Podcast appearances and mentions of Andrea Savage

The Hotwives of Orlando is a 2014 Hulu Original comedy series. The show spoofs on reality shows like The Real Housewives, focusing on a fictional group of women in Orlando who lead extravagant, dramatic lives. Each character embodies a different reality TV stereotype, from the ditzy trophy wife to the volatile diva, and the show follows their ridiculous feuds, parties, and over-the-top personal dramas. Critics generally appreciated The Hotwives for its clever satire and comedic performances, especially by the ensemble cast, though it remained a niche favorite. Its commitment to skewering reality TV conventions earned it praise from fans of parody and satire. Can a show like this be appreciated by a group of guys who generally don't watch the genre that The Hotwives of Orlando is parodying? Listen as they deep dive the show's first episode, "Meet The Hotwives". Starring:  Casey Wilson, Angela Kinsey, Danielle Schneider. Tymberlee Hill, Andrea Savage, Kristen Schaal, Matt Besser, Jerry Minor, Joey McIntyre, Paul Scheer, Stephen Tobolowsky, & Jeff Hiller www.S1E1POD.com MERCH Instagram & X (Twitter): @S1E1Pod

In this week's episode of Bingeworthy, our TV and streaming podcast host Mike DeAngelo is putting out a hit on other shows to discuss “Tulsa King.” The Paramount+ series follows a former Mafia capo exiled to Tulsa, Oklahoma, where he builds a new criminal empire with a group of unlikely misfits. The crime dramedy series stars Sylvester Stallone, Andrea Savage, Martin Starr, Garrett Hedlund, Jay Will, Frank Grillo, and more.  READ MORE: ‘The Old Man': Jeff Bridges & Amy Brenneman Discuss Their Spy Drama, ‘Tron: Ares', ‘Heat' & More [Bingeworthy Podcast] Joining Bingeworthy to discuss season two of the hit series is writer and showrunner, Terence Winter (“The Sopranos,” “Boardwalk Empire,” “The Wolf of Wall Street”). Winter took over the show early in season one's development for creator Taylor Sheridan (“Yellowstone,” “Wind River”), who was overrun by all things "Yellowstone" and its related projects. After season one rumors began spreading that Sheridan and Winter butted heads over the direction of the series, Winter quit the show, but was ultimately convinced to return for season two. During the interview, Winter cleared the air and explained the situation in his own words.  --- Support this podcast: https://podcasters.spotify.com/pod/show/theplaylist/support

Movie recommendations or comments for us? Text us here!We're watching Look Both Ways this week! Following a celebratory one night stand with bestie Gabe, Nat discovers she's pregnant... or maybe not? The story follows Nat through two parallel universes that were created in the moments before she looked at her tests: one where she moves to LA and lands her dream job, and one where she heads back to her hometown with Gabe in tow and becomes a mom. Lili Reinhart, Danny Ramirez, Aisha Dee, David Corenswet, Nia Long, Andrea Savage and Luke Wilson star in this rom-dramedy. You can find this movie on Netflix!Email us at MadeMePodcast@gmail.comFind us on:Facebook: www.facebook.com/MadeMePodcastInstagram: https://www.instagram.com/myhusbandmademedoit/ Podcast artwork by Anna Eggleton of Treehouse Lettering & Design: https://www.treehouseletteringanddesign.com/

First up, brace yourselves for a dark twist on a beloved classic. Bambi: The Reckoning is set to hit theatres on October 31st, 2024, and it's nothing like the tale you remember. Directed by Dan Allen, this horror thriller transforms the innocent deer into a vengeful beast out for blood after his mother's death. Starring Roxanne McKee, Nicola Wright, and Tom Mulheron, it follows in the footsteps of Winnie the Pooh: Blood and Honey and promises to bring a chilling new chapter to the Twisted Childhood Cinematic Universe. Now that's one way to ruin your fond childhood memories.

JOIN TSL WORKSHOPS: tslworkshops.circle.so Joey's impressive resume in TV includes shows like Jimmy Kimmel Live, Arrested Development, and I'm Sorry, which she show-ran for two seasons next to Andrea Savage. And even so, she's the first to acknowledge her both her strengths and growth areas as a writer, which has been one of the most valuable tools to propel her to the very top of a the writers room.

#1 ACS #829 (feat. Teresa Strasser, Chris Laxamana, Alison Rosen and Bryan Bishop) (2012) #2 ACS #991 (feat. Jim Jefferies, Alison Rosen and Bryan Bishop) (2013) #3 ACS #1031 (feat. Peter Mehlman, Alison Rosen and Bryan Bishop) (2013) #4 ACS #1156 (feat. Dwight Yoakam, David Wild, Alison Rosen and Bryan Bishop) #5 ACS #1329 (feat. Jo Koy, Bill Courtney, Alison Rosen and Bryan Bishop) #6 ACS #1386 (feat. The Hold Steady, Matt Atchity, Alison Rosen and Bryan Bishop) #7 ACS #1392 (feat. Taleeb Starkes, Alison Rosen and Bryan Bishop) #8 ACS #1605 (feat. Mike Shinoda, Jo Koy, Gina Grad and Bryan Bishop) #9 ACS #1783 (feat. Milo Yiannopoulos, Jo Koy, Gina Grad and Bryan Bishop) (2016) #10 ACS #1978 (feat. Gina Grad and Bryan Bishop) (2017) #11 ACS #1993 (feat. David Packouz, Chris Laxamana, Gina Grad and Bryan Bishop) (2017) #12 ACS #2146 (feat. Andrea Savage, Gina Grad and Bryan Bishop) (2017) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

#1 ACS #829 (feat. Teresa Strasser, Chris Laxamana, Alison Rosen and Bryan Bishop) (2012) #2 ACS #991 (feat. Jim Jefferies, Alison Rosen and Bryan Bishop) (2013) #3 ACS #1031 (feat. Peter Mehlman, Alison Rosen and Bryan Bishop) (2013) #4 ACS #1156 (feat. Dwight Yoakam, David Wild, Alison Rosen and Bryan Bishop) #5 ACS #1329 (feat. Jo Koy, Bill Courtney, Alison Rosen and Bryan Bishop) #6 ACS #1386 (feat. The Hold Steady, Matt Atchity, Alison Rosen and Bryan Bishop) #7 ACS #1392 (feat. Taleeb Starkes, Alison Rosen and Bryan Bishop) #8 ACS #1605 (feat. Mike Shinoda, Jo Koy, Gina Grad and Bryan Bishop) #9 ACS #1783 (feat. Milo Yiannopoulos, Jo Koy, Gina Grad and Bryan Bishop) (2016) #10 ACS #1978 (feat. Gina Grad and Bryan Bishop) (2017) #11 ACS #1993 (feat. David Packouz, Chris Laxamana, Gina Grad and Bryan Bishop) #12 ACS #2146 (feat. Andrea Savage, Gina Grad and Bryan Bishop) Hosted by Superfan Giovanni Request clips: Classics@adamcarolla.com Subscribe and Watch Clips on YouTube: https://www.youtube.com/@AdamCarollaCorner

Sucking it up with Andrea Savage.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're wrapping up February Is For Lovers with another potential entry to the podcast canon, as we dip our toes into rom-com waters for the first time this month with a movie that very much aspires to be a modern take on classic Nora Ephron material: it's 2015's Sleeping With Other People, written and directed by Leslye Headland, and starring Alison Brie, Jason Sudeikis, Adam Scott, Amanda Peet, Jason Mantzoukas, Andrea Savage, Natasha Lyonne, Katherine Waterston, and Adam Brody. Does it succeed in its ambition to sit alongside When Harry Met Sally... in the ADHD-DVD pod pantheon? Plus: We continue to fixate on cults and dad fashion, while J Mo is back from the drive-in having seen Madame Web and Anyone But You, so you know we've devoted a huge chunk of the episode to the Adam Scott movie currently in theatres. After all... her web connects them all. If you'd like to watch the movie before listening along to our discussion, it is currently streaming in Canada on Amazon Prime and is also available for free on Tubi and Plex (at the time of publication). If you'd like to see Madame Web, you can sit alone in an empty theatre anywhere in the world. Other works discussed in this episode include When Harry Met Sally…, 10 Things I Hate About You, Morbius, The Terminator, Defending Your Life, Defending My Life, I Want You Back, Out of Sight, Ocean's Eleven, Jennifer Lopez: This Is Me... Now, Drive, Justified, Jackie Brown, The Vow, The Thing, The Birdcage, Rocko's Modern Life, Drinking Buddies, Kid Detective, Long Shot, Palm Springs, Trainwreck, Fire Island, Star Wars: The Acolyte, Star Wars: Knights of the Old Republic, and Dune: Parts I & II. We'll be back next week to kick off our first free-form themeless month in what feels like quite a long time, as we rapidly approach the show's one-year anniversary and celebrate with a long-time fave of Hayley's and a recently thrifted pick-up Justin has never seen: the 2001 medieval action romance / anachronistic pseudo-musical A Knight's Tale, which is currently streaming in Canada on Netflix. Until then, we'll see you at the movies!!

We're back to drop a little sneak peek into Garbage World and what's been going on the last few months! Please enjoy clips from a recent episode where Casey and Danielle share some embarrassing stories, Andrea Savage discusses the show Naked Attraction, and Paul Scheer's Garbage Sesh episode about Traitors!! More episodes and incredible content at www.caseyanddaniellesgarbageworld.com

Help! This week, “Tulsa King” star Andrea Savage joins Tony as they try not to PANIC about… surviving a VOLCANIC ERUPTION. Andrea is trying her best to evacuate Tony from a film set placed under an active volcano when, predictably, it erupts. What would you do? Find high ground? Run for your life? Strike a pose so your preserved corpse looks good when scientists excavate your remains in the future? We'll find out what Andrea thinks she'd do if she had to outrun a lava blast, hear what experts say to do, and discover the only thing more terrifying than an active volcano is a genderless clown.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This episode originally aired during season 3 of The Drew Barrymore Show.Magnolia Network's Joanna Gaines and Drew are going roller skating and chatting home renovation. “Look Both Ways” and “Beavis and Butthead” star Andrea Savage is serving up the news with Drew and Ross Mathews at the Drew's News desk!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Introducing the new audio drama Supreme: The Battle For Roe starring Maya Hawke and William H. Macy. At 26 years old, Sarah Weddington stands in a courtroom for the first time in her life and argues the defining case of her era: Roe V. Wade. Supreme tells her unlikely story, as well as that of Justice Harry Blackmun, who's appointed to the High Court at the same time. Sarah and Harry – both new, untested, and scared out of their minds – are on a collision course. She struggles to overcome the many obstacles placed in her path, while he must find the courage to step out of his lifelong best friend's shadow and take a stand. Together, they create one of the defining moments of the century. Cast: Maya Hawke, William H. Macy, Abigail Breslin, Andrea Savage, Felicity Huffman, Laura Benanti, Garrett Hedlund, Josh Hamilton, Luke Kirby, William Fichtner, James Naughton, and Katie Couric. Created and Written by Aaron Tracy. Directed by Rachel Winter. Executive Producers are Eva Longoria, Ben Specter, Aaron Tracy and Rachel Winter. Produced by Kelly & Kelly. Listen to Supreme: The Battle For Roe on the iHeartRadio App or wherever you get your podcasts. https://www.iheart.com/podcast/1119-supreme-the-battle-for-ro-116789213/See omnystudio.com/listener for privacy information.

Introducing the new audio drama Supreme: The Battle For Roe starring Maya Hawke and William H. Macy. At 26 years old, Sarah Weddington stands in a courtroom for the first time in her life and argues the defining case of her era: Roe V. Wade. Supreme tells her unlikely story, as well as that of Justice Harry Blackmun, who's appointed to the High Court at the same time. Sarah and Harry – both new, untested, and scared out of their minds – are on a collision course. She struggles to overcome the many obstacles placed in her path, while he must find the courage to step out of his lifelong best friend's shadow and take a stand. Together, they create one of the defining moments of the century. Cast: Maya Hawke, William H. Macy, Abigail Breslin, Andrea Savage, Felicity Huffman, Laura Benanti, Garrett Hedlund, Josh Hamilton, Luke Kirby, William Fichtner, James Naughton, and Katie Couric. Created and Written by Aaron Tracy. Directed by Rachel Winter. Executive Producers are Eva Longoria, Ben Specter, Aaron Tracy and Rachel Winter. Produced by Kelly & Kelly. Listen to Supreme: The Battle For Roe on the iHeartRadio App or wherever you get your podcasts. https://www.iheart.com/podcast/1119-supreme-the-battle-for-ro-116789213/See omnystudio.com/listener for privacy information.

Dream. Guest. From day one we have wanted to interview Andrea Savage.You know her from everywhere: Step Brothers, Veep, Curb Your Enthusiasm, Man Bites Dog, Tulsa King and our absolute favorite show, I'm Sorry, which she created, wrote and starred in.Before all of that, she was a sorority sister, a Cascadilla squatter, a government major and a registration line dream girl at our beloved Cornell.There is no better way to start or end your day than with this podcast - you will laugh and smile. And she settled our best friends debates as well.Andrea's Instagram:@andreasavageNot sponsored by or affiliated with Cornell University

Kevin Heffernan is 1/5 of the comedy group Broken Lizard and has made cult classics like Super Troopers, Beerfest, Club Dread, and the upcoming Quasi out on Hulu on 4/20. Kevin is also the Showrunner of the hit sitcom Tacoma FD on TruTV and streaming on HBOMax.Show NotesKevin Heffernan on Instagram - https://www.instagram.com/heffernanrules/Kevin Heffernan on IMDB - https://www.imdb.com/name/nm0373571/Michael's Online Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeJoin My Watchlist - https://michaeljamin.com/watchlistAuto-Generated TranscriptKevin Heffernan:That meeting that we first had with you guys. Yeah. And we, we were at Dave, we were at we were at the three Arts offices. Yep. AndAnd I remember this cuz I was like, you know, let me and I, and you know, maybe you've come to realize this, but let, and I were, were a little bit more insecure about our knowledge about how to make a TV show cuz we hadn't done it before. Right. And and I remember I kept in the meeting, we would have conversations like, he would keep saying things like well I don't know. Cause we only make movies, you know, I don't know. Cause he's gonna make movies. Right. I kept saying that. And what I was trying to say was, I don't know anything about tv. Right. But your partner Sivert, he, he threw that back in my face at one point. He does. He said, but I don't know. Cause I only make TV, you know. Oh my God. Thought was the funniest fucking thing. I thought it was so fucking funny. Michael Jamin:Oh, thank God he didn't take the meeting.You're listening to Screenwriters Need to Hear This with Michael Jamin.Hey everyone, it's Michael Jamin. Welcome back to Screenwriters Need to Hear This, the podcast. I got another great guest for you everyone. Hope everyone's sitting down. It's Kevin Heffernan. He's also my boss, so I'm gonna be extra nice for this. But IKevin Heffernan:Like to think we're coworkers, Mike. Well,Michael Jamin:He likes to say that, but meanwhile he makes him, makes me bring him lunch. I like to and rub his feet while he eats it. I like toKevin Heffernan:But then you get somebody, you get somebody younger to bring you lunch to bring Correct. Isn't that the way it works?Michael Jamin:And rub my feet. Yes. Right. Just kickKevin Heffernan:It down.Michael Jamin:Fine. Kevin, let me give you a proper introduction for those. Okay. Who never, ever heard of you. First of all, he's the star and showrunner of Tacoma fd. We're in season four. We just finished season four right now. But also you may know him from from a million million movies. Supert Trooper. Supert Trooper Two Club, dread Slam and Salmon Beer Fest. Quai he's one of the founding members of, and I'm of Broken Lizard, which is a comedy troop. And he's also an actor. Everyone, please welcome to the show, Kevin Heffernan. Ron, can I applaud? You should definitely applaud, dude. Thank you so much. I, I have to say, and I've said this to you many times publicly, but I gotta say it, that everyone is listening. I always give you and Lemi a lot, so much credit for what you guys have done because like, the way I see my career, I feel like, I guess I'm like a Hollywood insider in the sense that I got hired by someone to be on a show and then I rose up the ranks. And then about halfway through my career, I noticed I was no longer working for Hollywood Insiders. I was working for basically Hollywood outsiders. People who made their own career and made themselves so desirable that Hollywood came to them and said, Hey, will you do stuff for us? And that's what I feel like you guys have done.Kevin Heffernan:Well, it's a little bit like I guess that's part of the, in front of the camera thing that gives you a little extra allure, I guess. I don't know. Or so, or a way to it does made,Michael Jamin:I think so. But when you started broken, you know, when you guys did your first broken lizard movie, you were just, you know, you guys did it on your own. Yes.Kevin Heffernan:Yeah.Michael Jamin:I mean, talk about that. How did you make that happen? You guys were just nobody's.Kevin Heffernan:Yeah, I mean, well we, we were a, you know, a group that was, I guess we were kind of self-contained. You know, a lot of people, they get out of school, whatever it is, and they, they kind of join some other entity whether it's, you know, some performance thing like the Groundlings or they go to a film school or whatever it is. And we just did it. Our, you know, we had five, well we had more, at the time it was like eight or nine folks. And then after we graduated from Colgate University, we went to New York and we started doing live shows and, and just doing everything soup to nuts. You know, we would, did did the acting and then directing, they're producing the editing and the writing and that, that's how kind of we cut our teeth in order to, you know, and then it was just kinda like, you know, Hey, let's make some short films. Let's, you knowMichael Jamin:Where were you showing these films?Kevin Heffernan:Yeah. And then we would show the films during our live shows. So we would do, you know, sketch shows, you know, in New York City and the Village or whatever. And we'd haul this like 800 pound you know, 32 inch tv into the room. And, and then we would just shoot these short videos. And they're essentially designed to show while we were able, you know, gives us a chance to change costumes and stuff, you know what I mean? It was, oh, it was a chance for us to have a, have a costume change and then we would start showing these videos. And then those were the things that always seemed to be really popular.Michael Jamin:And these were in like, small venues, like how big, how many seats?Kevin Heffernan:Yeah, I don't know. 80, you know, would,Michael Jamin:And how would you get people to show up?Kevin Heffernan:Well, we, you know, we went to Colgate, which is kind of a, kind of a big drinking school. And so and a lot of people migrate, you know, when they, it's in upstate New York, so they'll graduate and they'll, they'll move down to New York City. So there was this network of people from our school who were kind of big drinkers and, and young and, and we just kind of put out the word and all the friends would come, you'd get, you know, 50 people in the room. And I remember after the first weekend, the, the place, we were doing a place called the Duplex, which I think is still there. It's in like Christopher or Sheridan Square or something like that. Christopher Street. And the show would end and the bar, the guy who owned the club would walk in and the table would be full of empty beer bottles just full . And and he'd be so happy. And he kept offering us more, you know, gigs more nights or whatever. And it was basically cuz our friends came and they drank beer and they had laughs and, and were youMichael Jamin:Hitting the door? Or how, how were you charging?Kevin Heffernan:Yeah, yeah. We, well probably, we probably got some real shitty deal. You know, we probably had some horrible deal. I mean, it was like we were begging for stage time around town, you know? And and these guys, you know, let you start on a Monday night, you know, or whatever, whatever shitty time is, or, you know, Monday at 10 o'clock or whatever, you know, Uhhuh and do the show. And, and we'd get our friends to come and then it was Wednesday night, and then it was Friday night, and then it's, you know, Hey, you're doing the whole weekend. You know, and it kind of, kind of grew that way, but, and that was, and we learned to write sketches mm-hmm. when we were doing that, you know? And then did youMichael Jamin:Kind of, did you kind of learn in college though, when you were, you were writing sketches in college though?Kevin Heffernan:Yeah, we, we kind of self-taught. We, we, it was kind of later towards the end of our college careers where we started this comedy group. And my buddy Jay Chen Sekar, who's, you know, still in the,Michael Jamin:There he is. Oh, we're gonna plug that Quasi is the movie plugKevin Heffernan:That, but that's him. That's Jay ChenMichael Jamin:Important. That's the most important one. I've left that one out.Kevin Heffernan:Yeah. But that's him. And then he had had some background in Chicago at the IO in Second City and things like that, doing improv. And always wanted to do a show at Colgate. And so he had gotten the opportunity through some student theater group. There was a guy who was like, Hey, why don't you put up a show? And he was like, ah, I don't wanna do it. I don't wanna do it. And then ultimately, I think they gave him like 500 bucks, Uhhuh . And he decided to put together a group of people, and he and I were very close friends. And he knew that I was interested in something like that. And so we put together this group of folks, and it was probably like 15 people at that point in time and, and just started this comedy group. And we didn't know, like we didn't know how to do improv. We didn't know how to write sketches, we know any of that stuff. And it was just, JayMichael Jamin:Took one class, basically, and he's like, I'll, I'll teach you guys how to doKevin Heffernan:It. Well, he, he didn't, he wasn't even the teacher, you know, like he did. Yeah. Like, he did a, a summer, like likeGuys. Yeah. And he's like, yeah, I'll try this. And we were miserable. I mean, we were horrible. But the, the thing in, in colleges and, and you probably have the same thing, it's like, you know, I think a lot of comedy is, is is the, you have to laugh out of shared experience, right? So the audience says, Hey, I know that happened to me. You know, that's why they laugh, right? So at college, it's a very insular world that you can do that. So you can make fun of that professor and that security guard and that, you know, fraternity, sorority, whatever it is. And, and that's the thing that you learn to write and that everyone laughs at. And so that's how we started where you would just, you'd make fun of people on campus and people love it. And then you, in that way, you learn how to write and, and do characters and whatever, and Right.You know, whatever. We were all fans of Saturday Night Live and Monty Python and whatever. And I think, you know, the idea was let's just try to do that. And it was very simple because it was a, it's like given a wedding toast, you know? It's like, you know, everyone's on your side, right? Everyone wants to laugh together, the same thing. And, you know, we started doing these shows there, and they were just super popular because there was nothing like it there. And people were, were happy to see us make fun of, you know, that professor or that, butMichael Jamin:Then at some point though, you had to branch out to a larger audience, though.Kevin Heffernan:Well, that's the, that's the, the terrifying thing is we got to, we moved to New York City afterwards and realized you couldn't make fun of the dean or the professor or whatever. You had to figure out what the things are that more people would laugh at. And I think, you know, that's the little of a learning curve. But we did that, and then you just start writing sketches and, and we started making these videos. ButMichael Jamin:Then how did you still, how do you make this jump from, you know, selling tickets to friends, to selling tickets to strangers, basically?Kevin Heffernan:Yeah. I, it's just, I guess it's just word of mouth is, is the way, is the way it happens. Where it's like, I, I, I remember, you know, people would bring their friends, you know, from high school and their other friends and whatever it is, and then all of a sudden you have a group of people who are into it, you know? And and then you'd have, you know, agents start to come and industry people start to show up. And really, theyMichael Jamin:Were trying to show up. You, they weren't, this is fascinating to me. So you didn't even invite them, they would just show up.Kevin Heffernan:Yeah, well, you know, I mean it was kind of a fun time in New York at the time where there was kind of these two, there are different movements that were kind of happening. And one of 'em was the independent film movement, which was, you know, big. It was the Kevin Smith and, and you know, that kind of stuff where you, everyone was making, you know, low budget films. And then it was also, you know, kind of the growth of the comedy group. Again, I guess, you know, where U C B was just, just starting up in New York. And there was another group called The State that was doing stuff in they were outta nyu and they were doing shows. And so there were different kind of like, there was kind of a lot of burgeoning kind of comedy groups that were kind of in that same era. And, you know, people catch on. There was a, you know, M T V wanted to make a sketch comedy show, and they started scouting all these comedy groups, and they picked this group, the state, and they made the, they made their comedy show. So there was a, you know, there were a lot of people out there that had an appetite for, for this kind of thing. And, and you know, we were trying to capitalize on him.Michael Jamin:And the whole time you str all you guys were struggling, but you, you were also attending law school at the sameKevin Heffernan:Time? I did. I went to law school. I, I I I was working at a law firm for, for a couple years out of school. And then, yeah, I went, I ended up gonna law school during the day. Right. And then we would do these comedy shows at night. And they never, they're very different worlds, you know, like, but I remember one time we were taking a tour of the courthouse with my law school class, Uhhuh . And somebody walked up to me who had seen the live show, Uhhuh , who was like, Hey, you are the comedian Kevin hen, da da da da. Not that I was famous anyway, but this guy just happened to be in, and everyone in my law school class has looked at me and like, who the fuck are you ? Like, they had no idea that I was, had that other thing going on. So. AndMichael Jamin:Did that change the way they looked at you after? Like, they,Kevin Heffernan:I think a little bit. I mean, I was, you know, I, I was not a, a great participant in the law school world. I was kind of a back bencher. I'd sit in the back row and I didn't really, I might crack a joke here and there. And so, but then, yeah, I think, I think they probably got a feeling of like, oh, maybe this is not his his highest priority, this law school thing. DidMichael Jamin:You, well, did you pa take the bar?Kevin Heffernan:I did, yeah. I took the bar. Yeah, I did. I we took the bar. Well, I graduated from law school, and then we made our, I graduated from May, and we were preparing to shoot the first feature film we ever made. We were preparing to shoot it in June. And so I started studying for the bar and I realized, oh, I can't do this. I can't do this stuff. And so I went to my dad and I was like, I'm not gonna take the bar exam. And he's like, what? Are you crazy? And I was like, you know, he goes, you get all, you're gonna get all through law school and you're not gonna take the party time. I was like, well, I'm gonna take it, but I'll take it, you know, six months from now or a year from now. Right. You're not gonna do that. And I said, I will, I will. And he said, you know, he said, that's insane. You don't take the ball down to the goal line and not cross into the goal. You know, youMichael Jamin:Do it, you figure you're in the New York Jets. That's how they,Kevin Heffernan:That's, that's right. You know, there's some people who just don't get in the end zone . And so I, and so we did it. So, but so we made the movie and then six months later I went back and I took the bar exam and I passed it. So,Michael Jamin:See, you're a good boy now, but how did you raise the money for the movie?Kevin Heffernan:Well, that, like I was saying before, that was that era of like, people were bankrolling movies on credit cards, you know, and it was like you know, Kevin Smith or whoever it was, they, you know, made clerks for $30,000 or whatever it was, you know what I mean? So we at the time, j Chan Sacar had taken a couple N Y U film classes, and he was very much into it. He also had got started working with this guy as a, as an intern at this office of this lawyer. His name was John Slots, who had went on to become this huge, you know, independent film, you know, movie producer, icon type of a guy. And he represented all those guys, the link laters and, you know, the Kevin Smiths and Rodriguez, all these guys are making these kind of, you know, el mariachi, you know, they're making these movies, you know. And so he got into his head like, let's try to do this. And so basically we went around and we charged, I think the movie we made was called Puddle Cruiser, which was about 250,000 bucks. And most of it was charged on credit cardsMichael Jamin:Between the five of you.Kevin Heffernan:Well, well, Jay did most of it. And then some of us did some stuff in, and then some, and people got like, some of their families kicking, you know, five grand here or whatever. But the thing with Jay was that, his name is Jay Chanter Sekar. And his parents were doctors. And for some reason, the credit card companies started to thought that maybe he was a doctor and they started sending him, they would send him these credit cards and, you know, he was a day, right? You'd get a credit card in the mail, you know what I mean? And you'd be like, ah, whatever. And you use it. And so he u you know, he just charged him up and but he,Michael Jamin:And he wasn't worried about like ever paying it back. I mean,Kevin Heffernan:You know, I, I think ultimately he probably was, but that's just what everybody was doing. Like, they were just putting the stuff on credit cards and that's what we did. And we, you know, charged the camera package on credit cards and we did all that stuff. HeMichael Jamin:Needed that much. That's a lot of money. I'm surprised you couldn't do for less.Kevin Heffernan:Well there are a couple things to it. Like, number one, we shot on 35 millimeter, right? Which was unusual. Cause that's a very expensive film format. And at the time, people were shooting 16 millimeter and other things, something called Super 16. They're shooting all these things. And but we wanted shoot on 35 just cuz we thought we could ha make the movie have more commercial appeal. Right. And so we did that. And and then also it's just, you know, a lot of those movies were kind of like the adventure of one man or whatever. And we had like, you know, we al it's always been our problem. We have five storylines with five guys and whatever. So the movie's always kind of expanded a little bit. But yeah, so we went up to Colgate University we had written a, a, a, a romantic comedy like set in a college.And we went up to Colgate University and we said, Hey, can we shoot this film? And we went, we made a big pitch to the dean, you know, former students, you know, doing this thing. And he said, Nope. And then he said, you're, you're not, you're, we're not gonna let you do it. And we said that, but that's crazy. He said, look I'm the guy who puts my name on this thing, and you know, you're gonna come here up here and make an animal house and then we're gonna look like assholes. And then, and so we're like, but we would never do that. You can read the script, blah, blah, blah. And so essentially what we did we went back and, and we told our friends, it's like, like I said earlier with the people we're all drinking, it's a very networky school.And we just reached out to everyone and we said, please reach out to this dean and tell 'em you support alumni's you know in the arts. You, you support alumni in the arts and that kind of thing. And it was the, it was the age of the fax machine. Mm-Hmm. . And they just, we gave out this guy's fax number and he just started getting, he got probably like a thousand fax from faxes from you know, alumni and wow. And finally he caved. He's like, okay, all right. You can do it. Just don't have the school's name anywhere in, in in the movie. Like, okay, what about insurance? You have to worry about that. Who, who is you? Yeah. Yeah. That's part, I mean, that's part of film. You know, you, you buy insurance. Okay. You paid for that wasn't, wasn't called.Okay. No, well, they wouldn't let us. They were very adamant about us, you know, using as little of their facility as possible. They, you know, we were hoping we, they would give us a dorm for us to stay in. They wouldn't do that. And we couldn't house anybody on the campus or any of that kind of stuff. So, but it's so what I, it's just so scrappy of you guys. It really is. It's just, yeah. Yeah. No, I I, it's totally scrappy and I, I give chance se a lot of credit for that. He, you know, he was very much in that camp of like you know, let's go make a movie however we can. And and we did. And, and you know, we didn't no idea what we were doing. And, and we didn't know where to put the camera.We didn't know any of that stuff. And we had, you know, we had some professional crew folks that came that we hired, you know, from New York City, and they came up there and, you know, the DP and the Grip and the gaffer were guys who were a little bit more experienced than we were. And and, and we just shot this thing. And then we didn't even know how to edit it. We've never, you know, edited a movie before and you just learned as you did it, man. And we did. So what we did, then we came back, we were and our buddy was a NYU film student. We would, he would sneak us in at night to the NYU film department, and we would use the edit machines. And at the time, at the beginning it was Steam Back. So it was like literally the film, you would put the film and cut the film. You know what I mean? Yeah. I mean, don't do that anymore. But that, that, that was the end of that era. But we started cutting our films that way. And then, and then we turned, you know, on this particular movie called Puddle Cruiser, we moved over to computer editing, which was just starting then.Michael Jamin:So, wow. See what I, well, and I wanna talk about Quasi, which by the way, so Quasi Drops, this is your latest movie. It drops on four 20 on Marijuana Day Yeah. On Hulu. And everyone should go sit your, you know, whatever. It's, make sure you watch this movieKevin Heffernan:Marijuana Day,Michael Jamin:But, well, I saw, I don't even know how much you changed cuz I went to a, a screening of it, what was it, a year ago? How long was that?Kevin Heffernan:It was yeah, it was March. It was March. Wow. Of of 20 21, 2 20 22.Michael Jamin:And maybe there was, was there maybe a couple hundred people who went to that? Who Yeah,Kevin Heffernan:We, we you know, we like to do that, to do the test screens to see where the laughs are or whatever. And we got about 200 folks. We did a screening room, screening Room, Warner Brothers, and then and itMichael Jamin:Went great. Every, I mean, everyone was laughing, everyone. So I'm, yeah. I don't even know howKevin Heffernan:Much, which is terrifying because you know, that the movie, and you saw that version is, that's the, like, that was like the two hour plus cut. Right. You know, and that's when you just, you know, you throw it out there and just see what hits what sticks, you know, andMichael Jamin:And aKevin Heffernan:Lot did it with that one. And then since that version you saw mm-hmm. , you know, we've been through doing test screenings. We get notes from everybody at the studio, all that kind of business, and we've whittled away another half an hour.Michael Jamin:Do you, do you find the Oh, really took a half hour? You finding you have more notes the more, the bigger the budget or No?Kevin Heffernan:No, I don't think so. I mean, there's more fear, there's no question about that. You know, we, we, we, but we've never kind of like really kind of moved in that world a little bit. You know, we, we, we were very, we made, we remade the Dukes of Hazard, we did the Dukes of Hazard movies for Warner Brothers. That was like the biggest thing that we did budget wise, where that's like, you're spending 60, 70, 80 million and then all the decisions become very precious and, and very much my committee. But for us, I think the beauty is we've always functioned at a budget level where people kind of leave you alone. Right. You know, like, they might get adamant about something or whatever. You know, we, we had a few things on this movie that they were, they felt very strongly about. And we, you know, we'll go back and forth, but for the most part, you know, we've never been in that horrible situation of, youMichael Jamin:Know, t Sibert and I, we, we prefer the world of low budget for that reason. Yeah. Do you guys feel the same way?Kevin Heffernan:Yeah. I mean, you, you just kind of fly under the radar screen. You know, it's like you know, when, when we made the movie Beer Fest, you know, we made it at Warner Brothers and at the same time they were making like the first like, huge Superman reboot and, you know, the budget of our movie was like a week of catering, you know? Yeah. On that Superman movie. And they were so worried about that stuff that they don't, they don't care. Not they don't care, but they just, you're not a high priority. So like, they do yourMichael Jamin:Thing. Bigger problems. Yeah. One of the fun things that I love, I I by watch 'em all your movies and it's, I, I don't know if you know, if you think about this, but to me it's like fun to see the same guys playing different roles, often two different parts in the same movie. And it's just, I don't know, do you, are you aware of how much like joy that gives Keep people?Kevin Heffernan:Yeah, no, I mean, we love it cuz like, we'll do that too. Like when we would go from movie to movie and intentionally try to put guys into different kinds of characters, Uhhuh, , you know, and, and, and that was the reason why. Cause we thought it was so fun to see guys do different things. I mean, this movie's a great example because we do play multiple parts and guys play different kind of characters. But after we shot Supert Troopers, like for example like Jay Chanter Sekar who directed it, you know, and it was a hard thing. It's a hard thing to direct a movie, you know, it was just kind of for a million bucks and whatever, and you're always, you know, fighting the clock and you're always fighting whatever. And so he would always kind of get dower at times, you know, and, and we'd have to remind him in his performance, Hey man, pick it up.You know, we're doing a comedy, don't worry about that. Put that shit behind you. Whatever. Uhhuh . And so after Supert Troopers, you know, his character is a very straight kind of guy. We made a movie called Club Dread, and it was like, let's go in the opposite direction. And we intentionally wrote Jay as like a Ponzi, British raaf, Farian tennis player, Uhhuh . And so with the intention of like, let's give him a character that's completely opposite of what he was. Right. And it ends up having the effect of being very cool, I think for people who like the movies cuz they see people play different kinds of characters, you know,Michael Jamin:But how do you guys even do that with five, because you have five equal partners writing. Like how do you decide who comes, is one person pitching an idea? How do you get five people on board to do anything?Kevin Heffernan:It's, it's pretty hard. I think it's, I think we're lucky that we started doing it together in college. Probably like, if, if we had been assembled like in, you know, at age 35 or whatever, never fucking made, it was like, you know, it's like putting a like a, like a like the monkeys together or something, or whatever, you know what I mean? I, I don't know that we would ever have been able to do that. Cuz yeah, there's fights and whatever, but I I I think it's really always come out of making each other laugh. And if, and if the rest of the guys laugh, then you're like, oh, okay. I I think that's, and you know, and, and the cra fights, you know, from casting point of view, we started getting into this practice and we did it from Super Troopers on where, for the most part, we don't cast the movie when we're writing it. And we don't cast the movie till way later in the game because you, you find out that, you know, if you know what the part you're playing, then you kind of start writing for yourself and your own part. But if you don't know, then you write for everybody. Right?Michael Jamin:Oh, is that right? So, yeah.Kevin Heffernan:And so we made a very conscious effort early on that we would push, like, there, there are sometimes now like movie quasi, you know Lemi, we knew Lemi was gonna be the title character, but I think most of our movies, it's like we wait till later in the game after the script has gone through multiple drafts, and then we cast it. AndMichael Jamin:Then how do you decide who, I mean, how do you, what if I wanna be theKevin Heffernan:Whatever that happens too. I mean, we, we I remember Super Troopers, you know, we wrote it, we wrote Mel multiple drafts. It was with many different companies and there are many different places, and we never really cast it. And then we decided we would sit down and we, the five of us, we sat down at a table and everyone read the different parts. And then it was a conversation. It's like, you know, I think, I think you're that guy, you know? And and luckily there was never a, a big fight. And then now it's like, you know, like in the movie quasi, there's a couple characters and it was like, Hey, I thought, you know, soda, you should be that guy and Jay should be this guy. And they were like, nah, no, you know, I think he'd be much better at that guy. You know, and they were right. You know, so it was like, it kind of, it's the mindset of what's doing best for the movie, which is nice. Right. right. And so we've never really gotten into those big fights because we just cast it later, you know? Is thereMichael Jamin:A procedure though, when you guys do? Is there like a vote? Or like, how do you, how do you agree to settle shit?Kevin Heffernan:Yeah, I mean, I think like, usually it's, I guess it's the director who's kind of settles it, but it, it, no, it's just, it's just by side who's the director by democracy , becauseMichael Jamin:You guys have also also, you know, swapped sometimes, you know, you direct sometimes, you know, sometimes Jay directs andKevin Heffernan:Yeah. I mean, I guess we've done like seven seven kind of proper broken legend movies and he's directed five of them. Yeah. And I've done two of themMichael Jamin:Now. Since you've done two, I don't know why you do two. Isn't it exhausting? I mean it's, it's exhaust, it's a full-time job being a director, but then to also act Yeah. It's, it's twice as exhausting.Kevin Heffernan:Yeah. It's, it's, it is kind of exhausting. And you know, the funny thing on this movie I played two characters. We all played two characters, right? Mm-Hmm. . And there's, there was some days where my two characters were having scenes with each other. Yeah. And like, you're standing there and you're like, you're acting against yourself and you're directing the thing. Yeah. And it was just like, you're like, what the fuck? Like, your head's gonna fucking explode. You're like, what am I doing here? ? And like, the beauty of it is we have these five guys, we have the support thing. And so Lemi will be there, Chan Sa I'll be there and they'll be like, Hey, you know, you should look, look out for this or whatever. You know, there's a good support group where Right. Luckily you're not, you're not hanging out there alone.Michael Jamin:And you've directed many episodes of Tacoma FD Do, how much do you, you know, what do you, what do you think, do you, what is your, what do you prefer writing, directing, acting? Do you have a preference?Kevin Heffernan:I don't know. I, I always think of it as like as like the seasons, you know, it's like whenever it's winter you want it to be summer, or whenever it's summer you wanna be winter. Yeah. Like, I always feel that way. Like whenever I'm doing one of the jobs, I'm like, God, I wish I was writing right now. Yeah. . But I mean, I think that's the beauty of the, the hyphen thing. It's like, you know, it's like you know, I just got through the editing process, right? And then which is a whole thing. And, and, and then by the, we've been doing six months and then by the end of that you're like, Ugh. And now you know, we're working on a project with you mm-hmm. , and we're working on a project with the Republican lizard guys. And you start moving back into the writing mode and you're like, oh, thank God this is fucking great. Right? Yeah. Yeah. And then whatever, three months from now they're like, God, I wish I was shooting. You know, ,Michael Jamin:It's a shooting is ex especially being directory is exhausting. You gotta be the first one there and the last one out.Kevin Heffernan:Yeah. And then you gotta prepare for the next day. You gotta prepare. You should, at least you should, you know.Michael Jamin:Yeah.Kevin Heffernan:You know, but a again, like, you know, part of it that's nice is the all-encompassing kind of thing of it where it's like I don't necessarily have to expend all the director energy directing an actor mm-hmm. , because I'm doing it. And I don't have to spend, I don't spend a lot of energy translating between a writer and a director and an actor. Which also is a, I think a lot of a director's job is these kind of like interpersonal mm-hmm. , you know, figuring out how to do that because we kind of do it all, you know, so there's something kind of nice to that, you know.Michael Jamin:Yeah. Well, I guess, I mean, and I, again, I give you a lot of credit. It's cuz it'sKevin Heffernan:Well, but like, when you, when you're having a problem on the set, for example, right? Mm-Hmm. and then you know, some scenes not working or whatever it is, and you're in the middle of it as the actor writer and the director, you just kind of cart blanche to, to try to fix it. You know what I mean? Yeah. It's not like you have to bring a committee together to try to fix something, you know? Right. There's something nice to that there's something nice to that.Michael Jamin:Do you, now, this Tacoma was pretty much your first was your, was it was your first TV venture, but now, you know, I know, I, I knowKevin Heffernan:How it was. Yeah. I mean, it was the first one that went, you know, like Yeah. The thing is that Lemy and I, you know, for many years, and you know, this, I mean, for many years we, we had been making TV or developing TV shows and selling scripts and Yeah. And you can go there. I mean, I think we sold a different script, like something like eight years in a row mm-hmm. Into, into TV season, you know what I mean? Right. And they just don't go, they don't go, they don't go for whatever reason. You know, like I remember one year we sold one to I think it was B, c and we were so excited about it, and then we found out that they bought 80 scripts. Oh, . Yes. And they're, and they're gonna shoot three of them. Right. Right. And what we found out was that these networks a lot of times will just kind of preemtively buy scripts Yeah. In order to be able to control the market. And, and it doesn't cost them a lot just to have a bunch of things you know, options. Yeah. And then, you know, you're, oh fuck. So I, I think as time went on, we were trying to figure out like, what's, how do you get to the next step? Like how do you write the TV script that they're gonna shoot?Michael Jamin:Yeah.Kevin Heffernan:You know? Mm-Hmm.Michael Jamin:, what did you figure out? I mean,Kevin Heffernan:Well, it, it's partly who you do business with. So like when we pitched com, we pitched everybody, we pitched the big networks and the little networks and you know, the one that they were the most excited about and the most that you got the vibe that this, they're gonna shoot, this thing was true tv.Michael Jamin:Right.Kevin Heffernan:And, you know, we could have sold it to Fox or whoever it is, but we knew that those people were gonna shoot it. And that's the battle.Michael Jamin:They told you that. I mean, some orKevin Heffernan:Essentially, I mean, it's like we, you can also know, like, you can say, you can find out how many they buy. Right. And out of those, how many they shoot, and out of those, how many get on the air and, and somebody like True who's a smaller network, they can't go out and buy 80 scripts. You know what I mean? Right. So what they do is they'll, they'll buy three scripts and you know that you have a damn good chance if it's three scripts, you know,Michael Jamin:We would, when we sold shows back on network, you'd be optimistic at first, and then you'd read in the trades what someone else sold the show, maybe with some actor attach or director. And you'd go, all right, that's one less slot. You, you just knew it, you just knew that's one less thought to buy. Yeah.Kevin Heffernan:Yeah. And then you get to things like, let me and I were talk about this morning, we were like trying to remember, there was a a, we sold a script one year about stay-at-home dads. Right. I think it was called Kept Men and the Stay-Home Dads. And our wives had great jobs and we, we would just stay at home, take care of the kids, whatever. And it's an idea that everyone has had. And I remember we, we sold it somewhere, I can't remember, it was N B C or B ABC or whatever it was. And then we found out, I think it was B nbc, we found out that there were three other stay-at-home dads scripts that had sold Uhhuh to nbc. And then we found out that like, you know, one of the producers was Jimmy Fallon, one of the producers was Ellen, you know, one of the, it was, you know, whoever. And you knew then that your fortunes are getting, you know, less favorable. Yeah. And then ultimately they pick one of those, you know, they're an nbc they're gonna pick the Jimmy Fallon project mm-hmm. . Cause Jimmy Fon is one of their superstars. And, and, and, and you know, so your, your discouragement kind of goes down as he gone. But that was always the thing was like, how do you get from the point where you sell that script to you make that script, which is really why we're in this business.Michael Jamin:Yeah. Right. And and your eyes are higher. Well, it's, it's, so, it's, I was, I would, I was gonna say your eyes are higher up getting a TV show made than a movie, but you've gotten a movies made. So what am I doing? Yeah.Kevin Heffernan:I mean, I, I guess it depends on what the market has been. I mean, they're just, sometimes, I, I only say that because I feel like it's shifting a little bit again now, but there's certainly, you know, when the streamers came in on top of the broadcast people, there were more opportunities, I feel like mm-hmm. . And at that point the films were shrinking for a number of reasons, just that it's so expensive to put a movie out. Yeah. you know, that, that as the movie companies get bigger they will not take chances on certain comedies. You know, like we, when we made Beer Fest at Warner Brothers, we were like, why don't you guys just make a shitload of, you know, 15 million comedies and try to make a lot of money outta 'em? And then cuz they said, cuz we'll make one Harry Potter and it'll make more money than 115 million comedies. Right. Everyone'sMichael Jamin:Swinging for theKevin Heffernan:Home run. Yeah. And, and that's why, and that's what we'll do. And so there was a lot of that vibe. So I think that's part of why, you know, we were like, you know, let's take a shot at tv. There's a, there's a better home for comedy. You know, at that point, I think. Yeah. and it, and it was, you know, and, and when we sent up for True tv, you know, their, their motto has kind of changed. But at the time they were trying to build a comedy network and they had Andrea Savage and Amy Sedaris and, you know, Bobcat Golf Weight and all these guys had shows. Yeah. And they were, that they were trying to make these comedy shows. So it seemed like a good, a good fit for us.Michael Jamin:And I had a question, I just now now I just lost it, but, oh, I was gonna say. So, but you also have acted on other, you've guest art on plenty other, on other shows, Goldberg, but Yeah. Do you, but do you prefer, like, do you have a preference even, I don't know, doing other people's material, your material? Do you care at all?Kevin Heffernan:I, I, I don't mind people's material, but I love writing our material and doing our material. You know, it's like, it's like the, it's like the standup thing. It's like, you know, the beauty of doing standup is that you can write a joke and then perform the joke and get the reaction from the crowd. I, I kind of feel the same way about performing our own material, you know?Michael Jamin:But I know you and you guys used to do a lot of performing standup, but you don't, you haven't done that in quite a while and you don't, what's the plan? Do you miss that at all or what?Kevin Heffernan:Sometimes I do. Sometimes I do. You know, I think it was something that we I mean some of the guys in our group have a background like, you know, chance Sakar has, you know, stand background or whatever. But I had never had it really. And then it was that last, it was the last writer strike whatever, 2008, 2009, whatever was that, when was that? Like,Michael Jamin:It was 2008. What? Yeah. What did you guys do during that?Kevin Heffernan:Well, we were, you know, we had made our movie of Slam and Salmon and we had to make it independently cuz no studios were buying. And then, you know, nobody's making a TV shows. We couldn't sell anything. We couldn't write anything. And so we had one of these kind of live standup agents who was like, look, you guys have notoriety now. You can go around and do a show, you know? Yeah. And, and make money. You know. And so it was like, oh, okay. And so we put together this show in, I think it was 2008 or 2009, you know, come in, in the strike. And we went on tour and we did whatever, I, I can't remember, we did like 20 or 30 show cities or whatever it was. And and it was like it, it, it, it kind of morphed over time.But it was like, you know, we would put our Supert Troopers uniforms on and go do a supert trooper sketch mm-hmm. . And then a guy would do, you know, 10 minutes of standup and then we'd do a beer fest sketch and then guys would do 10 minutes of standup and then whatever. And so I think that was when the vibe for live comedy for us kind of really grew. We were like, oh, this is great. This is cool. And there's an audience. Like there's a, there are fans of ours. It's not like we have to go Yeah. TheyMichael Jamin:Come see you. Yeah.Kevin Heffernan:Yeah. Like we used to go and, you know, walk around Washington Square Park and hand out fucking postcards. Come see our show, come see our show come now. We don't have to do that. You know? So Isn't that amazing? That was nice. And so then that's why we got into standup cuz cuz we started doing that. And then I, I had never really done standup and I had a blast. And then it got to be the end of that tour. And then it was, the agent was like, does any of you guys, you guys still wanna go do some standup? I'll book you. And then lemme like, yeah, we'd love to. Let's do it. And so we went probably for eight or nine years we traveled.Michael Jamin:Now when you were doing this, were you literally on the road? Were you on the road the whole time? Were, were you fly back and forth to California?Kevin Heffernan:No, no. We were like you know, 40 year old guy standups, you know, it's like if we were the 20 year old standups, we would be like in a car driving around, but we would No, you'd go out, you'd do two weekends a month or whatever, you know, and you'd go out and you'd do, you know, a Thursday, Friday, Saturday showsMichael Jamin:And then flyKevin Heffernan:Back. And then fly back. Yeah. Yeah. And so but you know, probably eight or nine years we did it, you know, we would do, you know, I don't know, maybe 20 weekends in a year.Michael Jamin:Hey, it's Michael Jamin, if you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.It's, it's so interesting. I again, cuz you guys are just like, when I hear so many times, you're like, people are like, well, how do I sell my screenplay? And my voice is always, you don't and just do what you're, build it yourself, do it. Stop asking for permission, and that's exactly what you guys did. You just did it.Kevin Heffernan:Yeah.Michael Jamin:You know?Kevin Heffernan:Yeah. I mean, that's the same advice that we give people too. It's like, you know, and whatever the, the, the kind of the world changes a little and you know you know, there are different ways to do your own thing. You know, I mean, when we started, people didn't have camera phones or Right. , you could haveMichael Jamin:Made that movieKevin Heffernan:Equipment or you know,Michael Jamin:You instead of 250,000 you could have made that movie Yeah. For a fraction of that. Right?Kevin Heffernan:Yeah. Yeah. And, and so people, I think people do have that opportunity and, and, you know, they can go shoot a movie on their phone or whatever it is. And I mean, in that way, you, you at least learn how to write and act and where to put a camera and how maybe how to light something or whatever. Its Right. Right. but that, that's what we always say to people is, is do that. You know, write your own stuff and go do it.Michael Jamin:Do you find, because I mean, I'm jumping around here, but you ob you collaborate a lot either with five or four other guys, or sometimes you work with Lemy or with the writing set. Is it, you know, do you find that you don't, that you know, you don't really get to use your voice that you're always, it's, it's more collaborative? Do you miss or do you crave doing something just with your own voice or anything?Kevin Heffernan:I don't know. I never thought about that. No, I don't think so. No. I like, I like the collaboration thing. Right. I, I don't, I mean, whatever we've worked together for, what, four years now? I don't, I'm not super precious. I, I, and I, I I'm not like a dig my heels in guy I don't think. Maybe I am, maybe you'll tell me differently. But I think, you know, I think I, I, I like, I love getting, you know, seeing other people write some good jokes and whatever. Right, right. It's a, and I think it's probably born out of the fact that I've always been in a group, you know, and I've always been with these five, you know, I was with these five guys and, you know, you learn the value of having other people's perspectives and whatever. So I, I don't know. I, you know, I like standup. I, I, I really enjoyed it and it was fun and it was fun to go and tell stories and whatever, but I, you know, I don't know if there's something I I like more about, probably about the TV or movie worldMichael Jamin:Because even directing, like as a showrunner, you could, you still have ultimate the final say on anything. So if you had someone else direct, you do, I know you have other people direct episodes, but I wonder like, you know, why, I guess why, you know, what's the, what's the appeal of doing it yourself when you still have ultimate control anyway?Kevin Heffernan:Right. Right. You mean like, why not have more people?Michael Jamin:Yeah, I mean I, no, I, IKevin Heffernan:Just think, well that's, that's, youMichael Jamin:Know, exhausting. It is. That's,Kevin Heffernan:That's O C D and control and control issues, Michael.Michael Jamin:Oh, so that's why you, cuz you really want, you just want to get it done. YouKevin Heffernan:Well, no, that's what my kids will say. They'll say that I have control issues. That's right. May, that may be the case that I, I like to do things myself, but,Michael Jamin:Oh, well. But, but, but that's what that kind of speaks to what I'm talking about is like, okay, well you're do you are getting your voice across cuz you ultimately making, well, you know, so many decisions. But yeah. And so I don't know what, what advice do you have for, for young people breaking in? Do you, you know, are you getting swarm by this? You know?Kevin Heffernan:Yeah. It, I mean, you know, it happens. I mean, you get it right? You get people and they wanna send you. IMichael Jamin:Get it. But you, I'm, I think you might get different questions from me. You're, you're, well, IKevin Heffernan:Guess, I guess other, you know, I mean, yeah, I get other questions.Michael Jamin:You get recognize you walk on the street and people know who you are andKevin Heffernan:So Yeah. How do I become an actor, you know, and get that. Yeah. And, you know and it's hard. Like I, you know, I try to help people out, but I, you know, you know, there's not, there's like a, some sort magic bullet. Like, you know, guys in this industry, I mean, no matter how long you've been there, you me, every day we try to figure out how to keep our careers going. Mm-Hmm. You know what I mean? , it's like, yeah. It's like I got enough trouble, you know, trying to get what I, you know, I don't know what my next project is, you know? Right. And, and it's and every, it's a fight. I don't care if you're Martin Scorsese or whatever, it's always a fucking fight. Yeah. And so, you know, you try to impress it on people, but you don't wanna be, you know, the doom and gloom guy.You know, I, I, I did a, our buddy who's a producer, rich Perlo, who produced these our movies, he teaches a class at Columbia and, you know, LUMY and I zoomed into the class the other day and there's a lot of those questions, you know, and, and I, we got off and I was trying, I said to him, God, I'm to Rich who teaches the class. I said, I'm really sorry. I hope we didn't come across as these doom and gloom guys. Cuz we, you know, our point was it's very hard and you gotta work hard and nobody's gonna give it to you. Mm-Hmm. , you know, there's like all these kind of like, you know, myths of you know, being discovered this, that, the other thing. But it's like, you know, we've been pushing the rock up the hill for, for many, many years. Yeah. And it's just accumulation of relationships and experiences and whatever that kind of get you going that way. You know,Michael Jamin:It's, it's, yeah. Sometimes people say to me though, they wanna send me scripts. I, I'm not the guy, I I'm not the gatekeeper. I'm not the guy. I'm, I'm the same guy as you are. Try Kevin Heffernan:Trying to Yeah. You want me to do, you know, I mean, and, and you know, like you can't read their script cuz then you do violate various kind of legal things, you know?Michael Jamin:Yeah. I'm not doing that. Yeah.Kevin Heffernan:Yeah. And I remember the first time we ran into that, I think we we had just gone to college and Jay and I wrote like all these spec jokes and sent 'em to the Letterman show. Mm-Hmm. . And they just, and you, like four days later you get the envelope back unopened. Yeah. with a return to sender thing on it. And there's a, a form letter, it says, we do not read unsolicited material, you know? Yep. Oh,Michael Jamin:That's, that's the end ofKevin Heffernan:That. And so that's, you can't even, you can't do it that way. So you just have to work. And I, I tell these guys also, you know, you think about some of the people who work with us, like in our writer's room, right? It's like we have this great woman Hannah who she, you know, wants to be a writer and she wants, or at least wants to work in the industry. And, and you know, we said, well, you know, you can start, you know, at the bottom. That's how, that's how you do it. You know. And so she came and she was, you know, an intern unpaid for a while, and then she was a pa and she worked right up and da blah da. And then, you know, she got to do some stuff in our writer's room, you know, essentially the secretarial elements of it, you know, which she did last year. And and that's the way you do it. You know, you start at the grunt level and then you make relationships and you keep going, , you work yourMichael Jamin:Way, right? People wanna start at the top, Mike, you don't get to start at the top. You gotta start. No.Kevin Heffernan:And you meet all the people on the way up. You know, the guy who is my, now my, my PR guy, my PR agent, who's a pre reputable guy in the business now. He's like, I don't know if you remember, I met you, you know, many years ago. And I was like, is that right? And he goes, yeah, I was an assistant on the desk of this producer mm-hmm. that you guys are doing a project with. And you would come to the office and you'd like, oh. And he said, you're very nice to me. And I, I was like, oh, glad, I'm glad to hear that. Yes. and . Now here's that guy. He's, you know, this big PR guy who, you know is very successful in the business, you know? So it, it's just, you know, there's no way that people are gonna put their script in there and become this, you know, the next Oscar winner until they work theirMichael Jamin:Right pe people are gonna think that you have listened to me talk on social media. And I know for a fact you haven't because you're saying that I've already said, which is Oh, okay. You know, I told a story as well where I was, I can't, we were going to pitch a show and the person we're meeting with is young executive. He goes, you know, we, we've met before. And I'm like, oh no. I'm like, cause I don't remember the guy. And I'm like, already, I just tanked the meeting. And he goes, yeah, I was a, I worked on a desk and you were nice to me. And I was like, oh, thank God. You know, you gotta be nice to people cuz they, you've gotta be nice to people cuz they're not gonna stay in that deskKevin Heffernan:Correctly. That's why I tell everyone, you wanna know the key to Hollywood, be nice to the assistance. Yes. Because they're, they are the gatekeepers and then ultimately they will move on to other jobs. Yeah. So they benefit you in many different ways, but if you're just a nice personMichael Jamin:Yeah, I say that as well. Don't kiss my ass, kiss the ass of the assistant. They're the ones I'm gettingKevin Heffernan:The door.Michael Jamin:Yeah. I'm not gonna help you. But they might help you.Kevin Heffernan:But then it's all, you know, whatever. It's all relationships. We, you know, I, like you said, I didn't do a, we'd never made a TV show before, you know? And we relied on certain people like you to help us do that. SoMichael Jamin:Now, and now you don't need us anymore. But don't, don't.Kevin Heffernan:Well I, I like to, I like to have you though.Michael Jamin:You like to have my little nap, littleKevin Heffernan:Laptop. No. You know, it's funny, I, I vividly remember that meeting that we first had with you guys. Yeah. And we, we were at day, we were at we were at the three arts offices. Yep. And and I remember this cuz I was like, you know, let me and I, and you know, maybe you've come to realize it, but lemme and I were, were a little bit more insecure about our knowledge about how to make a TV show cuz we hadn't done it before. Right. And and I remember I kept in the meeting, we would have conversations like, he would keep saying things like well I don't know cause we only make movies, you know, I don't know. Cause we gonna make movies. I kept saying that. And what I was trying to say was, I don't know anything about tv. Right. But then your partner Sievert, he, he threw that back in my face. . At one point he said something he said, but I don't know cause I only make tv, you know. Oh my God. That's the funniest fucking thing. I thought it was so fucking funny. Michael Jamin:Oh, thank God he didn't tank the meeting.Kevin Heffernan:No, no. I mean, I, I thought it was hysterical because that's exactly how it sounded. Uhhuh . But but we all knew what we were really saying to each other. You know what I mean? Right, right. But good cause you know, he, he made a joke of it and I thought that was very funny. I I always remember that. I alwaysMichael Jamin:Think about that. Oh, that's so funny. Cause he, he'd be embarrassed. I think if you, if you mentioned that we had a meeting once, I don't wanna say what it was, but it was not a, it was on a Disney show and you know, and he didn't want the job, but it was a job. And and he tanked. Siver tanked. He didn't mean to, he just kept on putting his foot what wasn'tKevin Heffernan:Intentional tanking.Michael Jamin:Right. He was not intentional tanking . And, and actually thank God he did. Because after that we got What did he do?Kevin Heffernan:Like what did you do to tank it? Like what was it, was he just saying bad shit?Michael Jamin:He was trying to, he was trying to be not, he was basically saying, how do you know if this is funny? Like, he's basically saying, none of this is funny to me. How do you know if it's funny?Kevin Heffernan:Okay.Michael Jamin:That's coming out. And it was just the funniest thing. And he was trying to cover up and, and I was trying to help him dig outta this hole. And it was just getting worse . And afterwards he felt terrible. He felt, cuz it's not what he was trying to do, he just felt terrible about it. But it worked out for the best.Kevin Heffernan:And you clearly did not get the job.Michael Jamin:We did not get the job. No one, only an idiot would hire after that job. But and I, I didn't make him feel bad. He felt terrible. But I was like, don't, don't worry about it. This is not the job for us.Kevin Heffernan:. . See, you don't want it. Like, if they don't get, you know, you don't wantMichael Jamin:Yeah, it was, it was a, it was very awkward. But we doKevin Heffernan:That in a lot in our careers though. Like, I feel like there was certainly, and certainly in that time period I talked about where we were just selling, you know, TV scripts. You re you think about like, I I just want to, I just need to make some money. I need to do this. I need you going to get this door and whatever. And then, I don't know, there, I think that point in time where we started doing standup and whatever, I was just like, ah, fuck, fuck it man. I can't, we had been hired so many times to write scripts for people and, and you know, it didn't go anywhere that they, you're like, what the fuck, who the fuck is this person giving me comedy notes? Mm-Hmm. . And finally you're like, Ugh, I don't wanna do that anymore. Yeah, yeah. I just wanna make a TV show.Michael Jamin:Yeah. And, and, and, and you get, you know, it's actually, I I think it's, it's more gra I don't know, I say this never having made a movie, but I don't know. It's like you get to shoot it, you write it and then you shoot it and then it's up in the air in a matter of months. And they get Yeah. You could do work in film, not you guys, but most people work in film and they never get a, you know, anything shot. They can have aKevin Heffernan:. Yeah. I mean that's the Yeah. But that, that's, that's also the weird thing about movies too. And, well, it's a little different when these movies now this, this streaming stuff is just a little bit different. It's, it is a little bit more in the TV world, but movies are kind of like gotta, I don't wanna sound like a, I'm shitting on it or whatever, but I, it's, I love it. But there is like this thing with this, this buildup and you've worked on this thing for years and then it gets to that first weekend and then that's it. Whether it's, you know, successful or not successful, you're done.Michael Jamin:It's all about opening weekend.Kevin Heffernan:Yeah. It's over. Like, you know, like, there's not like a, and I'm not saying that in a bad way, I'm just saying it's like, it's like, it's like kinda stepping off a cliff, you know what I mean? And then you're done. Like tv, the beauty of like Tacoma 13 weeks in a row, you got in something new story that's coming out.Michael Jamin:Right. And it can buildKevin Heffernan:And it can build and it's a new thing. ButMichael Jamin:Never whatKevin Heffernan:Understood that finite thing, you know?Michael Jamin:But I never understood that with a box office. If you tank on your opening weekend, like, well why can't it build, grow? Like why can't it grow in the second weekend? Why can't, the word of mouthKevin Heffernan:Why can, and it does at times, but it doesn't ma like the, the metric the bar is, is how you do in that first weekend. So like,Michael Jamin:That's what you're measured up. But why don't they consider the overall gross? I mean, I don't, you know.Kevin Heffernan:Yeah. I, it just, it doesn't know. I don't know. Cause it, it just, it's all pushed by that opening weekend. You know, like our, like our movie like Super Troopers. It did, you know, it did okay. It did nothing. Nobody who we were. But you know, it was at the height of the kind of DVD era, which is they were, you know, printing money in that era. This movie studios were. Yeah. And we would see, you know, quarterly reports for, you know, Fox or whatever and Super Troopers would be listed in them cuz it would be making so much money for them. Yeah. Not in theatrical, but on the DVD market. Right. And you're like, well, why aren't we though? You know, the guys that you sing about. And it's, it's cuz it's still the industry still driven by opening weekend.Michael Jamin:It's so Still is. Yeah. Because it became a cult hit. I mean, you guys are, you know, you really have a, a cult following. I mean, and then loyal, you know, they, they show up you're fans.Kevin Heffernan:Yeah. And so that, that was the great thing. So this trailer came out and in the first 24 hours at 8 million views.Michael Jamin:Is that right? Yeah. How did, how did that now where did they drop where? Okay. How does that work when they drop a trailer on the, we&#

Flashback Episode of The Father Time Podcast with Jamie KalerTom Everett Scott was born and raised in East Bridgewater, Massachusetts, the third of four children of Cynthia (Pierce), an insurance saleswoman, and William Joseph Scott, who was a civil engineer. Tom spent his childhood in a "nice house in the woods", with a pond nearby, canoeing and camping. He acted in high school plays, but Tom planned to quit acting, and take a more serious look at the world. So, he enrolled in communications at Syracuse University in 1988. During his sophomore year he says "I went down to the theater and saw everything going on-people jumping around being idiots-and I thought, 'This is my home. This is where I should be.'" So, Tom switched his major to drama, and upon graduating, he moved to New York City. There, he waited tables, and eventually founded a theater company with 3 college buddies that they named "aTheaterco". From there, you probably know the rest. That Thing You Do, An American Werewolf in Paris, Boiler Room, ER, Southland, and La La Land are just a taste of his numerous credits. And now he is the foil to Andrea Savage on her hit TV show, "I'm Sorry" on TruTV. Tom is the proud father of two kids and talks openly about the joys and perils of raising kids today. And yes, he's as nice as you think he is.You can catch more of Tom Everett Scott at: https://www.instagram.com/tomeverettscott/and on TikTok at:http://www.tiktok.com/@tomeverettscottofficialYou can catch The Parent's Lounge live every Tuesday Night 10pm EST/7pm PST at:https://www.facebook.com/theparentslounge#theparentslounge #tomeverettscott #thatthingyoudo #anamericanwerewolfinparis #parentingpodcast #jamiekaler #jasongowin #katemulligan #comedians #parentingadvice #funnyparents #hilarious #cohosts #boilerroom #improv #ER #dadlife #standupcomedy #parentinghumorJamie Kaler's Instagram - https://www.instagram.com/jamiekaler/Jason Gowin's Instagram - https://www.instagram.com/jasongowin/Kate Mulligan's Instagram - https://www.instagram.com/katestmomever/The Parent's Lounge TikTok - https://www.tiktok.com/@theparentsloungeshow

1. Andrea Savage (2017) 2. More Richard Belzer (2009) 3. Pete Holmes (2016) Hosted by Chris Laxamana and Giovanni Giorgio Support the show: Visit BlindsGalore.com Visit Geico.com Request clips: Classics@adamcarolla.com TWITTER: https://twitter.com/chrislaxamana INSTAGRAM: http://instagram.com/chris_laxamana https://instagram.com/giovannigiorgio Website: https://www.podcastone.com/carolla-classics

Dealing with a few delays from last week, BUT, we still have a brand new @EchoChamberFP https://www.instagram.com/echochamberfp/ this week! Things kick off with Amazon's new wedding adventure, then we jump back to a Shudder original comedy / horror. And, we close things with Netflix's new original comedy with a superstar cast. Today we have: Shotgun Wedding Watch Review: Here. https://youtu.be/UeulqMzZHRU Theatrical Release Date: 28th December 2022 Digital Release Date: 27th January 2023 Director: Jason Moore Cast: Jennifer Lopez, Josh Duhamel, Jennifer Coolidge, Sônia Braga, Cheech Marin, Callie Hernandez, Desmin Borges, D'Arcy Carden, Lenny Kravitz, Steve Coulter, Melissa Hunter, Alberto Isaac, Selena Tan, Alex Mallari Jr, Tharoth Sam, María del Mar Fernández Running Time: 100 min Cert: 15 Trailer: Here. https://youtu.be/U8gz0rUzTAY Watch via Prime Video: Here. https://www.amazon.com/Shotgun-Wedding-Jennifer-Lopez/dp/B0B76RKBLJ Watch via Prime Video UK: Here. https://www.amazon.co.uk/Shotgun-Wedding-Jennifer-Lopez/dp/B0B76YPCXF/ref=sr_1_1?crid=15O8VY001VD8E&keywords=Shotgun+Wedding&qid=1675127208&s=instant-video&sprefix=shotgun+wedding%2Cinstant-video%2C66&sr=1-1 Twitter: @shotgunwedding https://twitter.com/shotgunwedding Facebook: Here. https://www.facebook.com/ShotgunWeddingMovie Instagram: @shotgunweddingmovie https://www.instagram.com/shotgunweddingmovie/ ------------ Sorry About The Demon Watch Review: Here. https://youtu.be/QlsaqHuSROU FrightFest Film Festival: 29th August 2022 Digital Release Date: 19th January 2023 Director: Emily Hagins Cast: Jon Michael Simpson, Paige Evans, Jeff McQuitty, Olivia Ducayen, Dave Peniuk, Dave Peniuk, Presley Allard, Jude Zappala, Tony Vespe, Kristen MacCulloch, Scout Flint, Somerville Black, Jolly Amoako Running Time: 105 min Cert: 18 Trailer: Here. https://youtu.be/T0TwQ1QHAZ0 Watch via Shudder: Here. https://www.shudder.com/movies/watch/sorry-about-the-demon/6eda00166554c8b4 Watch via Prime Video: Here. https://www.amazon.com/Sorry-About-Demon-Michael-Simpson/dp/B0B6B33KBN/ref=sr_1_1?crid=18TFBOD1ET9JJ&keywords=sorry+about+the+demon+movie&qid=1675126999&s=instant-video&sprefix=Sorry+About+the+Demon%2Cinstant-video%2C152&sr=1-1 Watch via Prime Video UK: Here. https://www.amazon.co.uk/Sorry-About-Demon-Michael-Simpson/dp/B0B6B3H124/ref=sr_1_1?keywords=Sorry+About+the+Demon&linkCode=gs3&linkId=84d5edd864ed14bb70d2247699e2990f&qid=1675126622&sr=8-1 Website: Here. http://www.cheesynuggets.com/ ------------ You People Watch Review: Here. https://youtu.be/e_I0brXHOrI 47th Toronto International Film Festival: 12th September 2022 Theatrical Release Date: 23rd November 2022 Digital Release Date: 20th January 2023 Director: Kenya Barris Cast: Jonah Hill, Lauren London, David Duchovny, Nia Long, Julia Louis-Dreyfus, Eddie Murphy, Sam Jay, Travis Bennett, Molly Gordon, Deon Cole, Andrea Savage, Elliott Gould, Rhea Perlman, Mike Epps, La La Anthony, Yung Miami, Khadijah Haqq Running Time: 118 min Cert: 15 Trailer: Here. https://youtu.be/pCMHc-IFAB0 Watch via Netflix: Here. https://www.netflix.com/title/81194505 Website: Here. https://www.netflix.com/tudum/you-people ------------ *(Music) 'High Priestess' by Santigold - 2022 --- Send in a voice message: https://podcasters.spotify.com/pod/show/eftv/message

Chris & Taylor review the crime drama television series "Tulsa King" created by Taylor Sheridan with Terence Winter showrunning for Paramount+.  Dwight "The General" Manfredi is a New York Mafia capo who's just finished serving a 25-year prison sentence. Upon release, his boss sends him to Tulsa, Oklahoma, to establish criminal operations there. Not knowing anyone in the area, the General seeks a new crew to help establish his empire. The series stars Sylvester Stallone, Andrea Savage, Martin Starr, Jay Will, Max Casella, Domenick Lombardozzi, Vincent Piazza, A.C. Peterson, Garrett Hedlund, Dana Delany, and Annabella Sciorra.Follow us on:Instagram: https://www.instagram.com/thepotentialpodcast/Facebook: https://www.facebook.com/thepotentialpodcast/?ref=pages_you_manageTwitter: https://twitter.com/thepotentialpodThanks to our sponsors: BetterHelp: Get 10% off your first month of therapy with BetterHelp by going to https://betterhelp.com/potential

Gerard Butler.  Zack Snyder's "300" comes to mind for almost everyone when they hear that name.  What come's next?  Probably Mike Banning in Olympus Has Fallen, London Has Fallen, and Angel Has Fallen.  What's next?  Any number of action films.  "Plane" is no different.  A well written, well executed action movie that keeps you hooked and has a twist or two.  You get the deep and gravely Scottish voice with the on screen presence that you've come to expect.   0:09:30 Box Office and upcoming releases. 0:22:20 Oscar Nominations 0:55:00 *** What's Streaming  *** AMAZON THE BOUNTY, Dir. Roger Donaldson – Mel Gibson, Anthony Hopkins, Laurence Olivier, Daniel Day Lewis, Liam Neeson. 1984 SUPERBAD, Dir. Greg Mottola – Michael Cera, Jonah Hill, Christopher Mintz-Plasse, Bill Hader, Seth Rogan, Emma Stone, Dave Franco. 2007 SCREAMERS, Dir. Christian Duguay – Peter Weller, Roy Dupuis, Jennifer Rubin, Andy Lauer. 1995 0:59:30 - Trailers:   SHRINKING, Episodic (Apple TV+) - Jason Segel, Harrison Ford, Jessica Williams.    SCREAM VI, Feature - Melissa Barrera, Courtney Cox, Jenna Ortega, Jason Gooding, Hayden Panettier.   YOU PEOPLE, Feature (Netflix) - Jonah Hill, Lauren London, Eddie Murphy, Julia Louis-Dreyfus, Mia Long, David Duchovny, MollyGordon, Elliot Gould, Mike Epps, Matt Walsh, Anthony Anderson, Andrea Savage.   1:08:30 - PLANE, Dir. Jean-Francois Richet  ( Grayson 7 / Roger 7.5 )   Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Guest appearance by Christopher Boughan.  Music by Chad Wall. Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com

A new couple and their families reckon with modern love amid culture clashes, societal expectations and generational differences.Here's the concept, if you can call it that: Ezra (Hill) and Amira (Lauren London), meet when Ezra mistakes a woman in an idling car for his Uber driver. Amira is an underemployed costume designer on her way to a job interview, and she calls racism. The two spar, then manage to crack each other up. The two share a passion for sneakers and hip-hop – and soon, each other. Goodbye, loneliness! Hello, matching streetwear outfits! It's sheer bliss. And then … their parents enter the picture.Ezra's folks, Arnold and Shelley, are a pair of meddling Jews (David Duchovny and Julia Louis-Dreyfus, two of the many heavyweights in this star-studded, and star-crossed cast). They are elated when they meet their son's new girlfriend, who is beautiful and patient and … it's hard to say what else. Shelley is a virtue-signaling, challah-serving Jewish mom with a flair for putting her foot in her mouth, unable to stop herself from making comments about Black hair and Louis Farrakhan. “Our family is growing in such a cool and hip and funky way!” she exclaims. “We're a family of color.”Amira's parents, Akbar and Fatima (Eddie Murphy and Nia Long), are Black Muslims who also happen to live in the area, all the better to ratchet up the tension. They do not like the cut of Ezra's jib, which means Shelley's cloying embrace has a match in Akbar's incessant razzing of Ezra. He takes the kid who wants to marry his daughter to the Black barber shop, and the basketball court, if only to watch him squirm and renounce his intentions. For her part, Shelley brings Amira to a fancy predominantly white spa.The microaggressions fly, but look past the Holocaust jokes and it's all too evident that not much is happening beneath the surface. The overarching effect of sitting through You People is not unlike watching a Twitter timeline, staring down a smorgasbord of hot-button issues that come without the satisfaction of a through line. There are gags about vaccines, police brutality, Black Lives Matter and Yom Kippur. There is an elderly orthodontist who offers to examine Ezra's penis. (To be fair, I cannot say I anticipated that last one.)With high-octane friends like these, you'd think the production could skate by without setting off cringe alarms. Alas, Louis-Dreyfus is unrecognizably one-note, her spunk blotted out, perhaps, by the indignity of playing a central-casting Karen. Duchovny grumbles his way along – and should be commended for taking a bite of food during a dinner scene where nobody else bothers to pretend to be eating. Mercifully, Murphy adds a dose of sharpness to the project, wrapping his lines in a delivery so sleek and spirited you'd almost think they were funny. And as for the central couple? The one that just wants to get married, culture clash be damned? They're nice. So nice. Too nice.Their moods are determined by their parents, and it's both disheartening and not at all surprising that their parents are the ones who engineer the couple's inevitable late-second-act rupture and third-act redemption. Strong as their shared fondness for tie-dye athleisure may be, the two members of the couple lack agency, and, more unfortunately, an actual connection. It calls back to a moment in Stutz where Hill tells his therapist that he has a disease: “I have to avoid emotion by making jokes.”For all its insistence that it's a daring piece of social commentary, You People is, above all, a romance without a beating heart. ★ Support this podcast on Patreon ★

Flashback Episode of The Father Time Podcast with Jamie KalerAndrea's hilarious new show that she created, wrote, and stars in, "I'm Sorry", is currently running on TruTv on Wednesday nights http://www.trutv.com/shows/im-sorry/index.html#about but I'm sure you'll recognize her from her numerous appearances on shows like Veep, Episodes, and iZombie as well as movies, Step Brothers, The House, and Sleeping with Other People. This hilarious Mom shares all the crazy parenting stories that eventually became fodder for her own show. And yes, we had a Mom on Father Time. And honestly, it was a breath of fresh air. One of my fave episodes of em all. Enjoy.You can catch The Parent's Lounge live Every Tuesday Night 10pm EST/7pm PST at:https://www.facebook.com/theparentslounge#theparentslounge #jamiekaler #fathertime #jasongowin #katemulligan #andreasavage #trutv #Izombie #veep #Imsorry #Episodes #parentingpodcast #parentingadvice #parentingstories #parentinghumor #comedian #tacomafd #myboys 

Live from Largo at the Coronet in Los Angeles, Doug welcomes Alison Rosen, Andrea Savage, Eric Edelstein, Geoff Tate, Josh Malina, Kate Micucci, Samm Levine and Taylor Rizzo to this year's 8 Guests of Hanukkah episode.This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/DLM and get on your way to being your best self.You can find the entire archive of Doug Loves Movies on Stitcher Premium. For a free month of Stitcher Premium, go to stitcherpremium.com and use promo code "DOUG."See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Going to the mattresses with Andrea Savage.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Former NFL QB Trent Dilfer tells Rich why he went from “running away from coaching” to taking the HC job at Alabama-Birmingham, how he plans to use Tom Brady and his Super Bowl ring as big-time recruiting flexes, and says why he never wavered on his belief in Tua Tagovailoa. Actress/comedian Andrea Savage joins Rich in-studio where she reveals how she reacted to the meeting co-star Sylvester Stallone for the first time on the set of ‘Tulsa King,' reveals that she's not all that familiar with ‘Step Brothers' event though she was in the comedy classic, and more.  Rich reacts to Jets Head Coach Robert Saleh naming Zach Wilson the team's #3 quarterback for the 2nd straight week and weighs in on reports that the Giants have offered Aaron Judge a $360M contract. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It's a December to remember as Lovett or Leave It returns to Los Angeles's beautiful Dynasty Typewriter and we celebrate Christmas with a new slate of “traditional” holiday rom-coms. Margaret Cho and Moshe Kasher gather 'round for a very special Hanukah-inspired edition of Gay News: Gay Jews. A "normal" Republican voter (Andrea Savage) stops by to explain how to have it both ways on Trump. Spoiler alert: it's delusion! Danielle Schneider and Crooked's own Ryan Wallerson pit the Real Housewives of Salt Lake City and the World Cup against each other in Reality vs. Reality TV, and we keep our little toesies warm with the cracking heat of all these Hot Takes.

We interviewed the cast of Tulsa King (Taylor Sheridan's latest project adding to his growing list of hits) which brings to the small screen the legend, Sylvester Stallone, who plays "The General" that has spent over two decades in prison and comes out with an agenda. Rounding out the cast includes Andrea Savage, Garrett Hedlund, Jay Will, Dana Delany, Max Casella, Vince Piazza, and A.C. Peterson. Hedlund and Will both said they bonded while filming on set, but the atmophere is what made them family. They both gave credit to Stallone for setting the tone on set which trickled down to everyone else. Meanwhile, Delany and Casella whose characters work on a ranch said it was hard work. However, both were spared from Sheridan's "boot camp" that he is famous for. Delany and Casella said they loved working with the horses, but there were a few mishaps on set. Host: Monica Gleberman Editor: Polina Jdanova Social Media Graphic: Jojo -- Synopsis: Tulsa King follows New York mafia capo Dwight “The General” Manfredi (Stallone) just after he is released from prison after 25 years and unceremoniously exiled by his boss to set up shop in Tulsa, Okla. Realizing that his mob family may not have his best interests in mind, Dwight slowly builds a “crew” from a group of unlikely characters, helping establish a new criminal empire in a place that to him might as well be another planet. *Tulsa King will be available to stream on Paramount+ starting on November 13. Don't forget to follow us on Twitter @SilenceonSet and Instagram @SilenceonSetPod

In today's episode of Bingeworthy, our TV and streaming podcast hosts Mike DeAngelo, and Rodrigo Perez set their sights on the new mob dramedy from Paramount+, “Tulsa King.” The Sylvester Stallone-led show centers on Dwight “The General” Manfredi, a New York Mafia capo who just completed a 25-year prison sentence and is exiled by his bosses to start his own territory in Tulsa, Oklahoma. The series also stars Andrea Savage, Martin Starr, Jay Will, Garrett Hedlund, and Domenick Lombardozzi. Joining our co-host, Rodrigo Perez, to discuss the show is writer/showrunner Terence Winter, who made his name on other famous mobster shows like “The Sopranos” and “Boardwalk Empire,” also writing Martin Scorsese's "Vinyl" series and "The Wolf of Wall Street." The series is created by Taylor Sheridan (“Yellowstone”), who also wrote the pilot episode, but handed over the reins to Winter, who attested that he made the show his own with little outside input - even from Sheridan himself. Winter was super generous with his time and told us everything about the show, but two things stand out. One debunking a report earlier this summer that the show would tie in to "Yellowstone" and telling us just how much freedom he had from Sheridan who let him do what he wanted with the show after he had written the pilot. --- Send in a voice message: https://anchor.fm/theplaylist/message Support this podcast: https://anchor.fm/theplaylist/support

This week we are continuing our min-series on the “Satanic Cult” Murders in Fall River in 1979-1980.This is our recap of Episode 4: Into Hell and it's the last of the series and the last one of our episodes in this little mini-series as well. Whew! We can't wait to get back to The Dead Files! This is such a sad story, even Amy's dog had something to say about it.Content Warning: Graphic in both sexual stuff and murder. It's not pretty.Stuff we talked about:Fall River, the show that we are recapping: https://www.imdb.com/title/tt11717010/ Megan's TV picks:Good Hallmark Movie: Falling for Vermont: https://www.imdb.com/title/tt7131334/Bad Hallmark movie: A Gingerbread Romance https://www.imdb.com/title/tt9028866/Amy's TV picks:Movie about parallel lives: Look Both Ways: https://www.imdb.com/title/tt14298328The Andrea Savage show: I'm Sorry (the Andrea Savage show) https://www.imdb.com/title/tt5987254Lindsey Lohan Holiday movie: Falling for Christmas https://www.imdb.com/title/tt14715170/ The Staircase Case: https://www.thewrap.com/the-staircase-blood-spatter-analyst-duane-deaver/The cadaver dog handler who planted body parts: https://www.nbcnews.com/id/wbna4508072, if you know what podcast this appeared on, let us know! Innocence Mission (not to be confused with Innocence Project) https://www.theinnocencemission.com/Innocence Project: https://innocenceproject.org/The Activity Continues is a podcast where a couple of Soul Sisters, Amy & Megan, USUALLY chat about the TV show, The Dead Files, true crime, ghost stories, haunts, dreams, and other creepy paranormal shit. Each week we each choose an episode to dissect and chat about.  So grab your hankies, hop in the Cadillac, and join us when… The Activity Continues.This episode was recorded on November 14, 2022 and released on November 18, 2022.If you'd prefer to watch the video versions of our episodes, please seeYouTube: https://bit.ly/TAC_videosSpotify: https://spoti.fi/3iLoAqG If you're looking for all our links and other info go here: https://bit.ly/TACabout  AffiliateThree Spirit Drinks. They create plant-based non-alcoholic elixirs. https://us.threespiritdrinks.com/theactivitycontinues and use the promo code THEACTIVITYCONTINUES for 15% off your entire order.Thank you for listening, take care of yourselves. We'll see you next week!CreditsHosted by: Amy and MeganProduced by Amy at Collected Sounds Media, LLC.Theme song. “Ghost Story” and segment music by Cannelle https://melissaoliveri.com/  Become a Patron: https://www.patreon.com/theactivitycontinuesA Paranormal PodcastSupport this podcast at — https://redcircle.com/collected-sounds2/donations

Actor and writer Andrea Savage joins CBS News' Jamie Wax to discuss starring opposite Sylvester Stallone in the new Paramount+ series "Tulsa King." She shares what it was like working on the Taylor Sheridan created series and being a female creator and writer in Hollywood. Savage reflects on creating and starring in her own comedy series, "I'm Sorry," and joining the cast of "Veep" as the character of Laura Montez.Paramount+ is part of Paramount Global, the parent company of CBS News.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Magnolia Network's Joanna Gaines and Drew are going roller skating and chatting home renovation. “Look Both Ways” and “Beavis and Butthead” star Andrea Savage is serving up the news with Drew and Ross Mathews at the Drew's News desk! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Actor and writer Andrea Savage joins CBS News' Jamie Wax to discuss starring opposite Sylvester Stallone in the new Paramount+ series "Tulsa King." She shares what it was like working on the Taylor Sheridan created series and being a female creator and writer in Hollywood. Savage reflects on creating and starring in her own comedy series, "I'm Sorry," and joining the cast of "Veep" as the character of Laura Montez.Paramount+ is part of Paramount Global, the parent company of CBS News.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Ali is joined by producer Dan to discuss the final two episodes of House of the Dragon, along with a shout out to the criminally underrated two season comedy I'm Sorry.See omnystudio.com/listener for privacy information.

Three “man-dimes” who review movies, products…and each other's personal misfortunes. A raucous show every Tuesday digs deep into the Dime's daily life antics. Listen as the Dimes recount stories of drunken nights, family life, and everything in between as their counterparts take stabs where it hurts the most. Thursdays are back to business with weekly movie reviews based on the 3 Dimes Scale. At the conclusion of each season, the Dime with the least “common cents” will be punished…3 Dimes Reviews – Worth Every Cent.Look Both Ways is a 2022 American romantic comedy drama film directed by Wanuri Kahiu and written by April Prosser. It stars Lili Reinhart, Luke Wilson, Andrea Savage, Aisha Dee, Danny Ramirez, David Corenswet, and Nia Long. The film was released on August 17, 2022, on Netflix.[

This episode is full of four amazing ladies out there, obviously there's WAY more, so there will be a Part 3...45678 (just kidding.) You will hear about Mama in this episode, also Emily Dickinson, Emma Watson, and good ol' Andrea Savage! Still dark humor and lots of laughter.

País Estados Unidos Dirección Andrew J. Cohen Guion Andrew J. Cohen Música Andrew Feltenstein, John Nau Fotografía Jas Shelton Reparto Will Ferrell, Amy Poehler, Allison Tolman, Andrea Savage, Andy Buckley, Michaela Watkins, Rob Huebel, Cedric Yarbrough, Sam Richardson, Ryan Simpkins, Sebastian Maniscalco, Nick Kroll, Jeremy Renner, Alexandra Daddario Sinopsis Una matrimonio se gasta los ahorros que tenían previstos para pagar la universidad de sus hijas, así que para intentar solucionar este grave problema deciden abrir un casino en el sótano de su casa.

Andrea Savage, the creator and star of beloved comedy “I'm Sorry” answers Lauren and Abby's burning questions about the show's very real storylines. She also allows them to beg and plead with her to bring the show back, while politely explaining its current status. Andrea speaks candidly about the state of comedy and what we need to know about motherhood growing up. There is also some, um, “advice” from her grandmother and an incredible encounter with Sally Field.  Produced by Dear Media

Actress and vocal artists Andrea Savage sits down with Dennis Miller to discuss how she got involved in the animated series 'The Freak Brothers' along with other talented actors like Woody Harrelson and Pete Davidson. Plus, she discusses how she convinced the studios to take a chance on her hit comedy show 'I'm Sorry.'

Listing it with Andrea Savage.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Listing it with Andrea Savage.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When the hilariously risque TruTV sitcom, "I'm Sorry" was cancelled recently, child actor Olive Petrucci (Amelia) and her mom had to decide whether she was going to start auditioning again or take a break and return to a normal life for awhile. They stopped by the podcast to discuss their decision and to share their amazing experience working on a show that - while dealing with adult subject matter - always made sure their youngest cast member was  protected and comfortable. Find out what 10-year-old Olive's favorite part of being on set was and which episode was hardest for her to film. Plus - get wise words of advice when it comes to managing someone else's dream.

Impeachment jokes from Jimmy Kimmel, Stephen Colbert, Seth Myers, James Cordon and Trevor Noah.SF Sketchfest is Saturday and will feature THE KIDS IN THE HALL, THE STATE, DAVID CROSS & BOB ODENKIRK, THE TENDERLOINS THE BLACK VERSION, UPRIGHT CITIZENS BRIGADE, RIFFTRAX, TRIUMPH THE INSULT COMIC DOG. ALAN ARKIN, FRED ARMISEN, AUNTY DONNA, MARIA BAMFORD, TODD BARRY, DOUG BENSON, PAGET BREWSTER, DANA CARVEY, MARGARET CHO, PEACHES CHRIST, JONATHAN COULTON, RACHEL DRATCH, CHRIS ELLIOTT, NOEL FIELDING, JO FIRESTONE, BILL FRISELL, RON FUNCHES, JANEANE GAROFALO, CHRIS GETHARD, BOBCAT GOLDTHWAIT, EMILY V GORDON, DANA GOULD, ELLIOTT GOULD, JEAN GRAE, CHRISTOPHER GUEST, JON HAMM, JOHN MICHAEL HIGGINS, DAVE HILL, MICHAEL HITCHCOCK, JOHN HODGMAN, THE IMPROVISED SHAKESPEARE CO., BILL IRWIN, EDDIE IZZARD, KASPER HAUSER, JOEL KIM BOOSTER, THE LATINO COMEDY PROJECT, JANE LYNCH, TIM MEADOWS, THE MILK CARTON KIDS, RHETT MILLER, EUGENE MIRMAN, ARDEN MYRIN, APARNA NANCHERLA, KUMAIL NANJIANI, LARAINE NEWMAN, OSCAR NUÑEZ, PATTON OSWALT, CHERI OTERI, JIMMY PARDO, PARV & PUDI, PAUL AND STORM, KEVIN POLLAK, GREG PROOPS, JONAH RAY, ANDREA SAVAGE, ELIZA SKINNER, THE SLIPNUTZ, COLE STRATTON, THEME PARK, JESSE THORN, PAUL F. TOMPKINS, AISHA TYLER, UPTOWN SHOWDOWN, JANET VARNEY, REGGIE WATTS, WHITE WOMEN ,“WEIRD AL” YANKOVIC, SASHEER ZAMATA, ALAN ZWEIBEL PLUS SURPRISE GUESTS!That sounds awesome, plus how about the SEO implications!Richard Lewis will not return for Curb Your Enthusiam Season 11Rumor: a full-blown Star Wars Comedy movieDemi Lavabo will star in a sitcom called HungryNasim Pedrad will star in Chad for TBSPeruvian comedy YouTuber Dad will be remade in French and Spanish. Could Johnny Mac star in TikTok Dad, about a podcaster who starts making videos in which he pantomimes to Joe Biden? Perhaps.If you'd like to support the show: www.buymeacoffee.com/dailycomedynewsThanks!

Settle in and put your seatbelt on as TnT bring back ”Movie Time”. Being invincible at 40. “It was a hell of a ride.” Weatherby Lake, MO in the 80's, Andrea Savage in Netflix's “I'm Sorry”. Tana goes to the gynecologist. Mitch Gaylord and the 1984 Men's Olympic Gymnastics Team and more ‘Rules of Tana'. So many topics covered today with a bonus, no audio issues! You're welcome! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/fridaysat5/message Support this podcast: https://anchor.fm/fridaysat5/support

IN STUDIO:  Kid tells Slut Chomper to go to hell and learn how to use buttons. We discuss Andrea Savage and her show on Netflix, discuss how dumb a $70,000 haircut can look and Kleen tries to flee the political discussion. We present a concept car they actually made and wrap up with Trump and Covid chat. Listen in and Go Deep.  TIMELINE  1:00 Panty liners instead of coffee filter  2:00 Christmas is a month and a half away  3:00 UPS guys come get a glimpse 4:00 What does your bitch wear to bed  5:00 I'm Sorry - Andrea Savage  6:00 As long as they're happy  7:00 Don't put your dick by China  8:00 $25 bucks to paint your beard  9:00 $70,000 for fucked up hair  10:00 Its always looked retarded  11:00 Speaker of the ice cream  12:00 Genius move  13:00 Trump Taxes  14:00 Give the crooks a second term  15:00 They all suck balls  16:00 What brainwash system do you watch  17:00 Retarded hair  18:00 Slutchomp is retarded 19:00 Learn how to turn shit off  20:00 Chomping on Sluts  21:00 I need a producer  22:00 Mercedes concept car  23:00 A drink or a car  24:00 Woman crunched by tractor  25:00 Tied up in the wheels  26:00 Who the fuck is Slut Chomper  27:00 Hottie of the week  28:00 Wrap-up - Joke  29:00 Final Words - Can we call Slut Chomper   Go Deep.

Topping it all off with Andrea Savage.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Andrea Savage didn't really know Marc but thought he was a little scary. Marc didn't know Andrea but found her to be intimidating. What was it about these two funny people that had them keeping a distance from each other? Perhaps it was because of what they have in common, like the broken homes they came from, the disdain they share for the inner workings of show business, and their histories of missed opportunities. They talk about all of that, as well as Andrea's show "I'm Sorry," how it draws from her real life, and why she wants to feed eggs to her co-star Jason Mantzoukas. This episode is sponsored by Aspiration, Stamps.com and ZipRecruiter. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

Today on episode #19 of 'The Dad The Best I Can Show', we're talking to Evan Kaufman. Evan is 31 years old and lives in Brooklyn, NY with his wife Caitlin and their 8-month-old son, Rory. Evan has a hilarious video series for Fatherly called Dude Turned Dad. Evan shares a ton of hilarious stories in Part 1, and we'll talk $100,000 Pyramid and Who Wants to Be a Millionaire TV game show BLOWUPS on Part 2, (that's episode #20). TIME-STAMPED SHOW NOTES [04:25] Hilarious TV show, I'm Sorry, with Andrea Savage [05:40] Evan has an 8-month-old son, Rory [06:40] How to talk to your friends who don't have kids [08:20] Trying hard not to choose obnoxious baby names [10:00] Is Rob's son Brooks named after a Bachelor contestant? [10:45] Dad Tip of the Week brought to you by KickstartReading.com [11:59] Evan's Dad Tip: Use wipes to distract your kid when changing him. And learn to change him upside down [13:30] Evan's web series on ‘Fatherly' called ‘Dude Turned Dad' [13:50] How do we raise our kids with social media [17:00] Create vs consume social media tips [18:40] Modeling behavior for your kids -- take a break from your phone? [19:20] Parent phone pouches? [20:15] Is Dad comedy patronizing? [20:55] Louis CK and Jim Gaffigan dad humor [22:15] Comedy = honesty --------- ABOUT TODAY'S GUEST Evan Kaufman is 31 years old and lives in Brooklyn, NY with his wife Caitlin and their 8-month-old son, Rory. Evan has a hilarious video series for Fatherly called Dude Turned Dad. Evan has a ton of great stories, and we'll take $100,000 Pyramid and Who Wants to Be a Millionaire game show BLOWUPS on Part 2, that's episode #20. Follow Evan Kaufman on Instagram Twitter -------- TALKED ABOUT ON THE SHOW Dad Shoutout: Joey Bleiman https://CampOjibwa.com I'm Sorry - TV show https://www.imdb.com/title/tt5987254/ Dude Turned Dad https://www.youtube.com/watch?v=y-ON7_3TQRY&list=PLvrl2mOUUpfuzanuGTOMJJXSfWvE1FjNV Fatherly https://Fatherly.com Evan comedy show - Your Love Our Musical https://twitter.com/UrLuvOurMusical Jim Gaffigan - 5 kids https://www.youtube.com/watch?v=GEbZrY0G9PI Will Ferrell - Old School Debate Blackout https://www.youtube.com/watch?v=e-NQSAL-c0c ----- SUBSCRIBE AND LEAVE A 5 STAR REVIEW

Her show on TruTv is called "I'm Sorry" but she certainly is not! Andrea Savage pops in some of the best comedic movies and television and now she's popping up on The CrabFeast and boy are we happy about that?! And so will you! And so will your friend's so give it a listen and share with your friends and family. Learn more about your ad choices. Visit megaphone.fm/adchoices

REPOST MARCH 26, 2016: Bill Frost (Salt Lake City Weekly & X96) and Tommy Milagro (a comedy dive near you) Talk Daredevil, Luke Cage, Flaked, Gotham, Lucifer, The Passion, Vinyl, Game of Thrones, Full Frontal With Samantha Bee, When We Rise, Veep, Silicon Valley, Doctor Who, Bordertown, Rasslin' News, Santa Clarita Diet, Andrea Savage & Significant Others, Supergirl & The Flash and What to Watch Harder (Daredevil, iZombie, The Flash, Arrow, Vinyl, Shameless, Last Week Tonight, The Catch; Half-Chub: Flaked, You Me Her, Party Over Here). Drinking: Rum & Cokes made with Gold Rum from OFFICIAL TV Tan sponsor Sugar House Distillery.