served" - divine justice with a sense of humor - From cafeteria catastrophe to unexpected hero status God's Redemption of Our Worst Days - How God doesn't cause our worst days but redeems them - The parallel between Esther's story and the Cross - Turning the day of Crucifixion into humanity's brightest hope - Personal application for loss, failure, betrayal, and current struggles - The invitation to trust Jesus with all we dread ---------- MEMORABLE QUOTES "God works through our worst days." "The Unseen Hand of God turned the day of destruction into the day of deliverance." "He is our Substitute when it comes to the punishment, and His Righteousness is Imputed to us. Which is to say, He suffered through the test, and we got the passing grade." "Even the naming of the holiday shows that God directed even the roll of the dice to choose the day." "God's Name is never spoken, but God's fingerprints are everywhere." "God never wastes our pain. He doesn't cause our worst days, but He redeems them." "If God could turn the horrible day of Crucifixion into the brightest hope in history, He can redeem your story, too." "You got served." (Lunch Lady Loretta) "Got milk?" (Morty) ---------- BIBLICAL FOUNDATION - Primary Text: Esther 9:1-5, Chapters 9-10 complete - Key Theme: Divine reversal and redemption through apparent defeat - Historical Context: The 13th of Adar and the establishment of Purim - Theological Concepts: Substitution and imputation through Christ - Gospel Connection: How God redeems our worst days through the Cross - Literary Note: God's providence shown without direct divine mentions ---------- PRACTICAL APPLICATION If You're Experiencing Your Worst Day Right Now: - Remember that God specializes in flipping stories and reversing outcomes - Trust that what feels like destruction may be setting up deliverance - Know that God's unseen hand is working even when you can't see it - Understand that apparent coincidences often reveal divine providence If You're Dealing with Past Failures and Regrets: - Recognize that God doesn't waste pain but redeems it for purpose - Remember that your worst moments don't define your final story - Trust that the same God who redeemed the Cross can redeem your past - Allow time and perspective to reveal how God was working all along If You Feel Condemned by Your Imperfections: - Understand that God's law reveals our need, not our hopelessness - Know that perfection is required, but Christ provides it for us - Trust in substitution: Jesus took your punishment on the Cross - Believe in imputation: Christ's righteousness is credited to your account If You're Waiting for Justice: - Remember that God's timing often involves longer processes than we expect - Trust that divine justice is more complete than human revenge - Know that God can turn your enemies' attacks into your strengthening - Understand that true victory often looks different than expected If You Haven't Trusted Jesus Yet: - Consider how the Cross transformed history's worst day into its best news - Understand that salvation comes through faith, not perfect performance - Know that God can flip your story no matter how bad it seems - Trust Jesus with all you dread and receive His redemption today ---------- THE ULTIMATE INVITATION Maybe you're living through what feels like your worst day. Loss, failure, betrayal, diagnosis, job loss, or consequences from past mistakes. Perhaps you feel like Morty, about to be destroyed by forces beyond your control. Or maybe you feel like Hayden, watching your carefully laid plans collapse in spectacular failure. The good news of Esther - and the even greater news of the Gospel - is that God works through our worst days. He doesn't cause them, but He redeems them. The same God who turned a day of destruction into deliverance for the Jews, who turned the horror of Crucifixion into the hope of salvation, can flip your story too. Trust Him with all you dread. Trust Jesus for salvation. Your worst day may be setting up God's greatest work in your life. ---------- CONNECT WITH RECREATE CHURCH - Website: recreatechurch.org - Support the Ministry: Give through the Tithe.ly app or offering boxes ---------- What worst day in your life needs God's redemptive touch? Are you trusting in your own ability to fix things, or surrendering to the God who specializes in impossible reversals? God works through our worst days - let Him work through yours.

This week we get close!!!We chat about Morty and Jack's relationship, The Costanza paella predicament and whether or not being too nice is a bad thing. If you think you can help, call 5-SEINFELD-6 Be sure to follow us on social media and please, leave a five star review anywhere you can!You can also Join our discord and yada yada yada your brains out.All it takes is a monthly donation to our Patreon “The Human Fund”The link is in our bio https://patreon.com/Ruiningseinfeld?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_fan&utm_content=join_linkFind us on Instagram:John (@surrealfeld)Adam (@seinfeldepisodes) The show (@ruiningseinfeld)Another great way to help us out is by checking out, or even better, grabbing a fun Ruining Seinfeld tchotchke over at www.teepublic.com/surrealfeldwww.ruiningseinfeld.com Coming soon!Here's to feeling good all the time.••if for some reason you feel that we are on the wrong episode, that's understandable.While Netflix or many other platforms may list the episodes in airdate order,We follow the DVD (production) order.This ensures that the story lines make sense and there aren't too many more plot holes…We have provided a handy link below to a list of episodes in the proper order :https://thetvdb.com/series/seinfeld/allseasons/dvd

"I have so many burning questions." Our podcast, Reality Escape Pod, isn't exactly short-form content. Most episodes clock in at over fifty minutes, and yet, I always feel like I didn't get enough time with the guest. "But I've still got some burning questions!" I think to myself. Or maybe I have follow up questions, but I didn't want to interrupt the flow of conversation. Luckily, we have our Bonus Aftershow. I love this format because David and I are able to have more casual conversations with our guests, rather than the more formal interview on Reality Escape Pod. The Bonus Show chats run the gamut from in-depth design discussions, to workshopping business or game ideas, to just trading battle stories of escape rooms gone awry. In the Best of Bonus, I picked some of my favorite moments from our Season 9 Bonus Aftershow episodes. I really loved hearing more stories from James Douberly about the MIT Mystery Hunt, and listening to Neil Patrick Harris talk about magic and escape rooms. Jon and Ryan from The Great Gotham Challenge kept talking about "risky puzzles" and I finally had the chance to ask them about this concept. We also got the definitive answer from Steven Medway, creator of Blood on the Clocktower, on whether townsfolk (Team Good) should be executing every day in the game. The Bonus Aftershow is included when you become a Patreon supporter of Room Escape Artist. Join today for access to our library of over 100 episodes of the Bonus Aftershow. We put a lot of love and time into creating the best possible content that supports our mission of elevating the escape room industry. We truly appreciate your support.   Full Show Notes   Episode Sponsors Thank you to our sponsors: Buzzshot, COGS by Clockwork Dog, and Patreon supporters like you.    Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Become a Patron Today! Supporitng us on Patreon helps to fund our work, pay our team, and it grants you access to an incredible library of bonus content including:  The REPOD Bonus Show The Spoilers Club The Travelogue Series Thank you to all of our ongoing supporters

In this episode of Sages of the Talmud, timed for the upcoming Yom Kippur, we introduce the Ten Martyrs as both a doorway into ten towering sages and a frame for how the Talmud was forged through courage, sacrifice, and resilience under Rome. We explain why their story appears in the Yom Kippur Musaf and clarify the idea that the death of the righteous brings atonement, and address the hard question of suffering for those most devoted to Torah. Through vignettes of these tremendous figures, we connect their lives and deaths to our present reality, where Torah is widely accessible, yet antisemitism persists. We close by inviting listeners to see their own comfort and freedom as a call to deepen learning, strengthen emunah, and honor those who preserved Torah for us.  Listening will give you timely context for Yom Kippur, a clear introduction to ten central sages, and practical inspiration to live with more devotion, courage, and responsibility.Join the Conversation! Be part of our growing community—join the Shema Podcast for the Perplexed WhatsApp group to share feedback, discuss episodes, and suggest future topics. Click here to sign up.Explore The Art of PrayerDownload a collection of beautifully designed blessings (brachos) including Modeh Ani, Asher Yatzar, Netilas Yadayim and more.  Free to download and perfect for your home by clicking here.Download the Sages of the Talmud Study GuideDeepen your learning with the Sages of the Talmud companion study guide. This evergreen resource provides historical timelines, key sages, and a glossary of essential terms — designed to follow along with the entire series and revisit anytime. Free to download and always relevant. Click here to get your copy. 

3x Eisner Nominated comic creator, Kyle Starks (Rick & Morty, Peacemaker Tries Hard, I Hate This Place), joins the show to talk about the new projects he's working on (Where the Monsters Lie: Dead End and Devil on My Shoulder), horror comics, the keys to a successful Kickstarter campaign, Peacemaker, his favorite C-list characters, tips for promoting yourself at conventions, and way more!Watch the uncut video version of this episode: HERE Support the campaign for Where Monsters Lie: Dead End: HERE LINKS: Subscribe to The Short Box Podcast YouTube channel for video episodes!Join our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group  We read Fan Mail, send us some! Visit the shop in Jax, or shop online at gothamcitylimit.com Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!

This is a clip from The After Dark Show with Don Rogers! Get access to the full episode and all thier content on all podcast platforms or click the link belowFull episode here! https://www.spreaker.com/episode/s2-e39-aurora-diamondheart-bg-cast-rick-morty-predictive-programing-disclosure--67401951Get access to every episode of The After Dark Show with Don Rogers https://www.spreaker.com/podcast/the-after-dark-show-with-don-rogers--6191691Forbidden Knowledge Network https://forbiddenknowledge.news/Become a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

"Highlighting the most interesting, entertaining, and impactful moments." Have you been feverishly refreshing your podcatcher in anticipation of the return of Reality Escape Pod? Don't worry, Season 10 of the podcast will be here in the very near future. To pass the time, have a listen to some memorable clips our editor Steve Ewing selected from each episode of Season 9. It's perfect for new listeners of the podcast or fans who want to relive their favorite moments.   Full Show Notes   Episode Sponsors Thank you to our sponsors: Weldwood Marketing, Buzzshot, COGS by Clockwork Dog, and Patreon supporters like you.    Weldwood Marketing Maximize your online presence with Weldwood Marketing. It's a one-stop shop for digital marketing—specializing in web design, SEO, online ads, and best business practices. They can even manage all your integrations so you can track the customer journey from clicking on an ad to booking your game. Let Weldwood help unlock more money for your business. Special offer exclusively for REPOD listeners: Weldwood rarely offers discounts, but they did for us. REPOD listeners get 15% off Marketing Services for the first 3 months, PLUS $750 off escape room websites. Schedule your Discovery Call and mention REPOD in the notes! Visit weldwoodmarketing.com/repod to learn more about this exclusive offer.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Become a Patron Today! Supporitng us on Patreon helps to fund our work, pay our team, and it grants you access to an incredible library of bonus content including:  The REPOD Bonus Show The Spoilers Club The Travelogue Series Thank you to all of our ongoing supporters

In this debut episode of “Sages of the Talmud” with Morty Roth, we explore the life and legacy of Rabbi Yehuda HaNasi, the redactor of the Mishnah. Morty brings to life the turbulent historical backdrop of Roman oppression, the threat to Torah transmission, and the courageous decision to commit the Oral Law to writing. Through stories of Yehuda HaNasi's teachers, his wealth and leadership, his relationship with Roman emperors, and the personal traits that shaped him, we uncover timeless lessons in courage, responsibility, and preserving Jewish heritage.This engaging discussion blends history, biography, and spiritual insight, showing how the choices of one leader nearly 2,000 years ago continue to shape Jewish life and learning today.Join the Conversation! Be part of our growing community—join the Shema Podcast for the Perplexed WhatsApp group to share feedback, discuss episodes, and suggest future topics. Click here to sign up.Explore The Art of Prayer – a collection of beautifully designed blessings (brachos) including Modeh Ani, Asher Yatzar, Netilas Yadayim and more.  Free to download and perfect for your home by clicking here. 

Nearly a year ago we sat down for our first Anime Shark Tank. Wheelin and dealin shows to our friends to later discuss, and on todays episode, we are finally meeting up to discuss. THIS IS A SUPER HEAVY SPOILER EPISODE. USE THE TIMESTAMPS IF YOU DONT WANT TO BE SPOILEDListen to the shark tank episodeYouTube - https://youtu.be/HI2AB6qOzxMSpotify - https://open.spotify.com/episode/2ENOnx1BTIwxANNhWgVXPr?si=ba1a96f0784b4f590:00 Intro1:13 Revolutionary Girl Utena24:25 Durarara33:56 Dororo44:34 Yatagarasu50:50 Black Torch (Manga)52:03 The Bugle Call54:35 Sarazanmai1:05:45 Berserk (Manga)1:15:30 Rick & Morty the Anime, Ayaka, & Delusional Monthly Magazine1:18:00 Violet Evergarden1:21:22 Redline1:26:00 End of Eva1:31:40 Josee, The Tiger and the Fish1:33:55 Gushing over Magical Girls1:36:56 Kenshin (Anime)1:39:12 Pluto1:41:36 Birdie Wing1:42:22 Vampire Hunter D1:43:50 Mobile Suit GUNDAM1:45:40 Pluto (again)1:47:00 Joran: The Princess of Snow and Blood

This is another experimental episode, the concept itself is inspired by Rick & Morty's interdimensional cable but the content is fresh and is fully written by us. This episode is kind of a sequel to the "Evil SVK" episode but in a spin off sort of way. Stop reading this description and press the play button and know what is in store, you can't read your way out of everything, I'll now stop writing the description... Thanks, listen to the episode. Google Form Link to Ask Season 06 Finale Questions: https://forms.gle/tsfE4nTwm5J59mfs6SVK Brotherhood Form:⁠⁠⁠⁠⁠https://forms.gle/9RxFJnT3KtS8C85fA⁠⁠⁠⁠⁠UPI ID- ⁠schumyvannakaviyangal13@axlUPI ID- ⁠⁠schumyvannakaviyangal13@yblUPI ID -schumyvannakaviyangal13@iblFully Flimy X SVK Merchandise:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fullyfilmy.in/collections/svk-collection⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠---------------------------------Support Us----------------------------------------Support Schumy Vanna Kaviyangal if you feel like it

Morty might know what's wrong with Ginger. Mike is wanted.  Luke has an idea.

Joining me for July is the Lady Hiss to my Skullivan, the one and only Lindsay Smith! She talks about her years working as a character designer and co-art lead on “Solar Opposites”, and her new role on the forthcoming “Rick & Morty” spin-off series “President Curtis”! Then we have a thorough discussion of the […] The post Luke Ski's Animation & Stuff Podcast – Episode 6: Very Fierce Hand-Holding – featuring Lindsay Smith appeared first on The ESO Network.

Nick is solo this week and ranking all 10 episodes of Rank and Morty season 8.In lieu of ratings and reviews we say … FUCK THE ALGORITHM, TELL A FRIEND!We have a new website! Come check it out! https://www.smashinggametime.com/Thank you to Alex Marvin Clark for our opening theme Hunt Him Down. https://soundcloud.com/lizardbeach?ut...

En este episodio de Café en Mano Podcast, converso con Quique Rivera, fundador de Acho Studio y pionero del stop motion en Puerto Rico. Quique ha trabajado para Marvel (WandaVision), Netflix (Big Mouth), Adult Swim (Rick & Morty) y, por supuesto, fue el creador del famoso sapo concho en los conciertos de Bad Bunny. Hablamos sobre sus inicios, los retos de crear arte desde Puerto Rico, anécdotas con grandes clientes, la magia (y los dolores de cabeza) del stop motion y el futuro de la animación con inteligencia artificial.¿Quieres saber cómo se logra animar para Marvel desde la sala de tu casa? ¿O cómo se puede poner el nombre de Puerto Rico en la industria global de la animación?Escucha esta historia de creatividad, pasión y mucha autogestión.Sigue a Quique Rivera y Acho Studio:IG: @achostudio | achostudio.comEscucha el episodio completo, suscríbete y comparte!#AchoStudio #QuiqueRivera #CaféenManoPodcast #StopMotion #PuertoRico #BadBunny #Marvel00:00 Intro y agradecimientos01:40 ¿Qué es el stop motion? Explicado fácil07:10 Los orígenes del cine y la animación10:40 El inicio de Quique en la Yupi y su amor por la fotografía/escultura18:50 Cómo inventó una técnica de silicón en PR y la validó en EE.UU.26:30 Maestría en CalArts y la importancia de autogestionarse34:20 Creando Acho Studio: del freelance al negocio internacional38:50 WandaVision: cómo llegó Marvel y la experiencia tras bastidores46:40 Big Mouth y trabajar a distancia durante la pandemia51:40 La colaboración con Adult Swim y Rick & Morty53:45 La historia del sapo concho y el “Que tú te crees”01:03:59 Los retos de animar para Bad Bunny y hacer historia en PR01:08:40 El futuro del stop motion vs. inteligencia artificial01:14:14 Definiendo el éxito y cierre

Our spoiler free review of Fantastic Four, Predator:Badlands trailer, Predator: Killer of Killers, Marvel News, DC News, Clayface, Booster Gold, Futurama, Starfleet Academy, Wolfenstein, Rick & Morty, Hot Wheels, lots more

" Horror is the excitement of the unknown." It's dark all around you. You clutch your flashlight with trembling hands, but the beam of light blinds you when it hits a wall of fog. In the swirling mist ahead, eerie creatures wander the grounds between you and your goal. You must use your knowledge of the inhabitants of this place to save yourself and your friends. Welcome to Lockhill. Bill Dalitsikas, owner of Lockhill Escape Game in Athens, Greece, is the master of horror, when it comes to escape rooms. The Sanatorium premiered at the #5 spot on the TERPECA awards, and Chapel & Catacombs was voted the #1 escape room in the world in 2022. (Both games also won Golden Lock Awards.) He joins us on REPOD to talk about his inspiration, thoughts on what makes for a good horror escape room, and the Athens escape room scene. These games are massive, and it's absolutely wild that for the most part, Bill designs and builds these games all by himself. I really loved hearing him talk about using actors as puzzles in his games. It's one of the many mechanics that make his games feel like real live video games. Indeed, he was heavily inspired by Silent Hill, Mansions of Madness, and Betrayal at House on the Hill. It became very clear as we talked to Bill that his motivation isn't to scare the players as much as possible; rather it's to give the players the best experience possible. That's why he has three different game modes for The Sanatorium: Day Mode where it's less scary with more focus on the puzzles, Night Mode where the focus is on the actors and scares, and Midnight Mode where players get the best of both worlds—maximum puzzles and maximum scares. Even if you're not a fan of horror games, I think you will find this conversation compelling. Hopefully it will convince you check out the games at Lockhill next time your are near Athens.   Full Show Notes   Episode Sponsors Thank you to our sponsors: Weldwood Marketing, Buzzshot, COGS by Clockwork Dog, and Patreon supporters like you.    Weldwood Marketing Maximize your online presence with Weldwood Marketing. It's a one-stop shop for digital marketing—specializing in web design, SEO, online ads, and best business practices. They can even manage all your integrations so you can track the customer journey from clicking on an ad to booking your game. Let Weldwood help unlock more money for your business. Special offer exclusively for REPOD listeners: Weldwood rarely offers discounts, but they did for us. REPOD listeners get 15% off Marketing Services for the first 3 months, PLUS $750 off escape room websites. Schedule your Discovery Call and mention REPOD in the notes! Visit weldwoodmarketing.com/repod to learn more about this exclusive offer.   Buzzshot Buzzshot is Escape Room Software, Powering Business Growth, Player Marketing, and improving the Customer Experience. They offer an assortment of pre and post game features including robust waiver management, branded team photos, and streamlined review management for Yelp, TripAdvisor, Google Reviews, and Morty. Buzzshot now has integration with the other REPOD sponsors: Morty and COGS. Special Offer for REPOD Listeners: REPOD listeners get an extended 21-day free trial plus 20% off your first 3 months, with no set-up fees or hidden charges. Visit buzzshot.com/repod to learn more about this exclusive offer.   COGS COGS by Clockwork Dog is an easy to use software/ hardware platform for running interactive events, including escape rooms, and other immersive experiences. They have plug & play hardware that seamlessly integrates with their software so you can create a show with lighting and sound cues without having to write a single line of code. Map all kinds of inputs to outputs by building up simple logic steps which determine what you want to happen and when. Special Offer for REPOD Listeners: REPOD listeners can get the COGS Starter Set for only $130 + free shipping to the USA. This bundle is usually valued at $257. You can learn more and purchase your Starter Set at cogs.show. Use code REPOD at checkout.   Become a Patron Today! Supporitng us on Patreon helps to fund our work, pay our team, and it grants you access to an incredible library of bonus content including:  The REPOD Bonus Show The Spoilers Club The Travelogue Series Thank you to all of our ongoing supporters