Podcast appearances and mentions of ted elliott

Today, we're joined by Ted Elliott, Chief Executive Officer of Copado, the leader in AI-powered DevOps for business applications. We talk about:Impacts of AI agents over the next 5 yearsTed's AI-generated Dr. Seuss book based on walks with his dogThe power of small data with AI, despite many believing more data is the answerThe challenge of being disciplined to enter only good dataGaming out SaaS company ideas with AI, such as a virtual venture capitalist

This week we have another Disney remake episode with Aladdin (1992) and Aladdin (2019).-----The Movies:Aladdin (1992)Directed by Ron Clements & John MuskerWritten by Ron Clements, John Musker, Ted Elliott & Terry Rossio iMDb Rating: 8.0Aladdin (2019)Directed by Guy RitchieWritten by John August & Guy RitchieiMDB Rating: 6.9-----Find us on:Discord - https://discord.gg/dxgmcfj552Tumblr - @ItTakesTwoPodInstagram - @ItTakesTwo_podFacebook - @ItTakesTwoPodYoutube - @ittakestwonzBluesky - @ittakestwoOur website - ItTakesTwo.co.nz-----

[School of Movies 2025] An extremely long-awaited show on a game-changer of a blockbuster movie. The first Pirates film, released in 2003 before Lord of the Rings had completed brought the world many things: A fantabulous extravaganza of practical effects, combined with a surprisingly light smattering of digital VFX that would be leaned into a lot harder later down the line, The notion that the swashbuckler could still do big business (the hidden caveat was that Johnny Depp being strange absolutely must be present) Keira Knightley as a leading lady, Gore Verbinski as a major director, the supposition that audiences would flock to cinematic adaptations of Disney park rides (they won't, just this one. See above regarding Johnny Depp) and Geoffrey Rush as an all-time iconic big-screen presence embodying the most consistently enjoyable pirate of all time. But there's more going on, beneath the frothing surface, a fantastically witty, urbane and efficient script by Terry Rossio and Ted Elliott, one of the greatest scores ever composed (in a shockingly short amount of time) and Orlando Bloom's character actually being quite good, especially when held against Jack Davenport's Lawful Neutral Commodore James Norrington. This was a commission for Lincoln Alpern and features clips from the best audiodrama I've ever composed; Panther Soul, and the first chapter of the brand new Dracula adaptation Castle of the Moon. Guests: Hollywoo Actress  Maya Souris @Mayasantandrea Brenden Agnew @BLCAgnew of Make Me Watch It

Send us a textIn this episode of The Digital Executive, host Brian Thomas welcomes Ted Elliott, CEO of Copado, to discuss his journey from leading JobScience, one of Salesforce's earliest ISV partners, to revolutionizing DevOps processes at Copado. Ted shares how his experiences building software on Salesforce shaped his approach to creating Copado, an AI-powered DevOps platform that enhances development efficiency and quality.Ted delves into Copado's pioneering use of AI to streamline DevOps processes, from automating tedious tasks like testing and documentation to accelerating feature development cycles. He explains how Copado's solutions integrate seamlessly with platforms like Salesforce, Git, and Jira, delivering unparalleled value to organizations striving for agile development and scalability. Through real-world examples, such as a television network optimizing global reporting with Copado, Ted highlights how the platform reduces errors, improves team morale, and enables faster, more reliable deployments.Looking ahead, Ted explores the future of DevOps in the AI era, emphasizing the importance of maintaining rigorous processes while achieving step-level advancements in efficiency. With Copado leading the charge, Ted envisions a transformation in how businesses build, deploy, and manage software. Tune in to hear Ted's insights on embracing change, driving innovation, and making a lasting impact in the tech world.

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This episode we decided to discuss the that has that Bad Ass MJ song attached to it, "Pirates of the Caribbean: Dead Man's Chest". Pirates of the Caribbean: Dead Man's Chest is a 2006 American fantasy swashbuckler film directed by Gore Verbinski, written by Ted Elliott and Terry Rossio, and produced by Jerry Bruckheimer. The sequel to Pirates of the Caribbean: The Curse of the Black Pearl (2003), it is the second installment in the Pirates of the Caribbean film series. Set one year after the events of The Curse of the Black Pearl, the film recounts Captain Jack Sparrow owing a debt to Davy Jones (Bill Nighy), the ghastly captain of the Flying Dutchman, and being marked for death and pursued by the Kraken. Meanwhile, the wedding of Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightley) is interrupted by Lord Cutler Beckett (Tom Hollander), who wants Turner to acquire Jack's magic compass in a bid to find the Dead Man's Chest.. Wanna ask us something?!? Hit us up at Xtrabutta@gmail.com or our Instagram https://instagram.com/xtrabuttapodcast?igshid=YmMyMTA2M2Y=

In this EXCLUSIVE interview with Aubrey Paris and Emily Black, National Treasure 3 screenwriter Ted Elliott shares a promising update on his script and provides our first hints about the plot of the long-awaited film. Plus, celebrate the 20th anniversary of the first National Treasure movie with Ted's memories of time spent on set. Join the hunt on Twitter and Instagram using @NTHuntPodcast, and find new episodes of National Treasure Hunt every-other Wednesday on Spotify, Apple Podcasts, or wherever you listen. More information about the National Treasure Hunt podcast, tour, and book can be found at www.nthuntpodcast.com. Order our book, "National Treasure Hunt: One Step Short of Crazy," from Tucker DS Press here: https://www.tuckerdspress.com/product-page/national-treasure-hunt-one-step-short-of-crazy To access even more exclusive National Treasure Hunt content, including bonus episodes and watch parties, subscribe to our Patreon: www.patreon.com/NTHuntPodcast

What if an animated adventure could captivate both children and adults alike, while sparking conversations about historical representation and character dynamics? Join us for an enthralling journey through DreamWorks' "The Road to El Dorado," where we break down the film's plot and vibrant cast of characters including the charismatic Miguel and Tulio. We'll shed light on the creative genius of screenwriters Terry Rocio and Ted Elliott, and how Elton John's narration adds a magical touch to this tale. We'll also address the initial mixed reviews and the later controversies, drawing intriguing comparisons with other animated classics like "Aladdin" and "Pocahontas."Let's venture into the realm of animated films that have transcended their initial commercial failures to become beloved cult classics. We'll discuss "The Road to El Dorado" alongside gems like "The Nightmare Before Christmas" and "Treasure Planet," examining how modern media has breathed new life into these stories. With humorous anecdotes about fan-favorite character Shell and discussions on how platforms like "Ready Player One" and "Kingdom Hearts" have reignited interest, this episode promises a fun and nostalgic exploration.Finally, we delve into the nuanced relationships and moral complexities within "The Road to El Dorado." From Tulio's moral quandaries to the priest's vengeful schemes, we'll explore the pivotal moments that keep the narrative gripping. We'll also celebrate the lasting legacy of DreamWorks' character design and Elton John's unforgettable soundtrack, reflecting on how these elements create a timeless, family-friendly adventure. Tune in for an episode filled with both nostalgia and thought-provoking insights into one of DreamWorks' underrated treasures.Text us for feedback and recommendations for future episodes!Support the Show.We thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal!Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these productions!

Welcome to National Treasure News! Following their news-breaking interview with director Jon Turteltaub, co-hosts Aubrey Paris and Emily Black discuss the writer currently tasked with scripting National Treasure 3: Ted Elliott. (This episode of NTN was recorded on June 5, 2024.) National Treasure Hunt is hitting the road this summer for a series of live events in Pennsylvania, New Jersey, Washington DC, and Maryland! For locations, dates, and additional information, visit nthuntpodcast.com/events. Join the hunt on Twitter and Instagram using @NTHuntPodcast, and find new episodes of National Treasure Hunt every-other Wednesday on Spotify, Apple Podcasts, or wherever you listen. More information about the National Treasure Hunt podcast, tour, and book can be found at www.nthuntpodcast.com. Order our book, "National Treasure Hunt: One Step Short of Crazy," from Tucker DS Press here: https://www.tuckerdspress.com/product-page/national-treasure-hunt-one-step-short-of-crazy To access even more exclusive National Treasure Hunt content, including bonus episodes and watch parties, subscribe to our Patreon: www.patreon.com/NTHuntPodcast

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead.After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2664729/advertisement

The bros learn that among many other things, ogres have layers like onions in this episode about the 2001 film, Shrek. Written by Ted Elliott, Terry Rossio, Joe Stillman, & Roger S.H. Schulman and Directed by Andrew Adamson & Vicky Jenson. Instagram: https://www.instagram.com/thefilmbrospodcast Youtube: https://www.youtube.com/channel/UC4g9YbMBwRIKzDTV4uXt5Eg The bros Letterboxd's: @_isaiahlucas @lilabey @NickGowinPlaces

Randall Jahnson is a screenwriter known for his work on various films, including "The Mask of Zorro." He co-wrote the screenplay for "The Mask of Zorro" along with Ted Elliott and Terry Rossio. The film was released in 1998 and starred Antonio Banderas as the titular character and Catherine Zeta-Jones as the female lead. After being imprisoned for 20 years, Zorro -- Don Diego de la Vega (Anthony Hopkins) -- receives word that his old enemy, Don Rafael Montero (Stuart Wilson), has returned. Don Diego escapes and returns to his old headquarters, where he trains aimless drunk Alejandro Murrieta (Antonio Banderas) to be his successor. Meanwhile, Montero -- who has secretly raised Diego's daughter, Elena (Catherine Zeta-Jones), as his own -- hatches a plot to rob California of its gold.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Our guest is screenwriter Matias Caruso who lives in Argentina.  Matias taught himself English and how to write screenplays — and after writing and working hard to develop his craft, he wrote an absolutely stunning script called CARNIVAL that won our Grand Prize in 2014.  After his win, Carnival was optioned by a PAGE judge and signed by an agent.  Matias continues to live in Argentina, and he never moved to the States; he has since had a couple of movies (MAYHEM and WITCH) produced.  WORDPLAY: Pro screenwriting secrets from working screenwriters Terry Rossio & Ted Elliott -- wordplayer.com If you enjoy the show, please remember to follow us and leave a review where you listen to podcasts. 

Ted Elliot is Copado's, Chief Executive Officer. Ted joined Copado in November 2018 after 18 years as the CEO of Jobscience, one of Salesforce's first five ISV partners. Ted faced the hurdles of releasing innovation on the Salesforce platform while at Jobscience and now works to alter customers' DevOps processes with Copado.Ted joins the show today to talk about how trying to get people home for dinner on release days brought him to where he is now.Episode SponsorSmall Fish, Big Pond – https://smallfishbigpond.com/ Use the promo code ‘SaaSFuel'Champion Leadership Group – https://championleadership.com/Key Takeaways[1:25] Ted Elliots' Journey From His Parents' Attic To SaaS Founder.[4:55] Ted Talks Data Security and the Cloud.[16:25] The Future of Paid Source Software.[19:00] How Copado Removes Chaos From Your Teams' Lives.[30:28] How Time Holds Us All Accountable.[34:27] The Rule of Forty.[39:54] Net Revenue Retention.[45:00] Standing Out As An Entrepreneur.[54:00] Where To Learn More About Ted and CopadoTweetable Quotes[30:28] “But the clock is the only thing you don't ever get to control.Right? Time is going no matter what.”[29:46] “Write down on paper what you're trying to achieve again because there's so much noise and so much information hitting you. And so many people are approaching you with things you should do. You really need to write down your thoughts.”[32:08] “I hope if there's anyone out there listening who is wondering about what to do, you know, whatever you do, just do something. Don't dawdle.”Guest Resources Copado - https://www.copado.com/ https://www.facebook.com/CopadoSolutionshttps://twitter.com/CopadoSolutionshttps://www.linkedin.com/in/tedelliott/Resources MentionedCopado - https://www.copado.com/ Washington Post - https://www.washingtonpost.com/ Salesforce - https://www.salesforce.com/ Gartner Reports - https://www.gartner.com/en/information-technology/research/research-index ServiceNow - https://www.servicenow.com/ Red Hat - https://www.redhat.com/ Linux - https://www.linux.org/ GitLab - https://about.gitlab.com/ SaaS Fuel ResourcesWebsite - https://championleadership.com/Jeff Mains on LinkedIn - https://www.linkedin.com/in/jeffkmains/Twitter -

Disney author Jim Fanning returns to Notably Disney to discuss with host Brett Nachman their selections for favorite live-action Disney film quotes. It's a varied list of inspired, hilarious, and compelling lines of dialogue that encompasses two parts! On this first part, Brett and Jim highlight quotes from the following films: Saving Mr. Banks (screenplay written by Kelly Marcel and Sue Smith) Darby O'Gill and the Little People (screenplay written by Lawrence Edward Watkin) The Muppets (2011) (screenplay written by Jason Segel and Nicholas Stoller) So Dear to My Heart (screenplay written by Ken Anderson, John Tucker Battle, Marc Davis, Bill Peet, Maurice Rapf, and Ted Sears) National Treasure (screenplay written by Jim Kouf, Cormac Wibberley, and Marianne Wibberley) The Rocketeer (screenplay written by Danny Bilson and Paul De Meo) Freaky Friday (2003) (screenplay written by Heather Hatch and Leslie Dixon) Johnny Tremain (screenplay written by Tom Blackburn) Pirates of the Caribbean: The Curse of the Black Pearl (screenplay written by Ted Elliott and Terry Rossio) The Love Bug (screenplay by Bill Walsh and Don DaGradi) Follow Jim on social media platforms, including Twitter (@EmeliusBrowne) and Instagram, as well as his YouTube channel: Jim Fanning's Tulgey Wood TV. You can also check out his website and blog. Feel free to reach out to Brett via Twitter @bnachmanreports, subscribe to the podcast, and send your feedback at notablydisney@gmail.com  New episodes of Notably Disney debut on the first and third Tuesday of each month.

I can show you the world Shining, shimmering, splendid Tell me, princess, now when did You last let your heart decide? I can open your eyes Take you wonder by wonder Over, sideways and under On a magic carpet ride!! Our hosts Ricky Glore Eric M Hunter (letterboxd) Nick Prince Aladdin (1992) Directors Ron Clements John Musker Writers Ron Clements(screenplay by) John Musker(screenplay by) Ted Elliott(screenplay by) Stars Scott Weinger(voice) Robin Williams(voice) Linda Larkin(voice)

Follow the homies Cam (Cameron Cox) and Dylan (Dylan Hernandez) two former AMC Theater employees as they take a nostalgic trip back in time to rewatch films that mean the most to them! This Podcast is set up so that listeners at home can watch the movies along with us and laugh along as we talk about whatever comes to mind! From pop-culture-related events to AMC theater work stories, hell even us just talking about our personal lives! The Movie we are discussing in this episode is "Shrek". Shrek is a 2001 American computer-animatedcomedy film loosely based on the 1990 picture bookof the same name by William Steig. It is the first installment in the Shrek franchise. Directed by Andrew Adamson and Vicky Jenson in their directorial debutsfrom a screenplay written by Ted Elliott, Terry Rossio, Joe Stillman, and Roger S. H. Schulman, the film stars Mike Myers, Eddie Murphy, Cameron Diaz, and John Lithgow. In the film, the ogre Shrek (Myers) finds his swamp overrun by fairy tale creatures banished by Lord Farquaad (Lithgow). With the help of Donkey(Murphy), Shrek agrees to rescue Princess Fiona(Diaz) for Farquaad to regain his swamp. Now in the Famous words of that Pig from Shrek "Play the movie.. Yeah PLAY" ALSO Follow the homie Dylan on his fantastic Podcast "The Hernandez Variety Show" https://open.spotify.com/show/58pVAOZ5sSK4ti563o5fWn?si=BjR3hTyjR9mjfKIh6itDuw

Diet Coke joins us as we dive deep into the Ted Elliott and Terry Rossio Godzilla script and how the kaiju slipped through their fingers and got in the hands of Roland Emmerich and Dean Devlin. Patreon Merch Twitter Instagram Pipedream podcasts Clips used in this episode: Godzilla (1998) Godzilla: Final Wars (2004) Godzilla: The Series (1998) Taco Bell Comercial "Godzilla" (1998) Mission Impossible (1996) "Come to Me" Puff Daddy ft Jimmy Page Music by Kevin MacLeod "Discovery Hit" "Jazz Brunch" "Miami Nights" "Prelude to Action" "Five Armies" "Symmetry"

Michael and Phil discuss what it's like to work with a writing partner, how to choose one, and what to look out for. Dive deep into Michael's background with his partner Sivert Glarum and what they did to make it in Hollywood.Michael's Screenwriting Course - https://michaeljamin.com/courseFree Screenwriting Lesson - https://michaeljamin.com/freeSivert Glarum's IMDB Page - https://www.imdb.com/name/nm0321770/Stephen Prestfield's Book - https://www.amazon.com/Nobody-Wants-Read-Your-Tough-Love/dp/1936891492Warner Bros. Writer's Workshop - https://televisionworkshop.warnerbros.com/writers-workshop/Glenn Martin, DDS on YouTube - https://www.youtube.com/channel/UC8hzMh1WQ6t5dwbnNop2fVAThe Complete Idiot's Guide to Screenwriting by Skip Press - https://www.amazon.com/Complete-Idiots-Guide-Screenwriting-3rd/dp/1592577555Ted Elliott & Terry Rossio's Screenwriting Website - http://wordplayer.com/Michael: (00:00)I'm always reminding myself of the basics. Cause it's really, it's funny. I remember when I was on King of the hill, having a conversation with Greg Daniels who later created the American version of The Office, but I said, Greg, there is no Writing 102. It's all Writing 101. And he's like, "Yes! That's it." Writing one. It's all writing because it is, everything is all, it's all the basics.Michael: (00:27)All right, everyone. Hey, welcome back today. We're going to talk about working with a partner and how to find one and had a, had a, why you want one or why you don't want one. And because I've been working with a TV, writing... A partner, I've had a partner for Jesus. We've been together, you know, close to 30 years. I don't want to date myself. It's maybe, oh, maybe almost that many years. And so we always work together. His name is Sivert Glarum and we always work together. That's how a partnership is, but it's tricky, it's a tricky thing, finding a partner. So I thought I'd elaborate on that for anyone who...Phil: (00:57)I think it's an interesting topic, especially for someone like myself where, you know, I've... I definitely see the value of a partner, but I also see a lot of... My experience with having to rely on other people from group projects in school, down to actually trying to lean in and trust that someone will follow through on their end. My experiences have not been great.Michael: (01:20)Yeah. It's a marriage. And like, marriages are not always easy. Not, not, not everyone's meant to get married to other people. So it's really, you know, I think I got lucky, um, in comedy, it's probably more, it's more advantageous to have a writing partner in comedy because when you, when you say something funny, you don't know, it's funny until someone else is laughing. You may think it's funny, but you know, until someone, your partner laughs, then you go, okay, that must be funny. Um, and I'll just talk about how we met because when I talk in comedy, it's, there's so many ways. I guess when we, when we met, we were team... We were teamed up, uh, in comedy that like some people have partners and its common to have a partner. It's common not to have a partner, but when you have a partner, you literally split a salary for the rest of your career.Michael: (02:06)But, but it does make you, it, in theory, it gives you the advantage of getting hired more often, because you're kind of getting two for that. You're literally getting two for the price of one. And especially when you get high up levels, you're then you're running a show. And now, you know, when you are a showrunner that you have so many responsibilities. It really helps to have someone else take some of them off your hand. And if you don't have a partner, you gotta do it all. You know, so that's, but like I said, it is tricky because you have to get along and like you're pointing out, do you, you have to, you know, you have to really get along with this person. You just have to carry your weight.Phil: (02:40)I think that'd be interesting to get, I'm sure we'll get into this. I think it'll be interesting to talk about kind of your division of labor as you're going through the process of how you're writing. Uh, you know, I, I've heard of different processes based on different writing partnerships, whether, you know, it's the, the Thomas Lennon, Robert Ben Garrett process of they just assign scenes. So one person takes odds and one person takes evens and as they send them back, they're continuously rewriting each other. So by the time they're done with draft one, they have 20 rewrites done. Or is it that one of you sits at the typewriter or the, excuse me, not dating myself at all, sit at the computer and like type it out while the other one dictates or does it take turns? That's an interesting...Michael: (03:23)And I've seen partners do it both ways with the way we do. We literally write everything together. So we will sit at the same at the, at the, uh, you know, computer and one will look at the monitor and the other will be at the keyboard and we literally type at the same. So, you know, the one, I tend to be the one who does the typing, uh, mostly because I'm a better typer than S. It is, um, and frustrating to no end when I'm watching him struggle to put a word together. But, uh, but sometimes he'll do it. And I, you know, I I'll loss it and watch. And so, uh, it's nice. It's nice to have someone drive the boat a little bit, but I'll talk about how we, how we met. We were, uh, I was signed by an agent and, uh, my, you know, few years out of college and was a very big deal for me.Michael: (04:09)And she blew a lot of smoke up my and she's like, I signed one baby writer a year and, uh, I make a star out of that writer this year. You're the guy and congratulations. And I was like, wow, I'm on cloud nine. And she's like, in three years, you're going to be running your own show. I was like, oh my God running. I don't even know if I can write a, you know, an episode of TV, but running. And then, you know, when the smoke cleared a couple days later, I was curious about what had happened to the previous baby writer before me. And so I got through there, I guess, through their assistant, I got the name of this guy and I called them up. He was actually two years before me and I called him up and I was like, Hey man, what, what show are you running?Michael: (04:46)Cause you obviously must be incredibly successful. And he's like, dude, I work at a record store. And, uh, so he hadn't gotten staffed at all. And so we decided to team up, we had, there are two reasons to team up. Uh, one, I, I, I knew enough then to know, like I was, it was hard. I knew, I knew enough to know that I didn't know enough and that we traded scripts. I was like, man, this guy is, this guy is a better writer than I was. Even though we were both signed independently and I was hotter than he was in terms of, I was the new flavor of the week for this agent. And rather than compete against each other for the same job we teamed up. And, uh, and that's how we, that's how we became partners.Phil: (05:28)So, so how did you broach that conversation of, um, what do you think here? Is this something that you want to do together? Like how did that conversation?Michael: (05:36)Yeah, I think we were both interested in writing with a partner. He like, he had a partner many years earlier who decided to get out and become a socialist, uh, that how Sivert describes it. And so we were both open to the idea and, you know, we kind of met and we hit it off. We were coming from similar backgrounds. We're both from the east coast. Sivert a couple of years older than me, but, you know, close in age, we both played the trumpet and, you know, grade school, that kind of thing. Right,Phil: (06:02)Right. Mastering it in heaven.Michael: (06:04)Yeah, but a lot of partners are just, they, you know, they tend to be, Hey, we were friends in college and we both want it. I know that happens a lot. And so let's, let's go out to Hollywood together and become writing partners. So that often, that often is the case. Sometimes you see a husband and wife has a writing partner.Phil: (06:20)I've, I've seen that, um, a couple of times, some pretty big names or writing partners in our couples. So, so, okay. So that's, I mean, that's a fascinating topic. I was literally just listening to, I was out on runs for our show yesterday in post-production and I had to just drive all over Hollywood and Burbank multiple times. So I started listening to a Steven Pressfield book. He wrote The War of Art, um, Turning Pro... A bunch of stuff. He he's a screenwriter who did the novel of a Legend of Bagger Vance, and also wrote the film is multiple time bestselling author been in the industry from the advertising background. And he's got this other book that I never read. And it's um, No One Wants to Read Your Shit. Pardon that? Yeah. Interesting. That's the title. And his whole point is you have to understand whether you're in advertising, writing novels, writing screenplays.Phil: (07:07)No one wants to read your shit. And, and so you shouldn't be like surprised when no one gets around to it. And ultimately it has to be that good that they want to read it. But he talks about how he got partnered up with this big name. And ultimately he felt like he wasn't getting a lot of the credit for what he was doing because he was the writer and the other guy was the name. And his agent sat him down. Once he said, you need to understand that right now he is the known deal because he's had hits with his other writing partner. He's had hits with you. He's the common denominator. You're a nobody. So you need to understand your role here. Now, obviously your situation's a little bit different because we were both young baby writers who partnered up, but it sounds like there's even a little bit of that because you were the hot thing for you, right.Michael: (07:52)It was the hot, but he was trading. Cause we traded scripts. I'm like this guy really is a really good writer. I could tell just from reading a script, like he was, he really understood story structure. And, um, he had, he had sold on his own, an episode with his previous partner an episode of the wonder years. So it was like he had, he did have a little more, you know, he had one under the belt and I had none of the under the belt, but the truth is like, and I remember in the beginning there was a struggle between us in terms of, we didn't know how to trust each other. And, and of course I wanted more of my lines in the script and his lines and, you know, back I kind of thing. And then as you get older and more mature, it's really that ego goes out the window.Michael: (08:30)And it's more about whoever pitches the line that will get you home sooner. That's the one you'll do, you know? It's like, I don't really, if it comes out of his mouth, great, that's great. Let's use that one. I don't really care. And I think he feels vice versa. It's like, um, and often, you know, we'll do a rewrite on a script and he'll want to cut a line and like, no, no, no, no, that's the best line of the script. And it's his line, you know? And he's, you know, so I'm fighting for his stuff and vice versa, you know? SoPhil: (08:58)It's interesting. Yeah. Yeah. So the pride dies as you become a pro is really what I'm hearing.Michael: (09:03)Yeah, I think so. It's also like in the beginning of the novelty of seeing your words on TV, it was like, oh my God, my lines are on TV, millions of people. And then, uh, you know, that gets, it's not that it gets old, but you've become accustomed to it. And then you're really, it's really more about just doing the work and finishing the work as opposed to like your ego, you know?Phil: (09:24)Okay. So you obviously knew he was, he was engaged cause he was obviously working on the stuff, but for people who are considering teaming up, aside from the benefit of, you're more likely to get staffed, you have someone to vet your jokes or your story against to kind of tell you whether or not it's good. How can you tell whether or not someone's serious? Like someone's a good partner.Michael: (09:42)The thing, cause we were both, we were both signed by the agent. So we were both, um, intent on breaking into Hollywood. So, you know, so it wasn't like, it wasn't like a fluke or it wasn't like a Lark, neither one of us. Like it was a Lark and we were both around the same time. And Hollywood, we were both like on a struggling PAs and we would work on the weekends. We were both very committed. So after work and on the weekends, every day we met and we wrote spec scripts over, you know, wrote and wrote and wrote. And so, because he was a couple of years older, he was also a little bit more hungry, a little more desperate. It was like he had to make a, this happened now. And so we both had that same work ethic in terms of like, and I was young, I was a little younger, but I was also like, I want to, I want it now. I don't have any patience. So was like, we have to hit this now. And so it was a sense of franticness and, and uh, urgency. And it wasn't like there was no plan B for either of us. Hmm.Phil: (10:35)So how, how, how long after your partnered, did you end up, uh, selling something?Michael: (10:40)I think, um, I'm trying to remember it. Like it was, we wound up selling an episode of Lewis and Clark that I helped get, because that was my, I, we sold it to my, my, uh, my bosses. I was working as their, uh, assistant at the time. So I got that because, you know, they were my bosses and that might've been a couple of years after we were writing, but then it took another couple of years before we were able to get staffed on our first job, which was Just Shoot Me. And so it took a few years. And in between then we also got into the Warner Bros. Writing Program, which really did nothing for our career, but you know, it was something, so it took a few years of struggling. And I remember like at that age, the years feel like decades, especially when you feel like, you know, um, you know, I should be doing more with my life. So yeah.Phil: (11:26)Yeah. So, so the reason I asked that is because what you're describing is everyday after work and on weekends, you're practicing your craft. So you've talked about in other episodes is a writer writes. That's what they do. If you wrote something a year ago, you have written, but you are not actively writing. And so what I'm hearing you say is, even though you had agents, which the big misconception is you need an agent to break into Hollywood and that's that's what does it for you that didn't help? Nope. And then even then you put in years of effort to make it to your first staff job.Michael: (11:59)Yeah. And the first spec script that we wrote together, it was a friend's I think it was a first one. It made me minimum the first, it was one of the first. And, but we just kept on writing specs. We probably wrote maybe eight or so specs together, maybe more of show like anyway, ironically it was at first, I think it was the first spec, a spec script that we wrote together that wound up getting work for us years later, it was a really good, uh, spec, but like, we just didn't quit. It was like, well, write another one, write another one, you know, let's get better. You know, so, and I'm, I haven't looked at it in years, but I'm sure I'd look at it. Go, Ooh boy, it's not as good as I remember it. You know? Cause you get, you get better as, as you get older.Phil: (12:35)Right. So, so there has to be a committed, uh, commitment to craft and professionalism is ultimately a good vetting benchmark for this. Are these people willing to work as hard as I am?Michael: (12:46)Yeah. And it's not a get rich quick scheme. It's not like, Hey, let's, you know, let's try this on a Lark and let's try, hopefully we'll sell us. It was like, no, no, we both want to become writers, professional writers. We will not going to stop until we get there. We're going to work our asses until we do.Phil: (12:59)Yeah. Yeah. Got it. Okay. All right. So similar goals, hard work, work ethic, all those things. Yeah. Are there any red flags that you can think of, "Hey, this is probably not a partnership that's gonna work out."Michael: (13:13)Yeah. I mean, like I said that the ego part of it, I also think part of our, what made us a good team, especially in the beginning was in the, in a comedy writing room. Usually, you get classified as a joke guy or girl joke guy or a story guy. And if I were to, I was definitely a joke. I and Sivert, it was probably a story guy. And so we had complementary skill sets and now, but years later, um, I've definitely moved towards the, towards the story person as well. It's like, cause the jokes, jokes are fun and it's like, it's like a lot of sizzle and you get a lot of credit and people love the joke guy, but the story person is far more valuable and it's a skill that's way more important to have, uh, than just being funny or jokes. Those are disposable. Really.Phil: (13:57)That's a note that I've seen from industry professionals that I know personally is, um, if you don't understand story structure, you don't know how to lay out a story. It's not helpful.Michael: (14:08)Yeah. And, and I sh no one does when they start out. Nope. Everyone thinks they do. And they don't. I mean, they're very, they're very few people who are born with that innate skill and they rise up to the top very fast. The rest of us have to learn it. And it takes a long, you know, it takes a while to learn that. SoPhil: (14:23)Got it. And to your point, like, even though I've seen this, like you taught me this stuff, you have it in your course. I've probably seen you teach story structure the way you break a story. And in any room, I still catch myself on a first draft thinking, why did I just bulldoze that, uh, that plot point right there? Like why, why did I step over that story point?Michael: (14:41)Yeah. And I make the same mistakes all the time too. Like I'll sometimes all I'll read my work or what, you know, you need the distance, uh, some time to, to look at your working a wait a minute, this is why what's going on here because you get lost in the weeds and you have to go always go back to the basics. I'm always reminding myself of the basics. Cause it's really, it's funny. I remember when I was on King of the Hill, having a conversation with Greg Daniels who later created the American version of The Office and he was my boss on king of the hill. And I impressed him with something that I said, which was odd and it would impress him. But I said, Greg, there is no Writing 102, it's all Writing 101. And he's like, "yes, that's it! Writing 101." It's all writing. Cause it is. And everything's all, it's all the basics. But I think people will, there are people out there who will try to sell you Writing 102, because they can make a buck, but it's all 101 right. But you have to master that part, you know?Phil: (15:33)Yeah. The 102 does not help you because 101 has the mastery. Yeah.Michael: (15:37)It's like advanced screenwriting, advanced screenings, all basics, you know? Okay. Yes. Master the basics.Michael: (15:46)Hi guys. Michael Jamin here. I wanted to take a break from talking and talk just a little bit more. I think a lot of you guys are getting bad advice on the internet. I know this because I'm getting tagged. One guy tagged me with this. He said, I heard from a script reader in the industry. And I was like, wait, what? Hold on, stop. My head blew up. I blacked out. And when I finally came to, I was like, listen, dude, there are no script readers in the industry by definition. These are people on the outside of the industry. They work part-time, they'd give their right arm to be in the industry. And instead they're giving you advice on what to do and you're paying for this. I mean, that just made me nuts, man. These people are unqualified to give my dog advice. And by the way, her script is, is coming along quite nicely.Michael: (16:25)And oh, and I'm not done. Another thing when I work with TV writers who a new one, I'm writing staffs. A lot of these guys flame out after 13 episodes. So they get this big break. They finally get in and then they flame out because they don't know what is expected of them on the job. And that's sad because you know, it's not going to happen again. So to fight all this, to flush all this bad stuff out of your head, I post daily tips on social media. You can find me on Instagram and TikTok and Facebook @MichaelJaminWriter. If you don't have time, two minutes a day to devote towards improving your craft guys, it's not going to happen. Let's just be honest. So go find, make it happen. All right. Now, back to my previous rant.Phil: (17:07)So prior to COVID, I was doing Brazilian Jiu Jitsu here in the valley with a guy named Romelo Barral and he's like a 10 time world champion. He's he's a legend, like UFC fighters, train at his gym. And he's just considered a master. And someone asked him the question what's better. Is it strength or cardio? And he said, cardio, because strength will fail you every time like strength will fade and your cardio can endure. And it's almost like what I'm hearing you say is understanding basics with story structure and storytelling. Those fundamentals are the cardio to everything else. It's the engine that keeps you running.Michael: (17:40)Yeah. And, and like, so few people really want to study that because that's not fun. You know...Phil: (17:46)And that's not sexy. And you know, it, it definitely feels at times it feels contrived or feels formulaic and what I don't think people understand and that I'm slowly learning is that is ingrained in us as a, as a species. It's whether you're talking Joseph Campbell or you're talking, you know, um, other psychological profiles in this stuff, like, uh, Jungian archetypes that storytelling comes from thousands and thousands of years of storytelling. And that's why Homer told his stories and the similar structure. And that's why Shakespeare did. And that's why we do.Michael: (18:21)Yeah. And it's just because it feels right. Something, it just feels right in your bones, but that's not to say it's cliche. Like you can always make cliche choices that you see a mile away. I mean, but you, if you follow the structure, there's plenty of creativity within those, within the points. So it doesn't feel cliche. You know, there's still a lot of choices that you can make and mistakes that you can make along the way. But if you have the structure, it really helps. It's like a house, you know, the houses you can decorate any way you want, but the house needs to have these things to stay up and not fall down.Phil: (18:49)Yeah. It makes sense. Yeah. Strong foundation. Right. You have to have it, the war house washes away. Yeah. So, so going back to the comment you made earlier, where you're talking about this division of labor. So we've talked about that when you first started out and we talked about in the writer's room as a Showrunner, as someone who has a show that you're managing, what's the division of labor for you and your partner when you become an Executive Producer.Michael: (19:12)Yeah. So that kind of started our first show that we ran together was called Glenn Martin DDS. And that was a little jem that no one saw and it was Kevin, it was animated. Oh, look at that. He's got a, you got... I gave Phil a toy .Phil: (19:24)I've got your DVD right here.Michael: (19:26)You can go find that. I think it plays on YouTube or make no money. So you can watch, you can watch on YouTube for free. And that was with Kevin Nealon. He did the voice and Catherine O'Hara was amazing. Of course he's hilarious. And Judy Greer that they what a cast we had. And, um, and so on, on once a week, I would have to, we'd have to record the actors and Sivert would stay in the writer's room, running the rewrite or breaking stories for the next episode while I was on the soundstage, directing the actress. I have a, I'm pretty good at that. I'm... I'm a decent, uh, I can hear the voices and I'm, I'm pretty good at directing and expressing myself and trying to get pulling out the best, uh, performances from actors and Sivert is great at breaking story.Michael: (20:05)So it worked out, it worked out really well. Um, yeah, that kind of division of labor. But if, if we were only one of us, then that one, you know, something would have suffered. Someone would have not either directed the actors, the right person, you'd have to delegate to like a number two that you trust. And the fact that Sivert, and I've been working for all these years, like we know like we have the same taste cause we, so we, I can hear his voice. He can hear my voice. We know it's, it's rare that we disagree on, on, on a story point or, um, you know, our take, you know, so it's a lot of trust and a lot of we have the same kind of brain even often. We're, um, I don't remember what we're doing. Oh, we were, we were, um, uh, meeting on another show and, uh, we had, um, we had the same, we both had this favorite episode. We were talking about it later, like, oh yeah, that's the episode I liked best. And he was like, yeah, I liked that one, the best two out of like the six that we saw and we'd liked it for the same reasons.Phil: (21:00)Right. Right. Do you feel like that's innate or is that your taste has grown together over time? Like being partners?Michael: (21:09)Uh, it's grown. We have a similar sensibility over time. Yeah.Phil: (21:13)Got it. Got it. So, so on the subject of working with partners, you know, you talked about people from college, you've talked about, you know, your agent in partnering with people, your agents repping. So you're not competing against each other. Are there any other ways you can think of to come up with and find a good partner if that's what you're looking for? Like sort of like a writer's dating apps.Michael: (21:34)Yeah. I have no idea. I imagine I would have no idea. I know people like in the course that I teach or that offer that, um, people, they reach out, they trade scripts that seems like could be, we have a private Facebook group. I dunno if anybody's teamed up from that. But that seems like a decent way to team up with someone because you're all serious about the craft. And you both have learned the language that I use in describing stories. So it's kind of like you have the same kind of, you already have the same foundation a little bit. I don't, you know?Phil: (22:03)Yeah. And then to your point, I think that that's a very powerful indicator to me of someone's seriousness in, you know, years ago, the first book I ever read on screenwriting was The Complete Idiot's Guide to Screenwriting by Skip Press. And he had a couple of resources in there. One of those resources is WordPlayer.com and that's run by Ted Elliott and Terry Rossio who wrote like Aladdin, Shrek, Pirates of the Caribbean, Small Soldiers, basically every film... wrote on..., they basically every film I grew up with in the nineties and in the early two thousands. And they had a bunch of these articles back from AOL in the forums, right. And one of them was talking about professionalism and they said, you cannot call yourself a professional until you're willing to invest in your craft. And that doesn't mean scouring the internet, looking for free scripts. It means going down to a script shop and buying them or going on Amazon and buying a script, it's finding that.Michael: (22:55)That's something you do really well, by the way. Like you always invest in yourself. Always. Yeah, yeah.Phil: (23:01)Yeah. Well, I took, I took that note very seriously. And so I have, I had purchased many online screenwriting courses. I went to film school. I did all those things. And that's one thing that I appreciate about your course. Is there's, there's almost like a paywall that kind of keeps the riffraff out. And it's not saying that if you don't have the funds, that you're riff-raff what I'm saying is there's a level of seriousness that comes with and making an investment in yourself. Yeah. And all of the conversations I've had, I've given notes on scripts to multiple people in that group. It's, it's super helpful. They reach out to me proactively and ask what they can do for me to read my stuff andMichael: (23:37)A nice, yeah,Phil: (23:38)Yeah, absolutely. And the cool thing is we're also coming at it from the stories, from understanding how real writers break story in the TV, TV writers' room, right. Like they're, they're analyzing say, oh, you missed this point. And I don't understand how this pays off. And, and we're, we're speaking it almost like the same insider language.Michael: (23:57)Yeah. So yeah, that's, that's riding with a partner and, uh, it's probably less important for drama, but for comedy, it could be, I think it's really helpful. And, uh, it, you know, it's something to consider something to, you know, explore perhaps.Phil: (24:10)Yeah. I love it. Thanks so much, Michael. I appreciate the info and the insights and thanks to everybody for listening.Michael: (24:15)Yeah. Thank you. Everyone. Talk, we'll see you on the nextPhil: (24:30)This has been an episode of Screenwriters Need to Hear This with Michael Jamin and Phil Hudson. If you'd like to support this podcast, please consider subscribing leaving a review and sharing this podcast with someone who needs to hear today's subject. If you're looking to support yourself, I encourage you to consider investing in Michael's screenwriting course at MichaelJamin.com/course. I've known Michael for over a decade. And in the past seven years, I've begged him to put something together. During the global COVID-19 pandemic. Michael had time. And I have to say, I wish I'd had this course 10 years ago. As someone who has personally invested in most online courses, earned a bachelor's degree, and actively studied screenwriting for over a decade, this course has been more valuable to me than most of the effort I've put in because it focuses on something noone else teaches: story. In his course, Michael pulls back the curtain and shows you exactly what the pros do in a writer's room and that knowledge has made all the difference for me. And I know it will for you too. You can find more information at MichaelJamin.com/course for free daily screenwriting tips. Follow Michael on Instagram, Facebook, and TikTok @MichaelJaminWriter. You can follow me on Instagram, Facebook, and TikTok @PhilAHudson. This episode was produced by Phil Hudson and edited by Dallas Crane. Until next time, keep writing.

Avast! With Episode 106, we're finally bringing you a look at something we've wanted to do for a long time: the pirate classic Treasure Island! In this episode we discuss: Robert Louis Stevenson's original 1883 novel Treasure Island (the 1934 movie), directed by Victor Fleming, written by John Lee Mahin and John Howard Lawson, and starring Wallace Beery, Jackie Cooper, and Lionel Barrymore Treasure Island (the 1950 live-action Disney movie), directed by Byron Haskin, written by Lawrence Edward Watkin, and starring Robert Newton and Bobby Driscoll The DuPont Show of the Month Season 3 Episode 7: Treasure Island (1960), directed by Daniel Petrie, written by Michael Dyne, and starring Hugh Griffith, Richard O'Sullivan, Michael Gough, and George Rose Treasure Island (the 1987 anime movie, edited down from the 1978–79 series), directed by Osamu Dezaki and Yoshio Takeuchi, and written by Haruya Yamazaki and Yoshimi Shinozaki Treasure Island (the 1990 TV movie), written and directed by Fraser Clarke Heston, and starring Charlton Heston, Christian Bale, Julian Glover, and Oliver Reed Muppet Treasure Island (1996), directed by Brian Henson, written by Jerry Juhl, Kirk R. Thatcher, and James V. Hart, and starring Tim Curry, Billy Connolly, and Kevin Bishop Treasure Island (the 1999 movie), written and directed by Peter Rowe, and starring Jack Palance and Kevin Zegers Treasure Planet (2002), directed by Ron Clements and John Musker, written by Clements, Musker, Ted Elliott, Terry Rossio, and Rob Edwards, and starring Joseph Gordon-Levitt, Brian Murray, David Hyde Pierce, and Emma Thompson Treasure Island (the 2012 miniseries), directed by Steve Barron, written by Stewart Harcourt, and starring Eddie Izzard, Toby Regbo, Elijah Wood, and Donald Sutherland Footnotes: Stan Rogers performs his song "Barrett's Privateers" "Captain Kidd" performed by Great Big Sea The Clancy Brothers and Tommy Makem George Rose performing "I Am the Very Model of a Modern Major-General" from The Pirates of Penzance Black Sails (2014–2017) You can follow Adapt or Perish on Twitter, Instagram, and Facebook, and you can find us and all of our show notes online at adaptorperishcast.com. We're also on Patreon! You can find us at patreon.com/adaptcast. We have multiple reward levels, which include access to a patron-only community and a patron-only, biweekly bonus show! We hope to see you there. If you want to send us a question or comment, you can always email us at adaptorperishcast@gmail.com.

We launch into Season 5 (FIVE!!! madness, I tell you) and our ‘world tour' with a film from the country at the southernmost tip of the Americas, Chile, and Pablo Larraín's 2019 film EMA. After expressing awe at the visuals of the film and the impact that it had on us as viewers, we discuss the idea of new growth (‘seeds' to be sown after fire, in a central metaphor of the film), the plan that Ema has, and how underestimating this is something that is not only done by Gael Garcia Bernal's character, but by many (male) members of the audience. Next Up The next film in our journey up through the continent is the Argentinian film from a year earlier, THE ACCUSED. Recent Media THIS IS MY HOUSE (2021): Stacey Dooley TIME (2021): Lewis Arnold, Jimmy McGovern, Sean Bean FEAR STREET (2021): R.L. Stine, Leigh Janiak, Kiana Madeira PIRATES OF THE CARIBBEAN 1/2 (2003/2006): Gore Verbinski, Ted Elliott, Johnny Depp Recommendations AS IF (2001–04): John Duthie, Paul Chequer, Emily Corrie HARD CANDY (2005): David Slade, Elliott Page, Patrick Wilson THE MOTORCYCLE DIARIES (2004): Walter Telles, Ernesto Guevara, Gael Garcia Bernal Y TU MAMÁ TAMBIÉN (2001): Alfonso Cuarón, Maribel Verdú, Gael Garcia Bernal Footnotes Before we get into the serious footnotes, I just wanted to link to this review of Sam's first choice of Recent Media this week, which is actually, bizarrely, quite good: www.theguardian.com/tv-and-radio/2021/mar/20/bbc-one-this-is-my-house-stacey-dooley. Onto the good stuff. Here's our NEON DEMON episode, to link to a film mentioned early on this week: www.kaiju.fm/prestige/3-27-the-neon-demon-and-beauty-consumption, and here's another one by the director Sam mentions at the start: www.kaiju.fm/prestige/3-17-21-grams-change-and-grief. There were some great reviews of this week's film: www.smh.com.au/culture/movies/mesmerising-film-gives-us-a-vengeful-goddess-for-the-metoo-generation-20210511-p57qu9.html, www.abc.net.au/radio/programs/nightlife/alex/13350302, and indeed anything on www.rottentomatoes.com/m/ema. Here's more about the dance form that structures both Eta's character and this film as a whole: en.wikipedia.org/wiki/Reggaeton. And finally, one of the film's emotional climaxes (ha, ha) deserves to be on this list: www.vulture.com/2014/12/30-most-important-sex-scenes-in-movie-history.html. Find Us On Podchaser - https://www.podchaser.com/podcasts/the-prestige-417454 Follow Us - https://www.twitter.com/prestigepodcast Follow Sam - https://www.twitter.com/life_academic Follow Rob - https://www.twitter.com/kaijufm Find Our Complete Archive on Kaiju.FM - https://www.kaiju.fm/the-prestige/

Primer episodio de una de mis personas favoritas, Anibal Marrero, creador del canal de Facebook: Positivo gamer, fanático de video juegos, películas y superhéroes. Vamos a estar hablando de Small Soldiers, película del año 1998, dirigida por Joe Dante y el guion a manos de Ted Elliott y Terry Rossio. ¡Escucha y transpórtate con nosotros con este tremendo episodio! ¿Como pueden seguir a Anibal?   Facebook: Anibal Oniel Marrero Facebook Gaming: Positivo Gamer

En este episodio de Back to the Movies! Gabriel, Rafa y El Watcher continúan el mes de mayo, mes en el que conversan sobre las películas que consideran sus guilty pleasures, conversando sobre "The Mask of Zorro" (1998), película protagonizada por Catherine Zeta-Jones, Anthony Hopkins y Antonio Banderas, escrita por Ted Elliott y Johnston McCulley e dirigida por Martin Campbell. Apoya nuestro contenido uniéndote a nuestros Patreon, visita www.patreon.com/culturasecuencial y dándonos follow/subscribe en nuestro canal de Twitch, www.twitch.tv/culturasecuencial. --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support

Ted Elliott is a serial entrepreneur and Chief Executive Officer of Copado and serves on the company's Board of Directors. ... Ted sold Jobscience to Bullhorn, Inc in March 2018. Elliott has built sales, consulting, and engineering teams in cloud SAAS since 2007, with a focus on leveraging the Salesforce platform.

Un épisode qui sent le rhum et les océans avec pour thème les pirates Suivi d'une pastille de pépé sur ces pirates d'antan et leurs méthodes très peu orthodoxes Introduction 00:00:00 Quiz 00:15:04 Piraterie (Wikipedia - https://chl.li/nPc7D) Liste de pirates (Wikipedia - https://chl.li/csbrf) L'île au trésor 00:27:17 L'île au trésor (Robert Louis Stevenson - 1881 - Young Folks) Page Wiki L'île au Trésor : https://chl.li/XVKxa Analyse de L'île au trésor par lepetitlecteur.fr : https://chl.li/ArYND Le Déchronologue 00:38:53 Critique du Déchronologue par Monsieur Scientas'Hic : https://chl.li/aViNI Critique du Déchronologue par Baltbibliotheque : https://chl.li/JB1rQ Playlists du déchronologue : Deezer https://chl.li/qXKFv / Spotify https://chl.li/N0SBf) Skies of Arcadia 00:52:00 Page Wiki de Skies of Arcadia : https://chl.li/larb6 Review de Skies of Arcadia par IGN : https://chl.li/iKdOd Review Skies of Arcadia par Brad Shoemaker https://chl.li/ePBpM Vidéo de Toujours Thomas : Skies of Arcadia, le meilleur JRPG à être tombé dans l'oubli : https://chl.li/Fhxhr One Piece 01:01:20 Page Wiki de One Piece : https://chl.li/XaERI Fruits du démon (Fandom - https://chl.li/JhBsS) Emission "Dans la légende" (CliqueTV) sur One Piece : https://chl.li/O0sqo Conclusion du thème 01:18:02 La pastille 01:22:17 Black Sails (S04E03) (Jonathan E. Steinberg & Robert Levine - 2014 - Starz) Les Passagers du vent (T1, Planches 8 et 9) (François Bourgeon - 1979 - Glénat) Pirates des Caraïbes (Ted Elliott et Terry Rossio - Disney) Divers pages wiki (chasse-partie, supplices,…) (Wikipedia) Recommandations 01:41:09

”And last but not least is a fiery redhead who lives in a dragon-guarded castle surrounded by a boiling lake of lava! But don't let that cool you off. She's a loaded pistol who likes piña coladas and getting caught in the rain. Yours for the rescuing: Princess Fiona!” This week on Recently Logged we discuss the first-ever Academy Award winner for Best Animated Feature and cultural touchstone: Shrek! (as well as briefly reviewing the films we logged on our Letterboxd dairies in the past week.) EPISODE TIME CODES: 00:00 - INTRO 02:07 - BASIC MOVIE FACTS 05:04 - OPENING THOUGHTS 12:42 - MAIN DISCUSSION 53:19 - CLOSING THOUGHTS 57:08 - WHAT WE WATCHED FIND WHERE YOU CAN WATCH THIS WEEK’S FILM: https://www.justwatch.com/us/movie/shrek FILM INFO: Shrek (2001) THE GREATEST FAIRY TALE NEVER TOLD. "It ain’t easy bein’ green – especially if you’re a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot – a wisecracking donkey." MPAA Rating: [PG] Director(s): Andrew Adamson, Vickey Jenson Writer(s): Ted Elliott, Terry Rossio, William Steig, Roger S.H. Shulman, Joe Stillman Composer(s): Harry Greyson-Williams, John Powell Editor(s): Sim Evan-Jones Top-billed cast: Mike Myers, Eddie Murphy, Cameron Diaz, John Lithgow, Vincent Cassel, Peter Dennis (All film info from Letterboxd) OUR LINKS: Recently Logged Main Webpage: https://robbiegrawey.com/recently-logged Anchor Page: https://anchor.fm/recentlylogged Micah’s Stuff YouTube: https://youtube.com/channel/UCqan1ouaFGl1XMt_6VrIzFg Letterboxd: https://boxd.it/AkCn Twitter: https://twitter.com/micah_grawey Instagram: https://www.instagram.com/m_grawey_films/ Robbie’s Stuff Website: https://robbiegrawey.com EPISODE CREDITS: Recently Logged Podcast creators - Micah and Robert Grawey Hosts - Micah and Robert Grawey Editor - Robert Grawey Songs used in episode - Non --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week we're talking about Pirates of the Caribbean: Curse of the Black Pearl! Join us for a discussion of rum, Port Royal, and, most importantly, an in-depth exploration of just when the heck this movie is supposed to be taking place. Sources: Background: Making of: https://youtu.be/X6s9jQbM9N4 https://www.cinemablend.com/news/1640229/apparently-keira-knightley-had-no-faith-in-pirates-of-the-caribbean https://www.rottentomatoes.com/m/pirates_of_the_caribbean_the_curse_of_the_black_pearl https://en.wikipedia.org/wiki/Pirates_of_the_Caribbean:_The_Curse_of_the_Black_Pearl Bios: https://en.wikipedia.org/wiki/Gore_Verbinski https://en.wikipedia.org/wiki/Jerry_Bruckheimer#Filmography https://en.wikipedia.org/wiki/Ted_Elliott_(screenwriter) https://en.wikipedia.org/wiki/Terry_Rossio Hollywood Reporter review, https://www.hollywoodreporter.com/heat-vision/pirates-caribbean-curse-black-pearl-thrs-2003-review-1005193 Roger Ebert review, https://www.rogerebert.com/reviews/pirates-of-the-caribbean-the-curse-of-the-black-pearl-2003 Port Royal: Matlock, Julie Yates. "The Process of Colonial Adaptation: English Responses to the 1692 Earthquake at Port Royal, Jamaica." 2012. (dissertation) Drain the Sunken Pirate City (NatGeo) Simon P. Newman, "Hidden in Plain Sight: Escaped Slaves in Late Eighteenth-and Early Nineteenth-Century Jamaica," William and Mary Quarterly (June 2018): 1-53. https://oieahc.wm.edu/digital-projects/oi-reader/simon-p-newman-hidden-in-plain-sight/ Carla Gardina Pestana, "Early English Jamaica Without Pirates," The William and Mary Quarterly 71:3 (July 2014): 321-360. https://www.jstor.org/stable/10.5309/willmaryquar.71.3.0321 Nuala Zahedieh, "The Merchants of Port Royal, Jamaica, and the Spanish Contraband Trade, 1655-1692," The William and Mary Quarterly 43:4 (Oct., 1986): 570-593. http://www.jstor.com/stable/1923683 Jack P. Greene, "Jamaica at Midcentury: A Social and Economic Profile," Settler Jamaica in the 1750s: A Social Portrait (University of Virginia Press). http://www.jstor.com/stable/j.ctt1dgn5qd.5 Denver Brunsman, "The Knowles Atlantic Impressment Riots of the 1740s," Early American Studies 5:2 (Fall 2007): 324-366. Christine Walker, "Port Royal," Jamaica Ladies: Female Slaveholders and the Creation of Britain's Atlantic Empire (University of North Carolina Press, 2020). https://www.jstor.org/stable/10.5149/9781469655284_walker.6 Vincent Brown, "The Eighteenth Century: Growth, Crisis, and Revolution," in The Princeton Companion to Atlantic History eds. Joseph C. Miller, Vincent Brown, Jorge Canizares-Esguerra, Laurent Dubois, and Karen Ordahl Kupperman (Princeton University Press). http://www.jstor.com/stable/j.ctt18s30x4.11 James Robertson, "Making Jamaica English: Priorities and Processes," The Torrid Zone: Caribbean Colonization and Cultural Interaction in the Long Seventeenth Century ed. L.H. Roper (University of South Carolina Press). http://www.jstor.com/stable/j.ctv6sj7vv.11 Guy Chet, "Atlantic Frontier: Continued Piracy through the Long Eighteenth Century" The Ocean Is a Wilderness: Atlantic Piracy and the Limits of State Authority, 1688-1856 (University of Massachusetts Press). http://www.jstor.com/stable/j.ctt5vk2s5.6 Cordingly, David. "Pirates and Port Royal." History Today 42, (5/1992): 62. https://www.theatlantic.com/business/archive/2015/09/prison-labor-in-america/406177/ Henry Morgan bios: Zahedieh, Nuala. "Morgan, Sir Henry (c. 1635–1688), privateer and colonial governor." Oxford Dictionary of National Biography. 23 Sep. 2004; Accessed 3 Sep. 2020. https://www.oxforddnb.com/view/10.1093/ref:odnb/9780198614128.001.0001/odnb-9780198614128-e-19224. and https://en.wikipedia.org/wiki/Henry_Morgan "Remembrance of the Great Earthquake" http://www.jnht.com/documents/remembrance-of-the-great-earthquake.pdf Jamaica National Heritage Trust https://www.bbc.com/news/world-latin-america-18601357 and https://www.history.com/this-day-in-history/earthquake-destroys-jamaican-pirate-haven#:~:text=On%20June%207%2C%201692%2C%20a,to%20destroy%20the%20entire%20town. Trevor Burnard, "European Migration to Jamaica, 1655-1780," The William and Mary Quarterly 53:4 (Oct., 1996): 769-796. http://collections.vam.ac.uk/item/O100708/doll-with-dress-unknown/ http://collections.vam.ac.uk/item/O116924/gown-unknown/ http://collections.vam.ac.uk/item/O318880/gown-unknown/ https://www.npg.org.uk/collections/search/person/mp00741/john-vaughan-3rd-earl-of-carbery https://fashionhistory.fitnyc.edu/1690-1699/ https://en.wikipedia.org/wiki/List_of_governors_of_Jamaica https://en.wikipedia.org/wiki/Sir_Charles_Knowles,_1st_Baronet Gov. of Jamaica https://www.npg.org.uk/collections/search/portrait/mw05823 https://www.npg.org.uk/collections/explore/an-officer-and-a-gentleman-naval-uniform-and-male-fashion-in-the-eighteenth-century sword, 1750 https://collections.rmg.co.uk/collections/objects/78785.html https://collections.rmg.co.uk/collections/objects/14293.html https://collections.rmg.co.uk/collections/objects/71222.html 1748 hat (not part of regulated uniform until 1795, though) https://www.rmg.co.uk/sites/default/files/import/4_captainjamescook.pdf 1820! https://collections.rmg.co.uk/collections/objects/128354.html Uniforms introduced 1850s https://webarchive.nationalarchives.gov.uk/20101208175701/http://www.royalnavy.mod.uk/training-and-people/rn-life/uniforms-and-badges-of-rank/index.htm Typically hand sewn, rather than printed! https://collections.rmg.co.uk/collections/objects/941.html Pirate Crews: Marcus Rediker, Villains of All Nations: Atlantic Pirates in the Golden Age (Boston, MA: Beacon Press, 2004). Guy Chet, "Atlantic Frontier: Continued Piracy through the Long Eighteenth Century," The Ocean is a Wilderness: Atlantic Piracy and the Limits of State Authoirty, 1688-1856 (University of Massachusetts Press, 2014). fourth-rate c.1685 https://collections.rmg.co.uk/collections/objects/141835.html first-rate 1794 https://collections.rmg.co.uk/collections/objects/111624.html undated (Union Jack--later?) https://collections.rmg.co.uk/collections/objects/152570.html Lady Washington https://historicalseaport.org/lady-washington-history/ https://www.washingtonpost.com/news/volokh-conspiracy/wp/2017/04/03/firearms-technology-and-the-original-meaning-of-the-second-amendment/ https://www.pbs.org/opb/historydetectives/technique/gun-timeline/ Firing matchlock and flintlock muskets https://youtu.be/zpzIb3XjyyY (still need gunpowder in pan for flint to strike in later 18th c. weapons) http://www.jnht.com/site_spanish_town.php https://en.wikipedia.org/wiki/Colony_of_Jamaica https://www.nmrn.org.uk/research/piracy Marcus Rediker, Villains of All Nations: Atlantic Pirates in the Golden Age (Boston, MA: Beacon Press, 2004). Arne Bialuschewski, "Pirates, Black Sailors and Seafaring Slaves in the Anglo-American Maritime World, 1716-1726," The Journal of Caribbean History 45:2 (2011): 143-158. Rum: The Crafty Cask, Four Part Series on Rum: https://thecraftycask.com/spirits-liqueurs/history-rum/ "Rum," Encyclopedia Britannica, available at https://www.britannica.com/topic/rum-liquor F. Paul Pacult, "Mapping Rum by Region," available at https://web.archive.org/web/20131029204124/http://www.winemag.com/July-2002/PROOF-POSITIVE/ David Wondrich, "The Rum-Soaked History of Pirates and Sailors," The Daily Beast. Available at https://www.thedailybeast.com/the-rum-soaked-history-of-pirates-and-sailors Tortuga: Violet Barbour, "Privateers and Pirates of the West Indies," American Historical Review 16, 3 (1911) W. Frank Craven, "The Early of Warwick: Speculator in Piracy," The Hispanic American Historical Review, 10, 4 (1930) Erin Mackie, "Welcome the Outlaw: Maroons, Pirates, and Caribbean Countercultures," Cultural Critique 59 (2005) Carla Pestana, "Early English Jamaica Without Pirates," William and Mary Quarterly 71, 3 (2014) Colin Woodard, The Republic of Pirates (Mariner Books, 2007)  

The #Godzilla Podcast has returned with a commentary of the controversial 1998 American Kaiju film, Godzilla! Directed by Roland Emmerich Produced by Dean Devlin Screenplay by Dean Devlin, Roland Emmerich Story by Ted Elliott, Terry Rossio, Dean Devlin, Roland Emmerich Based on "Godzilla" by Toho Starring Matthew Broderick, Jean Reno, Maria Pitillo, Hank Azaria, Kevin Dunn, Michael Lerner, Harry Shearer Music by David Arnold Cinematography Ueli Steiger Edited by Peter Amundson, David J. Siegel Release date May 20, 1998 (United States) Running time 139 minutes Budget $130–150 million Box office $379 million

When you ask Ted Elliott what gets him excited the answer is a simple one: DevOps. As the CEO of Copado, Ted is helping companies around the world realize how DevOps can assist their organizations, even if they don’t understand how to code. Ted joined IT Visionaries to discuss exactly how Copado is helping to democratize DevOps. Plus, Ted details how his platform, in assistance with Salesforce, is aiding in the fight against COVID-19 through contact tracing.  Main Takeaways Code for Coders: Historically, DevOps has been for coders using complex tools that only coders could understand. Copado’s software helps to eliminate that gap by allowing a whole new set of users into the equation. By setting up guidelines and processes, Copado is empowering basic end-users the ability to push code. Ideating Innovation: The leading benefit for Copado’s Salesforce integration is its ability to allow the end-user to iterate once the product has been delivered. Instead of forcing companies to plan for a release date and only that particular date, now the platform can constantly be updating. No More Silos: One of the biggest challenges surrounding DevOps today is that far too many developers operate in silos. When you operate in isolation, your ability to innovate is limited. Instead, work with multiple teams to develop solutions that benefit the platform and the client. --- IT Visionaries is brought to you by the Salesforce Customer 360 Platform - the #1 cloud platform for digital transformation of every experience. Build connected experiences, empower every employee, and deliver continuous innovation - with the customer at the center of everything you do. Learn more at salesforce.com/platform

Episode 217: The Crew's wondering why the rum is all gone while discussing Pirates of the Caribbean: The Curse of the Black Pearl. Director Gore Verbinski made Pirate films cool again after decades of box office bombs in the genre (Cutthroat Island, Pirates). The supernatural curse plot probably helped the box office with the shots of the skeleton pirates in the trailer. Johnny Depp became a superstar with his Oscar nominated Captain Jack Sparrow performance. And its the best film based on a theme park ride. The Crew discusses... If you like our music intro, head over to Soundcloud and hear more amazing music from aquariusweapon. Aquariusweapon can also be found on YouTube. Contact: themoviecrewe@gmail.com

País Estados Unidos Dirección Guy Ritchie Guion John August, Guy Ritchie (Remake: Ron Clements, Ted Elliott, John Musker, Terry Rossio) Música Alan Menken Fotografía Alan Stewart Reparto Mena Massoud, Naomi Scott, Will Smith, Chico Kenzari, Billy Magnussen, Nasim Pedrad, Numan Acar, Navid Negahban, Amir Boutrous, Jordan A. Nash, Taliyah Blair, Aubrey Lin, Omari Bernard, Buckso Dhillon-Woolley, Maya Saroya, Amer Chadha-Patel, Stefan Kalipha, Nina Wadia, Amed Hashimi, Frank Welker Sinopsis Aladdin (Mena Massoud) es un adorable pero desafortunado ladronzuelo enamorado de la hija del Sultán, la princesa Jasmine (Naomi Scott). Para intentar conquistarla, acepta el desafío de Jafar (Marwan Kenzari), que consiste en entrar a una cueva en mitad del desierto para dar con una lámpara mágica que le concederá todos sus deseos. Allí es donde Aladdín conocerá al Genio (Will Smith), dando inicio a una aventura como nunca antes había imaginado.

Yo ho! The conventions of the Action story sail into port this week as Leslie invites us to examine Pirates of the Caribbean: The Curse of the Black Pearl. This 2003 comedy-horror-action movie was written by Ted Elliott and Terry Rossio and directed by Gore Verbinski, based on the ride at Disneyland. Each week one of the Story Grid Editors—Jarie Bolander, Valerie Francis, Anne Hawley, Kim Kessler, or Leslie Watts—pitches a film as an example of a significant story principle. The rest of us explore different aspects of the principle so we can all understand it better. Click here for the full show notes.

Hosts Mat Bradley-Tschirgi, William Thrasher, and special guest Eric McEver (writer and director of Paleonaut) discuss Pirates of the Caribbean: The Curse of the Black Pearl. They talk to Eric about how his love of Godzilla movies led him to Japan, how hard Godzilla films are to collect, and his early short film The Early Years of Captain Jack Sparrow. One of a gaggle of Disney films based on their theme park attractions (The Country Bears, The Haunted Mansion), this one was so successful is spawned a pirate's bounty worth of sequels. Elizabeth Swan (Keira Knightley) is in love with blacksmith Will Turner (Orlando Bloom). However, she's engaged to James Norrington (Jack Davenport). Her stolen skull emblazoned medallion has hidden powers that intrigue both scalawag pirate Jack Sparrow (Johnny Depp) and haughty ghost pirate Hector Barbossa (Geoffrey Rush). Many sword fights and drunken arguments ensue. Far better than any game based on a ride should be, this first Pirates of the Caribbean film combines derring-do with light horror elements in a family friendly package. Ted Elliott and Terry Rossio's screenplay is full of one too many characters, but when the cast is so game who cares?  The trio get off on a tangent about the Star Wars Ewoks movies and Seth Green's stillborn Star Wars Detours series. Eric enjoys the Heisei version of Godzilla vs. Mothra. Thrasher gave the quirky Pottersville a watch. Mat read the Peter Jackson biography Anything You Can Imagine : Peter Jackson and the Making of Middle Earth by Ian Nathan.    The next few movie series we'll be covering are: Pirates of the Caribbean: Dead Man's Chest (2006) Pirates of the Caribbean: At World's End (2007) Pirates of the Caribbean: On Stranger Tides (2011) Pirates of the Caribbean: Dead Men Tell No Tales (2017) The Fugitive (1993) U.S. Marshals (1998)  Follow the show on Twitter @Sequelcast2 Like our Sequelcast 2 Facebook Page The theme song to the Sequelcast is written and performed by Marc with a C. Sequelcast 2 is delighted to be a member of The Batman Podcast Network. Hear more great podcasts here! Watch Thrasher's tabletop RPG YouTube show d-infinity Live!. Listen to Marc with a C's music podcast Discography. Buy One Starry Night, a Cthulhu Live scenario Thrasher contributed to, from DriveThruRPG! 

Lights out! Slasher Radio took a peek under the bed for this week's episode as we discussed the 1989 classic, "Little Monsters"! We've pulled back the covers on this 80's film and talked about its true decade magic and special makeup effects that came together to create this unforgettable film. Howie Mandel went all out for the starring role as "Maurice" and brought life to the gritty, rambunctious boogeyman who ends up being not all that threatening after all. The film's screenplay writers Terry Rossio and Ted Elliott have since worked together to create other classic, fun flicks like "Aladdin" and "Shrek". The special makeup effects artist, Michael Burnett, brought his insane creativity and experience to the film and has since worked on other impactful films like "Star Wars", "Strangeland", and "House of 1000 Corpses". Fluff your pillows, grab your blanket and pop in "Little Monsters". Then, take a trip back to 1989 with us for this ghoulishly good flick in Episode 62! You can check out our articles AND listen to the show at SlasherRadio.com and contact the show via email Hosts@SlasherRadio.com or on Twitter: @SlasherRadio @Dismay00 @BobbySpitzerr @MikeysDead --- Send in a voice message: https://anchor.fm/slasherradio/message Support the show: https://www.patreon.com/slasherradio See omnystudio.com/listener for privacy information.

It’s another hot, hot, hot episode as we kick things off with a little blow the man down and listener comments in this episode covering minutes 102 and 103 of Pirates of the Caribbean: Dead Man’s Chest. Join us as we continue the discussion, euphemisms and metaphors of Elizabeth Swann working hard to seduce Captain Jack Sparrow, the smart writing of Terry Rossio and Ted Elliott keeping the audience guessing as to the attraction between the two, the broken deal with Davy Jones and Jack Sparrow with the return of the black spot, Pintel and Ragetti’s debate on the pronunciation of Kraken, the mythological, 13th century Icelandic tale of the Kraken (Hafgufa and Lyngbakr) and the natural history of the Kraken as described by the Old Norwegian natural history work Konungs skuggsjá. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

Disney takes theme park rides to a whole new dimension when Leech and his fellow bone cage mates plummet to their deaths – it’s the only practical way to end a waltz. Join us for minute 38 of Pirates of the Caribbean: Dead Man’s Chest as we discuss Terry Rossio and Ted Elliott’s intention to make Leech more meaningful to the audience by giving the character lines usually attributed to Joshamee Gibbs, the look of shock on the Native Bridge Guard and Motley crew’s faces as Leech and his cage mates fall to their death, behind the scenes with the king snake animal actor, a little mnemonic to keep you safe when encountering tropical coral snakes, more information on the Pelegostos Bridge Guard, and a wee bit of information on the Torch Native portrayed by Jonathan Limbo. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

Story: Nichts macht Aladdin lieber, als über Dächer zu springen und gemeinsam mit seinem lustigen Äffchen Abu griesgrämige Händler auszutricksen. Er kennt die Gassen der Basare wie seine Westentasche und trotzdem träumt er von einem anderen Leben, seit er Jasmin, die Tochter des Sultans kennengelernt hat. Eines Tages ändert sich Aladdins Leben schlagartig, denn er gelangt in den Besitz einer Wunderlampe und die hat es wirklich in sich: einen gigantischen, unendlich ausgeflippten Flaschengeist namens Dschinni, der seinem Besitzer drei Wünsche erfüllen kann. Aber auch der hinterhältige Großwesir Dschafar kennt die Macht der Lampe und will mit ihrer Hilfe seine finsteren Pläne verwirklichen. DVD-Release: 15.06.2017 (Walt Disney) Aladdin Genre: Komödie, Abenteuer, Fantasy, Familie, Animation Land: USA 1992 Laufzeit: ca. 90 min. FSK: 0 Regie: Ron Clements, John Musker Drehbuch: Ron Clements, Ted Elliott, John Musker, Terry Rossio Buch: Hanna Diab, Antoine Galland Animation: Aaron Blaise, Robert Walker, Glen Keane Musik: Alan Menken, Robin Williams Produzenten: Ron Clements, John Musker Mit Robin Williams, Jonathan Freeman, Scott Weinger, Linda Larkin, Frank Welker, Gilbert Gottfried, Jim Cummings, Charlie Adler, ... Synchronsprecher: Peer Augustinski, Joachim Kemmer, Michael Deffert, Maud Ackermann, Gerry Wolff, Wolfgang Kühne, Santiago Ziesmer, Wolfgang Ziffer, Jürgen Kluckert, ... https://youtu.be/WlQbdYLEU_c

Story: Nichts macht Aladdin lieber, als über Dächer zu springen und gemeinsam mit seinem lustigen Äffchen Abu griesgrämige Händler auszutricksen. Er kennt die Gassen der Basare wie seine Westentasche und trotzdem träumt er von einem anderen Leben, seit er Jasmin, die Tochter des Sultans kennengelernt hat. Eines Tages ändert sich Aladdins Leben schlagartig, denn er gelangt in den Besitz einer Wunderlampe und die hat es wirklich in sich: einen gigantischen, unendlich ausgeflippten Flaschengeist namens Dschinni, der seinem Besitzer drei Wünsche erfüllen kann. Aber auch der hinterhältige Großwesir Dschafar kennt die Macht der Lampe und will mit ihrer Hilfe seine finsteren Pläne verwirklichen. DVD-Release: 15.06.2017 (Walt Disney) Aladdin Genre: Komödie, Abenteuer, Fantasy, Familie, Animation Land: USA 1992 Laufzeit: ca. 90 min. FSK: 0 Regie: Ron Clements, John Musker Drehbuch: Ron Clements, Ted Elliott, John Musker, Terry Rossio Buch: Hanna Diab, Antoine Galland Animation: Aaron Blaise, Robert Walker, Glen Keane Musik: Alan Menken, Robin Williams Produzenten: Ron Clements, John Musker Mit Robin Williams, Jonathan Freeman, Scott Weinger, Linda Larkin, Frank Welker, Gilbert Gottfried, Jim Cummings, Charlie Adler, ... Synchronsprecher: Peer Augustinski, Joachim Kemmer, Michael Deffert, Maud Ackermann, Gerry Wolff, Wolfgang Kühne, Santiago Ziesmer, Wolfgang Ziffer, Jürgen Kluckert, ... https://youtu.be/WlQbdYLEU_c

Hell, hath no furry like a woman and a prison dog scorned. Join us and the pirate fugitives Pintel and Ragetti for minute 31 of Pirates of the Caribbean: Dead Man’s Chest. In this episode we wrap up the Elizabeth Swann and Lord Cutler Beckett letters of marque negotiation complete with a disgusted, evil eye from Miss Swann and a cresting smirk from the world-domineering Beckett, discuss the inadvertent evolution of Terry Rossio and Ted Elliott’s intention for the compass and used as a plot point between the first two Pirates of the Caribbean films, tinker bell lens flare inspiration and potential sign of divine intervention, The Escape of Pintel and Ragetti in the expanded universe, the appearance of the Bible, and the ever fascinating topic of antique paper and vellum. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

Dammit Will, kiss the girl! In this third rate, conjugal visit romance of an episode it’s all about the tease and a dirty old man lingering in the shadows. Join us for minute 21 of Pirates of the Caribbean: Dead Man’s Chest as we discuss and analyze the hot and heavy, touching and rubbing Will Turner and Elizabeth Swann’s jail cell conversation, Terry Rossio and Ted Elliott’s tension building and setup for an eventual movie kiss, more Curse of the Black Pearl references, the meaning of “properly” when referred to weddings, the meaning of Governor Swann breaking the candle sconce, Weatherby’s lackluster effort to find the jail dog, Elizabeth’s use of the phrase “weather an eye out” and the meaning and origin of this nautical idiom, a classic reference to Citizen Kane and Cheers, and Will Turner’s run in with the Sunburned Sailor, Fisherman (montage), and Scarlett and Giselle on Tortuga. Thank you for listening to this episode of The Black Pearl Show (Pirates of the Caribbean Minute)! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

What bodes ill for Jack Sparrow bodes ill for us, and that means it’s time for Minute 10 of Pirates of the Caribbean: Dead Man’s Chest. Join us for this episode where we take the malfunctioning compass plunge and examine the turmoil in Jack’s heart and mind – what does he really desire? We continue the discussion with a behind the scenes debate about this first compass scene and its impact on the audience, Ted Elliott’s answer for the meaning of the Pirates of the Caribbean film franchise, the expanded universe details of Jack’s escape from the Turkish prison and duel with Mordillah, the warden, a look at cartography and ancient maps, and behind the scenes with the new and improved Port Royal. Plus, we kick the weekend off with our Really Bad Eggs segment, discussing our favorite lines from the week. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute (Black Pearl Show) on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Instagram: https://instagram.com/blackpearlshow Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

From floggings to sugar daddies to wedding bells, it’s time to take on this episode of Pirates of the Caribbean Minute. It’s minute 132 of The Curse of the Black Pearl and we’re discussing the latest details and release dates of the Dead Men Tell No Tales digital, Blu-Ray, DVD and 4K Ultra HD, how screenwriters Terry Rossio and Ted Elliott tease us with all the signs that the film should be ending but never deliver the credits (going against all the usual movie clichés), the Elizabeth Swann and Will Turner kiss, wedding symbolism at Fort Charles, the meaning behind Governor Swann’s “just a blacksmith” comment, and Commodore Norrington finally giving Captain Jack Sparrow some respect. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

It’s a fort jumping and cliff falling scalawag of a good time as we make a splash on this episode of Pirates of the Caribbean Minute. Join us for minute 130 of The Curse of the Black Pearl as we discuss a minute of nothing but Captain Jack Sparrow, Jack complimenting Will Turner’s hat and the deeper meanings behind this praise, Jack telling Elizabeth Swann that a relationship between them would have never worked and our guess that this spread like wildfire throughout Port Royal, Terry Rosio and Ted Elliott’s question about how far Elizabeth was willing to go with Jack while on Rumrunner’s Isle, Jack continuing to play both sides by patronizing Commodore Norrington, Jack falling from Fort Charles into the ocean, and Gillette completely underestimating Jack yet again. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

After fanning away the unnatural fog from our minds, we manage to find time to hypothesize Captain Jack Sparrow’s attraction to Elizabeth Swann on today’s episode of Pirates of the Caribbean Minute. Join us for minute 124 of the Curse of the Black Pearl as we discuss Governor Swann’s stereotypical politician trope, thoroughly dissect the sexual tension between Will Turner and Elizabeth Swann and the fact that he drops the ball by not kissing her, wonder if Captain Jack Sparrow purposely interrupted their moment, discover the meaning behind the cinematographer’s use of reflections while filming Elizabeth, briefly uncover the origin of the word huzzah, debate the intricacies and workings of the Aztec curse after reviewing a deleted scene, and give props to Ted Elliott and Terry Rossio for abandoning the use of traditional screenwriting to complete each of the characters’ stories. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

In the seventh bonus episode of The Cinescope Podcast, Chad and Aaron talk about the fifth movie in the Pirates of the Caribbean series, Dead Men Tell No Tales! The Cinescope Podcast on iTunes Show Notes Pirates of the Caribbean: Dead Men Tell No Tales soundtrack on iTunes Stats Released May 26, 2017 Dir. Joachim Rønning, Espen Sandberg (first two episodes of Netflix series Marco Polo) Written by Jeff Nathanson with story help from Terry Rossio, who co-wrote the first four films with Ted Elliott Music by Geoff Zanelli (Secret Window, Into the West, Disturbia, Outlander, The Pacific w/ Blake Neely, The Odd Life of Timothy Green; worked with Zimmer on previous four Pirates film scores and Rango and The Lone Ranger) Starring Johnny Depp, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Kevin McNally, Stephen Graham, Geoffrey Rush, Martin Klebba, Golshifteh Farahani, David Wenham, Paul McCartney Contact Aaron Twitter Facebook Feelin' Film Twitter Feelin' Film Facebook Group Feelin' Film Website Chad Twitter Facebook Cinescope Facebook Twitter Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Aaron White.

In Episode 43 of The Cinescope Podcast, Chad and Sarah Parrish talk about one of their favorite movies, Pirates of the Caribbean: The Curse of the Black Pearl! The Cinescope Podcast on iTunes Show Notes Pirates of the Caribbean: The Curse of the Black Pearl on iTunes Pirates of the Caribbean: The Curse of the Black Pearl soundtrack on iTunes Reel World Rewind - Previous guest Blaine talks about the same movie on his podcast! Sideshow Sound Radio - upcoming Score Guide for this film from previous guests Will and Wendell! Stats Released July 29, 2003 Dir. Gore Verbinski (MouseHunt, The Mexican, The Ring, The Weather Man, Pirates of the Caribbean: Dead Man's Chest, Pirates of the Caribbean: At World's End, Rango, The Lone Ranger, A Cure for Wellness) Written by Ted Elliott, Terry Rossio; based on Pirates of the Caribbean ride by Walt Disney at Disneyland Music by Klaus Badelt (Equilibrium, K-19: The Widowmaker, The Time Machine, Basic, Catwoman, The Promise, Constantine, Poseidon, Rescue Dawn, TMNT) Starring Johnny Depp, Orlando Bloom, Keira Knightley, Geoffrey Rush, Jack Davenport, Kevin McNally, Jonathan Pryce, Zoe Saldana, Lee Arenberg, Mackenzie Crook Contact Sarah Twitter Chad Twitter Facebook Letterboxd Cinescope Facebook Twitter Anchor Station Website Email thecinescopepodcast@gmail.com Note: The iTunes links provided are affiliate links, meaning that when you click on them you help to support The Cinescope Podcast by earning it a bit of money. Thank you for your support! Special Guest: Sarah Parrish.

YIKES! Is it possible we succumbed to our desires and went too far in this hunk of burning loins and love episode of Pirates of the Caribbean Minute? Not bloody likely. It’s just an honest, heated and aroused discussion of minute 79 of The Curse of the Black Pearl. Join us as we talk at length on Will Turner and Elizabeth Swann’s almost first kiss, how she teases Will and reveals to him the medallion, ask ourselves if Bootstrap Bill Turner was wise in sending Will the cursed Aztec gold, we propose a hypothetical solution for Will to end the curse for the Black Pearl’s crew and ensure the safety and freedom for Elizabeth and himself, and end with screenwriter Ted Elliott’s 5 rules for screenwriting. Thank you for listening to this episode of Pirates of the Caribbean Minute! If you enjoyed it, please like and share on Twitter and Facebook. We’d also be VERY grateful if you could rate, review, and subscribe to Pirates of the Caribbean Minute on iTunes. You can also listen and review via Stitcher, Tune In, and Google Play. For questions or comments, you can call the show at 86-37-PIRATE or send an email to podcast@blackpearlminute.com. We just might feature your questions on future episodes. Your support helps a lot in ranking this show and would be greatly appreciated. If you’re looking for a podcast that discusses Disney’s Pirates of the Caribbean film franchise (in a movies by minutes format), integrates historical pirate and the golden age of piracy facts, analyzes and entertains, then Pirates of the Caribbean Minute is for you. Website: http://blackpearlminute.com Facebook: https://facebook.com/PiratesoftheCaribbeanMinute Twitter: https://twitter.com/blackpearlmin Cursed Listeners’ Crew (A Pirates of the Caribbean Minute Facebook Group): https://www.facebook.com/groups/272990339778981/

País Estados Unidos Director John Musker, Ron Clements Guión John Musker, Ron Clements, Ted Elliott, Terry Rossio Música Alan Menken, Tim Rice Fotografía Animation Sinopsis Basada en el famoso cuento "Aladino y la lámpara maravillosa", la trama se sitúa en el exótico paisaje del mítico reino árabe de Agrabah. Aladdin es un ingenioso joven que, a pesar de vivir en un estado de extrema pobreza, sueña con casarse con la bella hija del sultán, la princesa Yasmin. El destino interviene cuando el astuto visir del Sultán, Yafar, recluta a Aladdin para que le ayude a recuperar una lámpara mágica de las profundidades de la Cueva de las Maravillas. El joven encuentra la lámpara, en la que vive un genio que concede tres deseos a quien lo libere.

The first draft of Pirates of the Caribbean: Curse of the Black Pearl by Ted Elliott and Terry Rossio written in 2002. It is remarkably close to the final product. 90% word for word the same as the movie.

Título original The Mask of Zorro Año 1998 Duración 132 min. País Estados Unidos Estados Unidos Director Martin Campbell Guión John Eskow, Ted Elliott, Terry Rossio (Historia: Ted Elliott, Terry Rossio, Randal Jahnson) Música James Horner Fotografía Phil Meheux Reparto Antonio Banderas, Anthony Hopkins, Catherine Zeta-Jones, Stuart Wilson, Matt Letscher, Pedro Armendáriz Jr., L.Q. Jones, Victor Rivers, Tony Amendola, William Marquez, José Pérez, Luisa Huertas, Julieta Rosen, José María de Tavira, Maury Chaykin Productora Columbia Pictures / Amblin Entertainment / TriStar Pictures Género Aventuras. Romance | Siglo XIX. Capa y espada. Venganza Sinopsis México, 1821. Un enmascarado y romántico héroe popular, conocido como El Zorro, lucha valientemente contra el dominio colonial español en la Alta California. Sin embargo, la víspera de la liberación de México, el despótico gobernador don Rafael Montero descubre que el Zorro es don Diego de la Vega. Un ataque contra la casa del rebelde, se salda con su captura, la muerte de su mujer, el secuestro de su única hija Elena y la destrucción de sus propiedades. Veinte años después, Montero regresa del exilio con Elena, que ignora la identidad de su padre, y se propone comprar California al Presidente de México, el General Santa Anna. Cuando don Diego de la Vega se entera, escapa de la prisión dispuesto a vengarse de Montero. Parte del plan consiste en adiestrar y transformar a Alejandro Murrieta, un bandolero con un tortuoso pasado, en el nuevo Zorro, para que le ayude a frustrar los planes de Montero de una vez para siempre. Murrieta se hará pasar por un rico hacendado español dispuesto a ganarse la confianza de Montero.

Jen Krueger, James Mulholland, Jake Jabbour and Steve Bethers join me to watch The Lone Ranger and discuss how badly this Hollywood Summer Blockbuster went off the rails plus how the filmmakers might be mocking the source material rather than celebrating it. Imdb link: http://www.imdb.com/title/tt1210819/?ref_=fn_al_tt_1 Starring: Johnny Depp, Armie Hammer, William Fichtner, Tom Wilkinson, Helena Bonaham Carter and Barry Pepper Directed by: Gore Verbinski Written by: Justin Haythe, Ted Elliott and Terry Rossio Movie Trailer: https://www.youtube.com/watch?v=L9DDCKVrZfU, Rotten Tomatoes Review, Wikipedia If you are enjoying I Will Watch Anything Once, please subscribe, rate and review on iTunes, like it on Facebook and follow IWWAO on twitter and tumblr. Remember, if you haven't seen it once you can't complain. Additional links: Jen Krueger @HoorayJen, James Mulholland @ProbablyJames, Jake Jabbour @wakeupwithjacob, Steve Bethers @stevebethers  See acast.com/privacy for privacy and opt-out information.

PART 3: THE REMAKES THAT ALMOST WEREDownload MP300:00 Discussion of an attempted remake from the early 80s, written by Fred Dekker and intended to be directed by Steve Miner. The draft I haven't isn't available to read online, but a synopsis and full production history can be found in Steve Ryfle's book Japan's Favorite Mon-Star.08:33 Discussion of TriStar's initial stab at the franchise, as written by Ted Elliott and Terry Rossio, and intended to be directed by Jan de Bont. The script is available to read at Elliott and Rossio's website, Wordplay, and a full production history can be found in Steve Ryfle's book.

Playing with Film: Discovering and Shaping Gameplay in a Storyworld - Matt tackles the complex issue of how to carefully meld storytelling and game play. Starting with the philosophy that "Puzzles are the foundation of Story' he talks about how when writing a book, game or film how they are filled with puzzles for characters, filled with questions. He looks at some of the 70 key puzzle types and how they may be applied to certain genre or types of situations to help make story extensions engaging. Matt talks about the difference of gamification vs puzzlefication around the film story, how to connect with what users are doing, expanding horizons and how they can feed into a film universe. (An edit of a seminar talk and a clinic talk, with some gaps where live participations originally took place) Playing with Film Story - A presentation by Matt Costello, given at the StoryLabs & Screen Australia labs and digital ignition seminar held in Sydney in late Nov 2012. StoryLab's Podcasts: Recorded and Produced by Gary P Hayes Matt Costello (US) – Matt Costello’s best-selling and award-winning work across all media has meshed gameplay, technology and story. He is the writer and creator of groundbreaking games, novels, nonfiction and TV in both U.S. and Europe. Much of his work has involved working with and creating IP for major films. He wrote and co-designed Pirates of the Caribbean: At World’s End, working closely with the series screenwriters Ted Elliott and Terry Rossio. The game, Disney’s first world-wide #1 best-seller, had to capture the world of the first three films, and yet present a new twist on the characters and the story. For Universal Pictures and Simon & Schuster, Matt wrote the original prequel novel to Peter Jackson’s King Kong, Island of the Skull, creating an original story working closely with the film’s screenwriter, Phillipa Boyens. Other film properties that Matt has worked with across both game and other media platforms include Bad Boys, The Italian Job, and -- for Disney – Aladdin, Hercules, and G-Force. He wrote and co-created the bible for the hit game Doom 3, which became the basis for the recent film. He has written and co-created original IP, including the games Just Cause 1 & 2, currently being developed as films by Eric Eisner’s L + E Pictures. His horror novel, Beneath Still Waters, was filmed by Lionsgate in 2004, and released worldwide. Other recent novels and games are also currently being developed as films.