Podcasts about Gielgud

Brian Cox is one of the finest classical actors of his generation. Fans of Succession will of course know him for his portrayal of the ruthless media mogul, Logan Roy, but in this interview we go back to the beginning of Cox's long career, which has its roots deeply in theatre. We also go back to his childhood in Dundee, which was unusual and somewhat solitary. Brian talks to Gyles about his early years, the death of his father when he was very young, and his mother's subsequent struggles with mental illness and depression. He talks about his early ambitions to act, his lucky break getting a job at Dundee Rep when he was only 15 and the things that happened there. He tells Gyles about moving to London for drama school, getting married, and his early successes. He tells stories about some of the great actors he's worked with: Olivier, Richardson and Gielgud. This is a fascinating conversation with an unconventional, and remarkable, person. Thank you to Brian for this brilliant interview. Brian is currently starring in The Score at the Theatre Royal, Haymarket, in London. It's open until April 26th 2025. Gyles has been and loved it - this is highly recommended. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Den Urlaub in Venedig mit einem kleinen Auftrag etwas auflockern – für die beiden Privatdetektive Humphrey und Greg war das einfach zu verlockend. Erst recht, wenn die Auftraggeberin eine Hollywood-Ikone ist. Und die Verdächtige eine schöne junge Frau. Wenn das mal kein Fehler war … Wer das Hörspiel am Radio hören will: Montag, 07.04.2025, 14.00 Uhr, Radio SRF 1 Humphrey Clymping will mit seiner Gattin Kate und seiner Mutter Lady Hannington Ferien in Venedig geniessen. Mit eingeladen ist auch Clympings Partner Gregory Pellew. Kaum angekommen, stolpern die beiden Herren über Giacomo Lauro, einen ehemaligen Polizeikollegen von Pellew. Auch Lauro hat die Polizeiarbeit aufgegeben. Er ist nun Berater für italienische Polizeigepflogenheiten bei einer der amerikanischen Filmgesellschaften. Und prompt schnappt die Arbeitsfalle zu: Lauro macht seinen alten Polizeikollegen Pellew mit dem Filmstar Angelina Borenius bekannt, und diese engagiert ihn gleich als Privatdetektiv. Angelina Borenius wird erpresst. Sie verdächtigt ihre junge und hübsche Sekretärin Jean Byron, die auf Pellew so gar nicht wie eine Erpresserin wirkt. Auch für Clymping ist es unwahrscheinlich, dass die junge Dame in eine kriminelle Sache verwickelt ist. Nun wollen die beiden Privatdetektive Jeans Unschuld beweisen und geraten in ein filmreifes Abenteuer. ____________________ Mit: Hans Helmut Dickow (Humphrey Clymping), Horst Christian Beckmann (Gregory Pellew), Inigo Gallo (Giacomo Lauro), Renate Schroeter (Angelina Borenius), Eva Maria Duhan (Lady Hannington), Rosaline Renn (Kate Clymping), Silvia Reize (Jean Byron), Volker Spahr (Karl Borenius), Matthias Habich (Alexander Graves), Judith Melles (Alice Greer), Sieglinde Weichert (Mary Kimball), Derval de Faria (Abraham Johnson) ____________________ Aus dem Englischen von Hans Hausmann – Musik: Hans Moeckel – Tontechnik: Ernst Frei – Bearbeitung und Regie: Hans Hausmann ____________________ Produktion: SRF 1975 ____________________ Dauer: 40'

Krimi-Klassiker aus den 1970er-Jahren: Eigentlich wollten die Privatdetektive Humphrey und Greg einfach nur Urlaub in Venedig machen. Als sie dann aber gebeten werden, einer Filmdiva zu helfen, die erpresst wird, können sie natürlich nicht nein sagen … Wer das Hörspiel am Radio hören will: Montag, 31.03.2025, 14.00 Uhr, Radio SRF 1 Humphrey Clymping will mit seiner Gattin Kate und seiner Mutter Lady Hannington Ferien in Venedig geniessen. Mit eingeladen ist auch Clympings Partner Gregory Pellew. Kaum angekommen, stolpern die beiden Herren über Giacomo Lauro, einen ehemaligen Polizeikollegen von Pellew. Auch Lauro hat die Polizeiarbeit aufgegeben. Er ist nun Berater für italienische Polizeigepflogenheiten bei einer der amerikanischen Filmgesellschaften. Und prompt schnappt die Arbeitsfalle zu: Lauro macht seinen alten Polizeikollegen Pellew mit dem Filmstar Angelina Borenius bekannt, und diese engagiert ihn gleich als Privatdetektiv. Angelina Borenius wird erpresst. Sie verdächtigt ihre junge und hübsche Sekretärin Jean Byron, die auf Pellew so gar nicht wie eine Erpresserin wirkt. Auch für Clymping ist es unwahrscheinlich, dass die junge Dame in eine kriminelle Sache verwickelt ist. Nun wollen die beiden Privatdetektive Jeans Unschuld beweisen und geraten in ein filmreifes Abenteuer. ____________________ Mit: Hans Helmut Dickow (Humphrey Clymping), Horst Christian Beckmann (Gregory Pellew), Inigo Gallo (Giacomo Lauro), Renate Schroeter (Angelina Borenius), Eva Maria Duhan (Lady Hannington), Rosaline Renn (Kate Clymping), Silvia Reize (Jean Byron), Volker Spahr (Karl Borenius), Matthias Habich (Alexander Graves), Judith Melles (Alice Greer), Sieglinde Weichert (Mary Kimball), Derval de Faria (Abraham Johnson) ____________________ Aus dem Englischen von Hans Hausmann – Musik: Hans Moeckel – Tontechnik: Ernst Frei – Bearbeitung und Regie: Hans Hausmann ____________________ Produktion: SRF 1975 ____________________ Dauer: 40'

A compilation of outtakes from the UK and European legs of our 2024 tour: Dan, James, Anna and Andy discuss paintballing, phoneboxes, Gielgud, guillotines and much much more. Visit nosuchthingasafish.com for news about live shows, merchandise and more episodes.  Join Club Fish for ad-free episodes and exclusive bonus content at apple.co/nosuchthingasafish or nosuchthingasafish.com/patreon

Jei žmogus iki 35-erių neatėjo į teatrą, tikėtina, kad jis ir nebus teatro lankytojas. Greičiausiai nepadės nei reklama, nei pigesni bilietai, nebent meilė, t.y. antroji pusė galėtų parodyti kelią.Todėl visame pasaulyje muziejininkai, scenos menų kūrėjai į būsimuosius žiūrovus ima dairytis nuo pat jų kūdikystės. Agnė Bukartaitė domisi, kaip su jaunąja publika bendrauja didžiosios Klaipėdos kultūros įstaigos: Klaipėdos koncertų salė, Klaipėdos valstybinis muzikinis ir Klaipėdos dramos teatrai.Rūtos Dambravaitės parengtoje Pasaulio kultūros apžvalgoje – Sotheby's aukcione parduodamas dirbtinį intelektą naudojančios robotės-humanoidės sukurtas paveikslas bei pirmą kartą muzikos istorijoje koncerte gyvai pasirodęs violončele grojantis robotas.Meno savaitės Paryžiuje metu, Tokijo rūmuose buvo atidaryta Lietuvos menininkų paroda ,,Sienos yra naktiniai gyvūnai”. Igno Zaliecko pokalbis su parodos kuratorėmis Emilie Villez ir Neringa Bumbliene.Kaune vyks seminaras autorių teisių tema „Meno kirminas. Ar aš taip pat?“. Kokie autorių teisių klausimai kyla menininkams, pedagogams, moksleiviams, studentams? Kaip spręsti natų kopijavimo problemą?Lietuvoje populiarėja pramoninis turizmas. Šiauliuose surengtos ekskursijos po beveik 20 miesto pramonės įmonių. Vienas labiausiai turistus dominančių objektų – kelis šimtus metų gyvuojanti Gubernija. Pasakoja Tomas Mizgirdas.Panemunės pilies savininkų didikų Gelgaudų palikuonės Katie Gielgud vizitas Lietuvoje. Kuo šis vizitas svarbus Lietuvos kultūrai ir istorijai?Domanto Razausko muzikinės naujienos.Ved. Donatas Šukelis

Great Scott...600 episodes?! To mark the occasion, I'm on a trip to 221B Baker Street with my favorite radio adventures of Sherlock Holmes. In this super-sized Sherlock special, we'll hear John Gielgud and Ralph Richardson in "A Scandal in Bohemia." Basil Rathbone and Nigel Bruce are Holmes and Watson in "The Notorious Canary Trainer" (originally aired on Mutual on April 23, 1945) and "The Speckled Band" (originally aired on Mutual on November 12, 1945), and then Bruce is joined by Tom Conway as Holmes in "The Adventure of the Tolling Bell" (originally aired on ABC on April 7, 1947). My personal favorite Holmes and Watson - John Stanley and Alfred Shirley - headline "The Laughing Lemur of Hightower Heath" (originally aired on Mutual on October 26, 1947), "The Cadaver in the Roman Toga" (originally aired on Mutual on November 9, 1947), "The Stolen Naval Treaty" (originally aired on Mutual on November 23, 1947), and "The Case of the Sudden Senility" (originally aired on Mutual on January 11, 1948). And finally, it's - appropriately enough - "The Final Problem," with Gielgud, Richardson, and special guest star Orson Welles as Professor Moriarty. In the mood for more Holmes and Watson? Click here for our spotlight show on Edith Meiser, the woman who brought Holmes to radio and penned his adventures for years. And here's a collection of mysteries featuring Holmes and Watson battling seemingly supernatural foes.  

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Norwood Builder.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Dying Detective.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Partington Plans.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “A Case of Identity.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “Doctor Watson Meets Sherlock Holmes.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Final Problem.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Blue Carbuncle.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Six Napoleons.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Solitary Cyclist.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Norwood Builder.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Second Stain.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “Rare Disease.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Ein Politkrimi aus dem Kalten Krieg! Eine Denunziation überschreitet mehrere Landesgrenzen und beschäftigt noch die Nachkommen. Um diesen bösen Fluch aufzuheben, muss die Familie Hunter ihren Feind mit denselben Waffen schlagen. Wer das Hörspiel am Radio hören will: Freitag, 21.6.2024, 20.00 Uhr, Radio SRF 1 Budapest im Jahr 1956: In Ungarn bricht ein Aufstand des Volkes gegen die russische Besatzung aus. Der Bankier Tibor Hunter und seine Frau Maria müssen so schnell wie möglich mit ihrer Tochter Anna das Land verlassen und sich in England in Sicherheit bringen – doch die Grenzen sind zu. Tibor und seiner Tochter gelingt die Flucht mithilfe eines englischen Bankierskollegen. Maria aber verschwindet auf mysteriöse Weise Jahrzehnte später heiratet Tibors Tochter Roger Gale, den Sohn ebendieses Bankiers. Aber nicht nur das Gespenst der Flucht schwebt noch über der Familie – Tibor Hunter hat inzwischen auch herausgefunden, wer damals für das Verschwinden seiner Frau verantwortlich war. Neben der Liebe zu seiner Tochter treibt ihn seither nur eines an: sich am Denunzianten zu rächen. Dieser dreiteilige Retrokrimi des britischen Autors Val Gielgud geht nicht nur in die Augen, sondern auch in Mark und Bein! Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Verkäufer), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Hilde Ziegler (Odette Mercier, Zimmermädchen), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 - Dauer: 37' 

Er hat seine Frau verloren – durch Verrat. Er will Rache nehmen – doch jetzt ist auch noch seine Tochter in den Fängen des Verräters! Es kommt zum Showdown in Paris ... Das fulminante Ende unseres Krimis aus dem Kalten Krieg! (02:42) Beginn Hörspiel (39:52) Gespräch Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Antiquitäten-Verkäufer), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Ursula Rieck ( Hilde Ziegler (Odette Mercier, Zimmermädchen), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 Den ersten beiden Teile des Hörspiels findet Ihr hier: https://www.srf.ch/audio/krimi/1-3-auge-um-auge-von-val-gielgud-gespraech?id=12601565 https://www.srf.ch/audio/krimi/2-3-auge-um-auge-von-val-gielgud-gespraech?id=12606401 Post gern auf krimi@srf.ch

Ein Politkrimi aus dem Kalten Krieg! Eine Denunziation überschreitet mehrere Landesgrenzen und beschäftigt noch die Nachkommen. Um diesen bösen Fluch aufzuheben, muss die Familie Hunter ihren Feind mit denselben Waffen schlagen. Budapest im Jahr 1956: In Ungarn bricht ein Aufstand des Volkes gegen die russische Besatzung aus. Der Bankier Tibor Hunter und seine Frau Maria müssen so schnell wie möglich mit ihrer Tochter Anna das Land verlassen und sich in England in Sicherheit bringen – doch die Grenzen sind zu. Tibor und seiner Tochter gelingt die Flucht mithilfe eines englischen Bankierskollegen. Maria aber verschwindet auf mysteriöse Weise Jahrzehnte später heiratet Tibors Tochter Roger Gale, den Sohn ebendieses Bankiers. Aber nicht nur das Gespenst der Flucht schwebt noch über der Familie – Tibor Hunter hat inzwischen auch herausgefunden, wer damals für das Verschwinden seiner Frau verantwortlich war. Neben der Liebe zu seiner Tochter treibt ihn seither nur eines an: sich am Denunzianten zu rächen. Dieser dreiteilige Retrokrimi des britischen Autors Val Gielgud geht nicht nur in die Augen, sondern auch in Mark und Bein! Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Verkäufer), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Hilde Ziegler (Odette Mercier, Zimmermädchen), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 - Dauer: 36' 

Tibor Hunter konnte aus Ungarn fliehen – doch seine Frau musste er hinter dem Eisernen Vorhang zurücklassen. Doch nun kann er endlich Rache nehmen: An einem ungarischen Diplomaten, der in Paris weilt – und der seine damals Frau verraten hatte... Kalter-Kriegs-Krimi mit viel Retro-Charme! (02:40) Beginn Hörspiel) (39:00) Gespräch Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Antiquitäten-Verkäufer), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Ursula Rieck ( Hilde Ziegler (Odette Mercier, Zimmermädchen), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 Den ersten Teil des Hörspiels findet Ihr hier: https://www.srf.ch/audio/krimi/1-3-auge-um-auge-von-val-gielgud-gespraech?id=12601565 Post gern auf krimi@srf.ch

Ein Politkrimi aus dem Kalten Krieg! Eine Denunziation überschreitet mehrere Landesgrenzen und beschäftigt noch die Nachkommen. Um diesen bösen Fluch aufzuheben, muss die Familie Hunter ihren Feind mit denselben Waffen schlagen. Budapest im Jahr 1956: In Ungarn bricht ein Aufstand des Volkes gegen die russische Besatzung aus. Der Bankier Tibor Hunter und seine Frau Maria müssen so schnell wie möglich mit ihrer Tochter Anna das Land verlassen und sich in England in Sicherheit bringen – doch die Grenzen sind zu. Tibor und seiner Tochter gelingt die Flucht mithilfe eines englischen Bankierskollegen. Maria aber verschwindet auf mysteriöse Weise Jahrzehnte später heiratet Tibors Tochter Roger Gale, den Sohn ebendieses Bankiers. Aber nicht nur das Gespenst der Flucht schwebt noch über der Familie – Tibor Hunter hat inzwischen auch herausgefunden, wer damals für das Verschwinden seiner Frau verantwortlich war. Neben der Liebe zu seiner Tochter treibt ihn seither nur eines an: sich am Denunzianten zu rächen. Dieser dreiteilige Retrokrimi des britischen Autors Val Gielgud geht nicht nur in die Augen, sondern auch in Mark und Bein! Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Verkäufer), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Hilde Ziegler (Odette Mercier, Zimmermädchen), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 - Dauer: 38' 

Ungarn 1956: Der Volksaufstand wird von sowjetischen Truppen niedergeschlagen. Im letzten Moment rettet sich Bankier Tibor mit seiner Tochter Anna nach London. Doch seine Frau verschwindet! Jahre später versuchen sie, rauszufinden, was damals geschah – und begeben sich in Gefahr ... (02:16) Beginn Hörspiel (40:44) Gespräch (44:44) Treffpunkt: «Blick ins Archiv: Die Schweiz nach dem Ungarnaufstand 1956» (Achtung: Das ist ursprünglich eine Radiosendung, bei dir wir aber die Musik rausgeschnitten haben; der eine oder andere Schnitt kann deshalb etwas holprig wirken) Mit: Leopold Biberti (Tibor Hunter, vormals Hunyadi), Eva Portmann (Maria, seine Frau), Ursula Rieck (Anna, seine Tochter), Valerie Steinmann (Hilda Fairweather), Suzanne Geyer (Miss Deane), Berthold Toetzke (Roger Gale), Jürgen Grützmann (Bill Summers, Journalist und TV-Interviewer), Max Knapp (Verkäufer), Lotte Marquardt (Peggy Wace), Jürgen Cziesla (Sandy Cameron), Adolph Spalinger (Janos Pasztor), Elmar Schulte (Telefonstimme, Arzt), Walter Bremer (Hotelportier), Sylvia Rhomberg (Airhostess), Rick Parsé (Flugzeugcaptain), Joachim Ernst (Inspecteur Jean Perroquet), Eva Maria Duhan (Madame Perroquet), Sibylle Brunner (Mariette Gallet), Hans H. Hassenstein (Laszlo Callas), Hilde Ziegler (Odette Mercier, Zimmermädchen), Buddy Elias (Garçon) u.v.m. Hörspielfassung und Übersetzung: Hans Hausmann - Musik: Hans Moeckel - Regie: James Meyer - Produktion: SRF 1967 Post wie immer gern auf krimi@srf.ch

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Red-Headed League.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

My guest is Emmy, Golden Globe and double Olivier Award winning actor, director, producer and writer, Brian Cox. In a wonderfully unguarded conversation, we talk Eugene O'Neill, Logan Roy & Succession, great examples of directing, acting with Gielgud, how to shape a character, how to run a rehearsal room, the Edinburgh Fringe Festival, and we end with a recitation of his favourite poem. Recorded in his dressing room at the Wyndham's Theatre in London while he was starring as James Tyrone opposite Patricia Clarkson in Jeremy Herrin's production of A Long Day's Journey Into Night.

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “A Scandal in Bohemia.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Choice Classic Radio presents Sherlock Holmes, which aired from 1939 to 1950. Today we bring to you the episode titled “The Blackmailer.”  Please consider supporting our show by becoming a patron at  http://choiceclassicradio.com We hope you enjoy the show!

Preparation for a performance on stage goes beyond just memorising lines, learning blocking and hoping it will be alright on the night. A diligent actor studies the history of the period of the play, learns about the intentions of the playwright, and absorbs from older colleagues knowledge of how the play has been done in the past.In his less than stellar career as an actor, Michael Goldfarb went through this process many times. In this essay, Michael recalls his admiration for John Gielgud. He remembers The Motive and the Cue, the play about John Gielgud directing Richard Burton in Hamlet. He also had a chance meeting with the legendary actor at the stage door of the Apollo theatre in London when Gielgud was starring in David Storey's 'Home'.

After a largely negative critical response and reports of audience members walking out en masse, it was announced earlier today that OPENING NIGHT would conclude its limited run at the Gielgud Theatre prematurely.The show, based on the 1977 John Cassavetes film of the same name, has been directed and conceived by Ivo Van Hove with an original score by Rufus Wainwright and Sheridan Smith starting in the leading role.Find out more about the news, what might be next for the Gielgud and what this tells us about the state of musical theatre in today's new episode...•00:00 | introduction01:41 | statements / my thoughts12:14 | what happens next?•About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 70,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. He has also twice received accreditation from the world renowned Edinburgh Festival Fringe. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

RNIB Connect Radio's Toby Davey is joined again by Vidar Hjardeng MBE, Inclusion and Diversity Consultant for ITV News across England, Wales, Northern Ireland and the Channel Islands for the next in his regular Connect Radio theatre reviews. This week Vidar experienced an adrenaline-filled night in the theatre where secrets emerge and ghosts may or may not appear with 2:22 A Ghost Story as the current touring production visited the Wolverhampton Grand Theatre with description by Professional Audio Describer Remy Lloyd.  About 2:22 A Ghost Story This award-winning supernatural thriller continues its phenomenal run – now on tour. Following five record-breaking seasons at the Noël Coward, Gielgud, Criterion, The Lyric Theatre and The Apollo Theatre, this critically acclaimed new play has become the UK's must-see theatre event. 2:22- A Ghost Story is written by award-winning writer Danny Robins, creator of the hit BBC podcast The Battersea Poltergeist, and is directed by Matthew Dunster.  Brilliantly funny and intriguing; 2:22 A Ghost Story is an adrenaline-filled night where secrets emerge and ghosts may or may not appear. What do you believe? And do you dare discover the truth? Jenny believes her new home is haunted, but her husband Sam isn't having any of it. They argue with their first dinner guests, old friend Lauren and new partner Ben. Can the dead really walk again? Belief and scepticism clash, but something feels strange and frightening, and that something is getting closer. So they're going to stay up until 2:22….and then they'll know. To find out more about 2:22 A Ghost Story along with details of tour venues, dates and times of performances do visit the production website - https://222aghoststory.com/uk-tour-tickets/ (Image shows RNIB logo. 'RNIB' written in black capital letters over a white background and underlined with a bold pink line, with the words 'See differently' underneath)

Get ready for a theatrical journey packed with drama, laughter, and musical magic! First up, renowned director Sam Mendes takes the helm in a fierce and funny new play by Jack Thorne. In The Motive and the Cue, witness Johnny Flynn as Richard Burton, Mark Gatiss as John Gielgud, and Tuppence Middleton as Elizabeth Taylor. As the year is 1964, and Burton is set to play Hamlet in an experimental Broadway production under Gielgud's direction, the collision of two ages of theatre brings forth a riveting exploration of the politics of a rehearsal room and the intricate relationship between art and celebrity. After a sold-out run at the National Theatre, this celebrated production is transferring to the West End for 15 weeks only.Next, dive into the surreal world of Franz Kafka's Metamorphosis in a thrilling new adaptation by Frantic Assembly and Lemn Sissay OBE. The story follows Gregor Samsa, who wakes up one morning to find himself transformed into something dangerous and untouchable. Combining Lemn Sissay's lyrical adaptation with Frantic Assembly's uncompromising physicality, this promises to be a visceral and vital depiction of humans struggling within a crushing system.Brace yourself for a journey down the aisle and into the isles with the official Stock Aitken Waterman musical - I Should Be So Lucky. Featuring the soundtrack of a generation, this musical takes you on a rollercoaster ride of love, laughter, and last-minute getaways. With hits from pop royalty including Kylie Minogue, Rick Astley, Jason Donovan, Bananarama, and more, this British musical, directed and written by Debbie Isitt, is a celebration of the infectious tunes produced by Stock Aitken Waterman.

Step into the profound and often humorous exploration of life's complexities with Annie Baker's latest creation, Infinite Life. Set under the direction of James Macdonald, this captivating play presents the stories of five women in Northern California, delving into the intricate nature of suffering and the desires that persist in bodies that may be failing. Fresh from its run at the Tony Award®-winning Atlantic Theater Company in New York, Baker's work is a testament to her singular talent in modern theatre. In another theatrical venture, The Motive and the Cue, the legendary Sam Mendes directs a riveting new play that unveils the behind-the-scenes drama surrounding the making of Burton and Gielgud's iconic Hamlet. Delve into the enigma of why a globally acclaimed movie star would choose to tackle a play everyone already knows and discover the allure that draws us back to these timeless classics, year after year. As Richard Burton, portrayed by Johnny Flynn, takes on the titular role under the meticulous direction of Mark Gatiss's Gielgud, witness the collision of two eras of theatre, exposing the intricate dynamics between art and celebrity. Jack Thorne's fierce and funny narrative promises a glimpse into the politics of a rehearsal room and the complexities of the relationship between actors and directors. Additionally, get an exclusive peek behind the curtain with an insightful interview featuring cast members Gabriel Akuwudike and Tom Varey from the enthralling Hamnet. As they share their experiences and perspectives, discover the nuances of bringing this compelling production to life. Whether you're a theatre enthusiast or a newcomer to the world of stagecraft, this podcast episode provides a captivating journey through the captivating realms of Annie Baker's Infinite Life and the untold stories behind the making of Hamlet.

Sherlock Holmes - 54-55 - Gielgud & Richardson 54-10-19 (03) The Red-Headed League

Since arriving into the UK 20 years ago, Damian Humbley has become one of the most eminent figures on the musical theatre scene. After taking over the role of Walter in The Woman in White at the Palace Theatre, Damian has since taken on roles such as Seymour in Little Shop of Horrors, Charley in Merrily We Roll Along and is now appearing in the all-star cast of Stephen Sondheim's Old Friends. A lifelong Sondheim aficionado himself, he tells us about his love of Sondheim and how amazing it feels to be working alongside such established talents on Old Friends. In this exclusive interview, Damian Humbley looks back over his career, telling us about how the theatre scene has changed and is continuing to evolve. After recently starring in The Great British Bake Off musical, we hear him talk about how it's becoming increasingly challenging creating shows that are as commercially successful as they are critically. After the show premiered in Cheltenham, the show made its way to the Noel Coward Theatre where it had a modest run and gained new fans as well. Old Friends also marks the first time Damian has returned to the Gielgud theatre having previously starred in the acclaimed but short-lived production of Lend Me a Tenor. It's interesting to hear Damian provide his insight and analysis of what is currently happening across the theatre landscape as he looks ahead to the next 20 years of his career. He remains committed to creating high quality pieces of art and shares his hopes of working on more Sondheim pieces going forwards.Stephen Sondheim's Old Friends runs at the Gielgud Theatre until 6th January 2024

Richard Walter Jenkins Jr. was born in November of 1925 in Wales to an hard drinking coal miner cum absentee father and a pub barmaid.  Growing up in a rough steel mill town under the roof of his older sister and her husband, he left school to work in the mines after his sister's husband (like both parents before him) fell ill, due to the unregulated, non-unionized working conditions, before joining the RAF, where he served as navigator. His omnipresent sideline in theatrical productions led to adoption by acting tutor and schoolmaster Philip Burton, and he fell under the wing of none other than Sir John Gielgud.  As part of a Gielgud-led touring company, he came Stateside, winning both a World Theatre Award and a succession of Hollywood film roles.  His leading role in The Robe both kicked off a proper filmic career and entangled him in a decades long, fiery on and off relationship with Elizabeth Taylor, who'd star with him in numerous films and tabloid headlines throughout the 60s and 70s. Starring in everything from critical accolade-bedecked dreck like Look Back in Anger, Equus and Night of the Iguana and excellent films like The Spy Who Came in From the Cold, 1984 or Where Eagles Dare to cult absurdities Candy, The Medusa Touch and Exorcist II, Burton was arguably more famed for his offscreen  antics than his own theatrical talents...and had a rollercoaster of a career that reflected both his notable highs and precipitous lows. Join us as we take on one of the most notorious thespians to walk the boards and chew the cinematic scenery, the late great Richard Burton, only here on Weird Scenes! Week 106 (9/21/23): Who's Afraid of Liz and Dick?  The Tempestuous Career of Richard Burton https://weirdscenes1.wordpress.com/ https://www.facebook.com/WeirdScenes1 https://twitter.com/WeirdScenes1 (@weirdscenes1) TheThirdEyeCinema @threads https://thirdeyecinema.podbean.com/ https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044 https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1 https://music.amazon.com/podcasts/09456286-8956-4b80-a158-f750f525f246/Third-Eye-Cinema-Weird-Scenes-Inside-the-Goldmine-podcast

It's a couple of weeks now since the public berating of Róisín Murphy for expressing (in a private Facebook post) her concern with some of the more extreme elements of transgender ideology. At around the time that Róisín's story was dominating the free speech news, Tom was fortunate enough to catch the final night of ‘The Crucible' at London's Gielgud theatre. In that context, we take the opportunity in this week's episode to revisit the ideas of blasphemy and the parallels between contemporary ideological wars and the witch trials of the 17th century. The topic quite naturally moves on to a discussion of how a deeper understanding of religion, and Christianity in particular, might offer us a path through some of our problems. 

School's out for summer, so what's good on the West End? Spitting Image & Have I Got News For You writer, John O'Farrell, joins us to talk about turning the iconic Mrs Doubtfire into a musical. He also discusses his work on the movie Chicken Run - and drops a few hints about the upcoming sequel.Following on from our interview with House of the Dragon's Milly Alcock and Succession's Caitlin Fitzgerald, who star in the show, we review The Crucible, the Arthur Miller play currently being staged by Lyndsey Turner at the Gielgud theatre.Plus, our thoughts on Beneatha's Place at the Young Vic, written and directed by Kwame Kwei-Armah and led by Cherrelle Skeete, who starred in Harry Potter and the Cursed Child - listen to our interview with her here. Also, all you need to know about what's been happening in Theatreland this week.For all the latest news and reviews visit standard.co.uk/culture Hosted on Acast. See acast.com/privacy for more information.

Want to know which public information advert from his childhood rolls off Mark's tongue like the alphabet? How uncanny his Gielgud impression is? Whether any man wants cock in Tod - and what that even means? The madrigals he sang the very first time he was on stage? What wonderful tradition began with Ralph Richardson firing rockets off the roof of the National Theatre? And why Mark will forever remember our Jonny as the Donmar Enforcer? Of course you do! What a joy it is to welcome the polymath and global treasure that is Mark Gatiss to the podcast about theatre, life, and life in the theatre. Hosted on Acast. See acast.com/privacy for more information.

Sherlock Holmes - 54-55 - Gielgud & Richardson 54-10-05 (01) The Blackmailer (Charles Augustus Milverton)

Natalie and Darren discuss a plethora of theatre we've seen in February and recommendations of what's on in February/ March. Productions reviewed in this episode include: Best of Enemies at Noel Coward Theatre, Back to the Future at Adelphi Theatre, Noises Off at The Pheonix Theatre, To Kill A Mockingbird at Gielgud Theatre, Frantic Assembly's Othello at Lyric Hammersmith, Smoke at Southwark Playhouse.

Shat on TV listeners begging us to cover "House of The Dragon" finally get their wish in this week's Shat The Movies feature: "Arthur." This episode commissioned by David K. also explores what to wear shoplifting and features tons of listener mail. Dudley Moore and John Gielgud aren't household names in America, but the two English legends created an 1981 comedy alongside the goddess Liza Minnelli that distilled the essence of New York. "Arthur" led the Shat Crew to conversations about Christopher Cross' theme song for the movie, being stage drunk, surprise tears, unnecessary cruelty, Russell Brand, the pressure of growing up wealthy and how Scotch led to the prevalence of roosters in '90s New Orleans kitchens. SUBSCRIBE Android: https://shatpod.com/android Apple: https://shatpod.com/apple All: https://shatpod.com/subscribe CONTACT Email: hosts@shatpod.com Website: https://shatpod.com/movies Leave a Voicemail: Web: https://shatpod.com/voicemail Leave a Voicemail: Call: (914) 719-7428 SUPPORT THE PODCAST Donate or Commission: https://shatpod.com/support Shop Merchandise: https://shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

Welcome back to TBOTA! Celebrating fifty years in the industry, actor, author and raconteur Peter Bourke joins the show and we talk.... Going to school with Salem Bin Laden, turning down the role (and fortune) of C3PO, running an antiques business with Roald Dahl as he was writing the BFG, The Wade-Dahl-Till valve, working all the hours god sent for £3 a week (plus overtime) , Peter's relationship to the origins of The Importance of Being Earnest, Meeting Margaret Thatcher, Kate Nicholls' extraordinary life (See episode 53), The Thatcher Effect, Gielgud, Olivier, O'Toole, the irreplaceable and legendary Nicky Henson, and much more! For more things Peter: Purchase his fantastic book See Peter live at the Globe: his next shows are The Tempest and Much Ado About Nothing Support the show: Give us a rating & review Become a patron and help me make this show. Bonus episodes every week>> https://www.patreon.com/theblissoftheabyss Like and follow us on Facebook or Instagram Rent the award-winning One Jewish Boy My Webpage © Robert Neumark Jones

Charlotte is a stage director and dramaturg specialising in political theatre and new writing, with an emphasis on the development of British musicals. She is currently developing a contemporary political musical with writers Chris Bush and Matt Winkworth, a state of the nation drama by Owen McCafferty and a one woman musical satire with Richard Hough and Ben Morales Frost for the Barn Theatre, Cirencester. After graduating with first-class honours for Drama at the University of Manchester and training at Augusto Boal's Centre of the Theatre of the Oppressed in Rio de Janeiro, Charlotte's career started at the Donmar Warehouse, where she was the Resident Assistant Director between 2004-2005. For the Donmar, she directed Kiss of the Spider Woman and Lower Ninth (for Donmar @ Trafalgar Studios). Charlotte was also associate director on Frost/Nixon to Michael Grandage and Piaf to Jamie Lloyd for both the Donmar West End transfers at the Gielgud and Vaudeville respectively. Charlotte has been recognised for numerous awards, including a 2006 Olivier Award for Outstanding Achievement in an Affiliate Theatre as associate director to Nicolas Kent for Bloody Sunday – Scenes from the Savile Inquiry. She received a nomination for a 2006 Whatsonstage Theatregoers Choice Award for Gladiator Games; the same play was part of a season at Stratford East, which was nominated for the 2007 Olivier Award for outstanding Achievement in an Affiliate Theatre. Waiting for Lefty was a finalist for 2003 James Menzies Kitchin Award for Young Directors (BAC). Support the show (https://www.patreon.com/brewingactors)

In this episode, I list the number of people who said 'G is for Great' and well, that takes care of the first few minutes of the podcast! After that, I delve into; 'gentleman', 'Gromit', 'St. George', 'Gun Carriage Competition', 'Gladstone', 'Guy Falkes' 'Fat Rascals' (whoops, wrong week), Gallifrey, Gielgud, George Cross, the Great Escape, and Gardening.I didn't quite get around to any of the Kings called George. Worth a 'Deep Dive'? Message me and let me know which topic you liked the most. Message me anytime on Instagram:https://www.instagram.com/flemingneverdies/or e-mail:AlbionNeverDies@gmail.com Check out my Youtube channelhttps://www.youtube.com/channel/UCUEtOMbuoywyX2pZ7J8TcwwCheck out my Red Bubble shop:https://www.redbubble.com/people/british-cultureIf you'd like to buy me a coffee to help fuel these episodes:patreon.com/britishculture  

Endlich haben George und Eva den Eisernen Vorhang überwunden, und sind in Wien angelangt. Doch Wien wird vorerst zum Käfig: Denn ihr Schlepper Burger hat Pässe und Geld konfisziert. Aber es gibt Hoffnung: Georges Frau sucht ihn in Wien, auch ein Journalist. Und selbst Doppelagent Baynes ... (02:25) Beginn Hörspiel (54:28) Abmoderation & Selbstgespräch über «Hinter der Mauer» Mit: Maria Magdelane Thiesing (Eva Kroll), Jochen Neuhaus (George Lambert), Heiner Schmidt (Talbot Baynes), Wolfgang Reichmann (Heinrich Burger), Yvonne (Yette Perrin), Kristin Hausmann (Pamela Lambert), Mogens von Gadow (TomBaldwin), Herwig Seeböck (Leonard Savage) u.v.a. Übersetzung und Regie: Hans Hausmann - Komposition: Hans Moeckel - Tontechnik: Ernst Neukomm - Produktion: SRF 1966 Hättet Ihr Euch in George verliebt? Schreibt es uns auf krimi@srf.ch Die ersten beiden Teile stehen im Krimi-Podcast, oder sonst auch hier: https://www.srf.ch/audio/krimi/1-3-hinter-der-mauer-von-val-gielgud-was-nun?id=12035604 https://www.srf.ch/audio/krimi/2-3-hinter-der-mauer-von-val-gielgud-saegemehl-und-flitter?id=12039486

Klingt spannend: Nach Ost-Berlin reisen, um Geschäftsbeziehungen zu knüpfen. Das denkt sich George Lambert, Engländer und Vertreter für Kunstdünger. Wäre er nur daheim geblieben! Denn Lambert wird zum Opfer eines Agentenplots, der ihn auf der falschen Seite der Mauer zurücklässt – ohne Pass ... (02:25) Beginn Hörspiel (44:54) Abmoderation & Ausblick Mit: Maria Magdelane Thiesing (Eva Kroll), Jochen Neuhaus (George Lambert), Heiner Schmidt (Talbot Baynes), Eberhard Krug (Otto Schultz), Wolfgang Reichmann (Heinrich Burger), Yvonne (Yette Perrin) u.v.a. Übersetzung und Regie: Hans Hausmann - Komposition: Hans Moeckel - Tontechnik: Ernst Neukomm - Produktion: SRF 1966 Gefälschte Pässe waren und sind lebenswichtig für Spione. Die Stasi griff dazu übrigens auch auf Schweizer Pässe zurück: https://www.srf.ch/news/schweiz/stasi-agenten-reisten-mit-schweizer-paessen Post wie immer gern auf krimi@srf.ch

Berlin im Kalten Krieg: Ein Tummeplatz für Spione aus Ost und West. Der Bau der Mauer, vor genau 60 Jahren, hat daran nichts geändert. Nur noch alles vertrackter gemacht. Krimi-Meister Val Gielgud («Tod in Venedig)» hätte sich kein besseres Setting aussuchen können, für seinen Agenten-Thriller ... (02:52) Beginn Hörspiel (62:40) Abmoderation und Ausblick Mit: Maria Magdelane Thiesing (Eva Kroll), Jochen Neuhaus (George Lambert), Heiner Schmidt (Talbot Baynes), Günter Heising (Charles Lutyens), Suzanne Geyer (Peggy Martineau), Hugh Chester (Joachim Ernst), Kristin Hausmann (Pamela Lambert), Maximilian Wolters (Rupert Ford) u.v.a. Übersetzung und Regie: Hans Hausmann - Komposition: Hans Moeckel - Tontechnik: Ernst Neukomm - Produktion: SRF 1966 Einen zeitgenössischen Beitrag über den Bau der Berliner Mauer aus dem Jahr 1961 könnt Ihr hier schauen: https://www.srf.ch/play/tv/srf-wissen/video/bau-der-berliner-mauer?urn=urn:srf:video:2ba978b8-c71d-48ee-bbd1-6056bceb304d Urlaubsgrüsse wie immer gern auf krimi@srf.ch

In which we read John Gielgud's views on Stanislavsky. From January 1937. Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_donations&business=EKHEKXBAZBQG6¤cy_code=GBP)

MGM, 1934, and our most mismatched pair of films yet: Sidney Franklin's tale of overheated Victorian repression, The Barretts of Wimpole Street, and Lubitsch's lavish, Hollywood-transposed Austro-Hungarian operetta, The Merry Widow. We discuss Laughton vs. Gielgud, Lubitsch vs. Mamoulian, innuendo in the Year of the Code, and more.   Time Codes: 0h 01m 00s: The Barretts of Wimpole Street (dir: Sidney Franklin) 0h 38m 00s:  The Merry Widow (dir: Ernst Lubitsch) +++ * Check out our Complete Upcoming Episode Schedule * Find Elise’s latest film piece on Depression era film romance *And Read lots of Elise’s Writing at Bright Wall/Dark Room, Cléo, and Bright Lights.* Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com Theme Music: “What’s Yr Take on Cassavetes?” – Le Tigre

Daisy Maywood has been in some of the most high profile productions of the last decade such as the Les Mis 25th anniversary concert at the o2, The Phantom of the Opera 25th anniversary performance at the Royal Albert Hall, and the 2013 revival of A Chrous Line at the London Palladium. She was most recently seen as Susan and the Priest in Marianne Elliot’s West End revival of Company at the Gielgud theatre. Follow Daisy on Twitter. Follow Backstage With... online, on Twitter, Instagram and Facebook. You can send Mikey your guest requests and questions on Twitter and Instagram, or email Mikey@backstagewith.com.  

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

A new episodeSupport this podcast at — https://redcircle.com/sherlock-holmes-gielgud-and-richardson/donations

Das kleine Ferienabenteuer der Privatdetektive Humphrey und Greg hat sich zugespitzt. Aus der Erpressung (der Schauspielerin Angelina) ist Mord geworden (am Schauspieler Alexander). Und der Fall wird immer komplizierter. Alle spielen ein doppeltes Spiel – und zwar nicht nur die Schauspieler ... 03:20 Beginn Hörspiel Mit: Hans Helmut Dickow (Humphrey Clymping), Horst Christian Beckmann (Gregory Pellew), Inigo Gallo (Giacomo Lauro), Renate Schroeter (Angelina Borenius), Eva Maria Duhan (Lady Hannington), Rosaline Renn (Kate Clymping), Silvia Reize (Jean Byron), Volker Spahr (Karl Borenius), Matthias Habich (Alexander Graves), Judith Melles (Alice Greer), Sieglinde Weichert (Mary Kimball), Derval de Faria (Abraham Johnson) Aus dem Englischen von Hans Hausmann - Musik: Hans Moeckel - Tontechnik: Ernst Frei - Bearbeitung und Regie: Hans Hausmann - Produktion: SRF 1975 Wie hat Euch «Mord in Venedig» gefallen? Schreibt uns auf krimi@srf.ch

Den Urlaub in Venedig mit einem kleinen Auftrag etwas auflockern – für die beiden Privatdetektive Humphrey und Greg war das einfach zu verlockend. Erst recht, wenn die Auftraggeberin eine Hollywood-Sexbombe ist. Und die Verdächtige eine schöne junge Frau. Na wenn das mal kein Fehler war ... 02:54 Beginn Hörspiel Mit: Hans Helmut Dickow (Humphrey Clymping), Horst Christian Beckmann (Gregory Pellew), Inigo Gallo (Giacomo Lauro), Renate Schroeter (Angelina Borenius), Eva Maria Duhan (Lady Hannington), Rosaline Renn (Kate Clymping), Silvia Reize (Jean Byron), Volker Spahr (Karl Borenius), Matthias Habich (Alexander Graves), Judith Melles (Alice Greer), Sieglinde Weichert (Mary Kimball), Derval de Faria (Abraham Johnson) Aus dem Englischen von Hans Hausmann - Musik: Hans Moeckel - Tontechnik: Ernst Frei - Bearbeitung und Regie: Hans Hausmann - Produktion: SRF 1975 Den dritten und letzten Teil gibt es morgen im Krimi-Podcast!

Eigentlich wollten die Privatdetektive Humphrey und Greg einfach nur Urlaub machen, in Venedig. Eigentlich. Als sie dann gebeten werden, einer Filmdiva zu helfen, die erpresst wird, können sie natürlich nicht nein sagen. Denn eigentlich handelt sich ja um einen einfachen Fall. Eigentlich ... 04:33 Beginn Hörspiel Krimi-Klassiker aus den 70er Jahren, mit Paul Cox-Sprecher Hans Helmut Dickow als Humphrey Clymping. Mit: Hans Helmut Dickow (Humphrey Clymping), Horst Christian Beckmann (Gregory Pellew), Inigo Gallo (Giacomo Lauro), Renate Schroeter (Angelina Borenius), Eva Maria Duhan (Lady Hannington), Rosaline Renn (Kate Clymping), Silvia Reize (Jean Byron), Volker Spahr (Karl Borenius), Matthias Habich (Alexander Graves), Judith Melles (Alice Greer), Sieglinde Weichert (Mary Kimball), Derval de Faria (Abraham Johnson) Aus dem Englischen von Hans Hausmann - Musik: Hans Moeckel - Tontechnik: Ernst Frei - Bearbeitung und Regie: Hans Hausmann - Produktion: SRF 1975 Venedig in Corona-Zeiten: https://www.srf.ch/play/tv/tagesschau/video/coronavirus-venedig-sehen-und-staunen?id=bf81017c-fa0a-42f7-9530-e1f900108b4c Teil 2 gibt's morgen!

Secret Agent – 1936 Join us as we're cracking the code of spy movies!  Here, we're taking a close look at the 1936 Hitchcock movie, Secret Agent, its influence on future spy movies, and how sometimes being a secret agent is not that secret!  Starring: MAIN CAST John Gielgud (Edgar Brodie and Richard Ashenden) Peter Lorre (The general), Madeline Carroll (Elsa Carrington), Robert Young (Robert Marvin) Charles Carson (“R”) Lilli Palmer (Lilli) Based on a W. Somerset Maugham novel, “Ashenden”. Note: You can watch the entire movie on YouTube: https://youtu.be/PamTfB0fOWM

OK, we've held off the Strictly references until now but there is a good reason as you will hear. Richard reviews Les Miserables, the concert version at the Gielgud and Assassins at Newbury's Watermill Theatre. Cliff tells us why he thinks that all lovers of Musical Theatre should see "Judy" in the Cinema and how it might fare in the upcoming awards season. We talk about Heathers the musical, bring casting news from The Boyfriend at the Menier Chocolate Factory, and talk about Craig Revel Horwood and his All Balls and Glitter Tour.There is the usual round up of News and Views and as the amateur season is now upon us we preview four shows that you can see in the next few weeks. Send details of your shows and we will give them a plug in future episodes. We are recording the next show on 26th October so items before then please to mail@stagedoorcast.co.uk

Your theatre week is right here with West End star of ‘Caroline or Change' Sharon D Clarke, Producer Paul Taylor Mills tells us what it takes to run a successful show, the hits to look for in 2019 according to the team at Joe Allens Restaurant and what you think about ‘Company’ on at The Gielgud right now.    Also in Acting Up how you can become part of the Olivier Award Panel and have free theatre tickets for a year, we want your onstage disaster stories and all the weeks news including what the Royal Shakespeare Company think about the change in production of ‘Les Misérables’ and after Louise Redknapp is injured in rehearsals for ‘9 to 5’ physio Nikki Rawlings tells us how the stars stay in shape for doing 8 shows a week.

We’re wrapping up 2018 and spending the holidays with Sherlock Holmes and Dr. Watson. The dynamic duo of Baker Street stars in three old time radio mysteries taking us from Christmas to New Year’s Eve. First, John Stanley and Alfred Shirley star in “The Adventure of the Christmas Bride” (originally aired on Mutual on December 21, 1947). Then, John Gielgud and Ralph Richardson play Holmes and Watson in an adaptation of the Arthur Conan Doyle Christmas story “The Adventure of the Blue Carbuncle.” Finally, Basil Rathbone and Nigel Bruce ring in the new year in “The Iron Box” (originally aired on Mutual on December 31, 1945).

After graduating from Rose Bruford in 2001 Rosalie Craig joined the RSC and made her professional debut in Adrian Mitchell’s adaptation of Alice in Wonderland. Her stage career since then has featured leading roles in both plays and musicals including the National Theatre productions of London Road, As You Like It, and Tori Amos’s The Light Princess at the National Theatre, for which she won the Evening Standard Theatre Award for Best Musical Performance in 2013. She is currently starring in Jez Butterworth’s critically acclaimed smash hit The Ferryman at the Gielgud until 19 May, and will return to the same theatre in September to star in Marianne Elliot’s highly anticipated production of Stephen Sondheim’s Company, alongside Broadway legend Patti LuPone. The new version of the show will see Craig’s character Bobbi played as a woman for the first time.

"the faded script" [HOUN]  We've all had experience listening to Sherlock Holmes audio programs. Right? RIGHT??   And just as we have favorite screen adaptations, we also have our special audio heroes as well. Rathbone and Bruce, Gielgud and Richardson, Shelley and Hobbes, Merrison and Williams... they all bring to mind a feeling of nostalgia for the stories.   But there are many original episodes that have gone missing. And our guest, Ian Dickerson, has managed to track down some of the original scripts of the Rathbone/Bruce radio series that were lost to the ages. Between the Edith Meiser era and the Anthony Boucher / Dennis Green era, there was another writer — one known more for his stories about Simon Templar than anything else. And Ian managed to unearth them and put together a fine book on the topic.   Information on sponsors, links, and notes available below.   And please consider becoming a . Your support helps us to ensure we can keep doing what we do, covering file hosting costs, production, and this year, transcription services.     Sponsors This episode includes our two longtime sponsors. Please support our sponsors by visiting their sites:   Links  by Ian Dickerson Also by Ian Dickerson:  and   Bert Coules was with us on Episodes  &  to discuss Sherlock Holmes on the radio Intro music:  Many more links, articles and images are available in our Flipboard magazine at  as well as through our accounts on , , and .   Please , , , ,  or —or the podcast player of your choice—and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (comment AT ihearofsherlock DOT com), call us at (774) 221-READ (7323).   Transcript Transcript not yet released.    We need your help with transcripts: if we can reach , we'll have enough funds to afford a proper transcription service for each episode. All it takes is your help to get us to that level. So gather up a few friends and help us — we're currently within reach, and we'd sincerely like to help as many people enjoy the show as possible, including the hearing-impaired.

The Evening Standard Theatre Awards shortlist was revealed with two cast members from The Ferryman among those nominated. Laura Donnelly has been nominated for Best Actress and Tom Glynn-Carney for the Emerging Talent Award. Curtain Call paid a visit to The Ferryman when it was on at The Royal Court, just as they announced their transfer to The Gielgud in London's West End.

Edición nº 149 de La gran Evasión. ¡Jesús, las cosas que hemos visto, Sir John! Sentados en torno al fuego una noche de nieve, los dos viejos amigos recuerdan el tañido de aquellas campanadas a medianoche, por supuesto que las escucharon, aunque a Falstaff no le agrada recordar el pasado, asiente, cercano y apacible, recuerda y mira las ascuas que se consumen. Falstaff ama el sabor del jerez, el calor de las mujeres, la anciana posadera lo sabe bien, y quiere a ese rufián hinchado y vividor, como la ramera Doll, como el maquiavélico príncipe Hal, que ha conocido la vida de la mano de su maestro de juergas, de su tragón y burlesco compañero de correrías. Falstaff es un niño, vive el presente, no mira al pasado, y menos al futuro, tampoco cree en el honor, se hace el muerto en la batalla, es cobarde por instinto. Dénle un barril de vino y una pierna de buey y será libre. Orson Welles impresionó con este brillante guión, fusión de pasajes de varias obras de Shakespeare, entre ellas Enrique IV, partes I y II, Enrique V, y Las alegres comadres de Windsor. El repertorio de planos fascina, con un dominio técnico digno de los grandes genios, las tomas en el castillo de Enrique IV, la luz que entra por los ventanales, el perfil de Gielgud entre sombras, Maese Shallow y el Sir John caminando entre la nieve nocturna, Falstaff con su oronda armadura, los jinetes surgiendo de la bruma, planos con cámara al hombro en en la refriega sangrienta, sólo falta que el barro nos salpique. El niño con barbas y nariz de bufón, el caballero borrachín no soportará la traición postrera. Arrodillado, humillado, la mirada rota y temblorosa. La grandilocuencia del maestro Welles ilumina las letras del bardo inglés. Esta noche acompañamos a Maese Shallow y Sir John por el bosque nevado y escuchamos las campanadas de otro tiempo. Raúl Gallego José Miguel Moreno presenta, con Raúl Gallego, Gervi Navío, y nuestro crítico decine César Bardés.

Erin and Paul raise their glasses to two films about lovable drunks: the 1981 Dudley Moore vehicle ARTHUR, and the 1987 dive-bar drama BARFLY, starring Mickey Rourke and scripted by Charles Bukowski. Plus: our quick takes on ROUGH NIGHT, BABY DRIVER, THE BAD BATCH and OKJA.

During our longest episode to date, Nicholas Koy Santillo is joined by Lucy Atkinson, Lindsay Huebner, Whitton Frank, Joe Richardson and Robert Bradley. Join us from the Gielgud theatre in London's West end while we discuss the meaty centre of this awesome tragedy. During this episode we discuss, among others; Shakespearean clowns. Why are they there? Why are they always cut? The drastic emotional swings of the characters in Othello - are they justified? Emilia and Iago's messed up marriage. The incredible capacity for Shakespeare to give his actors direction through the structure of his verse. The domestic scale of the narrative. Why do we call it a 'feminine' ending, and what does tell the actor? Iago's ingenious capacity to persuade and convince, without outright lying.

In our introduction episode to Othello (and Tabling: The Podcast's first London recording!) Nicholas Koy Santillo is joined by; Lucy Atkinson, Lindsday Huebner, and Whitton Frank. After discussing various topics, including podcasts and epic vs. personal theatre, we discuss: The Intimate quality of Othello, especially compared with other works of Shakespeare. Each of our relationship's with the play. The (seemingly?) dominant issue of race. Past and contemporary productions and staging conventions of Othello. Othello's character - his military history, 'other-ness', and use of language. During this play, we were lucky enough to record out of the Gielgud theatre, in London's West End!

  Sherlock Holmes has a rich history on radio, beginning in the 1930s and running clear through to the 2010s. From William Gillette to Basil Rathbone, Cedric Hardwicke to John Gielgud, and Carlton Hobbs to Roger Rees.   But there is one production that stands heads and shoulders above the rest. The BBC Radio 4 series starring Clive Merrison and Michael Williams managed to do what no other production had done before it: to dramatize all 60 Sherlock Holmes with the same principal cast members.     The head writer behind the project was Bert Coules, and Bert is our guest for a very special two-part series examining the history of Sherlock Holmes on the radio, with a particular focus on the BBC series. In this interview you'll not only hear Bert's origins with Sherlock Holmes, but you'll also be treated to excerpts from some of the productions throughout the 20th century.   And for those of you paying attention, there is a money quote about Nigel Bruce buried within.   In addition to our conversation with Bert, we also get to some very important housekeeping, including announcing the winners of the Tom Richmond print and pen from .   Our Gas-Lamp this episode comes to us courtesy of Bert Coules himself, from the original edition of , as we read the Introduction. The updated and revised edition (via the link) is available now from Wessex Press.     Links: Other Sherlock Holmes podcasts: ,  Burt's appearance on   (courtesy of Tom Trager) , maintained by Bert Coules.     More links available on on ,  and of course, our .       Please  and be kind enough to leave a rating or review for the show. And please tell a friend about us, in any fashion you feel comfortable.   Your thoughts on the show? Leave a comment below, send us an email (ihearofsherlock AT gmail DOT com), call us at (774) 221-READ (7323).   And above all, please let our sponsors know that you heard us rant and rave about their excellence during the programme:  and  - and as always, a very special sponsor.

Former dancer and artistic director Maina Gielgud discusses the unique place of Suite en Blanc in ballet history, as well […]

The 80th Season’s opening program includes the San Francisco Ballet premiere of Serge Lifar’s groundbreaking Suite en Blanc. English dancer […]

As Yet Unnamed London Theatre Podcast05-June-2011 WithT R P Watson Glen Pearce Ian Foster rev stan Plays SeenMuch Ado About Nothing - Globe and Wyndhams Lend Me a Tenor - Gielgud Theatre Butley - Duchess Theatre Reviews Much Ado About Nothing - Wyndham’s Theatre Lord of the Flies - Open Air Theatre Regent’s Park Haunting Julia - Riverside Studios