Podcasts about you can get it

Antonia Bennett, acclaimed jazz songstress and daughter of world renowned vocalist Tony Bennett, to release heart-warming version of the 1929 Fats Waller classic “Ain't Misbehavin” on Friday, February 28th 2025, the first single taken from her forthcoming album titled ‘Expressions'.    Antonia's swingin' piano and vocal rendition will be accompanied by a light-filled intimate family-affair video that will feature Antonia, Antonia's daughter, and husband frolicking through sun-drenched rooms of their home, complete with fancy dress-ups and communal cooking moments in the kitchen.   “Ain't Misbehavin” was first recorded by a Bennett in 1964. Antonia's late father, Tony Bennett performed the classic for his album ‘When Lights Are Low'.    The youngest daughter of Tony Bennett and actress Sandra Grant Bennett, Antonia grew up in Los Angeles and started singing with her father by age four. During that time, Antonia was surrounded by some of the greatest vocalists of all time, including Rosemary Clooney, Ella Fitzgerald, and Frank Sinatra – known to get up and sing at her father's parties during the holidays. Antonia's passion for music grew stronger.   In 2008, Antonia recorded "I've Got My Love to Keep Me Warm" with her father, featured on his album"A Swingin' Christmas". In 2010, she released her own critically acclaimed EP, "Natural," produced by Holly Knight.  All About Jazz praised Antonia's debut, stating the EP "introduces Bennett as a gifted interpreter of jazz classics with an impeccable and accessible vocal style."    Her most recent album "Embrace Me", showcased ten standards from the Great American Songbook, including "All of You," "Embraceable You", "I Can't Give You Anything But Love", and "Nice Work if You Can Get It." 

On today’s episode, Matt Tamanini is in conversation with stage and screen star Kaitlyn Davidson. Having appeared on Broadway in “Nice Work if You Can Get It” and “Cinderella,” she has been seen in the national tours of “White Christmas,” “Bright Star,” “Cats,” and in the title role of “Cinderella.” read more The post Special Episode: Kaitlyn Davidson on Pie, Sun, and ‘Waitress’ appeared first on BroadwayRadio.

What do you truly desire? In this episode, I share an insightful Neville Goddard teaching (in his own voice!) explaining the importance of knowing exactly what you want. Once you understand this ... YOU CAN GET IT! NEVILLE GODDARD ONLINE COURSE: Law of Assumption Mastery  PRIVATE 1:1 COACHING W/ JOSH: https://joshuatongol.com/coaching/ SUPPORT THIS PODCAST! https://www.patreon.com/JoshuaTongol

On episode 128 of "Inside the Artist's Studio", Sean talks to multi-instrumentalist and songwriter Chris Murphy of the legendary Canadian rock band Sloan. They chat about the Chrysler Dynasty, the recording and release of the band's new record Steady, and about the post-Nirvana goldrush for rock bands in the early 1990's. Recorded on November 11th, 2022Featured Track: “Nice Work if You Can Get It” from SteadyIntro/Outro Music: Laundry Week - “Nuthin' On My Mind “

As noted in the previous episode, auditions are the backbone of this industry. It is the fundamental job of every actor to do as many jobs as we can and do each one to the best of our ability. But there is an important gatekeeper when it comes to submitting our self tapes or actually getting in the audition room, and that is the casting Director. You've heard from Actors and their experiences in front of the audition table. Well, now it's time to hear from the other side of that proverbial table and what goes in to casting, and the vital role they play in the production for the stage or screen. Daryl Eisenberg, along with fellow casting director Ally Beans, works to create a comfortable space for actors, so they can take risks and really show their full potential as artists. You'll hear Daryl's thoughts on how actors can make their mark in the audition room or on a self-tape, and then you'll get an in-depth, behind-the-scenes look at how she uses her position and expertise to make the audition process enjoyable and inclusive for artists on both sides of the table. Learn more about WINMI Podcast at whyillnevermakeit.com  Subscribe to WINMI and get access to Bonus Episodes on Supercast  Donate to the production efforts that make this podcast possible Follow Why I'll Never Make It on Instagram or Twitter Watch interviews on WINMI's YouTube channel Read the Final Five with Daryl Eisenberg on the WINMI Blog ---------- Why I'll Never Make It is an award-winning, top 25 theater podcast and is hosted by Off-Broadway actor and singer Patrick Oliver Jones. It is a production of WINMI Media, LLC. and is also a part of Helium Radio Network and a member of the Broadway Makers Alliance.  Background music in the episode is by John Bartmann (Public Domain) and Blue Dot Sessions (Creative Commons Attribution-NonCommercial 4.0 International License).     Audition Stories of Diversity and Inclusion Covid certainly has changed the way we now audition, with self-tapes and Zoom auditions becoming the norm. But the summer of 2020 also changed the way we think about who is coming to the auditions and what that creative team looks like. In this week's bonus episode, Daryl shares a few of her own experiences as she advocates for more diversity on both sides of the table. You'll also hear how she works with fellow casting director Ally Beans, who is both partner and collaborator in the casting process. Bonus episodes like these are only available to monthly supporters of Why I'll Never Make It. So if you'd like to help this podcast as well, then please consider a monthly subscription and get access to bonus episodes like the Audition Stories.     CASTING OFFICES IN NYC Some of the biggest casting offices for stage and screen (like Eisenberg/Beans) reside in New York City, and at the top of the list is... The Telsey Office Formerly known as Telsey + Company, The Telsey Office is perhaps the best known casting office for commercials, film, television, and course, theatre. The company has bases in both New York City and Los Angeles. Recent Broadway: Waitress, MJ the Musical, Flying Over Sunset, Mrs. Doubtfire, Diana, West Side Story, Tina, The Sound Inside, Beetlejuice, Gary, Oklahoma!, Be More Chill, To Kill a Mockingbird, Network, The Cher Show, The Prom. Website: www.thetelseyoffice.com Contact: info@thetelseyoffice.com | 917-277-7520 Tara Rubin Casting Rubin began her company in 2001 after working for 15 years as a Casting Director at Johnson-Liff Associates. She is a graduate of Boston University and serves on the board of the Casting Society of America. Recent Broadway: Six, Ain't Too Proud, Summer, The Band's Visit, Prince of Broadway, Bandstand, Indecent, Miss Saigon, Dear Evan Hansen, A Bronx Tale, Cats, Disaster! Website: www.tararubincasting.com Contact: tararubincasting.info@gmail.com | 212-302-3011 Binder Casting Binder Casting was founded nearly 40 years ago by Jay Binder, who passed away in April 2022, and has been a part of RWS Entertainment Group since 2016. The office has cast 150+ Broadway, Off-Broadway, and National Touring productions, in addition to countless national and international projects spanning both stage and screen. Recent Broadway: The Lion King, In Transit, Dames at Sea, It Shoulda Been You, A Gentleman's Guide to Love and Murder, Nice Work if You Can Get It, Born Yesterday, White Christmas, Finian's Rainbow. Website: bindercasting.com Contact: info@bindercasting.com | 212-586-6777 Stewart/Whitley An award-winning office in New York City that delivers excellence and innovation in casting. Respect for the creative process: the artistic teams, actors and all who collaborate in it is paramount. Connecting creativity is at the cornerstone of what they do. Recent Broadway: Hadestown, The Lightning Thief, Natasha, Pierre and the Great Comet of 1812, Pippin, Chicago Website: www.stewartwhitley.com Contact: info@stewartwhitley.com | 212-635-2153 Wojcik Casting Team Wojcik/Seay Casting opened its doors in January of 2009 with the national non-union tour of Joseph and the Amazing Technicolor Dreamcoat and has also been featured in Season 2 of the podcast. But Gayle Seay has since gone to become Artistic Director of Stages St. Louis, while Scott Wojcik continues to cast shows in and out of New York. Recent Broadway: Jesus Christ Superstar, Motown Website: wscasting.com Contact: info@wscasting.com Jim Carnahan, CSA Recent Broadway: Moulin Rouge!, Kiss Me, Kate, Tootsie, Burn This, The Ferryman, Head Over Heels, Travesties, Harry Potter and the Cursed Child, Angels in America, Farinelli and the King, Time and the Conways, 1984, Groundhog Day, The Price, The Cherry Orchard, Long Day's Journey Into Night, She Loves Me, Noises Off, Fun Home. Stephen Kopel, CSA Recent Broadway: Moulin Rouge!, Jagged Little Pill; Kiss Me, Kate; The Play That Goes Wrong; Beautiful; Sunday in the Park with George; Amélie; She Loves Me; Noises Off; Violet; The Glass Menagerie; Harvey; Once; Anything Goes Caparelliotis Casting Recent Broadway: The Minutes, Who's Afraid of Virginia Woolf, In the Height of the Storm, Ink, Hillary and Clinton, King Lear, The Waverly Gallery, The Nap, The Boys in the Band, Saint Joan. Daniel Swee, CSA Recent Broadway: Pass Over, The Great Society, To Kill a Mockingbird, Six Degrees of Separation, Oslo, The Present, The Heidi Chronicles, The Audience Cindy Tolan, CSA Recent Broadway: Company, The Curious Incident of the Dog in the Night-Time, Betrayal, Macbeth, Rodgers + Hammerstein's Cinderella. Other standouts on the theatre scene: Bass/Valle Casting Bob Cline Casting Franck Casting HBD Casting Jamibeth Margolis Casting Klapper Casting Laura Stanczyk Casting Michael Cassara Casting  

Let's hear it for the girl! We are back for another summer episode and we dive into the nitty gritty of life on the Great White Way with Tony nominated actress and singer, Jennifer Laura Thompson. You might know her from the original Broadway productions of Footloose, Wicked, Urinetown, Lend Me a Tenor, Nice Work if You Can Get It, and Dear Evan Hansen. We cover our deep and abiding love of Urinetown as well as the stress of stepping into the bubble as the first replacement Glinda in Wicked. Plus, playing a killer on Law and Order: SVU, reading your reviews, being bound and gagged at the Tonys, and the possibility of playing Little Edie in a revival of Grey Gardens. S-T-A-U-N-C-H! Follow us on social media: @damianbellino || @rodemanne Discussed this week: Claim to Fame tv show on ABC Frankie Jonas Kevin Jonas' other reality show as a contractor? Whoopi's relative yes she's on the show JoJo Siwa is an icon  We are sad about the loss of Olivia Newton-John Starred as Hope Cladwell in original Broadway cast of Urinetown the musical.  Cast included John Cullum, Nancy Opel, Jeff McCarthy, and Hunter Foster Was a replacement Julie Jordan in national tour of Carousel  The Henry Miller Theatre (now the Stephen Sondheim) had sound effects making it sound run down All That Chat very much still around Cast performed "Run Freedom Run" at the Tonys and JLT was bound and gagged for the entire number NYC is due for a Urinetown revival and JLT wants to play Penelope Pennywise this time around Broadway debut was in Footloose (1998)  Bonnie Tyler's "Holding Out for a Hero" was JLT's big number Today Show was a nightmare (here she is performing with the cast) Played Connor's mom in the Pasek and Paul musical juggernaut, Dear Evan Hansen for 2.5 years on Broadway  Dee Hoty played JLT's mom in Footloose The much maligned film adaptation of Dear Evan Hansen was not something she watched First replacement Glinda in Wicked on Broadway. JLT 5'7" and had to fit in Kristin Chenoweth's (4'11") bubble Idina Menzel fell through the stage while performing with JLT Shoshana Bean (first Broadway replacement Elphaba) currently in Mr Saturday Night on Broadway Attacks Emily Deschanel in her ep of Law and Order: SVU (Season 3, ep 17 “Surveillance”) Meloni was most method Performed with cast of Dear Evan Hansen for the Macys Day Parade  Ben Platt talked less on show days than Idina Menzel  Starred in revival of Lend Me a Tenor on Broadway with Tony Shalhoub Anthony LaPaglia Was in the NY Philharmonic Philharmonic production of Company production of Company as Jenny, the character who gets stoned JLT is halfway to EGOT: Grammy for cast recording of DEH and a Emmy for performance on The Today Show Wants to win a Tony for Edie in Grey Gardens or Pennywise in Urinetown Performed "For Good" on set of The View with Idina Little Fish the musical Trailer of Bernadette Peters and Debra Monk in Mozart in the Jungle Got very into Couples Therapy (Showtime) We love Orna Guralnik. Found out she's Israeli and won't discuss her sexuality

Nice Work if You Can Get It. 1-250 / Don't Mention the 'C' Word / Why Can't Australia Satisfy the Basic Human Needs of All its People. F - Food, H - Housing, H - Health, E - Education, R - Recreation / Reserve Bank Tango / Why Do Things Never Seem to Change? - Australia, Sri Lanka, Ukraine, Russia / West Papuan Rent Collective Gathering - 11th September 2022 / Reclaim The Radical Spirit of the Eureka Rebellion Celebrations - Ballarat, Saturday 3rd December

SWEENEY TODD: THE DEMON BARBER OF FLEET STREET COMPOSER: Stephen Sondheim LYRICIST: Stephen Sondheim BOOK: Hugh Wheeler SOURCE: Sweeney Todd by Christopher Bond DIRECTOR: Harold Prince CHOREOGRAPHER: Larry Fuller PRINCIPLE CAST: Len Cariou (Sweeney), Victor Garber (Anthony), Angela Lansbury (Mrs. Lovett) OPENING DATE: March 01, 1979 CLOSING DATE: June 29, 1980 PERFORMANCES: 557 SYNOPSIS: Sweeney Todd, a wrongfully convicted man, returns to London to reclaim his wife and daughter only to discover that his wife has killed herself and that his daughter is now the ward, and prospective bride, of the Judge who sentenced him. Vowing to take revenge by murdering the Judge, Todd begins to practice execution on his neighbors whose bodies are then baked into pies and sold to unsuspecting consumers by Mrs. Lovett.  The inspiration for Stephen Sondheim's Sweeney Todd is examined by Alison Morooney. Fusing the passion for mystery and horror from composer/ lyricist Sondheim and the desire to comment on the oppressive political structures of the Industrial Revolution from director Harold Prince, librettist Hugh Wheeler humanizes the characters from a British urban legend. Though critics lauded the score upon its opening, the musical's mix of styles and genre-defying designs earned it mixed reviews. This episode argues for Sweeney Todd's significance as a piece of theatre which, despite its socio-political message, allows an audience to engage emotionally with the characters, contrasting it to the Epic theatre of Bertolt Brecht, which sought to distance its audience. Alison Morooney is a stage director and choreographer currently pursuing an MFA in directing at The Pennsylvania State University. She has directed most frequently at The College Light Opera Company in Massachusetts and has served as a choreographer at Priscilla Beach Theatre and for Penn State Centre Stage. She has also been on stage regionally and with national tours American Idiot and Nice Work if You Can Get It. SOURCES Sweeney Todd: The Demon Barber of Fleet Street, Original Broadway Cast Recording. RCA (1979) Sweeney Todd: The Demon Babrer of Fleet Street, starring George Hearn and Angela Lansbury, directed by Terry Hughes. RKO Pictures (1982) Sweeney Todd: The Demon Barber of Fleet Street by Hugh Wheeler and Stephen Sondheim, published by Applause Libretto Library (2000) Sense of Occasion by Hal Prince, published by Applause (2017) Finishing The Hat by Stephen Sondheim, published by Knopf (2010) Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello!While creating a podcast, newsletter, and the upcoming online course is incredibly fun, it's a whole lot of work. At this time, we have no ads, sponsors, investors, lots of staff, or corporate backers. It is just a small core of us creating valuable content for everyone who is interested in what we have to offer.In order to keep this afloat and continue the high-quality content flowing into your email inbox, we would appreciate any financial contributions you can make.If you'd like to become a voluntary paid subscriber, click this red button and sign up to be a monthly or annual subscriber – or, if you are feeling super generous, be a Founding Member:You can also contribute ANY amount you wish by using any one of these methods. * Buy me a cup of coffee (or a week's worth) by clicking here.* Check: send a simple email to broadwaydrumming101@substack.com and ask where you can send that glorious piece of paper.• PayPal. PayPal.Me/broadwaydrumming101• Venmo: @broadwaydrumming101Thank you for your support!Joe Nero arrived in NYC via Philadelphia to attend the Manhattan School of Music in 2002 and since then has worked as a freelance drummer/percussionist and teacher in the New York area. He performed with Quincy Jones, Christian McBride, Bobby McFerrin, Patti Austin, Dave Koz, Maria Schneider, Dave Grusin, Doc Severinson, Michael Giacchino, Ray Baretto, and Patricks Williams. He also attended the prestigious Henry Mancini Institute in 2005.Currently, Joe is a member of Peter Cincotti's touring band and “Bryan and the Aardvarks,” jazz band. He often plays high-energy soul with "Amy Lynn and The Honey Men," and Louis Armstrong jazz with "Grandpa Musselman and the Syncopators." He played with Billy Porter and was on the "Broadway and Soul" Live American Songbook Concert on PBS. He has performed with the "Broadway Dolls," "Broadway Boys," "Midtown Men," Eden Espinosa, Patina Miller, Rob McClure, Telly Leung, and Nikki Renee Daniels. He is a staple at Feinstein's 54 Below, where he has performed with Chuck Cooper, Lindsay Mendez, Barrett Foa, Nathan Lee Graham, Rema Webb, Kenita Miller, Joshua Henry, and others.Joe held the percussion chair for Broadway's recent "Annie" revival, but he's most challenged and finds great fulfillment doing one of the most demanding jobs in NY - being the substitute drummer. He is often involved in up to 10 shows simultaneously, and it's not uncommon for him to play at four different theaters on the same weekend. He has played drums/percussion on the following Broadway shows: Martin Short: Fame Becomes Me, Grease: You're the One that I Want, South Pacific, Next To Normal, La Cage aux Folles, Everyday Rapture, Book of Mormon, Sister Act, Nice Work if You Can Get It, Leap of Faith, Spiderman, Wicked, Annie, Violet, Matilda, Cabaret, Aladdin, Bullets Over Broadway, Les Miserables 2014 Revival, On the Town, It Shoulda Been You, Something Rotten, American in Paris, The Color Purple 2015 Revival, Cats 2016 Revival, Bronx Tale, Bette Midler Hello Dolly, Frozen, The Cher Show, The Band's Visit, Kiss Me Kate(2019), West Side Story (2019) and Dear Evan Hansen.For more: http://www.joenero.comClayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

Anna has been a performer, choreographer and director for many Muni productions. Anna made her Muni stage debut as Tootie in Meet Me in St. Louis in 1995. Her first leading role at the Muni was that of Mary Lennox in The Secret Garden in 1997. She was also an orphan in Annie in 1998 and in the chorus of Big in 2003. Some of the roles that Anna has played at the Muni include Martha in our second production of The Secret Garden in 2008, Polly Baker in Crazy for You in 2012, Peter Pan in 2013, Lucy in Jekyll & Hyde in 2014, Billie Bendix in Nice Work if You Can Get It in 2016, Betty Haynes in White Christmas in 2017 and Millie Dilmount in Thoroughly Modern Millie in 2019. Anna has also choreographed our productions of High School Musical in 2010, Hairspray in 2011, Disney's Beauty and the Beast in 2012 and Peter Pan in 2019. Anna made her Muni directorial debut with All Shook Up in 2014. She has also directed our productions of West Side Story in 2015 and Legally Blonde in 2019. Anna currently serves on the Muni Board of Managers. Want to get involved in this project? Email history@themuni.org.

Please join my friend Michael Park and his Dear Evan Hansen leading ladies Rachel Bay Jones and Jennifer Laura Thompson in The Locher Room. This talented trio will reminisce about their time working together on the Tony Award-winning musical, their careers and also help me celebrate the one year anniversary of The Locher Room.We all have Michael Park to thank for suggesting I use StreamYard for that first As the World Turns episode I hosted on April 3, 2020. One year and 140 episodes later - THANK YOU, MICHAEL!Michael is well known to daytime audiences for creating the role of Jack Snyder on As the World Turns for which he won two Daytime Emmy-Awards for Outstanding Lead Actor in 2010 and 2011. He is also known to Broadway audiences for creating the role of Larry Murphy in Dear Evan Hansen. Michael played this role for over 1,000 performances earning a Grammy Award for Best Musical Theater album. Michael originated the role of two other Broadway characters Michael in Smokey Joe's Cafe and Angus Tuck in Tuck Everlasting. Michael's other TV credits include the recent Dash & Lily, Stranger Things, Tales of the City, House of Cards and so much more.​​Rachel Bay Jones is best known for originating the role of ‘Heidi Hansen' in the Original Broadway Cast of Dear Evan Hansen, and received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and Drama League Nomination for her performance. Rachel has appeared on TV in the hit ABC series “Modern Family,” CBS' “God Friended Me,” and in the feature film “Ben Is Back,” opposite Julia Roberts. She stars in the feature film “Critical Thinking,” directed by and opposite John Leguizamo, and in the upcoming Amazon television series “Panic.” Rachel's debut solo album “Showfolk” can be purchased on iTunes and Amazon.Jennifer Laura Thompson made her Broadway debut in 1998 as Ariel Moore in Footloose. She also originated the role of Hope Cladwell in both the off-Broadway and Broadway productions of Urinetown and received a Tony Award nomination for the 2002 Best Leading Actress in a Musical category for her performance. Jennifer created the role of Cynthia Murphy playing opposite Michael Park in Dear Evan Hansen. She, like Michael, played the role for over 1,000 performances. Her other Broadway credits include, Diana Diana in the Broadway revival of Lend Me a Tenor, Eileen Evergreen in the musical Nice Work if You Can Get It and playing the first replacement for the role of Glinda in the Broadway hit, Wicked. Jennifer has also appeared Off-Broadway in a variety of productions. She has also made guest appearances on television's Law & Order: Special Victims Unit, Tales of the City, Person of Interest and Elementary. Original Airdate: 4/2/2021

Synopsis In the summer of 1936, the songwriting team of George and Ira Gershwin settled their affairs in New York, put their furniture in storage, and flew off to Hollywood to fulfill a contract with the RKO Studios. The Gershwins were to supply music for a series of new movies, some starring an old friend of theirs, dancer Fred Astaire. In those days the big movie studios moved quickly, and so did the Gershwins. The first film in the contracted series, with Fred Astaire and Ginger Rogers as the romantic leads, was entitled “Shall We Dance” and was completed, scored and released in less than a year. On today's date in 1937, RKO Studios released their second Gershwin collaboration, “Damsel in Distress.” This starred Astaire and Joan Fontaine, and included two songs that would become Gershwin classics: “A Foggy Day in London Town” and “Nice Work if You Can Get It.” The release of “Damsel in Distress,” however, must have been a bittersweet event for the friends and family of George Gershwin: it proved to be the last major project Gershwin had completed before his untimely death on July 11 that same year following surgery to remove a brain tumor. Music Played in Today's Program George Gershwin (1898 – 1937) — Damsel in Distress Suite (An American in London) (Hollywood Bowl Orchestra; John Mauceri, cond.) Philips 434 274

Welcome to the “You Can Get It (ft. K.Flay)” deep dive extravaganza! We go behind the scenes of the music video with Juno nominated director Mark Myers, then we welcome Grammy nominated artist K.Flay back to the pod for an inside look at the song’s evolution with Max. Produced in association with Much Studios.

Stage and screen star KELLI O’HARA has established herself as one of Broadway’s greatest leading ladies. Her portrayal of Anna Leonowens in The King and I garnered her the Tony Award for Best Leading Actress in a Musical, along with Grammy, Drama League, Outer Critics, and Oliver nominations. Kelli has received an additional 6 Tony nominations for her work on Broadway in the productions The Light in the Piazza, The Pajama Game, South Pacific, Nice Work if You Can Get It, The Bridges of Madison County, and and Kiss Me Kate.  Kelli was awarded the prestigious Drama League’s Distinguished Achievement in Musical Theatre Award in 2019. Kelli also received an Emmy nomination for her portrayal of Katie Bonner in the hit web series The Accidental Wolf. Other film and television credits include the second season of Netflix’s 13 Reasons Why, All The Bright Places, Peter Pan Live!, Sex & The City 2, Martin Scorsese’s The Key to Reserva, Showtime’s Masters of Sex, CBS All Access’ The Good Fight, Blue Bloods, N3mbers, and the animated series Car Talk.  She is currently shooting HBO’s The Gilded Age. Kelli sits on the boards of New York City Center and The NY Pops for which she Co-Chairs their PopsEd initiative.She also serves on the Lincoln Center Artist Committee and the advisory board of Broadway for Racial Justice. Kelli is a wife and a mother of 2 children.  Weekly Round-Up:Read Big Friendship by Aminatou Sow and Ann FriedmanRead the Vanity Fair piece, “Roxanne Gay on How to Write About Trauma" by Monica LewinskyRead the Bon Appétit article, “How Writing a Cookbook Helped Me Break Free From Diet Culture” by Julia TurshenListen to the On Being podcast episode, “The Soul in Depression” with Andrew Solomon

The gang talks about how much alternative music has changed in the past decade, specifically in the rise of emo rap and rap/hip-hop influenced by 90s-2000s alt rock. Crazy times we're living in!! Check out the episode playlist HERE: https://open.spotify.com/playlist/4yanahoxnIy7lSSvAlixGi?si=nOWoLQ1QRcu7z_bY0_gStw This episode's recommendations: DELON'S PICKS "Boomer" by Bartees Strange "You Can Get It" by BUMPER "how will i rest in peace if i'm buried by a highway?" by KennyHoopla "Mexico" by Night Moves "Come Over" by Matt Watson "Maybe Something" by Dylan Kidd "Campbell" by Redveil "Right With You" by Dogg Ave EDDIE'S PICKS "Indignities" by Nation of Language "We Made an Anime Opening" by Tokyo's Revenge feat. Zedsu "Mustang" by Bartees Strange SYDNEY'S PICKS "State of the Art" by Gotye "Apartment" by Young the Giant "You Save Me" by Alicia Keys feat. Snoh Alegra "Perfect Way to Die" by Alicia Keys "Pretty Boy" by the Neighbourhood "Funky Galileo" by Sure Sure "Buttercup" by Jack Stauber "Coffee" by Jack Stauber Follow the squad at: @sydstuu @eddie_hustleby @delonvillanueva

Thank you Ryan Galloway and Bumper for the use of your music. We use the song “You Can Get It!” off the new album Pop Songs 2020. You can find them on your favorite streaming app(s) and buy their merch by following this link!

The [imh] origin story: Kyle and Sam adapt a movie into a musical comedy for the first time ever in this bonus "pilot" episode... the 1998 blockbuster alien-invasion film “Independence Day”—in which a Golden Retriever puppet soars above an exploding stage. Featuring a special musical performance by Reed Campbell (Important Hats of the Twentieth Century, YouTube's BROdway; Nice Work if You Can Get It, first national tour). [IMH] is available on Apple Podcasts and Spotify! Subscribe, leave us a review, and follow us on social media:Twitter: @insertmoviepodInstagram: @insertmoviehereFacebook: @insertmoviehereIMH is hosted by Sam French and Kyle Wilson; Executive Producer John Albert Harris; Music Supervisor Andy Einhorn; artwork by Thomas Constantine Moore. The [IMH] theme song is written by Kyle Wilson; arranged and orchestrated by Nevada Lozano; produced by Andy Einhorn, mixed by Daniel Kluger, mastered by Jessica Thompson, and music edited by David Dabbon; Will Blum on lead vocals; Lindsey Roberts, Zanny Laird, Jackson Perrin, and Adrian Rosas singing backup; Chad Smith on saxes, Rebecca Patterson on trombones, Trevor Neumann on trumpets, and Evan Hyde on drums.“Harvey’s Soliloquy” is written by Kyle Wilson; arranged, orchestrated, and produced by Joe Mendick; performed by Reed Campbell.

Tony winner Jessie Mueller is getting ready for the premiere of Lifetime's Patsy & Loretta as country music icon Loretta Lynn. Mueller won a Tony for her performance as Carole King in Beautiful and was nominated for her turns in Carousel, Waitress and On a Clear Day You Can See Forever. Her other Broadway credits include The Mystery of Edwin Drood and Nice Work if You Can Get It. Hosted by Paul Wontorek, Beth Stevens and Caitlin Moynihan

Tony winner Kelli O'Hara will appear as a #LiveAtFive guest on Tuesday, May 21 to talk all about her seventh Tony nomination. Currently starring in Kiss Me, Kate, which is also nominated for Best Revival of a Musical, O'Hara previously won a Tony for her turn in The King and I. Her other Broadway credits include nominated performances in The Light in the Piazza, The Pajama Game, South Pacific, Nice Work if You Can Get It and The Bridges of Madison County. Her screen credits include leading roles in Accidental Wolf and 13 Reasons Why. Follow her on social media @kelliohara.Hosted by Paul Wontorek, Ryan Lee Gilbert and Caitlin Moynihan

Juli Morgan is a Songwriter, Recording Artist, Guitarist, Recording Session Guitarist, and a Guitar Instructor. She was a founding member of the instrumental trio Destiny and has played live nationally, opening for artists such as Joe Satriani, Robin Trower, Ronnie James Dio, and Blue Oyster Cult. She has released a full length CD with Destiny and two solo recordings, an EP in 2011 and a Full Length CD in 2012. She has won numerous guitar competitions including Joe Satriani’s Whooznxt, hosted by Guitar Center in 2012, and Lincoln Brewster’s Show Me What You Got in 2010. Her YouTube Channel has over 4,000 subscribers and 1,000,000 views. Before moving to Boston she played for the Pacific Northwest’s premiere dance band, The Rhythm Nation and the Disco/Funk sensation, DanceMaxx Band. Juli earned her Bachelor’s degree in Guitar performance from Berklee College of Music, Summa Cum Laude. Catch her live in New England with local 80s band, Fast Times, classic 70s rock band, The Experts, and Jon Finn Group. She has been in numerous musicals including Seussical, Nice Work if You Can Get It, Bridges of Madison County, and The Altar Boyz. She currently teaches voice and guitar at the South Shore Conservatory. www.julimorgan.com https://truefire.com/h2163 Each month I post 4 episodes of The Chord of the Week, a tutorial and transcription of a classic guitar solo, and a Spotlight Jam session with a performance and breakdown with a free backing track mp3 download. Subscribers have access to all of my videos for $5 per month.

Diane is a speech pathologist, a speech coach for NBA players and Fortune 500 CEOs, the CEO of DiResta Communications. She is the author of Knockout Presentations-How to Deliver Your message with Power, Punch and Pizzazz. In this episode Diane shares her tools for making effective presentations. She also talks about the importance of confidence and listening skills. Listen to hear how you can be a better presenter and how you can use speaking skills to win. Link to DiResta Communications https://www.diresta.com/ Link to her book Knockout Presentations https://www.amazon.com/Knockout-Presentations-revised-Diane-DiResta/dp/1886284253 Link to the book she recommends The Science of Mind https://www.amazon.com/Science-Mind-Original-1926/dp/1420956094/ Link to her song, You Can Get It if You Really Want by Jimmy Cliff https://www.youtube.com/watch?v=swIQZZCZ7rw For information regarding your data privacy, visit Acast.com/privacy

The post You Can Get It – Joe Salant feat. John Ryan Cantu appeared first on Reconstructionist Radio Reformed Podcast Network.

Let’s talk about Jukebox Musicals. That’s a slangy term describing a stage show that is built around an assortment of pre-existing, usually well-known songs, stuff you might have heard on the radio, or on a barroom jukebox. Most traditional musicals build the songs into the stories as a unified whole. A jukebox musical lets the songs themselves suggest the storyline, the characters, and the tone. It’s basically building a musical in reverse. Nice Work if You Can Get It, built around classic 20s and 30s songs by George and Ira Gershwin, is pleasant, classy, solidly performed, and light-as-a-feather. Written by Joe DiPietro, seems to evaporate almost as soon as its over, along with the majority of its pleasing but strangely unmemorable tunes, the two or three exceptions including ‘Someone to Watch Over Me,’ ‘S’wonderful,’ and ‘Fascinating Rhythm.’ The plot, about a Prohibition era playboy, falling in love with a sweet bootlegger on the eve of his marriage to a famous dancer, is slight and silly, but crammed with old-fashioned, simplistic charm. The performances are lively, if mostly just skimming the surface, and the dancing, from swing moves to ecstatic tap numbers, is frequently breathtaking. Rock of Ages—constructed from hard-rocking, face-melting, pop-rock-and-metal tunes from the garish 1980s—is coarse, crude, exuberant, and sprinkled with sleazy Sunset Strip darkness and danger. Created by Chris D’Arienzo Rock of Ages employs songs by Journey, Van Halen, REO Speedwagon, Pat Benatar, Starship and others in telling the story of Drew, a wannabe rocker stuck cleaning the bar at an L.A. music club, and Sherrie, the aspiring actress he falls hard for. That Drew will eventually break into a rendition of Steve Perry’s ‘Oh Sherrie’ is inevitable from the moment he first hears her name. While both working at the a legendary rock venue called The Bourbon Room, their budding romance is derailed by the arrival of Stacee Jaxx, the amoral lead singer of a band called Arsenal. A subplot involves a plot by German developers to raze the Bourbon Room to make way for chain stores, galvanizing the club’s supporters into various forms of protest, including repeated group performances of Twisted Sister’s ‘We’re Not Going to Take It.’ As written, it’s a bit of a hot mess, with a fair share of gleefully offensive moments and one potentially moving scene marred by the actors’ use of distasteful stereotypes. But overall, Rock of Ages is infectiously pleasurable, with loads of high energy, a kind of gritty youthful innocence, and tunes written to stick in your brain for days. 'Rock of Ages' runs through August 11, and ‘Nice Work If You Can Get It’ runs through August 13. Visit www.summerrep.com

Summer Repertory Theater Festival, Santa Rosa’s acclaimed training program, has returned for its 45th year. Over the last four-and-a-half decades, Summer Rep has earned a reputation as one of the country’s best experiences for young theater artists, who come from all over the U.S. to spend their summer rehearsing, creating and performing up to five shows, stage in repertory between June and August. Over that time, audiences have come to expect a certain degree of comfortable consistency in the shows staged each summer, usually an assortment of classics and Broadway favorites. But because this is a program designed to push and challenge its artists, sometimes something unusual, even a bit controversial, manages to sneak its way in. This year, that’s the case. In addition to the cozy-cute Gershwin musical Nice Work if You Can Get It, the rowdy heavy metal musical Rock of Ages, the Sondheim classic Merrily We Roll Along, and the musty bedroom-farce Boeing Boeing, Summer Repertory Theater is presenting one of its edgiest shows ever. Though you wouldn’t know it from the way Douglas Carter Beane’s The Little Dog Laughed has been marketed. Hardly the light-hearted romp the festival’s advertising suggests, this bold 2006 Hollywood satire brings a bit of welcome edge to a season crammed with frothy crowd-pleasers. The Little Dog Laughed – its title taken from the nursery rhyme about the dish who runs away with the spoon – is not quite an artistic triumph, due to some spotty performances by a cast otherwise game to tackle a very hard play. But for the sheer boldness of the choice, Summer Repertory Theater is to be commended. With luck, despite the show’s faults, I believe it may still find an audience in its final weeks. The story is narrated by Diane, a hyper-driven Hollywood agent played by Alexa Erbach, disappointingly off-key in a performance that is far too over-the-top. Diane’s client is a closeted second-tier movie star, Mitchell—played by Justin Genna, the best thing about the show. Mitchell yearns to balance his professional ambitions with his need to find real human connection. Early on, he drunkenly summons a scheming hustler, Alex, whose primary clientele is wealthy men—though he assumes he’s straight because he sometimes sleeps with his best friend Ellen. As Alex, David Miller, a bit weak in a tough role, though impressively committed to it, and Makenzie Morgan Gomez, as Ellen, is easily the next best thing about the production. Mitchell’s growing attachment to Alex creates a bit of a problem for Diane, who might still be able to turn Mitchell into a star—if she can only keep him in the closet. The script is clever, packed with sharp observations and inventive dialogue. The direction by Travis Kendrick is focused and well paced, but too heavy-handed to let the humor breathe. The cast is certainly to be congratulated for its professionalism in handling the script’s sexual content, its suggested nudity, and its intimately close proximity to the audience, the first row of which is seated close enough to touch them. Unfortunately, this kind of writing requires a better balance of darkness and comedy. Perhaps, with a stronger cast and direction, the frank and confrontational outrageousness of Beane’s socially biting storytelling might have been as funny as it is brutal, bleak, and unforgiving. 'The Little Dog Laughed' runs through August 7 at Newman Auditorium, on the campus of the Santa Rosa Junior College. www.summerrep.com

I know I've been quiet lately and I apologize. Sometimes other things in life take priority, but I'm baaaack! Here's hopeing the start of your summer is fabulous. :-) Song listing: Eric Redd - All Over Slideback, Philippe B - Feel Good Federico Scavo - Ride Like The Wind Lady Gaga - G.U.Y. Daft Punk - Give Life Back To Music David Hopper - Like Disco Carol Williams - Love Is You John LePage f./Marshall J. Pierce - I Believe In You Gary Caos, Dimo - Let's Groove Hoxton Whores - Everybody Dance Now Laura Lee Bishop - Real Man Shakira f./Rihanna - Can't Remember To Forget You Matthias Heilbronn - You Can Get It AGM & Quintrix - Never Surrender Jonny Lang - Red Light Alistair Albrecht & Steven Cole f./Matt Heanes - Reaching The Headlights Criminal Vibes - Easy Lover Lissat & Voltaxx - Ain't Nobody Karen Souza - I Heard It Through The Grapevine Jennifer Lopez f./French Montana - I Luh Ya Papi Jason Walker f./Bimbo Jones - Tell It To My Heart Funked Up Brothers f./Sophia May - Real Love Rita Ora - I Will Never Let You Down Outunder - Disco Edits Orlando Riva Sound - Body to Body Boogie Madonna - Like A Prayer Stonebridge & Crystal Waters - Be Kind Clean Bandit f./Jess Glynne - Rather Be Nina Simone - I Put A Spell On You Dimitri From Paris, DJ Rocca - Disco Shake Andy Craig - Move It Now Above & Beyond vs. Arty f./Zoe Johnston - You Got To Believe Kiesza - Hideaway Trent Cantrelle - I Get A Rush John Gold, BeatFlashers - Horny Diana Ross - The Boss Happy Listening,

My latest mix. Full of some bangin' soulful house tracks. Enjoy, K OXOXOXO TRACKLISTING: 1. "DRIVE ME CRAZY"(DJ SPEN IRVIN MADDEN PHUTURE OF DA DUB) - DJ SPEN FEAT TRACY HAMLIN 2. "HOW YOU MAKE ME FEEL"(LOUI & SCIBI REMIX) - CLEMENS RUMPF AND WILLY WASHINGTON FEAT TEDDY B 3. "HEAVENLY"(DJ SPEN AND GARY HUDGINS REMIX) - DJ SPEN 4. "LION IN A CAGE"(JOHN CUTLER DISTANT MUSIC MIX) - ALEX FINKIN REVEREND P FEAT JOCELYN MATHIEU 5. "GREEN AND YELLOW"(DJ SPEN AND ZIGGY FUNK REMIX) - AMAUD D FEAT HEIDI VOGEL 6. "LIVIN' IT UP"(DJ CACCINI CLASSIC MIX) - FUNKATOMIC AND DANNY 7. "FEELS LIKE HEAVEN"(RUBEN ALVAREZ REMIX) - DIVIDED SOULS FEAT KWAME REMY 8. "MY CHANGE"(RUIBEN MANCIAS DEVOTION MAIN MIX) - RUBEN MANCIAS FEAT MICHELLE WEEKS 9. "FALL DOWN ON ME"(DJ SPEN AND IRVIN MADDEN REMIX) - DJ SPEN FEAT FORTE 10. "YOU CAN GET IT"(DJ SPEN RE-EDIT) - KIMARA LOVELACE AND DJ OJI 11. "SERENITY"(AD BEAT'S FUNKED UP MIX) - STUDIO APARTMENT FEAT MARC EVANS 12. "CHANGE"(YASS DUB MIX) - DANISM FEAT MICHAEL WATFORD 13. "SOUL HEAVEN"(TERRI B AND PETER BROWN REMIX) - JERRY ROPERO AND EDDY CABRERA

Hey everybody! Here is my newest mix to help you with getting through your humpday... TRACKLISTING: 1. "Starting With Me"(James Johnston Dub) - Robert Owens & Tone Control 2. "Then Came You"(John Cutler Distant Music Remix) - Harley & Muscle, India 3. "Gotta Hold On Me"(Chiorescu Fedee Cut Remix) - The Muthafunkaz 4. "Night Train"(Ray Paxon Remix) - Woods & Luyo feat Marica 5. "Stand Up"(Duce Martinez Mad Vocal Mix) - Mike Dominico 6. "Pjanoo Music Is The Answer" - Eric Prydz vs Danny Tenaglia feat Celeda 7. "Sucker For Your Love"(Spiritual Blessings Deepah Dub) - GOFunk feat Belle Erskine 8. "You Can Get It"(DJ Spen Re-Edit) - Kimara Lovelace & DJ Oji 9. "You Get Me Lifted"(Tony Loreto Remix) - Roland Clark feat Urban Soul 10. "A Spiritual Love"(Original Mix) - Dj Spen pres Marc Evans 11. "Rolling In The Deep"(Freemasons Club Remix) - Adele 12. "Somebody That I Used To Know"(Esquire and Offbeat Mix) - Gotye

Hey there. I have been a long time fan of DJ SPEN(BASEMENT BOYS, MUTHAFUNKAZ, CODE RED RECORDINGS, QUANTIZE RECORDINGS) and decided it was finally time to create a mix with all of my favorite tracks of his. Enjoy the mix as much as I enjoyed putting it together! TRACKLISTING: 1. "GOOD MORNING"(DJ SPEN & GARY HUDGIN'S BEAUTIFUL MORNING MIX) - KARIZMA 2. "ANGEL"(DJ SPEN & GARY HUDGINS'S LONG VERSION) - LIQUIDEEP 3. "LOVE WILL KNOW"(SPEN & KARIZMA EXTENDED REMIX) - ELEMENTS OF LIFE FEAT LISA FISCHER 4. "REMINISCE"(DJ SPEN & D'INGA GABA REMIX) - DJ SPEN PRES GROOVE CARTELL AND MEROPA 5. "EXPRESS YOURSELF"(DJ SPEN GARY HUDGIN & THOMMY DAVIS STORE FRONT MIX) - DJ SPEN PRES ASSURANCE 6. "YOU CAN GET IT"(DJ SPEN RE-EDIT) - KIMARA LOVELACE 7. "A REASON TO LOVE"(DIMITRI FROM PARIS IS NIGHT DUBBIN MIX) - DJ SPEN AND THE MUTHAFUNKAZ 8. "WE NEED HIS POWER"(DJ SPEN GARY HUDGINS VOCAL MIX) - MARLON D AND MENA KEYZ 9. "WHAT ARE YOU AFRAID OF"(DJ SPEN AND THOMMY DAVIS DISCO PHOBIA MIX) - ZIGGY FUNK FEAT TALIWA 10. "BAD HABIT"(SPEN KARIZMA MAIN VOCAL0 - AFTC FEAT LISA MILLETT 11. "BLACK WATER'(DJ SPEN SPIRITUALLY SOUND MIX) - GARY NELSON AND CATHY BATTISTESSA 12. "UNTIL YOU"(ORIGINAL MIX) - N'DINGA GABA AND DJ SPEN FEAT MARC EVANS 13. "FOLLOW YOUR HEART"(DJ SPEN RE-EDIT) - KEVIN HEDGE AND RICK GALACTIK DJN PROJECT

Bum Diddlee Diddlee Diddly D !!!!! (yeah whatever...) Enjoy this 2 hours tribute mix....Follow me on Twitter: http://twitter.com/justdizle or add me on Facebook: http://www.facebook.justdizle.com or www.podcast.justdizle.com if you want to check out more mixesTracklist01.Intro 02.Don't You Know ft Al B Sure 03.Got Me Waiting (Remix) 04.Timbaland & Magoo - I Got Luv 4 Ya 05.Modern Connection feat. Brigadier Jerry & Courtney Melody 06.Long Distance Girl 07.Maxine feat Lauryn Hill & Wyclef 08.Jay-Z - Guns and Roses feat Lenny Kravitz 09.The Gap Band - Yearning For Your Love 10.Keep It Comin 11.Yes Y'All 12.Marley Marl - Fools In Love (feat. Heavy D. & The Boyz) 13.Pete Rock & C.L. Smooth - The Basement (feat. Heavy D & Robo) 14.Here Comes The Heavster 15.Beanie Sigel - Feel It In The Air Ft. Melissa 16.Monifah - I Miss You (feat. Heavy D.) 17.Big Daddy 18.Mary J. Blige - My Love (T.R. and Mary Mix) 19.Mary J. Blige - My Love (Hip Hop with Rap) (Feat. Heavy D) 20.You Can Get It feat. Lost Boyz & Soul 4 Real 21.Love Me Like This feat. Barrington Levy 22.Heavy D And Biz Markie - We Write The Songs 23. Get Fresh Hev 24.Big Bub - Need Your Love (feat. Heavy D.) 25.I Can't Help The Way 26.Q-Tip - Listen (feat. Heavy D.) 27.Take Your Time 28.Buju Banton - Hotness (feat. Heavy D.) 29.I Got Love For Ya (Easy Mo Bee Hip-Hop Remix) 30.Gyrlz, They Love Me (12inch Version) 31.Eddie F. & The Untouchables - Let's Get It On (feat. Heavy D, 2Pac, Notorious BIG, Grand Puba & Spunk Bigga) 32.Blue Funk 33.The Flavor Unit MC's - Roll Wit Tha Flava (Shandi's S. Oxford Mix) 34.Overweight Lover's In The House 35.Moneyearnin' Mount Vernon 36.Queen Latifah - Rough... (feat. Treach & Heavy D.) 37.AZ - Sucker MCs feat. Heavy D. 38.A Buncha Niggas 39.Do Me, Do Me 40. Chunky But Funky (Remix) 41.Who's The Man? 42.Mcgruff - Gruff Express 43.Big Daddy (Remix) 44.Big Buddy Girls 45.Black Coffee (Easy Mo Bee Hip Hop Remix) 46.Black Coffee (LP Version) 47.Nuttin' But Love 48.Super Cat - Dem No Worry We feat. Heavy D. (Hip-Hop Ragga Mix) 49.Truthful (Untouchable Mix) 50.You Can't See 51.Talk Is Cheap 52.Don't Curse (feat. Kool G Rap, Grand Puba, CL Smooth, Big Daddy Kane, Pete Rock) 53.Somebody For Me 54.Guy - Do Me Right (feat. Heavy D.) 55.Let The People Sing 56.Janet Jackson - Alright (12-inch R&B Mix) 57.Michael Jacksonb- Jam feat. Heavy D. (Silky 12" mix) 58.We Got Our Own Thing (Smalltown DJs Remix) 59.This Is Your Night (BBG's Big Boss Groove) 60.Now That We Found Love