Podcast appearances and mentions of ivan garcia

Avec le durcissement de la politique migratoire dominicaine, les expulsions de migrants haïtiens donnent lieu à de graves violations des droits humains et du droit international. La multiplication des exactions de la part des forces de l'ordre dominicaine dans le cadre des déportations de migrants haïtiens sera l'une des priorités du nouvel ambassadeur haïtien en République dominicaine, Emmanuel Fritz Longchamp.Selon Edwin Paraison, directeur de la fondation Zile et ancien ambassadeur haïtien en République dominicaine, « un sentiment anti-haïtien s'est développé ces dernières années dans certains secteurs dominicains et particulièrement dans certains médias et sur les réseaux sociaux ». Retrouvez son interview avec notre correspondant à Port-au-Prince Peterson Luxama.Les Haïtiens, atout économique pour la République dominicaineL'économie dominicaine est très dépendante de la main-d'œuvre haïtienne, qui est affectée par le durcissement de la politique migratoire. Dans le secteur de la construction, 95% des travailleurs sont haïtiens, et beaucoup sont actuellement à l'arrêt. Ivan Garcia, président de la Fédération dominicaine des commerçants, plaide pour que le gouvernement de Luis Abinader accorde aux Haïtiens des permis de séjour d'un an renouvelable. Faible participation pour les élections judiciaires au MexiqueMoins de 13% des électeurs se sont déplacés pour les premières élections judiciaires de l'histoire du pays hier. Beaucoup de Mexicains sont contre ce nouveau mode de désignation par vote populaire voulue par le parti de la présidente Claudia Sheinbaum. Hier, l'opposition a organisé des manifestations dans tout le pays pour inciter les Mexicains à protester au lieu d'aller voter. Notre correspondante Marine Lebègue y était. Brésil. Lula critique les menaces de sanctions américaines contre le juge MoraesLe chef de la diplomatie américaine a déclaré mercredi qu'il était «fort possible» que les États-Unis sanctionnent Alexandre de Moraes. Washington accuse le président de la Cour suprême brésilienne de censure sur les réseaux sociaux. « Qu'est-ce que c'est que cette histoire des États-Unis qui voudraient critiquer la justice brésilienne ?, a réagi hier le président brésilien Lula. Je n'ai jamais critiqué leur système judiciaire. Ils commettent tant d'atrocités, tant de guerres, ils tuent tant de personnes, et jamais je ne les ai critiqués ». Chili : les militaires de la dictature n'auront plus de prison spécialeLe président Gabriel Boric a annoncé que la prison spéciale de Punta Peuco sera transformée en centre pénitentiaire de droit commun. Une centaine d'anciens militaires de la dictature condamnés pour des violations des droits de l'hommes y sont incarcérés dans de meilleures conditions que le reste de la population carcérale. «De mon point de vue, rien ne justifie ce privilège», a déclaré le président chilien, qui s'est attiré les critiques de l'opposition conservatrice.

Dans l'État du Minas Gerais, la région historique de Diamantina, bâtie sur les mines de diamant, est aujourd'hui menacée par un projet de mine de fer baptisé « Mosquito ». Reportage de notre correspondante au Brésil, Sarah Cozzolino.  Porté par l'entreprise Etgran, ce projet de mine vise une zone située entre deux parcs naturels, à proximité du village de Pinheiro. Les habitants redoutent une dégradation de l'environnement, une aggravation de la crise hydrique, et un bouleversement profond de leur mode de vie. Enivaldo, descendant de mineurs artisanaux, dénonce une extraction destructrice : « On va respirer toute la poussière », alerte-t-il. Priscilla, jeune mère, craint les conséquences à long terme : « Le problème avec l'industrie minière, c'est l'après. » De son côté, le professeur Fred rappelle que Pinheiro est un réservoir d'eau pour le fleuve Jequitinhonha, menacé par les résidus de la future mine.Malgré la promesse d'emplois, la mobilisation locale s'intensifie. Tuliane Santos, enseignante engagée, redoute un effet domino : « Ce projet pourrait ouvrir la porte à d'autres exploitations minières. » Pour Julio Brabo, guide touristique, l'alternative est claire : le tourisme communautaire, bien plus durable et bénéfique pour la région. Pour l'heure, le projet a été suspendu par la justice. Mais les habitants le savent : cette bataille judiciaire pourrait durer des années.Les commerçants dominicains sous la menace de gangs haïtiens La situation à la frontière entre Haïti et la République dominicaine est de plus en plus tendue, selon Ivan Garcia, président de la Fédération dominicaine des commerçants. De passage à Paris, il a donné une interview à Marine de la Moissonnière. Les échanges commerciaux, autrefois très dynamiques (plus de 2 milliards de dollars par an il y a dix ans), ont drastiquement chuté à environ 400 millions, selon Ivan Garcia. Seuls les marchés binationaux organisés deux fois par semaine permettent encore une forme de commerce, malgré la fermeture officielle de la frontière. Les Haïtiens y accèdent sous contrôle strict, dans des zones définies, pour y acheter des biens essentiels comme des aliments et des matériaux de construction.Mais ces marchés sont désormais sous la coupe des gangs armés haïtiens, qui imposent leur loi. Les commerçants dominicains doivent verser jusqu'à 20 000 dollars par mois pour que les gangs laissent passer les acheteurs haïtiens. Ces derniers, à leur tour, doivent aussi payer pour pouvoir ramener les marchandises chez eux. Les plus gros commerçants, une douzaine par association, supportent l'essentiel de ces coûts. Cela entraîne une augmentation des prix côté haïtien, ce qui frappe encore plus durement une population déjà en grande détresse économique.Ivan Garcia alerte sur les conséquences à long terme de cette situation. Si les commerçants cessaient de payer les gangs, les Haïtiens ne pourraient plus accéder aux marchés, ce qui tuerait le commerce transfrontalier. Et bien que les groupes armés ne franchissent pas la frontière, ils exercent une pression constante. Ivan Garcia appelle la communauté internationale à intervenir en Haïti avec une force similaire à la MINUSTAH de 2004, sinon l'instabilité haïtienne risque d'atteindre gravement la République dominicaine.L'hôpital La Providence des Gonaïves reprend vieOui c'est à la Une du Nouvelliste. L'hôpital avait été construit dans le cadre des projets post-séisme, pour soulager les hôpitaux saturés de la capitale. Mais très vite, il est devenu un symbole de la mauvaise gouvernance qui gangrène le pays : mal géré, en déclin constant.Aujourd'hui, les choses semblent changer. Une nouvelle direction est en place, le personnel a été renforcé, les locaux sont nettoyés, entretenus, et surtout : les patients commencent à revenir. Un renouveau salué par Le Nouvelliste, qui parle d'une «renaissance». Et dans le contexte actuel – où les grands hôpitaux de Port-au-Prince sont fermés, vandalisés ou incendiés – les autorités sanitaires de l'Artibonite ambitionnent carrément de faire de La Providence un centre hospitalier de référence à l'échelle nationale.Mais attention, nuance le journal : tout n'est pas encore parfait. L'hôpital n'a pas d'électricité 24 heures sur 24, il n'y a ni ambulance ni véhicules adaptés pour le transport des malades. Et les grands appareils biomédicaux sont souvent à l'arrêt, faute de personnel qualifié pour les faire fonctionner, ou simplement parce qu'on ne trouve pas les pièces de rechange. Bref, beaucoup reste à faire.La PNH présente son bilan pour le mois de mai  C'est à la une de Gazette Haiti. Selon la police nationale, 91 armes à feu ont été saisies, en plus d'une importante quantité de munitions et divers équipements. Un bilan modeste alors que le ministre de la Défense Jean-Michel Moïse reconnait sans détour: « Les gangs sont mieux armés que notre armée ». Pour lutter contre les gangs, il se tourne aussi vers des sociétés privées américaines. Le New York Times révèle qu'Haïti a signé un contrat avec Erik Prince, le fondateur de la société militaire privée Blackwater – tristement célèbre pour le massacre de civils en Irak en 2007 – et proche de l'ancien président américain Donald Trump.Selon des responsables haïtiens et américains, Erik Prince aurait été mandaté pour mener des opérations létales contre les gangs armés en Haïti, à l'aide des drones. Problème : aucun résultat concret à ce jour. Aucun chef de gang capturé ni éliminé. En parallèle, Prince recrute des vétérans haïtiano-américains et prévoit d'envoyer jusqu'à 150 mercenaires à Port-au-Prince cet été. Deux experts cités par le New York Times confirment aussi qu'un important lot d'armes a été récemment expédié dans le pays. Ce recours à une force paramilitaire étrangère inquiète de nombreux observateurs, dans un pays où les institutions sont au bord de l'effondrement, et où le contrôle démocratique sur ce type d'intervention est inexistant.Aux États-Unis, l'initiative de Donald Trump visant à lutter contre l'antisémitisme sur les campus suscite de vives critiquesDans une tribune publiée par USA Today, le cardiologue Alex Zheutlin dénonce l'initiative de Donald Trump contre l'antisémitisme sur les campus, qu'il qualifie de manœuvre politique. Selon lui, l'objectif n'est pas de protéger les étudiants juifs, mais de réprimer les universitésjugées trop progressistes, comme Harvard, et de faire taire les critiques d'Israël. Cette démarche, dit-il, restreint la liberté académique et entretient une fausse équation entre militantisme pro-palestinien et haine antisémite, tout en ignorant l'antisémitisme de l'extrême droite.L'auteur alerte aussi sur les effets pervers d'une telle stratégie : en plaçant les Juifs au centre d'une campagne de censure, elle alimente à la fois les stéréotypes antisémites de droite (pouvoir supposé sur les institutions) et les soupçons de gauche (confusion entre soutien à Israël et identité juive). L'auteur rappelle aussi que l'université a été un vecteur d'intégration essentiel pour les Juifs américains. Instrumentaliser l'antisémitisme, conclut-il, ne les protège pas : cela les isole et affaiblit leur place dans la société.Journal de la 1ère Sera-t-il la solution, comme promis, ou le problème ? En Guadeloupe, le syndicat mixte de gestion de l'eau et de l'assainissement est sévèrement épinglé par un rapport de la Chambre Régionale des comptes.

Avui al Voltant i Girant: -A la primera part del Voltant i Girant parlarem dels tractaments contra el mosquit. Sabem que l’inici de la campanya es va haver d’avançar gairebé un mes. Sabrem el perquè de tot això amb el president Consorci de Polítiques Ambientals de les Terres de l’Ebre, del COPATE, Ivan Garcia. -A la segona part del programa anirem fins a l’Ampolla perquè este diumenge tenen la diada de l’ostra i les jornades de l’ostra també i volem anar fent ja un tastet. Per a això, parlarem en la regidora de Turisme i Comerç de l’Ajuntament de l’Ampolla, Meritxell Faiges.

A la primera part del Voltant i Girant parlarem dels tractaments contra el mosquit. Sabem que l’inici de la campanya es va haver d’avançar gairebé un mes. Sabrem el perquè de tot això amb el president Consorci de Polítiques Ambientals de les Terres de l’Ebre, del COPATE, Ivan Garcia.

This week on Kliq This, Kevin Nash and Sean Oliver crack open the story of Paul Levesque — not just the wrestler, but the executive, the visionary, the man steering WWE through its post-Vince era. This isn't your typical Triple H retrospective. It's a candid, insider look at how Paul went from riding in the car with the Kliq to running the most powerful wrestling company in the world. And trust us — the way Kevin tells it, you'll never look at an entrance, a storyline, or a WrestleMania moment the same way again. Kevin opens up like only a peer and friend of 30 years can, walking listeners through Paul's evolution: from the young guy learning the business on the road to the architect of WWE's current creative flow. There's real admiration here, but also nuance — like how Paul delegates, who actually shapes what we see on TV, and what happens when the perfect plan falls flat between the writers' room and the ring. It's a conversation about power, performance, and the responsibility that comes with building something that millions of people care about. This episode also touches on landmark moments in Triple H's journey: that spine-tingling 2002 MSG return, the birth of NXT as a credible counterculture brand, and the pressure of stepping into control during the company's most scandal-ridden moment. Kevin and Sean don't flinch — they talk about the McMahon family dynamic, Stephanie's quiet exit, and how Paul managed to reinvent WWE's tone without blowing it up entirely. Then, in true Kliq This fashion, things take a left turn — Kevin steps away mid-show for what Sean jokingly imagines is an emergency call with Triple H himself. That's when longtime contributor Steve Kaufmann slides into the co-host chair for the back half of the episode. The vibe gets looser, the riffs get sharper, and a surprise round of “Florida Man vs. Jersey Guy” brings the perfect mix of absurdity and sharp wit that fans love about this show. Whether you're in it for the backstage scoops, the business philosophy, or the barstool banter, this episode is one of the most well-rounded yet. It's thoughtful, funny, and full of the kind of unfiltered insight that only comes when legends reflect on other legends — with a little sarcasm, a lot of honesty, and just enough rum in the piña coladas. Visit BlueChew.com and try your first month of BlueChew FREE when you use promo code NASH — just pay $5 shipping. Save 15% at Get-Blitzed.com by entering the code KLIQ at checkout. Shop millions of cars to find your best deal at CarGurus.com — the #1 most visited car shopping site. Try VIIA Hemp at viia.co/KLIQ and use code KLIQ to save. Get firearm security redesigned and save 10% at StopBoxUSA.com/KLIQ with code KLIQ. Upgrade your wardrobe and save at TrueClassic.com/KLIQ. Download Cash App today at capl.onelink.me/vFut/3v6om02z. As a Cash App partner, I may earn a commission when you sign up for a Cash App account. 00:00 Kliq This #149: Paul Levesque 00:22 Colostrum Energy Drink? 01:33 FIRST Communication about this show: January 2018 02:19 Do we cover RAW every week? 03:08 HHH's creative structure, the 3 parts of a wrestling match 08:16 Entrances then vs now 09:39 HHH's delegating 13:30 HHH as an executive 14:47 WWE PC 18:39 BREAK TRUE CLASSIC 21:27 HHH returns at MSG 24:15 Taking over WWE in 2022 27:29 VKM left a stain on Linda too 28:22 HHH's dramatic entrances 30:33 Communication about this show: January 2018 30:39 HHH's creative structure, the 3 parts of a wrestling match 30:42 32:27 BREAK CASH APP 35:14 The Curtain Call 45:49 BREAK GET BLITZED 48:21 Scott Hall 59:59 BREAK CAR GURUS 01:02:40 Kev is on a call? 01:04:21 Ivan Garcia plays Florida Man vs Jersey Guy 01:09:09 GERD Pill 01:10:46 BREAK VIIA 01:14:34 ASKSEAN 01:14:46 Discussing Studio Setup and Guest Appearances 01:16:11 Live Shows and Promoter Challenges 01:18:38 Dream Guests and Hypothetical Scenarios 01:21:10 Director Debate: Ferrera vs. Tarantino 01:25:28 Fitness and Personal Anecdotes 01:27:22 Parenting Advice and Wisdom 01:28:47 Favorite Female Rock Vocalists 01:31:50 Booking Live Events and Wrestling Matches 01:36:39 Hulk Hogan's Gaffes and Wrestling Stories 01:38:44 BREAK STOPBOX 01:42:06 ICP BOOK 01:44:38 Favorite Acting Role 01:47:04 Dream Role 01:49:37 Jackie Aprile jr 01:50:31 Blues Clues 01:54:21 BREAK BLUECHEW 01:55:57 Anything you wished you booked that turned out to be bad 01:59:24 Jonathon Demme 02:02:13 Doing this show high 02:03:43 Jonathon Demme 02:06:19 Is Kevin Nash Coming back? 02:06:46 How is your family? 02:07:15 OUTRO

Au menu du débat livres. Par Geneviève Bridel et Ivan Garcia. 1. Eric Brouet "Fins" chez Metropolis. 2. Diego Muzzio "Lʹoeil de Goliath" chez Phébus. 3. Amélie Cordonnier, "Superhôte" chez Flammarion. 4. Jung et Laëtitia Marty "Destins coréens" chez Delcourt. Coup de cœur (Geneviève) Passage du soir, Léonie Adrover, éditions du Seuil.  Coup de cœur (Ivan) Fils prodigues, Colin Barrett, éditions Rivages.

A l'Al Dia Terres de l'Ebre d'avui dimecres, 12 de març: - Obrim amb l'informatiu amb el repàs a l'actualitat de la jornada, a través de les nostres emissores col·laboradores. - A l'entrevista del Dia: amb Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l’Ebre, el COPATE, parlem de l’inici dels tractaments contra la mosca negra aquest mes de març, - A de Poble en Poble: parlarem del Tortosa Irish English Festival, que arriba a la dotzena edició, ple de propostes culturals i lúdiques per a totes les edats, per a poder practicar l’anglès. - Identitats: des de Móra la Nova coneixem a l’escriptor riberenc, Albert Guiu, poeta referent al territori.

A l'Al Dia Terres de l'Ebre d'avui dimarts, 18 de febrer: - Obrim amb l'informatiu amb el repàs a l'actualitat el repàs a l'actualitat de la jornada, a través de les nostres emissores col·laboradores. - A l'entrevista del Dia: amb Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l’Ebre (COPATE), parlem sobre l’aprovació del Pla Especial Urbanístic Autònom (PEUA), que permetrà l’ampliació de l’abocador de Mas de Barberans i la construcció d’una nova planta de tractament de residus. - A de Poble en Poble: ens apropem al cicle Secrets que un any més aposta per concerts en petit format, potenciant la proximitat entre artistes i públic amb propostes el més fresques possibles. - Educació: des de Ràdio Tortosa ens acostaran a les Jornades Tècniques que es realitzen aquesta setmana a l’Institut de l’Ebre de Tortosa, parlant amb la directora del centre, Raquel Planell.

Hace unos días hice un directo con un gran amigo. Un amigo que lleva varios años estudiando sobre salud y mentalidad. Desde que nos conocimos queríamos hacer un directo y ha sido posible Instagram Ivan: https://www.instagram.com/ivangn_osteopata/

Au menu du débat livres. Par Geneviève Bridel et Ivan Garcia. Sandrine Collette, Madelaine avant lʹaube, éditions Lattès. Thomas Pfenninger, Avis de passage, éditions dʹEn Bas. Riad Sattouf, Moi Fadi enfant volé, éditions Les Livres du futur. Et les Coups de cœur : (Geneviève Bridel) Limberlost, de Robbie Arnott, éditions Gaia (2 octobre). (Ivan Garcia) Junil, de Joan-Lluís LLuís, Les Argonautes Éditeur (23 août).

A l'Al Dia Terres de l'Ebre d'avui dijous, 10 d'octubre: - Obrim Informatiu amb la Mancomunitat Intermunicipal Deltatres, que inclou els municipis de Deltebre, l'Aldea i Camarles, i que continuen apostant per la independència hídrica. -A l'Entrevista del Dia: amb Ivan Garcia, alcalde de Roquetes, abordem la necessitat de tenir una llar d'infants al municipi, després d'inaugurar la seua a finals de setembre. - A de Poble en Poble: des de ràdio Móra la Nova, la companya Eva Vilanova ens apropa al projecte "Fem Safareig", de la mà de la LLum Cubells, del Centre d'Estudis de la Ribera d'Ebre. - Espai TIC: Mercé Fort des de la Plana Ràdio ens convida a reflexionar sobre el fet de compatir imatges de menors, dels nostres fills, a XXSS. - Tertúlia: aprovació de la llei ELA, habitatge i finançament amb Cinta Galiana i Àngel Porres.

A l'Al Dia Terres de l'Ebre d'avui dilluns 16 de setembre: - A l'informatiu, els nostres corresponsals ens expliquen el que està passant. - A l'entrevista del Dia: amb Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE) després de conèixer que finalment, la plantilla de la recollida de la brossa de les comarques del Baix Ebre i el Montsià ha desconvocat la vaga indefinida prevista a partir d'aquest dilluns. - De Poble en Poble... La companya, Aleyda Baz, de Delta.cat entrevista a Sergi Olid, esportista del Club de Rem "Delta" de Sant Jaume d'Enveja que després d'aconseguir la medalla de bronze al Campionat Europeu. - Sector Primari: Francesc Callau, de la Cala Ràdio parla amb Antonio Espuny, president de la Cooperativa Agrària Catalana Limitada de l'Ametlla de Mar sobre l'inici de la temporada de recollida de garrofa. - Economia de butxaca: Amposta Ràdio ens porta una secció per entendre l'economia de la mà de l'especialista, Xema Cardona.

L'entrevista del Dia amb Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE) després de conèixer que finalment, la plantilla de la recollida de la brossa de les comarques del Baix Ebre i el Montsià ha desconvocat la vaga indefinida prevista a partir d'aquest dilluns.

El president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE), Ivan Garcia, ha expressat el suport de l'ens a les reivindicacions d'increments salarials que fan els treballadors de la recollida de les escombraries del Montsià i el Baix Ebre, que han convocat una vaga indefinida a partir del 16 de setembre. Deltebre, Sant Jaume d'Enveja, Camarles i l'Ampolla fan públics els actes que tenen previstos per a la Diada de Catalunya, este 11 de setembre. Aquest divendres a la tarde, l'espai expositiu DeltArt ha acollit la cloenda de l'exposició Bestiari Personal, de Domènec Alcoletge (Mingo Pictures). Un esdeveniment que també ha servit per presentar el còmic La Lloba i el Corb, una nova obra del mateix autor.

Au menu du débat livres. Par Salomé Kiner et Ivan Garcia. • Deborah Levy "Hot Milk" (ed du Sous sol). • Manon Stutz "Alchimie de la douleur" (Torticolis et frères). • Ovidie et Sophie-Marie Larrouy "La fabrique du prince charmant, plus grande arnaque depuis lʹinvention du jacuzzi" (Seuil). Coups de cœur : • (Ivan Garcia) "Passé sous silence" de Jacques-Etienne Bovard, Bernard Campiche Editeur, 2024 (mars/avril). • (Salomé Kiner) "L'honorable collectionneur", Lize Spit, éditions Actes Sud.

A l'Al Dia Terres de l'Ebre d'avui divendres 21 de juny: A l'informatiu els hem explicat la situació al Copate, el Consorci de Polítiques Ambientals de les Terres de l'Ebre, que ha reunit als alcaldes del Baix Ebre i el Montsià per a abordar els greus problemes de tresoreria als que ha de fer front l'organisme, així com al límit de capacitat de l'abocador de mas de Barberans. Entrevista a Ivan Garcia, president del Copate, sobre la reunió d'este dijous amb els alcaldes del Baix Ebre i el Montsià. De Poble en Poble: des de la Cala Ràdio entrevisten Juanjo Salvadó, cap del Parc de Bombers de l'Ametlla de Mar sobre les precaucions a tenir en compte aquests dies de revetlles de Sant Joan i Sant Pere. Redacció Oberta: amb els nostres companys Diana Mar, Núria Móra i Víctor Montecino Valls hem donat la benvinguda a l'estiu parlant de revetlles i festes majors.

A l'Al Dia Terres de l'Ebre d'avui dijous 25 d'abril: -Els hem portat notícies de la nova implantació d'una planta de biogàs a Campredó i la protesta silenciosa al Ple de Camarles per part d'un grup veïnal contrari a la instal·lació d'una planta de biogàs la municipi -Entrevista a Ivan Garcia, president del Copate, sobre la iniciativa de fomentar el reciclatge a les festes majors dels pobles del Baix Ebre i el Montsià, a més d'altres qüestions de l'actualitat del Copate. -De Poble en Poble: Diana Mar ens descobreix l'escriptor de Camarles José Agustí Martí Pons que acaba de presentar nou llibre -Espai d'Anàlisi polític amb l'expert en comunicació política, Xavier Tomàs.

Avui al #Recapte: - Josep Subirats, regidor de Festes a l'Ajuntament de Sant Jaume d'Enveja ens parla del Carnaval que sota el lema "Que compon, lo que xalarem" el municipi es prepara per a viure aquest pròxim dissabte 24 de febrer, amb rua, sopar popular i Carnaball. - Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE) ens explica que l'ens no té cap inconvenient en ampliar els tractaments contra la mosca negra o mosquit sempre que hi hagi col·laboració local en el finançament.

Ivan Garcia, president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE) ens explica que l'ens no té cap inconvenient en ampliar els tractaments contra la mosca negra o mosquit sempre que hi hagi col·laboració local en el finançament.

A l'Al Dia Terres de l'Ebre en el programa d'este dimarts 20 de febrer: -Hem fet el repàs a l'actualitat del dia a l'Informatiu de l'Al Dia Terres de l'Ebre Entrevista amb el president del Consorci de Polítiques Ambientals de les Terres de l'Ebre (COPATE), Ivan Garcia, sobre que els alcaldes i alcaldesses del Baix Ebre han aprovat la fórmula per pagar la quarta part dels costos del tractament contra la mosca negra que correspon als municipis. A la secció De Poble en Poble hem marxat fins a Santa Bàrbara on fa trenta-dos anys que es convoca el concurs literari Sant Jordi “Vila de Santa Bàrbara”. Educació: dissetena edició dels premis Federico Mayor Zaragoza. A l'Espai TIC, Tere Giné i Merce Fort ens porten consells de seguretat per al mòbil.

The Ali USA Podcast episode # 207. Feat. Ivan Garcia. Recorded on December 22nd, 2023.

Al programa d'avui dijous 23 de novembre de l'Al Dia Terres de l'Ebre com cada dia us hem apropat a l'actualitat dels nostres municipis i a l'espai de l'Entrevista hem conversat amb el president del Copate, Ivan Garcia, a qui li hem preguntat sobre el finançament dels tractaments de la mosca negra i el mosquit i també per com afrontarà l'organisme el límit de capacitat de l'abocador de Mas de Barberans. A la segona hora avui des de Ràdio Móra la Nova ens han parlat del Pessebre dels Pensaments que arriba ja a la 13a edició. Finalment hem acabat al programa amb tertúlia d'actualitat amb Imma Juan, Sisco Lahosa i Josep Maria Simó.

On this week's episode of the Pickathon Podcast: at the top, Zale dives deep into the influence psych-rock has had on Pickathon, and regales us with an amusing anecdote about the fun and spicy mayhem that can be found at the festival. Zale is then joined by the powerhouse duo, Felipe and Ivan Garcia, of Sgt. Papers, where they get into some of the history of Mexican music, smart management while on the road, and how they are able to develop such a massive sound with just guitar and drums. . Make sure to get your copy of Sgt. Papers' work on Bandcamp, and follow them on whatever is your favorite music platform. . Please remember to rate, review and subscribe wherever you get your podcast on! And check out the Pickathon Patreon page at: https://www.patreon.com/Pickathon where there's exclusive content meant for the true music lovers.

(Watch the video interview HERE) In this interview we speak to Ivan Garcia and Bren Worth, CEO and CTO of newly floated Substrate AI, about how it's applying its cutting-edge artificial intelligence to established businesses to unlock major financial upside. 0:32 Introducing Substrate AI, and its strategy of acquiring companies and improving their performance using its cutting-edge AI technology. 2:15 Describing Substrate's “reinforcement learning” artificial intelligence technology, and how it allows much larger problems to be solved in a more collaborative human way. 3:19 How the technology is being applied to Substrate's subsidiaries, including decision-support for veterinary subsidiary Medica. 4:35 How applying the AI changes the operation dynamics of Substrate's established subsidiaries and lifts the value of its holdings.  7:59 How subject matter expertise within acquired businesses makes developing  AI-led solutions easier and reduces technology development risk.  9:22 What sectors Substrate is invested in and why it's chosen those sectors, including healthcare, energy, and HR. 12:03 Discussing the holding company structure, how the subsidiaries deliver profits to the overall group, and how subsidiary owners are incentivised with equity.  15:03 The rational behind the UK-listing, including the presence of huge AI expertise in the country.

En este episodio nos visita un joven musico escritor tijuanense, el cual a través de la musica, poesia y el cuento. Va explorando sus nuevos formatos de expresion. Nos comparte sus experiencias con sus libros publicados Tadoma (Poesia 2020) Seis posibles razones por la que mi abuelo decidió vivir en un cajon (Cuentos 2022) y nos da una probadita de su nuevo libro de poesia proximo a ser publicado. Tambien nos comparte su sentir sobre la literatura que se desarrolla en Tijuana y las ciudades vecinas. Sin duda alguna un joven que sigue explorando su talento creativo, síganlo en sus redes sociales; https://www.facebook.com/profile.php?id=100006143655444 https://www.instagram.com/unalagrimaayunrecuerdo/?hl=es https://taplink.cc/unalagrimaayunrecuerdo?fbclid=IwAR0p7d7KD5oER8ZzQ-fu1QNhpXpjIojH2Ld5YxPQ0rUr9TmSCMuDtIoWFQc --- Support this podcast: https://podcasters.spotify.com/pod/show/francisco-javier-garcia-r/support

Klass, knark, klimat och krig - det är vad några av Sveriges radios korrespondenter samtalade om när det gällde hälsoläget i världen. Det skedde inför publik på Kulturhuset i Stockholm i tisdags. Lyssna på alla avsnitt i Sveriges Radio Play. Fler än vad många tror dog av pandemin i Latinamerika, knarkmarknaden kommer troligen att förändras, krig leder till långsiktiga hälsokonsekvenser och färre har råd med vård än tidigare. Det framkom i samtalet med Sara Heyman, korrespondent i global hälsa, Caroline Kernen, korrespondent med fokus på unga, Naila Saleem, Sydasien korrespondent och Ivan Garcia, korrespondent i Latinamerika. Samtalet leds av Sara Stenholm.

Som 16-åring reste han tillbaka till hemlandet Chile för att slåss mot diktaturen. Sedan 2020 har han bott och verkat i Colombias huvudstad Bogota som Sveriges Radios latinamerikakorrespondent. Ivan Garcia är P4 Extra gästen. Lyssna på alla avsnitt i Sveriges Radio Play.

Two states and several cities have decriminalized the use of hallucinogenic mushrooms. Many more states are considering legislation to provide more widespread public access to hallucinogens. That has some Indigenous people worried about maintaining an adequate supply of natural psychoactive plants for ceremonies. We'll hear about the evolving demand for hallucinogenic plants and what practitioners say needs to be done to protect them as the push for legalization continues. GUESTS Dr. Yuria Celidwen (Nahua and Maya), Indigenous scholar, activist, and senior fellow of the Othering and Belonging Institute at the University of California, Berkeley Marlena Robbins (Diné), second-year doctoral student at the School of Public Health at University of California, Berkeley   Miriam Volat, co-director and board member of the Indigenous Medicine Conservation Fund, co-director of the Riverstyx Foundation, and board member of the Indigenous Peyote Conservation Initiative Dr. Osiris Garcia Cerqueda (Mazatec from Huautla de Jimenez in Oaxaca, Mexico), history professor at the Meritorious Autonomous University of Puebla

Two states and several cities have decriminalized the use of hallucinogenic mushrooms. Many more states are considering legislation to provide more widespread public access to hallucinogens. That has some Indigenous people worried about maintaining an adequate supply of natural psychoactive plants for ceremonies. We'll hear about the evolving demand for hallucinogenic plants and what practitioners say needs to be done to protect them as the push for legalization continues.

Ivan Garcia-Hidalgo is the founder and CEO of Americano Media. Talk radio rises as a new battleground for Latino voters. How Spanish speaking Americans are flocking towards the GOP and Americano Media is providing this group of Americans a center-right media outlet that has never existed before.

Featuring Ivan Garcia-Hidalgo Of Americano Media On The Growing Shift Of Hispanic People To The GOP by Kevin McCullough Radio

Hollywood Screenwriter Michael Jamin sits down with Phil Hudson to discuss questions asked by fans and future screenwriters. Questions such as, "Is there plagiarism among screenwriters? How do you prepare for a general meeting with a large production company with a development exec as a screenwriter? When you're a writer's assistant, should you ask for an episode, wait until one is offered, or send the showrunner a draft?"Autogenerated TranscriptMichael Jamin (00:00):In terms of stealing ideas, often in a writer's room, someone will say, oh, they, I just saw that episode two weeks ago on whatever show. And then usually the writers will go, Ugh, we won't, we'll kill the idea. So that's not plagiarizing, that's coming up with the idea independently and then killing it because you don't want people to think you plagiarized. You're listening to Screenwriters. Need to Hear This with Michael Jamin. Hey everyone, welcome back. It's Michael Jamin. You're listening to Screenwriters. Need to Hear this. I'm here with Phil a Hudson.Phil Hudson (00:33):What up,Michael Jamin (00:34):What up? And we're doing part two of the ask me anything if Phil has some more questions. These are designed for, what kind of questions are these called?Phil Hudson (00:41):Yeah. So ton of questions came in, so we're moving into professional questions. What I kind of grouped that way, aspirationalMichael Jamin (00:49):Part one, if you missed it, we're, if you missed it, that was questions about CRA or craft. Craft.Phil Hudson (00:54):Right. Craft.Michael Jamin (00:54):Yeah. And these are about questions about professional and what else?Phil Hudson (00:59):Aspirational questions. Aspirational, like breaking in and then some general stuff. So, yeah. All right. You ready for this?Michael Jamin (01:06):I'm ready.Phil Hudson (01:07):All right. Professional.Michael Jamin (01:09):Oh, and by the way, the way these people just, if you're new to the podcast, the way people ask these questions is on my social media profile on Instagram @michaeljaminwriter, every couple months we post a blue tile that says, ask me anything. And so if you have questions that I haven't answered, that's, that's where you do it. Put it up there and we'll talk about it.Phil Hudson (01:26):Yep. Awesome. Professional question number one from Give, give Shrimp a chance, which I think is probably one of the best Instagram ta names I've ever heard. I That's good. I will give them a chance actually, Michael, you're vegan, pescatarian, vegetarian. What are you, technicallyMichael Jamin (01:43):I say I'm a vegan, but I do eat fish from every once in a while for protein PEs, but I don't eat any, somePhil Hudson (01:47):PescatarianMichael Jamin (01:48):Then don't, I guess you could say that, but, cause I don't eat any dairy.Phil Hudson (01:51):Got it. Yeah. So you're vegetarians are vegetarian, pescatarians are vegetarians who eat fish. You're not that cuz you're vegan, but you eat fish. Yeah. Got it. Yeah. Cool. Good question here. I thought, I thought it was interesting. When you are a writer's assistant, can you ask for an episode or wait until one is offered or draft possible story areas and send them to the showrunner just in case asking for a friend? Well,Michael Jamin (02:17):Good question. Well, you definitely wanna put in your time. You wouldn't, if you're, if you got promoted to writer's assistant, you don't want to, in season one start asking for an episode. You gotta earn the right to be there. So you gotta be there for a full year. And then it's, this is how I feel. And then after, once you're there for, you know, full year or two or whatever, then you can approach your boss and say, Hey, I'd love to be considered for a freelance episode. I'd love to be able to pitch you an idea. And you should have all these ideas on the ready. I mean, you're, you're there. So I don't, you can do, you can come up with ideas season one, but I I I kind of, you wanna make it so that they owe you so that the writer showrunner owes you one so that you're, you're loyal and you've put in the time this is the least they can do is to repay you by giving you an episode.Phil Hudson (03:02):There's also a very clear level of trust displayed if you come back for a second season. Right?Michael Jamin (03:07):Yeah. It means they like you. Yeah,Phil Hudson (03:08):Yeah. So that, so it means that they are looking at you for those opportunities are already considering you. I do. And this is, I, I apologize. I want to say we brought this up last year, so forgive me if this is a little redundant, but I do know that in screenwriting Twitter, there was some conversation about how sometimes you get staffed as a writer's assistant and then your show gets canceled and then you move to another show and you're a writer's assistant there, and then that show gets canceled and that's a process. And so there are people who have been writer's assistants for like five seasons and they may not have ever been on a show for two seasons. What about in a situation like that where you'reMichael Jamin (03:45):Sucks people Yeah. Sucks for you. I mean, it's just, what are you gonna do? That's just the, that's just the way it goes. Yeah. That, that requires luck. What are you gonna do?Phil Hudson (03:54):Okay, here, here's a political question in regard to this subject, which is I'm a writer's assistant below me, right? There's a writer's pa and above me there's a script coordinator. And the script coordinator wants to write freelance episodes probably as well.Michael Jamin (04:12):Yeah.Phil Hudson (04:12):How do you navigate that? Cuz you've got someone else, technically, in my opinion, this is just my experience, they have seniority over you cuz they've probably been working with them longer.Michael Jamin (04:23):The same thing. I mean the, but the bottom line is it's, it's very hard. But getting a freelance episode really isn't like, it's not like it's gonna make your life, it's going to make you feel good about yourself. You're gonna, it's gonna be a, a badge of honor. But after that freelance episode, you're, you're kind of back where you started from. You're still a writer's assistant. You still have to break in as a staff writer to get full-time employment. So, and, and often it's not uncommon for a writer's assistant to get their shot and kind of blow it. It's just not, they don't do a good enough job. It's, it's hard. And so you really wanna be ready you know, the pressure is on. I I get it. So, but that freelance episode is probably not gonna make your career. It's just gonna feel good. It's gonna feel good. And that will help. And that might get you by for, that might be enough to, you know, encourage you to keep at it for a couple more years, but it's not gonna set you up for life. So,Phil Hudson (05:23):So don't celebrate too early.Michael Jamin (05:27):I mean, or don't be crushed too early if you don't get one, in other words.Phil Hudson (05:30):Yeah. Gotcha. Alright, cool. Ivan g Garcia, oh, apologize guys, this is old my eyes. I'm getting old. Michael, my eyes. Mm-Hmm. Ivan Garcia 66 22. What are the basic things any screenwriter should know? I know it's a really broad, but I thought it was a really interesting conversation to have.Michael Jamin (05:51):Yeah, well, okay, first of all, do you know what a story is? And most people do not know how, what a, a story is, right? I mean, honestly,Phil Hudson (05:59):Let me interject there too. I had a class in college at a screen at a film school where I was taking a screenwriting class and the teacher asked us to define what a story is. And I knew, cuz you had given me your answer. And I sat around and looked at the room and no one, no one raised their hand. And a couple people said something and the teacher kind of brushed it off. And then I gave your answer to them and he just like had this aha moment. And he literally went and changed his slides to include your answer to this.Michael Jamin (06:26):Yeah. So the teacher that important, no,Phil Hudson (06:27):And you can get that free at michaeljamin.com/free. That's so the first lesson in Michael's course he gives away for free. Go get it. It is absolutely important.Michael Jamin (06:38):I like how, how are you gonna write a story if you can't define it? You know, and you think you know what a story is or, or it's such a weird question like in your gut, you, I must know what a story is, but honestly, if you can't define it, you might get lucky once or twice, but you're not gonna be do it on a consistent basis. You're just not. Yeah. So there's that and don't Yeah. And most people don't know. And including some screenwriting teachers don't, don't knowPhil Hudson (07:02):That .Michael Jamin (07:02):Yeah. So,Phil Hudson (07:03):Yeah, so story stories of us know and the definition of story. And if I recall from conversations with you from years back, you told me that that's something you often, when you get lost in a story, it's because you're missing one of those elements of story and you have to go putMichael Jamin (07:17):It back in. Absolutely. I I, we were, you know, I talked about this before, but when I was running my partner running Maron first season we did a, it was the first day of shooting and we did a rewrite on a scene and we, and, and then Mark was in the middle of the scene and he's like, what am I doing here? What am I supposed to be playing here? What's going on? And he starts yelling at me because the scene wasn't working. And, and he was right. The scene was not working. And it was because in the rewrite I had dropped or we had dropped one of the elements that we needed required. And he was right. The scene did not work. And so I had to go back and rethink and we, I i, we threw another line that fixed everything.(07:53):But yeah, it's like, it's that important. It like, the actors, without it, the actors are gonna be lost. The audience is gonna be lost. You're gonna be lost, you're gonna struggle when you write, you're gonna be like, what, what am I, why am I getting bored with my own piece? Which is so common that people get bored with their own writing, which is why they lose motivation, which is why they don't you know, they feel like the writing's all over the map, which is why like they do too much rewriting cuz they don't, they still don't know what's good. All this comes, I there's really no screenwriting 1 0 2. It's all screenwriting 1 0 1.Phil Hudson (08:26):No learnMichael Jamin (08:26):1 0 1.Phil Hudson (08:27):All right. So you need to know story.Michael Jamin (08:30):Yeah.Phil Hudson (08:31):Formatting comes to mind. But that can be done software, right? Yeah.Michael Jamin (08:35):Right. The least important thing.Phil Hudson (08:37):But that, that's a place people get so bogged down. And I know this was true for me. I probably spent a year reading books on formatting. They're on the shelf back here behind me of just, here's how you format this, here's how you do this, here's how you do that. What I've found now is that I've absorbed and simulated a lot that just from reading scripts, like right up here, that's printed scripts that have just printed off you, you learn how other writers, you like how they do things. But also you can literally just Google this as you go along. If you get stuck in there. Plenty of things that kind of explain it to you. So don't get too bogged down in formatting, but you have to know formatting cuz it is one of the things people are gonna look at and they'll judge right away whether or not you're a professional.Michael Jamin (09:19):Yeah. It should be. You should, you can learn it. And just to be clear, like sometimes my partner will make it up. Like if we're writing something, a scene that kind of, the the formatting is, is is unusual with like, it, it's a phone call within a phone call or something odd. We go, well, let's just write it like this. As long as it's clear for the reader, it's fine. No one's gonna, you know, and if the ad has a problem with it, okay, fine. We'll change it when the at, like, I don't fine if the ad one or the writer system wants to change it. Okay, fine. This is how we're gonna do it though,Phil Hudson (09:45):. Love it. Love it. Okay. So for, is there anything else that comes to mind? Like, is there anything else that a writer and again, basic thing a screenwriter should know?Michael Jamin (09:54):Well, you know you should know that your first sample, everyone writes a script and they wanna sell it. And I always say, you're not gonna sell it. You should just write it, write it as a sample. It's a calling card to get you work. And so look at it that way, which means you're gonna be, it's a, as a writing sample, you're gonna be judged on the quality of your writing. And so don't get so hung up on, on you you know, I wanna sell it, I wanna make a million dollars. It's, that's like starting at the, the mountain at the top. You gotta start the mountain at the bottom and work your way up.Phil Hudson (10:23):Yeah. Got it. Anything else?Michael Jamin (10:26):I don't think so. Okay.Phil Hudson (10:27):Maybe I, I will say that you cover a lot of this stuff in the course, so again, if anyone's interested in that michael jam.com/courseMichael Jamin (10:34):Go get how fi how to actually sit down and do it. Yeah. That's what we cover.Phil Hudson (10:37):Yeah, yeah, yeah. I did hear someone, because structure is the other thing that comes to mind and you cover that extensively in the course as well as the writing process professionals use. I will say, I did hear someone recently say that what you teach can be found in other places, but the way you teach it and the way you label specific things is just kind of a duh. Like, oh duh. Yeah. It's like, you can't misunderstand that. And I think that's beautiful from like a just getting information across perspective and a teaching perspective. I mean, that's why some of the early, early testimonial you got from the course where that you're not only a great writer but a great teacher. I think it's because it's, it's a no-brainer way You explain these things that are very convoluted and confusing.Michael Jamin (11:20):Lot of times, writer, screenwriting teachers, I think make it harder than it needs to be is like, no, just make it simple. It'sPhil Hudson (11:27):Try to make it smart. I got like 20 screenwriting books on the shelf back there, and it wasn't until I took your course and again, we, you'd been mentoring me for a while, but it wasn't until I took your course that I was like, yeah, that's just a no duh. Like I should just be doing it that way. I should think about it and conceptualize it that way cuz it's not, you know, inciting incidents and it's not convoluted, deeper mythical structure, which I totally am not knocking. I'm just saying it's a, an easy way to think about that process. Yeah. So make it easy. I'm beating the dead horse. I apologize about that, but I do think it's absolutely worth. It's a good, check it out. Yeah. All right. I has a follow up question. Should I always feel confident and proud of my work? How should I take criticism from someone who I don't think knows best?Michael Jamin (12:09):Well, you should be proud of yourself for sitting down and actually writing a script because most people say they want to do it and they don't do it. So good for you for doing it. How should you take criticism from someone, from someone who doesn't know what they're talking about? Is that what he said?Phil Hudson (12:21):Yeah. Someone who I don't think knows bestMichael Jamin (12:24):, and you don't, I mean, you know and that's a lot of people. You know what? There's valid criticism and there's stuff that, that is not valid. So if someone says if someone says, I don't, I think you should focus more on these characters, or I think the story should be about this, that's not valid criticism. That's someone who's just trying to rewrite your work. If someone that's honestly, and if people tell you that, tell 'em to go, you know, pound sand, because that's not, it's not helpful. What they can tell you is, I didn't understand what you were going for here. I didn't understand what this character, what their relationship was. I didn't understand why the ending was meaningful. That is irrefutable. That comment is because they're just saying, you can't even argue with that. You're saying, they're saying they don't understand it, and you can, you can't argue with that.(13:09):They didn't understand it. So if you wanna make that more clear, you could work on that in your piece. Or if you want to ignore it, it altogether, you could say, well, I don't want you to understand it. I don't know why you'd ever do that. I I think that'd be, I don't, I don't think confusing your audience is ever a good idea, but, but those are the kind of notes that someone can give you that are helpful and irrefutable and you can ha give it to your mom. And if your mom reads your script and, and you know, takes her a month to read it because it wasn't any good, you know, you, you ask her, listen, did you wanna turn the page? Did you wanna find out what happens next? Or did it feel like a homework assignment? And that's, anyone can, anyone can give you that note. Yeah. It felt a little bit like a homework assignment then. You know, your script is not ready. If it feels like a gift and they wanna read what they wanna read your next work, you might be onto something.Phil Hudson (13:58):Yeah. No, I told you, this is when I turned that corner, when I finally got that thing, I opened a beer, my friend said, I opened a beer to read your script. And at the end I realized I hadn't even taken a sip of my beer.Michael Jamin (14:09):That's good.Phil Hudson (14:09):Right? And I was like, that was huge. Like, that was hugely, I mean, never received any type of compliment like that before.Michael Jamin (14:15):Yeah, that's good writing, right?Phil Hudson (14:16):Yep. So, awesome. Moving on, McLean 5 55. I thought this was a really, really smart question. Is plagiarism a problem amongst screenwriters? Which I think is the typical question, but mm-hmm. then he, he or she, how can a writer avoid doing it themselves?Michael Jamin (14:36):Oh, plagiarizing.Phil Hudson (14:38):Try I avoid plagiarizing.Michael Jamin (14:39):Yeah. I don't know how big of a problem. It's, I mean, when you're writing in a writer's room, none of the writers are gonna steal for you. And, and the idea is, is is specific to the characters you have on the show. And so, I mean, no, we, I'm not gonna steal your idea cause we're gonna put it on next week's episode. I mean, you're, you're gonna shoot it. In terms of stealing ideas, often in a writer's room, someone will say, oh, they, I just saw that episode two weeks ago on whatever show. And then usually the writers will go, Ugh, we won't, will kill the idea. So that's not plagiarizing that's coming up with the idea independently and then killing it because you don't want people to think you plagiarized. And often there are similar often there're just similar things in the zeitgeist that come out at the same time. And, but I I, I don't, it's not really an issue that we really concern ourselves with plagiarizing. You know, I, I, at least I don't, I've never talked about plagiarizing.Phil Hudson (15:31):I think there's a level of homage too that's being mm-hmm. , like people are playing homage. So, did you ever watch this show? White Collar?Michael Jamin (15:39):No.Phil Hudson (15:40):White Collar loved this show. And then there's like this big moment at the end of a season where the guy gets in a limo and he takes a drink of a cocktail and he wakes up and he's at this place. And I was like, why have I seen that before? And then a couple months later I pop in mission to Possible three, and that's literally a thing that happens in that. And I was like, oh, okay. That feels a little lazy to me. But there are plenty of other times where people are doing things like workaholics, for example, they will totally base the premise of an episode off of a famous comedy, and you kind of get what's going on there. Like mm-hmm. , they're paying homage to that. Yeah. And it's like, it doesn't, doesn't feel, it doesn't feel icky at all.Michael Jamin (16:18):Yeah. Right.Phil Hudson (16:20):So yeah, it's it's like porn, right? You know it when you see it,Michael Jamin (16:24):You know it when you see it.Phil Hudson (16:26):There you go. Alright. San Sandy, T 63. What aspects of being a professional screenwriter do you wish people gave you a heads up about? And what are the struggles that nobody really talksMichael Jamin (16:38):About? Well, I don't know what, I mean, did someone gimme a heads up about like, I knew it was gonna be hard. I wasn't naive. I knew it was gonna be hard. It's gotten harder as I've, as the industry's changed, and no one who, who's gonna, who could have predicted that, who could have told, given me a heads up that these seasons orders would've gotten shorter. You know, when I broke in, we were doing 22 episodes of season. Now you're, you might be doing 10, and so you get paid per episode. And so it's a little harder. You have to string a, it's harder to string across you string a career together now than it was back then. But who could have told me that there was, you know, the writer strike was 2008, 2007, 2008. And back then we were striking over something called streaming.(17:24):And everyone was like, what's streaming? What's video on demand? What is vod? What does that even mean? No one knew what it was except for the Writer's Guild, and they knew this was something that we needed to get coverage on. And so that's why you have a good kilt. And so that was the strike to make sure that writers would get the same benefits if their show aired on a streaming network as opposed to a traditional network. And by the way, who ca I don't who cares how people are consuming it? It's the same amount of work, it's the same amount of creativity. I don't care if you're putting it with a, you have a my show I implanted in your tooth and you're watching it in your brain. It's the same amount of work for me. So how do I, why would I care if it's streamed on a through the internet or if it comes through on, you know, a satellite dish? Who cares? And so luckily there are smart people at the Guild who, who saw that coming. Yeah.Phil Hudson (18:11):Anything else come to mind? Any other struggles you deal with as a professional writer?Michael Jamin (18:16):Well, I don't know. Do you have something in mind, Phil?Phil Hudson (18:18):Well, it was just that there was a John August written a ton of stuff. He had a blog post years ago talking about how to budget your money from your first sale. And that was one of the things that I was like, that's really smart. I don't think people are talking about you've sold something now what do you do? And he broke it down and he did finances and there's a spreadsheet and you can go check it out johnaugust.com. But that, that has some pretty interesting information about it. So I just wasn't sure if there was anything else like you stumbled upon as a writer later in your career?Michael Jamin (18:48):Well I kind of knew that as a, just growing up, like you, you know, don't live beneath your means. Always, always. And I remember someone when I was first buying a house, I remember I got advice from someone, I won't say who it was, but other at the time, I was like, this is terrible advice. And he was a very successful showrunner and he was like whatever house you can buy, buy more, push yourself. Cuz there's, you know, you're gonna make a lot of money and so push yourself to buy a bigger house so you can, and I'm like, that sounds like a terrible idea. , no, my, my father always told me to live beneath my means and thank God I listened to my dad and not him because you're gonna go through, it's feast your famine. So I'll go months, months without making money and then I'll have a job and I'll make money again and then, but I never know how long the famine's gonna last. I just don't know. No one we, none of us do. Yeah.Phil Hudson (19:33):And you know, there's talking of a recession coming up, so that's mm-hmm. now's the time to be thinking about that stuff as well. I think we very quickly forget how bad things are when things are good and we've been as bad as things have been, we've been pretty good for a while. Yeah. So, you know, we had this conversation cuz I just moved recently in August, I moved to a much bigger house and I just remember laying awake for like weeks saying, how am I gonna afford this? Mm-Hmm. . And I could totally afford it. I would've never even moved if it didn't make sense from a percentage of my income. Cuz I too was taught to live below my means, but I still stressed about it because it's the most amount of money I've ever put into a home, right? Mm-Hmm. , same thing. You gotta, you gotta think about those things and where the next check's gonna come and how you're going to eat and how, you know, you have a family, how you're gonna feed your family.Michael Jamin (20:17):So mm-hmm. . Yeah.Phil Hudson (20:19):All right. Enough about my house. Sorry guys. I know you're here to listen to Michael, not me, but I appreciate you I appreciate you energyMichael Jamin (20:27):Real estate, wos.Phil Hudson (20:28):That's right. Holden underscore levy underscore. When writing a spec script, something that you did not create yourself for a studio, what is the most important thing to include in the script? Asking as I'm applying for an internship where they're asking us to write a spec scene for an existing show. So you want me to rephrase that?Michael Jamin (20:48):Yeah. What did he, yeah,Phil Hudson (20:50):Yeah. So Holden says, Hey, I'm applying for this internship and they're asking me to write a spec script from this spec scene from this episode, this existing show. Is there anything in particular I should be including there? Because it's not something I made I spec,Michael Jamin (21:03):Right? I it's easier to write a spec script than it is an original piece. Far easier, I think. I mean, you have to know how to tell a compelling story. I mean, this is, honestly, this is what we teach in the writing course that we, that we have at my screenwriting course. But is there anything you should put in Yeah, a good story and a good a story with, with high stakes and a compelling B story. And you should be able to have, the characters should be doing things that seem consistent with the characters. You shouldn't be having guest stars that drive the story. You shouldn't be. Ha And all this I teach you shouldn't have guest stars that have more lines than the regular characters. I mean, it should be about the characters in the show. I don't know why. I don't know what kind of internship it it is that requires you to submit aPhil Hudson (21:48):Spec. It's a spec. It's a spec scene. So to keep that, it's literally, theyMichael Jamin (21:51):Just, it'sPhil Hudson (21:52):A scene. It's a scene.Michael Jamin (21:55):Yeah. I, I, I can't, I don't even understand why, why, why they would want, aren't you just gonna be making coffee ? I mean, what are they gonna give you? But that, yeah, I mean, if it's just a scene sa same thing with what I, I just said, but on a smaller scale, you know, make sure the characters are consistent and doing make,Phil Hudson (22:11):Make sure they pop, make sure that there's something, express your voice. There's,Michael Jamin (22:14):There's conflicts. Yeah. Yeah. Make sure you're, your, the tone is right of the show. The consistent with the show. Don't do something totally off balance at the show would never have done, but you're like, woo. You know, oh, this is a horror episode of this show. But they don't do horror episodes on this show. Yeah, but what if they did? No. Do you should be con consistent of what they actually did. Sure. Represented it.Phil Hudson (22:37):Awesome. All right. I apologize. I'm gonna mispronounce this na underscore type life. It could also be Na cuz it's, it's a Jay. You're your're poly. You speak more than one language. You speak three Italian, Spanish English.Michael Jamin (22:51):Yeah, a little bit of English. Conversational English.Phil Hudson (22:53):Nice. Good for you. Mm-Hmm. , do you ever get, get your pronunciation super screwed up when you read words. , N A J oMichael Jamin (23:01):Between Spanish and Italian, orPhil Hudson (23:03):Yeah, anything? So for me, I speak English. Oh yeah. Spanish fluently. But whenever I talk to anyone, you could be Korean. You come up and talk to me. My brain wants to speak Spanish to you. Just out of the box.Michael Jamin (23:12):Oh yeah. I was talking to a comedian Frank Callo, right? Callo is Italian. He's Italian in, but he goes, that's not how he pronounces it, it's Callo. And I'm like, mm, you saying your name though?Phil Hudson (23:22):, you know, ira.Michael Jamin (23:24):Same thing with Mike Burbiglia. You know, I'm like, no, Mike, that's not how you say your last name.Phil Hudson (23:28):The, how do you say his last name?Michael Jamin (23:31):[Inaudible] That's, that's how you'd say an Italian. But that's not how he says it. IPhil Hudson (23:34):Like the handshake. I like the handshake too,Michael Jamin (23:36):While you're, they all talk with the hands.Phil Hudson (23:38):It's beautiful. [inaudible] Digress. Back to the, back to the question a hand. How do I prepare for a general meeting with a large full caps production company with a development exec as a screenwriter?Michael Jamin (23:50):Good question. So a general meeting, they're just, they wanna make sure you're not a, a drooling idiot. I would go in there ha with some knowledge of what they do. So do get on I M D B, do do a Google search of what kind of movies or TV shows they've made in the past. So you can have educated conversations. So you could say, Hey, what I love this project that you made. Everyone likes being told that you like their, you're a fan of their work. So that's easy. A Google search, talk about what they've done, compliment them, and then be prepared to talk about yourself and what you co what kind of projects you wanna do. And it's gonna be very tempting to go in and say, I can do everything. And that's not the truth. Find out, you know, if you're a drama writer, what kind of drama do you do?(24:29):If you're a comedy writer, what kind of comedy do you do? And, and tell them what you wanna do and what you excel at. And that way you're making, you're making their job easier. If you tell 'em exactly what you do, which is I do high-concept thrillers or whatever then when they have a project in mind or a need, they're gonna think of you. If you tell 'em I can do everything, they're not gonna think of you. You, you know, put yourself in a box to make it easy for them to employ you. So tho that's your preparation. And you could talk about, you should also be prepared to talk about what shows you. Like, they're gonna say, Hey, what shows are you watching? So you're gonna say, oh, I watched white Lotus. It's and then be prepared to talk about what you liked about it, you know?Phil Hudson (25:10):Yeah, no, that's great. That's great. Cool. Jeremy M. Rice, how much of show running is budgeting and managing a staff?Michael Jamin (25:18):All of it, but it's not really it is managing a staff. You, you're in charge of those staff, the writing staff. And, you know, most people don't become comedy writers especially to, to become, you know, management like that. We, we become writers because we don't want to go into management. And so suddenly you're the boss of the show and now you have to manage these other writers. And it's kinda like, I don't really know how to, it's a skill that you have to kinda acquire real fast. And so it's about motivating people, keeping people encouraging them so that they can give you their best. I feel it's important not to waste their time. If people feel like they're hostages, they're not gonna give you their best work, they're gonna feel beaten down. I like to empower people cuz that's how you get their best work out of them.(26:00):In terms of budgeting, you know, the budget is set and I don't even look at those numbers when I'm running the show. I'll just say, I'll ask the producer, can we do this? The line producer and the line producer doesn't even always know. Often they'll come back to you, they'll say, I think we can do this if we steal from this episode. So, you know, I think we can shoot an amusement park if we steal at this episode and you make this real, we don't spend a lot of money here. Can you do that? And so, okay. Yeah. I can have fewer sets and fewer actors and fewer everything to make this happen. So it's a lot, it's a conversation. That's why it's very collaborative. And you work closely with the department heads as a showrunner to get hopefully your your what your vision made. But I, I always try to stay on budget. Cuz the last thing you want to do is give the studio a reason to fire you.Phil Hudson (26:45):Sure. this goes back to like one of our early, early episodes. When you're staffing a show, are you considering budgets at all? Are you just saying, these are the people I want to hire. And then you hear back and say, well, we can't or we canMichael Jamin (26:56):No, they tell you they're, they'll come right out and they tell you, okay, you have enough money to hire one showrunner. Usually they'll say this we want you to have a big staff, so we want you to hire 10 staff writers. And then I'll come back and say, I don't want 10 staff writers. I would rather have one really good co-executive producer. And then, and then if there's money left over, we'll hire some staff writers. A lot of voices to me are not good in the room. I'd rather have qualified people who know what you're talking about then, then I don't need a million ideas. I just need someone who can write a really damn good script.Phil Hudson (27:26):Got it. You know, so you'd, you'd rather put the money towards talent and capability overMichael Jamin (27:31):Yeah. I always prefer comedy show, meaning experiencedPhil Hudson (27:35):Writers. I think that's general. That's generally true. I would say from my, what I've seen at least, and I'm,Michael Jamin (27:40):Yeah. But often they want the people, often the people with the purses, they tell you the op they want the opposite because they don't know. And so they're like, no, no, we want you to have a lot of different voices. I don't want a lot of different voices. That's the last thing I want. I want people who can do the job. Hey, it's Michael Jamin. If you like my videos and you want me to email them to you for free, join my watch list. Every Friday I send out my top three videos. These are for writers, actors, creative types. You can unsubscribe whenever you want. I'm not gonna spam you and it's absolutely free. Just go to michaeljamin.com/watchlist.Phil Hudson (28:21):Ivan Garcia 66 22 is back. If I wish to become a professional writer, doesn't mean I should drop everything and just write all day every day.Michael Jamin (28:29):Well, I dunno how you're gonna do that without paying. You gotta pay the bills. But you can certainly drop all your pastimes and become a writer. Like you have to go to work and, you know, and, and, but after work, yeah. What you should be writing, you should be writing every day regardless. And and I I heard a great quote who I think, who was it? I think it was Stephen King said this. I was like, oh, that makes, yeah, that I like the way he said it. You know, when you're inspired, you're right. When you're, when you exhausted and you just don't have it in you in the can, then you should be reading. But writing comes first.Phil Hudson (28:58):I think it was Terrence Winter, and I apologize if I'm miss Mrs. Operating this quote. But he was on a podcast I listened to years ago, and he said that when he moved to LA I believe he was an attorney first, and then he moved to LA mm-hmm. . And when he moved here, and he's the creator of Boardwalk Empire and he worked on the Sopranos, really well-known, talented writer. Writer. But he said he moved here and his friends would be like, Hey, let's go to a Dodgers game. And he'd say, no, I haven't earned it yet. And he would not allow himself to go have fun until he had done the work he had assigned himself to do. Yeah. And that's a level of dedication, discipline and professionalism that I think you have to have to make it. And it obviously works, look at him. But yeah, you gotta pay your bills, you gotta eat, right. Yeah. So for him, it's, you know, it's sacrificing where other people are not willing to sacrifice because heMichael Jamin (29:47):Right. Yeah. How bad do you want it? So you, you can't, you gotta have to make choices.Phil Hudson (29:52):And we talked about this before. It's you know, sacrifice is a, it basically needs to make hauling, right? It's, you're making something sacred so you're turning, you're exchanging something for something else to get something better, which I think is a podcast that's coming up is, yeah. Long-Term focus over short term gratification.Michael Jamin (30:07):I guess that makes sense. Sacrament.Phil Hudson (30:09):Yeah. Alright. grizzly, hanif, gri, grizzly, heif. He, I don't know, I apologize. Grizzly, how do you balance writing multiple scripts?Michael Jamin (30:22):Like, I wonder if they're talking about me or you. IPhil Hudson (30:25):Think it's a que it's a question for you. And, and I think that they might speak to one, right? But how do you, as someone who is writing multiple projects, you know, you've sold two or three projects recently with your writing partner Yeah. And your writing your own books, your your own essays. Yeah. How do you balance that?Michael Jamin (30:43):Well, it depends what we're doing. But I, I, I don't have too many projects at any one time. It's only a couple. So it's not that hard. If we're running a show, then we have a bunch of scripts out and we have to keep 'em all in mind. And you know, and yeah, you look at the outlines, you look at the notes that's, that's the hard part of the job. But in terms of projects, I don't have, I think a lot of people, one, if we're talking about an aspiring writer or an emergency writer, I think they'll often have multiple scripts because they get bored by their own work. And, well, I'll just do this now because I'm stuck here. I'll just do this now. And so the problem with that is they're struggling. They don't know what they're doing and so they're just, they're just putting it off by starting a new project, never finishing anything. And so that's not good that, that's why education can help. Where if you understand story structure, you shouldn't be struggling as much. You, you shouldn't be getting bored by your own workPhil Hudson (31:31):Right? Now, that doesn't mean you're not gonna finish. You get to, to a point when we talked about that and in previous podcast, how do you know when you're done this this project done? You set it aside, you go write something else, you're gonna come back, you're probably gonna rewrite some stuff. It's probably gonna see a bunch of holes, some things you can fix, things you can improve. But that's just because you got better because you wouldn't put in time on another project. So Yeah. But I think that's a great point. Like when you're running a show, you are running a show and you're doing a lot of, a lot of episodes, a lot of storylines going at the same time. Yeah.Michael Jamin (31:59):So, and often I'll say to the writer, what's going on? What's the story about? Again, refresh my memory because I, cause I can't remember, you know, 10 episodes at the same time.Phil Hudson (32:07):Alright. Johnny JK zero one. How does your workday look as a feature writer versus a TV writer?Michael Jamin (32:13):Well, I don't really work much in film. Film. I, we've, my partner, we've sold two. But we've since stayed in television. I, you know, I don't really know. I mean, your future writer, you know, you're working from your house probably more. And it's like, it's not collaborative. You're alone and you, you're dealing with your producer, producer's giving you notes and you're going back and you're, you're banging your head against the wall. But on TV show, it's collaborative, a writing staff. So if you have, if you get stuck on a scene, you, you bring it in front of the staff and you say, Hey, let's talk about this some more.Phil Hudson (32:41):Yeah. Great. Alright. colors by sec. C e k, does it really matter where you go to college or university to study screenwriting? How much of an impact does it make on your career? Are the prestigious schools really what they make themselves out to be?Michael Jamin (32:57):I don't think, no, I don't think so. I think what you can get from, it's important to learn, you know, screenwriting and study it somewhere. But the degree itself is worthless. No one's gonna ask to see your degree. They're gonna wanna know if you can write. And if you, and if that te that school teaches you how to be a good writer, then it's worth something. But the degree itself will not open any doors. No one cares. I've never hired anybody. I've never asked to see their degree. I never wanna see their gpa. It means nothing to me. So the education is worth something, but the degree is worthless, I think. But and also if you go to a school, you may, if it's a prestigious school, your, your fellow students may grow up to be successful directors and, and people that you can work with in the future. So it's good to network with those people because they'll, you know, they'll arising tide raises all boats. But but you can get the, the knowledge without having the degreePhil Hudson (33:53):Yeah. As someone with a degree. I concur.Michael Jamin (33:57):Yeah.Phil Hudson (33:59):Ryan Danowski, how many credits does a writer need to have if they want to become a creator or a showrunner?Michael Jamin (34:06):Yeah. How many credits? It's like it doesn't really work like that. I mean, we were writers for 10 years before someone decided we were ready to be showrunners. And even then we weren't sure if we were ready. It's, it's a big leap. There was talk earlier, like I, I know some people who become showrunners, you know, maybe after four or five. And it's, it's a little scary because there's so much to learn and so much to know. So it's not even about credit. So they, I know everyone wants to be a showrunner. I, I would just don't like, just worry about being him a writer first. It's, it's, it's so freaking hard. There's so much you have to know. And that's why they get paid so much money is because, you know, you gotta know how to do it. I, it's, I I wouldn't just learn how to write first one step at a time.Phil Hudson (34:55):Yeah. I yeah, I think it, the, that question kind of speaks to a lack of understanding of how the process works. And it's not like you apply for that job, right? Right. Like, that's a job that you are given or assigned because you have enough clout and credit and respect for the accomplishments you have. Or you've sold something and you have enough clout credits. Right. And and respect for what you've done. So, because we, I asked that question early on. Go ahead.Michael Jamin (35:27):Well, the first time we were hired as showrunner, it's like, I'm sure that was Michael. Hi Michael Eisner hired us for Glenn Martin. I'm sure he was nervous cuz we had never run a show before. And he had a right to be nervous. We had a lot of experience, but he was like, can you do this? And my partner like, yeah, we could do it Very unconvincingly. So he had a right to be nervous and we were nervous. It's like, it's a big, it's a big deal to give someone that break.Phil Hudson (35:49):Yeah. Yeah. So I mean, I asked that question early on too. Like, if I sold a show, am I automatically the showrun? And you're like, Nope. I knew you may not even be an executive producer,Michael Jamin (35:58):Right? Oh, probably not. You'll probably be, yeah. But you'll probably be a low level or mid-level writer. You're not gonna, they're not gonna, it's, it's such a big deal that they're not gonna trust their investment to someone who's has no idea how to do it.Phil Hudson (36:10):Sure, sure. Awesome. That's the end of our professional. We got a couple aspirational and one general, I think we can get these done in a couple minutes here and, and wrap this up. Don't need to split into a third episode on the Ask Me Anything episode of Michael Jam's screenwriting podcast. Yeah. Nate, the Nate Gillen or Gillen, I'm so horrible with these pronunciations. I apologize everybody. As the medium for television seems to shift from networks to streaming platforms, whose staff should I try to join as a PA and eventually a writer to pitch a show to after years of experience in course Netflix, Disney, a studio like fx andMichael Jamin (36:47):I think whoever will hire you, that's Yeah. Is that what youPhil Hudson (36:50):Yeah, that's definitely,Michael Jamin (36:51):There's no wrong answer. Whoever will hire you and those writers will bo if they're on a network show next year, they'll be on a streaming show. Like they'll bounce around. There's, we don't, we don't care, I don't think. Yeah, for the most part we're like, Hey, who's hiring? We'll take the job.Phil Hudson (37:05):Yeah. I think I can speak to this as someone who has been a PA for the last several years in multiple aspects whatever job you can get, like finding a job is the hard part. Like yeah, it is so hard to find APA job where you can get brought on that you can then have to build a reputation. And it's not like you stick with a studio or, or production company. Mean you're typically moving with that crew of people. You're production office coordinator likes you, so as an office pa they hire you on the next show. You're a set pa the first ad likes you or the second ad likes you. The second, second likes you. So they bring you on to the next one. You move with the people, not necessarily the people making the show. There are some circumstances, you know, I've, I've been working with 8 24 for a couple seasons now on Tacoma fd and I did have some conversations with them where they said, Hey, we would like to continue to work with you.(37:57):And so I've built that relationship of trust over several seasons with them. And I could probably go to them and say, Hey, I'm looking for a job and they'd recommend me to stuff, but I also have plenty of other relationships that I could probably just move to the next project or the next project with the groups of people I've worked with. So it's just networking and you've gotta get the job first. So don't, don't don't feel like you're plotting out an entire career based on what job we get as a pa. That's just not gonna happen.Michael Jamin (38:23):Right,Phil Hudson (38:24):Right.Michael Jamin (38:25):Cool. Exactly.Phil Hudson (38:26):We're gonna get into some questions that are very similar here. Right. And so I, I just want to give the, these people, cause I asked the question some, some clout, but they are very similar and I, things you've already answered many times as an aspiring screenwriter, what is one of the best ways to gain exposure? Where is a good outlet to present your work to gain potential opportunity? That's nine. Nine Jack. And then I'm gonna do Kimmy, Naomi, what are the best ways to get your writing out there and known to attract bigger opportunities these days? And she talks about how it used to be blogging. Is it festivals? Is it shorts? Kind of smashing 'em together, right?Michael Jamin (39:03):Yeah. But it's, it's anything. It's like, sure, you can apply it to some of the bigger screenwriting festivals. The big ones, not the little ones. The ones who've heard of are, you know, they might be worth something, you know, Sundance or Nickels orPhil Hudson (39:16):Austin Television.Michael Jamin (39:18):Austin, yeah. Yeah. Those are good ones. But the smaller ones are, you know, they're just money making operations. So that's what you could do that. But also just put your wor anywhere you put your work out there short. Sure. Make a TikTok channel and put your work up there, you know, in three minute. Make a name for yourself learn every time you create something you know, is, is a good experience, you'll learn from it. You know, a lot of people think it's about networking with people like me. And it's not, you don't have to network with people like me. You can network with people like you. And so you could find fellow filmmakers just outta college or people in college or you know, students or whatever, and just start making stuff together. Get a group of actors. Writers may build a community because those people are gonna rise up.(40:05):If they're serious about it, they're gonna rise up. They're gonna have little opportunities. Hey, I just booked an actor's gonna say, I just booked a commercial. Or a writer's gonna say, oh, I just got, I just, you know, a tiny little thing for somebody. I wrote the, and whatever it is, it's gonna look. Whoa. That's interesting. That, and you're going to surround yourself with these people and all these little opportunities. You're gonna learn about their opportunities and maybe they're gonna bring you in on stuff or maybe you're be inspired. Oh, I could, I could write something like that. I can stage a play and you're building your community of people and someone's gonna pop and you're gonna pop. You know, and that's how you rise up. You don't have to start at the top. You don't have to get your hands in Steven Spielberg's lap to make it in Hollywood. You, all you gotta do is get, build yourself a little community and that's whoever you wanna be with. And that's, that's why I encourage people to move to LA because a lot of those people happen to be in la. Right. If you, you people come to LA to make that dream happen, can you do it and stay where you are, I guess. But you're gonna find more people out here trying to do it.Phil Hudson (41:04):Yeah. LA is also a great sift. It's a sifter of people. A lot of people are gonna move here. A lot of people are gonna fall out. There's a lot of attrition. People are gonna leave and they're, they're not gonna make it. You know, I moved here with a bunch of people from film school. Most of them have left the business or have moved back home cuz just didn't, they didn't have what it took or they didn't feel like they could devote the time or just,Michael Jamin (41:27):Or how serious did they take it? Did they make it, did those stu film students, did they ever actually try to makePhil Hudson (41:32):Anything? No, theMichael Jamin (41:33):Answer's no. No. Right. The answer's no.Phil Hudson (41:35):Right. Because it's, it's easier to dream about something. It's zero risk to think it or dream it or say you're doing it. It is a lot of risk personally and financially and professionally to go out and try to do something. But I don't know anyone who's ever knocked someone for trying. I hear a lot of people, it, it's people want to save face with family and friends or relationships they have back at home or wherever it is who said you're never gonna make it. And so that it's easier to say you don't wanna do it. Like I have a friend really tell a writer puts in more effort than anyone I know writing, he writes all the time, but he never finishes anything and he never submits anything. He never sends anything out. He, he's turned down pa jobs. I've tried to give him, he's done all these things because, and this is like super deep. He's afraid of failing his father. Like his father told him he's not gonna make it. And so any tertiary job related to film that is not film counts because there's zero stake in it.Michael Jamin (42:31):Yeah. But I, you know, it's sad, but you have to start like success doesn't look like what you think it looks like. Success doesn't look like a giant check from a studio to make your movie. It looks like some opportunity that's beneath you. It looks like you making a student film shooting and on your iPhone and posting into YouTube and what's the budget? $30. I mean, that's what it look, I mean, there's no reason why you can't do that. You know, you need better sound, maybe more than $30, but you don't need $50,000 to make your movie. No, you could do it on your phone. You need good sound and you need pay people and pizza. That's how you do it.Phil Hudson (43:05):And people will happily do it from pizza. People are starving in LA man, it's expensive. It's actually cheaper right now by the way, to eat out than it is to buy groceries. So just keep that in mind. That's the inflation world. Yeah. All right. Last question here and then one in general is writing and directing the best way to get your name out there.Michael Jamin (43:22):Well, a any way to get like whatever you're doing. What, whatever, like making afil film with your neighbor already. You, you're exposing yourself to more people than just staying in your basement and doing nothing.Phil Hudson (43:34):Yeah. And the short answer, the reason I separated this one, the short answer is what do you want to do? Do that, do that as much as you can. Do it every chance you can put it out there as many times as much as you can no matter what. And embrace the fact that you're gonna suck at it. Like that's new. It's not meant to be easy for you. Suck it up. And there's zero stakes right now. Cause nobody knows who you are. And that's great.Michael Jamin (43:57):You know what though? I, I've told this story before, but like a couple months ago, a a stu I know this girl, girl I went to high school with, her son is now a student at a film school. And he lives in LA and they were ca they needed people to be in her student film. And they asked if I wanted to do it and they're like, I'm not an actor, so I didn't want to do it, but, but if I was an actor, cause they needed a guy my age, if I was an actor, I would've done it. Why? Because those kids, that crew of five people, you know Sure. They're just dumb students at us film school. No, they're going to, someone is gonna rise up and become, make a name for themselves. And so why wouldn't I not want to, you know, get to know that person? And so it may feel like, well, but yeah, but that's an op that's an opportunity for five years or 10 years from now. You know, get into, get built a circle for yourself. There's no reason like, I didn't wanna do it cause I don't wanna be an actor, but there's no reason. If I wanted to, I would've done it.Phil Hudson (44:52):Yeah. speaking of that, and we haven't talked about this much, I just let you know this last week, but I actually have a couple producers who've hired me to write a spec feature that's just in any feature. It's not anything guild related. It's my first paid work. It's amazing that opportunity. Yeah, it's huge. And that opportunity comes from, they needed help producing a sizzle reel in New Mexico in 2015. And I showed up and I devoted all my time for a weekend to them. I spent tons of time, I spent some of my own money taking care of people, getting things done and impressive enough that, that, and with the help of your course and your mentorship, and the time I put into being here in Hollywood and working in mm-hmm. as a piano, these things I finally have writing samples that impress them enough. This is, yeah, you can hit a budget. It's producible and it's good enough writing. Right. They're gonna send it off, you know, so they're gonna take it and they're gonna submit it to production companies to try to get made as an Indy film.Michael Jamin (45:48):And that's fantastic. Right. And that's because you put yourself out there and you didn't, and you know, nothing was beneath you and you didn't think you had to start at the topPhil Hudson (45:58):Because you don't, you can't. Yeah. So you can't, and I apologize, I missed one question here. It's from Hershey Bar, v a r r. How do you know when you're, you're ready to sell your script? Another one, you,Michael Jamin (46:11):When someone offers to, when someone offers you money for it. But it's kind of, I think we kind of hit on it a little bit already. It's like, if you give your script to somebody and people enjoy, they want to turn the page, you might have something. If it's, if it's a not, you know, if you can't get even your best friend to say it's good, then it's not ready. And again, your goal is not to sell it. Your goal is to impress someone with your writing so that you have other opportunities. So don't even think about, it's not about selling your script. Everyone wants to make money. How about you just learn how to become a good someone that people that you, you know, that you're in demand. If you're a good writer, you will be in demand. Learn how to write first and then doors will open. But if it's all, if it's only about lining your pockets, you know, what do you think's gonna happen?Phil Hudson (46:53):Yep. So, all right. That wraps that up for the aspirational section. One question in general, it's from Christopher Rings. Do you have a favorite meta description of screenwriters in media? I think of the, I love Lucy Writer's Room and being the regards, oh, this is a more personal question for you. It's not about your own.Michael Jamin (47:10):Yeah. I, I, yeah. I watched that and I enjoyed that. That's funny. I mean, Aaron Sorkin is a fantastic writer. I was a little surprised when I watched that. And Aaron Sorkin knows what a writer's room is. I mean, you know, he's run writer's rooms. He's been in writer's rooms. I was a little surprised about when I watched that. It was the Char, I don't remember the character but sh she's a female writer on, on Lyla Lucy. And she was given it to Lucille Ball in the, in the movie. She was given it to her. And I'm like, whoa. I've never been on a writing staff where a staff writer talked to the star that way. . Now that's not to say it didn't happen, because maybe it did, you know, may you know, I don't know about the past, but I was surprised when I saw that.(47:49):I was like, whoa. In, in, in general, we don't, we don't talk to actors that way. We don't yeah, we don't yell at them. We, especially the star, we don't call 'em out. Cause they'll fight you. They'll get you fired . So no one wants to get fired, . So I'm not sure if that's a, an accurate, although I totally enjoyed that movie and I, and I watching it and I was like, oh, I wonder if that's how it was. I, you know, I don't know. I wasn't there. So is there an accurate depiction? I thought it's reallyPhil Hudson (48:17):More your favorite. I think the question is favorite, not necessarily accurate. Oh, okay. It could be, could be accurate. It could be both.Michael Jamin (48:23):I always liked on the la and I haven't seen it in 20 years, but on the Larry Sanders show, I always like the way the accurate Jeremy PN was pur portrayed on the la as the writers, because those guys were never happy . They were joke writers and they were never happy. And they always aspired to do more, sell the screenplay or whatever. And I, that felt real to me. Or it felt funny to me. I, and I haven't worked in late night television, so I don't know if it's accurate, but I thought that was hilarious.Phil Hudson (48:49):That's awesome. I really love, was it Studio 60 on the Sunset Strip, which I brought it before to mm-hmm. , I think it's Aaron Sorkin as well. And it's like a Saturday Night Live type show behind the scenes really moving, really moving one of the most beautiful Christmas episodes of anything I've ever seen really touching. SoMichael Jamin (49:04):And then there's 30 rock portrayed actor writer, the writing stuff, but not really they quickly ditched that because they're, the gold was not in the writing stuff, isn't it? Watching people write is not interesting. Watching actors become idiots. That's more interesting than watching writers at a table, so.Phil Hudson (49:21):Awesome. Well, that's the end of your ask me anything, Michael. Two, two parter. Done. any other thoughts, questions, anything you want to put out to the, to your audience?Michael Jamin (49:31):Just the normal stuff. We got lots of free resources for people who want to go get it. We got free downloads of sample script.Phil Hudson (49:38):We have, we should, you know, one thing we don't talk about is you have your you have a bunch of free samples that you have available of your writing. I'll pull up the URL here if you want to start talking about the other one. They probably don't have thatMichael Jamin (49:51):Ready. Yeah. That we have that we have a free lesson on, on screenwriting at michaeljamin.com/free. Definitely get that. We have a, our watch list, which is our weekly newsletter with tips. You should be on that michaeljamin.com/watchlist. I post daily on Instagram and TikTok and Facebook at @MichaelJaminWriter. This is all free guys. And then of course, there's some downloads for scripts that I've written. If you wanna, you know, study those or look at the formatting I know it's on our, I know it's available on the website, michaeljamin.com. I know you can. Phil's gonna give you the rightPhil Hudson (50:25):Url. Yeah, I'll get it. And you know what I'm gonna do, I'm gonna put a link in the show notes here, so just go check that out. Mm-Hmm. . Cuz it's gonna be a, it's gonna take me a second to pull this up. I've done a poor job of making it really accessible, so I will get that fixed today. Yeah, we'll you can always go to michaeljamin.com/ there's a free stuff tab at the top mm-hmm. . And you can just hit that and it'll be in there. So yeah, that's it. Cool.Michael Jamin (50:48):All right everyone, thank you so much, Phil, thank you for join

Det har dykt upp ett foto från 80-talet på tidigare försvarsministern Peter Hultqvist (S), iförd luciakrona. Betyder det slutet för de svenska luciabråken? I dag leder Louise Epstein programmet med Johar Bendjelloul som bisittare. AI-författad pjäs Scenkonstgruppen Revet har låtit en AI skriva pjäsen "Nattygsbordet" åt dem. Hur ser slutsatserna ut - kan en dator ha en uppfattning om människans medvetande och hennes drömmar? Och kommer dramatik skriver av människor konkurreras ut inom kort av det textrobotar producerar? Gäster: Dan Andersson, regissör och Ellinor Jonsson, skådespelare.Ny mittenregering i Danmark! Efter en rekordlång regeringsbildning har Danmark fått en ny regering bestående av Socialdemokraterna, borgerliga Venstre och nystartade socialliberala Moderaterne. Frågan är bara om samarbetet kommer hålla? Gäst: Samuel Larsson, Sveriges Radios korrespondent i Danmark.Territoriebråk i karibiska havet Ögruppen San Andrés och Providencia, med kritvita stränder och turkost vatten, tillhör formellt Colombia även om den ligger närmare Nicaraguas kust. De två länderna har länge varit oense om vem som har rätt till ögruppen och det omkringliggande vattnet, och nu har ärendet hamnat i internationella domstolen i Haag. Hur ska det gå? Gäst: Ivan Garcia, Sveriges Radios korrespondent i Latinamerika.Dessutom: hur ska man se på maktförhållandet mellan människa och schmipans, apropå händelserna omkring Furuviksparken? Och vad kan man dra för lärdomar av den urspårade julfesten på ett kryssningsfartyg där anställda från ett byggföretag slängde ut möbler i Östersjön?Programledare: Louise Epstein Bisittare: Johar Bendjelloul Producent: Olle Björkman

Samkönade äktenskap splittrar kyrkor i flera länder. HBTQI-frågan i bland andra Englands och Brasiliens kyrkor har lett till stor debatt och har även blivit en symbolfråga i politiken. I veckan utsågs Jakob Forssmed (KD) till ny socialminister i den nya regeringen, han har även ansvar för trossamfundsfrågorna. Vi talar med honom, bland annat om hans egen tro, om de religiösa samfundens ansvar för social omsorg i svåra tider och om alla trossamfund bör viga samkönade par.Den engelska statskyrkan, Church of England menar att sex mellan personer av samma kön strider mot Bibeln. Samtidigt erbjuder kyrkan registrerade partnerskap, även för sina egna präster om de avstår från sex och lever i celibat. Men debatten om det här är livlig. Frilansjournalisten Natacha López har träffat två homosexuella anglikaner som har helt olika synsätt och lever därefter. I Brasilien är det tillåtet med samkönade äktenskap men i debatten inför den andra omgången av presidentvalet har HBTQ-frågorna blivit en viktig del i retoriken. Den nuvarande presidenten Jair Messias Bolsonaro tar tydligt ställning i frågan och utmanas av veteranen Lula da Silva. Hör radions korrespondent Ivan Garcia.Hör även Levi Karvonen, som bevakar internationella frågor för RFSL (riksförbundet för homosexuellas, bisexuellas, transpersoners, queeras och intersexpersoners rättigheter).programledare: Åsa Furuhagen reporter: Natacha López producent: Anders Diamant

In this episode, you can listen to my interview for Mindvalley Heroes. Grateful to my Soul Family Kerry Fisher and Ivan Garcia for featuring me. You can also watch the interview on YT: https://www.youtube.com/watch?v=PPK8kHJsnsc Love and Gratitude D --- Send in a voice message: https://anchor.fm/fearlessandsuccessful/message

This episode of This Week at Late at the Lake features original work by Chloe Youtsey, Alex Wolffe, Robert Parker Jr., and Ivan Garcia.@chloeyoutsey Chloe Youtsey "I'm Sorry"@awolffemusic Alex Wolffe "Bathtime Blues"@robertparkerjratx Robert Parker Jr. "Evil Woman"@ivaninspace Ivan Garcia (stand-up comedy) [EXPLICIT]Recorded live at Late at the Lake, at Mozart's Coffee Roasters in Austin, Texas on Tuesday, April 26th, 2022.Get full access to unedited Late at the Lake content by becoming a Patreon subscriber! Receive shout-out in the credits, participate in fan-only polls, get behind-the-scenes access, tip the Late at the Lake hosts & support the production team, and ultimately sow into our dreams (did someone say video livestream?!) Attend Late at the Lake - free. Held every Tuesday night (unless it's raining!)Engineered/Mastered by Anthony Corsaro. Edited/Produced by Chloe Youtsey. Music (intro/outro) by Nicolas Azlon.

Stryp den ryska oljan så stryper vi också Putins krigsmaskin. Så resonerar ledare i både USA och Europa. Men riskerar vi då istället att sätta oss i knäet på andra auktoritära ledare? Kan kampen för demokrati och vårt beroende av olja verkligen gå hand i hand? Medverkande: Emil Nordström, hamnkapten, Victor Alvarez, ekonom, Jesus Rafael Gonzales, statsvetare, Dignora Hernandez, partiledare Ventre, Sarah Leah Whitson, Democracy for the Arab World Now, Yasser Al Ghasslan, journalist och kommentator, Michail Krutikhin, olje-och gasexpert RusEnergy, Andrej Kortunov, tankesmedjan Russian International Affairs Council.Programledare: Robin Olin robin.olin@sr.seReportrar: Maria Georgieva, Cecilia Uddén, Ivan Garcia, Kristian Åström Tekniker: Elin HagmanProducent: David Rasmusson david.rasmusson@sr.se

Berto and Ivan Garcia are the co-founders of what has become a St. Louis real estate powerhouse. Garcia Properties is a vertically integrated firm with divisions in construction, property management, buying and selling property, financing and insurance. But just two years into its existence, the company nearly died.How much risk is acceptable when you're trying to start something new? And while we love to hear about the risks that paid off, what do we know about the risks that didn't? These are the questions we confront in this episode.In the early days, as Ivan was trying to get the company going, he seized on an opportunity to buy the company's first residential property for $700,000. But the transaction relied on a handshake agreement with the owner.See, Ivan didn't have any money. He had time. He had skills. So, under the agreement, Ivan would upgrade the broken-down building and manage it, making sure tenants paid the rent. Two years later, under the agreement, the owner would take out a second mortgage, loan Ivan the down payment and sell the building. Ivan would repay him in two years.So, when it's time to sell, guess what? The building is making more money than ever. It's an attractive location near St. Louis University. The owner balks. The Garcias also learn the owner has $30,000 in liens that would have to be cleared.Berto and Ivan credit their parents for the skills to navigate the situation. Mexican immigrants who worked hard to make a home for their seven children, they taught the kids early to make their way. If they wanted something, they had to figure out how to get it. They learned resilience.“There's only one way to get yourself out of trouble,” Ivan said. “And that's to get in trouble. All the soft skills we learned growing up have served us in our professional lives.”Ultimately, Ivan applied those soft skills and a little financial cunning to get the building owner to close. The Garcias owned the building for 14 years, continued to improve it, and sold it for $2.1 million. The proceeds funded the renovation of the Garcia Properties headquarters in South St. Louis.Todd Milbourn, WashU Olin's vice dean of faculty and research and the Hubert C. & Dorothy R. Moog Professor of Finance, uses the story of the Garcia Brothers to put the concept of business risk-taking into context.“And at the end of the day, business is a risky venture. It's an uncertain venture,” he said. “If it wasn't risky or if it was a certainty, you wouldn't need executives and you wouldn't need to pay them very much. And you really wouldn't have to train anybody because if everything was predetermined, we'd just have one supercomputer that would be programed up of this is what you do every step of the way.”He speaks in terms of hedging against risks, net present value (e.g., risk-adjusted bets), grit and survivorship bias (“the benevolent dolphin” story, which speaks about the disasters you don't hear about).“I'm always ridiculously grateful that there are people out there that are willing to swing for the fences and go, try something completely new,” Milbourn said. “You know, certainly personally, I benefit from it, but you can think more broadly, society, we benefit from people that are willing to take these long-shot bets that are willing to come up with might look like the craziest idea ever.”Related LinksThe Garcia Properties website.Video by the Garcias about the origin of their firm.News about the building purchase financed by their first apartment building sale.Feature on the Garcias' Golden Hoosier pub in their HQ building.CreditsThis podcast is a production of Washington University in St. Louis's Olin Business School. Contributors include:Katie Wools, Cathy Myrick and Judy Milanovits, creative assistanceJill Young Miller, fact checking and creative assistanceHayden Molinarolo, original music and sound designMike Martin Media, editingSophia Passantino, social mediaLexie O'Brien and Erik Buschardt, website supportMark P. Taylor, strategic supportPaula Crews, creative vision and strategic supportSpecial thanks to Ray Irving and his team at WashU Olin's Center for Digital Education, including our audio engineer, Austin Alred.

Bienvenidos a este nuevo episodio de La Gran Pregunta en donde junto con el Psicoanalista Ivan Garcia desciframos de la manera más sencilla que es un analista, como funciona el análisis y que lo hace tan especial (al menos para nosotros) Búscanos en Facebook e Instagram como @servidac Music by www.patrickdearteaga.com

Jugar al fútbol puede marcarte la vida. Eso le ha pasado a Ivan Garcia. Jugar al fútbol y trabajar además de estudiar, eso es ser un equilibrista. Cuando sueñas con vivir del fútbol no es fácil disfrutarlo hasta el final y reorientar tu futuro profesional. Iván lo ha hecho con una actitud de 10. la de un auténtico lider en el campo que también lo es en la empresa. Un jugador de equipo que se ganó su sitio por su forma de mover el vestuario, hacía que todos funcionaran. Se dió cuenta de que poniendo las personas primero todo iba mejor. Puedes sumarte a la comunidad de Telegram “La Vida Es Perfecta” para compartir cómo es tu día y recibir un mensaje inspirador cada mañana: https://t.me/joinchat/k5-Gogo_Bf43NDg0 ---------------------------------------------------------------- Descubre más sobre Iván García en: LinkedIn - https://www.linkedin.com/in/iv%C3%A1n-garc%C3%ADac/ ---------------------------------------------------------------- NOS VEMOS EN LAS REDES LinkedIn - https://www.linkedin.com/in/sergiodemiguel Instagram - https://www.instagram.com/elequilibrista_ ---------------------------------------------------------------- Suscríbete al canal para no perderte ningún capítulo https://www.youtube.com/channel/UC6ahYg5POwKrhWAaXttAQkQ Escúchalo en Ivoox -  https://go.ivoox.com/sq/1255679 Escúchalo en spotify https://open.spotify.com/show/2oeu6MaZzrUWxmuGyTioix Escúchalo en Apple https://podcasts.apple.com/us/podcast/la-vida-es-perfecta/id1572356809

På fredagen införde EU, USA och Storbritannien sanktioner mot Rysslands president Putin personligen. Att utesluta Ryssland ur betalsystemet Swift har varit på tapeten men flera länder har hittills motsatt sig detta då det skulle göra det omöjligt att betala för rysk naturgas och svårt att få tillbaka lån. Nu verkar det som att ett av dessa länder, Tyskland, inte vill sätta stopp för att utesluta Ryssland. Hör Ekots korrespondent Andreas Liljeheden. Hör även Ginna Lindberg, Ekots utrikeschef och USA-kommentator, Peder Gustafsson, Sydostasienkorrespondent, Ivan Garcia, Latinamerikakorrespondent och programledare Katherine Zimmermann och Sara Stenholm.Ekot ekot@sverigesradio.se

How do you recover from a multimillion-dollar mistake while your company is expanding and your technology is ailing? How do you capitalize on unusual sources of inspiration? When is a handshake deal ever good enough? How do you plan strategy during a crisis? These are some of the questions we explore, thanks to the business leaders who share their stories in season two of On Principle. We'll have eight more episodes that put you inside the C-suite or out on the street as our guests confront these challenges. And, as usual, WashU Olin academics lend their expertise, add context and drive home the takeaways.GuestsIn this trailer, you hear the voices of (in order):Paula Crews, senior associate dean of strategy and marketing for WashU Olin Business School;Alaina Maciá, CEO of MTM, Inc.;Steve Smith, CEO of Lawrence Group;Ivan Garcia,co-founder of Garcia Properties.CreditsThis podcast is brought to you by Olin Business School at Washington University in St. Louis. Contributors include:Katie Wools, Cathy Myrick and Judy Milanovits, creative assistanceJill Young Miller, fact checking and creative assistanceHayden Molinarolo, original music, sound design and editingSophia Passantino, social mediaLexie O'Brien and Erik Buschardt, website supportMark P. Taylor, strategic supportPaula Crews, creative vision and strategic supportSpecial thanks to Ray Irving and his team at the Olin Center for Digital Education, including our audio engineer, Austin Alred.

Ett utrikesmagasin om veckans stora världshändelser och små vardagsbetraktelser från andra länder. Julfirande i Mellanöstern, Latinamerika, Asien och Storbritannien.Medverkande: Cecilia Uddén, Mellanösternkorrespondent, Ivan Garcia, Latinamerikakorrespondent, Stephanie Zakrisson, Londonkorrespondent och Peder Gustafsson, Asienkorrespondent.Programledare: Kajsa BoglindTekniker: Maria Stillberg

Radiokorrespondenterna handlar denna gång om migration i Latinamerika. Vi hör bland annat om haitiska migranter som drömmer om ett nytt liv i USA. Vi hör också reportage om venezolanska migranter i Colombia. Medverkande: Hans Magnusson, Sveriges ambassadör i Guatemala.Programledare: Ivan Garcia ivan.garcia@sr.seProducent: Irma Norrman irma.norrman@sr.se

New releases from Wez BK on UM Records, About Funk on Moiss Music, Jon Sweetname on Oh! Records Stockholm, Dj Patisso, Simone C Feat. Karmina Dai on Hive Label, Moo Ve, Tatsu on Moiss Black Label, Sphecific on DeepClicks, Future Kings Of House SA on DeepWit, Alex V on Be Adult Music, Criss Korey on Salted Music, Alvaro Hylander remixed by Ivan Garcia on DeepWit, Col Lawton, Claborg Feat. Angelala on Hive Label, Tim Andresen on What Happens and Kiano and Below Bangkok remixed by Deep Active Sound on Ready Mix Records. More info: https://www.untitledmusic.org/high-5ives.html

I går gav sig tusentals personer på Kuba ut på gatorna för att protestera mot regeringen. Nu råder ett spänt lugn. Hör Ivan Garcia, Sveriges Radios Latinamerikakorrespondent. Ikväll kritiserar flera ledare för Världshäsoorganisationen - WHO - många västländers planer på en tredje dos vaccin samtidigt som många människor i fattiga länder inte få en dos. Hör Richard Bergström, Sveriges vaccinsamordnare om hur många doser Sverige ger till andra länder.

Haitis president har mördats. I landet som brukar kallas ett av dom fattigaste i världen. Hör vår korrenspondent Ivan Garcia om läget i landet nu. Efter veckor av politisk kris är Stefan Löfven återigen statsminister. Per T Ohlsson är journalist och författare till flera böcker om svensk politik och politisk historia - nu också krönikör på oberoende liberala Sydsvenskan. Han berättar om tidigare politiska kriser i Sverige.

This Episode we're joined by resident Mexican Food Expert, Ivan Garcia, Host of "Ivan In Space Podcast" and get down to the facts. Which is better, Mexican Food or Taco Bell. Special Thank you to Ivan Garcia!To Listen to Ivan In Space https://open.spotify.com/user/ivaninspace?si=ed41ef97124e42f7Please leave us a Review!For Quality Taco Bell Memes and to stay up to date with EVERYTHING Cheesy Gordita Bunch follow us on our social media!https://allmylinks.com/cheesygorditabunchpodIf you want to be on the show or have special Taco Bell insight, shoot us an email @ CheesyGorditaBunchPod@gmail.com, We will keep you anonymous.Produced by Nick Ortiz, Devin Hanley and Jordan KrenekTheme by: Devin HanleyFeatured Music: Mexican Standoff by Walt AdamsEdited by: Nick Ortiz

Dessutom krönika av Ulrika Knutson, kåseri av Pamela Jaskoviak och paneldebatt med Tove Lifvendahl, Olov Abrahamsson och Elisabeth Sandlund. Programledare Katarina von Arndt. Timme 1 Hur ok är det att resa i sommar? Samtal med Helena Hervius Askling och Gunnar Klein.  Parlamentet motvilligt tillbaka i Strasbourg, reportage av Andreas Liljeheden. 22-åringen stämde Tyskland och vann, reportage av Caroline Salzinger. Krutdurken Lod, reportage av Cecilia Uddén. Krönika av Ulrika Knutson.  Paneldebatt med Tove Lifvendahl (SvD), Olov Abrahamsson (NSD) och Elisabeth Sandlung (Dagen).  Timme 2 Domstolsförhör sprids som löpeld på nätet, reportage av Paloma Vangpreecha.  Satir med Public Service.  Inför toppmötet mellan Biden och putin, utrikessamtal med Ginna Lindberg och Johanna Melén.  Vad krävs för att vi ska lämna VM 1994? Reportage av Lotta Myhrén. Politisk kamp bakom Copa America, reportage av Ivan Garcia.  Kåseri av Pamela Jaskoviak.  Programledare: Katarina von Arndt Producent: Mark Malmström Fast Tekniker: Jacob Gustavsson

Int. Ivan Garcia

www.familiasparalasnaciones.com Facebook: Familias para las Naciones Facebook: Las Buenas Noticias de Jesús Twitter: @famparalasnacio Instagram: familias_paralasnaciones You Tube: Familias para las Naciones Podcast: anchor.fm/familiasparalasnaciones email: famparalasnaciones@gmail.com; programalbnj@gmail.com Radio: Las Buenas Noticias de Jesús - - www.holyfireradio.com Jueves 7 pm

Entrevista con el Apostol Ivan Garcia desde República Dominicana! Tiempo del Pacífico 2pm tiempo en República Dominicana 6pm graceradiolife@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Wow! Que mensaje tan poderoso nos comparte el Apostol Ivan Garcia desde República Dominicana! Escúchelo! Comparta por favor! Te va a bendecir muchísimo! Mantén tus ojos en el blanco! En Cristo! graceradiolife@gmail.com --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Just Okay podcast, mediocre at best. Britney Ledesma and her friend Ivan Garcia talk about the Texas winter storm and borderline humanitarian crisis they just lived through. Find Ivan at @ivaninspace Instagram: @britneyled @justokaypodcast Twitter: @britneyled @justokaypod

Just Okay podcast, mediocre at best. Britney Ledesma and her friend Ivan Garcia talk about the Texas winter storm and borderline humanitarian crisis they just lived through. Find Ivan at @ivaninspace Instagram: @britneyled @justokaypodcast Twitter: @britneyled @justokaypod

Följ med Latinamerikakorrespondent Ivan Garcia till Maradonas fattiga hemkvarter i Buenos Aires, Argentina. Hör också Radiosportens Susanna Andrén om den nyligen avlidna fotbollslegenden, omtalad för sitt drogmissbruk sin kvinnomisshandel och sin revolutionsromantik.

Följ med Latinamerikakorrespondent Ivan Garcia till Maradonas fattiga hemkvarter i Buenos Aires, Argentina. Dessutom samtal med Radiosportens Susanna Andrén om den nyligen avlidna fotbollslegenden, omtalad för sitt drogmissbruk sin kvinnomisshandel och sin revolutionsromantik.

En este episodio invitamos a Ivan Garcia, fundador y director de Alpha Distribuidora. El nos cuenta su experiencia al iniciar un negocio cuando la pandemia ya era una realidad, además de cómo ha crecido rápidamente en medio de lo que para unos es crisis y para otros oportunidad.

OUTER DIMENSION PREMIERE 097 Track Title: Radoslaw Kobus - Aquatic Theories Album Title: Sea Shapes Label: @exoesorecords Catalogue Number: EXOESO007 Format: Digital Release Date: November 20th, 2020 Produced by Radoslaw Kobus (Poland) Mastered by Ivan Garcia at Maklu Studios Artwork by Max Figueroa About the release: The next reference on our label comes from the talented artist Radoslaw Kobus. It is an EP with 5 beautiful ambient tracks, the first full ambient album on Exo-Eso Records. The work of this polish artist is characterised by search and record sounds from the nature and then, processing all on an experimental session, gives us a beautiful mental journey and relaxing vibe. Follow Exo-Eso Records here: www.exo-esorecords.bandcamp.com www.formaviva.com/exo-eso-records www.residentadvisor.net/record-label.aspx?id=17738 www.soundcloud.com/exoesorecords www.youtube.com/channel/UCfBUYZ4d…iew_as=subscriber www.instagram.com/exoesorecords Follow Radoslaw Kobus here: www.kobuss.bandcamp.com www.instagram.com/radek_kobus www.facebook.com/radekkobuspaintings OUTER DIMENSION www.soundcloud.com/outerdimension www.instagram.com/outerdimension www.facebook.com/OUTERDIMENSION www.formaviva.com/outer-dimension Premiere Requests, Infos & Promos outerdimension.au@gmail.com

Welcome to a special 58th New York Film Festival edition of the Film at Lincoln Center podcast. Today, NYFF Director Eugene Hernandez is joined by director Heidi Ewing, along with subjects Ivan Garcia & Gerardo Zabaleta, and actor Armando Espitia to discuss their film I Carry You With Me. Among the most emotionally resonant and innovatively conceived cinematic love stories in years, I Carry You With Me unexpectedly and brilliantly incorporates documentary elements into the tale of a burgeoning romance between two men who cross the border from Mexico to the U.S. Get nationwide virtual tickets, screening tonight only in a four-hour window beginning at 8pm ET: https://www.filmlinc.org/nyff2020/films/i-carry-you-with-me/

Brittiska finansministern Rishi Sunak gör kometkarriär. Dessutom i P4 Världen: politiska stjärnskott i Kenya och Bogotá, två helt nya korrespondenter och kvinnorna som leder den belarusiska oppositionen. Medverkande: Johanna Melén, Moskvakorrespondent, Daniel Alling, Londonkorrespondent, Richard Myrenberg, Afrikakorrespondent och Ivan Garcia, Latinamerikakorrespondent. P4 Världen p4varlden@sverigesradio.se

Well, this one may anger the Bee-hive. Ivan comes out as anti-Beyonce, we discuss how my forehead is too big by 2 mm and legal prostitution. It's a good one, bon appetite!

Well, this one may anger the Bee-hive. Ivan comes out as anti-Beyonce, we discuss how my forehead is too big by 2 mm and legal prostitution. It's a good one, bon appetite!

Today's guests: Cyril Spiro MD. MBA, will be discussing #Civd-19 and the @hydrohycloroquine "controversy" Roni Aledo former CIA, DIA, DHS Intel analyst, will be discussing the global threat on the USA from the well organized @Marxist movement. Kim Klacik GOP Congressional nominee, will be discussing prisoner release, evictions affecting minority communities, jobs, and bringing manufacturing back to America and Baltimore. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guests: Scottie Nell Hughes, Media Host RT Americas, former CNN, Fox News Ralph Arce, Former Drug enforcement officer, Security consultant Jesse Holguin, Founder of LEXIT Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guests: David McIntosh, President Club for Growth Izzy Ortega, Republican Strategist Bevelyn Beatty, Christian activist Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guests are: Danny Vargas, President VARCom Solutions, and Chairman of Friends of the American Latino Museum Bruce Abramson, Author of "Restoring America", and "Engaging the Middle East". Jim Dornan, Political Strategist and commentator.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest: John Merrill, Secretary of State Alabama Ken Oliver, Senior Director Texas Public Policy Foundation Pedro Orta, Former CIA, Dept. of State, IC IG Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by: James Gagliano Former FBI Special Agent, CNN Law Enforcement Contributor. Bradford Traywick Communications Director for Empower America Project Maricruz MaGowen Republican Strategist and Hispanic media surrogate --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/Battleground/message Support this podcast: https://anchor.fm/Battleground/support Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guests: Dan Garza President of The Libre Initiative Alex Granados CEO of Prescient Edge Jim Dornan Republican Strategist  Adrienne Vallejo-Foster Congressional Candidate Kansas Learn more about your ad choices. Visit megaphone.fm/adchoices

The Average Fellas talk with Comedian Ivan Garcia! We cover Texas, Covid 19, Music, Comedy and Chicano culture!

Our guests today are:  1) Gonzalo Abarca, host of Foro Interamericano on Voice of America 2) Rafael Bernal, Senior Staff Writer for The Hill publication 3) Larry Benet, serial entrepreneur, speaker, most connected man in the world according to Forbes magazine. 4) Maria Herrera, Lawyer, activist, representative of Vox in Florida. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by GOP congressional nominee, Jeff Jordan who will share how his race is going and why he's going to win. Also, joining us is Alfonso Aguilar, President of the Latino Partnership for Conservative Principles and former chief of the US Citizenship Office under President Bush (43). Learn more about your ad choices. Visit megaphone.fm/adchoices

Jose Ivan Garcia of Spain's Zona Value talks about value investing in Spain and Europe. Ivan shows a backtest of the acquirers multiple vs the magic formula in a blended US and European universe. Zona Value's website: https://zonavalue.com/ Zona Value Twitter: https://twitter.com/zonavalue Ivan's Twitter: https://twitter.com/J_Ivan_Garcia Lorenzo's Twitter: https://twitter.com/L_serratosa ABOUT THE PODCAST Hi, I'm Tobias Carlisle. I've launched a new podcast called The Acquirers Podcast. The podcast is about finding undervalued stocks, deep value investing, hedge funds, activism, buyouts, and special situations. We uncover the tactics and strategies for finding good investments, managing risk, dealing with bad luck, and maximizing success. SEE LATEST EPISODES https://acquirersmultiple.com/podcast/ SEE OUR FREE DEEP VALUE STOCK SCREENER https://acquirersmultiple.com/screener/ FOLLOW TOBIAS Firm: https://acquirersfunds.com/ Website: https://acquirersmultiple.com/ Twitter: https://twitter.com/Greenbackd LinkedIn: https://www.linkedin.com/in/tobycarlisle Facebook: https://www.facebook.com/tobiascarlisle Instagram: https://www.instagram.com/tobias_carlisle ABOUT TOBIAS CARLISLE Tobias Carlisle is the founder of The Acquirer’s Multiple®, and Acquirers Funds®. He is best known as the author of the #1 new release in Amazon’s Business and Finance The Acquirer’s Multiple: How the Billionaire Contrarians of Deep Value Beat the Market, the Amazon best-sellers Deep Value: Why Activists Investors and Other Contrarians Battle for Control of Losing Corporations (2014) (https://amzn.to/2VwvAGF), Quantitative Value: A Practitioner’s Guide to Automating Intelligent Investment and Eliminating Behavioral Errors (2012) (https://amzn.to/2SDDxrN), and Concentrated Investing: Strategies of the World’s Greatest Concentrated Value Investors (2016) (https://amzn.to/2SEEjVn). He has extensive experience in investment management, business valuation, public company corporate governance, and corporate law. Prior to founding the forerunner to Acquirers Funds in 2010, Tobias was an analyst at an activist hedge fund, general counsel of a company listed on the Australian Stock Exchange, and a corporate advisory lawyer.

Na mentoria de hoje, conversamos com o Ivan sobre VFX.

Nesta talk, recebemos Ivan Garcia e conversamos sobre game design.

Recebemos mais uma vez Ivan Garcia e conversamos mais um pouco sobre game design e serious games.

Quarta puntata di Oltre la corsa, il podcast di ciclismo di Suiveur. In questa puntata parleremo di:Tre corridori dal potenziale interessante0:54 Dušan Rajović, un serbo nel mondo del ciclismo5:32 Antoine Raugel, giovanissimo alsaziano tutto da scoprire8:09 Kobe Goossens, nome da predestinatoIl nome della settimana:11:54 Iván García Cortina, asturiano atipico: nome spagnolo per il pavé?Acceso dibattito sul reale fascino della Strade Bianche19:25 Corsa noiosa nel 2019, scenari da leggenda, ma non tutti sono d'accordo, anzi e in più RCS ci mette lo zampino con la trasmissione delle immaginiGran Premio Industria & Artigianato di Larciano36:49 La vera corsa spettacolare del fine settimana dove si mettono in luce Schachmann, gli Androni e il giovane Lucas ErikssonUno sguardo veloce alla Parigi-Nizza e alla Tirreno Adriatico44:24 La Parigi-Nizza supera nuovamente la Tirreno Adriatico ed Egan Bernal si dimostra un talento dai margini clamorosiIntervengono nel podcast: Alberto Girardello di https://www.suiveur.itAlessandro Autieri di https://www.suiveur.it Luca Saugo di http://www.ilnuovociclismo.com Alberico Faroldi Suiveur è una rivista online di approfondimento sul mondo del ciclismo. Leggi i nostri articoli su https://www.suiveur.itCrediti foto: - Julian Alaphilippe - filip bossuyt from Kortrijk, Belgium [CC BY 2.0]

LSS blev en mardröm för Socialdemokraterna i valrörelsen men kommer den nya utredningen att förändra spelplanen? Den nya LSS-utredningen har redan fått kritik från brukarorganisationer och oroliga anhöriga. Men varför blev lagen om stöd och service till vissa funktionshindrade ett politiskt slagträ i valrörelsens slutskede och hur mycket kostar insatsen egentligen? I det här specialavsnittet av "Det politiska spelet" förklarar Ekots Anna-Karin Sivberg och Ivan Garcia innehållet i den nya utredningen, kritiken mot förslaget och vad som faktiskt kan komma att bli verklighet. Programledare: Henrik Torehammar Producent: Björn Barr

En este episodio, conversamos con Ivan Garcia-Hidalgo, emprendedor y líder politico, Ivan es Presidente de Hispanic Leadership Council y ha trabajado para las compañías de telecomunicaciones mas importantes, incluyendo AT&T y Sprint. Support the show (http://www.entregigantes.tv)

Det har gått mer än 100 dagar sedan valet och Sverige har ännu ingen regering. Vi summerar den politiska hösten 2018 och blickar framåt tillsammans med våra kunniga kollegor på Ekot. Medverkande: Fredrik Furtenbach, inrikespolitisk kommentator, Tomas Ramberg, inrikespolitisk kommentator, Lova Olsson, politikreporter, Inger Arenander, politikreporter, Ivan Garcia, politikreporter, Katarina Helmersson, politikreporter. Programledare: Monica Saarinen Producent: Viktor Mattsson

I dag fick vi slänga oss ut i etern lite oförberedda på grund av ovanligt kort budgetdebatt i riksdagen. Men lyssna ändå! Det blir både dagsaktuell och tillbakablickande politik. Vi har med oss Ekots politikreporter Ivan Garcia som berättar om dagens mycket ovanliga budgetdebatt, där finansminister Magdalena Andersson lade fram övergångsregeringens budgetproposition men avstod ifrån att debattera den.  Och så sänder vi delar av Annie Lööfs presskonferens efter att hon fått uppdraget att undersöka om hon kan få fram ett regeringsalternativ som kan tolereras av riksdagen. Dessutom bjuder vi ett par av våra favoritklipp om politik från både den här och tidigare säsonger.   Programledare: Thomas Nordegren  Bisittare: Louise Epstein Producent: Helena Huhta

Liberalerna intar Västerås för sitt riksmöte den här helgen och mycket står på spel för partiet som ligger farligt nära fyra procentspärren. Helgens riksmöte inleddes med tal av partiledare Jan Björklund inför partiföreträdare från hela landet. Men Sveriges Radios utsända Tomas Ramberg, Ivan Garcia samt Lena Mellin från Aftonbladet saknade energi och entusiasm från partiveteranen Björklund.  Frågan är om skola, integration och en känga mot Moderaternas flyktingpolitik ska säkra Liberalernas plats i riksdagen efter höstens val.  Programledare: Henrik Torehammar Producent: Parisa Höglund

A Brief Behind the Scene peek at Studeo22Live.TV's Host Fred Fistzgiles Shares how he is helping to mentor youth aspiring to become entrepreneurs - Ivan Garcia CEO of LifeVizions has been mentored by Mr. Fred Fistzgiles for over two years.. He has a vision to start his own company and is on track to change his future. Stay Tuned You can follow Ivans Journey on Instagram@ ivangarcia

Om svenska militärer vid gränsen till Nordkorea, vilken flagga som ska hedra terroroffren i Katalonien och varför en amerikansk fotbollskommentator fått problem på grund av en gammal staty. Medverkande: Lasse Johansson, korrespondentvikarie i Washington, Ivan Garcia, Ekots utsände i Barcelona, Hewa Abdelsadeh, utrikesreporter i Sydkorea. Programledare: Robin Olin

Jonathan Wimpee is a local musician from Gadsden, AL. He plays in too many bands to count but most notably for the Molly Maguires and Milele Roots. He is currently working on a new solo album recording with Mitch Wood. The album will have a slew of Chatt-famous guest performances including Ivan Garcia and Yattie Westfield. You can hear a sneak peak of some on these songs in this episode. Thank you Songbirds Guitar Museum for sponsoring this episode and making this podcast possible.  Thank you to Trenton Romanini for mixing this episode. 

Chris, Josh and Matt welcome Humboldt comedian Ivan Mueting for his first appearance on the podcast, along with SF comedians Ivan Garcia and Pablo Oseguera. Beer, discussions and a special interview with our new friend, comedian Dave Waite.Thanks for listening.791 8th St. Sutie NArcata, CA 95521editor@savagehenrymagazine.com

Este programa estuvo dedicado a la Asociación Cultural Taurina "Veragua" de Ugena que presentaba sus IV Jornadas Taurinas. A Ivan Garcia y Julio de la Puerta, protagonistas de estas jornadas y a Raul Cervantes y Jose German que intervinieron en la pelicula Blancanieves. La asociacion cultural taurina "Coso y Albero" de Bargas que presento tambien sus jornadas.