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8 episodes with Centricity Music
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5 episodes with Centricity Music
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2 episodes with Centricity Music
2 episodes with Centricity Music
5 episodes with Centricity Music
2 episodes with Centricity Music
4 episodes with Centricity Music
On today's show, we chat with Band Reeves!The Reeves brothers have taken their hybrid brand of acoustic-grounded storytelling and spiritually-fueled country music to concert venues nationally before being discovered and signed to their first label deal with Centricity Music. A little bit Shane & Shane, a little bit Florida Georgia Line, Band Reeves is forging their own unique path on a patch of back forty dirt where blue-collar living, big family dinners and bonfire worship all converge.Fusing complementary country and Christian musical genres rooted in life on the farm and the faith that sustains them, Palestine, TX-based Band Reeves brothers Jeramy and Cody release their Centricity Music debut single, “Outrun You", the song was birthed after Jeramy's transformational encounter with Christ.Although he made a public profession of faith at age 12, it wasn't until he was 23 that Jeramy experienced a real relationship with Jesus. “I made a lot of stupid decisions as a teenager,” he admits. “I was walking further and further away from what I knew was true.” During his wayward season, Jeramy's wife had a life-changing encounter with the Lord at 18, the same year they were married. “I just watched God radically change her, and that challenged me in a lot of ways,” the oldest Reeves brother reflects, “in the way she was living and handling our marriage, and in the way she could forgive and move forward.”When divorce entered the conversation, Jeramy found himself at a crossroads. After digging into the Bible and examining the theology behind different religious schools of thought, he made a personal decision to genuinely follow Jesus.“I got on my knees at two o'clock in the morning, put my face in the gravel; and I just told God, ‘I don't know what happened to me when I was 12 years old, but I know where I'm sitting right now,'” he remembers. “I asked God to save me, and when I stood up from that little heart-to-heart with Jesus, God started radically changing me, and He healed my marriage.”bandreeves.com@bandreeveschristianmusicguys.com@christianmusicguys
In this episode of the Christian Music Industry Podcast, Wisdom Moon sits down with singer, songwriter, and worship leader Jaime Jamgochian—a veteran of over 25 years in music ministry. From her classical and jazz roots to becoming the flagship artist at Centricity Music, Jaime shares how surrendering her dreams led to deeper purpose.She unpacks the journey from discovering Christ through Christian music at 21 to serving in local churches and leading worship with authenticity and heart. Jaime reflects on the industry pressures of chasing numbers, staying visible, and building a platform—and how she's learned to keep “the main thing the main thing.”Together, they discuss:-Navigating label deals and building a team-How to discern the right opportunities-Leading with character and humility-Challenges female artists face in the industryJamie also gives us a sneak peek into her new book, releasing later this year.This is a rich and heartfelt conversation every Christian artist needs to hear.CONNECT WITH JAIME JAMGOCHIAN:jaimejam.comJaime on InstagramCONNECT WITH US:Christian Music Industry Podcast on YouTubeWisdom Moon on InstagramLula Music GroupLula Music Group on InstagramChristian Music Industry Podcast on InstagramThis episode is sponsored by Pure Mosaic Services, empowering Christian artists with tailored label services. Visit puremosaicservices.com to learn more about how they work with artists.
The latest singles keep rolling into The Antidote inbox, so we're going to bring the best of the bunch. We'll be joined by the new Centricity Music artist, John Allan. His sound may fit into the CCM mold, but with a significant difference. John brings a Bon Iver style into …
In this heartfelt episode of the podcast, host Wisdom Moon sits down with artist and songwriter Natalie Layne for an authentic conversation about faith, artistry, and finding peace in the creative process. Natalie shares profound insights about trusting God's timing in the music industry, moving away from the common cycle of desperation and extreme highs and lows that many artists experience. Throughout the conversation, Natalie's infectious enthusiasm and deep faith illuminate how finding true joy in artistry comes not from striving, but from resting in God's perfect timing. Currently residing in Nashville, Natalie's latest independent single "Amen" has gained millions of views on Instagram (where she has 328k followers) and TikTok (where she has over 233k followers) and 3 million likes on her videos. The single follows her 2021 Castles EP that garnered attention worldwide. The music led to opening concerts for Jeremy Camp, Chris Tomlin and We the Kingdom, and sharing stages with Steven Curtis Chapman, Mandisa and Crowder. Playing in several Nashville-based R&B and jazz bands, Natalie graduated with a Master's Degree in Commercial Piano from Belmont University. Writing and producing her own music, she most recently finished 2 major U.S. tours with Danny Gokey, Austin French, Brandon Heath, and Josh Wilson. She began leading worship at the age of 12, alongside worship pastors such as Cory Asbury, Jon Egan and Jared Anderson. In December 2022, Natalie signed an exclusive recording and publishing contract with Centricity Music. Her label debut the, "Amen" EP, has amassed nationwide radio adds, reached #5 on Independent Christian Radio Charts, and broke the top 30 on Billboard charts. From the EP, an exclusive live performance of her song "Grateful For" was just featured by the Recording Academy/GRAMMY's for their segment Positive Vibes Only. Natalie was also amongst Pandora's "Top 10 Artists to Watch" and featured on a billboard in Times Square. CONNECT WITH NATALIE LAYNE: linktr.ee/natalielayne CONNECT WITH US: Wisdom Moon on Instagram Lula Music Group Lula Music Group on Instagram Lula Street Records Christian Music Industry Podcast on Instagram Pure Mosaic Collective
A founding member of Elevation Worship, Mack Brock has always had a heart for writing songs that give a language and a voice for people to have a conversation with God. He's co-written songs that have resonated so deeply with the Church including “Do It Again” and “O Come to the Altar.” Now part of Centricity Music as a solo artist, Mack Brock will be releasing his new album, This Is Holy, on September 27th. Stuart Leach from our team has a conversation with Mack about these new songs, worshipping through wilderness seasons, the holiness and gravity of leading worship, and the importance of community in ministry. Mack Brock resources: https://www.multitracks.com/artists/Mack-Brock/Follow us @multitracks // @multitracksgospel // @leadworshipwellwww.multitracks.com
On today's episode, we chat with Mack Brock! Centricity Music recording artist and songwriter Mack Brock is one of the founding members of GRAMMY Award-winning Elevation Worship. Co-penning some of Elevation's earliest hits, like RIAA certified Double Platinum® single “O Come To The Altar,” Platinum-certified “Do It Again” and Gold-certified “Resurrecting,” Brock has also written songs recorded by Phil Wickham, Jesus Culture, Passion, Pat Barrett and Bryan & Katie Torwalt, among others. After a decade with Elevation Worship, Brock released his debut, Greater Things, which garnered him a radio hit with the title-cut. The five-track Covered EP followed the next year, and 2020's SPACE cemented Brock as a bonafide solo artist. His newest single, the anthemic “Just Like You've Always Done,” which is his first for Centricity Music, was co-written with Hank Bentley and Jessie Early. The song boasts of the consistency of God yesterday, today and forever. “It's the launching pad of what we believe,” Brock says of the fresh track. “He is the same as He's always been. He's the same God that's the lead character in all the stories we've read in Scripture. He's still working miracles.” The strength of Brock's new music rides on the hope he finds in the unfolding story his family is living. The South Carolina native and his wife, Meredith, who currently serves as the CEO of Proverbs 31 Ministries, have three children. From the unexpected joy discovered in foster parenting to leaving the known to pursue the unknown, Brock writes songs to remind his own heart and encourage others that there's an all-knowing God who is sovereign over it all and is worthy of all our praise. “With my music, I'm just trying to relive all the times God has shown up,” he says. “I want to use that as a catalyst to build my faith and, hopefully, encourage others in their faith for the future as well.” mackbrock.com @mackbrock christianmusicguys.com @christianmusicguys --- Send in a voice message: https://podcasters.spotify.com/pod/show/christianmusicguys/message
The bros sit down with new Centricity Music artist Bay Turner who was also on America's Got Talent. They discuss his upcoming music and his story so far.
On today's Friday edition of the Christian Music Guys, we talk with emerging artist, Natalie Layne! Natalie's latest independent single “Love Me Back to Life” has gained millions of views on Instagram Reels and on TikTok where she has over 196,000 followers and 2.8 million likes on her videos. The single follows her 2021 Castles EP and 2020 independent debut Be Human that has garnered attention worldwide. The music led to opening concerts for Jeremy Camp, Chris Tomlin, and We the Kingdom, as well as sharing stages at festivals with Steven Curtis Chapman, Mandisa, and Crowder. Playing in several Nashville-based R&B and jazz bands, Natalie graduated with a Master's Degree in Commercial Piano from Belmont University where she also taught Fundamentals of Music classes. Writing and producing her own music, she also leads worship at her local church. She began leading worship at the age of 12, leading alongside worship pastors such as Cory Asbury, Jon Egan and Jared Anderson. By age 14, she was heading up teams of musicians at New Life Church and has spent time traveling across America leading worship and sharing her original songs. In December 2022, Natalie signed an exclusive recording and publishing contract with Centricity Music, and her label debut is currently slated for fall 2023. natalielaynemusic.com @natalielaynemusic christianmusicguys.com @christianmusicguys --- Support this podcast: https://podcasters.spotify.com/pod/show/christianmusicguys/support
BRAVE Worship - For Women in Church Leadership, Music and Songwriting
Three hard-working Nashville songwriters - Natalie Layne, Rachael Nemiroff, and Rhyan Shirley - share from the 2022 Writing Worship Conference about their perspectives as female writers in the music industry. Natalie Layne is an artist & writer for Centricity Music, who has a flair for incorporating her unique musical background into catchy CCM songs. Rachael Nemiroff is a staff writer for Curb/Word who writes for other artists as well as her own artist releases. Ryan Shirley is a worship leader and songwriter who's written songs for artists like Colton Dixon, Leeland, and We Are Messengers.Take the Songwriter Personality TestThis simple 10-minute test created by our founder, Krissy Nordhoff, will help you know your strengths as a songwriter and it will also help you better identify where you fit in the co-writing room. Visit SongwriterPersonalityTest.com Apply for the Writing Club- New songwriters joining every month. Follow us on Facebook and Instagram Join the Writing Worship Community on FacebookTake the Songwriter Personality TestRead the Writing Worship Book by Krissy Nordhoff (writer of Your Great Name, Famous For)Writing Worship champions the worship songwriter - visit WritingWorship.co to get more involved.
This episode of The Walk features worship artist, songwriter, and worship leader Patrick Mayberry and his wisdom could apply to anyone leading a team in any setting. He brings a great combination of practical advice for those on worship teams, as well as some great inspiration based on 2 Corinthians 10.2 Corinthians 10:4-5 (ESV) For the weapons of our warfare are not of the flesh but have divine power to destroy strongholds. We destroy arguments and every lofty opinion raised against the knowledge of God, and take every thought captive to obey Christ…For those of us in leadership, having a grasp on the vision God has given you for your business, church, or ministry, and passing that vision along to your team can not only inspire, but it can motivate your team to pursue excellence in the practical applications of their giftings. The abilities that God has given us, when used for Kingdom purpose, destroys lies and attacks set against us in the spiritual relm that manifest in the physical realm. Use your “weapons” today, whether that be leading worship, doing taxes, or fixing cars, for God's glory and you'll see strongholds destroyed, in the mighty name of Jesus. - - - - - -Sponsor InformationWorship Leader Institutehttps://www.worshipleaderinstitute.com/coaching- - - - - -Please subscribe to our social channels for more information and great content surrounding building a lifestyle of worship. This podcast is brought to you by Authentic Media and Worship Leader Magazine. Our host is Joshua Swanson and the show's co-producer and editor is Matt McCartie. More episodes can be found here.Additional Linkshttps://patrickmayberrymusic.com/https://www.instagram.com/worshipleader/https://worshipleader.com/all-podcasts/https://authenticmedia.company/https://worshipleader.com/all-podcasts/our-host/Who is Patrick Mayberry? Cookeville, Tennessee native Patrick Mayberry first fell in love with worship music at a Passion conference in 2006. Twelve years later the worship leader, singer, guitarist and songwriter signed his first publishing deal with Centricity Publishing (publishing home of Lauren Daigle, Jordan Feliz, Katy Nichole, etc.), and recorded and released his independent EP, Joy, followed by Live In My Living Room in 2019. Along with Centricity Publishing, Centricity Music (record label) caught the vision of Patrick's artistry and signed him as an artist as well, which led to the release of his EP Holy Spirit Come in 2021. The title track hit the Top 15 at Christian radio, and recently the Top 200 on CCLI's Top 2,000 US chart; and “Breakthrough Miracle Power” made a significant splash as well. This launched Patrick into his first two nationwide tours in 2022 - the Songs & Stories Tour with Cory Asbury and the My People Tour (along with Crowder, We The Kingdom, Anne Wilson and more). Mayberry is currently in the studio recording songs for his next project to be released in 2023.In addition to writing and recording his own music, Patrick has penned songs that have been recorded by Passion, Josh Baldwin, David Leonard, Chris Renzema, Mack Brock, Pat Barrett, North Point Worship, among others. He's also garnered sync placements with T-Mobile, NBA, the “TODAY” show and more. Mayberry, his wife Jenny, and their four children live in Franklin, Tennessee.
Kory Henkel is on the #ReadingWithYourKids #Podcast to celeebrate Beloved, a beautiful #PictureBook based on a song written by recording artist Jordan Feliz. Kory is the Director of Marketing & Communication for Centricity Music, and the editor of Beloved. He tells us he never dreamed of editing a #ChildrenBook and relives the delightful way the idea came to life. Kory also gives us some insight in to the World of Christian music, some of the stars he is currently working with, and relives the night he was called off of a tour bus, suffering from pneumonia to meet our host Jedlie and his daughter. Click here to visit the Centricity Music website - https://centricitymusic.com/team/kory-henkel/ Click here to visit our website - www.readingwithyourkids.com
Ever wonder what A&R folks at record labels are looking for in artists? On this episode, we share a snippet of a private session that Centricity Music's Sr. VP of A&R, John Mays, taught for the Christian Artist Mentorship program in Spring 2022. If you're interested in joining the next Christian Artist Mentorship group, visit https://christianartistmentorship.com/ -you'll get to hear from John as he teaches this session again! SUBSCRIBE TO THE PODCAST: On Apple Podcasts On Spotify All other platforms CONNECT WITH US: christianmusicmarketing.com Christian Music Marketing on Instagram Christian Music Marketing Facebook Christian Music Industry Podcast on Instagram CONNECT WITH JOHN MAYS: centricitymusic.com Bumper music provided by Land of Color - from their single, "Warriors". --- Send in a voice message: https://anchor.fm/christianmusicindustry/message
Jason Gray, an American contemporary Christian singer-songwriter, returns to the Song Revolution Podcast, almost four years since he first came on the show! Jason was born and raised in Southwestern Minnesota where he spent six years in youth ministry, before going into full-time music ministry in 1999 as an independent artist. He lived in the Mankato area until his move to Nashville in 2015. Gray has a speech disorder, and as a person who stutters, his work emphasizes finding strength in weakness. He released four independent records before signing with Centricity Music in 2006. Centricity released his first major label record, "All the Lovely Losers" in 2007. ChristianityToday.com calls Gray one of "Christian music's best kept secrets." On today's episode, Jason reminds John why he is supposed to be mad at him. Then, they have some deep personal conversations about challenges in one's faith and the challenges faced while making music. Jason also talks about why he thinks self-righteousness is the greatest sin of all, the OCEAN personality-profiling test, ideological purity, and several other topics. Stick around till the end of the episode to hear an acoustic version of Jason's famous single “What I Wish For You.” HERE'S WHAT YOU'LL GET ON TODAY'S EPISODE 03:39 Why it's better to wait until a chapter of your life closes before you share about it 08:22 Jason shares about why, at times he feels alienated 16:41 The sin underneath all other sins is self-righteousness 24:24 The OCEAN personality-profiling test 32:01 The notion of ideological purity 36:48 How we see what we've already decided to see 38:38 Jason's experience of having to go through Order, Disorder, Reorder 45:28 An acoustic version of “What I Wish For You” WE HOPE THIS SONGWRITING TIP HELPS YOU Jason says, “I think it [the idea] comes from my own desire to escape the bounds of my own self-righteousness and blindness and confirmation bias.” GET TO KNOW MORE ABOUT JASON GRAY AT https://jasongraymusic.com/ CONNECT WITH JASON GRAY Website - https://jasongraymusic.com/ Instagram - https://www.instagram.com/jasongraymusic/ Twitter - https://twitter.com/jasongraymusic Facebook - https://www.facebook.com/jasongray YouTube - https://www.youtube.com/user/jasongraymusic CONNECT WITH NASHVILLE CHRISTIAN SONGWRITERS Nashville Christian Songwriters - www.nashvillechristiansongwriters.com Kingdom Songwriter Academy - www.kingdomsongwritersacademy.com Facebook - www.facebook.com/nashvillechristiansongwriters/ Instagram - www.instagram.com/nashvillechristiansongwriters/ Twitter - twitter.com/NCSsongwriters SUBSCRIBE TO THE SONG REVOLUTION PODCAST Apple Podcasts - https://podcasts.apple.com/in/podcast/song-revolution-with-john-chisum/id1220274942 Spotify - https://open.spotify.com/show/7Ayzw23YSLcqV4TZ96hGZ8 If you liked this episode, please don't forget to tune in, subscribe, and share this podcast! ABOUT THE SONG REVOLUTION PODCAST The Song Revolution Podcast exists to empower you through valuable songwriting insights, inspiration, and interviews with some of the greatest songwriters, producers, arrangers, artists, and creatives in the industry and beyond. Find out more at nashvillechristiansongwriters.com
Chad Segura, VP of Publishing for Centricity Music, returns to the Song Revolution Podcast! Chad has worked closely with some of the greatest singers and songwriters of our time like Lauren Daigle, Coby James, Brandon Heath, Jason Gray, and many more on the Centricity Music label. On today's episode, Chad and John talk about the importance of melody, the many ways of experiencing art, and why ‘Die Hard' is his favorite movie of all-time. They also spoke about what Chad looks for in songs as a Nashville CCM publisher and how artists can remember their passion for songwriting. HERE'S WHAT YOU'LL GET ON TODAY'S EPISODE 04:57 The first time Chad was ‘moved' by music 12:30 How Chad experiences art across various mediums 19:04 How Chad determines that he can champion an artist/song to the label 27:51 Coaching people in emotional transparency 31:40 The danger of forgetting why you first started songwriting WE HOPE THIS SONGWRITING TIP HELPS YOU Chad says, “What I've really distilled it down to is you need to make somebody feel something.” GET TO KNOW MORE ABOUT CHAD SEGURA AT https://centricitymusic.com/team/chad-segura/ CONNECT WITH CENTRICITY MUSIC Website - https://centricitymusic.com/ Twitter - https://mobile.twitter.com/centricity Facebook - https://www.facebook.com/centricitymusic/ YouTube - https://www.youtube.com/user/CentricityMusic CONNECT WITH NASHVILLE CHRISTIAN SONGWRITERS Nashville Christian Songwriters - www.nashvillechristiansongwriters.com Kingdom Songwriter Academy - www.kingdomsongwritersacademy.com Facebook - www.facebook.com/nashvillechristiansongwriters/ Instagram - www.instagram.com/nashvillechristiansongwriters/ Twitter - twitter.com/NCSsongwriters SUBSCRIBE TO THE SONG REVOLUTION PODCAST Apple Podcasts - https://podcasts.apple.com/in/podcast/song-revolution-with-john-chisum/id1220274942 Spotify - https://open.spotify.com/show/7Ayzw23YSLcqV4TZ96hGZ8 If you liked this episode, please don't forget to tune in, subscribe, and share this podcast! ABOUT THE SONG REVOLUTION PODCAST The Song Revolution Podcast exists to empower you through valuable songwriting insights, inspiration, and interviews with some of the greatest songwriters, producers, arrangers, artists, and creatives in the industry and beyond. Find out more at nashvillechristiansongwriters.com
Do you struggle with consistency when it comes to marketing your music as an independent Christian artist? Do you find yourself constantly falling into a cycle of being burnt out after every new release? In today's episode, I speak with Christian music marketing expert, Wisdom Moon, about a topic I absolutely love and that's marketing. I know marketing is a big hurdle for many artists and songwriters, in general. There's many facets to it and it can feel a bit complicated, and leave you feeling burnt out at times. You may even be wondering what exactly is marketing, what does it look like for my music, or where do I even start? So today I wanted to provide some answers to those questions that you may have, as I speak with Wisdom about how to build an overall marketing campaign for your music, and what does a marketing campaign look like for you as an independent Christian artist.So on this episode we talk about:Wisdom's journey into the music industryThe #1 struggle and mistakes he sees Christian artists make when it comes to marketing their musicHow to build an overall marketing plan to help you stay consistent and avoid the burnout that comes with promoting your musicHow to scale your marketing plan and some advanced marketing strategies and examplesAnd we talk about his agency Christian Music Marketing and their mission to serve independent Christian artists.About Our Guest:Wisdom is the Founder and CEO of Marketing with Wisdom, Christian Music Marketing and Lula Street Records.He is also the founder and former owner of All About Worship and Kingdom Songs, and a pioneer in creating resources for Christian artists, songwriters and worship leaders. He has over 20 years of ministry experience and over 15 years of marketing & business experience.His background includes marketing and branding for Christian record labels, churches, nonprofits, businesses, artists, and podcasts.Wisdom has served in various marketing roles for Centricity Music and Integrity Music, as well as for artists like Lauren Daigle, All Sons & Daughters, Chris McClarney, Darlene Zschech, New Life Worship, Paul Baloche, Corey Voss, Aaron Shust, David & Nicole Binion, Lincoln Brewster, Covenant Worship, Gateway Worship, Christine D'Clario, Israel Houghton, Joshua Aaron, David Leonard, Krissy Nordhoff, NCC Worship, Sovereign Grace Music, Dustin Smith, Seth & Nirva, WorshipMob, Soul Survivor, Mike Real, FLAME, and others.Connect With Wisdom Moon:Instagram: https://www.instagram.com/wisdommoon/Website: https://www.wisdommoon.comMusic Marketing Agency: https://christianmusicmarketing.comConnect With Us:Instagram: https://www.instagram.com/thesongwritergospel/Facebook: https://www.facebook.com/thesongwritergospelWebsite: https://thesongwritergospel.com
Coby James is a singer, songwriter, guitarist, and part of one of Nashville's most successful record labels, Centricity Music. On today's episode, Coby and John talk about Coby's relatively young but amazing career. They discuss Coby's favorite superheroes, both in real life and in the Marvel Comics universe. Coby shares his biggest influences from the world of music. John asks about the uncertainty a 20-year old faces in these times and the episode concludes with Coby performing an acoustic version of the classic Mary Mary song ‘Shackles.' HERE'S WHAT YOU'LL GET ON TODAY'S EPISODE 03:18 How Coby has “studied” John Mayer 05:01 Who is Coby's favorite superhero and why 07:13 An out-of-body experience that Coby had on-stage 11:59 Who would Coby be if his music skills were taken away 14:00 What does the world look like to a 20-year-old right now 20:40 Coby shares what his experience was, as a kid, with Christ 24:52 John and Coby discuss about Coby's song ‘Happier' 32:13 What would Coby want his audience to take away from his songs 38: 46 Coby James performs ‘Shackles' WE HOPE THIS SONGWRITING TIP HELPS YOU Coby says, “Vulnerability is the key to getting emotion. Being open and real about it all.” CONNECT WITH COBY JAMES Website - https://cobyjames.com/ Instagram - https://www.instagram.com/cobyjamesmusic/ Facebook - https://www.facebook.com/cobyjamesmusic YouTube - https://www.youtube.com/channel/UCRxkB41rHYmUwLdM0UWZbJQ SoundCloud - https://soundcloud.com/cobyjamesmusic CONNECT WITH NASHVILLE CHRISTIAN SONGWRITERS Nashville Christian Songwriters - www.nashvillechristiansongwriters.com Kingdom Songwriter Academy - www.kingdomsongwritersacademy.com Facebook - www.facebook.com/nashvillechristiansongwriters/ Instagram - www.instagram.com/nashvillechristiansongwriters/ Twitter - twitter.com/NCSsongwriters SUBSCRIBE TO THE SONG REVOLUTION PODCAST Apple Podcasts - https://podcasts.apple.com/in/podcast/song-revolution-with-john-chisum/id1220274942 Spotify - https://open.spotify.com/show/7Ayzw23YSLcqV4TZ96hGZ8 If you liked this episode, please don't forget to tune in, subscribe, and share this podcast! ABOUT THE SONG REVOLUTION PODCAST The Song Revolution Podcast exists to empower you through valuable songwriting insights, inspiration, and interviews with some of the greatest songwriters, producers, arrangers, artists, and creatives in the industry and beyond. Find out more at nashvillechristiansongwriters.co
Find Us On The Internet! keeganpaluso.com/modernworkingmusician facebook.com/modernworkingmusician Instagram @themodernworkingmusician TikTok: @modernwmusician Phoebe Scott is a pop singer-songwriter from West Tennessee. She grew up in a small, charismatic non-denominational church surrounded by incredible gospel vocalists and songwriters. In her early teens, Phoebe joined Coopertheband, an indie/folk band originating in Jackson, Tennessee. Their studio album "Kingdoms" contains 10 songs co-written and co-produced by Phoebe - an experience that taught her many things about writing, producing, and collaborating. Phoebe moved to Nashville in 2017 to attend Belmont University as a songwriting major. Since then, Phoebe has used her spiritual background along with tactics and strategies she has learned from collaborating with Coopertheband and studying at Belmont to create a body of work that reflects Jesus is a way that is clear to a secular audience. With the help of the good people at Centricity Music, Phoebe has released her debut solo project “This Isn't Fun”, available now. You can find Phoebe on all platforms @phoebeisloud
Our brave hero Ian descends deeper and deeper into The Beatles' catalogue. On Episode 6 of our first season, IAN HEARS THE BEATLES, we encounter the groundbreaking, the paradigm-shifting splendor of The Beatles' 8th album Sgt. Pepper's Lonely Hearts Club Band. And for Ian, it's of course his first time experiencing it. Our guest this week is John Mays (@mayscast)! John is the Vice President of A&R at Centricity Music and was a wonderful choice with which to discuss this big honkin' album. He was such a lovely conversationalist that we are turning this discussion into a TWO-PARTER!! Side 2 will come out next week. Hear: - John's recollections about seeing the '64 Ed Sullivan show performance - Why this album didn't spawn any #1 singles - What were the two songs that producer George Martin left off Sgt. Pepper's and forever regretted doing so? Learn all this and much more on episode 6!
Brandon Heath ist regelmässigen Hörern von Radio Life Channel ein Altbekannter. Er wurde fünf Mal für einen Grammy nominiert und hat acht Dove Awards eingeheimst. Seit seinem letzten Album «Faith Hope Repeat» hat er das Label gewechselt und ist nun bei «Centricity Music». Vier Songs des neuen Albums «Enough Already» sind neu, vier bereits als Vorab-Singles erschienen. Das Werk bietet fröhlichen Pop, der weniger pompös als beim Vorgängeralbum ausfällt. Heaths Texte sind immer noch tief und oftmals autobiografisch. Auf «Enough Already» erzählt er von den Unsicherheiten in seinem Leben. Während dem Schreiben der Songs entdeckte Heath wieder, was Gott über ihn denkt und dass dieser seinen Wert bereits definiert hat. Deshalb auch der Name des Albums.
Brandon Heath ist regelmässigen Hörern von Radio Life Channel ein Altbekannter. Er wurde fünf Mal für einen Grammy nominiert und hat acht Dove Awards eingeheimst. Seit seinem letzten Album «Faith Hope Repeat» hat er das Label gewechselt und ist nun bei «Centricity Music». Vier Songs des neuen Albums «Enough Already» sind neu, vier bereits als Vorab-Singles erschienen. Das Werk bietet fröhlichen Pop, der weniger pompös als beim Vorgängeralbum ausfällt. Heaths Texte sind immer noch tief und oftmals autobiografisch. Auf «Enough Already» erzählt er von den Unsicherheiten in seinem Leben. Während dem Schreiben der Songs entdeckte Heath wieder, was Gott über ihn denkt und dass dieser seinen Wert bereits definiert hat. Deshalb auch der Name des Albums.
This week I'm talking with my friend and co-writer Ross King. Ross is a hit songwriter with Centricity Music in Franklin, TN with cuts by Jordan Feliz, Newsboys, JJ Heller and more. In addition to writing songs for himself and other artists, Ross is a successful sync music writer with multiple placements on tv. We are discussing the value of building a loyal fan base, the pros and cons of having a publishing deal as a songwriter and three things that will help you be successful in music. Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. In this episode we talk about: *Be part of a musical organization that people are coming to hear to help learn your craft. *Writing for artists from American Idol, etc. *True fans who tell others about is more important than Spotify streams. *Artist vs. Songwriter. *Establish a tribe of true fans. *Understanding what publishing is. *Understanding what a PRO is. *The reasons for changing publishing companies. *Payout from deep album cuts vs. sync cuts. *What do you want from your career? *Does a pub deal accomplish what you want? *3 ways to be successful in the music business. *Make relationships with the people in the middle. *“Tools Not Rules” Songwriting curriculum on www.rosskingmusic.com. *Creating awareness and authority. *Collaboration and critique are everything. BIO: Since 1995, Ross King has been a full-time songwriter, worship leader, performer and and producer. Many of the songs he's written have been recorded by Jordan Feliz, Newsboys, We Are Messengers, JJ Heller, North Point Worship, Jason Gray, Jonny Diaz, Carrollton, Micah Tyler, Coby James, Joel Vaughn, Cade Thompson, Jimmy Needham, Michael English, and many others. In addition to writing CCM and worship, Ross crafts songs for the film/tv world. His songs have been heard on an NBC promo for the Today show, a SEC Football promo and a SmileDirectClub commercial. Outside of primarily writing for others, Ross has recorded several independent albums of his own music throughout the years. In addition to all of that, Ross spends a decent amount of time teaching other songwriters and creatives how to grow in their confidence and in their craft.
As a surprise addition to our trip to Nashville, we got to head back to Centricity and sit down with PEABOD! PEABOD has been working with Centricity Music for the last several years to create a unique style of music that many people have called "Happy Rap." We got to talk through his journey of getting started in the music industry and some of the wonderful and scary parts of the process!
We got to stop by Centricity Music and talk with John Mays and Steve Ford. John founded Centricity Music and is currently head of A&R. Steve has been with working with John pretty much since the beginning and is currently the general manager of the label. Centricity Music is a Christian record label in Nashville, Tennessee with artists such as Jordan Feliz, NEEDTOBREATHE, and Lauren Daigle! We talked about topics like the founding of Centricity as well as the process of finding new artists and supporting them in their journey!
Steve Ford is the General Manager at Centricity Music, home label to Lauren Daigle, Jordan Feliz, Unspoken, and more. From Los Angeles to Nashville, hear Steve's story of faith, brokenness, redemption, and what gives a song the “there it is”!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
John is the SR. VP of A&R at Centricity Music. He's had a long career in CCM world that goes back to the 70's with the Speer Family. John has worked with many artists including Sandi Patty, Cindy Morgan, Point of Grace, Newsboys, Nichole Nordeman, Passion, Downhere, Matt Redman, Jason Gray, Unspoken, Lauren Daigle, Jordan Feliz, to name a few. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In part 2 of this Creatively Christian podcast episode, John Mays continues to talk to Andrea Sandefur. If you missed part 1, be sure to listen to that episode first. John is a songwriter and an A&R Representative for Centricity Music where he finds new musical talent and oversees the administrative aspects of music production. John works with artists like Jason Gray, Jordan Feliz, Unspoken, and Lauren Daigle. On this episode, John Mays talks with Andrea about creating quality Christian music and encourages aspiring musicians to make the best work they can. He also delivers some amazing advice for any creatives afraid to start or share their work. You can follow John on Instagram or send a message to info@centricitymusic.com. This episode (part 1 and 2 together) can be found on YouTube. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliate links, meaning we earn a commission if you buy through the link. Artist Jason Gray and his song "Order, Disorder, Reorder"If You Want to Write [Affiliate] by Brenda UelandFearless Creating: A Step-by-Step Guide to Starting and Completing Your Work of Art [Affiliate] by Eric MaiselWar of Art: Break Through the Blocks and Win Your Inner Creative Battles [Affiliate] by Steven PressfieldVincent van Gogh: The Letters“Your Elusive Creative Genius” Ted Talk Video by Elizabeth GilbertThe Craft of Lyric Writing [Affiliate] by Sheila DavisSuccessful Lyric Writing: A Step-By-Step Course & Workbook [Affiliate] by Sheila DavisArtist Chris RenzemaLauren Daigle’s New Song “Hold on to Me” Credits This show is produced by Theophany Media. The theme music is by Bill Brooks and Andrea Sandefur. The logo is by Bill Brooks. Our wonderful hosts are Brannon Hollingsworth, Lynn Baber, Andrea Sandefur, and Bill Brooks. Follow us on Facebook, Twitter, or Instagram.
Today on the Creatively Christian podcast we are joined by John Mays. John is a songwriter and an A&R Representative for Centricity Music where he finds new musical talent and oversees the administrative aspects of music production. John works with artists like Jason Gray, Jordan Feliz, Unspoken, and Lauren Daigle. John Mays talks with Andrea about the Christian music industry and the importance of stewarding our creative gifts for the benefit of God’s Kingdom--even when balancing faith, art, and business is messy! He encourages creatives to develop the right character and he shares an extensive list of resources for creative encouragement too. You can follow John on Instagram or send a message to info@centricitymusic.com. This episode (part 1 and 2 together) can be found on YouTube. Show Notes The following resources were mentioned in the show or are useful resources recommended by the guests. Links might be marked as affiliate links, meaning we earn a commission if you buy through the link. On Writing: A Memoir of the Craft [Affilaite] by Steven KingWalking on Water: Reflections on Faith and Art [Affiliate] by Madeleine L’Engle Credits This show is produced by Theophany Media. The theme music is by Bill Brooks and Andrea Sandefur. The logo is by Bill Brooks. Our wonderful hosts are Brannon Hollingsworth, Lynn Baber, Andrea Sandefur, and Bill Brooks. Follow us on Facebook, Twitter, or Instagram.
WJTL DJ Kristi Leigh caught up with Centricity Music singer/songwriter Chris Renzema on Groundhog Day: the perfect occasion for a conversation about seasons and learning how God works as we observe nature's process! In 2020, he released the album "Let The Ground Rest"--and in 2021, the "Let The Ground Rest B-sides" EP! Chris' latest music is rich with lyrics encouraging listening hearts to hold on for the harvest. Chris talked about the standouts: "Springtime", "Not Finished Yet", "Tear My House Down" and the title track. He shared stories behind the songs, what he's gotten out of his own music after its release and the thing that makes him feel like he's having a good gig.
Clay Finnesand and North Point Worship - Episode 369 North Point Worship members traversed the nation this past fall on The Faith Tour with Jordan Feliz.Pictured (l-r) are Alex Thompson, Clay Finnesand, Jordan Feliz, Heath Balltzglier and Brandon Coker.North Point Worship's first recording, No One Higher, released in 2012 and hit the Top 20 on Billboard's Christian Albums chart. The album was followed by 2015's Hear that soared to No. 2 on the chart while further hitting the Billboard Top 200 for the first time. Signing with Centricity Music in 2017, the group released the EP Nothing Ordinary, which featured its song “Death Was Arrested” that is being heard across the globe and has been re-recorded by artists like Aaron Shust and Laura Story. Five more EPs have released to critical acclaim, including Nothing Ordinary, Pt. 1 (Live)and Pt. 2 (Live), the Christmas offering Ring The Bells (2018), North Point InsideOut (2018) and Abundantly More (2019). Clay Finnesand from North Point Worship has stopped by for a visit today to catch us up on some of the exciting new things that are happening with North Point Worship, even in these strange times of social isolation that we are living in. North Point Worship Music Link: https://amzn.to/2W6CIgh For all the latest North Point Worship tour, music, song tutorials and more news, visit http://northpointmusic.org/, Facebook, Twitter, Instagram, YouTube, Spotify and Apple Music. ----more--------more----Looking for some more music during your time at home?Also Find Rick Lee James Music on Bandcamp: www.RickLeeJames.Bandcamp.comor on Amazon: https://amzn.to/3abA3po ----more---- Become A Patron of this Podcast at the Rick Lee James PATREON PAGE: https://www.patreon.com/RickLeeJames ----more----As Always...Thank You For Listening To Voices In My Head About Your Host: Rick Lee JamesFor more information on Rick Lee James, visit www.rickleejames.com, or follow him on Twitter and Facebook. Listen to his official podcast at www.voicesinmyheadpodcast.com, and get a daily dose of wisdom from Mister Rogers at @MisterRogersSay.“Welcome To The Neighborhood: A Mister Rogers Tribute Podcast” podcast can be heard HERE.Request the “Thunder Radio Special” at www.crwradiopromotions.com. Official Web Site: www.RickLeeJames.comGet Rick Lee James Latest Album: https://fanlink.to/RLJThunderIn partnership with CRW Radio Promotions, singer, songwriter and worship leader Rick Lee James debuts a brand new radio special. The “Thunder Radio Special” can be heard exclusively on James' official YouTube channel or his website. It was also recently added to Spotify and Apple Music. Radio stations interested in airing the “Thunder Radio Special” can contact Kathryn Ambrose at CRW Radio Promotions at kathryn@westarmediagroup.com.----more----For Booking Inquiries Click Hereor contact Gary StriplingBy Phone: 904.745.9151By Email: gary@themanagementagency.comManagement General Office Hours:Monday – 11Am – 5PMTuesday – 11Am – 5PMWednesday – Office closedThursday – 11Am – 5PMFriday – 11AM – 5PMSaturday – 11AM – 5PM This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rickleejames.substack.com/subscribe
This week I’m talking with my friend Chad Segura who is the Vice President of Publishing at Centricity Music in Franklin, TN. He’s been a publisher in the Christian music, country music and sync licensing markets for two decades. We are discussing the differences between marketing and publicity, details about what music publishing is and what Centricity Music Publishing is looking for when they sign new staff writers to their roster. Plus, the importance of internships if you are wanting to work for a publishing company and the baseline component to be successful in any area of the music industry.Show Notes:Sponsors: Edenbrooke Productions - We offer consulting services and are offering listeners a 1-hour introductory special. To request more info on consulting services, email Marty at contact@johnmartinkeith.com. Talking Points:*VP of Music Publishing for Centricity Music.*I Played music growing up and went to Belmont as a vocal performance major and realized during orientation week that I didn’t like the technical aspect of what that would require so I transferred to the music business program.*I went from performance focused to business focused which turned out to be the perfect fit for me.*I did an internship in publishing and an internship in marketing for a label.*The publishing internship was not great for me. I did the work that needed to be done but really didn’t learn a lot.*The people at the record label internship let me speak into ideas and giving me a voice into marketing campaigns and including me in business lunches when it made sense.*You should always be learning and getting new experiences in an internship. Not only getting to work on projects and have input but also getting to interact with people.*After college I transitioned from the internship into a full time position at Sparrow Records which had been bought by EMI Christian Music Group.*My first job was in publicity which is promoting those artists to outside entities that can let the consumer know about them. Magazines, blogs, social media, etc.*After a year my boss moved to marketing and allowed me to move with her which was letting the consumer know about the product. CDs, tapes, streaming, etc.*EMI was creating a publishing role called “catalog development manager” that I got hired for which was getting into the song catalog and figuring out ways to monetize that.*I’m passionate about great songs and songwriters and helping their songs find homes and outlets and streams of revenue.*At Centricity Publishing we work with two distinct groups of writers: Staff writers that write for other people and artist writers that write for their own artistry.*My role is to head up the publishing company and oversee all aspects of the business.*Publishing is broken up into two parts: The creative side and the administrative side.*The creative side is everything with the writers and songs finding opportunities for them and generating revenue, etc.*The administrative side is all the details that have to happen in order for this to not just be a hobby.*If nobody’s tracking it, registering it, licensing it, collecting revenue, etc. then we don’t have a business.*We are trying to find talent, find songs.*We have writers that are signed to us (staff or artist), but we also do single song agreements where we identify a song that we think we can help it find a place.*Regarding single songs contracts we sign that song because we usually become aware of it*We don’t take songs that people randomly send us mainly for legal reasons. It can be dangerous to accept unsolicited music which is something we didn’t ask for directly from someone.*Most likely you know someone that knows a publisher, so have them listen to it and see if they can send it for you if they believe in it.*It’s way better for us to get it from a trusted source where they can vet it.*Be affiliated with a PRO - BMI, ASCAP or SESAC*They are people that publishers trust and can be an advocate for you and they can send to us if they think it is a good song. They are putting their reputation on the line.*Sometimes we do a sync writers event where we invite unsigned writers along with our staff writers and some music supervisors to work on sync songs together with the understanding that if they do it, then it will be under a single song contract during the event.*We also do the same thing for worship retreats.*Finding staff writers is similar in the sense that we hear somebody is good. Sometimes its a person we known for years and they are coming out of a publishing deal and we see an opportunity to work with them exclusively. But, more often than not, we decide to work with someone exclusively after we have done a few single song contracts. Or we keep hearing about a writer from other people or our writers keep writing with a certain person and anything they do together seems great.*Artist writers are their own thing. They are writing almost exclusively for their own artistry and that’s it’s own very specific thing.*Staff writers each have specific skill sets and leanings towards different genres or strengths so for us we are very intentional about that. Knowing how many producer/writers we need and are they different enough from each other to where they are not stepping on each other.*In some cases you need multiple’s of one thing because there isn’t enough to go around.*How many great lyricists do we have and people who are great at concepts or melodically strong.*It’s knowing that balance of how much can we physically work with and also do they fit our roster.*Most importantly for me is do I love this person. I want to see them win. Do they fit what we do and our culture and our work style and we think we can enhance what they do.*They are plenty of people I love but either we don’t have room or they don’t fit what we do.*It’s very relational for us.*The bar though is amazing talent. That’s the baseline.*We wouldn’t be talking if we didn’t think there was something here in it’s rawest form was pretty special.*Then we have to figure if and how they fit into what we do and do we fit them.*I’m not quick to rush into longterm deals with anybody.*When we enter into a deal with somebody, whatever the term is, my hope is always when the end of that term is done we are trying to figure out how to do the next one.*the hope is that it will be a long term thing for years and years and everyone will be better for having partnered together.*Some writers we pay a salary upfront and some we don’t. They all need to be bi-vocational.*Writers are paid advances on their future royalties which they have to pay back if they song makes money.*It’s the best loan you’ll ever get because you don’t have to pay it back if they song never makes money.*Advances are much less than they used to be. Getting an advance or not is negotiable. Some writers want one and some don’t.*If you get paid an advance for a long time and something big happens and you get cut and generates a decent amount of money, when that comes in you’ve basically already gotten that money so you’re just digging out of the whole that you have. Sometimes that is not as satisfying for people because it feels like your catching up to where I am now and you’ve already spent that money.*Some people need that upfront, regular payment for budgeting purposes, etc.*A lot of our writers are doing other things as well. Some are producer for major labels and independently, some are teachers, etc. to create multiple streams of income.*If you want to work for a publishing company, it’s to be in the cities where they are doing that.*You need to be willing to learn and try to get your foot in the door.*If you’re not enrolled in school, it’s harder to get internships especially at the bigger companies because of how they are set up.*Smaller companies like ours you do not have to be school in to get an internship, so find places to learn and pour in and get a job so you can pay for life while you are trying to do that.*Internships are one of the best ways to learn the thing and get your foot in the door and let people know who you are.*As a writer - write!*If you want to be professional writer, you need to already be a writer. Develop that craft, hone it, know how to write on your own and with others.*Always try to write with people who are better than you.*The way you get on our radar is by delivering great music through a trusted source if you don’t know us directly and if you do, building that relationship.*Be excellent at what you’re doing.*I am always looking for people that are phenomenal talent.*Work ethic and ability to do what needs to be done and have a great attitude.*Be teachable.*www.centricitymusic.com Chad Segura began his career at Sparrow Records in 1996, after graduating from Belmont University, in Nashville, TN. His first role was in the publicity department, followed by a stint on the artist development team. And while he enjoyed aspects of both, it wasn’t until 1998 when he joined the publishing team at EMI Christian Music Publishing (now Capitol CMG Publishing), that he found his true passion for working with songs and songwriters. After several years, at EMI, he then went on to head the publishing division of competitor, Word Entertainment, for several more, before starting and running his own publishing company, Meld Music, in partnership with Fair Trade Services. In the summer of 2015, Chad made the move to Centricity Music, where he currently heads up their publishing division. Over the course of his career, he has had the pleasure of working with a “who’s who” list of Christian recording artists, and songwriters, and he’s still as passionate as ever about the work that he gets to do.
Welcome to The Main Thing. This is your new 9-minute podcast. I'm your host Skip Lineberg. My guest today is Jason Gray. He is a singer and songwriter, who shares his talent and artistry across the Contemporary Christian music space. Jason signed with the Centricity Music label in 2006. Jason has won two ASCAP Performance Awards for his hits “More Like Falling in Love” in 2011 and “Good to Be Alive” in 2012. His hit song “Nothing is Wasted” reached the #1 spot on the charts and remained in the top spot for 9 weeks in 2013. Jason tours frequently and loves playing smaller venues, especially churches. Originally from Minnesota, today he resides in Nashville, Tennessee. Jason Gray's music has touched my heart and changed my life--and he is also one of the wisest people I know. Over the next 9 minutes, you will find out what unique bit of wisdom Jason has chosen to share with us. Resources: Link to Jason's music site Link to George Landolt's website (Jason's mentor) Where Jason and I had brunch in 2013 - Bluegrass Kitchen Credits: Audio Producer & Technical Advisor - Bob Hotchkiss Graphic Designer - Emma Malinoski
John Mays, VP of A&R for Centricity, is one of Christian music’s most respected executives, having worked in A&R at Word, Sparrow, and Star Song Records before serving as president of Benson Records. Over his 35-year career, Mays discovered and signed Point Of Grace, Scott Krippayne, Cindy Morgan, Matt Redman, Nichole Nordeman, Warren Barfield, Jason Gray, and the Passion worship recordings. Mays helped found Centricity Music in 2005. He began his career in music at 17 as a musician, eventually landing jobs as a bass player with several bands and many Christian music recordings during the ’80s. Along the way, he co-wrote “Love In Any Language,” a career song for Sandi Patty included in CCM’s list of 100 greatest Christian songs. As VP of A&R at Centricity Music, John works with Lauren Daigle, Jason Gray, Jordan Feliz, Unspoken, Caitie Hurst, For All Seasons, and others. Connect with the guest: centricitymusic.com centricitymusic.com/staff/john-mays Connect with us: allaboutthejourneypodcast.com instagram.com/allaboutthejourneypodcast facebook.com/AllAboutTheJourneyPodcast marketingwithwisdom.com indieartistuniversity.com Listen/Subscribe: Apple Podcasts Spotify Anchor
We are dead in our trespasses and sins, hopeless apart from Christ..."But God"... Those two words are the difference between death and life, between despair and hope, between hell and heaven. In Christ, God has never-ending mercies for those who believe. When the Bible says “Christ died for you” it means that He died in your place. Too many people hear that Jesus died for them and believe that Jesus just got to it before they could, and they were going to pay God back for their sin on their own eventually. While they might appreciate the "free pass", people who believe this haven’t truly embraced Jesus as their substitute (Rom. 3:23-25). You aren’t really alive until you have been saved by God’s grace. Paul is contrasting our deadness apart from Christ with the life that only comes to us in Christ. Being raised from the dead is all of grace. You have been saved (past tense), you are being saved (present tense), and you will be saved (future tense). Paul says that believers have been made alive with Christ, raised with Christ, and are seated with Christ in the heavenlies. Paul is emphasizing a believer's union with Christ. Believers are synced with Christ, and what God did for Jesus He does for those who believe. Question: Why would God do such a remarkable thing for people who were His enemies? Answer: We have been shown grace so that we might be a demonstration of God’s grace forever, to the praise of His glory! **"But For Grace" by Matt Papa, (c) 2010 Centricity Music, CCLI#1741207
We are dead in our trespasses and sins, hopeless apart from Christ..."But God"... Those two words are the difference between death and life, between despair and hope, between hell and heaven. In Christ, God has never-ending mercies for those who believe. When the Bible says “Christ died for you” it means that He died in your place. Too many people hear that Jesus died for them and believe that Jesus just got to it before they could, and they were going to pay God back for their sin on their own eventually. While they might appreciate the "free pass", people who believe this haven’t truly embraced Jesus as their substitute (Rom. 3:23-25). You aren’t really alive until you have been saved by God’s grace. Paul is contrasting our deadness apart from Christ with the life that only comes to us in Christ. Being raised from the dead is all of grace. You have been saved (past tense), you are being saved (present tense), and you will be saved (future tense). Paul says that believers have been made alive with Christ, raised with Christ, and are seated with Christ in the heavenlies. Paul is emphasizing a believer's union with Christ. Believers are synced with Christ, and what God did for Jesus He does for those who believe. Question: Why would God do such a remarkable thing for people who were His enemies? Answer: We have been shown grace so that we might be a demonstration of God’s grace forever, to the praise of His glory! **"But For Grace" by Matt Papa, (c) 2010 Centricity Music, CCLI#1741207
In this special 2 part show, John Chisum had a fantastic conversation with Centricity Music’s own - Ross King - one of the most authentic and honest songwriters in Nashville. Ross has built a multi-faceted career producing, writing and performing as an independent artist, developing sync licensing content for TV and Film, writing and placing songs for other artists, and co-writing with some of the best in Nashville. Because he has such a broad catalogue of experiences, Ross carries a unique voice to speak into you, the growing songwriter, and provides valuable insight into what it really takes to settle in to a richly rewarding career as a full time songwriter. If you listen and take notes, I know you will emerge a more informed and insightful songwriter. You can connect with Ross King at: www.rosskingmusic.com www.facebook.com/rosskingmusicpage www.instagram.com/rosskingmusic www.twitter.com/rosskingmusic www.youtube.com/rosskingmusic Be sure to download John’s free gift of “The Songbuilders Blueprint” HERE and book a free discovery call with John HERE, but only if you’re serious about investing in yourself to go to the next level in your songwriting. Check out all the fine resources we offer at www.nashvillechristiansongwriters.com If you liked this episode, be sure to subscribe and leave a quick review on iTunes. It would mean the world to hear your feedback and we would love for you to help us spread the word! The Song Revolution Podcast is dedicated to helping you grow as a songwriter and worshiper. Our goal is that this podcast is something for you to look forward to on your morning commute, workout, or daily routine.
"The majority of the top worship songs have been written by middle-class, Caucasian, males… there’s something missing in Christian music.” As a Korean-American in the Christian music industry, marketer Wisdom Moon has worked with countless artists including Lauren Daigle, Israel Houghton, and Darlene Zschech. During this episode, Wisdom shares about being bullied in school as an immigrant, working as a racial minority in the Christian music industry, and why he’s more encouraged than ever at where the music of the church is headed. Hear Wisdom's honest and hopeful take on the following: • How listeners can voice their demand for diverse Christian music • The inner workings of the Christian Music industry • Why Kingdom-collaboration is better than self-promotion Learn more about Wisdom at http://www.marketingwithwisdom.com and http://www.indieartistuniversity.com. *FULL SHOW NOTES AVAILABLE ON PRAISEHANDS.COM* Enjoying the show? Leave Praise Hands a 5-star review and share this episode with your friends. ABOUT PRAISE HANDS PODCASTThe Praise Hands Podcast examines the American intersection of church, race, music, and economics. Robby Valderrama is the co-founder of The Church Ahead, which offers resources and advice for forward-thinking Christian leaders, including culture coaching, church plant coaching, and more. To book a free 30 minute discovery call with Robby, visit TheChurchAhead.com. RELATED:Christian Music Industry, Christianity, Music, Look Up Child, Centricity Music, Integrity Music, Nashville, South Korea, Church, Kansas City, Marketing, Music Marketing, Church Marketing, Church Consulting, Church Leadership, Race, Diversity, Multiculturalism, Worship Music, Gospel Music
episode 38: we thought mckenna lost this golden audio, but somehow it was recovered... the john mays podcast. john mays is a legendary A&R at Centricity Music + is one of our favorite people ever •• --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/theyoungescape/support
In the broadest possible sense, patient centricity is a mental shift from WHAT is done for the patient in the healthcare system, to HOW things are done. The HOW may include the used technology but also includes the environment. Walter Werzowa - Austrian composer, producer, and owner of LA-based music production studio Musikvergnuegen, and prof. dr. Klaus Laczika - An Austrian specialist in Emergency Medicine, Anaesthetics and Pediatrics, have been researching the effect of music on patients in the ICU for the last decade. They share their insight into the meaning of the environment in the care setting. The next indispensable piece of equipment will have to be earphones. Denise Silber, on the other hand, has been working for more than 20 years in the area of patient centricity and how to raise the patient-includedness in the healthcare system. She and Raquel Correia, a Paris based GP and an advisor to digital health startups share their views on what needs to be changed to prevent doctor burn-outs and enable them the basic conditions to offer their patients time and empathy in treatment.
http://media.blubrry.com/faithstrongtoday/p/fst.mc.tritondigital.com/BETWEEN_THE_GROOVES_P/media/BTG-068-Caitie_Hurst_oct15-18_MYPILLOW-PODCAST.mp3 Caitie Hurst is a fairly new artist with an unconventional path to her record deal with Centricity Music. But her journey shows the importance of mentorship, embracing God's plan for your life, and why you need to play it out like a full-contact sport. Listen in for this Between The Grooves podcast. Connect with Caitie Hurst Find music and upcoming events at www.caitiehurst.com and follow on Twitter and Instagram. Share Your Faith Join our Christian community on Facebook, Twitter, and Instagram. Fun and helpful discussion of music and faith on this podcast - listen to 'Between the Grooves' @stayFaithStrongClick To Tweet
Scott MacIntyre and Mark Dowdy interview John Mays of Centricity Music about his journey into the music industry, balancing faith and business, and leaving a legacy.
He's the most requested artist in the 10-year history of UTR. For the first time, we're sharing the full interview we did with Andrew Peterson from 8 years ago (2010), shortly after his album Counting Stars came out. Besides that album, we also chat about Rich Mullins, fatherhood, and having a surprise hit on CCM radio. CREDITS: Andrew Peterson's website: http://andrew-peterson.com The Rabbit Room: http://rabbitroom.com Executive Producer & Host: Dave Trout Recorded in October 2010 at ReFrame Media - http://reframemedia.com MUSIC CREDITS: * "Risen Indeed" - Andrew Peterson - Resurrection Letters, Vol. 1 (c) 2018 Centricity Music * "You Came So Close" - Andrew Peterson - Counting Stars (c) 2010 Centricity Music * "In The Night" - Andrew Peterson - Counting Stars (c) 2010 Centricity Music * "Risen Indeed" - Andrew Peterson - Resurrection Letters, Vol. 1 (c) 2018 Centricity Music (c) 2018 UTR Media. All Rights Reserved. 501(c)(3) non-profit organization. INFO: http://utrmedia.org
Music business executives have come and gone through the years, but no one has outlasted Centricity Music’s John Mays, the longest-standing A&R Director in Christian music. John’s career has spanned thirty years and he has been influential in the careers of artists such as Cindy Morgan, Point of Grace, Phillips, Craig & Dean, and many more. John is currently directing the musical development of successful artists such as Johnny Diaz, Jason Gray, and the award-winning Lauren Daigle. In this episode, John Chisum sits down with his long-time friend to discuss nicknames, Mexican food, work ethic, the state of the Christian music industry, and the amazing opportunities awaiting songwriters and artists in the future. Check out more information and a full artist roster at www.centricitymusic.com and follow John on Twitter at @maysjp and on Instagram at @mayscast
Dove Award-nominated recording artist, songwriter and award-winning author Andrew Peterson returns to Voices In My Head (The Official Podcast of Rick Lee James). Andrew recently announced the long-awaited album Resurrection Letters, Vol. I, which will release March 30 and which was preceded by Feb. 9th launch of Resurrection Letters: Prologue. Both recordings will release globally from Centricity Music, and Prologue will became available on Friday, Feb. 9 from digital retailers everywhere and through https://AndrewPeterson.lnk.to/Prologue.Releasing in time for Easter, Resurrection Letters, Vol. I features songs like “Is He Worthy,” “I've seen Too Much” and “His Heart Beats,” the latter track being heard on Peterson's Behold the Lamb of God tour last year. The song is about that glorious moment in the tomb when Jesus, who was dead, came back to life.“My dream for Resurrection Letters, Vol. I is that it would be the kind of record people turned up to eleven on Easter Sunday, when Christians all over the world celebrate something that happened—it really happened—two millennia ago,” says Peterson.Also, We are in the final hours of our crowdfunding campaign to make a new album through Indiegogo. It's not too late to help us make “Thunder” a reality. Thunder will feature original music by Rick Lee James, re-imagined Hymns, and lost music from Rich Mullins.https://www.indiegogo.com/projects/thunder-a-new-album-by-rick-lee-james-music#/ This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit rickleejames.substack.com/subscribe
Dove Award-nominated recording artist, songwriter and award-winning author Andrew Peterson returns to Voices In My Head (The Official Podcast of Rick Lee James). Andrew recently announced the long-awaited album Resurrection Letters, Vol. I, which will release March 30 and which was preceded by Feb. 9th launch of Resurrection Letters: Prologue. Both recordings will release globally from Centricity Music, and Prologue will became available on Friday, Feb. 9 from digital retailers everywhere and through https://AndrewPeterson.lnk.to/Prologue. Releasing in time for Easter, Resurrection Letters, Vol. I features songs like “Is He Worthy,” “I’ve seen Too Much” and “His Heart Beats,” the latter track being heard on Peterson’s Behold the Lamb of God tour last year. The song is about that glorious moment in the tomb when Jesus, who was dead, came back to life. “My dream for Resurrection Letters, Vol. I is that it would be the kind of record people turned up to eleven on Easter Sunday, when Christians all over the world celebrate something that happened—it really happened—two millennia ago,” says Peterson. Also, We are in the final hours of our crowdfunding campaign to make a new album through Indiegogo. It’s not too late to help us make “Thunder” a reality. Thunder will feature original music by Rick Lee James, re-imagined Hymns, and lost music from Rich Mullins. https://www.indiegogo.com/projects/thunder-a-new-album-by-rick-lee-james-music#/
Music business executives have come and gone through the years, but no one has outlasted Centricity Music’s John Mays, the longest-standing A&R Director in Christian music. John’s career has spanned thirty years and he has been influential in the careers of artists such as Cindy Morgan, Point of Grace, Phillips, Craig & Dean, and many more. John is currently directing the musical development of successful artists such as Johnny Diaz, Jason Gray, and the award-winning Lauren Daigle. In this episode, John Chisum sits down with his long-time friend to discuss nicknames, Mexican food, work ethic, the state of the Christian music industry, and the amazing opportunities awaiting songwriters and artists in the future. Check out more information and a full artist roster at www.centricitymusic.com and follow John on Twitter at @maysjp and on Instagram at @mayscast
Do you wonder how songs really get on records and the radio? Do you wonder what it’s like to co-write or to have your songs heard by successful artists and how the song process works? Want some amazing insights into what it takes to really be heard by top music industry publishers? Chad Segura is VP of Publishing for Centricity Music in Franklin, Tennessee, and is one of the music industry’s most loved and respected figures, working with writers such as Seth Moseley, Benji Cowart, Jason Gray, and the roster of Centricity Music artists. In this episode, John Chisum sits down with Chad to talk about how song publishing happens, Chad’s musical influences, his journey to become a 20-year champion for songwriters, and the challenges of learning how to decipher the Southern dialect for a guy from the Northwest. This fun and informative discussion also covers: Creation, stewardship, and monetization of songs Identifying talent and developing songs Co-writing and collaboration Radio singles versus album cuts Film, TV, Apple Music, and exploiting songs fully Chad’s philosophy of songwriting Encouragement that there’s no shortage of opportunity for songwriters For more information visit www.nashvillechristiansongwriters.com and join the Successful Christian Songwriters Group on Facebook! https://www.facebook.com/groups/SuccessfulChristianSongwriters/?fref=nf
Sam interviews the sound of North Point Ministries founded by Andy Stanley – The North Point Inside Out Band. In this interview Seth Condrey and Brandon Coker recap The NPIO Band live recording at the Infinite Energy Arena. They also discuss their new deal with Centricity Music, the Nothing Ordinary EP and the national release of their single, “Death Was Arrested”.
Music business executives have come and gone through the years, but no one has outlasted Centricity Music’s John Mays, the longest-standing A&R Director in Christian music. John’s career has spanned thirty years and he has been influential in the careers of artists such as Cindy Morgan, Point of Grace, Phillips, Craig & Dean, and many more. John is currently directing the musical development of successful artists such as Johnny Diaz, Jason Gray, and the award-winning Lauren Daigle. In this episode, John Chisum sits down with his long-time friend to discuss nicknames, Mexican food, work ethic, the state of the Christian music industry, and the amazing opportunities awaiting songwriters and artists in the future. Check out more information and a full artist roster at www.centricitymusic.com and follow John on Twitter at @maysjp and on Instagram at @mayscast
Aaron Shust has achieved another first. The award-winning CMA artist has released his first live recording album, “Love Made a Way.” It is his eighth album overall. His label, Centricity Music, wanted the live recordings. “That’s petrifying,” he said. “There’s something inviting and welcoming about going into the studio, and if you make mistakes, you just do it again. And so there’s something exciting about a live record.” Shust’s awards include Songwriter of the Year at the GMA Dove Awards in 207 and Song of the Year for “My Savior My God.” However, with his background as a worship leader, live performances are his favorite part of the music process. “Writing and every part of the process has its own joy.” When worship music is performed with people who join in, “Heaven is listening to the praise. That makes the performance extra special.” Cameras were used to capture the making of the “Love Made a Way” CD. That in itself was daunting, Shust said, because he saw his facial expressions live. He also had just lost his voice the weekend before, but overcame that challenge. “I was trying to remember the chords.” The album was recorded in The Tracking Room, a Nashville icon located close to Music Row and where One Sonic Society filmed a black and white video. To differentiate the Shust recordings, his crew set up the stage on the opposite end of the room. Some of the songs are new, while others are Shust classics. The track list is: 1. Heartbeat (Live) 2. My Hope is in You (Live) 3. Belong (Live) 4. You Redeem (Live) 5. Ever Be (Live) 6. God of Brilliant Lights (Live) 7. Cornerstone (Live) 8. Death Was Arrested (Live) 9. Resurrecting (Live) 10. My Savior My God (Live) 11. Lead On (Live) “You Redeem” was the first single off the album. More information is at aaronshust.com.
Aaron Shust has achieved another first.The award-winning CMA artist has released his first live recording album, “Love Made a Way.”It is his eighth album overall. His label, Centricity Music, wanted the live recordings.“That’s petrifying,” he said. “There’s something inviting and welcoming about going into the studio, and if you make mistakes, you just do it again. And so there’s something exciting about a live record.”Shust’s awards include Songwriter of the Year at the GMA Dove Awards in 207 and Song of the Year for “My Savior My God.”However, with his background as a worship leader, live performances are his favorite part of the music process.“Writing and every part of the process has its own joy.”When worship music is performed with people who join in, “Heaven is listening to the praise. That makes the performance extra special.”Cameras were used to capture the making of the “Love Made a Way” CD. That in itself was daunting, Shust said, because he saw his facial expressions live. He also had just lost his voice the weekend before, but overcame that challenge.“I was trying to remember the chords.”The album was recorded in The Tracking Room, a Nashville icon located close to Music Row and where One Sonic Society filmed a black and white video. To differentiate the Shust recordings, his crew set up the stage on the opposite end of the room.Some of the songs are new, while others are Shust classics.The track list is: 1. Heartbeat (Live)2. My Hope is in You (Live)3. Belong (Live)4. You Redeem (Live)5. Ever Be (Live)6. God of Brilliant Lights (Live)7. Cornerstone (Live)8. Death Was Arrested (Live)9. Resurrecting (Live)10. My Savior My God (Live)11. Lead On (Live)“You Redeem” was the first single off the album.More information is at aaronshust.com.
Jason and Daniel talk rhyming the word "African", learning from themselves and theology in song choice. Vice President of Publishing for Centricity Music, Chad Segura joins the show to discuss what makes a song great. Great stuff on this episode.
Jason and Daniel talk rhyming the word "African", learning from themselves and theology in song choice. Vice President of Publishing for Centricity Music, Chad Segura joins the show to discuss what makes a song great. Great stuff on this episode.
Christian lead singer Chad Mattson is celebrating 13 years of sobriety with the new album “Follow Through” with the band Unspoken.“Follow Through,” from Centricity Music, will be available Aug. 26, 2016.(Editor's note: All commercial music in my podcasts is used by permission of the artist who created it or representatives of the artist. I use limited clip lengths. I respect artists' copyrights.)Unspoken bandUnspoken formed out of Chad’s quest for sobriety, he told me during a recent interview. His life turned around on a “self-made” missions trip to the Dominican Republic to get sober. That’s where he met guitarist Mike Gomez. The Lord led them to return to the States to preach and use music as a tool.This record is “getting back to the first love that we had,” Chad said. Believers get busy and “tend not to finish it as strong as we started.” The album is a call to return to Jesus as your first love.Unspoken is also composed of original band member Ariel Munoz, a drummer from Puerto Rico, said Chad, who is from Maine. They recently picked up a new member, a keyboard player from Bristol, Tennessee.The band members did not want “Follow Through” to be a repeat of their first album, although it does have diverse styles like before. Chad described “Follow Through” as a lot of fun, upbeat with lots of victory while also featuring struggles and perseverance. Those are themes that everyone can relate to and be encouraged by, he said.One title, “Life In the Death Of Me,” is like an autobiographical song of where Chad was at one time. Chad described it as soulful, hooky, hip-hop influenced. He calls it “my story,” and more.“It’s all of our stories,” he said. “Jesus said that if a man wants to find his life, he has to lose it first. And if he wants to keep his life, he will lose it. This is really about finding life in Jesus Christ as we die to ourselves.”He calls it real. The song talks about him waking from a dream and seeing his name on a headstone. Addiction was leading him in that direction, but the Lord “changed it all around.”Another title, “The Cure,” describes Chad’s knowledge of what it means to be broken and to seek a remedy. “I came out of the drug culture,” he said in a press release. “From what I can tell it’s even worse now than it was when I was in it. We’re all looking for some kind of answers, some kind of fulfillment. That’s been the state of humanity for thousands of years. But the good news is, there’s something to fill that hunger. There’s something to heal that pain. There is a cure, and it’s Jesus.”Chad never dreamed of being a musician until he was saved. He learned God is not looking for our skills but for people who make themselves available to him, and when we do, He gives us abilities (or gifts). That's good, he said, since he wanted to play basketball but "was too short."Jon Lowry, the bass player, said in a press release, that there is more praise and thanksgiving on “Follow Through.” The album’s first single, “Higher, expresses that sentiment. A soulful celebration that the band collectively wrote around an inspiring horn riff, the song is an unconventional praise song, the press release states.More information about Unspoken is at http://unspokenmusic.com/site. You can learn about tour dates, buy their music and more. The album is also available on iTunes, Google Play and Amazon.— Jason Reynolds
Christian lead singer Chad Mattson is celebrating 13 years of sobriety with the new album “Follow Through” with the band Unspoken. “Follow Through,” from Centricity Music, will be available Aug. 26, 2016. (Editor's note: All commercial music in my podcasts is used by permission of the artist who created it or representatives of the artist. I use limited clip lengths. I respect artists' copyrights.) Unspoken bandUnspoken formed out of Chad’s quest for sobriety, he told me during a recent interview. His life turned around on a “self-made” missions trip to the Dominican Republic to get sober. That’s where he met guitarist Mike Gomez. The Lord led them to return to the States to preach and use music as a tool. This record is “getting back to the first love that we had,” Chad said. Believers get busy and “tend not to finish it as strong as we started.” The album is a call to return to Jesus as your first love. Unspoken is also composed of original band member Ariel Munoz, a drummer from Puerto Rico, said Chad, who is from Maine. They recently picked up a new member, a keyboard player from Bristol, Tennessee. The band members did not want “Follow Through” to be a repeat of their first album, although it does have diverse styles like before. Chad described “Follow Through” as a lot of fun, upbeat with lots of victory while also featuring struggles and perseverance. Those are themes that everyone can relate to and be encouraged by, he said. One title, “Life In the Death Of Me,” is like an autobiographical song of where Chad was at one time. Chad described it as soulful, hooky, hip-hop influenced. He calls it “my story,” and more. “It’s all of our stories,” he said. “Jesus said that if a man wants to find his life, he has to lose it first. And if he wants to keep his life, he will lose it. This is really about finding life in Jesus Christ as we die to ourselves.” He calls it real. The song talks about him waking from a dream and seeing his name on a headstone. Addiction was leading him in that direction, but the Lord “changed it all around.” Another title, “The Cure,” describes Chad’s knowledge of what it means to be broken and to seek a remedy. “I came out of the drug culture,” he said in a press release. “From what I can tell it’s even worse now than it was when I was in it. We’re all looking for some kind of answers, some kind of fulfillment. That’s been the state of humanity for thousands of years. But the good news is, there’s something to fill that hunger. There’s something to heal that pain. There is a cure, and it’s Jesus.” Chad never dreamed of being a musician until he was saved. He learned God is not looking for our skills but for people who make themselves available to him, and when we do, He gives us abilities (or gifts). That's good, he said, since he wanted to play basketball but "was too short." Jon Lowry, the bass player, said in a press release, that there is more praise and thanksgiving on “Follow Through.” The album’s first single, “Higher, expresses that sentiment. A soulful celebration that the band collectively wrote around an inspiring horn riff, the song is an unconventional praise song, the press release states. More information about Unspoken is at http://unspokenmusic.com/site. You can learn about tour dates, buy their music and more. The album is also available on iTunes, Google Play and Amazon. — Jason Reynolds
Grammy nominated and Dove Award winning artist Lauren Daigle speaks to JOY about her songs and upcoming concert in Toronto! Lauren is set to embark on the Hillsong UNITED Empires tour beginning April 28 in Baltimore. The Empires tour comes to Toronto on Monday May 2 at the Air Canada Centre. A few days later Centricity Music will be releasing the Deluxe Edition of Lauren Daigle’s debut album "How Can It Be" on May 6! Stay Connected: Online: www.joyradio.ca Facebook: www.facebook.com/myjoyradio Twitter: www.twitter.com/myjoyradio Instagram: www.instagram.com/myjoyradio
Made It In Music: Interviews With Artists, Songwriters, And Music Industry Pros
In this episode we have the pleasure of sitting down with John Mays, Vice President of A&R with Centricity Music. John Mays is a legend in music and friendship, and as you listen you'll know why. 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input:hover{background-color:#70a01f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_submit_button_wrapper{background-color:#70a01f !important;border-color:#70a01f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_privacy_copy_wrapper div{font-size:14px !important;color:#8f8f8f !important;}#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_fatcatapps_link_wrapper a,#fca_eoi_form_269 .fca_eoi_layout_5.fca_eoi_layout_postbox div.fca_eoi_layout_fatcatapps_link_wrapper a:hover{color:#8f8f8f !important;} The post FCM010 – Friendship with John Mays appeared first on Full Circle Music. See acast.com/privacy for privacy and opt-out information.
Made It In Music: Interviews With Artists, Songwriters, And Music Industry Pros
In this episode we sit down with Centricity Music General Manager, Steve Ford. 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a:hover{color:#8f8f8f !important;} www.fullcirclemusic.orgFCM007_-_Relationships_with_Steve_FordDuration: 00:50:21You're listening to The Full Circle Music Show. The why of the music biz.Chris: Welcome back to the Full Circle Music Show, it’s Chris Murphy and I'm sitting right beside Seth Mosley. How are you buddy?Seth: I'm good man. It's a busy week, lots of good stuff going on over here at the studio. And I’m excited to take just a few minutes out of our schedule to talk to one of our favorite people in the industry, Mister Steve Ford.Steve has been a guy that I've known for a long time, was one of the people that I met moving to Nashville in the music business. And we've talked to a lot of people on the creative side so far but we haven't yet talked to anybody on the label side. So, you think of the guy that sits in a dark room with a suit in a corner office, that's this guy! Except for not, he actually sits in a what is a pretty awesome office, he's the general manager of a label company called Centricity Music; has been pretty massively successful in the past couple of years and really since they opened. But, he's a really great leader and speaks to what they look for in a good producer, in a good artist, in a good team member at their label.So, if you're wanting to get involved in the music industry, this is a great episode to listened to. I learned a ton and I think you will too.Chris: You know, being a podcast junky, it's nice to meet a fellow podcast enthusiast as well. We had some great conversations in the episode but also talked a lot about our favorite podcasts on and off the mic. He's just a great guy, great to get to know him and I really appreciate Seth you setting this up. Another great interview and I can't wait to listen to it.Seth: And you can check out his company at centricitymusic.com. They have a lot of great artists that I think you'll dig.Audio clip commencesHey podcast listeners, something is coming February 1st 2016. Have you ever thought about a career in song writing or music production? We have created a couple courses with you guys in mind. We've been getting a lot of feedback on people wanting to know more about how to become a song worker; how to become a professional music producer or engineer. These courses were designed to answer some of those questions. Go to fullcirclemusic.org and sign up there for more information.Audio clip endsChris: You were saying earlier before we started rolling that you were a podcast guy.Steve: Oh yeah, big podcast guy.Chris: And, you've heard this podcast before?Steve: Yeah. I've listened to the first three.Chris: Okay. So, can I ask you to go out on a limb and give us a grade so far?Steve: You know what? I'd give them a solid B+. I want them longer. That's my thing; I want to go into the background. I want to hear when you did Brown Banishers which is funny because I've worked a lot with Brown but you didn't get past Amy Grant.Seth: Sure.Steve: I mean, this is the guy who worked with from everybody from Third Day to Mercy Me to Why Heart, he's done everybody like come one there are stories there. I tell people I'm on the corporate side because of Brown Banisher because of how he worked. I was an engineer in LA for ten years and he would come out and mix records with us, it was at a little place called Mama Joes and I would see him on the phone going, “Happy birthday sweetie.” Later knowing that it was Ellie; missed her first walk and all of these other things. And when my daughter was born, I was like, I can't do this. I needed a life and so I started praying and Peter York calls. So it’s because of him so it's fun to hear some his stories. I did a lot of records win Jack Joseph Puig and–Seth: And you were engineering at the time?Steve: Yeah. I was an engineer at LA.Seth: And at the time that was really engineering?Steve: Oh my gosh.Seth: You were cutting tape and…Steve: Yeah! I've cut a lot of two inch tape, quarter inch tape, half inch–Seth: Stuff that I hope to never do.Steve: You don't have to, Jericho does it for you.[Laughter] Seth: I don't know if Jericho has ever cut tape? In school he did.Steve: Now, I feel really old.Chris: Is that kind of like when you're in a biology class and not in any other time of your life will you need to dissect a frog but you just have to do it for the experience of it. Is that what it's become cutting tape?Steve: I don't know if you have to do it even that. It's sort of like this legend of starting a fire with flint, you know? It's sort of like, “Yeah. I used to cut tape.”[Laughter] Seth: I mean there's probably a resurgence. I would imagine knowing the process of what coffee has become and how artists.Steve: Yeah.Seth: I think there's a big thing in maybe it's the millennial generation or whatever it is but I think people are drawn back to slower, older more hands on processes it seems like than just pushing the button or going through the drive through–Steve: And somethings, don't you think, in some things its like just give me the button. Give me the filter on Instagram.Seth: That is true! That's true but then you've got the whole wave of people roasting their own coffee beans now and then they're grinding the with a hand grinder, and then they're putting in a… And, I'm saying this because we have like three artists that we work with; that come in and they bring their whole coffee apparatus.Steve: And they measure how much coffee goes in, weigh it?Chris: Yeah.Steve: My son has one of those has a scale that weighs, how much coffee goes in. Oh yeah just …Chris: Yeah, I thought you were going to say some of the artists that you work with, they actually bring their own barista in the studio because–Steve: I'm sure that will happen.Seth: That’s kind of a prerequisite to be in a band. There has to be at least one barista.Steve: True.Seth: In the band.Steve: There has to be one business guy in every band and one guy who can make great coffee.Seth: And then the guy who can actually play the instruments.Steve: Yeah. Then the artist.[Laughter]Chris: And then the fourth guy on base who just knows how to shape everybody's beards. He's more of a grooming guy.Seth: And sometime there's a drummer.[Laughter] Steve: You don't need a drummer; there are machines for that now.[Laughter] Seth: Yeah. I mean, just take us through a little bit of your journey, you started in L.A.?Steve: I was born and raised in L.A.; read an article when I was 14 years old about this guy named Sir George Martin. And I was like, “What? You can do that for a living?”Seth: Who is George Martin?Steve: He produced this little band called the Beatles, probably never heard of…most 20 year olds haven't heard of them so…Chris: And then isn't true that he went on from there to write The Game of Thrones?Steve: Did he? I'm not a Game of Throne person–Chris: Okay that's R.R. Martin, sorry.Steve: Wrong one. But I mean, you read about these guys and you sort of open a door into a new world that you didn't know existed. And so, I was 18 years old, junior out of high school walked into the recording studios and started from there.Seth: So, you didn't wait to have some sort of a college thing to get internships?Steve: My mom was like Reeds parents which was like, “That’s a nice hobby but let's make sure you have a backup plan, a plan B.” And so, I still went to school, I still went to college did all of that. Don't ask me my grade point average because I was going home at 4 o'clock in the morning, waking up at 8 to crawl into my first class, it was terrible. But yeah, my first job in the recording studio, I was making $500 a month from 6 o'clock to 3 o'clock in the morning.Seth: Living in L.A?Steve: Living in L.A.Seth: And that probably paid for a tenth of the rent?Steve: Maybe.Chris: Or, just the gas to get around?Steve: But I loved every second of it. And then from there you sort of work your way up. So, I did that… Like I said earlier my daughter was born and I was like an engineer’s life is a hard life in LA especially. Those were the days when you'd pay $1,500 a day block booking a studio; you booked a studio and you're paying $1,500 if your there six hours or eight there 24 hours. And a lot of them stayed 24 hours, and you just have next, next, next, next.Chris: And you've got to be the first guy there.Steve: First guy there, last guy out, yeah. You're sitting there winding tables at 6 o'clock in the morning going, “I just want to go home.”Chris: When the bug caught you, from that point until the time that you walked into that first studio and got a job, what skills were you harnessing?Steve: None.Chris: Just reading liner notes?Steve: Yeah. Lying in the floor, reading and going, there's one in North Hall and I'd write it down on a piece of paper because I grew up in the San Fernando Valley and start looking for them. Hey man that where Bill [inaudible 8:50] studio is or whatever the studio was and start. There wasn't really a whole lot you can do to prepare for it. It's no like in high school you go, “I wonder what class…” I was in all the choirs and all the music stuff and that didn't prepare you for it. Probably the greatest skills for a studio engineer especially a starting one is being attentive, being hungry, being prepared and that depends on who you're working with.When you working together with somebody so well, I'm sure you and your team, they know what you want in advance and plugin something in before you even have to ask, that’s just working together. I've told a lot of wannabe engineers who want to go to some of these very expensive schools, don’t do it. Take that money, live on it for two years and go give yourself away for free for two years. You learn more two years in a studio than you will however long you go to one of the expensive ones.Chris: Yeah.Steve: It's just doing it. Just aligning the tape machine which is once again, it's like starting fire with flint again, knowing the lines taped but you learn by doing that.Chris: Absolutely.Steve: You learn by making a lot of mistakes. I recorded a lot of bad drum sounds.[Laughter] It just happened and then you go, “Oh if I do this, its better.” And 10,000 hours man, it takes 10,000 hours.Chris: Again, I think that it's not that schooling is necessarily a bad thing but the way that you learn in life versus the way that you learn in a classroom is different because for the most part, a classroom will deduct points for the stakes and if you’re in the–Steve: That's true. Good point.Chris: Yeah. I heard that -actually going back to our love of podcasts here- I heard Tim Farris on his podcast talking about the fact that he was going to go to, was considering something like Princeton or Harvard or something to go get his MBA. And he thought instead of doing that -or maybe this was advice given to him and he took it- instead of taking that couple hundred thousand dollars worth of whatever I needed to go get my MBA. I'm going to invest that in myself, very similar to what you're saying. And I'm going to use that to live on so that way I can go and I can intern for that company that I would never be able to if the money mattered that much. Because once you get out of school its like, “Oo I've got to go do something with this.” But if you've got the money set aside to go get the MBA anyway, it goes a long way to really feeling free to not have to pay that rent or pay that car payment that you could really dive in.Steve: And most people never use their college education for what they use. I had a meteorologist specialist. She had a degree in meteorology for TV and she was my marketing assistant. And you go, “I want to see what you spent four years doing versus what's your grade point average or what's you major.” I don't care about that stuff.Seth: So to fast forward to today, you are general manager of a very successful record label. When you got to hire somebody to your team, do you even say, “Hey, send in your resume. Where did you go to college?” Or does that not even cross your mind?Steve: I do want to see that. Four years in college gives me the impression that they follow through, they finish. You’ve said it before, finishing is such a hard art in today's world. To have somebody who finished is very valuable. Do I care about your grade point average? No. Do I even care about your major? No. Because if you have the right work ethic and the right heart, I can train you to do other things but I want to see how hard you're willing to work.Seth: So, a college degree still carries some weight but maybe it doesn't carry the weight that people think it does in terms of having the training because you kind of have to relearn it all when you get out into the real world.Steve: Exactly. Most college students that I see haven't learned anything that’s a really good use at a record label. My last five hires at Centricity have all come from internships. Now, I've had a lot of bad interns. I've wanted to fire a couple of interns, that's pretty bad when you want to fire somebody who works for free.Seth: What defines a good intern and what defines a bad intern?Steve: A bad intern sits on Facebook until you give them something to do and then they do exactly just to the letter of the law of what you asked them to do, hand it in to you and then get back on Facebook. A great intern does what you do and says, “Hey and I thought about this. And what about this more?” You give them to go to D and they go to G; then you give them to G and they go to S. I have a girl in my office, I asked her to do one thing and she says “Oh by the way while I was thinking about it I did these other three things that will help you out.” That type of proactivity and thinking ahead is so incredibly valuable. Like having somebody patching in your compressor before you ask for it. They know where you're going so fast that they're working ahead of you. And for all of those out there, that's old school once again patch bays.[Laughter]Seth: We have a small patch bay, we have two patch bays actually so we're probably on the old school end of things.Chris: It looks very cool though. It's looks kind of old science fiction movie.Steve: Spaghetti.[Laughter] Seth: It's like a telephone operator kind of thing. I heard a thing on…man, we keep talking about podcast, we're all just podcasts nerds, dude. I think that’s what we do for a living is listen to podcasts. And I heard one last night, they did a study of millennials; if you had a dream job, pick out of these choices what would be your dream job. Number one was the president; number two was a senator; number three was a successful athlete; number four foreign diplomat; five was a CEO of Apple; and then the last choice was the personal assistant to a famous actor or athlete. And 45% I think picked that one, hands down.Steve: They have no idea what that job looks like.Seth: They don't but it also speaks to they don't want to take the responsibility. Like, when you're that person, when you're the boss, they want to have a boss and maybe you can speak to a little bit to that but I feel like when you were talking about the internships, the ones who go above and beyond are the ones who are willing to take some responsibility and say, “Here's an idea” and just put it out there. How many interns would you have to get, to get that one good one?Steve: Probably 10 to 15.Seth: 10 to 15 to 1?Steve: Yeah, to 1. I think that’s what it is.Chris: Wow.Steve: Yeah, that's what it is. And I heard you, I think we had the conversation, there's such a different work ethic in today's young adults. And part of it is my fault, I'm a parent of a young adult they've been given everything in their whole life, they haven't had to work for anything. You want that iPhone! Here's that iPhone. You want that? Here's that. The art and the craft of working, the labor of getting something is a lost art, I think.Seth: So, would you go back and do those things differently?Steve: For my kids? My kids had to work.[Laughter]Seth: So, you weren't saying from my experience, you weren't–Steve: I’m saying that personally and much more of…[Laughter]What we made our kids do is like when they wanted that $100 American girl doll is you buy half, we’ll buy half. And all of a sudden they're digging out rocks in the backyard at $1 a bucket out of the garden. Because you want to give your kids what the value of work is and that's that doll at the end.In our world, I sat with an intern once and he was irritating everybody in the office. He's that guy who only asks questions because he wanted to tell you how much he knew. An intern needs to be quite and listen because there's a lot of information that flows around… And then they find the person that they can go to and go, what did that mean when he said this? So, what did that mean or… Come to me! I've told everyone in my internship, feel free to come to me and say, what does it mean when you said that? Versus this guy would come to you and tell you everything he knew. So, I was sitting him down one day and going, “Man, you're irritating everybody. The whole office wants to prove you wrong.”Seth: You literally said that?Steve: I said that to him and later on, “I know I do that. I'm just trying to figure out where I fit and trying to find a job make $100, $120,000 a year and start in the music industry.” And I said, “You're in the wrong industry, man.”Seth: Go into finance!Steve: Go into finance, or go be an architect somewhere I guess or something. It was just about wanting to make as much money as his dad did, now! This generation wants to start where their parents have gotten to right now. I've seen it with artists, I've seen it with interns–Chris: They don't want a drop in their lifestyle that they've become accustomed to.Seth: A luxury once had, becomes a necessity.Steve and Chris: Ooohh.Steve: Very nice.Seth: And I'm very guilty of that. You fly first class once and you feel like a swine by sitting in coach.[Laughter] Steve: I've flown private jets twice in my whole life, in my whole career both times sort of accidentally. And man, once you do a private jet and you don't have to go through security and you’re just like, “Oh, I want that.” I say this all the time about artists. The worst thing you can do for an artist is start them touring in a bus because that's the expectation and then you know what happens? Is they got on the bus and they’re, “This isn't a very nice bus.” There are people in vans like when you were out in a van, to be on a bus, to be able to sleep horizontally would be the greatest thing ever and just because you started at this place and then you get into private jets. Everybody needs to start their first tour in a Silverado truck and then the next one to a bigger–Seth: Graduate to a suburban!Steve: A suburban would be great, then a 15 passenger old church van that you bought for $5,000 that the left side of the speakers don't work. And then, you work your way into a [inaudible 19:58] van and then into a bus. Then you're grateful for everything that's better along the way.Seth: It's more about the process than anything.Steve: Yeah.Seth: And getting there.Steve: A wise manager once said, his job is to make his artists life better every year, just a little bit better. I'm like, that's a good goal. That's a good goal to have.Seth: It is. So, your transition, we shipped about 20 years–Steve: We skipped through it very fast.[Laughter] Your transition from doing that 6pm to 3 in the morning thing in LA, you had your baby…Steve: Yep. My wife and I were praying at that point going, “God, please give us some sane clients or open another door.” And I just worked probably two months before with Peter York–Seth: And for those out there listening, was this at a record label you got your first…Steve: I was working with Peter in the studio and he called me up and said, “Hey, are you interested in A&R?” And I started in A&R in Sparrow…what's that 87, 88? Right around there and we were still in Chatsworth, California, spent time out there with him. So, I’ve been at Sparrow, moved from Sparrow to Star Songs and then back to Sparrow when they came up. Started in A&R worked my way into the marketing side, artist development side… So, yes back to Sparrow went to Mer and worked my way up to Vice President at marketing at Mer, was general manager at [inaudible 21:34], general manager at SRI and now general manager at Centricity.Chris: Wow.Steve: It's been a long journey. If you’d ask me to 25 or 30 years ago, were you going to be general manager at Record Label? I would have laughed in your face.[Laughter]Chris: Because you didn't think it was attainable or because you didn't want have this job?Steve: That was not the path I was on. I thought, I was going to be producing records and engineering records. Jack Pueg is still mixing great great records out there and I thought I was going to follow that path. God had something very different in mind which makes me laugh going I was talking to [inaudible 22:09] this morning and I can't believe I’ve been doing this, this long. When you're now an industry veteran it means that you've been around a long time.Seth: But I don't think looking back and I don’t want to put words in your mouth but you don't strike me as one of those people that's looking back and feeling like you’re working in the corporate side of the industry because you never made it on the creative side.Steve: No, no.Seth: You don't strike me as that at all.Steve: I made that decision for my family. What's funny is I've learned more about engineering and more about mixing and more about mastering being on the corporate side of what we're trying accomplish and why trying to do what we're doing. I learned so much about that. And for the first year or so, I was mad at God going, “Why did I just spend 9, 10 years in studios, in dark rooms working long hours if this is where you wanted me?” But realize, every day of my life in the last 27 years in the corporate side I've used information I learned in the studio. Sometimes we can't ask God why until you're 20 years down and you go, “oh I get it.”It's the path he puts us on, he brings people in and out of your life. I remember a girl over at Sparrow she was an accountant, that was her thing she loved accounting and God put me with her to learn that whole budgeting, it was only like for four months and then we were separated again but once again she changed my perspective and my life for the next 20 years. So, you don't know if these people that are coming in and out of your life are for a short period of how they're going to impact you.But yeah, I've sort of worked my way, I was one of the strange guys everybody wants to be in A&R. I started in A&R and left to got to marketing and then got back into it as I moved back up into the but everybody wants to be an A&R guy, hang out in the studios and have dinner with the artists which is not what an A&R guy does.Chris: Well it's the perception out there–Steve: Yeah, exactly, that's what they think.Chris: Just like you saying the artist is going to be in private jets.Seth: And for honestly if somebody's out there, can you break down what exactly what it is A&R. What is that? What is that job?Steve: A&R, we [inaudible 24:27] airports and restaurants which is [inaudible 24:28].[Laughter]It’s artist and repertoire. It’s basically looking for artist, finding people that have a seedling of something. Sometimes you don’t know what it is. We’ve all got our standards of what we feel like will lead to success. But finding that, nurturing it, grooming it, it’s sort of the mustard seed put into the ground, pat around and hopefully something really great grows out of it. Sometimes the plants don’t live, sometimes they give up. But it basically the music made by the A&R guy, we have one of the best in the industry in Centricity. When he’s done, when the music is done, he hands the baton over to me, and I go everywhere from there. But it’s his job to make sure we have hits, we have songs that work for live or work on the radio, an artist that’s got uniqueness to him that fits differently than everything else in the market place and sometimes it’s just plain old dumb luck. We’ve got all those where we’re like, “We though this person had everything they needed, was need for success and it didn’t work, and this one over here it’s that seedling and it’s just growing like crazy.Seth: Yeah, sometimes you don’t know or probably more often than not, I would think.Steve: How many songs have you worked on and said, “Man, that’s the hit.” I have a memory of I will eat my shoe if this is not [inaudible 26:04][Laughter] I believe you owe me a shoe eaten.Seth: I’m wearing Nikes right now. I have a feeling that this material is not organic.Chris: I was going to say, whatever you choose make sure its biodegradable.Steve: I was going to send you a shoe after one particular sock.[Laughter]We’ve all got them dude.Seth: Oh yeah, totally. I think more often than not and it’s honestly becoming a theme on this show is, we’re all just kind of winging it we’re all just guessing. So, my question to that is, I mean, it sounds like there’s a lot of responsibility placed on the shoulders of an A&R person. They’re the one that’s finding and nurturing talent and ultimately seeing what songs make it on records.I think a lot of people listening in our podcast audience, we have a lot of producers and writers and people outside of the music industry but then there are also probably some people who are just wanting to get in on the music business side and people who maybe want to be in music marketing or be in music management or maybe do what you’re doing someday, run a record label. You said what you look for interns, what qualifies a person to be an A&R person?Steve: Wow. Interesting. There are a few A&R guys you should interview. A great A&R person is able to inspire an artist beyond what they’ve every thought they could do. A great A&R person knows how to get a good song to a great song. We’re no longer in a society that good is not good enough, it has to be great. A great A&R guy can go, “You know what? There are seedlings, there are moments in here that are really great.” But you’re missing the mark I these two or three places. And then, coming in and sitting side by side with a producer like you and making sure that… I think that I’m a big movie buff and A&R guy is sort of like an executive producer on a movie where you put the team together and then sort of let the team go make the music. So, it’s the right producer for the right, for the right song and for the right artists and then let them shine where they go. It’s very much putting the pieces together. They’re not usually playing the music, they’re not [inaudible 28:34] musicians, they have to have a really good song sense and I think one of the skills an A&R guy has to know is, it’s not about them. They’ve got to know their audience, know what they’re making for because all of us have a tendency to gravitate towards music that’s on the fringe because we listen to so much stuff that all of the stuff in the middle starts mucking up. There’s a big muck in the middle. So, “you know what I like? I like this thing way over here or way over there.” Where a normal consumer listens to 10 records a year, the middle is the sweet spot for them. So, an A&R guy that understands who he’s trying to record for is very important.Seth: That’s very good. And, you said that they have to have a great song sense, that is even a sticky situation because why is one person’s song sense better than the other? Is that determined by track record? And, if you’ve never done A&R before, how do you prove that, hey I know a hit when I hear one?Steve: You know what? Our history of…John Mays is a 25 years somebody took a chance on him 27 years ago and said “You’re a great musician on the road, let me bring you in here.” Part is the relationship, you know, can they sit and hang with an artist? You know, you’ve been in these mediums. Where it’s like can you move an artist from A to Z while making the artist think it’s their move? As a producer it’s the same skill set of can you get an artist to bend without knowing that they’re bending? Or being able to move–Seth: All the artists out there, they just had a–Steve: I know they had a convulsion.[Laughter]And all the producer are like, yeah![Laughter]But that’s part of it, of like how do you get a song… because you don’t want to tell an artist, “You know what? This song sucks.” You just want to say, “Let’s work on the chorus. The chorus isn’t paying off hard enough, let’s make it lift better. Let’s make it shine.” Whatever it may be, moving them away from, “I love this, this is my baby. It’s beautiful.” To let’s keep working on this song.Seth: So, it sounds like it maybe starts with who they are as a person. Are they a good hang? Are they a servant? And then, the music kind of just follows and that taste follows.Steve: Our young A&R guy over there, he went through our radio department so he was listening to radio hits, radio hits, radio hits. And part of it is… There’s marketing guy named Roy Williams, I went to a seminar with him and he said he has a friend that works at General Market Record Label to pick all the singles and I’m like, “How did you learn this?” And the guy basically said, “Since I was five years old, every week I’d get my allowance and I would go buy the number one song in America.” And so for his whole life, he poured into himself hits. This is what a hit sounds like, this is what a hit sounds like, this is what a hit sounds like.Seth: That’s pretty good wisdom, right there.Steve: And so, at a certain point you go, you got to know our music, you got to listen to our music, you got to know what a hit sounds like. I’ve heard a lot of kids come though “I hate listening to Christian radio.” Then why do you listen to Christian music? How many people in country music go, “[inaudible 32:11] but I hate country music.” Get out! You’re not going to succeed.[Laughter]But they almost wear it as a banner that I hate Christian music in our market place. We have an open concept office and I’ll try to listen to two hours of Christian radio every day in my office. And if I’m listening to it, everybody in my office is listening to it too; more for this is what a hit sounds like, this is what radio sounds lie. If you’re trying to meet a need at radio and you don’t know what they’re playing, how can you meet the need? So…I digress, sorry.Seth: No, that’s gold. That’s all gold.Steve: I think you nailed it in your earlier podcast when you said, this is a servant industry. It really is. And in my life, it took me a lot of time to figure out what my calling was. I knew I wasn’t an artist but God, what does that mean? And I was walking through Exodus with my kids when they were very young and hit Exodus 17 where God say to Moses, they’re out of Egypt heading towards the Promised Land and they hit the Analcites, God calls Moses up to the hill top; arms up in the air he wins, arms down they lose. But what never caught to me until I was reading it, Moses took two people along with him Aaron and Hur and I love to say I am the Hur in the Moses’ life. It’s my job, what Hur was up there to do is to hold Moses’ arms up, that’s all he did. When Moses was weak, when Moses needed help, Hur held his hands up. That’s my calling be a servant, be there to hold your hands up. Some people know Aaron “Aaron, you know, Moses’ little brother.” No one knows who Hur is. If you’re okay standing, holding someone’s arms up and no one recognizes, you are created to be in the music industry. Because you’re not in to be the rock stars; we’re in the back of the room with our arms folded, looking at the person on stage going, “Yeah. I was there to hold their arms up.”Chris: That’s wise. One of my favorite movies is That Thing You Do, I don’t know if any of you have seen that.Steve: Yeah. I’m the guy that goes, “You look great in black.”[Laughter]Chris: Has anyone told you that?Steve: Yeah.Chris: But, one of my favorite characters in the movie, and they’re filled with them. Anybody out there that hasn’t seen it, it’s a great movie.Steve: Please, go see it.Chris: But there’s Horus who’s basically the A&R guy that sees them in–Steve: In the camper-[Laughter]Chris: Yeah, he lives in a camper and he’s essentially the A&R guy. But he sees them in a performance at an Italian restaurant or something and comes and buys their album and get’s them to sign a little deal. And then at the end, when they get signed to a major label and they’re going out to play these state fairs, Horus leaves and the main character drummer of the band says, “We don’t want you to leave.” And he goes, “My [inaudible 35:27] is done. I’ve done what I’m supposed to do.” And then move on to the next thing and so he wasn’t meant to ride that out the whole movie; he’s there for a specific piece to move it from A to C. He’s the B part of it, the Hur of that story so to speak.Steve: Nowadays, you’d call them just production deals. You start working with an unknown artist who has a little bit of talent, you start developing them and then you start shopping them to record labels. And then you go, my job here is done. They then take the baton and now try to make to a national artist. If you make 2 out of 20, 3 out of 20, you’re in great shape. You’re a hall of fame baseball player if you hit 3 out of 10. And you’re a hall of fame A&R guy if 3 out of your 10 are hit artists.It’s a cycle, you have the young artist going up; you have the artist at their peak; and then you have some that are on their way down. And you’ve got to keep that circle going because any artist that’s been at the top is going to be past its peak and slowly work its way down, and you got to have the new artist coming up behind to grow into. So it’s a continual cycle of in the music industry. The circle of life in music would be that.Chris: I had a mentor –Scott [inaudible 36:48] if you’re listening I’m about to talk about you- but he always talked about how life in the ministry or in a career is kind of like looking at life or the people that you interact is like a watching a parade go by. There are things that are right in front of you, there are things that you just saw, and there are things that are coming down. And to really appreciate what is happening in the parade you have to absorb it all. And so there’s a little bit of grabbing from each of those in order to get the full experience of it all.Steve: And the bigger what’s right in front of you, the bigger those artists are in front of you, sometimes you don’t have time to look behind and develop what’s behind and what happens is with a lot of these record labels and I’ve been at these where, man they’ve got the big, and they slowly slipping. The [inaudible 37:32] slowly start getting past their prime and they haven’t developed anything behind them and then you’re in trouble because you’ve got this machine you’ve got to feed and you haven’t created for the future, it’s only for the present.And so, every A&R guy wants to sing but some of the big labels, the big artists, the A’s are so big that’s all they’re paying attention to. We’ve all seen it, we’ve all seen artists where we say, “Man, they’re amazing” but they got lost in the shuffle and that’s the sadness. We forget that we’re playing with people’s lives, especially on the record label side their dreams.I signed this band at a label and they were 18 years old when I signed them and 21 years old when I had to drop them. So, their dreams had come true and shattered by the time they were 21. And it’s just hard when you start thinking about that stuff.Chris: That’s true. And if you think about it there are some people that are fortunate enough to have a full career in the music industry and there are some people that have a three year window kind of like a profession sports guy or those things. There’s a window and the once you pass it, yeah but the guy is only 24 and the band is only 21. What’s coming up for them?Steve: You know what, I think it’s a catalyst of those people leaving or burning out, is balance. You guys have said it; I can walk through a record label at 8 o’clock at night and I can tell you which employees will be gone in a year because they have nothing to put back into themselves. The music industry is a take industry, it just continues squeezing and it just wants more and more and more. If you have one they want five; if you have five we want ten; if we have ten we want twenty, and it’s never enough. My poor radio team goes, “Hey we got number one.” And I’m like, “Great. How do we keep it on number one for another week?” It’s never enough and so you continue squeezing out what this industry does, if you don’t have a ministry, if you don’t have a relationship, if you don’t have friends that give back to you that don’t care what you do for a living and basically go, “Yeah, yeah. You do music, how are you?” You know, if there aren’t nursing students at the college that you got to that are your friends, you’re going to burn out. Because there’s nothing giving back, there’s no one pouring into you. Sooner or later the candle ends, there’s no more fuel and it juts burns out.So, I try to keep my staff saying, I want you to go to concerts and date people and go home at 6 o’clock and have a life. Because if you don’t have a life you have nothing to come back when you come back tomo
Jaime Jamgochian hails from Boston, MA, and accepted Christ while attending college at Berklee College of Music, before moving to Seattle, WA, to serve as a worship leader at one of the area churches. It was during this time that Jamgochian moved to Nashville and became the anchor artist for Centricity Music. She released four projects and had several hit singles, including the 12-week No. 1 song “Hear My Worship.” She was with the label for 10 years before striking out on her own as an independent artist. Jamgochian has led worship at churches around the world and has shared the stage with such Christian mainstays as Point Of Grace, Mark Schultz, Francesca Battistelli, and Jason Gray. Jamgochian has become known for performances and support for women's events, including her own ministry for young girls “Modest Is Hottest.” Jamgochian resides in the Nashville area. Tyrus Morgan is a Kansas native who had a passion for playing baseball while in high school, but once he inherited his grandfather's guitar there was no turning back from music. He started playing in local bands while in college and it was after graduation that Morgan made his way to Nashville. He started out the same way several artists and songwriters do in Music City, by holding down two jobs: his day gig of advertising that paid the bills and his passion at night of songwriting. Heeding his faith calling, Morgan began his full-time music ministry 18 months after moving to Nashville, which eventually led to signing with Curb Records and releasing his first radio hit, “Song to the Savior.” Morgan has also written hit singles for other artists that include “Good Fight” by Unspoken and Newsong's “The Same God.” Morgan is married with two daughters and a son. Jaime Jamgochian and Tyrus Morgan team up to release a 6-song EP, Christmastime.
Jaime Jamgochian hails from Boston, MA, and accepted Christ while attending college at Berklee College of Music, before moving to Seattle, WA, to serve as a worship leader at one of the area churches. It was during this time that Jamgochian moved to Nashville and became the anchor artist for Centricity Music. She released four projects and had several hit singles, including the 12-week No. 1 song “Hear My Worship.” She was with the label for 10 years before striking out on her own as an independent artist. Jamgochian has led worship at churches around the world and has shared the stage with such Christian mainstays as Point Of Grace, Mark Schultz, Francesca Battistelli, and Jason Gray. Jamgochian has become known for performances and support for women’s events, including her own ministry for young girls “Modest Is Hottest.” Jamgochian resides in the Nashville area. Tyrus Morgan is a Kansas native who had a passion for playing baseball while in high school, but once he inherited his grandfather’s guitar there was no turning back from music. He started playing in local bands while in college and it was after graduation that Morgan made his way to Nashville. He started out the same way several artists and songwriters do in Music City, by holding down two jobs: his day gig of advertising that paid the bills and his passion at night of songwriting. Heeding his faith calling, Morgan began his full-time music ministry 18 months after moving to Nashville, which eventually led to signing with Curb Records and releasing his first radio hit, “Song to the Savior.” Morgan has also written hit singles for other artists that include “Good Fight” by Unspoken and Newsong’s “The Same God.” Morgan is married with two daughters and a son. Jaime Jamgochian and Tyrus Morgan team up to release a 6-song EP, Christmastime.
Jaime Jamgochian hails from Boston, MA, and accepted Christ while attending college at Berklee College of Music, before moving to Seattle, WA, to serve as a worship leader at one of the area churches. It was during this time that Jamgochian moved to Nashville and became the anchor artist for Centricity Music. She released four projects and had several hit singles, including the 12-week No. 1 song “Hear My Worship.” She was with the label for 10 years before striking out on her own as an independent artist. Jamgochian has led worship at churches around the world and has shared the stage with such Christian mainstays as Point Of Grace, Mark Schultz, Francesca Battistelli, and Jason Gray. Jamgochian has become known for performances and support for women's events, including her own ministry for young girls “Modest Is Hottest.” Jamgochian resides in the Nashville area. Tyrus Morgan is a Kansas native who had a passion for playing baseball while in high school, but once he inherited his grandfather's guitar there was no turning back from music. He started playing in local bands while in college and it was after graduation that Morgan made his way to Nashville. He started out the same way several artists and songwriters do in Music City, by holding down two jobs: his day gig of advertising that paid the bills and his passion at night of songwriting. Heeding his faith calling, Morgan began his full-time music ministry 18 months after moving to Nashville, which eventually led to signing with Curb Records and releasing his first radio hit, “Song to the Savior.” Morgan has also written hit singles for other artists that include “Good Fight” by Unspoken and Newsong's “The Same God.” Morgan is married with two daughters and a son. Jaime Jamgochian and Tyrus Morgan team up to release a 6-song EP, Christmastime.
Jaime Jamgochian hails from Boston, MA, and accepted Christ while attending college at Berklee College of Music, before moving to Seattle, WA, to serve as a worship leader at one of the area churches. It was during this time that Jamgochian moved to Nashville and became the anchor artist for Centricity Music. She released four projects and had several hit singles, including the 12-week No. 1 song “Hear My Worship.” She was with the label for 10 years before striking out on her own as an independent artist. Jamgochian has led worship at churches around the world and has shared the stage with such Christian mainstays as Point Of Grace, Mark Schultz, Francesca Battistelli, and Jason Gray. Jamgochian has become known for performances and support for women’s events, including her own ministry for young girls “Modest Is Hottest.” Jamgochian resides in the Nashville area. Tyrus Morgan is a Kansas native who had a passion for playing baseball while in high school, but once he inherited his grandfather’s guitar there was no turning back from music. He started playing in local bands while in college and it was after graduation that Morgan made his way to Nashville. He started out the same way several artists and songwriters do in Music City, by holding down two jobs: his day gig of advertising that paid the bills and his passion at night of songwriting. Heeding his faith calling, Morgan began his full-time music ministry 18 months after moving to Nashville, which eventually led to signing with Curb Records and releasing his first radio hit, “Song to the Savior.” Morgan has also written hit singles for other artists that include “Good Fight” by Unspoken and Newsong’s “The Same God.” Morgan is married with two daughters and a son. Jaime Jamgochian and Tyrus Morgan team up to release a 6-song EP, Christmastime.
Join us this week on Christian Devotions SPEAK UP! as Scott shares the trek to a number one Christian song with new artist Jordan Feliz. What artist launched his career as a hard-touring, heavy-metal singer, then switched gears to become a church worship leader before finally signing a Nashville record deal and making his mark as a songwriter and soulful R&B-groove-pop artist? Well, if the question comes up someday, you'll already know the answer: Jordan Feliz. Fronting the West Coast buzz band A Current Affair gave Jordan's powerful vocals some major exposure right out of high school. The band performed on the Warped Tour and other high profile gigs before dissolving. But heavy metal was never Jordan's passion; it was just a fun experience with his friends to grow musically. After his move from California to Nashville, Jordan was invited to participate in an unsigned artists retreat hosted by Centricity Music. It was the combination of Jordan's nuanced vocal abilities, the freshness of his retro-influenced melodies and songwriting, and his warm, enthusiastic personality that spurred label execs to take a closer look and ultimately sign him. Jordan's debut project, Beloved, brings the rich influence of 70's sensibilities into a modern pop context. Intentionally constructing uncluttered tracks free of production tricks and excessive instrumentation, Jordan focused on arrangements that were designed to give the vocals center stage. The songs on the Beloved 10 song album are soul-influenced pop numbers, and the instruments present are articulate in their voicings and melodies, saying only as much as they need to. The song, “The River,” quickly skyrocketed the Christian Billboard charts to #1 and is still in the top ten today.
Join us this week on Christian Devotions SPEAK UP! as Scott shares the trek to a number one Christian song with new artist Jordan Feliz. What artist launched his career as a hard-touring, heavy-metal singer, then switched gears to become a church worship leader before finally signing a Nashville record deal and making his mark as a songwriter and soulful R&B-groove-pop artist? Well, if the question comes up someday, you’ll already know the answer: Jordan Feliz. Fronting the West Coast buzz band A Current Affair gave Jordan’s powerful vocals some major exposure right out of high school. The band performed on the Warped Tour and other high profile gigs before dissolving. But heavy metal was never Jordan’s passion; it was just a fun experience with his friends to grow musically. After his move from California to Nashville, Jordan was invited to participate in an unsigned artists retreat hosted by Centricity Music. It was the combination of Jordan’s nuanced vocal abilities, the freshness of his retro-influenced melodies and songwriting, and his warm, enthusiastic personality that spurred label execs to take a closer look and ultimately sign him. Jordan’s debut project, Beloved, brings the rich influence of 70’s sensibilities into a modern pop context. Intentionally constructing uncluttered tracks free of production tricks and excessive instrumentation, Jordan focused on arrangements that were designed to give the vocals center stage. The songs on the Beloved 10 song album are soul-influenced pop numbers, and the instruments present are articulate in their voicings and melodies, saying only as much as they need to. The song, “The River,” quickly skyrocketed the Christian Billboard charts to #1 and is still in the top ten today.
Join us this week on Christian Devotions SPEAK UP! when special guest Jonny Diaz drops by to talk about his new CD, Let It Fly. Jonny Diaz began his music career as worship leader for a youth group in Lakeland, FL. He released three independent projects before signing with INO Records in 2008. His label debut, “More Beautiful You” (2009), produced Diaz's first hit single, the album's title track, which reached No. 1 on Billboard's AC Indicator chart and No. 2 on its Hot Christian Songs chart. The record's momentum, combined with a self-titled follow-up album in 2011, paved the way for Diaz to perform alongside such notable Christian acts as Building 429, Matthew West, Steven Curtis Chapman, Mercy Me and Bebo Norman. Diaz signed with Centricity Music in October 2013 and released his first project with the label, Let It Fly, April 8, 2014. Let It Fly marks Diaz's first collaboration with famed producers Jeff Pardo (Mandisa and Salvador) and Brent Milligan (Steven Curtis Chapman and David Crowder Band), showcasing an increased artistic confidence, as evidenced by new sounds and insights from the talented artist. Such growth is readily apparent to early critical consumers of Let It Fly, with CCM Magazine giving it a four-star review, calling the record “a work of art,” Hallels.com touting it as “a gripping affair,” and Soul-Audio.com exclaiming, “Diaz embarks on a path that sees him living out his gifts.”
Join us this week on Christian Devotions SPEAK UP! when special guest Jonny Diaz drops by to talk about his new CD, Let It Fly. Jonny Diaz began his music career as worship leader for a youth group in Lakeland, FL. He released three independent projects before signing with INO Records in 2008. His label debut, “More Beautiful You” (2009), produced Diaz’s first hit single, the album’s title track, which reached No. 1 on Billboard’s AC Indicator chart and No. 2 on its Hot Christian Songs chart. The record’s momentum, combined with a self-titled follow-up album in 2011, paved the way for Diaz to perform alongside such notable Christian acts as Building 429, Matthew West, Steven Curtis Chapman, Mercy Me and Bebo Norman. Diaz signed with Centricity Music in October 2013 and released his first project with the label, Let It Fly, April 8, 2014. Let It Fly marks Diaz’s first collaboration with famed producers Jeff Pardo (Mandisa and Salvador) and Brent Milligan (Steven Curtis Chapman and David Crowder Band), showcasing an increased artistic confidence, as evidenced by new sounds and insights from the talented artist. Such growth is readily apparent to early critical consumers of Let It Fly, with CCM Magazine giving it a four-star review, calling the record “a work of art,” Hallels.com touting it as “a gripping affair,” and Soul-Audio.com exclaiming, “Diaz embarks on a path that sees him living out his gifts.”
Join us this week on Christian Devotions SPEAK UP! when special guest Jonny Diaz drops by to talk about his new CD, Let It Fly. Jonny Diaz began his music career as worship leader for a youth group in Lakeland, FL. He released three independent projects before signing with INO Records in 2008. His label debut, “More Beautiful You” (2009), produced Diaz's first hit single, the album's title track, which reached No. 1 on Billboard's AC Indicator chart and No. 2 on its Hot Christian Songs chart. The record's momentum, combined with a self-titled follow-up album in 2011, paved the way for Diaz to perform alongside such notable Christian acts as Building 429, Matthew West, Steven Curtis Chapman, Mercy Me and Bebo Norman. Diaz signed with Centricity Music in October 2013 and released his first project with the label, Let It Fly, April 8, 2014. Let It Fly marks Diaz's first collaboration with famed producers Jeff Pardo (Mandisa and Salvador) and Brent Milligan (Steven Curtis Chapman and David Crowder Band), showcasing an increased artistic confidence, as evidenced by new sounds and insights from the talented artist. Such growth is readily apparent to early critical consumers of Let It Fly, with CCM Magazine giving it a four-star review, calling the record “a work of art,” Hallels.com touting it as “a gripping affair,” and Soul-Audio.com exclaiming, “Diaz embarks on a path that sees him living out his gifts.”
Join us this week on Christian Devotions SPEAK UP! when special guest Jonny Diaz drops by to talk about his new CD, Let It Fly. Jonny Diaz began his music career as worship leader for a youth group in Lakeland, FL. He released three independent projects before signing with INO Records in 2008. His label debut, “More Beautiful You” (2009), produced Diaz’s first hit single, the album’s title track, which reached No. 1 on Billboard’s AC Indicator chart and No. 2 on its Hot Christian Songs chart. The record’s momentum, combined with a self-titled follow-up album in 2011, paved the way for Diaz to perform alongside such notable Christian acts as Building 429, Matthew West, Steven Curtis Chapman, Mercy Me and Bebo Norman. Diaz signed with Centricity Music in October 2013 and released his first project with the label, Let It Fly, April 8, 2014. Let It Fly marks Diaz’s first collaboration with famed producers Jeff Pardo (Mandisa and Salvador) and Brent Milligan (Steven Curtis Chapman and David Crowder Band), showcasing an increased artistic confidence, as evidenced by new sounds and insights from the talented artist. Such growth is readily apparent to early critical consumers of Let It Fly, with CCM Magazine giving it a four-star review, calling the record “a work of art,” Hallels.com touting it as “a gripping affair,” and Soul-Audio.com exclaiming, “Diaz embarks on a path that sees him living out his gifts.”
This is episode 62 and we feature worship leader/songwriter/Centricity Music artist, Jaime Jamgochian. She is interviewed by Mandy Thompson about songwriting, ministry, and much more. We also feature her song “Hear My Worship”. Also, on this show we: -discuss Gungor's song “Beautiful Things” and songs for Easter. -share some listener feedback, including a question a listener posed: What does worship look like in 10 years? -share about a new feature of our sponsor, WorshipPlanning.com that makes it easy to find a replacement when a volunteer declines their scheduled day. Use promo code, podcast, and receive a 45 day free-trial. -discuss our upcoming worship retreat taking place May 19-21. Plus Members of our site receive $50 off registration. -share about an upcoming webinar for songwriters, presented by Chris Vacher, founder of WorshipRises in Canada. He will be sharing about how to host songwriting events. Marc [...]
On this episode, Wisdom sits down over dinner with worship leader/songwriter, Matt Papa. They discuss worship leading, ministry, education, etc. This being our big Episode 50, we giveaway something huge at the end of the show. Also, don't miss the featured song by Matt Papa, Open Hands. Call our comment line and share your input on the caller's question from this show: 913.735.4229 Connect with us online: www.allaboutworship.com www.facebook.com/allaboutworship www.twitter.com/allaboutworship A special thanks to Centricity Music for permission to feature: Open Hands. [...]
Can you believe the mini series is concluding? Yep, this is the final stand alone SiftSwift minisode for our app gaming series. Our giveaway will be during the Mission Impossible episode with Aaron, Andrew and Denee' THIS weekend! So be sure to listen for your name. Just be sure you've signed up for the drawing at www.siftpop.com/giveaway. We want to thank Centricity Music for sponsoring this series. Thanks to their help, we were able to create something we're really proud of. If you want us to do something like this again, be sure to send your feedback to denee@studiodna.media. Thank you SO much for listening to D'yay or D'nay!
Jordan Feliz - One of the newest voices in CCM music, this young man is full of talent, creativity, and a passion for the message of his music to go great distances.Caitie Hurst – Labelmate to Jordan (at Centricity Music), this young lady is dipping her toe in the CCM world with a catchy new song.
He’s Centricity Music’s new shining star from Washington. His brand new release is called “Healthy Snacks”, and not only will you get to know rapper PEABOD, but you’ll get to hear songs from his new project. Thanks to Centricity Music for permission to thump some tasty beats, and may you enjoy getting to know Isaac Peabody, a.k.a. Peabod.
He’s Centricity Music’s new shining star from Washington. His brand new release is called “Healthy Snacks”, and not only will you get to know rapper PEABOD, but you’ll get to hear songs from his new project. Thanks to Centricity Music for permission to thump some tasty beats, and may you enjoy getting to know Isaac Peabody, a.k.a. PEABOD.
Denee' hacks the SiftPop feed to tell you all about a new series starting next week! We're excited to also pair this new series with a sweet giveaway from our sponsor, Centricity Music! Take a listen and tweet your ideas to @DeneeSays.
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