Podcasts about mascis

While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album emphasizes emotional intensity over polish, with songs like "Birdbrain" and "Enemy" showcase the band's knack for combining distorted guitars with introspective lyrics. Though not a commercial hit, the album helped solidify Buffalo Tom's place in the early '90s indie rock scene and shows a significant step in the band's evolution toward the more refined sound of their later work.   Songs In This Episode Intro - Fortune Teller 17:23 - Birdbrain 23:07 - Crawl 26:26 - Heaven 29:40 - Skeleton Key Outro - Guy Who Is Me   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

While their debut album tagged them as Dinosaur Jr Jr thanks to loud guitars and J. Mascis behind the board, Buffalo Tom's second album, Birdbrain, builds on the raw, guitar-driven sound of their debut but with more mature songwriting and production. Produced again by J Mascis of Dinosaur Jr. with Sean Slade, the album emphasizes emotional intensity over polish, with songs like "Birdbrain" and "Enemy" showcase the band's knack for combining distorted guitars with introspective lyrics. Though not a commercial hit, the album helped solidify Buffalo Tom's place in the early '90s indie rock scene and shows a significant step in the band's evolution toward the more refined sound of their later work.   Songs In This Episode Intro - Fortune Teller 17:23 - Birdbrain 23:07 - Crawl 26:26 - Heaven 29:40 - Skeleton Key Outro - Guy Who Is Me   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

This week on RITY, our mini theme is Soccer... Plus, the link between Tom Petty and U.S. Navy Admiral - David Farragut... An alt. rock anthem inspired by a parallel universe where J. Mascis of Dinosaur Jr. is President of the U.S... A song about journalists that was written by a former journalist who left that job to become one of the greatest guitarists of all-time... Deep tracks from School Of Fish, Sutherland Brothers & Quiver, Shoes, Cheap Trick, Derek & The Dominos and much more! For more info on the show, visit reelinwithryan.com

It's our fifth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2024. There's a wide array of bands and artists, new and old, that helped make 2024 a great year for music. New albums from 1980s, 90s and 00s artists like The Cure, Pearl Jam, Judas Priest, Underworld, The Black Crowes, John Davis (Superdrag), The Sheila Divine, Jack White, Pig, the Pixies, Watershed, Sebastian Bach, Silver Sun, D-A-D, J. Mascis, Nick Cave and the Bad Seeds, Primal Scream, The Smile, and many more all released great late career records, while newer bands like Return to Dust, Ahem, Friko, The Blackburns, Crows, and several others landed on our radar.   Songs In This Episode Intro - Alone by The Cure (from Songs from a Lost World) 3:38 - Trust In Me by Silver Sun (from Mild Peril) 11:49 - (Hold On) To The Dream by Sebastian Bach (from Child Within The Man) 18:11 - Lapdog by Ahem (from Avoider) 21:34 - Fallout by Pig (from Feast of Agony EP) 31:17 - Free To Fall by John Davis (from JINX) 34:32 - Trial By Fire by Judas Priest (from Invincible Shield) 42:00 - Automaticity by J. Robbins (from Basilisk) 52:01 - Wanting and Waiting by The Black Crowes (from Happiness Bastards) 1:08:41 - The Darkness by The Sheila Divine (from I Am The Darkness. We Are The Light) Outro - Dark Matter by Pearl Jam (from Dark Matter)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

It's our fifth year of getting the patrons together and giving thanks for the new music that gave us happiness and good vibes in 2024. There's a wide array of bands and artists, new and old, that helped make 2024 a great year for music. New albums from 1980s, 90s and 00s artists like The Cure, Pearl Jam, Judas Priest, Underworld, The Black Crowes, John Davis (Superdrag), The Sheila Divine, Jack White, Pig, the Pixies, Watershed, Sebastian Bach, Silver Sun, D-A-D, J. Mascis, Nick Cave and the Bad Seeds, Primal Scream, The Smile, and many more all released great late career records, while newer bands like Return to Dust, Ahem, Friko, The Blackburns, Crows, and several others landed on our radar.   Songs In This Episode Intro - Alone by The Cure (from Songs from a Lost World) 3:38 - Trust In Me by Silver Sun (from Mild Peril) 11:49 - (Hold On) To The Dream by Sebastian Bach (from Child Within The Man) 18:11 - Lapdog by Ahem (from Avoider) 21:34 - Fallout by Pig (from Feast of Agony EP) 31:17 - Free To Fall by John Davis (from JINX) 34:32 - Trial By Fire by Judas Priest (from Invincible Shield) 42:00 - Automaticity by J. Robbins (from Basilisk) 52:01 - Wanting and Waiting by The Black Crowes (from Happiness Bastards) 1:08:41 - The Darkness by The Sheila Divine (from I Am The Darkness. We Are The Light) Outro - Dark Matter by Pearl Jam (from Dark Matter)   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

I love reviewing films that have been on my list for ages but haven't watched yet. This was such a great film that I took me way too long watch. Over the past few years this has become a theme, so much that I made (and will add to) another list on Letterboxd about films I was obsessed with on a late viewing. This has now joined the ranks of that list. Gas Food Lodging, directed by Allison Anders is a great drama and coming of age film set in the Southwest. The performances by Fairuza Balk and Ione Skye need to be studied and talked about more. I get into the INCREDIBLE fashion that stemmed from the late 80s, why J. Mascis is great at composing a movie score, and how I loved the end of this story.Off-topic rants include: fashion and music categorization and why you can think of me as the clerk behind the video rental counter  ---Get BONUS episodes on 90s TV and culture (Freaks & Geeks, My So Called Life, Buffy, 90s culture documentaries, and more...) and to support the show join the  Patreon! Host: Lauren @lauren_melanieFind more Fashion Grunge on LinktreeJoin me on Substack:  The Lo Down: a Fashion Grunge Blog/newsletter☕️ Support Fashion Grunge on Buy Me a Coffee: https://www.buymeacoffee.com/fashiongrunge

Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip. Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV's 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned's Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That's What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality. By 1998, Fig Dish's tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber's Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness. Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl. In this interview, Smith and Ness reveal there was no dramatic story behind the band's breakup; the members remain friends and stay in touch. While they won't be quitting their day jobs to relive their (less than) glory days, there's a strong possibility that Fig Dish will release new material in the near future.   Songs In This Episode Intro - Burn Bright For Now 13:54 - Pretty Never Hurts Outro - When Shirts Get Tight   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Emerging from the same mid-90s Chicago scene that saw bands like Veruca Salt, Loud Lucy, Menthol, Triple Fast Action, and Local H get signed to major labels, Fig Dish delivered alternative guitar rock that paid homage to the legends of Mt. Rockmore - Zander, Mascis, Mould, and Westerberg - under the Polygram Records (and subsidiaries) banner. Their discovery is the stuff of legend: the band sent demo cassettes to various major labels with a handwritten note from “Steve,” claiming to have found a band worth checking out, banking on the idea that everyone knows a Steve and the label would think it was a genuine tip. Despite their immediately catchy songs that could easily fit into any alternative rock radio playlist, the band (Blake Smith - vocals/guitar, Rick Ness - vocals/guitar, Mike Willison - bass, Andy Hamilton - drums) struggled to grasp the elusive brass ring. Their single “Seeds” was released with a video but saw limited play on MTV's 120 Minutes. Touring across the country, they opened for acts like Juliana Hatfield, Veruca Salt, Ned's Atomic Dustbin, Owsley, and Walt Mink. However, their 1995 album, That's What Love Songs Often Do, produced by Lou Giordano, failed to make a significant impact. Their 1997 follow-up, When Shove Goes Back to Push, recorded under challenging circumstances, also ended up in used CD bins despite featuring some of the catchiest rock tunes of the year. In a last-ditch effort, the band filmed a video for “When Shirts Get Tight” featuring adult film stars in humorous, over-the-top scenarios. The video, too risqué for MTV, became more myth than reality. By 1998, Fig Dish's tenure with Polygram ended unceremoniously. They recorded new songs at Andy Gerber's Million Yen studio in Chicago, hoping for a second chance that never materialized. Smith and Willison went on to form Caviar (known for “Tangerine Speedo”), while Ness and Bill Swartz (who played drums on Shove) formed Ness. Recently, Forge Again Records from Chicago reached out to the band to release their two albums on vinyl for the first time. While the band agreed, navigating the bureaucratic red tape with record labels has been time-consuming. In the meantime, Forge Again asked if Fig Dish had any unreleased material, leading to the release of their 1998 demos as Feels Like the Very Second Time on vinyl. In this interview, Smith and Ness reveal there was no dramatic story behind the band's breakup; the members remain friends and stay in touch. While they won't be quitting their day jobs to relive their (less than) glory days, there's a strong possibility that Fig Dish will release new material in the near future.   Songs In This Episode Intro - Burn Bright For Now 13:54 - Pretty Never Hurts Outro - When Shirts Get Tight   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Plenty of guitar-oriented bands rose to prominence in the 1990s thanks to wave after wave of new artists from various genres. The Seattle sound, pop punk, Britpop, etc. all offered a diverse array of sounds for six-string fans. It was like the 1980s era of guitar heroes, but with an emphasis on diversity of tone and style - the melodic mayhem of J. Mascis to the angular buzzsaw of Kim Thayil to the jazzy funk of John Frusciante - all finding the balance between creative tangents and serving the songs. That brings us to Big Hate, an Atlanta via New York band that utilize a fuzz pedal to its maximum potential. From the opener "Century," that features a lazy slide adding just the right amount of dissonance, to the riffing "Writer's Block," the band takes full advantage of their twin guitar attack. But while it shines musically, the band leaves a bit to be desired vocally, from not nailing a truly hooky chorus, to often sliding into early Our Lady Peace / Raine Maida territory.   Songs In This Episode Intro - Century 15:46 - West Virginia 20:34 - Disappointed 22:45 - Writer's Block 24:41 - Rock That Doesn't Roll / Dope Nostalgia podcast promos 34:35 - Lemonade 38:13 - Sufi Outro - Beauty Mark   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Plenty of guitar-oriented bands rose to prominence in the 1990s thanks to wave after wave of new artists from various genres. The Seattle sound, pop punk, Britpop, etc. all offered a diverse array of sounds for six-string fans. It was like the 1980s era of guitar heroes, but with an emphasis on diversity of tone and style - the melodic mayhem of J. Mascis to the angular buzzsaw of Kim Thayil to the jazzy funk of John Frusciante - all finding the balance between creative tangents and serving the songs. That brings us to Big Hate, an Atlanta via New York band that utilize a fuzz pedal to its maximum potential. From the opener "Century," that features a lazy slide adding just the right amount of dissonance, to the riffing "Writer's Block," the band takes full advantage of their twin guitar attack. But while it shines musically, the band leaves a bit to be desired vocally, from not nailing a truly hooky chorus, to often sliding into early Our Lady Peace / Raine Maida territory.   Songs In This Episode Intro - Century 15:46 - West Virginia 20:34 - Disappointed 22:45 - Writer's Block 24:41 - Rock That Doesn't Roll / Dope Nostalgia podcast promos 34:35 - Lemonade 38:13 - Sufi Outro - Beauty Mark   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

Bob returns from New Detroit to spin yarns about the mythic Tied Down Fest, while Tom reports from the center of a Knocked Loose pit, and Patrick broadcasts from a chicken coop. Topics include big touring slowing down; getting out while the gettin is good; hating J. Mascis; how we report on ourselves; women's basketball. Learn more about your ad choices. Visit megaphone.fm/adchoices

Mascis, la guitarra principal dels Dinosaur Jr., torna a fer escapada en solitari amb un nou disc titulat "What do we do now". Una vegada m

Mascis, la guitarra principal dels Dinosaur Jr., torna a fer escapada en solitari amb un nou disc titulat "What do we do now". Una vegada m

Bentornati su Fuori Orario Not Another Podcast. Nel secondo episodio della terza stagione di questo podcast si parla dei nuovi dischi di J. Mascis e di Joe Wong, del debutto delle Last Dinner Party e dei nuovi imperdibili singoli dei Painted Shield, Sunny Day Real Estate, Tigercub, The Tony Slug Experience (con Jello Biafra, l'ex cantante dei Dead Kennedys) e di "Autodstruttivo" dei La Sad! Questa versione è quella "socialista", quella con i pezzi integrati alla puntata è disponibile in esclusiva su ⁠spotify.com⁠. Da oggi puoi diventare un sostenitore di questo podcast. Come? Vai su ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/fuoriorariopodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ per tutte le info. A questo link⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://tinyurl.com/podcast-fuoriorario⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ trovi invece la musica, i film e i libri dei quali si parla in questo podcast.

Once again the music gods have bestowed so much great new tracks that the monthly new release show must be expanded into two episodes. That is a great sign for 2024, and especially so because not only is there quality and quantity, but there’s a great mix of classic artists and brand new acts. There’s 18 year old Owen Adamcik’s plan for a new EP every month this year. There are Ledge “friends” such as Rob Moss and Skin-Tight Skin’s monthly single and a new tune by local legends Thought Patrol. There’s the return of veterans The Smoggers and Rubber City Rebels. Plus surprisingly great new tracks by the liks of J. Mascis, Green Day, and Superchunk. And to kick things off is a late submission for last year’s “52 weeks of Teenage Kicks” series. Two weeks ago Thee Volatiles, “thee best punk rock band in all of Montclair NJ!” sent me their version, and I couldn’t be more thrilled! In fact, I will always accept new covers of the tune. So if you were considering it last year, please go ahead and do it and I’ll guarantee to open my next show with it! For setlists and other info, […]

Once again the music gods have bestowed so much great new tracks that the monthly new release show must be expanded into two episodes. That is a great sign for 2024, and especially so because not only is there quality and quantity, but there's a great mix of classic artists and brand new acts. There's 18 year old Owen Adamcik's plan for a new EP every month this year. There are Ledge “friends” such as Rob Moss and Skin-Tight Skin's monthly single and a new tune by local legends Thought Patrol. There's the return of veterans The Smoggers and Rubber City Rebels. Plus surprisingly great new tracks by the liks of J. Mascis, Green Day, and Superchunk. And to kick things off is a late submission for last year's “52 weeks of Teenage Kicks” series. Two weeks ago Thee Volatiles, “thee best punk rock band in all of Montclair NJ!” sent me their version, and I couldn't be more thrilled! In fact, I will always accept new covers of the tune. So if you were considering it last year, please go ahead and do it and I'll guarantee to open my next show with it! For setlists and other info, […]

Kyle Thomas is recording artist "KING TUFF", also known for being a member of the band "WITCH" and for his original freak folk project "FEATHERS". Jaymee feels Kyle's most recent album "SMALLTOWN STARDUST" (Sub Pop) is a masterpiece, a deeply spiritual album that isn't sneaking in religious messages or mantras; it's a call to return to the magic and simplicity of art creation, nature and friendship. Jaymee and Kyle become fast friends in this episode, which is rank with laughter, amazing album recommendations, fun stories about his friendships with Josh Tillman (Father John Misty), J. Mascis, Devendra Banhart, Tim Heidecker, and what it was like recently being joined onstage by their hero Ringo Starr. KING TUFF WEB: https://kingtuffworld.net/ LOVE IS THE AUTHOR PODCAST: produced, edited and hosted by Jaymee Carpenter. INSTAGRAM: @loveistheauthor + @unconventionalgardener + @kingtuffy BOOK MENTORSHIP SESSIONS w/ JAYMEE or LACEE!  email: lacee@loveistheauthor.com

Edición Limitada - 20 de Noviembre del 2023. Selección, producción, realización y conducción: Francisco J. Brenes. Presentando música de The Smile, Pete International Airport featuring Rachel Goswell, Veldt, Deary, Lions Of Dissent, Dhani Harrison, The National con Phoebe Bridgers, EMF con Stephen Fry, Porno For Pyros, New Model Army, Modern English, Republica, Our Final Invention, The Rhythm Method, Fragile Animals, Juliana Hatfield, Silence In The Snow, Madness, Margaritas Podridas, J. Mascis, Mannequin Pussy, Health, Muse, Vince Clarke, Laetitia Sadier, Crystal Canyon, Alison Goldfrapp, Allie X y Alphaville.

Sintonía: "Paradise Plan" - Dancehall 63 "Don´t Pretend You Didn´t Know", "I Know It On So Well" y "Pierce The Morning Rain", extraídas del álbum "I Bet On Sky" (Jagjaguwar/PIAS, 2012) "Going Down" y "Be A Part", extraídas del álbum "Give A Glimpse Of What Yer Not" (Jagjaguwar, 2016) "I Ain´t", "I Ran Away" y "Take It Back", extraídas del álbum "Sweep It Into Space" (Jagjaguwar, 2021) "See It On Your Side", "What Was That" y "Recognition", extraídas del LP "I Bet On Sky" (2012) Todas las músicas compuestas e interpretadas por J. Mascis y Dinosaur Jr Relación de fechas de emisión/contenidos de los 4 anteriores capítulos de este coleccionable: emitido el 05/07/2023: 1985-1988/Canciones de los 3 primeros álbumes, a saber, "Dinosaur" (1985), "You´re Living All Over Me" (1987) y "Bug" (1988) emitido el 17/08/2023: "Green Mind" (1990) y "Where You Been" (1992/3) emitido el 19/09/2023: "Without a Sound" (1994) y "Hand It Over (1997) emitido el 19/10/2023: "Beyond" (2007) y "Farm" (2009) Escuchar audio

SOMEWHERE - Johnny Marr DOUBT - Slow Pulp I DID IT GOOD TODAY - Conchur White THE GRASS IS ALWAYS GREENER - The Len Price 3 SEX & MONEY - Lydia Loveless WAR WITH AMERICA - Gretal Hanlyn BIG AIR - Office Dog NO MUSIC ON A DEAD PLANET - Fred Schnieder, Soup Dragons DIVINE MASCIS - J. Mascis & The Breeders BAD IDEA, RIGHT? - Olivia Rodrigo  THE KING OF EVERYTHING - The Handsome Family WHAT ARE WE WAITING FOR - Kendra Morris PALE BLUE EYES - Simmering I LOVE YOU JUST FOR TRYING - Olivia Barton IMPOSSIBLE - Teezo Touchdown KISMET - The Beaches THE LONG WAY - The Lilac Time JEANE - The Persian Leaps WILL ANYBODY EVER LOVE ME - Sufjan Stevens  

Fresh off releasing "Two Songs I Wrote in 1993 & Recorded Last Week," legendary Australian singer-songwriter Ben Lee joins me for episode 93 (pure numerological coincidence!) to reflect on key moments of musical discovery -- seeing Nirvana play at Big Day Out, starring in a school musical called Uncle Moishe and his Mitzvah Men, recording fucked-up sounding songs on his Tascam 244, hoping to emulate Appetite for Destruction but coming up with something even cooler, figuring out how to get his demo to a record label, and more recent insights about longevity and staying true to your unique vision. He also discusses his songwriting practice today, prioritizing playfulness, supporting young artists, and more. Ben and his wife, Ione Skye, host an awesome weekly podcast called Weirder Together, and their Weirder Together podcast network presents shows hosted by J. Mascis, Lou Barlow and Jello Biafra, among others. Ben will be on tour in September. Get tickets here.

Sintonía: "Big Noise From Winnetka" - Cozy Cole"Cats In A Bowl", "Repulsion", "Gargoyle" y "Severed Lips", extraídas del primer álbum del guitarrista J. Mascis y el bajista Lou Barlow, titulado simplemente "Dinosaur" (Homestead Records, 1985)"Sludgefeast", "The Lung" y "Raisans", extraídas del 2º LP,  "You´re Living Over Me" (SST Records, 1987)"Freak Scene", "They Always Come", "Let It Ride", "Pond Song", "Budge" y "Keep The Glove", extraídas del tercer disco, "Bug" (SST/Merge Records, 1988/2005)Todas las músicas compuestas e interpretadas por Dinosaur Jr.Escuchar audio

We're back to this century for this months episode as we talk about our favourite songs from 2011, ranging from indiepop to black metal, with various arguments about The Muppets along the way.We've each chosen our 10 favourite songs of the year and sent them over to Colin's wife Helen, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them back to Helen, who totalled up the points and worked out the order.She also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - Battles, Beastie Boys, Bon Iver, Anna Calvi, Childish Gambino, Death Cab For Cutie, The Deer Tracks, Dir En Grey, Fleet Foxes, The Go! Team, King Creosote & Jon Hopkins, Kvelertak, Lanterns On The Lake, Limp Bizkit, Liturgy, Low, J Mascis, Mogwai, Thurston Moore, Opeth, Amanda Palmer, Josh T. Pearson, Radiohead, *shels, Soley, Tedeschi Trucks Band, Ulver, The Weeknd, Weezer Ft Hayley Williams, & YOB.Find all songs in alphabetical order here - https://open.spotify.com/playlist/6bizkqtWTTgxkNqH7GGoj5?si=af071097a6324a9aFind our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQIf you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Lydia ClarkeRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com

Nordmark Pod får besök av programledaren, komikern, skådespelaren, regisören och manusförfattaren Henrik Schyffert!Det samtalas om och att; Då jag mådde piss, ge upp, släppa tyglarna, en jättekris, köpa Porsche, ser ni inte jag mår dåligt?! Förband till Blur,   Vad har hänt, gjorde inte stand up på 4 år, det var inge kul, jaga skämt, risk att skiten exploderar, hur mkt det påverkar ens liv, kritik, en annan värld, hackar sig fram, skrattar de inte är det mitt fel, från Märsta till Södertälje, 41 år i showbiz, jobb på Mtv vid 19, Whale, missade flyg, J. Mascis,  3a på Englandslistan, smygnostalgia, droppen som urholkar stenen, vilket lag vill du va i?, kulturmorran, fläsk med löksås, nu ere stängt och tack för mig!..Mäktigt!

Completando 30 anos em 2023, Where You Been é o quinto álbum do Dinosaur Jr., e o segundo por uma grande gravadora. A banda aproveita o bom momento para o "rock com guitarras" que acontecia em 1993 e lança um trabalho capaz de atingir um público maior pela primeira vez. Ainda que com tons cinzentos e melancólicos aqui e ali, Where You Been se mantém sempre empolgante graças à guitarra do líder da banda, J. Mascis, que soa ora cristalina, ora suja, em solos típicos do rock clássico ou em paredes sonoras impactantes. Neste episódio, Filipe convers com Rodrigo Melão (@prazeresplasticos) e Marcelo Scherer (@disconecta) sobre esse discaço do rock alternativo dos EUA.

Baxie talks to Lou Barlow from Dinosaur Jr! Lou talks about his Western Massachusetts roots as well as the early days of Dinosaur Jr. Bax and Lous also talk about reuniting with J. Mascis, forming Sebadoh, and scoring a hit with Folk Implosion in 1995 ("Natural One"). Really interesting stuff! Listen on Apple Podcasts, SoundCloud, Spotify, and on the Rock102 website!

This week we talk about a four-transistor fuzz circuit called the Big Muff and the main different variations of the circuit, we recreate J. Mascis's tone from the Dinosaur Jr. hit "Start Choppin'", and we talk about basic rules of the road when it comes to putting your effects in order.

Part 2 of my conversation with guest Phil Stacey about our favorite music of 1988. Show notes: - Recorded while driving home from Trillium Brewing in Canton, Mass. - Phil's #5: Sonic Youth focuses their sound  - Jay's #5: J. Mascis and Dino Jr. get more melodic while still delivering a heavy sound - Phil's #4: U2's first controversial album still provides a lot of memorable moments, overshadowed by the movie - Jay's #4 and Phil's #3: Living Colour's debut showed off their many talents - Jay's #3: Debut from Toronto's The Pursuit of Happiness combined hard rock, neurotic singer and girl group backing vocals - Phil's #2: R.E.M.'s last album before they became superstars - Jay's #2: Public Enemy at the peak of their powers - Phil's and Jay's #1: Los Pixies creates the template for the '90s alt-rock explosion - Favorite songs: "Gigantic" (Phil), "Black Steel in the Hour of Chaos" (Jay) Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

Dinosaur Jr.'s J Mascis is rock 'n' roll's loudest low talker. Onstage, the reserved frontman is overshadowed by his three full stacks, summoning up President Teddy Roosevelt's quote: “speak softly and carry a big stick; you will go far.” Fellow volume-dealing stalwarts Emmett Jefferson Murphy III (drums)—better known as “Murph”—and Lou Barlow (bass/vocals) helped J form the band in 1984 after their first group, Deep Wound, dissolved. Both left Dinosaur Jr., and then rejoined in 2005. This core group has released eight studio albums of dynamically rich rock that teeters between a runaway locomotive fueled on feedback and buzzing riffs, and hooky, melodic, pop-soaked nimble rhythms that carry more than they crush. While never reaching the mainstream stratosphere like some of their contemporaries (including Nirvana, who opened for Dino Jr. in 1991), this consummate power trio have remained popular in the American underground by continually selling out theaters, splashing into the Billboard 200 (climbing even higher in the Independent and Rock charts), and headlining alternative-music festivals. All along the way, their soft-spoken shredder has ascended as a guitar-hero among musical outcasts. Before Dinosaur Jr.'s sold-out show at Nashville's Brooklyn Bowl, Mascis reconnected with PG's Chris Kies to talk Teles (yes, you read that right; he's touring with more Telecasters than ever), including the development of his new signature T that's based on his studio-perfect '58 model. We also witness two firsts for J: a Phantom-Tele-Jazzmaster Frankenstein and a Floyd Rose-equipped guitar. [Brought to you by D'Addario XPND Pedalboard: https://ddar.io/xpnd.rr (https://ddar.io/xpnd.rr)]

Dinosaur Jr. is an American rock band formed in Amherst, Massachusetts, in 1984, originally simply called Dinosaur until legal issues forced a change in name. The band was founded by J Mascis (guitar, vocals, primary songwriter), Lou Barlow (bass, vocals), and Murph (drums). After three albums on independent labels, the band earned a reputation as one of the formative influences on American alternative rock. Mascis's drawling vocals and distinct guitar sound, hearkening back to 1960s and 1970s classic rock and characterized by extensive use of feedback and distortion, were highly influential in the alternative rock movement of the 1990s. Lineup: Wipers, The Dream Syndicate, True West, The Jesus and Mary Chain, The Birthday Party, Throbbing Gristle, Venom, Accept, Saint Vitus, The Eastern Dark, The Neats, Green On Red, Meat Puppets

Ox-Podcast Folge 72 – jetzt online, wie immer bei Spotify, iTunes, Amazon und Deezer sowie über unsere Website ( https://www.ox-fanzine.de/podcast ): Der Berliner Filmemacher Philipp Reichenheim alias Philipp Viruss hat mit „Freakscene“ einen beeindruckenden, intensiven Dokumentarfilm über DINOSAUR JR., über J Mascis, Lou Barlow und Murph gedreht, der nach vielen Jahren Vorbereitung im September 2021 endlich ins Kino kommt und später auch auf DVD und ins Fernsehen. Ich befragte ihn zum Film, zu seinem Alter Ego Philipp Virus und ATARI TEENAGE RIOT wie auch zu seiner familiären Verbindung zu J. Mascis. Und die nach DINOSAUR JR. zweitbeste Band der Welt – DIE ÄRZTE – in Person von Farin Urlaub kommt auch vor. Nachzulesen ist ein Interview mit Philipp in der aktuellen Ox-Ausgabe Nr. 157 mit AKNE KID JOE, AMYL AND THE SNIFFERS, DESCENDENTS, THE BRONX, DŸSE, Joey Cape, EGOTRONIC, NOMEANSNO (Teil 1), TOXOPLASMA, DIE LIGA DER GEWÖHNLICHEN GENTLEMEN, WOLVES IN THE THRONE ROOM und anderen: https://www.ox-fanzine.de/ox-157-ist-raus

Hi, Joe from Guitar Nerds here. On this week's episode, Matt, Jay and I discuss the all new Fender signature models, the new Boss guitar, a 4x10 Tonemaster, and IK Multimedia's foray into high quality effects pedals!To get involved in the discussion join The Guitar Nerds Group on Facebook and follow Guitar Nerds on Instagram. See acast.com/privacy for privacy and opt-out information.

This week, host Scott Crawford spoke with Tiffany Anders—one of Hollywood's most sought after music supervisors. She also happens to be the daughter of indie filmmaker Allison Anders ("Gas, Food, Lodging," "Mi Vida Loca," "Grace of My Heart") and a critically acclaimed songwriter (whose second LP, "Funny Cry Happy Gift" was produced by PJ Harvey). Anders discussed the ups and downs of being a music supervisor, working on the Emmy nominated "Pen 15," singing with J. Mascis, finding the perfect soundtrack song and more on this week's episode of SPOKE. Instagram: @jumblequeen --- Send in a voice message: https://anchor.fm/scott-crawford3/message

This week we're joined by a living hip hop legend - rapper, producer and co-founder of Hieroglyphics, we've got Del the Funky Homosapien in the house

Ronald Belford "Bon" Scott, la famille du musicien a décidé de lancer le premier site officiel Bon Scott, qui permettra aux fans d'en apprendre plus à son sujet, notamment grâce à de nombreux témoignages de rock stars célèbres. Les Foo Fighters, un mini-documentaire de 10 minutes sur la mise en œuvre de leur show dédié au stage manager Andy Pollard, ‘'The Day The Music Came Back'' à voir dans son intégralité sur Classic 21.be. Marilyn Manson s'est rendu à la police de Los Angeles ce 2 juillet en réponse à un mandat d'arrêt prononcé contre lui il y a deux ans. Fender a annoncé une nouvelle série de guitares avec des modèles Kurt Cobain, J. Mascis de Dinosaur Jr, et pour les 30 ans de l'album ‘'Screamadelica'' de Primal Scream. Brian May, le guitariste de Queen, est persuadé que si Freddie Mercury n'était pas mort d'une broncho-pneumonie liée au SIDA en 1991, il ferait toujours partie du groupe. Megadeth : la basse d'Ellefson supprimée sur l'album et déjà réenregistrée. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30.

“The finest rock songwriter after Dylan.” “The best electric guitarist since Hendrix.” Who is this man? A man who packed more than a lifetime of experiences into his late teens and twenties? None other than international and longtime beloved music legend Richard Thompson. The master of British folk music joined us with an intimate look at the early years of his career, encapsulated in his memoir Beeswing: Losing My Way and Finding My Voice 1967-1975. In this conversation with Dinosaur Jr.'s J Mascis, Thompson took us on a moving journey through the pivotal years of 1967 to 1975, when he formed the band Fairport Convention with some schoolmates and helped establish the genre of British folk rock. The journey then took us through a heady period of massive tours, where he crossed paths with the likes of Led Zeppelin, Pink Floyd, and Jimi Hendrix. But while there were some high highs, there were undoubtedly some low lows. The eight-year period was also marked by change, upheaval, and tragedy. Join us for a conversation that vividly captures the life of a remarkable artist during a period of creative intensity, in a world on the cusp of change. Richard Thompson‘s widely beloved early work within the band Fairport Convention revived British folk traditions, and his duet albums and performances with Linda Thompson are legendary. His songs have been covered by Elvis Costello, David Byrne, Bonnie Raitt, Emmylou Harris, and REM, among others. He continues to write and perform, and to tour widely. He lives in New Jersey. J Mascis is a musician, producer, and film composer, best known as the frontman of the influential indie rock trio Dinosaur Jr. He started as a founding member of the hardcore band Deep Wound, until co-founding Dinosaur Jr. in 1984. In 1991, Dinosaur Jr. disbanded and Mascis released More Light, his first recording under the moniker J Mascis + The Fog. He often plays with other bands in addition to performing solo, and has been heavily involved behind the scenes producing and mixing records for highly regarded acts. Buy the Book: https://www.thirdplacebooks.com/book/9781616208950  Presented by Town Hall Seattle. To become a member or make a donation click here. 

Our Chief Toilet Radio Correspondent Ian sits down for a spell with Fear Factory mastermind Dino Cazares! Dino talks about his new record, how the band locked into a singular groove to create Damanufacture, and an incredible story about how the entire band formed from listening to the drum-and-guitar syncopation on Metallica's "One". As a bonus for the gear heads, Ian presses Dino on EXACTLY how he gets his signature guitar tone. BUT FIRST, me and Breno are talking about our favorite memories of Fear Factory as edgy boi youths in the 90s and early 2000s. Topics include: Mortal Kombat, Saw, Carmageddon, KK Downing and Dave Ellefson, Wacken, and the eternal presence of J. Mascis. It's a good one. Music featured on this sode: Fear Factory – A Therapy For Pain Call into the show and leave us a message at (803) 712-3773. Don't forget to rate, review, and subscribe to Toilet Radio on iTunes so you'll get new episodes automatically. Or use Stitcher if you don't fuck with Apple.

“Reason To Live” Well, if your looking for the kings of the indie rock grand slam, it's a short list. But Lou Barlow is on it. The Ohio-born Barlow has Dinosaur Jr., Sebadoh, the folk Implosion and his solo career on his CV and that's only a partial list that doesn't include Sentridoh and Deep Wound. Yes, Lou Barlow has been a major part of major bands that were all groundbreaking and game changers in terms of sound, recording approach and aesthetic. He's been on legendary labels like SST, Homestead , Sub Pop, Merge and Domino and he's one of the most recognizable and adored indie rock dudes of all time. So yes, Barlow is a founding member of three groundbreaking indie rock outfits and his solo career has yielded several remarkable albums, including his fabulous new one Reason To Live. A songwriter of startling depth, introspection and pinpoint emotional accuracy, Lou Barlow is, to put it simply, one of the best we've got. Over the course of his career, he's collaborated with Mike Watt, Stephen Merritt, Dale Crover of the Melvins and Belgian musician Rudy Trouve' He's both vulnerable and brave his work redolent with intimacy, observational wisdom and longing. Reason To Live might very well be his best work yet. Managing to be both layered and spare, this album is filled with breezy acoustic numbers, rolling pop jangles and textured indie rock that's catchy, memorable and moving. In this conversation Lou talks to Alex about eating dinner with strangers, walking the financial tightrope, writing again with John Davis of The Folk Implosion and why it was so hard to ask J. Mascis for a drumbeat….

Our guest on the show this week is J Mascis. Along with Lou Barlow and drummer Murph, he formed Dinosaur Jr in Amherst, Massachusetts in 1984. After their original run, which ended acrimoniously in 1989, Mascis continued on with Dinosaur Jr, the Fog, and plenty of other wiggy and interesting side projects. But in 2005, the original Dino Jr. lineup returned with a genuine comeback classic, Beyond. Since then, they’ve reliably put out a great album every couple of years. Plenty of bands come back in some diminished form, but not these guys. Their latest is Sweep It Into Space, produced by previous Transmissions guest Kurt Vile and Mascis. It’s full of incredible riffs and trademark melodic resignation. It was great to have J on to discuss it, along with his solo albums, early SST days, playing with heroes like Ron Asheton of the Stooges, and more. Listen for a special appearance by J’s dog, Candy. 

Brian and Murdock talk guitar noodling, Dinosaur Jr. and that time Lemmy had a cold and tried to fight Mikkey Dee.   SHOW NOTES: J. Mascis guitar: https://shop.fender.com/en-US/squier-electric-guitars/jazzmaster/j-mascis-jazzmaster/0371060541.html Dinosaur Jr "Just Like Heaven" video: https://www.youtube.com/watch?v=UT7IpRx08tE The story of the onstage Motorhead fight: https://ultimateclassicrock.com/motorhead-onstage-fight/ Lemmy on Wiki: https://en.wikipedia.org/wiki/Lemmy Footage from Bloodstock 2011: https://www.youtube.com/watch?v=SWxjkUN2GQA

As our nation remains as bitterly divided as ever, and this year of despair and madness draws to a close, we look to a few sacred things that we can all agree on, no matter what side of politics (or reality) we reside. In the world of rock n roll, nothing is as reliable as the prevalence of an epic beard on the faces of our favorite rock stars. All the greats have had them from time to time, but only a select few can trace at least some portion of their rock star status to that furry thing on their chin. An epic beard is something to behold, and who better to help us celebrate this than the man who also possesses a beard of some epic-ness himself. ATTT is delighted to welcome back our fuzzy friend Dustin Prince to help count down the most iconic, the most striking, the most epic of all beards in music. Stream this playlist on Spotify: https://open.spotify.com/playlist/4HdjqfbBbIBLZuJL3HigRn Help us reach our goal and get us up to 40 Patreon members. If we do we'll release December's bonus episode - Top Ten Songs That Changed The World - for everyone. Join for just $2/mo and get on these exclusive episodes every month! https://www.patreon.com/alltimetopten?alert=2

The dude behind the King Tuff moniker, Kyle Thomas, talks about the punk music he discovered as a kid, growing up in Brattleboro, Vermont; learning to shred by studying Jimi Hendrix; playing in the band Witch with one of his heroes, Dinosaur Jr.'s J. Mascis; how his songwriting has developed since he started King Tuff; the ways that learning a new instrument inspires new song ideas, and more! Support the LSQ podcast at anchor.fm/jennylsq --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jennylsq/support

The next in our ongoing series of instrument-focused shows, the drums episode has been a long time coming. This one features music lessons from greats like Bernard "Pretty" Purdie, Sheila E, Charli Persip and guitar-famous drummer J. Mascis. There are also great performances by Tony Thompson, John Bonham, Questlove, Karen Carpenter and even Stevie Wonder. Plus: the most sampled drum break in music history. To see the videos featured in this episode, visit musicraygun.com/playlists.

Ayal Senior, experimental musician/ cultural expert, joins Danko and Nick on the podcast to talk about his new album – Sacred Lamp. Talk also covers Matthew “Doc” Dunn, J. Mascis, Robert Pollard, Jennifer Herrema, David Berman, John Fahey, The Frogs, Instagram and, of course, Nick's famous impressions. The post Episode #204: Ayal Senior (Sacred Lamp, Medusa Editions) & Nick Flanagan (Nick Flanagan, Weakly) appeared first on Danko Jones.

In this episode, John chats with J Mascis, Murph, and Lou Barlow at Camp Fuzz, a rock and roll summer camp hosted by Dinosaur Jr. in upstate New York. Live in front of a group of camp attendees, John sits down with the band to discuss their reunion, touring and the recording of their early records.

A few episodes of "Music Raygun" have had musical instruments as their themes, namely saxophone, bass and piano. Well, there are only a few instruments left to cover as long as we're talking about your basic rock band, so here's one about the bedrock of the genre: the guitar. We're talking about Link Wray, George Benson, J. Mascis, Wendy Melvoin, Kevin Shields, Robert Quine and plenty more. To see the videos featured in this episode, visit musicraygun.com/playlists.

Technical difficulties. Interviewing a child. Record store day. Demographics. J. Mascis is God.

Technical difficulties. Interviewing a child. Record store day. Demographics. J. Mascis is God.

What an hour this one is! We'll revisit the New York Dolls in my Back-In-The-Day segment, there’s some new music from both J. Mascis and Ryan Adams, we’ll make this an official hootenanny with the Replacements and the foot stomping twang to get it underway is from The Men They Couldn't Hang.

Hour two of this week's Heartland Hootenanny includes some funkiness from Turquaz, a classic from Queen and I'll make the hootenanny official with some Replacements. There's also that sweet, sweet twang with Nikki Lane, the Rainmakers and Avett Brothers. New music includes J. Mascis and Jeff Tweedy and I'll tell you more about our featured artist on Back-In-The-Day who is more than just a musician.

Bob and Ben sit down to talk about the current events and historical questions that have been on their mind lately. They cover the GI bill delays that student veterans are currently facing, the one war that Teddy Roosevelt didn't win, the tragedy of the 1970s and why Ronald Reagan is the Godfather of punk rock. They also talk about all the times and places that they've seen J. Mascis. For more on the GI Bill delays, check out this piece by WPLN's Sergio Martinez-Beltran on how missed payments are affecting students at Ben's home university, MTSU. Bob and Ben encourage you to contact your elected officials and ask that they do what it takes to ensure that those who have served our country get the education they've earned. We're also excited to announce a new partnership with Libro.fm, which lets you purchase audiobooks directly from your favorite local bookstore. You get the same audiobooks, at the same price as the other one (you know which one), but you'll be part of a much different story, one that supports community. Road to Now listeners can get a 3-month membership for the price of one (3 audiobooks for just $14.95) w/ promo code RTN. Get started by checking out our libro.fm playlist, which features books by past RTN guests! To see the articles and pictures discussed in this episode, check out our episode page. The Road to Now is part of the Osiris Podcast Network.

On today's episode of Kyle Meredith With..., J Mascis of Dinosaur Jr. talks with Kyle about his new solo record, Elastic Days, a love for drumming, and his specific, recognizable "Big Muff" sound. Mascis discussed working on new music for the band by himself and other hobbies like biking and karaoke. "It's not as boring as most things," Mascis said about biking, which keeps him up early and perky as ever. For information regarding your data privacy, visit acast.com/privacy

Thalia Zedek stops by Free Association with her new record Fighting Season and talks about her long-time friendship with J. Mascis, solo work, her upcoming tour with Chris Brokaw, and more. Original air date: September 7, 2018 Thalia Zedek Band“Bend Again”, Fighting Season Thrill Jockey Records 2018 Conversation Thalia Zedek Band “Fighting Season”, Fighting Season Thrill Jockey Records 2018 Thalia Zedek Band “Of The Unknown”, Fighting Season Thrill Jockey Records 2018 Conversation Thalia Zedek Band“You Will Wake”, EveThrill Jockey Records 2016 Come“Mercury Falls”Don't Ask Don't Tell Matador 1994 Come“Weak as the Moon”Near-Life Experience Matador 1996 Conversation Gold Dime“Easy”, Nerves Fire Talk 2017 Conversation Cassels “Coup”, Epithet Big Scary Monsters 2017

Thalia Zedek stops by Free Association with her new record Fighting Season and talks about her long-time friendship with J. Mascis, solo work, her upcoming tour with Chris Brokaw, and more. Original air date: September 7, 2018 Thalia Zedek Band“Bend Again”, Fighting Season Thrill Jockey Records 2018 Conversation Thalia Zedek Band “Fighting Season”, Fighting Season Thrill Jockey Records 2018 Thalia Zedek Band “Of The Unknown”, Fighting Season Thrill Jockey Records 2018 Conversation Thalia Zedek Band“You Will Wake”, EveThrill Jockey Records 2016 Come“Mercury Falls”Don’t Ask Don’t Tell Matador 1994 Come“Weak as the Moon”Near-Life Experience Matador 1996 Conversation Gold Dime“Easy”, Nerves Fire Talk 2017 Conversation Cassels “Coup”, Epithet Big Scary Monsters 2017

We take a look back at New York Hardcore and also some Nickelback. Show Notes Funko Blink-182 Tour or the Louvre based on The Carters’ “Apeshit” “Apeshit” by The Carters J. Mascis does Tom Petty Karaoke Smashing Pumpkins tour includes Mark McGrath from Sugar Ray Under the Influence: New York Hardcore America’s Hardcore Pure Disgust Flex Your Head The Shape of Punk to Come by Refused “Photograph” by Nickelback, but every time Chad Kroeger says “photo” I eat a photo of him Shamless Plugs Follow Tyler on Twitter Check out Tyler’s website Follow Shaun on Twitter Follow Taylor on Twitter Follow Dudes Brunch on Twitter Like Dudes Brunch on Facebook Review the show on Apple Podcasts

Buffalo Tom were (and remain) one of the most critically-acclaimed bands of the last 30 years. Starting out in Boston in the late 80s under the tutelage of J. Mascis of Dinosaur Jr., Buffalo Tom really hit their stride in the early 90s with hallmark albums like 92's Let Me Come Over and 93's Big Red Letter Day featuring classic tracks like "Taillights Fade" and "Soda Jerk". Unfortunately, despite appearing on the TV show My So-Called Life, racking up a devout following and attracting a host of famous fans, they never quite crossed over. Frontman Bill Janovitz spends the first part of this conversation discussing why that is and what the arc of the band has been. His deep education on rock history contextualizes that arc in unique ways. But, then we start debating the current state of rock music criticism, the enduring mystique of Exile on Main St. (he wrote a book on the subject) and even the Red Sox. It's a little bit of everything! Oh, and they have a new album coming out in a few weeks - Quiet and Peace. Check it out!   http://www.buffalotom.com/ http://billjanovitz.com/blog/

Vi är framme vid en Twin Peaks absolut bästa avsnitt, märkligt nog inte regisserat av David Lynch. Vi går in på djupet av Twin Peaks-mytologin (så långt Sebastian har kommit i serien dvs). Arbitrary Law ger oss mycket; ett ömsint hejdå till en av våra favoritkaraktärer, vi säger ”Hejdå” till en av våra mest hatade karaktärer (gissa) och vi får massor av filosofiska och mytologiska undertoner hela avsnittet igenom. Utöver det gräver vi i vad ”Arbitrary” egentligen betyder, vi drar även lite utseendemässiga indiepop-kultur likheter, Frank Silva är lik J. Mascis och gillar Sub POP, Dale Cooper är lik Alex James och älskar britpop. Och David säger det eventuellt mest pretentiösa han någonsin sagt i podden (enligt honom själv). … och Mr. Zipper gör entré (?!)

1986年成立于英国，是著名的硬摇滚乐队。主唱声音很柔。Buffalo Tom 刚出道时的两张专辑是由 Dinosaur Jr. 的 J. Mascis制作，乐风也跟 Dinosaur Jr. 类似， 带有些许民谣风味强调吉他演奏的Hardcore 乐团， 93 年的第三张专辑 Big Red Letter Day 推出大获好评，此后乐风收敛很多，吉他渐渐趋向 REM 式的 Accoustic 演奏方式， 很耐听。

1986年成立于英国，是著名的硬摇滚乐队。主唱声音很柔。Buffalo Tom 刚出道时的两张专辑是由 Dinosaur Jr. 的 J. Mascis制作，乐风也跟 Dinosaur Jr. 类似， 带有些许民谣风味强调吉他演奏的Hardcore 乐团， 93 年的第三张专辑 Big Red Letter Day 推出大获好评，此后乐风收敛很多，吉他渐渐趋向 REM 式的 Accoustic 演奏方式， 很耐听。

A seminal power-trio of early-to-mid 90's alternative-rock, Buffalo Tom are fresh off the funding of a brand new album via PledgeMusic, and plotting tour dates this year around the upcoming 25th anniversary reissue of their influential third album, Let Me Come Over. Today, singer/guitarist Bill Janovitz discusses the feeling of having his music on vinyl for the first time, discovering tons of classic 45's that were left behind by his neighbors, the eclectic sounds of 70's AM radio, the democratic nature of Buffalo Tom choosing their album art and earning some cool points with his daughter for getting a song dedication from Death Cab for Cutie's Ben Gibbard. Plus we delve into his work as an author on two Rolling Stones books, a bit of history on the recording of Buffalo Tom's Sleepy Eyed album and the enigmatic persona of J. Mascis. Visit pledgemusic.com/projects/buffalotom for info on contributing towards the next BT album and follow @billjanovitz and @BuffaloTomBand on Twitter for other upcoming announcements!   SPONSORS: Pinwheel Records, 1722 W. 18th St. in Chicago's Pilsen neighborhood; Vinyl For A Cause, promoting charitable good, one record sale at a time; Table-Turned, a new vinyl subscription service giving you your choice of genre for as low as about $12/album.   Follow @VinylEmergency on Instagram, Twitter and Facebook. Show questions and feedback are always welcomed at vinylemergency@gmail.com. Sign up to be a part of our LIVE audience Sat., Jan. 14th in Chicago at vinylemergency.com!

BILL FAY. HOW LITTLE – 6:00 Who Is The Sender, Dead Oceans, 2015 BILL FAY. PICTURES OF ADOLF AGAIN – 2:25 Time Of The Last Persecution, Deram, 1971 JIM O'ROURKE. THESE HANDS – 3:30 Simple Songs, Drag City, 2015 LOOSE FUR. YOU WERE WRONG – 3:30 Loose Fur, Drag City, 2003 SONIC YOUTH. I LOVE […] Cet article Errance #40 : De Bill Fay à Jay Mascis est apparu en premier sur Eldorado.

Will, Barrett and Nicholas discuss new music by the Church and Nite Fields, plus Nicholas reports from Melbourne on a J Mascis performance.

Will and Melbourne Bureau Chief Nicholas discuss Nicholas's favorite music of 2014, plus his deaths of the year.

Will and Barrett discuss new music by J Mascis and the New Pornographers, plus Apple gives away the new U2 album, and the New York Dolls.

Part 3 of my conversation with guest Brian Salvatore as we look back at the music of 1989. I've also got music from Ty Segall, Spoon and J. Mascis. Show notes: - Recorded via Skype - Check out Brian's comics podcast The Hour Cosmic - Jay's #3 - Neil Young rebounds from a long, strange decade - Led to a fruitful stretch of albums - Jay's #2 - Bob Mould moves beyond Husker Du - Inspired new direction and sound - Our picks for #1 are the same - Pixies at their peak - Doolittle covers all facets of the band's sound - Brian saw them several times when they toured behind Doolittle in the last decade - Brian: Latest live incarnation of Pixies is more energized - Bad choice for first single with "Bagboy" - Frank Black was prolific, but he can't keep up with Bob Pollard - Next up: 1996 - Popular music was shifting again   Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review!   Music: Ty Segall - Susie Thumb Spoon - Rent I Pay J. Mascis - Every Morning   The Ty Segall song is on the album Manipulator on Drag City Records. Download the song for free at KEXP. The Spoon song is on the album They Want My Soul on Loma Vista Recordings. Download the song for free at KEXP. The J. Mascis song is on the album Tied to a Star on Sub Pop. Download the song for free at KEXP.   The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian.

  El mejor disco de la banda de J. Mascis y Lou Barlow, perfecto exponente de su estilo con temas copmo "Tarpis" o "In a Jar". Comentado con la ayuda de Amalio Varela.

Dinosaur Jr. just released a new album, so we felt episode #89 was a perfect time to revisit the 1997 album Hand It Over. Legendary guitarist/singer/songwriter J. Mascis once described the album as his favorite of the major label years, so how does it stand up fifteen years later? There are plenty of curveballs on this album, with trumpets, flutes, banjo's making front and center appearances, not what you'd expect from a Dinosaur Jr. album. Does it work? Tune in and find out. Songs in this Episode: Intro - Can't We Move This 4:06 - History of the Band 12:57 - I'm Insane 14:38 - I'm Insane 17:04 - Never Bought It 22:27 - Alone 27:40 - Nothin's Goin On 35:57 - Can't We Move This Outro - Mick Follow on Twitter / Facebook Support the Podcast : Donate / Merchandise

Dinosaur Jr. just released a new album, so we felt episode #89 was a perfect time to revisit the 1997 album Hand It Over. Legendary guitarist/singer/songwriter J. Mascis once described the album as his favorite of the major label years, so how does it stand up fifteen years later? There are plenty of curveballs on this album, with trumpets, flutes, banjo's making front and center appearances, not what you'd expect from a Dinosaur Jr. album. Does it work? Tune in and find out. Songs in this Episode: Intro - Can't We Move This 4:06 - History of the Band 12:57 - I'm Insane 14:38 - I'm Insane 17:04 - Never Bought It 22:27 - Alone 27:40 - Nothin's Goin On 35:57 - Can't We Move This Outro - Mick Follow on Twitter / Facebook Support the Podcast : Donate / Merchandise

FeedBack w. Wes Nyle. EP21. King Tuff. 07.27.12An artist worth their salt won’t stop creating their art, even if it only challenges a slight preconceived notion of who they may be, or what they’re able to do.Our hero, Kevin Thomas’s, story begins in Battleboro, VT where meets a like-minded artist in the record store he works at. Kurt Weisman, and Thomas would collaborate on some songs and then seemingly by magic the two would start what indie rock critics label as a cult-like folk ensemble, by the name Feathers.While gigging with Feathers Kevin, would attract the attention of Sub Pop legend, and Dinasour JR front man J. Mascis (Maskis). Mascis had the idea to lay off the guitar and sit behind a drum set, in the band Witch. A band Mascis had started with longtime friend and bass player Dave Sweetapple. The sound was an early 70’s version of heavy metal with Kevin on lead guitar and vocals.A marriage of these two sounds would birth King Tuff: A persona taken on by Thomas when recording an album in his house. Even if it didn’t catch on right away word of mouth helped distribute this recording, and grow Thomas’s popularity in the deep-deep underground, indie music scene.While working with his new project, Happy Birthday, Thomas says that people started asking about King Tuff. The word of mouth and popularity had grown so exponentially that the decision to go back to his old band seemed almost subconscious. Although not much of a stretch from Happy Birthday, four years later Kevin has created his second album with King Tuff. This self-titled effort was released on Sub Pop Records. Does the distribution come with help from former band mate Mascis? If not then I like to think that his Bob Dylan/ Mic Jagger vocal baby of a voice got him the record contract.This is King Tuff.Tracks Heard In This Podcast: Feathers – Come Around Witch – Seer King Tuff – Sun Medallion Happy Birthday – Subliminal Message King Tuff – Keep On Moving

Part 2 of my conversation with guest Jay Breitling as we discuss our favorite music of the first half of 2012. I've also got the Bonehead of the Week and music from Future Carnivores, Mark Lanegan Band, Soccer Mom and Dinosaur Jr. Show notes: - Recorded at Clicky Clicky World HQ - Kumar: New Van Halen album much better than expected - Breitling: Future Carnivores brings a new wave sound - Breitling enjoys the Eddie Money jams - Forced to listen to Starship - Kumar: Check out the book I Want My MTV - Kumar: Lanegan goes way beyond straightahead rock - Breitling: Ride tribute comp features Boston acts - Get Geddy Lee on the show - Kumar: Digging the new Rush album - New Metric album is strong - Heavy Blanket features Mascis with guitar instrumentals - Ty Segall was not in Under Siege 2 - Breitling: Looking forward to new release from Everyone Everywhere - Breitling: New band called Dikembe (no relation to Mutombo) recalls mid-90s emo - New Dino Jr. due out in the fall - Kumar: Need to check out new Future of the Left, Henry Clay People - Kumar's "skeptible" of Spin's Twitter reviews - Bonehead of the WeekMusic:Future Carnivores - Drugs (demo) Mark Lanegan Band - The Gravedigger's Song Soccer Mom - Dreams Burn Down Dinosaur Jr. - Watch the Corners Completely Conspicuous is available through the iTunes podcast directory. Subscribe and write a review! The Future Carnivores song is a demo from the band's forthcoming second album. Download the song for free from ClickyClickyMusic.com. The Mark Lanegan Band song is on the album Blues Funeral on 4AD. Download the song for free (in exchange for your email address) at MarkLanegan.com. The Soccer Mom song is on the compilation NOFUCKINGWHERE. Download the song for free at ClickyClickyMusic.com. The Dinosaur Jr. song is from the forthcoming album I Bet on Sky on Jagjaguwar Records. Download the song for free at Epitonic. The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Find out more about Senor Breitling at his fine music blog Clicky Clicky. Voiceover work is courtesy of James Gralian; check out his site PodGeek.

After a month or so of waiting, Episode 5 is finally ready for download.  Click the link below and tune in as the boys abandon the typical format and weigh in on new albums from some of their favorite artists.  For the newest tracks from J. Mascis, R.E.M., Lupe Fiasco, Radiohead, Middle Brother and the Strokes, as well as debate and discourse like only two brothers can bring, check out episode 5.http://mindthegap.podomatic.com/enclosure/2011-05-23T21_03_14-07_00.mp3

Clip of the Day. Cory Kennedy goes convex. And that's not J. Mascis...I don't think.