Podcast appearances and mentions of oksana lyniv

Wien feiert 200 Jahre Johann Strauss – 
vom 1. Jänner bis 31. Dezember 2025. Und zwar mit einer Premiere wöchentlich. Aus zehn verschiedenen Genres, Indoor wie Open Air. Aber auch an überraschenden Plätzen in allen 23 Bezirken wie dem Zentralfriedhof, am Donauinselfest oder am Himmel. Es feiern die großen Wiener Orchester wie zeitgenössische Künstlerinnen und Künstler. Oksana Lyniv hat sich für das große Erinnerungskonzert akribisch vorbereitet - die Musik von Johann Strauss war in Lemberg eine Selbstverständlichkeit.

2024 ist der erste Bayreuther Sommer, in dem mehr Dirigentinnen als Dirigenten am Pult stehen. Neben den vertrauten Namen von Publikumslieblingen wie Natalie Stutzmann und Oksana Lyniv ruhen die Augen und Ohren dabei natürlich vor allem auf Simone Young, die als Neuzugang den "Ring des Nibelungen" leitet. Am 28. Juli startete der Zyklus mit dem "Rheingold". Tobias Hell war für uns mit dabei und schildert seine Eindrücke.

• Feature interview: Anton Lysenko in conversation with Steve Ostafichuk, co-founder of the De Ty Charities Project which is raising awareness of the plight of Ukrainian children abducted by Russia, and funds to help rescue and rehabilitate them.• Did You Know? feature: Biographical sketch of Ukrainian conductor Oksana Lyniv who is blazing trails and shattering glass ceilings in the world of classical music, while educating it on Ukraine's contributions to it. This DYK feature is produced and presented by Olena Iskorostenska• Ukrainian Food Flair: Chilled Strawberry Soup• Ukrainian Proverb of the Week• Other items of interest• Great Ukrainian music!Your host: Pawlina.The Vancouver edition of Nash Holos airs Saturdays at 6pm PST on air at AM1320 CHMB and streaming live at the CHMB website. www.am1320.com.The Nanaimo edition airs Wednesdays at 11am PST on CHLY 101.7FM, broadcasting to the north and central Vancouver Island, Gulf Islands, Sunshine Coast, northwest Washington State and Greater Vancouver listening areas.For audio archives, transcripts and information about the show, visit our website.Podcast feed here:You can also find us on Spotify, Amazon Music, Apple Podcasts, Deezer, and most music platforms ... and of course on your favourite podcast app.Visit our YouTube channel where Anton and Daria Lysenko are discussing current affairs, history and culture with fascinating people.Follow us on Facebook, Instagram.and ThreadsLinks: Де Ти Charities: campaign to find Ukraine's missing children Support the show on Patreon Hosted on Acast. See acast.com/privacy for more information.

Ein Nachruf auf den Publizisten Alfred Grosser und die ukrainische Dirigentin Oksana Lyniv will nicht bei den Wiener Festwochen auftreten, wenn Teodor Currentzis das tut. Der Blick ins Feuilleton mit Wolfgang Schilling.

La creatività è incrociare mondi, diceva Jules Henri Poincaré. In questa puntata di Start incontriamo l'artista britannica Sarah Lucas, la direttrice d'orchestra ucraina Oksana Lyniv e tre architetti che si occupano di social housing: il danese Bjarke Ingels, il cinese Ma Jansong e il catalano Ricardo Bofil jr. E in questa edizione weekend, anche la speciale iniziativa “Benvenuti in atelier 2023”, un'occasione per visitare i laboratori della moda made in Italy, con workshop, sfilate e momenti esperienziali.

La creatività è incrociare mondi, diceva Jules Henri Poincaré. In questa puntata di Start incontriamo l'artista britannica Sarah Lucas, la direttrice d'orchestra ucraina Oksana Lyniv e tre architetti che si occupano di social housing: il danese Bjarke Ingels, il cinese Ma Jansong e il catalano Ricardo Bofil jr. E in questa edizione weekend, anche la speciale iniziativa “Benvenuti in atelier 2023”, un'occasione per visitare i laboratori della moda made in Italy, con workshop, sfilate e momenti esperienziali.

Im dritten Jahr von Dmitri Tcherniakovs Bayreuther "Holländer"-Inszenierung liegt das Augen- und vor allem Ohrenmerk auf Michael Volles Bayreuther Rollendebüt als Holländer. Oksana Lyniv dirigiert erneut das Festspielorchester. Das Ergebnis der Wiederaufnahme: große Bayreuther Festspielklasse!

Seit 2016 leitet die ukrainische Dirigentin Oksana Lyniv das Jungendsinfonieorchester der Ukraine. Eine Woche lang konnte sie mit den Musikerinnen und Musikern im Exil jetzt proben - auf Einladung des Landes Rheinland-Pfalz. Untergebracht sind die 55 jungen Orchestermitglieder in der Landesmusikakademie in Neuwied-Engers im Mittelrhein-Tal. Am 21. Juni ist im Mainzer Dom das erste Konzert einer kleinen Tournee.

Alessia Conti"Passepartout Festival"https://passepartoutfestival.itPassepartout, il festival culturale della Città di Asti, compie 20 anni e festeggia con un ricco programma che tocca come sempre i temi più vari, dalla geopolitica alla storia, passando per economia, società, ambiente, musica, fotografia, arte e letteratura. Si svolgerà da giovedì 1 a domenica 11 giugno, organizzato dalla Biblioteca Astense Giorgio Faletti con la Città di Asti e la Regione Piemonte. Direttore Scientifico Alberto Sinigaglia. Il titolo di questa speciale edizione, “Fronti”, allude all'invasione russa dell'Ucraina e alle altre guerre in corso. Inoltre, ai nuovi fronti della geopolitica e ai fronti italiani della giustizia, della legalità, della sanità, della natalità, della bioetica, dell'ambiente, della condizione femminile, dello sport, della spiritualità, della cultura, della musica, del potere. Passepartout ha vent'anni. Ha il suo cuore nella Biblioteca Astense e una storia bellissima: dalle stagioni nelle quali ospitò i più noti scrittori latinoamericani a quella che ha portato e porta ad Asti i nostri maggiori storici, romanzieri, artisti, critici d'arte, economisti, magistrati, scienziati, imprenditori, banchieri. Ormai Passepartout è uno dei più quotati appuntamenti nazionali di cultura, di pensiero e di progetto. Arrivata tra le finaliste di Capitale Italiana della Cultura 2025, Asti ha dimostrato di possedere energie e idee che potrebbero molto giovare al ritmo e al futuro della città. Se ne parlerà con i manager Evelina Christillin e Roberto Daneo, il Sindaco di Lampedusa Filippo Mannino e con Donatella Gnetti. Passepartout ha profumo di donna. Nell'Italia in cui due giovani donne sono presidente del Consiglio e capo del maggior partito di opposizione cresce il numero di quelle che guidano università, istituti scientifici e aziende. Le calciatrici si sono prese la scena televisiva; le atlete fanno record; nuotatrici, sciatrici, tenniste collezionano medaglie; una direttrice d'orchestra si divide tra il podio e la responsabilità artistica di un grande teatro. Naturale festeggiare le loro conquiste, ragionando però su quelle mancate: parità di diritti, di lavoro, di compensi, di condizioni economiche e sociali che sono tra l'altro le cause della denatalità. E seguendo con attenzione le lotte e le sofferenze che altre donne affrontano in Turchia, in Iran, dove subiscono violenze e arretramenti della loro condizione umana. In questo solco si inseriscono gli incontri con la direttrice d'orchestra Oksana Lyniv, la calciatrice e allenatrice Carolina Morace, la sociologa Linda Laura Sabbadini, l'atleta e Vicepresidente vicaria del CONI Silvia Salis e la pilota automobilistica Prisca Taruffi. Passepartout ha odore di guerra. È un odore tremendo. Nell'Europa da 77 anni in pace pensavamo di avere la pace garantita per sempre. Pensavamo la "guerra fredda" sepolta nella storia, ci interessavamo di conflitti lontani solo se vi cadeva qualcuno dei nostri diplomatici e militari. Ma l'invasione dell'Ucraina è vicina, disastrosa, ci coinvolge umanamente, politicamente, economicamente. Cambia confini, ridiscute alleanze, crea un nuovo disordine mondiale, suscita nuove paure. Tra storia e futuro se ne parlerà con la giornalista Lucia Annunziata, lo storico Luciano Canfora, l'inviato Rai a Mosca Alessandro Cassieri, Mattia Feltri direttore dell'Huffington Post, il Generale Claudio Graziano, già capo di Stato maggiore della Difesa e Presidente del Comitato militare dell'Unione Europea, Marta Ottaviani inviata della Stampa in Turchia, Angelo Panebianco politologo del Corriere della Sera e il giornalista de Il Giornale Stenio Solinas. Passepartout osserva la società. Ne ha scelto alcuni temi cruciali: la Giustizia, la Legalità, la Sanità dopo il Covid, l'Economia, la Denatalità. Due direttori del Festival dell'Economia di Torino, Pietro Garibaldi e Giorgio Barba Navaretti, appena terminata la manifestazione, riferiranno a Passepartout le ultime analisi sulla crisi economica aggravata dalle tensioni internazionali, dalla crisi energetica, dalla crisi ambientale; le possibili vie d'uscita; le prospettive del Pnrr. Giancarlo Caselli, affronterà la situazione della giustizia, della legalità, della mafia dopo l'arresto del boss Messina Denaro. Pif, popolare attore e regista di cinema e tv, ex inviato de “Le Iene", racconterà come da siciliano ha guardato e guarda la mafia e i suoi capi da Riina a Messina Denaro. Quando riusciremo ad avere una "sanità giusta"? Che cosa dovrebbe offrire, che cosa dovrebbe garantire lo Stato a tutti i cittadini? Qualità, efficienza, diritto, giustizia: un'idea di sanità pubblica secondo l'ex ministro della Salute e professore di Diritto costituzionale di Diritto pubblico alla Cattolica Renato Balduzzi. Linda Laura Sabbadini, sociologa molto nota e direttrice dell'Istat, affronta il crescente problema della natalità, sfatando i luoghi comuni, analisi infondate e spiegandone le vere ragioni. Passepartout ha sete di cultura Covid, minacce di guerra nucleare, crisi economica, diffondono vecchie e nuove paure, alimentate dai nuovi sistemi di comunicazione e dai loro manovratori. Il filosofo Roberto Escobar analizza i volti della paura, inquietanti quando usati da chi ne fa strumento, utili se interpretati nel modo giusto. Lo storico della letteratura Giorgio Ficara il potere, i rapporti di forza sociali, famigliari e politici, in compagnia di due grandi scrittori: Italo Calvino, del quale ricorre il centenario della nascita e Alessandro Manzoni, del quale ricorrono i 150 anni della morte. Due figure internazionali, Carlo Ginzburg e il Cardinale Gianfranco Ravasi, hanno scelto di portare a Passepartout due grandi temi: la libertà e l'umanesimo. La lezione dell'ex ministro della Cultura del Vaticano è dedicata alla memoria del biblista astigiano Paolo De Benedetti. Dell'esperienza di Nova Gorica e Gorizia insieme capitali europee della cultura parlerà il Sindaco di Gorizia Rodolfo Ziberna. Il Prof. Fabrizio Rufo insegnante di Bioetica alla Sapienza tratterà di scienza e democrazia, il filosofo Stefano Zecchi di come la bellezza può essere fondamento del conoscere e dell'agire.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.itQuesto show fa parte del network Spreaker Prime. Se sei interessato a fare pubblicità in questo podcast, contattaci su https://www.spreaker.com/show/1487855/advertisement

Her career has seen her smash glass ceilings in classical music, first at the prestigious Bayreuth Festival and now at Teatro Comunale di Bologna. Oksana Lyniv is the first female director of an Italian opera house. The Ukrainian conductor spoke to FRANCE 24's Olivia Salazar-Winspear about her many achievements and how the war in Ukraine makes her public role even more important.

¿Es lícito hacer música en tiempos de guerra? ¿Se puede recibir aplausos en Bayreuth mientras caen bombas en el Donbás? Oksana Lyniv, directora de orquesta ucraniana, dividida entre el arte y la guerra.

2021 war Oksana Lyniv die erste Dirigentin bei den Bayreuther Festspielen, und der Jubel war groß, wegen ihrer Präzision, ihrem dirigentischen Temperament und ihrer enormen musikalischen Tiefe. Inzwischen ist Oksana Lyniv Chefdirigentin des italienischen Opernorchesters in Bologna, kümmert sich zurzeit aber als gebürtige Ukrainerin vor allem um Projekte gegen die Auswirkungen des Krieges in ihrer Heimat.

Ook muzikaal zet de oorlog in Oekraïne de zaken op scherp. De gevierde Russische dirigent Valeri Gergjev wordt opeens als Poetinpaladijn verguisd. De Oekraïense componist Valentyn Sylvestrov moest uit Kyiv worden ontzet. In Nederland bundelen Oekraïense en Russische musici de krachten voor benefietconcerten. Maar wat weten we eigenlijk van de muziek uit het Grensland? Guido en Joris kleuren het immense land in van grijs naar blauwgeel. Met coryfeeën op de piano, ene Prokofjev uit de Donbas en niet te vergeten de aartsvader Mykola Lysenko… Uh, wie? Muziekfragmenten: - Mykola Lysenko, La Tristesse. Uit: Album van de zomer van 1901. Natalya Pasychnik (piano) en Jacob Koranyi (cello), BIS Records. - Sergej Prokofjev, Mars. Uit: De liefde voor drie sinaasappelen. Emil Gilels (piano), Fondamenta. - Bohdan Senin, Fantasia Galiciana voor zeven accordeons en symfonieorkest. Bundes Jugendorchester, Jeugdorkest Oekraïne, Landesjugendakkordeonorchester NRW o.l.v. Oksana Lyniv, Deutsche Welle. - Valentyn Sylvestrov, Eerste strijkkwartet. Matangi Kwartet, eigen beheer. - Sergej Rachmaninov, Tweede pianoconcert, Moderato. Anna Fedorova (piano), Nordwestdeutsche Philharmonie o.l.v. Laércio Diniz, Piano Classics. - Mykola Lysenko, Gebed voor Oekraïne, Hoosli Ukranian Male Chorus.

Heads up: Because we're talking about the current (2022) Russia/Ukraine Conflict, this episode is highly likely to fall into the category of “pretty heavy stuff” we mention in the intro.  Honestly, we had something completely different planned for this week but it feels really important to be a part of the conversation that's happening right now. We also wanted to make sure that we came to the conversation authentically, in a way that represents what we do on this podcast:  creating a foundational understanding of complicated topics so that the proverbial we can come together to work through them.  We won't be talking about the ins and outs of the immediate situation, sharing a play by play of movements, or even diving too deeply into the human interest side of things - not this week, or in any other episodes we do during this crisis.  Instead, we're going to do our best to add context to the conversation by explaining important background information or diving into how a policy works.  We want to help you understand what's going on on a deeper level.  Today, we're going to try to fill in a gap we've noticed in the coverage of this situation: Why is everyone talking, but also NOT talking, about NATO? You'll also notice that the outro song is different than our usual. It's the Ukrainian National Anthem, performed by Mykhailo Khoma and the Youth Symphony Orchestra of Ukraine under the direction of conductor Oksana Lyniv. Here are the links to the various charities we discussed in this episode: International Committee of the Red Cross: https://www.icrc.org/en/where-we-work/europe-central-asia/ukraine United Help Ukraine: http://unitedhelpukraine.org/ Razom for Ukraine: https://razomforukraine.org/?fbclid=IwAR0PVdQLNM6kv2UGZTo6SUOPoQRycncVrjbBdzTsExQR3AvbVNNB2-0PVMw The Voices of Children Foundation: https://voices.org.ua/en/ Army SOS: https://armysos.com.ua/en/ If you'd like to get in touch with us… You can leave us a review at: https://ratethispodcast.com/fireside Or you can drop us a note from our Contact page! You can find all of our sources in our Show Notes. And, if you'd like to help us reach our goal of hiring a professional editor, you can check out our Patreon Page! Patrons get priority topic requests, behind the scenes content, and more!

It's been quite a year for proudly Ukrainian conductor Oksana Lyniv, becoming the first female conductor at the 145-year-old Bayreuth Festival in August and now embarking on a new role as Teatro Comunale di Bologna's first female Music Director. Presenter Mark Coles discovers the family stories and personal challenges which have brought Oksana's charisma and talent from Western Ukraine to classical music's world stage. Picture Credit: Tristram Kenton, Royal Opera House. Programme Credits: Teatro Comunale di Bologna UATV The Ukrainian Institute in London DW Classical Music MDR Television Choir and Orchestra of the Bayreuther Festspiele US-Ukraine Foundation Producer: Ben Crighton Researcher: Diane Richardson

Stardirigentin Oksana Lyniv dirigiert am 1. Oktober im Festspielhaus Neuschwanstein in Füssen das Festkonzert bei den Musikfestspielen Königswinkel. Bei der Generalprobe für das Konzert konnten zahlreiche SchülerInnen Oksana Lyniv und das Kiev Symphony Orchestra erleben.

Tocar juntos, más allá de las fronteras culturales, es la idea que subyace en el proyecto de encuentro juvenil Campus. Con motivo de su 20 aniversario, invita a jóvenes músicos de toda Europa al Beethovenfest junto al río Rin.

Das Abschlusskonzert des MDR-Musiksommers 2021 findet unter der Leitung von Oksana Lyniv statt. Über die Wichtigkeit der Vorstellungskraft und berufliche Hürden spricht die renommierte Dirigentin mit Grit Schulze.

Trainiere dein Hörverstehen mit den Nachrichten der Deutschen Welle von Montag – als Text und als verständlich gesprochene Audio-Datei.Corona lässt Krise in Tunesien eskalieren Tunesiens Staatschef Kais Saied hat Ministerpräsident Hichem Mechichi seines Amtes enthoben und die Arbeit des Parlaments vorerst ausgesetzt. Er selbst werde die Regierungsgeschäfte gemeinsam mit einem neuen Premier übernehmen, kündigte Saied nach einem Krisentreffen mit Vertretern von Militär und Sicherheitsbehörden an. Zudem werde die Immunität aller Parlamentarier aufgehoben. Saied reagierte mit seiner Entscheidung auf Massenproteste gegen die Corona-Politik von Mechichi. Die islamisch-konservative Regierungspartei Ennahdha warf dem Staatschef einen "Putsch" vor. Nationalversammlung billigt Impfpflicht-Gesetz Im Kampf gegen die Corona-Pandemie hat das französische Parlament der umstrittenen Einführung einer Impfpflicht für Mitarbeiter im Gesundheitswesen zugestimmt. Auch soll ab August erstmals eine Testpflicht für nicht Immunisierte in Gaststätten und Fernzügen greifen - mittels Gesundheitspass. Das entsprechende Gesetz wurde in der Nacht zum Montag von der Nationalversammlung endgültig angenommen. Gegen das Gesetz hatten an den vergangenen Wochenenden zehntausende Menschen protestiert. Landesweit zählte das Innenministerium am Samstag gut 160.000 Demonstranten - mehr noch als eine Woche zuvor. China warnt USA vor "gefährlicher Politik" Die chinesische Regierung hat die USA dazu aufgefordert, ihre Politik der Stimmungsmache gegen die Volksrepublik zu beenden. Der chinesische Vize-Außenminister Xie Feng sprach anlässlich eines Treffens mit der stellvertretenden US-Außenministerin Wendy Sherman in der ostchinesischen Metropole Tianjin von einer fehlgeleiteten Denkweise und einer gefährlichen Politik Washingtons. China sei in den Köpfen der Amerikaner zu einem "imaginären Feind" geworden. Die Beziehungen zwischen den USA und der Volksrepublik sind seit der Politik des früheren US-Präsidenten Donald Trump an einem Tiefpunkt angekommen. Todesopfer nach Starkregen in Sachsen Während eines Starkregens ist im sächsischen Weißwasser ein 67-jähriger Mann ums Leben gekommen. Wie die Polizei mitteilte, wollte der Mann am Sonntagabend mit einer Tauchpumpe das Wasser aus dem vollgelaufenen Keller seines Gartenhauses pumpen und erlitt dabei einen Stromschlag. Die Feuerwehr konnte ihn nur noch tot bergen. Nach Angaben des Deutschen Wetterdienstes war das Gebiet der nördlichen Oberlausitz von Unwettern mit Starkregen betroffen. In Weißwasser seien etwa 40 Liter je Quadratmeter niedergegangen. Straßen wurden überflutet. Diskussion über globalen Klimabericht startet Vertreter von fast 200 Ländern beraten ab diesem Montag per Videokonferenz über den Entwurf eines umfangreichen Berichts des Weltklimarats IPCC. Experten warnen darin vor schweren Naturkatastrophen, sollte die globale Erwärmung nicht eingedämmt werden. Befürchtet werden müssten demnach der Kollaps ganzer Ökosysteme, Wasser- und Lebensmittelknappheit sowie Krankheitsausbrüche. Empfehlungen des IPCC gelten als wegweisend für die weltweite Klimapolitik. Frankreichs Marine greift etliche Migranten auf Im Ärmelkanal sind 80 Menschen, darunter 20 Kinder, aus Seenot gerettet worden. Die Migranten hatten versucht, mit zwei Booten nach Großbritannien zu gelangen, wie die französische Marine berichtete. Zunächst seien 35, dann weitere 45 Menschen in den Hafen von Calais gebracht worden. Erst kürzlich hatten sich die Regierungen in Paris und London auf einen verstärkten Kampf gegen die illegale Migration verständigt. Die Zahl der Versuche, die Meerenge zu überqueren, war in den vergangenen Jahren stark gestiegen. Premiere bei Auftakt der diesjährigen Wagner-Festspiele In Bayreuth haben die berühmten Richard-Wagner-Festspiele begonnen. Nach einem Jahr Zwangspause startete das Festival mit einer Neuinszenierung der Oper "Der fliegende Holländer". Am Dirigenten-Pult stand dabei erstmals in der Festspielgeschichte eine Frau, nämlich Oksana Lyniv aus der Ukraine. Prominentester Premierengast war Bundeskanzlerin Angela Merkel. Sie gilt als große Anhängerin von Richard Wagners Werk und war regelmäßig in Bayreuth zu Gast.

Am Sonntag feierte der "Der Fliegende Holländer" Premiere bei den Richard-Wagner-Festspielen in Bayreuth. Dirigiert wurde die Premiere erstmals von einer Frau, Oksana Lyniv. Wie die besondere Premiere der Ukrainerin verlaufen ist, berichtet Kulturkorrespondentin Maria Ossowski.

(00:00:33) «Der fliegende Holländer» von Richard Wagner eröffnete die Bayreuther Festspiele. Sie schreiben dieses Jahr Geschichte: Zum ersten Mal dirigiert mit Oksana Lyniv eine Frau das Orchester. Zudem überzeugt die Sopranistin Asmik Grigorian in der Rolle der Senta mit ausdrucksstarker Stimme. Weitere Themen: (00:07:19) Studio: Musik hilft bei der Bewältigung der Coronakrise. (00:11:55) «The Acid Lab»: Das Kunstmuseum Basel will die Radierung und ihre Geschichte virtuell erlebbar machen. (00:16:30) 80 Jahre Omanut: Der Verein fördert und bewahrt jüdische Kunst. (00:20:59) Sommerserie «Fetisch»: Warenfetisch, Werbung und Luxusobjekte.

Die Bayreuther Festspiele 2021 haben am 25. Juli eröffnet. SWR-Opernredakteur Bernd Künzig war vor Ort und berichtet von der Festspielstimmung unter Pandemiebedingungen und der Neuproduktion zum Auftakt: dem „Fliegenden Holländer“ in der Regie von Dmitri Tcherniakov und unter der musikalischen Leitung von Oksana Lyniv.

Zum ersten Mal hat mit Oksana Lyniv eine Frau bei den Bayreuther Festspielen dirigiert - und zwar exzellent. Regisseur Dmitrij Tscherniakow schwänzt Wagners Erlösungsgeschichte und erzählt stattdessen lieber ein Rache-Drama, in dem Asmik Grigorian als Senta triumphiert.

Die Bayreuther Festspiele starteten außergewöhnlich: Zum ersten Mal in der Geschichte des Festivals stand mit Oksana Lyniv eine Frau am Dirigentenpult. Sie wusste trotz erschwerter Bedingungen und sichtlicher Nervosität zu überzeugen. Moderation: Britta Bürger www.deutschlandfunkkultur.de, Fazit Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

Am Sonntag eröffnen die Bayreuther Festspiele mit der Wagner-Oper "Der fliegende Holländer". Mit Spannung erwartet werden einige Debüts am Grünen Hügel: Dmitri Tcherniakov inszeniert, Asmik Grigorian singt die Senta, und mit Oksana Lyniv steht erstmals eine Dirigentin am Pult des Bayreuther Festspielorchesters.

Mit Oksana Lyniv tritt 2021 erstmals eine Dirigentin bei den Bayreuther Festspielen an. Im Interview erzählt sie, seit wann sie das für sich behalten musste und was sie davon hält, dass Christian Thielemann ihr über die Schulter blickt.

Oksana Lyniv ist seit 2017 Chefdirigentin an der Oper Graz. Im Interview berichtet die Dirigentin, welche Hürden sie in ihrer ukrainischen Heimat überwinden musste, um sich in einem "Männerberuf" zu etablieren.

Це сталося! Перша ластівка цього сезону - мистецький подкаст "Зустріч на Князя Романа" спеціально до LvivMozArt Про музику та літературу, найцікавіші події та про іменитих гостей спілкувалися з Oksana Lyniv У подкасті почуєте: ⬇️ ▶️ Чому творчість письменника Йозефа Рота стала темою фестивалю? ▶️ Які події найбільше вразять глядачів? ▶️ Мистецька еміграція: чи варто молоді покидати Україну? А на додаток:

Als Dirigentin hat sie es ganz weit nach oben geschafft: Oksana Lyniv ist Chefdirigentin an der Oper Graz. Leicht wurde es ihr auf ihrem Weg selten gemacht, immer wieder stieß sie auf Hürden. Im Interview berichtet sie von einem belastenden Vorfall, bei dem sie von ihrem Mentor Kurt Masur mit sexistischen Äußerungen beleidigt wurde.

Am 4. Dezember 2016 dirigiert die ukrainische Dirigentin Oksana Lyniv ein Programm mit Musik aus ihrer Heimat. Sie ist musikalische Assistentin von Kirill Petrenko an der Bayerischen Staatsoper. Nun dirigiert sie im Konzert das neue Orchester Ukraina. BR-KLASSIK hat Oksana Lyniv vorab zum Interview getroffen.

Anlässlich der ARD-Themenwoche "Zukunft der Arbeit" sprach BR-KLASSIK-Redakteurin Annika Täuschel mit der ukrainischen Dirigentin Oksana Lyniv darüber, wie sich Rollenbilder im Musikleben verändern.

Seventy-five years ago nearly 34,000 Jews were murdered at Babyn Yar over a two-day period on September 29th and 30th 1941. The location has become a poignant symbol of what is known as The Holocaust by Bullets. Some 1.5 million Jews were shot to death on the territory of what is now Ukraine in this particular aspect of the Holocaust.The Ukrainian Jewish Encounter, or UJE, presented a very much-anticipated program commemorating this 75th anniversary of Babyn Yar.The program, held in Kyiv from September 23rd to 29th this year, featured four distinct projects. There was a public symposium, which included the introduction of a groundbreaking book on Babyn Yar; a student conference; a landscape design competition; and a memorial concert.The effort took years of planning and was widely applauded both in Ukraine and abroad. The UJE worked with the World Jewish Congress, Ukraine’s government, and other Ukrainian Jewish and diaspora organizations to plan and present its program.UJE board member Paul Robert Magocsi, who along with his colleague Adrian Karatnycky spearheaded the program, noted, “Our goal was to turn the attention of Ukrainians and the world community to Babyn Yar and to show it is a very important symbol of a mass tragedy of the 20th century,”A special feature of the public symposium was the presentation of the newly published book Babyn Yar: History and Memory. The book, published both in English and Ukrainian, presents essays written by ten authors, including several symposium participants. They looked at the treatment of Babyn Yar in art, culture, and literature.Dr. Vladislav Hrynevych, who co-edited the book with Dr. Magocsi, said, “This book is not about death but about life, and about the battle for memory about Babyn Yar. It also raises the question of what is the future of Babyn Yar. How is it to be organized?”Nearly two hundred young people from all over the world attended the youth conference. The conference coordinator, Dr. Ihor Shchupak of Dnipro’s Tkumah Institute for Holocaust Studies, said. “We were able to get away from national egoism. We remembered that our country was touched by three genocides: the Holodomor, the Holocaust, and the deportation of Crimean Tatars. We also talked about the Holocaust against the backdrop of the contemporary Russian-Ukrainian war. We understood there is no such thing as someone else's pain.”Another highlight of the week was the presentation of winning entries of an international landscape competition sponsored by the UJE as a first step in the expected creation of a necropolis at Babyn Yar.There was no first-place award as the jury did not feel any of the entries fulfilled all its requirements. However, Vitaliy Nakhmanovych, one of Ukraine’s leading Babyn Yar historians who oversaw the competition, said the two second-place winners and a third-place winner provided a promising foundation for the creation of a memorial park at Babyn Yar.The UJE board chairman James C. Temerty presented the competition winners with awards.The commemorative week concluded with a memorial concert, which featured the Hamburg Symphony Orchestra, the renowned Ukrainian Dumka Chorus, and international opera stars, including Pavlo Hunka of England. Ukraine native Oksana Lyniv, who currently works with the Bavarian State Opera in Munich, was conductor and the opera director Annechien Koerselman of the Netherlands staged the powerful performance.Approximately 160 people were involved in the performances of Max Bruch’s prayful Kol Nidrei; the Kaddish-Requiem by Yevhen Stankovych, based on the poems of the Ukrainian writer Dmytro Pavlychko; and A German Requiem by Johannes Brahms.Amidst all these events, one distinguished visitor to Kyiv was World Jewish Congress... See acast.com/privacy for privacy and opt-out information.

In this hour:• News from Ukraine (Courtesy Ukrainian Today) • Ukrainian Jewish Heritage: Interview with Oksana Lyniv, who will be conducting the orchestra at a concert commemoration the 75th anniversary of Babyn Yar • Ukrainian Proverb of the Week • Great Ukrainian music! Artists: Oksana Mukha •  Mandry • Zapovid • Dzherela • Pavlo Hunka •  Benjamin Butterfield • Andriy Panchynshyn • Ukrainian Old TimersNash Holos Ukrainian Roots Radio airs live in Nanaimo on Wednesdays from 11am-1pm PST on CHLY 101.7FM, broadcasting to the north and central Vancouver Island, Gulf Islands, Sunshine Coast, northwest Washington State and Greater Vancouver listening areas. Your host for this hour: Pawlina See acast.com/privacy for privacy and opt-out information.

Oksana Lyniv is an up-and-coming star on the classical music scene.She is a Ukrainian conductor currently working at the Bavarian State Opera as assistant to the General Music Director Kirill Petrenko.On September 29, 2016, she will make her debut in Ukraine, conducting a classical concert that will be held at the Kyiv Opera House, under the directorship of British opera star Pavlo Hunka.The concert is part of the 75th Anniversary commemoration of the Babyn Yar tragedy, sponsored by the Ukrainian Jewish Encounter of Toronto.In 1941, the Nazis murdered some 150,000 people, including over 32,000 Jews. The massacre at Babyn Yar is considered one of the most heinous atrocities of the Holocaust.The concert will feature classical musicians from Ukraine, Israel, Canada and Great Britain, and a symphony orchestra from Germany.Ms. Lyniv took time from her hectic schedule of rehearsals for an interview on Nash Holos to tell us about herself, her career, and the upcoming concert.This is a feature interview. Transcript is available below. Enjoy!*************Pawlina: I am Pawlina, host of Nash Holos Ukrainian roots radio. This fall the 75th Anniversary of the Babyn Yar tragedy will be commemorated in Kyiv, on the initiative of the Ukrainian Jewish encounter.One of the events will be a classical concert, organised and directed by inaudible opera star Pavlo Hunka of London England. And Oksana Lyniv will be playing a leading role as well, as conductor of the orchestra. Oksana is something of a sensation herself, and she joins us now by Skype, to tell us a biy about herself and maybe give us a sneak preview of the concert where she shall be conducting.So Oksana welcome, вітаю!Oksana: Hello, hello, hello!Pawlina: Now, you were born yourself, to musical parents, so a musical career for you, is no great surprise. You play several instruments yourself right? Piano, flute...Oksana: Piano, flute, violin a little bit. Also I like to sing also yes. I was also surprised that in the end I changed my profession to conducting.Pawlina: I was going to ask you that. What made you decide to change?Oksana: The question that was in my special musical college, I started in Lviv, then I was from, my 14 years to 18 years. At the end we had a concert where I had to conduct the student orchestra. After this concert I got this idea from different people to start my professional career only as conducting. I was, on the first moment I was very surprised, but after I thought, yes, maybe this is really where I can put together all of my musical talents, and all the things that I would like to do together, you know? Because as conductor you need to have a special touch to all the things … to instruments, to soloists, to choirs, to all things.Pawlina: So you really, obviously, love music and you just wanted to be in charge?Oksana: Yes and you have to put … to organise, to manage all the things together. And this is very interesting, because when you are conducting the opera you have to become the steering also for staging … also for optic things, you know? And this is very interesting to create this dramatical line, to perform this big performance and I saw it was really something for me.Pawlina: So, as a female conductor, you are something of a novelty in a male dominated field. Do you encounter any difficulties or special challenges because of your gender?Oksana: Yes. In the beginning you always had more difficulties because, you have to put through it in your career, not only like young conductor but also like a young cond... See acast.com/privacy for privacy and opt-out information.

In this edition:• News from Ukraine (Courtesy Ukrainian Today) • Ukrainian Jewish Heritage: Interview with Oksana Lyniv, who will be conducting the orchestra at a concert commemoration the 75th anniversary of Babyn Yar • Ukrainian Proverb of the Week • Great Ukrainian music! Artists: Oksana Mukha •  Mandry • Zapovid • Dzherela • Pavlo Hunka •  Benjamin Butterfield • Andriy Panchynshyn • Ukrainian Old TimersJoin me - Pawlina - for Nash Holos Vancouver every Saturday at 6pm PST on AM1320 CHMB Vancouver. This podcast is the audio archive for Sat. August 20, 2016Blast from the past: Listen to the audio archive of Nash Holos August 20, 1991 See acast.com/privacy for privacy and opt-out information.

British-Ukrainian opera star Pavlo Hunka is the Director of a classical concert to be held on September 29, 2016 at the Opera House in Kyiv.The concert is part of the 75th Anniversary commemoration of the Babyn Yar tragedy, sponsored by the Ukrainian Jewish Encounter of Toronto.In 1941, the Nazis murdered some 150,000 people, including over 32,000 Jews. The massacre at Babyn Yar is considered one of the most heinous atrocities of the Holocaust, and has come to symbolize Nazi brutality.This commemorative concert will feature classical musicians from Ukraine, Israel, Canada and Great Britain, and a symphony orchestra from Germany. The conductor of the orchestra will be Oksana Lyniv of Ukraine.The concert will include a cameo performance by Mr. Hunka, who took time from his hectic schedule of rehearsals for an interview on Nash Holos.We spoke about the upcoming concert, his career, and his Ukrainian Art Song project, showcasing Ukrainian classical music.Pawlina: The 75th anniversary of the [foreign] tragedy will be commemorated in K of this fall. Late September to be exact. One of the events will be a concert which you are organizing and producing. How did you come to be the orchestrator so to speak of this event?Pavlo Hunka: I was approached by members of the board of the Ukrainian Jewish encounter to see whether I could pull together a program first and foremost and then I suggested to them that as I had access to pretty well all of the great musicians of the world because I worked with many of them. Maybe we could pull together a fantastic cast and they gave me the opportunity to approach some big orchestras for example. Not just to use Ukrainian strengths, and to cut a long story short, we have engaged the Hamburg symphony orchestra to go to Ukraine for the 29th of September when the concert will be. Together we've the soloist, that's Benjamin Butterfield, who's from your neck of the woods, he's from Victoria and I asked Ben because he sings the Ukrainian so wonderfully. He’s part of the Ukrainian Art Song project. And then there's Gwal James, she's Israeli, living in Berlin to sing and then myself as well. Conductor will be Oksana Lyniv, she's a young Ukrainian conductor from Western Ukraine, who is now deputy artistic director of the Bavarian State Opera in Munich, in Germany. And finally, the Dumka national chorus. We thought that we did include one element of a big Ukrainian group if you like particularly because I choose as a second piece of the concert, Yevhen Stankovych’s Kaddish-Requiem. The program opens up with Max Bruch’s “Kol Nidrei”, which is like an evening prayer at Yom Kippur New Year Jewish prayer and then it goes into the Kaddish-Requiem by Yevhen Stankovych, which is a contemporary piece, which tells the story of Babyn Yar. I chose it because it's not really a requiem, it's really just a sort of statement or fact if you like. And then that takes us to the interval and after the interval is a Brahms requiem, which is also not really a requiem, it's a spiritual work, which doesn't really talk about any particular faith but it talks really about spirituality. So it's sort of a journey from prayer to fact, to hope and I thought that was so it would be sort of quite appropriate to choice that type of program, which it moves into the positive.Pawlina: Yes that's what this whole commemoration event is all about, isn't it, it's to acknowledge and commemorate the past but there is so much good stuff that's going on in Ukraine right now in particular with Ukrainian Jewish encounter. You had a long and successful career as an opera singer. This project is casting you in a different role kind of behind the scenes, or you said you will be singing as well?Pavlo Hunka: Yeah well I've done, on a smaller scale I've done things like this over some years in the sense that I finally... See acast.com/privacy for privacy and opt-out information.