Podcasts about hartford art school

Tim Carpenter and I met up at the 2024 Chico Review to talk about his latest book Little, published by The Ice Plant.  We talk about how Little is the last in a trilogy of Tim's books, Local Objects and Christmas Day, Bucks Pond Road, both also published by The Ice Plant. Even though Tim was on PhotoWork with Sasha Wolf in 2023 to talk about To Photograph Is To Learn How To Die, and we do not take a deep dive into that work, we do end up having an amazing philisophical discussion about photography, his work, and his style of writing in that book. https://www.timcarpenterphotography.com |  https://www.instagram.com/timcarpenter |  https://theiceplant.cc/product/little/ This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com Tim Carpenter is a photographer, writer, and educator who works in Brooklyn and central Illinois. He is the author of several photobooks, among them “Little” (The Ice Plant); “A month of Sundays” (TIS books); “Christmas Day, Bucks Pond Road” (The Ice Plant); “Local objects” (The Ice Plant); “township” (TIS/dumbsaint); “Bement grain” (TIS/dumbsaint); “Still feel gone” (Deadbeat Club Press); “The king of the birds” (TIS books); and “A house and a tree” (TIS books). Tim received an MFA in Photography from the Hartford Art School in 2012. He is a faculty member of the Penumbra Foundation Long Term Photobook Program and serves as a mentor in the Image Threads Mentorship Program. Tim's book-length essay “To photograph is to learn how to die” was published by The Ice Plant in Fall 2022. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

In this episode of PhotoWork with Sasha Wolf, substitute host, Michael Chovan-Dalton continues his Chico Review recordings, this time with photographer, Ben Brody. Ben joined Michael to talk about his two books, Attention Servicemember and 300m both published by Mass Books which was started by Ben and Peter van Agtmael. Ben and Michael talk about Ben's experience as an Army photographer during the American war in Iraq and why he chose to be a civilian freelance photographer during the war in Afghanistan. Ben talks about how Attention Servicemember and 300m are part of his self-reckonining with his role in creating propaganda. They also talk about his work with The GroundTruth Project, an organization dedicated to local journalism in under covered communities. Note: Attention Servicemember was first published by Red Hook Editions. https://www.photobrody.com - https://www.massbooks.co Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books. His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition. Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts.

Continuing with my recordings at the 2024 Chico Review, Ben Brody joins me to talk about his two books, Attention Servicemember and 300m both published by Mass Books which was started by Ben and Peter van Agtmael. We talk about Ben's experience as an Army photographer during the American war in Iraq and why he chose to be a civilian freelance photographer during the war in Afghanistan. Ben and I talk about how Attention Servicemember and 300m are part of his self-reckonining with his role in creating propaganda. We also talk about his work with The GroundTruth Project, an organization dedicated to local journalism in under covered communities. Note: Attention Servicemember was first published by Red Hook Editions. This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com - https://www.photobrody.com - https://www.massbooks.co - Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books. His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition. Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts. Support Real Photo Show with Michael Chovan-Dalton by contributing to their tip jar: https://tips.pinecast.com/jar/real-photo-show

An Artist for All Media: Tao LaBossiere Tenth Episode: Tao LaBossiere is one of the most ridiculously talented people I know. He's an award-winning muralist, sculptor, and illustrator, who passionately celebrates community through his creative endeavors. He's the volunteer co-director of the Hartford ArtSpace Gallery in Hartford, Connecticut. He was the lead creative partner at the Still Waters Retreat Center in Voluntown, Connecticut, for more than a decade. And he's studied at Norwich Free Academy, the Lyme Academy of Fine Arts, The Cleveland Institute of Art, and the Hartford Art School. Most important and impressive, Tao is a really good man. He'll join me to share his gentle genius and his generous spirit. We hope you'll be there with us. https://www.artoftaolabossiere.com/ Video Version: https://www.youtube.com/live/Ra66qpOupPg?si=LXQ4d3Fw_9xJRRWY Learn more about Mark here: https://www.youtube.com/channel/UC4cXoftnMYJ7bREYG-K9eng https://www.linkedin.com/company/the-anxious-voyage/about/?viewAsMember=true https://www.facebook.com/profile.php?id=100095313165139 https://www.linkedin.com/in/markobrien/ https://www.facebook.com/MarkNelsonOBrien https://www.facebook.com/MartinTheMarlin/ mark@obriencg.com

Join Tamara - and David Laughlin, previous co-host of the show! - for an interview with Ted Michalowski, a Professor of Illustration at SCAD with a long career as an On-the-Spot/Reportage/Lifestyle Illustrator. He graduated in the inaugural class of Murray Tinkelman's MFA Illustration program at the Hartford Art School, University of Hartford. Ted went on to work as a courtroom artist in a variety of high-profile trials, broadcasted by CNN, CNN en Español, CBS News, ABC News, and Fox News. For ten years he also studied privately under Fred Brenner, prominent children's book illustrator, wildlife artist, fashion illustrator, and educator. He and his students got the chance to create live drawings of many actors visiting for the recent SCAD Film Fest, including Bob and Erin Odenkirk and Kevin Bacon. Ted also has an original piece in an exhibition opening Nov 17, at the Society of Illustrators in NYC!  Check out Ted's work and follow him here:  https://www.instagram.com/tedmichalowski/ http://tedmichalowski.com/  Topics in their chat include: Ted's hilarious quote about courtroom illustration: "capturing people through drawing; drawing people who have already been captured;" his father's influence on Ted and instilling the value of making, keeping, and maintaining friendships; the "friendliness of drawing" in connecting with a person visually; teacher Fred Brenner who inspired him to start drawing people while sitting out in public, and his thoughts about a face being a landscape; a teaser of Ted's AMAZING rock DJ voice at the beginning of the show's second half; the annual live music and live drawing events Ted and a musician friend puts on throughout Poland; Ted's thoughts on society's salacious interest in violent video games and in the famous trials he's illustrated, vs. the real-life emotionally difficult experience of sitting near the families involved, having to listen to the testimony, etc; Fred Brenner's words: "the role of the artist is to reinforce the value of life;" Ted's compliments on the quality and emotional depth of the movies shown at the recent SCAD Film Fest, especially "American Fiction" and "Poor Things;" and his thoughts that becoming a teacher was about finding something he loved that gave him meaning, and then turning around and passing it along to a new generation.   Tune in and get all the details!

Licenciada en Artes por la Hartford Art School, en Connecticut, y tiene una Maestría en Artes Visuales en la Universidad de Nueva York. Sus proyectos de investigación son de carácter multidisciplinario, combinando en distintas etapas estrategias como la fotografía, la instalación, la gráfica, el collage y especialmente, la pintura. Para María Elena Álvarez su obra intenta configurarse como una narrativa abstracta, con vestigios y pistas de los detonantes figurativos y sensoriales que alimentan los procesos del arte. Desde estas geometrías de lo sensible, presenta el discurso visual como un viaje, real e imaginario, donde las formas desarrolladas se transforman en puntos de partida. Entre otros reconocimientos, recibe en 2014 y 2016, el Premio Armando Reverón en el Salón Arturo Michelena, ediciones 67 y 68, Valencia, Venezuela. Un Minuto con las Artes, la Academia en tu Radio, con Susana Benko, Álvaro Mata, Humberto Ortiz y Rafael Castillo Zapata. Al aire por Radio Capital 710 AM el miércoles 4 de octubre de 2023. ----------------- Sigue nuestro contenido a través de: ▸ Instagram → ⁠https://bit.ly/42DmGK6⁠ ▸ Spotify → ⁠https://acortar.link/Pazhqo⁠  ▸ Apple Podcast → ⁠https://apple.co/42oUwCO⁠  ¿Qué te pareció esta entrevista? ¡Déjanos tu comentario!

Episode 14 with Boston-based painter & muralist, Cyrille Conan. Cyrille Conan was born in 1973 and grew up in Queens, NY to French immigrants. He is first generation American and is bilingual. He has dual-citizenship and identifies both as French and American. This duality is apparent in his artwork. The graphic nature and grit of the work derives from growing up in NYC in the 70s & 80s and the love of nature and natural forms distilled in him from Celtic/Breton culture have transformed into a minimal, organic, geometrical abstraction. Cyrille graduated with a BFA in Painting from the Hartford Art School before planting his roots in Boston in 1998. While his primary practice is still painting, he works in a variety of mediums and scales. He's produced site-specific installations and murals in numerous states as well as local galleries and public spaces in Boston, including The Cyclorama, The Museum of Fine Arts, Boston and Boston City Hall.   In this conversation, we explore the intersection between studio painting and murals, the inspiration behind his work and what it's like inhabiting the felt in-between space of being first generation French American.  This is a conversation about nature, Breton culture, symbolism and moving on from Act 1 in life via a meandering path to living in his dharma now.  Give Cyrille a follow on Instagram and check out his work here. Please Subscribe to the show, leave a review and share this episode on social media or with friends! Check out our website for more information and follow us on @artist_and_place Steam Clock. Theme music by @GraceImago Podcast graphic design by @RobKimmel

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer and publisher Matt Eich discuss the intricate play between personal work and universality, the importance of varied artistic inspiration, and the deep understanding and responsibility needed when working with communities as an outsider. Matt also expresses the necessity of having trusted voices help in the editing process. https://www.matteichphoto.com https://www.littleoakpress.com Matt Eich is a photographic essayist working on long-form projects related to memory, family, community, and the American condition. Matt's work has received numerous grants and recognitions, including PDN's 30 Emerging Photographers to Watch, the Joop Swart Masterclass, the F25 Award for Concerned Photography, POYi's Community Awareness Award, an Aaron Siskind Fellowship, a VMFA Fellowship and two Getty Images Grants for Editorial Photography. His work has been exhibited in 20 solo shows, in addition to numerous festivals and group exhibitions. Matt's prints and books are held in the permanent collections of The Portland Art Museum, the Museum of Fine Arts Houston, The New York Public Library, Chrysler Museum of Art, Ogden Museum of Art, and others. Matt was an Artist-in-Residence at Light Work in 2013, and at a Robert Rauschenberg Residency in 2019. Eich holds a BS in photojournalism from Ohio University and an MFA in Photography from Hartford Art School's International Limited-Residency Program. He is the author of four monographs, Carry Me Ohio (Sturm & Drang, 2016), I Love You, I'm Leaving (Ceiba Editions, 2017), Sin & Salvation in Baptist Town (Sturm & Drang, 2018) and The Seven Cities (Sturm & Drang, 2020). He has one forthcoming monograph scheduled for Fall 2023. Eich self-publishes under the imprint Little Oak Press and resides in Virginia. This podcast is sponsored by picturehouse + thesmalldarkroom. https://phtsdr.com

THIS WEEK on the GWA Podcast, I interview one of the most pioneering artists alive today, Kiki Smith! Born in 1954, in Germany, raised in New Jersey, and now based in the Catskills and New York City, where we are recording today, Kiki Smith is an artist who works across a whole range of mediums ranging from sculpture to printmaking, tapestry to collage. She focuses on subjects of mortality and decay, the body and the earth, what it means to be human and our relationship to nature. She has said: "Our bodies are basically stolen from us, and my work is about trying to reclaim one's own turf, or one's own vehicle of being here, to own it and to use it to look at how we are here.” But it is this notion of collage that seems to be at the heart of her oeuvre – as she works with multiple forms, hybridised figures, and looks at both ancient mythology and contemporary politics, such as tragic events such as the AIDS crisis or the cruel laws around abortion. As a result, she has used materials such as bodily fluids to investigate subjects around death, reproduction and birth. Working indefatigably since the 1970s, Smith, although having briefly studied at Hartford Art School in Connecticut, is for the most part self taught. She has described herself as a “thing-maker” and it is this desire and hunger for experimentation that makes her work so captivating and engaging. Studying the world by living and surrounding herself with nature, she has also since gone on to train as an emergency medical technician. A professor at NYU and Columbia University, Smith has exhibited across the globe – from the Whitney museum to MoMA, The Whitechapel to, most recently, the Seoul Museum of Art in South Korea – and is in collections of some of the most renowned museums in the world. I couldn't be more excited to be interviewing her today. Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Mikaela Carmichael Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/ THIS EPISODE IS GENEROUSLY SUPPORTED BY OCULA: https://ocula.com/

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, writer and educator, Tim Carpenter discuss his book, To Photograph Is To Learn How To Die, published by The Ice Plant. Tim also talks about the importance of seeing a place over time as a way of seeing how you, yourself, have changed over time and how he let go of the idea of subject matter. https://www.timcarpenterphotography.com https://theiceplant.cc/product/to-photograph-is-to-learn-how-to-die/ Tim Carpenter (Illinois, 1968) is a photographer, writer, and educator based in Brooklyn and central Illinois. He is the author of several photo books, among them A month of Sundays (TIS books); Christmas Day, Bucks Pond Road (The Ice Plant); Local objects (The Ice Plant); township (collaboration with Raymond Meeks, Adrianna Ault, and Brad Zellar; TIS/dumbsaint); Bement grain (TIS/dumbsaint); Still feel gone (collaboration with Nathan Pearce; Deadbeat Club Press); Illinois central (Kris Graves Projects); The king of the birds (TIS books); and A house and a tree (TIS books). Local objects was included in the 2018 exhibition “American Surfaces and the Photobook” at the Museum of Modern Art, New York, and was listed for the Kassel Photobook Award 2018. Carpenter received an MFA in Photography from the Hartford Art School in 2012, and in 2015 co-founded TIS books, an independent photobook publisher. He is a faculty member of the Penumbra Foundation Long Term Photobook Program, serves as a mentor in the Image Threads Mentorship Program, and is a co-proprietor of Distant Zine. Carpenter's book-length essay “To photograph is to learn how to die” was published by The Ice Plant in Fall of 2022.

Erica Ptohos is the SVP, Group Creative Director for TBWAWorld Health and she has some great advice and stories for you in this episode. Erica talks about shooting in an active mental institution and one project that really hit close to home for her. You will also hear her advice (Which is great advice) to anyone wanting to get into advertising and design, how she got into this whole career, why she thinks going to college at Hartford Art School before she went to Pratt Institute was a good idea and how she selects photographers for projects, plus a lot more. So go take a listen and let me know what you think. Be sure to Like it, Share, Subscribe and Comment!

Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath.  He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books.His first book, Attention Servicemember, was shortlisted for the 2019 Aperture - Paris Photo First Book Award and is now in its second edition.Ben holds an MFA from Hartford Art School's International Low-Residency Photography program.  He resides in western Massachusetts. On episode 188, Ben discusses, among other things:How he got into photography.How 9/11 influenced his decision to join the army.The mandate he was given by his superiors.Reappropriating the reappropriated.How the media's portrayal of war becomes a ‘feedback loop'.Vernacular vs. ‘professional' images of war, as exemplified by Abu Ghraib.Why he went to Afghanistan as a civilian photographer.Circumventing the restrictions of the embed program.His new book 300M and how it came about.Referenced:Kurt Vonnergut, Slaughterhouse FiveEd ClarkJoe SaccoShabana Basij-RasikhWebsite | Instagram | Books | 300m (video)“I felt like there was a space in culture to make a photobook that was narrated by a totally ordinary soldier, who was not some scary CAG operator or CIA spook. And also by a pretty ordinary photographer, not like a famous photographer with a storied history who's really invested in a cult of personal celebrity. When I made Attention Service Member and now 300M, which is almost like an epilogue to Service Member, I had the luxury of having probably seventy five photobooks already about the global war on terror that had come out before me. So I was able to analyse those books and assess, ‘what hasn't been done before?'”

Igor Posner was born in Leningrad (St. Petersburg). After the fall of the Soviet Union, Igor moved to California in the early 90s. He studied molecular and cell biology at the University of California, Los Angeles, where he first started to take pictures and experiment in the darkroom. This initial infatuation with picture-taking led Igor to explore the silent and haunting experience of walking after dark on the streets of Los Angeles and Tijuana. This first series of images No Such Records savors the strange solitude of the enigmatic region between California and Mexico; amid the streets, bars, night shelter hotels, and its disappearing night figures. After 14 years, Igor returned to St. Petersburg in 2006, taking up photography full time, which led to a book project entitled Past Perfect Continuous, published by Red Hook Editions in 2017. At present, Igor is based in New York and working on a long term project exploring psychological aspects of migration and the gradual disappearance of neighborhoods based on Russian immigrant communities in North America. Igor's work has been shown in North America, Europe, Russia, and Southeast Asia. He joined the Prospekt Photographers agency as a full member in 2011. Ben Brody is an independent photographer, educator, and picture editor working on long-form projects related to the American wars in Iraq and Afghanistan, and their aftermath. He is the Director of Photography for The GroundTruth Project and Report for America, and a co-founder of Mass Books. His first book, Attention Servicemember, published by Red Hook Editions and designed by Kummer & Herrman, was shortlisted for the Aperture - Paris Photo First Book Award. Ben holds an MFA from Hartford Art School's International Low-Residency Photography program. He resides in western Massachusetts. On episode 157, Igor and Ben answer some of the following questions:Can you pass on one or two useful tips when it comes to editing and sequencing images for a book? Is there something you can say about the decision making process?When you begin a project, are you thinking about how it will end up - a book, exhibition etc? Does this influence your practice during the shooting phase?When you feel creatively exhausted or uninspired or blocked what do you do to get yourself moving forward again?What else, outside of photographery, are you passionate about? Do you have any other obsessions?Do you rely on a number of distinct income streams to make a living, and if so how is your 'income pie chart' made up?What is the most exciting photobook (or photographer) you've come across in the last year or so?What's your favourite photobook, and why? Or is there a photobook that was particularly influential?Where do you see the market for photo books heading in the next few years?Which photographer's work has been most influential to you?What advice should young photographers ignore? Are there recommendations you hear a lot that you totally disagree with?How do you fund a project you are going to publish? Does the author have to contribute towards the costs?What is the best fund raising strategy for a photo book?What are some key things to be aware of when contacting a publisher. Any Do's and Dont's?Any suggestions for putting together a book proposal?How do you choose the projects you are going to publish?Where do you see the market for photo books heading in the next few years? Igor: Website | Instagram | Redhook EditionsBen: Website | Instagram | The GroundTruth Project | Mass Books

On this episode, we’re joined by Nico Wheadon. She is an independent art advisor, curator, educator, and writer who adopts interdisciplinarity as a strategy for building a more responsive cultural ecosystem. An advocate for BIPOC and womxn artists in all endeavors, she uses her myriad platforms to expand the canon of contemporary art, whilst cultivating a community of professional practice and collective care. Through her consultancy, NICO WHEADON PROJECTS, she delivers cultural strategy and curatorial guidance to artists, cultural institutions, entrepreneurs, foundations, and government agencies. Nico is an adjunct professor at Barnard College, Brown University, and Hartford Art School, teaching at the intersections of art history, creative and cultural entrepreneurship, and museum studies. 

“And I think the reason that I feel that way today is that, you know, like, everything that's intended to circulate in the public sphere, I think, has a social responsibility. Especially art. And I think, yeah, I think that's because of what I see is like, the power and the potential of art, not, it doesn't mean that like art in and of itself is overly like political or designed to provoke or be provocative. But I do think that, like, art has this superpower, you know, to really, like, initiate, but then also advanced conversations.” - Nico Wheadon, Antiracist Artist Podcast, Season 1 Episode 7__________________________________Episode 7: Nico WheadonWelcome to the Antiracist Artist Podcast, a podcast for activists, advocates, and allies working to make our communities equitable through artistry. Each episode we are joined in conversation by an artist or arts facilitator who has been paving the way, in hopes of learning from their expertise and experience. Through action and unity, we can create a better tomorrow today. Let’s go!__________________________________Hello and welcome to the Antiracist Artist Podcast. I’m your host, Taylor Ybarra, and I’m so glad to have you a part of the conversation. In our seventh episode, Nico Wheadon (she/her/hers)! She is an accomplished independent art advisor, curator, educator, and writer. As the founder and principal of bldg fund LLC, she created an innovation platform for BIPOC artists, entrepreneurs, and neighbors. Nico currently serves on the Board of Governors at the National Academy of Design, and the Advisory Board for the Lubin School of Business. She is also keeping busy as an adjunct assistant professor at Brown University, Barnard College, and Hartford Art School, she has also guest lectured internationally on topics including: the future of museums; art and entrepreneurship; navigating risk in the nonprofit industrial complex, and building artist-led institutions. In 2020, she was appointed as a Guide at The Institute of Possibility. Nico’s first manuscript—On Museum Citizenship: A Toolkit for Radical Art Pedagogy, Practice & Participation—is slated for publication in Spring 2021. The book brings together over forty pioneering voices from the field to reflect on canon-shifting practice currently taking place within, beyond, and through the museum space. To find out more about Nico and to contact her, please send Nico a reach out to her via her website here.During this episode, Nico and I talk about:How she personally defines antiracist and how it is incorporated into her own work.Navigating both within and without organizations in the social justice space.Everything that is circulating in a public sphere has a social responsibility, especially art.The social contract of facilitating the community connection.Using her platform and seat to redirect resources to artists of color.Working with artists in order to build a platform that ends up building a platform for social justice because of the artists’ work is about social injustice.Defining advocate vs activist.Building a community engagement department within the Studio Museum in Harlem, NY.Working with the community in order to make work not colonizing and a one-sided transaction but an honest conversation and listening to the community that you are in.How she learns by pushing against things.What the bldg fund LLC is.What her book is about (On Museum Citizenship: A Toolkit for Radical Art Pedagogy, Practice & Participation) and where to find it.And so much more!Resources & Organizations Mentioned:Nico Wheadonbldg fund LLCStudio MuseumThe Black SchoolNXT HVNAmerican Alliance of Museums1Hood MediaAntiracist Artist Podcast’s March WorkshopReading Community Episode TranscriptIn each episode, we invite our guests to choose an organization to uplift, one that is creating a meaningful impact toward a more equitable, inclusive, accessible, and antiracist future. In honor of Nico, she has chosen 1Hood Media. 1Hood Media is a collective of socially conscious artist and activists who are utilizing art in order to raise awareness and seeking to build liberated communities through arts, education, and social justice.This podcast is made with, by, and for those of us in this fight together, and I invite you to be a part of this podcast community with us. You can stay connected with us at AntiracistArtist.com, on Instagram @antiracistartist, or by emailing antiracistartist@gmail.com. Let us know why antiracist artistry is important to you, what questions you would like to dig into, and who you’d like to hear from in future episodes. __________________________________The Antiracist Artist Podcast is hosted by Taylor Ybarra, produced by Subito Politico Productions, LLC, edited by Andrew Alcaraz, and Project + Community Managed by Maricela Juarez. To stay connected with the Antiracist Artist Podcast, please visit us at AntiracistArtist.com, on Instagram @antiracistartist, or via email at antiracistartist@gmail.com. We’d love to hear from you!Our podcast is made possible with the support of folx like you. You can get exclusive content and access to the show by becoming a patron at patreon.com/antiracistartist. This episode’s donation was made possible in part by the generosity of Jenny Hoofnagle.Theme music features vocals by Esteban Suero, Forest VanDyke, Kennedy Kanagawa, Jamison, & MinJi Kim._________________________________________________Get SocialConnect with us! | Instagram @antiracistartist | FaceBook @AAPcommunity | Twitter @AAPcommunity _______This episode features the following artists/arts facilitators:Esteban Suero | IG @estesuero / @theofficialerosForest VanDyke | IG - @forestvandykeKennedy Kanagawa | kennedykanagawa.com | IG @thisiskennedyJamison | www.courtneyjamison.com | IG @iamcourtneyjamison | TW @thecjamisonMinJi Kim | IG @minjilikesdogsandmusicMaricela Juarez | www.maricelajuarez.com | IG @remarkablymari 

In this episode of PhotoWork with Sasha Wolf, Sasha and photographer, Doug DuBois talk about the influence photographers Larry Sultan and Jim Goldberg had on Doug’s artistic development while he was in grad school in San Francisco.  Doug discusses his long term project, My Last Day at Seventeen and the complex, always evolving, responsibility he feels for how the teenage subjects, now adults, were represented. Doug’s openness, honestly and good humor bring warmth and breadth to this conversation. http://dougdubois.com https://aperture.org/books/my-last-day-at-seventeen/?post_type=product&p=12198/ Doug DuBois’ photographs are in the collection of the Museum of Modern Art in NY, SFMOMA in San Francisco, J. Paul Getty Museum and LACAMA in Los Angeles, The Museum of Fine Art in Houston, the Library of Congress in Washington DC and the Victoria and Albert Museum, London. He has received fellowships from the John Simon Guggenheim Foundation, the MacDowell Colony, Yaddo, The National Endowment for the Arts, SITE Santa Fe, Light Works and The John Gutmann Foundation. Doug DuBois has exhibited at The J Paul Getty Museum in Los Angeles; The Aperture Foundation, The Museum of Modern Art and Higher Pictures in New York; SITE, Santa Fe; New Langton Arts in San Francisco; PARCO Gallery, Tokyo, Japan, Museo D’arte Contemporanea in Rome, Italy and The Irish Museum of Modern Art, The Crawford Art Gallery and the Gallery of Photography in Ireland. He has published two monographs with the Aperture Foundation, My last day at Seventeen (2015), All the Days and Nights (2009); exhibition catalogues including Where We Live: Photographs from the Berman Collection (2007) with the J. Paul Getty Museum, The Pleasures and Terrors of Domestic Comfort (1991) with the Museum of Modern Art; as well as features in Double Take, The Picture Project, The Friends of Photography, and in magazines including The New York Times, Time, Details, GQ, The Telegraph and Financial Times of London, Monopol in Berlin and Outlook Magazine in Beijing. Doug DuBois received his MFA from the San Francisco Art Institute and is an associate professor at Syracuse University and on the faculty at the Hartford Art School’s International Limited Residency MFA program in photography. Find out more at https://photowork.pinecast.co

I had the opportunity to meet Corey Pane. We met at Rockwell Park in Bristol, CT where we talked about his art. He is a 30 year old artist from CT who attended Hartford Art School. He recently completed a mural on Main Street in Bristol as well as created the album cover art for […] The post Episode 1 : Corey Pane appeared first on C3Media.

This week we have an amazing artist in the house: Skylar Hughes! He has incredibly thoughtful insights into the creative process and what it means to "be a man". Skylar Hughes is an American born painter and musician living and working in Los Angeles, CA. He earned a BFA from The Hartford Art School, CT in 2009 and now focuses primarily on painting and collage. His first major solo exhibition, “One Big Gust of Wind,” was held at the New Britain Museum of American Art, CT in 2013. Skylar has since participated in solo and group shows in CT, NY, and CA and has work in numerous public and private collections. "Warm Into the Day", the artist's second solo exhibition with The Lodge, LA was held in the summer of 2019 in conjunction with the publication of the artist's first printed book of collage, "Book of Shapes". Furthermore, Skylar is an accomplished musician and his eleven song album "Moon Eyes" can be found on Bandcamp.com. When not in his Chinatown based studio, Skylar can either be found on the waves at Topanga Beach or guiding a guest towards that perfect bottle of Piemonte as the Wine Director at Rossoblu restaurant in downtown LA. .

Episode Eleven is the first episode discussing COVID-19 and how its arrival has impacted one of many communities within the art world. Featured is Nico Wheadon, the executive director of NXTHVN, a multidisciplinary arts incubator in New Haven, Connecticut. She is an adjunct assistant professor of Art History and Africana Studies at Barnard College, and Professional Practices at Hartford Art School within the interdisciplinary MFA program. Wheadon is an independent writer and regular contributor to The Brooklyn Rail, Artnet and C&, with her first manuscript slated for publication by Rowman & Littlefield in 2021. She is the former director of public programs and community engagement at the Studio Museum in Harlem, where she was celebrated for the pioneering artist projects, community engagement initiatives, and strategic partnerships she delivered during her five-year tenure. She has lectured internationally at universities, conferences and symposia, and currently serves on the advisory boards for More Art, and the John Nicholas Brown Center for Public Humanities and Cultural Heritage. Through her highly collaborative and experimental practice, Wheadon mines the rich intersections of contemporary art, dialogic pedagogy and social practice. She holds an MA in Creative & Cultural Entrepreneurship from Goldsmith's College, University of London, and a BA in Art-Semiotics from Brown University. Nico is a dynamic intellectual, an artist and an advocate for the art community. https://www.nxthvn.com/ https://www.nxthvn.com/about/ https://www.contemporaryand.com/magazines/seeing-deeply/

This month on Live Culture I am delighted to welcome artist, educator and thinker Power Boothe to the program. The program promises to be a heady mix of art, technology, ideas and books as well voyaging from the past to the NOW and the future, talking life in the New York artworld that was, and getting an advanced look at some of his upcoming exhibits and projects here in Connecticut. Power Boothe has exhibited his paintings for over four decades. His work is represented in public collections including the Metropolitan Museum of Art, the Guggenheim Museum, the Whitney Museum, the Museum of Modern Art in New York and the British Museum in the UK, as well as many private collections nationally and internationally. In addition to his studio practice, Power has spent years working in the theater- notably for Richard Foreman and the Ontological-Hysterical Theater Company in NYC . He has received awards for his designs for experimental theater, dance and video productions, including a Bessie Award for set design, a Film/Video Arts Foundation Award for film, and several Art Matters Grants for theater. He came to New York as a student in the Whitney Museum Independent Study Program in 1967, He continued to live and work as an artist for the next three decades in New York City. He studied classical archeology at the American School of Classical Studies in Athens, Greece and linguistics and philosophy at the University of California, Berkeley. In 1989 he received an Honorary Doctorate of Arts degree from Colorado College for his mid-career accomplishments. Locally, he exhibits at Fred Giampietro Gallery in New Haven and has a forthcoming exhibit at Five Points Gallery in Torrington. Boothe is currently Professor of Painting at the Hartford Art School, University of Hartford. He served as Dean of the Hartford Art School from 2001 to 2010, where he led a successful campaign to build the Renée Samuels Center, a studio facility focused on teaching art and technology. As Director of the School of Art at Ohio University from 1998 to 2001 he produced a symposium on cognitive theory and the arts: Art/Body/Mind. As Co-director of the Mount Royal Graduate School of Art at the Maryland Institute College of Art from 1993 to 1998, he curated the exhibition, Art + Necessity. Boothe served as Lecturer in the Humanities at Princeton University from 1988–1994 and served on the faculty of the School of Visual Arts from 1979 -1988. Among his other talents, Power can also list RADIO. A former radio presenter himself, we welcome him back to the live airwaves as we welcome in 2020! To see some of Power's work online and to find out more please visit: https://www.powerboothe.com/

Chris talks about working in a studio setting after graduating college, and how he became motivated to take control of his own thinking and picture making that inevitably launched his career. Also, a discussion about education and students, and his position as the Director of the The Low Residency MFA in Illustration Program at the University of Hartford's Hartford Art School. PIcs and link at brentwatkinson.com .

This week batted sports presents a panel on making and being presented at Hauser and Wirth by our partners BFAMFAPhD. Step 1: Modes of Critique What modes of critique might foster racial equity in studio art classes at the college level? Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence Modes of Critique   What modes of critique might foster racial equity in studio art classes at the college level?   Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence   Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School.   Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University.   Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity.   The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant.   Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world.   Step 2:  Artist-Run Spaces How do artists create contexts for encounters with their projects that are aligned with their goals? Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega   Upcoming Event: Building Cooperatives What if the organization of labor was integral to your project? Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light RSVP https://www.eventbrite.com/e/making-and-being-building-cooperatives-tickets-54313881281?aff=ebdssbdestsearch   http://bfamfaphd.com/ Making and Being is a multi-platform pedagogical project that offers practices of contemplation, collaboration, and circulation in the visual arts. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi. Bio BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. BFAMFAPhD received critical acclaim for Artists Report Back (2014), which was presented as the 50th anniversary keynote at the National Endowment for the Arts and was exhibited at the Brooklyn Museum, the Museum of Art and Design, Gallery 400 in Chicago, Cornell University, and the Cleveland Institute of Art. Their work has been reviewed in The Atlantic, the New York Times, the Washington Post, the New Yorker, Andrew Sullivan’s The Dish, WNYC, and Hyperallergic, and they have been supported by residencies and fellowships at the Queens Museum, Triangle Arts Association, NEWINC and PROJECT THIRD at Pratt Institute. BFAMFAPhD members Susan Jahoda and Caroline Woolard are now working on Making and Being, a multi-platform pedagogical project which offers practices of collaboration, contemplation, and social-ecological analysis for visual artists.

Duncan catches up with two of the members of BFAMFAPhD for a chat about the upcoming event series, which for those of you in NYC starts friday with MAKING & BEING.   Conversations about Art & Pedagogy co-presented by BFAMFAPhD & Pioneer Works, hosted by Hauser & Wirth, with media partners Bad at Sports and Eyebeam.   image credit... BFAMFAPhD, Making and Being Card Game, print version, 2016-2018, photograph by Emilio Martinez Poppe. Full details below... ____________________________   Hauser & Wirth   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States.   Pioneer Works is a cultural center dedicated to experimentation, education, and production across disciplines.   Contemporary art talk without the ego, Bad at Sports is the Midwest's largest independent contemporary art podcast and blog. Eyebeam is a platform for artists to engage society’s relationship with technology.   Access info:   The event is free and open to the public. RSVP is required through www.hauserwirth.com/events.   The entrance to Hauser & Wirth Publishers Bookshop is at the ground floor and accessible by wheelchair. The bathroom is all-gender. This event is low light, meaning there is ample lighting but fluorescent overhead lighting is not in use. A variety of seating options are available including: folding plastic chairs and wooden chairs, some with cushions.   This event begins at 6 PM and ends at 8 PM but attendees are welcome to come late, leave early, and intermittently come and go as they please. Water, tea, coffee, beer and wine will be available for purchase. The event will be audio recorded. We ask that if you do have questions or comments after the event for the presenters that you speak into the microphone. If you are unable to attend, audio recordings of the events will be posted on Bad at Sports Podcast after the event.   Parking in the vicinity is free after 6 PM. The closest MTA subway station is 23rd and 8th Ave off the C and E. This station is not wheelchair accessible. The closest wheelchair accessible stations are 1/2/3/A/C/E 34th Street-Penn Station and the 14 St A/C/E station with an elevator at northwest corner of 14th Street and Eighth Avenue. ____________________________ "While knowledge and skills are necessary, they are insufficient for skillful practice and for transformation of the self that is integral to achieving such practice.” - Gloria Dall’Alba BFAMFAPhD presents a series of conversations that ask: What ways of making and being do we want to experience in art classes? The series places artists and educators in intimate conversation about forms of critique, cooperatives, artist-run spaces, healing, and the death of projects. If art making is a lifelong practice of seeking knowledge and producing art in relationship to that knowledge, why wouldn’t students learn to identify and intervene in the systems that they see around them? Why wouldn't we teach students about the political economies of art education and art circulation? Why wouldn’t we invite students to actively fight for the (art) infrastructure they want, and to see it implemented?   The series will culminate in the launch of Making and Being, a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.   ____________________________   SCHEDULE ____________________________ Modes of Critique   What modes of critique might foster racial equity in studio art classes at the college level?   Friday 1/18 from 6-8pm Billie Lee and Anthony Romero of the Retooling Critique Working Group Respondent: Eloise Sherrid, filmmaker, The Room of Silence   Billie Lee is an artist, educator, and writer working at the intersection of art, pedagogy, and social change. She holds a BFA from the Rhode Island School of Design, an MFA from Yale University, and is a doctoral candidate at the University of Hawai‘i at Mānoa in American Studies. She has held positions at the Queens Museum, the Yale University Art Gallery, Doris Duke Foundation for Islamic Art, University of New Haven, University of Hawai‘i at Mānoa, and is currently an Assistant Professor of Art History at Hartford Art School.   Anthony Romero is an artist, writer, and organizer committed to documenting and supporting artists and communities of color. Recent projects include the book-length essay The Social Practice That Is Race, written with Dan S. Wang and published by Wooden Leg Press, Buenos Dias, Chicago!, a multi-year performance project commissioned by the Museum of Contemporary Art Chicago and produced in collaboration with Mexico City based performance collective, Teatro Linea de Sombra. He is a co-founder of the Latinx Artists Retreat and is currently a Professor of the Practice at The School of the Museum of Fine Arts at Tufts University.   Judith Leemann is an artist, educator, and writer whose practice focuses on translating operations through and across distinct arenas of practice. A long-standing collaboration with the Boston-based Design Studio for Social Intervention grounds much of this thinking. Leemann is Associate Professor of Fine Arts 3D/Fibers at the Massachusetts College of Art and Design and holds an M.F.A. in Fiber and Material Studies from the School of the Art Institute of Chicago. Her writings have been included in the anthologies Beyond Critique (Bloomsbury, 2017), Collaboration Through Craft (Bloomsbury, 2013), and The Object of Labor: Art, Cloth, and Cultural Production (School of the Art Institute of Chicago and MIT Press 2007). Her current pedagogical research is anchored by the Retooling Critique working group she first convened in 2017 to take up the question of studio critique’s relation to educational equity.   The Retooling Critique Working Group is organized by Judith Leemann and was initially funded by a Massachusetts College of Art and Design President's Curriculum Development Grant.   Eloise Sherrid is a filmmaker and multimedia artist based in NYC. Her short viral documentary, "The Room of Silence," (2016) commissioned by Black Artists and Designers (BAAD), a student community and safe space for marginalized students and their allies at Rhode Island School of Design, exposed racial inequity in the critique practices institutions for arts education, and has screened as a discussion tool at universities around the world.   __________________________   Artist-Run Spaces   How do artists create contexts for encounters with their projects that are aligned with their goals?   Friday 2/1 from 6-8pm Linda Goode-Bryant, Heather Dewey-Hagborg, and Salome Asega   Linda Goode-Bryant is the Founder and President of Active Citizen Project and Project EATS. She developed Active Citizen Project while filming the 2004 Presidential Elections and developed Project EATS during the 2008 Global Food Crisis. She is also the Founder and Director of Just Above Midtown, Inc. (JAM), a New York City non-profit artists space. Linda believes art is as organic as food and life, that it is a conversation anyone can enter. She has a Masters of Business Administration from Columbia University and a Bachelor of Arts Degree in painting from Spelman College and is the recipient of a Guggenheim Fellowship and a Peabody Award.   Heather Dewey-Hagborg is a transdisciplinary artist who is interested in art as research and critical practice. Heather has shown work internationally at events and venues including the World Economic Forum, the Shenzhen Urbanism and Architecture Biennale and PS1 MOMA. Her work is held in public collections of the Centre Pompidou, the Victoria and Albert Museum, and the New York Historical Society, and has been widely discussed in the media, from the New York Times to Art Forum. Heather is also a co-founder of REFRESH, an inclusive and politically engaged collaborative platform at the intersection of Art, Science, and Technology.   Salome Asega is an artist and researcher based in New York. She is the Technology Fellow in the Ford Foundation's Creativity and Free Expression program area, and a director of POWRPLNT, a digital art collaboratory in Bushwick. Salome has participated in residencies and fellowships with Eyebeam, New Museum, The Laundromat Project, and Recess Art. She has exhibited and given presentations at the 11th Shanghai Biennale, Performa, EYEO, and the Brooklyn Museum. Salome received her MFA from Parsons at The New School in Design and Technology where she also teaches.   ____________________________   Building Cooperatives   What if the organization of labor was integral to your project?   Friday 2/22 from 6-8pm Members of Meerkat Filmmakers Collective and Friends of Light   Meerkat Media Collective is an artistic community that shares resources and skills to incubate individual and shared creative work. We are committed to a collaborative, consensus-based process that values diverse experience and expertise. We support the creation of thoughtful and provocative stories that reflect a complex world. Our work has been broadcast on HBO, PBS, and many other networks, and screened at festivals worldwide, including Sundance, Tribeca, Rotterdam and CPH:Dox. Founded as an informal arts collective in 2005 we have grown to include a cooperatively-owned production company and a collective of artists in residence.   Friends of Light develops and produces jackets woven to form for each client.  We partner with small-scale fiber producers to source our materials, and with spinners to develop our yarns.    We construct our own looms to create pattern pieces that have complete woven edges (selvages) and therefore do not need to be cut. The design emerges from the materials and from methods developed to weave two dimensional cloth into three dimensional form. Each jacket is the expression of the collective knowledge of the people involved in its creation. Our business is structured as a worker cooperative and organized around cooperative principles and values. Friends of light founding members are Mae Colburn, Pascale Gatzen, Jessi Highet and Nadia Yaron.   ____________________________   Healing and Care (OFFSITE EVENT)   How do artists ensure that their individual and collective needs are met in order to dream, practice, work on, and return to their projects each day?   Thursday 2/28 from 6-8pm Adaku Utah and Taraneh Fazeli NOTE this event will be held at 151 West 30th Street  # Suite 403, New York, NY 10001   Adaku Utah was raised in Nigeria armed with the legacy of a long line of freedom fighters, farmers, and healers. Adaku harnesses her seasoned powers as a liberation educator,healer, and performance ritual artist as an act of love to her community. Alongside Harriet Tubman, she is the co-founder and co-director of Harriet's Apothecary, an intergenerational healing collective led by Black Cis Women, Queer and Trans healers, artists, health professionals, activists and ancestors. For over 12 years, her work has centered in movements for radical social change, with a focus on gender, reproductive, race, and healing justice. Currently she is the Movement Building Leadership Manager with the National Network for Abortion Funds. She is also a teaching fellow with BOLD (Black Organizing for Leadership and Dignity) and Generative Somatics.   Taraneh Fazeli is a curator from New York. Her multi-phased traveling exhibition “Sick Time, Sleepy Time, Crip Time: Against Capitalism’s Temporal Bullying” deals with the politics of health. It showcases the work of artists and groups who examine the temporalities of illness and disability, the effect of life/work balances on wellbeing, and alternative structures of support via radical kinship and forms of care. The impetus to explore illness as a by-product of societal structures while also using cultural production as a potential place to re-imagine care was her own chronic illnesses. She is a member of Canaries, a support group for people with autoimmune diseases and other chronic conditions.   ____________________________   When Projects Depart   What practices might we develop to honor the departure of a project?  For example, where do materials go when they are no longer of use, value, or interest?   Thursday 3/14 from 6-8pm Millet Israeli and Lindsay Tunkl   Millet Israeli is a psychotherapist who focuses on the varied human experience of loss.  She works with individuals and families struggling with grief, illness, end of life issues, anticipatory loss, and ambiguous loss.  Her approach integrates family systems theory, cognitive restructuring, mindfulness, and trauma informed care. Millet enjoys creating and exploring photography and poetry, and both inform her work with her clients. Millet holds a BA in psychology from Princeton, a JD from Harvard Law School, an MSW from NYU and is certified in bioethics through Montefiore. She sits on an Institutional Review Board for Human Subjects Research at Weill Cornell.   Lindsay Tunkl is a conceptual artist and writer using performance, sculpture, language, and one-on-one encounters to explore subjects such as the apocalypse, heartbreak, space travel, and death. Tunkl received an MFA in Fine art and an MA in Visual + Critical Studies from CCA in San Francisco (2017) and a BFA from CalArts In Los Angeles (2010). Her work has been shown at the Hammer Museum, LA, Southern Exposure, SF, and The Center For Contemporary Art, Santa Fe. She is the creator of Pre Apocalypse Counseling and the author of the book When You Die You Will Not Be Scared To Die.   ____________________________   Group Agreements   What group agreements are necessary in gatherings that occur at residencies, galleries, and cultural institutions today?   Friday 4/19 from 6-8pm Sarah Workneh, Laurel Ptak, and Danielle Jackson   Sarah Workneh has been Co-Director at Skowhegan for nine years leading the educational program and related programs in NY throughout the year, and oversees facilities on campus. Previously, Sarah worked at Ox-Bow School of Art as Associate Director. She has served as a speaker in a wide variety of conferences and schools. She has played an active role in the programmatic planning and vision of peer organizations, most recently with the African American Museum of Philadelphia. She is a member of the Somerset Cultural Planning Commission's Advisory Council (ME); serves on the board of the Colby College Museum of Art.   Laurel Ptak is a curator of contemporary art based in New York City. She is currently Executive Director & Curator of Art in General. She has previously held diverse roles at non-profit art institutions in the US and internationally, including the Guggenheim Museum (New York), MoMA PS. 1 Contemporary Art Center (New York), Museo Tamayo (Mexico City), Tensta Konsthall (Stockholm) and Triangle (New York). Ptak has organized countless exhibitions, public programs, residencies and publications together with artists, collectives, thinkers and curators. Her projects have garnered numerous awards, fellowships, and press for their engagement with timely issues, tireless originality, and commitment to rigorous artistic dialogue.   Danielle Jackson is a critic, researcher, and arts administrator. She is currently a visiting scholar at NYU’s Center for Experimental Humanities.  As the co-founder and former co-director of the Bronx Documentary Center, a photography gallery and educational space, she helped conceive, develop and implement the organization’s mission and programs.  Her writing and reporting has appeared in artnet and Artsy. She has taught at the Museum of Modern Art, International Center of Photography, Parsons, and Stanford in New York, where she currently leads classes on photography and urban studies.   ____________________________ Open Meeting for Arts Educators and Teaching Artists   How might arts educators gather together to develop, share, and practice pedagogies that foster collective skills and values?   Friday 5/17 from 6-8pm Facilitators: Members of the Pedagogy Group   The Pedagogy Group is a group of educators, cultural workers, and political organizers who resist the individualist, market-driven subjectivities produced by mainstream art education. Together, they develop and practice pedagogies that foster collective skills and values. Activities include sharing syllabi, investigating political economies of education, and connecting classrooms to social movements.Their efforts are guided by accountability to specific struggles and by critical reflection on our social subjectivities and political commitments.   ____________________________   Book Launch: Making and Being: A Guide to Embodiment, Collaboration and Circulation in the Visual Arts   What ways of making and being do we want to experience in art classes?   Friday 10/25 from 6-8pm Stacey Salazar in dialog with Caroline Woolard, Susan Jahoda, and Emilio Martinez Poppe of BFAMFAPhD   Stacey Salazar is an art education scholar whose research on teaching and learning in studio art and design in secondary and postsecondary settings has appeared in Studies in Art Education, Visual Arts Research, and Art Education Journal. In 2015 her research was honored with the National Art Education Association Manuel Barkan Award. She holds a Doctorate of Education in Art and Art Education from Columbia University Teachers College and currently serves as Associate Dean of Graduate Studies at the Maryland Institute College of Art, where she was a 2013 recipient of the Trustee Fellowship for Excellence in Teaching.   BFAMFAPhD is a collective that employs visual and performing art, policy reports, and teaching tools to advocate for cultural equity in the United States. The work of the collective is to bring people together to analyze and reimagine relationships of power in the arts. Susan Jahoda is a Professor in Studio Arts at the University of Amherst, MA; Emilio Martinez Poppe is the Program Manager at Fourth Arts Block (FABnyc) in New York, NY; Caroline Woolard is an Assistant Professor of Sculpture at The University of Hartford, CT. Supporting this series at Hauser and Wirth for Making and Being are BFAMFAPhD collective members Agnes Szanyi, a Doctoral Student at The New School for Social Research in New York, NY and Vicky Virgin, a Research Associate at The Center for Economic Opportunity in New York, NY. Making and Being is a multi-platform pedagogical project that offers practices of collaboration, contemplation, and social-ecological analysis for visual artists. Making and Being is a book, a series of videos, a deck of cards, and an interactive website with freely downloadable content created by authors Susan Jahoda and Caroline Woolard with support from Fellow Emilio Martinez Poppe and BFAMFAPhD members Vicky Virgin and Agnes Szanyi.

My guest this week in photographer Matt Eich. We met up to talk about his work photographing the Southern United States and Appalachia, his time as a graduate student in the Hartford Art School's International Limited-Residency Program and his life as a dad and family man. Not to mention alligator hunters Rebel and Julius in Shell Island, Louisiana and welding families in Chauncey, Ohio. We also discussed his new book Carry Me, Ohio which collects pictures made in rural Appalachian towns abandoned by industry. Published by Strum and Drang, the book has sold out, but be on the look-out for a limited edition coming in 2017. To have a look at Matt's work check out his website, www.matteichphoto.com. This episode is sponsored by Haywire Press, presenting signed, deluxe and limited-edition books by photo legend Lee Friedlander. Visit www.haywirepress.com for more.

Michael Schäfer "Im Theater der visuellen Codes" Die Fotografie scheint alt geworden zu sein. In der uns heute erdrückenden Flut von Medienbildern, die über uns hinwegrauscht und noch mit lautem Getöse Ton und Text über die zumeist schon bewegten Bilder auskippt, erscheint das stille Bild geradezu anachronistisch. Fast sentimental sind wir gestimmt, es als authentisches Dokument einer Vergangenheit zu interpretieren, eine Bildrealität, die uns heute offenbar abhanden gekommen ist. Früher, es ist noch nicht lange her, stand das Bild noch für die Wirklichkeit. „So ist es! So war es!“, sprach es zu uns. Spätestens seit der Digitalisierung der Bilderwelt, dem ungeheuerlichen Anwachsen des Bilderberges und dem Wissen um die damit einhergehenden technischen-manipulativen Möglichkeiten des Digitalen bröckelt der Glaube an die Authentizität des Bildes immer mehr. Michael Schäfers künstlerisch-subversive Bildstrategien spielen geschickt mit dieser Verunsicherung. Bekannte stereotype und kollektive Bildmuster des medialen Zeitalters werden von ihm dramatisch überhöht dargestellt, um damit den manipulativen Gebrauch der darin versteckten Codes offen zu legen. Gleichzeitig thematisieren Schäfers bildliche Umformulierungen das Verhältnis des Einzelnen zur Gesellschaft in einem medial geprägten Umfeld. Sein Ausgangsmaterial sind Pressebilder, die er bearbeitet oder nachstellt, in die er visuelle wie inhaltliche Brüche einfügt, welche die ursprünglichen Aussagen verändern. Aus Repräsentanten werden Individuen, die mit ihren medialen Rollenbildern kollidieren: Wir sehen posierende Anzugmenschen vor poppigen Hintergründen, Laufsteg-Models mit Kindergesichtern, wichtige Redner mit schlechten Gebissen, gestresste Politikerinnen und Politiker mit ungewöhnlich persönlichen Bildlegenden, … Hierzu bedient sich Michael Schäfer der Mittel der Inszenierung, der Re-Inszenierung, der Montage, der Collage. Das Statische seiner Bilder, die bewusst durchschaubar gehaltenen Bildmanipulationen, die hart und radikal gewählten Ausschnitte zielen darauf ab, uns die suggestive Kraft der medialen Inszenierungen vor Augen zu führen. Er konstruiert dabei einen Bild- und Textraum, der sich zwar der täglichen Medienbilder und Textformeln bedient und uns von dort abholt, doch am Ende finden wir uns in seinem Theater der Welt wieder. Was ist denn noch authentisch, wenn wir uns beständig in einer Welt aus codierten und manipulierten und manipulierenden Bilder bewegen? Welche Orientierung bleibt? Die Welt ist ein Theater. Alles Bühne, alles Schein. Michael Schäfers Bilder sind wahr und falsch zugleich. Das ist ihre Stärke, ihr Potenzial, das es zu entdecken gilt. Michael Schäfer (*1964 in Sigmaringen) studierte in Dortmund, Vancouver und an der Hochschule für Grafik und Buchkunst, Leipzig, an der er auch künstlerische Fotografie lehrte. Er lebt in Berlin und hat Lehraufträge an der Hartford Art School in Connecticut, USA und an der UdK Berlin.

Natacha Poggio is a social impact design strategist and Assistant Professor of Visual Communication Design at the Hartford Art School, University of Hartford, in Connecticut. Natacha develops socially responsible design projects that promote sustainable development and awareness of global issues.   Learn about the impact social design has and what Natacha and her students are doing to make a difference. to learn more go to: http://legacyofchange.co/

Natacha Poggio is a social impact design strategist and Assistant Professor of Visual Communication Design at the Hartford Art School, University of Hartford, in Connecticut. Natacha develops socially responsible design projects that promote sustainable development and awareness of global issues.   Learn about the impact social design has and what Natacha and her students are doing to make a difference. to learn more go to: http://legacyofchange.co/