2007 studio album by Robert Plant and Alison Krauss
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2 episodes with raising sand
2 episodes with raising sand
2 episodes with raising sand
2 episodes with raising sand
2 episodes with raising sand
After a couple of weeks off for rest and recalibration, Badass Records is back with a new episode, and this one features the fantastic Cole Bales of Black Light Animals.Cole is a son, a brother, a boyfriend, a bandmate times two, and he's my guest for Episode No. 164.Black Light Animals has an upcoming RecordBar gig. That's Thursday, May 1st at RecordBar. They also have a new album out. It's called Last Call Love Songs, and you can find it digitally or get yourself a vinyl copy via their Bandcamp, or at blacklightanimalsband.com. Cole's also a member of The Freedom Affair, and they have a gig, Friday, May 2nd at The Madrid. So, please check them out, too.My conversation with Cole involved growing up, the art of recording and producing, bandmates, family, and -- of course -- a few of his favorite albums. Those were these:The White Album (1968), The BeatlesGeorge Harrison's All Things Must Pass (1970)Exile on Main Street (1972), The Rolling StonesThe Black Keys' Brothers (2010)Tranquility Base Hotel & Casino (2018), The Arctic MonkeysIt was both a pleasure and a joy meeting Cole and chatting with him. Follow @blacklightanimalsband on Instagram, and make sure you're dialed in with all that Cole has going on.Cheers.copyright disclaimer: I do not own the rights to the audio clips contained within this episode. They are snippets from a track called, "Rich Woman" by Robert Plant and Alison Krauss, and it's the leadoff track from their 2007 release, Raising Sand (c/o Rounder Records, distributed by Concord).
The Wyrd Mountain Gals Show "Bad Things to Eat and Wonderful People or Twinkie Flavored Cappuccino or A Coke And A Dollar" Episode Airs Sunday 3-9-25 7pm This week finds the gals in a jovial mood while chatting about their usual plethora of topics. Byron opens up about her father & some old (precious) memories. Alicia is having a fit over the latest Billy Joel song & how old he is now. Byron reminds her that we're all getting old. They soon get down to the serious business of talking about food before taking it to the dog side... TRIGGER WARNING - lots of violent animal stories. Some pretty gruesome. We'll let you know when to turn off the show before we get there. Thanks for listening! Tempo Music - https://www.facebook.com/TempoHendo/ Billy Joel - Turn the Lights Back On - https://www.youtube.com/watch?v=hexZ5hwia08 National Play Music On The Porch Day - https://playmusicontheporchday.com/ Raising Sand - https://en.wikipedia.org/wiki/Raising_Sand #WyrdMountainGals #WyrdMountain #ByronBallard #BillyJoel #DogTrauma #DigitalWitchery
Page und Plant – das Doppelpaar von Led Zeppelin - liefert 1998 noch einmal neue gemeinsame Musik auf dem Album „Walking into Clarksdale“. Danach trennen sich die Wege der beiden aber wieder. Robert Plant sucht sich neue musikalische Partner. Er überzeugt mit Abenteuerlust und Freude am Austausch, Bandprojekte wechseln sich ab. Er sucht jedoch nicht mehr unbedingt die großen Arenen. Jimmy Page taucht über die Jahre als gefeierter Gastmusiker auf, er zeigt sich verantwortlich für das Erbe von Led Zeppelin. Mit der amerikanischen Bluegrass-Sängerin Alison Krauss nimmt Plant das Album „Raising Sand“ auf, das 2007 erscheint. Darauf präsentieren die beiden eine faszinierende Mischung aus Folk, Country, Blues und Rock. „Raising Sand“ wird ein Überraschungserfolg und gewinnt, neben anderen Preisen, 2009 sogar einen Grammy Award. 2021 setzen die beiden ihre Zusammenarbeit fort, das Ergebnis überzeugt erneut. Musikliste: Jimmy Page: Deathwish II: The Original Soundtrack (1982) Mit The Firm: The Firm (1985): Satisfaction guaranteed, Midnight moonlight Mean Business (1986): All the King's horses, Live in peace solo: Outrider (1988): Writes of winter, Hummingbird, Prison Blues, Blues anthem Mit David Coverdale: Coverdale-Page (1993): Take me for a little while, Take a look at yourself, Don't leave me that way Mit The Black Crowes: Live at the Greek (2000): Shapes oft hings, Ten years gone, Oh well Page & Plant: The Honeydrippers: Volume One (1984): Sea of love No Quarter: Jimmy Page and Robert Plant Unleaded (1994): Thank you, Kashmir Walking into Clarksdale (1998): Shining in the light Robert Plant: Pictures at Eleven (1982): Moonlight on Samosa, Like I've never been gone The Principle of Moments (1983): Thru‘ with the Two Step, Big log Shaken ‚n‘ Stirred (1985): Little by little Now and Zen (1988): Heaven knows, Ship of fools Manic Nirvana (1990): I cried Fate of Nations (1993): I believe, 29 Palms, If I were a carpenter Dreamland (2002): Morning dew, Song to the siren, Darkness, darkness Mighty ReArranger (2005): Shine it all around, Tin Pan Valley, All the Kings horses Raising Sand (mit Alison Krauss, 2007): Rich woman, Killing the blues, Through the morning through the night, Please read the letter, Fortune teller, Stick with me baby, Your long journey Band of Joy (mit Band of Joy, 2010): Angel dance, Central Two-O-Nine, Silver rider, Monkey, Harm's swift way Lullaby and the Ceaseless Roar (mit Sensational Space Shifters, 2014): Little Maggie, Rainbow, Embrace another fall, A stolen kiss Carry Fire (mit Sensational Space Shifters, 2017): The May Queen, Carry fire, Bones of saints Raise the Roof (mit Alison Krauss, 2021): Quattro, The price of love, Trouble with my lover, Searching for my love, You led me to the wrong, High and lonesome Unser Podcast-Tipp in dieser Folge: Philipps Playlist / https://1.ard.de/philipps-playlist-podcast-cp
Send us a Text Message.Musicians love to collaborate. We thought we'd have a look at some that are just great, some that are weird, and some that are simply awful! As usual, you'll know some, and some you won't. This month, we farewell Graham Webb, an Australian pioneer of music videos – and Blind Date! We also say goodbye to Ignatius Jones, of Jimmy and the Boys, along with a series of more conventional roles, and Steve Albini, producer of The Pixies, PJ Harvey and Nirvana. Vale! Our “Album You Must Hear Before You Die” is Pet Sounds, by The Beach Boys (1966). Long revered by musicians including The Rolling Stones and The Beatles, this album is a masterpiece of production and innovation. How do we fit it all into an hour? References: Brian Wilson, Beach Boys, Pet Sounds, Capitol Records, Billboard, Sgt Pepper, Rubber Soul, LSD, “Good Vibrations”, Led Zeppelin, Sandy Denny, The Battle of Evermore, Aerosmith/Run-DMC, Walk This Way, Rick Rubin, Confessions of Dr Dream and other stories, Kevin Ayers, Nico, “Irreversible Neural Damage”, “With a Little Help From my Friends”, Joe Cocker, Jimmy Page, Matthew Sweet & Susanna Hoffs, Bing Crosby, David Bowie, “Little Drummer Boy”, Kylie Minogue, Nick Cave, “Where The Wild Roses Grow”, Robert Plant, Alison Krauss, “Raising Sand”, “Raise the Roof”, “Sentimental Hygiene”, Warren Zevon, Neil Young, The Party Boys, Peter Gabriel, “Don't give Up”, Kate Bush, “So”, Melt, “Games without Frontiers”, “Screaming Jets”, Johnny Warman, The Sex Pistols, Ronnie Biggs, “No One Is Innocent”, The Great Rock'N'Roll Swindle, Pink Floyd, Roy Harper, “Have A Cigar”, Wish You Were Here, Nick Cave & Shane McGowan, “What a Wonderful World”, Freddie Mercury, Montserrat Caballe, “Barcelona", U2, Brian Eno, The Joshua Tree, “Miss Sarajevo”, “Passengers”, Johnny Cash, “Under Pressure”, Queen, Vanilla Ice, “Dancing in the Street”, Mick Jagger, Mike Garson, Aladdin Sane, Pete Townshend, “Because You're Young”, Ann & Nancy Wilson (Heart) & Lisa Simpson, The Simpsons, REM, “End of the World”, Sesame Street, “Shiny Happy People”, Ozzy Osbourne & Miss Piggy, “Born to Be Wild” Playlist - You'll really enjoy this one!!
The Wyrd Mountain Gals Show "Bad Things to Eat and Wonderful People or Twinkie Flavored Cappuccino or A Coke And A Dollar" Episode Airs Sunday 2-11-24 7pm Episode Link here: https://wyrdmountaingals.podbean.com/e/a-coke-and-a-dollar-wyrd-mountain-gals/ This week finds the gals in a jovial mood while chatting about their usual plethora of topics. Byron opens up about her father & some old (precious) memories. Alicia is having a fit over the latest Billy Joel song & how old he is now. Byron reminds her that we're all getting old. They soon get down to the serious business of talking about food before taking it to the dog side... TRIGGER WARNING - lots of violent animal stories. Some pretty gruesome. We'll let you know when to turn off the show before we get there. Thanks for listening! Tempo Music - https://www.facebook.com/TempoHendo/ Billy Joel - Turn the Lights Back On - https://www.youtube.com/watch?v=hexZ5hwia08 National Play Music On The Porch Day - https://playmusicontheporchday.com/ Raising Sand - https://en.wikipedia.org/wiki/Raising_Sand #WyrdMountainGals #WyrdMountain #ByronBallard #BillyJoel #DogTrauma #DigitalWitchery
In this episode, Team Derringer explores a rare juxtaposition: the improbable convergence of two highly disparate styles of music. In 2004, two luminaries in their respective genres came together to make magic. One is a dynamic frontman for one of the most well-known rock bands of all time, while the other is a highly sought-after collaborator, solo artist, and leader of an extremely popular bluegrass band. In 2007, Alison Krauss and Robert Plant released their Grammy-winning album, Raising Sand. The critically acclaimed pairing produced studio gold which later turned into platinum. Fourteen years later, the duo released their second album, Raise the Roof. Could they replicate the magic? Listen in to find out! Singer, songwriter, and multi-instrumentalist, Matt Saxton from East Sussex, United Kingdom, joins Team Derringer as special guest-host to explore the Plant and Krauss' fantastic interpretation of blues, country, soul, gospel, and old-timey songs. To top off the winning formula, the pair recruited Grammy award winning T. Bone Burnett, a highly successful record producer, guitarist, and songwriter. Burnett is known for musical endeavors in films such as O Brother Where Art Thou?, Cold Mountain, Walk the Line, and Crazy Heart. As a special treat, Matt Saxton shares some of his own music with the Derringer Discoveries listeners. Be sure to check out this entertaining episode. Follow Derringer Discoveries on your favorite streaming platform: https://pod.link/derringerdiscoveries or https://derringerdiscoveries.podbean.com/. To contact Team Derringer, visit the Derringer Discoveries website at www.derrringerdiscoveries.com. © Copyright 2023 | Derringer Discoveries | All Rights Reserved
In this episode, Team Derringer explores a rare juxtaposition: the improbable convergence of two highly disparate styles of music. In 2004, two luminaries in their respective genres came together to make magic. One is a dynamic frontman for one of the most well-known rock bands of all time, while the other is a highly sought-after collaborator, solo artist, and leader of an extremely popular bluegrass band. In 2007, Alison Krauss and Robert Plant released their Grammy-winning album, Raising Sand. The critically acclaimed pairing produced studio gold which later turned into platinum. Fourteen years later, the duo released their second album, Raise the Roof. Could they replicate the magic? Listen in to find out! Singer, songwriter, and multi-instrumentalist, Matt Saxton from East Sussex, United Kingdom, joins Team Derringer as special guest-host to explore the Plant and Krauss' fantastic interpretation of blues, country, soul, gospel, and old-timey songs. To top off the winning formula, the pair recruited Grammy award winning T. Bone Burnett, a highly successful record producer, guitarist, and songwriter. Burnett is known for musical endeavors in films such as O Brother Where Art Thou?, Cold Mountain, Walk the Line, and Crazy Heart. As a special treat, Matt Saxton shares some of his own music with the Derringer Discoveries listeners. Be sure to check out this entertaining episode. Follow Derringer Discoveries on your favorite streaming platform: https://pod.link/derringerdiscoveries or https://derringerdiscoveries.podbean.com/. To contact Team Derringer, visit the Derringer Discoveries website at www.derrringerdiscoveries.com. © Copyright 2023 | Derringer Discoveries | All Rights Reserved
Fourteen years after their Grammy-winning debut, Raising Sand, Robert Plant and Alison Krauss followed up with Raise the Roof—which was nominated for three more Grammys. Now on tour, the duo also has a new band that includes bassist Viktor Krauss, guitarist JD McPherson, and utility player Stuart Duncan. But before they hit the road, Krause, Duncan, and McPherson—and their techs Paul Ackling and Kevin Devogel— invited the PG team to a rehearsal at Soundcheck Nashville for a look behind the gear curtain. Here's a sampling of what our team of John Bohlinger, Chris Kies, and Perry Bean saw. Watch the Rundown for the whole picture.Brought to you by D'Addario XPND Pedalboard.
Join the band for our annual and belated EASTER SPOOKTACULAR! We will hear tales of fortune-telling from Craig. Hide your toes because Krampus may be listening!website: actonmusicproject.comemail: music@actonmusicproject.comCraig's phone number: (978) 310-1613
Cuando Alison Krauss nació Led Zeppelin ya había grabado sus cuatro primeros discos y era la banda de rock más grande del momento. Cuando Alison Krauss grabó con Robert Plant su disco de 2007 ya tenía un buen puñado de los 27 Grammy que tiene en su casa.Las uniones de artistas de distintas generaciones siempre han dado lustre a la música y suelen ofrecer grandes resultados. Raising Sand, el disco de Krauss y Plant es un maravilloso ejemplo de ello. Robert y Alison se conocieron en un programa de la cadena VH1 que juntaba músicos de distintas edades y de aquel encuentro salió la idea de hacer algo juntos. Lo que no se podía esperar es que fuese Alison la que se llevase a Robert a su terreno. El disco de country y folk de Robert Plant es una delicia, pero es Alison Krauss la que marca el ritmo, la que enseñó, como confesó Plant, a cantar al vocalista de Led Zeppelin. El resultado no podía ser mejor. El inglés rebuscó en su extensa colección de discos y fue seleccionando temas de country poco conocidos y nada evidentes a los que la pareja dio un aire nuevo.Esta semana hemos querido recordar la primera entrega de esta extraña pareja, un disco que luego tuvo continuidad en el también espléndido Raise the Roof de 2021. Para este episodio nos acompañan Toni Castarnado y Lucía Taboada.
Raising Sand es un disco maravilloso, por su historia, por su contexto, pero sobre todo por sus protagonistas. Toni Castarnado nos da sus motivos para sentar esta joya en el Sofá Sonoro.
Here we wrap up our long discussion of prison ships and prison hulks in the British Empire. Listen to Parts 1 and 2 if you haven't already! All three parts have now been unlocked for everyone on the main podcast feed. Sources:Forbes, Thomas R. "Coroners' Inquisitions on the Deaths of Prisoners in the Hulks at Portsmouth, England, in 1817 - 1827." Journal of the History of Medicine, July 1978, pp. 356 - 365Foxhall, Katherine. "From Convicts to Colonists: The Health of Prisoners and the Voyage to Australia, 1823 - 1853." The Journal of Imperial and Commonwealth History, vo. 39, no. 1, March 2011, pp. 1 - 19Hobsbawm, E.J. and George Rudé. Captain Swing. Phoenix Press, 2001.James, Jeff. "'Raising Sand, Soil and Gravel' - Pardon Refusers On-Board Prison Hulks (1776 - 1815)." Family & Community History, vol. 20/1, April 2017Townsend, Norma and David Kent. "The Men of the Eleanor, 1831: A Case Study of the Hulks and Voyage to New South Wales." The Great Circle, vol. 17, no. 2, pp. 109 - 119Support the show
Robert Plant is a singer and songwriter who was Led Zeppelin's frontman from the band's inception in 1968 until it disbanded in 1980. Led Zeppelin sold hundreds of millions of albums and in their heyday acquired a reputation for unbridled rock ‘n' roll hedonism. Since 1980 Robert has gone on to achieve success as a solo artist and has collaborated with other musicians, notably the bluegrass singer Alison Krauss. Their 2007 album Raising Sand won five Grammy Awards. Robert was born in West Bromwich in 1948. At 15 he appeared on stage for the first time as the lead vocalist for a local band after the regular singer fell ill. In 1965 he started performing with the Crawling King Snakes and it was after one of the band's gigs that he met his friend, the drummer John Bonham. In 1968 Robert and John joined up with Jimmy Page and John Paul Jones to form Led Zeppelin. Later that year the band embarked on its first US tour and the enthusiastic response from American audiences heralded a new force in British music. Over the next 12 years the band released eight studio albums including Led Zeppelin IV which featured one of their most popular tracks – Stairway to Heaven. In 1980 John Bonham died from alcohol poisoning at the age of 32 and Led Zeppelin broke up. Devastated by his friend's death, Robert took himself off to explore other creative avenues, recording and performing with a wide range of artists. Robert and Alison Krauss released their second album, Raising the Roof, in 2021. Robert lives in Worcestershire near where he grew up. He is a committed fan of Wolverhampton Wanderers and Black Country homing pigeons. DISC ONE: Pink Peg Slacks by Eddie Cochrane DISC TWO: Serenade by Mario Lanza DISC THREE: I Ain't Superstitious by Howlin' Wolf DISC FOUR: Teenage Ska by Baba Brooks DISC FIVE: Ohio by Crosby, Stills, Nash & Young DISC SIX: Raha Gardishon Mein Hardam by Mohammed Rafi DISC SEVEN: Diaraby by Ali Farka Touré with Ry Cooder DISC EIGHT: Your Long Journey by Robert Plant and Alison Krauss BOOK CHOICE: The Earliest English Poems, translated by Michael Alexander LUXURY ITEM: A basket containing photos of homing pigeons CASTAWAY'S FAVOURITE: Serenade by Mario Lanza Presenter: Lauren Laverne Producer: Paula McGinley
Hi Folks: Well, we have a great interview and some excellent original country music on this edition of the RON KING SHOW. Our three studio guests include Tammy Jo & Iron Horse; all from the upper Ohio Valley (Moundsville, WV and St. Clairsville, Ohio) and are comprised of Larry Truex on electric bass guitar, John (Buster) Gatten on electric lead guitar and Tammy Jo Whitlatch on acoustic guitar and vocals. Tammy Jo & Iron Horse have only been together a little over a year but the individual members of the band all have years of experience playing with other bands before getting together to play in Iron Horse. The group has just released their first CD together called "MY CADILLAC" and boy is it a good one! Their title tune written by Tammy, called "My CADILLAC, is quite reminiscent of the vibe on the Grammy winning CD "RAISING SAND," produced by T Bone Burnett and starring Allison Krause and Robert Palmer. Another great original tune on the new CD, also written by Tammy, is a song called "WEST VIRGINIA." (No. not the one by John Denver; that song is called "Country Roads.) And to let you hear just how unbelievably good the band is we'll let you hear "WEST VIRGINIA" on the podcast. We think that TAMMY JO & IRON HORSE is one of the very best country bands to come out of west Virginia in a long time and, after listening to their music, we think you'll agree. Happy listening! Ron King
Robert Plant is arguably the most iconic rock vocalist of all time. As the frontman for Led Zeppelin, his dynamic, soaring vocal style was the perfect lead for the band's unparalleled musicianship. After Zeppelin broke up in 1980 following the death of drummer John “Bonzo” Bonham, Plant set out on his own and recorded songs that drew inspiration from North African music, psych rock, and the Blues. In 2007 Plant began collaborating with Alison Krauss, the famed bluegrass singer and fiddle player. Under the guidance of producer and Broken Record alum, T Bone Burnett, their first album, Raising Sand, sold over a million copies in the US and won five Grammys, including Album of the Year. On today's episode, Rick Rubin talks to Robert Plant about recording his latest release with Krauss, Can't Let Go. Plant also talks about how a trip to the Sahara in the early ‘70s with Jimmy Page inspired them to write “Kashmir.” And he remembers the first time he met John Bonham as a teenager and Bonham declared himself, “the best drummer in the world.” Subscribe to Broken Record's YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecord You can also check out past episodes here: https://brokenrecordpodcast.com Hear a playlist of all of our favorite Robert Plant songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com
The guys were joined by musician and actor Noah Guthrie. His new album is great...you should check that out...and we talk about Robert Plant and Alison Krauss and their album "Raising Sand." Or is it T-Bone Burnett's album with guest appearances from Robert and Alison? We also talk about “Gleeks” (he was in the last season of Glee), the grammys, perfectly sequencing, and how this album is a master class of collaboration and humility.And, we give a shout out to Tim McKay since Noah wanted to pick the Ray Lamontagne album that Tim picked for his Patreon Revisitor episode. Check out Noath at: https://www.noahguthrie.com/Check out Robert Plant at: https://www.robertplant.com/Check out Alison Krauss at: https://alisonkrauss.com/Check out Plant & Krauss at: https://www.plantkrauss.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
Catorce años después del magnífico Raising Sand, que les valió un Grammy, Robert Plant y Alison Krauss han vuelto ha juntarse para regalarnos Raise the roof, una nueva entrega que contiene 12 temas procedentes de ese gran cajón de la música americana de montaña.
On this episode, Jake discusses Robert Plant and Alison Krauss' album "Raising Sand", which is his entry for the "Unlikely Collaborators" theme. Chaz listens to it as well at the gentle behest of Jake, and wants to discuss it as well, but the sand raised by the artists is in his eyes and scratching them badly, plus all of Alison Krauss' 27 Grammys are clogging up the works. There's a lot going on here, on this episode of Louder Than Sound.
Robert Plant and Alison Krauss won six Grammys for their debut album, Raising Sand in 2007. Raise the Roof is their latest studio album.
Fourteen years after the release of their Grammy-winning album Raising Sand, Led Zeppelin's Robert Plant and bluegrass singer Alison Krauss have reunited on a new album, titled Raise the Roof. The unlikely duo spoke with Tom Power about the record and what it's taught them about themselves and each other.
Robert Plant is in his own words “cold” and “prickly” while speaking about his new album with Alison Krauss, Raise The Roof. First thing upon joining the Zoom call from London, Plant jovially launches into the much misattributed quote “talking about music is like dancing about architecture.” But he is neither callous, nor coy. For Plant the music is ineffable, a joyous celebration of friendship, and a kindred love of song that he shares with Krauss and producer T-Bone Burnett. Their album follows up from their 2007 Grammy award winning album Raising Sand. Both albums are steeped in americana and roots music, favorites that the trio traded across the Atlantic over many years of friendship. There are few hints of Plant's Led Zeppelin or Krauss' Union Station. Instead their collaboration sounds timeless, haunting and melancholic. Their idiosyncratic sound emerged from an entirely organic process, a method that both parties are happy to share, but reticent to analyze. Switched On Pop's co-host Charlie Harding spoke with Plant and Krauss about the making of Raise The Roof. SONGS DISCUSSED - Spotify Playlist Robert Plant, Alison Krauss - Quattro (World Drifts In), The Price of Love, Go Your Own Way, Trouble With My Love, Can't Let Go, It Don't Bother Me, You Led Me To The Wrong, Last Kind Words Blues, High and Lonesome, Going Where The Lonely Go, Somebody Was Watching Over Me Calexico - Quattro (World Drifts In) The Everly Brothers - The Price of Love Anne Briggs - Go Your Own Way Bert Jansch - Go Your Own Way Sandy Denny - Go Your Own Way Led Zeppelin - The Battle of Evermore Betty Harris - Trouble With My Love Lucinda Williams - Can't Let Go Bert Jansch - It Don't Bother Me Ola Belle Reed - You Led Me To The Wrong Geeshie Wiley - Last Kind Words Blues Merle Haggard - Going Where The Lonely Go Pops Staples - Somebody Was Watching Learn more about your ad choices. Visit podcastchoices.com/adchoices
Fourteen years after the release of their Grammy-winning album Raising Sand, Robert Plant and Alison Krauss discuss their latest album, Raise the Roof, and why they felt now was the time for a musical reunion. Comedian Matt Wright talks about his new comedy album, Here Live, Not A Cat, inspired by that viral video of the lawyer who couldn't figure out how to remove the cat filter on Zoom. Singer-songwriter Hunnah breaks down the title track on her new EP, Unloved, which explores the highs and lows of romance. Singer-songwriter Julie Doiron discusses her first solo record in nine years, I Thought of You, about finding your way back to yourself no matter how dark the circumstances.
Please note: There was an editing error in this portion of the show. That has been fixed. In addition, the opening Thanksgiving montage was reinserted due to popular demand. In this series of two shows we explore the Blues and Folk roots of Led Zeppelin. There is no question that Zeppelin borrowed heavily. We'll hear on Robert Plant lifts melody lines and lyrics to construct some of the most icon songs of the 1970s and early 80s. Undoubtedly Zeppelin's music launched thousands of bands and changed the direction of popular music (while it's not included in these shows, even rapper Sean Puffy, Puff Daddy Combs lifted the guitar riff from Zeppelin's Kashmir to create a top hit including a joint appearance with Jimmy Page on Saturday Night Live: now that's being influential). It's been my experience that most modern days blues music listeners came to the genre via The Rolling Stones, The Allman Brothers, or Led Zeppelin. When I discussed the idea for this show with regular listeners, it became apparent that most had gotten the Led outta their system some many years ago. Yet it was no surprise that by massive numbers, the positive feedback on this show has been ginormous! Evidently exploring the musical roots of Zeppelin has rekindled a long forgotten love. Please, enjoy the show. And thank-you for listening.Oh. And by the way, after more than a decade, Robert Plant has reunited with Alison Krauss for a new album. Trusted critics report that this collaboration, Raise the Roof, is BETTER than their Grammy Award winning album, Raising Sand. As soon as I can, we'll get their latest and share it with you. 1.Ray Davies (Kinks) / Thanksgiving Day 2.Little Stevie Van Zandt / St Valentine's Day 3.Tower of Power (feat Tom Jones) / Thank-you 4. ZZ Top / I Thank You 5. Leadbelly / Gallis Pole 6. Plant & Page (No Quarter)/ Gallows Pole7. Beck's Bolero [Naming the band: Keith Moon (The Who), Jeff Beck & Jimmy Page (The Yardbirds) and studio musicians Nicky Hopkins and future Zeppelin member John Paul Jones.]8. Otis Rush & Eric Gales/ I Can't Quit You Baby9. Otis Rush / I Can't Quit You Baby (#1)10.Muddy Waters / You Need Love 11.Led Zeppelin / Whole Lotta Love (#2)12.Sonny Boy Williamson II / Bring It On Home13.Led Zeppelin / Bring It On Home 14.Led Zeppelin / Boogie with Stu (Physical Graffiti)15.Richie Valens / Ooh My Head16.Rolling Stones / Homage to Ian Stewart 17.Led Zeppelin / Black Mountain Side (#3)18.Bert Jansch / Blackwaterside19.Led Zeppelin / Bron Yr Aur Stomp (Physical Graffiti)20.Bert Jansch / The Waggoner's Lad 21.Spirit / Taurus
Depois de se conhecerem num show em tributo ao Leadbelly, Robert Plant e Alison Krauss entraram no estúdio pra cantar músicas que os dois gostavam. Dessas, 13 foram escolhidas pro repertório do primeiro disco da dupla, o “Raising Sand” (2007). Quatorze anos depois, eles fizeram a mesma coisa pro segundo ato dessa história, o “Raise The Roof” (2021), assunto desse episódio. --- Send in a voice message: https://anchor.fm/musicacronica/message
Up for discussion on the final @weheardwonders New Music Edition of 2021 are indie-pop dreamers Tallies, the seventies singer-songwriter worship of Sylvie, and Group Listening's piano & clarinet contemplations. Robert Plant & Alison Krauss reconvene 14 years after their first Grammy-guzzling collab, but does their new material see and raise Raising Sand's hand? And Sol by name, Soul by nature: we have our say on a track from Cleo Sol's critically-acclaimed album, Mother. All this, plus we reveal the WINNER of our first ever COMPETITION and Andrew bigs up a striking LP in his newly-Christened vinyl segment. Please listen, rate and subscribe on Spotify, Apple, Amazon Music and Google podcasts. Your five-star reviews really do help us spread the word! Share with anyone you know who might dig it, drop us a comment on Instagram or Twitter, and support the show by buying us a Coffee (link in bio).
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking.Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand.The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides…Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now.Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
In this episode, we welcome the great Lenny Kaye — all the way from NYC — and ask him to reminisce about his New Jersey youth; the revelation that was rock 'n' roll; his exposure in 1966 to Crawdaddy! and other pioneering music zines, and of course his first encounters with the inimitable Patti Smith. Along the way we hear about his landmark 1972 anthology Nuggets, and about his thrilling new book Lightning Striking. Clips from John Tobler's 1978 audio interview with Patti prompt Lenny to relive key moments from the '70s, including the pair's engagement with the British punk scene on their band's first London visit in May '76. To mark the 50th anniversary of Led Zeppelin IV, he also talks about his rave Rolling Stone review of that album, a piece he stands by to this day. His hosts also note the imminent release of the follow-up to Robert Plant & Alison Krauss' Americana classic Raising Sand. The RBP team pays its respects to Maureen Cleave, whose crucial early pieces on the Beatles made her part of Fab Four folklore. Lenny mentions his New York mentor Danny Fields (episode 28) whose syndication of Maureen's "more popular than Jesus" Lennon interview sparked an unholy fundamentalist backlash across America. Mark & Jasper talk us out with remarks about "new and notable" library pieces on — among other subjects — Patti Smith (1972) and Led Zeppelin (1969)! And several more great interviews and reviews besides… Many thanks to special guest Lenny Kaye. Lightning Striking is published by White Rabbit and available now. Pieces discussed: Lenny Kaye on music in the '60s, Nuggets, Patti Smith, Patti Smith audio, Lenny on Led Zep IV, Barney on Led Zep IV, Robert Plant and Alison Krauss, The Beatles, John Lennon, Pete Makowski, Thelonius Monk, Maurice White, Anita Baker, The Rolling Stones, Led Zeppelin at the Fillmore West, Patti Smith, Gary Lucas, Vibe magazine and Field Day festival.
A live performance of the Raising Sand Tribute featuring Pretty Polly & The Get Down Boys from Highland Park, CA on July 28th, 2016 Original air date 8/21/17
#223-221Intro/Outro: Do You Realize?? by The Flaming Lips223. King of the Delta Blues Singers, Vol. 1 by Robert Johnson (Come On in My Kitchen & Cross Road Blues & Travelin' Riverside Blues & Walkin' Blues & Hellhound on My Trail)222. Desperado by The Eagles (Desperado & Twenty-One & Bitter Creek & Tequila Sunrise)221. Raising Sand by Robert Plant & Alison Krauss (Killing the Blues & Gone Gone Gone (Done Moved On) & Please Read the Letter)Decade update:00's - 1210's - 690's - 560's - 270's - 280's - 130's - 140's - 1Top years:2007 - 51991, 2008, 2009, 2010, 2012 - 2King of the Delta Blues Singers, Vol. 1 album artDesperado album artRaising Sand album artVote on Today's Album ArtHave you voted on Week 1 Round 1 winners yet? If so, no further action needed. If not:Week 1 Round 1 Winners (episodes 301-305)Vote on Week 1 Round 2 Album Art
We had the pleasure of interviewing Hush Kids over Zoom video! Nashville -based duo Hush Kids return with a new EP Weatherman.Comprised of renowned artists Jill Andrews and Peter Groenwald, this is Hush Kids' first new release since their critically acclaimed self-titled debut album in 2018. The lead single and title track "Weatherman" is out now and finds the duo reuniting with Grammy Award-winning producer Ian Fitchuk (Kacey Musgraves, Maren Morris, Leon Bridges)."During the spring of 2020, when we were in lockdown, it rained, poured really, for days, maybe even weeks," stated Jill. "My husband Jerred has lived most of his adult life in dry arid places and he wasn't used to it. He would look outside almost every day, saddened by the dark sky and soggy earth. He would say, 'This place just never stops. It's like a rain forest.' I always like to put a silver lining on things so my response was usually something like, 'I guess that's why it's so green and beautiful here.' But the sunless days can take their toll on the best of us, and I could tell that he was feeling down as the rainy days and tumultuous weather wore on. She continued, "All of this was on my mind that day last spring when I got together with Ian and Peter to write for the next Hush Kids record. We sat on Ian's back porch and caught up for a long time, enjoying being in each other's presence so much because it had been a while since we'd last seen each other. This one came easily to us and I think we all cried a little when we were writing it. I'm so happy that we can share it with you guys today! I hope that your days are sunny even when the rain is pouring down.” "This was the first song I had written in person for maybe eight months," added Peter. "We were on a porch, it felt kind of weird, but we trusted each other. Jill said she had an idea, and I believe she sang what is now the first line of the song. I tend to have a look on my face when I think something is amazing, and it actually looks like I'm disgusted...food, art, music...it's more of a look of disbelief that something can be that good. That's how I looked when Jill shared this idea with us.” Hush Kids is a friendship with music. It began long before it had a name when two beloved Nashville artists with impressive solo careers were put together by their publishers to write songs for other people; in time, they discovered they had been writing for themselves all along. Their earliest sessions revealed more than chemistry, they revealed kindredness, an innate understanding that allowed two very different people to write some of the most deeply personal music of their careers. Incredible, instinctive vocal symmetry, captivating melodies, and intimate, intelligent lyrics speak to the years of tireless craftsmanship and well-earned successes by both artists respectively. Garnering praise from Rolling Stone, Billboard, Paste, Relix, and Folk Alley, among others, Hush Kids' 2018 debut journeys across the unexpected, the strangeness of love rather than the sweetness, the beauty of the world rather than the bullshit. Guided by writer, producer, and multi-instrumentalist Ian Fitchuk, the record paired the effortless, addictive pop sensibility of The Carpenters with the dusty, atmospheric, desert landscape of Robert Plant and Allison'sKraus's Americana classic Raising Sand. Despite the name, Hush Kids is not about quiet, it's about stepping away from the wrong kind of noise to embrace the music. A gifted composer, producer, and musician, Peter has toured extensively and shared the stage with artists such as The Civil Wars, Andrew Belle, and Ruston Kelly. In 2020, he joined forces with Sean McConnell and Garrison Starr to release an EP as My Sister, My Brother. Never one to rest, Peter followed that up with an EP in early 2021 co-written and co-produced alongside production duo I WAS THE LIONtitledCome To Life. Jill, a founding member of the alt/countryfavoriteThe Everybodyfields, has performed alongside The Avett Brothers, The Secret Sisters, and DrewHolcomb & the Neighbors as well as secured television placements that includeGrey's Anatomy, This Is Us, and the theme song for SyFy'sbelovedWynona Earp. In2020, she released her critically acclaimed album and accompanying book Thirties, and followed that up with a dark EP of songs from her back catalog called Vultures.We want to hear from you! Please email Tera@BringinitBackwards.com.www.BringinitBackwards.com#podcast #interview #bringinbackpod #HushKids #zoom Listen & Subscribe to BiBFollow our podcast on Instagram and Twitter!
So here are. We've reached the end of another series of Digging Deep with Robert Plant. It's been a collection of conversations partially defined by the unprecedented times we've been living in (and this episode touches on that) but, as always, some amazing music. We end the series with a cover version that Robert and Alison Krauss made their own on their world-conquering Raising Sand album. It's the perfect way to end for now. And maybe it even points the way to the future…
Maggie Poulos Principal, Mixtape Media Working in the music industry since 2000, Maggie spent the earlier part of her career working for independent public relations firms and talent agencies including Shore Fire Media, Good Cop Public Relations, Monterey International Artists and APA before founding Mixtape Media in 2014. She has a proven track record of increasing public awareness of clients and their projects via individual, targeted and strategized press campaigns. Over the course of her career, she has worked on campaigns including Robert Plant & Alison Krauss' GRAMMY winning Raising Sand, Fitz and the Tantrums, Nicki Bluhm and the Gramblers, Pink Martini, Spacehog, CAKE, Minnie Driver, Dave Lory's memoir, Jeff Buckley From Hallelujah to The Last Goodbye, Storm Large's memoir Crazy Enough, First Act Guitar, Helmet, Duncan Sheik and independent film Mott Music. Following eighteen years in New York City and the birth of her daughter, Maggie returned to her hometown of Philadelphia. She holds a Bachelor of Arts degree from Franklin and Marshall College. Find out more about Maggie's story on today's episode of Dreams Not Memes. Social Media Facebook - https://www.facebook.com/mixtapemedianyc Instagram - https://www.instagram.com/mixtape_media_philly --- Support this podcast: https://anchor.fm/dreamsnotmemes/support
Ronnie James Dio's Birthday to be celebrated with a Global Livestream Charity Event with tons of special guests, Robert Plant & Allison Krauss working on a long-awaited follow up to their Grammy award-winning 2007 collaboration “Raising Sand”, Sepultura to release live album that was recorded with special guests during quarantine, Aerosmith's Brad Whitford says the band may not return to the road after the pandemic, Plus this week in music history trivia, weekly wtf & so much more… All of our links are up at www.rocknewsweekly.com Follow us for our weekly 1 minute video updates: Instagram.com/rocknewsweekly Facebook.com/rocknewsweekly Twitter.com/rocknewsweekly --- Support this podcast: https://anchor.fm/rocknewsweekly/support
Singer-songwriter Taylor Leonhardt has been on some big stages lately, playing guitar with Amy Grant, Andrew Peterson, and others, and has a slew of collaborations over the last couple of years. Her “star” is certainly on the rise. But as she prepares for the release of her third independent solo album, this Texas-born, Carolina-bred, new Nashville resident is leaning into her Americana roots, and her circle of friends, for both her songs and her sound. In this episode, we get to know this engaging artist as we explore the power of community and influences in the pursuit of our voice. We also talk about the difference between taking some classes, and really learning a language, and what Taylor’s adventure in Paris might teach us about listening to understand. On the Jukebox, we survey four of the artists cited as influences by Leonhardt and featured in her specially curated and corresponding playlist. Carole King’s Tapestry, Emmylou Harris's Wrecking Ball, Patty Griffin’s 1,000 Kisses, and Krauss & Plant’s Raising Sand. We also consider some wisdom about Southern Writers from Flannery O’Connor on our Soapbox feature. It’s a full episode, for sure, but you can handle it. We believe in you. (Full Show Notes available at TrueTunes.com)
Mastering engineer Gavin Lurssen's Grammy Award-winning work includes Raising Sand, a collaborative album featuring Alison Krauss and Robert Plant, and the soundtrack for the Coen Brothers film, O Brother, Where Art Thou? He brings an artful Zen to his mastering work and a thoughtful balance to his life. In today’s podcast Will Hawkins chats to Gavin about his career and ideology of giving back to the music community.
En este último fin de semana del año, en TOMA UNO hemos querido contar desde el 1 de enero de 2001 y hasta el 31 de diciembre de este 2020 que estamos deseando despedir. Son las dos primeras décadas de este siglo, los primeros 20 años que hemos resumido en 20 álbumes representativos de la Americana. Había otros, por supuesto, pero a estos les tenemos un cariño especial. 2001 - VARIOS ARTISTAS O Brother, Where Art Thou? Lost Highway/Mercury 2002 - DIXIE CHICKS Home Dixie Open Wide/Columbia Nashville 2003 - BRAD PAISLEY Mud on the Tires Arista Nashville 2004 - ALISON KRAUSS & UNION STATION Lonely Runs Both Ways Rounder 2005 - SHOOTER JENNINGS Put the "O" Back in Country Universal South 2006 - DIXIE CHICKS Taking The Long Way Open Wide/Columbia Nashville 2007 - ROBERT PLANT & ALISON KRAUSS Raising Sand Rounder 2008 - ZAC BROWN BAND The Foundation Atlantic/Home Grown/Southern Ground/Big Picture 2009 - ROSANNE CASH The List Manhattan 2010 - DIERKS BENTLEY Up On The Ridge Capitol Nashville Escuchar audio
Here is my review of Gone Gone Gone by Robert Plant/Allison Krauss taken from their Grammy winning album Raising Sand. This is an excellent take on the Everly Brothers classic with some fabulous vocal interplay between the two. Hope you enjoy, please like and subscribe! Music for the sting: Welcome to the Show by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4614-welcome-to-the-show License: http://creativecommons.org/licenses/by/4.0/
Hello, Welcome Back To Turf Talk, One of the best weekends in racing takes place a Paris Longchamp as the Queen bids to win three Arc De Triomohe. Also Safe Voyage Army fancy his chances in the Foret and the puzzle that is the Abbaye. As well as that they mention their fancies at Ascot, Gowran and Redcar. As always, thanks to our partners RatingTheRaces.com and thanks to bensounds.com for their music! Hope You Enjoy!!!!!
Este pasado jueves, Steve Forbert, que vino por primera vez a visitarnos hace un año, puso en su Bandcamp la versión de estudio y mezcla acústica de “Rand (Pandemic Song)” que había colgado en sus redes sociales el día anterior desde su casa. Steve Forbert ha deseado públicamente la sincera y rápida recuperación de Rand Paul, que se convirtió, tristemente, en el tercer miembro del Senado de Estados Unidos en dar positivo por Covid-19. Rand Paul, senador republicano por Kentucky, votó al menos dos veces en contra de los fondos de emergencia para luchar contra la pandemia. How You Make A Fool es el segundo álbum de la banda tejana The Tender Things, una formación de Austin cuya música nace en las raíces folclóricas de los Apalaches y se mezcla con los sonidos de los honky tonks del Lone Star State, sin olvidar los ambientes cósmicos de California, especialmente los ecos del Bakersfield Sound. Aunque How You Make a Fool se ha publicado la semana pasada, se grabó en Fort Worth en noviembre y diciembre del 18 y en aquellas sesiones estuvieron presentes amigos como Robert Ellis y Patty Griffin. The Tender Things se sustentan en la personalidad de Jesse Ebaugh, antiguo bajista de los Heartless Bastards, un nativo del norte de Kentucky con evidentes influencias del bluegrass y espíritu aventurero que lidera una banda poco convencional y tremendamente sugestiva. Vaya como muestra “Sister Elizabeth”, que en su desarrollo instrumental a veces nos devuelve a la memoria canciones antológicas como “Movin’ On”. Sin dejar los honky tonks y los paisajes de Bakersfield, insistimos en unos debutantes de la categoría de The Sunset Canyoneers, destilando la herencia de los pioneros del country-rock. Su debut con el álbum High In The Sky es una fresca brisa que nos devuelve los sonidos desafiantes al Nashville Sound de la segunda mitad de los 60 y primeros 70. Aquí es donde la tradición de Merle Haggard o Buck Owens se hace presente con las afiladas sonoridades del twang factor y la celebración de aquellos viejos tiempos que, sin embargo, se mantienen frescos y saludables. “Spirits” expresa a la perfección ese tono reverencial por las canciones corales. Los mismos músicos que intervinieron en el inolvidable Raising Sand de Alison Krauss y Robert Plant de hace poco más de 10 años son los participantes en el disco de debut del californiano Logan Ledger, un disco elegante y lleno de melancolía que pone la vista en los horizontes del Western con la implicación de T-Bone Burnett, que ha ejercido de productor y que ha dejado su aportación más personal con el tema “(I’m Gonna Get Over This) Some Day”, un tema que busca el punto de encuentro con quienes piensan distinto, con un pragmatismo vital ante las dificultades. Escuchar audio
In 2007 Robert and Alison Krauss released an album called ‘Raising Sand’. Something of an instant classic, its huge Grammy-winning success is only superseded by the beautiful musicianship and stunning singing. This episode focuses on how Robert and Alison first came to work together and one specific track that they created…
Remember when Amanda said T-Bone Burnett is her favorite producer? She’s proving it this episode by walking Rich, Will, and John through Raising Sand, the unlikely collaboration between blues-rock god Robert Plant and bluegrass goddess Alison Krauss. These two found the common ground between their respective genres by covering artists from the Everly Brothers to Sam Phillips, and found their own beautiful sound while they were doing it. All of the musicians on this album are incredible, but nobody except T-Bone Burnett could have seen this project through, and that is why we love him. See https://discordpod.com/listen/020-robert-plant-and-alison-krauss-raising-sand-2007 for complete show notes.
Meet the experts who breathes life into recorded sound: Gavin Lurssen has won four Grammys including two for Album Of The Year for Raising Sand, performed by Robert Plant and Alison Krauss and produced by T Bone Burnett, and another for the soundtrack of O Brother Where Art Thou? His counterpart, Reuben Cohen, is a Latin Grammy winner and the winner of a TEC award for his work on “Happy” by Pharrell Williams.
Rowland Salley has been the bassist with Chris Isaak & Silvertone since 1985. His song “Killing the Blues,” won the Grammy Award with the duet by Robert Plant from Led Zeppelin, and Alison Krauss of Union Station on the October, 2007 Rounder release “Raising Sand.” The song, originally recorded by Rowland on his solo record “Killing the Blues,” has also been covered by John Prine, Shawn Colvin, Chris Smithers, and many others. As a bass player, he has played and/or recorded with Bobby Gentry, the Traum Brothers, Ian and Sylvia, Joan Baez, John Prine, Shawn Colvin, Lucinda Williams, Maria Muldaur and others, and created an instructional DVD called “Learning Electric Bass.” Rowland also paints, and his watercolor paintings have been displayed in the San Francisco Presidio, San Francisco, and a selection of them are reproduced for sale as postcards in the San Francisco area. His documentary film, ‘Why the Artist Creates,’ won a national Silver Telly award, and was nominated for an Emmy. He also has a cool dog named Woody. Join us as we explore this amazing and creative artist’s music story. The MOTR Show is the audio podcast for Musicians On The Record with David Ward. Subscribe now to be updated on the latest episodes! You can also watch all our interviews on our YouTube channel: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 and our website at www.MusiciansOnTheRecord.com See More MOTR! -On Facebook: https://www.facebook.com/MusiciansOnTheRecord/ -On YouTube: http://www.youtube.com/c/MusiciansOnTheRecord?sub_confirmation=1 -On Instagram: https://www.instagram.com/musiciansontherecord/ -On Twitter: https://twitter.com/davidwardMOTR -On the Web: www.MusiciansOnTheRecord.com Never miss another MOTR Interview again! Sign up for our free newsletter at http://bit.ly/MOTRNewsletter ************************************** Music: http://www.purple-planet.com Copyright © 2018 Musicians On The Record
Drummer Jay Bellerose is my guest on the show this week. If your musical taste crosses over with mine at all, Jay is probably the drummer on some of your favorite records of the last 15 years. If you've been following this show, Jay's name has come up many times in other interviews, so it was high-time to drag him in for an episode of his own! Jay's unique approach to drumming, with unorthodox setups and an awesome palette of vintage drums has made him the go-to drummer for producers like T-Bone Burnett and Joe Henry. We talk about his approach to drumming and musicality in the studio, and how he tries to be very selective about the projects he takes on. In fact, he once turned down a gig with David Byrne, only to take his first gig with Joe Henry, opening for David Byrne! Jay has played on albums for BB King, Gregg Allman, Ray LaMontagne, Allen Toussaint, Bettye LaVette, Solomon Burke, Bonnie Raitt and the list goes on and on. Jay and I talked about his early days at Berklee, his long stint with Paula Cole, how to survive in a multi-drummer session with Jim Keltner, and how he had to work to fit into the Robert Plant/Allison Krauss touring band after making the acclaimed "Raising Sand" record. It's an illuminating conversation for any music fan - please share and enjoy, and don't forget to subscribe to the podcast for free on iTunes!
Un nouveau film de Denis Villeneuve, c'est un nouvel épisode de 24FPS, et il s'agit cette fois de Sicario !Dans la première partie de l'émission, Jérôme et Julien évoquent (très rapidement, et un peu laborieusement) le film et son casting avant de livrer leur avis sans spoiler, puis après le signal sonore (à 21 minutes), ils reviennent sur les principales scènes et confrontent leurs avis.Bonne écoute, et n'hésitez pas à nous dire ce que vous en avez pensé !Crédits musicaux : Rich Woman de Robert Plant et Alison Krauss, issu de l'album Raising Sand 2007
A very special show, with all the regular bits you like, Weird News and Hot Topics. We will be interviewing musical guest guest Bradford Loomis and Beth Whitney. When artists Beth Whitney and Bradford Loomis began writing together, they had no idea their casual co-writing experiment would blossom into the much anticipated album The Banner Days (releasing August 23rd on MTS Records). That first night, they wrote “My Beloved” in two hours. And after a few more writing sessions, it was clear to both, that these songs merited a bold decision. From the first time they played together, along with Beth's husband/collaborator, Aaron Fishburn, the chemistry has been powerful. The combination of Beth's delicate, pure, and melodious voice and Bradford's soulful, growling tone makes for a beautifully heart wrenching harmonious blend. Their dramatic crescendos, minimalist intensity, through intricate harmonies have elicited comparisons to The Civil Wars, the Swell Season, and Robert Plant and Alison Krauss' Raising Sand. With equal parts sweetly anthemic, pop tinged folk, provided by Beth, and Bradford's gritty, passionate Americana Roots sound, The Banner Days is an intrepid step for both artists. www.thebannerdays.com https://www.facebook.com/bannerdays https://twitter.com/TheBannerDays Beth Whitney - Ukulele, Vocals, Bradford Loomis - Guitar, Vocals Aaron Fishburn - Upright Bass, Group vocals Luke Peterson - Drums, Percussion, Group vocals Jessie Scott - Violin Brandon Bee - Guitar, Ukulele, Piano, Organ (Wurlitzer, B3), Slide Guitar, Pedal Steel, Banjo, Percussion, Group vocals
Rock and Roll Hall of Fame singer, Robert Plant joins the most decorated female Grammy winner of all time, Alison Krauss for an album of duets titled Raising Sand.
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