Podcast appearances and mentions of Jay Joyce

In this revealing episode of The MCP, I sit down with Grammy-nominated songwriter, guitarist, and Americana mainstay Will Kimbrough for a wide-ranging conversation on the hard truths and quiet joys of a life in music.From his early days as a 12 year old electric guitar player to getting signed to EMI, and then John Prine's Oh Boy Records, to his work with Jimmy Buffett, Shemekia Copeland, and Todd Snider, Will offers a masterclass in musical longevity, humility, and hustle.A few of the stories and names he mentions reminded me of what I sometimes foolishly take for granted — namely my geographical proximity to musical greatness. For instance celebrated producer Jay Joyce has a studio not 50 hundred feet away from where I now sit, and in the other direction, three houses opposite, is Eric McConnell's studio, the legendary location where was recorded my favorite album of all time, Todd Snider's East Nashville Skyline.Incidentally, in the picture at top I am sitting across the table from that album's producer. I was so excited I had to share the story of discovering that album in a CD listening station at Waterloo records in Austin in the closing moments of an otherwise very dismal experience, which was me playing SXSW in 2004. That album is why I moved to East Nashville, and why I live there still. Crazy but true.Back to Will. Kimbrough opens up about navigating the highs and lows of the industry—learning to trust a team, the freedom of doing things DIY, and how obligation can become an artist's best creative ally. His career parallels a number of iconic Nashville personalities and institutions, like Mike Grimes (with whom Kimbrough formed the beloved trio the Bis-quits and signed to Prine's Oh Boy Records).Finally we get into his life-changing work with veterans through Songwriting with Soldiers and post-traumatic growth programs, and share a few stories about sobriety (his, mostly) and how he's managed to steer clear of some of the darker potholes that might have otherwise claimed a career now well into in its fourth decade.And yes—there's a live performance Kimbrough's song “For the Life of Me,” with me in there on guitar.00:00:00 "Desired Obligation" 00:01:08 Congrats on the Grammy Nom, Will 00:03:06 What caught your ear early on? 00:04:12 Seeing Bruce Springsteen on your 12th birthday 00:05:19 Riffing with Doyle at Grimey's about the power of earlier radio 00:06:18 The first thing Will did with an electric guitar 00:09:04 Constant Throughput makes you less precious 00:10:19 Riffing on Jay Joyce 00:11:51 Getting signed - "the shackles were on" 00:17:22 The collateral positives of getting signed 00:20:18 how to negotiate the tension between personal freedom and teamwork 00:23:11 Meeting Jimmy Buffett through Todd Snider 00:24:32 Trying to get dropped and forming the Bis-quits 00:26:49 Energy optimism and drive in finding a manager or launching a record 00:27:20 Why is it you make your best work when you're in a bad way? 00:28:48 Will's collective songwriting 00:31:31 Writing records with Todd Snider East Nashville Skyline and the Devil You Know 00:32:33 Korby's "East Nashville Skyline" story 00:35:54 The story about Todd Snider's fallout with Jimmy Buffett 00:38:00 Getting addicted to the school of Todd and Rodney Crowell and that crew 00:38:56 A version of the dream as expressed by Korby 00:39:55 Working with Shemekia Copeland 00:40:44 Warrior PATHH program 00:41:39 Wills Bob Dylan movie story 00:44:42 Setting up "For the Life of Me" live in studio 00:53:06 Will Kimbrough performs "For the Life of Me" 00:57:07 "Addicted to gratitude" 00:59:53 A story about John Prine's "Hello in there" 01:02:50 Are you melancholy or even-keeled? 01:05:41 How have you stayed open to the constant change? 01:07:30 Some notes on sobriety 01:12:27 That plato quote about everyone is fighting a hard battle 01:15:17 Talking about reading and writing 01:17:15 How a story about a song connects people 01:18:00 A story about writing with Jimmy Buffett Get full access to The Morse Code with Korby Lenker at korby.substack.com/subscribe

Brandon Lancaster is an artist, songwriter, and lead vocalist of the Nashville-based band LANCO. Originally from Smyrna, Tennessee, Brandon and his bandmates garnered national attention with their debut single “Greatest Love Story,” which became a No. 1 hit on the Country Airplay chart and was just certified 5x Platinum. LANCO has toured with major acts such as Dierks Bentley, Luke Combs, and Miranda Lambert, and just released their sophomore album “We're Gonna Make It”.In this episode, we discuss Lanco's new record, his fortuitous meeting with Jay Joyce, the story behind the wait of their sophomore record, writing Greatest Love Story, and many other stops along the way. This episode's "stat of the week" is brought to you by https://chartmetric.com/.New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

Originally from upstate New York, Seth began playing drums at the age of three. By age nine, he was sitting in with local bands and even backing up his elementary school choir. He's been in the Nashville music scene for 20+ years and is currently the touring drummer for Carrie Underwood. When Seth isn't on the road, he is in the studio recording and collaborating with some of Nashville's top writers, musicians, and producers. Seth has been in the Nashville music scene for years and has played/recorded with the likes of rockers Quinn Loggins, Joey DeGraw and Sodium. On the rock country and country scene he has performed/recorded with Ruby Lovette (Curb), Anna Wilson (Curb), Amy Dalley (Curb), The Wilkinsons (RCA), The Marie Sisters (Universal/Republic), Wade Hayes (Columbia), Jeff Carson (Curb), Brian McComas (Lyric Street), SheDaisy (Lyric Street), Katrina Elam (Universal South), Gary Allan (MCA), The Wreckers (Maverick), Sarah Johns(RCA), Joe Nichols(Universal South), Julianne Hough(Curb), Phil Vassar, Chris Young, Rodney Adkins(Curb), The Band Perry, Sheryl Crow and Little Big Town(UMG), Keith Urban. TV appearances include, the CBS Early Morning Show, ABC's the View, The Grand Ole Opry Live, CMT's MWL, The CMA Music Festival on ABC, a live concert special with Gary Allan on both MTV and CMT, Good Morning America, Good Afternoon America, Jimmy Kimmel, Jay Leno, Conan O'Brien, Dancing with the Stars, Craig Ferguson, The Talk, Jimmy Fallon, Ellen Degeneres, Fox and Friends, Live with Kelly and Michael, Canada a.m., CMT Awards, The ACA Awards, David Letterman, X-Factor and American Idol.   Gear: Innovative Percussion, Gretsch, Zildjian, Remo, Gibraltar Some Things That Came Up:   -3:00 Big musical family. Moving to Nashville at 18 years old.  -4:40 Playing int he school band  -5:30 Teacher George Lawrence! Passed on The Wilkinsons gig to Seth.  -9:30 Seth's admiration of Carlos Vega. -16:00 Chris Cornell, Rob Lowe -19:00 Tuning hacks.  -20:30 Game changer advice from Chris McHugh…(drum roll)… Puresound “Orchestral” snare wires on all drums. Since 2013 -23:00 Recording with Little Big Town with Jay Joyce producing.  -24:40 “Practice! Practice! Get a good gig and make a lotta cash!” -27:00 Starstruck? No! Playing with Fogerty was pretty surreal. -29:30 There's No Business Like Show Business!!! Everything about it is appealllingggg! -31:30 The perks of the Vegas residency. Play Wednesday, Friday, Saturday.  -33:20 Seth does body weight circuits. -34:00 Seth's home studio and maintaining an 8 acre property. -35:15 Rausch is German!  -37:00 Keith Urban's band would watch Little Big Town open for them every night. Amazing, natural advertising for Seth. Led to the call for Keith Urban.  -38:50 Seth met Cindy Blackman in Vegas -39:40 Advise for up and coming drummers.”Try Not to be an asshole”. “Lots of FAITH! Worrying doesn't do anyone any good. Take it day by day.  -41:20 Seth is a model represented by The Block Agency! -42:00 Harry McCarthy as Seth's drum tech with Keith Urban. Drum Paradise Christmas party?  -44:30 Studio and Touring balance -47:00 We hope Jim's Mom isn't listening! -49:00 “The Fave 5”…Seth's brick pizza oven.  -51:00 Ultimate Tribute Band choice is Led Zeppelin -54:00 Take every gig and don't quit!     Follow:  www.sethrausch.com The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

805 Authentico, musician, and singer-songwriter Jake Smith AKA The White Buffalo swings by WSL HQ to join the Cold Beer Surf Club. Jake discusses his surf upbringing, connections with the Malloy brothers, and transition from playing division one baseball to being a professional musician. He reflects on his starving artist's struggle from living with his parents and waiting tables, to his music being featured in Shelter, Sons of Anarchy and selling out shows across the globe. He explains how he would call restaurants and different venues, playing a song on their voicemail in hopes of getting booked there. He dives deep into his song-writing process, shares untold memories growing up with the Malloys, and his joy for cooking and leftovers. He thrills about the visceral experience of playing sold-out live shows, unorthodox recording practices with producers like Jay Joyce and Shooter Jennings. He reveals how Bob Hurley and Paul Gomez funded his first album and gave him his start, his guitar model with Gibson, and teases his new film with 805 Beer that will coincide with his latest album release in September 2024. New episodes drop every month. Follow, subscribe, and join the Club now. Follow Conner Coffin. Follow The White Buffalo. Get the latest 805 Beer content, the gear, and of course, the beer. Join the conversation, follow the league, and stay updated on all things WSL.

Adam Box  Adam Box is an American drummer, best known for his work with the country duo Brothers Osborne for the past 11 years. Box started playing drums at church in his hometown of Zero, Mississippi, in a church band that covered contemporary rock songs with Christian lyrics. He later entered a battle of the bands in Starkville, Mississippi and formed a band called Absence of Concern, which opened for Bob Seger at a concert in Jackson, Mississippi. Box later met Chris Ethridge, a bassist who had played in The Flying Burrito Brothers, through a mutual friend, and Ethridge served as Box's mentor.Box is in the road band for the duo Brothers Osborne, and played on most all of their albums and hit singles.  Some Things That Come Up:  -2:20 Roto Toms? -3:00 Craviotto Drums -6:30 The Roots. The Glory of Keith Carlock -7:10 Life in Zero, Mississippi. Cutting teeth in the church with great players.  -8:40 Adam's father was a great guitarist and person. Adam's parents just moved to Nashville. -11:00 Mourning the death of the shuffle  -11:55 Clicks and grids  -14:30 The culture of Brothers Osborne and Jay Joyce as producer -19:00 Cooper Acoutin custom snare drums and the Ludwig acrolite -21:50 Adam's Gilded Palace Recording Studio  -22:40 Chris Ethridge, bassist of the Flying Burrito Brothers, was a huge mentor to Adam. Chris eventually passed from pancreatic cancer. -25:20 Chris is always with Adam -26:20 Adam built his own studio by hand!  -27:20 Amazing opportunities came to Adam when he created his studio  -28:30 Adam is a man of God, putting one foot in front of the other  -32:40 The lure of Southern California  -33:00 Adam's 1st Nashville day job: “Outside Sales” for Zanies comedy club -37:00 Used creativity to create value. The desperation philosophy  -39:30 Leos in the room! -40:00 Adam created a Crag's List ad for his services -44:20 Pete Sternberg helped Adam secure the gig with Brothers Osborne  -46:00 Be prepared, but be open and flexible -50:00 Don't put a time limit on it! -51:30 People person? Gotta keep the battery charged… -54:45 Russell Crowe body double? -58:00 Jim's voice over style -59:50 Adam tracked drums on The Brothers Osborne Grammy Award Winning song -101:00 Adam is a Grammy Award winning drummer! -1:03:30 Adam's thoughts on mentoring -1:12:00 What happens when you achieve your dreams? -1:14:30 The relationship with your drum tech  -1:16:00 Music.AI. Legacy. -1:18:50 Detune two lugs to get the “gush” snare tone -1:22:30 Traditional Grip?  -1:23:40 Taking drum lessons from Brian Stephens.  -1:26:00 “The Fave 5”   Follow:  IG: @adambox___   The Rich Redmond Show is about all things music, motivation and success. Candid conversations with musicians, actors, comedians, authors and thought leaders about their lives and the stories that shaped them. Rich Redmond is the longtime drummer with Jason Aldean and many other veteran musicians and artists. Rich is also an actor, speaker, author, producer and educator. Rich has been heard on thousands of songs, over 30 of which have been #1 hits!   Check out Rich's books on Amazon!    Follow Rich: @richredmond www.richredmond.com   Jim McCarthy is the quintessential Blue Collar Voice Guy. Honing his craft since 1996 with radio stations in Illinois, South Carolina, Connecticut, New York, Las Vegas and Nashville, Jim has voiced well over 10,000 pieces since and garnered an ear for audio production which he now uses for various podcasts, commercials and promos. Jim is also an accomplished video producer, content creator, writer and overall entrepreneur.   Follow Jim:   @jimmccarthy www.jimmccarthyvoiceovers.com

Originally from Lawrence, Kansas, Ashley Ray is a songwriter and artist currently signed to Lady Fairchild Publishing and Warner Chappell Music. She has had cuts with numerous artists including Lori McKenna, Charles Kelley, Little Big Town, Ruston Kelly, and more.In addition to her songwriting success, she has recorded and released three studio albums, including her most recent titled “Animal” released in November of 2023. In this episode we discuss being on the road, imposter syndrome, making records with Jay Joyce, and many other stops along the way. New Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

The Pal's & Corey Kent Episode 238 This episode was a two-parter. The first is a Morgan Wallen concert review followed by a quick 20 minute sit down with rising country star Corey Kent. Oklahoma native/Texas based Corey Kent releases his major label debut Blacktop today via RCA Nashville/Sony Music Nashville. The 10-track album features writing credits from Kent himself as well as Morgan Wallen, Ryan Hurd, Kelly Archer, Lydia Vaughan and more with production from Jay Joyce and Chris Farren.  Blacktop is an actual representation of various pieces of Kent's life and the next evolution of his sound. With a better understanding of who he is as an artist, and as a man, the songs suggest more depth and substance than typical mainstream fare, showcasing key tenants of his life, while the production hits true to Kent's live performance grit.  Kent is on the road with Jason Aldean's Highway Desperado Tour.   Kent was named as a CMT Listen Up Artist for 2023, a Pandora Artist to Watch The Opry Next Stage Class of 2023, Sirius XM Class of 2022 and was nominated for an AIMP Nashville Country Awards for AIMP Rising Artist-Writer of the Year.   Follow him at : @coreykent and us @thepalspodcast / @yourpalrick / @danigalarneau

Jake Smith aka The White Buffalo discusses making his new record "Year Of The Dark Horse" and why he hasn't surfed Topanga in a while!

Jay Joyce is an American record producer, songwriter and session musician for Rock and Country music. He has worked with artists such as The Wallflowers, Emmylou Harris, Patty Griffin, White Reaper and Cage the Elephant. He has also recorded and toured as Iodine in the 1990s with Chris Feinstein and Brad Pemberton. In this episode, we're gonna go through Jay's studio setup and workflow of how he records and mixes.

Jay Joyce is an American record producer, songwriter and session musician for Rock and Country music. He has worked with artists such as The Wallflowers, Emmylou Harris, Patty Griffin, White Reaper and Cage the Elephant. He has also recorded and toured as Iodine in the 1990s with Chris Feinstein and Brad Pemberton. In this episode, we're gonna go through Jay's studio setup and workflow of how he records and mixes.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space. Bob Boilen | September 14, 2020 Declan McKenna and his band rock their Tiny Desk (home) concert. Their "home," in this case, is The Foundry, a neighboring studio in North London. Declan is decked out with glitter, channeling a more flamboyant side of rock than I've seen from him before. He's still immersed in complex storytelling with characters on the fringes, alienated for reasons of class and politics. Three of the songs are from Zeros, his brand new album recorded in Nashville with producer Jay Joyce. It's been a wild three-year ride since the release of his teenage smash debut What Do You Think About the Car? He's now 21 and leads a fiery, honed band that developed serious chops after a few years of touring; Isabel Torres (guitar), Nathan Cox (keyboards), William Bishop (bass), and Gabrielle Marie King (drums) all propel the songs of Declan McKenna. For his Tiny Desk (home) concert finale, Declan performs his best-known song, "Brazil," a tune steeped in politics and sports, and the enthusiasm has him atop a tiny desk in the end. SET LIST "Daniel, You're Still a Child" "The Key to Life on Earth" "Beautiful Faces" "Brazil" MUSICIANS Declan McKenna: vocals, guitar, keyboard; Isabel Torres: guitar; Nathan Cox: keyboards; William Bishop: bass; Gabrielle Marie King: drums CREDITS Video by: Ollie Shasha; Audio by: Rollo Smallcombe ; Producer: Bob Boilen; Audio Mastering Engineer: Josh Rogosin; Video Producer: Maia Stern; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann Team UNPLUGGED.

All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here (that goes for audio or images) please contact me immediately via email: unpluggedtube@outlook.it and I WILL REMOVE THE EPISODE OR ARTWORK IMMEDIATELY! ---------------------------------------------------------------------------------------------------- The Tiny Desk is working from home for the foreseeable future. Introducing NPR Music's Tiny Desk (home) concerts, bringing you performances from across the country and the world. It's the same spirit — stripped-down sets, an intimate setting — just a different space.   Bob Boilen | September 14, 2020 Declan McKenna and his band rock their Tiny Desk (home) concert. Their "home," in this case, is The Foundry, a neighboring studio in North London. Declan is decked out with glitter, channeling a more flamboyant side of rock than I've seen from him before. He's still immersed in complex storytelling with characters on the fringes, alienated for reasons of class and politics. Three of the songs are from Zeros, his brand new album recorded in Nashville with producer Jay Joyce. It's been a wild three-year ride since the release of his teenage smash debut What Do You Think About the Car? He's now 21 and leads a fiery, honed band that developed serious chops after a few years of touring; Isabel Torres (guitar), Nathan Cox (keyboards), William Bishop (bass), and Gabrielle Marie King (drums) all propel the songs of Declan McKenna. For his Tiny Desk (home) concert finale, Declan performs his best-known song, "Brazil," a tune steeped in politics and sports, and the enthusiasm has him atop a tiny desk in the end. SET LIST   "Daniel, You're Still a Child" "The Key to Life on Earth" "Beautiful Faces" "Brazil"   MUSICIANS Declan McKenna: vocals, guitar, keyboard; Isabel Torres: guitar; Nathan Cox: keyboards; William Bishop: bass; Gabrielle Marie King: drums CREDITS Video by: Ollie Shasha; Audio by: Rollo Smallcombe ; Producer: Bob Boilen; Audio Mastering Engineer: Josh Rogosin; Video Producer: Maia Stern; Associate Producer: Bobby Carter; Executive Producer: Lauren Onkey; Senior VP, Programming: Anya Grundmann   Team UNPLUGGED.

The crazy talented Charlie Worsham joins the podcast to talk his new EP, 'Sugarcane,' the ins and outs of being a Nashville session musician, working on Eric Church's 'Heart & Soul' records, his sweat-soaked performance in Ernest Tubb Record Shop at 116 degrees, working with the great Jay Joyce, "Fist Through This Town" and the frustrations of making it in music, touring with Vince Gill and Old Crow Medicine Show, TikTok, pregnancy playlists and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Liz Phair crashed into the indie-rock world in a huge way in the early ‘90s with her instant classic album Exile In Guyville, and she was already the talk of the town—in this case Chicago—before she had even performed publicly. It was an auspicious start to a fascinating career that went from indie-world stardom to Lilith Fair to composing for films and TV to a consciously pop-leaning album to a fantastic memoir called Horror Stories. And it comes full circle, sort of, with her new album Soberish, which she created with the help of producer Brad Wood, with whom she worked on her early albums, including Exile.  Zella Day took a very different path in her music life, starting out very young—at age 15—trying to write songs and make it in Nashville. That led to a revelation that she'd rather perform herself, and eventually a record deal and 2015's pop-centric album Kicker. She played Coachella and other huge festivals, but wasn't fully satisfied with where she was artistically, as you'll hear in this chat. After relocating to L.A., she fell in with a slightly more serious crowd, included pals like Lana Del Rey and Weyes Blood, and her music shifted a bit. She's currently working on an album with producer Jay Joyce, and recently released a song with Natalie Mering of Weyes Blood called “Holocene.” Phair and Day hit it off right away in this conversation, diving right into a conversation about restarting their careers post-COVID—Phair's dad is a retired infectious diseases expert, which gave her some unique insight—as well as the challenges of not giving too much of yourself during an album's promotional cycle. They also tackle the meaning of the word “sober-ish,” which is pretty great. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Liz Phair and Zella Day for chatting. This episode was produced by Melissa Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time!

One of country music hottest rising stars, Lainey Wilson, released her highly anticipated new album ‘Saying What I’m Thinkin’ last week, and she joins the DTP to go behind the music of this powerful new collection of tracks. We discuss how Lainey had the chance to work with legendary producer Jay Joyce, signing with Broken Bow Records, the success of her track ‘Things A Man Oughta Know’, the importance of family, how her mom snuck on the album, holding on through the tough moments, and much more! ------------ Listen to Lainey on Spotify! https://spoti.fi/37Faj6h Follow Lainey on IG @ https://bit.ly/3pJDxHa ------------ Rep the DTP @ www.deserttigermerch.com Follow our social media, find the podcast in video and much more @https://linktr.ee/colton.gee_

We battle a tough internet connection to talk Lainey's new album "Sayin' What I'm Thinkin', working with Jay Joyce, navigating the world of Tik Tok, earning your hat, "bell bottom country" and more.

On Episode 162, I'm joined by singer-songwriter Lainey Wilson. Wilson is releasing Sayin' What I'm Thinkin' this Friday, February 19. During this episode, we talk about recording this album with Jay Joyce, writing with the likes of Luke Dick and Lori McKenna, finding her voice as an artist and songwriter while continually growing as a storyteller and co-writer, the stories behind songs like "Sunday Best" and "Things A Man Oughta Know," and the process of shaping the feel and mood as well as the overarching themes of Sayin' What I'm Thinkin'. This episode's presenting partner is Desert Door Texas Sotol. For more information, click here.This episode is presented by Hot Damn Coffee. Use the coupon code "SLANG" (all caps) for 20% off in their merch store. Visit here.This episode is sponsored by The Blue Light Live in Lubbock, Texas. To get BL merch, click here.Check out the New New Slang Patreon here. Follow New Slang on Twitter here, Instagram here, and Facebook here. To order New Slang merch, visit the online store here. Go subscribe to The Neon Eon here.Support the show (https://www.patreon.com/thomasdmooney)

Today New York bred Nashville based singer-songwriter Jillette Johnson joins me on the eve of her new album release, to discuss Patty Griffin’s game-changing genre-defying second album Flaming Red. Like Bob Dylan, Patty shocked a lot of people when she ‘went electric’ on this record, and we get into why this album was different to her folky debut, the reactions upon its release, why it’s impossible to put Patty in a genre box, how Jillette has been inspired to expand and evolve her sound on her new record and more. We dig into seminal songs like ‘One Big Love’, ‘Tony’ and more, the different lyrical modes Patty deploys across the record, and the contributions from producer Jay Joyce and the other stellar musicians who played on the record.

On Episode 14 of The Grapevine Podcast fellow singer-songwriter and good friend Lainey Wilson sits down with the gang! Lainey and Gary tell the story of how they first met years back. Lainey tells us how her 2020 has been going and what she's been up to with time off the road. We learn about Lainey's past life as a 'Hannah Montana Impersonator' and all about her raising in Louisiana. The whole gang has a group therapy session. Lainey shares her experiences in Nashville and how she ended up working with legendary producer Jay Joyce. Lainey offers some dating advice and tells us things a man oughta know and what she's looking for in her 'ideal man'. Charlie has a 'Gas or Ass' Thanksgiving edition, a recap of the 'Burn It at Both Ends' release party,  the guys talk baseball, the current state of the Nashville bar scene and more! Go check out our friend Lainey Wilson on Instagram, Facebook, Twitter and YouTube. Also give her single 'Things A Man Oughta Know' some love on Apple Music/Spotify and request it at your local radio station! Song of The Week: 'Pieces' featuring Lainey WilsonBig thanks to our media partners at Whale Tale Media. They've got you covered on everything from weddings and media to branding and more. Find them at https://www.whale-tale.com/Use the promo code 'GRAPEVINE' for 15% off your order when buying merch at muscadinebloodline.comRemember to like, rate, review and subscribe to the podcast wherever you listen and to leave your IG or Twitter handle for a chance to score some free merch!For all things MB be sure to check out muscadinebloodline.com. You can also follow along on Instagram, Facebook, Twitter and YouTube! 

Punk rock guitar player turned mega-hit Nashville producer, Jay Joyce, is here to tell us how Music Row thinks it's cute that he's not actually a fan of country music!

My guest today is Marc Frigo a mix engineer, recording engineer, and producer based out of Nashville, TN with multi-platinum credits and over 29 years of experience.  Marc started out in his hometown of Chicago in 1990 but relocated to Nashville, TN in early 1991 where he became a staff engineer at Woodland Studios. It was there that he was able to work with and learn from some of the best engineers and producers in the world, such as producers Peter Collins, Don Was, T-Bone Burnett, Tony Brown, Josh Leo, Jay Joyce and engineers David Leonard, Steve Marcantonio, Rick Will, Bob Bullock, Steve Tillisch, Bill Schnee, and so many others that were great mentors.  During his days as an assistant engineer, he worked on projects with Bob Seger, Keith Urban, Restless Heart, Tammy Wynette, George Jones, The Divinyls, Nancy Griffith, Larry Carlton, Gillian Welch, and the list goes on.  Eventually moving out of assisting and into engineering, Marc engineered and/or mixed projects for The Indigo Girls, K.T. Oslin, Nelson, Dez Dickerson (of Prince & The Revolution) Israel Houghton, Jewel, and Future Leaders of the World to name a few. Marc also recorded and mixed the "Larry Boy" theme song featuring Nicole C. Mullen for the popular Veggie Tales children's video series, which went on to sell 15 million copies. Marc And I Met when I was interning at Woodland and I’m psyched to be reconnecting 25 years later! Thanks to our sponsors! JZ Microphones: https://usashop.jzmic.com PreSonus Studio One: https://www.presonus.com Spectra1964: https://www.spectra1964.com OWC: Other World Computing: https://www.OWC.com iZotope: https://www.izotope.com API Audio: http://www.apiaudio.com Soundporter Mastering: https://www.soundporter.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/267

Va a ser difícil recuperarnos de la pérdida de John Prine, a quien ayer dedicamos nuestro programa. Su muerte ha dejado huérfana a la comunidad de la Americana music. No hace mucho, Jason Isbell realizaba esta interpretación acústica de "Hello in There", una canción perteneciente al disco de debut del mítico artista de Illinois allá por 1971. Esa canción surgió a partir de “Across The Universe” de John Lennon y se convirtió en una reflexión conmovedora sobre el envejecimiento. La versión de Jason isbell ha formado parte del recopilatorio Music Moments de la Asociación del Alzheimer, un proyecto en el que los artistas abordan canciones que aprecian a nivel emocional. Old Crow Medicine Show ha querido enviar un mensaje positivo con una nueva canción, "Nashville Rising", compuesta por su líder Ketch Secor poco después del tornado que devastó la capital de Tennessee el pasado 3 de marzo. Poco antes de que las medidas para combatir el coronavirus lo impidieran, el grupo se reunió con invitados tan especiales como Molly Tuttle, Shelly Colvin y Skylar Wilson, en el estudio que el grupo tiene en East Nashville para grabar todos juntos "Nashville Rising", cuyos ingresos serán donados al Fondo de Respuesta a Emergencias de la Community Foundation of Middle Tennessee. El nuevo álbum de Ashley McBryde, Never Will, supone el cuarto de la carrera de esta nativa de Waldron, Arkansas, que tras autoeditarse un álbum de debut en 2007 se trasladó a Nashville para buscar su lugar en la escena de la Country music. Tras una segundo álbum, fue una canción como "A Little Dive Bar in Dahlonega" la que llamó la atención de todos nosotros hace tres años y nos hizo profundizar en sus composiciones. El productor Jay Joyce se puso a su lado y un trabajo como Going Going Nowhere la hizo despegar definitivamente. Después de una curiosa serie de singles y vídeos que anticiparon su nuevo registro, “Velvet Red” se convierte en su tema más enraizado. 25 Trips es el quinto álbum de Sierra Hull, una de las más sólidas representantes del bluegrass hecho por mujeres y una de las mandolinistas más consideradas del género. Esta jovencísima nativa de Byrdstown, en Tennessee, ha dado un paso más en su nueva grabación, incluyendo elementos a los que no había recurrido en sus grabaciones anteriores, como es la utilización de la batería y la electrificación de la guitarra y la mandolina. Eso supone un cierto toque aperturista dentro de un estilo no demasiado proclive precisamente a reflexionar en ese sentido. El disco vuelve a ser una delicia sonora a la que han sido invitados su propio marido, Justin Moses, junto a instrumentistas del prestigio de Stuart Duncan, Bryan Sutton y Viktor Krauss que en temas como “Poison”, compuesto junto a la virginiana Laura Leigh Jones, recuperan la frescura y naturalidad de tocar en vivo con una sincronización perfecta. También hemos viajado hasta Montana, donde se crió Tessy Lou Williams rodeada de un ambiente musical que comenzó en la banda familar, Montana Rose, que iniciaron sus padres. Esas son las raíces que la llevaron a Austin y posteriormente a Nashville, donde ahora publicará su disco de debut, de título homónimo, marcado por la tradición y con el apoyo de Ashley Campbell, Brennen Leigh, Carl Jackson, Larry Cordle, Jon Randall y algunos otros. "Mountain Time in Memphis", es una canción que describe a la perfección la situación de una mujer con una nueva vida en Tennessee pero que dejó el amor en Montana. En la composición ha intervenido Jerry Salley, su primer contacto en Music City y con quién empezó a escribir canciones. Frente a la imagen poco real que suele dibujar la industria de Nashville, cada vez encontramos más “forajidas” que contraponer su respeto y cariño por la tradición musical. Este es el caso de Jess Jocoy, que acaba de lanzar su primer álbum, Such A Long Way, como continuación de su debut de 2018 con el EP New Heart/Old Soul. La artista del sur de Seattle, en el estado de Washington, llegó a Nashville para convertir su esperanza de compartir sus experiencias y su propia visión de la realidad y así lo manifiesta en canciones como "The Ballad of Two Lovers", que trata sobre cuando a una relación de tiempo le quitas el romanticismo de estar enamorado. Es una especie de conmovedor homenaje a la disfunción del amor, y muestra que se puede salir de una situación tan triste. Eilen Jewell es una mujer inquieta a la que un periodo de cuarentena no la la detiene, de tal forma que ha recuperado uno de los grandes clásicos de la country music como “A Satisfied Man” para sacarlo a la luz aprovechando estas fechas de Pascua. Eilen solía tocarla con su grupo The Sacred Shakers, su grupo de góspel, aunque no es un tema religioso. La grabó en el Audio Lab de Garden City, en Idaho, con los otros tres miembros de su banda, su marido Jason Beek, Matt Murphy y Jerry Miller. Red Hays, que había compuesto “A Satisfied Man” junto a Jack Rhodes, la grabó por primera vez en 1954. Al año siguiente, Porter Wagoner la llevó al No. 1 de las listas de country y los Byrds la versionaron magistralmente en su segundo álbum Turn, Turn, Turn de 1965. 2020 es año bisiesto y se está haciendo notar en su aspecto más negativo. A la trágica pandemia se ha unido la muerte de otros músicos por diferentes causas, como ha sido el caso de Bill Withers, que moría por problemas cardíacos el pasado día 30 de marzo. Joan Osborne, una cantautora que nunca ha dejado de sorprendernos dando clases magistrales de cómo interpretar temas de cualquier estilo musical, desde el country al rhythm and blues. La artista, originaria de Anchorage, un suburbio de Louisville, en Kentucky, se marchó a Nueva York en los 80 y desde entonces ha venido desarrollando una actividad musical encomiable. Breakfast In Bed fue su trabajo de hace 13 años, donde repasaba algunos de los mayores éxitos del rhythm and blue en los últimos 60 y primeros 70. Ese es el caso de “Ain’t No Sunshine”, la canción más popular para Bill Withers, que la incluyó en Just As I Am, su álbum de debut en 1971. Se trata de una canción de desamor atemporal, en la que se canta a un mundo desprovisto de amor y de luz. Y todo en escasamente tres minutos. Una obra maestra. Bill Whiters nos dejó impecables muestras de su poderío como compositor e intérprete en sus años de carrera. Ahí está, por ejemplo, “Lean On Me”, un majestuoso apunte de nostalgia de ese músico, ahora desaparecido, procedente de la zona minera de West Virginia que en 1972 alcanzaba la cima de las listas de soul y pop en Estados Unidos en la voz de su propio compositor. Por otro lado, Eric Bibb es un neoyorquino cuya familia tiene puntos de encuentro con el Modern Jazz Quartet, Pete Seeger, Odetta o Paul Robeson, y que posee la rara habilidad de fusionar el blues tradicional con sonidos más contemporáneos gracias a una extraordinaria versatilidad. Junto a Maria Muldaur y Rory Block nos dejó esta versión impagable de aquel clásico de hace más de cuatro décadas que ahora vuelve a estar más presente que nunca. “Lean On Me” (Apóyate en mí) fue el primer single del segundo álbum de Bill Withers, Still Bill, en 1972, pero la inspiración vino de muchos años antes. Fue la camaradería de su ciudad natal, una comunidad minera de carbón en West Virginia, la que le llevó a componerla sentado al piano en Los Ángeles, a más de 2.500 millas de distancia. Early Morning Rain supondrá el primero de mayo el más reciente trabajo de Steve Forbert, un álbum que también bucea en canciones que están escritas en las páginas más brillantes de la historia de la música popular de raíces norteamericanas. Es un reconocimiento entrañable y formal a lo que representan por sí mismas 11 de sus canciones favoritas de las que tan solo una está compuesta después de 1973. Entre las seleccionadas está "Good Time Charlie's Got The Blues", que fue grabada por primera vez en 1967 por su creador, Danny O’Keefe, un cantante y compositor de Spokane, en el estado de Washington, que no la sacó a la luz hasta 1971 cuando publicó el primero de sus álbumes y que volvió a grabar para el segundo. Ha tenido infinidad de lecturas posteriores y entre las más cercanas en el tiempo recordamos las de Charley Crockett en 2018 y Ronnie Dunn en este mismo año. Midland concluyó su Electric Rodeo Tour en la primavera del pasado año con una sonada actuación en el Ryman Auditorium. El trío tejano de Dripping Springs estaba probando las canciones de su último álbum de estudio, Let It Roll, que publicaría en verano, y al que ha continuado una grabación en directo realizada en el legendario The Palomino de Los Angeles a comienzos de este año. Desde sus inicios, Midland procuraron equilibrar su devoción por las inclinaciones más neo-tradicionalistas del George Strait de los 80 con la riqueza armónica de de la dorada California de la década anterior que entronizó a los Eagles. La banda alterna sus canciones más reconocidas con algunas versiones que abarcan una extensa gama de posibilidades y que permiten escuchar canciones de John Denver, ZZ Top, Allman Brothers o Tom Petty. Incluso tuvieron tiempo de entrar en el estudio para grabar una sesión exclusiva para Amazon que dejó esta revisión de “Wicked Game”, que Chris Isaak, que subió al escenario con ellos en una de sus presentaciones en suelo californiano, firmó para su álbum de 1989 Heart Shaped World, convirtiéndose en un éxito absoluto cuando formó parte de la banda sonora de la película de David Lynch Wild at Heart –Corazón salvaje- al año siguiente. Escuchar audio

Growing up in Dallas, John Thomasson found the bass guitar the same way many did - a friend started a band and no one else played bass. He attended the Booker T. Washington School for the Performing and Visual Arts, and then the University of North Texas, where he studied music. After that, he was part of a band called Little Sister (later changed to Sister 7) and had some minor radio hits in the 90s. After moving to Austin, John started playing with one of his heroes - Davíd Garza, playing on his first major label record called This Euphoria. In 2000, John got married, quit playing music for the most part and went back to school to get a degree in Psychology and focused on musical cognition. After working some tech jobs at Apple and Hewlett Packard, he wanted to play a little bit more while preparing for grad school. He started recording and touring with Matt Nathanson in 2004, and one of Matt's songs that John played on was "Come on Get Higher", a double-platinum single. Working with Matt also gave him the chance to play on the original Conan O’Brien show and Late Night With David Letterman.After the birth of his first son, John and his growing family moved to Nashville in the fall of 2009. There, he learned about the family-friendly way that Nashville acts toured and that sealed the deal for him. He landed the gig with Little Big Town in April of 2010 and has toured with them ever since. During that time, he also recorded with LBT on numerous successful records, including: Tornado (platinum album) which featured hit singles "Pontoon" and "Tornado", Pain Killer (Platinum album) which including the triple-platinum single "Girl Crush" and gold single "Day Drinking", The Breaker, Wanderlust (produced by Pharrell Williams), and most recently, Nightfall (Self Produced).Spotify playlist of some of John's work:https://open.spotify.com/playlist/0s9wubeza5T6XMKuZNyeED?si=vj4C1X7fTiWhrsQnU7E-MwJohn Thomasson on Instagram:https://www.instagram.com/johnthom/Little Big Town website:http://www.littlebigtown.com/Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=9JCBNUCRNRVKY&source=url)

Kip is the touring and recording drummer for Nashville artist Devin Dawson. Drumming for Devin allowed Kip the opportunity to... The post 260: – Kip Allen: Cultivating Your Own Voice & Sound, Working with Producer Jay Joyce, Building a Strong Instagram Following, Drumming for Devin Dawson appeared first on Working Drummer Podcast.

My guest today is Allen Parker a recording engineer originally from Atlanta, GA now in Nashville managing Easy Eye Sound and working closely with artist and producer Dan Auerbach of The Black Keys. Allen grew up playing both drums and percussion in classical ensembles and rock bands before  getting his degree in music business and production at Belmont University followed by becoming a staff engineer at Ocean Way Nashville for several years, where he quickly developed professional and personal relationships with many of music city’s finest musicians, engineers, and producers like Dan Auerbach, Jay Joyce, Ross Copperman and mentor, Ben Fowler.  For the last decade he has devoted himself to freelance work and now in numerous Nashville studios. Since January 2016 Allen has been the Chief Engineer and Studio Manager at Easy Eye Sound; A Nashville based studio owned by artist/ producer Dan Auerbach.  Allen’s client list includes the likes of Dan Auerbach, Dierks Bentley, Joe Walsh, Yola, Blake Shelton, Robert Finley, and many other cool artists. Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Spectra1964: https://www.spectra1964.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RoswellProAudio: https://roswellproaudio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/229

American garage rock band, White Reaper, join us on this episode of The Adamantium Podcast, mostly to slag off, but we also discuss their new album, You Deserve Love, their hit lead single “Might Be Right,” and working with producer Jay Joyce. We also talk about touring with The Killers, getting stuck in snowstorms, their music in RockBand, WWE wrestling, and how they managed to get Alexandra Daddario to star in their music video.

My guest today is Jason Hall a recording and mix engineer based out of Nashville Tennessee best known for his work with producer Jay Joyce and artists such as Eric Church, Cage the Elephant, Coheed and Cambria, Derek Trucks, The Head and the Heart, Brothers Osborne, Brandy Clark, Halestorm, and Little Big Town.  With a career spanning over 20 years, Jason has many platinum, gold, Grammy-winning, CMA winning albums to his credit and continues to bend genre’s with his innovative recording style. Originally from Cullman Alabama growing up on an Air Force learning guitar and making 4 track recordings in his mother’s garage, Jason moved to Nashville area to attend MTSU in 1996. After graduation, Jason started his long-time collaboration with producer Jay Joyce and the pair have gone on to make records in many genres for two decades. Thanks to our sponsors! WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars: http://whisperroom.com Spectra1964: https://www.spectra1964.com Eventide: https://www.eventideaudio.com OWC - Other World Computing: https://www.OWC.com RoswellProAudio: https://roswellproaudio.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/228

Todd is back, in studio this time, with his #3pick!! Todd tells the story of seeing Cage the Elephant in concert and getting kicked in the head by lead singer Matthew Shultz! We also discuss how this wild lead singer might be looked back on by the next generation of listeners... Melophobia is the third studio album by American rock band Cage the Elephant. Recorded at St. Charles in Nashville, Tennessee and produced by Jay Joyce, the album was released on October 8, 2013, through RCA Records. It is also the final album that features lead guitarist Lincoln Parish. For Melophobia, Cage the Elephant attempted to distance themselves from comparisons of the sound that influenced them, shutting themselves off from as much recorded music as possible. Melophobia means "fear of music"; the band did not view the term literally, but rather thought of the term as "a fear of creating music to project premeditated images of self, like catering to cool, or making music to project an image of being intellectual or artistic or poetic, rather than just trying to be an honest communicator." *** Todd's bio : Award-winning Todd Anstett has brought the world 'VRS - Be Kind, Rewatch'. He is also a meteorologist located in East Coast Canada. A slightly younger perspective on the show leanings to more of a modern rock presentation.

White Reaper recently sat down with Kyle Meredith to go over the details of their latest LP, You Deserve Love. Both Tony Esposito and Nick Wilkerson discuss the Nashville sessions with producer Jay Joyce. share how having new guitarist Hunter Thompson changed the dynamics, digress on experimenting with new instruments, and explain why they wrote about cars and widows. They also revisit the all-ages Louisville underground community that gave them their start, and how they used their album cover to reflect our current era. For information regarding your data privacy, visit acast.com/privacy

Jim Casey talks with singer/songwriter Tenille Townes about: growing up in a small Canadian town her early musical influences, including Shania Twain, Dolly Parton, Elvis, Fleetwood Mac and more asking her parents to take singing lessons as a small child getting her first guitar from her grandparents as a 14-year-old moving to Nashville in 2014 as a 19-year-old playing songwriting rounds and listening rooms in Nashville signing a publishing deal with Big Yellow Dog and a record deal with Sony Nashville co-writing her new single, "Somebody's Daughter," with Luke Laird and Barry Dean working with producer Jay Joyce on her upcoming album touring with Miranda Lambert and Little Big Town playing six shows in Europe in October her charitable work with Big Hearts for Big Kids Podcast Participants: Tenille Townes Jim Casey, editor in chief of NCD

Jim Casey talks with Randy Rogers about: • his very successful 2017 • writing his first songs as an 11-year-old • the best song he's ever written, "In My Arms Instead" • the healing power of music • getting his start singing in the church choir • picking up the guitar for the first time as a 12-year-old • the path that Robert Earl Keen blazed for Texas singer/songwriters • today's up-and-coming crop of talented songwriters, including Parker McCollum, William Clark Green and Red Shahan • graduating from Texas State University in San Marcos in 2001 with a degree in Mass Communications • removing himself from social media • the family aspect of his band, including having the same crew and bus driver • using a number of producers over his career, including Radney Foster, Paul Worley, Jay Joyce, Lloyd Maines and Buddy Cannon • working on his upcoming album, which is being produced by Dave Cobb and tentatively slated to drop this fall • making "Hold My Beer: Vol. 2" with Wade Bowen and touring together in 2018 • his charitable work with Cheatham Street Live  Participants: • Randy Rogers of Randy Rogers Band • Jim Casey, NCD editor in chief

Adam Shoenfeld supports Tim McGraw, plays in his own projects (Digital Brains, Sunkat & Ghost Outfit), writes music and records with artists like Jason Aldean, Big & Rich, Faith Hill, Chris Janson, R. Kelly, and Blake Shelton to name a very few, and helped create a sound in country music. Adam came up to the attic to chat about his influences, growing up, and just being who he is. A Rock/Metal guitar player playing country music. You’ve heard of secret hit makers. Adam is a secret genre changer. We gush over Jay Joyce, and hear some great stories of the life of Adam. In this episode Adam shared some tunes from his projects. To hear more checkout Digital Brains and follow them @digitalbrainstheband. For everything Adam Shoenfeld visit www.adamshoenfeld.com, and you can follow him on Facebook, Twitter (@adamshoenfeld), & Instagram (@shoenfeld). Thanks as always to www.fatbottombrewing.com for the brews.

Andrew was born in Nashville, into quite the musical family. His dad was a session guitarist and his grandfather, Red Sovine, had 3 Number 1 US Country Singles and another 5 in the top 20. Andrew has some really cool and nostalgic stories to share about growing up in such a musical environment Andrew is also the tour manager and band leader for Ashley McBryde. There are a lot of interesting responsibilities that this encompasses. But since he’s been playing with Ashley for 7 years, he’s exactly the right person for that job. Find out why Andrew’s current “go-to” guitar is literally the most unusual make and model I’ve ever heard of. And, he’s got a really cool back-story about how he found it, which includes… Reverb.com, Brooklyn, producer Jay Joyce… and Marc Ribot! Andrew’s heartwarming definition of what the favorite part of his job is, and much more cool stuff on this call... Go to http://www.EveryoneLovesGuitar.com and sign up to get notified of future episodes and other cool stuff for guitar players, or subscribe on itunes at http://www.EveryoneLovesGuitar.com/itunes

The Claim2Fame Podcast is a resource for artists Every episode features successful artists and industry experts sharing compelling stories and valuable knowledge about the music industry hosted by CMA, ACM & CCMA Award Winning Broadcaster Cliff Dumas. Cliff talks to Ashley McBryde. One of Rollingstone's Top 10 New Country Artists to Watch this year about writing music even when you're having a bad day. Ashley McBryde Dubbed as one of Rolling Stone’s “Artists You Need To Know," citing she's "an Arkansas red-clay badass, with the swagger of Hank Jr. and the songwriting of Miranda Lambert," McBryde fearlessly lays it all on the line, and it's that honest all-in approach that has led to NPR critic Ann Powers to ask if McBryde could be "among the first post-Stapleton country stars?" McBryde's album will showcase an artistic vision that will prove her to be one of the genre's keenest working storytellers, bringing unwavering honesty back into a pop-preoccupied genre. Pulling tales from every corner of her human experience, McBryde sings with fire and fury, laughing and swigging that brown stuff along the way. McBryde was raised in Mammoth Spring, Arkansas. At three, she'd secretly pluck her father's guitar like an upright bass, and after about the 17th time being caught, her father bought her a guitar of her own. When she was twelve, she played her parents and grandparents her very first composition. It was at Arkansas State when, while a member of the marching band, McBryde finally started sharing her voice with others, and finally moved to Nashville in 2007 where steadily worked a circuit of dive bars, biker hangouts, and colorful joints fighting to have her songs heard. Her first EP, the self-released 2016 Jalopies and Expensive Guitars was just a taste of what McBryde can do, and, on her full-length debut, she will meld her songwriting chops with the vision of producer Jay Joyce, peppering her tales with a touch of guitar-driven rock fury. McBryde isn’t afraid to tell the truth, get raw and real and use the spirits of country, folk and rock when it serves her greater purpose. And that's to tell the stories that shake us, make us and tell us a little more about what it's like to be human. Website: http://www.ashleymcbryde.com/ Facebook: https://www.facebook.com/ashleymcbryde/ Instagram: https://www.instagram.com/ashleymcbryde/ Twitter: https://twitter.com/AshleyMcBryde A Little Dive Bar in Dahlonega [jwplayer vaFV9nIq-l7EWbzYK]

Go to http://www.EveryoneLovesGuitar.com and sign up to get notified of future episodes and other cool stuff for guitar players, or subscribe on iTunes at http://www.EveryoneLovesGuitar.com/itunes What it’s like recording in the studio with a top-shelf producer like Jay Joyce, versus a producer with lesser experience… Growing up in the San Francisco Bay area and how he wound up getting turned on to country music… He also does a great job sharing his feelings about the transition from being a rookie session guitarist to playing a major tour, playing on Seth Myers show, and recording in the studio with a heavy duty major label producer… And, how signing boobs isn’t all it’s cracked up to be...

Today John Osborne stopped by the studio to talk with us, and it ended up being one of the most fun podcasts to date.  To those not in the know, John is a killer player and member of the CMA nominated country duo “Brothers Osborne.”  John talks about touring with Eric Church, being called on to Dwight Yoakum’s tour bus and recording with producer Jay Joyce. We talk about how playing music at Nashville’s Country Music Marathon is like being in a reverse marching band, how photo shoots largely consist of people asking you to be cooler than you are, and how you should be able to campaign to win a CMA once you’ve been nominated, including negative campaign ads.    

Brandon Lancaster is the lead singer of American country band LANCO. Brandon joins Country Music Made Me to talk about his musical upbringing, growing up just outside of Nashville, and how that shaped his musical aspirations. He reminisces about his early trips into the Bluebird Café, how that helped shape his love for songwriting, and why he always knew he wanted to be in a band rather than going solo. He then talks about approaching producer Jay Joyce at a Keith Urban concert and the major success the band experienced after producing their debut album with him. Finally he talks about the bands new EP Honky-Tonk Hippies. Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy