Podcast appearances and mentions of william oldroyd

Some podcasts, they are the real podcasts. This week the Lady Killers spit out their chocolates and shove snow down their pants for a holiday episode on William Oldroyd's Eileen.  If you like the podcast, please rate, review, and subscribe! Follow us at @theladykpod on Twitter and @theladykillerspod on Instagram and Bluesky Connect with your co-hosts:  Jenn: @jennferatu on Twitter, Instagram, Threads, and Bluesky   Sammie: @srkdall on Twitter and Instagram, @srkdallreads Bookstagram Mae: @eversonpoe on all social media platforms, music at eversonpoe.bandcamp.com Rocco: @roccotthompson on Twitter, @rosemarys_gayby on Instagram Cover Art: David (@the_haunted_david, @the_haunted_david_art) Logo Art: Meg (@sludgework) Music: Mae (@eversonpoe) Learn more about your ad choices. Visit megaphone.fm/adchoices

A moody, sapphic noir set 1960s Massachusetts - though stylish and engaging, this film takes a strong left turn amid a pile of red herrings. SUPPORT THE SHOW  https://www.patreon.com/user?u=84434074 FOLLOW THE SHOWhttps://www.instagram.com/freshmoviepod/https://twitter.com/freshmoviepodhttps://www.tiktok.com/@fresh.movie.pod?is_from_webapp=1&sender_device=pcFOLLOW CHELSEA https://www.instagram.com/chelseathepope/https://twitter.com/chelseathepopeFOLLOW VICTORIA https://letterboxd.com/vicrohar/  EMAIL THE SHOWabreathoffreshmovie@gmail.com  SHOP THE SHOWhttp://tee.pub/lic/bvHvK3HNFhk  YouTube Channel  

Además, Matías Rivas, Arturo Fontaine y Sofía García-Huidobro recomendaron "Mi nombre era Eileen" de William Oldroyd, "Indigno de ser humano" de Osamu Dazai , "Arráncame la vida" de Roberto Sneider, "Los de abajo" de Mariano Azuela y "El Encargado".

Además, Matías Rivas, Arturo Fontaine y Sofía García-Huidobro recomendaron "Mi nombre era Eileen" de William Oldroyd, "Indigno de ser humano" de Osamu Dazai , "Arráncame la vida" de Roberto Sneider, "Los de abajo" de Mariano Azuela y "El Encargado".

Zwei Filme mit je zwei Frauenfiguren, die in höchst komplizierte Beziehungen miteinander verstrickt sind. Todd Haynes beweist sich mit „May December“ erneut und endgültig als Zampano der Melodramen und schickt Julianne Moore und Natalie Portman in den Schauspielring. William Oldroyd legt mit der Romanverfilmung „Eileen“ einen Film vor, der die 1960er Jahre miefig und dreckig zeigt. Thomasin McKenzie spielt eine junge Frau, die in einem Jugendgefängnis arbeitet und deren Leben sich ändert, als die glamouröse Rebecca (Anne Hathaway) dort als Psychologin beginnt. Es wimmelt vor Hitchcock, Sirk, Bergman, Seifenopern und Abgründen in dieser Episode, das Wort "Grindig" fällt aber auch unzählige Male. Sendungshinweis: FM4 Film Podcast, 03.06. 2024, 0 Uhr.

Luca Barbareschi presenta “The Penitent” film di cui è regista e interprete assieme a Catherine McCormack.Torniamo su Cannes per commentare il Palmares assieme a con Paolo Mereghetti e a Luigi Lonigro, Presidente Unione Editori e Distributori Cinematografici ANICA.A Cannes abbiamo incontrato anche Sergio Rubini, regista di una nuova serie televisiva che racconta Giacomo Leopardi. “Rosalie” è un film diretto da Stéphanie Di Giusto, con Benoît Magimel e Nadia Tereszkiewicz. Lo ha visto per noi Chiara Pizzimenti che ha anche incontrato e intervistato la protagonista Nadia Tereszkiewicz.Con il nostro Boris Sollazzo parliamo di “Eileen” diretto da William Oldroyd, con Thomasin McKenzie e Anne Hathaway e di un film davvero molto interessante ed avvincente: “Vincent deve morire” diretto da Stéphan Castang, con Karim Leklou e Vimala Pons.

con Peter Marcias regista del documentario "Uomini in marcia"; Michele Mellara e Alessandro Rossi su "Arrivederci Berlinguer!". Tra le uscite: "Buena Vista Social Club" di Wim Wenders; "Eileen" di William Oldroyd; "Quell'estate con Irene" di Alberto Sironi; "Rosalie" di Stephanie Di Giusto.

This week, we dive into what star Anne Hathaway calls, “Carol meets Reservoir Dogs.” A stylish, deliciously dark, psychological thriller with a final act twist that will leave you shouting, “Come. On, Eileen.” It's William Oldroyd's Eileen.Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

A few weeks ago we welcomed Ottessa Moshfegh to Shakespeare and Company. That night we're headed almost back to where it all began by revisiting Moshfegh's second book Eileen, the small town noir that propelled this experimental writer into the bestseller charts and onto the Booker shortlist. Eileen has just been adapted into a Hollywood film—directed by William Oldroyd, starring Anne Hathaway and Thomasin McKenzie, and with a screenplay by Moshfegh and her partner Luke Goebel. So as well as diving into the book—reconnecting with the fresh, smart-mouthed, enchantingly twisted voice of our eponymous narrator—we also discussed the challenges of bringing that voice to the screen, what it felt like to see Eileen embodied, and the difficulty Moshfegh faced—if any— in handing her over to other artists…Buy Eileen here: https://www.shakespeareandcompany.com/books/eileen-2*Ottessa Moshfegh is a fiction writer from New England. Eileen, her first novel, was shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. My Year of Rest and Relaxation, Death in Her Hands, and Lapvona, her next three novels, were New York Times bestsellers. She is also the author of the short story collection Homesick for Another World and a novella, McGlue. She lives in Southern California.Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-englandListen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3wPhoto by Hugo Clair Torregrosa (c) Shakespeare and Company Paris  Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Poor Things fans, this episode is for you! Jonathan sat down with the film's costume designer, Holly Waddington, to learn all about her designing process and inspiration. From giant sleeves to working with Emma Stone and Yorgos Lanthimos, we learned all about what it takes to be an Oscar-nominated costume designer! Holly Waddington is an Oscar® nominee and BAFTA winner for her work on Yorgos Lanthimos' Poor Things. Her costume designs for film and TV also include the pilot episode of Hulu's The Great, written and produced by Tony Macnamara, Lady Macbeth directed by William Oldroyd (which won the BIFA for Best Costume and was nominated for a Critics Circle Award for Technical Achievement for Costume). Holly has worked in Theatre, Dance and Visual Art, creating costumes, sets and installations for productions at Rambert, The Royal Ballet, Complicite, and Handspring, working with notable directors and choreographers including: Kim Brandstrup, The Quay Brothers, Natalie Abrahami and Ben Duke. Holly is on Instagram @hollywaddingtoncostume. Poor Things is on Instagram and X @PoorThingsfilm. Follow us on Instagram @CuriousWithJVN to learn more about the products from this episode, or head to JonathanVanNess.com for the transcript. Jonathan is on Instagram @JVN. Find books from Getting Curious and Pretty Curious guests at bookshop.org/shop/curiouswithjvn. Our senior producers are Chris McClure and Julia Melfi. Our associate producer is Allison Weiss. Our engineer is Nathanael McClure. Our theme music is also composed by Nathanael McClure. Production support from Julie Carrillo, Anne Currie, and Chad Hall. Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

White Ladies in Crisis returns to discuss William Oldroyd's 2023 adaptation of Ottessa Moshfegh's Eileen. Thomasin Mckenzie once again becomes fixated on a blonde femme fatale (Anne Hathaway) in a film about repression, inner fantasy life, and secrets.Plus: the changes from the book, scene stealer Marin Ireland, debate about the "feel good" ending and why this movie is *all* about the women.Wanna connect with the show?> Gena: @genadoesthings (Instagram/BlueSky)> Jenn: @jennferatu> Joe: @bstolemyremoteIf you like the podcast, please rate, review, and subscribe! Hosted on Acast. See acast.com/privacy for more information.

This week on the show, we're covering the just-released thriller Eileen, starring Thomasin McKenzie and the incomparable Anne Hathaway, which Matthew first saw at Sundance 2023, and then finally follow up with Taika Waititi's latest sports underdog story Next Goal Wins. BONUS CONTENT:     This week's bonus episode, available to all paid Patreon supporters, starts with a discussion of how one successful thing can influence the entire media landscape and carries on -a little rambly- from there.  Support starts from just $2 CAD per month, a bargain!Link: https://www.patreon.com/posts/january-21st-97000116SUPPORT:             Patreon    Ko-Fi EPISODE HOMEPAGE:     This week's episode homepage, as per usual, has JustWatch-powered links that will tell you where you can buy, rent, or stream the films we covered. If you use these links you'll be helping us keep the site running and the show going, so please do that if you want to watch the films!Link: https://awesomefriday.ca/2024/01/podcast-eileen-next-goal-wins/CONNECT WITH US:        Awesome Friday: https://awesomefriday.ca        Matthew: https://stretched.ca/ Simon: https://temporarypen.com/ SHOW LINKS: Apple: https://podcasts.apple.com/ca/podcast/awesome-friday/id480100293 Amazon: https://music.amazon.com/podcasts/18daf305-2c59-4718-bd5c-0dc393173353 Deezer: https://www.deezer.com/en/show/2775782 Goodpods: https://goodpods.app.link/ulvugeHonjb Google: https://podcasts.google.com/feed/aHR0cHM6Ly9hd2Vzb21lZnJpZGF5LnBvZG9tYXRpYy5jb20vcnNzMi54bWw IHeartRadio: https://www.iheart.com/podcast/85390621/ Overcast: https://overcast.fm/itunes480100293/the-awesome-friday-movie-podcast Spotify: https://open.spotify.com/show/4kwPQGeBvVFVtewkCbrbA9 Meanwhile, relax and enjoy your flight. 

2023 is DEAD! The ghost of it is here to haunt you, with movies! Movies of December: May December- dir. Todd Haynes; Julianne Moore, Natalie Portman, Charles Melton, Andrea Frankle, Chris Tenzis The Boy and the Heron- dir. Hayao Miyazaki; Robert Pattinson, Christian Bale, Dave Bautista, Gemma Chan, Luca Padovan, Florence Pugh, Dave Bautista, Willem Dafoe Eileen- dir. William Oldroyd; Anne Hathaway, Thomasin McKenzie, Shea Whigham, Sam Nivola, Siobhan Fallon Hogan Wonka- dir. Paul King; Timothée Chalamet. Calah Lane, Keegan-Michael Key, Hugh Grant, Paterson Joseph, Olivia Colman, Rowan Atkinson, Sally Hawkins Ferrari- dir. Michael Mann; Adam Driver, Penélope Cruz, Shailene Woodley, Patrick Dempsey, Jack O'Connell, Sara Gadon, Gabriel Leone The Iron Claw- dir. Sean Durkin; Zac Efron, Jeremy Allen White, Harris Dickinson, Naura Tierney, Stanley Simons, Holt McCallany, Lily James, Aaron Dean Eisenberg Rebel Moon- Part One: A Child of Fire- dir. Zack Snyder; Sofia Boutella, Michiel Huisman, Ed Skrein, Djimon Hounsou, Bae Doona, Staz Nair, Charlie Hunam, Ray Fisher, Anthony Hopkins, Cleopatra Coleman Poor Things- dir. Yorgos Lanthimos; Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef, Jerrod Carmichael, Christopher Abbott, Margaret Qualley, Suzy Bemba, Cathryn Hunter, Vicki Pepperdine Aquaman and the Lost Kingdom- dir. James Wan; Jason Mamoa, Patrick Wilson, Yahya Abdul-Mateen II, Randall Park, Amber Heard, Nicole Kidman, Dolph Lundgren Beyond Utopia - dir. Madeleine Gavin Movies of January: Night Swim Mean Girls The Beekeeper The Book of Clarence The Society of Snow --------------------------------------------------- iTunes: https://podcasts.apple.com/us/podcast/movies-are-reel/id1082173626 Google Play: https://podcasts.google.com/feed/aHR0cHM6Ly9mZWVkcy5zb3VuZGNsb3VkLmNvbS91c2Vycy9zb3VuZGNsb3VkOnVzZXJzOjIwMzkxNjE4OC9zb3VuZHMucnNz Spotify: https://open.spotify.com/show/2VE15E5fS0ZWtESo9bUWhn?si=e983275eb550499c&nd=1 Jurge - twitter: twitter.com/jcruzalvarez26 Letterboxed: letterboxd.com/jcruzalvarez26/​ Ryan- twitter: twitter.com/MrPibbOfficial Letterboxed: letterboxd.com/filmpiece/​ Karrie - twitter: twitter.com/kar_elyles Letterboxed: letterboxd.com/karrie/

In a special double interview episode, Thomasin Mackenzie joins Valerie to discuss her role in the new film, 'Eileen.' Then, the film's director and writers, William Oldroyd, Ottessa Moshfegh, & Luke Goebel, swing by the show to share their side of the production process. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our December 2023 Special Subject, we're having ourselves a Monty Woolley Christmas! We look at three Christmas-adjacent movies from the 1940s featuring the anti-Santa in roles big and small: The Man Who Came to Dinner, in which he stars as  waspish radio personality Sheridan Whiteside, who takes over the home of a bourgeois Middle American couple; Life Begins at Eight-Thirty, in which he plays a great actor who's been broken by alcoholism; and The Bishop's Wife, in which he adds some New York Bohemian intellectual colour to the holiday classic. We discuss the cultural and political implications of The Man Who Came to Dinner and the uncanniness of Cary Grant and debate the appeal of alcoholism. Then in Fear and Moviegoing in Toronto, we briefly discuss Ernst Lubitsch's Cluny Brown (fully discussed in our Jennifer Jones series) and a new release, a Christmas movie even darker than our Monty Woolleys, William Oldroyd's Eileen, starring Thomasin McKenzie and Anne Hathaway (a rare spoiler-free exchange of impressions from us). And as a bonus, we become possessed by the spirit of Monty Woolley and rant about how much we hate contemporary movie trailers. (No analysis, just invective.) Happy Holidays!  Time Codes: 0h 00m 45s:      Extremely brief Introduction to Monty Woolley 0h 04m 38s:      THE MAN WHO CAME TO DINNER (1942) [William Keighley] 0h 31m 24s:      LIFE BEGINS AT EIGHT-THIRTY (1942) [Irving Pichel] 0h 42m 47s:      THE BISHOP'S WIFE (1947) [Henry Koster] 0h 54m 37s: Fear and Moviegoing in Toronto – Ernst Lubitsch's Cluny Brown (1946) and William Oldroyd's Eileen (2023)   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

When a seemingly mundane Eileen meets Rebecca her world gets some color. Tune in as I review the latest film by William Oldroyd

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 110 Sam is joined by director Simon Cellan Jones. His new movie The Family Plan, starring Mark Wahlberg and Michelle Monaghan, is available to stream now on Apple TV.  Simon has chosen Lady Macbeth (89 mins). Directed by William Oldroyd, the 2016 film stars Florence Pugh, Cosmo Jarvis, Paul Hilton, and Naomi Ackie. Sam and Simon discuss moving from TV to film directing, Florence Pugh's explosive star turn, and the incredible talents behind the camera. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by buying us a coffee at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @simon.cellanjones. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

Eileen | Anne Hathaway weckt Sehnsüchte Einige Jahre nach "Lady Macbeth", der damals für Aufsehen sorgte und Shootingstar Florence Pugh den Durchbruch verschaffte, legt William Oldroyd nun mit "Eileen" sein zweites Werk vor. Und auch das klingt auf den ersten Blick zunächst mehr als vielversprechend: ein gefeiertes Romandebüt als Vorlage, eine Geschichte um Sehnsucht, Sex, Traumata, Mord im Knast und all das dargeboten von einer starken weiblichen Besetzung mit Anne Hathaway und Thomasin McKenzie. An für sich also alles Punkte, die für den Film sprechen sollten, der am 14. Dezember in die deutschen Kinos kommt. Und doch gibt es von Lida und Stu alles andere als einstimmige Lobeshymnen zu "Eileen" zu hören. Während die eine Seite den Film als große Enttäuschung sieht und darin einiges für fragwürdig hält, betrachtet die andere das Ganze eher als verfilmten Groschenroman. Welche Aussage zu wem gehört und ob am Schluss vielleicht doch Einigkeit herrscht, das erfahrt ihr am besten selbst, wenn ihr auf Play drückt. Trailer Wir liefern euch launige und knackige Filmkritiken, Analysen und Talks über Kino- und Streamingfilme und -serien - immer aktuell, informativ und mit der nötigen Prise Humor. Website | Youtube | PayPal | BuyMeACoffee Großer Dank und Gruß für das Einsprechen unseres Intros geht raus an Engelbert von Nordhausen - besser bekannt als die deutsche Synchronstimme Samuel L. Jackson! Thank you very much to BASTIAN HAMMER for the orchestral part of the intro! I used the following sounds of freesound.org: 16mm Film Reel by bone666138 wilhelm_scream.wav by Syna-Max backspin.wav by il112 Crowd in a bar (LCR).wav by Leandros.Ntounis Short Crowd Cheer 2.flac by qubodup License (Copyright): Attribution 4.0 International (CC BY 4.0) Folge direkt herunterladen Folgt uns ab sofort regelmäßig live auf Twitch: twitch.tv/dertelestammtisch

In their final episode of 2023, Rebecca and Jason celebrate the holidays with four crushingly dark and frequently depraved awards contenders: Todd Haynes' MAY DECEMBER, Emerald Fennell's SALTBURN, William Oldroyd's EILEEN, and Bradley Cooper's MAESTRO.

What's going on everybody! We're in the endgame now, with only 4 weeks left in the year of 2023. We're kicking it off with a triple threat of movies that could make some moves at the upcoming awards race: Emerald Fennell's Saltburn, starring Barry Keoghan & Jacob Elordi; William Oldroyd's Eileen, starring Thomasin Mckenzie & Anne Hathaway; and Todd Haynes' May December starring Natalie Portman & Julianne Moore. Each of these three films has more in common than you would think, as Dom & Kristen break down their individual thoughts about all three and where they stand in the awards race. It's all happening right here on the #talkintvpodcast --- Support this podcast: https://podcasters.spotify.com/pod/show/talkintvpodcastgmailcom/support

This week, Amon speaks to Adura Onashile about her feature debut GIRL (11:02). Then we fall under the seductions of William Oldroyd's EILEEN (27:06), tune up for documentary AMERICAN SYMPHONY (40:22), and take a trip down CANDY CANE LANE (52:52), and Amon has a chat with Savanah Leaf about capturing a single mother's journey in EARTH MAMA (01:10:40).   Plus, in our HOT TAKE (01:24:59), we discuss Bob Iger's recent comments and the wider state of art in a corporate world.  If you would like to donate towards humanitarian aid in Gaza please visit https://www.map.org.uk/ https://www.unicef.org/emergencies/children-gaza-desperate-need-lifesaving-support  If you'd like to join the conversation or suggest a Hot Take for the gang to discuss tweet us at @FadeToBlackPod Follow us: @amonwarmann, @clarisselou, @hannaflint If you like the show do subscribe, leave a review and rate us too!

It's another guest-packed jamboree on this week's Empire Podcast, folks. First, Chris Hewitt asks Richard Curtis about revisiting his BBC Christmas classic, Bernard & The Genie, as the new Sky Cinema film, Genie. Chris also chats with William Oldroyd, director of the new thriller Eileen, and his star, Thomasin McKenzie. And then Amon Warmann Zooms in for a lovely natter with Fingernails stars, Riz Ahmed and Jessie Buckley. We really do spoil you lot. And either side of all those is another fun episode as Chris is joined in the podbooth by Helen O'Hara and James Dyer to talk about the forthcoming live show to mark our 600th episode (on sale now -- be quick! They're going fast!), discuss which villains could stand to receive the prequel treatment, discuss the week's movie news, including good news for the Stephen King clan, and review Eileen, Genie, Candy Cane Lane, and Fallen Leaves. Oh, and Chris overshares. Shocker. Enjoy, as we begin the countdown to Christmas! TIMESTAMPS! (timings approx)Intro/Listener Question: 0:00.00 - 22:52.00Richard CurtisMovie News: 37:06.00 - 51:24.00William Oldroyd and Thomasin McKenzieReviews: 1:09:07.00 - 1:27:36.00Riz Ahmed and Jessie Buckley/Outro

Welcome, welcome, welcome to the Distraction Pieces Podcast with Scroobius Pip!This week Pip is joined by the excellent director WILLIAM OLDROYD!Another perfect meeting here for Pip and all film heads who listen to this (and as always, anyone into creative process and inspiration), as William talks about all of the intricacies and moments of lightning in a bottle that come together to result in amazing cinema - including his past movie Lady Macbeth and present movie Eileen. It is though, of course, usually not by accident as so much hard work goes into allowing these moments to happen, and working with fine cast members always goes a huge distance. This is a great little masterclass in what can be possible, how things merge and collaborate, and how memorable films are prepared, made, and their legacy. And how the cold makes everything better. A controversial but indisputable view...!PIP'S PATREON PAGE if you're of a supporting natureHOMEPAGEIMDBEILEENLADY MACBETHSPEECH DEVELOPMENT WEBSTOREPIP TWITCH • (music stuff)PIP INSTAGRAMPIP TWITTERPIP PATREONPIP IMDBPOD BIBLE Hosted on Acast. See acast.com/privacy for more information.

Something sinister simmers beneath the surface of suburbia in Eileen, a psychological thriller about pent-up desire, parental neglect and escaping the shackles of the life expected of us. It's a story that first existed as a novel, launching the literary career of Boston-born author Ottessa Moshfegh in 2015. Since then, Ottessa's career has skyrocketed: novels like Lapvona and the tremendous My Year of Rest and Relaxation have seen her lauded as one of her generation's most exciting voices. Or as the fantastic Jia Tolentino once described her, “easily the most interesting contemporary American writer on the subject of being alive, when being alive feels terrible.”Through all that success, though, Eileen has followed her. The character, a secretary at a correctional facility for teenage boys in a small American town, lost in time, never quite left her side in all that time, and in the new film adaptation of her story – penned with husband and screenwriting partner Luke Goebel – it shows. The movie, directed by William Oldroyd, stars Thomasin McKenzie as Eileen and Anne Hathaway as the older woman, Rebecca, she becomes enchanted by. The closer they get, though, the closer Eileen gets to a dark truth involving one of the young inmates at the prison where she works.On this week's show, Ottessa and Luke take time out on a recent trip to London to break down their screenplay and take us inside the mind of the film's Hitchcockian anti-heroine. Ottessa recounts the parts of herself she left on the page when she initially wrote the story, while Luke – a great author in his own right, whose Fourteen Stories, None of Them Are Yours collection is a brilliant read – unravels the meanings of key scenes as he sees them. We also crucially debate whether the festive backdrop of this film – all snow and fairy lights, to the tune of constant carols –  makes this a Christmas movie. This is a spoiler conversation, as ever on Script Apart, so do be sure to check out the movie, in cinemas now, before tuning in.  Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Twitter and Instagram, or email us on thescriptapartpodcast@gmail.com.Support for this episode comes from ScreenCraft and WeScreenplay.To get ad-free episodes and exclusive content, join us on Patreon.Support the show

Front Row reviews the week's cultural highlights. Samira Ahmed is joined by critics Sarah Crompton and Isabel Stevens to discuss William Oldroyd's new film Eileen and a production of The House of Bernarda Alba at the National Theatre. The Pogues frontman Shane MacGowan, who is often described as one of the 20th Century's greatest song-writers, has died age 65. Irish broadcaster John Kelly remembers him.Ian Youngs reports from Bristol's new music venue Bristol Beacon, formerly Colston Hall, which is re-opening after a five year refurbishment and a name change. It's now a state of the art concert venue, but the work has proved controversial due to escalating costs. And Barbara Walker, who is shortlisted for this year's Turner Prize, talks about how her portraits capture people affected by the Windrush scandal. Presenter: Samira Ahmed Producer: Eliane Glaser

Felicity Beckett speaks to director William Oldroyd (Lady MacBeth) about his new film, Eileen, starring Anne Hathaway and Thomasin McKenzie, which is playing at Picturehouse Cinemas from 1 Dec.  A woman's friendship with a new co-worker at the prison facility where she works takes a sinister turn. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Proudly supported by Kia. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

Joining Alex this week is brilliant director William Oldroyd to talk about following up his critically acclaimed debut 'Lady Macbeth' with the wonderful, psychological thriller 'Eileen' - starring Thomasin McKenzie and Anne Hathaway - and due out on December 1st. He then takes us on our first ever 'Honeymoon Trip to the Movies' as we celebrate a Robert Zemeckis classic, commiserate a Marlon Brando and Val Kilmer misfire, Alex learns a lot about a movie he's never seen involving talking dolphins, before William screens a surprising choice of movie for his gathered guests on his virtual honeymoon!Find us here: https://linktr.ee/triptomoviespodA Trip to the Movies is proudly sponsored by @ODEONCinemas - We Make Movies Better Hosted on Acast. See acast.com/privacy for more information.

In this episode of The Directors' Take podcast, your hosts Oz Arshad and Marcus Anthony Thomas are joined by Jacqueline Abrahams, a BAFTA and BIFA winning Production Designer who has worked with directors such as Michael Winterbottom, Yann Demange and Yorgos Lanthimos. We used this conversation to tap into their creativity and to dig down into the collaboration that can happen between a Director and Designer to ultimately create the best work. This conversation covers:   -What is a Production Designer? -What was her journey into the industry? -How do Production Designers inform their process? -How do Production Designers elevate story and character? -What is the relationship between the Designer, the DoP and Director? -What makes a good Director? -What is the nature of art, creativity and authenticity?   Jacqueline Abrahams originally trained in Fine Art, specialising in performance and live art. She worked as a scenic painter for four years before moving into design where she has worked to design feature films, shorts, TV dramas, theatre, performance and live art. She is experienced working with scripts, on improvised pieces and with artists in a less conventional context.  She has designed productions that have large ambitious studio set builds, completed location-based work and has experience working within very strict budgets too which is always good. She won the BAFTA in 2009 for best production design for TV series Wallander, was nominated for a BAFTA in 2010 and won the RTS Best Production Design award in 2010 also. Jacqueline's notable credits include TV series Wallander, Diary of a Call Girl and the original series of Topboy and feature films such as The BIFA winning The Look of Love (2013) from Michael Winterbottom, The Lobster (2015) by Yorgos Lanthimos, as well as Lady Macbeth (2015) by William Oldroyd and His House (2018) by Remi Weekes.   Nuggets of the week   Oz: Greta Gerwig's Official Barbie Watchlist Marcus:  BIFA Insider: The Lobster with Jacqueline Abrahams Kwellin: You can't live life without taking risks. Capitalist Realism: Is there no alternative? by Mark Fisher (Book)   Credits Music by Oliver Wegmüller   Socials Instagram: @TheDirectorsTakePodcast Twitter: @DirectorsTake Kwellin: She doesn't have socials, she just lives life... so should you.   If you have any questions relating to the episode or have topics you would like covering in future releases, reach out to us at TheDirectorsTake@Outlook.com.  

She's so bored she could KILL. Lady Macbeth (2017) Dir. William Oldroyd. Adapted by Alice Birch from the 1865 novella Lady Macbeth of the Mtsensk District by Nikolai Leskov. Starring Florence Pugh, Cosmo Jarvis, and Naomi Ackie. That's So Gothic releases episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014 - Licensed under Creative Commons Attribution Noncommercial (3.0)

The screening room has re-opened in 2023! After an accidental hiatus, Kaveh Jalinous is back to discuss all things Sundance! To start, he outlines what the festival experience was like in its first-ever hybrid format before diving into the films he saw, mentioning eight films that he thinks will be hits when they have their wide releases. Highlights include Raine Allen-Miller's 'Rye Lane', William Oldroyd's 'Eileen', and more. Host: Kaveh Jalinous.

In the fifth episode of the Sundance 2023 podcast season, we discuss some of this year's buzziest titles, including William Oldroyd's film Eileen, Andrew Durham's film Fairyland, and some hidden gems like Babak Jalali's film Fremont and Rachel Lambert's film Sometimes I Think About Dying. 00:00 Introduction 01:49 Brief thoughts on Mutt, Cassandro, Polite Society, Theater Camp 17:58 Sometimes I Think About Dying directed by Rachel Lambert 28:45 Fremont by Babak Jalali 36:16 Eileen by William Oldroyd 51:43 Fairyland by Andrew Durham 1:08:59 Sundance bingo Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste on Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Read Orla Smith's analysis of Thomasin McKenzie's performance in Leave No Trace, which appears in our ebook Leave No Trace: A Special Issue. Leave No Trace premiered at Sundance, and McKenzie returns to Sundance this year as the lead of William Oldroyd's Eileen. Read Alex Heeney's analysis of Gael García Bernal's performance in Ema, and why he is one of the very best actors working today. Bernal stars in and is the highlight of Cassandro. View the list of all of the films covered on the Sundance 2023 podcast Sundance 2023 season (FREE): Catch up with all of our episodes. Sundance 2023 season (FREE): Catch up with all of our episodes. Discover all of our past podcast episodes on films that screened at Sundance. Related episodes All of our podcasts that are more than six months old are only available to members. We also regularly release members only bonus episodes. Many of the episodes listed here are now only available to members (Members Only). Ep. 1: Leave No Trace (FREE): We first fell in love with Thomasin McKenzie for her work in the Sundance film Leave No Trace, which we wrote a book about. In this companion episode to the book, we discuss why the film was so great and what a talent McKenzie is. McKenzie returned to Sundance this year as the star of William Oldroyd's film Eileen. Ep. 22: The King (FREE): In this crossover episode with our Shakespeare Podcast, 21st Folio, we watch the terrible film The King for you, and report back on what a mess it is and how under-used Thomasin McKenzie is. Ep. 91: AIDS on screen, featuring It's a Sin (MEMBERS ONLY): In this episode, we give an overview of films/TV/recorded theatre dating back to the 1990s that have addressed the AIDS crisis. It's a must listen before seeing Fairyland and offers many recommendations for films that address the AIDS crisis well (which Fairylanddoes not). Ep. 98: Angels in America adaptations (MEMBERS ONLY): Tony Kushner's Angels in America is one of the most famous AIDS plays, and we delve deep into the HBO miniseries and the National Theatre's 2016 recorded production. We also talk about how the two productions address the AIDS crisis and how the views of the play have shifted in the last 20 years.

Novelist Emma Donoghue joins writer-director and male ally Sebastián Lelio to talk with Anna Smith about his new film based on Emma's book, co-written by Alice Birch. The Wonder, which has earned a BAFTA nomination for Outstanding British Film (and Girls On Film Award nominations for Best Feature Film sponsored by EON Productions, The Girls On Film Ally Award sponsored by IMDb for Sebastián Lelio, Best Cinematographer for Ari Wegner, and Best Female Orgasm sponsored by Intimacy on Set for Florence Pugh) is available to watch on Netflix now. This powerful film stars Florence Pugh as Lib, an English nurse who in 1862, following the Great Famine, is called to Ireland and asked to watch over an 11-year-old girl called Anna, who claims not to have eaten for four months, played by brilliant newcomer Kila Lord Cassidy. In this episode, Emma Donoghue, whose previous novel Room was made into an Oscar-winning film, talks about the thrill of becoming a fan of her own work as brilliant and expert collaborators create films of her stories, and why Sebastián Lelio is a true ally. Also, Sebastián Lelio discusses with Anna the brutality of filmmaking and why creating a precise and delicate set is so important. He also talks about casting the “warrior-like” Florence Pugh, with her unique connection with the audience, and discovering the astonishing Kila Lord Cassidy to star opposite Pugh. UK listeners can watch The Wonder on Netflix now. Information and advice on eating disorders can be found on the NHS website: https://www.nhs.uk/mental-health/feelings-symptoms-behaviours/behaviours/eating-disorders/overview/ Other films mentioned in this episode include: A Fantastic Woman, Sebastián Lelio, 2017 Gloria Bell, Sebastián Lelio, 2018 Disobedience, Sebastián Lelio, 2017 Room, Lenny Abrahamson, 2015 Lady Macbeth, William Oldroyd, 2016 Television series mentioned in this episode include: Station Eleven, 2021-2022 Normal People, 2020 Become a patron of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith. Executive Producer: Hedda Archbold Producer: Lydia Scott Audio Producer: Nic Wassell Intern: Eleanor Hardy House band: MX Tyrants This episode is in partnership with Netflix.

This is the first episode of our new podcast season on the 2023 Sundance Film Festival. Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Sundance 2023 runs from January 19-28, and we'll be covering this year's festival in a new podcast season about the films this year and how the programming fits into the festival's history. This is Seventh Row's second podcast season (the first was on Women at Cannes in 2022). In this episode, we discuss the films we're looking forward to at the 2023 Sundance Film Festivals based on directors we love, actors we love, and films we're hearing buzz about. We talk about the festival's importance in the film year, why we're pleased the festival has continued to offer a virtual option when other festivals are all returning to in-person only, and more. Because the festival loves to program films by slot and quota, we are also introducing our annual Sundance Bingo Card, which you can download here. Play along during the festival (or look at past festival editions and the films you've caught which screened there). You can find last year's bingo card here. Click here to read the episode show notes. 00:00 Introduction 05:31 The accessibility of a virtual Sundance 11:13 The films we're looking forward to at the festival Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. How to follow our Sundance 2023 coverage Subscribe to our newsletter for updates on the 2023 Sundance podcast season and coverage on the website. Follow Seventh Row on Twitter and Instagram @SeventhRow; Alex Heeney @bwestcineaste Twitter and Instagram; and Orla Smith @orlamango on Twitter and @orla_p_smith on Instagram. Show Notes Links to articles/books related to the 2023 selections Watch Lockdown Film School with Lily Gladstone. Gladstone has a new film, Fancy Dance, at Sundance 2023, and we're excited to see it. Read an excerpt from our interview with Lily Gladstone from the ebook Roads to nowhere: Kelly Reichardt's broken American Dreams. Gladstone talks about learning different languages, which is particularly relevant to Fancy Dance in which she speaks Cherokee. Read Orla Smith's analysis of Thomasin McKenzie's performance in Leave No Trace, which appears in our ebook Leave No Trace: A Special Issue. Leave No Trace premiered at Sundance, and McKenzie returns to Sundance this year as the lead of William Oldroyd's Eileen. Read an excerpt of Alex Heeney's interview with Matthieu Rytz on Anote's Ark, which premiered at Sundance in 2018. The full interview appears in the ebook The 2019 Canadian Cinema Yearbook, which is available to purchase here. Rytz returns to Sundance this year with the documentary Deep Rising, which we're looking forward to. Read Alex Heeney's interview with Sebastian Silva on Magic Magic from 2015. He returns to Sundance 2023 with the film Rotting in the Sun. Get our ebook God's Own Country: A Special Issue, about Francis Lee's film which premiered at Sundance in 2017 and marked the debut of a major filmmaker. Read our interview with Eliza Hittman on Beach Rats, which starred Harris Dickinson in his breakout role. In 2021, we named Dickinson as one of the fifty screen stars of tomorrow. Dickinson appears in Scrapper at Sundance 2023. Discover past Sundance coverage related to this year's selections Read our past reviews of Sundance films starring Ben Whishaw: Lilting and Surge. Whishaw returns to Sundance this year with two films: Passages and Bad Behaviour. Read Orla Smith's review of Fresh from Sundance 2022, which was one of the better Midnight films we've seen at Sundance. On the episode, Orla talks about not being impressed with the Midnight films that tend to screen at Sundance. Discover all of our past podcast episodes on films that screened at Sundance. Download the Sundance 2023 Bingo Card here. Related episodes to the Sundance 2023 preview All of our podcasts that are more than six months old are only available to members. We also regularly release members only bonus episodes. Many of the episodes listed here are now only available to members (Members Only). To listen to all of these related episodes, become a member. Ep. 116: Virtual film festivals: Taking stock of their past, present, and future (Members Only): Sundance is one of the only festivals in 2023 to continue to offer a virtual component. On this episode from 2021, we talked about the advent of virtual film festivals, why we like them, why they may struggle, and what we'd like to see in the future. Ep. 94: HBO's Looking (Members Only): Raúl Castillo first impressed us in Andrew Haigh's TV series Looking. He's finally starting to get more traction as a film actor, almost a decade later, and he stars in Cassandro at Sundance 2023. In this episode, we talk about why Looking was one of the best shows of the 21st century, and why Castillo is such a great actor. Sundance Film Festival episodes Ep. 123: Sundance 2022: Creative nonfiction (Free): At the end of Sundance 2022, we reflect on the creative nonfiction films at the festival. Bonus Episode 23: Sundance 2022: Fiction Films (Members Only): At the end of Sundance 2022, we reflect on the highs, lows, discoveries, and disappointments among the fiction films at the festival, from Sharp Stick to Living. Ep. 78: Sundance 2021 part 1 (Members only): At the end of Sundance 2021, we reflect on the highs and lows of the festival with guests Andrew Kendall and Lena Wilson. Ep. 79: Sundance 2021 part 2 (Members Only): At the end of Sundance 2021, we continue our discussion of the best and worst of the festival. Ben Whishaw episodes Bonus Episode 25: This is Going to Hurt and physician mental health (Members Only): We discuss how Ben Whishaw gave the performance of 2022 as the lead in the miniseries This is Going to Hurt, the best TV series of 2022. Whishaw returns to Sundance 2023 with two films. Ep. 69: Paddington and Paddington 2: We swoon over Ben Whishaw's performance in the Paddington films and in Lilting, which premiered at Sundance almost a decade ago. Ben Whishaw returns to Sundance 2023 with two films.  

Dylan's film choice, William Oldroyd's "Lady Macbeth" (2016), starring Florence Pugh, and Marley's album pick, Payday's "It's Just Music" (2020), fit this week's theme of Artists We're Excited About. 

Building on our show in 2017 with Dana Spiotta that looked at books about film, this month we want to explore what happens when books turn into films. We’ll be asking why literature is often a source for cinema, thinking about what the best adaptations get right, and remembering some of our favourite movies inspired by books. Our guest is author Niven Govinden, whose sixth novel, Diary of a Film, unfolds over the course of three days in an unnamed Italian city, where an auteur director has come to premier his latest film at a festival. It’s a love letter to the cinema, and an intense meditation on the creative process, artistic control, queer love and flaneurs. So, grab your popcorn - it will almost be like sitting in a crowded movie theatre again! Our recommended film adaptations: Octavia: Lady Macbeth, directed by William Oldroyd (https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/lady-macbeth-william-oldroyd-period-film-bones) based on the novella Lady Macbeth of the Mtsensk District by Nikolai Leskov: https://www.nyrb.com/products/lady-macbeth-of-mtsensk?variant=32796791701641 Carrie: Arrival, directed by Denis Villeneuve (https://www.vox.com/culture/2016/11/11/13587262/arrival-movie-review-amy-adams-denis-villeneuve) based on the short story Story Of Your Life by Ted Chiang: https://www.penguinrandomhouse.com/books/538163/arrival-stories-of-your-life-mti-by-ted-chiang/ General recommendations: Octavia: The Days of Abandonment by Elena Ferrante, translated by Ann Goldstein https://www.europaeditions.com/book/9781933372006/the-days-of-abandonment Niven: Romance in Marseille by Claude McKay https://www.penguinrandomhouse.com/books/604955/romance-in-marseille-by-claude-mckay-edited-by-gary-edward-holcomb-and-william-j-maxwell/ Carrie: Having and Being Had by Eula Biss https://www.faber.co.uk/books/non-fiction/9780571346424-having-and-being-had.html We'll be launching our Patreon next month so keep an eye on our socials if you'd like to become a patron and support our work! Email us: litfriction@gmail.com Tweet us & find us on Instagram: @litfriction This episode is sponsored by Picador: https://www.panmacmillan.com/picador

Programa nº 183 de El podcast de Cinoscar & Rarities. 19º podcast especial de verano dedicado a los premios Óscar del S. XXI. Repaso a los Óscar 2017 y a las películas que no fueron nominadas. Además, nuestro compañero Guillermo Navarro reseña "LADY MACBETH", de William Oldroyd. ¡Gracias por darle al play! Guía del programa: 0' Presentación - 1' Análisis de los Óscar 2017 - 7' Los olvidos de los Óscar 2017 - 13' Reseña de "LADY MACBETH" - 17' Despedida y canción: Prayers for this world , de "Cries from Syria" Redes sociales: @CinoscaRarities Blog: https://cachecine.blogspot.com.es/ Correo: cinoscararities@gmail.com Escúchanos en Spotify, Ivoox y Itunes ¡Buscamos colaboradores! ¡Contacta con nosotros!

On this week’s podcast, Glenn and Daniel venture back in time to before The Incident when were all still able to go outside, to see Florence Pugh‘s starmaking debut in the uneven Lady Macbeth. Then they check out what will probably be the first of many streaming selections, a seaside crime caper new this weekend […]

Lady Macbeth (writer: Alice Birch, director: William Oldroyd) stole our hearts, and she's capable of a lot more. This episode focuses on why this film resonates so much with women and what it says about feminism, given that it barely passes the Bechdel test. How amazing is Florence Pugh's accent?! And we'd like to give a quick apology to Amy Jump.... Bafta interview with Alice Birch can be found here: http://guru.bafta.org/lady-macbeth-telling-stories-guru-live More on Becky Matthews here: https://www.becky-matthews.com/ Remember, if you don't listen...through hell and high water, we'll follow you...

Hosted by head of FilmSeekers.com Neil Ramjee @FilmSeekers and co-host Mike Ross @TheLateGreatMR Thank you for downloading and listening! *Please subscribe to get our latest episodes!* We want to hear from you! Tell us about your films and experiences at the cinema: Email us: hello@FilmSeekers.com Follow us @FilmSeekers on Twitter, Facebook.com/FilmSeekers and check out FilmSeekers.com Today we discuss: 02:30 What constitutes a 'good' film? 09:30 Criteria for FilmSeekers Best of 2017 11:40 What constitutes a 'bad' film? 23:46 UK Box Office Top grossing films of 2017 34:47 FilmSeekers.com Best Films of 2017 35:00 mother! d. Darren Aronofsky 37:30 The Handmaiden d. Park-Chan Wook 43:45 Get Out d. Jordan Peele 54:24 BFI Sight & Sound Top 10 of 2017 57:04 Daphne d. Peter Mackie Burns 58:49 The Florida Project d.Sean Baker 1:01:50 Lady Macbeth d. William Oldroyd 1:03:50 Raw d. Julia Ducournau 1:08:00 Moonlight d. Barry Jenkins 1:27:37 God's Own Country d. Francis Lee 1:17:10 Brawl In Cell Block 99 d. S. Craig Zahler 1:24:21 Dunkirk d. Christopher Nolan 1:28:04 The Cure For Wellness d. Gore Verbinkski 1:29:54 A Ghost Story d. David Lowery 1:32:41 Personal Shopper d. Olivier Assayas 1:38:46 I Am Not A Witch d. Rungano Nyoni 1:40:40 Silence d. Martin Scorcese 1:43:20 Call Me By Your Name d. Luca Guadagnino 1:46:40 Baby Driver d. Edgar Wright 1:52:10 Blade Runner 2049 d. Denis Villeneuve 1:57:00 Honourable mentions: 20th Century Women d. Mike Mills Film Stars Don't Die In Liverpool d.Paul McGuigan Ma Vie De Courgette d. Claude Barras I Am Not Your Negro d. Raoul Peck Atomic Blonde d. David Leitch The Red Turtle d. Michael Dudok DeWitt Toni Erdmann d. Maren Ade Good Time d. Benny & Josh Safdie 2:02:00 *COMPETITION TIME* - Thelma d.Joachim Trier thanks to @TBirdReleasing On DVD & streaming from 26th February 2018 2:03:30 Home Streaming Releases recommendations - Netflix, Amazon Prime & BBC iPlayer NETFLIX: In Bruge d. Martin McDonagh Power Rangers d. Dean Israelite AMAZON PRIME Mindhorn d. Sean Foley The Big Sick d. Michael Showalter BBC iPlayer: Into The Forest d. Patricia Rozema Music credits: Intro: Big Num - 'Too Clever For Words', Outro: Big Num - 'Vital Part You're Missing' Available on all good MP3 purchasing sites.

SIFFcast wraps up our coverage of the Year in Film 2017 with a special extended episode. First, we welcome Director of Photography Rachel Morrison (MUDBOUND, BLACK PANTHER) to talk about her history-making nomination for Best Cinematography. BAFTA-nominated director William Oldroyd returns to the show to talk about his acclaimed debut LADY MACBETH. And the SIFF team (Beth Barrett, Clinton McClung, Megan Leonard, and Marcus Gorman) chat with Jeremy and film critic Kathy Fennessy about their favorite performances and films from 2017.

This time around we're watching British film Lady Macbeth, shot in 2016. This episode has been in the vaults for quite a while; since early last May when the film was in cinemas in the UK, in fact. The film's director William Oldroyd, writer Alice Birch, and producer Fodhla Cronin O’Reilly have been jointly nominated for the BAFTA for Outstanding Debut by a British director, writer, or producer. The film stars Florence Pugh, Cosmo Jarvis, Paul Hilton, and Naomi Ackie To discuss the film, Ally is again joined by film fan and owner of car Lyn Setchell. This episode contains SIGNIFICANT SPOILERS from 4 minutes in until the end. If you're planning to watch the film, you should be aware that it contains scenes of domestic violence and sexual assault. If you'd like to get in touch and tell us what you thought of the film and/or the podcast episode, here are some options: Twitter: @RussophilesU Email: russophilesunite@gmail.com Facebook: www.facebook.com/russophilesunite/  

The 30th European Film Awards took place on 9 December in Berlin where they were born 30 years ago. Podcast hosts Jake Cunningham and Sam Howlett attended the ceremony on behalf of Curzon Home Cinema, to report on the prestigious Awards and, celebrating achievements in European cinema. Listen to their round up of the nominees and winners from this star-studded ceremony. Featuring in the nominees are ‘The Square', ‘On Body and Soul' ‘120BPM' and many more acclaimed European films. The show also Includes interviews with Roger Mainwood, director of ‘Ethel and Ernest' and William Oldroyd, director of ‘Lady Macbeth'. Produced and edited by Jake Cunningham Music supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

No novo Cinemático, Carlos Merigo, Matheus Fiore, Robson Bravo e Virgilio Souza conversam sobre “Raw”, terror francês dirigido por Julia Ducournau que acaba de chegar na Netflix, e “Lady Macbeth”, drama (também terror, dependendo do ponto de vista) dirigido por William Oldroyd que estreou nos cinemas brasileiros. O papo sobre “Raw” começa em 8:50, com spoilers em 21:40. E “Lady Macbeth” começa em 30:40, com spoilers em 38:00. OUÇA ======== Edição por Robson Bravo Críticas, comentários, sugestões para cinematico@b9.com.br ou nos comentários desse post.

On today’s review-only episode of the show, host Tom Breen is joined by New Haven Independent reporter Allan Appel for a discussion of Lady Macbeth, a new British film from director William Oldroyd about a young bride in 19th century northern England who chafes against the oppressive boredom, disrespect, and objectification of being a kept woman in a patriarchal society. As the movie’s title indicates, though, our young protagonist is not one to be content with a life of humiliation and immobility, and, once she finds an object of her own desire, she is willing to go to some pretty extreme lengths to attain it.

With his first feature Lady Macbeth is in theaters in the U.S. and Canada, it’s the perfect time for director William Oldroyd to drop in and talk about his fascination with Michael Haneke’s Cache, the 2005 thriller in which Daniel Auteuil and Juliette Binoche are tormented by an unknown stalker with a very patient camcorder. Your genial host Norm … Continue reading William Oldroyd on Cache →

L'actualité de la semaine revue par Carole Beaulieu et Vincent Marissal ; Être DJ pour des mariages : Table ronde ; Cinéma avec Helen Faradji et Georges Privet : Lady Macbeth de William Oldroyd ; Culture populaire avec Pascale Lévesque : Tourisme et culture pop ; La Fabuleuse histoire d'un royaume : Entrevue avec Louis Wauthier ; Musique avec Frédéric Lambert : In Schubert's Company de Maxim Rysanov ; Vidéo de la semaine avec Helen Faradji : The Rock et Siri ; Cinéma avec Georges Privet : Atomic Blonde de David Leitch ; À voir sur le web avec Helen Faradji : La websérie documentaire Commises d'offices ; Chronique du sommelier Simon Gaudreault : La bière Yakima IPA ; Everything Now, d'Arcade Fire, avec Frédéric Lambert et Pascale Lévesque ; Cinéma avec Georges Privet : La rétrospective Les films de ma vie, de Roland Smith

Jeremy chats with director William Oldroyd about his debut feature LADY MACBETH. Based not on Shakespeare but on a classic Russian novel, this Gothic tale takes place in rural England, where a young woman (Florence Pugh) is stifled by her loveless marriage to a bitter older man.

Lady Macbeth is the debut film by William Oldroyd, written by Alice Birch and based on the novella Lady Macbeth of the Mtsensk District by Nikolai Leskov. It's set in the mid-19th century, though it transposes the original narrative from Russia to the Northern English moors. The film stars Florence Pugh as Katherine, a young woman who enters into a loveless marriage with an older industrialist. He gives her no attention, and when he leaves for a business trip she looks to one of her husband's workers, Sebastian, played by Cosmo Jarvis, for the affection she so desperately needs. Soon after, however, things turn harsh and murderous, putting into motion events that earn Katherine the unspoken fitting nickname of Lady Macbeth. Shot by Melbourne cinematographer Ari Wegner, the camerawork, which alternates between still and handheld, has an effective but obvious role of mirroring characters' emotional states. The colour palette is also suitably cold except in the more tender moments between Katherine and Sebastian – even the poster features Katherine in a long, piercingly blue dress. It also has some very interesting ways of dealing with space. We never see the front of the house and indeed most of the action takes place inside with Katherine looking out through the windows. In fact if I have any criticisms about this film it's that most of it seems effective but obvious. The puritanical, patriarchal setting of mid-19th Century Britain, for example, is an easy conduit for its necessary statements about gender politics. However, Oldroyd and the rest of the cast and crew should be commended for creating a tense and modestly troubling film. A solid and promising debut, Lady Macbeth is in cinemas now. Written by Ben VolchokSee omnystudio.com/listener for privacy information.

Lady Macbeth is the debut film by William Oldroyd, written by Alice Birch and based on the novella Lady Macbeth of the Mtsensk District by Nikolai Leskov. It's set in the mid-19th century, though it transposes the original narrative from Russia to the Northern English moors. The film stars Florence Pugh as Katherine, a young woman who enters into a loveless marriage with an older industrialist. He gives her no attention, and when he leaves for a business trip she looks to one of her husband's workers, Sebastian, played by Cosmo Jarvis, for the affection she so desperately needs. Soon after, however, things turn harsh and murderous, putting into motion events that earn Katherine the unspoken fitting nickname of Lady Macbeth. Shot by Melbourne cinematographer Ari Wegner, the camerawork, which alternates between still and handheld, has an effective but obvious role of mirroring characters' emotional states. The colour palette is also suitably cold except in the more tender moments between Katherine and Sebastian – even the poster features Katherine in a long, piercingly blue dress. It also has some very interesting ways of dealing with space. We never see the front of the house and indeed most of the action takes place inside with Katherine looking out through the windows. In fact if I have any criticisms about this film it's that most of it seems effective but obvious. The puritanical, patriarchal setting of mid-19th Century Britain, for example, is an easy conduit for its necessary statements about gender politics. However, Oldroyd and the rest of the cast and crew should be commended for creating a tense and modestly troubling film. A solid and promising debut, Lady Macbeth is in cinemas now. Written by Ben Volchok

This week on the InSession Film Podcast: Extra Film segment, we discuss Pixar's latest in CARS 3 and also the little indie from William Oldroyd in LADY MACBETH.    - Review: Cars 3 (9:23)   - Review: Lady Macbeth (38:23)   Thanks for listening and be sure to subscribe on iTunes, Google Play, Stitcher, Soundcloud or TuneIn Radio!   iTunes: https://itunes.apple.com/us/podcast/insession-film-podcast/id605634337   Google Play: https://play.google.com/music/listen?authuser&u=0#/ps/It5foal422yoktioaclalk3ykyi   Stitcher: http://www.stitcher.com/podcast/insession-film   Soundcloud: https://soundcloud.com/insession-film   TuneIn Radio: http://tunein.com/radio/The-InSession-Film-Podcast-p522717/   Listen Now: http://insessionfilm.com/insession-film-podcasts-listen-now/

Un bel film di Alice Birch e William Oldroyd. L'ospite speciale di questa puntata è Lucia "Spoiler!" Rinolfi, che nonostante abbia visto il film non ne parla :) Federica ha trovato un bel pezzo di Steve Rose del Guardian sulla questione degli attori di colore nei film in costume: https://www.theguardian.com/film/2017/apr/15/lady-macbeth-black-racial-diversity-british-costume-period-drama E per la serie: notizie accessorie, spendiamo cinque minuti buoni a fare illazioni sul perché siano stati licenziati i registi del film su Han Solo, come riporta per esempio Variety: http://variety.com/2017/film/news/star-wars-han-solo-kathleen-kennedy-director-fired-1202473919/ (E per quelli che sono stati incuriositi dal personaggio di Wonder Woman: nei commenti di Spreaker alla scorsa puntata ci sono informazioni interessanti!)

Un bel film di Alice Birch e William Oldroyd. L'ospite speciale di questa puntata è Lucia "Spoiler!" Rinolfi, che nonostante abbia visto il film non ne parla :)Federica ha trovato un bel pezzo di Steve Rose del Guardian sulla questione degli attori di colore nei film in costume:https://www.theguardian.com/film/2017/apr/15/lady-macbeth-black-racial-diversity-british-costume-period-dramaE per la serie: notizie accessorie, spendiamo cinque minuti buoni a fare illazioni sul perché siano stati licenziati i registi del film su Han Solo, come riporta per esempio Variety: http://variety.com/2017/film/news/star-wars-han-solo-kathleen-kennedy-director-fired-1202473919/(E per quelli che sono stati incuriositi dal personaggio di Wonder Woman: nei commenti di Spreaker alla scorsa puntata ci sono informazioni interessanti!)

William Oldroyd directs this dark tale with an incredible central performance from Florence Pugh.

Jahannah was joined by a special co-host Alexa Wall. Michael Yale and David Leopold chatted about their show Late Company. Jonathan Wakeman and Brakes' director Mercedes Grower chatted about the LOCO Festival. Shola Amoo and Tanya Fear from the film A Moving Image stopped by the studios. Our favourite honest film reviewer Lucy Patterson joined the girls. Jahannah also chatted to Florence Pugh and William Oldroyd about Lady Macbeth.

Jahannah was joined by a special co-host Alexa Wall. Michael Yale and David Leopold chatted about their show Late Company. Jonathan Wakeman and Brakes’ director Mercedes Grower chatted about the LOCO Festival. Shola Amoo and Tanya Fear from the film A Moving Image stopped by the studios. Our favourite honest film reviewer Lucy Patterson joined the girls. Jahannah also chatted to Florence Pugh and William Oldroyd about Lady Macbeth.

Laurie strapped in for a white-knuckle Marvel (Disney) ride with the Guardians in their hugely anticipated sequel, again penned and helmed by studio magic man James Gunn. He also saw Oscar Isaac & Christian Bale in The Promise, and caught Florence Pugh & William Oldroyd’s almost-debut, Lady Macbeth. We answer Stephen’s pressing film problem in our Movie … Continue reading Guardians of the Galaxy 2, The Promise, Lady Macbeth, Movie Clinic, The Amazing Spiderman 2 & Birdman →

In this episode of the Sound Barrier, Silent London’s cinematic sommeliers pair Victor Sjostrom’s majestic The Wind (1928) with William Oldroyd’s astonishing debut feature Lady Macbeth, out in cinemas now. We highly recommend both films, which feature isolated women doing battle with the elements, and come laced with sex, violence and vengeance. In the studio, I am joined … Continue reading Sound Barrier: Lady Macbeth and The Wind (1928) →

Matthew Sweet with a selection of music inspired by films that take inspiration from the works of Shakespeare in the week of the release of William Oldroyd's film "Lady Macbeth". While the cinema has brought many famous adaptations of Shakespeare's plays to the screen, the story of The Bard's influence on film is far greater. Matthew Sweet presents a selection of soundtracks for films that have taken Shakespeare's stories as the source material for new plots - some quite literal, others a little more subtle. The programme features a Spaghetti Western versions of Hamlet, a submarine reworking of Romeo and Juliet, and a mediaeval Japanese take on King Lear. Featured film scores include music for 'Theatre Of Blood', 'Chimes At Midnight', 'All Night Long', 'Forbidden Planet', 'Prospero's Books', 'McLintock!' and 'The Lion King'. The Classic Score of the Week is the film soundtrack to Leonard Bernstein's 'West Side Story'.

Aquest divendres arriba al cinema "Lady Macbeth", l'

With Francine Stock Writer/director David Leland revisits Worthing, the setting of his classic drama Wish You Were Here, which immortalised the phrase "up your bum". William Oldroyd discusses his acclaimed low budget drama Lady Macbeth and why it plays with the conventions of how female characters behave in costume dramas. Heal The Living director Kattell Quillevere explains how a change in the medical definition of death has had an emotional impact on bereaved families, which is often overlooked.