Podcasts about black folks

W.E.B. Du Bois is remembered as a civil rights leader, sociologist, and author of The Souls of Black Folk. But before he became famous for his empirical studies of Black life in America, Du Bois was a graduate student at Harvard studying cutting-edge economic theory. In 1891, at age 23, he submitted a 158-page manuscript entitled A Constructive Critique of Wage Theory to a Harvard prize competition. The manuscript sat in the Harvard archives for over a century, largely unexamined by trained economists. Author Daniel Kuehn recently requested that Harvard digitize the manuscript so that he could analyze its contents. In a paper in the Journal of Economic Perspectives, he explores how Du Bois anticipated the application of marginalist ideas in economics to the determination of wages.  Kuehn recently spoke with Tyler Smith about Du Bois's contributions to wage theory, why these contributions went unrecognized, and how his time in Berlin redirected him toward the historical and empirical work for which he is known.

Brooklyn-based songwriter, sculptor, and instrument builder Cleo Reed joins host Steve Roby to discuss their ambitious double album Cuntry, a project that blurs the lines between American folk traditions and dystopian electronic soundscapes. Named one of Pitchfork's 21 breakout artists to watch, Reed explores themes of ancestry, labor, capitalism, and black history through a deeply personal lens.In This EpisodeRoots and Origins: How Cleo Reed honors their great-grandmother and blues bassist grandfather through their artistic practiceThe Making of Cuntry: Why the double album splits between organic folk and electronic dystopia—and what that division reveals about modern American life "I've Been Out Here Hustling": A field song for the digital age that connects historical labor exploitation to contemporary capitalism and phone culture"No Borders": The story behind this collaborative track, recorded with international artists following a residency and created in response to global conflictPerformance as Ritual: How Reed translates large-scale installations and custom instruments into intimate live settingsSF Jazz Debut: What to expect from Reed's upcoming performance at the Joe Henderson Lab Featured Tracks:"I've Been Out Here Hustling""No Borders"All music and photos featured on this episode were supplied by the musician and used with permission. Upcoming Show:Cleo Reed performs at SF Jazz Center's Joe Henderson LabWednesday, February 25th | 7:00 PM & 8:30 PMTickets: sfjazz.org 

Today, Thursday, February 5 on Urban Forum Northwest on 1150 AM KKNW/www1150kknw.com, on Alexa and my Podcast 2:03-3:00 pm (PST) my guest for the hour are: *Lem Howell, Retired Civil Rights Attorney comments on the Trump Administration's approach to immigration and the tactics being employed by ICE. *Hayward Evans, Co Convener, Seattle King County Martin Luther King Jr. Commemoration Committee provides an update on the organizations Black History event that will be held on Saturday, February 21 at Holgate Street Church of Christ. *Ramon Bryant Braxton, the Conductor of Songs of Black Folk 2026 that will present "Music of Resistance & Hope" that will feature India Arie on Saturday, February 14 at the Federal Way Performing Arts & Event Center. There will be two shows at 4:00pm and 7:30pm. *Stephanie Johnson-Toliver, President, Black Heritage Society of Washington State, Inc. The organization will honor the trailblazing legacies of Washington State Black Judges on Tuesday, February 10 at 7:00 pm at the Museum of History and Industry. *Kimi Ginn, President and CEO, Vibrant Schools of Puget Sound is hosting an event recognizing the 100th year of Black History Observances . The event will be held at Lakes High School in Pierce County on Sunday, February15 3-5 pm. The Keynote Speaker is Dr. Carl Mack, former President of the Seattle King County NAACP. *Author L. Stanley Bascomb who has two books for sale, The Parameters of Positivity and Poetry in the Key of Black. Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. X@Eddie_Rye.

Today, Thursday, February 5 on Urban Forum Northwest on 1150 AM KKNW/www1150kknw.com, on Alexa and my Podcast 2:03-3:00 pm (PST) my guest for the hour are:*Lem Howell, Retired Civil Rights Attorney comments on the Trump Administration's approach to immigration and the tactics being employed by ICE.*Hayward Evans, Co Convener, Seattle King County Martin Luther King Jr. Commemoration Committee provides an update on the organizations Black History event that will be held on Saturday, February 21 at Holgate Street Church of Christ.*Ramon Bryant Braxton, the Conductor of Songs of Black Folk 2026 that will present "Music of Resistance & Hope" that will feature India Arie on Saturday, February 14 at the Federal Way Performing Arts & Event Center. There will be two shows at 4:00pm and 7:30pm.*Stephanie Johnson-Toliver, President, Black Heritage Society of Washington State, Inc. The organization will honor the trailblazing legacies of Washington State Black Judges on Tuesday, February 10 at 7:00 pm at the Museum of History and Industry.*Kimi Ginn, President and CEO, Vibrant Schools of Puget Sound is hosting an event recognizing the 100th year of Black History Observances . The event will be held at Lakes High School in Pierce County on Sunday, February15 3-5 pm. The Keynote Speaker is Dr. Carl Mack, former President of the Seattle King County NAACP.*Author L. Stanley Bascomb who has two books for sale, The Parameters of Positivity and Poetry in the Key of Black.Urban Forum Northwest streams live at www.1150kknw.com. Visit us at www.urbanforumnw.com for archived programs and relevant information. Like us on facebook. X@Eddie_Rye.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Send us a textTrump's attacks on Venezuela are an attempt to terrorize attempts to resist white supremacy worldwide. In this episode, LBS political commentator Lawrence Grandpre and Director of Public Policy Dayvon Love discuss the history of Venezuela, deconstruct the mythology of the US striking Venezuela to fight a “dictatorship,” examine why we must look beyond oil as an explanation for this violence, and how we must resist attempts for Democrats to triangulate the center on questions of military funding in the aftermath of this violence. Support the showIn Search of Black Power is a Black-owned internet show and podcast. This podcast is sponsored and produced by Leaders of a Beautiful Struggle (LBS). The internet show is published in collaboration with Black Liberation Media (BLM)

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Just in time for #BlackHistoryMonth #theegalenjwilliams out here converting ebonics to polite 18th-century gathering....Bahaha! The Count of Monte Cristo is being revisited by African American readers, who see it as a story of survival and excellence in a world designed to erase them. The book's themes of betrayal, political turmoil, and the pursuit of justice resonate with the experiences of black professionals navigating systemic barriers. The upcoming PBS adaptation and a Pulitzer Prize-winning biography of Dumas are fueling a cultural reclamation of his heritage and a deeper appreciation for the novel's complexities. Repeating anti-inflammatory protocol. The "Farm-to-Mug" Daily Anti-Inflammatory Protocol This schedule optimizes your body's natural circadian rhythms to dampen "meta-inflammation" throughout the day. Morning: The "Activation" Phase 07:00 AM – Hydration Kickstart: Drink 12oz of warm lemon water. The citric acid aids digestion and provides an immediate Vitamin C boost to lower oxidative stress. 08:00 AM – The Neural Clarity Tea: Simmer your rosemary and ginger for 10 minutes (covered). Add a teaspoon of raw honey. This opens up circulation and provides a neuroprotective start to your workday. 09:30 AM – Anti-Inflammatory Harvest Juice: Using the ingredients from your indoor garden, juice celery and red-fleshed apple with a pinch of turmeric and black pepper. Afternoon: The "Maintenance" Phase 01:00 PM – The "Big Harvest" Salad: Use a base of the dark leafy greens visible in your photo (Kale and Chard). 03:00 PM – Movement Break: A 10-minute brisk walk. Physical activity helps "flush" cytokines from the muscle tissue and improves insulin sensitivity. Evening: The "Recovery" Phase 07:00 PM – Low-Glycemic Dinner: Focus on healthy fats (omega-3s) like salmon or walnuts, paired with more garden-fresh veggies. 09:00 PM – Digital Detox: Chronic inflammation is tied to cortisol. Turn off screens 1 hour before bed to lower stress hormones and allow the body to enter "repair mode. Check out my music on Spotify and Apple or wherever you listen to music! The official videos are on YouTube. Stream and stream often! Everyday I'm hustling...legally.  Black-owned, ethically sourced coffee and tea for sale!! Check out my new store on Shopify!   The nursing assistant and Passa in Chatt on some fraud-ish...I just can't. Karen Huger is clean. This is gonna be an interesting, multipart reunion #RHOP Seasonal Affective Disorder Is Treatable and all of us should be about fixing our mental health always.... If you are searching for help and direction in your struggles with depression and addiction Call 1-800-273-8255 Available 24 hours everyday   There is also an online chat feature https://suicidepreventionlifeline.org/chat/   And if Vodka is the problem, call  1-800-662-HELP (4357) for 24/7 help. Please reach out to find joy in this season! Don't forget to navigate to https://linktr.ee/tnfroisreading for all special offers and updates on nerd news. So much to buy so little time!!  

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the United States, the stoicism and importance of the “working class” is part of the national myth. The term is often used to conjure the contributions and challenges of the white working class – and this obscures the ways in which Black workers built institutions like the railroads and universities – but also how they transformed unions, changed public policy, and established community.  In Black Folk: The Roots of the Black Working Class (LIveright, 2023), Dr. Blair LM Kelley restores the Black working class to the center of the American story by interrogating the lives of laundresses, Pullman porters, domestic maids, and postal workers. The book is both a personal journey and a history of Black labor in the United States from enslavement to the present day with a focus on a critical era: after Southern Emancipation to the early 20th century, when the first generations of Black working people carved out a world for themselves. Dr. Kelley captures the character of the lives of Black workers not only as laborers, activists, or members of a class but as individuals whose daily experiences mattered – to themselves, to their communities, and to “the nation at large, even as it denied their importance.” As she weaves together rich oral histories, memoirs, photographs, and secondary sources, she shows how Black workers of all genders were “intertwined with the future of Black freedom, Black citizenship, and the establishment of civil rights for Black Americans.” She demonstrates how her own family's experiences mirrors this wider history of the Black working class – sometimes in ways that she herself did not realize before writing the book. Even as the book confronts violence, poor working conditions, and a government that often legislated to protect the interests of white workers and consumers, Black Folk celebrates the ways in which Black people “built and rebuilt vital spaces of resistance, grounded in the secrets that they knew about themselves, about their community, their dignity, and their survival.” Black Folk looks back but also forward. In examining the labor and challenges of individuals, Dr. Kelley sheds light on reparations and suggests that Amazon package processing centers, supermarkets, and nursing homes can be spaces of resistance and labor activism in the 21st century. Dr. Blair LM Kelley is the Joel R. Williamson Distinguished Professor of Southern Studies at the University of North Carolina-Chapel Hill and incoming director of the Center for the Study of the American South, the first Black woman to serve in that role in the center's thirty-year history. She is also the author of Right to Ride: Streetcar Boycotts and African American Citizenship in the Era of Plessy v. Ferguson from the University of North Carolina Press. Dr. Kelley mentions Dr. Tera W. Hunter's To ‘Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War, Duke University's Behind the Veil oral history project, and Philip R. Rubio's There's Always Work at the Post Office: African American Postal Workers and the Fight for Jobs, Justice, and Equality. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-south

Nicki Minaj grifting for a Trump gold card has been circling the rumor mill for the past few weeks. As she cozies up to the maga movement many have speculated that it was all about her citizenship. While that may be true, our guest co-host JBversustheWorld think it's more to it than that. Could pardons for two of her close family members be at play, too?Speaking of Nicki Minaj, Kanye West is back in headlines as he offers a new apology to the Black and Jewish communities. Should he be forgiven? Is his mental state to blame? If so, how much? Does the apology exonerate Mr. West? We dig into a bit of legacy, forgiveness, and our personal feelings.While we're on the subject, Is it time for Black Folks to jump back into the political arena? If so, how far should we get involved? Can we afford to stay on the sideline? Lastly, we talk about the newest Marvel hero to hit the MCU, Wonder Man. Instructor BK absolutely loves the first four episodes of the show. He gives a spoiler free review as to what the show actually accomplishes and what the vibes are. In that same breath, every corporation has it's 'thorn in the lions paw' and for Disney that looks like shows with black leads, writers, and female directors. Is Disney actively ignoring the greatness of most of their black and female lead shows? How much does the algorithm play a part in these issues? Is it the small minority of the people with those shades? You know the shades we're talking about. #Marvel #Wonderman #NickiMinaj #KanyeWest #MCU

This week's reading was heavy—emotionally and intellectually. We paired Narrative of the Life of Frederick Douglass(1845) with W.E.B. DuBois' The Souls of Black Folk (1903), and the contrast was striking.Douglass' firsthand account of slavery is harrowing, beautifully written, and unforgettable. From his stolen childhood to his carefully guarded escape, his story exposes not only the cruelty of slavery but its spiritual damage to everyone caught in its system. His reflections on faith, suffering, and corrupted Christianity are especially powerful. This is one book I believe every American should read.DuBois offers a sociological lens on life after Emancipation—Reconstruction failures, education debates, segregation, and his idea of the “Talented Tenth.” While insightful, his approach felt more theoretical to me than Douglass' lived experience.Both are worth reading—but Douglass, especially, will stay with you.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

People are up in arms about Snoop, Nelly, Rick Ross and Soulja Boy performing at the Crypto Ball. Black went crazy after hearing these dudes gave their time and energy to Trump.Their Canceled !!! This is what everyone in the black community is saying but can you really cancel a 100 million dollar dude like Snoop, or a 50 Million dude like Nelly? I don't think so.Cool Water Goes in and explains why Black Folks continue to minor in small things that don't push the needle forward. In this episode, of Bar Room Chats Cool Water breaks down what We as a race should really be doing if you trying to push back against the Elites who run and control the country.Checkout our Blog: Ishiphopdead.com Homesite :Thedigitaldopeman.com 

The Steve Harvey Morning Show for Friday, December 26th, 2025: Steve Harvey's Morning Inspiration | Show Open | Run That Prank Back - "Truck Driver Exchange" | Ask The CLO | When Black Folks Leave Somewhere | Would You Rather | Old Arguments With Your Spouse | Nephew Tommy's Prank - "Panty Party" | Strawberry Letter - "I Can't Do That Often" Pt. 1-2 | One Has To Go | Social Media Advice | Having Fewer Kids | Would You Rather | Steve Harvey's Closing RemarksSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Steve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

"An account of the conditions of African Americans after the end of slavery"

Med antologin The New Negro: an Interpretation (1925) fick svart amerikansk kultur en ny kraft. Pontus Kyander berättar om redaktören Alain Lockes liv. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Livet – vi brukar säga att det börjar det vid födseln. Livsberättelsen: den är något annat. Den kan börja var som helst, men allra helst vid en vändpunkt.Jeffrey C Stewart börjar sin biografi vid en vändpunkt när han skriver om afroamerikanen Alain Locke, han som mer än någon annan formade vad som kallats Harlemrenässansen på 1920-talet.1922 avlider Lockes mor Mary. Den 37-årige Alain som fram till dess bott hemma klär upp henne en sista gång i den bästa pärlgrå klänningen och de matchande handskarna, stöttar upp henne i soffan som till en kaffebjudning och släpper in de närmaste för ett sista avsked. Vännerna troppar av lika fort som de anlänt, och själv tar Alain Locke klivet ut i ett nytt liv.Locke var en dandy av 1920-talssnitt, välklädd från hatten ner till skospetsarna, liten till växten, till sättet avvaktande och distanserad. Han kom från svart medelklass på den amerikanska östkusten. De hade högre utbildning sedan flera generationer; i ett viktorianskt samhälle var de svarta viktorianer väl medvetna om sin egen ställning – och mer angelägna att assimileras i en vidare medelklass än att blandas samman med Söderns fattiga slavättlingar.Jeffrey C Stewart ger bilden av en sammansatt och inte uteslutande sympatisk person: misogyn, oförlåtande inför verkliga och inbillade oförrätter, men också gränslöst generös mot dem han beundrade och älskade. Locke var dessutom homosexuell. Det var lika olagligt och oacceptabelt i universitetsvärlden som i den afroamerikanska gemenskapen.Alain Locke var inte den förste svarte studenten på elituniversitetet Harvard, och han var långt ifrån ensam. Men han blev den klarast lysande stjärnan. Som förste och länge ende afroamerikan tog han emot ett Rhodes-stipendium – ironiskt nog instiftat av kolonialpolitikern och affärsmannen Cecil Rhodes som gav namnet åt det rassegregerade Rhodesia.Rhodesstipendiaterna var en elit av amerikanska studenter som skickades att studera vid universitetet i Oxford. Det var en utvaldhet som exponerade Locke. På Harvard var han en bland flera svarta studenter. Bland Rhodesstipendiaterna i England var han den ende. Medan rasismen tog sig relativt diskreta uttryck i Boston och av Locke kunde skylas över som brist på hyfs från enskilda studenter, blev den öppna rasismen från studenter med rötter i den amerikanska Södern så uppenbar i Oxford att inte ens Locke kunde se förbi den.Det var inte bara den chockerande rasismen som splittrade Lockes studier i Oxford. På avstånd från mor, Harvard och annan social kontroll kunde han i England och på resor till kontinenten undersöka sin sexualitet. I London, Paris, och Berlin ägnade Locke lika mycket uppmärksamhet åt museer och teatrar som åt manliga vänner och unga prostituerade. Lika beroende som han var av en fast punkt hemma i USA, lika avgörande var uppbrotten och resorna för hans tänkande.Det blev ingen examen från Oxford. Den i hast skrivna avhandlingen i filosofi underkändes. Vad Locke däremot fick med sig från Europa var kärleken till europeisk konst och kultur. Samtidigt var det på resor i Europa som han teoretiskt började formulera sig kring ras. Rasbegreppet var för föregångare som W E B Du Bois statiskt och essentiellt, ett biologiskt faktum. Locke såg istället ras som något kulturellt, föränderligt och påverkbart. Han lutade sig bland annat mot antropologer som Franz Boas, som hävdade att det saknades objektiva kriterier för att skilja raser i fysisk mening. Varje kriterium förekommer rikligt också i andra raser. Ras är snarare en form av medvetande, en föreställning, enligt Boas.Denna ”mjuka” definition av ras passade Locke. Han sökte en väg som inte var aktivistisk och konfronterande, utan som öppnade dörrar i en tid av rassegregering. Det var också viktigt för Locke att inte själv tappa fotfästet i en akademisk och borgerlig kultur.Locke levde ut en homosexuell version av vad W E B Du Bois kallat ”en dubbel medvetenhet” hos USA:s svarta, ”känslan av att alltid se sig själv genom andras ögon” som det står i ”The Souls of Black Folks” från 1903. Det var först på avstånd från USA som Locke kunde formulera sig kring en afroamerikansk renässans. Allra först skedde det i essän ”Steps Toward the Negro Theatre”: en teater med och om svarta, inte alltid skriven av svarta men med utgångspunkt i afroamerikanska erfarenheter. Teatern skulle skapa svart medvetenhet och samtidigt slå bryggor till den vita medelklassen.Alain Locke erövrade så småningom sin doktorsgrad i filosofi vid Harvard, men i efterhand framstår han inte så mycket som en akademisk filosof, utan mer av en lysande kritiker och inte minst en barnmorska för en yngre generation svarta, manliga homosexuella poeter. Några av dem var hans älskare, den störste av dem, Langston Hughes, förblev otillgänglig för Lockes outtröttliga erövringsförsök. Estetik och sexualitet gick hand i hand. Kvinnor gjorde sig bara i undantagsfall besvär – Zora Neal Hearston brukar nämnas, men det var en inflammerad och bitter relation.När tidskriften Survey Graphics utkom med numret ”Harlem. Mecca of the New Negro” 1925 slog det ner som en bomb. Survey Graphics vände sig huvudsakligen till en intellektuell vit medelklass, men hade bjudit in Locke som gästredaktör. Han hade sedan länge arbetat på en essä om ”The New Negro”, som nu blev hjärtpunkten i en antologi om modern svart urban identitet.”Harlem. Mecca of the New Negro” förmedlade bilden av en ny kultur, färgad av möten och mångfald. Den luftiga formgivningen kombinerad med omslagets antytt afrikanska bårder signalerade något nytt, i jämna steg med europeisk modernism. Här föddes idén om Harlemrenässansen, där stadsdelen på norra Manhattan blev fixpunkt för all ny svart kultur.Locke följde året efter upp med antologin ”The New Negro: An Interpretation” där fokus flyttats mot den afroamerikanska litteratur som vuxit fram efter 1920. Det var en programskrift med syfte att frammana bilden av en ny afroamerikansk litteratur med anspråk att bli läst och hörd i egen rätt. Den väckte anstöt hos svarta intellektuella som ville se konsten som ett moraliskt och propagandistiskt verktyg för förändring. Men hans bidrag till en estetik ägd av Amerikas svarta och till konstruktionen av en positiv svart identitet, har haft efterverkningar in i vår tid.Harlemrenässansen blev kortlivad, det satte börskraschen definitivt stopp för 1929. Det vore en överdrift att påstå att Locke ”ledde” en rörelse som i väsentliga avseenden var ett resultat av ekonomiska, sociala och politiska omständigheter. Harlem blomstrade förvisso kulturellt, jazzen exploderade på klubbar som den legendariska Cotton Club, ett nytt mode av och för svarta uppstod, och afroamerikanska författare som debuterat på tjugotalet framstod som en samlad generation. Locke blev en röst som kunde sammanfatta skeendet i en övertygande form. Locke var ingen skrivbordsfilosof, utan en som kunde tänka fritt först när horisonten var öppen och tyglarna fria.Pontus Kyanderkonsthistoriker, kritiker och utställningskuratorLitteraturJeffrey C. Stewart: The New Negro – The Life of Alain Locke. Oxford University Press, 2018.

On this week’s MiniPod, hosts Tiffany Cross, Angela Rye, Andrew Gillum, and Bakari Sellers are joined by the prolific organizer and political strategist, LaTosha Brown. Ms. Brown wants you to stay home on Black Friday weekend. Target, Home Depot, and Amazon have all rolled back their DEI initiatives. We need to make them feel the pain. More broadly, it’s economic actions like these that leverage our PEOPLE POWER to redistribute the wealth. Learn more about BlackOUT Friday at https://weaintbuyingit.com/ And of course we’ll hear from you! If you’d like to submit a question, check out our tutorial video: http://www.instagram.com/reel/C5j_oBXLIg0/ and send to @nativelandpod. Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer, and cofounder of Reasoned Choice Media; Tiffany Cross as host and producer, Andrew Gillum as host and producer, Bakari Sellers as host and producer, and Lauren Hansen as executive producer; LoLo Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

In this episode, Siquoyia Blue takes you on a lyrical journey from the emerald hills of Ireland to the sacred forests of Central Africa — following a trail of stories hidden beneath centuries of myth. Beyond the glitter of leprechaun legends lies an older memory: tales of small, dark-skinned folk who lived close to the land, remembered in whispers from both Celtic and African traditions. Through haunting storytelling and mindful reflection, Siquoyia unravels how these images of “the little people” may have traveled, transformed, and transcended time itself. More than a search for origins, this episode is a meditation on how myth preserves memory, how culture reshapes truth, and how the unseen can still hold great power. Stay curious — because sometimes, the oldest myths remember what history tries to forget.

The Bad Speakers are back with another wild and unfiltered episode!

Hot sauce isn't just a condiment in Black kitchens, its a passport. From jars of pepper‑vinegar on the stove to a bottle parked on every table, here's how heat became culture, comfort, and pride and why so many of us still put it on everythingAudio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Substack: https://onemicblackhistorypodcast.substack.com/Follow me on Threads: https://www.threads.net/@onemic_historyPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2mIf this story hit home, watch next:Why Black Folks Love Collard Greens (pepper vinegar's perfect partner)How Barbecue Whitewashed Its Black PitmastersFurther reading/creditsJessica B. Harris; Michael W. Twitty; Adrian Miller; Frederick Douglass OpieEarly cookbooks: Mary Randolph (1824), Malinda Russell (1866), Abby Fisher (1881)

Hey everyone! It's been a minute, and I just wanted to check in with you all. I'm still hanging in there, staying prayed up and meditated up amidst the tough times in my home country. A big shoutout to all the ADVOCATES holding the line—let's keep that hope alive!I wanted to give you some updates. First off, I'm working on a new episode that should be out this summer. I know it's been a while, but I appreciate your patience. The exciting news is that my book, "Cultural Heritage Resilience of the Great Dismal Swamp,” is set to be released on November 27th! It was initially slated for early October 2025, but there were some scheduling changes with my publisher and my UK tour that pushed it back. If you can, please support the book! Even if you can't purchase it, sharing it and talking about it goes a long way.Also, I'm thrilled to let you know that I'm currently writing another book, which will be published by Louisiana State University Press. A huge shoutout to Rand Dotson, PhD. The title is “Pest Control: Birds, Black Folk, and the History of Environmental Consciousness in the U.S. South.” So that's it for today! Stay prayed up, and if faith isn't your thing, then stay meditated up! Find your joy and connect with your people. Until next time

Aria Daze has amassed a rather cult following. In under four years, she published nearly 20 works. We talk to her about the importance of representation of Black, fat and queet women and why their joy and happiness is her priority in writing.About Aria: Aria is a die-hard romantic and her life goal is to always be drying her eyes from something sickly sweet. She has been dreaming up stories since she was seven years old, with the first one being a Toy Story fanfic. She focuses primarily on writing disability inclusionary and body-positive contemporary romance, because everyone deserves to get lost in love. Her dream is to one day write magical stories that center Black Folks full-time, but for now, she labors in fraud as a working stay-at-home mom. You can find her looking for epic eats, reading, writing, or enjoying time with her family in her free time. She's currently living out her own happily ever after in Saint Louis, Missouri with her middle-school-sweetheart turned-husband, and their adorably chaotic son.Follow Aria on her social media HEREFollow Romance in Colour on Social MediaIG ⁠@RomanceInColour⁠Twitter: ⁠@RomanceNColour ⁠Facebook Groups: ⁠www.facebook.com/groups/RomanceinColour⁠Follow Yakini on her Instagram @OurNycHomeFollow Tati Richardson on social media and pick up her books here, ⁠here⁠

Today's tough-on-crime laws couldn't hold a candle back in the day. As soon as enslavement ended, the foolishness started. Black people – even those who were already free – could be jailed for anything, and these reasons are three of the most ridiculous. _____________ 2-Minute Black History is produced by PushBlack, the nation's largest non-profit Black media company. PushBlack exists to amplify the stories of Black history you didn't learn in school. You make PushBlack happen with your contributions at BlackHistoryYear.com — most people donate $10 a month, but every dollar makes a difference. If this episode moved you, share it with your people! Thanks for supporting the work. The production team for this podcast includes Cydney Smith and Len Webb. Our editors are Lance John and Avery Phillips from Gifted Sounds Network. Lilly Workneh serves as executive producer. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Tune in tonight at 9 PM EDT for Pop and Politics, your unfiltered conservative take on the fiery clash between Maryland Gov. Wes Moore and President Donald Trump over illegal immigration, with the Kilmar Abrego Garcia case at the center.Wes Moore and liberal allies like Sen. Chris Van Hollen are defending Garcia, a Salvadoran migrant detained by ICE on Aug 25, 2025, after his release from Tennessee custody. He was deported to El Salvador's CECOT prison in March, Garcia faces human smuggling charges and possible deportation to Uganda. Trump's DHS, led by Kristi Noem, calls Garcia a dangerous MS-13 affiliate, while Moore claims it's a due process violation. Is this liberal coddling of criminals or a stand against government overreach?We'll expose the truth behind Garcia's rap sheet, Moore's weak leadership, and Trump's bold immigration policies. Join the ladies and ‪@soldiersoffinance‬ for hard-hitting analysis on border security, crime, and America First priorities. Don't miss it!#trump #kilmaragregogarcia #illegalimmigration #dc #baltimore #jdvance

Episode 70 of Body Justice is truly a gift of wisdom from my dear friend and colleague, Alishia McCullough. In this episode we talk about some of the core concepts from her book, Reclaiming the Black Body. In this episode we explore:How EDs show up for Black girls/womenShifting terminology from Eating Disorders to Eating Imbalances Adultification Bias and the Hypersexualization of Black women and femmesThe ties between colonization, the trans Atlantic slave trade and eating imbalancesThe trafficking of Saartjie Baartman and the conflation of fatness and blacknessIntergenerational body traumaMaternal disdain and rejection of daughters as a survival tactic from enslavement What healing looks like through this lens, what it means to truly Reclaim the Black BodyAbout Alishia: Alishia McCullough (LCMHC) is a millennial Licensed Clinical Mental Health Therapist and owner of Black and Embodied Consulting PLLC. She specializes in somatic therapy, trauma healing, and eating disorder treatment with a focus on cultivating embodiment and fostering anti-oppression. In 2020, Alishia co-founded the Amplify Melanated Voices Movement, a global movement to elevate the voices of Black, Indigenous, and other People of Color online and in-person. Alishia currently runs the self-paced online course Reimagining Eating Disorders 101. She  was awarded the 2023 Alumni Award from the Department of Psychology for the noteworthy contributions she has made to the field. An accomplished writer, Alishia is the author of a collection of poems called Blossoming, and  Reclaiming the Black Body now available in bookstores nationwide. In her work, Alishia centers the intersectional narratives of Black, Brown, Indigenous, Asian, dual-heritage, and individuals indigenous to the Global South, andor those who have been racialized as 'ethnic minorities' experiencing mental and emotional distress. She also specializes in working with those living with eating disorders, upholding the values of body justice and fat liberation. She was one of the Mental Health Influencers in Meta's 2022 Well-Being Collective. Alishia's work has been featured in Bustle, WordInBlack, STAT News, BlackGirlNerds, Essence, Reckon, Wondermind, Pen America and Forbes.*As always this podcast is for educational and informational purposes only. It does not constitute individual medical or therapeutic advice. Please reach out if you are interested in becoming a therapy or coaching client: www.eatingdisorderocdtherapy.com or visit my instagram for more info: @bodyjustice.therapist

We're joined by Ramon Amaro, Creative Director of Design Academy Eindhoven — an engineer, philosopher, writer, curator, and altogether critical-force-to-be-reckoned-with on the subject of computation as it intersects with concepts like culture, race, and being. We were drawn to his tour-de-force “The Black Technical Object: On Machine Learning and the Aspiration of Black Being” (2023), which is an absolute banger, re-reading Gilbert Simondon's technical object through the lens of blackness, race, and racialized technologies. This one is a wild ride, a really deep and incredibly thoughtful episode, and we make an effort to define some initial terms on the podcast — specifically the ‘pre-individuated milieu' (the space where things or ideas live before they become crystalized into social or racialized relations) and the ‘technical object' (a way that Simondon helps us think through the autonomies enjoyed by technology, that even though technological objects may be initially bound in some ways to their human partners, they are able to exert influences not just backwards on us, but influences that determine their own design evolution over time). Ramon starts the conversation with a distinction that is critical to the whole episode — that blackness is not a racial category, or moreover, that blackness is distinct from race. Race is something that happens after blackness, that impinges upon blackness as it moves from pre-individuated space and enters into the field of social relations we currently live within. This independence is critical, because it invites alternatives (and suggests, we think very rightly, that this field of social relations we currently live within, while historically situated in imperial or colonial violence, is arbitrary and exchangeable with any other possibility). A few works that are important to consider here: W.E.B Du Bois, The Souls of Black Folk — total canonSylvia Wynter's work is discussed throughout, specifically on the concept of “Man” (particularly Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation—An Argument).Gilbert Simondon, On the Mode of Existence of Technical Objects and Two Lessons on Animal and Man — both places to look for autonomy in Simondon's workFrantz Fanon, Black Skin, White Masks — implied by discussions of phenomenology/perception under racialization.Stefano Harney and Fred Moten, The Undercommons — no spoilers, but more on this later :)Thanks soooo much to Dr. Amaro for joining us! 

In this episode of the Shoot Around, Robert Horry, aka Big Shot Bob, and his co-hosts dive into a variety of entertaining sports topics. They discuss some funny and bizarre sports moments, including Cee Dee Lamb's unexpected collision with an official and Tim Duncan's infamous ejection. The hosts also react to incredible feats like the Jacksonville Jaguars' kicker nailing a 70-yard field goal and debate which sports records will never be broken. Additionally, the crew talks about iconic sports jerseys they'd like to see make a comeback, and share some personal anecdotes and quirky preferences, like their takes on coleslaw and hot dog toppings.   00:00 Introduction and Greetings 00:30 Listener Submissions and Social Media 01:10 Cee Dee Lamb Incident Discussion 02:05 Tim Duncan's Infamous Ejection 03:30 NFL Preseason Highlights 04:47 Unbreakable Sports Records 06:13 Hall of Fame Criteria 10:51 Tyrese Maxey's Can Opener Struggle 11:58 Printer Troubles and Laziness 12:49 Flat Tire Fiasco 14:39 Iconic Jerseys and Nostalgia 16:45 Coleslaw Controversy 18:27 Hot Dog Toppings Debate

This week Benji and Tori are talking about the importance of interracial solidarity in the face of rising fascism even when our "teams" don't always see eye to eye. And we're asking the question, whose responsibility is it to hold the line? And who is at risk when we decide to throw away our compassion and just stop caring about the well-being of our neighbors? (Hint: it's you. You're at risk.)Support the show!Follow BenjiFollow Tori

On the eve of July 4th, co-authors Jennifer Richmond and Winkfield Twyman joined Equiano Project Head of Content Ada Akpala for an insightful conversation about blackness and race identity with noted podcaster Danielle Romero.  A native of Troy, New York, Danielle discovered one day that her putative French and Irish maternal great grandmother Lola Perot had spent all her married life passing for white in New York. In fact, Lola was born Creole (colored) in Louisiana. In a fascinating roundtable, we explore where does Romero land in our country's obsession with racial identity? What does it mean when a European American discovers the story of one's family was a racial lie? Is it possible that Romero's origin story can bring us closer to connection in our universal humanity? Is the true impact of Danielle's story not her ancestor who passed for white, but that Danielle's mixed ancestry is a lens into our racial future as Americans?  In a sense, Danielle is the tip of a spear. More and more Americans will discover they are of multiple ancestry groups over time. Come join us for an hour with a national leader in the hunt for identity sans race.    Podcast NotesDanielle Romero's Podcast, NYTNThe Equiano Project https://www.theequianoproject.com/My great grandmother hid who she was. 20 years later I understand why | Opinion, The Tennessean, Danielle RomeroRace Is Beginning to Bore Me, Winkfield Twyman, Jr. The Legacies of Black Pioneers: The Problem with Black Excellence with Ada Akpala, The Dissidents PodcastAre Light-Skinned People the White People of the Black Community? Winkfield Twyman, Jr.The Souls of Black Folk, Winkfield Twyman, Jr.This is Your Brain on AI: The Good, the Bad and the Ugly, Dissidents Podcast

In the aftermath of the Civil War, Fourth of July celebrations took on deep new meanings. While Confederate sympathizers hid away in bitterness, African Americans across the South embraced the day with joy, commemorating their newfound freedom with fireworks, speeches, and readings of the Emancipation Proclamation.Audio Onemichistory.comFollow me on Instagram: @onemic_historyFollow me on Threads: https://www.threads.net/@onemic_historyFollow me on Facebook: https://www.facebook.com/OnemichistoryPlease support our Patreon: https://www.patreon.com/user?u=25697914Buy me a Coffee https://www.buymeacoffee.com/Countryboi2mSources:https://www.theatlantic.com/ideas/archive/2018/07/fourth-of-july-black-holiday/564320/ https://nmaahc.si.edu/explore/stories/nations-story-what-slave-fourth-july https://www.ccpl.org/charleston-time-machine/too-la-loo-fourth-julyBecome a supporter of this podcast: https://www.spreaker.com/podcast/one-mic-black-history--4557850/support.

From 2003- Lawrence C. Ross Jr., author of "The Ways of Black Folks: A Year in the Life of a People."

We talkin' Black Dollars and Sense.Become a Habitual Ish Talker and follow us on The App Formally Known As Twitter: twitter.com/TalkinIsh_PodJoin in on the conversation! E-Mail us at ⁠talkinishpod@gmail.com⁠Listen to the audio version: https://linktr.ee/TalkinIshPod00:00​​​ - Intro/Idle Chit Chat09:09 - Weekly Wellness Check37:31 - Viewer Comments 43:50 - Cardi B vs. Offset 1:07:19 - Ncuti Gatwa Is The Doctor NO MORE 1:30:11 - Roundtable Discussion: The Economics of Black Folks 2:28:35 - Question of the Pod2:31:38 - Wrap It Up, YO!!! (Closing)

This episode of Across The Margin : The Podcast features an interview with the directors of Songs of Black Folk, Haley Watson & Justin Emeka. Songs of Black Folk is a documentary that explores the Pacific Northwest's largest annual gathering of Black musical talent. At its heart is Ramón Bryant Braxton, who — alongside his uncle, Rev. Dr. Leslie Braxton — brings to life a powerful Juneteenth celebration that honors their family's legacy. The film captures a vibrant, often-overlooked community and commemorates a pivotal chapter in American history. Songs of Black Folk reminds audiences of the vital role music plays in healing, uniting, and uplifting. By sharing this story, Haley and Justin aim to honor history, inspire pride, and ignite a deeper understanding of the enduring impact of Black artistry.Haley Watson (director and producer) is known for films exploring human experience. Her storytelling prowess was exemplified when she pitched the original story for the Oscar-winner The Queen of Basketball. In June 2024 she debuted the short documentary she directed, Motorcycle Mary, at Tribeca Film Festival. The film was acquired by ESPN's 30 for 30 series. Justin Emeka (director) is an award-winning filmmaker from the Pacific Northwest with over 25 years of experience as a theater director. He is especially known for blending classical works with Black cultural expression. In 2022, he received a prestigious TV/Film Directing Fellowship from the Drama League of New York, expanding his creative vision into screen storytelling. His first two original short films, BIOLOGICAL and Six Winters Gone Still, have screened at festivals around the world, earning acclaim for their poetic visual language and emotional depth. He is a tenured professor of Theater and Africana Studies at Oberlin College, where he teaches directing, acting, and Capoeira. Hosted on Acast. See acast.com/privacy for more information.

Did you know bees have thousands of babies daily, and 3,000 year old snacks? After some "B"izarre facts, this episode of IDKMYDE dives into what's happening in Atlanta--and why some say the Black Mecca is losing its people by design. Connect with us IG: _idkmyde_See omnystudio.com/listener for privacy information.

Hey y'all! This is an update on the future of this platform. My health has dictated that instead of leading with defying gentrification, I need to lead with crafting liberation. Or in other words, I need to center my art projects and imbue them with the values about community and collectivity that I've always honored. I'm tired of being sick and broke trying to make folks listen. So this podcast will be shifting focus, but keeping the same name for now. Oh and to make it clear from what the episode title is and why, here's my final word on Black folks and gentrification:Black folks, especially in the diaspora, but sometimes even in heavily colonized areas of our home continent, can facilitate gentrification over their own people. And of course it can happen to us. But until the day we globally admit that Black folks that aren't named Oprah, Beyonce, Tyler Perry, and other documented Black billionaires and millionaires can't be gentrifiers, we are done as a movement and as a people. Those people I named aren't above being followed, sanctioned, denied financing opportunities, and the like for what they are intending to do with their work, because of global white supremacy over the financing markets and sometimes just the pettiest of racisms and other isms we do need to process as a people.Also, I will have 15th anniversary celebration this falll, a showcase of what the future of Kristen Jeffers Media will hold. Get full access to Defying Gentrification, Crafting Liberation at theblackurbanist.substack.com/subscribe

Most people in North America have probably at least heard the name W. E. B. Dubois. In the early twentieth century, DuBois—the first African-American to earn a Ph.D. from Harvard—published and spoke extensively about his vision of equality through education. In particular, he edited The Crisis, the monthly magazine of the NAACP, while also writing such classics as The Souls of Black Folk. But if Dubois is well known, the same cannot be said these days of Jessie Redmon Fauset, the central character of Victoria Christopher Murray's Harlem Rhapsody (Berkley, 2025). In her day, Fauset—who held a degree from Cornell as well as a master's from Penn and a certificate from the Sorbonne in Paris—worked as the literary editor of The Crisis and its associated children's magazine, The Brownies Book, while writing the first of what would become four acclaimed novels. She fostered such stars of the Harlem Renaissance as Langston Hughes, Countee Cullen, Jean Toomer, Georgia Douglas Johnson, Nella Larsen, and Zora Neale Hurston. She was also romantically involved with W. E. B. Dubois, a reality that Murray uses to humanize a heroine who is in every other respect truly remarkable. Her story pulled me in and kept me reading to the very last page. Victoria Christopher Murray is the author of more than thirty novels, including The Personal Librarian and The First Ladies, both historical fiction co-written with Marie Benedict. Harlem Rhapsody is her most recent book. C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels. Her next book, Song of the Steadfast, is due in 2025. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Tune in to the Power of Reading Week! Yay! Host, Nichel Anderson returns this month of February celebrating the power of reading. What are your favorite books? Ms. Anderson returns reading Dr. W.E.B. DuBois infamous book ' Souls of Black Folk' in the chapter called "Of the Wings of Atlanta" where you will be a breakdown analysis by Ms. Anderson afterwards to grasp the gems left for us to all continue learning of the culture and new frontier.    Song music in background; "Atlantans" by Nichel MOLIAE aka Nichel Anderson  Next episode in celebration the wonderfulness of books on Wednesday!    =============     Listen, Download this song and share it here; Support Nichel's M-Film Dream;    -------- SHOP ON OFFICIAL WEBSITE; Purchase the Remix of Nichel's songs of her forthcoming song only here; You Know Me | SONG Remix;  https://moliae.com/song    or the catalog of songs here; https://moliae.com/shop   SHOP MOLIAE HOODI'S, Tshirts; https://moliae.com/product/wings-of-atlantis-moliae-hoodi/ ====== --- ***Apple Music My Song Links:    You Know Me:  https://music.lnk.to/yVTBWP     Don't You Remember The Times https://music.lnk.to/mXk8Xf   Atlantans https://music.lnk.to/Fgg572     Kingship   https://music.lnk.to/XORSTW   When love was divine      --- Stream Spotify Nichel's songs:  Kingship https://open.spotify.com/track/6PqzW6hkAkx0dHUMabj6pN?si=dc3e0b2c990f441b -- You Know Me https://open.spotify.com/album/4gd09XfrS5KFby3JbAjDxC?si=Jq-RRza7QrWDdY_aZ_53NQ -- Atlantans  https://open.spotify.com/album/1V2DjkvDteCb9UFwr0m6OC?si=AMNciL30SKyOz1agxoE7oA -- We Are Atlantans https://open.spotify.com/album/3ecYQyZ2INxYcTQ1yEUd9l?si=DzGSldhjRSS-ySjz_haVDA     --- When Love Was Divine https://open.spotify.com/track/6ta4GKvwYSBfffeZ2NHhaO?si=2cf54113cc434d6e   ---- Get the NFTs Support the M-Film Project | Pyramids Mystery Temple Reunion (PMTR)   MOLIAEWorld.com Mint.MOLIAEWorld.com     --- Check out another episode this week! Share this!          

"Sometimes you gotta pop out and show N***s" Kendrick Lamar's Hit Diss Track They Not Like Us Calling on the Canadian government, somebody should check on Drake. 5 nominations all wins, Tay Tay backing it up, Bey and Blue know all the words...Jus' Sayin' Ayy. "Woke" is being used in official communication(Iowa Grand Dragon err...governor to Costco), and "DEI" is being blamed for a horrible mid-air plane crash. Shut Up and get out of my face with that B. S.  Tired of ya'll. I want to see the results of the 90-day study when we, Black Folks, protest with our wallets and give the double middle finger to stores that refuse to act like douches. They better recognize... So many people were uninvited from the picnic after all the Karen rants after the Grammys. Am a die-hard member of Beyonce's Bey-Hive, no. I don't want the smoke, and the Karen's your privilege will...not...save...you. Stop it! You and yours are uninvited from the BBQ. Didn't want that nasty raisin-containing potato salad anyway. And if Conway Twitty collabed with either Beyonce or Kendrick, and it's a bop, it's going number 1 by association. So please stop it. And that is country ho. We started it with rock and roll.  The Real-T of Reality TV...Carlos King's talent think they own the company... Gizzy owns the shade and I really think we may have to give the show another listen now that Robyn is not on #RHOP Contact Us on: https://linktr.ee/tnfroisreading   Blue Sky: @tvfoodwinegirl.bsky.social Threads: www.threads.net/@tnfroisreading Instagram: @tnfroisreading Facebook: TNFroIsReading Bookclub   You know your girl is on her hustle, support the show by navigating to: Dale's Angel's Store...For Merch Promo Code: tnfro Writer's Block Coffee Ship A Bag of Dicks Promo Code: tnfrogotjokes Don't forget to drop me a line at tnfroisreading@gmail.com comments on the show or suggestions for Far From Beale St additions.

New York Times columnist Jamelle Bouie and political scientist Melvin Rogers, author of The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought, explore the ways key African American intellectuals and artists—from David Walker, Frederick Douglass, and W.E.B. Du Bois to Billie Holiday and James Baldwin—reimagined U.S. democracy. Thomas Donnelly, chief scholar at the National Constitution Center, moderates. This conversation was originally streamed live as part of the NCC's America's Town Hall program series on Nov. 14, 2023.  Resources  Melvin Rogers, The Darkened Light of Faith: Race, Democracy, and Freedom in African American Political Thought (2023)  Melvin Rogers, The Undiscovered Dewey: Religion, Morality, and the Ethos of Democracy (2008)  Kate Masur, Until Justice Be Done: America's First Civil Rights Movement, from the Revolution to Reconstruction (2021)  Jamelle Bouie, “How Black Political Thought Shapes My Work”, The New York Times (Feb. 11, 2023)  David Walker  David Walker, Appeal to the Colored Citizens of the World (1829)  Jamelle Bouie, “Why I Keep Coming Back to Reconstruction”, The New York Times (Oct. 25, 2022)  Martin Delany  Jamelle Bouie, “What Frederick Douglass Knew that Trump and DeSantis Don't”, The New York Times (June 30, 2023)  Jamelle Bouie, “The Deadly History of ‘They're Raping Our Women'”, Slate (June 18, 2015)  W.E.B. Dubois, The Souls of Black Folk (1903)  Stay Connected and Learn More Questions or comments about the show? Email us at podcast@constitutioncenter.org Continue the conversation by following us on social media @ConstitutionCtr. Sign up to receive Constitution Weekly, our email roundup of constitutional news and debate. Subscribe, rate, and review wherever you listen. Join us for an upcoming live program or watch recordings on YouTube. Support our important work. Donate

Woke History...Montgomery, Tallahassee, Mississippi Bus Boycott not necessarily in that order but Black Folks banded together refusing to pay money to establishments that refused to treat us fairly.  So you play in our faces #target And now lie about rolling back DEI initiatives after we make millions for your company...Tabitha Brown     And your stock price is revised upward, but you don't care. We tried to be peaceful, and DEI wanted to tell ya'll how not to act. But you didn't listen. We new-age African Americans are not turning the other cheek! We have sent up the white hat. So you want to play in our face, chair to the head, or punch in the throat, which is it? We are not the Civil Rights Era Negro. Black Wall Street Never Went Away. We Will Shop Where we will be respected. Shop The Hood Online Site Bringing out Dollars Home!             View this post on Instagram                       A post shared by ShopTheHood (@shopthehoodtvshow) href="https://bookshop.org/a/12024/9781668014943">Stephen King's Holly For The Reading Portion of the Show.       Reality with the King Carlos King Made Great Points on the RHONY Finale...   But this rebooted cast...all of ya'll in danger. Contact Us on: https://linktr.ee/tnfroisreading Blue Sky: @tvfoodwinegirl.bsky.social Threads: www.threads.net/@tnfroisreading Instagram: @tnfroisreading Facebook: TNFroIsReading Bookclub You know your girl is on her hustle, support the show by navigating to: Dale's Angel's Store...For Merch Promo Code: tnfro Writer's Block Coffee Ship A Bag of Dicks Promo Code: tnfrogotjokes Don't forget to drop me a line at tnfroisreading@gmail.com comments on the show or suggestions for Far From Beale St additions.  

We’re joined this week by Danielle Hodge, Founder & CEO of Alma Ocean, to discuss the historical and cultural relationship between the Black community and water. For more content, subscribe to our Youtube and Patreon!See omnystudio.com/listener for privacy information.