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Become a Patreon Member / Instagram Subscriber / YouTube Membership for $5 a month and Daniel will answer your questions on SUPER GREAT TIME TOKYO.patreon.com/DanielYWilsonThis week Daniel walks around Takeshita Street in Harajuku, Tokyo with special guest Relic Rhymes @RelicRhymes IG RELICRHYMESYouTube Video Podcast https://youtu.be/EsMUUSotlDIEVERY THURSDAY 9:00PM JAPAN TIME
In questo episodio ti portiamo alla scoperta del fascino di Shitamachi, il cuore storico e autentico di Tokyo.
Fluent Fiction - Japanese: Healing in Arashiyama: Haruka's Journey of Forgiveness Find the full episode transcript, vocabulary words, and more:fluentfiction.com/ja/episode/2024-11-04-23-34-03-ja Story Transcript:Ja: 秋の空が高く澄みわたるある日、晴れやかな陽射しの中で、歩く声が響きました。En: One day when the autumn sky was clear and high, the sound of footsteps echoed under the bright sunlight.Ja: 原宿の三人、遥、結城、そして悟が京都の嵐山竹林に来ていました。En: The three from Harajuku, Haruka, Yuuki, and Satoru, had come to the Arashiyama Bamboo Grove in Kyoto.Ja: 目の前には、雲に届きそうな竹が並んで、風に揺れています。En: Before them, bamboos reaching up to the clouds swayed in the wind.Ja: 竹の隙間から見える空は青く澄みきり、地面には鮮やかな紅葉が散っています。En: The sky peeking through the bamboo gaps was a clear blue, and vibrant red leaves were scattered on the ground.Ja: 遥は、芸術を愛する少年でした。En: Haruka was a boy who loved art.Ja: 彼の心はいつも空想でいっぱいです。En: His mind was always filled with imagination.Ja: しかし、彼には大きな心の悩みがありました。それは、昔の親友との誤解で心が離れてしまったこと。En: However, he had a significant trouble weighing on his heart—an estrangement due to a misunderstanding with an old friend.Ja: その記憶が、ずっと彼を苦しめていました。En: That memory had been tormenting him for a long time.Ja: 結城は、静かに歩きながら、「いい場所だよね、ここ。」と言いました。En: As they walked quietly, Yuuki said, "This place is nice, isn't it?"Ja: 悟も同感で、「本当に。秋の竹林は、特別なものがあるね。」En: Satoru agreed, "Truly. There's something special about the autumn bamboo grove."Ja: しかし、それでも遥の心は重く、ずっとこの問題について考えていました。En: Still, Haruka's heart was heavy as he kept pondering this issue.Ja: 彼はこの旅で、自分を見つめ直したいと思っていました。En: He wanted to take this trip to reflect upon himself.Ja: ここの美しい環境で、何か答えが見つかるかもしれません。En: In this beautiful environment, perhaps he could find some answers.Ja: 歩き続けるうちに、遥は決心しました。En: After walking a while longer, Haruka made a decision.Ja: 「今を楽しもう。過去はもう過ぎたことだ。」En: "Let's enjoy the present. The past is already over."Ja: そう思うことで、少し心が軽く感じました。En: Thinking this way made his heart feel slightly lighter.Ja: 今日の楽しい一日が、きっと心を癒してくれると信じて。En: He believed that today's pleasant day would surely heal his heart.Ja: 竹が揺れる音が心地よく響く中で、突然、遥は強い閃きを感じました。En: Amid the soothing sound of swaying bamboos, suddenly, Haruka felt a strong urge.Ja: 「電話してみよう。」彼は立ち止まり、決心しました。En: "I should make a call." He stopped and made up his mind.Ja: 「ちょっと先に行ってて。」遥は二人にそう言い、一人で静かな場所を見つけました。En: "Go on ahead a bit." He told the two, finding a quiet place by himself.Ja: 周囲は竹と紅葉の美しい景色に包まれています。En: The area was enveloped in the beautiful scenery of bamboo and red leaves.Ja: 遥は電話を取り出し、心臓がドキドキしていましたが、番号を押しました。En: With his heart pounding, Haruka took out his phone and dialed the number.Ja: 友人の声が聞こえると、遥は素直な気持ちを話しました。En: When he heard his friend's voice, he spoke sincerely.Ja: 「ごめん、ずっと伝えたかったんだ。」En: "I'm sorry, I wanted to tell you for a long time."Ja: 言葉を重ねるたびに、遥の心は軽くなっていきました。En: With each word, Haruka's heart grew lighter.Ja: 電話を切ったときには、心の中に新たな光が差し込んでいるのを感じました。En: By the time he hung up, he felt a new light shining within.Ja: その瞬間、遥はようやく自分を許すことができ、新しい未来に踏み出す勇気を得ました。En: At that moment, Haruka found he could finally forgive himself and gained the courage to step into a new future.Ja: 竹林の美しい風景の中で、彼の心は静かに輝き始めました。En: In the beautiful scenery of the bamboo grove, his heart began to shine quietly.Ja: いつかこの場所にまた戻ってきても、彼はさらに違う風景を見ることでしょう。En: When he returns to this place someday, he will surely see a different landscape.Ja: この嵐山竹林の旅は、遥にとって特別な一歩となりました。En: This trip to the Arashiyama Bamboo Grove became a special step for Haruka.Ja: 深呼吸をして、彼は結城と悟の元に戻り、未来への希望を胸に抱きました。En: Taking a deep breath, he returned to Yuuki and Satoru, holding hope for the future in his heart. Vocabulary Words:autumn: 秋clear: 澄みわたるfootsteps: 歩く声echoed: 響きましたbamboo: 竹swayed: 揺れていますvibrant: 鮮やかなestrangement: 心が離れてしまったmisunderstanding: 誤解tormenting: 苦しめてreflection: 自分を見つめ直したいenvironment: 環境soothing: 心地よくurge: 閃きpounding: ドキドキsincerely: 素直な気持ちforgive: 許すcourage: 勇気step: 一歩landscape: 風景gained: 得ましたpeeking: 見えるscattered: 散っていますimagination: 空想pondering: 考えてdecision: 決心light: 光trip: 旅healing: 癒してspecial: 特別な
Proponujemy spędzenie jesieni wśród czerwonych klonów Japonii. Podczas pierwszego spotkania przyjrzeliśmy się grobom na cmentarzu Yanaka i poznaliśmy święto Obon, będące odpowiednikiem naszych zaduszek.Poznaliśmy figurki Dogu, tabliczki ema, na których Japończycy wypisują swoje modlitwy do bóstw, wróżby dla odważnych omikuji i kota szczęścia Maneki-neko. Odwiedziliśmy najstarszą świątynię buddyjską w Tokio Senso-ji i najważniejszy shintoistyczny chram w tym mieście Meiji Jingu, a także pełną drapaczy chmur dzielnicę Shinjuku, słynne skrzyżowanie w dzielnicy Shibuya, młodzieżową dzielnicę Harajuku, centrum elektroniki i gier Akihabara i największy hurtowy targ rybny na świecie Tsukiji.Z Tokio wybraliśmy się też do położonej w pobliżu Kamakury, kolebki japońskiego buddyzmu, pełnej świątyń i sanktuariów.Gościem Jerzego Jopa była Danuta Rasała.
Selected in Forbes Asia 30 Under 30 in 2022 under Media & Marketing and Pacific Edge Magazine's "Social Media Influencer of the Year," Cyber Bunny is an online personality who shares her love of Japanese language and culture to her global audience. Best known for her viral "Hiragana Song" on YouTube, she produces short lesson videos and showcasing Japanese life and culture in the form of travel vlogs on YouTube and short-form videos on unwritten rules to deal with awkward situations in Japan for foreigners. Cyber Bunny is family-friendly and popular among young kids and parents globally. She also promotes Japanese businesses of a wide range of industries (hotels, apps, sake, snacks, e-commerce etc.). She also made her first TV debut appearance in a travel series in 2023 on Apple TV, "The Reluctant Traveler" hosted by Eugene Levy. Her style and aesthetic is mixing traditional kimono wear with a modern Harajuku twist with an effort to sustainable fashion by re-purposing her grandma's old kimonos. She is a bridge between the East and the West; traditional and modern; reality and fiction.
We're not just kicking off our 5th season—we're also celebrating our birthday........hip hip hooray to us! Welcome back Dispatchees, in this season opening episode, we'll dive into the latest gossip, upcoming doll events for the rest of the year, the many new and exciting doll releases and all our personal highs and lows from the past few months. One highlight we're excited about is the opening of another Junie Moon store in the vibrant and kawaii district of Harajuku. We have so much to cover so get comfortable and enjoy the episode!!Dolly hugsAnnie & Angelique xxDon't forget if you love the podcast and would like to help us with a coffee, here is the link- buymeacoff.ee/ladollydisBIf you have any news or info you would like to share about the world of Blythe, please let us know.Email us at ladollydispatch@gmail.comFollow on Instagram: https://www.instagram.com/ladollydispatch/Etsy store- http://www.etsy.com/au/shop/LaDollyDispatchFollow Annie here: https://www.instagram.com/anio_official/Follow Angelique here: https://www.instagram.com/lapetitechouette33/
What does the unjust arrest of a queer comrade protesting the genocide in Tokyo have to do with the imprisonment of Palestinians? How are the police and the IOF intertwined with other systems of power? Join us as we explore what it means to stand in solidarity with pro-Palestine protestors around the world who are facing police brutality and repression; what it means to stand in solidarity with the Palestinian prisoners, who currently face the most abhorrent forms of dehumanization within the settler colonial project; and what it means to stand in solidarity with the Palestinian resistance towards collective liberation.虐殺に抗議するクィアの同志が東京で不当逮捕されたことと、パレスチナ人が投獄されていることはどのように結びついているのか？警察やイスラエル占領軍は他の権力構造とどう関係しているのか？警察の弾圧や暴力に直面している世界中の抗議者に連帯すること、入植者植民地支配の中でも極悪な形で非人間化されるパレスチナの囚人と連帯すること、そしてパレスチナの抵抗運動に連帯することがあらゆる人の解放にいかに繋がっているかを一緒に考えましょう。References:Video of Harajuku 1 https://www.instagram.com/reel/C8ME5Zhp095/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==https://www.call4.jp/info.php?type=items&id=I0000094 https://www.hrw.org/news/2023/05/25/japan-hostage-justice-system-violates-rightshttps://www.trtworld.com/middle-east/how-israel-violates-international-law-to-detain-minors-under-military-law-16220205https://www.palestinechronicle.com/horrifying-treatment-thisis-how-israel-tortures-its-palestinian-hostages/https://edition.cnn.com/2024/06/05/middleeast/israel-top-court-sde-teiman-hearing-intl/index.htmlhttps://thecradle.co/articles-id/25732https://www.middleeasteye.net/news/gaza-israel-detainees-abuse-torture-sde-teiman-oferhttps://www.ucl.ac.uk/news/2024/feb/opinion-palestinian-prisoners-will-be-key-condition-any-ceasefire-deal-heres-whyhttps://dawnmena.org/the-technology-of-occupation-has-become-one-of-israels-main-exports/https://www.aljazeera.com/news/2020/6/12/how-the-us-and-israel-exchange-tactics-in-violence-and-control https://www.vox.com/world-politics/2023/11/22/23972908/palestinian-prisoners-israel-administrative-detentionhttps://www.amnesty.org/en/documents/mde15/5141/2022/en/https://law4palestine.org/do-palestinians-have-the-right-to-resist-and-what-are-the-limits-short-article/https://www.aljazeera.com/opinions/2017/7/20/palestinians-have-a-legal-right-to-armed-struggleFollow us @pkqueer on instagram ❤️
Dan records the podcast walking from Harajuku to Shibuya. He's desperately trying to appeal to his audience that he's too busy to shoot a video podcast...he's not. Dan teaches the Japanese phrase for when you do a Japanese Motorboat, MC work for EDCON on the 30th at Yoyogi National Gymnasium (free ticket link below), and answers Patreon member questions about failing flight simulators before dinner. https://edcon.io Become a Patreon member for 5 bucks a months (that's like one tall boy) and Dan will give you a shoutout and read your questions on the podcast patreon.com/DanWilsonUSAJPN Become a sponsor and support the Dan Wilson in Tokyo Podcast Email: dan.yahola.wilson@gmail.com Current Sponsors: sarvermovers.com/quote Promo Code- Danielsan for 5% off your move (512-596-9696). brakechimps.com (512-525-8950). The Dan Wilson in Tokyo Podcast Your one-stop podcast for everything Japan and Japanese culture...kind of. Dan Wilson is an American living in Japan working in the entertainment industry in the comedy duo Badonkadonk | バドンカドンク Instagram/TikTok/Twitter = @danielywilson
Harajuku, a neighbourhood in the Japanese capital Tokyo, has long been known as the birthplace of some incredibly colourful and unique fashion subcultures. The district had gone relatively quiet for years, but now one of its best-known styles called decora is staging a surprise comeback. In this episode of About Asia, we chart the rise, fall and rebirth of Harajuku’s fashion scene. Read more: https://sc.mp/cdeb24
Kicked off with "Harajuku core" of Japan's HANABIE (Playing @ The Palace, May 27!). After that, for a change, crankin' up for some good rockin' numbers as opposed to the usual load of extreme tunes, because even I need a break from it. But, still a hell-raisin' radio, 'cos it's the MUTHAFUCKIN' RAGE CAAAAGE!Playlist: Hanabie - TousouHanabie - Our 7 Days WarHanabie - Girl's TalkAccept - The ReckoningU.D.O. - 24/7Lynx - Hell in High HeelsRiot City - Paris NightsNight Demon - Livin' DangerousSebastian Bach - FreedomMichael Monroe, featuring Axel Rose - Dead, Jail or Rock 'N' RollVince Neil - You're Invited, But Your Friends Can't ComeStephen Pearcy - OverdriveThe Runaways - Queens of NoiseLita Ford - BlueberryThe Barbusters, featuring Joan Jett/Michael J. Fox - Light of Day (Bruce Springsteen cover)Lee Aaron - Teenage Kicks (The Undertones cover)Burning Point - Metal Queen (Lee Aaron cover)Doro - The Four Horsemen (Metallica cover)Apocalyptica, featuring James Hetfield/Robert Truijilo - OneFlotsam and Jetsam - I am the WeaponMetal Church - It's a SecretMetal Church - Merciless OnslaughtMetal Church - Watch the Children PrayExhorder - Defectum Omnium: Stolen HopeSavatage - DriveHalford - DriveJudas Priest - Heading Out To The HighwayGrave Digger - Road Rage KillerSaxon - WarriorDiamond Head - SpeedRaven - Thunder Down UnderSavage - On the RocksDamn Yankees - RunawayNight Ranger - 7 WishesStyx - Rockin' the ParadiseStyx - Best of TimesDennis Deyoung - Desert MoonAsterism - Planet of MetalAsterism - MetalRYUJIN - Saigo No HoshiX-Japan - Endless RainThe Last Rockstars - The Last Rockstars
I can't tell you how excited I have been for this trip and to be recording our first “On Location” episode of Luxury Travel Insider. While I love all my trips, this one is really special because Japan is brand new for me! Yep - I've been to over 100 countries and all 7 continents twice or more, but this is my first time here. I was supposed to visit in 2020 but of course the Pandemic had other plans. Now all of a sudden, Japan is one of our top destinations this year at Bell & Bly Travel, so I just needed to see it for myself! This week I'll be recording some of my impressions of the country, my favorite experiences, and answering some of your questions too. Pour a glass of your favorite Japanese whisky and join me on this adventure to Tokyo & Kyoto! Learn more at www.luxtravelinsider.com Connect with me on Social: Instagram LinkedIn
4月22日に行われたarc'teryx museum公開収録で紹介できなかったメールをいくつか紹介しつつ超鬼レアTシャツの大抽選会をしちゃいます！ 当選された方々！おめでとう御座います
今回の放送は4月22日に行われたarc'teryx museumの公開収録のもようをお送りいたします。 本当に沢山のメールが来たおかげで大変助かりました
みなさんこんにちは、かなこです！今日のシャドーイングは「～みたいです」。今回のPodcastは、Stuartさんの提供でお送りします。 Hi everyone, it's Kanako. Today's shadowing is “Subject is like the thing or the person”. The sentence structure “SubjectはNounみたいです” expresses the idea that something or someone resembles the thing or the person described by the noun. For instance, if it is still winter, but the day is warm like spring, you can say, “今日は春みたいです。”. Before we get started, I want to thank Stuart for supporting my show. ありがとうございます! それでは はじめていきましょう！ Let's get started！ ***************************************************** Follow me on Instagram→ https://bit.ly/KANAKOIG Subscribe to my YouTube channel→ https://bit.ly/KANAKOYOUTUBE Buy me a coffee→ https://bit.ly/KANAKO-Coffee Get your Genki textbook→ https://amzn.to/3Z5ShSz ***************************************************** Shiba Inu is like a cat. 柴犬は猫みたいです。 Shiba Inu looks like a fox. 柴犬はキツネみたいです。 This cat is like a human. この猫は人間みたいです。 Toy poodles are like stuffed animals. トイプードルはぬいぐるみみたいです。 Mr. Tanaka is like a bear. 田中さんはクマみたいです。 That person acts like a monkey. あの人はサルみたいです。 John acts like a Japanese. ジョンは日本人みたいです。 My friend is like an American. 友達はアメリカ人みたいです。 She looks like Barbie. 彼女はバービーみたいです。 Toronto is like New York City. トロントはニューヨークみたいです。 Myeongdong is like Harajuku. 明洞は原宿みたいです。 These noodles are like ramen noodles. この麺はラーメンみたいです。 ***************************************************** では もういちど、さいしょから ぜんぶ いってみましょう。Let's try shadowing the whole thing again, from the beginning. --- Send in a voice message: https://podcasters.spotify.com/pod/show/japanese-with-kanako/message
Fluent Fiction - Japanese: The Cosplay Mix-Up: A Day of Unforgettable Chaos and Joy Find the full episode transcript, vocabulary words, and more:fluentfiction.org/the-cosplay-mix-up-a-day-of-unforgettable-chaos-and-joy Story Transcript:Ja: 原宿の一角で、コ スプレイベントが開催されていました。 人々はカラフルで創造的な衣装を身につけ、自身が愛するキャラクターの一日になっていました。その中に、 サクラとヒロシ、二人の親友がいました。サクラは弾ける魅力のある魔女コスプレを、ヒロシは大胆不敵な騎士コスプレを身にまとっていました。En: In a corner of Harajuku, a cosplay event was being held. People were wearing colorful and creative costumes, transforming themselves into their beloved characters for the day. Among them were two best friends, Sakura and Hiroshi. Sakura was dressed as a vibrant and enchanting witch, while Hiroshi was dressed as a bold and fearless knight.Ja: 二人は、衣装を手作りしたほどのコスプレ愛好家で、今日は一年間待ちに待ったこの日のために、特別に用意した衣装を着てきていました。En: Both of them were devoted cosplay enthusiasts who had even handcrafted their costumes. Today, they had come prepared with specially made outfits for this eagerly awaited day of the year.Ja: しかし、一瞬の油断が、波乱万丈な一日の幕開けとなりました。ちょうどお昼のピクニックで一息入れようと、公園の片隅に差してあった折りたたみ式のテントで着替えを始めたのです。衣装が汚れるのを防ぐために、サクラとヒロシは一時的に衣装を交換することを決めました。En: However, a momentary lapse in attention marked the beginning of a tumultuous day. Just as they were about to take a break and have a picnic at noon, they started changing their clothes inside a foldable tent in a corner of the park. In order to prevent their costumes from getting dirty, Sakura and Hiroshi decided to temporarily exchange their outfits.Ja: しかし、それぞれが自分の衣装を取り戻す時、間違えて別の衣装を手に取ってしまったのです。それに気づかずにテントを出たサクラとヒロシは、混乱と笑いの渦に飲み込まれました。En: However, when it was time for each of them to reclaim their own costume, they accidentally picked up the wrong ones. Unaware of their mistake, Sakura and Hiroshi emerged from the tent, only to be engulfed in a mix of confusion and laughter.Ja: 街は一瞬で静まり返り、次いで爆笑が広がりました。魔女の衣装に身を包んだヒロシと、騎士の勇猛な姿になったサクラ。その想像もつかぬコンビが、原宿を騒然とさせました。En: The whole town fell silent for a moment, and then erupted in laughter. Hiroshi, dressed in the witch%27s costume, and Sakura, transformed into a valiant knight. This unexpected duo brought chaos to Harajuku, leaving everyone amused and amazed.Ja: しかし、その後の彼らの行動が、一層この日を特別なものにしたのです。衣装を交換したままイベントに参加し、コスプレの楽しさと自由さを見せつけることで、周囲の人々を驚かせ、多くの心を癒し、楽しませたのです。En: However, it was their subsequent actions that made this day even more special. They decided to participate in the event as they were, with their swapped costumes, showcasing the fun and freedom of cosplay. They surprised those around them, healing many hearts and bringing joy to everyone.Ja: 最終的に、コスプレイベントの審査員から絶賛を浴び、"Best Creative Award"を受賞した二人は、その日を最高な日として心に刻みました。En: In the end, they received praise from the judges of the cosplay event and were awarded the "Best Creative Award," etching that day into their hearts as the best day ever.Ja: もちろん、現場で爆笑した観客たちも、この日の出来事を決して忘れないでしょう。誤った衣装交換が導いた、サクラとヒロシの素晴らしい一日は、物語の主人公となる対立に対し、多くの人々が共感し、満足度の高い結末を迎えることとなりました。En: Of course, the spectators who had laughed uproariously at the scene would never forget this day either. The incredible day of Sakura and Hiroshi, brought about by the mistaken exchange of costumes, resonated with many people. It resulted in a satisfying conclusion to the story%27s main conflict and left a lasting impact. Vocabulary Words:Harajuku: 原宿cosplay event: コスプレイベントcostumes: 衣装beloved characters: 愛するキャラクターbest friends: 親友witch: 魔女knight: 騎士cosplay enthusiasts: コスプレ愛好家handcrafted: 手作りoutfits: 衣装lapse in attention: 一瞬の油断foldable tent: 折りたたみ式のテントpark: 公園dirty: 汚れるtemporarily: 一時的にexchange: 交換mistake: 間違いemerged: 出たconfusion: 混乱laughter: 笑いtown: 街amused: 楽しんだchaos: 騒ぎsubsequent: その後のparticipate: 参加するshowcasing: 見せつけるfreedom: 自由healing: 心を癒しpraise: 絶賛awarded: 受賞した
A lot of people come to Tokyo to shop. And a popular destination for trendy clothing is United Arrows. Did you know that United Arrows has a bar? A trendy, dandy bar! Sip a Japanese whiskey cocktail with well-dressed bartenders and clientele. Then mosey on over Hobo Shinjuku, which means "almost Shinjuku" where there are a myriad of neon-lit places to eat and drink the night away. And how do most Japanese finish the night? With a trip to the local karaoke shop of course!
Sometimes we need a break from the day-to-day, and that's when we go on Shore Leave!Shore Leave is our monthly series where we kick back and talk about some of the Sailor Moon and anime-adjacent topics that are on our minds. A real chill-out zone where ideas can hang out and do whatever. And now we're live every Wednesday night at 7pm central on Twitch!This week, we're talking about Sugamo, the Harajuku for grandmas, and Hideo Itokawa, the Dr. Rocket of Japan!What do we think about when we think about rockets?Join Kaliban on Twitch weekdays at 12pm for the Laser Lunch Hour!http://twitch.tv/justenoughtropeBecome a patron of the show and get access to our live-action PGSM, Animedification, Utena, and Evangelion podcasts!http://www.patreon.com/sailornoobPut Sailor Noob merch on your body!http://justenoughtrope.threadless.comSailor Noob is a part of the Just Enough Trope podcast network. Check out our other shows about your favorite pop culture topics and join our Discord!http://www.twitter.com/noob_sailorhttp://www.justenoughtrope.comhttp://www.instagram.com/noob_sailorhttps://discord.gg/49bzqdpBpxBuy us a Kōhī on Ko-Fi!https://ko-fi.com/justenoughtrope
Fluent Fiction - Japanese: Lost in Tokyo: The Adventure That Unveiled New Discoveries Find the full episode transcript, vocabulary words, and more:fluentfiction.org/lost-in-tokyo-the-adventure-that-unveiled-new-discoveries Story Transcript:Ja: 太陽が東京のコンクリートの雑踏に朝の第一光線を投げかけると、二人の外国人観光客、サクラとユキ、は元気に目覚めました。彼女たちは一日旅行の準備をするために寝起きしたのですが、疲れから来る混乱などもあり、東京駅での再会を約束したのにも関わらず、互いに道に迷ってしまいました。En: As the sun cast its first rays of the morning on the bustling concrete of Tokyo, two foreign tourists, Sakura and Yuki, woke up energetically. Despite the confusion that came with tiredness, they had planned to meet at Tokyo Station to prepare for their day trip. However, they both ended up getting lost along the way.Ja: 真ん中に立つ大都市の建物は空に高くそびえて見え、何百もの街頭と看板が両手を広げて呼びかけます。駅から迷いの深淵へと足を踏み入れた彼女たちは、直感と観光地図を頼りに、朝の活力に満ちた市場の通りを探索し始めました。 しかし、どれだけ進んでも、目的地に向かって前進している気がしませんでした。En: The towering buildings in the heart of the city seemed to reach high up into the sky, while countless streets and signs beckoned with their outstretched arms. Stepping into the abyss of lost wanderings from the station, they relied on intuition and a tourist map as they began to explore the vibrant streets of the market, filled with morning vitality. However, no matter how far they went, it felt as if they weren't progressing towards their destination.Ja: その瞬間、ヒロシという名前の若者が二人の前に現れました。ヒロシは日本語と英語の両方を話し、パスポートの封筒から匂うインクと紙の香りに、外国への旅を思い起こさせました。彼に道を尋ねると、彼もまた同じ問題、つまり道に迷ったと告げました。三人はその時、知らぬ間に求めていたものに出会ったのだ - 仲間。そこで決めました、共に道を探すことを。En: In that moment, a young man named Hiroshi appeared before them. Hiroshi spoke both Japanese and English, and the scent of ink and paper from the envelope containing his passport reminded them of travels to foreign lands. When they asked him for directions, he confessed that he too faced the same problem of being lost. Without realizing it, the three of them had found what they were seeking - companionship. And so they decided to search for the way together.Ja: その日、彼らは東京の縦横無尽に広がる路地を巡りました。上野公園から浅草寺、さらには原宿と渋谷の賑やかな街並みを通過して、その国で一番の生活感を体験しました。道に迷うことは他の驚くべき発見へと導き、それぞれの経験が彼らの物語に新たな章を刻みました。En: That day, they roamed through the labyrinthine alleys of Tokyo. They visited Ueno Park, passed through Senso-ji Temple, and experienced the vibrant streets of Harajuku and Shibuya, immersing themselves in the liveliness of the country. Getting lost led them to astonishing discoveries, carving new chapters in their own stories through their individual experiences.Ja: 日が西に傾き、オレンジ色の光が建物のガラスに反射すると、彼らは再び東京駅で結集しました。初めは目的地にたどり着けなかったが、それぞれが心の中に持っていた東京のイメージは確かに存在し、心は満たされました。道に迷うことで見えてきた景色、味わった料理、つかんだ友情が、時間と共に彼らの思い出の富となりました。En: As the sun began to set, casting its orange light reflecting off the glass buildings, they gathered again at Tokyo Station. Although they had initially failed to reach their intended destination, the image of Tokyo that each of them held in their hearts had undeniably existed, and their hearts were content. The landscapes they saw from getting lost, the flavors of the food they tasted, and the friendships they grasped became the wealth of their memories over time.Ja: 「迷子になることで、新たな友情を見つけ、この都市を本当に経験することができました。これが私たちの物語です」とサクラは微笑みました。ユキとヒロシは同意し、笑顔を交換しました。道に迷うことの素晴らしさを味わった彼らは、これ以上の贈り物を望むことはありませんでした。En: "By getting lost, we were able to find new friendships and truly experience this city. This is our story," Sakura smiled. Yuki and Hiroshi agreed, exchanging smiles. Having tasted the wonders of getting lost, they didn't desire anything more.Ja: 東京の街を彷徨うそれぞれの冒険は、一日の終わりにはサクラ、ユキ、ヒロシの三つの心に刻まれ、彼らの物語に深い色合いを添えた。サクラとユキ、ヒロシは一つの教訓を学びました。道に迷うことは時には混乱とストレスに満ちていても、新たな発見、驚き、そして友情をもたらす冒険への扉を開けるかもしれません。En: Each of their adventures wandering the streets of Tokyo left deep imprints on the hearts of Sakura, Yuki, and Hiroshi, adding vibrant shades to their stories. Sakura, Yuki, and Hiroshi learned a valuable lesson. Getting lost, even though it may be filled with confusion and stress at times, can open doors to new discoveries, surprises, and friendships. Vocabulary Words:As: 朝のsun: 太陽cast: 投げかけるとits: 自分のfirst: 第一rays: 光線morning: 朝bustling: 雑踏concrete: コンクリートTokyo: 東京two: 二人のforeign: 外国人tourists: 観光客Sakura: サクラwoke: 目覚めましたup: 上energetically: 元気にDespite: にも関わらずconfusion: 混乱that: それがcame: 来るwith: とともにtiredness: 疲れthey: 彼らhad: するためにplanned: 計画to: 〜するmeet: 再会at: 〜でStation: 駅
Fluent Fiction - Japanese: Lost in Tokyo: A Serendipitous Cosplay Adventure Find the full episode transcript, vocabulary words, and more:fluentfiction.org/lost-in-tokyo-a-serendipitous-cosplay-adventure Story Transcript:Ja: 東京のグレーな朝、桜は山手線へと足を運んだ。曇った窓を通して見るこの大都市の風景は、いつもと同じだった。しかし、今日は何となく違う日だ。En: On a gray morning in Tokyo, Sakura headed towards the Yamanote Line. The view of this metropolis through the cloudy window was the same as always. However, today felt somewhat different.Ja: 桜は日本語学校に通う留学生で、東京の交通路にはまだ慣れていなかった。彼女の胸には、友達と行く予定だったコスプレ大会への興奮と、電車の行き先が分かりにくい不安が混ざっている。En: Sakura was an international student attending a Japanese language school and was not yet accustomed to the transportation routes in Tokyo. In her heart, a mixture of excitement for the cosplay event she was planning to attend with her friends and anxiety about the difficulty of understanding the train destinations.Ja: スマホを見つめながら、「次は渋谷だから、その次の原宿で降りなきゃ」と心に誓った。しかし、誤って目を閉じてしまい、目が覚めたときには未知の駅に立っていた。En: While gazing at her smartphone, she made a mental note that she would have to get off at Harajuku after Shibuya. But, by mistake, she closed her eyes, and when she woke up, she found herself at an unknown station.Ja: 混乱の中、桜は誰にも尋ねることなく降りた。彼女は周囲を見渡すと、突如として奇妙な風景に出くわした。色とりどりのコスプレーヤーたちが、楽しげに喧噪を立てていた。まるでカラフルなパラソルのような彼らの存在は、玄関や店先を彩っていた。En: In her confusion, Sakura got off the train without asking anyone. As she looked around, she suddenly came across a strange sight. Colorful cosplayers were making a lively commotion. Their presence, like colorful parasols, adorned the entrances and storefronts.Ja: 間違えて降りてしまったことを後悔しつつも、その光景は彼女を引きつけた。彼女はエネルギッシュな雰囲気に感化され、自分も参加することにした。En: Regretting getting off at the wrong stop, Sakura couldn't help but be drawn to this sight. Inspired by the energetic atmosphere, she decided to join in.Ja: 靴を脱ぎ、化粧を施し、出店で借りたコスプレ服に着替えていく。桜はすぐにその場の一員となり、楽しみ始めた。すぐに、彼女は失敗だったと思ったその日が、一番の冒険となった。En: Taking off her shoes, applying makeup, and changing into a cosplay outfit rented from a stall, Sakura quickly became part of the scene and started to enjoy herself. The day that she initially thought was a mistake turned out to be her greatest adventure.Ja: 桜が振り返ったとき、山手線の電車はまだその場所にいた。彼女は再び電車に乗り込み、目的地に出発した。En: When Sakura looked back, the Yamanote Line train was still in the same place. She got back on the train and set off for her intended destination.Ja: だが、桜はすでに1つ大切なことを学び取っていた。それは、道に迷うことが必ずしも悪いことではないということだ。時には、迷いを楽しむことで新たな冒険と出会えるのだ。そうと知った彼女は、電車の窓から見える東京の風景にニッコリとうっすらと微笑んだ。En: However, Sakura had already learned an important lesson. That getting lost is not always a bad thing. Sometimes, by embracing uncertainty, we can encounter new adventures. Realizing this, she smiled faintly as she looked out of the train window at the Tokyo scenery.Ja: これからも桜は、山手線での運命の出会いを思い出しながら、東京の新たな冒険を喜んで受け入れるだろう。少しエキサイティングな予期せぬ旅は、この大都市での彼女の生活をより豊かに彩りつつあったのだ。En: From now on, Sakura will continue to embrace new adventures in Tokyo while remembering the fateful encounter on the Yamanote Line. This unexpected and exciting journey was adding richness to her life in this metropolis. Vocabulary Words:On: 東京のgray: グレーなmorning: 朝in: でTokyo: 東京Sakura: 桜headed: 足を運んだtowards: へとthe: 線Yamanote: 山手線Line: The: 曇ったview: 窓of: を通してthis: このmetropolis: 大都市through: はcloudy: いつもと同じwindow: だったwas: しかしthe: 今日same: は何となくas: 違うalways: 日However: 桜はtoday: 日本語学校felt: に通うsomewhat: 留学生でdifferent: 、東京の
Hi Car Chats fam, We hope you enjoyed this special guest episode with Ariana and her boyfriend Jack, sharing their travel adventures from Japan. Our favourite places: - Team Lab planets, Tokyo (https://www.teamlab.art/e/planets/) - Universal Studios, Osaka - National Bunraku Theatre, Osaka - traditional puppet show (https://www.ntj.jac.go.jp/bunraku.html) - Okonomiyaki village, Hiroshima - Japanese pancake - Herb garden, Kobe - Nara - deer park & Todaiji temple - Kiyomizu-dera temple, Kyoto - Ichiran, a ramen chain where you eat in a booth - Hakata Issou, the BEST tonkatsu (pork) ramen, Fukuoka - Try Monjayaki (a type of Japanese pancake) in Tokyo - A happy pancake, Harajuku, Tokyo Cooking class: - Luna Nueva, Tokyo (https://www.instagram.com/luna_nueva_tokyo_jce/), booked on https://www.byfood.com/ Matcha recommendations: - Day trip to Uji from Kyoto (buy matcha powder from Nakamura tokichi, enjoy a matcha latte at Tsujirhai honten) - Suzukien Asakusa, Tokyo (matcha ice-cream) - Ippodo Tea, Kyoto & Tokyo (buy matcha powder & tea here) - Nana's green tea, all over Japan (iced matcha latte) - Saijoen, Nagoya (matcha soft serve & iced matcha latte) Other: - Klook app for booking transport (JR), tourist attractions etc. - Sims direct for data SIM card - Japan Travel app for transport/maps Sending Love, Car Chats girlies - Ariana (@sofoody) & Liannah (@meadow.blu.creative) x P.S Don't hesitate to reach out to us via Instagram (@car.chats) or email (@car.chats.contact@gmail.com).
Are you ready to embark on an adventure with us to the land of the Rising Sun? Buckle up as we announce our travel video series in Japan , all in one breath! We take you on a rollercoaster of emotions, from the jitters of popping the question to the thrill of planning an unforgettable journey. And you, dear listeners, get to be part of every step!Just imagine waking up in Japan with your favourite cup of joe, tuning into our podcast, and exploring Japan with us. We'll spill the beans on must-visit places like the Harry Potter cafe, Gun Damn statue, and the Ramen Museum. Plus, we'll even take you on a fashion spree to Harajuku and a virtual tour inside the Sega Arcade! As we share our money-saving tips and talk about the social aspects of smoking, we can't help but feel the excitement bubbling up. We're all about making memories, exploring new cultures, and of course, having a blast!As we make last-minute preparations, we take a moment to appreciate the magnitude of the journey ahead. We're packing our bags, saying our goodbyes, and gearing up to create a treasure trove of experiences. Sure, there are pre-trip jitters, but the excitement of what's to come far outweighs it. So, come join us on this adventure - a trip that promises fun, laughter, and life-changing decisions. Trust us, it's going to be epic!Support the showDon't forget to hit that notification bell and subscribe so you never miss any new content.Follow us at Instagram : https://www.instagram.com/senpai_with_someguy/ Spotify: https://open.spotify.com/show/3yAafTPnqjJt32BwF6GmKa Apple Podcast: https://podcasts.apple.com/us/podcast/senpai-with-some-guy/id1596622969Patreon: https://www.patreon.com/SenpaiwithSomeguyUnraveling Anime Style
In some ways the 21st century is a very unusual time when it comes to adolescence - a study in the US found that teenagers smoke less, drink less and have less sex than the previous generation. And worldwide young people are coming of age in a digital era, with the dangers and opportunities that represents. Our expectations of teenagers vary hugely depending on the social, historical and cultural context. Paleoanthropologist Ella Al-Shamahi takes us through the big evolutionary questions about adolescence: Why do humans go through this developmental stage? What's the point of all that teenage angst? And how come every generation stubbornly repeats the same mistakes? She is joined by a panel of experts: Laurence Steinberg is one of the world's leading experts on adolescence. He is Professor of Psychology and Neuroscience at Temple University in Philadelphia, USA. His latest book is called, 'You and Your Adult Child'. Emily Emmott is a lecturer in biological anthropology at University College London. She's currently researching the implications of the social environment around us during our teenage years. Jon Savage is a British writer and music journalist, best known for his history of the Sex Pistols and punk music. He's the author of 'Teenage: The Creation of Youth Culture'. Brenna Hassett is a bioarchaeologist at University College London and the author of 'Growing Up Human: The Evolution of Childhood'. Presented by Ella Al-Shamahi Produced by Jo Impey Image: Teenagers dance the twist around a radio cassette recorder in a street in the Harajuku district of Shibuya, Tokyo, Japan, 1978 (Photo by Keystone/Hulton Archive/Getty Images)
Explore the history of literary greats drinking at Donzoko in Shinjuku. Taste one of the first craft breweries in Japan - born out of a fish market no less! And pick your favorite bottle of wine and frozen junk food at Yamamoto Shoten in Ebisu - our favorite way to end a night of drinking!
Courtney, her husband, and two sons traveled to Japan for an epic two-week adventure. She shares details of their time at Tokyo Disneyland, Tokyo Disney Sea - including their stay at the Hotel MiraCosta - and Universal Studios Japan. Courtney also covers the highlights of her family's exploration of Japan's Harajuku area, Mt. Nokogiri, temples, spa, Osaka, Torii Gates, a traditional tea ceremony, and a bamboo grove. Listen to also hear how the weather impacted her trip and what she thought was worth the effort and what she wouldn't do again. Post trip begins: 1:08 Links: TDR Explorer Klook Japan Walt Disney World Crowd Calendar 7 Step Disney World Planning Process Leave me a message (including trip report submissions) Please use the SpeakPipe link below to leave us a message with your first name, location, and trip info. You can do that using your computer or phone at https://www.speakpipe.com/WDWPrepToGo Subscribe to get new episodes There are a few ways to get new episodes of WDW Prep to Go (if you're used to listening on the website, subscribe so you can take new episodes with you on your phone) Subscribe in iTunes (and please leave a review!) Subscribe in Google Podcasts Listen on Stitcher Follow on social media Instagram Twitter Facebook Pinterest TikTok YouTube Become a Patron Get a quote request for a future trip from Small World Vacations Visit the site Check out the new WDW Prep Merch! Things we recommend Affiliate Links: Amazon DVC Rentals Quicksilver Tours and Transportation Small World Vacations Designer Park Co - Use code “WDWPrep” to save 10%
This week on Krewe of Japan... Jenn & Doug sit down with Chris Carlier of Mondo Mascots to explore the wide & wacky world of Japanese Mascots. Kumamon, Domo-Kun, Chiitan and so many others... Chris shares his expertise & passion for these lovable characters through stories about how they have evolved from marketing & branding tools to international sensations and cultural ambassadors, help drive tourism for small communities, & so much more. ------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram:@kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Chris Carlier (Mondo Mascots) ------Mondo Mascots on TwitterMondo Mascots on InstagramMondo Mascots Blog
learn about Harajuku - the landmarks and the streets
Super Hero Time! The Krewe talks tokusatsu from a couple different perspectives! First Doug chats with long time friend, avid listener of the podcast, and tokusatsu aficionado Chris Gooden to discuss his take on tokusatsu and its US counterparts. Then, Doug sits down one-on-one with a former Super Sentai to talk about what it was like acting in tokusatsu. Sotaro Yasuda is best known for his role in Juken Sentai GekiRanger as Ken Hisatsu aka GekiChopper, but he also played the villain-turned-hero Jabel in Kamen Rider Ghost. Sotaro shares some great stories from times on the set and at live shows, his own experiences as a tokusatsu fan, and how he stays connected to the world of tokusatsu! You don't want to miss this one!------ About the Krewe ------The Krewe of Japan Podcast is a weekly episodic podcast sponsored by the Japan Society of New Orleans. Check them out every Friday afternoon around noon CST on Apple, Google, Spotify, Amazon, Stitcher, or wherever you get your podcasts. Want to share your experiences with the Krewe? Or perhaps you have ideas for episodes, feedback, comments, or questions? Let the Krewe know by e-mail at kreweofjapanpodcast@gmail.com or on social media (Twitter: @kreweofjapan, Instagram:@kreweofjapanpodcast, Facebook: Krewe of Japan Podcast Page, TikTok: @kreweofjapanpodcast & the Krewe of Japan Youtube Channel). Until next time, enjoy!------ More Info on Sotaro Yasuda ------Sotaro's YouTube Channel "Sotaro's SouChannel"/聡太郎のそうちゃんねるSotaro on InstagramSotaro on TwitterSotaro on IMDb
You've heard about our girls trip to Tokyo several times now, and today we're bringing you an extra special, in-person episode with repeat guest (and our third mastermind member) Cassandra Sethi.In this episode you'll hear the three of us chat in Tokyo together about our AirBNB Experience with a personal stylist!Points Discussed in this Episode Choosing a personal stylist AirBNB Experience Expectations versus what we got What we noticed about the differences in style between american and japanese brands Cass experiencing the other side of the relationship: getting style advice versus giving Cass' tips for shopping and being intentional when you go shopping How Cass decides whether or not to buy a certain piece Nicole's great find! Cass' POV on “fashion forward” Mentioned in this episode: Cass' first appearance on NKCRCass' business, Next Level WardrobeAirBNB Experience w our StylistOur stylist Keisuke Hayashi on InstagramThe three of us shopping (insta reel)Harajuku: the area we went shopping inSacai brandChaos brandThank you so much for joining us for our special guest episode with Cass Sethi on our personal style experience in Tokyo!Don't forget to follow or subscribe to Nicole & Kate Can Relate for more episodes like this one! Our mission with this podcast is to share a candid convo one time per week to help provide love, support, and space for women to share without judgment, speak without hesitation, and learn from each other - even when we don't agree.
Gwen Stefani recently made headlines after an interview with Allure magazine in which she claimed to be Japanese. The pop star received a lot of backlash for these comments and has been accused of cultural appropriation. The controversy raised a lot of questions about what it means to be respectful when engaging with other cultures. This week's episode unpacks the difference between cultural appropriation and cultural appreciation. In order to do this, it draws on the expertise of Melissa Vela-Williamson, an award-winning PR practitioner, national PR columnist, author, and podcast host, who has a rich and deep background in Diversity, Equity, & Inclusion and how this relates to communication. Tune in to find out whether Gwen is guilty of cultural appropriation or cultural appreciation and hear an important list of some of the dos and don'ts of multicultural practices for anyone in communication.Key Points From This Episode:What Gwen Stefani said about her Harajuku era in an Allure interview that caused such a backlash.How Molly's recent workshop with guest Melissa Vela-Williamson relates to the question of cultural appropriation.The difference between the full context of the entire article and the pull-quote.Molly's definition of culture and how it relates to her work of drawing lessons from pop culture.How Molly hopes that this episode will help people gain cultural competence.Melissa's definition of the difference between cultural appropriation and cultural appreciation.Where Gwen Stefani falls in light of this definition.A list of some of the dos and don'ts of cultural appreciation for those in communication.How Gwen should have handled the question.The Indestructible PR® Tip regarding cultural appropriation and awareness.Links Mentioned in Today's Episode:Molly's TikTok about Gwen StefaniAllure - "Gwen Stefani: "I Said, 'My God, I'm Japanese'"" Melissa Vela-Williamson's book, Smart Talk: Public Relations Essentials All Pros Should KnowFollow Molly McPherson: Patreon Instagram TikTok Twitter YouTube Facebook Listen and Subscribe on Apple Podcasts Indestructible: Reclaim Control and Respond with Confidence in a Media Crisis Indestructible: Reclaim Control and Respond with Confidence in a Media Crisis - Audio Book © 2023 Indestructible PR Podcast
Techish is back with another episode! Abadesi & Michael break down :Canadian accountant has to pay back $2,000 for 'time theft' (00:50)Discord buys the Gas app (05:05)Gwen Stefani doubles down on Harajuku cultural appropriation (09:35)Peter Thiel sold the crypto dream while cashing out (14:25)OpenAI outsourced 'ethical AI checks' to Kenyan workers on less than $2/hr (19:20)Should we support Black owned businesses? (23:35)Flo Rida sues energy drinks company for $82M (29:00)—————————————————————This episode is sponsored by Hubspot:Learn how Hubspot can help your business grow better at https://www.hubspot.comExplore the Martech Podcast:https://martechpod.com/—————————————————————Extra Reading:https://www.npr.org/2023/01/13/1148985075/time-tracking-software-canadian-woman-reach-cpa-courthttps://www.theverge.com/2023/1/17/23558563/discord-gas-app-social-media-acquisitionhttps://www.allure.com/story/gwen-stefani-japanese-harajuku-lovers-interviewhttps://www.ft.com/content/0a1d5597-7145-4035-987b-ff033bba3d75https://time.com/6247678/openai-chatgpt-kenya-workers/https://www.billboard.com/pro/flo-rida-wins-82m-legal-battle-energy-drink-company/————————————————————Use the hashtag #Techish on Twitter & IGSupport Techish at https://www.patreon.com/techishAdvertise on Techish: https://goo.gl/forms/MY0F79gkRG6Jp8dJ2————————————————————Stay In Touch:https://www.twitter.com/michaelberhane_https://www.twitter.com/abadesihttps://www.twitter.com/hustlecrewlivehttps://twitter.com/techishpodEmail us at techishpod@gmail.com
We've all had a lovely waffle from Harajuku and said some mad stuff, haven't we?AbroadInJapanPodcast@gmail.com to say hiya! x Hosted on Acast. See acast.com/privacy for more information.
This week is bananas, B-A-N-A-N-A-S! Not really, but this week we're talking about Gwen Stefani, Dungeons and Dragons, and manga!
Wenn dich ein Magazin zur angesagtesten Gegend von ganz Japan kürt, ist das relativ sicher der Anfang vom Ende. Heute schlendere ich durch fünf vermeintliche Trendviertel Tokyos — von Omotesando bis Shimokitazawa — und schaue, wie viel von der einstigen Coolness noch übrig ist. Und: was hat Gwen Stefani mit dem Untergang von Harajuku zu tun?!
Gwen Stefani is in hot water again. The former No Doubt lead singer is facing backlash over her comments in a new Allure interview in which she KEPT SAYING SHE'S JAPANESE. (Sorry to yell.) Gwen's unusual claim is in response to a question about her problematic “Harajuku era” from the 2000s - that period of time when she paraded around with an entourage of four Japanese women and sold clothing and perfume “inspired” by Harajuku culture. Unfortunately for Gwen, she's got a loooong rap sheet of appropriation, which goes beyond just Japanese culture. But is that history of ripping off other cultures finally catching up with her? Or will “mother appropriation” simply get another pass?Listen ad free with Wondery+. Join Wondery+for exclusives, binges, early access, and ad free listening. Available in the Wondery App. Support us by supporting our sponsors!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
What's good! Chan breaks down Gwen Stefani's "Harajuku girls" scandal and how she is claiming to be Japanese. He also shows love to Damar Hamlin for recovering well and his Minecraft addiction. BUILD!
Full seven hour odyssey available only on Patreon: patreon.com/imsopopular On a colossal odyssey through the streets of Tokyo, Samuel and Chi Chi submerge themselves into a sea of memories from Japan past and future, discussing the music of transcendental girl group PERFUME and the quintessential fragrance MONOCLE 3: SUGI COMME DES GARÇONS. Against a breath of fog settled over Yoyogi Park, hot pink sparkling outfits in Harajuku, the warbling voices of Yakitori staff and, finally, the glimmering waters beneath Tokyo Sky Tree, two white gays in Japan mine the country for all it's worth and unearth in its broken culture, sodomized idols and uncanny pop music a lust for life's beauties so intense no atom bomb or tsunami could stop it. Manhandling reality and twisting it into your most perverse fantasies, draining your soul into the void for fame and surmounting national calamity for art... Love the world: spinning world, spinning girl, chocolate disco. A rainbow colored laser beam pierces me through the heart and the world is an endless resetting digital memory of algorithms protested and resisted. Japanese Pop Music Is God and Perfume Is His Prophet.
Stephanie Rosier, a Japanese teacher in Sydney, organised the Sydney team of Greenbird, a volunteer street cleaning organisation that originated in Harajuku, Japan.
Jackie and Hope are dissecting Power Play and Performance in Harajuku, an article by writer, art historian, and baby bangs icon Amelia Groom. It's basically a who's who of fashion theory and philosophy so get ready to chew on some ideas from Roland Bartes, Pierre Bourdieu, Jean Baudrillard, and even Plato! Please hold their hands as they wade through this delightfully jam-packed text. We're socialists, so follow us on our socials! @fashismpod on Instagram and TikTok Email us at fashismpod@gmail.com
Last week on The Secret Sits, we had begun exploring the Aum Supreme Truth cult which based its roots in Japan. The group has built a virtual army and its leader Asahara has ordered the production of 70 tons of a toxic gas; this would be enough to kill every living thing on planet Earth, and that is where we find ourselves while we pick up our story today.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Japan #Tokyo #Meditation #Buddha #MtFuji #Aum #Yoga #FBI #TakeshitaStreet #ShokoAsahara #Asahara #History #AumSupremeTruth #aumshinrikyo #Harajuku #Travel #Mainichi #TsutsumiSakamoto #Kyoto #Australia Shooting Straight Radio PodcastWelcome to 2nd Amendment University!! This podcast (formerly known as "Shooting...Listen on: Apple Podcasts SpotifySupport the show
Last week on The Secret Sits, we had begun exploring the Aum Supreme Truth cult which based its roots in Japan. The group has built a virtual army and its leader Asahara has ordered the production of 70 tons of a toxic gas; this would be enough to kill every living thing on planet Earth, and that is where we find ourselves while we pick up our story today.We are looking for hometown True Crime stories for future episodes. Please send your stories to us at: TheSecretSitsPodcast@gmail.comFollow us on our social media at:https://drum.io/thesecretsitshttps://www.youtube.com/channel/UCwnfvpNBYTo9BP1sVuFsfGQTheSecretSitsPodcast (@secretsitspod) / Twitterhttps://www.instagram.com/thesecretsitspodcast/https://www.facebook.com/TheSecretSitsPodcasthttps://www.tiktok.com/@thesecretsitspodcast?lang=enSupport the showhttps://www.buymeacoffee.com/TheSecretSits#Japan #Tokyo #Meditation #Buddha #MtFuji #Aum #Yoga #FBI #TakeshitaStreet #ShokoAsahara #Asahara #History #AumSupremeTruth #aumshinrikyo #Harajuku #Travel #Mainichi #TsutsumiSakamoto #Kyoto #Australia Shooting Straight Radio PodcastWelcome to 2nd Amendment University!! This podcast (formerly known as "Shooting...Listen on: Apple Podcasts SpotifySupport the show
8月の初（はじ）めに東京（とうきょう）に行（い）ってきた時（とき）の話（はなし）をしました。東京（とうきょう）で行（い）った場所（ばしょ）、見（み）てきたもの、どれくらい暑（あつ）かったか、国会議事堂（こっかいぎじどう）の話（はなし）、原宿（はらじゅく）でのエピソードなどなど話（はな）しています。東京（とうきょう）に行（い）ったことがある人（ひと）もない人（ひと）も、日本人から見（み）た東京（とうきょう）観光（かんこう）を味（あじ）わってみてください！ We talked about the trip to Tokyo in the beginning of August. You can learn the places we visited, various experiences we had, how hot it was, how was the tour of the National Diet Building, and what happened to Tora at Harajuku from this episode! I bet all of you can enjoy exploring Tokyo with us no matter whether you have been to Tokyo or not! --- Send in a voice message: https://anchor.fm/toranomaki-japanese/message
Chi Chi's first friend in Tokyo arrives out of the neon circuits of Harajuku and Shinjuku and Kabukicho, Tokyo, to fuse together three pieces of film concerning beautiful white foreign women in Japan: LOST IN TRANSLATION, HBO GIRLS and THE RAMEN GIRL. The vision they piece together is a lonely trial of the soul, video game texture mexaplexes, cat cafes, a creation of the self via exposure to the exterior, Pocari Sweat, reckless collage of stereotype, atomic bombs and -- I DON'T UNDERSTAND! WHY AM I HERE?! Follow I'M SO POPULAR on Twitter: twitter.com/imsopopularpod And listen to the exclusive bonus show SIRENS only on Patreon, this week discussing how to perform in drag, phone games, Johnny Depp, racism and more: https://www.patreon.com/posts/66879644 (S3.E02 異境にいる美人たち)
Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese? By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan's past have been used by various actors throughout the modern era. In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese? By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan's past have been used by various actors throughout the modern era. In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/east-asian-studies
Popular representations of the past are everywhere in Japan, from cell phone charms to manga, from television dramas to video games to young people dressed as their favorite historical figures hanging out in the hip Harajuku district. But how does this mass consumption of the past affect the way consumers think about history and what it means to be Japanese? By analyzing representations of the famous sixteenth-century samurai leader Toyotomi Hideyoshi in historical fiction based on Taikōki, the original biography of him, this book explores how and why Hideyoshi has had a continued and ever-changing presence in popular culture in twentieth- and twenty-first-century Japan. The multiple fictionalized histories of Hideyoshi published as serial novels and novellas before, during, and after World War II demonstrate how imaginative re-presentations of Japan's past have been used by various actors throughout the modern era. In The Afterlife of Toyotomi Hideyoshi: Historical Fiction and Popular Culture in Japan (Harvard UP, 2022), Susan Furukawa discovers a Hideyoshi who is always changing to meet the needs of the current era, and in the process expands our understanding of the powerful role that historical narratives play in Japan. Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Ralph Kiggell has been an important part of the international mokuhanga community for many years. Ralph takes many different elements of mokuhanga, the energy and exploration of an artist, to create some of the most dramatic and ambitious mokuhanga today. On this episode of The Unfinished Print I speak with mokuhanga printmaker Ralph Kiggel about his life in Thailand, using locally sourced materials for his mokuhanga from that country; we also speak on his artistic ambitions, his observations on the current state of the mokuhanga community, and what he would like to see as its future. Please follow The Unfinished Print and my own print work on Instagram @andrezadoroznyprints Twitter @unfinishedprint, or email me at theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Ralph Kiggell - website, Instagram, interview with Evil. O Japan and the West - Japan as a country has had an uneasy relationship with the "West." In many cases this relationship has focused solely with the United States. For a fine early description of this particular relationship please read The Making of Modern Japan, by Marius B. Jansen, and Empreror of Japan: Meiji and His World, 1852-1912 by Donald Keene. ukiyo-e - is a multi colour woodblock print generally associated with the Edo Period (1603-1867) of Japan. What began in the 17th Century as prints of only a few colours, evolved into an elaborate system of production and technique into the Meiji Period (1868-1912). With the advent of photography and other forms of printmaking, ukiyo-e as we know it today, ceased production by the late 19th Century. Rembrandt Harmenszoon van Rijn (1606-1669) - was a Dutch painter, considered to be a part of the Dutch Golden Age of painting. He was notable for his self-portraits, landscape painting, and empathic painting. Serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper, etc. Western Engagement with Mokuhanga - the connection with woodblock prints and the West, predominantly with the United States and Britain, began when the elite of both countries started collecting ukiyo-e. Collecting ukiyo-e was the fashion for wealthier patrons of the arts who saw the beautiful images from Japan and their “Oriental” aesthetic as worth collecting. By the start of the twentieth century ukiyo-e production had began to wane. It wasn't until Watanabe Shōzaburō (1885-1962) who worked in the woodblock print business, and who exported prints to the West to a foreign market, saw the benefit of focusing his business for foreign buyers. He established his publishing house in Tōkyō for making woodblock prints with high end techniques (almost lost at that point) and used the traditional hanmoto system of print production to facilitate the demand. This began a fruitful business which created a new generation of woodblock production and Japanese aesthetic. The two important types of woodblock print styles from this period are shin-hanga (new prints), and sōsaku-hanga (creative prints). shin-hanga - or, new prints, is a style of woodblock print production connected to the early twentieth century in Japan. Attributed to Watanabe Shōzaburō, and were created via the ukiyo-e, hanmoto system. Prints are produced through a hierarchy. This hierarchy is as follows: publisher commissions artist who designs the prints, professional woodblock carvers carve the prints, and professional printers print the prints. This collaboration system helped make shin-hanga into the collectable works we find today. They help to codify a romanticized Japanese aesthetic, for a Western audience. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self made prints was a breakthrough for printmakers beginning to move away from where only a select group of carvers, printers and publishers created woodblock prints. War prints & Japanese Imperialism - as Japan entered the Pacific Theatre of war (1941-1945) with the United States, the fascist military government had complete power in Japan at the time, and used woodblock prints, as well as other mediums such as lithography and photography, to propagandize their war effort. Printmakers such as Kawase Hasui (1883-1957) even got involved in producing prints that helped the war effort. He designed several war prints during this time period. Prints such as The Red Setting Sun, is a prime example of how the times and aesthetic show a relatively innocuous scene of figures (Japanese soldiers) riding on horses with a setting sun back drop. For more detailed information regarding war time prints I suggest, Conflicts of Interest: Art and War in Modern Japan, ed. Philip K. Hu w/ Rhiannon Paget, and The Politics of Painting by Asato Ikeda. My interview with Rhiannon Paget PhD can be found, here. The American Occupation and Woodblock Prints - the occupation of Japan occurred after the end of the Pacific theatre (1941-1945) and World War 2 (1939-1945). The Occupation of Japan was from 1945-1952. During this period of nation rebuilding, the Japanese print market as a post-war souvenir was very popular. The rapid growth of the woodblock print in the immediate post-war is attributed to several factors. Robert O. Muller (1911-2003) was an American collector who helped establish print connections with Japan and the United States. From owning the Shima Art Co. of New York City, to working with Shōzaburō in Tōkyō after the war, Robert O. Muller's contribution can be considered unprecedented in woodblock print history. Kōshirō Onchi (1891-1955) was another factor in the rise of woodblock prints during the Allied Occupation. His First Thursday Society, and with the help of his daughter who worked directly with the Supreme Commander of Allied Powers (SCAP), Onchi was able to spread the word on the creative prints project (sōsaku hanga) by making connections with important collectors in the American military government, as well as recruiting American artists, such as Ernst Hacker (1917-1987). For more information regarding the American Occupation of Japan and woodblock prints please read, Japanese Prints during the Allied Occupation 1945-1952, and Troubled Times and Beyond: Japanese Prints 1931-1960, published by Nihon no Hanga, Amsterdam. My interview with Maureen de Vries, curator of Nihon no Hanga, can be found, here. Evolving Techniques in Japanese Woodblock Prints - is a book published by Kodansha International in 1977. It was written by Canadian woodblock printer Gaston Petit, and Amadio Arboleda, who currently apprentices as a violin maker in Tōkyō. Tama Art University - is an arts university located in various campuses in Tōkyō. It has various departments such as Architecture, Product and Textile Design, and Art Studies. 入門 - "nyuumon" in the title of the book Ralph speaks about in our interview, where we discuss what the following kanji means. There are a few meanings for this particular kanji, but in regards to the book I believe it to mean, "beginning training." 水生 - "suisei" is a Japanese word meaning, "water based." 刷物 - "surimono" is a Japanese word which means, literally, "printed thing." These were also privately commissioned prints made by wealthier clients for special occasions. These prints usually were extremely extravagant, using high-end techniques and pigments. I could not in my research find whether or not "surimono" was used more colloquially, rather than "ukiyo-e." kentō - is the registration system used by printmakers in order to line up the colour woodblocks with your key block, or outline block, carved first. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. website. Will Francis - is a British mokuhanga printmaker who works predominantly for American graphic designer Jed Henry, and Mokuhankan. shina - is a type of Japanese plywood used in mokuhanga. jigsaw cutting - Ralph uses various methods when making his mokuhanga. One such method is jigsaw cutting, where the blocks are cut and those cuts are used to make prints. In this video, Ralph explains his process on making his prints. Akira Kurosaki 黒崎彰 (1937-2019) - one of the most influential woodblock print artists of the modern era. His work, while seemingly abstract, moved people with its vibrant colour and powerful composition. He was a teacher and invented the “Disc Baren,” which is a great baren to begin your mokuhanga journey with. At the 2021 Mokuhanga Conference in Nara, Japan there was a tribute exhibit of his life works. Azusa Gallery has a nice selection of his work, here. Munakata Shikō 志功棟方 (1903-1975) arguably one of the most famous modern printmakers, Shiko is famous for his prints of women, animals, the supernatural, and Buddhist deities. He made his prints with an esoteric fervour where his philosophies about mokuhanga were just as interesting as his print work. flâneur - is a French word, meaning idler, walker of streets, a way to see a city, to understand it. The freedom to walk a city is a type of freedom that allows someone to truly understand where they are. While almost always written in French literature [(Charles Baudelaire (1821-1867)], for men there has been a question about why women haven't been associated with the word. Lauren Elkin, an American writer in Paris, tries to understand why women aren't associated with the term. The CBC podcast, IDEAS, interviewed her and it was a great way to understand what makes a flâneur, or flâneuse. You can find it, here. Alex Kerr and Lost Japan - Alex Kerr is an American Japanologist who lives and works in Japan. He has written many books on Japan, but is famous for Lost Japan, published in 1993. It describes the modernity of Japan, and what is destroyed when searching for that modernity. Meiji-jingu (明治神宮) - is a large parkland area near the Harajuku neighbouhood of Tōkyō. It is dedicated to Emperor Meiji (Prince Mutsuhito - [1867-1912]). It is open 365 days of the year and is especially busy during the New Years celebrations. Black Ships - are associated with the American naval commodore, Matthew C. Perry (1794-1858). The United States wanted to open trading with Japan, who had been in self-imposed isolation with the West since 1635. Matthew C. Perry essentially bullied his way into the conversation of trade with Japan and these "Black Ships" he arrived on, became a symbol of this moment. Frank Lloyd Wright and the Imperial Hotel - (1867-1959) FLW was an American architect who designed many different buildings in Japan since his first visit in 1905. The Imperial Hotel was located in Tōkyō in the Hibiya district. It was moved to, and reconstructed in 1968 at the Meiji-mura Museum Village in Aichi Prefecture. It was built in the Mayan Revival style. I got a chance to visit it in Aichi and it's pretty spectacular, and smaller than I thought it would be. The Imperial Hotel still exists today. Kozo paper - is a long fibered mulberry paper used for mokuhanga and cloth making. It is produced in Japan, Thailand, and South America. Lampang, Thailand - located in Northern Thailand and is a trading city with tourism, and farming. Yoshida Family of Artists - The Yoshida's are one of the most famous family of artists from Japan. Begun with painter Yoshida Kasaburō (1861-1894), made famous by Yoshida Hiroshi (1876-1950) and his work with woodblock printing. The Yoshida family has helped shape many artists around the world. More info from the Mount Holyoke College Art Museum, here. Yoshida Hiroshi (1876-1950) - a watercolorist, oil painter, and woodblock printmaker. Is associated with the resurgence of the woodblock print in Japan, and in the West. It was his early relationship with Watanabe Shōzaburō, having his first seven prints printed by the Shōzaburō atelier, that made Hiroshi believe that he could hire his own carvers and printers and produce woodblock prints, which he did in 1925. Yoshida Tōshi (1911-1995) - eldest son of Hiroshi Yoshida. Having been affected by polio, and the pressure of continuing his fathers legacy, Tōshi Yoshida made prints and paintings which gradually became expressive, avant garde and abstract. Later in life he focused on birds and mammals. Yoshida Hodaka (1926-1995) - the second son of Hiroshi Yoshida, Hodaka Yoshida seemed to be a bit of the black sheep of the Yoshida family. His desire to become an artist was against his fathers wishes, and his work was an extreme departure from what his father had produced as well as his older brother. Inspired by western artists such as Henri Matisse (1869-1954), and Pablo Picasso (1881-1973), Hodaka began to move away from painting to woodblock prints in the 1950's. Hodaka travelled (the Yoshida family were constant travellers) and was constantly inspired by the world. This was reflected in his woodblock prints and woodblock/photo etching prints. Yoshida Tsukasa (b.1949) - is the son of Tōshi Yoshida. He is a woodblock printmaker focusing on themes of nature and especially the moon. Bangkok Art Biennale - is an art biennale located in Bangkok, Thailand. It was founded in 2018, and was created for visitors to immerse themselves in Thai culture through various arts installations and shows. The 2022/23 biennale will be from October 22, 2022 - February 23, 2023. (IG) Province of Manitoba, Canada - joined Confederation in 1870, and is known for its natural beauty and vast landscapes. The capital is Winnipeg. Province of Saskatchewan, Canada - joined Confederation in 1905, and is known for its vast fields and flat land. Its capital is Regina. April Vollmer - is an established artist who works predominantly in mokuhanga. Her book Japanese Woodblock Print Workshop is one of the authoritative books on the subject and has influenced many up and coming mokuhanga artists. Natasha Norman - is an artist based in Johannesburg, South Africa. Here mediums are mokuhanga, mokulito, monotype, and paintings. My interview with Natasha Norman can be found, here. MDF - Medium-density fibreboard is a board made of discarded wood fibres and bonded together by wax and resin, which makes it bad for you if you carve it. opening and closing credit music - Spadina Sounds as told by the walkway which had a moving sidewalk. Here are some of the sources used for the above notes: LIPSHULTZ, SANDRA LAWALL. A Japanese Legacy Four Generations of Yoshida Family Artists. Laura W. Allen, Kendall H. Brown, Eugene M. Skibbe, Matthew Welch, Yasunaga Koichi. Held at the Minneapolis Institute of Arts from FEBR. 2 to April 14, 2002. Chicago, Ill: Art Media Resources, 2002. MARTIN, KATHERINE. Highlights of Japanese Printmaking: Part Two - Shin Hanga. Scholten Japanese Art, 2006. DE VRIES, MAUREEN, Chris Uhlenbeck, and Elise Wessels. Troubled Times and Beyond: Japanese Prints 1931-1960. Nihon no Hanga, 2013. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Україну If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***
What you'll learn in this episode: Why people get so concerned with categorizing art, and why some of the most interesting art is created by crossing those boundaries How Joy balances running a business while handmaking all of her pieces What noble metals are, and how they allow Joy to play with different colors How Joy's residences in Japan influenced her work How Joy has found a way to rethink classical art and confront its dark history About Joy BC Joy BC (Joy Bonfield – Colombara) is an Artist and Goldsmith working predominantly in Noble Metals and bronze. Her works are often challenging pre-existing notions of precious materials and ingrained societal ideals of western female bodies in sculpture. Joy BC plays with mythologies and re-examines the fascination with the ‘Classical'. Joy, a native of London, was profoundly influenced from an early age by the artistry of her parents - her mother, a painter and lithographer, her father, a sculptor. Joy's art education focused intensively on painting, drawing and carving, enhanced by a profound appreciation of art within historical and social contexts. Joy BC received her undergraduate degree from the Glasgow School of Art and her M.A. from the Royal College of Art in London. She has also held two residencies in Japan. The first in Tokyo, working under the tutelage of master craftsmen Sensei (teacher) Ando and Sensei Kagaeyama, experts in Damascus steel and metal casting. She subsequently was awarded a research fellowship to Japan's oldest school of art, in Kyoto, where she was taught the ancient art of urushi by the renowned craftsmen: Sensei Kuramoto and Sensei Sasai. Whilst at the RCA she was awarded the TF overall excellence prize and the MARZEE International graduate prize. Shortly after her graduation in 2019 her work was exhibited in Japan and at Somerset house in London. In 2021 her work was exhibited in Hong Kong and at ‘Force of Nature' curated by Melanie Grant in partnership with Elisabetta Cipriani Gallery. Joy Bonfield - Colombara is currently working on a piece for the Nelson Atkins Museum in the USA and recently a piece was added to the Alice and Louis Koch Collection in the Swiss National Museum, Zurich.Additional Resources: Joy's Website Joy's Instagram Photos: Photos available on TheJewelryJourney.com Transcript: While others are quick to classify artists by genre or medium, Joy BC avoids confining her work to one category. Making wearable pieces that draw inspiration from classical sculpture, she straddles the line between jeweler and fine artist. She joined the Jewelry Journey Podcast to talk about why she works with noble metals; the exhibition that kickstarted her business; and how she confronts the often-dark history of classical art though her work. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. Today, my guest is the award-winning artist and goldsmith Joy Bonfield-Colombara, or as she is known as an artist and jeweler, Joy BC. Joy is attracted to classical art, which she interprets from her own contemporary viewpoint. Welcome back. You're alone, and it's always a challenge to me, whether you're a writer or jeweler, to find ways to get out of the isolation. You can only spend so much time alone. How do you figure out a way to do that? Joy: I love it. I love it because I'm an only child. Often people don't think I'm an only child, but I think that's because we had so many people coming and going from our house when I was a kid. My mom would invite lots of people, and they would stay and go. They all added very much to who I am as well, all those people that came through our house. The thing with imagination, I used to spend so much time on my own. My mom and my dad were always working. They were fantastic parents, but they were oftentimes—I think also when you're a child, time is a completely different realm. You experience it in a completely different way. I have memories of playing in the garden and looking at flowers, taking them apart, and putting together arrangements of stones or turning a copper box into a spaceship, all sorts of different objects transforming into other things. I still hold on to that aspect of being a child. I think it's important not to lose the ability to play and imagine. I spend hours doing that. I'm now in my studio, and I often really like the early mornings or rare late nights when no one is around. There's a quietness that I find quite meditative. When I'm carving, things can be going on around me, and I'm so focused that everything else disappears. So, I don't mind the isolation because I really enjoy making. Sharon: I like when it's quiet, but I can only take so much. At some point it starts to affect me. It sounds like you handle it better. In the materials I read about you, it says that you work in noble metals and in bronze, but a lot of people don't know what a noble metal is. What is a noble metal? Joy: It makes them great. Just the word noble I think is lovely. Sharon: It is. What is it? Joy: A noble metal, apart from the metal family in the periodic table, is a reluctant oxidizer combined with oxygen. I have the exact definition for you. Let me find it. “A noble metallic chemical element is generally reluctant to combine with oxygen and usually found in nature in a raw form, for example gold. Noble metals have outstanding resistance to oxidization, even at high temperatures. The group is not strictly defined, but usually is considered to include palladium, silver, osmium, iridium, platinum and the second and third transition series of the periodic table. Mercury and copper are sometimes included as noble metals. Silver and gold with copper are often called the coinage metal, and platinum, iridium and palladium comprise the so-called precious metals which are used in jewelry.” This also goes back to the fact that I had bad eczema when I was a kid. I remember putting on a pair of costume earrings that had nickel in them and they made my whole head swell up. I don't like the smell of brass. There are certain materials I find an attraction or a repulsion to. Noble metals, because of the way they don't oxidize, can sit next to your skin, and I love the feeling of them. Sharon: That's interesting, because I've only heard the term noble metals in a couple of places. One was at a jeweler's studio, making jewelry, but it was explained to me, “It's gold, it's silver, but it's not copper.” You said it's copper. I never realized it had anything to do with whether it oxidizes or not. Joy: Interestingly, copper also is really precious in Japan. Some of the most expensive teapots are copper ones. Sharon: Oh, really? Joy: It's a type of copper where you've created a patination, which is beautiful, deep red color. This technique is quite hard to explain and is really highly prized. Sharon: What's the name of the technique? Joy: Shibuichi. I'm not good at the pronunciation, but I can write it down afterwards. I love metal patination and metal colors. In fact, that's why I love bronze. Bronze is mostly composed of copper as an alloy. It doesn't smell in the way that brass does, and also I love the reactions you get. Verdigris is one of the techniques I like to use a lot in my work, which is used with copper nitrates. You get these incredible colors of greens. When you think of classical bronze sculptures or bronzes that are found under the sea, they often have these incredible green colors to them. I think about it like painting or a composition, the colors you find in metal colorations. People often question what the color of metal is, but actually the different alloys or treatments you can give to metal can give you an incredible array of different colors. Sharon: I'm curious. I agree, but I see the world through a different perspective. I might look at the statue you've taken from the under the sea and say, “Somebody clean that thing.” I don't clean things that have a patina, but that would be my first reaction, while you appreciate that right away. Why did you go to Japan? Joy: The first time I went to Japan was through The Glasgow School of Art. There was an exchange program you could apply for, and if you were awarded, there was also a bursary that you could apply for. The first time I went, I was awarded this bursary. One of my friends while I was studying at The Glasgow School of Art was Japanese, and she said to me, “Go and stay with my grandmother. She will absolutely love you.” I went to stay in her grandmother's apartment in Japan, and I studied at the Hiko Mizuno College of Jewelry, which is in Harajuku. I don't know if you've heard about it before. Sharon: No. Joy: This school is really interesting. Actually, when I was there, they hired Lucy Saneo, who recently passed away. They did an exhibition of hers at Gallerie Marseille. She was there as a visiting artist, and she was lovely. We had some interesting discussions about different perceptions of materials and jewelry between Europe and Japan. I was there on a three-month exchange, and I met Lucy as well as the teachers that I was allocated. One of them, which I mentioned before, was Sensei Ando. He taught to me how to make Damascus steel. I made a knife when I was there, but the whole process had a real philosophical theory around it, with how difficult Damascus is to make. Often in modern knife making, you have pneumatic hammers. The hammering is done by a machine, whereas we have to do everything by hand in 40 degrees Celsius with 90% humidity outside with a furnace. We had to wrap towels around our heads to stop the sweat from dripping into our eyes. It was really difficult, but the end result was amazing. He said, “Life can be hard, but if you push through it, you can find its beauties.” It stayed with me, the way he had the philosophy, that process, and what that means to put yourself into the piece. I also did metal casting and netsuke carving with Sensei Kagaeyama. It was in Tokyo that I first saw netsuke carvings in the National Museum in Tokyo. They really fascinated me, these tiny carvings. Do you know what a netsuke is? Sharon: Yes, a netsuke, the little things. Joy: They're tiny carvings. If anyone doesn't know, in traditional menswear in Japan, you would have a sash that goes around your kimono to hold your inro, which is your pouch which would hold tobacco or money or medicine. You would have a sash buckle to stop it moving, which was sometimes simply carved. Other times they were incredibly elaborate and inlaid. It could be this tiny bird so that the underside of the bird, even the claws, are carved. It was only the wearer that would necessarily see those details. In the same way that really good pieces of jewelry have that quality, the back is as important as the front. Sharon: Oh, absolutely. My mom sewed, and it was always, “Look at the back of the dress, the inside of the dress. How's the zipper done?” that sort of thing. The netsuke, they were only worn by men? Joy: They were only worn by men. It was combs that were worn by women, which were a social hierarchical show of your wealth or your stature. They were also given as tokens of love and were the equivalent of an engagement ring. They were given in this way. A comb is something I've always found interesting. I didn't know the scope of the importance of the comb in Japan, specifically in the Edo and Meiji periods. Sharon: Are you considering adding combs to your repertoire? Maybe the comb part is plastic with a metal on top. Joy: Combs are one of the things I explored within my degree show. I did a modern iteration of Medusa as a body of work, 17 different bronze sculptures that were a collection of combs with all different bronze patinas, but those were sculptures. They were not actually wearable. There was a whole wall of these pieces. My whole degree show was about metamorphosis and the ability to change. It was a combination of sculpture and jewelry. For “Force of Nature,” the exhibition Melanie invited me to do, I did one wearable comb. It was called Medusa. The bristles were moving, and they had fine, little diamonds set between all the bristles so they would catch the light in certain movement. It also had a pin at the back so you could have it as a sculpture or you could wear it. Sharon: It sounds gorgeous. You mentioned classical art, and I know classical art is a big catalyst or an influence on your jewelry today. Can you tell us about that and where it came from? Joy: Growing up in London, London has some of the most amazing collections of ancient art. Also modern collections, but if you think about the V&A or the British Museum, there are artifacts from all over the world which are incredible. As a child, they were something my parents would take me to and tell me stories or show me things. There was also a moment when my mom took me to Paris when I was about 13 years old, and I saw the Victory of Samothrace, which is this huge Hellenistic statue which is decapitated. She doesn't have a head and she doesn't have arms, but she has these enormous wings and retains this incredible sense of power and movement, and that stayed with me. I've always found particularly the Hellenistic—not the Roman copies, but the older pieces—incredibly beautiful. I don't why, but I've always felt this attraction to them. When I studied at The Glasgow School of Art, there was also a collection of plasters of Michelangelo's Enslaved and the Venus de Milo. They were used since the 1800s as examples of proportions, and you would use them in your drawing classes. I used to sit with them and have my lunch and draw them and look at them. I started to look at the histories or the stories behind some of them, and I didn't particularly like how they were often silencing women. Some of the stories were quite violent towards women, so I started to deconstruct and cut apart these classical figures. I also looked to Albrecht Durer's book on proportion, because they had a real copy of it at The Glasgow School of Art that you could request to look at. I also believe that to understand something, you can deconstruct it and take it apart. Like a clock, if you start to take it apart, you understand how it works. So, I started to take apart the proportions, literally cutting them apart, and that's how the deconstructed portrait series started. It was not just the form; it was actually what classicism stood for. Many of the collections at the V&A and the British Museum were stolen or taken in really negative ways. They're a result of colonialism and the UK's colonial past. There are often darker sides to those collections. That was something I had to confront about this attraction I had towards these classical pieces. Why was I attracted to them? How could I reinvent it or look at that in a new way? I still love these classical pieces. My favorite painter is Caravaggio, and my favorite sculptures are the bronze and stone pieces from the Hellenistic Greek period. It didn't stop me from loving them, but it made me rethink and redefine what classical meant for me. Sharon: Is the deconstruction series your way of coming to terms with the past? Besides the fact that they're beautiful, ancient statues, is it your way of reinventing the past in a way? Joy: Absolutely. The past, you can't erase it. It's been done, and the fact that these pieces have survived all of this time is testament to their beauty. Something survives if it's beautiful or evocative or has a power about it. I think it's interesting that Cellini, who was a sculptor and a goldsmith, is known more famously for his bronze statue of Medusa in Florence. He made lots of work out of precious metals, but they didn't survive. It was the bronzes that survived. Translating these works into precious metals also makes you reflect or think about them in different ways, and it makes the cuts or the breakage something positive or beautiful. The way I placed diamonds into the breakages or the cracks is also to celebrate our failures or celebrate our breakages. That moment I had the accident and everything in my life fell apart, it was also through that process that I discovered the most. We need creation and destruction, but it's a cyclical thing. Sharon: Interesting. My last question has to do more with the dividing lines. Do you consider yourself an artist who works in jewelry, or do you consider yourself a jeweler who happens to make art through your jewelry? There are a lot of jewelers who don't consider themselves artists; they just make jewelry and that's it. How do the two rub together for you? Joy: I see myself as an artist. I think within the arts, that encompasses so many different disciplines. A beautiful piece of literature written by Alice Walker, I think, is as moving as an artwork or a painting. The same with a composition of music. I see jewelry as another art form and expression. I don't divide them. However, I don't like all jewelry, in the same way I don't like all paintings or sculpture. The way in which we look at or define art is so subjective, depending on your norms, the way you were brought up, which part of the world you grew up in, how you have been subjected to certain things. When people ask me what I do, I say I'm an artist and goldsmith because I particularly work in noble metals and bronze. There's still a jewelry aspect of my work. It is very much jewelry. You can wear it, but it is also sculpture. It is one and the other; it's both. Sharon: Have you ever made a piece of jewelry in gold where you said, “This is nice, but it's not a work of art. It doesn't express me as an artist; it's just like a nice ring”? Joy: Definitely, and definitely through the period of time when I did my apprenticeship. I learned a lot. I made pieces where people would bring me albums or pieces they wanted to reinvent and find modern ways of wearing. I thought that was pretty interesting and I enjoyed that work, but I don't necessarily see it as an artwork that moves the soul or has the same effect as one of my deconstruction portraits or the Medusa series. I still think it has its place and it means a lot to that individual, and I enjoy the process of making it, but it's different. Sharon: I know I said I asked my last question before, but I'm curious. Did your friends or colleagues or people in the street see something you had on and say, “Oh, I want that”? Joy: Yes, definitely. I think if you like something and wear something because you like it enough that you wear it, usually someone else will like it, too. That's definitely part of it; I started making things and people still wanted them. I think my mom and dad were also sometimes the first port of call I would test things on to see whether they liked it. My dad is much more challenging because he doesn't wear a lot of jewelry. I made him a piece recently and he does wear it occasionally. He's quite a discerning artist. He won't sell his work to certain people. He's very particular about how he works and who he works with. But yes, that did start happening, and it's grown. I'm not sure how else to answer that question. Sharon: I'm sure it's validating to have people say, “Oh, that's fabulous. Can you do one for me?” or “Can I buy it from you?” Joy: I think that sense of desire, of wanting to put your body next to something or wear it, is one of the highest compliments. I went yesterday to a talk at the British Museum about an exhibition they're about to open called “Feminine Power: The Divine to the Demonic.” I went with a friend of mine who's a human rights lawyer. I made a piece for her recently which is very personal and is about various important things to her. Seeing her wear it made me feel really honored because she's an incredible person, and I could make her something that's part of her journey and that she loves so much that she wears it. Knowing it gives her power when she wears it is an incredible feeling. Also knowing that she may pass it down; that's another aspect with jewelry. My mom has this one ring that was passed down in her family. My parents were struggling artists in London, and she sold most of her elegant pieces. I also find that aspect of jewelry really incredible, that it could transform by being sold so she could continue to do projects and things she wanted to do. I think jewelry's amazing in that way, that the intrinsic value can transform and be handed down and changed. I think that's interesting, but there was one ring she didn't sell because it's a miniature sculpture, and we all agree that it's incredibly beautiful. The rest of the pieces weren't things my mom or I or anyone really engaged with, but this one ring, to me, looks like a futurist sculpture in a seashell. It's a curved form. I think it's the Fibonacci proportions, and it's incredibly beautiful. Going back to your very first question, I think that may have had a strong influence in my appreciation and realization that I liked jewelry. Sharon: It sounds like you're several years into a business that's going to be around for a long time. I hope we get to talk with you again down the road. Thank you so much for talking with us today, Joy. Joy: Thanks for having me. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.
Kevinvin showed around Tokyo for his best friend, Naoki, from Osaka. We talked about places we visited, things we did in these 2 weeks. Here are some of the places we talked about. Check it out for your next Tokyo trip
Spring is upon us! How fitting it would be to have an episode showcasing my friend Miko, who is a self taught embroidery artist handcrafting unique and customizable 3D embroidered accessories and jewelry. When I learned that she will be having her first gallery exhibition this month at the Design Festa Gallery in Harajuku, I knew I had to whip up an episode to not only promote her craft but also to share her story as a 4th generation Japanese American exploring her roots and literally flourishing. Say hello to Miko if you are living in Japan and want to stop by Design Festa Gallery this month or if you'd like to see Miko's embroideries, check out https://www.mimihanathreads.com For more info on the Nakameguro Taproom and other Baird Beer taprooms, please visit: http://Bairdbeer.com/ To donate and buy drinks for the guests of my podcast: https://ko-fi.com/madeinjapanpodcast To listen to other episodes and contact me, check out my Linktree. --- Send in a voice message: https://anchor.fm/madeinjapanpodcast/message
Spring is upon us! How fitting it would be to have an episode showcasing my friend Miko, who is a self taught embroidery artist handcrafting unique and customizable 3D embroidered accessories and jewelry. When I learned that she will be having her first gallery exhibition this month at the Design Festa Gallery in Harajuku, I knew I had to whip up an episode to not only promote her craft but also to share her story as a 4th generation Japanese American exploring her roots and literally flourishing. Say hello to Miko if you are living in Japan and want to stop by Design Festa Gallery this month or if you'd like to see Miko's embroideries, check out https://www.mimihanathreads.com For more info on the Nakameguro Taproom and other Baird Beer taprooms, please visit: http://Bairdbeer.com/ To donate and buy drinks for the guests of my podcast: https://ko-fi.com/madeinjapanpodcast IG & FB: @madeinjapanpodcast Email: japanmademepodcast@gmail.com --- Send in a voice message: https://anchor.fm/madeinjapanpodcast/message
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