Podcast appearances and mentions of Ridley Scott

The gang head back to a banner year for the erotic thriller subgenre, and they've got a new permanent co-host to help talk all about the slick veneer and strange hair on display in the often overlooked film - Ridley Scott's 1987 Someone to Watch Over Me.       Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Alien In Review is back to go over the last (for now) movie in the Alien saga left to cover: Ridley Scott's 2017 sequel to Prometheus, Alien: Covenant. We're focusing in on the SFX catching up to the intent of the Xenomorph and how it makes for the best version of the monster yet, how this sequel better balances the horror of Alien with the philosophy of Prometheus, if some of the decisions the characters make in the story are irrational, and analyze Michael Fassbender's captivating performance as both Walter, the new and improved Android model, and David, the complex synthetic from the first movies who's desire to create life at any costs birthed the Xenomorphs as we know them.  Alien In Review will return! In the meantime, if you like Andy and Goo talking movies, check out their other podcast Virtual Theater, a podcast about video game movies and the stories that shape them!   Visit OmegaMetroid.com! Subscribe! Podbean x iTunes x Spotify x YouTube Support us on Patreon! Omega Metroid Patreon Download the Omega Metroid Theme Song! Get the Single for Free on Bandcamp! Follow us! @OmegaMetroid x @Spiteri316 x @DoominalCross x Omega Metroid Team Member Starter Pack Chat with us in Discord! Omega Metroid Discord Advertise on the Omega Metroid Podcast!

They planned for 30 minutes. They fought for 24 hours.This week on The Commentary Booth, Jamie Apps and Corrina Mabey head back into the dust, chaos and moral grey zones of Black Hawk Down. Join us as we commemorate the film's 25th anniversary with a deep dive into one of the most visceral, unflinching war films ever committed to screen.Based on the true events of October 1993, when 160 elite U.S. soldiers found themselves trapped in a deadly firefight in Mogadishu, this film remains a masterclass in tension, practical effects, and authentic storytelling. In this episode, Jamie and Corrina revisit Ridley Scott's relentless war epic, not to mythologise it, but to sit with it. The noise, the panic, the mistakes, the human cost.Highlights Breakdown: - Why Black Hawk Down still feels modern despite being 25 years old - The surprisingly stacked cast and the careers it quietly launched - Practical effects, real training, and why the violence feels so confronting - The film's rejection of clean hero narratives and patriotic gloss - How the Battle of Mogadishu reshaped modern military thinkingWhat starts as a discussion about a stacked cast quickly turns into something heavier. Watching it now, the film feels less like a traditional war movie and more like a survival document, raw, exhausting, and deliberately uncomfortable. Jamie and Corrina unpack why the film still holds up visually, how its practical effects amplify the brutality, and why its refusal to offer easy heroes might be its most lasting strength.They also dig into the real-world context behind the Battle of Mogadishu, the controversial mission planning, and the moments where Ridley Scott chose emotional truth over strict historical accuracy. It's a conversation that drifts between film craft, historical reflection, and that strange feeling of realising a movie you saw years ago hits very differently now.This isn't nostalgia. It's a re-evaluation. And it hits hard.This week's episode is brought to you byAustralian Wrestling CardsCheck out more great content from Pario Magazine on our website.-------------------------------------------------------------SUPPORT PARIO MAGAZINE & THE COMMENTARY BOOTH- PATREON- BUY MERCH- AMAZON PRIME VIDEO- TUBEBUDDY- Subscribe to AEW Plus using my code (q0yydoz) to earn $10 in FITE credit- Shop Online With Honey- Shop Online With SatechiMY EQUIPMENT- Elgato Facecam- Rode PodMic- Elgato Wave Mic Arm LP- Streamlabs Talk StudioFOLLOW JAMIE ON SOCIAL MEDIA- Twitter- Facebook- Instagram- TikTokFOLLOW PARIO MAGAZINE ON SOCIAL MEDIA- Twitter- Facebook- Instagram

Join hosts Gaius and Jackson on Back To The Blockbuster as we dive deep into the iconic film 'The Silence of the Lambs' on its 35th anniversary and its 2001 sequel, Hannibal, for its 25th anniversary. Explore the psychological thriller's enduring legacy crafted by director Jonathan Demme and screenwriter Ted Tally, based on the gripping novel by Thomas Harris. Delve into the unforgettable performances of Jodie Foster as the determined Clarice Starling and Anthony Hopkins as the chilling Dr. Hannibal Lecter, alongside a stellar cast including Scott Glenn, Anthony Heald, Ted Levine, and Kasi Lemmons. Unpack the film's intricate narrative and haunting atmosphere that continues to captivate audiences decades later. In addition, we reflect on director Ridley Scott's visionary approach with Hannibal and how the source material and screenplay by David Mamet and Steven Zaillian created a much different beast from its predecessor. We revisit the performances of Julianne Moore as Clarice Starling, Gary Oldman as the grotesque Mason Verger, and Ray Liotta as the corrupt Paul Krendler, alongside returning stars Anthony Hopkins and Frankie R. Faison. Explore the darker themes and intricate character dynamics that define a much different chapter in the Hannibal Lecter saga compared to the first movie and how they measure up side by side on their respective milestone anniversaries.Where To Watch The Silence of the LambsWhere To Watch Hannibal

This time we're delving into the... is it alright to call it a cult classic? The reviled-in-it's-theatrical-cut-but-beloved-in-it's-director's-cut-version Ridley Scott epic, Kingdom of Heaven, form 2005, starring Orlando Bloom and Eva Green. A period drama about the crusades, Kingdom of Heaven tells the story of a guy who's somehow just a bit better at everything than everybody else who shows up in the middle of a bunch of crazy religious people and is asked to fix everything and then angrily ignored until it's unsalvageable. As a relatively lucid American living through the early 21st century, I have never felt more seen. Put your parallel-recognizin' hats on and float along with us, will you?

On this week's episode of Unclear and Present Danger, Jamelle and John were joined by Hilary Matfess of the University of Denver to discuss G.I. Jane, the 1997 military drama directed by Ridley Scott and starring Demi Moore and Viggo Mortenson. The discussion for this film revolves around the evolving role of women in the military, post-Cold War anxieties about American military readiness, the gender politics of the film, and what the movie might signify today, in the present.Matfess is the author of a new book, "Putting Women in their Place: Gender Power and World Politics," which is available wherever books are sold.For our next episode we are heading into 1998 with U.S. Marshals, the somewhat forgotten sequel to The Fugitive, starring Wesley Snipes and Tommy Lee Jones. And don't forget our Patreon, where we cover the films of the Cold War and do a regular politics show. You can find that at patreon.com/unclearpod.Our producer is Connor Lynch and our artwork is by Rachel Eck.

Pourquoi personne ne sait plus suivre un protocole sanitaire ?Cette semaine, on enfile nos combinaisons (celles qui ont des trous, visiblement) pour analyser la saga Alien, de ses origines métaphysiques à ses derniers cris dans l'espace.Au programme de cette expédition dont vous ne reviendrez probablement pas :Prometheus : Où l'on apprend que les créateurs de l'humanité sont de très mauvaise humeur le matin.Alien: Covenant : David joue de la flûte, et soudain, tout le monde passe un très mauvais quart d'heure.Alien: Romulus : On fait le point sur le petit dernier. Est-ce qu'on a enfin retenu la leçon sur les œufs bizarres dans les couloirs sombres ? (Spoiler : non).On décortique les choix de Ridley Scott, les expériences biologiques foireuses et on essaie de comprendre pourquoi, après 40 ans, les humains continuent de mettre leur visage au-dessus de trucs gluants.

Warum nicken Kunden bei deiner Argumentation – und kaufen trotzdem nicht? Weil du auf der Merkmalebene argumentierst. Der Kunde hört Fakten, aber fühlt nichts. In dieser Folge zeige ich dir den Value Frame – ein Sprachmuster aus der Reflex-Rhetorik®, mit dem du deine Argumentation direkt mit dem Kaufmotiv deines Kunden verknüpfst. Du erfährst: → Wie der Value Frame aufgebaut ist und wie er klingt (mit konkretem Beispiel) → Warum er kommunikationspsychologisch so wirksam ist (Relevanztheorie & Self-Relevance) → Wie du mit der Warum-Leiter zum echten Kernmotiv deines Kunden vordringst → Den goldenen Satz, der aus Merkmalen Motive macht Denn wie Ridley Scott sagt: Der Kopf ist der größte Kinosaal der Welt. Aber nur, wenn du die richtigen Filme abspielst. Mehr auf umsatzuni.de

Joanna Cassidy has never fit neatly into one lane, and that is exactly why she is unforgettable. In this episode of Still Here Hollywood, Joanna takes us from Syracuse University as an art student to a cross-country leap that landed her in Los Angeles and changed everything. She talks about her first film set experience with Walter Matthau and Bruce Dern, the shock of realizing she could actually act, and how her creative life has always lived in two worlds, performance and painting. We also dive into the legacy roles that keep getting rediscovered. Joanna shares what it was like stepping into Blade Runner as Zhora, working with Ridley Scott's meticulous vision, and why that film's impact only grew with time. She opens up about Six Feet Under and her love of dark humor, the craft difference between comedy and drama, the realities of aging in Hollywood, and what she believes keeps a creative person alive. Plus: animals, modernism, bungee fitness in Burbank, and the mindset that keeps her curious and working. Still Here Hollywood with Steve Kmetko. New episodes weekly. Support the show and get early access and extras at patreon.com/stillherehollywood00:00 Intro: The unforgettable Joanna Cassidy00:56 From Syracuse to San Francisco to Los Angeles02:35 First steps into acting and a surprising first role03:35 The Laughing Policeman: Walter Matthau, Bruce Dern, and set nerves05:19 Joanna the artist: painting, portraits, modernism06:42 Almost quitting, and the many lives she has lived07:51 Misconceptions: beauty, comedy, and being underestimated10:29 Age, image, and America's obsession with youth12:29 Early work she is proud of, and Blade Runner's slow-burn legacy13:43 Acting vs art: the frustration of not being able to fine-tune16:52 Roles she wanted but did not get17:40 Blade Runner: first reaction to the script18:32 Philip K. Dick, sci-fi love, and “the only actor with the snake”19:18 Animals, cats, and the deep bond with them21:22 Ridley Scott's imprint and artistic vision22:22 Six Feet Under and the joy of dark humor23:36 Blade Runner stunts, revisiting Zhora, and the snake dance25:10 New generations discovering Zhora26:17 Cult status and Comic Con moments28:54 Comedy vs drama: timing, speed, and stillness30:57 Who she watches now: Emma Stone, Jessica Lange32:07 TV's best lesson: be on time, know your lines, hit your marks33:17 Actors who made an impact: Gene Hackman, Nick Nolte, Bob Hoskins35:42 Taking risks and going all-in37:40 Dabney Coleman memories39:58 Staying creatively alive: health, grounding, flow41:05 Mentors, independence, and asking for a hand44:01 Confidence, her father, and being an observer of Hollywood45:45 Film talk and character-study movies47:13 What brings her joy now49:43 Directing notes and the on-set process50:42 Roles she wants now, plus recent and upcoming projects52:40 Worries that shifted with time53:27 Dating, privacy, and a new chapter56:16 Bungee fitness in Burbank and loving the feeling of flight57:28 Closing  Show CreditsHost/Producer: Steve KmetkoAll things technical: Justin ZangerleExecutive Producer: Jim LichtensteinMusic by: Brian SanyshynTranscription: Mushtaq Hussain https://stillherehollywood.comhttp://patreon.com/stillherehollywoodSuggest Guests at: stillherehollywood@gmail.comAdvertise on Still Here Hollywood: jim@stillherenetwork.comPublicist: Maggie Perlich: maggie@numbertwelvemarketing.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode explores the background of the Czar reduced to tears after the Battle of Austerlitz. Many readers know little of the ruler Nicholas Rostov and countless officers were so devoted to.Over the last few years, you may have watched Ridley Scott's film “Napoleon.” I argue that the casting of Alexandr embraces a view of the filmmaker that aligns with the perception the fictional Nicholas held.  Edouard Philipponnat as Alexandr was the standout in the film and embraced a youthful exuberance. Handsome and dashing, Scott captured the energy that Tolstoy depicts.  Should you view a portrait of Alexandr, however, you will not see the equivalent of an Edourd or Brad Pitt. You will discover something that fits of Alexander Pushkin's description of Alexandr of being a “Balding Dandy.” Pushkin was exiled by Alexandr for anti-Czarist sentiments.Napoleon even wrote Josephine in 1807: “I am satisfied with Alexander and he ought to be satisfied with me. If he were a woman, I think I would make him my mistress.” Historically, the opposite may have been true.  Alexandr may have taken up an affair with Josephine and assuredly did so with numerous beautiful and intelligent woman of the aristocracy.More Importantly, Alexandr has a fascinating background which contributes to turning him into the lamenting Sovereign at Austerlitz.Alexander's grandfather was Peter III, who was born in northern German speaking lands and was also, for a time, the presumptive heir for the throne of Sweden. Peter served as Czar for only six months before his wife, Catherine, plotted to overthrew him in 1762. Catherine was Germanic royalty who converted to Orthodoxy upon her marriage. Catherine moved quickly against her husband, who she regarded as lacking sense and maturity. She also considered him a drunk.  Nevertheless, some German historians find Peter to be cultured and open-minded. Peter did have an openness to adapting European technology and placed the sciences on a prestigious level. After the coup, Peter was held in a prison and likely strangled.  The official account was that the cause was a stroke or bowel obstruction. Catherine then ruled as regent for her son Paul, but never gave up any authority when Paul became of-age, around 1772. Catherine alleged, in memoirs and conversation, that Paul was sired by one of her lovers, which would mean Alexandr was not of any so-called Royal blood.  Nevertheless, she took notable efforts to educate Paul's two sons, Alexandr and Konstantin.When Catherine died in 1796, Paul assumed leadership and met a similar end as Peter after a five year reign. Paul shares a complex reputation and was quite notably influenced by his love of Prussia, especially their military.  Paul was most assuredly strangled in 1801.  This second murder of a Czar within 40 years is what brought Alexandr (then 23) to the throne.As referenced, Catherine dedicated time to instruct Alexandr and his brother Konstantin. She would relay the importance of the French Revolution and read to them the Declaration of the Rights of Man. More consequentially, Catherine assigned Alexandr a Swiss tutor, Frédéric-César de La Harpe, to teach Enlightenment ideals. For generations, aristocratic households were commonly hiring French and Swiss educators. Peter the Great had a Swiss soldier and advisor, François Lefort, instruct him on how to follow the path of Europe.Alexandr took to his Swiss tutor and had a keen mind toward European ways. As soon as he became Czar, he put aspects of his education into practice, including creating an intellectual inner circle. Early on, this close group planned various reforms such as easing censorship and planning for a Constitution of the type sprouting around Europe.There was a recognition that serfs were the agricultural and military backbone – but this system would eventually have to change. Alexandr desired phase out serfdom but it didn't end until 1861. Alexandr went as far as issuing a voluntary decree - noting landowners could free their serfs and give them land if they desired. He understood what could and could not be done.Reports are that Alexandr considered himself to be inspired – something of a Chosen One. He felt it was ordained that he would prevail at the pivotal battle at Austerlitz, which he chose to be present at. The all-encompassing loss caused him to become utterly devastated.

In this episode of the show we are transitioning from discussing 80's fantasy to our February deep dive into 80's dystopian science-fiction. And you couldn't really ask for a better movie to kick off this series than the Ridley Scott-directed Blade Runner. Over the course of our conversation, which was just as ethereal and meandering as the movie itself, you will hear us talk about the many troubles this iconic cult classic faced when released, how the movie stacks up against the book, and where it brings novel material to the table. We also discuss Harrison Ford as a noir detective who wonders if he is real, Rutger Hauer as a haunting presence, the perils of listening to Vangelis while falling asleep and also how the movie prompted some of us to question the fabric of reality and wonder if we are all replicants after all. Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Rich Foster & Ian SchultzHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

"You can't open your own private mint moving that kind of liquidity and hope to stay under the regulatory radar." ~ Roy Sheinfeld Stablecoins are booming, but are they building toward something bigger - or just recreating the old system with a crypto coat of paint? Roy Sheinfeld breaks down why centralization guarantees regulation, and I go deep on why the real shift isn't technological - it's monetary. If stablecoins can't escape the state, and Bitcoin can, who wins the utility race in the long run? Check out the original article: Stablecoins: Evolution, not a Revolution (Link: https://bitcoinmagazine.com/featured/stablecoins-evolution-not-a-revolution) References from the episode My recent conversation with Roy on Chat_157 - It's Time to Walk the Walk where we discussed the evolution of Lightning, Breeze, Spark and PearDrive (Link: https://fountain.fm/episode/EpG58Rgz9cWjjLckHhD6) BTC Sessions' "Why Are We Bullish" panel show with Matt Odell, Brandon Quittem and myself. (Link: https://fountain.fm/episode/EHSfEfSKtnHd3HWYhud8) The film Black Rain by Ridley Scott, cited by Roy in his article as a reference for how seriously states take control over their currency. (Link: https://www.youtube.com/watch?v=woY1UH9Ki28) Historical sociologist Charles Tilly's book Bringing the State Back In and its Chapter 5: War Making and State Making as Organized Crime, calling states "protection rackets" and "organized crime". (Link: https://www.cambridge.org/core/books/abs/bringing-the-state-back-in/war-making-and-state-making-as-organized-crime/7A7B3B6577A060D76224F54A4DD0DA4C) Host Links ⁠Guy on Nostr ⁠(Link: http://tinyurl.com/2xc96ney) ⁠Guy on X ⁠(Link: https://twitter.com/theguyswann) Guy on Instagram (Link: https://www.instagram.com/theguyswann) Guy on TikTok (Link: https://www.tiktok.com/@theguyswann) Guy on YouTube (Link: https://www.youtube.com/@theguyswann) ⁠Bitcoin Audible on X⁠ (Link: https://twitter.com/BitcoinAudible) The Guy Swann Network Broadcast Room on Keet (Link: https://tinyurl.com/3na6v839) Check out our awesome sponsors! HRF: The Human Rights Foundation is a nonpartisan, nonprofit organization that promotes and protects human rights globally, with a focus on closed societies.

Keeping with tradition, we follow up our best of 2025 episode with its natural companion: our episode on the most anticipated films of 2026. After an odd 2025 where many of our most exciting picks turned out to fall short of expectations, we can only hope that 2026 might fare better. Indie gems, huge blockbusters in Nolan's The Odyssey and Dune: Messiah, and other new projects from beloved auteurs, 2026 is shaping up to pack quite a punch. Tune in and find out our individual picks!

A MELHOR PRODUÇÃO DA FRANQUIA ALIEN, desde o clássico de Ridley Scott.Nos Acompanhe em Nossas Mídias:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TWITTER⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠PÁGINA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

It may seem like Basie isn't in this one but don't worry Feral-Heads, he may make an appearance alongside talks of the Donkey Kong change, interactive shows, the Labo, gatekeeping groundhogs, who shows up the most in the files, Epstein spam, Hard Men House, Avatar questions, Ridley Scott flip flops, He-Man isekai, fat and in jeans, The Running Marcin, Glen Powell face, Basie shows up, DSP pay pigs, Marcin's stream views, Carbone of the people, Kick Tok , localized slop content, ai coded Doom in Python, explosive therapy, Mark tier list, the England trip, Marty Supreme stream heist, real film bros, Superbowl birds, Trump gets gangbanged, Chinese Epstein Island, Stephen Harper hair, and grovelling at the gym. Stimulate your senses.

This week, we review Blade Runner (1982), Ridley Scott's neo-noir sci-fi masterpiece that redefined the genre. Harrison Ford stars as Rick Deckard, a weary “blade runner” tasked with hunting down rogue replicants in a dystopian Los Angeles. With a haunting score by Vangelis, groundbreaking visual design, and existential themes at its core, the film explores what it really means to be human.Is empathy a glitch in the code or the essence of the soul? Listen on to find out!Join Colin & Niall as we embrace the weird, the wonderful, and the downright awful of cinema!Contact us: itwasamoviepodcast@gmail.comSpotify: It was a movie..Spotify pageFollow, rate & review us here:https://linktr.ee/itwasamovieYoutube: It was a movie channel...Facebook: https://www.facebook.com/itwasamovieInstagram: https://www.instagram.com/itwasamoviepodcast/X: https://x.com/itwasamoviepodTikTok clips & highlights: https://www.tiktok.com/@itwasamoviepodSee all our ratings & reviews: Google SpreadsheetIMDb List: IMDb | Letterboxd: Letterboxd

It is a kingdom of conscience, or nothing! This week we're going Ridley Mode™️! Join us as we embark on a journey through one of Scott's most polarizing films, its many cuts, many characters, and its place in historical epic film history.Next week it's Andrew Adamson's big screen adaptation of THE CHRONICLES OF NARNIA: THE LION, THE WITCH, AND THE WARDROBE! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesCommentaryCast RehearsalsColors of the CrusadePath to RedemptionKingdom of Heaven: The Ridley Scott Film and the History Behind the StoryKingdom of Heaven Production NotesIndieWire Ridley Scott InterviewAnimation World Network Alain Bielik InterviewHarry Gregson-Williams Career InterviewKingdom of Dreams Dody Dorn InterviewCollider Ridley Scott InterviewCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A new season means a new franchise of the year, and that year is 2122. Welcome aboard the Nostromo where the boys of the Just Play It podcast run, hide, and fight for their lives watching a cinematic classic, Alien. We explain the origins of the movie, how it came to be made, and discuss how much this movie holds up. Get ready to grab your flamethrower and crack some eggs because Nick and James are back for Year 4. Thanks for tuning in. For more, follow us on Instagram & YouTube @justplayitpodcast & X (fka Twitter) @justplayitpod

This week, the guys talk about a prolific filmmaker who is 88-years old and still doing what he loves to do. Join Deremy and Thomas as they break down five essential Ridley Scott movies. Ridley Scott tends to get overshadowed by his peers, but he has made some truly iconic movies that deserve praise. Find out if your favorite Ridley Scott movie makes the cut. This episode comes by request by our great and supportive listener, Daniel Lang.Let us know what you think and send us a request!Twitter (X): @popculturefiveInstagram: Pop Culture Five PodcastEmail: popculture5pod@gmail.com

This week we're jumping from one big adaptation of British literature to another. It's a movie about a fellowship, but this time, they call it a league. And it's extraordinary!!Joining us for this bonus (!!) is returning champion Stephen Hilger of the very great Into the Aether podcast! We're piecing together one of the strangest movies out there… and still trying to figure out why Sean Connery turned down Gandalf but said yes to Quartermain.Next week it's Ridley Scott's historical epic, KINGDOM OF HEAVEN Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesAssembling the LeagueAttireThe NemomobileMaking Mr. HydeResurrecting VeniceSinking VeniceStarLog #312 Production HistoryStarLog #313 Production HistoryLos Angeles Times on Stephen NorringtonBox Office Reports on Film FailureFilm Faces LawsuitEntertainment Weekly On-Set ReportLeague of Extraordinary Gentlemen Reboot in WorksPrague Reporter Production HistoryX2 Promotes the FilmTV Reboot in WorksStephen Norrington Making The League of Extraordinary GentlemenLight the Fuse Podcast Dan Lausten Interview Part 2Star Chat Stuart Townsend InterviewJason Flemying Needs To Go 10-1Sean Connery Is Done With IdiotsShane West Blackfilm InterviewTheo van de Sande Turns Down LeagueCredits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord.Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the show we are diving into the Ridley Scott-directed Legend as part of our short exploration of 80s fantasy movies. Over the course of our conversation you will hear us talk about how the movie came together as an original vision driven by visuals and aesthetics, how Ridley Scott's background in commercial work shows in the finished product and how its dark fantasy provenance is only marginally propelled by its narrative. We also discuss Rob Bottin's makeup work, the character design and the many aesthetic touches that make Legend look as though it had more in common with 80s music videos than movies. Finally, we spare a few thoughts about the film's central performances and also stumble upon a whole genre of monster romance writing which also nearly derailed the entire conversation.Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Tony Larder & Carson TimarHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Ridley Scott's postmodern examination of folk/fairy tales in which deconstructs the implicit narratives of race, class, gender, ableism--- sike.The Gen0c1de in Falasteen is ongoing+++++Outro: The Partridge Family performing Whale Song

This week, the boys head back to 1982 to discuss Ridley Scott's “Blade Runner: The Final Cut”. Dave shared his thoughts on whether he prefers this or the original theatrical release (with or without the voice-over???), and Jeff and Dave debate how much, or how little, went into Harrison Ford wondering if he was still frozen in carbonite! Star Wars joke, we really discussed whether or not he was a replicant, of course. Jeff also got us started with a mini-review of “Song Sung Blue”. Grab a beer and listen!  linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 5:00 “Song Sung Blue” mini-review; 16:25 1982 Year in Review; 36:16 Films of 1982: “Blade Runner: The Final Cut”; 1:13:46 What You Been Watching?; 1:25:08 Next Week's Episode Teaser Additional Cast/Crew: Harrison Ford, Philip K Dick, Ridley Scott, Daryl Hannah, Rutger Hauer, William Sanderson, James Hong, Hugh Jackman, Kate Hudson, Craig Brewer, Michael Imperioli, King Princess, Jim Belushi, Fisher Stevens, Edward James Olmos, Timothee Chalamet, Josh Safdie, M. Emmet Walsh. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Life of Chuck, Stranger Things, Jack Fisk, Fallout, Pluribus, Miami Vice, The Imagineers, Mary Supreme Additional Tags: Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

We're hitting the road to talk about Duel, Steven Spielberg's first film, and we're joined by Mark Hofmeyer! After learning more Mark lore, we talk about the evolution of Duel from TV movie to full-length feature, the history of rye bread, and how impressive the filmmaking is in this film (on every level). Which Fast and Furious character would do the best in this situation? Mark quizzes us. We talk about how the whole film feels very Fast & Furious (2009) coded, when the movie feels the most like the Twilight Zone, and whether or not people were rooting for the trucker to win. We also talk about our favorite Spielberg chase scenes, cross this film over with Ridley Scott's The Last Duel, and pick Mark's brain for movies to watch in other laps. Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

What happens when you try to rank the Best Movies of This Century, one year at a time, with no safety net, no do-overs, and your family sitting right beside you? You get chaos, passion, nostalgia, and one of the most honest movie conversations we've ever recorded on Born to Watch.In this special episode, Matt is joined by two very special guests, his wife, Meagan, and his daughter, Bel, as they attempt the impossible task of selecting the single best movie from every year between 2000 and 2025. One movie per year. No ties (mostly). No backing out (occasionally). And absolutely no pretending bad sequels didn't happen.Starting at the turn of the millennium with Gladiator, the episode charts the evolution of modern cinema, from epic blockbusters and genre-defining franchises to animated classics, emotional dramas, and films that completely changed how audiences experienced movies in the cinema.Along the way, the discussion covers everything from the dominance of The Lord of the Rings trilogy, Christopher Nolan's genre-bending run, the rise and fall of superhero cinema, Quentin Tarantino's most personal work, unforgettable cinema moments like Avengers: Endgame, and the films that defined family movie nights in the White household.This episode isn't just about critical acclaim or box office numbers. It's about how movies land, who they stay with, and why some films become comfort watches while others hit you once and never leave. Belle brings a brutally honest Gen-Z perspective, Meagan balances emotion and realism, and Matt does what he does best: overanalyses everything while defending Nolan, Denzel, and Ridley Scott at every opportunity.There are laughs, genuine disagreements, questionable parenting admissions, and more than a few moments where the word "sequel" becomes a four-letter swear word. You'll hear passionate defences of animated films, heated debates over Bond rankings, and reflections on how cinema changed after COVID reshaped the industry.Whether you agree with the picks or want to argue every single one, this episode is a celebration of why movies matter, why watching them together matters more, and why trying to rank the Best Movies of This Century is both completely ridiculous and absolutely essential.JOIN THE CONVERSATION Which movie should have made the list? What film defines your century so far? Did we get it right, or completely butcher it?Listen now on Spotify, Apple Podcasts, or at BornToWatch.com.au  #PodcastAustralia #FamilyPodcast #CinemaHistory

The Crew continue to look at dark fantasy films this month. On this episode we discuss another Ridley Scott film that has many versions only this one is a fantasy film. Join us as we talk about which version of "Legend" from 1985 is the better version. We also discuss Tom Cruise in a role he rarely plays, how good the practical effects are, the difference a soundtrack makes and try to work out which role Robert Picardo plays. Ian's Website: https://www.kickseat.com

Inspired by Kojima's essay on it in The Creative Gene, we're talking about Blade Runner! Ridley Scott's massively influential science fiction classic. When were not gushing over how good the film is and how much Rutger Hauer's performance makes us want to cry, we try to dissect the film for its most "Metal Gear" like elements.Episode 76: You Ever See a Man and Want to Cry?

What happens when a horror podcast crew wakes up too early from cryo-sleep, loses a crew member, unionizes against space labor violations, and accidentally reviews Alien (1979) from the middle of deep space? Chaos. Pure chaos..In this episode, we crash-land on Planet X to break down Ridley Scott's Alien—from chest-bursters and corporate greed to flamethrowers, killer androids, and the ultimate final girl, Ellen Ripley.Expect dark humor, absurd space banter, generational debates, and one very suspicious cat as we ask the real questions:

Are you ready to hear opinions that will make you scream?  Can you believe some of the things that our cast this week believes?  Are you the kind of person who is OK with pineapple on a pizza? Get ready for some wild points of view from Howard Casner, Dave Anderson and The Vern, because if you love Stanley Kubrick, Martin Scorsese, John Carpenter and Ridley Scott, these guys have opinions that may outrage you.

A couple previews clips from our recent Patreon-exclusive in-depth analysis of Ridley Scott's 1985 film Legend. The full-length discussion continues our research into 1980s MK-fantasy films, with Brett previously having offered comprehensive looks at Labyrinth and Return to Oz here on the Patreon and us having discussed the animated LOTR films and The Last Unicorn with Carrie Olaje on the main feed. In the full episode we talk about Ridley's career and the ultra-sus Scott family, the film's occult metaphysics, revelation of the method, programming tropes, and "marriage to Satan" theme. Thomas also discusses the thematic relevance of Robert Eggers' The Witch and Scott's later movies Prometheus and Alien: Covenant. https://www.patreon.com/PsyopCinemaIf you enjoy Psyop Cinema, check out the Decoding Culture Foundation and Cultural Engineering Studies magazine - https://decoding-culture.com/print-copies/ - https://decoding-culture.com/publication/ - https://decoding-culture.com/https://twitter.com/CinemaPsyophttps://psyopcinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com   

This is it. This is the big one. We finally critique Ridley Scott's Oscar winning Gladiator, starring the formidable Russell Crowe as Maximus Decimus Meridius. He may be a father to a murdered son and a husband to a murdered wife, but does the movie he's starring in hold up after all these years? Mel takes us through the real history of Rome and its gladiatorial combat and gives us the lowdown on the many accurate and inaccurate aspects of the history that's represented. We also get into the detail on what it's like to work with the wild and legendary Oliver Reed, and how could we forget play the Russell Crowe Rotten Tomatoes game? If you like the show, we'd love it if you'd support us and leave us a REVIEW and SUBSCRIBE. Thanks! SUBSCRIBE: Apple | Spotify | Google | RSS

This week we take a look at the 1982 Cyberpunk/ Tech Noir classic "Blade Runner" Featuring Harrison Ford and directed by Ridley Scott. This is an interesting episode as this is one of Art's Favorite movies and Jacob, up until the day before recording, had not ever seen this movie before.  Listen as we discuss our opinions, theories, and critiques of this SUPER influential fil As always follow us on the stuff Merch Store- http://tee.pub/lic/doEoXMI_oPI Patreon- https://www.patreon.com/Artandjacobdoamerica Website- https://artandjacobdoamerica.com/ Instagram- https://www.instagram.com/artandjacobdoamerica Facebook- https://www.facebook.com/artandjacobdoamerica/  

We speak to actor Fernando Guillén Cuervo who played the duplicitous Bolivian Colonel Of Police Carlos in Quantum Of Solace. He tells us about being in a family of Spanish acting royalty, writing, producing and directing his own films, and working with the likes of Daniel Craig, Javier Bardem, Antonio Banderas, Penelope Cruz and Ridley Scott.Thanks for listening - we think you'll love it too! Disclaimer: Really, 007! is an unofficial entity and is not affiliated with EON Productions, Amazon Metro-Goldwyn-Mayer Studios Inc. and Danjaq, LLC. Hosted on Acast. See acast.com/privacy for more information.

Time to finally dive back into the franchise I've been waiting to cover for almost five years now, as we take a look at the sequel to Ridley Scott and Dan O'Bannon's groundbreaking sci-fi horror film and all the ways it made James Cameron a legend. It's a movie that had a real cultural impact, one might say, and we're going to get into each and every detail of it!

In this episode from the archives, Rebecca talks with the Aftersun Oscar nominee and Hamnet star Paul Mescal, who starred last year in Ridley Scott's long-awaited Gladiator II. The indie darling reveals why he finally said yes to a blockbuster, the sage advice he got from his director, and why he's been working at such an intense pace since Normal People. Plus, he answers the Proust Questionnaire, revealing his greatest (mini) extravagance.This episode originally aired on Nov. 19, 2024 Learn about your ad choices: dovetail.prx.org/ad-choices

Check out our review of ‘Marty Supreme,' starring Timothee Chalamet. We'll also review the season one finale of Vince Gilligan's ‘Pluribus' on Apple TV. Beforehand, we'll discuss the week's top entertainment news, including trailers for ‘The Odyssey' and ‘Normal;' Netflix is making an ‘Assassin's Creed' series; Ridley Scott has a movie coming out in 2026;q and more! Enjoy!TIMECODES… Intro (0:00)The Toms: Entertainment News (1:21)*SPOILERS* ‘Pluribus' Episode 9 (24:18)‘Marty Supreme' Review (51:19)*SPOILERS* for ‘Marty Supreme' (1:07:55)What Are Ya Doin'? (1:34:52)SOCIAL MEDIA LINKS...Email: tomppodcast@gmail.comYouTube: https://www.youtube.com/channel/UCU2jjOm3gwTu2TVDzH_CJlwFacebook: https://www.facebook.com/That-One-Movie-Podcast-535231563653560/Twitter: https://twitter.com/TOMPPodcastPatreon: https://www.patreon.com/tomppodcastINTRO MUSIC... "Constellation" by Brian Hanegan

In this episode from the archives, Rebecca talks with the Aftersun Oscar nominee and Hamnet star Paul Mescal, who starred last year in Ridley Scott's long-awaited Gladiator II. The indie darling reveals why he finally said yes to a blockbuster, the sage advice he got from his director, and why he's been working at such an intense pace since Normal People. Plus, he answers the Proust Questionnaire, revealing his greatest (mini) extravagance.This episode originally aired on Nov. 19, 2024 Learn about your ad choices: dovetail.prx.org/ad-choices

Bella Gonzales https://www.imdb.com/name/nm7543234/ brings a ton of insight about being a cinematographer on series like Pen 15, Fargo, Alien: Earth, and The Twisted Tale of Amanda Knox.It's a really inspiring episode that made Oren want to pick up a camera and operate again. On the other hand, Bella is a self-described lighting-focused DP (Director of Photography). And her conversation with Matt and Oren details how her approach to cinematography enhances, and perhaps even creates, the world of the show more so than an operator-focused DP.Bella also gets into the playbook for Fargo and the rules of the road that create its uniquely offbeat look. And Bella lays out how this makes audiences feel more like they are inside the story.You won't want to miss this unique episode with a cinematographer who passionately explains the techniques she uses in the art of her craft.Find Bella on Instagram @bellagonzalesdp---Help our Patreon! https://www.patreon.com/JustShootItPodMatt's Endorsement: Ethan Hawke on social mediaOren's Endorsement: a400 round base monopod https://www.ifootagegear.com/products/monopod-a400-roundbaseBella's Endorsement: "The Duellists", movie by Ridley Scott https://www.imdb.com/title/tt0075968 Hosted on Acast. See acast.com/privacy for more information.

Here is an episode of Movie Dumpster's podcast where I talked about the director's cut of Ridley Scott's Legend. The superior version if you ask me! Make sure to follow Movie Dumpster for more! https://youtu.be/0CF_j2bD8YE?si=JSY9IG5PEV9k0JoO

This week on Chuddle the Pod, the Chuddlemen launch into deep space to kick off a brand-new franchise with Ridley Scott's Alien (1979), joined by our returning franchise companions Cody and Sergio from The Horror Bandwagon. As the Goo Gods cast their gaze toward the cold vacuum of space, Ross, Sam, and Bryan break down the film that redefined sci-fi horror. For links to our guest's socials, episodes, and YouTube visit https://thehorrorbandwagon.com/  Join the Patreon! Chuddle the Website! Follow the Chuddlers on social media! Discord: Chuddle the Discord Chuddle the Pod: Slasher - @chuddlethepod IG - @chuddlethepod  Sam on Letterboxd - @chuddlethesam Ross on IG - @RossPurvis Email: chuddlethepod@gmail.com

Full disclosure time here on the READING MCCARTHY podcast.  When Ridley Scott's film The Counselor arrived in theaters with its very own shiny McCarthy screenplay, I was underwhelmed.  We'd been waiting for over half a decade for The Passenger and had no idea we'd be almost another ten years waiting for that project (and of course we had no concept of Stella Maris at the time). I found interesting elements in the film but didn't think it held together. But people smarter than me (such as my three guests in this program) convinced me to return to it it and here we are in a 2-parter.    Appearing for the first time is Dr. Russell Hillier, whose consideration of the screenplay sparked my interest in returning for another bout: he is Professor of English at Providence College, Rhode Island. He is the author of two books, Milton's Messiah (Oxford University Press, 2011) and Morality in Cormac McCarthy's Fiction: Souls at Hazard (Palgrave Macmillan, 2017), and he is coeditor of Combined Lights: Comparative Essays on the Writings of John Donne and George Herbert (University of Delaware Press, 2021). Additionally, he has published articles on many authors in many journals. Returning as well is the excellent Dr. Dianne Luce. She is the author of Reading The World. Cormac McCarthy's Tennessee Period, University of South Carolina Press, 2009, and Embracing Vocation: Cormac McCarthy's Writing Life, 1959-1974, U South Carolina Press 2023. She is currently working on a second volume of Cormac McCarthy's Writing Life, covering 1974-1985.  Bryan Giemza holds a Ph.D. and J.D. and is the Provost's Fellow for Outreach and Engagement in the Honors College at Texas Tech University.  His books include Irish Catholic Writers and the Invention of the American South as well as Images of Depression-Era Louisiana: The FSA Photographs of Ben Shahn, Russell Lee, and Marion Post Wolcott (2017). His book Science and Literature in Cormac McCarthy's Expanding Worlds was published by Bloomsbury in 2023. As always, listeners are warned: there be spoilers here.  Film trailer excerpts from The Counselor, directed by Ridley Scott, distributed by 20th Century Fox, 2013.  Thanks as always to Thomas Frye, who composed, performed, and produced the music for READING MCCARTHY.  The views of the host and his guests do not necessarily reflect the views of their home institutions or the Cormac McCarthy Society.  Download and follow this podcast on Apple, Spotify, Google Play, Stitcher, or wherever you get your podcasts.  If you're agreeable it'll help us if you provide favorable reviews on these platforms.  To contact the host, please reach out to readingmccarthy@gmail.com.  Support the showStarting in spring of 2023, the podcast began accepting minor sponsorship offers to offset the costs of the podcast. This may cause a mild disconnect in earlier podcasts where the host asks for patrons in lieu of sponsorships. But if we compare it to a very large and naked bald man in the middle of the desert who leads you to an extinct volcano to create gunpowder, it seems pretty minor...

What happens when you stop trying to be perfect and just let yourself be? In this episode, I sit down with actor Matt Drago to talk about his incredible journey bringing the independent film Somewhere in Montana to life—and the lessons he learned along the way about creativity, authenticity, and what it means to truly show up. Matt is a world-renound actor living in Los Angeles. Best known for his role as Fabian in SOMEWHERE IN MONTANA, he has appeared in a variety of other projects including Disney's Counting Scars viral video, What Would Jesus Do: The Journey Continues, Ridley Scott's Prophets of Science Fiction, and the popular audio drama podcast No Other Way. He also has his own production company, which is currently in development on its first feature film. Outside of performing, Matt enjoys karate (he is a 4th degree black belt) and is an avid sports fan. Special Offer: Get three exclusive FREE PDFs designed specifically for I Dare You listeners—including the Back to the Future Blueprint worksheet, a complete book study guide, and a 90-day action plan. Available only until December 31st at www.idareyoupod.com Connect with Matt: Instagram: @mattdrago www.mattdrago.com

Join Me and Keith and our good friend Erin Casteneda as we discuss the 1979 science fiction masterpiece ALIEN, directed by Ridley Scott! Erin and I couldn't believe Keith had never seen this classic film! Remember: in space, no one can hear you scream... Also: keep watching movies! Jay

Send Us an Email to Chat!This week begins I can't believe you haven't watched it month, where each of us watch a movie that the others can't believe they haven't seen! We are watching Ridley Scott's 2021's insanity that is House of Gucci! What will happen when Gaga Goes GooGoo? Jared Leto is a cartoon fool and Jeremy Irons? Follow us on Instagram:@Gaspatchojones@Homewreckingwhore@The_Miseducation_of_DandG_Pod@QualityHoegramming@MullhollanddazeCheck Out Our WebsiteSupport the showSupport the show

The Duellists (1977) & Top 5 Jewels – honour, obsession, and very stupid men with swordsIn this episode of Bad Dads Film Review, we kick things off with our Top 5 Jewels – a glittering mix of cursed stones, crime magnets and wildly impractical accessories. From the Pink Panther diamond and Uncut Gems' black opal to Titanic's Heart of the Ocean, Baz Luhrmann's blinged-out Great Gatsby, Moana's glowing heart of Te Fiti, and even that doomed chandelier in Only Fools and Horses, we rummage through cinema's treasure box to see which jewels genuinely sparkle and which belong in Claire's Accessories.Then it's back to 1977 for Ridley Scott's stunning directorial debut, The Duellists. Harvey Keitel and Keith Carradine play two French officers locked into a 15–year feud that starts over a petty slight and escalates into a lifelong obsession. We get into:Honour as addiction – why one of them simply cannot let it go, everHow the film turns duelling into a ritual of pride, stubbornness and self-destructionThe way the weapons, stakes and scars escalate with each encounterRidley Scott's eye for light, landscape and costume on a tiny budgetWhy the ending works so well, and what it says about victory, defeat and identityThere's also the usual Bad Dads nonsense: road-trip chat, Christmas hats in December, grumbling about “live-action everything” culture, and a detour into glass onions, murder mysteries and moving house back pain.If you like:Period dramas with gorgeous visuals and nasty steel-on-steel showdownsCharacter studies about pride, masculinity and grudges that outlive their purposeMovie list chaos that jumps from Disney to French noir to jewellery-based heists…then this is a perfect episode to jump into the pod.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

Academy Award nominee Paul Mescal joins Willie Geist to discuss playing young William Shakespearein his 2025 film Hamnet as well as his role in Gladiator II alongsideDenzel Washington and director Ridley Scott. Plus, the Normal People and Aftersun star opens up about preparing to portray Paul McCartney in an upcoming Beatles biopic, how he builds complex characters, and his journey from school musicals to Hollywood. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Stéphane Bern raconte l'une des plus célèbres batailles de l'Histoire, et surtout une cuisante défaite. Celle de l'Empereur que le cinéaste Ridley Scott met à l'honneur dans son dernier film : Napoléon Bonaparte. Ou la véritable histoire de la bataille de Waterloo, ou la chute de Napoléon...Quels sont les principaux enjeux mémoriels de cette bataille ? Qui porte la responsabilité de la défaite ? Quel récit Napoléon Bonaparte en a-t-il fait ?Pour en parler, Stéphane Bern reçoit David Chanteranne, historien, rédacteur en chef de Napoléon 1er, la revue du souvenir napoléonien, et auteur de "Les douzes morts de Napoléon" (Passés Composés). (rediffusion)- Présentation : Stéphane Bern- Réalisation : Loic Vimard- Rédaction en chef : Benjamin Delsol- Auteur du récit : Jean-Christophe Piot- Journaliste : Armelle ThibergeHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Josh and Drusilla discuss a colossal achievement of sci-fi horror, Alien (1979). From, wiki: “Alien is a 1979 science fiction horror film directed by Ridley Scott and written by Dan O'Bannon, based on a story by O'Bannon and Ronald Shusett. It follows a commercial starship crew who investigate a derelict space vessel and are hunted by a deadly extraterrestrial creature. The film stars Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, and Yaphet Kotto. It was produced by Gordon Carroll, David Giler, and Walter Hill through their company Brandywine Productions and was distributed by 20th Century-Fox. Giler and Hill revised and made additions to the script; Shusett was the executive producer. The alien creatures and environments were designed by the Swiss artist H. R. Giger, while the concept artists Ron Cobb and Chris Foss designed the other sets.”Also discussed: awards season including Train Dreams, Hamnet, Sentimental Value, If I Had Legs I'd Kick You, Bugonia, Gilmore Girls, Buffy the Vampire Slayer, The Running Man, Primate, and more.  NEXT WEEK: Day of Wrath (1943) Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/https://letterboxd.com/bloodhaus/Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/  

In light of Noah Hawley TV show Alien Earth, Mark, Lawrence, Sarahlyn and Al revisit the franchise through its seven canon films beginning with Ridley Scott's 1979 classic. While there's plenty of sheer repetition (alien loose, killing people one by one) throughout these properties, the various filmmakers attempt to avoid sure repetition by shifting genres. On the new show, we get a pronounced shift to focusing on the synthetic humans; is that a good thing? Get an ad-free experience, plus bonus talking for nearly every episode at patreon.com/prettymuchpop for only the tiniest per-month financial pledge, or you can sign up directly with Apple Podcasts for a subscription for ad-free and bonus material for three of Mark's podcasts together on the Mark Lintertainment Podcasts Channel. Sponsors: Get 50% off Claude AI Pro at Claude.ai/pmp. Get 15% off an annual membership at MasterClass.com/PRETTY.