Podcasts about music royalties

Dive into the world of sync licensing with the visionary, Lionel Lodge, founder of SyncLodge. In this episode of the MUBUTV Music Business Insider Podcast, we uncover Lionel's remarkable journey from a recording artist to a sync licensing pioneer. Learn about the rapid changes in sync licensing for visual media, the importance of authentic music, and how SyncLodge is simplifying the licensing process. Perfect for independent artists and industry veterans alike!

Welcome back to the Alt Goes Mainstream podcast.Today's episode dives into the details of distribution and how to build a high-performing global business to serve the wealth channel across brands and strategies.John Sweeney is the Chief Executive Officer of Brookfield Oaktree Wealth Solutions, a business unit that was created to harmonize the distribution efforts across the Brookfield and Oaktree brands. He previously served as Head of US Business Development and Sales for Brookfield Oaktree Wealth Solutions and was a Managing Director and Head of the Americas intermediary business at Oaktree Capital. He also served as president of Oaktree Funds from 2014-2018.Before joining the alternative asset manager side of the business, John had extensive experience working in alternative investments roles at private banks. Before joining Oaktree in 2013, he was a Managing Director and Head of Product Management and Development for the alternative investments business at Morgan Stanley. Prior to that, he was the Head of Product Management in the US for the alternative investments business of the Citi Private Bank.John and I had a fascinating and informative discussion. We covered:How John is building Brookfield Oaktree's wealth business.The benefits of scale.Wisdom from John's Oaktree colleague Howard Marks.How advisor education is critical to the adoption of private markets.Thanks John for coming on the show to share your wisdom and views on private markets and working with the wealth channel.Subscribe to Alt Goes Mainstream to receive the weekly newsletter every Sunday and all of AGM's podcasts.A word from AGM podcast sponsor, Ultimus Fund SolutionsThis episode of Alt Goes Mainstream is brought to you by Ultimus Fund Solutions, a leading full-service fund administrator for asset managers in private and public markets. As private markets continue to move into the mainstream, the industry requires infrastructure solutions that help funds and investors keep pace. In an increasingly sophisticated financial marketplace, investment managers must navigate a growing array of challenges: elaborate fund structures, specialized strategies, evolving compliance requirements, a growing need for sophisticated reporting, and intensifying demands for transparency.To assist with these challenging opportunities, more and more fund sponsors and asset managers are turning to Ultimus, a leading service provider that blends high tech and high touch in unique and customized fund administration and middle office solutions for a diverse and growing universe of over 450 clients and 1,800 funds, representing $500 billion assets under administration, all handled by a team of over 1,000 professionals. Ultimus offers a wide range of capabilities across registered funds, private funds and public plans, as well as outsourced middle office services. Delivering operational excellence, Ultimus helps firms manage the ever-changing regulatory environment while meeting the needs of their institutional and retail investors. Ultimus provides comprehensive operational support and fund governance services to help managers successfully launch retail alternative products.Visit www.ultimusfundsolutions.com to learn more about Ultimus' technology enhanced services and solutions or contact Ultimus Executive Vice President of Business Development Gary Harris on email at gharris@ultimusfundsolutions.com.We thank Ultimus for their support of alts going mainstream.Show Notes00:00 Introduction to our Sponsor, Ultimus Fund Solutions01:55 Welcome to Alt Goes Mainstream02:06 Introduction to John Sweeney03:58 John's Early Career at Morgan Stanley04:34 Evolution of Alternative Investments05:15 Impact of Technology on Private Markets06:42 Service and Distribution Strategy09:33 Building Brookfield Oaktree's Wealth Business11:16 Brookfield and Oaktree Acquisition12:42 Creating Investment Solutions14:07 Understanding the Wealth Channel15:05 Global Distribution Strategy17:52 Importance of Brand and Service19:06 Effective Client Engagement21:09 Advisors vs. Institutional Investors22:27 Evergreen Funds and Distribution25:09 Balancing Content and Engagement27:15 Investment Philosophy and Market Context29:36 Risk Control and Consistency30:53 Generational Wealth Transfer31:40 Educating the Next Generation of Investors32:04 Long-Term Track Record and Conclusion32:18 Delivering Returns and Long-Term Success32:31 Accessing Evergreen Funds32:45 Compounding Returns Over Time32:52 Thinking in Decades32:57 Private Credit and Economic Cycles33:16 Experience and Results33:41 Brand and Experience in Private Markets34:55 Marketing and History35:12 Brookfield Real Estate Introduction35:34 Oaktree's Credit Roots35:55 Integrating Two Brands36:15 Building Solutions and Partnerships39:03 Global Presence and Scale39:13 Navigating Wealth Channel Conversations40:34 Competing in Various Deal Sizes41:16 Exploring Secondary Markets41:56 Private Capital Opportunities42:50 Survey Insights on Alternatives44:04 Global Wealth Channel Strategies44:44 Regional Strategies and Local Teams47:42 Building a Culture of Shared Success48:42 Educating Advisors49:43 Early Stages of Wealth Channel51:41 Model Portfolios and Solutions56:32 The Appeal of Music Royalties and Human Connection58:14 Conclusion and Final ThoughtsEditing and post-production work for this episode was provided by The Podcast Consultant.

In this episode of TCAST, Jason Rigby sits down with music tech pioneer Nick Holmsten (formerly of Spotify) to explore the evolving landscape of music technology and fan engagement. They discuss the rise of personalized playlists, the ethical implications of data usage, and the potential of blockchain and AI to revolutionize artist-fan relationships. Learn how emerging artists can leverage technology to build a loyal fanbase and thrive in today's competitive music industry. [Primary Keyword: Music Technology and Fan Engagement] Key Takeaways: Data is King: Discover how Spotify used machine learning to create personalized playlists and how this data-driven approach can benefit both artists and fans. The Fan Power Shift: Understand why fan engagement is more critical than ever and how artists can cultivate direct relationships with their audience. Blockchain's Potential: Explore how blockchain technology could disrupt traditional music industry models, offering greater transparency and control to artists. AI: Friend or Foe? Learn how AI can be a powerful tool for music creation and promotion, but why it shouldn't replace human artistry. Ethical Considerations: Dive into the importance of data transparency and responsible use of user information in the music industry. The Artist as a mini CEO: Artists have more control than ever. Find 1,000 Super Fans: It's never been a better time for artists. Timestamps: 00:00: Introduction to Nick Holmsten and his groundbreaking work in the music industry. [Keyword: Music Industry Pioneer] 03:08: The Evolution of Personalized Playlists at Spotify: Behind the scenes of Spotify's algorithmic success. [Keyword: Personalized Playlists, Spotify Algorithm] 05:50: Balancing Act: How Spotify introduces emerging artists while catering to user preferences. [Keyword: Emerging Artists, Music Discovery] 09:08: The Power of the Fan: Why fan engagement is the new currency in the music industry. [Keyword: Fan Engagement, Music Marketing] 11:51: Blockchain Revolution: Exploring the potential of blockchain to transform artist-fan relationships and royalties. [Keyword: Blockchain Music, Music Royalties] 15:02: AI and Music: Discussing the role of AI in music creation, promotion, and the future of artistry. [Keyword: AI in Music, Music Production] 17:58: Ethics in the Spotlight: A deep dive into data transparency and ethical considerations in the music tech world. [Keyword: Data Ethics, Music Tech Ethics] 21:04: Building the Future: Nick Holmsten's vision for an ideal tech-driven music platform that empowers both artists and fans. [Keyword: Future of Music, Music Platform] Nicks Website: https://www.nickholmsten.com/

I'm stoked to have Jerome aka @UzoCapital on the podcast this week. Jerome invests in off-the-beaten path ideas. His speciality of late has been de-SPAC'd companies, warrants, and private music royalties. This was such a fun conversation. Jerome is a great dude, has broad taste and hobbies outside investing, and just loves talking stocks. You'll hear what I mean when you listen. Make sure to follow Jerome on Twitter @UzoCapital. Enjoy! Finally, a big thanks to our sponsors for making this episode happen. Mitimco This episode is brought to you by MIT Investment Management Company, also known as MITIMCo, the investment office of MIT. Each year, MITIMCo invests in a handful of new emerging managers who it believes can earn exceptional long-term returns in support of MIT's mission. To help the emerging manager community more broadly, they created ⁠⁠⁠⁠emergingmanagers.org⁠⁠⁠⁠, a website for emerging manager stockpickers. I highly recommend the site for those looking to start a stock-picking fund or just learning about how others have done it. You'll find essays and interviews by successful emerging managers, service providers used by MIT's own managers, essays MITIMCo has written for emerging managers, and more! TIKR TIKR is THE BEST resource for all stock market data, I use TIKR every day in my process, and I know you will too. Make sure to check them out at ⁠⁠⁠⁠TIKR.com/hive⁠⁠⁠⁠. --- Support this podcast: https://podcasters.spotify.com/pod/show/valuehive/support

Ray Bush founded The Music Royalty Co. (MRC) in 2014 after identifying opportunities to modernize royalty calculations in the face of music data's exponential explosion as streaming began to take off. A decade later and the company has remained an expert in complex royalty calculations for labels, publishers and distributors, while also evolving to meet the accountancy needs of music companies. In our latest podcast, we speak to Bush about the company's first decade, how the global music industry has financially grown in that same time, the impact of having a dedicated royalty service, and much more!

My guest in this episode is Gary Young. Gary is the CEO of the Royalty Exchange, an online platform where investors can invest in music royalties for income. Interview Links: Royalty Exchange https://www.royaltyexchange.com/. Subscribe To Our Weekly Newsletter: The Wealth Dojo: https://subscribe.wealthdojo.ai/ Download all the Niches Trilogy Books: The 21 Best Cashflow Niches Digital: ⁠⁠https://www.cashflowninjaprograms.com/the-21-best-cashflow-niches-book⁠⁠ Audio: ⁠https://podcasters.spotify.com/pod/show/21-best-cashflow-niches⁠ The 21 Most Unique Cashflow Niches Digital: ⁠⁠https://www.cashflowninjaprograms.com/the-21-most-unique-cashflow-niches⁠⁠ Audio: ⁠https://podcasters.spotify.com/pod/show/21-most-unique-niches⁠ The 21 Best Cash Growth Niches Digital: ⁠https://www.cashflowninjaprograms.com/the-21-best-cash-growth-niches⁠⁠ Audio: ⁠https://podcasters.spotify.com/pod/show/21-cash-growth-niches Listen To Cashflow Ninja Podcasts: Cashflow Ninja ⁠https://podcasters.spotify.com/pod/show/cashflowninja⁠ Cashflow Investing Secrets ⁠https://podcasters.spotify.com/pod/show/cashflowinvestingsecrets⁠ Cashflow Ninja Banking ⁠https://podcasters.spotify.com/pod/show/cashflow-ninja-banking⁠ Connect With Us: Website: http://cashflowninja.com Podcast: http://resetinvestingsecrets.com Podcast: http://cashflowinvestingsecrets.com Podcast: http://cashflowninjabanking.com Substack: https://mclaubscher.substack.com/ Amazon Audible: https://a.co/d/1xfM1Vx Amazon Audible: https://a.co/d/aGzudX0 Facebook: https://www.facebook.com/cashflowninja/ Twitter: https://twitter.com/mclaubscher Instagram: https://www.instagram.com/thecashflowninja/ TikTok: https://www.tiktok.com/@cashflowninja Linkedin: https://www.linkedin.com/in/mclaubscher/ Gab: https://gab.com/cashflowninja Youtube: http://www.youtube.com/c/Cashflowninja Rumble: https://rumble.com/c/c-329875

In this episode, I'm diving deep into the world of tracking and collecting music royalties on YouTube. As an independent musician myself, I know how complex and often confusing this topic can be. That's why I'm breaking down YouTube's intricate royalty system for you, from the basics to advanced aspects. I'll walk you through: The four types of YouTube royalties and how to collect them Requirements for joining the YouTube Partner Program The crucial role of Content ID in protecting your intellectual property Strategies to maximize your YouTube earnings Common misconceptions about YouTube royalties Whether you're just starting out or looking to optimize your existing YouTube presence, this episode provides actionable insights to help you turn your music videos into a reliable income stream. Discover how to navigate YouTube's royalty landscape and tap into your music's earning potential. Plus, get access to a FREE companion guide with a detailed action plan and valuable resources. Don't miss this opportunity to transform your YouTube channel from a promotional tool into a hidden payday for your music career. Support the Unstarving Musician The Unstarving Musician exists solely through the generosity of its listeners, readers, and viewers. Learn how you can offer your support. This episode is powered by Podcast Startup Podcast Startup is a program designed for new podcasters. Did you know that most podcasts don't make it past their first few episodes? That's right, they start, they stall, and then they die. Sustaining a podcast ain't easy. Lack of planning and misaligned expectations are a recipe for a fast burnout and fade-out for podcasters. This is exactly what Podcast Startup was designed to help with. Start your podcast the right way with Podcast Startup! Visit UnstarvingMusician.com/PodcastStartup to learn more and to download a FREE Podcast Startup tip sheet. This episode of the was powered by Liner Notes. Learn from the hundreds of musicians and industry pros I've spoken with for the Unstarving Musician on topics such as marketing, songwriting, touring, sync licensing and much more. Sign up for Liner Notes. Liner Notes is an email newsletter from yours truly, in which I share some of the best knowledge gems garnered from the many conversations featured on the Unstarving Musician. You'll also be privy to the latest podcast episodes and Liner Notes subscriber exclusives. Sign up at UnstarvingMusician.com. It's free and you can unsubscribe at anytime. Mentions and Recommended Reading Robonzo on Apple Music  Episode Companion/Resource Guide (FREE download) Facebook Music Monetization  How Much Does Facebook Pay Per Music Stream  What's the difference between YouTube Music and YouTube Content ID?  What is YouTube's Content Management System (CMS)?  The Digital Music Royalties Landscape  How Artists Get Paid From YouTube, TikTok, Instagram and the Rest with Jamie Dee Hart  A musician's guide to YouTube Royalties  How to Earn ASCAP Royalties for Your Music on YouTube  YouTube Creator Academy  YouTube Copyright Center  YouTube Partner Program overview  Content ID information  YouTube Creator Insider channel New Gods Part 2 by Robonzo (Theme Music for The Unstarving Musician)  Resources The Unstarving Musician's Guide to Getting Paid Gigs, by Robonzo Bandzoogle – The all-in-one platform that makes it easy to build a beautiful website for your music Dreamhost – See the latest deals from Dreamhost, save money and support the UM in the process. More Resources for musicians Pardon the Interruption (Disclosure)  Some of the links in this post are affiliate links. This means I make a small commission, at no extra charge to you, if you purchase using those links. Thanks for your support! Visit UnstarvingMusician.com to sign up for Liner Notes to learn what I'm learning from the best indie musicians and music industry professionals. Stay in touch! @RobonzoDrummer on Twitter  and  Instagram @UnstarvingMusician on Facebook  and  YouTube  

Steve and Stuart discuss the difference in cost between putting on indoor and and outdoor gigs, and analyse how musicians get paid when their music is used on a podcast. Send in your questions for Stuart and Steve on thepriceofmusicpodcast@gmail.com Follow Steve on X - @steve_lamacq Follow Stuart on X - @stuartdredge Follow The Price of Music on X - @PriceofMusicpod Support The Price of Music on Patreon: https://www.patreon.com/ThePriceofMusic For sponsorship email - info@adelicious.fm The Price of Music is a Dap Dip production: https://dapdip.co.uk/ contact@dapdip.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Welcome back to the Be Radical Make Music podcast! WATCH THIS EPISODE AS A WORKSHOP PRESENTATION >> www.beradicalmakemusic.com/royaltiesThis week, we're diving into a crucial topic for songwriters: royalties. We'll explore what royalties are, how they work, and the legal rights you have as a songwriter. I'll break down performance and mechanical royalties, explain how you can earn money from your music, and share tips on protecting your creative work. Join me for an informative and empowering episode that's all about helping you understand your rights as a songwriter. Let's get informed!

John Raso is the CEO of Audiam, the YouTube and digital publishing royalties collections specialists within SESAC Music Services. John and his team specialize in data enhancement, conflict resolutions and proactive collections to maximize the accuracy of royalty reporting for song copyrights from digital platforms which license music. In this episode, John delves into the complexities of music royalties and emphasizes the need for musicians to be adaptable in a rapidly evolving industry.Takeaways:Gain a deeper understanding of the music royalties landscape and the role of a musician within it.Decipher the complexities of the music publishing process, and how Audiam can assist you.Learn how AI is changing the music industry and its potential benefits and drawbacks.To learn more about Audiam please visit: https://www.audiam.com/Tune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast

In the past 5 years the market for music royalties has exploded. Some of the biggest artists from Bruce Springsteen to the Red Hot Chili Peppers, Justin Bieber to KISS have sold the rights to their music for hundreds of millions of dollars. This asset class has become more accessible for everyday investors with companies listed on the stock market. But just because we can invest in music royalties, doesn't mean we should. We unpack why in today's episode. Here's what else we cover:An update from small cap manager FairlightWe continue our quest for an acronym for the Australian market The invest case for and against music royaltiesOther investments with royalty payments that we preferPimp my Portfolio with Luke Laretive returns We hear from some of TikTok's worst investorsResources discussed: Want to speak to Luke? Fill out this form on our websiteHave a question? Ask via our website and we'll answer it on the podcast.Join the conversation in the Facebook Discussion Group—------In the spirit of reconciliation, Equity Mates Media and the hosts of Equity Mates Investing acknowledge the Traditional Custodians of country throughout Australia and their connections to land, sea and community. We pay our respects to their elders past and present and extend that respect to all Aboriginal and Torres Strait Islander people today. —------Equity Mates Investing is a product of Equity Mates Media. This podcast is intended for education and entertainment purposes. Any advice is general advice only, and has not taken into account your personal financial circumstances, needs or objectives. Before acting on general advice, you should consider if it is relevant to your needs and read the relevant Product Disclosure Statement. And if you are unsure, please speak to a financial professional. Equity Mates Media operates under Australian Financial Services Licence 540697. Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Jannick Malling. At 13, Jannick was getting paid to make websites. 5 years later, he was an early employee at the high growth broker, Saxo Bank. Today, he's a serial fintech entrepreneur and the co-founder and co-CEO of Public.com, an investing platform. In this episode, we dive into the brokerage industry. We talk about how new-age brokerages compete against giants like Fidelity and Schwab, the business models of investing platforms, the impact of AI and more. Please enjoy this conversation with Jannick Malling. For the full show notes, transcript, and links to the best content to learn more, check out the episode page HERE. ----- This episode is brought to you by 10 East. 10 East is a platform where qualified investors can co-invest on a deal-by-deal basis across private equity, private credit, real estate ventures, and other one-off opportunities typically unavailable through traditional channels. It's no surprise that founders, executives, and portfolio managers from leading investment firms are using 10 East to diversify their personal portfolios. Their level of sourcing and diligence is institutional grade. To learn more, check out 10east.com. ----- Making Markets is a property of Colossus, LLC. For more episodes of Making Markets, visit joincolossus.com/episodes. Stay up to date on all our podcasts by signing up to Colossus Weekly, our quick dive every Sunday highlighting the top business and investing concepts from our podcasts and the best of what we read that week. Sign up here. Follow us on Twitter: @makingmkts | @ericgoldenx Editing and post-production work for this episode was provided by The Podcast Consultant (https://thepodcastconsultant.com). Show Notes (00:00:00) Welcome to Making Markets (00:02:59) First Question - The Rise of Mobile Investing and Its Impact (00:03:48) The New Generation's Approach to Investing (00:11:30) Exploring the Revenue Models of Modern Brokerages (00:14:05) The Controversy of Payment for Order Flow (00:23:35) The Revolutionary Impact of Fractional Shares (00:28:57) Venturing into the World of Corporate Bonds (00:29:30) Exploring the Nuances of Fixed Income and Equities (00:30:18) The Evolution of Brokerages (00:32:25) The Rise of AI in Financial Services (00:33:52) Navigating the Trust Landscape in Financial Services (00:42:00) Innovations in Investment: The Case for Music Royalties (00:47:33) The Future of Alternative Investments and Market Trends (00:51:02) Reflecting on Market Cycles and the Path Ahead Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott gives his thoughts on the recent ransomware attack causing chaos in the healthcare industry. He then discusses JKBX, a startup aiming to “democratize” music investing and whether it is a good new investment vehicle. He wraps up with advice on how to deliver compelling presentations. Music: https://www.davidcuttermusic.com / @dcuttermusic Learn more about your ad choices. Visit podcastchoices.com/adchoices

Got an opinion? If you're listening on the iHeartRadio app, tap the red microphone icon to record & send us your thoughts. Don't have the app? Get it free here ---> https://news.iheart.com/apps/ Follow WGY on social media: instagram.com/wgyradio twitter.

I have been waiting what seems like forever to get some real information about Songtrust, a publishing administration company that I have heard a lot about, but most of what heard seemed like misinformation. Well, in this video we go directly to the source and speak to the Associate Director of Marketing for Songtrust, Renée Buchholtz. Not only do we find out EXACTLY what Songtrust does and how they do it, but we also get an excellent primer on music publishing in general! (Note: This video is NOT sponsored by Songtrust! I'm just nosy.) #royalties #songwriter #musician  @songtrust  LINKS IN THIS VIDEO: MUSIC ROYALTIES CHECKLIST FROM SONGTRUST: https://www.songtrust.com/make-music-income-checklist SONGTRUST SIGNUP https://www.songtrust.com/make-music-income-signup FREE EBOOK: THE DO-EVERYTHING CHECKLIST FOR YOUR SONGS https://makemusicincome.com/checklist -- Introducing STREAMS! Join our new community STREAMS for FREE at https://www.musicincomestreams.com/ We bring together composers, producers, artists, beatmakers, and musicians ready to elevate their music career to inspire, motivate, and learn from one another, so that we can celebrate and share our wins, overcome challenges together, and exponentially grow both our music income, and our creative impact on the world. Join NOW for FREE! https://www.musicincomestreams.com/ -- READY TO GET GOING IN MUSIC LICENSING? Check Out "The Stock Market: Where, Why, and How to Submit Your Music to Stock Music Libraries and Micro-Sync Sites." Find out more here and get a THREE FREE PREVIEW MODULES

Rory Felton, from a high school music label to co-founding The Militia Group and Haiti Venture Partners, significantly influenced the music industry. He led innovative strategies, promoting big names like Lady Gaga, and now works to secure complete royalty collections for artists through Good Morning.Rory Felton brings to light the often overlooked area of music royalties and shares proven strategies to boost an artist's monthly listeners. Learning lessons:Master the art of registration and collection of different types of music royalties.How to leverage social media platforms and collaborations to increase monthly listeners.Understand the significance of building an email list and providing high-end experiences to fans.— To learn more about Rory and his mission to help artists capture all their royalties, visit: https://goodmornmusic.com/Tune into the live podcast & join the Modern Musician community here: https://link.modernmusician.me/join-podcastApply for a free Artist Breakthrough Session with our team: https://masterclass.modernmusician.me/apply-success?utm_source=podcast

    Clement speaks to Annabelle Lebethe CEO of the Southern African Music Rights Organisation about how the process of claiming music royalties works and how artists can claim the money due to them. See omnystudio.com/listener for privacy information.

The State Department has announced the first round of sanctions against four Israelis for violence in the West Bank. Defense Secretary Lloyd Austin apologized for mishandling communication around his cancer treatment. Sources say Fulton County District Attorney Fani Willis has no plans to step down from the Georgia election subversion case. For the first time, some people being treated for opioid addiction will soon be able to schedule telehealth appointments. And, we'll explain why TikTok users will have fewer music options for videos. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Guest: Akhona Mtshewu(SAMRO)

Kevin and Kieran discuss how royalties are paid as a result of songs being played in stadiums to celebrate a goal being scored, and look at the latest situation around Manchester City's FFP breaches. COVERED IN THIS EPISODE: - Player contract add-ons - EU-UK free trade agreement - New stadium costs - Goal celebration song royalties - Manchester City and FFP Follow Kevin on Twitter - @kevinhunterday Follow Kieran on Twitter - @KieranMaguire Follow Producer Guy on Twitter - @guykilty Follow The Price of Football on Twitter - @pof_pod Support The Price of Football on Patreon: https://www.patreon.com/priceoffootball Check out the Price of Football merchandise store: https://the-price-of-football.backstreetmerch.com/ Visit the website: https://priceoffootball.com/ The Price of Football is a Dap Dip production: https://dapdip.co.uk/ contact@dapdip.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

Justin Bieber apparently sold his catalogue for $US200m. Bob Dylan was around $US300m. Bruce Springsteen pocketed $US500m. Clearly, certain investors see money to be made in music royalties.Stefan von Imhof, co-founder of alternative investing community fund alts.co, talks to Sean Aylmer about the music industry, royalties, and how it all started with David Bowie.This is general information only. You should seek professional advice before making investment decisions.Find out more: https://fearandgreed.com.auSee omnystudio.com/listener for privacy information.

Let's talk about it. --- Send in a voice message: https://podcasters.spotify.com/pod/show/nicole-cannon/message Support this podcast: https://podcasters.spotify.com/pod/show/nicole-cannon/support

This week David & Michael are joined by Ryan Edwards, CEO of Audoo, a music technology company that is revolutionising public performance royalties. They discuss why musicians have never been paid accurately based on how their music is played in public venues and how Audoo is setting about to change that. Also, how exactly do you manage to grow a business during Covid, and what is the business landscape in the UK like after Brexit.

Making a Scene Brings you an Interview with a Pro - Gerry Roszak of Kondler and Associates Royalty Audit Teamin the music industry, the traditional revenue streams for musicians and songwriters have undergone a significant transformation. With the rise of digital music platforms and streaming services, the way in which artists earn money has changed dramatically. It is essential for musicians and songwriters to understand the various revenue streams available to them to ensure they can monetize their work effectively. Administrating these revenue streams can get daunting for the indie artist, in fact I would venture to say that most indie artists have monies sitting out there uncollected they are unaware of. Gerry Roszak worked for over 20 years at ASCAP helping musicians get the money that is owed to them, and now has created a new company with the accountant firm Kondler and Associates "Royalty Audit Team" (917-561-6009) to find and retrieve ALL the monies an artist has earned with their songs

Music executive Whitney-Gayle Benta has spent more than 20 years in the music business working for some of the most influential companies in the game, including MTV, Def Jam, and Spotify. She joins Panama Jackson to talk about her journey to the big leagues and the future of music and investment. Whitney explains how music lovers will soon have the chance to invest in music royalties with the company JKBX, the first-of-its-kind platform that aims to change the game of music licensing.See omnystudio.com/listener for privacy information.

04-26-2023 Craig Dobbin Learn more about the interview and get additional links here: https://www.usadailychronicles.com/composer-craig-dobbin-explains-the-why-how-of-music-royalties/ Subscribe to the best of our content here: https://priceofbusiness.substack.com/ Subscribe to our YouTube channel here: https://www.youtube.com/channel/UCywgbHv7dpiBG2Qswr_ceEQ

ICYMI: Later, with Mo'Kelly Presents – A conversation with lawyer turned actor Alan Barinholtz (father of comedy actors Ike and Jon Barinholtz), regarding the new Amazon Freevee series “Jury Duty”…PLUS – Thoughts on the TikTok spicy gum challenge that's hospitalizing kids AND Diddy paying Sting $5K per day for an unauthorized sample on KFI AM 640 – Live everywhere on the iHeartRadio app

The Regional Rasslin' Podcast returns as we FINISH UP the month of JANUARY 1986 in the Mid-South Wrestling territory. Guest co-host Roman Gomez returns for the ride as this time around we discuss the final two weeks of January TV (both the main broadcast & Power Pro), as well as take a look at the January 31st event at the Sam Houston Coliseum! Some of the topics discussed this week include... Dark Journey BLINDS Jake Roberts but gets the DDT, Dick Murdoch ending the "career" of Butch Reed, TV TITLE TOURNAMENT FINALS - Jake Roberts vs. Dick Slater, Terry Taylor vs. Lord Humongous in his final TV match, the abilities of Al Perez never catching on, "Cheap Heat" with Gustavo Mendoza, 80s Music Royalties (or lack thereof), a NEW Masked Superstar, the Fabulous Ones arrive, we'll talk how Bill Watts handled King Kong Bundy main eventing WrestleMania 2, Dibiase & Duggan mending fences, wrestlers cutting promos for each other, Bill Watts gets into politics (sort of), Tag Title Rematch - Doc & Dibiase vs. Eddie Gilbert & Nightmare, Dibiase drops "Maggie", "Mad Dog" Buzz Sawyer vs. Butch Reed in a Dog Collar Match, Chavo painted yellow, the North American Title held up, the Mid-South TV product featuring more in-ring promos, the conduit abilities of Jim Ross, plus multiple promos in Soundbite form, and so much more!Available everywhere your Podcast Streaming needs are met.Visit our Podcast Network https://wrestlecopia.comFollow us on Twitter @RasslinGrenadeFollow and LIKE our FACEBOOK PAGE - https://www.facebook.com/RasslinGrenadeSubscribe to our Youtube Channel at https://www.youtube.com/RasslinGrenadePlease Subscribe to our Patreon to help pay the bills, https://www.patreon.com/wrestlecopiaIncludes a $5 “All Access” Tier featuring our Patreon Exclusive Watch-Along Series, our insanely detailed show notes (for the Grenade, Monday Warfare & Regional Rasslin), Early Show Releases, REMASTERED editions of the early Grenade episodes including NEW content that was originally edited out! PLUS, monthly DIGITAL DOWNLOADS for your viewing and reading pleasure!Listen at your leisure and pick back up later if need be!REGIONAL RASSLIN' PODCAST EPISODE #008FINISHING UP JANUARY 1986 IN THE MID-SOUTH (w/Guest Co-Host Roman Gomez)The Regional Rasslin' Podcast returns as we FINISH UP the month of JANUARY 1986 in the Mid-South Wrestling territory. Guest co-host Roman Gomez returns for the ride as this time around we discuss the final two weeks of January TV (both the main broadcast & Power Pro), as well as take a look at the January 31st event at the Sam Houston Coliseum! Some of the topics discussed this week include... Dark Journey BLINDS Jake Roberts but gets the DDT, Dick Murdoch ending the "career" of Butch Reed, TV TITLE TOURNAMENT FINALS - Jake Roberts vs. Dick Slater, Terry Taylor vs. Lord Humongous in his final TV match, the abilities of Al Perez never catching on, "Cheap Heat" with Gustavo Mendoza, 80s Music Royalties (or lack thereof), a NEW Masked Superstar, the Fabulous Ones arrive, we'll talk how Bill Watts handled King Kong Bundy main eventing WrestleMania 2, wrestlers cutting promos for each other, Bill Watts gets into politics (sort of), Tag Title Rematch - Doc & Dibiase vs. Eddie Gilbert & Nightmare, Dibiase drops "Maggie", "Mad Dog" Buzz Sawyer vs. Butch Reed in a Dog Collar Match, Chavo painted yellow, the North American Title held up, the Mid-South TV product featuring more in-ring promos, the conduit abilities of Jim Ross, plus multiple promos in Soundbite form, and so much more! ★ Support this podcast on Patreon ★

For merch, visit:
https://leadandbelegendary.storenvy.com In this episode, Nametag provides explanation on what Performance Rights Organizations are and why all Songwriters and Composers should register with them. He also gets into a breakdown of the six different types of music royalties. Twitter: @nametagalxndr
Instagram: @nametagalexander Follow Nametag Alexander on music platforms such as Apple Music, Spotify, Bandcamp, Youtube, and more. --- Send in a voice message: https://podcasters.spotify.com/pod/show/leadandbelegendary/message

In this episode of the podcast Brok, Aaron and Jai discuss the intersection of music royalties and web3 technology? In this episode, we explore the legal and ethical considerations of cashing in on music royalties through blockchain and NFTs. Help us out by following the podcast Youtube: https://www.youtube.com/channel/UC7tI-3hd0ZrmQ7tHEpZrq1g Follow the podcast Twitter: https://twitter.com/musicnftpod Please Like, Share and Subscribe to the Podcast. Check out Project DJ here: https://www.projectdj.io/ Follow Boi King Koi on Twitter: https://twitter.com/boikingkoi

In this episode, we dive into investing in music royalties with Alex Gramatzki who is Co-President of Crescendo Royalty Corp and an Advisor to the ICM Crescendo Music Royalty Fund. We dive into forecasting future cash flows in the music industry, how revenue is collected and where revenue is collected from and why music royalties are a interesting asset class to invest into.

In this episode of No Nonsense Music Marketing, we dive into YouTube Music misallocated $23 Million in music royalties.Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/$OMARI Coin: https://rally.io/creator/OMARI/ Learn More About Our Incubator Program: https://www.omarimc.com/incubator/Submit Your Music To Omari MC Here:https://www.omarimc.com/submit-your-music/Source Article:https://mashable.com/article/youtube-copyright-royalties-heist

Beyonce removes Kelis "Milkshake" Sample | Music Royalties Explained If you're an artist or producer it is a MUST that you learn about the music business. In this instance specifically, learn more about music royalties. You'd be amazed at how money we as music creators leave on the table due to our ignorance. What good is the power of ownership when we don't utilize its benefits. I can help you to make sure all your work is in order all you have to do is tap in!! Distrokid: Get Your Music On Apple Music, Spotify, Tidal and more https://distrokid.com/vip/seven/974107 #5MinutesofTWiZDOM is a web series dedicated to educating and encouraging both artists and producers pursuing a career in the music industry NEED MIXING? Email: Certifiedbangaproductions@gmail.com FREE EBOOK: "How To Collect All Music Royalties" http://eepurl.com/g2ESJz FOLLOW TWiZ: Facebook: https://www.facebook.com/certifiedbangaproduction/ Instagram: https://www.instagram.com/twizzleman56/ Linkedin: https://www.linkedin.com/in/tyron-williams-18088a188/ Twitter: https://twitter.com/twizbeats Soundcloud: https://soundcloud.com/tyron-twiz-williams Tiktok: https://www.tiktok.com/t/ZTdnGVdLq/

Collecting your Music Royalties, contd.

Every Monday, Alpesh will be sharing experiments he did with his investments since 2009. In today's episode, Alpesh will be discussing Create Steady Income Stream with Music Royalties. Alpesh Parmar is an entrepreneur, real estate investor, business owner, author, mentor, and podcast host who is passionate about wealth, life, and health. Alpesh is the host of the real asset investing Podcast – “Wealth Matters”. Alpesh is also co-author of Amazon # 1 Bestselling book – Resilience: Turning Your Setback into a Comeback. He has invested in the USA, Belize, Panama, Paraguay, and India. He owns and manages a portfolio of duplexes and small to medium-sized apartment buildings in Birmingham, Atlanta, and Dallas markets. In this podcast, he will discuss Create Steady Income Stream with Music Royalties. *DISCLAIMER - We are not giving any financial advice. Please DYOR.* Exchanges https://www.coinbase.com/join/parmar_27 https://accounts.binance.us/en/register?ref=52159822 https://www.kucoin.com/ucenter/signup?rcode=24hQ3Jv https://swapspace.co?ref=f5814e34ad7134c10e3f07e0 https://www.gate.io/signup/3408973 https://crypto.com/app/9ux1x96a8s https://uphold.com/signup?referral=1b5c565a5c https://www.swanbitcoin.com/wealth Interest Bearing https://www.gemini.com/share/987weayh7 https://blockfi.com/?ref=1d6bc32d https://celsiusnetwork.app.link/110249e176 https://voyager.onelink.me/WNly/referral?af_sub5=D3D527 https://nexo.io/ref/smwmo2ecec?src=ios-link Earn Free Bitcoin https://freebitco.in/?r=41976256 https://getpei.app.link/invite?code=8zgqy4 https://use.foldapp.com/r/PWWA4LLL Filing Taxes http://cryptotrader.tax?fpr=wealth (http://cryptotrader.tax/?fpr=wealth) https://cointracking.info?ref=W702955 (https://cointracking.info/?ref=W702955) (00:00 - 00:50) Opening Segment -Introduction (00:50 - 06:24) Create Steady Income Stream with Music Royalties -Alpesh will be discussing the two airdrops -Alpesh talks about EVMOS -Alpesh also talks about OPTIMISM (06:24 - 06:47) Closing Segment -If you want to learn more about the discussion, you can watch the podcast on Wealth Matter's YouTube channel and you can reach out to Alpesh using this link. Check us out at: Facebook: @wealthmatrs IG: @wealthmatrs.ig Tiktok: @wealthmatrs

Stefan von Imhof is the co-founder of alts.co, and is an investor in “modern” alternatives. Stefan talks about investing in newer assets like collectibles, cultural assets, and music rights. Without a central, authoritative source for valuations, Stefan discusses how to navigate the wild west of these new asset classes - where the opportunity lies, and what landmines to look out for when it comes to investing. For many investors this is a new area, and we dissect the benefits and drawbacks. Love the show? Subscribe, rate, review, and share! TheBillionairePodcast.com

In this episode of No Nonsense Music Marketing, we dive into the internets top music Royalty/NFT marketplaces.Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/$OMARI Coin: https://rally.io/creator/OMARI/ Learn More About Our Incubator Program: https://www.omarimc.com/incubator/Other links mentioned in this episode:Links To Song Royalty NFT Marketplaces: Omari NFT Marketplacehttps://www.omarimc.com/apply/Royal https://royal.io/Corite https://corite.com/Royalty Exchange https://www.royaltyexchange.com/Songvesthttps://www.songvest.com/

In this episode of No Nonsense Music Marketing, we talk to Casey Graham from Music Money Makeover about ways to avoid leaving music royalty money on the table. Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/$OMARI Coin: https://rally.io/creator/OMARI/ Learn More About Our Incubator Program: https://www.omarimc.com/incubator/Get Your Free Social Tokens Here:https://socialtokennews.io/ Other links mentioned in this episode:Subscribe To Music Money Makeover:Website: https://www.musicmoneymakeover.com/YouTube: https://www.youtube.com/c/MusicMoneyMakeoverShowInstagram: https://www.instagram.com/musicmoneymakeover/TikTok: https://www.tiktok.com/@musicmoneym

Navigating music royalties can be complicated, especially when you don't understand the legalities of copyrights. Bree Noble interviews Dave Ratner, the Lead Lawyer at Creative Law Network. Dave explains that copyright is the legal basis of creative works. As soon as you create the work, you own the rights to it. But when you record it, that's an entirely separate copyright that involves the master. So when a song plays over the radio, it generates performance royalties for you as the artist and for the master. That's why it's best to create contracts and consult a lawyer. If you want to know more about handling music royalties, tune in.

Links: Stefan on LinkedIn: https://www.linkedin.com/in/stefanvonimhof/Stefan on Twitter: https://twitter.com/stefanvonimhofAlts Co: https://alts.co/ Special Thanks To Our Sponsor, espresso Displays:Espresso Displays are the thinnest portable touch screen monitor in the world. Recently recognized as one of TIME's Best Inventions of 2021, espresso Displays give us the power of two screens anywhere we go and seriously improve our portable productivity. Learn more about espresso here: http://espres.so?utm_source=D2C&utm_medium=Podcast-Email&utm_campaign=Louis&utm_id=Channels&utm_term=Louis&utm_content=LouisHelp The Louis and Kyle Show:If you enjoyed this episode, please share it with a friend or leave a review!→ Leave a review: https://podcasts.apple.com/us/podcast/the-louis-and-kyle-show/id1504333834→ Reach out on Twitter: https://twitter.com/LouisKyleShow→ Drop us an email: LouisandKyleShow@gmail.com→ Follow on Instagram: https://www.instagram.com/louiskyleshow/→ Follow on LinkedIn: https://www.linkedin.com/company/65567567/→ Watch on YouTube: https://www.youtube.com/channel/UCb6qBiV1HAYcep87nKJmGhA→ Get email updates: https://www.getrevue.co/profile/LouisandKyle?via=twitter-profile-webview

Avec le développement de la blockchain et de ses vertus de transparence, rapidité d'exécution et autonomie qu'elle procure, de nombreux modèles économiques sont en passe d'être revu complètement. Le secteur de la musique en fait parti et alors que les flux financiers liés à la collecte de royalties sur la propriété intellectuelle de titres musicaux (les royalties payés aux artistes et aux auteurs/compositeurs) étaient historiquement secrètement gardés par les producteurs et maisons de disques ; ils sont de plus en plus entrain de s'ouvrir aux investisseurs particuliers, au travers de plateforme d'enchères et d'échanges. J'ai eu le plaisir de m'entretenir avec le co-fondateur et CEO d'une de ces plateformes : Marzio F. Schena de ANote Music cette semaine sur le podcast, pour lui poser les questions qui m'interpelle en tant qu'investisseurs sur cette nouvelle classe d'actif. Au cours de cet échange éclairant on verra notamment : Comment fonctionne l'industrie de la musique et qu'est ce qui amène à l'essor de plateforme de vente de droits musicaux ces dernières années ?A quels droits ouvrent la possession d'un catalogue acheté sur la plateforme ?Quel multiple prix / revenu annuel généré faut-il s'attendre à payer pour un catalogue en fonction de l'historique de performance des titres qui le compose ?Et sur quel période doit-on se baser pour définir le revenu annuel de référence ?Pourquoi ANote Music décide de backer l'ensemble de leur plateforme et leur business sur la blockchain ?Si tu veux en savoir plus sur cet investissement alternatif et innovant qui ramène quand même un taux de rendement de 12% historiquement d'après les données que Marzio nous apporte : cet épisode devrait t'interesser.Retrouve Marzio sur :Son profil LinkedinLe site ANote MusicMa chronique sur les plateformes d'échanges de droits musicaux dans l'émission Liv'investToutes les notes et références sur investisseurs40.com/081Promo ! : Bénéficie d'une réduction de 5% sur ta prochaine enchère sur le site d'ANote Music (de 200€ minimum) en mentionnant le code promo : INVESTISSEURS4.0 Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

In this episode, Ginsler Wealth CEO Brian Ginsler sits down with David Vankka, President & CFO and Partner & Portfolio Manager at ICM Asset Management. They talk about the relatively unknown world of music royalties: what are they, how can you invest in them, and what can they add to a portfolio as a truly alternative asset class? In this episode we discuss: 2:17 How do music royalties work? 5:53 Who is making money from music royalties? 7:46 Tech companies and royalty data 10:29 Music royalties as an asset class 17:21 Managing a portfolio of music royalties 18:56 Artists' influence on their music 21:14 Analyzing royalty valuation and portfolio composition 28:35 A case study on Taylor Swift 32:33 Risk in music royalty investing 35:12 NFTs in music 36:58 Inflation and macroeconomic factors 40:21 Closing remarks and disclaimer Note that past performance is not indicative of future returns, and nothing in this episode should be considered as investment advice. The Unlimited Podcast is a Ginsler Wealth audio production. It is hosted and produced by Brian Ginsler, and edited and mixed by Kathryn Donville.

In this episode: About Nikki's career in the music industry Music and copyright How APRA collects royalties for musicians ...read more

Mint Season 4 episode 20 welcomes Mark Dawson, co-founder of Quixotic, the largest NFT marketplace on Optimism, and MusicFund, a community that finds, funds, and supports up-and-coming artists.This conversation took place during Eth Denver so there's a lot to unpack from the week itself, let alone all the cool stuff he and his co-founder are building, so let's just dive right in.In this episode, we discuss:01:08 - Intro07:05 - How Do Creators Get Started in crypto?12:55 - What is Quixotic trying to solve?17:45 - NFT Derivatives and Copy-cat projects19:11 - About MusicFund23:21 - Current State of Music and Web336:52 - 2022 is the year for Layer 2s38:03 - What is Layer Two Community Culture Like?40:39 - The NFT Landscape in 202242:12 - The Most Interesting Music NFT Use Cases46:37 - Mark's Thoughts on Web3-native Music Royalties 48:40 - Outro…and so much more. I hope you enjoy our conversation. Mark Dawson - https://mobile.twitter.com/web3markLearn more by visiting: https://adamlevy.io/mint---------------------------------------------------------------------------Claim your FREE Listener Badge NFT proving you listened to this episodehttps://adamlevy.io/poap-season-4---------------------------------------------------------------------------Support Season 4's NFT sponsors1. Coinvise - https://coinvise.co/2. Polygon Studios - https://polygonstudios.com/---------------------------------------------------------------------------Sign up for Adam Levy's newsletterhttps://levychain.substack.com---------------------------------------------------------------------------Follow Adam Levy on social media:Twitter:https://twitter.com/levychainInstagram:https://www.instagram.com/levychainLinkedIn:https://www.linkedin.com/in/levy-adamWebsite:https://adamlevy.io

Sign up to our newsletter for more in-depth insights | Follow us on LinkedIn Today we turn to music as an investment theme, and our guest has worked with the greats, from Elton John to Beyonce, and has been in the front row of the music business for nearly 40 years. He is CEO of Hipgnosis Songs Fund Ltd, a FTSE 250 company and the first UK investment company offering a pure play exposure to songs and music IP. Music and back catalogues have seen growing investor interest and a number of vehicles have, and are being developed to offer investors access to long duration income streams, often via listed entities. Merck talks about growing up in Canada, making it to his first Kiss concert, working for Simon Draper and Richard Branson at Virgin records, before spending nearly 2 decades at Sanctuary music, where his client list featured some of the great musicians of all time. He talks about the changing nature of the music business, from the Bowie Bonds to the astonishing development that today over 90 % of US households have a music streaming subscription. From a discretionary purchase to a utility within a decade! Merck explains the current economics of the revenue splits, and why he believes that the artists have often not received a fair deal. He explains how a $12 monthly music subscription is split. He then details how Hipgnosis has acquired 57,000 songs and spent £1.2bn since listing on the London Stock Exchange three years ago, and why buying the highest quality catalogues of proven songs generates current and new revenue opportunities through song management. He talks about the rights once the catalogues are owned that endure 70 years after the artist's death and whose revenues can accrue to investors. Equally he explains how owning the song allows you to take as an example, Blondie's Heart of Glass and not just license it to TikTok, but reinvent it with current artists like Miley Cyrus. Merck talks about song selection, helping insert songs into movies and commercials, maximising song potential and how technology is changing the music business.  He explains why London was chosen for the listing, reflects on some of the greats with whom he has worked and concludes that the new world of music makes it compelling for investing and for job prospects. And the show closes with the great line….“If you got the money honey, I got the time, and when you run out of money honey I run out of time”. Originally released in April 2021, we're pleased to be featuring Merck's episode again in light of today's inflationary environment, which has resulted in many investors looking to the world of alternative assets to mitigate their risks and capitalise on fast-growing markets. In October 2021, the firm enjoyed a $1 billion cash injection from Blackstone, who also took a stake in the business.

In this episode of No Nonsense Music Marketing, we dive into Nas's new NFT collection that offers fans ownership of his music.Links from this episode:Omari Music Promotion: www.omarimc.com/promotion Tunecore Discount (Receive 20% off your first upload with our link): https://www.tunecore.com/?ref=omarimcpodcast&jt=omarimcpodcast Merch: https://musiquo.com/$OMARI Coin: https://rally.io/creator/OMARI/ Other links mentioned in this episode:Source Article:https://www.instagram.com/p/CYfBqX7pWrh/

Key Highlights: 1.35 - How Cake got into NFTs and discovered Sol Socks 7.10 - Perks of working with a smaller group of people8.28 - Jemmy from MonkeDAO shares how he got into NFTs, discovered Solana NFTs, and his experiences with SMB 19.23 - What a 100% community driven initiative looks like and how monkeDAO started21.58 - How SMB's shirtless seven ties into MIMO and an explanation on how MIMO's fractionalization works36.17 - MIMO token discussion and performance on Raydium40.25 - Jemmy shares his perspective on MIMO as an SMB holder. TL;DR it opens up new avenues of opportunity and access44.21 - Rights for NFT fractionalised holders and MIMO's viper branding48.45 - How MonkeDAO started running a validator node on Solana51.24 - MonkeDAO's goal and direction52.46 - Thoughts on OHM forks54.53 - How to approach NFT Derivatives59.39 - How MIMO came about, overall philosophy and other things they're working on like a free mint for newer entrants into the Solana NFT ecosystem1.03.03 - SockDAO's NFT acquisition process and how they buy NFTs as a DAO 1.07.22 - ThugDAO shares that the best time to build is when the market's down, and what they're working on like setting up a validator, a ThugMerch store, gaming tournaments and the Thug music label. 1.11.41 - Thug music label is an expansion beyond pfp and into interesting web3 applications. 1.13.26 - Music Royalties and DAOs. 1.17.08 - The advantage of Web3 for independent musicians1.18.56 - Big-time musicians getting into NFTs 

Jack Butcher, Bilal Zaidi & Trung Phan discuss what they're finding on the edges of the internet + the latest in business, technology and memes.Watch + Subscribe on YouTube:Listen into our group chat on Telegram:https://t.me/notinvestmentadviceLet us know what you think on Twitter:@bzaidi@trungtphan@jackbutcher@niapodcast Timestamps:0:00:00 – Intro + Thanksgiving0:01:40 – Ken Griffin Wins Auction + DAO Recap0:18:22 – Anonymous Accounts0:23:49 – Cameo0:27:27 – Hardrock Nick + Future of Cameo0:37:39 – Decentralized Hollywood0:47:41 – Community-Driven Approach0:57:01 – Music Royalties1:01:02 – Six Components of Music Copyright1:05:10 – Thanksgiving Inflation See acast.com/privacy for privacy and opt-out information.

Join along for a Nerdy Couch Discussion podcast as we discuss How Music Royalties Work In Movies and more in episode 230 of the Animation Addicts Podcast!    Join the RotoNation community on Patreon and get ad-free episodes, exclusive content & more!  Follow us at Rotoscopers.com and on social media with Instagram and YouTube Learn more about your ad choices. Visit megaphone.fm/adchoices

Want to get paid every time a Taylor Swift song is played? I do. You can too. This week we dive into another secret of the rich and famous. Investing in music royalties. This is a cool and lucrative investment that you probably would not have thought of. Prior to this you need to have connections to invest in music royalties. Institutional money has been investing in this space for a while, and now you can too. Find out how on this week's episode.   Today's Panelists: Kirk Chisholm | Innovative Wealth Barbara Friedberg | Barbara Friedberg Personal Finance Megan Gorman | The Wealth Intersection   Follow on Facebook: https://www.facebook.com/moneytreepodcast Follow LinkedIn: https://www.linkedin.com/showcase/money-tree-investing-podcast Follow on Twitter: https://twitter.com/MTIPodcast   For more information, visit the show notes at https://moneytreepodcast.com/investing-in-music-royalties-adam-cowherd

The music industry has radically changed in the past decade. For modern producers and upcoming artists, it's getting harder to make money in traditional ways. That is, by signing tracks to major labels or getting booked for festivals and world tours.Most of the major labels now only want artists with a well-developed brand whose sound brings something new to the table but also works on the radio.And getting signed to a label and becoming a touring artist has its own unique challenges that varies heavily depending on what type of artist you are.But the good news is that there are actually a lot more ways to make money as a music producer.In this episode, guest host and founder of the Music Producers Alliance Adam Reifsteck  shares his list of 21 different ways you can start earning money with your music production skills so that you can find the best opportunity for you, given your unique skill set.Click here to download the PDF GuideThe Modern Producer Secrets Podcast is brought to you by Music Producers Alliance®--an online community and professional development platform that provides learning resources, networking opportunities, and mentoring to music creators at all skill levels.  Join our Discord server.Intro Song: Lost in a Memory – Cameron BashawOutro song: Jacaranda – Duck the Bass

If you find the topic of music copyright, royalties, and song-splits extremely confusing, you're not alone! In this episode Xylo chats to music royalties expert and Head of Creative & Partnerships at Songtrust to demystify the different types of royalties, who is entitled to them and how to make sure that you collect everything you're entitled to as a songwriter, performer and a producer. We would recommend that you have a look at the following diagram to help you digest the content of the podcast: https://help.songtrust.com/knowledge/what-are-writer-performance-royalties Become a member of MPW: https://musicproductionforwomen.com/membership Learn to produce music with MPW: https://musicproductionforwomen.com/free-trial

Just last March, Anthony Martini became the CEO of Royalty Exchange, a marketplace where buyers and sellers can trade music, rights, and copyright. He explains how royalties can benefit middle and lower-tier creatives in this economy of hit records, highlighting what Royalty Exchange is capable of as a platform. He then talks about the practical applications of NFTs. He also weighs in on what he has learned as a former artist, an artist manager, and the founder of an independent record label.Whether you're a musician looking for funding or an investor searching for an asset to park your money in, this is the episode for you!Episode Highlights[03:50] The opportunities in selling music catalogs and publishing[06:48] How Royalty Exchange has grown and what it has to offer as a platform compared to other investment funds[10:08] About multiples, the “dollar age” metric, and why music royalties are attractive assets[14:40] Anthony's insights on hip-hop from a streaming perspective[17:18] The advantages of getting into the NFT market and the importance of really collaborating with artists[22:32] On the legal feud between Roc-A-Fella co-founders Damon Dash and Jay-Z[29:55] On setting up deals with digital distributors, artists, Youtubers, and Twitch streamers[36:36] What it was like to work with big record labels, manage Lil Dicky and Tyga, and founding Commission RecordsListen: Apple Podcasts | Spotify | SoundCloud | Stitcher | Overcast | Amazon | Google Podcasts | Pocket Casts | RSSHost: Dan Runcie, @RuncieDan, trapital.coGuest: Anthony Martini, @realantmoney, Royalty ExchangeLinks:PicoHipgnosisRoundhill InvestmentsRobinhoodMoney Mu on SpotifyCJ So CoolTrapital is home for the business of hip-hop. Gain the latest insights from hip-hop's biggest players by reading Trapital's free weekly memo. Advertising Inquiries: https://redcircle.com/brands

Episode Notes Part two of our discussion on the benefits of cryptocurrencies and blockchain technology is a more focused one. In this episode, we look at the use cases for the blockchain and cryptos that go beyond financial services. And I was joined yet again by Financial Services Lawyer and Blockchain Technology Analyst, Prosper Mwedzi. This podcast is powered by Pinecast.

Kilometre Music Group CEO Michael McCarty and Apex Fund Services' John Bohan say PE firms remain keen on acquiring music royalties, with an eye on subscription revenue from music streaming services in the latest episode of the Behind The Buyouts podcast.

Gary Young from Royalty Exchange gives us a look inside the music industry and how we might use NFTs to invest directly into an artist's off-chain royalties.

Bob Dylan sold his entire music catalog to Universal Music for more than $300MM, Paul Simon sold his to Sony Music for roughly the same, and Dolly Parton might be next. What’s behind this sudden boom? Though these recent multi-million dollar deals seem to be popping out of nowhere, the truth is, catalog sales have been booming for far longer than the past year, and have an incredibly steady history. Over the past year, however, there has seemed to be an exponential increase in music catalog sales. Could this be due to the pandemic shifting the spotlight away from the live music entertainment aspect to a new side of the industry? In this episode, music industry experts joined our host, Brian Adams, to explore specific factors that have driven recent success in the industry. [00:01 – 03:42] Opening Segment An insight into the episode Introduction to the participants of the webinar John Ozier Paul Steele Andy Moats [03:43 – 16:04] The Cause Behind the Recent Boom Asset classes in the music industry Active and Passive assets Exit strategies for artists due to the pandemic Monetizing the art of music Streaming’s contribution to the growth of the industry Emerging markets for streaming [16:05 – 41:46] The Economics of The Music Industry The Right time to Buy or Sell a catalog The potential of investing in the music industry Lending options Term Loan B Differentiating themselves from the amateurs in the space Options to invest in the Music Industry [41:47 – 52:26] The Future of the Streaming Industry The Future of the Streaming Industry Various ways to monetize music streaming Private Equity Exit Retail Investor options [52:27 – 54:48] Closing Segment Reach out to our guests. See Links Below. Final words Tweetable Quotes: “A hit song changes everything. If you have financial problems, marital problems, touring problems, whatever it is, a hit song in three minutes can change that.” - John Ozier “All art is some kind of stock. Some are penny stocks, others are blue chips, and others in between.” - Paul Steele “There’s lots of ways to be successful in this space.” - Andy Moats “If you’re gonna buy something, really buy it wholly. So that no matter what happens you don’t have that liability.” - Paul Steele ------------------------------------------------------------------------------ Connect with Andy: https://www.linkedin.com/in/andymoats/ (https://www.linkedin.com/in/andymoats/)  Connect with John: https://www.linkedin.com/in/john-ozier-0764a16/ (https://www.linkedin.com/in/john-ozier-0764a16/)  Connect with Paul: https://www.linkedin.com/in/paul-steele-5a01527/ (https://www.linkedin.com/in/paul-steele-5a01527/)  Connect with Excelsior GP: https://www.excelsiorgp.com/ (Excelsior GP Website) https://www.linkedin.com/company/excelsior-capital-gp/ (LinkedIn) https://www.youtube.com/channel/UCmreyaEmNbgq-6t86UtERSw (YouTube) Connect with me: https://www.linkedin.com/in/brian-c-adams/ (LinkedIn) LIKE, SUBSCRIBE, AND LEAVE US  A REVIEW on Apple Podcasts, Spotify, Google Podcasts, or whatever platform you listen on. Thank you for tuning in and Stay Tuned for the Next Episode COMING SOON!

During a recent interview about cover songs, we went into the topic of music royalties and left some loose ends. In this episode I will clarify the current structure for music royalties and breakdown the various sources of income you can get as a composer and as a musician.This is from a DIY musician standpoint, so not going deep into the legal terms, just clearing the air so the current scheme of things is understood.Donald Passman‘s book:https://amzn.to/2Qqy0dnBobby Owsinski’s book:https://amzn.to/3vlM32CTuneCore's chart mentioned on the episode:https://tinyurl.com/2hzws3dwMusic Production and Technical Support for Home Studios:contact@audiogeek11.comhttps://www.audiogeek11.comFind more videos, podcast and music:https://linktr.ee/audiogeek11Get a podcast shout out and more by supporting me on Patreon: https://www.patreon.com/audiogeek11 Shop Focusrite Solo and other audio gear at Amazon:https://amzn.to/2UFvjmkShop audio and music gear at Reverb:https://reverb.grsm.io/FabioMarracciniGet 7% discount on the distribution of your music via Distrokid:https://distrokid.com/vip/seven/2870783Sign up to LANDR with this link (AI mastering, Rent-to-own plugins):https://imp.i122908.net/db4WjGet 10% discount on the purchase of Guitar Pro - promo code AUDIOGEEK11:https://www.guitar-pro.com/#ae400Sign up to JamKazam to jam online and broadcast to your audience:https://www.jamkazam.com/landing/general/signup?affiliate=11142DisclaimerAs an Amazon Associate I earn from qualifying purchases.#music #homestudio #audioengineer

Ian is joined by the chief executive of Standard Life Aberdeen, as it rebrands to ABRDN. He also speaks to the chief executive of PRS Music about streaming revenues, and the boss of what has become Europe's biggest flower delivery business. Plus we hear from a not-for-profit collective which is offering advice and support to small firms.

Bureaucracy, Music label contracts, Influences, a lot of middle men. By the end of the day, who gets paid royalties? And how much can seiyuu artists earn? All this and more in this episode. --- Send in a voice message: https://anchor.fm/thtfhqseiyuulounge/message

Royalties can be of 4 different types and seiyuu artists can earn some of those, all of those or none of those. In this episode, you'll get a closer look at each type and go through an exercise that will make everything so much easier to understand. --- Send in a voice message: https://anchor.fm/thtfhqseiyuulounge/message

When seiyuu artists sell 24,000 copies of a CD, do they earn $500.000? How much do they earn and what influences what they earn? Big talk on Music royalties in this episode starting from the basics: what are royalties. Then, talk about the 2 types of copyright seiyuu artists may have over their music. This is the 1st part out of a series of episodes about Music Royalties. --- Send in a voice message: https://anchor.fm/thtfhqseiyuulounge/message

The music industry has boomed thanks to streaming, but with thousands of new songs being added to platforms everyday, sometimes royalties slip through the cracks unpaid. $424 million worth of royalties, to be exact.

"We need to recognise the true value of music, and the work that goes into its creation and performance, whether that's to a live audience or online." In this episode, the first of the new season, we're off to a great start with Harriet Wybor of PRS for Music. We know the ins and outs of performing rights can seem a bit of a mystery. So if you're a composer, if music royalties matter to you, or if you're simply curious about how publishing and mechanical rights work, listen in as we walk you through everything you need to know about music royalties but never dared to ask. Here are links to some of the resources that are covered in the episode: www.prsformusic.com www.prsfoundation.com wwwprsmembersfund.com If you enjoy this conversation, please subscribe, check out our other great episodes, and even better leave us a review. You can also follow us on social media and sign up to our mailing list at www.polyphonyarts.com/mailing-list  for updates and news about Music Works and Polyphony Arts.   Producer: Virtual Concert Halls

Getting paid for people enjoying and listening to your music is one of the best things in the world! And that's exactly what royalties are! Music royalties is the money you make whenever somebody streams or performs your music. There are different kinds of royalties that you can collect as an artist too so it's important to know the differences! Don't let the money you deserve just sit around and collect dust! Sign up for Distrokid and get 7% off your first year: https://distrokid.com/vip/seven/1249949 Get 5 FREE BEATS for profit use: https://pimpfriedrice.clickfunnels.com/5beats **Share this video to your Instagram and tag me for a chance to be shouted out on Friday's video!*** Want to connect and learn more from me? 1. Subscribe to my YouTube Channel: https://www.youtube.com/channel/UC6i7DpqPLXWA-PDuV2WVbHg?view_as=subscriber/?sub_confirmation=1 2. Follow me on social media: https://www.instagram.com/pimpfriedrice610/ https://www.facebook.com/PimpFriedRiceBeats/ https://twitter.com/therealpfr 3. Check out my beats: https://www.pimpfriedrice.com

Join us for an interview with special guest David Vankka, Partner, Managing Director & Portfolio Manager of ICM Asset Management and PM of the ICM Crescendo Music Royalty Fund. Today we talk about:   -His background on the investment business and how he got to where he is today -His process with the music royalties investment fund -Expectations that investors have coming into this asset class in terms of potential returns and what a typical deal looks like -How investors can access and evaluate music royalty investments

For the full audio interview, transcript, show notes and more visit: https://altassetallocation.com/ Have you ever thought about investing in Music Royalties? In this interview Antony Bruno of Royalty Exchange, we discuss just that. Royalty Exchange is an online auction platform for royalty rights (primarily related to music). Specifics vary, but you're investing in future income streams derived from royalty payments. With returns around 12%, like many other Alts, this could truly be another great uncorrelated investment - people don't stop listening to music when stocks go down. Royalty Exchange is open to non-accredited investors, but you're looking at larger minimum investments (5 or 6 figures). Enjoy this conversation talking about royalties in general, royalties as investments, and finally about Royalty Exchange in general and the value they're creating. --- Support this podcast: https://anchor.fm/investinalts/support

ANote Music is the European marketplace for investing in music royalties and was founded in Luxembourg by Marzio F. Schena, Matteo Cernuschi, and Grégoire Mathonet in January 2018. ANote Music has identified the power of music as the next big investment opportunity and created a bridge between the music industry and the capital markets. It enables publishers, record labels, and artists to sell music rights, introducing them to a new system of financing, as well as offering users a new investment opportunity and the chance to own shares in promising artists. In January 2020, ANote Music closed a €500,000-plus funding round, led by the European music industry’s foremost players. ANote Music is also supported by Luxinnovation, the Luxembourg national innovation agency, providing access to government funding for the startup. They also recently announced it will officially launch to the public on 28th July, 2020. It will allow users to invest in music, own rights from content creators, and earn returns through the royalties that are generated over time. The platform also offers new and innovative funding methods for artists, connecting them to financial markets for the first time. Marzio Flavio Schena is CEO and Co-founder of ANote Music, the European marketplace for investing in music royalties. Prior to co-founding ANote Music in 2018, Marzio was a fund manager at Woodpecker Capital, specialising in global equities and derivatives. He is a member of the Global Shapers Luxembourg Hub, a community of entrepreneurs formed by the World Economic Forum to drive dialogue, action, and change. Marzio also has 5 years of experience in the event management industry in Milan, Italy. He holds an MSc in Finance from Bocconi University, studied at UCLA (US), and was enrolled in an MBA Program at INCAE (Costa Rica).

To watch this episode on YouTube, click here. Summary The music industry is growing for the fourth consecutive year, driven by the rise in online streaming. Platforms like Spotify, Youtube, Amazon Music, Pandora, and others are revitalized the industry which presents an opportunity to acquire intellectual property rights that pay royalties each time a song is streamed. Companies like Facebook, TikTok, and SnapChat have also recently announced that they will start paying royalties for music that is being used on their platforms which will only further increase the value of royalties are new users are starting to upload videos. The ICM Crescendo Music Royalty Fund (the “Fund”) is positioned to acquire songs in the $100,000 to $5 million range based on analyzing data such as historical royalty revenue and factors like artists tour schedule, number of playlists a song is on if the artists are releasing songs in the future, amongst other variables.      Data Analytics To efficiently and objectively evaluate acquisition opportunities, the ICM Investment Management Inc. (the “Manager”) has developed an algorithm that will offer support in the acquisition process of material catalogs. Currently, 18 different input variables are analyzed to help predict the number of future streams of a particular asset. While machine learning mechanisms come to a conclusion without human intervention, a live tech expert will determine which input variable is useful and will place weights on each. While the model generates a certain prediction, the way we weight the variable will influence the anticipated future income streams.   Partnership A Canadian music royalty fund was launched under the partnership between the Manager and Crescendo Royalty Corporation as an advisor to the Fund. Investors now have an opportunity to own music royalties and benefit from the rise in music and video streaming, generate incremental income, and have fun while doing it. ICM Asset Management was founded in 2003 and currently has over $1 billion in assets under management in real estate and venture capital investments. Crescendo Royalty Corporation has been acquiring royalties since 2017 with interest in hits like LaLaLa by International pop star Shakira who performed at Super Bowl LIV and Blame it on the Alcohol by legend Jamie Foxx.     Additionally, Devo Harris was brought on as an Advisor and he is a Grammy Award-winning producer and songwriter who discovered, signed, and produced EGOT winner John Legend and has written for Kanye West, Britney Spears, Aretha Franklin & more.   Own Your Favorite Song On the ICM Crescendo Music Royalty Fund website, you can submit a song you would like to own. The team will track down the rights holders and will attempt to acquire an interest in the song you submit. By investing in the fund, you can therefore potentially own a piece of your favorite songs.    Make Money While Listening to Music The Fund also has a Spotify playlist so you can track all the songs they have acquired. If you listen to the playlist, the Fund will also make money every time you listen to a song on the playlist. To follow the playlist click this link.   How to Invest Canadians are able to invest into the Fund directly through the Manager or through their own investment advisor.  US residents who are accredited investors can invest into a Delaware based Limited Partnership.    Show Links ICM Crescendo Website Funds Spotify Playlist LinkedIn Page   Help Out The Podcast If you like The Intelligent Investing Podcast, please consider leaving a rating and review on Apple Podcasts. It takes less than 30 seconds to do and makes a huge difference! You can also join the Facebook page!       You can subscribe to the podcast on the following platforms: Apple Podcasts Stitcher TuneIn Spotify Podbean iHeart Radio YouTube Contact Eric Schleien Facebook  |  LinkedIn  | Twitter  | YouTube | GSCM | Instagram Email: IntelligentInvesting@gmail.com      

Should the songwriter get all the songwriting royalties? Or split it with the band? Does the drummer get something for setting the tempo? Did the bassist add anything deserving of owning a piece of the song? Tim from Underoath, Biggie from Good Fight Management, Brian from Metal Blade Records, Mike from 10th St Entertainment, and Tim from Sound Talent Group discuss music royalties and publishing in the context of sustaining a career in the music business. LIKE, COMMENT, AND SUBSCRIBE! Sign up for near-daily emails with more in-depth advice for your career in music. Visit https://www.outerloopcoaching.com! Free e-book! Music Management Primer by Mike Mowery https://outerloop.group/music-industry-career-coaching/ Get a powerful email program to monetize your email list: https://outerloop.group/email Get our favorite resource for growing a great fanbase on the road: https://outerloop.group/toursmart Connected: Strategies for Networking in the Modern Music Industry https://outerloop.group/connected-strategies-for-modern-music-business-networking/ Breaking In For Non-Musicians https://outerloop.group/breaking-in-to-the-music-industry-for-non-musicians-2/ Our complete system for releasing your album or EP the right way: https://outerloop.group/release-it-right/ How to release your music in 2020: https://youtu.be/Z8AB-izj1pQ How to Release Your Music on Social Media: https://outerloop.group/how-to-release-your-music-on-social-media/ [MUSIC BIZ CASE STUDY] Why Billboard and Album Stream Numbers Matter: https://outerloop.group/music-biz-case-study-why-billboard-and-album-stream-numbers-matter/ Get your music into films, TV, and video games. Complete course! https://outerloop.group/moviemusic Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer Beau Hill explains how points on an album work, and reveals how many points he received on Warrant/RATT albums. This excerpt was taken from the Warrant 'Dirty Rotten Filthy Stinking Rich' interview with producer / engineer Beau Hill. You can listen to the entire interview @ fullinbloom.com: https://fullinbloom.com/warrant-dirty-rotten-filthy-stinking-rich-inside-the-1989-album-w-producer-beau-hill-full-in-bloom-interview/?wphyperspeed=1599185948 Full-Length Episodes: https://fullinbloom.com/category/podcast/ Hit the subscribe button & click the bell if you would like to be notified as new interviews & excerpts are uploaded. Song by FOOL OF FATE

For this episode of the Midi Money Podcast, I’m joined by yet another fantastic guest. Please help me welcome the one and only - Kato! With over 14 years of experience in the industry, he produced beats for various multi-platinum Grammy-nominated artists. He’s worked with Joyner Lucas, B.o.B., K CAMP, Tory Lanez, Masta Killa, Inspectah Deck… and the list just goes on.Besides being an amazing beat maker, producer, and entrepreneur, Kato is also an expert in brand development, with a massive social media following to back that claims up.Today, you’re going to hear all about his story of how he built his brand from the ground up, along with some incredible industry insights. We’ll discuss the best practices for building an awesome team, how to grow your brand and your business, and Kato is also going to give a short masterclass on collecting music royalties.If you’re an aspiring music producer who is finding it difficult to level up their business, this is a conversation you don’t want to miss.Key Takeaways:About Kato, his backstory... (0:53)The challenges of having to wear many different hats in the music industry (3:48)Why you need to build a great team (5:35)Letting go of being a one-man-band is key for growth (9:11)When is the right time to start building your team? (12:16)A message for people in their early 20s (13:47)Kato’s full breakdown of music royalties (17:20)Do you need to copyright your beats? (23:39)Get your priorities in order (25:52)The most important thing you need as a music producer (28:52)Trying out different things to figure out your path (31:40)How to attract a particular group of artists (35:49)Kato’s experience with holding online rap contests (39:59)It’s ALL about the journey (44:48)A couple of quick-fire questions from listeners (49:17)Additional Resources:Sign up for a FREE producer training at: https://midimoney.com/goConnect with Kato: @katoproducer--SUBSCRIBE to our YouTube:http://bit.ly/MidiMoneyYT--Please subscribe, rate, and review our podcast. Thank you for your support!

Music Royalties Explained Most people only know about the final product of a song recording. Who's on the track and if it sounds good. However, music recordings go much deeper than that. There are so many components to putting a song together. Who wrote the lyrics? Who recorded/mixed the project? Who produced the beat? Who played any instruments? Who sung the hook and verses? Who owns the project/song? All of these contributors are inclined to get a percentage of royalties from a project. The big question is though "Who gets what percentage?" In this episode I explain what are royalties, the difference between writer and publisher share, and how split sheets work. Distrokid: Get Your Music On Apple Music, Spotify, Tidal and more https://distrokid.com/vip/seven/974107 #5MinutesofTWiZDOM is a web series dedicated to educating and encouraging both artists and producers pursuing a career in the music industry NEED MIXING? Email: Certifiedbangaproductions@gmail.com Shot and edited by: DOF Media Productions (Instagram: @dofmediallc) SUBSCRIBE TO DOF Media's YOUTUBE - https://www.youtube.com/channel/UCN8HTiO9G4E7ZyqlmFQ145w Like the beats in the background? LISTEN HERE: https://www.beatstars.com/twizzleman56/feed LISTEN HERE: https://www.beatstars.com/DOFbeatsbyTWiZ FREE EBOOK: "How To Collect All Music Royalties" http://eepurl.com/g2ESJz Music by TWiZ: "VYBE ZONE" feat. Jason Dial: OFFICIAL VIDEO: https://www.youtube.com/watch?v=eH3EEllja6o "THE JOURNEY" feat. Jason Dial: OFFICIAL VIDEO: https://youtu.be/231N2ZpAuV8 "AUX CORD" feat. Adri & Sidney Bailey: OFFICIAL VIDEO: https://youtu.be/8A9yjQO2XpQ "Know Know" feat. Troupe OFFICIAL VIDEO: https://youtu.be/-YUgVvHqbEE "Down for Me" feat. Clay Hodges & Smooth OFFICIAL VIDEO: https://www.youtube.com/watch?v=8TxttBCaGtY FOLLOW TWiZ: Facebook: https://www.facebook.com/certifiedbangaproduction/ Instagram: https://www.instagram.com/twizzleman56/ Twitter: https://twitter.com/twizbeats Snapchat: https://www.snapchat.com/add/twizzleman56 Soundcloud: https://soundcloud.com/tyron-twiz-williams Tiktok: https://vm.tiktok.com/4Pa2ur/

Kevin and Kieran talk to the chair of Wigan Athletic Supporters Club, Caroline Molyneux, about their attempt to crowdfund £250,000 to support the club while the administrators look for a buyer. They also look at why Manchester United employ significantly more people than Manchester City, and whether clubs pay royalties for the music they play on matchdays. Support this show http://supporter.acast.com/priceoffootball. See acast.com/privacy for privacy and opt-out information.

We chat about being stuck by lightning our oldest memories, Georgie Boy's Hump Day Replay, our new megaphone sponsor and Gronk Games. On today's episode of The Daily Talk Show, we discuss: - Joe Rogan's exclusive deal with Spotify- Being struck by lightning- The oldest memory- Music royalties- Asks- GBHDR- Our new Megaphone sponsor- Gronk GamesOur last stock of our Gronk merch is available at http://gronksquad.com/Watch and listen to this episode of The Daily Talk Show at https://thedailytalkshow.com/735Email us: hi@thedailytalkshow.comSend us mail: PO BOX 400, Abbotsford VIC 3067The Daily Talk Show is an Australian talk show and daily podcast by Tommy Jackett and Josh Janssen. Tommy and Josh chat about life, creativity, business, and relationships — big questions and banter. Regularly visited by guests and gronks! If you watch the show or listen to the podcast, you're part of the Gronk Squad.This podcast is produced by BIG MEDIA COMPANY. Find out more at https://bigmediacompany.com/

Naoshad is an music industry vet with experience at WMG and Disney. In this episode he explains to us the difference between Artist Royalties & Publishing.

Artist Development Tips on "Music Royalties: Performance & Mechanical". Let's break down how you get paid as a songwriter. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/newsoulmusicradio/support

After the change in the new Copyright act, 2012, the revenue share between the stakeholders is shared using a simple formula. Listen to Achille explain this with examples here. Achille also guides us if one need lawyers to represent for music rights in India.

Laura & I discuss and/or mention in passing: This End Up Furniture, Brownies, Sweets, Diabetes, A Little Night Music, Madame Armfeldt, Liaisons, Spring Awakening, Broadway, Nellie Forbush, South Pacific, Rodgers & Hammerstein, The King And I, Stephen Sondheim, William Shakespeare, Glenn Close, The Straz, Trenell Mooring, Ethel Merman, Norma Desmond, Audio Air Quotes, Music Royalties, Irving Berlin, There’s No Business Like Show Business, Blair’s Blue Blazer, Chocolate, Vidal Sassoon and Sassooning, Down’s Syndrome, Hazel Shermit, All The Single Ladies, Beyonce, Defying Gravity, Stephen Schwartz, Annie Get Your Gun, A Streetcar Named Desire, Blanche Dubois, I’m An Indian Too, Negative Native American Stereotypes, Corn, La Cage Aux Folles, Laverne & Shirley, Double-Stuf Oreos, The Sound Of Music, The Von Trapp Female Family Singers, Disney, The American Adventure, The Voices Of Liberty, American Vybe, Toyota Prius/Prii, Cabarets, Coconut, ASMs, SMs, PMs, Birthday Month, Cake, Faceless Pianist Brenda, Fisticuffs, You Bet Your Life, Groucho Marx, Hibiscus vs. Brussels Sprouts, Holly Hobbie, Wile E. Coyote.Website:facethefactspod.comSocial Media:facebook.com/facethefactspodtwitter.com/facethefactspodinstagram.com/facethefactspod

Peter Elston is both a fund manager and a chief investment officer – in football terms a 'player-manager'. In this podcast he tells us what 25 years based in Asia taught him about investing in the region, why Emirate Airline's A380 super jumbos offer opportunities, and how streaming services are putting an end to music piracy and are putting the profits back into the hands of the song owners.

Ep. 184 - Collecting On Your Music Royalties Join Fanbase University http://www.fanbaseuniversity.com Download Free Music Marketing Promotions Guide https://smartmusicbusiness.com/freesonglaunchchecklist

Shels and Spider talks about Music Royalties and how all independent musicians can get it. -- Let’s Talk About the Music was a Humorous, Controversial Talk Show with a Global Mix of Music. Wednesday Nights at 7 pm - 10pm (PST). www.ltatmradio.com DISCLAIMER: Let's Talk About The Music was part of LTATM Radio Network and did broadcast live on Spreaker. You could have listened to on-Demand on IHeartRadio, Stitcher, Itunes and Spotify. We play only Independent Music across the globe. We did follow the rules & got all of their permissions totheir music from MusicSubmit.com, Ramshaw Records, LTATM Promotions and Broken Monkey Music Productions. please visit www.Letstalkaboutthemusic.com for more details.

Make More: Make more money by REALLY motivating your boss! Save More: Getting ur credit score over a certain threshold can save BIG bucks! Find Yours: New tool for musicians to find unclaimed $ is right at ur finger tips! Top Tip: Don’t be fooled into a sleazy tactic called sliding when buying car insurance

In this episode of The Cash Flow Wealth Show, Jeff Schneider goes into detail about how he went from starting his first investments in real estate to becoming the President and CFO of the music-based company Royalty Exchange. Jeff breaks down how music royalties work and how YOU can use them as an investment!  With the recent surge of online music streaming services, Royalty Exchange is disrupting the system and making investing in royalties easier than ever before! What's the best way to invest into music royalties?  How can you bring in passive income from the music industry? Listen NOW to find out! More about this episode: https://www.royaltyexchange.com If you'd like to learn more about The Cash Flow Wealth Summit, just click the link below! https://www.cashflowwealthsummit.com  

Larry Mestel is the Founder and Co-CEO of Primary Wave, one of the largest independent full-service entertainment companies. Primary Wave Publishing, the music division Larry oversees, acquires and develops the rights to iconic song titles and works with iconic artists.  He has bought assets that include big name hits from Kurt Cobain, Smokey Robinson, Steven Tyler, John Lennon, Def Leppard, Hall & Oates and CeeLo Green. Prior to founding Primary Wave in 2006, Larry spent twenty years in the music industry, serving as COO and GM of Virgin Records, EVP and GM at Arista Records, and COO of Island Entertainment Group. Our conversation discusses the business of investing in music publishing rights, including Primary Wave’s target market, due diligence practices, unique approach to growing revenue streams, and transactions. As you might imagine, the music business has plenty of great stories, and Larry shares a few of his gems. For more episodes, go to capitalallocatorspodcast.com/podcast Follow Ted on twitter at @tseides

We're sharing every detail that you need to know about music royalties from standard payouts for downloads and streams to when service providers pay artists.

On this episode of Sight & Sound Weekly, things get a little abnormal with Ryan Snelling and Jaye Williams. Without specific discussion in mind, there's more of an After Party feel and that guys tell their latest Starbucks stories and talk about their recent fears with social media. With movies, Ryan reacts to the Dark Tower. For TV, they have an open discussion about Wet Hot American Summer: Ten Years Later, the first Mr. Robot season 3 trailer, and preview The Defenders. Finally, with music, they discuss why SoundCloud would fall and royalties provided by streaming services.Feel free to join the Sight & Sound Facebook group. Come chat music, movies, and TV with us:https://www.facebook.com/groups/1972409419661246/SUPPORT SIGHT & SOUND BY PICKING UP ONE OF OUR SHIRTS AT:http://sightsoundpod.comSubscribe to the Sight & Sound YouTube channel for more podcasts and videos:http://www.youtube.com/c/sightsoundpodiTunes feed:https://itunes.apple.com/us/podcast/sight-sound/id1163615076?mt=2Find us on social media, @sightsoundpod on Twitter and InstagramLike us on Facebook, just search Sight & SoundShoot us an email - sightandsoundpod@gmail.comJaye WilliamsTwitter - @jayewilliamsInstagram - @jayewilliamsRyan SnellingTwitter - @whatupsnellInstagram - @whatupsnell

Jeff Schneider is President & CFO of Royalty Exchange which is an online marketplace where artists can sell a portion of their royalty stream to private investors as a way of raising money. They offer unprecedented flexibility that allows qualified sellers to dictate which the portion of their catalog they wish to sell while retaining full control of their copyrights and continue collecting the royalties they decide to retain. During the show, Jeff will discuss royalties as an alternative and modern opportunity for unaccredited investors. He will explain ways to get started investing in royalties, provide examples of the kind of music and royalties they sell on their platform including potential annual returns and quarterly payouts. Links: Royaltyexchange.com @royaltyexchange Where are we: Denver - Jeff Berlin - Johnny FD Ireland - Sam Discussed: Gofundme.com/playgrounds4orphans Book: Start Here - Recommended Reading Time Stamps: 03:45 - Finding Royalty Exchange 06:38 - Music, books, patents, & trademark royalties 08:31 - Copyrights explained 11:32 - Guide to buying music royalties 14:47 - Growth over the decades 18:03 - Risks in the industry 19:47 - Investing through the platform explained 24:23 - Predicted projected royalties 28:39 - How to get paid 31:37 - Real Estate vs. royalties 33:32 - Annual returns and quarterly payouts 26:53 - Common types of investors 38:51 - How to get started 40:50 - What is a public performance? 41:50 - YouTube music copy claim 45:21 - Getting paid as an artist 49:12 - Will Johnny FD invest? 51:26 - How to make money with Royalty Exchange 56:28 - Will Sam invest? 58:50 - Walking across Ireland   If you enjoyed this episode, do us a favor and share it! Also if you haven’t’ already, please take a minute to leave us a 5-star review on iTunes and claim your bonus here!   Copyright 2017. All rights reserved. Read our disclaimer here.  

INVESTMENT EDITION: Jeff Schneider, co-founder of http://RoyaltyExchange.com joins the show to answer Brad's curious questions about investing in artistic and music royalties as a non-correlated asset class to a risky stock market. Did you know that you could buy the rights to popular songs and earn royalty rights just like the artists do? I heard of this but didn't know enough about it and had more questions than answers. So I did what I do... I invited one of the leaders of the Royalty Exchange to explain how the music industry works on both sides and how smart investors can potentially capitalize on this. Very interesting episode!

Whenever an artist, like a musician, creates a work, they create a valuable asset with an income stream called a royalty. Royalties can be bought and sold, and are a unique investment. If artists want to convert the unrealized value of their royalty stream into present cash, they can sell it on Royalty Exchange, an online marketplace for buying and selling royalties. And today's guest is Jeffrey Schneider, president of Royalty Exchange.   Investors have discovered what great assets royalty producing intellectual property like music can be. And they come to Royalty Exchange to buy those assets. Listen to the full episode on Capitalism.com for details on how investors purchase royalties from artists and the benefits of these investments, as well as the different types of assets available.

Symphonic Distribution President Jorge Brea talks about the different types of music royalties and shares some YouTube monetization tips.

Lita Rosario is one of America's foremost entertainment lawyers. Lita got her start in the entertainment business as a founder and the VP of Business and Legal Affairs for Universal Music Group, Inc., producers of multi-platinum recording artists Dru Hill, Sisqo and MYA.  Lita has negotiated distribution and publishing agreements with all of the four major record distribution/music publishing companies including Warner Music Group, Sony/RCA; Universal Music Group; EMI/Capital Records as well as major television and cable companies, including, Disney, UPN, TV One, BET, VIACOM/MTV, DISCOVERY CHANNEL, E! NETWORK and Universal Pictures. Lita's client roster has included among others: Grammy award winning and platinum selling artists George Clinton and the Estate of Garry Shider (Parliament Funkadelic), Missy Elliott, Tank, Sisqo, DRU HILL, Peaches & Herb, Crystal Waters, Afrika Bambaataa and Soul Sonic Force, Davy D producer of RUN DMC and Kurtis Blow, Ronald “Peanut” Frost producer of Jill Scott,  and Dave Evans producer and music director for Keith Sweat. Lita's practice involves administration of copyrights, including negotiation of syndication rights, mechanical, synchronization, sample clearances, and performance licenses for music in major motion pictures, including Soul Food, Romeo Music Die, The Fast and The Furious, Road Trip, My First Mister, Buying the Cow, and Brothers, as well as synchronization licenses for commercial advertisements for Bermuda Tourism, Lincoln-Mercury, Mitsubishi, Doritos, Jeep, Cingular, MAC Make-Up and Miller Brewing Company. Lita is an adjunct professor at the University of the District of Columbia's Department of Mass Media Visual and Performing Arts teaching “The Business of Music,” a course focusing on legal, accounting and other business aspects of music, TV and film industries. Lita is a member of the District of Columbia, New York & Massachusetts Bars, the Federal Court bars in the Southern District of New York and the District Court for the District of Columbia.  Atty. Rosario attended The Howard University School of Communications in Washington, D.C.; were she graduated Cum Laude in 1983.  Lita also attended The Howard University School of Law, where she earned a Juris Doctorate Degree in 1986, graduating in the top 10% of her class. Resources Lita Rosario, Pllc. IP Law 360 (Intellectual Property) LinkedIn Music Royalties Group Music and Copyright in America: Toward the Celestial Jukebox by Kevin Parks  

Episode # 261 Live, Uncut & Uncensored Conversations With "Musicians You Should Know" Roundtable #4 - Musicians, Clubs & BMI "Music Royalties & What They Mean To You" A discussion on the current state of royalties from club performances featuring a panel of Musician Tas Cru, Club Owners Gary Anton of The Bradfordville Blues Club & Carson Lamm of River City Management in Memphis and Jeff Syracuse from BMI. Musicians are encouraged to call in and join the conversation or to ask questions of our panel.   

Listen Online Live at: http://www.edisonresearch.com/webcasts.php and BlogTalkRadioCall-in Number: (347) 205-9090The Webcaster Settlement Act was introduced to allow webcasters to continue to negotiate new royalty agreements with copyright owners for the years 2006-2015. Written and submitted to the House and Senate for approval, it passed and now goes on to President Bush for ratification.What do industry leaders and analysts have to say on the issue?Join us on October 6th at NOON Eastern (9AM PST) for an interactive panel discussion where you'll hear perspectives on the issue from:•Tim Westergren, Chief Strategy Officer and Founder of Pandora•Kurt Hanson, CEO of AccuRadio•Alan Levy, CEO, BlogTalkRadio•David Oxenford, Partner, Davis Wright Tremaine, LLPThe discussion will be moderated by Tom Webster, Vice President of Strategy and Marketing for Edison Media Research. Listeners can call in LIVE during the event at (347) 205-9090, or submit questions before the event toTom Webster. The event will be streamed/archived at Edison Research (http://www.edisonresearch.com/webcasts.php) and BlogTalkRadio

Listen Online Live at: http://www.edisonresearch.com/webcasts.php and BlogTalkRadioCall-in Number: (347) 205-9090The Webcaster Settlement Act was introduced to allow webcasters to continue to negotiate new royalty agreements with copyright owners for the years 2006-2015. Written and submitted to the House and Senate for approval, it passed and now goes on to President Bush for ratification.What do industry leaders and analysts have to say on the issue?Join us on October 6th at NOON Eastern (9AM PST) for an interactive panel discussion where you'll hear perspectives on the issue from:•Tim Westergren, Chief Strategy Officer and Founder of Pandora•Kurt Hanson, CEO of AccuRadio•Alan Levy, CEO, BlogTalkRadio•David Oxenford, Partner, Davis Wright Tremaine, LLPThe discussion will be moderated by Tom Webster, Vice President of Strategy and Marketing for Edison Media Research. Listeners can call in LIVE during the event at (347) 205-9090, or submit questions before the event toTom Webster. The event will be streamed/archived at Edison Research (http://www.edisonresearch.com/webcasts.php) and BlogTalkRadio

Music Royalties and the Future of Online Webcasting

Music Royalties and the Future of Online Webcasting