Podcast appearances and mentions of ethan hawk

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

Corruption and control take center stage with this movie favorite, TRAINING DAY– a uniquely LA descent into power and morality, where Denzel convincingly wins fights and Ethan Hawk convincingly loses them. Contains spoilers. @orwhatevermovies 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Separate bedrooms for snoring partners, yes or no? Ethan Hawk is all about love. Is smoking making a comeback?Hosts: Tina Graf and Kerry LucasProduced by Tina Graf

Let's talk about Punch! The Duggers are in the news again - yikes. Bob gives us an update on wedding planning. Is Pink coming to The Sphere?! Ethan Hawk gives the best dating advice you'll ever hear. Gas prices are rising, and electric cars are getting more appealing. Waymo has a complaint filed against them for minors riding in their vehicles alone. A woman upcycled the red carpet… for her apartment. Mason has discovered a new sleepytime drink!

Hour 1: Bob's Movie Club has your next assignment, and it's going to take you to the movie theater! Jay-Z changed his name… sort of. Ryan Seacrest admits he's lonely. So does Matty. Is Miley Cyrus hinting at next year's Super Bowl performance? Did you get your March Madness bracket done? Cesar Chavez's name is all over the city - what now? The Dark Side of the Moon IS that album. Never underestimate the power of a hug. Hour 2: Ariana Grande might be a brat. Do we care? ‘White Lotus' has more casting news! Oprah interviews the woman from the Coldplay concert. Taylor Frankie Paul's baby daddy speaks out about the domestic violence claims. It's ice coffee weather. A patient refuses to leave the hospital months after they were discharged. Is “The Pitt” the best show on TV? Vinnie finally finished episode 1 of Survivor 50. THE CHAIR!! Is GenZ more ridiculous than any other generation? (41:02) Hour 3: Let's talk about Punch! The Duggers are in the news again - yikes. Bob gives us an update on wedding planning. Is Pink coming to The Sphere?! Ethan Hawk gives the best dating advice you'll ever hear. Gas prices are rising, and electric cars are getting more appealing. Waymo has a complaint filed against them for minors riding in their vehicles alone. A woman upcycled the red carpet… for her apartment. Mason has discovered a new sleepy time drink! (1:19:12) Hour 4: Ryan Gosling is talking about Harrison Ford on the New Heights podcast. Demi Lovato tells us her Mount Rushmore of Disney Channel. How do we feel about KPop Demon Hunter holograms? Taylor Swift and Travis Kelce are inspiring young women to play football. The Valkyries are ON this season. We are getting Incredibles 3! … in 2 years. Mason finally tells us a little about working with Nick Canon and one of his baby mamas. We're all making deals with our kids, but is a bribery app the answer? Mason reveals her secret vice, and the gang plays a game! (1:55:10)

Hour 1: Chuck Negron of Three Dog Night has passed away at 83. Kelly Clarkson and Sherri Shepard both announce the end of their talk shows. Kim Kardashian reportedly has a new boyfriend - Lewis Hamilton, an all-time great F1 driver. The plane ride from hell: Los Angeles to Manila with no bathrooms. Hour 2: Are Super Bowl ads still worth their GIANT price tags? The OG Jurassic Park cast is back… in this Xfinity ad. It's time to place your Super Bowl bets - please be careful. George Clooney has made his Super Bowl ad debut, and he's doing the bare minimum. Three highly anticipated movies will premier trailers during the game. You might have a collector's item in your freezer. Vinnie has a story dating back to World War 1. (50:54) Hour 3: Police are now saying Savannah Guthrie's mother was likely abducted. The first ‘Stranger Things' spin-off will already be here in April. Bob is insisting everyone watch ‘A Knight of the Seven Kingdoms.” The Siegfried and Roy show ‘Wild Things' will star Jude Law and Andrew Garfield. Ethan Hawk is mad at Tom Cruise, but Sarah and Vinnie aren't. Bob is heading to the Super Bowl streets on Thursday. Vinnie's warning of the luxuries you can never go back from - be careful. (1:33:17) Hour 4: The Michael Jackson biopic has its first trailer, and it's starring his nephew. It sounds like it will be leaving out the murky parts of his life. Meryl Streep has been cast to play an older Joni Mitchell in her biopic. The Red Hot Chili Peppers are distancing themselves from their documentary. BTS is back, their new album and a documentary is out in March. Mason is on the show! Google Translate delivered a baby. Should people have to pay to get their selfie at the Trevi Fountain? Plus, how old is that guy? (2:14:48)

Police are now saying Savannah Guthrie's mother was likely abducted. The first ‘Stranger Things' spin-off will already be here in April. Bob is insisting everyone watch ‘A Knight of the Seven Kingdoms.” The Siegfried and Roy show ‘Wild Things' will star Jude Law and Andrew Garfield. Ethan Hawk is mad at Tom Cruise, but Sarah and Vinnie aren't. Bob is heading to the Super Bowl streets on Thursday. Vinnie's warning of the luxuries you can never go back from - be careful.

Culture Crash: Why Actor Ethan Hawke Isn't Slowing DownActor Ethan Hawke continues to surprise decades into his career, with a standout turn in this new crime comedy drama series that was one of our favorite shows of 2025.  Host:  Evan Rook.  Producer: Evan Rook                                          Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We are proud to announce our NEW Christmas Podcast A Very Shining Christmas! The podcast drops Black Friday at the Stroke of Midnight! Click this link to stay up to date on pre-order information! https://reviewinghistory.bandcamp.com/follow_me We also have limited edition Christmas merch available! https://www.reviewinghistorypod.com/merch Happy Thanksgiving! This week we're eating well, and having a feast in the harshest conditions! It wouldn't be Thanksgiving without family, so we had to be joined by Walt Flanagan form Comic Book Men, and Tell Em Steve Dave to talk all about the Andes plane and 1993's Alive, which was directed by Frank Marshall and stars Ethan Hawk, Vincent Spano, and Josh Hamilton. Gather around the table let's dive into this movie! We are proud to announce our NEW Patreon is available: https://www.patreon.com/reviewinghistory LIKE AND SUBSCRIBE PLEASE! Please give us a rating and a review on ApplePodcasts or Spotify. It helps potential sponsors find the show! Sign up for @Riversidefm: www.riverside.fm/?via=reviewi... Sign up for @BetterHelp: betterhelp.com/reviewinghistory Email Us: Reviewinghistorypod@gmail.com Follow Us: www.facebook.com/reviewinghistory twitter.com/rviewhistorypod letterboxd.com/antg4836/ letterboxd.com/spfats/ letterboxd.com/BrianRuppert/ letterboxd.com/brianruppert/list…eviewing-history/ twitter.com/Brianruppert #comedy #history #podcast #comedypodcast #historypodcast #tellemstevedave #tesd #comicbookmen #alive #waltflanagan #andesmountains #planecrash #planecrashsurvivor #historypodcast #rugby #movie #cinema #moviereview #filmcriticisms

Send us a textThis week on the show!Even when the world fell apart, they still had each other in: Regretting YouForgotten but not gone Ethan Hawk stars as Lorenz Hart in: Blue MoonAnd finally Not everything is supposed to make you comfortable in: After the Hunt*Support the show by leaving a review on Apple podcast or Spotify! *You can now listen to The Movie Wire on YouTube! Listen and subscribe here!Make sure you check The Sugar Coated Murder's PodcastListen HereAnd don't forget to order there books here!Deadly Route (NEW)Click Click ClickIf you haven't tuned in, followed, or subscribed to The Cultworthy Cinema Podcast and The Movie Wire's crossover show Back 2 the Balcony, now is your time, because this week, just in time for Halloween, we cover the 1988 monkey movie, Monkey Shines!Listen HereSupport the show

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Welcome to Spitting Nonsense—where two self-proclaimed amateurs, Jasmine and Zach, chat about all things nerdy (and plenty that's not). None of this is fact, but it's definitely our brand of nonsense! We're still recording regularly—no promises on hitting exact days anymore—but you can always count on us for plenty of off-the-wall commentary. And now, you can leave comments on Spotify! Tell us what's on your mind; we see every comment and might even respond on the show. Thanks for listening, and enjoy the nonsense!

Alice Hong, co-founder of the new Classical Remix Music Festival, joins us. The festival kicks off with three nights of music on June 8 at Leafmore Creek Park Club. On June 22, the festival will be held at St. Luke's Episcopal Church, and the event on June 27 will take place at the Historic Dekalb Courthouse. Plus, in "Wildcat," the 2023 movie about the author Flannery O'Connor, we hear the question, "If imagination impacts reality, isn't faith where those rivers meet?" Co-written and directed by Ethan Hawke, the movie stars his daughter, Maya Hawke, and explores O'Connor's intellect and the role of faith in her life. As part of the "City Lights" series of "Farewell Favorites," we listen back to Lois's 2023 conversation with Ethan Hawk.See omnystudio.com/listener for privacy information.

Hello Friends! This week we are talking about This Ravenous Fate by Haley Dennings! We're talking about vampires, the roaring 20s and also a lot of Ethan Hawk movies? Join us while we dive into this fantastic novel just in time for spooky season! Theme by Man with Roses Book description below: It's 1926 and reapers, the once-human vampires with a terrifying affliction, are on the rise in New York. But the Saint family's thriving reaper-hunting enterprise holds reign over the city, giving them more power than even the organized criminals who run the nightclubs. Eighteen year-old Elise Saint, home after five years in Paris, is the reluctant heir to the empire. Only one thing weighs heavier on Elise's mind than her family obligations: the knowledge that the Harlem reapers want her dead. Layla Quinn is a young reaper haunted by her past. Though reapers have existed in America for three centuries, created by New World atrocities and cruel experiments, Layla became one just five years ago. The night she was turned, she lost her parents, the protection of the Saints, and her humanity, and she'll never forget how Elise Saint betrayed her. But some reapers are inexplicably turning part human again, leaving a wake of mysterious and brutal killings. When Layla is framed for one of these attacks, the Saint patriarch offers her a deal she can't refuse: to work with Elise to investigate how these murders might be linked to shocking rumors of a reaper cure. Once close friends, now bitter enemies, Elise and Layla explore the city's underworld, confronting their intense feelings for one another and uncovering the sinister truths about a growing threat to reapers and humans alike.

This episode as Hitman has been out for a while in cinema but now hitting Netflix, one of many films starring Glen Powell this year. But we are not focusing him just yet. We are focusing on Hitman's director,  the acclaimed, versatile and slightly underrated in my opinion, Richard Linklater. I'm joined by Andrew from the Revisionist's Almanac for the second time this year talking all things Linklater.Warning we will be talking SPOILERSMartin's pick for this episode is one of the great romanic films of our time without the cheese, Before Sunrise. On this one we talk about the insanely good chemistry between Ethan Hawk and Julie Delpy. We talk about how this film has actually influenced other films in recent years like Past Lives. We talk about the whole Before Trilogy as a whole. Plus Incredible bar tenders. IMDB page    The Revisionist's Almanac on SpotifyFVF Social linkstwitterinstagramTikTokAs ever please enjoy.The Sitcom StudyWelcome to the Sitcom Study, where we contemplate the TV shows we grew up with and...Listen on: Apple Podcasts SpotifySupport the Show.

This week we watched 8 Seconds starring Luke Perry and Reality /bites starring Ethan Hawk and Winona Ryder, aka the ultimate 90's movie. We also chat a little about the other movies that came out this month including Ace Ventura Pet Detective. 

Merry Christmas from The Pardee Family!!  In this episode we get into the Bible, talk about the Christmas story, the goodness of God and all Christmas-Ness! lol We pray, we laugh and we review the movies “Leave The World Behind” with Julia Roberts and Ethan Hawk streaming on Netflix “ELF” in the theater, “Die Hard” also in the theater!  We review the TV show “Bargain”  streaming on Paramount PlusAnd “ Shrinking” streaming on Apple starring Harrison Ford and Jason SegalWe Love YOU!!! #merrychristmas2023 #elf #diehard #Bargaintheshow #shrinking #LeaveTheWorldBehind#letspardeeprayerandpunkrock#Jesusisthereason #JesusIsKing #babyjesus 

Reposted from Yellowjackets wtf?• Subscribe to / follow the standalone Yellowjackts podcast on your favorite platform to help boost us in the rankings. You can find links by clicking "Where to Listen" at https://podcastica.com/podcast/yellowjackets-wtf.—Daphne and Penny welcome Jenny and Lucy to discuss the 1993 movie, “Alive,” starring Ethan Hawk, Josh Hamilto and Vincent Spano and based on the true story of the 1972 Andes plane crash and unbelievable survival and rescue. Join this quartet to talk about survival in the real world, how it compares to what we've seen so far on Yellowjackets and what we can take away from the film.Trailer for the upcoming “The Society of Snow” film based on the same story: https://www.youtube.com/watch?v=HxLQjkpS99YWhat the Andes Miracle Teaches about Adaptive Leadership: https://knowledge.wharton.upenn.edu/article/what-the-andes-miracle-teaches-about-adaptive-leadership/The Cast of Us podcast - interview with Josh Hamilton: https://podcastica.com/podcast/the-cast-of-us/episode/468-josh-hamilton-lance-hornsbyCheck out our Facebook group where we chat about Yellowjackets and a bunch of other great shows. Join us! facebook.com/groups/podcasticaWant to write or voice-message in and join the conversation? You can find our contact info and all our other shows at: yellowjacketswtf.com.Show support and get ad-free episodes: patreon.com/jasoncabassi or go to buymeacoffee.com/cabassi for a one-time donation (thank you!)Thank you to Ellie Duke for our beautiful, Misty-licious podcast art. You can find more of Ellie's art at: instagram.com/elliedukedrums and www.elliedukeart.com

Daphne and Penny welcome Jenny and Lucy to discuss the 1993 movie, “Alive,” starring Ethan Hawk, Josh Hamilto and Vincent Spano and based on the true story of the 1972 Andes plane crash and unbelievable survival and rescue. Join this quartet to talk about survival in the real world, how it compares to what we've seen so far on Yellowjackets and what we can take away from the film.Trailer for the upcoming “The Society of Snow” film based on the same story: https://www.youtube.com/watch?v=HxLQjkpS99YWhat the Andes Miracle Teaches about Adaptive Leadership: https://knowledge.wharton.upenn.edu/article/what-the-andes-miracle-teaches-about-adaptive-leadership/The Cast of Us podcast - interview with Josh Hamilton: https://podcastica.com/podcast/the-cast-of-us/episode/468-josh-hamilton-lance-hornsbyCheck out our Facebook group where we chat about Yellowjackets and a bunch of other great shows. Join us! facebook.com/groups/podcasticaWant to write or voice-message in and join the conversation? You can find our contact info and all our other shows at: yellowjacketswtf.com.Show support and get ad-free episodes: patreon.com/jasoncabassi or go to buymeacoffee.com/cabassi for a one-time donation (thank you!)Thank you to Ellie Duke for our beautiful, Misty-licious podcast art. You can find more of Ellie's art at: instagram.com/elliedukedrums and www.elliedukeart.com

Hyperion to a Satyr - The Fire and Water Podcast Network's Hamlet Podcast - continues Siskoid's scene-by-scene deep dive into Shakespeare's masterwork, discussing the text, but also performance and staging through the lens of several films, television, comics and even a rock opera. In Act II, Scene 2, Part 3, Polonius boards Hamlet in the sequence that inspired this whole project. Listen to the episode below or subscribe to Hyperion to a Satyr on Apple Podcasts or Spotify! This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER – https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page – https://www.facebook.com/FWPodcastNetwork Support The Fire & Water Podcast Network on Patreon: https://www.patreon.com/fwpodcasts Use our HASHTAG online: #FWPodcasts Credits: Theme: "Fanfare" from 1996 Hamlet, by Patrick Doyle, with clips from that film, starring Ray Fearon; the 2000 Hamlet, starring Ethan Hawke; and the 1990 Hamlet, starring Mel Gibson. Bonus clips: Hamlet 1996 by Kenneth Branagh, starring Kenneth Branagh; Hamlet 1948 by Laurence Olivier, starring Laurence Olivier; Hamlet 1980 by Rodney Bennett, starring Derek Jacobi; Hamlet 1990 by Franco Zeffirelli, starring Ian Holm and Mel Gibson; Hamlet 2000 by Michael Almereyda, starring Ethan Hawk and Bill Murray; Hamlet 2007 by Alexander Fodor, starring William Belchambers; Hamlet 2009 by Gregory Doran, starring David Tennant and Oliver Ford Davies; and "Je lis" by Johnny Hallyday. Leave a comment, I love to read!

This week real Darren returns as we tangentially discuss where Jim is going to keep all of his newly purchased prog rockers, why Jean Michelle Jarre keeps nicking digestives. Elton laments a poor meal, Darren just does his job and gets brought up to speed on last weeks episode including the Pigeon story and Lee's Picard drinking deep of the Memberberry juice fountain. Meanwhile Lee reviews Renfield, Ant Man Quantumania aka "Someone's firing paint in my eyes the movie"  and Amazons Jason Bourne-a-like show Citadel. After some feedback and a bit of Devastating Dave its on to this weeks film. Denzel Washington and Ethan Hawk hit the streets in Anton Fuqua's gritty cop thriller Training Day. 

Pepper Stewart Show Aired Live 04/13/2023.Episode brought to you by: Cactus Ropes Guest:  Digital Creator and more Josh Clarke Featured, Music from Makayla Lane "Rodeo Money"Today Talking:  About everything that will get you Canceled, like the sanswer to Broke Back Mountain short film with Ethan Hawk and Pedro Pascal, Beer Ads, Words, and stuff. See trailer for Prime Video series THE RIDE featuring the PBR and NETFLIX shows BEEF and THE MOTHER. Then we will get off into some Odd News Stories including Star War gun on the street, Detroit cops rope a pony, short dog, the Weiner mobile and much more... Plenty of Randomness #Talkshow  #pepperstewartshow #JoshClarke 

This week's episode was streamed live in Twitch through Sacramento's own STAB comedy theater. Watch the VOD here--> https://www.twitch.tv/videos/1749009343The gang spends a dozen years on a project this week, as they review Richard Linklater's magnum opus, Boyhood (2014). There has never been a film quite like Boyhood, shot over the course of 12 years, following Mason (Ellar Coltrane) from age 7 to age 19 in real time,. Also starring Patricia Arquette and Ethan Hawk, both also dedicating 12 years of their real lives to their characters and this movie. Joseph's pick this week, and a blind watch for all three of us. Tune in, and see how it landed on the crew. Visit the Indie GoGo for Joseph's new project: Raven's Landing https://www.indiegogo.com/projects/raven-s-landing#/ http://www.MCFCpodcast.com  http://www.facebook.com/MCFCpodcast  http://www.twitter.com/podcastMCFC  http://www.tiktok.com/middleclassfilmclass  http://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.com  Leave us a voicemail at (209) 730-6010  Merch store - https://middle-class-film-class.creator-spring.com/      Join the Patreon:  www.patreon.con/middleclassfilmclass    Patrons:  Javier  Listener Stephen: The Maple Syrup Don  Joel Shinneman  Linda McCalister  Heather Sachs  https://twitter.com/DorkOfAllDorks  Ryan  CorbinJason  https://www.forcefivepodcast.com/  Brendan BealChris Geiger  Joseph Navarro     Pete Abeyta  and Tyler Noe      

HEY FOLKS AND WELCOME BACK TO EPISODE 322. TODAY THE MCMR CREW WILL BE TALKING ABOUT . THIS GREAT AND FANTASTIC FILM STARS STELLAN SKARSGARD, ETHAN HAWK, CLAES BANG, NICOLE KIDMAN AND ANYA TAYLOR-JOY. SO KICK BACK WITH A HORN FULL OF ALE WHILE STEVE, KEN, MARK AND BRYAN TELL YOU THE BEST WAY TO GET TO VALHALLA. 

With 2022 behind us, I'm sure you've experienced some ups and downs like I have, but nothing was more bumpy and unpredictable than the movies we got this year. This is going to be a two-part podcast, where part 1 will be on the top worst movies of 2022 and the second part will be a bit more optimistic being about the best movies of the year. Now there's a film critic who I often like named Chris Stuckman, you've probably heard of him, but he has a philosophy of not sharing his worst movies of the year because he believes that the filmmakers worked hard on their projects and he doesn't want to pass off bad judgment. I respect him for that, but I wholeheartedly disagree. I think filmmakers need to be held accountable for the material they present to the world. Many of them get paid more than most of us, and we're not only entrusting them with our hard-earned money, but two, or two and a half hours of our valuable time. And if a movie robs me of either of those, I want to warn those in my circle - you guys - to stay the hell away. Now, please bear in mind that these two lists are purely subjective. I'm not trying to start a fight, although if you want to come on the show and debate me on any of these choices, I invite you to bring your A-game and I'll spar with you, but we have to agree to end it amicably, even if we can't agree on the film. Deal? So that brings me to number 10 on my top worst movies of 2022.  But before I start, know that what I did was simply make a list of the 25 movies that were released this year and I ranked them from best to worst. Then I meticulously drew a line separating the ones I'd watch again, and the ones I really don't care to. With that in mind, the first four I'm about to mention, I'd be willing to give them another chance if the mood presented itself, but overall, I was disappointed after my first viewing. So the the number 10 worst movie of 2022 is The Batman. Like a few other movies on my list, I really struggled with this one, because there's the whole movie that I actually enjoyed quite a bit, but then the ending just really ruined it for me. Spoilers if you haven't seen it, but I just feel like Batman just turned into this Disney character at the end where he was grappling with dumb morality issues that he should have figured out when he was twelve. I understand that in today's violent and angry culture it's good to see a superhero lay down his arms and focus on defending the weak instead of fighting the baddies - hell, that's what I teach my kids. But I go to the movies to watch the baddies get beat up and their heads blown off. As a moviegoer that brings me joy and it's fun to watch. Because I'm mature enough to know that it's fake, and in any real life situation, we need to avoid violence at all costs. I loved Collin Ferrell as The Penguin, I thought Robert Pattinson was a more than passable Batman, but a little weird and spooky to be Bruce Wayne. Jeffrey Wright was an impressive Lt. Gordon. Paul Dano nailed it as The Riddler. And I was even impressed with Andy Serkis's take on Alfred. However, no casting lineup can possibly outdo Christopher Nolan's Batman characters -- particularly Michael Caine's Alfred, which will never ever be matched. Like I said, I'd be more than willing to give this movie another try, especially since I'll be able to brace myself for the ending, and perhaps ease into it with a little more acceptance. Number 9 is Elvis. This was a fun movie, filmed in a very loud and obnoxious way. I'm not familiar with any of Bad Luhrmann's work outside of this one, but I just didn't feel like the style necessarily fit the story being told. That's just my opinion, and I'm willing to say I'm wrong about that. Can you tell it takes me a while to adjust to anything new? I thought Austin Butler was astounding as Elvis. I of course loved the music, and it was fun to finally have a film that gave us a peak into his life. It was a bit jarring to see Tom Hanks be in the antagonist role, but at least he wasn't just being Tom Hanks again. I feel like from 2019 and to now we're stuck on the Polar Express where it's just Tom Hanks everywhere we look. Number 8 out of the gate is Scream 2022. Not really called that, but if you're going to give your movie the same title as its originator, then I'm going to attach the release year to it. On any other day, I would actually put this as number 10, or at least the bottom of my Best Of list. My problem with this horror flick is quite obvious - it just didn't come close to capturing the magic of the 1996 original. That '96 film is so special and funny and original, that of course none of its sequels ever had a chance. But I want to be clear, this is easily the best of the Scream sequels, and the more I talk about it, the more I want to rewatch it, because honestly, I watched it so long ago that I don't remember a thing about it. I do remember that Courtney Cox's facelift made me keep mistaking her for Ghostface. A word to anyone who's aging: Don't get plastic on your face. It makes you look like a secondhand Barbie doll trying to come to life. Number 7. This one's bound to give some people hot flashes, and the controversy is welcome. But Thor: Love and Thunder underwhelmed the absolute shit out of me. Thor: Ragnarok and the Infinity War movies set the precedent for Thor going forward. But the entire movie just wasn't funny. And it's not like I went into it with crossed arms, making the movie prove itself to me. My arms were wide open and I was welcome to whatever good humor was to deliver me, but it failed miserably. Not only was it not funny, but I felt like there was not much of consequence for most of the film, like I had to slug through the first 3/4 to get to the meat of the movie. And I'll be honest, I enjoyed the ending. I'm anxious to see Thor interact as a bumbling father in the next film. I was impressed that (spoiler) Marvel had the balls to kill Jane Foster, and it looks like it's a permanent death. And Christian Bale - do I even need to echo literally every other person who saw the movie? - he crushed it so hard as an incredible foe who's nearly as great as Thanos. It was a shame that he died, because I'd love to see him again, or maybe we'll get a prequel or a Marvel miniseries? But yeah, this one hurt me deeply because I was so looking forward to it. My only hope is that Guardians of the Galaxy 3 doesn't pull this same bait and switch nonsenses. Now we're getting to the portion of the list where I just don't ever want to revisit the following movies because of how trashy and dull they were. Number 6 is Disney's Pinocchio 2022. There I go again adding the year of release. This weirdo film is not to be mistaken by the 1940's Pinocchio, one of the greatest technical and cinematic achievements in the history of film. Can you tell I have quite a love for that movie? Pinocchio 2022 basically copied the original shot-by-shot, Lion King style, but not nearly as pretty, and it made changes that weakened the story altogether. For instance, in this version, Pinocchio actually goes to school, but he then gets kicked out because he's different. What kind of message does that send kids? That if you get made fun of, you're allowed to just go off and get into trouble? Or what's with Pinocchio having to lie again to get out of the trouble he caused himself by lying? The whole point of the scene where he's in the birdcage is for him to ask and receive forgiveness by the Blue Fairy. It's character growth, because it shows that he's starting to feel remorse for his wrongdoings. And don't get me started on the whole subplot they shoehorned in with the girl and her puppet. Every time that happened I went half asleep. And it's funny too, that this CGI Pinocchio had only a quarter of the personality and charm the original Pinocchio had. Now I will say that the voice of Pinocchio was really impressive, and Joseph Gordon Levitt absolutely crushed it as Jimney. And I did really like the Easter eggs with the wooden clocks. Tom Hanks was fine, I guess, but I would have preferred to see a newer actor in that role. Like, Geesh, Tom, there are other actors hungrier that you - give them a chance. Number 5 is the Ethan Hawk movie Black Phone. I went into this like I do for almost every other movie I watch, which is completely blind. I refuse to watch trailers if I can help it. But if it's just a teaser or It's far enough out that I'll forget, then those are the only times I'll treat myself. But I went into this stone-cold blind. And honestly, it was very forgettable. It was a run-of-the mill indie horror film that really didn't shock or awe me in any way. I only watched it two or three months ago and I can only tell you it's about a boy who gets kidnapped and he's being held captive in a guy's basement. I remember snippets of the end, but that's it. So that's the problem with doing these best and worst of podcasts I guess: Maybe I need to start taking notes on every new movie I watch so I can remember what the hell I watched several months ago. I have such a bad memory as is, so it might be worth doing. The Bob's Burgers Movie is number 4. This one is kind of a cheat, because it was late at night and my wife was asleep, so I had to keep the volume down super low, and I didn't have my glasses at the time because they were broken, so I couldn't see the subtitle very well. I went into this movie never having seen an episode of Bob's Burgers, but I figured it was like the Simpsons. The jokes that I did see or hear were pretty funny, the song was catchy, but when it got into the whole murder mystery aspect, I really didn't care about it. So I'm just being honest when I say that I actually fell asleep before the movie ended, probably because my eyes were so tired from straining, but I also didn't care enough to go back and rewatch what I'd missed. That's a really bad sign, so it went pretty low on my list. The Simpson's Movie, though, that's a different conversation that I'd love to have with a guest one day. My high school and college self would never believe it that there would be a day when a Pixar movie would be amongst the worst movies I've seen. Now, I do have some explaining to do, so bear with me. Turning Red is number 3 on my list. First, let me just clarify that I know I'm not the target audience for this coming-of-age movie. I get it. But the problem is, Pixar never needed a target audience in the past. They had the ability to reach every single person whatever the story was. So that's one major strike agains this weird film. Also, I'm not one of those people who say this was an inappropriate movie for my kids. Sure, it was a little early for them to watch, seeing as it dealt mostly with puberty and periods, but I think it stayed well within the bounds of acceptability, and for that I give it credit. I think the idea for the story is actually pretty great. But it just felt so rushed, like the movie was trying to get to the big explosive climax as quickly as possible. I don't know, maybe it's just me and my inability to connect with moms and grandmas and daughters all fighting it out dressed as giant red pandas. So for me this film is firmly toward the bottom of my list, but I get it if it's higher on your list. All I'm saying is, and I don't know if I influenced them or not, that my kids even though it was a weird movie. Pixar is better than this. They should know better. But I will say, I forget when he did or said (there's my bad memory again), but the dad totally stole the movie for me. Two left. Number 9 is Uncharted. This movie was boooooring. It was predictable in the absolute worst way. It was unfunny, even though I really like Mark Wahlberg - I just had the sense that he didn't want to be there. Tom Holland was still Spider-Man in every way. Did I mention this was the most predictable movie I've ever seen? The screenwriters weren't even trying to shock us, and I say shame on them. If you can't give us something new, then don't write. I will say, the flying ships as the end was pretty cool, so I would recommend you YouTube that, but skip the rest of this trash pile movie. And that leaves us with number 10, the absolute worst movie of 2022. But first a word from my sponsor. It pains me so deeply to say this, but Jurassic Park: Dominion sucked, sucked, sucked so bad. One of the guys I was with was ready to walk out 15 minutes in. This movie did EVERYthing wrong. Absolutely everything. So much, that I don't even know where to begin. But first, how did we get from the majesty and glory of 1993 Jurassic Park to this toilet water? I mean, how is it possible that these two films are even related? In my mind, they're not. Not even close. It's like comparing Goodfellas to Clifford the Big Red Dog. What's so bothersome about Jurassic World: Dominion is that it had the blueprint laid down for it. It's like one of those situations where I get to yell, "You had ONE job!" Except, I never get to yell that, my wife does. But they couldn't even pull off a movie about dinosaurs chasing people and eating them. No, they had to do this weird mosquito subplot, with chicken dinosaurs (okay, the chicken dinosaur was the one cool thing in this movie, but it was so freaking brief), and some stupid thing about a little-girl clone. Did ANYbody ask for this movie? Actually, yes. Everyone wanted what Universal had been advertising for over a year. Remember that short film called Battle at Big Rock? Check that shit out! That 10-minute film was better than Fallen Kingdom and Dominon put together. It gave us what we were promised and what everyone on literally planet earth wanted. Did I put "literally" in the wrong place there? That's how flustered I am. Guys, I have a whole podcast on just how much of a shit-show this movie was. Check it out: It's episode 14. But all we wanted was a movie about the dangerous world of dinosaurs and humans cohabitating, but instead we got some idiot-ass movie about an underworld where they needed something, that I can't even remember. And as far as I can tell, not one single animatronic. What made them think 100% CGI was the way to go? I'll relent, I think the raptor heads were robots, but that's about it. I mean, they had the original cast handed to them on a golden plate with a sign that said: "You're welcome, have fun!" But even they were delegated to the most asinine and pointless storyline. They had Laura Dern say, "You can slip into my DM's." Was this movie written by a bunch of brain-dead millennials? I don't say this often, but every writer and unit director and producer needs to be fired or banned from Hollywood for five years. But that won't happen because people out there liked it and kept going back to see it to give this nipple-circus money. So! How's that for ending on a positive note? Sorry folks, I can't do it today. I've had a terrible week and I've been forced to revisit Jurassic Park: Dominion in the dark recesses of my mind. But the silver lining is that the next episode will be all about the best movies of 2022, so it'll end on a real head-lifter, and no, Top Gun: Maverick is NOT the number one movie on that list, surprisingly, though it was close. I'm talking, splitting Tom Cruise's beautiful hair. Yes, I have a huge man crush on Mr. Curise and also on the A-lister who's in my number one movie. If you have a movie you want me to review, old or new, email me at author.andrewtoy@gmail.com. I'd be super honored if you'd leave a review and rate my show because I've been told that's what helps the show grow. Although as of now, 11 people have rated my show and only one has left a review. And that one was my wife, and I'm pretty sure she was responsible for at least five of those 11 reviews. To be honest, I'm a bit butt-hurt by that. I see the downloads, the downloads are kicking in like crazy, so I know people are out there listening. I just can't believe that everyone out there is Switzerland and have no opinion. Write in, let me know what you think. Oh, and I'm going to leave you with a question I want you to answer for me. Call or text; I might play your answer on the next episode. The question is, what are the top 3 worst movies you saw last year? And they don't even have to be made in 2022. It could be something from 2002 you picked up from the library, you've been told for the last 20 years that it's the greatest movie ever and when you watched it, you began to question society as a whole. Text your answer to 863-303-6268 and leave your name and where you live. Remember, for every bad movie out there, there's half of a good movie somewhere else. Have a great Christmas break, and I'll see you next time on Life Through the Big Screen! Follow Life Through the Big Screen on these following pages:InstagramFacebookTwitterThis episode was sponsored by Spur Creative

Boy oh boy did did Netflix cost themselves a fortune by only keeping this is theaters for a week. Joey, Connor, and Kyle discuss the sort of sequel to Knives Out, Glass Onion, the new Rian Johnson mystery with Daniel Craig as Benoît Blanc. Glass Onion is available on Netflix on December 23rd. Majority of the show is spent trying to figure out the mystery of Ethan Hawk! Listen LIVE every Wednesday at 8:30am on 91.3 WVUD, or online at: http://www.wvud.org/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Quince Van Orden and Al Larson explore the catalog of movies of one of their favorite stars -- Ethan Hawk. In this episode, they talk about 2013's horror survival film - The Purge. Do you like action-y Ethan Hawke? The Purge has that. Do you like movies with casts of people with names like "Polite Leader" or "Bloody Stranger"? The Purge has that too. Let's talk about our American holidays that are similar to The Purge and then talk about Ethan Hawke's performance.

Adam and Matt crawled out of the Jojitorium for this one! The Boys are on site at the Inner Groove tap room is Pittsburgh PA to meet with Jen (Inner Groove) and Mike (Dancing Gnome) who are a part of the team, The Pittsburgh Brewer's Guild, that sets up one of THE BEST events in the area, Three Rivers Beer Week! We talk about everything this event is but we also dive into why it is importance, inclusivity in the brew space, why Matt uses the word "tootsie", Adam's need to be locked in a room with Ethan Hawk, and so much more! We drank delicious beers from Inner Groove and you check them out by following the link: https://www.innergroovebrewing.com/ Mike T repped his squad over at Dancing Gnome in this one and you can check them out here: https://dancinggnomebeer.com/ Grab your tickets for THREE RIVER BEER FEST and the October 1st Kick Off Event with sister city, Cleveland OH on 8 unique collabs! https://threeriversbeerweek.com/ Don't forget to grab your tickets for Brewing Up a Cure for October 8th, 2022 by following the link here: https://brewingupacure.org/ You can support The Boys by checking out the link below to subscribe to our YouTube channel, follow us on social media, get on the hype train with GoodPods, or grab a shirt from our store: https://linktr.ee/decayinwtb CHEERS!

Shot of the Day, Profile This, TV Time with Ted and Headlines!

IN this episode the boys revisit Jurassic World Dominion seeing that Jake and JIM both watched it!  THEY also discuss ETHAN HAWK's new film THE BLACK PHONE! THEY also get into some random shit connecting PROJECT LOOKING GLASS and Tataria!  MAKE SURE YOU SHARE THE CONTENT AND SUBscribe to the YOUTUBE CHANNEL!  

Shirine Babb is an award winning artist who is passionate and committed to diversity, creativity, and professionalism. In addition to more than 20 years of acting experience, Shirine has a BFA in musical theatre, a MA from East 15 Acting Conservatory in London and MFA from USD/The Old Globe in classical theater. Shirine supports students by serving as an Instructor at New York Conservatory for Dramatic Arts and mentor to aspiring actors and artists.Shirine is an AEA and SAG/AFTRA union actress, who can be seen in theatrical productions on Broadway, Off-Broadway, and Regionally. Notable Broadway plays include Harry Potter: The Cursed Child and Lincoln Center's production of Macbeth with Ethan Hawk. She is currently in Merchant of Venice, a coproduction between Theatre For A New Audience and Shakespeare Theatre Company. Her on screen appearances include national commercials and popular shows such as Iron Fist, Blue Bloods, and Madam Secretary. Shirine's accolades include the Helen Hayes Award, Critics Circle Award nomination, Theater Circle Award nomination, and the ADELCO Award nomination. Shirine is the CEO and founder of ACTORSPREP LLC., the new online service providing quality readers to actors when they need them most. Get in touch:Shirine Babb Instagram: @shubabbsFacebook: https://www.facebook.com/shirine.babbActors Prep:Instagram: @actorsprepllcWebsite: https://actrsprep.com/Ayana Major Bey Website: www.ayanabey.comInstagram: @ayanambey, @theartistpivot Rate and Review this podcast:Podchaser: https://www.podchaser.com/podcasts/the-artist-pivot-1455741Apple Podcasts: Just scroll down to the rate and review section on the podcast page *******Host & Exec. Producer: Ayana Major Bey Editor: Kieran Niemand Part of the Boundless Audio Network Get 10% off your first month with BetterHelp at https://betterhelp.com/artistpivot 30-day free trial of Audible Get a free 30-day trial of Audible using The Artist Pivot Podcast Link!Get 10% off your 1st mo with BetterHelp Get 10% off your first month with BetterHelp, customized online therapy. Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Shirine Babb is an award winning artist who is passionate and committed to diversity, creativity, and professionalism. In addition to more than 20 years of acting experience, Shirine has a BFA in musical theatre, a MA from East 15 Acting Conservatory in London and MFA from USD/The Old Globe in classical theater. Shirine supports students by serving as an Instructor at New York Conservatory for Dramatic Arts and mentor to aspiring actors and artists.Shirine is an AEA and SAG/AFTRA union actress, who can be seen in theatrical productions on Broadway, Off-Broadway, and Regionally. Notable Broadway plays include Harry Potter: The Cursed Child and Lincoln Center's production of Macbeth with Ethan Hawk. She is currently in Merchant of Venice, a coproduction between Theatre For A New Audience and Shakespeare Theatre Company. Her on screen appearances include national commercials and popular shows such as Iron Fist, Blue Bloods, and Madam Secretary. Shirine's accolades include the Helen Hayes Award, Critics Circle Award nomination, Theater Circle Award nomination, and the ADELCO Award nomination. Shirine is the CEO and founder of ACTORSPREP LLC., the new online service providing quality readers to actors when they need them most. Get in touch:Shirine Babb Instagram: @shubabbsFacebook: https://www.facebook.com/shirine.babbActors Prep:Instagram: @actorsprepllcWebsite: https://actrsprep.com/Ayana Major Bey Website: www.ayanabey.comInstagram: @ayanambey, @theartistpivot Rate and Review this podcast:Podchaser: https://www.podchaser.com/podcasts/the-artist-pivot-1455741Apple Podcasts: Just scroll down to the rate and review section on the podcast page *******Host & Exec. Producer: Ayana Major Bey Editor: Kieran Niemand Part of the Boundless Audio Network Get 10% off your first month with BetterHelp at https://betterhelp.com/artistpivot Support the show

Todd continues to break down the speech from Biden last night, before breaking down some audio from a Ted talk featuring actor Ethan Hawk, and the importance of finding your passion. Tune in 3-6 PM EST weekdays on WTIC NewsTalk 1080; or on the Audacy app!

This movie is the next chapter in horror collaboration by director Scott Derrickson and Ethan Hawk who worked together in Sinister.  It is our privilege to present you our Horror 101 treatment of The Black Phone.  Not since our Maniac show many years ago did a brand new movie push our scores so high.  Show Highlights:01:00  Prelude to Terror...04:50  Savini Mask Design...06:50  Remembering Sinister...12:33  Spoiler Warning!!!15:30  I Dreamed of Balloons...18:15  Would You Like To See A Magic Trick?20:00  Ethan Hawk as The Grabber...21:45  First Caller...23:40  Don't Go Upstairs...29:00  Escape Attempt...33:45  This is the Last Call...40:15  A Solid Payoff...46:25  Scoring The Film...61:00  Conclusion!  Thanks for Listening!

In the world of hiring out work, everyone wants to spend less money, get the best quality of work, and get it in the least amount of time possible. Of course. But, here's the thing: of time, money, and quality...you can only ever get two at the same time. And here's the other thing: it's not just the world of hired work, it's kind of everything. We discuss! Also: Josh recommends Ethan Hawk's documentary film Seymour, An Introduction about the amazing pianist Seymour Bernstein (currently on Tubi), and Ira recommends the HBO Max documentary series 100 Foot Wave about Garrett Macnamara's hunt to surf the largest waves in the world.

Andrew Harvey shares his experience of why it takes rigorous discipline to be an artist, why solitude matters, how to cultivate our personal passions, how “networks of grace” can save humanity, and more. He speaks eloquently on how to cultivate sacred friendships and speaks of his “soul brother,” 88-year-old pianist and teacher, Seymour Bernstein, a true wisdom elder. Andrew Harvey is an internationally acclaimed poet, novelist, translator, mystical scholar, and spiritual teacher. He is the Founder/Director of the Institute of Sacred Activism. He is the author of many books including The Direct Path: Creating a Personal Journey to the Divine Using the World's Spiritual Traditions (Harmony 2001), The Hope: A Guide to Sacred Activism (Hay House 2009), Teachings of Rumi (Shambhala 1999) and Play Life More Beautifully: Conversations with Seymour (Hay House 2016)Interview Date: 2/29/2016 Tags: Andrew Harvey, Seymour Bernstein, composer, solitude, soul friends, spiritual reservoir, Ethan Hawk, stage fright, charming, spellbound, prayer, elective affinities, soul friends, sacred friendships, forgiveness, soul listening, New Age music, Velazquez, artistic passion, rigorous discipline, Rumi, Bede Griffiths, the Christ path, transfiguration, Jesus, imaginal cells, sacred activists, Networks of Grace, heartbreak, radical action, Art & Creativity, Writing, Music, Philosophy, Spirituality, Social change/politics

The Black Phone is the new horror, thriller by Dr. strange director Scott Derrickson who returns to his horror/thriller roots. It stars Ethan Hawk and Mason Thames in the psychological film. Young Finney is abducted by a madman and has to find his way out of the secluded room that he has been put in. Supernatural elements are involved. How did the movie fair? Is it generic or is it brand new and fresh? John gives his review. #TheBlackPhone #EthanHawke #Horror Audio only podcast Movie Lovers Unite https://open.spotify.com/episode/6Slq3HhR8govf8zBxcRhu4?si=gJ3STpcKSyisesL5uiA1lQ Buy some merch from us by clicking the link https://www.bonfire.com/movie-lovers-unite-podcast-1/ To donate to us feel free to buy us a coffee https://www.buymeacoffee.com/Movielovers Follow us on Facebook https://www.facebook.com/HouseNerdGeek Follow us on Instagram https://www.instagram.com/movieloverstvloversunite/ Follow us on Twitter https://twitter.com/movieloversunit Follow us on Tiktok https://www.tiktok.com/@movieloverstvloversunit0 If you want to reach out to us you can by emailing us at movieloversunite@gmail.com Follow Alex https://www.youtube.com/channel/UCnda0j9dYT-GyB3Mv8ZGbwQ https://www.instagram.com/atownalex3/ https://twitter.com/atownalex3 Follow Rossie http://Facebook.com/www.rossielynn --- Send in a voice message: https://anchor.fm/movieloversunite/message

Anthony and I talk about movies. Willis, Joe, Jess, and Dock rob banks. It's kinda the same thing. Tonight we begin a month of movies and discussions about the fraternal bond, starting with this one, starring Matthew McConaughey, Ethan Hawk, Vincent D'Onofrio, Skeet Ulrich, and Julianna Margulies. Producers: Alexis Rosinsky and Sofia Rosinsky, stellalunafilms.com, Instagram: Stellalunafilms; Elia Baitel: YouTube: www.youtube.com/elixirtv, Instagram: The_Real_Elixer

This episode of The Passage to Profit Show features film producer, Michael Cerenize from The Stratagem Group, Rob Imbeault from Adapt Agritech and Somaya Oueslati and Hilda Bergman from Dripp & Dropp. Michael Cerenzie is the founder of The Stratagem Group, a collective of creative companies providing forward-thinking solutions in studio infrastructure, production service, content development, financing, and workforce development across the global media landscape. Stratagem’s portfolio of companies forms an integrated ecosystem that strategically drives, curates, and services film, television and digital streaming projects through every phase of the production pipeline. Through their proprietary assets and top-tier studio facilities, innovative production logistic services, and dedicated academic labor training, Stratagem meets global demand for content and talent. Michael has also developed, produced and financed dozens of films, both independently and in partnership with most major Hollywood studios, and collaborated with iconic filmmakers and an extensive list of Academy Award-winning and nominated actors. With over 20 years of experience in producing for theatre, films and television, he has collaborated with some of the most talented filmmakers in the business including Jim Sheridan, Robert Altman and Sidney Lumet. He has worked with an extensive list of Academy Award winning and nominated actors that include Philip Seymour Hoffman, James Franco, Matt Dillon, Albert Finney, Michael Shanon, Marisa Tomei, Amy Ryan, James Caan, Ethan Hawk, Bob Hoskins, Stellan Skarsgard, Natascha McHelhone and Gerard Depardieu. Read more at: https://stratagemgroup.ca/ Our Entrepreneur Presenters for July 10, 2022: Rob Imbeault is the Co-Founder of Adapt Agtech, which is building the largest mushroom-focused vertical farming network in the world. Adapt Agtech, provides a turn-key opportunity for container farming of edible and gourmet mushrooms. Adapt opens the door for new entrants to the farming industry and creates an opportunity for entrepreneurs while advancing access to a sustainable food supply. Mushrooms don’t need light! Solar-powered off-grid sustainable container farms produce food in locations and environments previously unavailable. Vertical and containerized farming has the opportunity to disrupt the status quo in food production. The pandemic may have had several economic repercussions globally owing to the disruption in supply chain and reduced availability of raw materials, but the farming market thrived during the crisis. Read more at: https://adapt.ag/ Somaya Oueslati and Hilda Bergman are the founders of Dripp & Dropp, offering protective covers around a patented design, enabling parents to always bring compact covers for strollers and car seats. Their unique fleece cover for car seats and strollers protects children from snow, heavy winds, as well as germs and viruses. A transparent window also gives easy access for the caregiver to keep an eye on the child. It comes in a small convenient pouch easy to hang on a stroller bar or small enough to fit in your everyday bag. Read more at: https://www.drippanddropp.com/ Visit

This episode of The Passage to Profit Show features film producer, Michael Cerenize from The Stratagem Group, Rob Imbeault from Adapt Agritech and Somaya Oueslati and Hilda Bergman from Dripp & Dropp. Michael Cerenzie is the founder of The Stratagem Group, a collective of creative companies providing forward-thinking solutions in studio infrastructure, production service, content development, financing, and workforce development across the global media landscape. Stratagem’s portfolio of companies forms an integrated ecosystem that strategically drives, curates, and services film, television and digital streaming projects through every phase of the production pipeline. Through their proprietary assets and top-tier studio facilities, innovative production logistic services, and dedicated academic labor training, Stratagem meets global demand for content and talent. Michael has also developed, produced and financed dozens of films, both independently and in partnership with most major Hollywood studios, and collaborated with iconic filmmakers and an extensive list of Academy Award-winning and nominated actors. With over 20 years of experience in producing for theatre, films and television, he has collaborated with some of the most talented filmmakers in the business including Jim Sheridan, Robert Altman and Sidney Lumet. He has worked with an extensive list of Academy Award winning and nominated actors that include Philip Seymour Hoffman, James Franco, Matt Dillon, Albert Finney, Michael Shanon, Marisa Tomei, Amy Ryan, James Caan, Ethan Hawk, Bob Hoskins, Stellan Skarsgard, Natascha McHelhone and Gerard Depardieu. Read more at: https://stratagemgroup.ca/ Our Entrepreneur Presenters for July 10, 2022: Rob Imbeault is the Co-Founder of Adapt Agtech, which is building the largest mushroom-focused vertical farming network in the world. Adapt Agtech, provides a turn-key opportunity for container farming of edible and gourmet mushrooms. Adapt opens the door for new entrants to the farming industry and creates an opportunity for entrepreneurs while advancing access to a sustainable food supply. Mushrooms don’t need light! Solar-powered off-grid sustainable container farms produce food in locations and environments previously unavailable. Vertical and containerized farming has the opportunity to disrupt the status quo in food production. The pandemic may have had several economic repercussions globally owing to the disruption in supply chain and reduced availability of raw materials, but the farming market thrived during the crisis. Read more at: https://adapt.ag/ Somaya Oueslati and Hilda Bergman are the founders of Dripp & Dropp, offering protective covers around a patented design, enabling parents to always bring compact covers for strollers and car seats. Their unique fleece cover for car seats and strollers protects children from snow, heavy winds, as well as germs and viruses. A transparent window also gives easy access for the caregiver to keep an eye on the child. It comes in a small convenient pouch easy to hang on a stroller bar or small enough to fit in your everyday bag. Read more at: https://www.drippanddropp.com/ Visit

If you want to feel stranger danger, look no further than Scott Derrickson's new film The Black Phone in theaters now. This well constructed and acted supernatural thriller is well worth your time. Artwork by Dusting Goebel (@dgoebel00 on Instagram) Synopsis Pretty much all you need to know is in the trailer. In the late 70s in North Denver, there is a spate of missing children. Rumors abound of a predator named “the Grabber”. Finney, the protagonist, is either a popular baseball pitcher, or a shy weakling who is picked on by bullies. He is soon grabbed by the grabber, played by Ethan Hawk in a mask channeling Pennywise the clown. His sister Gwen has a touch of the shinning, and has dreams about where the Grabber takes his victims. While Finney is locked in the Grabbers basement, the disconnected BLACK PHONE in the room receives calls from the previous victims of the grabber from beyond the grave. Finney must work to free himself using the knowledge given to him from the phone and using his own wits. https://youtu.be/3eGP6im8AZA Review of The Black Phone This is a very capable film. It feels very much like a Stephen King story, which makes sense, since the original story was written by his son Joe Hill. It is directed by Scott Derrickson, who previously directed Sinister and the Exorcism of Emily Rose. This is to say that The Black Phone is in capable hands. A lot is given away in the trailer, which is unfortunate, but the film has some good twists and turns and ends up being compelling and engaging throughout. The biggest pleasant surprise is the quality of the acting from the young cast. Especially Mason Thames who plays Finney, and Madeleine McGraw who plays Gwen, and has some of the best lines in the film. The first act does a very good job of creating a compelling three dimensional character in Finney. His life isn't all roses, having to deal with an alcoholic abusive father along with school yard bullies. We are shown that Finney is empathetic, strong, and capable, but doesn't fight for himself. He seems to survive day to day depending on friendships and his relationship with his little sister. This sets up a compelling character arc that seems natural and satisfying in the end. There isn't a lot of time spent on the Grabber. He is more of a presence and more of a looming threat than an active participant for most of the film. I would have liked to see them do more with him. There was ample opportunity to go very dark, and I was a little surprised given Derricksons previous films that there wasn't more done to show what The Grabber did with his previous victims. This might have upped the stakes a little and made The Grabber a more indelible villain. Overall, it was a very enjoyable movie, and exceeded my expectations. Score 8/10 Sinister Add it to your collection or rent it now.Click here to buy Get 13% Off your order at NightChannels.com when you use code HMT at checkout. Horrorrble Videos (NSFL) https://www.reddit.com/r/CrazyFuckingVideos/comments/unki6m/camera_guy_gave_no_fucks/ https://www.reddit.com/r/CrazyFuckingVideos/comments/uik0hy/bzzzt_nsfw/ https://www.reddit.com/r/CrazyFuckingVideos/comments/vji12g/hes_lit/ https://www.reddit.com/r/CrazyFuckingVideos/comments/v178p9/human_fountain/ https://www.reddit.com/r/CrazyFuckingVideos/comments/vj6k5u/watch_your_head/ https://www.reddit.com/r/CrazyFuckingVideos/comments/und4y7/man_drops_deuce_with_a_layup/ https://www.reddit.com/r/CrazyFuckingVideos/comments/v6mvaf/the_joys_of_skateboarding/ https://www.reddit.com/r/CrazyFuckingVideos/comments/v5p28d/bazinga/ https://www.reddit.com/r/CrazyFuckingVideos/comments/vj7413/when_your_legs_dont_walk_like_they_used_to_before/ https://www.reddit.com/r/perfectlycutscreams/comments/v1nn5q/a_slick_of_sunshine_never_hurt_nobody_lets_get/ https://www.reddit.

In this episode we get into new on the remake of Resident Evil 4. Ben has also join us for a short review of The Quarry. Have you ever wanted a PC case that looks like a Commodore 64 well now you can. On the second half is google hiding the fact they have sentient AI? lol The black phone a horror movie base off Joe Hill novel of the same name and Ethan Hawk is playing bad guy. That and more on this episode of the Talking & Gaming Tech Podcast

bIn Episode 105, the Marvelous Friends Review the season finale of Moon Knight, and rank it alongside the other Marvel-Disney+ shows... Come listen in!Any thoughts on some of these hot takes? Please leave us a review and let us know what you think! ---Follow⚡️Call ⚡️Connect with us                 

In Episode 103, the Marvelous Friends review Episode 5 of the Disney + series Moon Knight. Mommy issues, vulnerability and the afterlife are all topics we cover in this episode! Come join the conversation!Any thoughts on some of these hot takes? Please leave us a review and let us know what you think! Jack Bauer, 24 | 00:00:00Intro | 00:07:43Mommy Issues | 00:10:30Oscar Isaac's Performance | 00:32:37---Follow⚡️Call ⚡️Connect with us                 

In Episode 102, the Marvelous Friends review Episode 4 of the Disney + series Moon Knight. From the dynamic of Stephen and Marc, to Layla, and to Tawaret, the question is.. how confused are we? Come join the conversation!Any thoughts on some of these hot takes? Please leave us a review and let us know what you think! ---Follow⚡️Call ⚡️Connect with us                 

In Episode 101, the Marvelous Friends review Episode 3 of the Disney + series Moon Knight. Come join the conversation!Any thoughts on some of these hot takes? Please leave us a review and let us know what you think! ---Follow⚡️Call ⚡️Connect with us                 

From Disney Plus and Marvel we have interviews with Oscar Isaac, Ethan Hawke, May Calamawy and Kevin Feige. They talk about the series Moon Knight. We also have movie clips and behind the scenes footage. Not only does Moon Knight deal with mental heath issues, Disney and Marvel weave action, drama, horror and romance into one wild series that dares to test the boundaries of comic book heroes. 

Mal and Jo summon the deep dive into the second episode of Disney's 'Moon Knight' (06:45). They dive into the intricate relationship being established between Steven and Mark, (26:33) along with Ethan Hawk's portrayal of Arthur Harrow (71:02). Later they dive into their favorite Easter eggs, along with answering your mailbag questions. Hosts: Mallory Rubin and Joanna Robinson Senior Producer: Steve Ahlman Social: Jomi Adeniran Additional Production: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mal and Jo summon the deep dive into the second episode of Disney's 'Moon Knight' (06:45). They dive into the intricate relationship being established between Steven and Mark, (26:33) along with Ethan Hawk's portrayal of Arthur Harrow (71:02). Later they dive into their favorite Easter eggs, along with answering your mailbag questions. Hosts: Mallory Rubin and Joanna Robinson Senior Producer: Steve Ahlman Social: Jomi Adeniran Additional Production: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Midnight Boys have returned to give their instant reactions to the season premiere of 'Moon Knight' (05:02). They dive into what they think of the MCU debut of Oscar Issac and Ethan Hawk and what they would like to see from the latest MCU show. Later they also debate how essential some MCU shows and movies really are (59:36). Hosts: Van Lathan, Charles Holmes Guests: Steve Ahlman, Jomi Adeniran Producer: Steve Ahlman Social: Jomi Adeniran Additional Production: Arjuna Ramgopal Learn more about your ad choices. Visit podcastchoices.com/adchoices