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Episode Topic: Indigenizing Galleries This podcast is a part of the ThinkND Series titled Indigenous Voices. How do we go about changing inaccurate representations of Native people and Native artists? How can galleries and museums become safe community spaces for contemporary Indigenous voices? Listen in to Debra Yepa-Pappan, Co-Founder and Director of Exhibitions and Programs, Center for Native Futures, and Dakota Hoska, Associate Curator of Native Arts at the Denver Art Museum, in a conversation about the ongoing process of indigenizing gallery spaces, institutions, and regions through ethical celebration of Indigenous artwork, voices, and stories.Featured Speakers:Dr. Jared Katz, Associate Curator of the Americas and Africa, Snite Museum of ArtDebra Yepa-Pappan, Co-Founder and Director of Exhibitions and Programs, Center for Native FuturesDakota Hoska, Associate Curator of Native Arts at the Denver Art MuseumRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: https://go.nd.edu/fe88beThanks for listening! The ThinkND Podcast is brought to you by ThinkND, the University of Notre Dame's online learning community. We connect you with videos, podcasts, articles, courses, and other resources to inspire minds and spark conversations on topics that matter to you — everything from faith and politics, to science, technology, and your career. Learn more about ThinkND and register for upcoming live events at think.nd.edu. Join our LinkedIn community for updates, episode clips, and more.
Anne Keala Kelly (Kanaka Maoli), co-host, is sitting for Tiokasin Ghosthorse this week. She talks for the entire hour with Michael Holloman (Colville Confederated Tribes) about Japanese photographer Frank S. Matsura (1873-1913), the subject of the exhibition "Frank S. Matsura: Portraits from the Borderland" that opened on Feb. 1 at the High Desert Museum in Bend, Oregon. The exhibition examines Indigenous representation and identity during a period of regional transformation in the early years of the 20th century. Michael is the lead curator of the original exhibition, which premiered at the Northwest Museum of Arts and Cultures in Spokane, Washington. He has guided the High Desert Museum's showing. The exhibition will be on view at the High Desert Museum through Sept. 7, 2025 and is traveling under the auspices of Art Bridges. More information at https://highdesertmuseum.org/Michael works and lives in the ancestral homelands of the Nimiipuu and Palus peoples. He is an Associate Professor of Art and coordinator of Native Arts, Outreach and Education for the College of Arts and Sciences at Washington State University. Throughout his professional career he has developed extensive relationships with Native communities, artists, and cultural organizations across the region that support art-based programming and partnerships.Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerAnne Keala Kelly (Kanaka Maoli), Co-HostLiz Hill (Red Lake Ojibwe), ProducerOrlando Bishop, Radio Kingston Studio EngineerAnne Keala Kelly, Audio EditorMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: Kōjō no Tsuki (Moon Over the Ruined Castle)Artist: Kurumi KobatoAlbum: Kokuro no UtaLabel: JVCKENWOOD Victor Entertainment3. Song Title: Kōjō no Tsuki (Moon Over the Ruined Castle), featuring Charlie Rouse on tenor saxophoneArtist: Thelonious MonkAlbum: Straight, No Chaser (1967)Label: ColumbiaAbout First Voices Radio:"First Voices Radio," now in its 32nd year on the air, is an internationally syndicated one-hour radio program originating from and heard weekly on Radio Kingston WKNY 1490 AM and 107.9 FM in Kingston, New York. Hosted by Tiokasin Ghosthorse (Lakota), who is the show's Founder and Executive Producer, "First Voices Radio" explores global topics and issues of critical importance to the preservation and protection of Mother Earth presented in the voices and from the perspective of the original peoples of the world.Akantu Intelligence:Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
Tiokasin's guest this week is Qacung Blanchett. Qacung is a founding member of Pamyua, the iconic tribal funk & Inuit soul crew. Qacung's been making waves for nearly three decades. With a passion that's pure fire, he's dedicated to amplifying Indigenous voices through music, art, and culture. When he's not rocking the stage or producing music, Qacung's leading the charge as Creative Director of Áak'w Rock and shaping the future of Indigenous performance. With a trophy case full of accolades, including The Kennedy Center's Next 50, United States Artist Fellow, and Native Arts and Culture Foundation's SHIFT award, Qacung's the real deal. Get ready to vibe with this Indigenous innovator!" Find out more about Qacung at his website: https://qacung.com/Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerKevin Richardson, Podcast EditorMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersAlbum: Tahi (1993)Label: Southside Records (Australia and New Zealand)2. Song Title: The Gathering (feat. AirJazz)Artist: QacungAlbum: Miu (2021)Label: N/A3. Song Title: Our Stories (feat. Byron Nicholas)Artist: QacungAlbum: Miu (2021)Label: N/A4. Song Title: The SeedArtist: AuroraAlbum: A Different Kind of Human (Step 2) (2019)Label: Decca and Glassnote Records5. Song: Theo's DreamArtist: Robert MirabalAlbum: Indians Indians (2003)Label: Silver Wave RecordsAKANTU INTELLIGENCE Visit Akantu Intelligence, an institute that Tiokasin founded with a mission of contextualizing original wisdom for troubled times. Go to https://akantuintelligence.org to find out more and consider joining his Patreon page at https://www.patreon.com/Ghosthorse
The dense green woods of Sonoma County's Forestville are home to a two-story music studio and residence that runs on solar energy. Known as The NEST, the terracotta colored building is made completely of wood, clay and cob; and it was created for the purpose of serving Native artists. Ras K'dee, a Pomo-African, hip-hop musician who grew up in the area, is the caretaker of the space but he didn't build it alone. He worked with over 350 people from youth groups to his own family and friends. This week on Rightnowish, we talk about the importance of working together to create spaces for artists to grow and the ins-and-outs of land reclamation in the North Bay. Learn more about your ad choices. Visit megaphone.fm/adchoices
Tommy Orange has written a second novel. Although technically a sequel, you can easily read Wandering Stars without having experienced There There. But you should read at least one. Or both. Oh to heck with it, we love Tommy Orange and we will read anything he writes. He is incredibly talented. And we pair him with Birchbark Books & Native Arts, a bookstore that is a beloved Twin Cities landmark, while also serving the national and international Indigenous community. Tune in to find out how. Books mentioned in this week's episode: There There by Tommy Orange Wandering Stars by Tommy Orange Martyr! by Kaveh Akbar The Hour of the Star by Clarice Lispector The Monster at the End of this Book by Jon Stone James by Percival Everett Love Medicine by Louise Erdrich The Round House by Louise Erdrich The Sentence by Louise Erdrich Waltzing the Cat by Pam Houston The Night Watchman by Louise Erdrich The Iliad translated by Emily Wilson The End of the World is a Cul de Sac by Louise Kennedy Native Love Jams by Tashia Hart Learn more about your ad choices. Visit megaphone.fm/adchoices
Host: James Steidle Guests: Angelique Levac, Angelique's Native Arts & Shirley Babcock, Indigenous artist --- Send in a voice message: https://podcasters.spotify.com/pod/show/boomercasts/message
This episode marks the second time featuring artist and friend Raven Chacon on Broken Boxes. The first time I interviewed Raven was in 2017, when I visited with him at the Institute of American Indian Arts where he was participating in a symposium on Indigenous performance titled, Decolonial Gestures. This time around, we met up with Raven at his home in Albuquerque, NM where recurring host and artist Cannupa Hanska Luger chatted with Raven for this episode. The conversation reflects on the arc of Ravens practice over the past decade, along with the various projects they have been able to work on together, including Sweet Land (2020), an award-winning, multi-perspectival and site-specific opera staged at the State Historical Park in downtown Los Angeles, for which Raven was composer and Cannupa co-director and costume designer. Raven and Cannupa also reflect on their time together traveling up to Oceti Sakowin camp in support of the water protectors during the resistance of the Dakota Access Pipeline. Raven provides context to his composition Storm Pattern, which was a response to being onsite at Standing Rock, and the artists speak to the long term impact of an Indigenous solidarity gathering of that magnitude. Raven speaks about being named the first Native American composer to win the Pulitzer Prize or Voiceless Mass, and shares the composition's intention and performance trajectory. To end the conversation, Raven shares insight around staying grounded while navigating the pressures of success, travel and touring as a practicing artist, and reminds us to find ways to slow down and do what matters to you first, creatively, wherever possible. Raven Chacon is a Pulitzer Prize-winning composer, performer, and installation artist from Fort Defiance, Navajo Nation. As a solo artist, Chacon has exhibited, performed, or had works performed at LACMA, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Haus der Kulturen der Welt, Borealis Festival, SITE Santa Fe, Chaco Canyon, Ende Tymes Festival, and The Kennedy Center. As a member of Postcommodity from 2009 to 2018, he co-created artworks presented at the Whitney Biennial, documenta 14, Carnegie International 57, as well as the two-mile-long land art installation Repellent Fence. A recording artist whose work has spanned twenty-two years, Chacon has appeared on more than eighty releases on various national and international labels. His 2020 Manifest Destiny opera Sweet Land, co-composed with Du Yun, received critical acclaim from the Los Angeles Times, the New York Times, and The New Yorker, and was named 2021 Opera of the Year by the Music Critics Association of North America. Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project (NACAP). Chacon is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy's Berlin Prize for Music Composition, the Bemis Center's Ree Kaneko Award, the Foundation for Contemporary Arts Grants to Artists Award (2022) and the Pew Fellow-in-Residence (2022). His solo artworks are in the collectIons of the Whitney Museum of American Art, the Smithsonian's American Art Museum and National Museum of the American Indian, Los Angeles County Museum of Art, Getty Research Institute, the Albuquerque Museum, University of New Mexico Art Museum, and various private collections. Music Featured: Sweet Land, Scene 1: Introduction (feat. Du Yun & Raven Chacon) · Jehnean Washington · Carmina Escobar · Micaela Tobin · Du Yun · Raven Chacon · Lewis Pesacov. Released on 2021-09-24 by The Industry Productions
“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
“I tried to go through the history that I know of and the studies that I have researched from where educational processes started. And usually, when I say young, we're talking college age or more. And so I find I just finished a semester at Union Theological Seminary in New York and graduate and postgrad students, they either were angry or sad or just, you know, in shock that they have never heard through the whole semester, after years of study, that they've never heard the Native history as we know it. We've always been overrun with Western historical domination as they see it, that they came here for benevolence, they were brought a civilization, they brought us cars and tech, you know, all these things. It was the ships that came while we stood on the shore, watching the ships come, welcoming, abundance, giving. And then they came and they took what we offered, but they took more. And that's where we're at. And now we're seeing a whole abandonment of spirit and put into the ideas of a dogmatic soul. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
“We have not adapted to Earth. She needs us to do that. Instead, we've tried to adapt Earth to our needs. Which is always an extraction, take away. Earth doesn't exist because of technology. Earth will always be here.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“I'll go with cultural etymology of this language English. And the word education where does it come from? Well, it comes from scholars and whatever, but the etymology of the word education, what does it mean? It means to adduce or seduce. And there's different evolutions of the word, and in one dictionary I saw before 1940 says, of course, to adduce or seduce, but it also says 'to draw out or lead away from' - and get this - 'to lead away from spirit.' And what has it done? Replaced, draw out, or lead away from spirit. So what that's done is replace it with information and knowledge. And that's control by domination. Here's how: So schools started out in the Catholic churches, because the monks, they drew the monks away when they were boys to read and script and to keep this educational process moving. So they were away from nature and only of men's minds. So it's a controlled education where you're instructed mechanically to get the right answer. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
“I'll go with cultural etymology of this language English. And the word education where does it come from? Well, it comes from scholars and whatever, but the etymology of the word education, what does it mean? It means to adduce or seduce. And there's different evolutions of the word, and in one dictionary I saw before 1940 says, of course, to adduce or seduce, but it also says 'to draw out or lead away from' - and get this - 'to lead away from spirit.' And what has it done? Replaced, draw out, or lead away from spirit. So what that's done is replace it with information and knowledge. And that's control by domination. Here's how: So schools started out in the Catholic churches, because the monks, they drew the monks away when they were boys to read and script and to keep this educational process moving. So they were away from nature and only of men's minds. So it's a controlled education where you're instructed mechanically to get the right answer. Where in Native is that we are shown the possibilities, and we're able to choose freely about what we're shown. We're never told to do this or say that or we were shown because it was a living and is a living language. Learning is a living, it's not a stagnant informational data bank. So this is how education is to me.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
The Creative Process in 10 minutes or less · Arts, Culture & Society
“If we say Mitakuye Oyasin, we don't really mean all my relations. It's like, no, we're talking about what you can formulate into E = mc2 and beyond. It's beyond what you see. And that energy you don't see with these eyes, which only see a certain range of color and light refraction is what we are also understanding. Our body is, people would say the brain is...there is no disconnection. And so are we fully understanding or do we have a full spectrum perspective of what tools of the Earth really mean? Like a bird we think has no intelligence. It just flies here and flies there, right? But we also understand that that bird is also using the tools as the tools of the Earth correctly or properly when...what does that mean?Now, if you go deeper into Indigenous peoples, you can see the modernity and then so-called primitive people. You don't need to be in contact, in relationship, and in communication, have a language with all other life-technology taking us away from Earth because we feel like we're elite to anything having to do with Earth. That's why we want to go to a dead planet called Mars. So they're about controlling, getting you and all of us away from being magic...is how to use tools of the Earth properly. Not, you know, we should not abuse water, the air, the land, the food, anything. So when it comes to animacy, I think it's a Western term also, and so we get away from the Western terms. We start seeing that, oh, we are becoming Earth as we're born into this physical dimension. We are becoming Earth. And then as we are living during this time, we're alive. We are becoming Earth. And when we are finished with this body, we are becoming Earth.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
How can we learn to speak the language of the Earth and cultivate our intuitive intelligence?Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence."So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
"So we get to a certain stage in Western society, I'd never call it a culture, but a society trying to figure out its birth and how to become mature. Whatever it's doing it has slowed down natural relationships. It took us out of the land, put us into factories, put us into institutions where you can learn a trade. It kept giving you jobs that had nothing to do with Earth. And so if you're living, you're working in this box called a factory, and the farmers out there are becoming less and less. Even the farming, the ideas of farming are foreign. And I think that when the technical language came out, we dropped another natural umbilical cord to and with Earth. And so we severed that relationship. So you can see this gradual severing of relationships to Earth with Earth, that now we have to have retreats to learn empathy again. We do all these Westernized versions of piecing ourselves back together and as Indigenous folks where we're getting that way now, but a lot of traditional people don't need that. We don't need environmental movements. You know, Wild Earth is a foreign concept. There are a lot of words that organizations use to rationalize why we need to teach how to be human beings. So you see technology, the Industrial Machine Age taught us this language of disconnection, taught us things like plug-in, get connected. You know, all these words that came along to fill that information that could be controlled by authority now in the Western process. John Gatto, who won the New York State Teacher of the Year award in 2008, upon his retirement, specifically said, 'It takes 12 years to learn how to become reflexive to authority.' And who is the authority? Who is controlling information? Who's controlling education? Who's controlling knowledge? And now they want to control Wisdom, and all wisdom means is common sense.”Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 31 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He is the Founder of Akantu Intelligence.https://firstvoicesindigenousradio.org/ https://akantuintelligence.orgwww.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastSongs featured on this episode are “Butterfly Against the Wind” And from the album Somewhere In There “Spatial Moon” and “Sunrise Moon” Composed by Tiokasin Ghosthorse and Alex Alexander Music on this episode is courtesy of Tiokasin Ghosthorse.
Charm City is blessed with a vibrant arts and culture scene. Now, Baltimore Center stage and Baltimore American Indian Center team up to add to that bounty with a gallery to showcase local Indigenous arts. We hear about the inaugural Indigenous Art Gallery exhibit from Annalisa Dias, who directs ‘Artistic Partnerships and Innovation' at Baltimore Center Stage. She is a Goan-American artist and co-founder of the non-profit ‘Groundwater Arts.' Also with us was Ashley Minner Jones, a community-based visual artist in Baltimore who is an enrolled member of the Lumbee Tribe of North Carolina.Do you have a question or comment about a show or a story idea to pitch? Contact On the Record at: Senior Supervising Producer, Maureen Harvie she/her/hers mharvie@wypr.org 410-235-1903 Senior Producer, Melissa Gerr she/her/hers mgerr@wypr.org 410-235-1157 Producer Sam Bermas-Dawes he/him/his sbdawes@wypr.org 410-235-1472
Joy Harjo and Joel connect in this dusted off, older episode, to open and discuss our shared human experience in its different forms and the pervading spirit found in mountains and rivers, water and air, in people and the Earth. The shared community we live in calls us to understand our actions affect others and the Earth. Joy and Joel discuss spirituality, Joy's history and development as an artist, shared responsibility for our communities, Native teachings, Buddhism, Joy's plays, music, poetry, and art. Also discussed were generational influences and wisdom and how in years past there was a closer connection to our heart and mind. Joy and Joel also discuss the intelligence of the body and how common sense is spirituality, expressed. Joy and Joel share many aspects of spirituality and life, and conclude reflecting on Joy's Eagle Poem. The end of the talk mentions Maj Ragain and A Gathering of Poets commemorating in 1990 the 20th anniversary of the shootings at Kent State, which introduced Joel to Joy Harjo's work. Biography of Joy Harjo: Joy Harjo, the 23rd Poet Laureate of the United States, is a member of the Mvskoke Nation and belongs to Oce Vpofv (Hickory Ground). As a poet, activist, and musician, Joy Harjo's work has won countless awards. In 2019, Harjo became the first Native American United States Poet Laureate in history and is only the second poet to be appointed for three terms. In addition to her many books of poetry, she has written several books for young audiences and released seven award-winning music albums. Harjo is a founding board member and Chair of the Native Arts and Cultures Foundation and, in 2019, was elected a Chancellor of the Academy of American Poets. She has since been inducted into the National Women's Hall of Fame, National Native American Hall of Fame, the American Philosophical Society, the American Academy of Arts and Sciences, and the American Academy of Arts and Letters. Harjo currently lives in Tulsa, Oklahoma where she serves as the first Artist-in-Residency of the Bob Dylan Center.
Charm City is blessed with a vibrant arts and culture scene. Now Baltimore Center stage and Baltimore American Indian Center team up and add to that bounty -- with a gallery to showcase local Indigenous arts. We hear about the inaugural Indigenous Art Gallery exhibit! Do you have a question or comment about a show or a story idea to pitch? Contact On the Record at: Senior Supervising Producer, Maureen Harvie she/her/hers mharvie@wypr.org 410-235-1903 Senior Producer, Melissa Gerr she/her/hers mgerr@wypr.org 410-235-1157 Producer Sam Bermas-Dawes he/him/his sbdawes@wypr.org 410-235-1472
Thomas speaks with internationally renowned performer, writer of the Muscogee (Creek) Nation, and 23rd Poet Laureate of the United States, Joy Harjo. They discuss the power of poetry to open our awareness, allow access to greater knowledge, and connect with other humans throughout history. Joy shares what drew her to poetry, and how her work is deeply rooted in her ancestral lineage. She and Thomas explore how to attune to the living ancestral field that we inhabit, and how to reckon with historical trauma through storytelling rituals and ceremonies. Joy also reads an excerpt from her 2021 memoir, Poet Warrior: A Call for Love and Justice, and shares two poems, This Morning I Pray for My Enemies, and For Calling the Spirit Back from Wandering the Earth in Its Human Feet. Key Points: 00:00 Introduction 01:47 Finding poetry and one's divine mission 07:27 Reading snippets from Joy's books 19:27 The significance of listening 21:38 Poetry as a doorway to the unknown 25:02 Conflict and humanity in storytelling 31:02 Creating fluidity and healing with words 37:59 Channeling your inner knowing 46:29 History never rests 51:41 How poetry and visual art amplify the abstract 57:40 Final thoughts Sign up for updates by visiting our website:
An excerpt from Raven Chacon's performance Solos, followed by a conversation with Xenia Benivolski, recorded live at e-flux on April 27. Solos, is a series of short, improvised works performed in quick succession. Using a variety of acoustic and electronic instruments, Chacon's experimental compositions range from sparse, minimalistic soundscapes to complex, multi-layered works that incorporate voices, noises, and found sounds. Raven Chacon is a Pulitzer Prize–winning composer, performer, and installation artist from Fort Defiance, Navajo Nation. Since 2004, he has mentored more than three hundred Native high school composers in writing new string quartets for the Native American Composer Apprentice Project (NACAP). As a solo artist, collaborator, and a member of Postcommodity from 2009 to 2018, Chacon has exhibited, performed, or had works performed at the Los Angeles County Museum of Ar, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Haus der Kulturen der Welt, SITE Santa Fe, Ende Tymes Festival, New York, the Whitney Biennial, documenta 14, Carnegie International, and Carnegie Museum of Art. Chacon is the recipient of a United States Artists Fellowship, a Creative Capital Award, Native Arts and Cultures Foundation Artist Fellowship, the American Academy's Berlin Prize, the Bemis Center's Ree Kaneko Award, and the Pew Center for Arts & Heritage's Fellowship-in-Residence. Xenia Benivolski writes and lectures about visual art, sound, and music. She is the curator of the project You Can't Trust Music which is an online e-flux exhibition.
This podcast was particularly interesting and fun for me because I knew the person that I did it with pretty darn well. I've known Anne Gartner and her husband, Jeffrey, for almost 20 years. They're, wonderful collectors, and I wanted to talk art, which of course this is what this podcast is all about, but also the fact that she was in the military.Anne was a Navy nurse in Vietnam on one of the ships out of Danang. As many people have heard, there's a constant thread throughout a lot of my episodes, and that thread is the war in Vietnam. I think it was a monumental event for so many in our generation and the ramifications can still be seen to this day.You can hear it in Anne's voice at certain points throughout the podcast. The resurgence of thought regarding some of the things that happened brings her to tears. It was a difficult experience, but one that also shaped the woman she is today. Anne ends up serving in the military for almost 40 years and ends up as a captain in the Navy (and that was just one of her careers).We also talk a lot about art and how one can become part of the culture. A culture of people that are very interested in art, and her case, Western and Native Arts. Anne and her husband Jeffrey took participating in the arts very seriously and it has evolved into them having an excellent collection and also fostering the preservation and education of art throughout their community. Anyhow, Anne was a wonderful guest and I think you will enjoy her story as much as I did.
Tom Jones is an artist, curator, writer, and educator, where he is the professor of photography at the University of Wisconsin, Madison. He graduated with a Bachelor of Fine Arts in Painting from the University of Wisconsin-Madison, a Master of Fine Arts in Photography and a Master of Arts in Museum Studies from Columbia College in Chicago, Illinois. Jones' artwork is a commentary on identity, experience and perception of American Indian communities. For the past 25 years he has worked an ongoing photographic essay on his tribe, the Ho-Chunk Nation of Wisconsin. His current work Strong Unrelenting Spirits are portraits of tribal members, which incorporates beadwork directly onto the photographs. Jones co-authored the book “People of the Big Voice, Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1943.” He is the co-curator for the exhibition and contributing author to the book, “For a Love of His People: The Photography of Horace Poolaw” for the National Museum of the American Indian. His current book project is dedicated to Ho-Chunk baskets and their makers. His artwork is in forty public collections, most notably: The National Museum of the American Indian, Polaroid Corporation, Sprint Corporation, The Nerman Museum, The Minneapolis Institute of Art, The Museum of Contemporary of Native Arts, The Museum of Contemporary Photography, and Microsoft.
Lake Superior is the largest freshwater lake in the world in terms of surface area and it's not immune to climate change — it's also one of the fastest-warming lakes in the world. MPR News guest host Dan Kraker speaks with a scientist who studies Lake Superior about the allure and science of this deep, clear and cold lake and how it's threatened by climate change. Plus, we hear from two artists — a photographer and a writer — about the lake's significance and healing presence. Guests: Bob Sterner is a biology professor and director of the Large Lakes Observatory at the University of Minnesota Duluth which studies Lake Superior and other big lakes around the world. He's also president of the Northeastern Association of Marine and Great Lakes Laboratories. Halee Kirkwood is a writer, teaching artist and a bookseller at Birchbark Books & Native Arts in Minneapolis who will be retracing the Ojibwe migration around Lake Superior and writing about it through a Jerome Hill Artist Fellowship. They grew up in Superior, Wis. and are a direct descendent of the Fond du Lac Band of Lake Superior Chippewa. Christian Dalbec is a photographer based in Two Harbors, Minn. known for his photographs of Lake Superior waves and other scenes, taken while wearing a wetsuit and photographing from within the lake. Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS. Use the audio player above to listen to the full conversation.
In this episode we hear from artist Natalie Ball who dives right in sharing critical artworld survival insight gleaned from a life changing studio visit by artist Willie T. Williams while she was attending Yale School of Art. Among a long list of support tactics Willie imparted, the artist emplored Natalie to find a means to sustain a studio practice beyond sales, and as an artist, to always be in control of your work and process. Natalie also shares vulnerable truths from her experience as a Black Indigenous artist navigating both the Native artworld and the larger contemporary artworld. We chat about higher education and how it has been as a pathway of respite as Natalie navigated motherhood from a young age. We talk about the journey Natalie experienced having a child with a chronic illness and how she took a 5 year hiatus from art, stepping into a focused world of love and care for family back home on her territory. We talk about this current moment in time for Natalie - unpacking the need for administrative support in order to create the time to make the work and how art school does not always provide the tangible insight on how an artist can build this support into their career. Material and place informs Natalie's work most - from her studio practice to motherhood to work on her territory - everything is connected. She uplifts play and joy as critical components to her practice, noting the courage and intention it takes to create this response to a harsh world. Through her work and life, Natalie asserts that art is power and holds the ability to transform our way of thinking. In her practice she boldly asks her audience to open their hearts and minds to new ways of seeing, presenting a call to “Come with me!”. Natalie Ball was born and raised in Portland, Oregon. She has a Bachelor's degree with a double major in Indigenous, Race & Ethnic Studies & Art from the University of Oregon. She furthered her education in Aotearoa (NZ) at Massey University where she attained her Master's degree with a focus on Indigenous contemporary art. Ball then relocated to her ancestral Homelands in Southern Oregon/Northern California to raise her three children. In 2018, Natalie earned her M.F.A. degree in Painting & Printmaking at Yale School of Art. Her work has been shown nationally and internationally. She is the recipient of the Native Arts and Cultures Foundation's Oregon Native Arts Fellowship 2021, the Ford Family Foundation's Hallie Ford Foundation Fellow 2020, the Joan Mitchell Painters & Sculptors Grant 2020, Pollock-Krasner Foundation Grant 2019, and the Seattle Art Museum's Betty Bowen Award 2018. Natalie Ball is now an elected official serving on the Klamath Tribes Tribal Council. Artist Website: www.natalieball.com Music Featured: Damn Right by Snotty Nose Rez Kids Broken Boxes intro track by India Sky
In this podcast, Cray interviews John Lukavic, the Andrew W. Mellon Curator of Native Arts and head of the Native Arts Department at the Denver Art Museum. John explains that his department includes indigenous arts of North America, arts of Africa, and arts of Oceania, but they are kept separate to maintain their identity. His primary focus is on indigenous arts of North America, and he emphasizes the importance of using indigenous ways of knowing, being seen, and doing as a guiding light for their work.The Denver Art Museum has always focused on contemporary indigenous art, rather than trying to preserve the ways of the past. Their indigenous art collection includes about 18,000 works of art that span from the 20th to the 21st century, with the biggest regional groups being the Southwest, Plains, and Northwest coast. Due to the nature of the historical works, the museum has to do rotations quite often.The conversation also touches on the ebb and flow of attention given to indigenous arts by non-native art institutions and the recent groundswell of interest in indigenous voices, which may be attributed to social events such as Black Lives Matter protests and the intersectionality movement. The conversation revolves around the Denver Art Museum's collection and how they acquire new pieces. They often work with collectors to build a collection that is donated to the museum over time or receive donations from individual donors.Massacre in America: Wounded Kneehttps://www.denverartmuseum.org/en/object/2016.174List of artworks and credit lines mentioned in John Lukavic's interview forBeyond the Art podcast5.1.23- Jamie Okuma (Luiseño, Shoshone-Bannock, Wailaki, and Okinawan), with contributions by Cameron Linton, Sandra Okuma, Pat Pruitt, Keri Ataumbi, and Tania Larson, Untitled, 2018–19. Ribbon, seed beads, thread, dentalium shell, metal, buckskin, brass sequins, silk, fur, and human hair. 26½ × 32 × 17¾ in. Denver Art Museum: Funds by exchange from the William Sr. and Dorothy Harmsen Collection at the Denver Art Museum, 2018.863. ©Jamie Okuma. Photography ©Denver Art Museum.- Michael Nicoll Yahgulanaas (Haida), DAM Dancing Crane, 2020. Steel Toyota Tercel automobile hood, acrylic lacquer, paint, copper leaf, and paper; 32 x 55 in. Gift in honor of Jeremy G. and Anna L. Fogg & family, Sarah T. and William J. Connolly III & family, Marion McMillin Wooten, Susan Anne Wooten, Simeon Franics and Ellen Kelley Wooten & family, and William Boulton and Ellen Harvey Kelly & family, 2019.867. © Michael Nicoll Yahgulanaas.- Fritz Scholder (Luiseño), Indian at the Bar, from Indians Forever, 1971. Print; 30 x 22 in. Denver Art Museum: Museum Purchase, 1973.53.5. © Estate of Fritz Scholder.- Julie Buffalohead (Ponca), A Little Medicine and Magic, 2018. Oil paint on canvas; 52 x 72 in. Denver Art Museum: Native Arts acquisition funds, 2018.301A-B. © Julie Buffalohead.- Kent Monkman (Fisher River Band Cree), The Scream, 2017. Acrylic paint on canvas; 84 x 132 in. Denver Art Museum: Native Arts acquisition funds and funds from Loren G. Lipson, M.D, 2017.93. © Kent Monkman.- Jeremy Frey (Passamaquoddy), Watchful Spirit, 2022. Ash tree fibers, porcupine quill, and sweet grass; 27 3/8 in. x 22 1/4 in. dia. Denver Art Museum: Purchased with the Nancy Blomberg Acquisitions Fund for Native American Art, 2022.51A-B © Jeremy Frey.- Dyani White Hawk (Sicangu Lakota), Untitled (Quiet Strength, II), 2017. Denver Art Museum...
Poet Layli Long Soldier joins Mira to talk about her transformation during pregnancy, learning to open up to the possibilities of the world, and how she makes a space for ease in order to make a space for creativity. MENTIONED: The Indigenous Language Institute The Real Housewives S.J. Res 14 (111th Congress) Layli Long Soldier earned a BFA from the Institute of American Indian Arts and an MFA with honors from Bard College. She is the author of the chapbook Chromosomory (2010) and the full-length collection Whereas (2017), which won the National Books Critics Circle award and was a finalist for the National Book Award. She has been a contributing editor to Drunken Boat and poetry editor at Kore Press; in 2012, her participatory installation, Whereas We Respond, was featured on the Pine Ridge Reservation. In 2015, Long Soldier was awarded a National Artist Fellowship from the Native Arts and Cultures Foundation and a Lannan Literary Fellowship for Poetry. She was awarded a Whiting Writer's Award in 2016. Long Soldier is a citizen of the Oglala Lakota Nation and lives in Santa Fe, New Mexico. For more Thresholds, visit us at www.thisisthresholds.com Be sure to subscribe and to leave a review of the show on your favorite podcast platform! Learn more about your ad choices. Visit megaphone.fm/adchoices
Tiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 28 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He was also awarded New York City's Peacemaker of the Year in 2013. Tiokasin is a “perfectly flawed human being.” Alnoor Ladha is an activist, journalist, political strategist and community organiser. From 2012 to 2019 he was the co-founder and executive director of the global activist collective The Rules. He is currently the Council Chair for Culture Hack Labs. He holds an MSc in Philosophy and Public Policy from the London School of Economics. A conversation from the Dying and Living Summit (October 21-25 2020) with Tiokasin Ghosthorse, Alnoor Ladha, Zaya, and Maurizio Benazzo. scienceandnonduality.com/podcast Reach out to us at podcast@scienceandnonduality.com
In this talk from the Talks on Trauma series from the Wisdom of Trauma All Access Pass Course. Dr. Gabor Maté hosts this expert panel of Indigenous teachers. Intergenerational trauma: the impact of colonization and genocide Indigenous wisdom and the healing of trauma Resistance and healing With Jesse Thistle, Tiokasin Ghosthorse, Ruby Gibson, Patricia Vickers & Gabor Maté Bios Patricia Vickers, Ph.D., is currently an independent consultant. She is deeply committed to founding mental health services and research on ancestral teachings and principles. In 2019-2020, she completed a nurofeedback study on Haida Gwaii with highly positive results. Her areas of inquiry include trauma from a somatic and neurobiological perspective, teachings on soul loss and soul retrieval and expressive responses to life such as song, painting and dance. She is mother of four and grandmother of nine. Her Indigenous ancestry is rooted in Heiltsuk, Tsimshian and Haida Nations through her father and British through her mother. patriciajunevickers.com Jesse ThistleAssistant Professor, AuthorJesse Thistle's award-winning memoir, From the Ashes, was a #1 national bestseller, and the bestselling Canadian book in 2020 and has remained atop bestseller lists since it was published. From the Ashes was a CBC Canada Reads finalist, an Indigo Best Book of 2019, and the winner of the Kobo Emerging Writer Prize Nonfiction, an Indigenous Voices Award, and High Plains Book Award. Jesse Thistle is Métis-Cree and an Assistant Professor at York University in Toronto. He is a PhD candidate in the History program at York where he is working on theories of intergenerational and historic trauma of the Métis people. Jesse has won the P.E. Trudeau and Vanier doctoral scholarships, and he is a Governor General medalist. Jesse is the author of the Definition of Indigenous Homelessness in Canada published through the Canadian Observatory on Homelessness, and his historical research has been published in numerous academic journals, book chapters, and featured on CBC Ideas, CBC Campus, and Unreserved. A frequent keynote speaker, Jesse lives in Hamilton with his wife Lucie and is at work on multiple projects including his next book. jessethistle.com Tiokasin GhosthorseFounder & Host "First Voices Radio", Speaker on Peace & Indigenous WisdomTiokasin Ghosthorse is a member of the Cheyenne River Lakota Nation of South Dakota and has a long history with Indigenous activism and advocacy. Tiokasin is the Founder, Host and Executive Producer of “First Voices Radio” (formerly “First Voices Indigenous Radio”) for the last 28 years in New York City and Seattle/Olympia, Washington. In 2016, he received a Nomination for the Nobel Peace Prize from the International Institute of Peace Studies and Global Philosophy. Other recent recognitions include: Native Arts and Cultures Foundation National Fellowship in Music (2016), National Endowment for the Arts National Heritage Fellowship Nominee (2017), Indigenous Music Award Nominee for Best Instrumental Album (2019) and National Native American Hall of Fame Nominee (2018, 2019). He also was recently nominated for “Nominee for the 2020 Americans for the Arts Johnson Fellowship for Artists Transforming Communities”. He was also awarded New York City's Peacemaker of the Year in 2013. Tiokasin is a “perfectly flawed human being.” Dr. Ruby GibsonExecutive Director of Freedom Lodge, Author, Historical Trauma SpecialistA mixed-blood woman of Native and Mediterranean descent, Dr. Ruby Gibson lives on both the Flathead Reservation in MT, and in Rapid City, SD near Pine Ridge Agency. For 30+ years, Dr. Gibson has been dedicated to the craft and science of Historical Trauma reconciliation, cultural healing, and generational well-being among Native and Indigenous Peoples. She developed the intergenerational trauma recovery models - Somatic Archaeology© and Generational Brainspotting™. Dr. Gibson is the author of two books, My Body, My Earth, The Practice of Somatic Archaeology, and My Body, My Breath, A Tool for Transformation, which are both available in English and Spanish. Using our Body and Mother Earth as benevolent sources of biological, emotional and ancestral memory, her techniques were field tested on clients and students, and researched in her Doctoral studies with amazing effectiveness. Dr. Gibson developed and teaches the Historical Trauma Master Class, and builds leadership skills in Native Wellness amongst the graduates. She is honored to witness the courage and amazing capacity that each person has to reconcile suffering. As the mother of three beautiful children, one granddaughter, and one grandson. Dr. Ruby has a heart full of hope for the next seven generations! freedomlodge.org Dr. Gabor Maté, M.D. is a physician and best-selling author whose books have been published in twenty languages. His interests include child development, the mind-body unity in health and illness, and the treatment of addictions. Gabor has worked in palliative care and as a family physician, and for fourteen years practiced addiction medicine in Vancouver's Downtown Eastside. As a speaker he regularly addresses professional and lay audiences throughout North America. He is the recipient of a number of awards, including a Simon Fraser University Outstanding Alumnus Award and an honorary degree from the University of Northern British Columbia. His most recent book is The Myth of Normal: Trauma, Illness & Healing in a Toxic Culture. gabormate.com
This week, U.S. Poet Laureate Joy Harjo and Literary Director of the Library of Congress Marie Arana explore the themes of their roots, their creativity, and how their origin stories feed them and their work. This conversation originally took place May 15, 2022 at the inaugural American Writers Festival and was recorded live. In 2019, Joy Harjo was appointed the 23rd United States Poet Laureate, the first Native American to hold the position and only the second person to serve three terms in the role. Harjo's nine books of poetry include An American Sunrise, Conflict Resolution for Holy Beings, How We Became Human: New and Selected Poems, and She Had Some Horses. She is also the author of two memoirs, Crazy Brave and Poet Warrior, which invites us to travel along the heartaches, losses, and humble realizations of her “poet-warrior” road. She has edited several anthologies of Native American writing including When the Light of the World was Subdued, Our Songs Came Through — A Norton Anthology of Native Nations Poetry, and Living Nations, Living Words, the companion anthology to her signature poet laureate project. Her many writing awards include the 2019 Jackson Prize from the Poetry Society of America, the Ruth Lilly Prize from the Poetry Foundation, the 2015 Wallace Stevens Award from the Academy of American Poets, and the William Carlos Williams Award from the Poetry Society of America. She is a chancellor of the Academy of American Poets, Board of Directors Chair of the Native Arts. Marie Arana is a Peruvian-American author of nonfiction and fiction as well as the inaugural Literary Director of the Library of Congress. She is the recipient of a 2020 literary award from the American Academy of Arts & Letters. Among her recent positions are: Director of the National Book Festival, the John W. Kluge Center's Chair of the Cultures of the Countries of the South, and Writer at Large for the Washington Post. For many years, she was editor-in-chief of the Washington Post's book review section, Book World. Marie has also written for the New York Times, the National Geographic, Time Magazine, the International Herald Tribune, Spain's El País, Colombia's El Tiempo, and Peru's El Comercio, among many other publications. Her sweeping history of Latin America, Silver, Sword, and Stone, was named Best Nonfiction Book of 2019 by the American Library Association, and was shortlisted for the 2020 Andrew Carnegie Medal of Excellence. Her biography of Simón Bolívar won the 2014 Los Angeles Times Book Prize. Marie's memoir, American Chica, was a finalist for the 2001 National Book Award. She has also published two prizewinning novels, Cellophane and Lima Nights.
In 2016, one of the largest tribal gatherings in North American history took place on the Standing Rock Sioux Tribe Reservation in North Dakota. Thousands of indigenous people, from across the continent, came together "in defence of water" and to protest against the Dakota Access Pipeline. The Standing Rock Sioux Tribe mobilised supporters from across the country and the response was extraordinary. Thousands of indigenous people from across America and beyond joined together as "water protectors" and in solidarity against the "black snake" of the pipeline. The encampments evoked memories of previous native conflicts with central government, with tepees on the prairie and men on horseback. But this was a very modern movement, fuelled by social media, largely led by women and using the full force of indigenous art and culture. Nick Rankin travels to North Dakota to find out what happened at this controversial site, and to see how those events continue to resonate there today. He talks to local artists and activists, and to several of the original water protectors. How has the tribe been changed? In what ways has it altered their relationship with other tribes and with the surrounding non-native culture? How significant is the role of Native Arts and language in this new wave of environmental protest? Presenter: Nick Rankin Producer: Anthony Denselow A Whistledown production for BBC World Service Image: Activist Waniya Locke (Credit: Anthony Denselow)
Reading a good book is a way to step into another world, if only for a couple chapters. We read to escape daily routines and stress, to explore other people's experiences and to better understand our own. Many of us found more time to read during the pandemic. Sales of print books in 2021 were up almost nine percent. MPR News Host Angela Davis spoke to booksellers and listeners about what we're reading for pleasure as we hit the middle of summer. Guests: Pamela Klinger Horn is the event coordinator for Valley Booksellers in Stillwater and founder of Literature Lovers Night Out, a series that brings local and national authors to independent bookstores in Minnesota. Anthony Ceballos is a bookseller and events coordinator at Birchbark Books & Native Arts in Minneapolis. He is also a writer and performance poet. Mary Taris is the founder of Strive Publishing and the new Strive Bookstore in Minneapolis, which focus on Black authors in Minnesota. Book recommendations from the guests and our listeners: “Be Frank with Me” by Julia Claiborne Johnson "Brood" by Jackie Polzin "Changing Planet, Changing Health" by Dan Ferber and Paul R. Epstein “Chronicles of a Radical Hag” by Lorna Landvik The Cork O'Connor Mysteries by William Kent Krueger “The Dragon Keeper” by Mindy Mejia The Emigrants series by William Moberg “The Evening Hero” by Marie Myung-Ok Lee “Gratitude” by Oliver Sacks “Inflamed: Deep Medicine and the Anatomy of Injustice” by Rupa Marya and Raj Patel “Jayden's Impossible Garden” (children) by Mélina Mangal “Lessons in Chemistry” by Bonnie Garmus “Life on the Mississippi” by Rinker Buck "The Midnight Library" by Matt Hague “Nightcrawling” by Leila Mottley "A Psalm for the Wild-Built" by Becky Chambers “Red and the Egg Pie” (children) by Donna Gingery "The Sentence" by Louise Erdrich “The Ski Jumpers” by Peter Geye “The Tale of Halcyon Crane” by Wendy Webb "Under the Whispering Door" by TJ Klune "Uprooting Racism" by Paul Kivel Subscribe to the MPR News with Angela Davis podcast on: Apple Podcasts, Google Podcasts, Spotify or RSS. Use the audio player above to listen to the full conversation.
Fred King is an interesting guy. I've known him since 1990 but he started dealing in Native American material back in 1967. He's one of the earliest individuals to have had a Native American art gallery in San Francisco. It's interesting to hear about the early days and what it was like to be in the bay area back then participating in both the music and art scenes.When it comes to music and movies specifically, Fred is quite erudite - plus, he loves early British motorcycles. It shows you the type of people that go into our business. People that have a wide array of interests.Even though Fred could have done a lot of things in his life professionally, whether it was the music industry or showbiz in general, he chose to stick with Native American art. He knows a lot about the art and the industry, especially Navajo textiles. So very interesting interview with one of the earliest players in our business, Fred King.
Deesha Philyaw and Dawnie Walton dive into the short stories of the acclaimed new collection A Calm & Normal Heart, with its author, Chelsea T. Hicks. Hicks is a member of the Osage Nation, and the collection, published in June 2022 by Unnamed Press, also incorporates her ancestral language of Wazhazhe ie (which translates to “Osage talk”). The collection opens with a poem in the orthography, along with the Latinized spelling and English translation. Read the full episode transcript. Support Future Episodes: Become a Member in Apple Podcasts or at ursastory.com/join. About Chelsea T. Hicks Chelsea T. Hicks is a model, author and current Tulsa Artist Fellow. She is a Native Arts & Cultures Foundation 2021 LIFT Awardee and her writing has been published in McSweeney's, Yellow Medicine Review, the LA Review of Books, Indian Country Today, The Believer, The Audacity, The Paris Review, and elsewhere. She is a past Writing By Writers Fellow, a 2016 Wah-Zha-Zhi Woman Artist featured by the Osage Nation Museum, and a 2020 finalist for the Eliza So Fellowship for Native American women writers. Her advocacy work has included recruiting with the Virginia Indian Pre-College Outreach Initiative (VIP-COI), Northern and Southern California Osage diaspora groups, and heritage language creative writing and revitalization workshops. She authored poetry for the sound art collection Onomatopoeias For Wrangell-St. Elias, funded by the Double Hoo Grant at the University of Virginia, where she was awarded the Peter & Phyllis Pruden scholarship for excellence in the English major as well as the University Achievement Award (2008-2012). The Ford Foundation awarded her a 2021 honorable mention for promotion of Indigenous-language creative writing. She is planning an Indigenous language creative writing Conference for November 2022 in Tulsa, funded by an Interchange art grant. Episode Links and Reading List: A Calm & Normal Heart (2022) Of Wazhazhe Land and Language: The Ongoing Project of Ancestral Work (Lit Hub) Osage writing system and orthography There There, by Tommy Orange (2019) Invisible Cities, Italo Calvino (1978) Night of the Living Rez, by Morgan Talty (2022) America Is Not the Heart, by Elaine Castillo (2019) Men We Reaped: A Memoir, by Jesmyn Ward (2014) Heads of the Colored People, by Nafissa Thompson-Spires (2019) Milk Blood Heat, by Dantiel W. Moniz (2021) Nobody's Magic, by Destiny O. Birdsong (2022) You Don't Know Us Negroes, by Zora Neale Hurston More from Deesha Philyaw and Dawnie Walton: The Secret Lives of Church Ladies, by Deesha Philyaw The Final Revival of Opal & Nev, by Dawnie Walton Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://ursastory.com/join
Hope & Dread Extra: Lulani Arquette brings you the highlights of our interview with the president and CEO of the Native Arts and Cultures Foundation, which is in the middle of an expansion into a new building in Portland, Oregon. Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn't have room for within the documentary series. But we didn't want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday. For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
Hope & Dread Extra: Lulani Arquette brings you the highlights of our interview with the president and CEO of the Native Arts and Cultures Foundation, which is in the middle of an expansion into a new building in Portland, Oregon. Hope & Dread Extra is a series of short, sharp bonus episodes featuring your season favorites from Hope & Dread. Our guests were brimming with additional ideas and extra insights that we just didn't have room for within the documentary series. But we didn't want to leave them on the cutting room floor. Join hosts Charlotte Burns and Allan Schwartzman for new Hope & Dread Extra every Tuesday and Thursday. For more, follow @artand_media on Instagram / Twitter / LinkedIn / Facebook
I had Philip Garaway on the podcast today. I knew it would be a very interesting podcast and I also knew it would also go very long (which it did). It was over two hours so we're going to break this into two episodes.Part 2 of the Philip Garaway interview is about his transformation into a leader in the field of Native American art. He started selling items in 1975 as a 23-year-old and even had a show at the gift shop at the Metropolitan Museum of Art in New York. Philip goes on to discuss the gallery that he owned in Los Angeles, as well as his well-known friends and clients such as artists Tony Berlant and Billy Schenck, senator and silversmith Ben Nighthorse, and comedian George Carlin.I've known Philip for over 30 years. In fact, he was one of the first people I bought pottery from when I was still in the military in Los Angeles in 1988. So a very long history of who the players were in the Native American art field and how he was involved in forming it into what it is today. It's quite fascinating. Philip Garaway part two.Watch the Ethnic Arts Council of LA's documentary "LA Collects!"https://vimeo.com/354284476Watch The ONWARD Project Presents… Philip Garaway!https://www.onwardproject.org/blog/the-onward-project-presents-philip-garaway
I had Philip Garraway on the podcast today. I knew it would be a very interesting podcast and I also knew it would also go very long (which it did). It was over two hours so we're going to break this into two episodes.Episode one is about his early life and how he became who he is spiritually and emotionally from a walkabout in India for a year to living on a kibbutz in Israel and just all these interesting components of his life that make him who he is. We also speak on the Vietnam War and how that affected him and his family. Philip shares some stories that he hasn't shared publicly before and they are not only interesting but quite moving. I've known Philip for over 30 years. In fact, he was one of the first people I bought pottery from when I was still in the military in Los Angeles in 1988. So a very long history of who the players were in the Native American art field and how he was involved in forming it into what it is today. It's quite fascinating. Philip Garaway part one.
Dovie Thomason at the Arts Express Summer Conference 2022 Today, we have a treat for you—-a sneak peek of what you'll get at Arts Express Summer Conference from one of our fabulous presenters, Dovie Thomason, a Native American storyteller and author. After we tell you a bit more about Dovie and her experiences, we will share a recording of one of the stories she performed and recorded for the Utah Division of Arts and Museums in 2020, titled “Frog's Teeth.” The Story Behind the Story “Frog's Teeth”This story comes from a series titled “Stories Grandma Told Me.” This is not a story Dovie heard from her grandma. It was a story given to her when she was the mother of a child beginning to lose their teeth. The person who gave Dovie this story received it from her father's traditions as part of the Oneida First Nation in Ontario, Canada. We thank Jean Tokuda Irwin and our partners at the Utah Division of Arts and Museums for granting permission to use this recording and for introducing us to Dovie and sponsoring her at Arts Express this summer as a keynote speaker and presenter. https://www.youtube.com/watch?v=dGD_KkI4IbgDovie Thomason Biography Coming from the rich oral tradition of her Lakota and Plains Apache family, Dovie Thomason has had a lifetime of listening and telling the traditional Native stories that are the cultural “heartsong” of community values and memory. Both wise and mischievous, Dovie unfolds the layers of her indigenous worldview and teachings with respect, sly humor and rich vocal transformations. When she adds personal stories and untold histories, the result is a contemporary narrative of Indigenous North America told with elegance, wit, and passion. Her programs are a heartfelt sharing of Native stories she has had the privilege of hearing from Elders of many nations and are woven with why we need stories, how stories are a cultural guide in shaping values and making responsible choices, how stories build communities and celebrates our relationship with the Earth and all living beings. The oral tradition she gifts to listeners inspires delight in spoken language arts, encourages reading, supports literacy, can be used in classrooms to motivate better writing as students experience storytelling techniques, literary devices and effective communication. All of this takes place while they are exploring their own narratives and family values. Dovie has represented the U.S. as the featured storyteller throughout the world. In 2015, she was honored as the storyteller-writer in residence at the Centre for Creative Writing and Oral Culture at the University of Manitoba in Canada. Dovie has used her storytelling to advise the UCLA Film School on narrative in modern film, NASA on indigenous views of technology, the Smithsonian Associates' Scholars Program and the premier TEDx Leadership Conference. Her role as a traditional cultural artist and educator has been honored by the National Storytelling Network's ORACLE: Circle of Excellence Award and the Wordcraft Circle of Native Writers' Traditional Storyteller Award.Links Mentioned: Register for Arts ExpressDovie Thomason's WebsiteMore stories by Dovie on the Utah Division of Arts and Museums YouTube Channel“Turtle Learns to Fly”“Dog's Tails”“Bear Child”Follow Us: BYU ARTS Partnership NewsletterAdvancingArtsLeadership.comSubscribe on Apple PodcastsSubscribe on SpotifyInstagramFacebookDon't forget to peruse the bank of lesson plans produced by the BYU ARTS Partnership Arts in dance, drama, music, visual arts, media arts. Search by grade-level, art form or subject area at www.education.byu.edu/arts/lessons.
Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, Chacon has exhibited, performed, or had works performed at LACMA, The Renaissance Society, San Francisco Electronic Music Festival, REDCAT, Vancouver Art Gallery, Ende Tymes Festival, and The Kennedy Center. As a member of Postcommodity from 2009-2018, he co-created artworks presented at the Whitney Biennial, documenta 14, Carnegie International 57, as well as the 2-mile long land art installation Repellent Fence. A recording artist over the span of 22 years, Chacon has appeared on more than eighty releases on various national and international labels. His 2020 Manifest Destiny opera Sweet Land, co-composed with Du Yun, received critical acclaim from The LA Times, The New York Times, and The New Yorker, and was named 2021 Opera of the Year by the Music Critics Association of North America. Since 2004, he has mentored over 300 high school Native composers in the writing of new string quartets for the Native American Composer Apprenticeship Project (NACAP). Chacon is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, the American Academy's Berlin Prize for Music Composition, the Bemis Center's Ree Kaneko Award, and in 2022 will serve as the Pew Fellow-in-Residence. His solo artworks are in the collections of the Whitney Museum of American Art, the Smithsonian's American Art Museum and National Museum of the American Indian, Los Angeles County Museum of Art, Getty Research Institute, the University of New Mexico Art Museum, a various private collections. Website: www.spiderwebsinthesky.com IG: Ravenchcn Twitter:@Raven_chacon
Dakota Hoska, is citizen of the Oglála Lakȟóta Nation, Pine Ridge (Wounded Knee). She joined Denver Art Museum in 2019 as the Assistant Curator of Native Arts. Previously, she worked as a Curatorial Research Assistant at the Minneapolis Institute of Art for four years and during that time, Dakota completed her MA in Art History, focusing on Native American Art History at the University of St. Thomas, St. Paul, MN (2019). She also completed two years of Dakhóta language classes at the University of Minnesota (2016), and received her BFA in Drawing and Painting from the Minneapolis College of Art and Design (2012). Dakota's curatorial work allows her to pursue her passions of working closely with her Native community while being continually surrounded by and learning about beautiful artwork.
Host:This is Minnesota Native News, I'm Marie Rock. Coming up a conversation on suicide prevention brings culture, facts, and experience together. And we hear words from the late artist, Jim Denomie, with reflections on his work. Here's reporter, Leah Lemm with more.Reporter:The American Indian Community Housing Organization, AICHO, will host a virtual panel with four Native leaders, discussing their perspectives on Indigenous approaches to preventing suicide. Additionally, the panel will explore available resources and access to cultural and healing traditions. Luther Talks is a Cheyenne River Lakota citizen, and Minnesota Department of Health's Tribal Suicide Prevention Coordinator. And he speaks to the need for having these discussions.Luther Talks:There's no single path that leads to suicide. Suicide is complex, and yet suicide is preventable. So what we do know in 2019 is that American Indians have the highest rate of suicide in Minnesota. The rate is 37.5 per 100,000. Suicide is the sixth leading cause of death among American Indians in Minnesota.Reporter:Suicide prevention is multifaceted, and the panel will explore how culture plays a role.Luther Talks:Yeah, one of the strongest protective factors to prevent suicide is a sense of belonging to culture and community. Within the sense of belonging, it's connection. Connection to language, connection to culture, connection to Indigenous knowledge, and connection to land.Reporter:The panel takes place on the evening of March 24th, via Zoom, more information at AICHO, AICHO.org. If you or someone you know needs help, resources are available. Call the National Suicide Prevention Lifeline at 1-800-273-TALK, that's 1-800-273-8255, or text the Crisis Text Line by texting, "Hello," to 741-741. Next, Indian Country, the art world, and beyond are remembering the life and impact of artist, Jim Denomie.Jim Denomie:And so I created creative ways to speak about truth and history.Reporter:Jim Denomie was from the Lac Courte Oreilles Band and lived in Franconia, Minnesota. He received several awards, including the Bush Artist Fellowship and Native Arts and Cultural National Artist Fellowship. Jim Denomie spoke with Minnesota Native News in 2019 after receiving the McKnight Distinguished Artist Award. He didn't define or describe his work. Instead, he revealed an example of how his work was influenced to speak about truth and history.Jim Denomie:I was in an exhibition the last few years, a traveling exhibition about these ledger drawings and the history of these imprisoned Native men who started this genre. And after I got invited to be part of that, I was aware of the ledger drawings, but I didn't really investigate it a whole lot. And then after I was invited to participate, I did. And I realized that my work is very much the same theme as these imprisoned artists were documenting current events, and history and personal viewpoints.Reporter:Some of the most famous ledger art was created in Florida at Fort Marion. Between 1875 and 1878, 72 Native men were imprisoned due to their connections to the Red River Wars in what would become Oklahoma. Their captors encouraged the men to create art, and the men documented their deeds. Jim Denomie related to this.Jim Denomie:I started to do these paintings. Well, this genre of narrative paintings, and visual storytelling when I was in art school at the U of M. And there, not everybody understood what I was doing, but, like I said to me, it was just doing something that I understood and what was felt natural and important.Reporter:And outpouring of remembrances continues on social media, a showing of how respected Jim Denomie was as a caring and supportive relative and community member. He was 66 when he passed away and began his next journey. For Minnesota Native News, I'm Leah Lemm.
Raiatea Mokihana Maile Helm is an authentic Hawaiian singer from Molokaʻi, Hawaiʻi who is known for her powerful vocals accompanied by an authentic ukulele strum. She has played for audiences around the world, places including China, Tahiti, Japan, and Okinawa. It is no surprise her hard work and dedication for preserving the authentic Hawaiian culture has landed her several prestigious awards including 2 Grammy nominations, Native Arts & Cultures Foundation Fellowship, and numerous Nā Hōku Hanohano Awards. Raiatea has garnered international success as well as being one of Hawaiʻi's premiere female vocalists. It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production. #vocalist #grammy #nahoku #ukulele
Jamie Schulze, director of operations for the Southwestern Association for Indian Arts (SWAIA) and enrolled member of the Northern Cheyenne tribe, organizes the world's largest Native American art show—the renowned Santa Fe Indian Market. The annual event—celebrating its centennial year in Santa Fe, New Mexico in 2022—draws an international crowd interested in all facets of Native arts including pottery, dance, fashion, digital design and jewelry-making. Explore the history of the infamous Indian Market and its upcoming Native arts e-commerce platform, Indigenous Collections, in this For the Love of Jewelers podcast episode. Join host Courtney Gray and Jamie as they discuss meaningful partnerships, educational opportunities and highlighting the voices of so many different marginalized nations.
In 2019, Joy Harjo was appointed the 23rd United States Poet Laureate, the first Native American to hold the position and only the second person to serve three terms in the role. Harjo's nine books of poetry include An American Sunrise, Conflict Resolution for Holy Beings, How We Became Human: New and Selected Poems, and She Had Some Horses. She is also the author of two memoirs, Crazy Brave and Poet Warrior, which invites us to travel along the heartaches, losses, and humble realizations of her “poet-warrior” road. She has edited several anthologies of Native American writing including When the Light of the World was Subdued, Our Songs Came Through — A Norton Anthology of Native Nations Poetry, and Living Nations, Living Words, the companion anthology to her signature poet laureate project. Her many writing awards include the 2019 Jackson Prize from the Poetry Society of America, the Ruth Lilly Prize from the Poetry Foundation, the 2015 Wallace Stevens Award from the Academy of American Poets, and the William Carlos Williams Award from the Poetry Society of America. She is a chancellor of the Academy of American Poets, Board of Directors Chair of the Native Arts & Cultures Foundation, and holds a Tulsa Artist Fellowship. A renowned musician, Harjo performs with her saxophone nationally and internationally; her most recent album is I Pray For My Enemies. She lives in Tulsa, Oklahoma. Website: https://www.joyharjo.com/ Instagram: https://www.instagram.com/joyharjoforreal/ Twitter: https://twitter.com/JoyHarjo Facebook: https://www.facebook.com/JoyHarjo
Host:This is Minnesota Native News, I'm Marie Rock. Coming up a new alliance for Native arts addresses community needs in Minnesota. And, the Interior Department will collaborate with the National Native American Boarding School Healing Coalition. Here's reporter Leah Lemm with more.Reporter:The Mnisota Native Artists Alliance launched earlier this year and seeks to advance artistic expression, support equity in the Native arts economy, and more. Graci Horne is the curator and story keeper for Mnisota Native Artists Alliance.Graci Horne:We were initially kind of the brainchild of many artists, they had asked many different artists to participate in this discussion to kind of figure out what the community needs, the whole state of Minnesota. We want to unify the Native arts across Mnisota Makoce Minnesota land and strengthen the Native economy.Reporter:Graci Horne explains how they seek to unify artists across the state.Graci Horne:We are trying to make sure that we strengthen the Native art community and Native art economy by making sure that there's more connections between the Native artists and the Native art community, and as well as the advocate for Native artists as well. We decided that we were going to bring more visibility by creating an online catalog so that people can come and view our online directory to see who was doing what and how to reach them, websites and everything.Reporter:The latest winter artist catalog features several artists that the public can connect with and purchase art from. Visibility is enhanced through other resources as well, like.Graci Horne:A photo shoot for artists in Minnesota. We started Zoom Talks and Tea, and that is interviewing Native artists to talk about different issues that are going on kind of in our little world and our winter giving art box that we just launched.Reporter:The Mnisota Native Artists Alliance was formed with support from the Minnesota Indigenous Business Alliance.Reporter:Next, the Interior Department and the National Native American Boarding School Healing Coalition have signed a memorandum of understanding to collaborate and share records and information in support of the Federal Indian Boarding School Initiative. The National Native American Boarding School Healing Coalition is located in Minneapolis and its goal is to work towards and implement a national strategy that increases awareness and supports healing for the trauma experienced by the many affected by the boarding school policy of 1869 in the US. For over 150 years, hundreds of thousands of indigenous children were taken from their communities and brought to these locations where languages and beliefs were forcibly suppressed. In June Secretary Haaland announced the Federal Boarding School Initiative. Here's Interior Secretary, Deb Haaland at the National Congress of American Indians' mid-year a conference in June.Interior Secretary Deb Haaland:The department will launch the Federal Indian Boarding School Initiative. At no time in history, have the records or documentation of this policy been compiled or analyzed to determine the full scope of its reaches and effects. We must uncover the truth about the loss of human life and the lasting consequences of these schools. This investigation will identify passporting school facilities and sites, the location of known and possible burial sites located at or near school facilities and the identities and tribal affiliations of children who were taken there. I know that this process will be long and difficult.Reporter:The initiative directs the Interior Department under the supervision of Assistant Secretary Bryan Newland to prepare a report by April 1st, 2022. For Minnesota Native News, I'm Leah Lemm.
Rosy Simas is citizen of the Seneca Nation of Indians. She is a transdisiplinary artist and founder and Artistic Director of Rosy Simas Danse. Active since 1992, her projects merge decolonized physical movement with mixed media, sound and objects for stage and installations. I had first become associated with Ms. Simas from an exhibition here at the Plains in 2019. Her work was unlike any of the other artists in the space, where her performance video, We Wait In The Darkness, with these beautiful maps and overlays on them filling a wall in the exhibition. Her work combines themes of personal and collective identity with family, matriarchy, sovereignty, equality, and healing. Thoughtful in her responses, and relatable experiences makes this interview so interesting. Check out the following websites: Website: https://www.rosysimas.com/ Rosy Simas Danse Website: https://rosysimasdanse.com/ All My Relations (A Place of Rest) website: http://www.allmyrelationsarts.com/yodoishendahgwageh/ Native Arts and Cultures Foundation website: https://www.nativeartsandcultures.org/rosy-simas-2
Should we do land acknowledgements and what does it look like when a group of people go beyond just acknowledging occupation of indigenous land? Interloper is joined by Lulani Arquette and Flint Jamison to discuss the transfer of property ownership from Yale Union art gallery to Native Arts and Cultures Foundation as a response to gentrification which rapidly increased due to tax incentives to develop Opportunity Zones in 2017. Go to www.interloperinterloper.com/podcast to find out more about our guests and their organizations.
“Humanity is messy, each of us starts with ourselves, it's horribly messy and then multiply that times millions. And that's an incredible, lovely mess.” So says Joy Harjo, the 23rd United States Poet Laureate, and the first Native American to hold that post. She is the author of nine books of poetry, several plays, and childrens books, and two memoirs—and is an internationally renowned performer and writer of the Muscogee nation, with an innumerable number of prizes and fellowships at her back. Today, we sit down to discuss her second memoir, POET WARRIOR, which just came out. It is beautiful—not only the story of her life, but a vehicle for deep wisdom about language, metaphor, and ritual. We—as individuals, as communities, as nations, and as humankind—exist in a collective story field, Harjo tells us. Everyone's story must have a place, a thread within the larger tapestry—and our story field must constantly shift to include even the most difficult stories, the ones we want to forget and repress. But, as she remarks, the hard stories provide the building blocks for our house of knowledge—we cannot evolve without them. To move forward, we must find ourselves in the messy story of humanity, assume our place as part of the earth in this time and in these challenges. For Harjo, it is when we turn to song, poetry, and the arts that we are able to re-root ourselves in the voice of inner truth, a knowing that has access to stories past, present, and future. And it is this wisdom of eternal knowledge that will help guide us forward—if we only stop to listen. Joy is also the winner of the Ruth Lilly Poetry Prize, the PEN USA Literary Award for Nonfiction, the Jackson Prize from the Poetry Society of America, the Wallace Stevens Award from the Academy of American Poets, and the William Carlos Williams Award from the Poetry Society of America. Harjo is the recipient of a Guggenheim Fellowship, the New Mexico Governor's Award for Excellence in the Arts, the Rasmuson United States Artist Fellowship. She is a chancellor of the Academy of American Poets, Board of Directors Chair of the Native Arts & Cultures Foundation, and holds a Tulsa Artist Fellowship. In 2014 she was inducted into the Oklahoma Writers Hall of Fame. EPISODE HIGHLIGHTS Finding ourselves in the messy story of humanity…(6:33) Returning to rituals of becoming…(36:14) The story of mothers…(42:59) MORE FROM JOY HARJO Joy Harjo's Website Poet Warrior: A Memoir More Books by Joy Harjo Upcoming Live Events Follow Joy on Twitter and on Instagram Learn more about your ad choices. Visit podcastchoices.com/adchoices
Native people across the country are learning to adjust to life in the pandemic after a bumpy road this past year. Over the next two days, we're going to be lifting up Indigenous people, culture, and traditions. We'll be live at the Poeh Cultural Center for the Pathways Native Arts Festival, bringing in Native artists […]
Native people across the country are learning to adjust to life in the pandemic after a bumpy road this past year. Over the next two days, we're going to be lifting up Indigenous people, culture, and traditions. We'll be live at the Poeh Cultural Center for the Pathways Native Arts Festival, bringing in Native artists to reflect on the hardship of the pandemic, talk about the resiliency of Indigenous people, and shine a bright light on the future. Hundreds of artists from Native Nations are gathering in Santa Fe, New Mexico for markets, events and festivals featuring arts and crafts, food, fashion, music, film and more.
Native people across the country are learning to adjust to life in the pandemic after a bumpy road this past year. Over the next two days, we're going to be lifting up Indigenous people, culture, and traditions. We'll be live at the Poeh Cultural Center for the Pathways Native Arts Festival, bringing in Native artists […]
The intention of my work is to create contemporary Indigenous icon imagery, recover and elevate the beliefs of Alaska Native people as equal to those of the Western world. My paintings of Alaska landscapes and other subjects such as seals and ice represent the connection to the environment of the subjects in these portraits. During the long introspective period of the pandemic lockdown, my mind wandered to landscapes visited long ago, Costa Rica, the Galapagos Islands and Chile. Some of my paintings will reflect these places. Having witnessed the pain and suffering of the most vulnerable in 2020, my work may suggest the warm embrace of refuge and care. In all my paintings, I invite the observer to quiet the mind and consider the belief that all things, living and inanimate are instilled the light of divine energy. Biography Linda Infante Lyons is a visual artist from Anchorage, Alaska. Her family is of Alutiiq/Sugpiaq Alaska Native heritage from Kodiak Island. She earned a BA at Whitman College, WA and studied art at the Viňa del Mar Fine Arts School in Chile. She has been exhibiting her work for over 20 years. Linda's work can be found in permanent collections including the Allen Memorial Art Museum, Oberlin, OH, the Anchorage Museum, the Alaska State Museum, the Alaska Contemporary Art Bank, the Alutiiq Museum and Archeological Repository, Kodiak, AK, the Museum of the North, Fairbanks, AK, and the Pratt Museum in Homer, AK. Linda has received various awards including a 2020 Joan Mitchell Painters and Sculptors Grant, a 2020 and 2017 Rasmuson Foundation Fellowship, a Santa Fe Arts Institute Fellowship and a Native Arts and Cultures National Artist Fellowship. Linda lives in Anchorage, Alaska with her husband, British artist, Graham Dane.
The Native Arts and Cultures Foundation has been awarded a multi-million dollar gift to support its mission of equity and cultural knowledge. We hear more about what that will mean for the organization and its work from Lulani Arquette, President and CEO of NACF. We also meet Natalie Ball, one of the organization's fellows. Ball's art focuses on her Klamath and Modoc tribal heritage and contemporary culture.
EP025 w/ Anthony Hudson aka Carla Rossi (they/them) where the incredibly accomplished performance artist and writer shares their experiences in using humor and discomfort to reach their audience, understanding their identity, and comedic edging?IN THIS EPISODE:• Loving Peter Pan• Redface in Media• Creating a character people love to love and love to hate • Using humor and timing to talk about hard topics• Growing into boundaries• Being on the treadmill of other's definition of success• Who is actually Native American?Click here to see the full show notes pageAbout Anthony Hudson: Anthony Hudson (Confederated Tribes of Grand Ronde) is a multidisciplinary artist, writer, filmmaker, and performer sometimes better known as Portland, Oregon's premier drag clown Carla Rossi. Together they host and program Queer Horror, the only LGBTQ+ horror film and performance series in the country, at Portland's historic Hollywood Theatre. Anthony has received project support and fellowships from the Native Arts and Cultures Foundation, First Peoples Fund, National Performance Network, Western Arts Alliance, Oregon Arts Commission, Oregon Community Foundation, USArtists International, Ucross Foundation, Caldera Arts Center, and more; Anthony's performances have been featured at the New York Theatre Workshop, La Mama (NY), Portland and Seattle Art Museums, Portland Center Stage, PICA's TBA Festival, and have toured internationally. Anthony also co-hosts the weekly queer feminist horror podcast Gaylords of Darkness with writer Stacie Ponder. Find out more at TheCarlaRossi.comHighly recommend their MUST READ article________________________________________ Love the show? You can join our Bold Bitch Mafia for free access to bonuses, updates, and more. Remember to RATE & REVIEW. Instagram @theboldbitchpodcast #OneBoldBitch More About The Show: In the BOLD BITCH Podcast we dive deep into taboo topics. Each week award-winning creative powerhouse and compulsively curious host Gia Goodrich talks to badass visionaries and brazen game-changers with bold visions and strong opinions. Diving below the surface of subjects we're socialized not to talk about, we learn, lift the veil, and shift perspectives on the lightning rod issues impacting us every day. It might ruffle a few feathers, but it takes honesty to inspire change and remind us that the boldest version of ourselves is exactly what the world needs.
In this episode, guest Stephen Qacung Blanchett will talk about how he started his journey in music and what it is like to work in music. Stephen is a member of the music group Pamyua. He is a graduate of the University of Alaska Anchorage with a Bachelor of Arts degree in Political Science and Alaska Native Studies. He is a 2019 Dance/USA Fellowship recipient, a 2019 & 2016 recipient of the Rasmuson Foundation's Artist Fellowship, and a 2015 National Artist Fellowship recipient through the Native Arts and Culture Foundation.
Heid E. Erdrich is the author of seven collections of poetry. Her writing has won fellowships and awards from the National Poetry Series, Native Arts and Cultures Foundation, McKnight Foundation, Minnesota State Arts Board, Bush Foundation, Loft Literary Center, First People’s Fund, and other honors. Erdrich has twice won a Minnesota Book Award for poetry. Heid edited the 2018 anthology New Poets of Native Nations from Graywolf Press. Her forthcoming poetry collection is Little Big Bully, Penguin Editions, out Oct. 6th, 2020. Heid grew up in Wahpeton, North Dakota and is Ojibwe enrolled at Turtle Mountain. Read along with the poems below as you listen to the episode.
Layli Long Soldier is a writer, a mother, a citizen of the United States, and a citizen of the Oglala Lakota Nation. She has a way of opening up this part of her life, and of American life, to inspire self-searching and tenderness. Her award-winning first book of poetry, WHEREAS, is a response to the U.S. government’s official apology to Native peoples in 2009, which was done so quietly, with no ceremony, that it was practically a secret. Layli Long Soldier offers entry points for us all — to events that are not merely about the past, and to the freedom real apologies might bring.Layli Long Soldier is the author of WHEREAS, a winner of multiple awards including the Whiting Award, and a finalist for the National Book Award. She is the recipient of a 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. She lives in Santa Fe, New Mexico.This interview is edited and produced with music and other features in the On Being episode "Layli Long Soldier — The Freedom of Real Apologies ." Find the transcript for that show at onbeing.org.This show originally aired March 30, 2017.
Layli Long Soldier is a writer, a mother, a citizen of the United States, and a citizen of the Oglala Lakota Nation. She has a way of opening up this part of her life, and of American life, to inspire self-searching and tenderness. Her award-winning first book of poetry, WHEREAS, is a response to the U.S. government’s official apology to Native peoples in 2009, which was done so quietly, with no ceremony, that it was practically a secret. Layli Long Soldier offers entry points for us all — to events that are not merely about the past, and to the freedom real apologies might bring.Layli Long Soldier is the author of WHEREAS, a winner of multiple awards including the Whiting Award, and a finalist for the National Book Award. She is the recipient of a 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. She lives in Santa Fe, New Mexico.Find the transcript for this show at onbeing.org.This show originally aired March 30, 2017.
High Visibility: On Location in Rural America and Indian Country
Today we have the chance to speak with Raven Chacon, and to learn more about the experiences that have shaped his work across a variety of forms – from his music compositions, to his visual scores and installations, through to his leadership in the Native American Composer Apprentice Project and his piece American Ledger No. 2, currently on view at the Plains Art Museum. Raven Chacon's artist site:http://spiderwebsinthesky.com/This conversation moves across an array of lands and traditions– from Navajo Nation to Aristotle's Lyceum, from string quartets to heavy metal – and a presence that connects many of the pieces Raven discusses is his time as a guest with the Water Protectors at Standing Rock in 2016. Afterwards, he reflected on the experience, he wrote this: “The camps became the imagined microcosm of a North America where we were still the majority, self-sustained and self-governed, no other direct action than simply being alive and retaining our ways. What became apparent—even in the short time I was there and under the shadow of militaristic surveillance—was a shared experience: remembering one's identity, while at the same time re-imagining who we aimed to be. What was achieved there was not a funneling of a pan-Indian sameness, but rather a radial explosion of every potential dreamt history.”Raven Chacon is a composer, performer and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with the Postcommodity, he has exhibited or performed at a wide range of institutions and spaces including the Whitney Biennial, documenta 14, San Francisco Electronic Music Festival, Chaco Canyon, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprentice Project (NACAP). Raven is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, and the American Academy's Berlin Prize for Music Composition.Works and connections mentioned in this episode:// Native American Composers Apprentice Project (excellent feature here by NPR Performance Today):https://www.youtube.com/watch?v=V0U_C2iKIGY// An Anthology of Chants Operations LP:https://ravenchacon.bandcamp.com/album/an-anthology-of-chants-operations// The Ears Between Worlds are Always Speaking installation in Athens, Greece:http://www.postcommodity.com/TheEarsBetweenWorlds.html// Dispatch, a collaboration with Candice Hopkins:https://disclaimer.org.au/contents/unsettling-scores/dispatch// STTLMNT, An Indigenous Digital World Wide Occupation:https://www.sttlmnt.org/// American Ledger No. 2:http://spiderwebsinthesky.com/portfolio/items/american-ledger-no-2/// For Zitkála Šá series of prints at Crow's Shadow Institute for the Artshttps://crowsshadow.org/artist/raven/// Hungry Listening: Resonant Theory for Indigenous Sound Studieshttps://www.upress.umn.edu/book-division/books/hungry-listening// Radio Alhara:https://worldwidefm.net/show/ww-palestine-radio-alhara
Join the East Side Freedom Library April 1 for the second iteration of The Kaleidoscope Project (MN), which includes public readings of poetry inspired by deep reflection on empathy, solidarity, and intercommunity healing. TKP, developed by creative writer/interdisciplinary artist Rebecca Nichloson, engages creative writers from historically marginalized communities in immersive virtual experiences centered on building solidarity and empathy between different communities across Minnesota. The methodology utilizes a human-centered design approach to foster a deeper understanding of the challenges each community faces and generates social justice/social equity-informed poetry that supports community-engagement and social change. This cohort includes readings by: Rebecca Nichloson, Anthony Ceballos, Wilt Hodges, and Duaba Unenra. Anthony Ceballos received his BFA in Creative Writing from Hamline University in St. Paul, Minnesota. In 2016 he was selected to be a Loft Literary Center Mentor Series mentee. His poetry has been featured in Yellow Medicine Review, Midway Journal, Sleet, Writers Resist and upcoming from Great River Review. He lives, breathes and writes in Minneapolis, Minnesota. He can be found penning staff recommendations at Birchbark Books and Native Arts. Duaba Unenra is a survivor of the reconstruction process in New Orleans following Hurricane Katrina. He is an artist, community organizer, and scholar who looks at how forces of neoliberalism took advantage of openings created by environmental disasters in Haiti and New Orleans to reinforce anti-Black, anti-poor, anti-woman, and anti-queer living and ways of being. Unenra engages in mutual aid and building counter-sites as social tools for self-determination and healing in Black, Indigenous, Brown, and other communities, including in institutions of higher education. Wilt Hodges is a poet, essayist, and community reporter. He received his degree from Columbia University. A past Minnesota State Artist Grant recipient and Givens Fellow, he resides in Saint Paul. Rebecca Nichloson (She/Her) is a creative writer, singer/songwriter, playwright and theatre maker. She is the author of numerous creative works, including Mara, Queen of the World (an acapella musical), The Wild, Bold Enlightenment of Velvet the Mistress, Cooking With Keisha (or Anatomy of Pie), and Jill, Jack & the Martian Lady, among others. She holds an M.F.A. in Playwriting from Columbia University, an M.A. in English Literature, and a B.A. in Business Administration. She was also the recipient of a 2020 Commission from the Cedar Cultural Center for which she created Multicolored Musings: Jewels of Love, Loss, & Triumph and received a 2020 honorable mention from the McKnight Foundation (Spoken Word). www.RebeccaNichloson.com. View the video here: https://youtu.be/uMotuxjgCBM
www.proartesmexico.com.mx Interview in English with Raven Chacon, by Peter Hay, Dec. 11, 2020. Entrevista en ingles con Raven Chacon, por Peter Hay. 11 de dec, 2020. Raven Chacon is a composer, performer, and installation artist from Fort Defiance, Navajo Nation. As a solo artist, collaborator, or with Postcommodity, he has exhibited or performed at Whitney Biennial, documenta 14, REDCAT, San Francisco Electronic Music Festival, Chaco Canyon, 18th Biennale of Sydney, and The Kennedy Center. Every year, he teaches 20 students to write string quartets for the Native American Composer Apprenticeship Project. Raven Chacon is the recipient of the United States Artists fellowship in Music, The Creative Capital award in Visual Arts, The Native Arts and Cultures Foundation artist fellowship, and the American Academy’s Berlin Prize for Music Composition. He lives in Albuquerque, NM. Raven Chacon es un compositor, intérprete y artista de instalaciones de Fort Defiance, de la Nación Navajo. Como solista, colaborador o con Postcommodity, Chacon ha expuesto o actuado en Whitney Biennial, documenta 14, REDCAT, Musée d'art Contemporain de Montréal, San Francisco Electronic Music Festival, Chaco Canyon, Ende Tymes Festival, 18th Biennale of Sydney, y el Kennedy Center. Cada año, enseña a 20 estudiantes a escribir cuartetos de cuerda para el Proyecto de Aprendizaje de Compositores Nativos Americanos (NACAP). Recibió la beca de artistas de Estados Unidos en música, el premio The Creative Capital en artes visuales, la beca de artista de la Fundación de Artes y Culturas Nativas y el premio Berlín de composición musical de la Academia Americana. Vive en Albuquerque, NM.
In the first segment, Host Tiokasin Ghosthorse speaks with Janene Yazzie about LANDBACK, a movement that has existed for generations with a long legacy of organizing and sacrifice to get Indigenous lands back into Indigenous hands. Janene is a Diné woman from the Navajo Nation who has worked on human rights and Indigenous Rights issues for the past 15 years at the national and international levels. As an advocate, entrepreneur, and community organizer Janene works with Indigenous peoples to develop sustainable and regenerative economies through her company Sixth World Solutions. Janene also works part-time as International Indian Treaty Council's Sustainable Development Program Coordinator.In the second segment, Tiokasin welcomes Elizabeth Woody, Executive Director of The Museum At Warm Springs in Warm Springs, Oregon. They discuss a January 12, 2021 New York Times article: “Tribal elders are dying from the pandemic causing a cultural crisis for American Indians: The virus has killed American Indians at especially high rates, robbing tribes of precious bonds and repositories of language and tradition.” Elizabeth Woody is an enrolled member of the Confederated Tribes of Warm Springs. She is of Yakama Nation descent and is “born for” Bitter Water clan of the Navajo Nation. Elizabeth is a renowned poet, author, essayist and visual artist, and is also an educator, mentor, collaborator and community leader. Elizabeth earned a Master of Public Administration degree through the Mark O. Hatfield School of Government’s Executive Leadership Institute of Portland State University, a Bachelor of Arts degree in Humanities from The Evergreen State College, and studied Creative Writing and Two-Dimensional Arts at the Institute of American Indian Arts, Santa Fe, New Mexico. She has written three books of poetry, and in 2016, she became the first Native American to be named Oregon’s Poet Laureate. In 2018, Elizabeth received a National Artist Fellowship in Literature from the Native Arts and Cultures Foundation. Elizabeth has led writing workshops, lectures and has served on multi-disciplinary art fellowship jury panels for several foundations and arts organizations nationally.Production Credits:Tiokasin Ghosthorse (Lakota), Host and Executive ProducerLiz Hill (Red Lake Ojibwe), ProducerTiokasin Ghosthorse, Studio Engineer and Audio Editor, WIOX 91.3 FM, Roxbury, NYMusic Selections:1. Song Title: Tahi Roots Mix (First Voices Radio Theme Song)Artist: Moana and the Moa HuntersCD: Tahi (1993)Label: Southside Records (Australia and New Zealand)(00:00:44)3. Song Title: What About Those Promises?Artist: The Thunderbirds Raised Her, feat. Jefferson Sister of Lummi NationCD: n/ALabel: n/aYouTube: https://youtu.be/Y7tZDOWhufA(00:28:25)3. Song Title: Love Theme from SpartacusArtist: Terry CallierCD: TimePeace (1998)Label: Verve Forecast Records(00:54:25)
Heid E. Erdrich is the author of seven collections of poetry. Her writing has won fellowships and awards from the Native Arts and Cultures Foundation, the McKnight Foundation, the Minnesota State Arts Board, the Bush Foundation, the Loft Literary Center, and First People's Fund, and she has twice won a Minnesota Book Award for poetry. She was also the editor of the 2018 anthology New Poets of Native Nations, which was the recipient of an American Book Award from the Before Columbus Foundation and a Midwest Booksellers Choice Award. Erdrich works as a visual arts curator and collaborator, and as an educator. She teaches in the low-residency MFA creative writing program of Augsburg University and is the 2019 distinguished visiting professor in the liberal arts at the University of Minnesota, Morris. Erdrich grew up in Wahpeton, North Dakota, and is Ojibwe enrolled at Turtle Mountain. She lives in Minneapolis. Her latest book is Little Big Bully. How Do You Write Podcast: Explore the processes of working writers with bestselling author Rachael Herron. Want tips on how to write the book you long to finish? Here you'll gain insight from other writers on how to get in the chair, tricks to stay in it, and inspiration to get your own words flowing. Join Rachael's Slack channel, Onward Writers! See acast.com/privacy for privacy and opt-out information.
This episode Brought to you by:Chase Bliss AudioDaddarioShure at Sweetwaterand Big Ear Pedals Another chilling episode of your favorite fret focused fiasco. Wanna see some pictures? 00:00 - Ride the LIghtning09:10 - Steve talks about the Italia bass. Ryan talks about doing a Princeton Reverb Shootout21:45 - What's our top 5 gear for 202034:00 - Drum Lights44:20 - Mosrite Celebrity guitar51:00 - Native art on a guitar This week's song was sent by the band Oh Shit from their album "We're a Band". The song is called "Enough" ____________________________________________________________60CH on Patreon: https://www.patreon.com/60CycleHumcast Buy Something with our affiliate links:Sweetwater: https://imp.i114863.net/rMb1DThomann: https://www.thomannmusic.com?offid=1&affid=405Amazon: https://amzn.to/2PaUKKOEbay: https://ebay.to/2UlIN6zReverb: https://reverb.grsm.io/60cyclehumCool Patch Cables: https://www.tourgeardesigns.com/discount/60cyclehumBuy a Shirt - https://teespring.com/stores/60-cycle-hum Social Media Stuff:Discord: https://discord.gg/nNue5mPvZXFacebook: https://www.facebook.com/groups/60cyclehum/Instagram and Twitter @60cyclehum Hire us for Demos and other marketing opportunities https://60cyclehumcast.com/marketing-packages/------------------------------------------------------------------------------------------------------#60cyclehum #guitar #guitars #shameflute
When you feel like crying, do you cry? Or do you stifle it? Why? The U.S. Congress 2009 “Joint resolution to acknowledge a long history of official depredations and ill-conceived policies by the Federal Government regarding Indian tribes” stated “Whereas the arrival of Europeans in North America opened a new chapter in the history of Native Peoples.” Layli Long Soldier wrote poems in response to this resolution and its non-consultative process. In this poem, she speaks of the need to let griefs and laments be heard and acknowledged.Layli Long Soldier – is the recipient of the 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. Her first book of poetry, WHEREAS, won the Whiting Award and was named a finalist for the National Book Award. She lives in Santa Fe, New Mexico.Find the transcript for this show at onbeing.org.
Esteemed poets Heid E. Erdrich and Eric Gansworth join visual artist Andrea Carlson in conversation to celebrate the release of Heid E. Erdrich’s latest, Little Big Bully (Penguin Group, 2020), and Eric Gansworth’s Apple: (skin to the Core) (Levine Querido, 2020), both out on October 6th, 2020. The longtime friends talk procrastination, expectations to act as cultural informants, and much more.Interspersed throughout the discussion are readings from Little Big Bully and Apple: (skin to the Core).**Heid E. Erdrich is the author of seven collections of poetry. Her writing has won fellowships and awards from the National Poetry Series, Native Arts and Cultures Foundation, McKnight Foundation, Minnesota State Arts Board, Bush Foundation, Loft Literary Center, First People’s Fund, and other honors. She has twice won a Minnesota Book Award for poetry. Heid edited the 2018 anthology New Poets of Native Nations from Graywolf Press (2018). Heid grew up in Wahpeton, North Dakota and is Ojibwe enrolled at Turtle Mountain. Eric Gansworth, Sˑha-weñ na-saeˀ, (Onondaga, Eel Clan) is a writer and visual artist, born and raised at Tuscarora Nation. The author of twelve books, he has been widely published and has had numerous solo and group exhibitions. Lowery Writer-in-Residence at Canisius College, he has also been an NEH Distinguished Visiting Professor at Colgate University. Winner of a PEN Oakland Award and American Book Award, he is currently Longlisted for the National Book Award. Gansworth’s work has been also supported by the Library of Congress, the Saltonstall and Lannan Foundations, the Arne Nixon Center, the New York Foundation for the Arts, and the Seaside Institute. Andrea Carlson is a visual artist currently living in Chicago, Illinois. Through painting and drawing, Carlson cites entangled cultural narratives and institutional authority relating to objects based on the merit of possession and display. Current research activities include Indigenous Futurism and assimilation metaphors in film. Her work has been acquired by institutions such as the British Museum, the Minneapolis Institute of Art, and the National Gallery of Canada. Carlson was a 2008 McKnight Fellow and a 2017 Joan Mitchell Foundation Painters and Sculptors grant recipient.
The Native Arts and Cultures Foundation advances equity and cultural knowledge, focusing on the power of arts and collaboration to strengthen Native communities and promote positive social change with American Indian, Native Hawaiian, and Alaska Native peoples in the United States.
The Native Arts and Cultures Foundation advances equity and cultural knowledge, focusing on the power of arts and collaboration to strengthen Native communities and promote positive social change with American Indian, Native Hawaiian, and Alaska Native peoples in the United States.
This episode was a recommendation from our wonderful spirit, Tom, from Apocalypse in Review podcast.This week, Emily tackles the very strange story of the Winchester Mystery House in San Jose, California. Sarah Winchester suffered many hard losses in her life, and in her later years, she used the immense fortune she'd inherited to build an incredible 24,000 square foot mansion. Continually under construction from 1886-1922, the home had no formal blue print. Rumor has it, Sarah would hold nightly seances to convene with the spirits, who would in turn tell her where and what to build next. These instructions from beyond the veil were then handed to her dedicated construction crew, who carried out Sarah's every wish, no matter how unusual. In the end, the property sprawled across 4.5 acres and contained oddities such as a cabinet spanning the length of 30 rooms, stairways that lead to no where and 13 bathrooms, only one of which was functional. Was Sarah truly haunted by the ghosts of Winchester victims or was she simply a lonely, heart broken philanthropist who used her fortune to lift a local community? Sarah left no diary and answered no interviews, so we will likely never truly know.Don't forge to check out this week's spotlight, The Native Arts and Culture Foundation, which supports the arts and cultures of Native American, Alaskan Native and Hawaiian Native communities https://www.nativeartsandcultures.org/donateThis week's featured podcast trailers were fromKudzu Killers: Homicide and Sweet Tea https://podcasts.apple.com/us/podcast/kudzu-killers-homicide-and-sweet-tea/id1517389908And The True Crime Witch Podcast https://podcasts.apple.com/us/podcast/the-true-crime-witch-podcast/id1483665898Merchandise for Drink Drunk Dead can be purchased at https://www.teepublic.com/user/drink-drunk-dead-podcastBuzzsprout - Let's get your podcast launched! Start for FREEMerch Use our special TeePublic link to purchase merch & help support our show at the same time!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.patreon.com/drinkdrunkdead)
Born in Fairbanks, Alaska to a Tlingit/N’ishga Mother and Hippy/American father, Da-ka-xeen Mehner uses the tools of family ancestry and personal history to build his art. his work stems from an examination of a multicultural heritage and social expectations and definitions. In particular his work has focused on the constructs of Native American identity, and an attempt to define the Self outside of these constructs. Mehner has received a number of awards for his work including a 2015 USA Rasmuson fellowship, a 2015 Eiteljorg Contemporary Art Fellowship, and a 2014 Native Arts and Culture Foundation Artist Fellowship.Melissa Shaginoff is part of the Udzisyu (caribou) and Cui Ui Ticutta (fish-eater) clans from Nay’dini’aa Na Kayax (Chickaloon Village). Melissa is an Ahtna and Paiute person, an artist, a social activist and currently the curator of Alaska Pacific University’s Art Galleries. Within her current curatorial work, Melissa has focused intently on potlatching. She believes that the only future in which institutions embody Indigenous ideologies is one that publicly recognizes its power, and autonomously gives it away. Melissa has participated the Island Mountain Arts Toni Onley Artist Project in Wells, British Columbia as well as the Sheldon Jackson Museum Artist Residency in Sitka, Alaska. She has been published in First American Art Magazine, Inuit Art Quarterly, and the Smithsonian Arctic Studies Center Learning Lab page. She is currently working on a year long project revolved around social engagement and conversation as art practice. more.
A soloist and vibrant collaborator, Laura Ortman (White Mountain Apache) works across recorded albums, live performances, and filmic and artistic soundtracks, and has collaborated with artists such as Tony Conrad, Jock Soto, Raven Chacon, Nanobah Becker, Okkyung Lee, Martin Bisi, Caroline Monnet, Michelle Latimer, Martha Colburn, Tanya Lukin LInklater and Loren Connors. An inquisitive and exquisite violinist, Ortman is versed in Apache violin, piano, electric guitar, keyboards, and pedal steel guitar, often sings through a megaphone, and is a producer of capacious field recordings. She has performed at The Whitney Museum of American Art and The Museum of Modern Art in New York, The Toronto BIennial in Ontario, the Musée d’Art Contemporain de Montréal, and the Centre Pompidou, Paris, among countless established and DIY venues in the US, Canada, and Europe. In 2008 Ortman founded the Coast Orchestra, an all-Native American orchestral ensemble that performed a live soundtrack to Edward Curtis’s film In the Land of the Head Hunters (1914), the first silent feature film to star an all-Native American cast. Ortman is the recipient of the 2020 Jerome@Camargo Residency, 2017 Jerome Foundation Fellowship, the 2016 Art Matters Grant, the 2016 Native Arts and Culture Foundation Fellowship, the 2015 IAIA’s Museum of Contemporary Native Arts Social Engagement Residency and the 2014-15 Rauschenberg Residency. She was also a participating artist in the 2019 Whitney Biennial. Ortman lives in Brooklyn, New York.
Rosy Simas is a transdisciplinary artist who historically has presented work as a choreographer. Simas is Haudenosaunee, enrolled Seneca, Heron Clan. “The culture, history, and identity stored in my body is the underpinning of all my artwork. Creating is a spiritual act for me, rooted in nature, formed through my link to my ancestors and the land of which we are made.” Simas’ projects merge decolonized physical movement with media, sound, and objects for stage and installation. She unites cultural concepts and images with scientific and philosophical theories to create work that is literal, abstract, and metaphoric. Her work weaves themes of personal and collective identity with family, matriarchy, sovereignty, equality, and healing. She creates dance work with a team of Native artists and artists of color, driven by movement-vocabularies developed through deep listening.Simas is a recipient of a Dance/USA Fellowship, Joyce Award from The Joyce Foundation, McKnight Fellowship for Choreography, Guggenheim Creative Arts Fellowship, First People Fund Fellowship, and a Native Arts and Cultures Foundation Fellowship. Her dance works include “Weave,” “Skin(s)” and “We Wait In The Darkness” which have toured Turtle Island and France with the support of NEFA National Dance Project, MAP Fund, and National Performance Network. Her dance, film and sculpture work-in-progress “she who lives on the road to war” is currently on exhibit and being rehearsed live at the Weisman Art Museum in Minneapolis. Simas recently co-edited the first Indigenous issue of the Movement Research Performance Journal, Sovereign Movements, issue 52/53.
A timely interview with 96-year old world-renowned neuroendocrinologist and researcher Dr. Seymour Reichlin who discussing the role stress has on disease and the issues surrounding psychosomatic disease as well as briefly discuss the 1918 Pandemic flu, Babe Ruth and the deployment of the Atomic bomb.Dr. Reichlin joins our host, Dr. Mark Sublette who takes off his art hat too discuss medicine and early Navajo life in the 1950's and the medical treatments and lifestyle at that time as well as collecting Native Arts. This is part one of a two-episode interview.In part two, Seymour discusses his involvement in the research taking place on the Navajo Reservation and the barriers that he dealt with relating the concept of stress to a culture that did not have a word for headache. Seymour goes on to speak on his mentorship of the famous advocate for alternative medicine Deepak Chopra, his understanding of consciousness and departs after leaving us with an Art Dealer Diaries first - a musical performance!
A timely interview with 96-year old world-renowned neuroendocrinologist and researcher Dr. Seymour Reichlin who discussing the role stress has on disease and the issues surrounding psychosomatic disease as well as briefly discuss the 1918 Pandemic flu, Babe Ruth and the deployment of the Atomic bomb.Dr. Reichlin joins our host, Dr. Mark Sublette who takes off his art hat too discuss medicine and early Navajo life in the 1950's and the medical treatments and lifestyle at that time as well as collecting Native Arts. This is part one of a two-episode interview.In part one, Seymour discusses his early years growing up in a depression-era New York to immigrant parents. We hear about Seymour's father and his involvement in WWI, along with Seymour's own participation in WWII, and how these would both contribute to his interest in studying chemical systems in the brain.
Joy Harjo’s poem “Praise the Rain” makes space to appreciate all the nuances of our lives. Echoing Rumi’s poem “The Guest House,” she asks us to be present to this moment — the crazy or the sad, the beginning or the end — to greet it all with the powerful word: “Praise.”A question to reflect on after you listen: What can you praise today?About the Poet:Joy Harjo is the 23rd poet laureate of the United States and a writer of the Muscogee (Creek) Nation. She has written nine books of poetry, several plays and children's books, and a memoir, Crazy Brave. She is also a chancellor of the Academy of American Poets and a founding board member of the Native Arts and Cultures Foundation.“Praise the Rain” comes from Joy Harjo’s book Conflict Resolution for Holy Beings. Thank you to W.W. Norton, who published the book, and to Joy for letting us use her poem. Read it on our website at onbeing.org.Find the transcript for this episode at onbeing.org.The original music in this episode was composed by Gautam Srikishan.
Long-time Native American art dealer Chris Selser sits down with Dr. Mark Sublette during Indian Market in Santa Fe to reflect on 50 years of being involved in the Antique Native Arts industry. Selser discusses his upbringing and how several key events changed his trajectory into becoming an expert in Navajo weavings and jewelry. We hear about the romanticizing of Woodstock, the proliferation of Native jewelry into the New York department stores in the 1970s. Chris discusses his 1981 New York City Native American Art Gallery and it's demise from the 1982 recession. Chris now is focusing not only on Indian art but as a farmer in the Santa Fe area.
Dallas based trader Michael McKissick sits down with host Mark Sublette during the Antique American Indian Art Show in Santa Fe, New Mexico. This episode of the Art Dealer Diaries covers a nearly 60 year long native art dealing career that begins with a pair of moccasins bought at a rodeo in the 1960's and continues to this day. Formerly a cryogenic systems designer, McKissick established a collection of Native American art that became his initial inventory after opening Waterbird Traders in the 1980's. Michael goes on to discuss the journey that the love of Native American art has taken him on and what's in store for the future of the industry.
Tad Anderman shares his life story of growing up in the Southwest and his love of Indian Art. How he turns his passion for looking at Native American art at the Denver Art Museum into a profession. Tad takes us on his journey to Sydney Australia to open one of the first Native American Art galleries and the challenges involved in selling Indian Art in another country. Besides selling Native American Art Tad Anderman also has one of the largest collection of early Hopi Tiles and a family collection of Papua New Guinea art.
Episode Seventy Seven Show Notes CW = Chris WolakEF = Emily FinePurchase Book Cougars Swag on Zazzle! AND at Bookclub Bookstore & More.If you’d like to help financially support the Book Cougars, please consider becoming a Patreon member. You can DONATE HERE. If you would prefer to donate directly to us, please email bookcougars@gmail.com for instructions.Join our Goodreads Group! Please subscribe to our email newsletter here.– Upcoming Readalongs –We are hosting co-reads in June 2019 with Jenny Colvin of the Reading Envy Podcast. Gone with the Wind – Margaret Mitchell (record date 6/4/19)The Goodreads discussion page can be found HERESapphira and the Slave Girl by Willa Cather (record date 6/27/19)The Goodreads discussion page can be found HERE– Currently Reading –Gone with the Wind – Margaret Mitchell (EF)(CW)Mrs. Everything – Jennifer Weiner (EF) release date 6/11/19The Real Jane Austen: A Life in Small Things – Paula Byrne (CW)– Just Read –Coming, Aphrodite! – Willa Cather (CW) which is part of the Willa Cather Short Story ProjectMiracle Creek – Angie Kim (EF)Very Nice – Marcy Dermansky (EF) release date 7/2/19Like a Mule Bringing Ice Cream to the Sun – Sarah Ladipo Manyika (EF)– Biblio Adventures –Emily traveled to Minnesota and stayed at the Saint John’s Abbey in Collegeville. She visited Birch Bark Books & Native Arts owned by the author Louise Erdrich, Milkweed Editions bookstore Open BooksChris went to the The Flock Theater to see their adaptation of Pride and Prejudice at the Shaw MansionChris did a camera flip video for Shawn the Book Maniac’s BookTube Channel – check it out HEREEmily watched the Brene Brown special on Netflix– Upcoming Jaunts –Chris and Emily will be attending Book Expo America May 29-31, 2019Emily will be going to RJ Julia’s Bookseller in Madison, CT to see Jean P. Moore in conversation with Sande Boritz Berger discuss their books Tilda’s Promise and Split-LevelThere is a performance of Little Women at The Cherry Lane Theatre in NYC, May 15-June 29, 2019– Upcoming Reads –Heart Berries – Terese Marie Mailhot (EF) (Literary Disco discussion of Heart Berries) Daring Greatly: How the Courage to be Vulnerable Transforms the Way We Live, Love, Parent, and Lead – Brené Brown (CW) (audio) Why Religion?: A Personal Story – Elaine Pagels (CW)(audio)Forged: Writing in the Name of God – Bart D. Ehrman (CW) (audio)Frederick Douglass: Prophet of Freedom – David W. Blight (CW) (audio)– Also Mentioned –Jane Austen books: Mansfield Park, Sense and Sensibility, Pride and Prejudice, Persuasion, Northanger AbbeyRussell of Ink and Paper Booktube ChannelEckhart TolleMinnesota Prison Writing WorkshopLittle Free LibraryRachel Maddow – Drift: The Unmooring of American Military Power The Gnostic Gospels – Elaine PagelsMisquoting Jesus: The Story Behind Who Changed the Bible and Why – Bart D. Ehrman Man’s Search for Meaning – Viktor Frankl
Episode Seventy Six Show Notes CW = Chris WolakEF = Emily FinePurchase Book Cougars Swag on Zazzle! AND at Bookclub Bookstore & More.If you’d like to help financially support the Book Cougars, please consider becoming a Patreon member. You can DONATE HERE. If you would prefer to donate directly to us, please email bookcougars@gmail.com for instructions.Join our Goodreads Group! Please subscribe to our email newsletter here.– Upcoming Readalongs –We are hosting co-reads in June 2019 with Jenny Colvin of the Reading Envy Podcast.:Gone with the Wind – Margaret Mitchell (record date 6/5/19)The Goodreads discussion page can be found HERESapphira and the Slave Girl by Willa Cather (record date 6/27/19)The Goodreads discussion page can be found HERE– Currently Reading –Gone with the Wind – Margaret Mitchell (EF)(CW)Miracle Creek – Angie Kim (EF)– Just Read –Where the Crawdads Sing – Delia Owens (CW)The Lost Family – Jenna Blum (EF)Lost Laysen: The Newly Discovered Story – Margaret Mitchell edited by Debra Freer (CW)The 4-Hour Workweek – Timothy Ferriss (CW)– Biblio Adventures –Emily attended the Newburyport Literary Festival April 26-27, 2019:Elaine Weiss: The Woman’s Hour: The Great Fight to Win the VoteLinda Hirschman: Sister’s in Law: How Sandra Day O’ Connor and Ruth Bader Ginsburg Went to the Supreme Court and Changed the WorldRachel Slade: Into the Raging Sea: Thirty-Three Mariners, One Megastorm, and the Sinking of El FaroRussell Banks and Steve YarbroughA Readable Feast: Jenna Blum, Louise Miller, Miriam ParkerChris and Emily went on a joint jaunt to the Schomburg Center for Research in Black Culture. The event featured Dr. Carla Hayden, Librarian of Congress, in conversation with US Poet Laureate Tracy K Smith moderated by Kevin Young, the Director of the Center. Kevin Young is also the New Yorker Poetry Editor.Check out the Schomburg Shop.Chris watched The Try Guys Test Old Age Body Simulators– Upcoming Jaunts –Emily is traveling to Minnesota and is hoping to visit Birch Bark Books & Native Arts, Milkweed Editions bookstore Open Books, Magers & Quinn Booksellers, and Wild Rumpus.Chris will be going to the The Flock Theater to see their adaptation of Pride and Prejudice.Chris is heading to an event for The White Mountain: Rediscovering Mount Washington’s Hidden Culture by Dan Szczeny. Check out his website for upcoming events.Crime Conn is at Ferguson Library on Saturday, May 18, 2019Chris and Emily will be attending Book Expo America May 29-31, 2019– Upcoming Reads –Coming, Aphrodite! – Willa Cather (CW) which is part of the Willa Cather Short Story ProjectThe Bluest Eye – Toni Morrison (CW)The Real Jane Austen: A Life in Small Things – Paula Byrne (CW)A Well-Read Woman: The Life, Loves, and Legacy of Ruth Rappaport – Kate Stewart (CW)The Missing of Claire Delune – Christelle Dabos, translated by Hidegarde Serle (EF)Pride, Prejudice, and Other Flavors (The Rajes #1) – Sonali Dev (EF)Around Harvard Square – cj farley (EF)Mrs. Everything – Jennifer Weiner (EF)– Also Mentioned –Russell of Ink and Paper Booktube ChannelBookPageAuthor Angie Kim’s WebsiteThose Who Save Us – Jenna Blum The Tim Ferriss Show interview with Neil Gaiman can be found hereJabberwocky BooksBook RackSafe from the Neighbors – Steve YarbroughAuthor Jill McCorkle’s websiteRed Rooster Restaurant Yes, Chef – Marcus SamuelssonWade in the Water: Poems – Tracy K. SmithSister Outsider: Essays and Speeches – Audre LordInto Thin Air: A Personal Account of the Mount Everest Disaster – Jon KrakaurAnne Boyd RiouxLittle A Publishing
A member of the Cherokee Nation of Oklahoma, Santee Frazier earned a BFA from the Institute of American Indian Arts and an MFA from Syracuse University. His collection of poems, Dark Thirty (2009), was published in the Sun Tracks series of the University of Arizona Press. Frazier’s honors include a Fall 2009 Lannan Residency Fellowship and 2011 School for Advanced Research Indigenous Writer in Residence, and was the 2014 Native Arts and Culture Foundation literature fellow. His second collection of poems Aurum will be released in the Fall of 2019 by The University of Arizona Press.
The Oglala Lakota poet. “I wanted as much as possible to avoid this nostalgic portraiture of a Native life.” The reward and joy of patience. The difference between guilt, shame, and freedom from denial. When apologies are done well. Layli Long Soldier is a writer, a mother, a citizen of the United States, and a citizen of the Oglala Lakota Nation. She has a way of opening up this part of her life, and of American life, to inspire self-searching and tenderness. Her award-winning first book of poetry, WHEREAS, is a response to the U.S. government’s official apology to Native peoples in 2009, which was done so quietly, with no ceremony, that it was practically a secret. Layli Long Soldier offers entry points for us all — to events that are not merely about the past, and to the freedom real apologies might bring. Layli Long Soldier is the recipient of the 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. Her first book of poetry, WHEREAS, is a winner of the multiple awards including the Whiting Award, and a finalist for the National Book Award. She lives in Santa Fe, New Mexico. Find the transcript for this show at onbeing.org.
The Oglala Lakota poet. “I wanted as much as possible to avoid this nostalgic portraiture of a Native life.” The reward and joy of patience. The difference between guilt, shame, and freedom from denial. When apologies are done well. Layli Long Soldier is a writer, a mother, a citizen of the United States, and a citizen of the Oglala Lakota Nation. She has a way of opening up this part of her life, and of American life, to inspire self-searching and tenderness. Her award-winning first book of poetry, WHEREAS, is a response to the U.S. government’s official apology to Native peoples in 2009, which was done so quietly, with no ceremony, that it was practically a secret. Layli Long Soldier offers entry points for us all — to events that are not merely about the past, and to the freedom real apologies might bring. Layli Long Soldier is the recipient of the 2015 Lannan Fellowship for Poetry and a 2015 National Artist Fellowship from the Native Arts and Cultures Foundation. Her first book of poetry, WHEREAS, is a winner of the multiple awards including the Whiting Award, and a finalist for the National Book Award. She lives in Santa Fe, New Mexico. Find the transcript for this show at onbeing.org.
Peruvian-born chef and record producer Martin Morales heads back to his homeland to explore the inherent link between food and music in Andean culture. Martin starts his journey at the famous La Chomba restaurant in Cusco, where musicians queue to serenade the diners, and then heads to the tiny village of Lamay where the local delicacy is guinea pig on a stick. He then visits the Centre for Native Arts in Cusco where food and music come together with a dance about the Oca potato. Providing the soundtrack to the dance is the legendary violinist Reynaldo Pillco. Martin also meets singer Sylvia Falcon who enchants with a song that highlights the importance of the Coca leaf in Peruvian cuisine and culture. And, he talks to Peruvian music legend Manuelcha Prado aka the “Saqra” of the guitar – or the devil of the guitar. Plus, talented travelling musician Carlos – whose lack of teeth does not affect his ability to connect the with his appreciative audience. (Photo: Martin Morales. Credit: Dave Brown)
I'm at a board meeting of the New England Foundation for the Arts (NEFA) in Northampton, Mass., where today we focused on the organization's new Native Arts program to support Native American artists in New England and across the country. I was struck by the role arts and culture have played in preserving the identity of native people through centuries of incredible hardship. Before dinner, I interviewed Pamela Kingfisher of LarsonAllen, who is working with the Ford Foundation to help create an entirely new national foundation to support native arts. In this episode, she provides some context and emphasizes the importance of the New England initiative, also supported by the Ford Foundation. Background music is taken from the live performance before dinner by Thawn Harris and his wife Elanor Dove Harris, members of the Narraganset tribe in Rhode Island.