Podcasts about tong wars

Keith O'Neil:  history teacher at Park City High School, shares his journey and passion for teaching history, recounting his inspirations, college experiences, and the interesting move back to teaching after years in sales. We explore a treasure trove of historical topics, from the American Civil War and the Bozeman Trail to fascinating local Montana history. Dive deep into riveting tales about Fort Smith, the Custer Battlefield, Chinese immigrant Lee Lute, and other colorful characters from the Wild West era. Don't miss out on this history-packed episode filled with stories, personal anecdotes, and the enduring quest for historical truth! Connect with Cole Waltner at @ChasingTheWildOutdoors 00:00 Introduction and Welcoming Keith O'Neil 01:19 Keith's Journey to Becoming a History Teacher 01:59 The Importance of Engaging History Lessons 05:24 Returning to College Later in Life 06:44 Balancing Career and Passion 11:48 The Value of Life Experience in Teaching 17:41 Returning to Hometown and Family 23:02 Exploring Local History and Personal Interests 41:10 Discussing Custer and Crazy Horse 42:18 Elizabeth Custer's Campaign 44:11 Black Elk's Story 46:44 Battlefield Visits and Reenactments 49:32 Engaging Students in History 54:32 Field Trips and Historical Sites 01:12:28 Montana History and Notable Figures 01:21:07 Personal History and Fort Benton 01:23:38 Exploring Forts and Historical Sites 01:26:39 Metal Detecting at Fort Smith 01:39:23 Crow Agency and Local Legends 01:49:08 Bill Hamilton's Epic Life 01:54:32 Colonel Allen's Legacy 01:55:29 The Mysterious Cannon Explosion 01:57:32 Historical Figures of Columbus 01:58:20 Introducing Lee Lute 01:59:23 Lee Lute's Adventures and Research 02:00:14 The Fascinating Story of Lee Lute 02:03:36 Colonel Norton and the Civil War 02:11:21 The Tong Wars and Lee Lute's Fate 02:24:38 Artifacts and Historical Discoveries 02:26:09 Concluding Thoughts and Future Plans

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Join Powerleegirl hosts Miko Lee, Jalena Keane-Lee and Ayame Keane-Lee, a mother daughters team. They are celebrating Asian American Native Hawaiian, Pacific Islander Heritage month.They talk with artists and activists who are telling their stories in so many different ways. Artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena, storyteller Nancy Wang, and musician, Scott Oshiro. Jalena learns about the POC Food and Wine festival from Director Gina Mariko Rosalis and talks with Thuy Tran about CAAMfest, Asian American film festival. Miko speaks with Cyn Choi from Stop AAPI Hate.   Events Covered in this APEX Episode May 2-5, 2024  POC Food & Wine Festival @cielcreativespace, Berkeley & @fouroneninesf, San Francisco, CA April 25-June 23, 2024 United States of Asian American Festival various locations throughout SF. Including performers such as Eth-Noh-Tec and Scott Oshiro May 9-19, 2024 CAAMfest various locations throughout the Bay Area. May 10-12th, 2024 After The War Blues Z Space May 16-June 1, 2024, DARKHEART – A Concert Narrative by Golda Sargento at Bindlestiff Studio Stop AAPI Hate campaign Spread AAPI Love   Additional Events: May 10-12, 2024 After The War Blues at Z Space May 31, 2024, from 5:00 p.m. to 10:00 p.m. Sacramento AAPI NIGHT MARKET   SHOW Transcripts Opening: [00:00:00] Apex Express. Asian Pacific Expression Community and cultural coverage. Music and calendar. New visions and voices. Coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening. You're tuned into apex express. We're bringing you an Asian American Pacific Islander view from the Bay and around the world. We are your hosts, Miko Lee and Jalena Keane-Lee, the PowerLeeGirls, a mother-daughter team. Tonight we are talking about Asian American Native Hawaiian Pacific Islander Heritage Month and all of the amazing events that you can experience. We meet with artists and activists who are telling their stories in so many different ways. We hear from the artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena storyteller, Nancy Wang, and musician Scott Oshiro. Jalena learns about the POC food and wine festival from director Gina Mariko Rosales and talks with Thúy Trần about CAAMFest an Asian American film festival. And I hear from Cinci from StopAAPIHate. First up, we're going to hear about all the amazing artists behind the 27th annual United States of Asian America festival.   Hello, Artistic Director Melanie Elvena from Asian Pacific Islander Cultural Center. We're so glad to have you on Apex Express.   Melanie Elvena: [00:01:44] Hello, everyone. Thank you so much, Miko, for having me here today and letting me talk about our festival.   Miko Lee: [00:01:49] This is the 27th year of the United States of Asian America Festival, which is stunning to me, already 27 years. Tell us about the theme this year, Be(long)ing Here.   Melanie Elvena: [00:02:02] Yeah, it's crazy to believe that it's 27 years. It's also my 10th year with APIC. And our theme this year is Be(long)ing Here which asks us what it means to be, Here, what it means to belong here, but also what are we longing here? Actually, I created this theme with our previous festival coordinator who unfortunately passed away in October, but he came here from San Diego and was just blown away by the richness of the AAPI arts community and our culture and our history. We just wanted together to reflect on where we have been, where we are now, And just what our collective future holds while acknowledging our backgrounds as immigrants, as refugees, mixed race descendants, and just really wanting to dive into what it means to belong. I think a lot of us as AAPI community members are folks who immigrated here, we're always looking for our home and our place where we can feel safe and belong, especially with everything going on right now in the world politically, the war in Gaza, a lot of us have even just in our own AAPI community, have lost a lot of community members. We're going through this moment of grief and reflecting upon our time in the pandemic, where we also just lost a lot of there was just so much death, right? What does that mean now in this current moment? Every year we try to come up with a theme that, you know, reflects upon us. What we're experiencing as Asian Americans, Pacific Islanders. And also what do we see for ourselves in the future?   Miko Lee: [00:03:21] Thank you for sharing Melanie. I'm so sorry to hear about your colleague. That's heartbreaking and you're right. We are living in such a time of immense grief. It is powerful how we can use arts and cultural events to enrich us and bring our spirits back to ourselves. Can you talk about the breadth of the festival and what people can expect?   Melanie Elvena: [00:03:40] Of course. So every year we have multiple events. , this year I believe we have 22 different events. It showcases all disciplines, theater, music, dance, film, literature, visual arts, many, many more. There's even culinary events and we have artists of all different disciplines, AAPI backgrounds, represented and, it goes from May through June. There's a little bit of something for everyone but I just want to talk a little bit about our featured events. Our first event is a kickoff celebration for the festival, but it's also an opening reception for our annual arts exhibition. This year, I worked with Independent curator Delaney Chieyen Holton, and they curated this exhibition called Where is Your Body and for them they are exploring how the body is the lowest common denominator for solidarity and thinking about the body and our vulnerabilities. What does it mean to have a body, especially as someone who identifies as AAPI, a person of color, queer, for us, we're always negotiating what the body means, for ourselves out in the world. There's a handful of artists and that's going to open on April 25th. Then the exhibition will run through May 24th at SOMArts cultural center. So we would love for everyone to come and see the show. Another event that we're highlighting. We have two featured. the first one is Megan Lowe Dances from May 31st through June 9 at The Joe Goode Annex called Just a Shadow. Megan is bringing together seven artists to make six different duets. It's about pretty much celebrating life, but also acknowledging grief and the memory of loved ones and resilience. For Megan, who personally has experienced a lot of loss in the last handful of years, she's using this piece to reflect upon everyone's collective grief that we've all been experiencing. Our next featured artist is Ramon Abad, who's doing an immersive theater experience for children and families at Bindlestiff Studios called Duck Soup. He has shows from June 8th through June 15th. I really love about Ramon's work is, he works with puppets and brings in children and youth to tell their own stories. There's going to be multiple stories with different youth, and they're going to be able to tell them to an audience and to have families involved, especially in San Francisco, where there's not as many programming for children. We wanted to highlight Ramon and be like, San Francisco is a place where families can thrive and have a space and with his art with his theater his puppetry. It brings to life, the humor, the joy, but also some of the hard things that we have to go through, especially through the perspective of youth and of children.   Miko Lee: [00:05:58] What is a collaborative event that you're doing this year that you're excited about?   Melanie Elvena: [00:06:02] Yeah, so We're collaborating with Sunday Streets Tenderloin to do an outdoor showcase from 1 to 4pm on June 23rd It's a street fair, two blocks on Golden Gate Avenue in the Tenderloin between Jones and Hyde Streets. We're so excited to have this partnership again with Sunday Streets and Livable City. We're going to have a whole afternoon of performances from both artists, as well as Tenderloin artists and local artists. Our Artists we're featuring is dNaga Dance Co., Johnny Huy Nguyễn & Tim Kim, Sun Park, as well as Swetha Prabakaran Productions with Nirmathi. We're just so excited for this day because last year we had such a good time. We brought the stage to this street fair and people from all walks of life came to enjoy as well as a lot of families and youth. It was just like a beautiful day where folks could just come and enjoy as well as take advantage of the free services that they had. The street fair offered, especially when we talk about the tenderloin and all the issues and problems you think of homelessness substance abuse and all those things. But, for one day, there was just like this beautiful time where everybody was just enjoying and being each other's company. That's the real San Francisco. I think that's the real beauty that we have here. The real richness and what it means to experience art together. It really brings people together and it brings some healing. I'm super excited to have this again and can't wait to be out there.   Miko Lee: [00:07:20] Thank you so much APICC, for continuing to show up and provide us with a varied experience of what it means to be Asian American for curating such an amazing event. We really appreciate your work. People can have access to all of these amazing adventures with APICC and a greater understanding of belonging here by looking at the website, which we will link to on our apex express site at KPFA. Next up, listen to elements of freedom from Scott Oshiro Part of Afro Asian futures playing Saturday, May 18th. As part of the United States of Asian America Festival.   MUSIC   That was Scott Oshiro from Afro Asian Futures playing the song Elements of Freedom. This will also be part of the United States of Asian America Festival.   Welcome Nancy Wang from Eth-Noh-Tec to Apex Express.   Nancy Wang: [00:10:18] Thank you. Thank you, Miko. Miko Lee: [00:10:20] We are so happy to have you, and I understand that Ethnotech is going to be part of APICC United States of Asian America Festival. Can you tell me about what work you're going to be presenting in APICC Festival?   Nancy Wang: [00:10:34] Yes, my piece is called Shadows & Secrets, and it's about my grandfather's death in 1924. We had all been brought up to think it was an accident, although my grandmother accused her own brother of murdering him, so no one took her really seriously, but I began to notice inconsistencies around what was going on at the time of his death. And so I've been doing a lot of research and I've come up with too many suspicious circumstances around his death. I agree with her. I think it was murder. And so my piece is about trying to find in this cold case, uh, Who could have been the murder. There are four suspects I have found, and maybe they all did it together, or maybe they all wanted to do it, but this is what this piece is about and it's multidisciplinary. So there's going to be media behind it with different photos of this restaurant. He was a very famous restaurateur in Chicago. I have six other actors who are going to do the parts. It's going to be a stage radio play genre. So it's kind of exciting with all the Foley sounds. It's going to be at the Mission Cultural Center on May 4th and 5th. May 4th at 6:30pm. and May 5th at 2pm. In addition to that, we're doing an art exhibit at 447 Minna, because there's an artist in New York, Chee Wang Ng, who has been collecting various memorabilia of Chinese restaurants in that era of the early 1900s. It is going to be really interesting to see the lavishness of the restaurants at that time, east of the Mississippi river, because both. non Chinese and Chinese were very, very much in love with Chau Sui. If they could afford it, they went to these lavish restaurants.   Miko Lee: [00:12:20] And how is the exhibit connected to your work?   Nancy Wang:[00:12:24]  Because my grandfather had one of those lavish restaurants in Chicago. He was known as the, Prince of Merchandom or the wealthiest Chinaman in the Midwest. Because of his fame and his ability to draw in like the upper crust of the lo fan or the European Americans who came to his restaurant and were loyal to him. He had more than one restaurant and they were all very lavish. You'd have opera singers and violinists from Russia. And he had a 10, 000 organ in his restaurant and he had, uh, organ player every night besides bringing in special guests. So it was really very lavish, but very suspect as to what else was going on. Everyone's dead. So I can say what I need to say. [Laughs].   Miko Lee: [00:13:14] This feels like a new genre for Eth-Noh-Tec in terms of doing a radio play and an art gallery. How, what does it feel like to expand into a new kind of medium?   Nancy Wang: [00:13:24] We saw the Ross Valley players put on a stage radio play and it was so interesting. I just love the idea of it. And it also saves the actors from having to memorize because they get to use their scripts since it's supposed to be a radio show. They all get to play different characters, so they have to find different stances and different voices, so it's a challenge for them. so it really simplifies and at the same time is really interesting and exciting.   Miko Lee: [00:13:50] I'm excited to see it because mostly your work is movement oriented. Many different forms of Asian, traditional dance forms that are moved in this storytelling style, so it will be very fun to see a new kind of work. Can you talk a little bit about how your show fits into the festival's theme of belonging here?   Nancy Wang: [00:14:09] I think, everything that happens whether they're part of the Tong Wars or they're part of, just trying to make a living, survive, it's all about trying to belong here. Even if the Tongs are at war, it's about territory. It's about saying, no, this is where I live. This is my territory. I belong here. So it's always about trying to make sure that your own way of life is going to be grounded in some kind of permanency, trying to make sure that you get to stay in this country. So, whether you have to, you end up doing it illegally, It's still about trying to stake out where you belong. That's how I see it.   Miko Lee: [00:14:51] And lastly, Nancy, talk to me about what Asian American Pacific Islander Native Hawaiian Heritage Month means to you.   Nancy Wang: [00:14:59] Well, you know, it should be our heritage all year round, but in this time that the federal government has put aside for us, , it's a way to really hone in on here we are. This is who we are. This is what we're capable of doing. This is how we think. This is how we express ourselves. We belong. Please understand. We're not foreigners forever. We have been here for seven to eight generations already. So how can you say we don't belong? This is our world. This is our country too. It's really important for us to use this time to celebrate who we are. And hopefully that the rest of the country, who are not Asian, Get to understand that and somehow create the bridge that will connect us all in some way so that diversity is celebrated rather than something to fear.   Miko Lee: [00:15:52] Nancy Wang, thank you so much. Looking forward to seeing your show as part of APICCFestival. Thank you.   Nancy Wang: [00:15:58] Thank you, Miko, for having me on your show.   Jalena Keane-Lee: [00:16:00] I am here with Gina Mariko Rosales and so excited to talk about the POC Food and Wine Festival. Thank you so much for joining us on Apex Express.   Gina Mariko Rosales: [00:16:10] Yeah, I'm so excited to be here. Thank you for having me.   Jalena Keane-Lee: [00:16:14] Can you tell us a little bit about the festival and what listeners can expect if they are to attend?   Gina Mariko Rosales: [00:16:20] Been a long time event planner, producer. We've been doing a ton of work in the Filipino community in San Francisco for over seven years. So one of our biggest festivals has been Undiscovered SF, this Filipino night market. And it's been so beautiful for us to be producing that event. But I've really had this desire to build with more multicultural communities. And so that's how this idea of POC Food and Wine was born, was really wanting to bring together multicultural communities in food, beverage, art, music and how do we bring all these folks together to build something that's bigger than any one of us? How do we share knowledge resources across our communities? So POC Food and Wine Festival is launching. It's a four day festival and we're featuring all kinds of different events, but our main event is happening on saturday May 4th. So it's the main dish where we're featuring pairings so like tastings from amazing award winning chefs. It's paired with POC winemakers, spirits, non alcoholic drinks, and beverage brands. And then of course, Make it Mariko, we always do music really big in everything we do. So of course there's going to be tons of amazing DJs and live music performers. But there's really something for everyone. You want that festival vibe, you want our after party vibe, you can come to that or we have these really amazing family meals where it's like more of the traditional sit down, coursed out, dinner service.   Jalena Keane-Lee: [00:17:45] So exciting. And for people who don't know, why is it particularly important to highlight POC winemakers and food creators? What is it about those fields that makes it difficult for people to rake into?   Gina Mariko Rosales: [00:17:57] In the mainstream spaces and all of those industries so many of these festivals, a lot of the smaller batch winemakers or just folks who don't maybe have PR agencies, they don't really get access to a lot of these festivals. And even when POC folks do get access. A lot of the time it costs a ton of money for these chefs to come and present at some of these festivals. And so that's not accessible to a lot of people who may be really amazing chefs but don't have the budget for that. So our whole goal with our festival was to create a space that was highlighting folks who don't necessarily typically get access to these big festival spaces and how do we do it accessibly for them so they can really come and be a part of it.   Jalena Keane-Lee: [00:18:41] And speaking of accessibility, I feel like wine sometimes can be something that it feels like, you know, there's a lot of clout around it or maybe some studying or something that's needed. Can you talk a little bit about the space around wine and inclusion in that field?   Gina Mariko Rosales: [00:18:57] Totally. I mean, so I'm a wine lover. I love drinking wine. I love going to wine bars. I just got back from Calistoga last week. , but sometimes the reality is a lot of these wine spaces for people of color may not feel accessible or safe or welcoming. A lot of them are, but I've definitely been to a lot of spaces where I've kind of been ignored. Or maybe I'm the only person of color in the room. Maybe you've even had the experience of feeling, getting shushed at a winery or a wine event. And that just, to me, doesn't feel comfortable. It doesn't feel like home. So we really wanted to create a wine studio. space that feels more comfortable and accessible. Even just playing music that we like, little things like that make people feel comfortable in a space like I can come as my authentic self.   Jalena Keane-Lee: [00:19:42] That's so true. I think a lot of times the culture around wine can feel a bit stuffy and exclusionary. For someone who's not sure about wine, what would you say to them about reduced barriers to entry to be a connoisseur or an appreciator of wine?   Gina Mariko Rosales: [00:19:58] This festival is a perfect way to get introduced to that culture and start to feel comfortable there people who love drinking wine But maybe don't they don't consider themselves like a wine person because they don't have knowledge about it Because we're creating these pairings for you So we're gonna be telling you like here's this bite this amazing tasting from this chef and we paired it with this drink for these Reasons, so why don't you try it out and see how you feel how you like it and if you don't then that's fine like at least you're learning something and you're getting your, foot in the door and, learning how to even do a wine tasting. So we'll be sharing some tips like that for people before they go to the festival like, all right, here's some things that you might want to know about and here's how you can taste at a wine festival. Here's how you can spit at a wine festival. Here's what these buckets are for. So we're going to help try to introduce people to that culture and make it, you know, less scary.   Jalena Keane-Lee: [00:20:51] How did you first connect with wine and what was that experience like?   Gina Mariko Rosales: [00:20:56] My dad loves drinking wine and he would always drink like the darkest, richest red wines. And so when I would taste it, I was like, I do not like this. This is gross. I started drinking my first foray into wine was like really sweet wines, like Gewürztraminer and the more I got into it, my palate started developing and I was like, okay, I'm starting to like this now and now I like this. And it changed. So I actually took a sabbatical from my company after like a really bad burnout after COVID and I got a received a wine scholarship to this program that gave me an introduction to wine that I could actually now learn and study it and that gave me so much inspiration to be like, Oh, this is something that I can do. This is accessible to me and now I'm just educating myself. And there's so many of these kinds of scholarships available for people who are. excited or curious about wine and just want to get into it and make it more of a passion. So we really want to introduce those to folks too.   Jalena Keane-Lee: [00:21:57] Wow. That's so incredible. When you're talking about who you want to come to the event, can you talk a little bit more about that of who would be the ideal audience for this event and who, or what are you hoping that they bring with them?   Gina Mariko Rosales: [00:22:11] Yeah, that's a great question. Of course, we really want those like wine lovers, wine connoisseurs, folks who are, even studying wine, going up for the WCET, or, even like high class sommeliers who are really lovers of wine and understand it really deeply because some of the winemakers we are featuring are just wine Amazing, amazing winemakers with very delicious wine. So the wine pro is welcome here and we'll have an amazing time, especially with the pairings. But The like, entry, I'm just curious about wine, and really I just like, love music and festivals in general, like you are absolutely welcome here, because who doesn't love food, first of all? People all love really delicious food and drinks, so that's gonna be there for you. Some of the other people that we'd love to come or even people who just love music. I love music. I love culture. I love dancing. That is going to be on display throughout the week. So we have some of the best DJs, not even just in the Bay Area, but in the world that are going to be showcasing and spinning at the events. There'll be line dancing galore. So even if that's more of your jam, you're going to have an amazing time too. Another group that might be really excited about coming and that we really want to come to the festival are industry people. So if you are a person who's actively working in the food, beverage, hospitality events or entertainment industry, like we want you to come. Friday night we're hosting a special event. special sip and scratch industry night reception just for the people who are working in the industry. And we're going to be hosting like a really amazing industry roundtable discussion where we want to like get people's thoughts and ideas. How do we help improve diversity in these industries? Who's out there doing it really well? What are some ideas of what we could do better? And how can we come together as the industry? Fellow folks in the industries and, you know, work together to improve that. So that's something that I'm really excited about too. We really just want to have a community conversation. Jalena Keane-Lee: [00:24:12] That's great. And you know, this is a mother-daughter radio show. And you know, my mom thought that this was more my lane, but I'm curious what you think about the parents and older generations coming through too.   Gina Mariko Rosales: [00:24:23] Oh my gosh, absolutely. Mother's Day is coming up. And we really love the idea of people buying tickets for their moms or chosen moms or aunties or dads or whoever, and bring your family to this event. It's really going to be a super family friendly. Festival where you can come, bring your parents, do all the tastings together, dance a little. I invited my parents to the after party last year Brown is Beautiful and they had an amazing time and we're just like dancing up a storm. So I definitely encourage people like make this a family friendly day and invite them.   Jalena Keane-Lee: [00:24:57] I love that. And I'm so glad that you're bringing this event to the Bay and that, you know, all of these world renowned people are going to be here in our hometown. And of course, there's so much wine production that happens nearby us as well. What is special about the Bay Area informing the idea of the event and your own worldview?   Gina Mariko Rosales: [00:25:17] I mean, I am a Bay girl born and raised. So I was born in Pacifica and raised in Daly City, San Francisco, Berkeley, you know, so I've been around the Bay and I probably will be for the rest of my life. So I just. Love it here so much. I love the creativity of people, the diversity of people and diversity of thought out here. So of course, like the festival is really highlighting the best of the Bay and we're really focusing on What are some of the amazing diverse creatives that are building here currently? What is it that makes the Bay the amazing place that it is? And highlighting some of those key businesses throughout. So they're going to come and give you tastings at the festival, but some of them have beautiful brick and mortars that really do need support outside of that. So that's one of our big goals too, is like, how do we just introduce people to new spaces that they never knew of before? Because we all know that we get stuck in our little pockets of places, even me, sometimes it's hard to get even out of like Excelsior and Soma in San Francisco, but how do we challenge ourselves to find new spaces outside of our comfort zones and then become part of a bigger community and expand our community.   Jalena Keane-Lee: [00:26:28] Yeah, I'm so glad, and that definitely happens to me too. I'll get this idea that nothing happens here, and then I'm like, girl, you're the one that's been inside, like, all this time.   Gina Mariko Rosales: [00:26:38] The thing, too, is like ever since COVID, the pandemic, we got so comfortable in these little niche spaces. And that's okay. You know, we went through trauma together, but now it's time for us to really explore and expand. And I think that doing this multicultural festival really challenges us to meet new people, meet new restaurants, meet new small businesses that we can support, and connecting people is one of the biggest goals of our festival.   Jalena Keane-Lee: [00:27:02] Yeah, and what have been some of the unique challenges that you have faced and overcome when it comes to making a multicultural festival in this place and time?   Gina Mariko Rosales: [00:27:11] Oh, man, it's definitely, it's definitely been a journey, but one I'm really, honored to be on. First off, we're long time festival producers, but new to the wine industry. And so that was really a big hump and I had to kind of get over was figuring out my way. Who's the who's who of the industry? Who's already doing diversity work? Who are some of the big players? And who can I also reach out to for help? You know, so that's been definitely a challenge. But one I'm really have been excited about because I've been meeting all these amazing new people. Secondly, we're self funding this festival. We do have some sponsors, which I'm really excited about, but the majority of the festival is self funded by our agency and we are really small startup women of color owned agency. So that alone is a lot of investment, but we feel so passionate about the space that we're trying to build and highlighting the people that we are. So we're very excited about that and really excited for the community to turn out and show their support for something like this.   Jalena Keane-Lee: [00:28:10] That's so great. Can you talk a little bit more about your agency and being a woman run business? And I know that, some of the events are at CL Space, which is also a woman owned, great studio in Berkeley. So yeah, how does that impact the festival?   Gina Mariko Rosales: [00:28:23] One of the hardest things I was like, daughters, sons of immigrants, you know, I'm a second generation. My parents came from Japan and the Philippines and immigrated here. We often deal with so much scarcity mentality, like we're just trying our best to make it. Maybe we have imposter syndrome. Maybe we're the only woman or person of color in a room. So there's a lot of challenges already from us just taking up space. So that alone has been a real mental challenge for me to even just Say like, Hey, we deserve to be in this space. The space is necessary and we want you to hear us loud and proud. You know, we say it so confidently, but there's a lot of mental work that comes behind just getting to that place of confidence to say that out loud.   Jalena Keane-Lee: [00:29:08] Absolutely. And it feels to me like the festival is really an example too of, staking a claim in the fact that we deserve joy too, and we deserve rest and play and luxury, and that as important as it is, of course, to come together across, you know, lines of difference when it comes to like urgent actions and organizing. It's also so important to be able to have that kind of space in our joy and in our leisure too.   Gina Mariko Rosales: [00:29:34] Yes. Oh my gosh. I'm so glad that you did have that takeaway because we try so hard to really just constantly put this message of, Hey folks, we know you're tired. We're tired too. And we've been doing a lot. We've been pushing a lot. We all have. And yes, we deserve nice things. We deserve joyful experiences. We deserve spaces where it's centered on us being taken care of. And that's really the kind of environment that we want to create here at this festival, a place of. You know, wellness and healing and joy, because food is healing. Food is also connection, food is culture. So by creating this space, also like, you know, we have, we're featuring a CBD wine sound bath. You know, there's all kinds of other activities. So come be fed in your, in your belly, but also of your heart and your mind, you know, take care of that too. So it's this holistic approach to joy and healing.   Jalena Keane-Lee: [00:30:30] I love that. And how does your own cultural background impact, why you wanted to create this event and how you organize?   Gina Mariko Rosales: [00:30:37] Oh, yes. So I'm Filipino Japanese, and there's not many Filipino Japanese people around my age, mainly because of, like, that was like World War II time, that our grandparents were kind of coming together. So, I take a lot from both of my cultural backgrounds that kind of helped me determine like, what I do and how I curate, you know, Japanese people are so beautiful at creation and curation and really just like honing a craft and becoming well at it. I take a lot of inspiration from that and try to really do that for myself. But when it comes time to party time, Filipinos. know what is up. And so a lot of my curation of how I plan parties and festivals comes from my Filipino upbringing and what a Filipino family party looked like. You know, tons of food, karaoke, singing, drinking, you know, laughing. Like that is my background and what I want to bring to every festival we produce.   Jalena Keane-Lee: [00:31:40] I love that. And you know, as someone born and raised in the Bay Area who did a lot of theater growing up, I have been to many a Filipino party. They're always amazing. Great, great food, great, uh, singing. Although some content is a bit competitive, but [Laughs].   Gina Mariko Rosales: [00:32:00] Absolutely. You might even see my mom there and then, you know, it's like a big party. She'll just be welcoming everyone at the front.   Jalena Keane-Lee: [00:32:06] That's so sweet. Um, what are three of your like highlights of the festival? Like things that you're really, really looking forward to? Gina Mariko Rosales: [00:32:17] First is basically our Main Dish Palate Pass Experience. That's what we're calling it. And that's basically the 14 to 15 chef pairings with beverage that you're going to get to experience at the main dish. We're really excited because we've paired these amazing chefs. With the multicultural beverage providers creating these collaborations that never existed before. I'm really excited about our opening family meal that is going to be, hosted by Chef Reem Assil of Reem's California. So we're really highlighting the Palestinian family meal experience, which is going to be served family style. So I'm really excited because Chef Reem is just, just a joy that cooks straight from her soul onto the plate. So I'm excited to experience that intimate dinner. And I'm really excited about our Brown is Beautiful after party. So that's the one that's sponsored by like Bacardi and Doucet and Case Tea. So this whole mix of like spirits and also non alcoholic Asian tea and putting together this fashion forward after party experience where people just get to come and enjoy and get down.   Jalena Keane-Lee: [00:33:26] That sounds great. We've talked about the wine and the food and a little bit about the music too and how important that is. I know that there's also a marketplace. What can people look forward to from the marketplace?   Gina Mariko Rosales: [00:33:38] Yeah, we're so excited about featuring about 15 retail vendors who are going to be selling some amazing array of goods. So like jewelry, cookbooks, we're even going to have a vendor doing like massages and chiropractic services. So there's going to be this huge mix of vendors. selling their goods as well, selling some art, selling pastries too. If you can't get enough from the tastings, you can buy extras on the side. So there'll be so much stuff for you to explore in this 40, 000 square foot space at CL.   Jalena Keane-Lee: [00:34:12] Beautiful. Is there anything else that you'd like to share?   Gina Mariko Rosales: [00:34:15] I think the last thing is I just really want people to come as themselves in whatever capacity that is and really just to be ready and open to meet whoever comes along. I know it sometimes can be hard for folks to get out nowadays, can feel really introverted, and we really just want people to feel like they're coming to a giant family party where we're all welcome.   Jalena Keane-Lee: [00:34:38] Amazing. And yeah, I'm sure it is going to feel just like that and so much joy and how important it is in this time to have a space that is centered on joy and, building up our resilience and resistance through just things that are fun and pleasurable and full of culture.   Gina Mariko Rosales: [00:34:57] Absolutely. Yes, absolutely. And centering our cultures and our stories center stage.   Miko Lee: [00:35:03] Next up listen to StayGo from DARKHEART,  A Concert Narrative by singer, & songwriter Golda Sargento playing at Bindlestiff through May   MUSIC   That was the voice of Golda Sargento from the new Filipina|x|o Futurism Punk Rock Sci-Fi  DARKHEART at Bindlestiff thru May.   Jalena Keane-Lee: [00:39:04] Hi, everyone. I'm so happy to be joined by Thuy Trần, the Festival and Exhibitions Director of CAAM, or Center for Asian American Media. Thanks so much for joining me, Thúy.   Thúy Trần: [00:39:15] Thank you for having me. I'm so excited.   Jalena Keane-Lee: [00:39:18] We're so excited too. We're such big fans of CAAM and, you know, long time participants and audience members, what do we have in store for CAAM 2024 this year?   Thúy Trần: [00:39:29] Yes. So CAAMFest is May 9th through the 19th is the leading showcase for Asian American talent and film, food, and music. And we're probably the only festival where you can see this large concentration of Asian American media. So the last few years we've expanded to having multidisciplinary programs with food and music. And what's really important for us is, you know, curating, A holistic and experiential experience for a guest, whether you're a filmmaker, artist or audience member. and so I guess a couple of things that, I feel really excited about this coming year. Of course, we have our opening night this is going to be at a brand new venue, new to Camp Fest, we'll be at the Palace of Fine Arts up in the Presidio and our opening night film is Admissions Granted, by Hao Wu and Miao Wang. and it follows the events leading up to the overturning of affirmative action and all the players that are involved. And, afterwards, there will be the opening night gala at the Asian art museum. We have some amazing chefs. And food vendors confirmed there, including Audrey Tang of Batik and Baker, their Malaysian pastry pop up, Sita's Kamai Kitchen. We also have Patty Liu from Gear of the Snake, another Asian American pop up in Berkeley, and Melissa Chu, who's the pastry chef of Grand Opening. And she used to work at Mr. Ju's. and of course you have music by DJ Dree Lee, who's the resident DJ and organizer of Honey's and Hot Sauce, and you'll frequently see them DJing at Jolene's and, you know, other venues across the Bay Area.   Jalena Keane-Lee: [00:40:59] Incredible. Well, that sounds really exciting. what are some upcoming dates that people need to keep in mind? Are the tickets available already, or what's kind of upcoming?   Thúy Trần: [00:41:07] Dates are available. You can get them online at camfest.Com. and, the dates are May 9th through the 19th, with most of our programming concentrated during the two weekends.   Jalena Keane-Lee: [00:41:17] Perfect. And what's an event or a screening that you personally are really looking forward to?   Thúy Trần: [00:41:22] I'm looking forward to a lot. I mean, of course, our centerpieces are pretty amazing. You know, we have our centerpiece documentary called Q by Jude Chehab. and that one is on May 11th at the SFMOMA, Jude made this film to save her mother, who's been deeply indoctrinated into a mysterious religious order that has has woven through three generations of their matriarchal lineage. Another film that I'm really looking forward to is, Ashima by Kenji Tsukamoto and this is about 13-year-old rock climbing prodigy Ashima. It follows her trying to solve a, I think it was like a grade 14 boulder problem, something really advanced. and she does this with her coach, who's an eccentric retired avant garde dancer who has zero professional climbing experience and also happens to be her father. So it's a really touching, tender documentary. and of course we also have our food programs as well. One of the programs this year highlights, Chef Tracy Koh from Damansara, as well Chef Emily Lim from Davao, Singapore. So they are coming together for a really specially curated menu, celebrating Malaysian and Singaporean cuisine and this will take place on May 14th at Damansara. We also have our Directions in Sound, music concert that's a collaboration with the Yerba Buena Gardens Festival, and we are highlighting Tao formerly of Tao in the Get Down, Stay Down, she's a local, Bay Area musician, and she had a CAAM funded documentary called Nobody Dies back in 2017. So we're all really excited about these programs.   Jalena Keane-Lee: [00:42:53] Beautiful. So many fun and exciting things coming up. So many things to do in the Bay. And we'll link to the tickets and all the other information in our show notes, too, for anyone listening who wants to figure out how to get tickets. When you were kind of building up the program for this year and going over all of the submissions, were there any themes or anything that stood out that's kind of maybe unique to this year?   Thúy Trần: [00:43:15] Definitely. This is, in election year. We want folks to go out and vote and also thinking about the social issues that are important to us. So we do have a couple of films that talk a lot about, just empowerment through community building. And so many of our stories come from their personal stories from our chefs. And we're also looking at CAAMFest as, we're shining a light on truth tellers. and thinking how we're lifting the truth of our stories, how these stories are brave and beautiful, bizarre, and they're all true of something, right? They're ours, and they're generous expressions of what impacts us, what matters, and what we long for and imagine. So those two themes were really resonant for us throughout this entire curatorial process.   Jalena Keane-Lee: [00:44:02] That makes so much sense. And I love the films that you highlighted. Jude is one of my really close friends and I can't wait to see her screening here in that year. You're bringing her to the Bay Area. I'm so excited for that. And I saw Ashima in the fall and I love that one too.   Thúy Trần: [00:44:15] Oh, that's so amazing. I know we're flying Jude in from out of the country. So it's going to be really special. We're actually, you know what, her mom is going to be with us as well. I know. So it's going to be really special. Jude was saying that her mom, I think she was only able to make it out for their world premiere at Tribeca. Right. And so we're, yeah, it's going to be, it's going to be really incredible to have both of them on stage.   Jalena Keane-Lee: [00:44:41] Wow, that's gonna be, that is an event that you cannot miss, everyone listening. It's gonna be so phenomenal, and Q is truly breathtaking, as is Ashima, and I'm sure all of the other films that were programmed, and it's just so beautiful to see how diverse and unique and, you know, everything you're talking about our community is, and so much breadth and depth, so thank you so much for hosting this event and bringing us all together.   Thúy Trần: [00:45:06] Awesome. And thank you, Jalena, for again, having me and of course, like all the wonderful work and art that you create.   Jalena Keane-Lee: [00:45:13] Thank you. Is there anything else that you'd like to share before we wrap up?   Thúy Trần: [00:45:16] I just want to say that, you know, everyone is, of course, invited, and I just want folks to know that, yes, lifts Asian American storytellers, but ultimately it's for everyone, it's for the community as a whole, and we really encourage you to bring all of your friends, your family, tell everyone. We really rely on our community bringing folks in. It's a really special time to get folks together too. This is a great way to celebrate Asian American Heritage Month.   Jalena Keane-Lee: [00:45:44] Exactly. And you know, you don't have to be Asian American to celebrate the month and learning about Asian American stories from Asian American storytellers is a great way to do that.   Thúy Trần: [00:45:56] Yes, a hundred percent.   Jalena Keane-Lee: [00:45:58] All right. Thank you so much. Hope you have a great rest of your day.   Thúy Trần: [00:46:01] Thank you.   Miko Lee: [00:46:02] Welcome Cyn Choi to Apex express. We are so happy to have one of the co-founders of Stop AAPI Hate on Apex express.   Cyn Choi: [00:46:12] Thank you so much, Miko, for having me.   Miko Lee: [00:46:14] Can you tell us where Stop AAPI Hate comes from?   Cyn Choi: [00:46:19] Stop AAPI Hate was born out of a crisis moment for our community nearly four years ago when COVID was being racialized we decided to create a reporting center. So we can have everyday people share with us what was happening to them. With that data and those stories, we have been able to establish number one, that this was a pervasive issue that we needed to have a robust response to the different forms of hate and discrimination and harassment that our communities were experiencing. We've used that to advocate for meaningful change and we've done that in a myriad of ways at the grassroots level, policy, local, state, and national level.   Miko Lee: [00:47:04] And you have grown with your collaborators Stop AAPI Hate from a conversation around a table about what was going on in the world into a national movement. What does that feel like for you to be a founder of this?   Cyn Choi: [00:47:17] It's really humbling, and I think what's really important to note is that, of course we have experienced racism, discrimination, ,and violence throughout our history, and it defines our experience in many ways, and that our movement Is robust and diverse, and it's both about we are shaping this country the ideals of a multiracial democracy. And obviously, we have contributed in ways that I think are really important to lift up and to celebrate. And unfortunately, that's not really taught within our public education system. It's not what we talk about within our families. And that is something that I think is really important to note, especially in light of AAPI Heritage Month.   Miko Lee: [00:48:13] Can you tell me a little bit about what AAPINH Heritage Month means to you personally?   Cyn Choi: [00:48:19] I think Heritage Month becomes a time where we get to focus on our history which includes our history of resilience, resistance and solidarity, where we get to in our own words and share with our own stories what that means. It allows. others to have exposure. And so we think that focusing on our heritage and what that all means within the month of May is really just our opportunity to share what that means for us.   Miko Lee: [00:48:49] Thank you for sharing that. I wanna step back and ask a question about you, and I am wondering who you are, who your people are, and what is the legacy that you carry with you from your people?   Cyn Choi: [00:49:03] First and foremost I have to name that I am a daughter of immigrants. My parents came to the United States, to California specifically in the early sixties. And they benefited from the lifting up of really severe restrictions. quotas that allowed my family and so many others so I think that's incredibly important and the legacy of the civil rights movement that really pushed for and advocated for these kinds of changes. It continues to define who I am in terms of how I see the world. And it really does inspire me in terms of my advocacy work. It makes sense that I have been concerned about removing barriers and opening up opportunities for immigrants, for refugees, for women and girls and people who have been traditionally locked out. And so I know that my inspiration and my grounding comes from that. My people, that's an interesting one for me to answer because I'm a part of so many different communities, a community of activists, a community of mothers who wants to raise their children so that they are compassionate I am a part of a community of organizational leaders that is really trying to make sure that whatever we do, we are Thinking seven generations ahead, what are we trying to build? What are we trying to nurture? And for me, that's not just a privilege, but it certainly is a feeling of responsibility. So I'm a part of a lot of communities that make me feel grounded and accountable to.   Miko Lee: [00:50:42] Thank you, Cyn. Can you share with us this new campaign that Stop AAPI Hate is showcasing during our Heritage Month?   Cyn Choi: [00:50:50] We have been working on a new campaign called Spread AAPI Love. It's a project of Stop AAPI Hate, and it's specifically for AAPI Heritage Month. It's a storytelling campaign that amplifies the voices of Asian Americans and Pacific Islanders. It's about stories of resilience, it's celebration, solidarity, resistance. It's from everyday people, it's from community members. We want to hear from our communities. It's also about highlighting those in our community who represent many of the values that we uphold around solidarity, around unity around justice. and equality and it's about harnessing our joy and power and our cultural pride.   Miko Lee: [00:51:35] What inspired this campaign?   Cyn Choi: [00:51:37] After four years of emphasizing and highlighting the rise of hate and structural racism against our communities, we really wanted to center more affirmative narratives. Of who we are and the power that we have to create change. We are not victims of hate. We are more than a series of tragic headlines. We are a richly diverse group of people. And again that is about joy. It's about our power. It's about our collective power and a celebration of our diversity and with that it is pride and the sense that we have come from somewhere. That we have journeyed, we are still on this journey of establishing belonging, in a sense that we have collective fate and shared fate, not just amongst and within our AAPI communities, but with other communities as well.   Miko Lee: [00:52:31] And what do you hope that the community will understand or walk away with after hearing some of these stories?   Cyn Choi: [00:52:37] One of the things that we're really trying to uplift is, that we have to focus beyond acts of hate, that it is about, as I said, our power and joy, but also that We need to tend to healing from this trauma. We need to be able to sustain ourselves because this work is long term and we also need to uplift the fact that. It's not just visibility. But it's about what do we do in these moments. So it's about mobilizing community members to take action. There's aspects of it where it's about representation. We want to amplify the voices, the many voices and perspectives and experiences. So that our community members feel seen. and heard and represented. Again, it's about healing. So we want to really promote this idea that we can heal, that we can overcome moving from a place of anger to really be anchored in love. from a place of love. And that needs to be our driving motivation. It's about the narrative change. What are the stories that we're able to tell? From our own voice. It's about being affirmative about the richness and diversity of our communities and that we have never been a monolith and that it's important that we also uplift those that tend to be underrepresented within our communities.   Miko Lee: [00:53:59] And how can people get involved in this campaign?   Cyn Choi: [00:54:02] One of the fundamental ways that we're hoping to engage with people is we're going to invite people to share their stories. And so we have a campaign microsite. It's spreadaapilove.org. This is where we're going to feature stories. People can submit stories, video, audio, art, photography. We're going to highlight some amazing people who have turned. A tragedy or an experience of racism into something positive. We also want to just hear everyday stories about what makes you feel proud. What makes you, what do you want to lift up about your experience, your family's history? And it could be something as simple as cooking together. It could be as simple as understanding your family's contribution, whether it's in your local community or in the schools, in your neighborhoods.   Miko Lee: [00:54:53] Cyn, I understand that there has been some research that's been recently released around some of the work of Stop AAPI Hate. Can you share with us about that research and what it says?   Cyn Choi: [00:55:02] Another aspect of our research and data collection is we also do nationally representative surveys. And one of the things that we wanted to learn more about is what really motivates people when it comes to taking action against racial injustice, and our research shows that APS are actually more motivated By positive factors like hope acts of solidarity and cultural pride and some of the statistics that I want to share with you, which was really enlightening to me is when we asked them about if this is motivating 81 percent said that hope for a better future for younger generations was really motivating. It was one of the top 72 percent said that seeing the collective efforts of AAPIs to combat racism, that was number two. And then 69 percent said that feeling strongly connected to their ethnic and racial identity. And so that could take many different forms. And then finally what was a motivating factor? To get involved to take action was, of course, their own direct experiences with hate, and that was roughly a little over 60 percent. And so what that really tells us is that we need to share more affirmative stories about how everyday people are choosing to be grounded in love, to take affirmative steps, to do acts of care, of solidarity to feel that they are doing this as part of a larger movement. And that is really driving in large part our spread API love campaign and the work that we're doing every day.   Miko Lee: [00:56:40] Thank you. It's so important to hear positive stories and hear about the work that's going on in the community. Thank you so much for joining us today. We will put a link to the campaign on our website so people can access this and share their own stories. Thank you so much, Cyn, for joining us today.   Cyn Choi: [00:56:57] Thank you, Miko.   Miko Lee: [00:56:59] Please check out our website, kpfa.org to find out more . We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.     The post APEX Express – 5.2.24 – Celebrating AAPINH Month! appeared first on KPFA.

The Bloody History of New York's Chinatown Tong WarsIntroductionWelcome to a dark chapter in American history—the Tong Wars of New York City's Chinatown. For over three decades in the early 1900s, the streets ran red with blood as rival Chinese gangs clashed in a deadly struggle for supremacy. Today, we delve into this brutal hidden past, exploring the rise of tongs, their violent conflicts, and the legacy they left behind.The Birth of Tongs1. From Community Support to CrimeChinese immigrants faced immense challenges in America. Discriminatory laws, such as the Chinese Exclusion Act of 1882, denied them citizenship, equal rights, and economic opportunities. In response, some Chinese formed secret societies known as tongs. Initially, these brotherhoods served as community support networks, providing mutual aid and protection.2. The Dark Side EmergesHowever, unchecked political power led the tongs down a treacherous path. They infiltrated lucrative underground industries—gambling, drugs, and prostitution. The tongs transformed from protectors to predators, wielding influence over Chinatown's shadowy economy.Tong Wars: A Reign of Terror1. Mob Bosses and KingpinsEnter the era of mob bosses and kingpins. Names like Mock Duck echoed through the narrow alleys. Sworn brotherhoods turned into ruthless criminal enterprises. Their turf wars escalated into all-out street warfare.2. Hatchets, Bullets, and BombsThe violence knew no bounds. Hatchet attacks, meat cleavers, drive-by shootings—each act demanded revenge. The tongs operated with impunity, leaving a trail of bodies. Police raids, arrests, and fruitless negotiations couldn't quell the carnage.3. The Great Depression's ImpactIt took an external shock—the 1929 Great Depression—to break the cycle. With revenue drying up and members starving, the tongs shifted focus. Welfare services replaced hatchets. The blood feud waned, but the scars remained.Legacy and Lessons1. Survival and AdaptationThe tongs survived by adapting. They weathered racism, economic turmoil, and internal strife. Their legacy reminds us of resilience in the face of adversity.2. A Warning from HistoryThe Tong Wars serve as a warning. They reveal the consequences of unchecked power, violence, and desperation. As we explore this hidden past, let's remember that history echoes through time.ConclusionThe streets of Chinatown may have healed, but the ghosts of the Tong Wars linger. Let's learn from their blood-soaked legacy. As we navigate our present, may we choose a path that leads to progress, not destruction.Remember, beneath the neon lights of any city, hidden stories await.

Welcome to Season 3, Episode 42. Welcome to installation 7 of our series on the Tong Wars. In this episode, we talk about the end of the Fourth Tong War in New York and some of the lasting impact of the tongs to this day. How did the Fourth Tong War end? Do Tong's still exist? These are questions we answer in this episode. If you're interested in reading about the New York Tong Wars in detail, we recommend the book The Tong Wars by Scott Seligman. In our recurring segment, we bring back Organizations You Should Know and talk about the Chinese Historical Society of America which has a physical location as well as virtual and traveling exhibitions. They have plenty of great educational resources and collections to learn more about the experiences of Chinese Americans. You can visit, volunteer, or donate to help them. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Intro 01:14 The History of the Tong Wars Part 7 19:52 The Chinese Historical Society of America

Even in a town notorious for gangsters like Al Capone, much of Chicago's lawless lore has remained uncharted. Chicago's Chinatown, in particular, was home to a vast criminal enterprise, strictly bound by old country rituals, rules and traditions. Few know of Moy Dong Chew, aka "Opium Dong,'? one of Chinatown's original godfathers, much less Frank Moy, his fedora-wearing predecessor. While incidents like the St. Valentine's Day Massacre dominated newspaper headlines, the Tong Wars were being waged in the shadows. Author Harrison Fillmore relates the long and sordid history of Chinatown's underbelly from the early 1880s to the late 1980s when a Federal Indictment essentially ended organized crime's grip on their good citizens. Purchase HERE

Join host Benjamin Morris as he interviews the author Harrison Fillmore about his new book from Arcadia Publishing & The History Press, Godfathers of Chicago's Chinatown. Even in a town notorious for gangsters like Al Capone, much of Chicago's lawless lore has remained uncharted. Chicago's Chinatown, in particular, was home to a vast criminal enterprise, strictly bound by old country rituals, rules and traditions. Few know of Moy Dong Chew, aka "Opium Dong,'? one of Chinatown's original godfathers, much less Frank Moy, his fedora-wearing predecessor. While incidents like the St. Valentine's Day Massacre dominated newspaper headlines, the Tong Wars were being waged in the shadows.  Author Harrison Fillmore relates the long and sordid history of Chinatown's underbelly from the early 1880s to the late 1980s when a Federal Indictment essentially ended organized crime's grip on their good citizens. Purchase HERE

Welcome to Season 3, Episode 28. This is part of an ongoing series where we talk about the New York Tong Wars. In this episode we talk about the events in Chinatown that led up to the fourth tong war in New York. The main combatants were still the On Leong Tong and the Hip Sing Tong, but this one was enough to get the federal government involved as well. Hear how growth of the tongs, decreased New York tong control, local corruption, and Federal government decisions all added to the approximately ten year conflict. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com.

Chen Tang recently joined host Elias in the cave. Experience the gripping world of "Warrior" on MAX series, where talented actor Chen Tang takes center stage as the scene-stealing and hilarious character 'Hong.' Based on Bruce Lee's original writings, this action-packed series delves into the Tong Wars of late 1800s Chinatown, San Francisco. Follow the journey of a martial arts prodigy turned hatchet man for the most powerful gang in Chinatown, portrayed by Chen Tang with a unique blend of humor and danger. As a mass-murdering hitman fresh from China, Hong's eccentric and childlike demeanor conceals a deadly skill set that keeps audiences enthralled. "Warrior" not only delivers incredible stunt work and action-packed martial arts sequences but also delves into true stories of race relations and crime, offering a compelling narrative that captivates and intrigues. With a deeply nuanced dramatic ensemble cast, the show continues to draw in a devoted following, making it a must-watch for fans of thrilling storytelling.   This interview was recorded/filmed prior to the SAG-AFTRA Strike. Photo credit - David Christopher Lee (@davidcleephotography and @davidsguide) You can watch this interview on YouTube https://youtu.be/4xQeIKu2nF4 Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com  www.youtube.com/c/TheManCaveChronicleswElias  

Welcome to Season 3, Episode 23. In this installment of The History of the Tong Wars, we talk a little about opium, colonialism, and the events of the third war. This tong war was notable for what instigated the violence as well as the escalation of the types of weapons used. We skip the recurring segment, but we do begin by talking about one of our favorite shows that just was made available on the iTunes Store… We Are Lady Parts. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 We Are Lady Parts! And an Intro 03:51 The History of the Tong Wars Part 5

Tong Wars are being waged in Chinatown. The Blue Beetle looks toward the Orient to battle "The Purple Dragon." Commissioner Warren's daughter has been kidnapped. The "Purple Dragon" hosts a Chinese drama, with a human sacrifice for an encore!. --- Send in a voice message: https://podcasters.spotify.com/pod/show/iloveoldtimeradio/message Support this podcast: https://podcasters.spotify.com/pod/show/iloveoldtimeradio/support

Welcome to Season 3, Episode 20. With the first Tong War over, the events in New York's Chinatown were influenced by tong conflicts across the country. It didn't help that New York tong members were often loaned out to the different local branches across the nation to act as “hatchet men” to assassinate various targets. The second Tong War began as a conflict over the death of a woman, but there was a new player. This was an issue between the Four Brothers Society and the On Leong Tong. We begin the episode by talking a little about Karma again as well as recent news in Florida. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:24 Talking about Karma and Florida 02:49 The History of the Tong Wars Part 4

Welcome to Season 3, Episode 17. In this episode we continue focusing on the Tong Wars in New York by discussing more of the people, events, and attitudes that escalated tension between the On Leong Tong and the Hip Sing Tong… and we finally talk about the First Tong War! Covering six bloody years, the first Tong War was fought over the control of gambling in Chinatown. We highly recommend the Scott Seligman book Tong Wars: The Untold Story of Vice, Money and Murder in New York's Chinatown. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Fastest. Intro. Ever. 00:35 The History of the Tong Wars Part 3

Welcome to Season 3, Episode 16. The New York Tong Wars were a series of four violent conflicts that happened in New York between the two most influential tongs there… the On Leong Tong and the Hip Sing Tong. In this episode, we talk about the events and environment that led to the Tong Wars, focusing on Tom Lee of the On Leong Tong and how the corruption of law enforcement through Tammany Hall contributed to conflict escalation. We also talk about a few other key Chinese community leaders like Wo Kee, Lee Toy, and Wong Get. For more detailed information on the NY Tong Wars, we highly recommend the Scott Seligman book Tong Wars: The Untold Story of Vice, Money and Murder in New York's Chinatown. In our second segment, we celebrate the recent gold medal for Madison Chock and Evan Bates in Ice Dancing at the recent World Figure Skating Championships, not to mention the 6 medals won by Japanese and Korean skaters. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:25 Getting Caught Up 03:19 The History of the Tong Wars Part 2 20:54 Celebrating Madison Chock, Evan Bates, several Japanese and Korean skaters

Welcome to Season 3, Episode 15. In this ICYMI Encore Episode, we go back to Season 2, Episode 29. If you're a fan of HBO's show Warrior, like we are, then you're familiar with the prevalence of tongs in Chinatowns in the late 1800s and early 1900s. In this episode, we talk about The Six Companies and the formation of tongs. These tongs didn't originate as illegal or violent groups, but that changed as a result of several factors. We focus on the challenges and environment that led up to the Tong Wars in San Francisco. We close out with a new segment called “What's Wrong With That?” where we talk about the term “Oriental”. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:26 Intro 00:55 The History of the Tong Wars Part I 17:12 What's Wrong With “Oriental”?  

Welcome to Season 2, Episode 29! If you're a fan of HBO's show Warrior, like we are, then you're familiar with the prevalence of tongs in Chinatowns in the late 1800s and early 1900s. In this episode, we talk about The Six Companies and the formation of tongs. These tongs didn't originate as illegal or violent groups, but that changed as a result of several factors. We focus on the challenges and environment that led up to the Tong Wars in San Francisco. We open the episode by talking about some recent current events that include Zachary Noah Piser in Dear Evan Hansen, Nathan Chen Day in Utah, Nguyen Coffee Supply in Whole Foods. We close out with a new segment called “What's Wrong With That?” where we talk about the term “Oriental”. For previous episodes and information, please visit our site at https://asianamericanhistory101.libsyn.com or social media links at http://castpie.com/AAHistory101. If you have any questions, comments or suggestions, email us at info@aahistory101.com. Segments 00:26 Current Events 02:23 The History of the Tong Wars Part I 18:40 What's Wrong With “Oriental”?  

It happened like this:     Before I was born, Babbington was a stable little community, dependent on—and redolent of—the clamming industry, with some small appeal for tourists. No one living in Babbington then would have predicted that within five years a period of rapid growth would begin that would last throughout my childhood. The effects of this growth were broad and deep, both on Babbington and on me.     Most of the reasons for Babbington's phenomenal growth were not unique to Babbington: the population of the entire United States, indeed of the entire world, was growing rapidly in the postwar years, which these years were, and large numbers of people, especially young fertile couples, were choosing to live in places more or less like Babbington. However, the most important single reason was unique to Babbington, and that reason was Stretch Mitgang.     Mitgang, a sociologist with psychohistorical interests, moved to Babbington just a year or so before I was born. Passing himself off as a psychosocial historiographer, Mitgang undertook a two-year study of the sexual practices of Babbingtonians. His charm and good looks made it easy for him to ingratiate himself with Babbingtonians of all stripes, so he was able to gather reams of data, thousands of anecdotes, tens of thousands of tall tales, and quite a few firsthand experiences. When he had gathered the material he needed, Mitgang disappeared. A couple of years later, he published the results of his research under the title Seafood and Sex: a Study of Life in a Coastal Town.     In his book, Mitgang included the data, history, and logical cement that readers expected, but he also laced the book with anecdotes about Babbington and Babbingtonians that were, for their time, quite frank (and probably exaggerated), and he also included photographs that were, for their time, frank to an extreme (and probably staged). Seafood and Sex has been out of print for years, but if you take the trouble to track down a copy, you will understand why it quickly became a best-seller and why the book itself became a primary reason for Babbington's rapid growth.     Mitgang waxed Whitmanesque in his enthusiasm for the general good health of the citizens, the “unflagging vigor that they bring to the day's labor and the night's delight.” This he attributed to the generally salubrious effects of bracing salt air. He went on to praise the “mesmerizing seductiveness of its women, at once shy and bold, endearingly naive and shockingly inventive, teasing and complaisant.” These qualities he attributed to the aphrodisiac effects of moonlight on the bay. In describing the men, Mitgang returned again and again to their “sturdy thighs, priapic grandeur, and remarkable endurance,” which he attributed to the habit of hard work and to the eating of clams. That did it. As soon as the book was published, outsiders began flocking to Babbington, and the population began an accelerating rise.     The newcomers moved into a town that was already sharply divided culturally. Clamming had always been important to the town, but after the War of 1812, for reasons too complex for me to explain here, chicken farming and processing became an important secondary industry. In the early years of this century, there occurred a series of riots during which clamdiggers attempted to drive chicken farmers out of Babbington. Most historians refer to the period during which these riots occurred as the Chicken Purge; however, the clamdiggers attacked the chicken farmers with, among other weapons, the tongs that they used for harvesting clams from the bay, and because of this unorthodox use of the clam tongs, this unpleasant period is sometimes referred to as—and I apologize for this—the Tong Wars.     Call it what you will, it was an ugly time in Babbington's history, one that just about everyone would rather forget. But it had such a powerful effect on the culture of Babbington that it can't be—and, I think, must not be—forgotten. At the time, the clammies claimed that runoff from the chicken farms was fouling the bay, and there was probably some truth to the claim, but it was not the real reason for the animosity that they felt toward the chicken farmers. I think we can find the real reason if we read between the lines of a passage in Our Town and Its People, a social studies text that all fifth-grade Babbingtonians were required to study, a text commissioned by the Daughters of the Tong Wars. Of the chicken farmers that textbook said, in part:Chicken farming is easy work, suitable for people who cannot do much else. As a group, chicken farmers are a happy-go-lucky lot. Like the birds they raise, they pass most of their lives eating, sleeping, and copulating. They live in blissful ignorance of time and tide.     I infer from this passage that the clammies were simply envious of the chicken farmers. The chicken-farming culture seemed to offer a life that was easier, happier, and more exciting. Their own lives were hard, sometimes miserable, and often dull. But most of all, the chicken-based culture must have seemed sexy.Have you missed an episode or two or several?You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide.You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you've missed.You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)At Apple Books you can download free eBooks of “My Mother Takes a Tumble,” “Do Clams Bite?,” “Life on the Bolotomy,” “The Static of the Spheres,” “The Fox and the Clam,” “The Girl with the White Fur Muff,” “Take the Long Way Home,” and “Call Me Larry,” the first eight novellas in Little Follies.You'll find an overview of the entire work in  An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy. It's a pdf document. Get full access to The Personal History, Adventures, Experiences & Observations of Peter Leroy at peterleroy.substack.com/subscribe

In San Francisco around the turn of the century, not the Y2K crossover...the century prior, there was a series of ongoing battles among rival Tongs on the streets of Chinatown. Imagine Gangs of New York, but with a different set of issues and similar violent methods of resolution. To an outside observer the scene may appear chaotic, but where the brutality was abundant so was the code and order.  greenchef.com/dank100 and use code DANK100 to get $100 off including free shipping! dadgrass.com/dank for 20% off your first order!  Sources: wikipedia.org, britannica.com, sfexaminer.com ‘Chinatown Tong Wars' by Paul Drexler 2016 See omnystudio.com/listener for privacy information.

This episode of the Geektown Behind The Scenes podcast is something of a "stunt special" as we have two interviews. The first is with Thom Khoury WIlliams, stunt coordinator on DC's 'Doom Patrol', and Brett Chan who coordinates the martial arts epic 'Warrior'.Up first is Thom Khoury WIlliams, who has hundreds of credits to his name as a stunt performer from shows such as '24', 'NCIS', 'Lost', 'The Walking Dead' and 'The Vampire Diaries', to movies such as 'Guardians of the Galaxy: Vol. 2', 'Spider-Man: Homecoming', 'Ant-Man and the Wasp', 'Baby Driver' and 'The Matrix Resurrections'. However, we're here mainly to talk to him about his work as a stunt coordinator on the wonderfully bonkers 'Doom Patrol'.'Doom Patrol' reimagines one of DC's strangest group of heroes – Cliff Steele aka Robotman (Brendan Fraser), Larry Trainor aka Negative Man (Matt Bomer), Rita Farr aka Elasti-Woman (April Bowlby), Jane aka Crazy Jane (Diane Guerrero), and Victor Stone aka Cyborg (Joivan Wade) – Each member of the Doom Patrol suffered a horrible accident that gave them superhuman abilities but also left them scarred and disfigured. They have been brought together by Niles Caulder aka The Chief (Timothy Dalton) to form a, somewhat dysfunctional, family of superheroes.Thom's other stunt coordinator work includes the Marvel/Netflix show 'The Punisher', which landed him his first Emmy nomination. He also worked on the pilot of HBO's astonishing 'Watchmen' series, and was responsible for the motion capture coordination on a number of video games including 'Middle-Earth: Shadow of War', and a number of the 'Halo' games.The second interview is with Brett Chan, stunt coordinator on the martial arts epic 'Warrior'.From ‘Banshee' creator Jonathan Tropper and ‘Fast and the Furious' Justin Lin, based on an original concept and treatment by the legendary Bruce Lee, ‘Warrior‘ is a gritty, action-packed crime drama set during the brutal Tong Wars of San Francisco's Chinatown in the late 19th century. The series follows Ah Sahm (Andrew Koji), a martial arts prodigy who emigrates from China to San Francisco under mysterious circumstances. After proving his worth as a fighter, Ah Sahm becomes a hatchet man for the Hop Wei, one of Chinatown's most powerful tongs (Chinese organized crime family).In the interview, we discuss getting emotion into the fight sequences and evolving the action to drive the plot. We also discuss getting in those "Bruce Lee-isms" without coming on too strong, and sending lead actor Andrew Koji to China to study karate and fight techniques, to bring culturally authentic fight choreography to the show.Brett also worked on CW's 'Kung Fu', so we chat about the differences between the two shows, and worked on two seasons of 'Snowpiercer', which comes with its own challenges of creating fight sequences in incredibly tight spaces. His latest project saw him jump in on the upcoming Paramount+ series 'Halo', based on the video game franchise, as he tackled the action there with a very quick turnaround.Support this show http://supporter.acast.com/geektown. See acast.com/privacy for privacy and opt-out information.

Hey Martin Scorsese! There is a whole NY underworld that you have touched on. But don't worry, no asian hate from RMC. We take a deep dive into the birth of NY Chinatown and roast one of the most infamous gangsters of the Hip Sing Tong, Mock Duck. A chainmail wearing badass with Lo Pan size nails, who will blow pepper in your eyes and come after you with a hatchet.

Good or bad, who's to say? Chris & Kayla walk by an interesting building in LA's Chinatown, which turns into a whole full excuse for Chris to talk about history on the cult show again.   Search Categories --- Anthropological   Topic Spoiler --- Hop Sing & other Chinese American Tongs   Further Reading --- https://stopaapihate.org/ https://www.nbcnews.com/news/asian-america/story-group-tracking-anti-asian-hate-incidents-rcna662 https://en.wikipedia.org/wiki/Qing_dynasty https://en.wikipedia.org/wiki/Anti-Qing_sentiment https://www.reddit.com/r/AskHistorians/comments/i4j3cv/what_are_some_of_the_reasons_for_antiqing/ https://en.wikipedia.org/wiki/White_Lotus https://en.wikipedia.org/wiki/Tiandihui https://en.wikipedia.org/wiki/Triad_(organized_crime) https://en.wikipedia.org/wiki/History_of_Chinese_Americans https://en.wikipedia.org/wiki/Chinese_Americans https://en.wikipedia.org/wiki/Chinese_Exclusion_Act https://en.wikipedia.org/wiki/Tong_(organization) https://en.wikipedia.org/wiki/Tong_Wars https://en.wikipedia.org/wiki/Hop_Sing_Tong https://en.wikipedia.org/wiki/Social_issues_in_Chinatowns#Gangs https://en.wikipedia.org/wiki/History_of_Chinese_Americans_in_Los_Angeles https://en.wikipedia.org/wiki/California_Gold_Rush https://en.wikipedia.org/wiki/Transcontinental_railroad https://en.wikipedia.org/wiki/Golden_Dragon_massacre https://en.wikipedia.org/wiki/Mafia https://www.dartmouth.edu/~hist32/History/S02%20-%20Early%20Chinese%20Prostitution.htm https://www.americanhistoryusa.com/chinatown-sex-slaves-human-trafficking-san-francisco-history/ http://www.historicplacesla.org/reports/f1f44c90-7a08-4dd4-94d1-d37a5b573139 https://www.foundsf.org/index.php?title=The_Tongs_of_Chinatown https://www.foundsf.org/index.php?title=The_Golden_Dragon_Restaurant_Massacre http://www.chineseplayground.com/ https://sanfran.com/where-have-all-the-gangsters-gone https://en.wikipedia.org/wiki/Raymond_%22Shrimp_Boy%22_Chow https://www.jstor.org/stable/2767924 http://www.encyclopedia.chicagohistory.org/pages/1259.html History of China Podcast: the Tong Wars of New York's Chinatown https://www.youtube.com/watch?v=37QdHb9IvE4 National Geographic: Chinatown Mafia https://www.youtube.com/watch?v=d6pXIyOwrqo https://www.villagevoice.com/2020/01/25/tongs-strike-out-in-chinatown/ https://archives.sfweekly.com/sanfrancisco/enter-the-dragon-head/Content?oid=2163615&showFullText=true http://www.mafianj.com/asian/tongs.shtml https://www.latimes.com/local/lanow/la-me-chinatown-stabbing-20170127-story.html  

Suspense, originally broadcast January 7, 1952, 69 years ago, The Case Against Loo Doc starring Jeff Chandler. A story of the San Francisco Tong wars.

Shannon Lee, daughter of iconic martial artist and actor Bruce Lee, is an executive producer on Cinemax's Warrior (Season 2 now airing Friday's at 10pm), which brings her father's vision for a TV show about Chinese immigrants during the Tong Wars to fruition. Lee is also the author of Be Water, My Friend, a book of Bruce Lee's philosophy and advice “demonstrating how martial arts are a perfect metaphor for personal growth”. Join Shannon Lee at CHF to talk about keeping her father's legacy and influence alive on our television screens and bookshelves, and what we can learn from Bruce Lee's vision. Lee is joined in conversation by sociologist and pop culture expert Nancy Wang Yuen. This program was livestreamed on October 30, 2020. Check out the trailer for Season 2 of Warrior: https://youtu.be/V_wSj_1fWtY Donate now to support programs like this: https://www.chicagohumanities.org/donate This week's programs presented with the support of Fifth Third Bank. Order the book Be Water, My Friend : The Teachings of Bruce Lee online at Seminary Co-op: https://www.semcoop.com/ Explore upcoming events: https://www.chicagohumanities.org/

I had the opportunity to speak with actor Perry Yung - who plays Father Jun leader of the Hop Wei Tong in Cinemax Original Warrior. We discussed how he found his way starring on television after years away, what Warrior brings to television, how he works around trope to seize opportunities to subvert stereotypes, and his thoughts on representation in the age of 44.   Who is Perry Yung? Perry Yung is an American actor and musician from Oakland, CA. He plays Father Jun in Cinemax's Warrior, produced by Justin Lin, Shannon Lee (Bruce Lee's daughter) and Jonathan Tropper (Banshee show creator). Yung was fan favorite Ping Wu on Steven Soderbergh's The Knick and has guest starred on shows like, Gotham and The Blacklist. You may also recognize him as the Doctor in John Wick: Chapter 2.  Warrior, the Western... Based on the writings of Bruce Lee and brought to life by his daughter Shannon Lee, Warrior sits at the intersection of costume drama and spaghetti western. Only this fights involve bladed weapons and master martial artists.  https://www.youtube.com/watch?v=OTfLx35b2Sw&ab_channel=FilmIsNowActionMovieTrailers Show Premise:  Warrior takes place in the latter half of the 19th century during brutal gang wars in San Francisco's Chinatown. The show premiered on April 5, 2019 and follows martial arts prodigy Ah Sahm, a Chinese immigrant who arrives in the City of Lights under mysterious circumstances. Once he proves his prowess as a fighter, Sahm is sold as a fighter to one of Chinatown's most powerful organized crime families. He came searching for his sister and ends up embroiled in a bloody turf wars between the gangs and struggle to survive amidst the rising anti-Chinese racism and societal/political upheaval in the city.   Cinemax Original, Warrior, returns with a second ten episode season of its high action crime drama set in 19 century San Francisco during the Tong Wars. And Father Jun once again tries to ensure his tong survives regardless the obstacle.  If this show isn't on your Fall watchlist you're missing out because it's brutal, full of intrigue, and high drama.  The action is kinetic. The plot multilayered. And the show as beautiful as it is bloody.  Warrior Season Two begins Friday, October 2 (10:00-11:00 p.m. ET/PT), exclusively on Cinemax https://www.youtube.com/watch?v=V_wSj_1fWtY&t=3s&ab_channel=Cinemax Warrior Stars: Andrew Koji Kieran Bew, Olivia Cheng, Dianne Doan, Dean Jagger, Langley Kirkwood, Hoon Lee, Christian McKay, Joe Taslim (“A Night Comes For Us”), Jason Tobin (“Fast & Furious 9”), Joanna Vanderham (“Eddie & Sunny”), Tom Weston-Jones and Perry Yung. New season two series regulars include Celine Buckens, Dustin Nguyen, Chen Tang, Miranda Raison and recurring series regular Maria Elena Laas. The series will also be available on demand and on MaxGo.com. Warrior was created by and is executive produced by Jonathan Tropper (Cinemax 's Banshee) under Tropper Ink Productions, executive produced by Justin Lin (Star Trek Beyond and Fast & Furious 9) for Perfect Storm Entertainment and executive produced by Shannon Lee for Bruce Lee Entertainment. Like what you hear? Subscribe so you don't miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  

ANDREW KOJI Exclusive Audio Interview Bruce Lee's legacy and WARRIOR Season 1 + 2 ANDREW KOJI talks about how he came to be cast as the lead Ah Sahm in the outstanding WARRIOR Series. How did he step into the Bruce Lee concept show? Did he incorporate elements of Bruce Lee's fighting style? Did Shannon Lee give him any ideas or guidance about her father Bruce Lee? How did he become an actor? How did he build on his acting to become an Action Actor? What is his martial arts training? Was his Taekwondo and Kung Fu actually useful? How do you fight someone like Michael Bisping the UFC LHW Champ? How do you stay fit and focussed in a 6 month filming schedule? How did he progress his character from Season 1 to 2? WARRIOR is a gritty, action-packed crime drama set during the brutal Tong Wars of San Francisco’s Chinatown in the second half of the 19th century. The series follows Ah Sahm (Andrew Koji), a martial arts prodigy who emigrates from China to San Francisco under mysterious circumstances. After proving his worth as a fighter, Ah Sahm becomes a hatchet man for the Hope Wei, one of Chinatown’s most powerful tongs (Chinese organized crime family).Befriended by Wang Chao (Hoon Lee), a fixer and profiteer in Chinatown, Ah Sahm is taken under the wing of Young Jun (Jason Tobin), the hard-partying son of the Hop Wei’s leader, Father Jun (Perry Yung), who is facing an imminent opium war with a rival tong. As he is indoctrinated in the rules of Chinatown gangs, Ah Sahm wins the confidence of a canny brothel madam, Ah Toy (Olivia Cheng), revealing to her the true intentions of his journey to America. The drama series WARRIOR begins its ten-episode season FRIDAY, APRIL 5 (10:00-11:00 p.m. ET/PT), exclusively on CINEMAX. Filmed in Cape Town, South Africa, the show is based on the writings of martial arts legend Bruce Lee and is created and executive produced by Jonathan Tropper (CINEMAX’s “Banshee”) under Tropper Ink Productions, executive produced by Justin Lin (director of “Fast & Furious 6”) for Perfect Storm Entertainment and executive produced by Shannon Lee for Bruce Lee Entertainment. Later, in search of a woman who left China two years earlier, Ah Sahm crosses paths with Mai Ling (Dianne Doan) and Li Yong (Joe Taslim), followers of the rival tong leader Long Zii (Henry Yuk), who is trying to avoid an opium war with the Hop We – a war that Walter Buckley (Langley Kirkwood), deputy to San Francisco Mayor Samuel Blake (Christian McKay), actively promotes. Meanwhile, after two Chinese laborers are killed by white thugs, police sergeant “Big Bill” O’Hara (Kieran Bew) is tasked with creating a Chinatown squad. Enlisting southern-born cop Richard Henry Lee (Tom Weston-Jones), Bill soon finds that the hostility between the Chinese and white dock workers, whose unofficial leader is Irish tough Dylan Leary (Dean Jagger), is unlikely to end anytime soon.

Cinemax's Warrior was one of my favorite series last year as a fan and as a critic. Based on an original concept by Bruce Lee, the show was created by Jonathan Tropper and Justin Lin and blends drama, the Old West, and martial arts. Set during the Tong Wars of San Francisco’s Chinatown in the second half of the 19th century. it follows martial arts prodigy Ah Sahm, a Chinese immigrant who arrives in the City of Lights under mysterious circumstances. Once he proves his prowess as a fighter, Sahm becomes a hitman for one of Chinatown's most powerful organized crime families. That said, while Ah Sahm is the central character of Warrior, he is surrounded by powerful female characters that push the story of the series farther and offer up a look at the intersections of race, gender, and class. This is no truer than in Ah Toy, the most powerful businesswoman in Chinatown, who just so happens to be a madam. Portrayed by Olivia Cheng, Ah Toy is a powerful woman who understands how the world sees her, both within her Chinese American community and among the white men she deals with. I was lucky enough to get the chance to speak with Olivia Cheng before the launch of Warrior Season 2. In this interview, we discuss the series' relevancy during the current rise of anti-Asian hate crimes and how the series introduces audiences to Asian American history. Warrior does this in multiple ways, but referencing specifical historical moments to Ah Toy herself, a character based on a real woman of the same name. A self-proclaimed history buff, Cheng explains how she knew the history of San Francisco ahead of shooting the series, but dove even further into by learning more about Ah Toy, of which there isn't much written from her perspective.

As a lifelong fan of Bruce Lee, the chance to play a starring role in HBO's Warrior TV series - based on a story by the late kung fu movie star and executive produced by his daughter, Shannon Lee - was a once-in-a-lifetime opportunity. And he relishes every scene in his role as Young Jun; the entitled, violent, and arrogant heir to Chinatown's Hop Wei gang, a criminal syndicate operating in late 1870s San Francisco at the height of the Tong Wars. Jason Tobin adds heart, nuance and depth to the character through his brotherly friendship with new Hop Wei recruit, Ah Sahm (played by fellow British actor, Andrew Koji). A sexy, heady mix of political drama, racial tension and great fight scenes, the series has been heralded as one of the best TV shows of 2019 by Rolling Stone and has found a devoted audience since first airing on Cinemax in April 2019. Season two is now in post-production with a third season in development, while the first season is available right now on Blu-ray in the USA. Born in Hong Kong, educated in the UK, and living in Los Angeles from the age of 18, Jason sees acting as the perfect way to 'honestly express oneself' - to paraphrase the words of his hero, Bruce Lee - and tell the kinds of stories he wants to tell. He does this not just through his own work as an actor, but also as a writer and director. In this episode, we discuss his theories on acting, his long-standing friendship with the filmmaker Justin Lin (who gave Jason his first breakout role in 2002's Better Luck Tomorrow), his appearances in many Hong Kong and American action movies - from Beverly Hills Ninja to The Fast and the Furious: Tokyo Drift - to his excellent performance in Warrior. Keep up-to-date with all the latest Jason Tobin news by following him on Twitter and Instagram. LINKS: Jason Tobin on Instagram: https://www.instagram.com/jsntbn/ Jason Tobin on Twitter: https://twitter.com/jsntbn Buy Warrior on Blu-ray via Amazon: https://www.amazon.com/gp/product/B07VJWW5G8/ref=as_li_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=B07VJWW5G8&linkCode=as2&tag=cionfiascire-20&linkId=f96e3fa75d087b7939d6750d8ef6c821 This episode's podcast page: http://bit.ly/JasonTobinKFMGPod Shannon Lee and Andrew Koji on the Kung Fu Movie Guide Podcast: http://bit.ly/KFMGPodShannonLee

The Tong Wars begin! This action packed episode brings all of our characters back on screen for the Chinese New Year Festival. Jay and Chris discuss all of the action as well as the character development through the season. We also get to see Bolo, the Yellow Demon, finally unleashed on the enemy. --- Support this podcast: https://anchor.fm/talkingtelevision/support

On the January 17, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to decide the most anticipated new tv shows of 2019. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Brad gives his opinion on Jason Reitman's Ghostbusters sequel. Our Feature Presentation:The /Film team meets in the virtual writer's room to try to come up with the top 25 most anticipated new television shows of 2019, from the already narrowed down list (please note that the notes are what we scribled down before this meeting and are a combination of official plot synopsis and info from imdb):   The Mandalorian (Disney+, late 2019) first star wars live-action tv series producer Jon Favreau directors Dave Filoni, Deborah Chow (Better Call Saul), Rick Famuyiwa, Bryce Dallas Howard and Taika Waititi “The Mandalorian is set after the fall of the Empire and before the emergence of the First Order. The series follows the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.”   Deadly Class (Syfy, January 16) Producers: Russo Brothers A coming-of-age story set against the backdrop of late 1980s counterculture, which follows a disillusioned teen recruited into a storied high school for assassins.   The Umbrella Academy (Netflix, feb 15) Developed by Jeremy Slater Starring: Ellen Page, Tom Hopper, Robert Sheehan, Mary J. Blige “A disbanded group of superheroes reunite after their adoptive father, who trained them to save the world, dies.”   Watchmen (HBO) Showrunner: Damon Lindelof Cast: Regina King,  Yahya Abdul-Mateen II,  Jeremy Irons, Tim Blake Nelson,  Frances Fisher, Don Johnson “Television series based on the DC Comics series Watchmen, published 1986-1987.”   ‘Russian Doll' (Netflix, February 1st) created by Natasha Lyonne, Amy Poehler, and Leslye Headland Natasha Lyonne stars as "a young woman named Nadia on her journey as the guest of honor at a seemingly inescapable party one night in New York City. She dies repeatedly while at this party and she is just trying to figure out what the hell is going on."   The Passage (Fox, January 14) Developed by Liz Heldens (Deception, Friday Night Lights) loosely based on the trilogy of novels spanning 1,000 years in the life of Amy Bellafonte, as she moves from being manipulated in a government conspiracy through to protecting humankind in a dystopian vampire future.   ‘Living With Yourself' (Netflix, 2019) created by Timothy Greenberg, executive producer of The Daily Show with Jon Stewart Comedy stars Paul Rudd as George Elliot, who is “burned out and facing an impasse in both his personal and professional life. When he undergoes a novel treatment to become a better person, he finds he's been replaced by a new and improved George — revealing that his own worst enemy is himself. Told from multiple perspectives with intersecting storylines, the philosophical comedy asks: Do we really want to be better?" little miss sunshine directors are producers   Devs (FX, 2019) Written/directed by Alex Garland Starring: Sonoya Mizuno, Nick Offerman, Jin Ha, Zach Grenier, Stephen McKinley Henderson, Cailee Spaeny, Alison Pill follows "a young computer engineer, Lily [who] investigates the secretive development division of her employer, a cutting-edge tech company based in San Francisco, which she believes is behind the disappearance of her boyfriend."   Good Omens (Neil Gaiman, Amazon) six-part television serial based on the 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett and Neil Gaiman. directed by Douglas Mackinnon and written by Gaiman, who will also serve as showrunner. stars David Tennant as the demon Crowley and Michael Sheen as the angel Aziraphale trying to prevent the Apocalypse. Other actors include Jon Hamm, Anna Maxwell Martin, Josie Lawrence, Adria Arjona, Michael McKean, Jack Whitehall, Miranda Richardson and Nick Offerman.   What We Do in the Shadows (FX, Spring) Executive producers:  Jemaine Clement Taika Waititi Starring: Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillen Set in New York City and follows "three vampires who have been roommates for hundreds and hundreds of years."   I Am The Night' (TNT, January 28th) six-episode limited television series Starring Chris Pine and India Eisley Directed by Patty Jenkins, Victoria Mahoney, Carl Franklin Fauna Hodel, a young girl who was given up by her birth mother, sets out to uncover the secrets of her past and ends up following a sinister trail that swirls closer to a gynecologist involved in the legendary Black Dahlia slaying.   “Modern Love” (Amazon, 2019)   Written and directed by Sing Street director John Carney Anne Hathaway, Tina Fey, John Slattery, Catherine Keener, Dev Patel, Shea Whigham, Andy Garcia, Olivia Cooke, John Gallagher, Jr., Sofia Boutella Modern Love will explore "love in its multitude of forms – including sexual, romantic, familial, platonic, and self love.   “Mrs. Fletcher” (HBO, 2019) Tom Perrotta (leftovers) Kathryn Hahn stars A divorced woman jumpstarts her love life by adopting a sexy new persona and discovers that her world is full of unexpected and sometimes complicated erotic possibilities.   “Now Apocalypse” (Starz, Mar. 10) Gregg Araki, Steven Soderbergh, A group of four friends living in L.A. embark on various exploits pursuing love, sex and fame. Directed by Gregg Araki. Starring...no one. (Avan Jogia, Kelli Berglund, Beau Mirchoff, Roxane Mesquida)   “The Loudest Voice in the Room”(Showtime, 2019) Tom McCarthy, Jason Blum, starring Russell Crowe, Naomi Watts, Sienna Miller, Simon McBurney, Seth MacFarlane The Loudest Voice in the Room tells the story of Roger Ailes who "molded Fox News into a force that irrevocably changed the conversation about the highest levels of government, will help understand the events that led the rise of Donald Trump. The series focuses primarily on the past decade in which Ailes arguably became the Republican Party's de facto leader, while flashing back to defining events in Ailes' life, including an initial meeting with Richard Nixon on the set of The Mike Douglas Show that gave birth to Ailes' political career and the sexual harassment accusations and settlements that brought his Fox News reign to an end. Told through multiple points of view, the limited series aims to shed light on the psychology that drives the political process from the top down."   “Shrill” (Hulu, Mar. 15) Lorne Michaels Based on Shrill: Notes from a Loud Woman by Lindy West Starring Aidy Bryant Lolly Adefope Luka Jones Ian Owens John Cameron Mitchell Julia Sweeney Shrill follows "Annie, described as a fat young woman who wants to change her life — but not her body. Annie is trying to make it as a journalist while juggling bad boyfriends, sick parents and a perfectionist boss, while the world around her deems her not good enough because of her weight. She starts to realize that she's as good as anyone else, and acts on it.   “Snowpiercer” (TNT, 2019) Starring Daveed Diggs and Jennifer Connelly Set seven years after the world became a frozen wasteland, Snowpiercer follows the remnants of humanity who inhabit a gigantic, perpetually moving train that circles the globe. The show questions class warfare, social injustice, and the politics of survival   “Turn Up Charlie” (Netflix, March 15) Starring Idris Elba, Piper Perabo and JJ Feild Turn Up Charlie centers on the titular Charlie (Idris Elba), a struggling DJ and eternal bachelor, who is given a final chance at success when he reluctantly becomes a ‘manny' to his famous best friend's problem-child daughter, Gabby (Frankie Hervey).   “Black Monday” (Showtime, January 20) Starring Don Cheadle, Regina King, Andrew Rannells, produced by Happy Endings creator David Caspe Travel back to October 19, 1987—aka Black Monday, the worst stock market crash in the history of Wall Street. To this day, no one knows who caused it … until now. This is the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world's largest financial system, a Lamborghini limousine and the glass ceiling.   “Fosse/Verdon” (FX, April) Starring Michelle Williams and Sam Rockwell, produced by Lin-Manuel Miranda Spanning five decades, Fosse/Verdonexplores the singular romantic and creative partnership between Bob Fosse (Sam Rockwell) and Gwen Verdon (Michelle Williams). He is a visionary filmmaker and one of the theater's most influential choreographers and directors. She is the greatest Broadway dancer of all time. Only Bob can create the groundbreaking musicals that allow Gwen to showcase her greatness. Only Gwen can realize the unique vision in Bob's head. Together, they will change the face of American entertainment – at a perilous cost.   “Whiskey Cavalier” (ABC, February 24) Starring Scott Foley, Lauren Cohan, produced by Bill Lawrence (Scrubs), Jeff Ingold (Rush Hour), David Hemingson (Don't Trust the B in Apt. 23), directed by Peter Atencio (Key & Peele) Following an emotional breakup, Will Chase (codename: "Whiskey Cavalier"), played by Scott Foley, is assigned to work with badass CIA operative Francesca "Frankie" Trowbridge (codename: "Fiery Tribune"), played by Lauren Cohan. Together, they lead an inter-agency team of flawed, funny and heroic spies who periodically save the world—and each other—while navigating the rocky roads of friendship, romance and office politics.   “Tuca and Bertie” (Netflix, TBA) Starring Tiffany Haddish and Ali Wong, produced by Lisa Hanawalt, Raphael Bob-Waksberg, Noel Bright , and Steven A. Cohen, all of Bojack Horseman Two bird women -- a carefree toucan and an anxious songbird -- live in the same apartment building and share their lives in this animated comedy   “Top of the Morning” (Apple, TBA) Produced by and starring Jennifer Aniston and Reese Witherspoon, also starring Steve Carell, Billy Crudup, Gugu Mbatha-Raw An inside look at the lives of the people who help America wake up in the morning, exploring the unique challenges faced by the women (and men) who carry out this daily televised ritual   “The Dark Crystal: Age of Resistance” (Netflix TBA) Starring Taron Egerton, Anya Taylor-Joy and Nathalie Emmanuel in the lead roles, and supporting stars Mark Hamill, Mark Strong, Simon Pegg, Natalie Dormer, Gugu Mbatha-Raw, Eddie Izzard, Helena-Bonham Carter and more. Based on The Dark Crystal, Jim Henson's groundbreaking 1982 feature film, The Dark Crystal: Age of Resistancetells a new epic story, set many years before the events of the movie, and realized using classic puppetry with cutting edge visual effects. The world of Thra is dying. The Crystal of Truth is at the heart of Thra, a source of untold power. But it is damaged, corrupted by the evil Skeksis, and a sickness spreads across the land. When three Gelfling uncover the horrific truth behind the power of the Skeksis, an adventure unfolds as the fires of rebellion are lit and an epic battle for the planet begins.   Swamp Thing (DC Universe, May) Produced by James Wan, Mark Verheiden, Gary Dauberman, Michael Clear and Len Wiseman Directed by Len Wiseman Emerging from the swamp with a monstrous physique and strange new powers over plant life, the man who was once Alec Holland struggles to hold onto his humanity. When dark forces converge on the town of Marais, Swamp Thing must embrace what he has become in order to defend the town as well as the natural world at large.   Stargirl (DC Universe, September) Starring Brec Bassinger and Joel McHale “Courtney Whitmore (aka Stargirl) is smart, athletic and above all else kind. This high school teenager's seemingly perfect life hits a major speed bump when her mother gets married and her new family moves from Los Angeles, California, to Blue Valley, Nebraska. Struggling to adapt to a new school, make new friends and deal with a new step-family, Courtney discovers her step-father has a secret; he used to be the sidekick to a superhero. ‘Borrowing' the long-lost hero's cosmic staff, Courtney becomes the unlikely inspiration for an entirely new generation of superheroes.”   Pennyworth (EPIX, 2019 tba) Produced by Bruno Heller and Danny Cannon Starring Jack Bannon “follows Bruce Wayne's legendary butler, Alfred Pennyworth, a former British SAS soldier who forms a security company and goes to work with Thomas Wayne, Bruce's billionaire father, in 1960's London.”   Wizards (Netflix TBA) DreamWorks Animated Created by Guillermo del Toro The heroes of Arcadia join forces in an apocalyptic war for the control of magic that will decide the fate of the entire galaxy.   Creepshow (Shudder, TBA) Produced by Greg Nicotero No synopsis yet, but: ““Creepshowis one of the most beloved and iconic horror anthologies from two masters of the genre, George A. Romero and Stephen King,” Shudder general manager Craig Engler added. “We're thrilled to continue their legacy with another master of horror, Greg Nicotero, as we bring a new CreepshowTV series exclusively to Shudder members.”   The Righteous Gemstones (HBO, TBA) Starring Danny McBride/Jody Hill, John Goodman, Edi Patterson, Adam DeVine Produced by Jody Hill and David Gordon Green The Righteous Gemstonesfollows "the world famous Gemstone televangelist family, which has a long tradition of deviance, greed, and charitable work, all in the name of the Lord Jesus Christ."   The Boys (Amazon, TBA) Dan Trachtenberg directed pilot, Eric Kripke and Rogen/Goldberg produced Starring Karl Urban, Elisabeth Shue, Erin Moriarty, Antony Starr, Dominique McElligott, Jessie T. Usher, Chace Crawford, Nathan Mitchell, Laz Alonso,Karen Fukuhara In a world where superheroes embrace the darker side of their massive celebrity and fame, THE BOYS centers on a group of vigilantes known informally as “The Boys,” who set out to take down corrupt superheroes with no more than their blue-collar grit and a willingness to fight dirty. THE BOYS is a fun and irreverent take on what happens when superheroes – who are as popular as celebrities, as influential as politicians and as revered as Gods – abuse their superpowers rather than use them for good. It's the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and Vought – the multi-billion dollar conglomerate that manages these superheroes. THE BOYS is scheduled for a 2019 release.   Carnival Row (Amazon TBA) Travis Beacham, starring Orlando Bloom Produced by Travis Beacham and Rene Echevarria Carnival Row will follow "mythical creatures who have fled their war-torn homeland and gathered in the city as tensions are simmering between citizens and the growing immigrant population. At the center of the drama is the investigation into a string of unsolved murders, which are eating away at whatever uneasy peace still exists.”   “Too Old to Die Young” (Amazon, 2019) Written and produced by Nicolas Winding Refn and Ed Brubaker Directed by Refn starring Miles Teller, Billy Baldwin, Jena Malone, John Hawkes Too Old to Die Youngfollows "a grieving police officer who, along with the man who shot his partner, finds himself in an underworld filled with working-class hit men, Yakuza soldiers, cartel assassins sent from Mexico, Russian mafia captains and gangs of teen killers."   Warrior (Cinemax, TBA) Created by Jonathan Tropper and Justin Lin Inspired by an idea from Bruce Lee, Warrioris “set at the times of the Tong Wars in the late 1800s in San Francisco” and “follows a martial arts prodigy originating in China who moves to San Francisco and ends up becoming a hatchet man for the most powerful tong in Chinatown.”   “Y” (FX, 2019) Starring Diane Lane, Barry Keoghan, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland. Based on the DC comic book series Y: The Last Man by Brian K Vaughn and Pia Guerrera, Yis set in “a post-apocalyptic world in which a cataclysmic event has decimated every male mammal save for one lone human. The new world order of women will explore gender, race, class and survival."   “Les Miserables” (PBS, April 14) Starring Dominic West, David Oyelowo, Lily Collins, Olivia Colman, David Bradley. Six-part BBC TV adaptation of Victor Hugo's classic novel which “follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest beings to grip the city of Paris once more.”   “Lovecraft Country” (HBO, 2019) Produced by Jordan Peele's Monkeypaw Productions and exec produced by Misha Green, J. J. Abrams, and Ben Stephenson. Based on the novel of the same name by Matt Ruff, Lovecraft Country follows "Atticus Black as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father. This begins a struggle to survive and overcome both the racist terrors of white America and the terrifying monsters that could be ripped from a Lovecraft paperback."   ‘Catch-22' (Hulu, 2019) Starring Christopher Abbot, Kyle Chandler, George Clooney, Hugh Laurie, produced by Clooney. Catch-22 is described by Hulu as "the story of the incomparable, artful dodger, Yossarian, a US Air Force bombardier in World War II who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy, but rather his own army which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to avoid his military assignments, he'll be in violation of Catch-22, a hilariously sinister bureaucratic rule which specifies that a concern for one's own safety in the face of dangers which are real and immediate is the process of a rational mind; a man is considered insane if he willingly continues to fly dangerous combat missions, but a request to be removed from duty is evidence of sanity and therefore makes him ineligible to be relieved from duty."   ‘Central Park Five' (Netflix, 2019) Created byAva DuVernay Starring Michael K. Williams, Vera Farmiga & John Leguizamo. “Based on a true story that gripped the nation, the four-episode series will chronicle the notorious case of five teenagers of color who were convicted of a rape they did not commit.” Spans from spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.   Living With Yourself (Netflix, 2019) Created by Timothy Greenberg Starring Paul Rudd who also executive produces Living With Yourself begins when "George Elliot is burned out and facing an impasse in both his personal and professional life. When he undergoes a novel treatment to become a better person, he finds he's been replaced by a new and improved George — revealing that his own worst enemy is himself. Told from multiple perspectives with intersecting storylines, the philosophical comedy asks: Do we really want to be better?"   Four Weddings And A Funeral (Hulu, 2019) Created by Mindy Kaling Starring Jessica Williams Inspired by the 1994 British romantic comedy film, Four Weddings and a Funeral centers on Jess (Williams), the young communications director for a New York senatorial campaign, who receives a wedding invitation from her college schoolmate now living in London. She leaves her professional and personal life behind, in favor of traveling to England and reconnecting with old friends and ends up in the midst of their personal crises. Relationships are forged and broken, political scandals exposed, London social life lampooned, love affairs ignited and doused, and of course there are four weddings… and a funeral.   Untitled Picard Spin-off (CBS All Access) Created by Alex Kurtzman Starring Patrick Stewart The continuing adventures of Captain Jean-Luc Picard, whose life was radically altered due to the destruction of the Romulan home world in the 2009 Star Trek reboot movie.   The Politician (Netflix) Created by Ryan Murphy Starring Ben Platt, Jessica Lange, Gwenyth Paltrow, Zoey Deutch, Lucy Boynton Hour-long comedy with social commentary – the series follows the political aspirations of a wealthy Santa Barbara resident, with each season focusing on a different political race the lead is in.   The Twilight Zone (CBS All Access) Created by Jordan Peele Hosted & Narrated by Peele, Starring Adam Scott, Kumail Nanjiani, John Cho, Allison Tolman, Jacob Tremblay, Jessica Williams   The Act (Hulu, Mar. 20) Created by Michelle Dean and Nick Antosca Starring Patricia Arquette, Joey King, Chloë Sevigny, AnnaSophia Robb True crime anthology series. First season follows "Gypsy Blanchard, a girl trying to escape the toxic relationship she has with her overprotective mother. Her quest for independence opens a Pandora's box of secrets, one that ultimately leads to murder."   City on a Hill (Showtime, 2019) Created by Chuck MacLean, executive produced by Ben Affleck and Matt Damon Starring Kevin Bacon, Aldis Hodge Set in the early 1990s Boston, rife with violent criminals emboldened by local law enforcement agencies in which corruption and racism was the norm. In this fictional account, assistant district attorney Decourcy Ward (Hodge) arrives from Brooklyn and forms an unlikely alliance with a corrupt yet venerated FBI veteran, Jackie Rohr (Bacon). Together, they take on a family of armored car robbers from Charlestown in a case that grows to involve, and ultimately subvert, the entire criminal justice system of Boston.   Hanna (Amazon, March 2019) Created by David Farr (who co-wrote the movie) Starring Esme Creed-Miles, Joel Kinnaman, Mireille Enos Based on the 2011 movie starring Saoirse Ronan. Equal parts high-concept thriller and coming-of-age drama, Hannafollows the journey of an extraordinary young girl, Hanna (Creed-Miles), as she evades the relentless pursuit of an off-book CIA agent and tries to unearth the truth behind who she is.   Doom Patrol (DC Universe, Feb 15) Created by Jeremy Carver Starring Brendan Fraser, Alan Tudyk, Timothy Dalton, Diane Guerrero, April Bowlby Set after the events of Titans, the Doom Patrol – consisting of Robotman, Negative Man, Elasti-Woman, and Crazy Jane, and led by Dr. Niles Caulder/The Chief – receives a mission from Cyborg that they cannot ignore and will change their lives.   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

In the last episode on Fong “Little Pete” Ching and the Tong Wars of San Francisco, we discuss the assassination of “Little Pete” and the trial and fall out following his death as well as the power vacuum left in the wake of Fong Ching's demise. We discuss theories and motives for this crime and the earthquake that signals the end to the Tong Wars in The City by the Bay. Website and show notes: http://www.californiatruecrime.com/If you would like to support us we have a Patreon page at: https://www.patreon.com/californiatruecrimeFacebook: https://www.facebook.com/calitruecrime/Twitter: https://twitter.com/calitruecrimeIntagram: https://www.instagram.com/calitruecrime/

Actor Rich Ting visits the podcast this week. We talk about his career in acting, being in the limited series, “Waco” on the Paramount Network, staring in the upcoming Cinemax drama series “Warrior”. The 10 episode series is inspired by the writings and work of martial arts icon Bruce Lee. The series will be a period crime drama set against the backdrop of the brutal Tong Wars in San Francisco’s Chinatown in the late 1800's. Ting will play the universally feared fighter and top lieutenant of the Hop Wei Tong, “Bolo”. The series from “Fast & Furious” Justin Lin and “Banshee” co-creator Jonathan Trooper, is being filmed in Cape Town, South Africa. We also talk about him attending Yale, playing football and the movie Bloodsport. You can find Rich on Twitter @RichTingWorld Instagram @RichTingWorld     Episode Sponsor www.ifoyer.com "Are you wise?"   Email the show themccpodcast@gmail.com Twitter @themccpodcast Instagram the_mancave_chronicles_podcast Facebook www.facebook.com/themancavechroniclespodcast www.themancavechonicles.podbean.com 

This week's episode takes on the early history of Boston’s Chinatown, two murders that took place there at the turn of the twentieth century, and a terrifying crackdown on Chinese Americans in Boston that sparked an international incident and has parallels in today’s headlines.   Show notes: http://HUBhistory.com/049

This week on The Nerdpocalypse Podcast, the guys are back to discuss the potential for hacking robots and cars, the death of a comic book legendary creator, first look at David Harbour's Hellboy, Venom being delayed, Stan Lee biopic, Jeff Bezos' world take over, Tong Wars, Terminator 6, The Boys adaptation, and much more. SHOW NOTES CHECKED OUT American Assassin SCIENCE & TECH NEWS Killer Robots COMIC NEWS Death of Len Wein QUESTION OF THE WEEK Responses LIGHTNING ROUND George R. R. Martin’s “Nightflyers” gets series order at SyFy First look at David Harbour as Hellboy Ahab cast on Fox’s Gifted Venom movie delayed Two more Stephen King projects are in the works Leonardo DiCaprio interested in playing Stan Lee in biopic Interesting rumor about Hawkeye in Infinity War Nick Blood returning to Agents of SHIELD Female-led version of Greatest American Hero in the works MOVIE/TV NEWS Liam Neeson does the world a favor “Mouse Guard” getting an adaptation from “Maze Runner” director The Boys adaptation headed to Amazon Daniel Dae Kim to replace Ed Skrein in Hellboy: Rise of the Blood Queen More details on “Cobra Kai” series Tim Miller confirmed to direct Terminator 6 for James Cameron Amazon picking up Chinese organized crime series, “Tong Wars” Jeff Bezos demanding Amazon’s own Game of Thrones J.J. Abrams set to direct Star Wars Episode IX WTF? by JayTeeDee Terrence: http://bit.ly/2wnVZd4 Jay:  http://bit.ly/2wZp2Ha TRAILERS The Shape of Water - Red band Downsizing The Current War Red Sparrow The Disaster Artist

Laszlo offers up the exciting conclusion to the 3-part series introducing the Tong Wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

Laszlo offers up the exciting conclusion to the 3-part series introducing the Tong Wars.   For a list of the terms used in this episode, check out the episode page on the CHP website here Hungry for more Chinatown-War related content? Check out the following resources as a personal recommendation. "Tong Wars, The Untold Story of Vice, Money and Murder in New York's Chinatown" Scott Seligman's Amazon Page The Tong Wars book home page Article from Signature Magazine that explains the Turf Wars in NY Chinatown .      

In this Part 2 episode the Tong Wars begin in earnest. The first and second Tong Wars are discussed.  "Tong Wars, The Untold Story of Vice, Money and Murder in New York's Chinatown" Scott Seligman's Amazon Page The Tong Wars book home page Learn more about your ad choices. Visit megaphone.fm/adchoices

In this Part 2 episode the Tong Wars begin in earnest.  The first and second Tong Wars are discussed.   For a list of the terms used in this episode, visit the episode page at the CHP website here Hungry for more Chinatown War-related content? Check out these resources as a personal recommendation. "Tong Wars, The Untold Story of Vice, Money and Murder in New York's Chinatown" Scott Seligman's Amazon Page The Tong Wars book home page Article from Signature Magazine that explains the Turf Wars in NY Chinatown   "Wish Lanterns - Young Lives in New China" Alec Ash - UK Amazon link to Wish Lanterns   21st Century China Program - UC San Diego Link to their Website Link to the China 21 Podcast  

A mesmerizing true story of money, murder, gambling, prostitution, and opium: the Chinese gang wars that engulfed New York's Chinatown from the 1890s through the 1930s.

A mesmerizing true story of money, murder, gambling, prostitution, and opium: the Chinese gang wars that engulfed New York's Chinatown from the 1890s through the 1930s.

A mesmerizing true story of money, murder, gambling, prostitution, and opium: the Chinese gang wars that engulfed New York’s Chinatown from the 1890s through the 1930s.

In this episode, Laszlo explains the Tong Wars of New York's Chinatown. With the help of Scott Seligman's latest book we go back to late 19th - early 20th century America and focus on New York's Chinatown. These were terribly unpleasant days for most citizens of Chinese ancestry and especially for those immigrants who either had not begun the process or lived in the shadows illegally. For a list of terms used in this episode, check out the CHP website at teacup.media Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Laszlo explains the Tong Wars of New York's Chinatown. With the help of Scott Seligman's latest book we go back to late 19th - early 20th century America and focus on New York's Chinatown.   These were terribly unpleasant days for most citizens of Chinese ancestry and especially for those immigrants who either had not begun the process or lived in the shadows illegally. The Chinese Exclusion Laws tarred these citizens like no other immigrant group in US history. The Tong Wars didn't happen because of these laws but they were certainly part of the story. With everything Chinese-Americans have done to make America great over the past century, it's interesting to look back at another time when the ordinary law abiding Chinese and the bloodiest tong soldier were equally reviled in society that was loath to accept them. The book is called "Tong Wars, The Untold Story of Vice, Money, and Murder in New York's Chinatown" by Scott D. Seligman. For a list of terms used in this episode, visit the episode page at the CHP website here

From the 1870s to the 1930s, New York City's fabled Chinatown was the site of a series of vicious wars between two rival tongs, the On Leongs and the Hip Sings. Scott D. Seligman, author of "Tong Wars: The Untold Story of Vice, Money and Murder in New York's Chinatown" joins me to chat about the origins of the animosity, and how their rivalry escalated into incredible brutality for both sides.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Dave Anthony and Gareth Reynolds examine the Tong Wars.SOURCESTOUR DATESREDBUBBLE MERCH

This book is the first comprehensive account of three centuries of thug life in the city where America began. In chilling new detail, veteran Boston journalist George Hassett reveals the legendary crime stories of Boston - from Prohibition to the Mafia, the Irish Gang War to Whitey Bulger. The forgotten chapters of Boston gang history are also covered - from the role of street gangs in the American Revolution to Chinatowns infamous Tong Wars to the murder of number king Daddy Black - it is all here. Every neighborhood, every era, every gangster. GANGSTERS OF BOSTON-George Hassett