Podcasts about nobody but me

#remoteviewing #bryanbowden #UAP #UFO #Paranormal #travelchannel #bigfoot #wildfires #drones Sir Bryan M. Bowden joins us live and wow has the world gone off the rails already. We dive into it all. Sir. Bryan M. Bowden Biography Born and raised in New York City, Bryan set on a path of Architectural Engineering but succumb to the reality that Business was his future (Even though he had a love for the sciences). He managed to squeeze in physics and astronomy while studying finance and Graduated from Pace University with a degree in international finance, with a minor in emerging markets. Bryan would use his talents by initially working with the International Monetary Fund IMF and World Bank, regarding solving the Third World Debt problems, but ultimately spending his carrier with top tier Broker Dealers. As a child, Bryan experienced some unusual events that drove his curiosity and would later propel him into becoming a boots on the ground UFO, Cryptid and paranormal Researcher and Investigator. Since 1977 he has used his spare time to explore those areas of interest, traveling the world in pursuit of the Truth. He was the first draft pick for "Essential Members of the team" and joined the Bronxville Paranormal Society BPS at its inception. He took the helm as the Chief Information and Technology officer, and Director. He has brought an entirely fresh perspective and process to the paranormal field and investigations culminating in Revolutionary results. Bryan is the creator, producer and CoHost of The critically acclaimed "Beyond The Realm" Radio Show; he is a published author, Musician and Artist. He left a career in Wall Street to start a "Think Tank" and pursue Business Development on a global scale. Bryan Bowden has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. He has conducted several successful CE-5 events, all of which have brought contact and craft to the many who have attended. Bryan is a real life Knights Templar. His official title is S.K. Bryan M. Bowden and often refers to it in appearances using Sir Bryan. He currently a member of IRVA the International Remote Viewers Association; the Founder and Director of the NYSUFOP - New York State UFO Project, NYSSO - New York State Sasquatch Organization; and the NYSDP - New York State Dogman Project. He is the Region 5 Director of the North American Dogman Project; and is The North American correspondent for Outer Limits Magazine. He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy; host of NoBoBuMe (which stand for -Nobody But Me). He was invited to join and serve as a cohost on the “3Beards Podcast”. He also has several appearances on Dave Scott's Spaced Out Radio SOR, and also has appeared in numerous newspaper articles, independent films, television series, including Discovery + and a variety top tier podcasts. Bryan Bowden has been a speaker and presenter at many conferences throughout the United States. He is signed with Coridor13 Talent Management, which will handle his public appearances and bookings in the future. He has appeared in a seasons of Red Earth Uncovered, a Canadian series that will air beginning in the USA in 2021, and also appeared on Into the Unknown, a new paranormal series on the Travel Channel hosted by Cliff Simon, He filmed for the upcoming UFO documentary “Star Children of Pine New York”; along with filming for a 2-hour UFO Special for the Travel Channel and Discovery+ called “Alien Invasion Hudson Valley UFO” and is on Season 2 of UFO WITNESS. Bryan is working on a series of new books based on his experiences, investigations, and theories, as well as, a few children's books and short stories. His Latest publication “Words & Muses - A lyrical Life of Poetry”, is on sale at Amazon. He is currently developing new Intellectual property for both Television and the big screen, as well, as scheduling investigations, conferences and events for the year ahead. ******************************************************** You can email the hosts with your UFO/UAP and Paranormal stories at: mi.ufo.podcast@gmail.com Help support the show with the links below: Join this channel to get access to perks: https://www.youtube.com/channel/UCjUTzsRX5rBq9_r7_YtaEJg/join You can now purchase our Merch on the "STORE" TAB in the channel description All Our Links Including Our MERCH Store: https://linktr.ee/mi.ufo.podcast Paypal: Donate via paypal: https://paypal.me/miufo Become a Patreon supporter and get a show shoutout for as long as you're a member! Become a Patreon at: https://www.patreon.com/miufospep

#remoteviewing #bryanbowden #UAP #UFO #Paranormal #travelchannel #bigfoot #UFOvsUSAF Sir. Bryan M. Bowden Biography Born and raised in New York City, Bryan set on a path of Architectural Engineering but succumb to the reality that Business was his future (Even though he had a love for the sciences). He managed to squeeze in physics and astronomy while studying finance and Graduated from Pace University with a degree in international finance, with a minor in emerging markets. Bryan would use his talents by initially working with the International Monetary Fund IMF and World Bank, regarding solving the Third World Debt problems, but ultimately spending his carrier with top tier Broker Dealers. As a child, Bryan experienced some unusual events that drove his curiosity and would later propel him into becoming a boots on the ground UFO, Cryptid and paranormal Researcher and Investigator. Since 1977 he has used his spare time to explore those areas of interest, traveling the world in pursuit of the Truth. He was the first draft pick for "Essential Members of the team" and joined the Bronxville Paranormal Society BPS at its inception. He took the helm as the Chief Information and Technology officer, and Director. He has brought an entirely fresh perspective and process to the paranormal field and investigations culminating in Revolutionary results. Bryan is the creator, producer and CoHost of The critically acclaimed "Beyond The Realm" Radio Show; he is a published author, Musician and Artist. He left a career in Wall Street to start a "Think Tank" and pursue Business Development on a global scale. Bryan Bowden has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. He has conducted several successful CE-5 events, all of which have brought contact and craft to the many who have attended. Bryan is a real life Knights Templar. His official title is S.K. Bryan M. Bowden and often refers to it in appearances using Sir Bryan. He currently a member of IRVA the International Remote Viewers Association; the Founder and Director of the NYSUFOP - New York State UFO Project, NYSSO - New York State Sasquatch Organization; and the NYSDP - New York State Dogman Project. He is the Region 5 Director of the North American Dogman Project; and is The North American correspondent for Outer Limits Magazine. He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy; host of NoBoBuMe (which stand for -Nobody But Me). He was invited to join and serve as a cohost on the “3Beards Podcast”. He also has several appearances on Dave Scott's Spaced Out Radio SOR, and also has appeared in numerous newspaper articles, independent films, television series, including Discovery + and a variety top tier podcasts. Bryan Bowden has been a speaker and presenter at many conferences throughout the United States. He is signed with Coridor13 Talent Management, which will handle his public appearances and bookings in the future. He has appeared in a seasons of Red Earth Uncovered, a Canadian series that will air beginning in the USA in 2021, and also appeared on Into the Unknown, a new paranormal series on the Travel Channel hosted by Cliff Simon, He filmed for the upcoming UFO documentary “Star Children of Pine New York”; along with filming for a 2-hour UFO Special for the Travel Channel and Discovery+ called “Alien Invasion Hudson Valley UFO” and is on Season 2 of UFO WITNESS. Bryan is working on a series of new books based on his experiences, investigations, and theories, as well as, a few children's books and short stories. His Latest publication “Words & Muses - A lyrical Life of Poetry”, is on sale at Amazon. He is currently developing new Intellectual property for both Television and the big screen, as well, as scheduling investigations, conferences and events for the year ahead. *************************************************************** You can email the hosts with your UFO/UAP and Paranormal stories at: mi.ufo.podcast@gmail.com Help support the show with the links below: Join this channel to get access to perks: https://www.youtube.com/channel/UCjUTzsRX5rBq9_r7_YtaEJg/join You can now purchase our Merch on the "STORE" TAB in the channel description All Our Links Including Our MERCH Store: https://linktr.ee/mi.ufo.podcast Paypal: Donate via paypal: https://paypal.me/miufo Become a Patreon supporter and get a show shoutout for as long as you're a member! Become a Patreon at: https://www.patreon.com/miufospep --- Support this podcast: https://podcasters.spotify.com/pod/show/michiganufos/support

Blues Traveler - Maybe I'm Wrong – bluesbrother 2000Joanna Connor - Make Love To You – nothing but the blues – 2009Albert Castiglia – Mama I love you ( feat kevin Burt) - Righteous Souls - 2024 – Sean Chambers – Taildragger - That's What I'm Talkin About (2021) JP Soars – When you walk out that door - Southbound I-95 - 2018 Abby Girl & the real deal – Two wrongs don't make it a right - calling me Home – 2020Rip Lee Pryor – Crazy about you baby - Nobody But Me - 2014 Alex Maryol – Take this blues away - They Call Me Lefty - 1999 Simon Kinny-Lewis – Going down slow (feat Josh Smith) King Biscuit ( feat Robben Ford, Josh Smith, Kirk Fletcher, Ray Beadle and more – 2021Wes Jeans – Coming Home - Forest Of The Pine - 2006 Selwyn Birchwood – old school -  Old School - 2024 

Sir. Bryan M. Bowden Biography  Born and raised in New York City, Bryan set on a path of Architectural Engineering but succumbed to the reality that Business was his future (Even though he had a love for the sciences). He managed to squeeze in physics and astronomy while studying finance and Graduated from Pace University with a degree in international finance, with a minor in emerging markets.  Bryan would use his talents by initially working with the International Monetary Fund IMF and World Bank, regarding solving the Third World Debt problems,  but ultimately spending his career with top tier Broker Dealers. As a child, Bryan experienced some unusual events that drove his curiosity and would later propel him into becoming a boots on the ground UFO, Cryptid and paranormal Researcher and Investigator. Since 1977 he has used his spare time to explore those areas of interest, traveling the world in pursuit of the Truth, His experiences in the paranormal realm cover the gambit of the goblin universe, from encounters with Sasquatch, Dogman and spirits to several UFO experiences, each has been the driving force in his quest for more knowledge and ultimately Answers.  He was the first draft pick for "Essential Members of the team" and joined the Bronxville Paranormal Society BPS at its inception. He took the helm as the Chief Information and Technology officer, and Director. He has brought an entirely fresh perspective and process to the paranormal field and investigations culminating in Revolutionary results.  Bryan is the creator, producer and CoHost of The critically acclaimed "Beyond The Realm" Radio Show; he is a published author, Musician and Artist. He left a career in Wall Street to start a "Think Tank" and pursue Business Development on a global scale. Bryan Bowden has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. He has conducted several successful CE-5 events, all of which have brought contact and craft to the many who have attended. Bryan is a real life Knights Templar. His official title is S.K. Bryan M. Bowden and often refers to it in appearances using Sir Bryan. He currently a member of IRVA the International Remote Viewers Association; the Founder and Director of the NYSUFOP - New York State UFO Project, NYSSO - New York State Sasquatch Organization; and the  NYSDP - New York State Dogman Project. He is the Region 5 Director of the North American Dogman Project; and is The North American correspondent for Outer Limits Magazine.  He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy; host of NoBoBuMe (which stand for -Nobody But Me). He was invited to join and serve as a cohost on the “3 Beards Podcast”. He also has several appearances on Dave Scott's Spaced Out Radio SOR, and also has appeared in numerous newspaper articles, independent films, television series, including Discovery + and a variety top tier podcasts. Bryan Bowden has been a speaker and presenter at many conferences throughout the United States. He is signed with Corridor 13 Talent Management, which will handle his public appearances and bookings in the future. He has appeared in a seasons of Red Earth Uncovered, a Canadian series that will air beginning in the USA in 2021, and also appeared on Into the Unknown, a new paranormal series on the Travel Channel hosted by Cliff Simon, He filmed for the upcoming UFO documentary “Star Children of Pine New York''; along with filming for a 2-hour UFO Special for the Travel Channel and Discovery+ called “Alien Invasion Hudson Valley UFO” and is on Season 2 of UFO WITNESS. Bryan is working on a series of new books based on his experiences, investigations, and theories, as well as a few children's books and short stories. His Latest publication “Words & Muses - A lyrical Life of Poetry”, is on sale at Amazon. He is currently developing new Intellectual property for both Television and the big screen, as well as scheduling investigations, conferences and events for the year ahead. *************************************************************** You can email the hosts with your UFO/UAP and Paranormal stories at: pitchatpodcast@gmail.com Help support the show with the links below: Join this channel to get access to perks: https://www.youtube.com/channel/UCjUTzsRX5rBq9_r7_YtaEJg/join You can now purchase our Merch on the "STORE" TAB in the channel description All Our Links Including Our MERCH Store: https://linktr.ee/mi.ufo.podcast Paypal: Donate via paypal: https://paypal.me/miufo Become a Patreon supporter and get a show shoutout for as long as you're a member! Become a Patreon at: https://www.patreon.com/miufospepnne --- Send in a voice message: https://podcasters.spotify.com/pod/show/pitchatpodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/pitchatpodcast/support

Originally recorded on 7/23/22. Remastered for a better audio experience. Bryan is the Founder and Director of NYSSO - New York State Sasquatch Organization; the Director of the North American Dogman Project - New York State Chapter; and is The North American correspondent for Outer Limits Magazine. He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy, and host of NoBoBuMe (which stand for -Nobody But Me).In this episode Bryan shares some amazing Bigfoot and Dogman encounter stories that will blow your mind!Episode Resources:future website: bryanbowden.comYoutube - Bronxville Paranormal Society - https://www.youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43wBryan's podcast Inside the Goblin Universe https://podcasts.apple.com/us/podcast/inside-the-goblin-universe/id1386537759Share your Bigfoot encounter here: bigfootsociety@gmail.com

Dark Windows Podcast ep. 267: We sat down with a former guest and great friend of the show Sir Bryan Bowden and talk about the events of the first of this year where 100 plus police vehicles responded to the Miami Bayside Mall for "teens stick fighting and shooting fireworks"... Turns out there was some WILD SHIT going on inside the mall, have a seat because this is a long one. Oh and we also talk random cryptid / alien / interdimensional being stuff for a bit too! If you want more you can go over to https://www.patreon.com/darkwindowspodcast and become a Patron for just $5 a month and get a bonus episode every week! Sir. Bryan M. Bowden Biography Born and raised in New York City, Bryan set on a path of Architectural Engineering but succumb to the reality that Business was his future (Even though he had a love for the sciences). He managed to squeeze in physics and astronomy while studying finance and Graduated from Pace University with a degree in international finance, with a minor in emerging markets. As a child, Bryan experienced some unusual events that drove his curiosity and would later propel him into becoming a boots on the ground UFO, Cryptid and paranormal Researcher and Investigator. Since 1977 he has used his spare time to explore those areas of interest, traveling the world in pursuit of the Truth, His experiences in the paranormal realm cover the gambit of the goblin universe, from encounters with Sasquatch, Dogman and spirits to several UFO experiences, each has been the driving force in his quest for more knowledge and ultimately Answers. He was the first draft pick for "Essential Members of the team" and joined the Bronxville Paranormal Society BPS at its inception. He took the helm as the Chief Information and Technology officer, and Director. He has brought an entirely fresh perspective and process to the paranormal field and investigations culminating in Revolutionary results. Bryan Bowden has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. He has conducted several successful CE-5 events, all of which have brought contact to the many who attended. Bryan is a real life Knights Templar. His official title is S.K. Bryan M. Bowden and often refers to it in appearances using Sir Bryan. He currently a member of IRVA the International Remote Viewers Association; the Founder and Director of the NYSUFOP - New York State UFO Project, NYSSO - New York State Sasquatch Organization; and the NYSDP - New York State Dogman Project. He was the former Director of the North American Dogman Project - New York State Chapter; and is The North American correspondent for Outer Limits Magazine. He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy; host of NoBoBuMe (which stand for -Nobody But Me). He was invited to join and serve as a cohost on the “3Beards Podcast”. He also has several appearances on Dave Scott's Spaced Out Radio SOR, and also has appeared in numerous newspaper articles, independent films, television series and a variety top tier podcasts. Bryan Bowden has been a speaker and presenter at many conferences throughout the United States. He recently signed with Coridor13 Talent Management, which will handle his public appearances and bookings in the future. He has appeared in a seasons of Red Earth Uncovered, a Canadian series that will air beginning in the USA in 2021, and also appeared on Into the Unknown, a new paranormal series on the Travel Channel hosted by Cliff Simon, He filmed for the upcoming UFO documentary “Star Children of Pine New York”; along with filming for a 2-hour UFO Special for the Travel Channel and Discovery+ called “Alien Invasion Hudson Valley UFO” and is on Season 2 of UFO WITNESS. https://linktr.ee/bryanmbowden Learn more about your ad choices. Visit megaphone.fm/adchoices

L'épisode de cette semaine se penche sur "Twist and Shout" des Isley Brothers et sur les débuts de la carrière de Bert Berns. Si certains d'entre vous se demande qui c'est…. C'est un songwriter et producteur responsable de titre comme Everybody need somebody,  "Piece of My Heart", "Brown Eyed Girl" et "Under the Boardwalk". Et….. Twist and shout bien sur….. The Isley Brothers, "Twist and Shout" The Isley Brothers, "Standing on the DanceFloor" The Isley Brothers, "The Snake" Jerry Butler, "Make it Easy on Yourself" The Five Pearls, "Please Let Me Know" Dave "Baby" Cortez, "The Happy Organ" Ray Peterson, "Corrina, Corrina" The Top Notes, "Hearts of Stone" Ersel Hickey, "Bluebirds Over the Mountain" Bert and Bill Giant, “The Gettysburg Address” Bert Berns, "The Legend of the Alamo" LaVern Baker, "A Little Bird Told Me" Austin Taylor, "Push Push" The Top Notes, "Twist and Shout" The Jarmels, "A Little Bit of Soap" Russell Byrd, "You'd Better Come Home" Russell Byrd, "Nights of Mexico" Solomon Burke, "Just Out of Reach" Solomon Burke, "Cry to Me" The Isley Brothers, "Twist and Shout" The Contours, "Do You Love Me" Jan et Dean, "Linda" The Isley Brothers, "Twistin' With Linda" The Isley Brothers, "Nobody But Me" The Isley Brothers, "Surf and Shout" The Isley Brothers, "Who's That Lady ?" The Isley Brothers, "Testify" Don Covay and the Goodtimers, "Mercy, Mercy" Little Richard, "I Don't Know What You've Got But It's Got Me" Les Beatles, "Twist and Shout"  

Sponsored by www.betterhelp.com/TheBarnhttps://www.laurenmorrow.com/Lauren Morrow, the Atlanta-raised and Nashville-based singer-songwriter, has been making waves with her debut album, People Talk. Praised by critics from American Songwriter to Rolling Stone, her music is known for its devastatingly honest and real-life lyrics delivered with a mix of vulnerability and confidence. One standout track from the album is "Nobody But Me," which Morrow describes as a song of empowerment and self-acceptance.For the accompanying music video of "Nobody But Me," Morrow took a hands-on approach, curating a visual collage that pays homage to the strength and beauty of women throughout history. By combining grainy archival clips spanning several decades, the video serves as a powerful visual representation of the song's message.As Morrow continues to gain momentum, she is set to embark on a month-long tour with Joshua Hedley, showcasing her captivating live performances across various cities. The tour kicks off in Lexington, Kentucky, on May 31st, and culminates in a hometown show at Atlanta's beloved venue, Eddie's Attic. Following the tour, fans can also catch her performing alongside acclaimed acts like Drivin N Cryin and Sunny Sweeney.In addition to her musical endeavors, Morrow has released a limited edition highlighter yellow vinyl version of People Talk, available for purchase on her website. This special offering gives fans the opportunity to own a physical copy of the album, adding a vibrant and collectible element to her already impressive discography.With her authentic songwriting, captivating performances, and independent spirit, Lauren Morrow is carving her own path in the music industry. As she continues to evolve and captivate audiences, there's no doubt that her voice and artistry will continue to make a lasting impact."The lines, 'if you ain't helping then you're hurting, it ain't hard to see / I don't need nobody but me,' kept echoing in my mind," shares Lauren Morrow, the Atlanta-raised and Nashville-based singer-songwriter, about the inspiration behind her song "Nobody But Me." The track, featured on her recent album People Talk, has received praise from various publications. Morrow, along with her producer Parker Cason and husband Jason Morrow, transformed her initial piano-driven idea into a vulnerable and empowering composition reflecting her experiences in the music industry. Morrow took charge of the video production, incorporating archival footage of strong women throughout history. She is currently on tour with Joshua Hedley and will also perform alongside Drivin N Cryin and Sunny Sweeney.This episode is sponsored by www.betterhelp.com/TheBarn and presented to you by The Barn Media Group.

In the summer of 1967, the Youngstown, Ohio band known as the Human Beingz would enter a Cleveland recording studio and make a hit record. A few months later, they would return to record a full length album. In Episode 43 of In Loving Recollection, guitarist Ting Markulin tells the story of The Human Beinz and their 1968 debut full-length Nobody But Me. Detailing the events that led to the album's creation, Markulin touches on how the recording of the “Nobody But Me” single first came to be and how its eventual success would cause the band to permanently lose the “g” in their name.

Aquí estamos de vuelta, una semana más, en Distrito COPE. Ya que estamos en pleno Mundial, vamos a sacar en este episodio, el número 7, a relucir algunas de las canciones más vinculadas al fútbol. También viajaremos, como siempre, a través de los discos que marcaron la historia de la música. Esta es la selección: 'World In Motion', New Order (1990); 'Three Lions (Football's Coming Home)', Baddiel, Skinner & The Lightning Seeds (1996); 'Marado', Los Piojos (1996); 'Decadencia', Héroes Del Silencio (1990); 'Florecita Rockera', Aterciopelados (1995); 'Ain't Nobody But Me', Supertramp (1975); 'Blow Away', George Harrison (1979); 'Cleanup Time', John Lennon (1980); 'The Late Great Of Johnny Ace', Paul Simon (1983); y 'Lux Aeterna', Metallica (2022).

Aquí estamos de vuelta, una semana más, en Distrito COPE. Ya que estamos en pleno Mundial, vamos a sacar en este episodio, el número 7, a relucir algunas de las canciones más vinculadas al fútbol. También viajaremos, como siempre, a través de los discos que marcaron la historia de la música. Esta es la selección: 'World In Motion', New Order (1990); 'Three Lions (Football's Coming Home)', Baddiel, Skinner & The Lightning Seeds (1996); 'Marado', Los Piojos (1996); 'Decadencia', Héroes Del Silencio (1990); 'Florecita Rockera', Aterciopelados (1995); 'Ain't Nobody But Me', Supertramp (1975); 'Blow Away', George Harrison (1979); 'Cleanup Time', John Lennon (1980); 'The Late Great Of Johnny Ace', Paul Simon (1983); y 'Lux Aeterna', Metallica (2022).

Ep.16 We welcome to the show the fantastic Bryan M. Bowden. We talk Dogman Bigfoot Aliens and LOTS MORE!! You don't want to miss this!! Bryan is the creator, producer and CoHost of The critically acclaimed "Beyond The Realm" Radio Show; he is a published author, Musician and Artist. He left a career in Wall Street to start a "Think Tank" and pursue Business Development on a global scale. Bryan Bowden has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. He has conducted several successful CE-5 events, all of which have brought contact to the manywho attended.Bryan is currently a member of IRVA the International Remote ViewersAssociation; the Founder and Director of both NYSUFOP - NewYork State UFO Project and NYSSO - New York State SasquatchOrganization; NYSDP - New York State Dogman Project; and the former Director of the North American Dogman Project - New York State Chapter. He is The North American correspondent for Outer Limits Magazine. He is the cohost of "Inside The Goblin Universe" radio program with Ronald Murphy,and host of NoBoBuMe (which stand for -Nobody But Me). He alsohas several appearances on Dave Scott's Spaced Out Radio SOR, andalso has appeared in numerous newspaper articles, independentfilms, television series and a variety top tier podcasts. Bryan Bowden has been a speaker and presenter at many conferencesthroughout the United States. He recently signed with Coridor13Talent Management, which will handle his public appearances andbookings in the future. He has appeared in a seasons of Red EarthUncovered, a Canadian series, and also appeared on Into the Unknown,a new paranormal series on the Travel Channel hosted by CliffSimon, He filmed for the upcoming UFO documentary "Star Children ofPine New York", along with filming for a 2-hour UFO Special for theTravel Channel and Discovery+ called "Alien Invasion Hudson ValleyUFO" and is on Season 2 of UFO WITNESS.Bryan is working on a series of new books based on his experiences,investigations, and theories, as well as, a few children's books and shortstories. His Latest publication "Words & Muses - A Ivrical Life ofPoetry", is on sale at Amazon.com He is currently developing newIntellectual property for both Television and the big screen, aswell, as scheduling investigations, conferences and events for the year ahead.Check out Bryan's YouTube.. https://m.youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43wIf you have had any paranormal experiences and would like to be a guest on the show please get in touch Email us at letsgetfreakypodcast@outlook.com or DM us on Facebook-Instagram-Twitter-TikTok https://linktr.ee/letsgetfreaky#LetsGetFreaky #LetsGetFreakyPodcast 

If you're a fan of the old Coast to Coast AM with Art Bell.... you're going to love this interview. Since 1977, Brian Bowden has used his spare time to explore several areas of interest. His experiences in the paranormal realm cover everything from encounters with Sasquatch, Dogman, spirits, and several UFO experiences. Each has been the driving force in his quest for more knowledge and ultimately answers. He joined the Bronxville Paranormal Society (BPS) at it's inception and is now the Director. Bryan is the creator, producer and co-host of the critically acclaimed "Beyond The Realm" Radio Show, co-host of “Inside The Goblin Universe” radio program, and host of NoBoBuMe (which stands for -Nobody But Me). Bryan is currently a member of the International Remote Viewers Association, the Founder and Director of both the New York State UFO Project and the New York State Sasquatch Organization, and he's the North American correspondent for Outer Limits Magazine. He also has several appearances on Dave Scott's Spaced Out Radio and has appeared in numerous newspaper articles, independent films, and television series. He has appeared in seasons of Red Earth Uncovered, and also appeared on “Into the Unknown”, a new paranormal series on the Travel Channel hosted by Cliff Simon. He filmed for the upcoming UFO documentary “Star Children of Pine New York” and did a 2-hour UFO Special for the Travel Channel and Discovery+. Bryan is working on a series of new books based on his experiences, investigations, and theorie and is currently developing new Intellectual property for both television and the big screen.   New York State UFO Project NYSUFOP YouTube https://youtube.com/channel/UCPD8c3JBNajNk5B-kzluYqA   Bronxville Paranormal Society BPS YouTube https://youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43w   Inside The Goblin Universe YouTube https://m.youtube.com/channel/UCG8qspgGU2RuCbMSS7DaYXA   Podcast: www.InsideTheGoblinUniverse.Podbean.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1962, The Isley Brothers released "Nobody But Me," a big production of upbeat braggdoccio with wild vocals, raunchy saxes, piano, and some "no, no, no"s in the middle section (1:08). The song didn't really catch on, but two years later a Mersey versh appeared courtesy of beat merchants The Mojos (34:02). Their dual vocals somewhat detract from the original's mouthy message (how can two guys be the best at the Mashed Potato? - there can be no ties in garage rock!), but our Liverpool lads subtly note the song hides a "look at me" love theme. Textbook! Of course, the version that everyone know know knows is the 1967 rendition by The Human Beinz (1:03:18). The iconic opening peal of feedback (in medias res!), the driving bass and drums, the shouted dances, and perhaps most importantly, Pepsi bottle percussion make this a literal pop hit!  We close the show with Canadian legends Doug and the Slugs, who despite their name make the song into a sprint with a new wave spirit (1:45:03). Now skate on through!

#138Bryan is the Founder and Director of NYSSO - New York State Sasquatch Organization; the Director of the North American Dogman Project - New York State Chapter; and is The North American correspondent for Outer Limits Magazine.  He is the cohost of “Inside The Goblin Universe” radio program with Ronald Murphy, and host of NoBoBuMe (which stand for -Nobody But Me). In this episode Bryan shares some amazing Bigfoot and Dogman encounter stories that will blow your mind! Episode Resources:future website: www.bryanbowden.comYoutube - Bronxville Paranormal Society - https://www.youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43wBryan's podcast Inside the Goblin Universe https://podcasts.apple.com/us/podcast/inside-the-goblin-universe/id1386537759_____________________________Join us over on Patreon! Get access to the audio from the Patreon, a whole library of extended shows, exclusive merch like  a membership card and stickers, watch me interview guests weekly live on video, a Patron-only Discord and more. https://www.patreon.com/thebigfootsocietyNOTE: I'm attending my first Bigfoot expedition this summer! Please pick up a Bigfoot Society shirt from my Etsy to help fund the gear I'll need to get. https://www.etsy.com/shop/BigfootSocietyContribute directly at the GoFundMe page for the expedition and get an exclusive sticker:https://www.gofundme.com/f/gear-needed-for-my-first-bigfoot-expeditionTune in every Saturday at 5 pm Central for new episodes of Bigfoot Society!https://www.youtube.com/channel/UC8Qq45W6iaTU8FE9kelxT7QIG: https://www.instagram.com/bigfootsociety/Website: https://bit.ly/3jvKIm7Shop: https://etsy.me/3ptlubQiTunes: https://appHow to Create a Glitch in the MatrixA useful guide on how to experience simulation theory, first hand. Based upon the books...Listen on: Apple Podcasts Spotify What if They're Wrong?The podcast that wants YOU to question everything. If you're into the fringe, then...Listen on: Apple Podcasts SpotifySupport the show

One of the earliest examples of a prog rock record was Days of Future Passed, the second studio album by The Moody Blues. Originally a rhythm and blues band, The Moody Blues were in difficult financial straits when they convinced the record company to combine their music with orchestral elements and interludes in a single album.  The group recorded much of their sessions first, then provided these to conductor Peter Knight, who directed the London Festival Orchestra (the house orchestra for Decca Records) in arrangements and orchestral interludes.The Moody Blues for this album are Justin Hayward on guitar, piano, and vocals, John Lodge on bass and vocals, Mike Pinder on keyboards and vocals, Ray Thomas on flute, piano, and vocals, and Graeme Edge on drums and vocals.Days of Future Passed is created as a concept around a day in the life of "an everyday man."  It begins with a track appropriately entitled "The Day Begins," and concludes with a piece labeled "The Night," which we know as "Nights in White Satin," and "Late Lament."  The album was somewhat successful when first released, but would climb in popularity over a long period of time, particularly on the growing strength of "Nights in White Satin" on FM radio in the U.S.  It would eventually peak on the album charts at number 2 in the U.S. - in 1972!Brian takes us on this day trip. Dawn:  Dawn Is a FeelingKeyboardist Mike Pinder wrote this song, the first track sung after the Instrumental overture and spoken recitation.  As the name implies, it represents the start of the day.Lunch BreakBassist John Lodge sings lead on this song which he also wrote.  The fast pace is suggestive of the hectic period of lunch hour on a business day.  The song has an orchestral introduction which was recorded separately from the rest of the track.Tuesday Afternoon Also known as "Forever Afternoon" or "Forever Afternoon (Tuesday?)", the song was originally intended to be named "Tuesday Afternoon" but was changed for the album.  It was released as "Tuesday Afternoon" when released as a single.  Justin Hayward wrote the song in Lypiatt Park on a (you guessed it) Tuesday afternoon.Nights In White Satin/Late LamentHayward composed this hit at the age of 19 in Belgium, inspired by a gift of satin bedsheets given by his girlfriend.  The song is about a yearning love from afar.  The strength of this song would provide the success for both the album and The Moody Blues as a whole.  Late Lament was written by drummer Graeme Edge, and is recited by keyboardist Mike Pinder.  This is the only album track on which the band recorded with the London Festival Orchestra rather than separately. ENTERTAINMENT TRACK:Won't You Be My Neighbor? (the main theme to the children's series Mr. Rogers' Neighborhood)The television series starring Fred Rogers debuted nationally this month. STAFF PICKS:Tomorrow by Strawberry Alarm ClockBruce starts us off with a psychedelic and sunshine pop group out of Los Angeles.  This song is the first single off the group's second album, "Wake Up...It's Tomorrow."  It would hit number 23 on the Billboard Hot 100, and would be their second and final top 40 hit.  "But right now I am with you, and together we can make it through."Hey Baby (They're Playing Our Song)  by The BuckinghamsRob's staff pick continues in the sunshine pop genre with a band out of Chicago.  This is off their album "Portraits," and made it to number 12 on the charts.  "Sunshine Pop" is rooted in easy listening and "advertising jingles."  The Buckinghams got their name in an attempt to channel some of the success of the British Invasion.  They had 5 top 40 hits in 1967. Nobody But Me by the Human BeinzWayne brings us a well-known cover originally performed by The Isley Brothers.  There are over 100 "no's" in this song and 47 "nobody's," making it quite literally a quite negative song.  While this would be the only entry into the top 10, it would become a staple of Fraternity parties from then on.    Sunday Mornin' by Spanky & Our GangBrian  features Elaine "Spanky" McFarlane as lead woman for the band.  Spanky & Our Gang had a number of hits in the 60's.  This sunshine pop song peaked at number 30 as a single, and preceded the album by several months.     COMEDY TRACK:Here Come the Judge by Shorty LongThis funky novelty song was inspired by a skit on Rowan & Martin's "Laugh In," and was Long's biggest hit, rising to number 4 on the charts.

If you're a fan of the old Coast to Coast AM with Art Bell.... you're going to love this interview. Since 1977, Brian Bowden has used his spare time to explore several areas of interest. His experiences in the paranormal realm cover everything from encounters with Sasquatch, Dogman, spirits, and several UFO experiences. Each has been the driving force in his quest for more knowledge and ultimately answers. He joined the Bronxville Paranormal Society (BPS) at it's inception and is now the Director. Bryan is the creator, producer and co-host of the critically acclaimed "Beyond The Realm" Radio Show, co-host of “Inside The Goblin Universe” radio program, and host of NoBoBuMe (which stands for -Nobody But Me). Bryan is currently a member of the International Remote Viewers Association, the Founder and Director of both the New York State UFO Project and the New York State Sasquatch Organization, and he's the North American correspondent for Outer Limits Magazine. He also has several appearances on Dave Scott's Spaced Out Radio and has appeared in numerous newspaper articles, independent films, and television series. He has appeared in seasons of Red Earth Uncovered, and also appeared on “Into the Unknown”, a new paranormal series on the Travel Channel hosted by Cliff Simon. He filmed for the upcoming UFO documentary “Star Children of Pine New York” and did a 2-hour UFO Special for the Travel Channel and Discovery+. Bryan is working on a series of new books based on his experiences, investigations, and theorie and is currently developing new Intellectual property for both television and the big screen.   New York State UFO Project NYSUFOP YouTube https://youtube.com/channel/UCPD8c3JBNajNk5B-kzluYqA   Bronxville Paranormal Society BPS YouTube https://youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43w   Inside The Goblin Universe YouTube https://m.youtube.com/channel/UCG8qspgGU2RuCbMSS7DaYXA   Podcast: www.InsideTheGoblinUniverse.Podbean.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On This Episode of NoBoBuMe (Nobody But Me)  Host Bryan Bowden  (Host and boots on the ground Cryptozoologist, singer, songwriter and guitarist) invites special guests    Stevie Strings  - (Bigfoot Researcher and kick ass guitar player) David Buder  - (kick ass guitar player) Hi-Fi  - (Yes; that's his real name and he has played with and managed the tours of Legends Rock, Country: Stevie Ray Vaughan, Lynyrd Skynyrd, the Allman Brothers, the Winter brothers, Tim McGraw, Faith Hill and many more  Britton Buchanan  - (Singer Songwriter and runner up on Season 14 of The Voice). Al Santariga  - (Bigfoot Researcher and Guitar player)  Tackle the questions every Guitarist wants to know:  What makes a great Guitar? What makes a Great Guitar player? Is it the strings? Hardware? Wood? Player? We also discuss Inside stories from being on the road with top music acts; Finally we discuss Did Robert John Sell His soul at the Crossroads?    Listen Now: https://www.podbean.com/ew/pb-yvwtv-1120201 Watch Now (Audio Only):  Watch Now (Video): https://youtu.be/5aygbWRNEW4         Subscribe to the show at www.InsideTheGoblinUniverse.podbean.com   *NoBoBuMe Website - www.NoBoBuMe.com *Inside The Goblin Universe Website: www.InsideTheGoblinUniverse.com   Goblin Universe Social Connection Global Video Broadcast YouTube [outside the USA] 8:00 PM GMT, 3:00 PM EST, 12:00 PM PST: www.youtube.com/ channel/UCG8qspgGU2RuCbMSS7DaYXA Like Us On Facebook www.facebook.com/insidethegoblinuniverse/   Subscribe to our YouTube Channel: Inside The Goblin Universe www.youtube.com/channel/UCG8qspgGU2RuCbMSS7DaYXA   Tweet Us on Twitter @GoblinUniverse www.twitter.com/GoblinUniverse   Lean into the Fear™         Bryan Bowden,  paranormal, Cryptids, NoBoBuMe, Nobody But Me, Inside TheGoblin Universe, Stevie Strings, Dave Buder, Britton Buchanan, Hi-Fi, Al Santariga, BryanMBowden, Ronald Murphy Jr, Ron Murphy, Crypto Guru, Guitars, Fender, Gibson, PRS, Outlaws, Dave Mustanine, Johnny Winter, Amps, Blues, Stevie Ray Vaughn, Faith Hill, Tim McGraw CannaSense, #BryanBowden,  #paranormal, #Cryptids, #NoBoBuMe, #NobodyButMe, #InsideTheGoblinUniverse, #Bigfoot, #Sasquatch, #BryanMBowden, #RonaldMurphyJr, #CryptoGuru, #JayBachochin, #WisconsinParanormalInvestigators,  #documentary, #Finding Jay, #streaming, #Amazon Prime, #available on Blu ray, #PABigfootCampingAdventure, #DaveSchrader, #BeyondTheEdge, #EricAltman, #Dogman, #Werewolfs, #TheBeastofBrayRoad, #TheWisconsinBigfoot, #CannaSense, #Stevie Strings, #Dave #Buder, #Britton Buchanan, #Hi-Fi, #Al Santariga, #Guitars, #Fender, #Gibson, #PRS, #Outlaws, #Dave Mustanine, #Johnny Winter, #Amps, #Blues, #Stevie Ray Vaughn, #Faith Hill, #Tim McGraw  #SparkRadioNet #RadioAndPodcast

If you're a fan of the old Coast to Coast AM with Art Bell.... you're going to love this interview. Since 1977, Brian Bowden has used his spare time to explore several areas of interest, traveling the world in pursuit of the truth. His experiences in the paranormal realm cover everything from encounters with Sasquatch, Dogman, spirits, and several UFO experiences. Each has been the driving force in his quest for more knowledge and ultimately answers. He joined the Bronxville Paranormal Society BPS at its inception and is now the Director. Bryan is the creator, producer and co-host of the critically acclaimed "Beyond The Realm" Radio Show; he is a published author, Musician and Artist. He has been a speaker and presenter at many paranormal and cryptid conferences throughout the United States. He started the Paranormal Center and is a former member of the board for the Pine Bush UFO festival and Conference. Bryan is currently a member of IRVA the International Remote Viewers Association; the Founder and Director of both NYSUFOP - New York State UFO Project and NYSSO - New York State Sasquatch Organization; the Director of the North American Dogman Project - New York State Chapter; and is The North American correspondent for Outer Limits Magazine. He is the co-host of “Inside The Goblin Universe” radio program with Ronald Murphy, and host of NoBoBuMe (which stands for -Nobody But Me). He also has several appearances on Dave Scott's Spaced Out Radio, and also has appeared in numerous newspaper articles, independent films and television series. Bryan recently signed with Coridor13 Talent Management, which will handle his public appearances and bookings in the future. He has appeared in a seasons of Red Earth Uncovered, a Canadian series that will air beginning in the USA this year, and also appeared on “Into the Unknown”, a new paranormal series on the Travel Channel hosted by Cliff Simon, He filmed for the upcoming UFO documentary “Star Children of Pine New York” and just finished filming for a 2-hour UFO Special for the Travel Channel and Discovery+ coming Summer 2021. Bryan is working on a series of new books based on his experiences, investigations, and theories, as well as a few children's books and short stories. His Latest publication “Words & Muses - A lyrical Life of Poetry”, is on sale at Amazon.com He is currently developing new Intellectual property for both television and the big screen, as well as scheduling future investigations, conferences and events. New York State UFO Project NYSUFOP YouTube https://youtube.com/channel/UCPD8c3JBNajNk5B-kzluYqA Bronxville Paranormal Society BPS YouTube https://youtube.com/channel/UCQnAg7Udwijtt8ePYTpq43w Inside The Goblin Universe YouTube https://m.youtube.com/channel/UCG8qspgGU2RuCbMSS7DaYXA Podcast: www.InsideTheGoblinUniverse.Podbean.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Artist Song Time Album Year Number10 Supertramp Cannonball 7:36 Brother Where You Bound 1985 Number10Tie Supertramp Goodbye Stranger 5:51 Breakfast in America [2010 Remaster] 1979 Number9 Supertramp Babaji 4:42 Even In The Quietest Moments 1977 Number8 Supertramp Brother Where You Bound 16:32 Brother Where You Bound 1985 Number7 Supertramp Ain't Nobody But Me 5:01 Crisis? […]

Playlist: Snatch It Back and Hold It – Junior Wells; Divin' Duck Blues – Sleepy John Estes; Diving Duck Blues – Taj Mahal; If the River Was Whiskey (Divin' Duck Blues) – Rising Sons; Goin' To Brownsville, Dark Is the Night – Ry Cooder; Never Goin' Back to Memphis – Shemekia Copeland; Me and My Chauffeur Blues – Memphis Minnie; Nobody But Me – Rip Lee Pryor; When It Don't Come Easy – Vanessa Collier; Come Love Come – Rhiannon Giddens; Knocking At Your Door – Larry Taylor; Crow Jane – Skip James; Crow Jane – Samantha Fish; Why Don't You Do Right? – Carolina Chocolate Drops; Dark Was the Night, Cold Was the Ground – Blind Willie Johnson. Escuchar audio

En este nuevo episodio de Podcast Memoria Radio Disney te invitamos a conocer mucho más de Sofía Reyes. A través de distintas entrevistas en toda nuestra cadena acompañamos el crecimiento de la artista mexicana.

Billy talks with 2020 Nashville Songwriter’s Hall of Fame Nominee Shawn Camp. They discuss Shawn moving to Nashville in 1987 to play fiddle for The Osbourne Brothers, writing “Two Pina Coladas” for Garth Brooks (which became a #1 hit), the Grammy and IBMA winning band, the Earls of Leicester, and playing John Prine’s Christmas Parties in Nashville with The Bring The Whole Damn Family Band. More about Shawn Camp Darrell DeShawn "Shawn" Camp (born August 29, 1966 in Perryville, Arkansas) is an American musician who performs country and Americana music. Originally signed to Reprise Records in 1993 as a recording artist, Camp charted two minor singles on the U.S. Billboard Hot Country Singles & Tracks charts that year. Since then, he has found success as a songwriter, having co-written hit singles for many country music artists, including Garth Brooks, Josh Turner, Brooks & Dunn, and Blake Shelton, although he continues to record his own material as well. Camp was raised in Perryville, Arkansas by a musical family. In 1987, he moved to Nashville, Tennessee and worked in the backing bands of such acts as The Grand Priarie Boys, Osborne Brothers, Alan Jackson, Suzy Bogguss and Trisha Yearwood. In 1991, he was signed to Reprise Records, with two minor Top 40 singles charting in 1993. He later left the label over creative differences, but continued to write songs for other artists. Camp's first Number One as a songwriter came in early 1998, when Garth Brooks reached the top of the Billboard country charts with "Two Piña Coladas", a song co-written by Camp. Later that same year, Brooks & Dunn also reached Number One with "How Long Gone", another Camp co-write. Camp released a second album, titled Lucky Silver Dollar, in 2001. In 2006, he was nominated as Songwriter of the Year by the Society for the Preservation of Bluegrass Music; also, Billboard ranked him #10 on their 2006 list of Hot Country Songwriters. The same year, two songs co-written by Camp entered the country charts: "Nobody But Me" by Blake Shelton, and "Would You Go with Me" by Josh Turner, which peaked at No. 4 and No. 1, respectively, on the Billboard U.S. Hot Country Songs charts. Camp also co-wrote Turner's 2007 single "Firecracker" and George Strait's 2008 single "River of Love".

Jay Bachochin   On This Episode of Inside The Goblin Universe special guest Jay Bachochin, the creator of the hit Bigfoot documentary ‘Finding Jay’. discusses his Research and Investigation into Bigfoot, Dogman, The Beast of Bray Road, the Paranormal  and his Founding of the Wisconsin Paranormal Investigators. Lean Into The Fear! Listen Now:  Download Now:  Watch Now (Audio Only):  Watch Now (Video):                           Subscribe to the show at www.InsideTheGoblinUniverse.podbean.com                        *NoBoBuMe Website - www.NoBoBuMe.com                      *Inside The Goblin Universe Website: www.InsideTheGoblinUniverse.com                        Goblin Universe Social Connection                      Global Video Broadcast YouTube :                       www.youtube.com/ channel/UCG8qspgGU2RuCbMSS7DaYXA                      Like Us On Facebook www.facebook.com/insidethegoblinuniverse/                         Subscribe to our YouTube Channel: Inside The Goblin Universe                                www.youtube.com/channel/UCG8qspgGU2RuCbMSS7DaYXA                        Tweet Us on Twitter @GoblinUniverse www.twitter.com/GoblinUniverse                        Lean into the Fear™     Jay Bachochin:   Bio:  Jay Bachochin is a family man in the state of Wisconsin. He is a graphic designer, cinematographer and film editor. Jay founded The Wisconsin Paranormal Investigators in 2007 to investigate and research UFOs and Ghosts. Since 2014 he has been on a solo quest searching for The Wisconsin Sasquatch in southeast Wisconsin. In 2019, Jay had produced, filmed, edited and directed his documentary 'Finding Jay' streaming on Amazon Prime and available on Blu ray.    GROWING UP:  Jay has been interested in the paranormal since he was old enough to hold an interest. Jay was raised on Creature Features back in the early 70's. He just loved "anything" that was supernatural. It wasn't until 1979 when he witnessed something paranormal first hand and saw the most amazing display of a well lit flying object above their house in Lindenhurst, IL. What did his brother, sister and my mom see that night? They could all say it was a UFO, but until this day they still can't explain what we saw. However, it was fascinating to watch these lights move in the night sky over a total of :20 minutes.    Throughout Jay’s life he has experienced many encounters that didn’t make sense. Jay experienced a 5 second black-out when he was 10 years old. The black-out didn't only happen to Jay at that time, but also his younger friend he was with at the time. This 5 second black-out was the most bizzare thing he can recall from childhood. How can 2 people share the same black-out?    He has witnessed many different unidentified flying objects near his hometown and his current residence over the years.    Since 2013, Jay has been investigating The Wisconsin Sasquatch and Dogman. He has had several sightings and has collected over 5 years worth of data.    Jay believes that we are not alone in our universe but not alone in the woods. Another race of alien beings? A greater force beyond comprehension? Worm-holes? Time scapes? Parallel universes?    About WPI Hunts the Truth 2007-2014    WPI Hunts the Truth was established in March 2007 by Jay Bachochin and his wife Katie due to their love and passion of the paranormal. They were both so intrigued by the paranormal evidence they’ve seen in their lives that they actually took an interest in paranormal investigating as a husband/wife quest in 2006. In later March 2007, they founded The Wisconsin Paranormal Investigators along with the help of some very close friends that shared the similar passion. They all believed there is more to our everyday normal lives. Do ghosts really exist? Is it simply suggestive thought or mass hysteria? They needed to find the answers for themselves. That is how their mission Hunt the Truth was born. In 2014 they combined their organizations abbreviations and mission statement to simplify who they are and what they do. WPI Hunts the Truth researches fringe science, cryptozoology creatures, urban legends, unidentified aerial phenomena, conspiracy theories and the ghost phenomena. Beginning in 2007 they’ve had numerous investigations requested by home and business owners claiming to be experiencing paranormal activity. While they have conducted many private investigations, they have also been to notable locations such as Kenosha’s Rhode Opera House, the Illinois State Beach Resort in Winthrop Harbor, and the famous Mansfield, Ohio State Reformatory, which was featured in the film ‘Shawshank Redemption.’ They’ve been featured speakers at local events such as Zombie Con in Milwaukee, Chicago Ghost Con and out-of-state speakers at the PA Bigfoot Camping Adventure. They have been featured on TMJ4 Milwaukee as well as Wisconsin’s Channel 12 News, Darkness Radio with Dave Schrader, Beyond the Edge with Eric Altman, ‘The Hidden Truth?’ documentary, ‘Finding Jay’ documentary 5/19 and featured in the book "Picture Yourself Capturing Ghosts on Film: Step-by-Step Instruction for Documenting the Paranormal with Photography and Video"    Most notable is the investigation of a decade long 'unsolved mystery' in 2010. The mystery of several young college men drowning in the Mississippi River accompanied by a documentary called THE HIDDEN TRUTH?    Team members come and go in the paranormal field. There has been a forever revolving door of friends that came in and out of WPI. The full team branched off in later 2014 to create their own paranormal team. All that remained was WPI Hunts the Truth original founders Jay and Katie Bachochin. While Katie has taken a back seat from investigations, she still holds her interest. Jay Bachochin is now the solo investigative researcher under the organization he founded: The Wisconsin Paranormal Investigators. He had halted his pursuit in investigating ghosts with a full team and refocused solely on investigating The Beast of Bray Road and The Wisconsin Bigfoot.   Contact: To arrange interviews, please contact the participants directly: Jay Bachochin IMDb Email: info@jaybachochin.com Web: www.jaybachochin.com Skype: wpi_07jay Cell: 847-815-8610        CHAT Finding Jay Facebook: https://www.facebook.com/FindingJayDocumentary   Website: jay bachochinjaybachochin.com   Watch Finding Jay: https://www.amazon.com/Finding-Jay-Bachochin/dp/B07TJBHXV5#ace-g2342880709   YouTube Jay Bachochin on YouTube https://www.youtube.com/channel/UCflORWgYK7e8RQIm3XLstMw         Bryan Bowden,  paranormal, Cryptids, NoBoBuMe, Nobody But Me, Inside TheGoblin Universe, Jay Bachochin, Finding Jay, Bigfoot, Sasquatch, BryanMBowden, Ronald Murphy Jr, Ron Murphy, Crypto Guru, Wisconsin, , film editor,  Wisconsin Paranormal Investigators, documentary, Finding Jay, streaming, Amazon Prime, available on Blu ray, race of alien beings, Worm-holes, Time scapes, Parallel universes, PA Bigfoot Camping Adventure, Dave Schrader, Beyond the Edge, Eric Altman, Dogman, Werewolfs, The Beast of Bray Road, he Wisconsin Bigfoot, CannaSense,     #BryanBowden,  #paranormal, #Cryptids, #NoBoBuMe, #NobodyButMe, #InsideTheGoblinUniverse, #Bigfoot, #Sasquatch, #BryanMBowden, #RonaldMurphyJr, #CryptoGuru, #JayBachochin, #WisconsinParanormalInvestigators,  #documentary, #Finding Jay, #streaming, #Amazon Prime, #available on Blu ray, #PABigfootCampingAdventure, #DaveSchrader, #BeyondTheEdge, #EricAltman, #Dogman, #Werewolfs, #TheBeastofBrayRoad, #TheWisconsinBigfoot, #CannaSense,   #SparkRadioNet#RadioAndPodcast

Episode one hundred and two of A History of Rock Music in Five Hundred Songs looks at "Twist and Shout" by the Isley Brothers, and the early career of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "How Do You Do It?" by Gerry and the Pacemakers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ ----more---- Resources No Mixcloud this week, due to the number of songs by the Isleys. Amazingly, there are no books on the Isley Brothers, unless you count a seventy-two page self-published pamphlet by Rudolph Isley's daughter, so I've had to piece this together from literally dozens of different sources. For information about the Isley Brothers the main source was  Icons of R&B and Soul by Bob Gulla.  The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. There are many compilations of the public-domain recordings of the Isleys. This one seems the most complete. This three-CD set, though, is the best overview of the group's whole career. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we're going to look at one of the great Brill Building songwriters, and at a song he wrote which became a classic both of soul and of rock music. We're going to look at how a novelty Latin song based around a dance craze was first taken up by one of the greatest soul groups of the sixties, and then reworked by the biggest British rock band of all time. We're going to look at "Twist and Shout" by the Isley Brothers. [Excerpt: The Isley Brothers, "Twist and Shout"] When we left the Isley Brothers, they had just signed to Atlantic, and released several singles with Leiber and Stoller, records like "Standing on the Dance Floor" that were excellent R&B records, but which didn't sell: [Excerpt: The Isley Brothers, "Standing on the Dance Floor"] In 1962 they were dropped by Atlantic and moved on to Wand Records, the third label started by Florence Greenberg, who had already started Tiara and Scepter. As with those labels, Luther Dixon was in charge of the music, and he produced their first single on the label, a relatively catchy dance song called "The Snake", which didn't catch on commercially: [Excerpt: The Isley Brothers, "The Snake"] While "The Snake" didn't sell, the Isley Brothers clearly had some commercial potential -- and indeed their earlier hit "Shout" had just recharted, after Joey Dee and the Starliters had a hit with a cover version of it. All that was needed was the right song, and they could be as big as Luther Dixon's other group, the Shirelles. And Dixon had just the song for them -- a song co-written by Burt Bacharach, and sung on the demo by a young singer called Dionne Warwick. Unfortunately, they spent almost all the session trying and failing to get the song down -- they just couldn't make it work -- and eventually they gave up on it, and Bacharach produced the song for Jerry Butler, the former lead singer of the Impressions, who had a top twenty hit with it: [Excerpt: Jerry Butler, "Make it Easy on Yourself"] So they were stuck without a song to record -- and then Dixon's assistant on the session, Bert Berns, suggested that they record one of his songs -- one that had been a flop for another group the previous year. The story of "Twist and Shout" actually starts with a group called the Five Pearls, who made their first record in 1954: [Excerpt: The Five Pearls, "Please Let Me Know"] The Five Pearls recorded under various different names, and in various different combinations, for several different mid-sized record labels like Aladdin throughout the 1950s, but without much success -- the closest they came was when one of the members, Dave "Baby" Cortez, went solo and had a hit with "The Happy Organ" in 1959: [Excerpt: Dave "Baby" Cortez, "The Happy Organ"] But in 1960 two members of the Pearls -- who used different names at different points of their career, but at this point were calling themselves Derek Ray and Guy Howard, signed to Atlantic as a new duo called The Top Notes. Their first single under this name, "A Wonderful Time", did no better than any of their other records had -- but by their third single, they were being produced by a new staff producer -- Phil Spector, who had started taking on production jobs that Leiber and Stoller weren't interested in doing themselves, like a remake of the old folk song "Corrina, Corrina", which had been an R&B hit for Big Joe Turner and which Spector produced for the country singer Ray Peterson: [Excerpt: Ray Peterson, "Corrina, Corrina"] But soon after that, Spector had broken with Leiber and Stoller. Spector was given the opportunity to co-write songs for the new Elvis film, Blue Hawaii. But he was signed to a publishing contract with Leiber and Stoller's company, Trio Music, and they told Hill & Range that he could only do the songs if Trio got half the publishing, which Hill & Range refused -- there was apparently some talk of them going ahead anyway, but Hill & Range were scared of Trio's lawyer, one of the best in the entertainment industry. This wouldn't be the last time that Phil Spector and Lee Eastman ended up on the opposite sides of a disagreement. Shortly after that, Spector's contract mysteriously went missing from Trio's office. Someone remembered that Spector happened to have a key to the office. But by this point Spector had co-written or co-produced a fair few hits, and so he was taken on by Atlantic on his own merits, and so he and Jerry Wexler co-produced singles for the Top Notes, with arrangements by Teddy Randazzo, who we last heard of singing with accordion accompaniment in The Girl Can't Help It. The first of these Top Notes singles, "Hearts of Stone", was an obvious attempt at a Ray Charles soundalike, with bits directly lifted both from "What'd I Say" and Charles' hit "Sticks and Stones": [Excerpt: The Top Notes, "Hearts of Stone"] But the next Top Notes release was the song that would make them at least a footnote in music history. The writing credit on it was Bert Russell and Phil Medley, and while Medley would have little impact on the music world otherwise, the songwriter credited as Bert Russell is worth us looking at. His actual name was Bertrand Russell Berns -- he had been named after the famous philosopher -- and he was a man on a mission. He was already thirty-one, and he knew he didn't have long to live -- he'd had rheumatic fever as a child and it had given him an incurable heart condition. He had no idea how long he had, but he knew he wasn't going to live to a ripe old age. And he'd wasted his twenties already -- he'd tried various ways to get into showbiz, with no success. He'd tried a comedy double act, and at one point had moved to Cuba, where he'd tried to buy a nightclub but backed out when he'd realised it was actually a brothel.  On his return to the US, he'd started working as a songwriter in the Brill Building. In the late fifties he worked for a while with the rockabilly singer Ersel Hickey -- no relation to me -- who had a minor hit with "Bluebirds Over the Mountain": [Excerpt: Ersel Hickey, "Bluebirds Over the Mountain"] Berns was proud just to know Hickey, though, because "Bluebirds Over the Mountain" had been covered by Ritchie Valens, and "La Bamba" was Berns' favourite record -- one he would turn to for inspiration throughout his career. He loved Latin music generally -- it had been one of the reasons he'd moved to Cuba -- but that song in particular was endlessly fascinating to him. He'd written and produced a handful of recordings in the early fifties, before his Cuba trip, but it was on his return that he started to be properly productive. He'd started producing novelty records with a friend called Bill Giant, like a song based on the Gettysburg Address: [Excerpt: Bert and Bill Giant, "The Gettysburg Address"] Or a solo record about the Alamo -- at the time Berns seemed to think that songs about American history were going to be the next big thing: [Excerpt: Bert Berns, "The Legend of the Alamo"] He'd co-written a song called "A Little Bird Told Me" with Ersel Hickey -- not the same as the song of the same name we talked about a year or so ago -- and it was recorded by LaVern Baker: [Excerpt: LaVern Baker, "A Little Bird Told Me"] And he and Medley co-wrote "Push Push" for Austin Taylor: [Excerpt: Austin Taylor, "Push Push"] But he was still basically a nobody in the music industry in 1961. But Jerry Wexler had produced that LaVern Baker record of "A Little Bird Told Me", and he liked Berns, and so he accepted a Berns and Medley cowrite for the next Top Notes session.  The song in question had started out as one called "Shake it Up Baby", based very firmly around the chords and melody of "La Bamba", but reimagined with the Afro-Cuban rhythms that Berns loved so much -- and then further reworked to reference the Twist dance craze. Berns was sure it was a hit -- it was as catchy as anything he could write, and full of hooks.  Berns was allowed into the studio to watch the recording, which was produced by Wexler and Spector, but he wasn't allowed to get involved -- and he watched with horror as Spector flattened the rhythm and totally rewrote the middle section. Spector also added in backing vocals based on the recent hit "Handy Man" -- a "come-a-come-a" vocal line that didn't really fit the song. The result was actually quite a decent record, but despite being performed by all the usual Atlantic session players like King Curtis, and having the Cookies do their usual sterling job on backing vocals, "Twist and Shout" by the Top Notes was a massive flop, and Berns could tell it would be even during the session: [Excerpt: The Top Notes, "Twist and Shout"] The Top Notes soon split up, making no real further mark on the industry -- when Guy Howard died in 1977, he had reverted to his original name Howard Guyton, and the Top Notes were so obscure that his obituaries focused on his time in one of the later touring versions of the Platters. Berns was furious at the way that Spector had wrecked his song, and decided that he was going to have to start producing his own songs, so they couldn't be messed up. But that was put on the back burner for a while, as he started having success. His first chart success as a songwriter was with a song he wrote for a minor group called the Jarmels. By this time, the Drifters were having a lot of success with their use of the same Latin and Caribbean rhythms that Berns liked, and so he wrote "A Little Bit of Soap" in the Drifters' style, and it made the top twenty: [Excerpt: The Jarmels, "A Little Bit of Soap"] He also started making non-novelty records of his own. Luther Dixon at Wand Records heard one of Berns' demos, and decided he should be singing, not just writing songs. Berns was signed to Wand Records as a solo artist under the name "Russell Byrd", and his first single for the label was produced by Dixon. The song itself is structurally a bit of a mess -- Berns seems to have put together several hooks (including some from other songs) but not thought properly about how to link them together, and so it meanders a bit -- but you can definitely see a family resemblance to "Twist and Shout" in the melody, and in Carole King's string arrangement: [Excerpt: Russell Byrd, "You'd Better Come Home"] That made the top fifty, and got Berns a spot on American Bandstand, but it was still not the breakout success that Berns needed. While Berns had been annoyed at Spector for the way he'd messed up "Twist and Shout", he clearly wasn't so upset with him that they couldn't work together, because the second Russell Byrd session, another Drifters knockoff, was produced by Spector: [Excerpt: Russell Byrd, "Nights of Mexico"] But Berns was still looking to produce his own material. He got the chance when Jerry Wexler called him up. Atlantic were having problems -- while they had big vocal groups like the Drifters and the Coasters, they'd just lost their two biggest male solo vocalists, as Bobby Darin and Ray Charles had moved on to other labels. They had recently signed a gospel singer called Solomon Burke, and he'd had a minor hit with a version of an old country song, "Just Out of Reach": [Excerpt: Solomon Burke, "Just Out of Reach"] Burke was the closest thing to a male solo star they now had, and clearly a major talent, but he was also a very opinionated person, and not easy to get on with. His grandmother had had a dream, twelve years before he was born, in which she believed God had told her of her future grandson's importance. She'd founded a church, Solomon's Temple: The House Of God For All People, in anticipation of his birth, and he'd started preaching there from the age of seven as the church's spiritual leader. Rather unsurprisingly, he had rather a large ego, and that ego wasn't made any smaller by the fact that he was clearly a very talented singer. His strong opinions included things like how his music was to be marketed. He was fine with singing pop songs, rather than the gospel music he'd started out in, as he needed the money -- he had eight kids, and as well as being a singer and priest, he was also a mortician, and had a side job shovelling snow for four dollars an hour -- but he wasn't keen on being marketed as "rhythm and blues" -- rhythm and blues was dirty music, not respectable. His music needed to be called something else. After some discussion with Atlantic, everyone agreed on a new label that would be acceptable to his church, one that had previously been applied to a type of mostly-instrumental jazz influenced by Black gospel music, but from this point on would be applied almost exclusively to Black gospel-influenced pop music in the lineage of Ray Charles and Clyde McPhatter. Burke was not singing rhythm and blues, but soul music. Wexler had produced Burke's first sessions, but he always thought he worked better when he had a co-producer, and he liked a song Berns had written, "Cry to Me", another of his Drifters soundalikes. So he asked Berns into the studio to produce Burke singing that song. The two didn't get on very well at first -- Burke's original comment on meeting Berns was "Who is this Paddy mother--" except he included the expletive that my general audience content rating prevents me from saying there -- but it's hard to argue with the results, one of the great soul records of all time: [Excerpt: Solomon Burke, "Cry to Me"] That made the top five on the R&B chart, and started a run of hits for Burke, whose records would continue to be produced by the team of Berns and Wexler for the next several years. After this initial production success, Berns started producing many other records, most of them again unsuccessful, like a cheap Twist album to cash in on the resurgent Twist craze. And he was still working with Wand records, which is what led to him being invited to assist Dixon with the Isley Brothers session for "Make it Easy on Yourself".  When they couldn't get a take done for that track, Berns suggested that they make an attempt at "Twist and Shout", which he still thought had the potential to be a hit, and which would be perfectly suited to the Isley Brothers -- after all, their one hit was "Shout!", so "Twist and Shout" would be the perfect way for them to get some relevance.  The brothers hated the song, and they didn't want to record any Twist material at all -- apparently they were so vehemently against recording the song that furniture got smashed in the argument over it. But Luther Dixon insisted that they do it, and so they reluctantly recorded "Twist and Shout", and did it the way Bert Berns had originally envisioned it, Latin feel and all: [Excerpt: The Isley Brothers, "Twist and Shout"] It's a testament to Ronald Isley's talent, in particular, that he sounds utterly committed on the record despite it being something he had no wish to take part in at all.  The record made the top twenty on the pop chart and number two in R&B, becoming the Isleys' first real mainstream hit. It might have even done better, but for an unfortunate coincidence -- "Do You Love Me" by the Contours, a song written by Berry Gordy, was released on one of the Motown labels a couple of weeks later, and had a very similar rising vocal hook: [Excerpt: The Contours, "Do You Love Me"] "Do You Love Me" was a bigger hit, making number three in the pop charts and number one R&B, but it's hard not to think that the two records being so similar must have eaten into the market for both records. But either way, "Twist and Shout" was a proper big hit for the Isleys, and one that established them as real stars, and Berns became their regular producer for a while. Unfortunately, both they and Berns floundered about what to do for a follow-up. The first attempt was one of those strange records that tries to mash up bits of as many recent hits as possible, and seems to have been inspired by Jan & Dean's then-recent hit with a revival of the 1946 song "Linda": [Excerpt: Jan and Dean, "Linda"] That song was, coincidentally, written about the daughter of Lee Eastman, the lawyer we mentioned earlier. "Twistin' With Linda", the brothers' response, took the character from that song, and added the melody to the recent novelty hit "Hully Gully", lyrical references to "Twist and Shout" and Chubby Checker's Twist hits, and in the tag Ronald Isley sings bits of "Shout", "Don't You Just Know It", "Duke of Earl", and for some reason "I'm Popeye the Sailor Man": [Excerpt: The Isley Brothers, "Twistin' With Linda"] That only made the lower reaches of the charts. Their next single was "Nobody But Me", which didn't make the hot one hundred, but would later be covered by the Human Beinz, making the top ten in their version in 1968: [Excerpt: The Isley Brothers, "Nobody But Me"] With Berns still producing, the Isleys moved over to United Artists records, but within a year of "Twist and Shout", they were reduced to remaking it as "Surf and Shout", with lyrics referencing another Jan and Dean hit, "Surf City": [Excerpt: The Isley Brothers, "Surf and Shout"] Oddly, while they were doing this, Berns was producing them on much more interesting material for album tracks, but for some reason, even as Berns was also by now producing regular hits for Solomon Burke, Ben E King and the Drifters, the Isleys were stuck trying to jump on whatever the latest bandwagon was in an attempt at commercial success. Even when they were writing songs that would become hits, they were having no success. The last of the songs that Berns produced for them was another Isleys original, "Who's That Lady?": [Excerpt: The Isley Brothers, "Who's That Lady?"] That would become one of the group's biggest hits, but not until they remade it nine years later. It was only two years since "Twist and Shout", but the Isley Brothers were commercially dead. But the success of "Twist and Shout" -- and their songwriting royalties from "Shout" -- gave them the financial cushion to move to comparatively better surroundings -- and to start their own record label. They moved to Teaneck, New Jersey, and named their new label T-Neck in its honour. They also had one of the best live bands in the US at the time, and the first single on T-Neck, "Testify", produced by the brothers themselves, highlighted their new guitar player, Jimmy James: [Excerpt: The Isley Brothers, "Testify"] But even while he was employed by the Isleys, Jimmy James was playing on other records that were doing better, like Don Covay's big hit "Mercy, Mercy": [Excerpt: Don Covay and the Goodtimers, "Mercy, Mercy"] And he soon left the Isleys, going on first to tour with a minor soul artist supporting Sam Cooke and Jackie Wilson, and then to join Little Richard's band, playing on Richard's classic soul ballad "I Don't Know What You've Got But It's Got Me", also written by Don Covay: [Excerpt: Little Richard, "I Don't Know What You've Got But It's Got Me"] We'll be picking up the story of Jimmy James in a couple of months' time, by which point he will have reverted to his birth name and started performing as Jimi Hendrix. But for the moment, this is where we leave Hendrix and the Isley Brothers, but they will both, of course, be turning up again in the story. But of course, that isn't all there is to say about "Twist and Shout", because the most famous version of the song isn't the Isleys'. While the Beatles' first single had been only a minor hit, their second, "Please Please Me", went to number one or two in the  UK charts, depending on which chart you look at, and they quickly recorded a follow-up album, cutting ten songs in one day to add to their singles to make a fourteen-track album. Most of the songs they performed that day were cover versions that were part of their live act -- versions of songs by Arthur Alexander, the Cookies, and the Shirelles, among others.  John Lennon had a bad cold that day, and so they saved the band's live showstopper til last, because they knew that it would tear his throat up. Their version of "Twist and Shout" was only recorded in one take -- Lennon's voice didn't hold up enough for a second -- but is an undoubted highlight of the album: [Excerpt: The Beatles, "Twist and Shout"] Suddenly Bert Berns had a whole new market to work in. And so when we next look at Bert Berns, he will be working with British beat groups, and starting some of the longest-lasting careers in British R&B.  

Episode one hundred and two of A History of Rock Music in Five Hundred Songs looks at “Twist and Shout” by the Isley Brothers, and the early career of Bert Berns. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “How Do You Do It?” by Gerry and the Pacemakers. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Resources No Mixcloud this week, due to the number of songs by the Isleys. Amazingly, there are no books on the Isley Brothers, unless you count a seventy-two page self-published pamphlet by Rudolph Isley’s daughter, so I’ve had to piece this together from literally dozens of different sources. For information about the Isley Brothers the main source was  Icons of R&B and Soul by Bob Gulla.  The information about Bert Berns comes from Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues by Joel Selvin. There are many compilations of the public-domain recordings of the Isleys. This one seems the most complete. This three-CD set, though, is the best overview of the group’s whole career. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Today we’re going to look at one of the great Brill Building songwriters, and at a song he wrote which became a classic both of soul and of rock music. We’re going to look at how a novelty Latin song based around a dance craze was first taken up by one of the greatest soul groups of the sixties, and then reworked by the biggest British rock band of all time. We’re going to look at “Twist and Shout” by the Isley Brothers. [Excerpt: The Isley Brothers, “Twist and Shout”] When we left the Isley Brothers, they had just signed to Atlantic, and released several singles with Leiber and Stoller, records like “Standing on the Dance Floor” that were excellent R&B records, but which didn’t sell: [Excerpt: The Isley Brothers, “Standing on the Dance Floor”] In 1962 they were dropped by Atlantic and moved on to Wand Records, the third label started by Florence Greenberg, who had already started Tiara and Scepter. As with those labels, Luther Dixon was in charge of the music, and he produced their first single on the label, a relatively catchy dance song called “The Snake”, which didn’t catch on commercially: [Excerpt: The Isley Brothers, “The Snake”] While “The Snake” didn’t sell, the Isley Brothers clearly had some commercial potential — and indeed their earlier hit “Shout” had just recharted, after Joey Dee and the Starliters had a hit with a cover version of it. All that was needed was the right song, and they could be as big as Luther Dixon’s other group, the Shirelles. And Dixon had just the song for them — a song co-written by Burt Bacharach, and sung on the demo by a young singer called Dionne Warwick. Unfortunately, they spent almost all the session trying and failing to get the song down — they just couldn’t make it work — and eventually they gave up on it, and Bacharach produced the song for Jerry Butler, the former lead singer of the Impressions, who had a top twenty hit with it: [Excerpt: Jerry Butler, “Make it Easy on Yourself”] So they were stuck without a song to record — and then Dixon’s assistant on the session, Bert Berns, suggested that they record one of his songs — one that had been a flop for another group the previous year. The story of “Twist and Shout” actually starts with a group called the Five Pearls, who made their first record in 1954: [Excerpt: The Five Pearls, “Please Let Me Know”] The Five Pearls recorded under various different names, and in various different combinations, for several different mid-sized record labels like Aladdin throughout the 1950s, but without much success — the closest they came was when one of the members, Dave “Baby” Cortez, went solo and had a hit with “The Happy Organ” in 1959: [Excerpt: Dave “Baby” Cortez, “The Happy Organ”] But in 1960 two members of the Pearls — who used different names at different points of their career, but at this point were calling themselves Derek Ray and Guy Howard, signed to Atlantic as a new duo called The Top Notes. Their first single under this name, “A Wonderful Time”, did no better than any of their other records had — but by their third single, they were being produced by a new staff producer — Phil Spector, who had started taking on production jobs that Leiber and Stoller weren’t interested in doing themselves, like a remake of the old folk song “Corrina, Corrina”, which had been an R&B hit for Big Joe Turner and which Spector produced for the country singer Ray Peterson: [Excerpt: Ray Peterson, “Corrina, Corrina”] But soon after that, Spector had broken with Leiber and Stoller. Spector was given the opportunity to co-write songs for the new Elvis film, Blue Hawaii. But he was signed to a publishing contract with Leiber and Stoller’s company, Trio Music, and they told Hill & Range that he could only do the songs if Trio got half the publishing, which Hill & Range refused — there was apparently some talk of them going ahead anyway, but Hill & Range were scared of Trio’s lawyer, one of the best in the entertainment industry. This wouldn’t be the last time that Phil Spector and Lee Eastman ended up on the opposite sides of a disagreement. Shortly after that, Spector’s contract mysteriously went missing from Trio’s office. Someone remembered that Spector happened to have a key to the office. But by this point Spector had co-written or co-produced a fair few hits, and so he was taken on by Atlantic on his own merits, and so he and Jerry Wexler co-produced singles for the Top Notes, with arrangements by Teddy Randazzo, who we last heard of singing with accordion accompaniment in The Girl Can’t Help It. The first of these Top Notes singles, “Hearts of Stone”, was an obvious attempt at a Ray Charles soundalike, with bits directly lifted both from “What’d I Say” and Charles’ hit “Sticks and Stones”: [Excerpt: The Top Notes, “Hearts of Stone”] But the next Top Notes release was the song that would make them at least a footnote in music history. The writing credit on it was Bert Russell and Phil Medley, and while Medley would have little impact on the music world otherwise, the songwriter credited as Bert Russell is worth us looking at. His actual name was Bertrand Russell Berns — he had been named after the famous philosopher — and he was a man on a mission. He was already thirty-one, and he knew he didn’t have long to live — he’d had rheumatic fever as a child and it had given him an incurable heart condition. He had no idea how long he had, but he knew he wasn’t going to live to a ripe old age. And he’d wasted his twenties already — he’d tried various ways to get into showbiz, with no success. He’d tried a comedy double act, and at one point had moved to Cuba, where he’d tried to buy a nightclub but backed out when he’d realised it was actually a brothel.  On his return to the US, he’d started working as a songwriter in the Brill Building. In the late fifties he worked for a while with the rockabilly singer Ersel Hickey — no relation to me — who had a minor hit with “Bluebirds Over the Mountain”: [Excerpt: Ersel Hickey, “Bluebirds Over the Mountain”] Berns was proud just to know Hickey, though, because “Bluebirds Over the Mountain” had been covered by Ritchie Valens, and “La Bamba” was Berns’ favourite record — one he would turn to for inspiration throughout his career. He loved Latin music generally — it had been one of the reasons he’d moved to Cuba — but that song in particular was endlessly fascinating to him. He’d written and produced a handful of recordings in the early fifties, before his Cuba trip, but it was on his return that he started to be properly productive. He’d started producing novelty records with a friend called Bill Giant, like a song based on the Gettysburg Address: [Excerpt: Bert and Bill Giant, “The Gettysburg Address”] Or a solo record about the Alamo — at the time Berns seemed to think that songs about American history were going to be the next big thing: [Excerpt: Bert Berns, “The Legend of the Alamo”] He’d co-written a song called “A Little Bird Told Me” with Ersel Hickey — not the same as the song of the same name we talked about a year or so ago — and it was recorded by LaVern Baker: [Excerpt: LaVern Baker, “A Little Bird Told Me”] And he and Medley co-wrote “Push Push” for Austin Taylor: [Excerpt: Austin Taylor, “Push Push”] But he was still basically a nobody in the music industry in 1961. But Jerry Wexler had produced that LaVern Baker record of “A Little Bird Told Me”, and he liked Berns, and so he accepted a Berns and Medley cowrite for the next Top Notes session.  The song in question had started out as one called “Shake it Up Baby”, based very firmly around the chords and melody of “La Bamba”, but reimagined with the Afro-Cuban rhythms that Berns loved so much — and then further reworked to reference the Twist dance craze. Berns was sure it was a hit — it was as catchy as anything he could write, and full of hooks.  Berns was allowed into the studio to watch the recording, which was produced by Wexler and Spector, but he wasn’t allowed to get involved — and he watched with horror as Spector flattened the rhythm and totally rewrote the middle section. Spector also added in backing vocals based on the recent hit “Handy Man” — a “come-a-come-a” vocal line that didn’t really fit the song. The result was actually quite a decent record, but despite being performed by all the usual Atlantic session players like King Curtis, and having the Cookies do their usual sterling job on backing vocals, “Twist and Shout” by the Top Notes was a massive flop, and Berns could tell it would be even during the session: [Excerpt: The Top Notes, “Twist and Shout”] The Top Notes soon split up, making no real further mark on the industry — when Guy Howard died in 1977, he had reverted to his original name Howard Guyton, and the Top Notes were so obscure that his obituaries focused on his time in one of the later touring versions of the Platters. Berns was furious at the way that Spector had wrecked his song, and decided that he was going to have to start producing his own songs, so they couldn’t be messed up. But that was put on the back burner for a while, as he started having success. His first chart success as a songwriter was with a song he wrote for a minor group called the Jarmels. By this time, the Drifters were having a lot of success with their use of the same Latin and Caribbean rhythms that Berns liked, and so he wrote “A Little Bit of Soap” in the Drifters’ style, and it made the top twenty: [Excerpt: The Jarmels, “A Little Bit of Soap”] He also started making non-novelty records of his own. Luther Dixon at Wand Records heard one of Berns’ demos, and decided he should be singing, not just writing songs. Berns was signed to Wand Records as a solo artist under the name “Russell Byrd”, and his first single for the label was produced by Dixon. The song itself is structurally a bit of a mess — Berns seems to have put together several hooks (including some from other songs) but not thought properly about how to link them together, and so it meanders a bit — but you can definitely see a family resemblance to “Twist and Shout” in the melody, and in Carole King’s string arrangement: [Excerpt: Russell Byrd, “You’d Better Come Home”] That made the top fifty, and got Berns a spot on American Bandstand, but it was still not the breakout success that Berns needed. While Berns had been annoyed at Spector for the way he’d messed up “Twist and Shout”, he clearly wasn’t so upset with him that they couldn’t work together, because the second Russell Byrd session, another Drifters knockoff, was produced by Spector: [Excerpt: Russell Byrd, “Nights of Mexico”] But Berns was still looking to produce his own material. He got the chance when Jerry Wexler called him up. Atlantic were having problems — while they had big vocal groups like the Drifters and the Coasters, they’d just lost their two biggest male solo vocalists, as Bobby Darin and Ray Charles had moved on to other labels. They had recently signed a gospel singer called Solomon Burke, and he’d had a minor hit with a version of an old country song, “Just Out of Reach”: [Excerpt: Solomon Burke, “Just Out of Reach”] Burke was the closest thing to a male solo star they now had, and clearly a major talent, but he was also a very opinionated person, and not easy to get on with. His grandmother had had a dream, twelve years before he was born, in which she believed God had told her of her future grandson’s importance. She’d founded a church, Solomon’s Temple: The House Of God For All People, in anticipation of his birth, and he’d started preaching there from the age of seven as the church’s spiritual leader. Rather unsurprisingly, he had rather a large ego, and that ego wasn’t made any smaller by the fact that he was clearly a very talented singer. His strong opinions included things like how his music was to be marketed. He was fine with singing pop songs, rather than the gospel music he’d started out in, as he needed the money — he had eight kids, and as well as being a singer and priest, he was also a mortician, and had a side job shovelling snow for four dollars an hour — but he wasn’t keen on being marketed as “rhythm and blues” — rhythm and blues was dirty music, not respectable. His music needed to be called something else. After some discussion with Atlantic, everyone agreed on a new label that would be acceptable to his church, one that had previously been applied to a type of mostly-instrumental jazz influenced by Black gospel music, but from this point on would be applied almost exclusively to Black gospel-influenced pop music in the lineage of Ray Charles and Clyde McPhatter. Burke was not singing rhythm and blues, but soul music. Wexler had produced Burke’s first sessions, but he always thought he worked better when he had a co-producer, and he liked a song Berns had written, “Cry to Me”, another of his Drifters soundalikes. So he asked Berns into the studio to produce Burke singing that song. The two didn’t get on very well at first — Burke’s original comment on meeting Berns was “Who is this Paddy mother–” except he included the expletive that my general audience content rating prevents me from saying there — but it’s hard to argue with the results, one of the great soul records of all time: [Excerpt: Solomon Burke, “Cry to Me”] That made the top five on the R&B chart, and started a run of hits for Burke, whose records would continue to be produced by the team of Berns and Wexler for the next several years. After this initial production success, Berns started producing many other records, most of them again unsuccessful, like a cheap Twist album to cash in on the resurgent Twist craze. And he was still working with Wand records, which is what led to him being invited to assist Dixon with the Isley Brothers session for “Make it Easy on Yourself”.  When they couldn’t get a take done for that track, Berns suggested that they make an attempt at “Twist and Shout”, which he still thought had the potential to be a hit, and which would be perfectly suited to the Isley Brothers — after all, their one hit was “Shout!”, so “Twist and Shout” would be the perfect way for them to get some relevance.  The brothers hated the song, and they didn’t want to record any Twist material at all — apparently they were so vehemently against recording the song that furniture got smashed in the argument over it. But Luther Dixon insisted that they do it, and so they reluctantly recorded “Twist and Shout”, and did it the way Bert Berns had originally envisioned it, Latin feel and all: [Excerpt: The Isley Brothers, “Twist and Shout”] It’s a testament to Ronald Isley’s talent, in particular, that he sounds utterly committed on the record despite it being something he had no wish to take part in at all.  The record made the top twenty on the pop chart and number two in R&B, becoming the Isleys’ first real mainstream hit. It might have even done better, but for an unfortunate coincidence — “Do You Love Me” by the Contours, a song written by Berry Gordy, was released on one of the Motown labels a couple of weeks later, and had a very similar rising vocal hook: [Excerpt: The Contours, “Do You Love Me”] “Do You Love Me” was a bigger hit, making number three in the pop charts and number one R&B, but it’s hard not to think that the two records being so similar must have eaten into the market for both records. But either way, “Twist and Shout” was a proper big hit for the Isleys, and one that established them as real stars, and Berns became their regular producer for a while. Unfortunately, both they and Berns floundered about what to do for a follow-up. The first attempt was one of those strange records that tries to mash up bits of as many recent hits as possible, and seems to have been inspired by Jan & Dean’s then-recent hit with a revival of the 1946 song “Linda”: [Excerpt: Jan and Dean, “Linda”] That song was, coincidentally, written about the daughter of Lee Eastman, the lawyer we mentioned earlier. “Twistin’ With Linda”, the brothers’ response, took the character from that song, and added the melody to the recent novelty hit “Hully Gully”, lyrical references to “Twist and Shout” and Chubby Checker’s Twist hits, and in the tag Ronald Isley sings bits of “Shout”, “Don’t You Just Know It”, “Duke of Earl”, and for some reason “I’m Popeye the Sailor Man”: [Excerpt: The Isley Brothers, “Twistin’ With Linda”] That only made the lower reaches of the charts. Their next single was “Nobody But Me”, which didn’t make the hot one hundred, but would later be covered by the Human Beinz, making the top ten in their version in 1968: [Excerpt: The Isley Brothers, “Nobody But Me”] With Berns still producing, the Isleys moved over to United Artists records, but within a year of “Twist and Shout”, they were reduced to remaking it as “Surf and Shout”, with lyrics referencing another Jan and Dean hit, “Surf City”: [Excerpt: The Isley Brothers, “Surf and Shout”] Oddly, while they were doing this, Berns was producing them on much more interesting material for album tracks, but for some reason, even as Berns was also by now producing regular hits for Solomon Burke, Ben E King and the Drifters, the Isleys were stuck trying to jump on whatever the latest bandwagon was in an attempt at commercial success. Even when they were writing songs that would become hits, they were having no success. The last of the songs that Berns produced for them was another Isleys original, “Who’s That Lady?”: [Excerpt: The Isley Brothers, “Who’s That Lady?”] That would become one of the group’s biggest hits, but not until they remade it nine years later. It was only two years since “Twist and Shout”, but the Isley Brothers were commercially dead. But the success of “Twist and Shout” — and their songwriting royalties from “Shout” — gave them the financial cushion to move to comparatively better surroundings — and to start their own record label. They moved to Teaneck, New Jersey, and named their new label T-Neck in its honour. They also had one of the best live bands in the US at the time, and the first single on T-Neck, “Testify”, produced by the brothers themselves, highlighted their new guitar player, Jimmy James: [Excerpt: The Isley Brothers, “Testify”] But even while he was employed by the Isleys, Jimmy James was playing on other records that were doing better, like Don Covay’s big hit “Mercy, Mercy”: [Excerpt: Don Covay and the Goodtimers, “Mercy, Mercy”] And he soon left the Isleys, going on first to tour with a minor soul artist supporting Sam Cooke and Jackie Wilson, and then to join Little Richard’s band, playing on Richard’s classic soul ballad “I Don’t Know What You’ve Got But It’s Got Me”, also written by Don Covay: [Excerpt: Little Richard, “I Don’t Know What You’ve Got But It’s Got Me”] We’ll be picking up the story of Jimmy James in a couple of months’ time, by which point he will have reverted to his birth name and started performing as Jimi Hendrix. But for the moment, this is where we leave Hendrix and the Isley Brothers, but they will both, of course, be turning up again in the story. But of course, that isn’t all there is to say about “Twist and Shout”, because the most famous version of the song isn’t the Isleys’. While the Beatles’ first single had been only a minor hit, their second, “Please Please Me”, went to number one or two in the  UK charts, depending on which chart you look at, and they quickly recorded a follow-up album, cutting ten songs in one day to add to their singles to make a fourteen-track album. Most of the songs they performed that day were cover versions that were part of their live act — versions of songs by Arthur Alexander, the Cookies, and the Shirelles, among others.  John Lennon had a bad cold that day, and so they saved the band’s live showstopper til last, because they knew that it would tear his throat up. Their version of “Twist and Shout” was only recorded in one take — Lennon’s voice didn’t hold up enough for a second — but is an undoubted highlight of the album: [Excerpt: The Beatles, “Twist and Shout”] Suddenly Bert Berns had a whole new market to work in. And so when we next look at Bert Berns, he will be working with British beat groups, and starting some of the longest-lasting careers in British R&B.  

Mod, R&B, Beat, Garage, Northern Soul , Popcorn, Soul and SO MUCH more. Get into an hour of the best music available online. FACEBOOK: facebook.com/ontargetpodcast INSTAGRAM: instagram.com/modmarty TWITTER: twitter.com/modmarty ----------------------------------------------- The Playlist Is: “Come On Do The Jerk” The Miracles - Tamla “Ride” Dee Dee Sharp - Cameo "Sweet Tater Pie” Dee Dee Sharp - Atlantic “Can't Get Next To You” Mongo Santamaria - Atlantic “Everybody Needs Love” Chuck Jackson - Quality “I Like Your Style” Paul Dino - Entré I Like It Like That Chris Kenner - Regency “I Don't Want To See You Again” Force Five - United Artists “I'll Keep You Satisfied” Mike Redway - Arc “Wise Guys” Shirley Matthews & The Big Town Girls - Tamarac “My Weakness Is You” Edwin Starr - Tamla-Motown “New Babe (Since I Found You)” Invictas - Rama Rama “Nobody But Me” The Isley Brothers - Wand “Soul Galore” Jackie Wilson - Brunswick “Crazy Me” The Jet Stream - Smash “Without Your Love” The Jones Brothers - Bell “Ball And Chain” The Great Scotts - Triumph “Why Pick On Me” The Standells - Tower “Bust Out” The Busters - Reo “Red Sail In The Sunset” Bobby Powell - Jewell “You Can't Get Away From It” Johnnie Taylor - Stax “Funky Lady (pt. I)” Soul East - King

An Alabama native, White moved to Nashville in 1992 and notched his first breakthrough hit in 2000, when White co-wrote “I'm Movin' On” with D. Vincent Williams, which appeared on Rascal Flatt's debut album. The song became a No. 1 hit and was named Song of the Year by both the Academy of Country Music Song of the Year and the Nashville Songwriters Association International. In 2003, White co-wrote the Reba McEntire hit “I'm A Survivor” which also became the theme song for Reba's self-titled hit TV show. White's impressive list of co-writes include such hits as Neil McCoy's “Billy's Got His Beer Goggles On”; Blake Shelton's “Nobody But Me”; Scotty McCreery's “The Trouble With Girls”; Darius Rucker's “Lost In You” (co-written with Rucker and Mark Nesler); and, as featured on the Act of Valor soundtrack, “The Best I Can” co-written and performed by Jake Owen and “Whatever Brings You Back” co-written by Ronnie Bowman and performed by Wynonna Judd.https://www.facebook.com/phillip.white.923https://www.instagram.com/phillipwhitemusic/Support this podcast at — https://redcircle.com/back-story-song/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Noel Gallagher estrena “Come On Outside”, Harry Styles estrena el video de “Falling”, Disclosure estrena su EP titulado Ecstasy, Lady Gaga anuncia fecha de estreno de su disco, la super banda The Jaded Hearts Club Band estrena el sencillo “Nobody But Me”, Iggy Pop lanza “We Are The People”, Haim anuncia próximo álbum, Robert Plant y su banda estrenan el tema “Everybody´s Song”, esto y mucho más aquí en #SentidoBeat Visítanos en: Facebook ¿Me Vas A Leer? Twitter: @Me_vas_a_leer Instragram: @Me_vas_a_leer Web: mevasalee.blogspot.mx

This is Episode 225! We're BAAAAAAAAACK!!! With a stack of vinyl under his wing and a turntable plugged in and ready to broadcast Mod Marty is itching to spin the records he found driving to the Left Coast of Canada. From Edmonton, Alberta to Campbell River and Nanaimo on Vancouver Island in BC to the INSANE Recordland in Calgary Marty has more records than he can handle. Plug in and sit back as we begin to go through this massive haul! Stay to the end for a very special surprise. Please like the Face­book page here: face​book​.com/​o​n​t​a​r​g​e​t​p​o​d​cast/ ------------------------------------------------- The Playlist Is: "Forty-Five RPM's" Bernie Moore & Larry Lucie Orch. - Burdett "Room In Your Heart" The Pips - Delta "You Never Miss Your Water (Till The Well Runs Dry)" 'Little' Esther Phillips & 'Big Al' Downing - Lenox "Just A Little Bit Of Soul" Steve Colt & The 45's - RCA Victor "Son Of a Lover" Billy Mack - Miss Betty "I Do The Jerk" Bill Pinkney - Fontana "Little Ways" The Premiers - Faro "Nobody But Me" Bern Elliott & The Fenmen - Decca "The Climb" The Kingsmen - Wand "Special Agent 34-24-38" Mamie Galore - St. Lawrence "At The Top Of The Stairs" The Formations - MGM "Unlove You" The Tams - ABC-Paramount "Every Dog Got His Day" Eddie Bo - RIC "I Don't Need Nobody But You" Johnnie Morisette - SAR "(Dance With Me) Annie" Hank Ballard & The Midnighters - King "Smokey Joe's" Tina & The Mustangs - Capitol "Understand" Fantasy - Liberty "Her Loving Way" Gaylan Ladd - MGM "Need Your Loving" The Flirtations - Deram "Flashback" The V.I.P.'s - Big Top "Let The Music Play" Billy Preston - Capitol "Want You To Know" RAF Mod Band - Time For Action "Get What You Get" RAF Mod Band - Time For Action

Greg Allman – I lovethe life I live – Southern blood Larry garner – Shut it down – double dues Brad Wilson – I can’t quit you baby - Power Blues Guitar Live – 2016 Jonny lang – lie to me Monster Mike Welch & Mike Ledbetter – I’m gonna move to another country - Right Place, Right Time - 2017 Monti Amundson – Cruel is her name – live at bluesmoose radio may 2017 Rip Lee Pryor -You gotta move - Nobody But Me - 2014 Frankie Miller – Jealousy – live at luxor Arnhem (FM recording) – 1989 Billy F Gibbons – Standing around crying - The Big Bad Blues - 2018 Johnny Copeland – Drinking new York city dry - Working Man's Blues – 1999 Bernie Marsden – Shine - Shine – 2014

The Human Beinz emerged from Youngstown, Ohio in 1968 scoring a #8 hit with their cover of the Isley Brothers’ song “Nobody But Me.”  Ting Markulin, the band’s rhythm guitarist, is the only remaining original member.  In part one of our interview, Markulin talks about the band’s early days, including the unlikely story of how they got signed to Capitol Records, and how “Nobody” happened by accident,

Our conversation with Ting Markulin, rhythm guitarist for the Human Beinz, continues.  After the success of their lone hit, “Nobody But Me,” how did they try and follow it up?  Markulin also talks about how Capitol Records misspelled their name, how the band toured with the Beach Boys, and met someone who would go on to be one of the most notorious criminals of the last 50 years. The Human Beinz also toured Japan to large acclaim.

Hamburg Blues Band – Troubleman - Rollin' - 1999 Keith Richards – Crosseyed Heart - Crosseyed Heart – 2015Fleetwood Mac - Danny Kirwan, Peter Green, John Mcvie - October Jam 1Lance Canales – Death Don't have her Mercy - The Blessing and The Curse (2015)Rip Lee Pryor – Pitch a boogiewoogie - Nobody But Me - 2014 Shemekia Copeland – Jesus just left chicago - Outskirts of Love (2015)The Pentones – Delta Blues - Don't Leave Nothin' Behind (2015)Victor Wainwright & Wildroots – When the day is done - Boom Town – 2015Dave Alvin & Phil Alvin – Mister Kicks - Lost Time (2015)Dr. John – tipitina - High Priest Of Psychedelic Voodoo (2015)CD1Wily Bo Walker – Moon over indigo - moon over indigo – 2015Jack Hustinx & The Southern Aces – Life will humble you – Over Yonder - 2015Blind Willie McTell – Blues around midnight - Atlanta Twelve String - 1991 Electric Blues Duo & HR Big Band – My jug and 1 -Live – 1993Deborah Coleman – Goodbye Misery - The Essential Deborah Coleman (2015)

Welcome back, my friends! It's time for another BluzNdaBlood Show! This show is simply celebrating the beginning of spring with some great blues music! Intro Song Igor Prado Band & Delta Groove All Stars, “You Better Believe It”, Way Down South, 2015 Delta Groove Music                 First Set Richard “Rip Lee” Pryor, “Shake Your Boogie”, Nobody But Me,Electro-Fi Records Breezy Rodio, “When My Heart Beats Like A Hammer”, So Close To It, Wind Chill Records        Jon Spear Band, “I Can't Help Myself”, Old Soul,  Thanks to Betsie at Blind Raccoon for the CD! Second Set  FUNKY SET! RC and The Moonpie Band, “F in Funk”, Individually Wrapped, Houndsounds Music Chris Daniels & The Kings, “Funky To The Bone”, Funky To The Bone, Moon Voyage Records Jeff Chaz, “I Smell Somethin' Funky”, Chronicles, IceHouse Records, Thanks to Frank Roszak Third Set  FROM THE VINYL VAULT!!! Joe Turner and T-Bone Walker, “Every Day I Have The Blues'”, Bosses Of The Blues – Vol. 1, 1989  BMG Music Jumpin' Johnny and the Blues Party, “Knocks Me out (Fine, Fine, Fine)”, Where y'at?, King Snake Records, 1988 Lazy Lester, “Lester's Shuffle”, Rides Again, 1987 King Snake Records Fourth Set                 Toots Lorraine, “Built For Comfort”, Make It Easy, Greaseland Records, Willie Dixon Cover Brandon Santini, “My Backscratcher”, Live & Extended, VizzTone Records Ghost Town Blues Band, “My Doggy”, Hard Road To Hoe Thanks as always to Michael Allen Engstrom for allowing me to use his fantastic artwork on my web site and social media. Check him out at http://www.Crossroadsbluesgallery.com 

Welcome to another episode of The BluzNdaBlood Show! Here's a show that proves blues music isn't all that depressing or sad! There's lots of love in these blues! Enjoy the show! Intro Song Bobby Rush with Blinddog Smokin', “Love of a Woman”, Lonely Number, Silver Talon Records                 First Set Nico Wayne Toussaint, “I Love You Through and Through”, Lonely Number, Iguane Records Richard “Rip Lee” Pryor, “Crazy Bout You Baby'”, Nobody But Me, Electro-Fi Records                The Suitcase Brothers, “Knock Me a Kiss'”, A Long Way From Home, Cover from Louis Jordan Second Set         Travellin' Brothers, “Love, Joy and Happiness”, Magnolia Route Muddy Waters, “Clouds In My Heart”, Blues Deluxe, Vinyl Record  of 1980 Chicagofest Keb Mo, “That's Not Love”, Just Like You, Sony Music Third Set  - WIB Eliza Neals, “Sugar Daddy'”, Breaking and Entering, E-H Records Shaun Murphy, “Should Be Hard To Love You”, Loretta, Vision Wall Records Lisa Mann w/ Mitch Kashmar, “Ain't That Lovin' You Baby”, Move On, Lisa Mann Music Fourth Set                 Smokin' Joe Kubek and Bnois King, “Got My Heart Broken”, Fat Man's Shine Parlor, Blind Pig Records Eddie Cotton, “A Women's Love”, Here I Come, DeChamp Records Lazy Lester, “Sugar Coated Love”, Blues Masters: Harmonica Classics, Rhino Records Subscribe to the show and listen 24/7/365 via iTunes!Or listen on great Internet Radio Stations like: Kansas City Online Radio!Blues In The Burg! MDORadio Blues!Almost Heaven Internet Broadcasting! Thanks,BluzNdaBlood Dave

The Cinnamon Band performs "Nobody But Me" at the Mockingbird Music Hall

Episode 67: Fülöp Eper Flóra about her upcoming work experience in a Texas summer camp. Music credit: Blake Shelton's "Nobody But Me."