Podcast appearances and mentions of Ridley Scott

Trent Kusters chats with Gregory Louden, Creative Director behind Housemarque's latest dark sci-fi bullet-ballet, Saros. Together they discuss his early work in film with directors such as Alfonso Cuarón and Ridley Scott; transitioning into games and his path from VFX, to narrative, and ultimately direction; creating a spiritual successor to Returnal while developing a brand new IP; focusing on challenging but rewarding gameplay; and building a narrative around the roguelike gameplay.  This episode is supported by Xsolla iam8bit Episode Host: Trent Kusters Producers: Claudio Tapia and Josh Chu, The Academy of Interactive Arts & Sciences If you enjoyed this episode, please consider subscribing and leaving us a rating and review. Support the show and get all of our episodes early/ad-free: https://bit.ly/4kU34Lt Follow us: linktr.ee/AIAS Please consider supporting game dev students with: AIAS Foundation

Thanks to some great feedback and some more of that awesome Barney Dicker chat to share, this episode is basically a second instalment of Movie Monday: Blade Runner. But before the Blade Runner chat, I respond to a message from M. W. Lewis of The Worlds of M. W. Lewis concerning April's movie Michael Crichton's Westworld. Then it's onto some Blade Runner feedback from Jason Connerley of Nerd's RPG Variety Cast, Joe Richter of Hindsightless, and Goblin's Henchman, before rounding things off with more of my chat with Barney Dicker of Loco Ludus. Honourable mentions: 2001: A Space Odyssey dir. Stanley Kubrick, Dark Star dir. John Carpenter, Westworld (TV series), Masters of the Universe dir. Travis Knight, Legend dir. Ridley Scott, Edge of Tomorrow dir. Doug Liman, Minority Report dir. Steven Spielberg, Do Androids Dream of Electric Sheep by Philip K. Dick, Alien dir. Ridley Scott, The Long Tomorrow by Dan O'Bannon and Moebius, The Incal by Alejandro Jodorowsky and Moebius, Blade Runner 2049 dir. Denis Villeneuve Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

On Episode 151 of The Film ‘89 Podcast, Steve and Skye are joined by a trio of guest-hosts that may be the greatest ever assembled for a single episode of the podcast as they celebrate the 40th anniversary of James Cameron's Aliens. The sequel to Ridley Scott's 1979 sci-fi-horror masterpiece, Alien, Cameron's film wouldn't be a retread, but an evolution of the story of Ellen Ripley (Sigourney Weaver), as well as expanding what we know about the life-cycle of the deadly species she encountered in the first film. Featuring a superlative ensemble cast, an electrifying pace and endlessly quotable dialogue, as well as incredible special effects and a landmark score from composer James Horner, Aliens is rightly considered not just one of the greatest sequels ever made, but one of the greatest movies, period. So join our battle-hardened crew as they dive into the making of this incredible film and give their in-depth analysis of Aliens for its 40th anniversary. 

Episode 449: The Crew's shaving their heads while watching Ridley Scott's G.I. Jane. This 90's film was unfairly judged when it came out, winning a Razzie for Demi Moore. But Demi delivers a tough and fun performance, and Ridley surrounds her with his expertly crafted shots and a supporting cast that's game. This film needs to be rediscovered by film buffs. The Crew discusses… If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: moviecrewpod@gmail.com

Since it's Memorial Day, I'm tipping a cap to veterans. And I've got another doubleheader in episode #741, with the bulk of the show devoted to Ridley Scott's Black Hawk Down (where American soldiers battle Somalis in 1993 Mogadishu), then there's a short bit at the end about William Wellman's Battleground (where American grunts take on the Nazis during the Battle Of The Bulge in WWII). Both films won technical Oscars and are intense, apolitical war stories. Appropriate for Heroes Month, you just fight for your fellow soldiers. Black Hawk Down stars the likes of Hartnett and McGregor, but we've also got well-known character actors like Sizemore, Fichtner and Shepard...not to mention up-and-comers like Bloom, Hardy and a super-cool Bana. So look out for your buddy as I talk about movies set in the Moag and Bastogne. Subscribe to this podcast in your application. Rate my show and jot down a little review too. The email option is "haveyoueverseenpodcast@gmail.com." Twitter is "@moviefiend51" and Bluesky is "ryan-ellis." If you like Letterboxd, look for "RyanHYES."

Last week we took on the landmark Ridley Scott movie, Alien, a movie that closed out the 1970's with a bang. This week we're taking on James Cameron and his follow-up to the explosive 1985 smash hit, The Terminator, Aliens. Cameron knew he wanted to make an Alien sequel the moment he first saw the original movie and when the opportunity arose he had to fight tooth and nail, struggling against 20th Century Fox's bad business and legal woes, against apathetic executive who had no interest whatsoever in making another Alien movie, against a production crew that couldn't stand him or his producer Gale Anne Hurd. When all was said and done and the movie hit theaters, Cameron proved to everyone what absolute losers they all were with his clear vision of an explosive action movie that set the pace for the second half of the 80's and set an extremely high bar for action movies to come. Hollywood would never be the same and with the inclusion of the Colonial Marines, Cameron set the entire Alien legacy on a new path. Following the tragedy of the Nostromo disaster Ellen Ripley finds herself waking up 57 years in the future. Her bosses are pissed that she blew up one of their space ships and ban her from flying another mission. An opportunity to get back on a starship comes around when an executive from Weyland Yutani hires her to return to LV-426 to advise a unit of Colonial Marines on a rescue mission of missing colonists who may have come into contact with the same crashed alien ship that doomed her own crew so many years ago. She had enough trouble dealing with one single xenomorph. What happens when the Colonial Marines encounter dozens of them? Get Physical Media Booklet Essay featuring Dave's Werewolf Women of the SS essay here: https://www.seanabley.com/store/ Get your own Bring Me The Axe! Pride shirt here: https://www.bonfire.com/wickedqueeraxe/ Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠ https://www.bonfire.com/store/bring-me-the-axe-podcast/

May's Movie Monday, was specially requested by Goblin's Henchman “This one goes out there for Geoff”. This month, we watched Ridley Scott's dystopian neo-noir sci-fi Blade Runner from 1982. Starring Harrison Ford, Sean Young, Rutger Hauer, Daryl Hanna, Edward James Olmos, M Emmet Walsh, Brion James, Joanna Cassidy, Joe Turkle and William Sanderson. Adapted from Philip K Dick's 1968 novel Do Androids Dream of Electric Sheep. This episode features contributions from: (in order of appearance) Barney Dicker of Loco Ludus (podcast) Joe Richter of Hindsightless (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew M. W. Lewis of The Worlds of MW Lewis (podcast) Jason Connerley of Nerd's RPG Variety Cast (podcast) Read Barney's “Stroboscopic Revelations in Blade Runner” here https://www.academia.edu/36398665/_Stroboscopic_Revelations_in_Blade_Runner_PhotoResearcher_No_29_2018_ Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ So, from the sublime to the ridiculous. The movie for June is 1987's Masters of the Universe, directed by Gary Goddard and starring Dolph Lundgren. That episode will air on June 29th, so please send in your submissions by the 27th if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

In the fourth 15-minute section of our movie screenplay we move towards the midpoint, the critical moment where accumulating consequences for our hero Napoleon Bonaparte make him realise his military successes represent a false hope. He's going to have to rethink - and we need to set out in this section of the film why that's the case. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident bot NAIpoleon Bot-aparte puts it:Introduction and Project Title DiscussionAlex Stevenson reflects on the complexities of both the project's title and their ongoing efforts to tackle the Napoleon movie's midpoint (00:00:09).Screenwriting Structure and the "Midpoint"James Topham explains the significance of the midpoint in screenwriting, emphasizing the protagonist's realization that their initial insight was a false hope, necessitating a new approach (00:02:16).Napoleon's Myth and PowerBen and Alex Stevenson discuss how Napoleon leaned into myth-making for power, and debate when in his real-life story this strategy likely fails or must be re-evaluated (00:03:47).Limits of Power and FrustrationAlex Stevenson suggests that Napoleon's frustration comes from being undermined by political rivals (the Directory, especially Barras), despite his military successes (00:04:37).Internal vs. External ConflictJames Topham highlights the internal conflict between Napoleon's public myth and his private insecurities, amplified by his relationship with Josephine (00:05:39).Humorous Interlude: The Pug IncidentThe hosts share an anecdote from a Napoleon biography about Josephine's pug being killed, debating its potential inclusion in the screenplay for dramatic or comedic effect (00:08:47).Montage of Military Success and Growing AmbitionA recap of part of the screenplay treatment: Napoleon's rapid victories in Italy, the spread of his legend, and his increasing enjoyment of administrative power (00:10:25).Love Triangle and Character ComplexityThe group discusses Josephine's ambiguous love life, including her affair with Lieutenant Charles. They recognize its importance for the evolving love triangle and consider how this complexity impacts Napoleon's character and the script (00:21:06).The Real Midpoint: Power Struggles and SetbacksAlex Stevenson proposes that the midpoint pivots on Napoleon's frustration with being constrained by the Directory, underscored by a potential “resignation scene” where he realizes his myth is not sufficient for true power (00:27:03).Foreshadowing Future Conflict and DirectionThe episode ends with the group teasing Napoleon's next move, possibly the Egyptian campaign, and reiterating the need to heighten personal and political conflict—while ending on a comedic note debating pears and apples (00:39:23).

On the podcast no one can hear you scream. This week we're taking a look at the horror movie hingepoint in 1979, Alien. Before Star Wars there wasn't a studio on earth that wanted to make an expensive science fiction movie and after Star Wars they couldn't find enough scripts to get expensive science fiction movies into production. Alien was one of the first ones to come out of the gate that wasn't a cheap ripoff of George Lucas's masterpiece. It was worlds apart from the recent space movie hits. It featured no highly competent astronauts traveling to Jupiter and no dashing heroes in star fighters, wielding light sabers. Instead, Ridley Scott delivered a quiet, slow-moving horror movie featuring blue collar characters just trying to get by on a commercial tow vessel. At the same time, they delivered one of the most suspenseful horror movies with one of the strongest casts and one of the most iconic monster designs by world-class artists. It is truly one of the greatest horror movies of all time. Alien sees the crew of the Nostromo rerouted to a planet nearby where a crashed alien vessel sends out a radio signal that they interpret as a distress call. By the time the ship's computer figures out that it's not a distress call but a warning it's too late and the ship's XO finds himself with a horrifying alien creature stuck to his face, laying its egg inside him. When the egg hatches by exploding out of his chest it unleashes the perfect killing machine, a biomechanical alien that stalks the ship's crew and kills them off one by one. Join the Bring Me The Axe Discord: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://discord.gg/snkxuxzJ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Support Bring Me The Axe! on Patreon:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/bringmetheaxepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Bring Me The Axe merch here:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.bonfire.com/store/bring-me-the-axe-podcast/⁠⁠  

The theatrical version was a disaster. Critics weren't a fan, and neither were theater-goers. Then Ridley Scott said hold my beer - and released this puppy months later. The 3-hour director's cut is filled to the brim with visual spectacle but it's also a fantastic rumination on faith, belief, and religion. Luke and Corrye take pride in dissecting the acting performances, the symbolism behind specific scenes, picking out Game of Thrones alum, and cheering the battle scenes. 

Chicago-based director Jared Isaac recently directed his debut feature film AN AUTUMN SUMMER, which releases next month. A great conversation about the joys of shooting an indie film in the hidden cinematic gem of Northern Michigan. We spoke about the personal nature of this film and how it's based on some of his closest friends...and the fascinating story of how he was able to, against-all-odds, cast Tony Horton as the father. Horton is the founder of the ground breaking, immensely popular, workout program P90X. We also spoke of a couple of his favorite movie scenes from Ridley Scott's GLADIATOR as well as Matthew Mcconaughey's  as Wooderson in Richard Linklater's DAZED & CONFUSED. Follow AN AUTUMN SUMMER on Instagram @anautumnsummerfilm Hosted by Zef Cota

We take a road trip down to Mexico to discuss Ridley Scott's Thelma & Louise with guest Film School Dad for its 35th Anniversary! This is everyone's first time watching the movie.Does this movie handle its changing tones well? What was the reaction like to it at the time? And who almost were cast as Thelma & Louise??All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

Traité contra las tontadas: Ridley Scott es preciso y el pulgar hacia abajo significa muerte

This Month, He-Man and the Masters of The Universe comes out in theaters and we're celebrating by watching some more medieval movies! We're starting with Kingdom of Heaven (Director's Cut!). Ridley Scott's masterpiece was gutted in theatrical but does the director's cut fix the problems or just the length! Find out as we get on our road to Greyskull!

Bryan and Nate talk about Ridley Scott's "Hannibal" while Matt mostly listens in boredom.Leave us a review and follow us wherever you get your shows. Follow us also on Letterboxd at:BlindBuyMedia https://boxd.it/2jJyfandBryan_P https://boxd.it/Rjp7

This episode is an audio unboxing special. I open a bunch of parcels and describe the contents. Featuring: Gunner Almer's Grimscar (solo) RPG https://crowheartroleplay.itch.io/grimscar-rpg-solo Charlie Ward's we&we from EX FIRST GAMES https://ex1st.itch.io/we Man Alone's Prima Materia https://dicenest.com/products/prima-materia-is-an-alchemical-oracle-for-solo-role-playing-worldbuilding-and-creative-inquiry Man Alone explains Prima Materia https://youtu.be/UXTwHg-HPwA?si=HTKR-x6SWTVA68mL Adam Hensley's Monolith https://adamhensley.itch.io/monolith James M. Spahn's White Box Dungeon Adventures from Barrel Rider Games https://www.lulu.com/shop/james-spahn/white-box-dungeon-adventures/paperback/product-57wrvy4.html?srsltid=AfmBOooPRv4dtyrYwPFipc55GwZ6Ezmikf_K1Lt4kHf7nXFIdMUpSStg&page=1&pageSize=4 Vagabond Pulp Fantasy Roleplaying Game Core Rulebook from Land of the Blind https://landoftheblind.myshopify.com/collections/vagabond-pulp-fantasy-rpg?srsltid=AfmBOoqAREu7j9Ii6dbfXCve0J5TZwKrXyaNrepT--gi_cuxCABzHWon Call of Cthulhu: 50th Anniversary Slipcase Set Honourable mentions: Andy Goodman (Grizzly Peaks Radio), Jen Fridy (HangnailJenny), Scott Dorward (The Good Friends of Jackson Elias), Mike Perceval-Maxwell (Mr Spike's Bedtime Stories), Barney Dicker (Loco Ludus) At the special request of Goblin's Henchman, the movie for May goes out to Geoff. It's 1982's classic neo-noir sci-fi Blade Runner, directed by Ridley Scott, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep. That episode will air on May 25th, so please send in your submissions by the 23rd if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss the new podcast I'm involved with, entitled With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. In our latest episode, we pit Guillermo del Toro's Frankenstein against Luc Besson's Dracula. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me a 90-second audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Tell us what you though of the episode

"My Name is Gladiator!" On this episode of the podcast, we rewatch one of the greatest epics ever made, Ridley Scott's Gladiator (2000). This Best Picture Winner was a defining film in the genre and helped reinvent the Historical Epic on the big screen. Looking at it more than 25 years later, what do we think of the movie, of Russel Crowe, and of Epic's in general!

YouTube DescriptionThey said men are the “second sex,” AI is just womb envy, military vaccines are basically government-sponsored trauma bonding, and somehow this episode still found time for Hershey squirts, bad backs, David Goggins, fake combat valor, sex robots, Sigourney Weaver, and why civilians may never understand the peanut butter shot.This one goes from biology arguments to boot camp horror stories, from toxic internet gender takes to military pragmatism, from “can a penis be a biological weapon?” to “why Chino is building a homie.”It is offensive. It is unhinged. It is probably medically inadvisable.And somehow, it still makes more sense than half the internet.Welcome to another sacrilegious Sunday with Chino and Homeboy.Buy the books. Watch the pod. Blame the algorithm.#ChinoAndHomeboy #Podcast #ComedyPodcast #VeteranComedy #MilitaryHumor #RageBait #GenderWars #AI #DavidGoggins #UnfilteredComedy #DarkComedy #SacrilegiousSundayTimestamps00:00 Intro, Sacrilegious Sunday begins03:59 Modern Whore, memoirs, indie authors, and literary hustling06:34 Lumbago, aging, back pain, and cocaine suggestions13:27 Hey Jones' sickness story begins26:36 Hyper-advanced AI, sentience laws, and sex robots29:02 Strep throat, vaccines, Wolverine logic, and superhero science30:34 Boot camp peanut butter shots and vaccine gauntlets33:47 Military vaccine records and civilians not understanding anything36:13 Pete Hegseth, combat claims, and stolen valor talk38:30 Voting against interests, whiteness, and political identity41:47 Book ad, bathroom reading, and shameless plugging42:49 “Men are the second sex” rage bait begins44:00 Ex Machina, womb envy, AI, and fake life45:01 Male sex drive, ovulation talk, and “dial it to 11”49:09 Women create life? Men fertilize? The biology fight50:15 Spawn points, NPCs, and simulation logic55:16 AI sex robots and why men build fake women58:16 Who chooses mates, leadership, and bad internet arguments01:00:13 Male and female development, anatomy chaos, and dick capes01:02:03 “Men weren't meant to lead?” Then pick where to eat01:03:09 Women supervisors, pragmatism, and workplace leadership01:06:22 Male-female dynamics and the “fuck protocol”01:08:15 Combat roles, physical standards, and pulling your weight01:20:35 Special operations, standards, and mission failure talk01:30:00 Workplace toughness, gender expectations, and labor culture01:45:17 Ass metaphors, methadone clinics, and conversation collapse01:55:20 Endurance races, hard people, and athletic freaks02:00:04 David Goggins worship reaches maximum hardness02:05:02 Money bets, attraction, lawyers, and relationship math02:10:10 Toxicity, science, sexual frequency, and brutal attraction studies02:20:08 Investigations, public claims, and internet traction02:24:41 Comedy show story, yellow shirts, and getting picked on02:40:14 Military gear, aircraft talk, and tactical rabbit holes02:45:09 SEAL teams, SDV billets, and special warfare details02:50:00 Chino is building a homie, and it is apparently everyone's fault02:52:05 Sigourney Weaver, Alien, Ridley Scott, and national treasure arguments02:54:01 Wrap-up and outro

On this episode of the podcast Phillip is joined by Bill Van Ryn, the co-host of Drive-In Asylum on Facebook and YouTube, to discuss Ridley Scott's 1979 classic Alien. Phillip starts the show by reading the general information about the movie with some facts thrown in. It's then time for Listener' Opinions from Twitter, Instagram, and Facebook. Then Phillip and Bill start discussing this movie, and it's a great one. They then answer the question of whether they notice anything from this movie that Tarantino might have liked or used in a film. Then they individually rate the movie. Phillip and Bill then answer whether they would buy this movie, rent it, or find it for free. It's then time for Phil's Film Favorite of the Week; Doctor X (1932). Bill then gives his recommendation; Meatcleaver Massacre (1976). Phillip then promotes next week's show when he will be joined Craig MacNeil from Craig and Friends Podcast to discuss 1974's California Split. Thanks for listening.You can find Bill Van Ryn's Drive- In Asylum on YouTube here: https://www.youtube.com/@GroovyDoomBill's Groovy Doom Facebook page: https://www.facebook.com/GroovyDoom

In this episode, I respond to some Movie Monday: Westworld feedback from Goblin's Henchman and Joe Richter of Hindsightless, and share my initial thoughts on the Westworld TV series from 2016. If you'd like to be a paranoid android, why not try The Gaslight Club by Stoo Goff https://www.drivethrurpg.com/en/product/335302/the-gaslight-club Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ At the special request of Goblin's Henchman, the movie for May goes out to Geoff. It's 1982's classic neo-noir sci-fi Blade Runner, directed by Ridley Scott, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep. That episode will air on May 25th, so please send in your submissions by the 23rd if you'd like to be included in the show. Also, be sure to check out With Wife and I. My wife, Isla, suggested we take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. Find it wherever you get your podcasts. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

As the 2019 edition of Madness – Best of the 2000s wrapped up, Adam and Josh took a break from the heavy hitters to highlight the gems that didn't make the 64-film bracket, including underseen comedies from Jack Black and Seann William Scott, an ambitious "docu-fantasia" from Guy Maddin, and even some deeper cuts from A-list directors like Ridley Scott and Robert Zemeckis. Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you ⁠join the Filmspotting Family⁠.See omnystudio.com/listener for privacy information.

In the first 15 minutes of Act 2 of our putative Napoleon movie, we get into "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: military campaigns, political maneuveures, personal intrigue... as well as some further development of the love story with Josephine and Napoleon's antagonist Paul Barras; and, above all, the idea of mythmaking as a key theme. In episode four of our screenwriting escapade we continue to forge ahead in our mission of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte. Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:1. Three-Act Structure and Threshold CrossingThe end of Act 1 is discussed as a pivotal moment when the protagonist, Napoleon, consciously begins constructing his own myth (00:19:41), a literal and figurative threshold crossing (00:19:55).Detailed walk-through of Act 1 scenes, including:Substituting Josephine for Desiree in the narrative (00:02:39).Key action sequences at Vendemiare and the bridges of Lodi/Arcola (00:03:39, 00:15:14), with discussion on historical accuracy versus dramatic conflation (00:16:10, 00:17:43).Introduction of supporting characters and ensemble around Napoleon (00:06:01), focusing on ambitious opportunists rather than loyalists.Exploration of the dynamics between Napoleon, Josephine, and Barras, including scenes blending political manipulation and sexual intrigue (00:08:24, 00:09:31).The concept that "the story and reality are separate things" is thematically highlighted (00:05:05), with the motif of Napoleon recognizing and starting to orchestrate his public image (00:19:01, 00:19:51).Visual iconography is suggested (e.g., Napoleon with the bicorne hat, the famous bridge painting) to support the myth-making theme (00:19:50, 00:20:24).James Topham and Alex Stevenson discuss "the promise of the premise"—delivering the kind of content audiences expect from a Napoleon film: campaigns, political maneuvers, personal intrigue (00:22:44), reminiscent of "fun and games" sections seen in classic screenplay structures.Suggestions about Act 2 include focusing on:Napoleon's rapid military successes in Italy (00:25:30),His dual role as both general and proto-ruler, highlighting the confluence of military, political, and personal exploits (00:26:32),The beginnings of conflict between Napoleon and the Directory/Barras, including themes of looting, propaganda, and evolving power (00:28:11, 00:29:38).The love triangle between Napoleon, Josephine, and Barras is positioned as a B-story, serving both as counterpoint and commentary on Napoleon's personal limitations and vulnerabilities despite public success (00:34:12, 00:35:25).James Topham notes this B-story should provide the "kernel of a realization" that the main character's myth-making may not resolve deeper internal needs (00:35:00).Strong emphasis on the importance of an active antagonist. Barras is not simply reactive but is shown making tactical moves to rein in Napoleon through proxies and political maneuvers (00:42:09, 00:44:00).Barras's motivations are clarified: survival, controlling or harnessing Napoleon's force, and concern for the stability of the Directory (00:39:09, 00:45:08).Discussion of tonal variation, humor, and the inclusion of sex and farce elements (e.g., the pug scene) to balance dramatic and comedic moments (00:10:26, 00:12:17).Plan for the next episode focuses on Act 2's midpoint—the major reversal where Napoleon must confront the limitations of his current approach (00:49:14).

Recorded live on location at RENDR 2026 in Banana Block Belfast, we caught up with acclaimed filmmaker Fede Álvarez, the director, writer and producer behind genre-defining features including Evil Dead, Don't Breathe and Alien: Romulus.In this in-depth conversation, he discusses breaking into Hollywood from Uruguay, working with iconic horror franchises and the key moment he reassessed his career. Fede has collaborated with some of the industry's biggest names, including Ridley Scott, and reflects on the success of Alien: Romulus, the evolution of genre filmmaking, and the cinematic worlds he enjoys building.If you want to watch the video recording of this talk, check out the episode page here.We are delighted to present this very special speaker series in partnership with RENDR Festival and supported by the National Talent Academy for VFX, recorded in The Spinners Mill Studio. Fede ÁlvarezDirector, writer & producer Federico Javier Álvarez Mattos is a Uruguayan filmmaker whose directorial debut was the 2013 remake of Evil Dead, which he also wrote. The film starred Jane Levy, Shiloh Fernandez and Lou Taylor Pucci, and opened at number one at the box office. Following the success of his first film, Alvarez wrote, directed and produced the hit genre film Don't Breathe. The film premiered to rave reviews, grossed over $157 million globally.Alvarez also directed and wrote the action-crime film The Girl in the Spider's Web, starring Claire Foy and LaKeith Stanfield, based on the characters from the bestselling Stieg Larsson series, The Girl with the Dragon Tattoo. He also produced and wrote Don't Breathe 2 and later produced and wrote the 2022 film Texas Chainsaw Massacre, which premiered at number one on Netflix's Top 10 list. On the TV side, Alvarez created, directed and wrote the Apple TV+ series Calls, an English adaptation of the French series of the same name.Most recently, Alvarez's film Alien: Romulus, which he wrote, directed and executive produced, was released in the summer of 2024, starring Cailee Spaeny, David Jonsson, Isabela Merced, Archie Renaux, Spike Fearn and Aileen Wu. The film is a standalone instalment in the Alien franchise and follows a group of young people on a distant world who find themselves in a confrontation with the most terrifying lifeform in the universe. The film grossed over $350 million worldwide and received positive critical acclaim. It won Best Horror Film at the Saturn Awards, received a Golden Globe nomination for Cinematic and Box Office Achievement, and an Oscar nomination for Best Visual Effects.RENDR FestivalThis is a unique event celebrating creative craft and artistry in a fully immersive two-day festival exploring the space between Creativity and Technology. Ignite your imagination with inspiring speakers from the worlds of Film, Gaming, Animation, Immersive, and more! Learn from the best, with 30+ creatives from the likes of Netflix, Pixar, Walt Disney Studios and Epic Games among others.National Talent Academy for Visual EffectsAs the newest of the Academies, the National Talent Academy for VFX provides support and opportunities for anyone interested in a career in VFX. Launched in 2024, the National Talent Academy for VFX is an initiative of Fis Eireann/Screen Ireland, managed by Cultural & Creative Industries Skillnet. Their mission is to transform aspiring VFX artists into industry-ready professionals while providing ongoing upskilling opportunities for current talent.Through comprehensive courses and programmess, we introduce participants to best practices both locally and globally, creating clear pathways and solidifying Ireland's reputation as a premier destination for VFX. The National Talent Academy for VFX is dedicated to attracting individuals from diverse backgrounds and disciplines, fostering greater awareness of VFX as a viable and exciting career choice. Learn more about the work they do here. Over the years, the podcast has featured acclaimed guests such as Phyllida Lloyd, Lenny Abrahamson, M. Night Shyamalan, John Boorman, Saoirse Ronan, Colin Farrell, Aisha Tyler, Colm Meaney, Paul Reiser, Niamh Algar, David Freyne, Ciarán Donnelly, Joshua Oppenheimer, John Crowley, Niamh Algar, Gene Stupnitsky, and Terence Davies, alongside many of the most influential voices working in film and television today.So make sure to subscribe and listen back! Hosted on Acast. See acast.com/privacy for more information.

Strap in, gear up, and prepare for a bug hunt. This week, Rob and Dave are joined by Kurt to dive into James Cameron's 1986 powerhouse, Aliens—the sequel that traded a haunted house in space for a full-scale intergalactic war. The sequel cranked the volume to eleven, trading shadows for pulse rifles and introducing us to the most terrifying matriarch in cinema history. Whether you're a die-hard Colonial Marine enthusiast or just here for the "Game over, man!" quotes, this episode is a deep dive into why Aliens remains the gold standard for sequels. The guys break down the shift from Ridley Scott's slow-burn horror to Cameron's high-octane warfare, the groundbreaking practical effects that still put modern CGI to shame, and the evolution of Ellen Ripley into an all-time action icon. We're exploring the "Vietnam in Space" subtext, the terrifying design of the Xenomorph Queen, and why the chemistry of the cast makes every casualty hit like a ton of bricks. Grab your M41A Pulse Rifle, check your motion tracker, and join us for a nostalgic trip through the ultimate 80s sequel. Chapters 00:00 - Intro and a Classic Alien Dilemma 3:59 - Pondering the Trailer and Siskel & Ebert's Reviews of Aliens 11:10 - Unpacking Aliens: Synopsis, Budget, and Legacy as a Masterpiece 22:00 - Analyzing Aliens' Dialogue, Practical Effects, and Sci-Fi Influence 39:00 - Recalling Iconic Lines and the Most Impactful Moments in Aliens 50:08 - Unpacking Aliens' WTF Moments, 80s Tropes, and Character Demises 1:10:18 - Celebrating Ultimate Badasses, Practical Effects 1:10:17 - Final Verdict on Aliens and Connecting with Recallers   Connect with Totally 80s and 90s Recall  Website: https://bleav.com/shows/totally-80s-and-90s-recall/  Email: 80s90srecall@gmail.com  Voicemail: (509) 426-4542  Linktree: https://linktr.ee/80s90srecall Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us Fan MailPlaywright and screenwriter Paul Webb streamed onto Playwright's Spotlight all the way from outside London just a week away rehearsal were about to end for his play Warsaw. Paul is a charming Brit with a background in writing that makes everything sound so easy. That's not to say we don't discuss obstacles and struggles, especially considering entering playwriting at a late stage in life. In a addition, we discuss his shift from poetry into playwriting and being self-taught, drawing from History and his development of The Four Knights in Knaresborough and the following evolution of his play Warsaw and its struggles. We also breakdown the balance and transformation of different stages of life, making characters sound natural, having control of your work (or lack there of) in the mediums of film and television vs stage, being in a completely different country during the rehearsal process, and whether or not there are any secrets to rewrites. Paul's is an inspirational and motivating story for any one hesitant to take any leap into the realm of creativity. Enjoy!Paul Webb wrote his first play, Four Knights in Knaresborough, at the age of 50. It was produced in London, had a national tour and drew the attention of the film industry. He was subsequently commissioned by Stephen Spielberg, Michael Mann and Ridley Scott, working closely with all three over a number of years. He wrote Selma, the 2014 film about the voting rights campaign in Alabama, led by Dr Martin Luther King. Shortly after, Paul turned once again to the theater. His play Hold On! premiered at the St. Louis Black Rep in January 2024. Paul recently completed Six Easy Steps, an intimate history of the marriage between Franklin and Eleanor Roosevelt and the defining influence of their confidante, Louis Howe. Paul is currently working on a play about the epochal summit meeting between Ronald Reagan and Mikhail Gorbachev in Iceland in 1986.For tickets for his play Warsaw playing May 1st through May 17th at the International City Theatre in Long Beach, CA, visit - https://internationalcitytheatre.csstix.com/event-details.php?e=841To watch the video format of this episode, visit - https://youtu.be/doV2ng0uwMELinks to sites and resources mentioned in this episode - Theatrical Rights Worldwide - https://www.theatricalrights.comWebsites and socials for James Elden, Punk Monkey Productions and Playwright's SpotlightPunk Monkey Productions - www.punkmonkeyproductions.comPLAY Noir -www.playnoir.comPLAY Noir Anthology –www.punkmonkeyproductions.com/contact.htmlJames Elden -Twitter - @jameseldensauerIG - @alakardrakeFB - fb.com/jameseldensauerPunk Monkey Productions and PLAY Noir - Twitter - @punkmonkeyprods                  - @playnoirla IG - @punkmonkeyprods       - @playnoir_la FB - fb.com/playnoir        - fb.com/punkmonkeyproductionsPlaywright's Spotlight -Twitter - @wrightlightpod IG - @playwrights_spotlightPlaywriting services through Los Angeles Collegiate Playwrights Festivalwww.losangelescollegiateplaywrightsfestival.com/services.htmlSupport the show

Ridley Scott had no way of knowing when he selected this title that fans of the short-lived animated comedy "The Critic" would see it and immediately think, "Oh no! Promootheus!" But--Well, actually he did have a way of knowing, because "The Critic" originally aired between 1994 and 1995 so he could fully have anticipated this reaction. So honestly it's entirely his fault that this whole movie inadvertently references an old episode of "The Critic". He should really have known better. This information isn't brought up much in my episode on the film, but I had to talk about it somewhere so this is the place.But yes, 'Alien' prequel, return to the franchise for legendary director Ridley Scott, controversial film with a complicated legacy, we'll touch on it all. Just... "Oh no! Promootheus!"

"In space, no one can hear you scream." For Episode 401, Brandon and Thomas conclude CineNation's series on Alien movies with Ridley Scott's ALIEN. Listen as they discuss Roy O'Bannon's journey writing the movie, how the failed production of Jodorowsky's Dune impacted the film, which directors were offered the director's chair before Scott, which up and coming A-List actress was considered for Ripley, how they created the film's incredible sets, the shocking reactions audiences and critics had to the film, and so much more! Also, don't forget to join our Patreon for more exclusive movie content: https://www.patreon.com/cinenation Opening - Brandon Watched Project Hail Mary (00:00:10) Recap of the Alien Genre (00:09:49) Intro to Alien (00:14:01) How Alien Got to Production (00:24:07) Favorite Scenes (00:41:34) On Set Life - (01:13:34) Aftermath: Release and Legacy (01:28:47) What Worked and What Didn't (01:40:00) Film Facts (01:43:37) Awards (01:45:43) Final Questions on the Movie (01:50:12) Final Genre Questions (01:54:16) Wrapping Up the Episode (01:59:34) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Send us Fan MailTHE DOG STARS Trailer Reaction & Review

For April's Movie Monday, we watched the 1973 sci-fi western Westworld, written & directed by Michael Crichton. This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast) Goblin's henchman (podcast, blog) and the UmberBulk of the Southwest Sofa Crew Joe Richter of Hindsightless (podcast) Lex Mandrake of Dank Dungeons (itch, YouTube) & Jorphdan of Jorphdan's Jocular Junction (YouTube, jorphdan.com) M. W. Lewis of The Worlds of MW Lewis (podcast) Darkfluid of The Silver Key (podcast) & Q Joseph Gill of The Dekahedron RPG Podcast Find the Movie Monday Letterboxd list here https://letterboxd.com/the39thman/list/movie-monday-1/ At the special request of Goblin's Henchman, the movie for May goes out to Geoff. It's 1982's classic neo-noir sci-fi Blade Runner, directed by Ridley Scott, based on Philip K. Dick's novel Do Androids Dream of Electric Sheep. That episode will air on May 25th, so please send in your submissions by the 23rd if you'd like to be included in the show. Send submissions to ⁠spencer.freethrall@gmail.com⁠ or look me up on Discord as FreeThrall Also, be sure not to miss my other movie podcast, With Wife and I. Isla and I take turns choosing movies to watch together, then share our thoughts with anyone who cares to listen. In our latest episode, we pit Guillermo del Toro's Frankenstein against Luc Besson's Dracula. You can find it wherever you get your podcasts. “Warning” by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can find me in a bunch of other places here ⁠https://freethrall.carrd.co⁠ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

This week in the Screening Room, Zeth is talking with Double Elvis’ Head of Production, Matt Beaudoin, about Ridley Scott’s 1979 masterpiece Alien, starring Sigourney Weaver, Tom Skerritt, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto, and Veronica Cartwright. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. See omnystudio.com/listener for privacy information.

Happy Alien Day! For 4/26 we wanted to make sure we celebrated the origins of the Alien franchise, so we're covering Ridley Scott's classic from 1979. In this episode, we basically just gush over how much we love the atmosphere, practical effects, and slow pacing - as well as drawing attention to some very notable 2001: A Space Odyssey comparisons. We're also drinking Founders Brewing Co.'s Easy Drinking Beer!Credit for the opening music selection to Mark Van Fleet, taken from Alien Versions, his alternate soundtrack to Alien.Approximate timeline0:00-15:00 Intro15:00-24:00 Beer talk24:00-end AlienIn May, we'll be tackling more Difficult Films!

Just Play It comes riiiiippin' back into action with the Ripster herself and lucky for all of you, there is no 57 year wait for this one. James & Nick board the Sulaco and gear up for battle as they watch, breakdown, and review the "greatest sequel of all time", Aliens (1986) directed by James Cameron.Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod

Look, we may have talked a little too much about Ruby Rose and Katy Perry's own horror movie involving a facehugger, but we also talked about Ridley Scott's 1979 sci-fi monster movie "Alien"! Join the Monster Candy Crew as they dive into this classic flick, along with a few other ridiculous topics on this episode of Monster Candy Podcast

In minutes 15-30 of our screenplay treatment our protagonist Bonaparte has his refusal of the call moment, the love story gets going, the gang gets together, and then it all builds to the end of Act 1 when Napoleon crosses the threshold - and the bridge of Lodi - at the same time. This is really the episode when this project properly gets going - and our hero begins to narrow the gap between his star-following destiny-bound self-perception and his somewhat awkward reality.Here's those secret movie voice notes in full, as recorded between episodes 2 and 3: https://www.patreon.com/posts/those-secret-in-155837568Yes, it's episode three of this odd project. Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.As our resident AI bot N-AI-poleon Bot-aparte puts it:The team reviews and refines the first 15 pages of the Napoleon screenplay, breaking down five key scenes that chart Napoleon's journey from imprisonment in 1794 to his emergence as a political and military player.There's an in-depth discussion on revising historical details and narrative structure, including the role of the antagonist (shifting focus from Talleyrand to Barras) and centering Josephine as the driving love interest—replacing Desiree in earlier scenes for thematic cohesion.The episode explores the depiction of Napoleon's character during this formative period, emphasizing his internal ambiguity, uncertainty, and the tension between his self-image versus his reality—touching on his social awkwardness, aspirations, and motivations.The hosts map out the next 15 minutes of the screenplay, focusing on classic screenwriting beats such as the refusal of the call, assembling Napoleon's ‘gang' of key figures, and leading up to a major “crossing the threshold” moment in Italy, with a proposed set piece at the Battle of Lodi bridge.There's a debate about how to balance historical accuracy with cinematic storytelling, such as condensing events for emotional impact, portraying Napoleon's myth-building, and weaving Josephine and Barras into the heart of the story's momentum.

What's really going on with the water source that is supposed to fill Huston Lake? Is it legal to ⁠hunt beavers in Colorado⁠? Will Peyton Manning's new restaurant serve chicken parm that ⁠tastes so good⁠? Host Bree Davies and producers Olivia Jewell Love and Paul Karolyi open up the City Cast Denver mailbag to hear listeners' thoughts, expertise, and hot takes on some of our recent show topics. Plus, we shout out some of our favorite restaurants, shops, and non-profit organizations that have caught our eye recently.   Help us hit our goal in our spring membership drive! Join today and help local journalism thrive. Sign up now at ⁠membership.citycast.fm⁠  Paul mentioned ⁠the first trailer⁠ for Ridley Scott's adaptation of “The Dog Stars,” starring Jacob Elordi.  For even more news from around the city, subscribe to our morning newsletter at⁠ denver.citycast.fm⁠. Follow us on Instagram:⁠ @citycastdenver⁠ Chat with other listeners on reddit:⁠ r/CityCastDenver⁠ Support City Cast Denver by becoming a member:⁠ membership.citycast.fm⁠ Have a past episode you're still dying to weigh in about? Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 Learn more about the sponsors of this April 20th episode: ⁠Denver Art Museum⁠ Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at⁠ citycast.fm/advertise⁠

We discuss the hard sci-fi film Project Hail Mary, which along with The Martian (2015) was based on a novel by Andy Weir and adapted by Drew Goddard. Mark, Lawrence, Sarahlyn and Al consider how hard we actually like our sci-fi, the directors of these films (by Lord/Miller and Ridley Scott respectively), how the books got adapted, Weir's other work (Artemis, some webcomics, etc.), and more. How does Weir make a series of scientific problems into an actual, enjoyable plot? Get more at prettymuchpop.com. Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop. Sponsor: Visit squarespace.com/PRETTY (code PRETTY) for a free trial and 10% off your first website or domain.

The CinemaConvergencePress, influencers, and theater owners flocked to Las Vegas to be wined and dined by Hollywood Studios at this year's CinemaCon, where the event is beginning to feel more and more like a rival to San Diego Comic-Con in its golden years with the deluge of exciting announcements. With the sheer volume of news to cover, let's break down the biggest headlines by studio panel:DisneyKevin Feige confirmed that Avengers Endgame will rerelease in theaters ahead of Avengers Doomsday with added scenes. A first trailer for Avengers Doomsday was also shown to the crowd who finally got to see Downey's Doom in action. According to ComicBook.com, the trailer heavily featured Thor and included Shang-Chi, Gambit, and Steve Rogers.At the Disney Cinema Con presentation, new footage was shown for Toy Story 5 and the live action Moana. Hailee Steinfeld and Rashida Jones were confirmed to voice the main characters of the upcoming animated feature Hexed. A trailer for The Dog Stars was also shown, a Ridley Scott sci fi epic that stars Jacob Elordi, Margaret Qualley, and Josh Brolin.A final trailer for the Mandalorian and Grogu was released and the first 17 minutes of the film was shown to the crowd. SonySony kicked off the convention Monday night and, as expected, Spider-Man was front and center. Attendees got a first look at a scene from Spider-Man: Brand New Day along with two new promotional posters, but the bigger buzz came from footage of Spider-Man: Beyond the Spider-Verse — the concluding chapter of Miles Morales' trilogy — which hits theaters in June of next year.Sony announced an R-rated animated Bloodborne feature based on the FromSoftware video game at its CinemaCon panel.Sony has inked a first-look deal with Final Destination: Bloodlines duo Zach Lipovsky and Adam B. Stein, who will direct a feature adaptation of Metal Gear Solid.Sony debuted the first trailer for Zach Cregger's Resident Evil reboot at CinemaCon; the film arrives this September.Sony revealed the first trailer for Insidious: Out of the Further, the next entry in the horror franchise, landing in theaters August 21.Warner Bros.Warner Bros. brought the heat on Tuesday with a seven-minute opening scene from Dune: Part Three, featuring a massive battle and a confrontation between Paul and Chani that reportedly floored the room.Game of Thrones: Aegon's Conquest was revealed as the working title for the upcoming Game of Thrones feature film during the Warner Bros. panel.Peter Safran debuted the first teaser for DC's Clayface at CinemaCon, showing Tom Rhys Harries in various stages of mutilation pre- and post-transformation before an unsettling bathtub reveal; the film hits theaters October 23.Safran also interviewed Supergirl's Craig Gillespie, Milly Alcock and Jason Momoa, while showcasing extended footage from the film.Concurrent with the DCU section of the panel, Man of Tomorrow news broke with Adria Arjona officially cast as Maxima and shooting to begin next week.The cast for Andy Serkis's The Lord of the Rings: The Hunt for Gollum was officially unveiled at the Warner Bros. panel. Ian McKellen returns as Gandalf, Elijah Wood returns as Frodo, and Lee Pace reprises Thranduil, with Kate Winslet joining as Marigol, Leo Woodall as Halvard, and — most notably — Jamie Dornan stepping into the role of Aragorn.UniversalChristopher Nolan took the Universal stage Wednesday to premiere extended footage from The Odyssey, including a new shot of Matt Damon's Odysseus washing up on Calypso's beach — played by Charlize Theron — plus expanded Trojan Horse battle carnage; the IMAX-shot epic lands July 17.Steven Spielberg made his first-ever CinemaCon appearance to present Disclosure Day, receiving the MPA America 250 Award before confirming the Emily Blunt and Josh O'Connor thriller is an alien film, with the pair playing adults who were abducted as children.

Do Androids Dream of Security Patches? Reflections from RSAC 2026 — Walking the Floor of the Agentic World   Marco Ciappelli Co-Founder ITSPmagazine & Studio C60 | Creative Director | Branding & Marketing Advisor | Personal Branding Coach | Journalist | Writer | Podcast: An Analog Brain In A Digital Age ⚠️ Beware: Pigs May Fly |

We challenge you to a pod! Today we're talking all about the last trial by combat in France as seen in The Last Duel. This movie stars Matt Damon, Adam Driver, Jodie Comer, and was directed by Ridley Scott. Come listen and enjoy with us, we're taking three trips down memory lane as we focus on this legal case and the duel that followed! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory Please Like and Subscribe! Click the Bell to Get Notifications! Please give us a rating and a review on ApplePodcasts. It helps potential sponsors find the show! Check out The Wholly Roast use promo code RHP26 or Rhist26 Sign up for @Riversidefm: https://www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: https://betterhelp.com/reviewinghistory Buy Some Merch: www.reviewinghistorypod.com/merch Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #thelastduel #france #frenchhistory #filmmaking #ridleyscott #mattdamon #adamdriver #jodiecomer #duels #knights #film #cinema #movies #moviereview #filmcriticisms #moviehistory #hackthemovies #redlettermedia #rlm #historybuff #tellemstevedave #tesd

This week, we review Project Hail Mary, the second adaptation of an Andy Weird novel following 2015's The Martian. Teaming up with directors Phil Lord and Christopher Miller (The Lego Movie and Spider-Man: Into the Spider-Verse), Ryan Gosling stars as Ryland Grace, a conscripted schoolteacher-turned-astronaut on a mission to save the Earth and its dying sun. There's no denying that Project Hail Mary is the moviegoing event of the year so far, but does it have the craft and performances to elevate it above its crowd-pleasing station? Listen and find out.

Taking up the challenge of crafting a top-notch screenplay treatment about the life of Napoleon Bonaparte, Alex Stevenson is joined by James Topham (who knows a thing or two about screenwriting) and Ben Deery (who knows a thing or two about acting) to put the movie world to rights. Having analysed the pitfalls and frustrations of Ridley Scott's Napoleon 2023 in the first season the Napoleon Movie Quarter-Hourly, this time round the team have to come up with the magic themselves.This episode covers their consideration of the film's first 15 minutes: critical real estate in any screenwriting escapade. Whilst we might not be clear what Napoleon's 'save the cat' moment is - the event which gets the audience to like or engag with the protagonist - we do have a clear answer to what the 'inciting incident' should be that propels our lead character into the world. And, shock horror, it's not going to be Toulon...As our resident AI bot N-AI-poleon Bot-aparte puts it:The team reconvenes to craft a unique treatment for a Napoleon movie, blending heist-movie energy with historical dramaAlex Stevenson lays out the initial setting: a dissolute, awkward young Napoleon in 1795 Paris, skipping over the usual Toulon set-piece in favour of a fresh perspectiveJames Topham explains the crucial components of a film's first 15 pages: establishing character, creating a “save the cat” moment, and delivering a compelling inciting incidentThe hosts debate Napoleon's lack—whether it's ambition, savoir faire, or something deeper—and explore how his transformation sets up the arc of the filmThe episode climaxes with the inciting incident, launching Napoleon onto the stage of history, and setting up the next challenge: assembling his mustachioed crew for the film's heist vibe.Help us produce more episodes by supporting the Napoleonic Quarterly on Patreon: patreon.com/napoleonicquarterly

"What is Jerusalem worth?"70mm presents SHAME MONTH with Ridley Scott's director's cut of KINGDOM OF HEAVEN. Was organized religion a mistake? BIG updates to the Hims pill library, Proto watching SUPER MARIO GALAXY, Danny watching VIDEO HEAVEN, and slime checking out TUNER early. In the uncut portion of the episode we finally discuss Wrigley Field, modern day Christians, and Danny hitting secret Tiki bars.Chapters:(00:00:00) Introductions (00:03:07) What we watched(00:16:19) KINGDOM OF HEAVEN(01:16:57) Next weekSupport the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault which includes over 70 movies! Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes!Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more.70mm is a ⁠TAPEDECK⁠ podcast, along with our friends at ⁠BAT & SPIDER⁠,  ⁠The Letterboxd Show⁠, Austin Danger Pod, ⁠Escape Hatch⁠, ⁠Will Run For...⁠, ⁠Lost Light⁠, ⁠The Movie Mixtape⁠, and ⁠Twin Vipers⁠.(Gone but not forgotten; ⁠Cinenauts⁠ + ⁠FILM HAGS⁠.) ★ Support this podcast on Patreon ★

The movie adaptation of Andy Weir's novel, “Project Hail Mary” is a big box office hit. However, the first movie adaptation of a Andy Weir novel, that was a big box office hit, was “The Martian” starring Matt Damon in 2015. That's what I'm retro reviewing this week. Damon plays astronaut/botanist Mark Watney, who's part of a NASA mission on Mars. His team has to suddenly evacuate Mars and Mark is killed, or so his crew thinks. Surprise! He's alive and the movie becomes all about the mission to save Mark. Is it worth finding out what happens next enough to watch this? Find out on this episode of Movies Merica Live! “The Martian” also stars Jessica Chastain, Michael Pena, Chiewetel Ejiofor, Jeff Daniels, Kate Mara, Kristen Wiig, Sebastian Stan, Sean Bean, Aksel Hennie, Benedict Wong, Mackenzie Davis and Donald Glover. Support the showFeel free to reach out to me via:@MoviesMerica on Twitter @moviesmerica on InstagramMovies Merica on Facebook

No voiceovers! More unicorns! Our journey deep into the futuristic world of 2019 Los Angeles continues with another look at “Blade Runner” — this time, it’s “The Final Cut” edition. Deckard’s identity revealed, sort of? Voiceovers removed! Superfans and sort-of-fans compare, contrast, and discuss. Jason Snell with John Siracusa, Antony Johnston, Erika Ensign and Moisés Chiullán.

No voiceovers! More unicorns! Our journey deep into the futuristic world of 2019 Los Angeles continues with another look at “Blade Runner” — this time, it’s “The Final Cut” edition. Deckard’s identity revealed, sort of? Voiceovers removed! Superfans and sort-of-fans compare, contrast, and discuss. Jason Snell with John Siracusa, Antony Johnston, Erika Ensign and Moisés Chiullán.

Greetings, Listener. Today on General Snobbery, we discuss the biggest hot-button issue of the current age: the Jurassic Park Super Bowl commercial. At the time of posting, the commercial is about four months old, but given the fact the commercial has crossed half a million views on YouTube, it's become clear the impact is not receding. Well, your tireless wait for your Internet's preeminent Jurassic Park scholars to dissect the commercial is finally over. Tune into this new episode to hear us discuss bad CGI, Coach Yoast, general hatred of Xfinity, Newman, purple Josh Brolin, who would win in a fight between Ridley Scott and James Cameron, the latest conspiracies regarding Robert Muldoon, and, of course, Samuel L. Jackson's severed arm. Enjoy, and keep on Jurassic Parkin'.

Steffan and Gavia discuss one of the most influential sci-fi movies of all time: Ridley Scott's Alien. Spawning an iconic franchise and dozens of copycats, Alien is part monster movie, part dystopian thriller, starring Sigourney Weaver in her breakout role. Renowned for its genre-defining production design, this film established a "space trucker" aesthetic for its working-class spaceship setting - and introduced a uniquely grotesque antagonist in the form of H.R. Giger's xenomorph.

"I'll do the fingering!" James Rendell joins Mike to discuss Ridley Scott's divisive, camp, philosophical Alien prequels, Prometheus and Alien Covenant! Out now Hosted, Produced and Edited by Mike Muncer Music by Jack Whitney  Artwork by Mike Lee-Graham Get ad free episodes and weekly bonus content on our Patreon! www.patreon.com/evolutionofhorror  Visit our website www.evolutionofhorror.com  Buy tickets for our UPCOMING SCREENINGS & EVENTS Buy yourself some brand new EOH MERCH! Email us!  Follow EOH on INSTAGRAM Like EOH on FACEBOOK Join the EOH DISCUSSION GROUP Join the EOH DISCORD Follow EOH on LETTERBOXD

Inspired by the upcoming release of PROJECT HAIL MARY, Adam and Josh beam back to October 2015 when they suited up for THE MARTIAN — Ridley Scott’s brainy, big‑hearted sci‑fi rescue mission starring Matt Damon.Unlock the full archive, Filmspotting Discord, ad‑free + bonus episodes, and more when you join the Filmspotting Family.See omnystudio.com/listener for privacy information.