Podcasts about caam

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on Apex Express, Host Miko Lee talk story with singer-songwriter Thao Nguyen.  Hear about her new album Fossil,  her short documentary, and about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   SHOW TRANSCRIPT [00:00:00] Opening: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   [00:00:35] Miko Lee: Tonight on Apex Express, we talk story with singer-songwriter Thao Nguyen. Join me, your host, Miko Lee, as I talk with this multi-hyphenated artist. We get to hear about her new album, chat about her short documentary, and hear about her artistic inspirations. Thao's tour starts this week in North Carolina, so listen in to hear from the brilliant Thao, and then check out her website to catch a live show.   [00:01:05] Ayame Keane-Lee: In today's show, you'll be listening to some songs from Thao & The Get Down Stay Down's 2020 album, Temple. First off, let's listen to “Pure Cinema.”   MUSIC     [00:05:44] That was “Pure Cinema” by today's guest, Thao Nguyen. Let's get to the interview.   [00:05:50] Miko Lee: Welcome  Thao Nguyen to Apex Express.    [00:05:54] Thao Nguyen: Thank you. I'm so happy to be here.    [00:05:57] Miko Lee: I love talking with creative people and you're such an amazingly talented singer and songwriter and imagination creator. I'm wanna start with the first question I ask all of my guests, which is, who are your people and what legacy do you carry with you?   [00:06:16] Thao Nguyen: Who are my people? Some of them include the family I was born into. I'm from Virginia. I was born and raised in Virginia. but I'm the daughter of Vietnamese refugees of war. And, I moved out to the Bay in 2006 after my first US tour. And, I'm so fortunate to have such a robust community here in the bay and all of my chosen family here.   [00:06:40] Miko Lee: And what legacy do you carry with you?    [00:06:43] Thao Nguyen: What legacy? I think the legacy I prioritize. I think, you know, [laughs] we inherit a lot and as time goes on and we get older, we realize everything is finite and you have to choose which legacies you choose to continue, and perpetuate and honor and what you have to leave by the wayside. And so the things I choose to continue and celebrate are that of a real ability to be very present and in the moment and available to joy and I think the people I come from are really good at metabolizing joy because they know the flip side of it so well.    [00:07:23] Miko Lee: Ooh, that's so interesting. Can you speak more about what it means to metabolize joy?    [00:07:30] Thao Nguyen: [Laughs] uh, an ongoing practice? I think it is to be truly present and I believe, of course gratitude goes a long way, but I to fully metabolize it is to allow yourself to feel embodied in it. And, you know, there's more somatic practice I think that to actually feel it course through your body, you are allowing it, you're honoring it as completely as possible. And, do you have to acknowledge that it's happening as it's happening? You know, I think that's having true presence with it.   [00:08:08] Miko Lee: Can you roll back with me in time and talk about your earliest childhood memories of being a singer or songwriting? What came first?    [00:08:18] Thao Nguyen: I loved music from a very early age, but I didn't have a lot of access to it, to making it, it was more as a listener. The soundscape that I grew up with, there was a series called Paris by Night, which probably you've heard of within Vietnamese diaspora, uh, community and Culture. And it was this variety show that was, created by, people who had to flee Vietnam. And originally it was in Paris and it showcased A lot of singers and performers, who had fled, either before, during, or right after the fall of Saigon. And, it was this one gathering wherein. entertainers from the different generations, from my grandmother's generation, from my parents were able to coalesce and exist together. And there was just this sampler platter of a lot of different sonic influences. And then you had the younger generation, which was reinterpreting what American pop music was at the time. So you'd have my grandmother who [sang] cải lương which was this incredibly, it's like, almost like folk operatic, very dramatic, theatrical singing with a lot of pitch bending and, which I didn't understand that I was absorbing it in such a way that I would recreate it later on in my playing, but I would go on to credit it to being from Virginia and saying it was more of like an Appalachian influence, which it was as well. But the origins, the true origins were within my soundscape before I understood what that was. You know, so you have that and then you have, an artist named Lynette who's. basically in reinterpreting, like the latest Madonna song and has a cone bra on, so everyone's existing act after act in the same, um, sorry for that ramble. Did I answer that question?    [00:10:13] Miko Lee: Yeah. Uh, I, so what was, do you remember the age or you just grew up hearing all these different kinds of sounds?    [00:10:20] Thao Nguyen: I mean, that was from before I knew what age I was, you know, that was just like, and that was such, um. For the community and within my family it was such an event every time one of these, you know, double VHS things were issued that people would be making copies, someone would drop it off at the house. You know, there, there was always one or two in circulation, but it was this. Event that you'd,    [00:10:43] Miko Lee: are these like bootleg copies?    [00:10:45] Thao Nguyen: Yeah, there's like, wow, there's bootleg. There's also, there was one book in music store in Eden Shopping Center, which was like the hub of, of the Vietnamese community in, in, uh, Northern Virginia. And so someone would buy the original and then go and bootleg it. You don't know how you ended up with what, but just like they would drop off some citrus and and Hennessy or whatever, and then the Paris By Night thing. And um,    [00:11:11] Miko Lee: I love that the combo citrus, Hennessy and some music.   [00:11:16] Thao Nguyen: Everything is a digestif, you know? And, um, so I would have that. But then of course, I, you know, I, I listened to the radio. That was what, that was my main resource and I listened to the oldie station the most, and I loved Motown. And I remember, in this I was like five or six, we had these large speakers that's sat on the floor either side of, of this cassette deck, radio unit. And I would lay down and, every time Smokey Robinson came on, “You really got a hold of me” that was like my favorite song and I would tape it and then so either I would listen to it live or I would play the cassette and I would just lay down and get as close to the speakers as I could. But at that point, I hadn't seen who Smokey Robinson was, and I imagined, because I also am a child of eighties and nineties. I imagined it was Crystal who was Roseanne's best friend from the Roseanne show. You know, I didn't know anything, but I felt all of it.    [00:12:20] Miko Lee: Wow. Yeah. I love that. So, I love that. And I was really wondering, I heard this story about you, that you actually did a rap for on Charlotte's Web when you were in elementary school.   [00:12:33] Thao Nguyen: Okay. Okay. This is a deep cut. You've done some research.    [00:12:39] Miko Lee: Tell me about how that came to be. So you must have been introduced to rap pretty young to be doing that.    [00:12:44] Thao Nguyen: Oh, absolutely. This, so this was another, and this, I'm so glad you brought that up, because all of this is, every genre, every kind of music I, at this point is so vital to me, and it actually goes on to reflect the kind of music I make. And so I have an older brother who's almost eight years older, and around this same time, he's a huge hip hop fan, or that's one of the things he loves, he loves like Duran Duran and like the Fat Boys, you know? And , when I saved money, the first cassette I ever bought was Salt-n-Pepa. And I, yeah, so I was listento the Fat Boys and Queen Latifah. And I loved, I loved every, I loved to hear the flow, the different cadences and in third grade I was voted best rapper. This, and, you know, not coincidentally. This is the year I, I do the book report, the Charlotte's Web, you know, and they gave me the option. You can either write it or you can write a song or whatever. And so I wrote a rap about Charlotte's Web, but I was too shy. I had recorded it and just played it in my presentation. I didn't perform it live.    [00:13:51] Miko Lee: And how was it received?    [00:13:54] Thao Nguyen: I mean, I can still hear the roar. yeah, everyone, [laughs] I think the teachers    [00:14:01] Miko Lee: The crowd roared. The third graders roared.    [00:14:03] Thao Nguyen: Yeah. I mean, everyone's standing on their desks. It's rickety, you know, teachers are worried about child safety, it doesn't matter. They're like, Encore. I'm like, I don't have anything else. Uh, you know, uh,   [00:14:15] Miko Lee: Wait for real?   [00:14:17] Thao Nguyen: No, no. [laughs] the teachers thought it was cute. Probably the kids thought it was funny. I actually don't know because I was so nervous I even pressing play. I was so nervous. I don't know if I registered what, how it was received.    [00:14:34] Miko Lee: That's so sweet. Given your eclectic music knowledge and the music that was around you at the time as a musician, now you've been described with so many different categories, country tinge, indie folk, pop, blues. How would you describe your music?  [00:14:54] Thao Nguyen: I would describe it as. What's embarrassing is I've been doing this a long time now and I've never figured out a way to describe it. I would, I, I generally just say it's, you know, it's under the umbrella of indie rock, but influenced by jazz and hip hop. And because I learned to play guitar by picking out country blues songs. And because I grew up in Virginia, there, there are these, like old time, Country blues picking patterns that I've used. I, you know, it's, yeah. So that, I've never figured out a way to say it succinctly and I continue    [00:15:29] Miko Lee: and you don't need to. That's okay.    [00:15:31] Thao Nguyen: Thank you.    [00:15:31] Miko Lee: Is there a big Vietnamese population in Virginia?    [00:15:35] Thao Nguyen: Yeah, I, I think there is a very healthy population there. And it was one of the first places that people were settling when they were being resettled. And my parents met, in a refugee camp in Guam. And then they were sent to Arkansas. And then from there sponsored out to North Carolina. And then from there of a few friends that they had made, had found work with Metro, which is the public transportation train system in DC and found my dad work there. So that's why people resettle, that's why we ended up in Virginia.    [00:16:16] Miko Lee: So Thao & The Get Down Stay Down you released five studio albums and now you're working primarily as a solo artist. Right?    [00:16:25] Thao Nguyen: Yes. Yeah. I will say I still work record and perform with a band. And a lot of the people who worked and performed with me in that iteration are still with me. it was more I wanted to, just use my name and move beyond what the get down stay down was, which I was never really sure. With things that you choose when you're 22. As time goes, you know, it starts to, and you're lucky if you can kind of shed things and not, not stay beholden too much.   [00:16:57] Miko Lee: Ah, what have you learned to shed?   [00:17:02] Thao Nguyen: Oh my gosh. Thankfully a great deal and it's an ongoing exercise, but. I used to be so much heavier with the weight of what I thought a serious artist was what I thought a serious songwriter should be, who I thought, where I thought my, you know, different benchmarks of what success were. What I should be making versus what people wanted to hear versus what I wanted to hear. I actually never I wasn't always all the way sure about what I wanted. You know, I, I think a lot of people encounter that, but I've thankfully been able to shed as much as I can. It's an ongoing practice, but I, you know, one thing it. Is that I used to think, I can't believe I've been doing this this long. And it's, not necessarily, I didn't understand what I was working towards, but only that I had not gotten there yet. And then, you know, I think pandemic and on, I've been just so and as I get older, the transition into being so sincerely grateful that I'm still here and I get to do this. this is what my job is, and however I can, and whatever I can do to sustain, being able to, to do this for my livelihood and maintain my integrity within it is the greatest gift. So as when I made that switch a a lot of things, a lot of the darkness left me.    [00:18:39] Miko Lee: Oh, that's beautiful. Thank you for sharing.   [00:18:42] Ayame Keane-Lee: Next, let's listen to Temple, the first track off of Thao's album of the same name.   MUSIC   [00:22:56] That was Temple by Thao and the Get Down Stay Down. Back to her interview with Miko.   [00:23:01] Miko Lee: I'm wondering if you could talk a little bit about the 2017 documentary Nobody Dies, a film about a musician, her mom in Vietnam. How did that, and that's a documentary that follows you and your mom as you go to Vietnam. I'm wondering how that project came about.  [00:23:17] Thao Nguyen: Yes, I'm happy to tell you about it. in 2015 I was invited by concert promoters in conjunction with the US Embassy based in Hanoi, to come perform for the, I guess at that point it was the 25th anniversary of the normalization of relations between the US and Vietnam, and I was able to bring my band and I was able to bring my mom, and she hadn't been back in 43 years, and she used to work for the South Vietnamese embassy and was stationed in Lao, when Saigon fell. So she actually left Vietnam in 73, assuming she would go back after her time abroad and then was never able to return. So I was able to bring her, the struggle was would she actually come, you know, and we had, I had, a bear of the time initially convincing her it would be okay. And, it was like, just begging her to come. She's like freaking out. She hangs up on me. I call back. She hangs up. You know, it was a back and forth that I'm trying to convince her of things that I'm not sure of where she's like, I'm still on a list. I'm like, no, you're not. But I don't know that, you know who, how would I know that? But I told her she wasn't on the list. Anyway, my, a friend of mine who's a filmmaker, as this all was happening, he asked if he could come along and document all of it. And he and, his DP traveled with us and it was an incredibly intense trip, and it was beautiful and I am so glad it was documented. And then somewhere along the way I had a performance and, this was all in editing. And then I ran into Don Young at CAAM Center for Asian American Media. Oh, I know what it was. It was something for Sundance and Don Young and I were just in the same shuttle going to the airport and we were talking and I told him a little bit about this and then I sent him some footage and you know, and then CAAM and PBS were gracious enough to co-produce and, Make it so it could be, you know, a a half hour documentary that aired on PBS. Um,    [00:25:21] Miko Lee: so that that was on a bus ride.    [00:25:23] Thao Nguyen: That was on an airport shuttle.    [00:25:25] Miko Lee: Airport shuttle. I love it.    [00:25:26] Thao Nguyen: Yeah [laughs].    [00:25:28] Miko Lee: So was it hard to convince your mom, I know it was hard to convince her to go to Vietnam. Was it hard to convince her also then to be on film? What was her response to that?    [00:25:37] Thao Nguyen: Well, luckily for all of us, my mom loves to be on film and is, um, a total flirt and ham and. Oh,    [00:25:48] Miko Lee: so that was a bonus. That was like a,    [00:25:49] Thao Nguyen: that was a bonus. The camera loves her. As did the film director, my friend Todd, she loved it. And she just, she comes alive and she's a true performer. And, it was really beautiful to see her in this element that I, I didn't know if I'd ever, I actually. Never thought I'd get to see her this way. You know, I grew up, both my brother and I grew up translating for her, it is sort of at every, at every level. And, we'd go out to restaurants and it's not that she, you know, it's like she would get shy and then it would just easier, it always just became easier if we just did it for her. But, so we'd order for restaurants and, and to see her. not to say that she doesn't I mean, she was a small business owner. She owned a laundromat, dry cleaners in Virginia and totally is the reason why everybody is alive, you know? But, to see her move so seamlessly and easily, I'm sorry, it's emotional in the world was this, such a gift I didn't know I'd get. And, You see her haggling with people, you know, and, and she's directing as she's pointing out. Yeah. It was just a really, no matter how long someone has been away from the place they were born, you know, to see them back there is, um, it was, yeah, it was just such a beautiful gift and I'm glad we have it on film.   [00:27:17] Miko Lee: Did you discuss that with your mom? How different that was for you to see her in a different way?    [00:27:22] Thao Nguyen: You know, not, not, um, not directly. I've written about it, but I've not, we don't have the kind of, Yeah. That, that's never come up in those ways. You know, we talk a lot. I basically, I try to call her at least, uh, almost every day, just 'cause she lives across the country. So I wanna just be sure that, you know, I'm just doing these like, casual wellness checks, but we don't often get into those more philosophical conversations. Um, but she did, you know, the, the song Temple, Which would become the lead single of the album Temple was, inspired by this moment of candor that I had never experienced before and I would never experience again. It happened one night when we were in Vietnam and she just said outta nowhere. You have to understand what freedom is and you have to understand why a million people would risk their lives at sea, and I can't. I can't teach you that. I can't help you with it. You have to know for yourself. And that's what became, the song Temple where wherein she's speaking to me about her life before, during, and after war.   [00:28:35] Miko Lee: That's so powerful. Thank you for sharing. I, I appreciate that about your music, the personal, visions and dreams and pain that you experience putting that in. Is there another song of yours that really stands out to you?    [00:28:51] Thao Nguyen: Another one. Aside from that?    [00:28:53] Miko Lee: Aside from that.    [00:28:54] Thao Nguyen: There's. You know, yes, there's a, there's definitely a few from this new album that is, that I just finished and it's releasing in September. From that same album Temple there's, the song Marrow. there's a few. That album is as much, it was, it was this, I just had this, I knew that I had to make it both about, what my Vietnamese identity is and what it is to be queer in Vietnamese and stay in the culture, which is not something that I thought I could do. So yeah, I would say both Temple and Marrow encapsulate, this effort to fully align myself in ways that I hadn't been able to.    [00:29:40] Miko Lee: And what is Marrow about?    [00:29:42] Thao Nguyen: Marrow is about what it means to fully accept yourself so that you could offer yourself to the rest of your life. You know, it's, it's like.   [00:29:54] Miko Lee: That's all.   [00:29:56] Thao Nguyen: That's all. And it's, and it was against the backdrop of getting married. but it was more about me coming to terms with not even coming to terms, like even that language is so, disparaging. It's, it was just about claiming myself and saying to my family, I need to be, you know, I, I need to be my full self and I believe I can be with you still. But you know, the lines are, It's so funny. I sing it all the time and I can't do that. The line I'm thinking of in particular is, at that point I'm apologizing to my partner at the time and saying, you know, I am basically, I couldn't claim us because of this barrier, but I'm sorry to you and I'm sorry to me, and the, you know. I have grief in my marrow. Will you marry me still? So is it, that's a roundabout way of explaining what that, what that song is.   [00:30:54] MUSIC    [00:34:24] Ayame Keane-Lee: You just listened to “Marrow” by tonight's guest, Thao Nguyen.    [00:34:28] Miko Lee: You talk about Temple and how that was based on this trip you took in 2015, right? 2016. How long does it generally take you for a song to germinate?    [00:34:41] Thao Nguyen: You know, that one, um, that's, that is an example of a, a longer, uh, gestation period because it was such an intense, because Vietnam was such an intense time. Uh, it was months, maybe it was two years before I could even think about it, honestly. And there are other things that happen. I wish things happened more instantaneously. It's very rare that a whole song will just present itself. You know, temple, that song in particular, when I started writing it, it took maybe two hours, but it took me two years to get to the point where I could    [00:35:20] Miko Lee: And it just came to you in two hours?   [00:35:22] Thao Nguyen: Yeah. It just came, just the vision. All those, the imagery, everything that I'd wanted to say. It just, I understood how. To present it. And I think I had tried in other forms over that time, but it just wasn't ready. Other songs, um, yeah, anywhere from it's, it's like the chorus or a hook or a verse will come very quickly, and then the time, the more arduous stuff is building around it to make sure that it, it, you know, it's properly bolstered. Like I, if I believe in a hook, then I'll, I'll try to build the house around it.    [00:36:02] Miko Lee: And how, what do you do? Do you just record it straight up right when you get the hook, like on a small device or what's your process?    [00:36:09] Thao Nguyen: It um, typically I'm playing an instrument, either guitar or piano or I've written, you know, sometimes I get bored, I write on other instruments, but primarily it's guitar, piano, and, um. It'll be the melodic hook only on the instrument, and then I'll put words. But yeah, it's, I, I just use voice memos and then as I'm building it, then I'll move into pro tools and, and, and record a more proper demo.    [00:36:40] Miko Lee: And do you have a set working process or you just vibe it whenever you're feeling it? And I ask because I always ask this of artists. Because I think it's so interesting, what is the discipline it takes for your art form? And I remember I interviewed Isabel Allende years ago and she said, yes, I make myself go in my studio at 8:00 AM every day. And even if I can't write, I sit there from this time to this time. So what, what is your process like? Or do you have a set process?    [00:37:05] Thao Nguyen: Yes. Absolutely. And it's taken me so many years to figure out what my set process is and to have the discipline to really, really, um, I do believe it is a daily practice and it is a daily discipline and I'm so afraid of what happens when I slip out of it because I know what happens. I've tumbled into this very dark, deep well of despair and I don't know. You, you start to question what your whole purpose is. It gets bad very quickly, right? So I'm always trying to stay on the side of not completely sliding down. Not to say it isn't very joyful and I mean this a very lucky position to be in. One of the things that's been going on for the last few years is I have multiple projects going on at once and I do have to figure out, I had an, um, the album is just finished thankfully, but I am developing a musical and I'm also writing a book. And so I have to figure out, I divvy out the days. I would like to say that I can work on all three in one day, not possible. So I have to choose, um. And it's always, the morning time is the best for generating something from nothing. And then I try not to edit or revise or question it until that afternoon or later. Actually, you don't question it within that same day. Like the main, I think the main priority for me is maintaining momentum and optimism. So I need to do whatever it is to thwart whatever part of me is trying to take it down. Um, so I'll work in the morning for a few hours and then leave it, you know, and as writers say, leave it no matter if it's songwriting or whatever, like leave it at a place where you, when you start again, you feel good about it and you know what the next step is.   [00:39:08] Miko Lee: Do you have a set time? It's like just the morning from this time to this time. And then do you say musical today? Book today. Album today. How do you do that?    [00:39:17] Thao Nguyen: Well, it depends on the deadlines.    [00:39:21] Miko Lee: Of course.    [00:39:22] Thao Nguyen: I, yeah, I, I work to the deadline. 'cause there's always, thankfully, there's always at least one happening and yeah, I. I love this by the way, because I actually, when I'm stuck, I just look up different routines for writers and artists. It's like my favorite thing to do. So I love to participate in this conversation. Um, but I wake up, I meditate, I try to do a little stretching, and then I do a walk. It depends on where I'm working. Okay? Here's the thing. If I'm working on music, I have to work at home. If I can write, then I'm gonna go to a coffee shop or the library or my friends just opened up local economy, uh, that, that, so I've been going there and because writing is so lonely and miserable that I cannot be in the house, I, I, there's no way I have to be in public. Um, and just at least feeling the energy of other life    [00:40:18] Miko Lee: With songwriting also?    [00:40:19] Thao Nguyen: With songwriting, I have to be home 'cause I'm making all this noise. So what? Yeah, with songwriting I'll be at home, but that's way less miserable 'cause I can just play guitar or piano or something and then, or I'll be in studio with my friends that I'm making the album with. Um, now that I've finished the album and I'm moving and I'm more squarely in the book writing, um, I try to do two hours. You know, not, not solid. I will try, like, for a while, um, I was doing the timer with the, you know, 25 minutes at a time. And then that wasn't, I wasn't getting enough done and then, yeah, and then more than two hours. I, I just can't, it's not sustainable. Um, for me, I feel like I get a solid hour to two. Or maybe you hit like a two page, two or three page, um, quota or something, and then just don't even look at it and then go, and then I go exercise and I need to be outside and, or go on a hike or something.    [00:41:34] Miko Lee: Okay. Tell us about this book. What is it about, what's the timeline? No pressure.    [00:41:41] Thao Nguyen: I would love to tell you what it was about, if I knew better. Um, what it was. It's, it's a collection of essays and I'm calling it, so it's, it's, uh, it'll be out on Gray Wolf, um, into, in spring of 27. And so it is due relatively soon 'cause they, it's a longer lead time. I'm calling it a community memoir, um, because it's a collection of essays from different, it's all through my lens, but it's to celebrate these characters that I grew up with in Foster Virginia, within my family, within the community that I, they're so vivid to me and. Their stories. The quieter sides, the quieter moments of what it means to live in diaspora or what I wanna capture. And also what, you know, part of it is what shaped my musical life. And, and there are all these influences and elements that I, that I just wanted to celebrate and honor and. These people that I remember, but I, I'm, we're all, you know, I'm, I'm turning 42. I'm like, I, we're close to lo I'm close to losing the Hi-Fi detail of them, you know, and, and I don't know who else, is in a position to capture it. You know, and, and also it's this amazing opportunity to talk to my mom's, brothers and sisters. You know, there are tales. There's, of course, you grow up with, I think it's really different to, I was raised, you know, in Virginia by my, primarily by my mom. My grandmother and my aunt didn't come till I was five, but the stories that I heard. Mostly were from my mom who fled in, who left in 73, and her experience is so different than my grandmother, my aunt, all of my mom's siblings who stayed, who had to stay through the fall and, and live in a different regime, you know?    And so to get to hear those stories of just like the more quotidian indignities of what is life after you've lost your. To them they've lost their country, but they're still in it. You know, like, what is it to, with what were the rice rations like? Yeah. So, 50 years on what stays with people, you know, against the backdrop of the most devastating thing that can happen is that like the rice was so broken and it was so rationed and the quality of it was so infuriating and that they and my uncle talks about just for the 50th anniversary, I went back, I had an event, um, I think at the Smithsonian, and I went and I was staying with my uncle, and so I was able to ask them questions and he remembers buying meat on the black market. But you, you'd go to this market, you'd make eye contact with the person. They, you follow them to a behind the stall. They give you this meat wrapped in newspaper. You don't even know what it is. You don't, you can't unwrap it till you get home, you know? Anyway, those are the things that I, I just am so fascinated by, and I, there's just this kind of humanity and life in them that I wanna help. Um, record and if nothing else, just so that I know that it gives me an opportunity to ask these questions. Um, there's stuff about, you know, I'm estranged from my father and I have a lot there, there are things that I, you know, it just, these essays are helping me, better understand and, and process. these open-ended. storylines that, that, have punctuated and haunted me.    [00:45:38] Miko Lee: And this is your first book, right?    [00:45:40] Thao Nguyen: It is, yes.    [00:45:42] Miko Lee: What made you decide to do a book format and also essays, I heard you say? Mm-hmm. Um, as opposed to another album or a series of songs.    [00:45:52] Thao Nguyen: Um, I've always wanted to be a writer. Bef I wanted to be a writer before I was a songwriter, before I wanted to do anything. And I think it scares me the most in my life. And, and it was time to, you know, the opportunity came up, um, very fortunately to get to write a book for Gray Wolf, which of which I'm a huge fan, you know, and, uh, it's a true honor to be affiliated with them. And. Uh, I wanted to do it because it's a lifelong goal and dream, that actually is way scarier to me than making music and performing music. So I, I kind of just needed to see that I, I needed to try.    [00:46:38] Miko Lee: And why an essay format?    [00:46:40] Thao Nguyen: Um, I think that's what naturally. For this, for the first go, it, it, it is what naturally I'm drawn to and what happens most easily. Uh, and I think they're similar to songs in that way. And I, I am very much as a writer, as a songwriter or any or prose writer, I want to try and just capture the, a moment and a feeling and I. Um, that's my main prerogative and my main compulsion when I write. And so for this first go, I'm hoping that there will be more, but this, yeah. Is, is just the, the easiest way to package it.    [00:47:28] Miko Lee: I'm absolutely looking forward to reading it. Now share about a musical. Tell me more    [00:47:34] Thao Nguyen: Musical. I don't know how much I can say besides, uh, it's not been announced yet, but I do, I have been in, I do spend a lot of time in New York, um, and it's an adaptation. Um, I. I shouldn't have. I, I just wanted to mention that it was happening, but I know now that I sh I can't actually say.    [00:47:56] Miko Lee: Okay. That's okay. It's secret, So how can our audiences find out more about you and your work? We'll put a link to your website absolutely. On their webs, on our, program page. But are there other ways that folks can find out more and keep up to date with what you're doing?   [00:48:11] Thao Nguyen: For sure there's, um, well, all the social media, um, outlets were on there @thaogetstaydown. And um, I have a substack called THAO For The Record, which actually was just me sort of documenting my process of making this next record. Um, but that is my preferred way to be in touch in a more long form, um, less harried way. And the new album is coming out in mid to late September. And so I'm really excited about that. And we're, we are gearing up for more touring, starting the summertime.    [00:48:54] Miko Lee: Excellent. Can't wait to listen to you more and hear the new, piece. And thank you so much for joining us on Apex Express.    [00:49:02] Thao Nguyen: Thank you so much for having me. It was such a joy to speak with you.   [00:49:05] Ayame Keane-Lee: The last song we're playing tonight is also the last on the album Temple. It's called “I've Got Something.”   MUSIC [00:53:51] That was “I've Got Something” by Thao & The Get Down Stay Down. [00:53:55] Miko Lee: Thank you so much for listening tonight. Remember to reconnect to your ancestral technologies and hold in the power of tenderness. Please check out our website, kpfa.org/program/apexexpress to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preti Mangala-Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane-Lee. Have a great night.            The post APEX Express – 6.18.26 Talk Story with Thao Nguyen appeared first on KPFA.

I got a chance to chat with multidisciplinary artist, Victoria Cassinova, as we discussed being self taught, her identity as an artist and the life altering accident. -Was her work ever the same after the accident?-Does Victoria's work serve as documentation of healing?-How intentional is balance?Check out Victoria Cassinova at The CAAM in conversation with JJ Anderson 1/29 at 7pm PT.Instagram:@vcassinova@jamir_smithJamirSmith.com

On this episode of the podcast, we have Justine Lee. Justine leads the development and management of all artist and organization-focused programs at Asian American Arts Alliance (A4), a nonprofit serving AAPI artists and cultural groups across disciplines. Previously, she facilitated bridge-building conversations featured on NPR, CBS Evening News, and BBC. Her work with the AAPI community includes Hyphen Magazine, Chinese for Affirmative Action, CAAM, and the Self Evident podcast. Justine advises WE ACT, an environmental justice nonprofit. She resides in Astoria, Queens with her husband Glen and daughter Olive.If you are in the NYC area, we invite you to attend A4's September Town Hall on the topic of "Traditions" on September 25, 2025, as well as their event, Artists for Liberation: A Panel Discussion on Asian American Cultural Organizing for Change on October 8, 2025.

Send us a textChinatown Cha-Cha is a documentary that follows 92 year-old previous nightclub owner/dancer Coby Yee as she decides to perform again and go on tour with the senior dance troupe Grant Avenue Follies. Ange is joined by director Luka Yuanyuan Yang and Cynthia Yee, one of the dancers/subjects of the film, to discuss how Chinese women were at the core of the Chinatown nightlife and burlesque scene in the 1950s, the powerful bond of sisterhood, and how starting a senior dance troupe gave some women finally a chance to feel free.This film is set in the heart of Chinatown, San Francisco, and was a part of the CAAMFest (Center for Asian American Media) Film Festival. Due to the elimination of funding for the Corporation for Public Broadcasting, CAAM stands to lose 40% of their annual budget. For more information, and to see how you can help, click hereTo see the Grant Avenue Follies perform live, click hereFollow Chinatown Cha-Cha on IGFollow the Grant Avenue Follies on IGFollow director Luka Yuanyuan Yang on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

On this episode I'm joined by Taylor Renee Aldridge. Taylor Renee Aldridge is a writer and curator based in Detroit, Michigan. In 2014, with writer Jessica Lynne, she co-founded ARTS.BLACK, an online journal of art criticism from Black perspectives. In Fall 2024, she assumed the role of Executive Director at the Modern Ancient Brown Foundation. In the episode we discuss her return to her native Detroit, the importance of ancestral practice, why there's a lack of art criticism today, and what she's excited about for the future. Taylor has edited and contributed to numerous exhibition catalogs, including Enunciated Life (CAAM, 2021) and Mario Moore | Enshrined: Presence + Preservation (Charles H. Wright Museum, 2021).  Her writing has appeared in Artforum, The Art Newspaper, Art21, ARTNews, CanadianArt, Contemporary&, Detroit Metro Times and SFMOMA's Open Space. She has organized exhibitions with the California African American Museum (CAAM), Detroit Institute of Arts, and Cranbrook Art Museum, including the critically acclaimed Simone Leigh (2024, CAAM & LACMA). Taylor is the recipient of the 2016 Creative Capital | Andy Warhol Foundation Arts Writers Grant for Short Form Writing and the 2019 Rabkin Foundation Award for Art Journalism. She holds an MLA from Harvard University with a concentration in Museum Studies and a BA from Howard University with a concentration in Art History.

Celebramos el 35 aniversario del CAAM, de Las Palmas de Gran Canaria, Hablamos de mujer y memoria con la artista Mar Caldas en el CGAC de Santiago de Compostela y descubrimos un nuevo proyecto Audiovisual en Madrid, presentado bajo el nombre, Modo Avión. Escuchar audio

Eva Soriano, Nacho García y el equipo de Cuerpos especiales se desplaza hasta Gran Canaria para llevar a cabo el programa en el Centro Atlántico de Arte Moderno (CAAM). Además de la entrevista a Guacimara Medina, Consejera de Cultura del Cabildo de Gran Canaria, y Orlando Britto, Director artístico del CAAM, Jorge Yorya da los consejos indispensable para manejar redes sociales en Navidad, un DUPYDAA ajustado al territorio y Laura del Val resuelve dudas legales fraternas.

Around this time last year, I covered my first film festival, SFFILM's Doc Stories. The screenings and other events all took place at The Vogue Theater, which is just a short walk from where I live. Long story short, I was hooked. Since then, I've covered SFFILM's International Film Festival, CAAM, and Frameline this year. And so I wasn't going to pass up a chance to speak again with Director of Programming at SFFILM Jessie Fairbanks. In this bonus episode, Jessie talks about this year's Doc Stories, the 10th such festival that SFFILM has put on to celebrate documentary filmmaking. Learn all about this year's programming, which includes many films and talks I'm hoping to attend. Event Details Thursday, Oct. 17–Sunday, Oct. 20 All screenings held at The Vogue Theater Go to SFFILM's website to learn more and buy tickets We recorded this bonus episode over Zoom in October 2024.

Stephen Gong has been the Executive Director of the Center for Asian American Media (CAAM) since 2006. He joined CAAM in 1980 and has held positions at the Berkeley Art Museum and Pacific Film Archive, the National Endowment for the Arts, and the American Film Institute. Stephen has also lectured in Asian American Studies at UC Berkeley, where he developed a course on the history of Asian American media. In this episode, Stephen shared insights about his journey as Executive Director of the Center for Asian American Media (CAM). He highlighted CAM's mission to present diverse and authentic Asian American stories, the importance of representation in media, and the challenges of evolving media landscapes. Gong also discussed the significance of CAMFest, their flagship film festival, and its impact on fostering community and showcasing Asian American talent. Additionally, he touched on educational initiatives, youth programs, and the importance of projects like the 1920s Chinatown Insider in preserving cultural history and resilience.

Charlie Pace is a Southwest Florida singer-songwriter who's been performing since she was 7 years old. She released first her single at the age of 14, and a few months out of high school, Charlie became a backup vocalist for the nationally-touring Pink Floyd Tribute band, Floyd Nation. She performs original and cover music under her own name, as well as original punk music with her side band CAAM.See omnystudio.com/listener for privacy information.

Escucha a Israel Hernández Luna del Centro de Atención Animal Municipal de El Marqués (CAAM). Nos cuenta sobre el cierre de una guardería de perros en el Marqués.

The 42nd annual CAAMFest kicks off tomorrow, May 9, in The City.   In this bonus episode, meet CAAM's Festival and Exhibitions Director, Thuy Tran. Hear about how Thuy ended up in San Francisco and working at CAAM, the history of this Asian-American media organization, and this year's film, food, and music festival, which runs through May 19.   Visit the CAAMFest website for more details.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Join Powerleegirl hosts Miko Lee, Jalena Keane-Lee and Ayame Keane-Lee, a mother daughters team. They are celebrating Asian American Native Hawaiian, Pacific Islander Heritage month.They talk with artists and activists who are telling their stories in so many different ways. Artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena, storyteller Nancy Wang, and musician, Scott Oshiro. Jalena learns about the POC Food and Wine festival from Director Gina Mariko Rosalis and talks with Thuy Tran about CAAMfest, Asian American film festival. Miko speaks with Cyn Choi from Stop AAPI Hate.   Events Covered in this APEX Episode May 2-5, 2024  POC Food & Wine Festival @cielcreativespace, Berkeley & @fouroneninesf, San Francisco, CA April 25-June 23, 2024 United States of Asian American Festival various locations throughout SF. Including performers such as Eth-Noh-Tec and Scott Oshiro May 9-19, 2024 CAAMfest various locations throughout the Bay Area. May 10-12th, 2024 After The War Blues Z Space May 16-June 1, 2024, DARKHEART – A Concert Narrative by Golda Sargento at Bindlestiff Studio Stop AAPI Hate campaign Spread AAPI Love   Additional Events: May 10-12, 2024 After The War Blues at Z Space May 31, 2024, from 5:00 p.m. to 10:00 p.m. Sacramento AAPI NIGHT MARKET   SHOW Transcripts Opening: [00:00:00] Apex Express. Asian Pacific Expression Community and cultural coverage. Music and calendar. New visions and voices. Coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Miko Lee: [00:00:34] Good evening. You're tuned into apex express. We're bringing you an Asian American Pacific Islander view from the Bay and around the world. We are your hosts, Miko Lee and Jalena Keane-Lee, the PowerLeeGirls, a mother-daughter team. Tonight we are talking about Asian American Native Hawaiian Pacific Islander Heritage Month and all of the amazing events that you can experience. We meet with artists and activists who are telling their stories in so many different ways. We hear from the artists from the annual United States of Asian America festival, including artistic director, Melanie Elvena storyteller, Nancy Wang, and musician Scott Oshiro. Jalena learns about the POC food and wine festival from director Gina Mariko Rosales and talks with Thúy Trần about CAAMFest an Asian American film festival. And I hear from Cinci from StopAAPIHate. First up, we're going to hear about all the amazing artists behind the 27th annual United States of Asian America festival.   Hello, Artistic Director Melanie Elvena from Asian Pacific Islander Cultural Center. We're so glad to have you on Apex Express.   Melanie Elvena: [00:01:44] Hello, everyone. Thank you so much, Miko, for having me here today and letting me talk about our festival.   Miko Lee: [00:01:49] This is the 27th year of the United States of Asian America Festival, which is stunning to me, already 27 years. Tell us about the theme this year, Be(long)ing Here.   Melanie Elvena: [00:02:02] Yeah, it's crazy to believe that it's 27 years. It's also my 10th year with APIC. And our theme this year is Be(long)ing Here which asks us what it means to be, Here, what it means to belong here, but also what are we longing here? Actually, I created this theme with our previous festival coordinator who unfortunately passed away in October, but he came here from San Diego and was just blown away by the richness of the AAPI arts community and our culture and our history. We just wanted together to reflect on where we have been, where we are now, And just what our collective future holds while acknowledging our backgrounds as immigrants, as refugees, mixed race descendants, and just really wanting to dive into what it means to belong. I think a lot of us as AAPI community members are folks who immigrated here, we're always looking for our home and our place where we can feel safe and belong, especially with everything going on right now in the world politically, the war in Gaza, a lot of us have even just in our own AAPI community, have lost a lot of community members. We're going through this moment of grief and reflecting upon our time in the pandemic, where we also just lost a lot of there was just so much death, right? What does that mean now in this current moment? Every year we try to come up with a theme that, you know, reflects upon us. What we're experiencing as Asian Americans, Pacific Islanders. And also what do we see for ourselves in the future?   Miko Lee: [00:03:21] Thank you for sharing Melanie. I'm so sorry to hear about your colleague. That's heartbreaking and you're right. We are living in such a time of immense grief. It is powerful how we can use arts and cultural events to enrich us and bring our spirits back to ourselves. Can you talk about the breadth of the festival and what people can expect?   Melanie Elvena: [00:03:40] Of course. So every year we have multiple events. , this year I believe we have 22 different events. It showcases all disciplines, theater, music, dance, film, literature, visual arts, many, many more. There's even culinary events and we have artists of all different disciplines, AAPI backgrounds, represented and, it goes from May through June. There's a little bit of something for everyone but I just want to talk a little bit about our featured events. Our first event is a kickoff celebration for the festival, but it's also an opening reception for our annual arts exhibition. This year, I worked with Independent curator Delaney Chieyen Holton, and they curated this exhibition called Where is Your Body and for them they are exploring how the body is the lowest common denominator for solidarity and thinking about the body and our vulnerabilities. What does it mean to have a body, especially as someone who identifies as AAPI, a person of color, queer, for us, we're always negotiating what the body means, for ourselves out in the world. There's a handful of artists and that's going to open on April 25th. Then the exhibition will run through May 24th at SOMArts cultural center. So we would love for everyone to come and see the show. Another event that we're highlighting. We have two featured. the first one is Megan Lowe Dances from May 31st through June 9 at The Joe Goode Annex called Just a Shadow. Megan is bringing together seven artists to make six different duets. It's about pretty much celebrating life, but also acknowledging grief and the memory of loved ones and resilience. For Megan, who personally has experienced a lot of loss in the last handful of years, she's using this piece to reflect upon everyone's collective grief that we've all been experiencing. Our next featured artist is Ramon Abad, who's doing an immersive theater experience for children and families at Bindlestiff Studios called Duck Soup. He has shows from June 8th through June 15th. I really love about Ramon's work is, he works with puppets and brings in children and youth to tell their own stories. There's going to be multiple stories with different youth, and they're going to be able to tell them to an audience and to have families involved, especially in San Francisco, where there's not as many programming for children. We wanted to highlight Ramon and be like, San Francisco is a place where families can thrive and have a space and with his art with his theater his puppetry. It brings to life, the humor, the joy, but also some of the hard things that we have to go through, especially through the perspective of youth and of children.   Miko Lee: [00:05:58] What is a collaborative event that you're doing this year that you're excited about?   Melanie Elvena: [00:06:02] Yeah, so We're collaborating with Sunday Streets Tenderloin to do an outdoor showcase from 1 to 4pm on June 23rd It's a street fair, two blocks on Golden Gate Avenue in the Tenderloin between Jones and Hyde Streets. We're so excited to have this partnership again with Sunday Streets and Livable City. We're going to have a whole afternoon of performances from both artists, as well as Tenderloin artists and local artists. Our Artists we're featuring is dNaga Dance Co., Johnny Huy Nguyễn & Tim Kim, Sun Park, as well as Swetha Prabakaran Productions with Nirmathi. We're just so excited for this day because last year we had such a good time. We brought the stage to this street fair and people from all walks of life came to enjoy as well as a lot of families and youth. It was just like a beautiful day where folks could just come and enjoy as well as take advantage of the free services that they had. The street fair offered, especially when we talk about the tenderloin and all the issues and problems you think of homelessness substance abuse and all those things. But, for one day, there was just like this beautiful time where everybody was just enjoying and being each other's company. That's the real San Francisco. I think that's the real beauty that we have here. The real richness and what it means to experience art together. It really brings people together and it brings some healing. I'm super excited to have this again and can't wait to be out there.   Miko Lee: [00:07:20] Thank you so much APICC, for continuing to show up and provide us with a varied experience of what it means to be Asian American for curating such an amazing event. We really appreciate your work. People can have access to all of these amazing adventures with APICC and a greater understanding of belonging here by looking at the website, which we will link to on our apex express site at KPFA. Next up, listen to elements of freedom from Scott Oshiro Part of Afro Asian futures playing Saturday, May 18th. As part of the United States of Asian America Festival.   MUSIC   That was Scott Oshiro from Afro Asian Futures playing the song Elements of Freedom. This will also be part of the United States of Asian America Festival.   Welcome Nancy Wang from Eth-Noh-Tec to Apex Express.   Nancy Wang: [00:10:18] Thank you. Thank you, Miko. Miko Lee: [00:10:20] We are so happy to have you, and I understand that Ethnotech is going to be part of APICC United States of Asian America Festival. Can you tell me about what work you're going to be presenting in APICC Festival?   Nancy Wang: [00:10:34] Yes, my piece is called Shadows & Secrets, and it's about my grandfather's death in 1924. We had all been brought up to think it was an accident, although my grandmother accused her own brother of murdering him, so no one took her really seriously, but I began to notice inconsistencies around what was going on at the time of his death. And so I've been doing a lot of research and I've come up with too many suspicious circumstances around his death. I agree with her. I think it was murder. And so my piece is about trying to find in this cold case, uh, Who could have been the murder. There are four suspects I have found, and maybe they all did it together, or maybe they all wanted to do it, but this is what this piece is about and it's multidisciplinary. So there's going to be media behind it with different photos of this restaurant. He was a very famous restaurateur in Chicago. I have six other actors who are going to do the parts. It's going to be a stage radio play genre. So it's kind of exciting with all the Foley sounds. It's going to be at the Mission Cultural Center on May 4th and 5th. May 4th at 6:30pm. and May 5th at 2pm. In addition to that, we're doing an art exhibit at 447 Minna, because there's an artist in New York, Chee Wang Ng, who has been collecting various memorabilia of Chinese restaurants in that era of the early 1900s. It is going to be really interesting to see the lavishness of the restaurants at that time, east of the Mississippi river, because both. non Chinese and Chinese were very, very much in love with Chau Sui. If they could afford it, they went to these lavish restaurants.   Miko Lee: [00:12:20] And how is the exhibit connected to your work?   Nancy Wang:[00:12:24]  Because my grandfather had one of those lavish restaurants in Chicago. He was known as the, Prince of Merchandom or the wealthiest Chinaman in the Midwest. Because of his fame and his ability to draw in like the upper crust of the lo fan or the European Americans who came to his restaurant and were loyal to him. He had more than one restaurant and they were all very lavish. You'd have opera singers and violinists from Russia. And he had a 10, 000 organ in his restaurant and he had, uh, organ player every night besides bringing in special guests. So it was really very lavish, but very suspect as to what else was going on. Everyone's dead. So I can say what I need to say. [Laughs].   Miko Lee: [00:13:14] This feels like a new genre for Eth-Noh-Tec in terms of doing a radio play and an art gallery. How, what does it feel like to expand into a new kind of medium?   Nancy Wang: [00:13:24] We saw the Ross Valley players put on a stage radio play and it was so interesting. I just love the idea of it. And it also saves the actors from having to memorize because they get to use their scripts since it's supposed to be a radio show. They all get to play different characters, so they have to find different stances and different voices, so it's a challenge for them. so it really simplifies and at the same time is really interesting and exciting.   Miko Lee: [00:13:50] I'm excited to see it because mostly your work is movement oriented. Many different forms of Asian, traditional dance forms that are moved in this storytelling style, so it will be very fun to see a new kind of work. Can you talk a little bit about how your show fits into the festival's theme of belonging here?   Nancy Wang: [00:14:09] I think, everything that happens whether they're part of the Tong Wars or they're part of, just trying to make a living, survive, it's all about trying to belong here. Even if the Tongs are at war, it's about territory. It's about saying, no, this is where I live. This is my territory. I belong here. So it's always about trying to make sure that your own way of life is going to be grounded in some kind of permanency, trying to make sure that you get to stay in this country. So, whether you have to, you end up doing it illegally, It's still about trying to stake out where you belong. That's how I see it.   Miko Lee: [00:14:51] And lastly, Nancy, talk to me about what Asian American Pacific Islander Native Hawaiian Heritage Month means to you.   Nancy Wang: [00:14:59] Well, you know, it should be our heritage all year round, but in this time that the federal government has put aside for us, , it's a way to really hone in on here we are. This is who we are. This is what we're capable of doing. This is how we think. This is how we express ourselves. We belong. Please understand. We're not foreigners forever. We have been here for seven to eight generations already. So how can you say we don't belong? This is our world. This is our country too. It's really important for us to use this time to celebrate who we are. And hopefully that the rest of the country, who are not Asian, Get to understand that and somehow create the bridge that will connect us all in some way so that diversity is celebrated rather than something to fear.   Miko Lee: [00:15:52] Nancy Wang, thank you so much. Looking forward to seeing your show as part of APICCFestival. Thank you.   Nancy Wang: [00:15:58] Thank you, Miko, for having me on your show.   Jalena Keane-Lee: [00:16:00] I am here with Gina Mariko Rosales and so excited to talk about the POC Food and Wine Festival. Thank you so much for joining us on Apex Express.   Gina Mariko Rosales: [00:16:10] Yeah, I'm so excited to be here. Thank you for having me.   Jalena Keane-Lee: [00:16:14] Can you tell us a little bit about the festival and what listeners can expect if they are to attend?   Gina Mariko Rosales: [00:16:20] Been a long time event planner, producer. We've been doing a ton of work in the Filipino community in San Francisco for over seven years. So one of our biggest festivals has been Undiscovered SF, this Filipino night market. And it's been so beautiful for us to be producing that event. But I've really had this desire to build with more multicultural communities. And so that's how this idea of POC Food and Wine was born, was really wanting to bring together multicultural communities in food, beverage, art, music and how do we bring all these folks together to build something that's bigger than any one of us? How do we share knowledge resources across our communities? So POC Food and Wine Festival is launching. It's a four day festival and we're featuring all kinds of different events, but our main event is happening on saturday May 4th. So it's the main dish where we're featuring pairings so like tastings from amazing award winning chefs. It's paired with POC winemakers, spirits, non alcoholic drinks, and beverage brands. And then of course, Make it Mariko, we always do music really big in everything we do. So of course there's going to be tons of amazing DJs and live music performers. But there's really something for everyone. You want that festival vibe, you want our after party vibe, you can come to that or we have these really amazing family meals where it's like more of the traditional sit down, coursed out, dinner service.   Jalena Keane-Lee: [00:17:45] So exciting. And for people who don't know, why is it particularly important to highlight POC winemakers and food creators? What is it about those fields that makes it difficult for people to rake into?   Gina Mariko Rosales: [00:17:57] In the mainstream spaces and all of those industries so many of these festivals, a lot of the smaller batch winemakers or just folks who don't maybe have PR agencies, they don't really get access to a lot of these festivals. And even when POC folks do get access. A lot of the time it costs a ton of money for these chefs to come and present at some of these festivals. And so that's not accessible to a lot of people who may be really amazing chefs but don't have the budget for that. So our whole goal with our festival was to create a space that was highlighting folks who don't necessarily typically get access to these big festival spaces and how do we do it accessibly for them so they can really come and be a part of it.   Jalena Keane-Lee: [00:18:41] And speaking of accessibility, I feel like wine sometimes can be something that it feels like, you know, there's a lot of clout around it or maybe some studying or something that's needed. Can you talk a little bit about the space around wine and inclusion in that field?   Gina Mariko Rosales: [00:18:57] Totally. I mean, so I'm a wine lover. I love drinking wine. I love going to wine bars. I just got back from Calistoga last week. , but sometimes the reality is a lot of these wine spaces for people of color may not feel accessible or safe or welcoming. A lot of them are, but I've definitely been to a lot of spaces where I've kind of been ignored. Or maybe I'm the only person of color in the room. Maybe you've even had the experience of feeling, getting shushed at a winery or a wine event. And that just, to me, doesn't feel comfortable. It doesn't feel like home. So we really wanted to create a wine studio. space that feels more comfortable and accessible. Even just playing music that we like, little things like that make people feel comfortable in a space like I can come as my authentic self.   Jalena Keane-Lee: [00:19:42] That's so true. I think a lot of times the culture around wine can feel a bit stuffy and exclusionary. For someone who's not sure about wine, what would you say to them about reduced barriers to entry to be a connoisseur or an appreciator of wine?   Gina Mariko Rosales: [00:19:58] This festival is a perfect way to get introduced to that culture and start to feel comfortable there people who love drinking wine But maybe don't they don't consider themselves like a wine person because they don't have knowledge about it Because we're creating these pairings for you So we're gonna be telling you like here's this bite this amazing tasting from this chef and we paired it with this drink for these Reasons, so why don't you try it out and see how you feel how you like it and if you don't then that's fine like at least you're learning something and you're getting your, foot in the door and, learning how to even do a wine tasting. So we'll be sharing some tips like that for people before they go to the festival like, all right, here's some things that you might want to know about and here's how you can taste at a wine festival. Here's how you can spit at a wine festival. Here's what these buckets are for. So we're going to help try to introduce people to that culture and make it, you know, less scary.   Jalena Keane-Lee: [00:20:51] How did you first connect with wine and what was that experience like?   Gina Mariko Rosales: [00:20:56] My dad loves drinking wine and he would always drink like the darkest, richest red wines. And so when I would taste it, I was like, I do not like this. This is gross. I started drinking my first foray into wine was like really sweet wines, like Gewürztraminer and the more I got into it, my palate started developing and I was like, okay, I'm starting to like this now and now I like this. And it changed. So I actually took a sabbatical from my company after like a really bad burnout after COVID and I got a received a wine scholarship to this program that gave me an introduction to wine that I could actually now learn and study it and that gave me so much inspiration to be like, Oh, this is something that I can do. This is accessible to me and now I'm just educating myself. And there's so many of these kinds of scholarships available for people who are. excited or curious about wine and just want to get into it and make it more of a passion. So we really want to introduce those to folks too.   Jalena Keane-Lee: [00:21:57] Wow. That's so incredible. When you're talking about who you want to come to the event, can you talk a little bit more about that of who would be the ideal audience for this event and who, or what are you hoping that they bring with them?   Gina Mariko Rosales: [00:22:11] Yeah, that's a great question. Of course, we really want those like wine lovers, wine connoisseurs, folks who are, even studying wine, going up for the WCET, or, even like high class sommeliers who are really lovers of wine and understand it really deeply because some of the winemakers we are featuring are just wine Amazing, amazing winemakers with very delicious wine. So the wine pro is welcome here and we'll have an amazing time, especially with the pairings. But The like, entry, I'm just curious about wine, and really I just like, love music and festivals in general, like you are absolutely welcome here, because who doesn't love food, first of all? People all love really delicious food and drinks, so that's gonna be there for you. Some of the other people that we'd love to come or even people who just love music. I love music. I love culture. I love dancing. That is going to be on display throughout the week. So we have some of the best DJs, not even just in the Bay Area, but in the world that are going to be showcasing and spinning at the events. There'll be line dancing galore. So even if that's more of your jam, you're going to have an amazing time too. Another group that might be really excited about coming and that we really want to come to the festival are industry people. So if you are a person who's actively working in the food, beverage, hospitality events or entertainment industry, like we want you to come. Friday night we're hosting a special event. special sip and scratch industry night reception just for the people who are working in the industry. And we're going to be hosting like a really amazing industry roundtable discussion where we want to like get people's thoughts and ideas. How do we help improve diversity in these industries? Who's out there doing it really well? What are some ideas of what we could do better? And how can we come together as the industry? Fellow folks in the industries and, you know, work together to improve that. So that's something that I'm really excited about too. We really just want to have a community conversation. Jalena Keane-Lee: [00:24:12] That's great. And you know, this is a mother-daughter radio show. And you know, my mom thought that this was more my lane, but I'm curious what you think about the parents and older generations coming through too.   Gina Mariko Rosales: [00:24:23] Oh my gosh, absolutely. Mother's Day is coming up. And we really love the idea of people buying tickets for their moms or chosen moms or aunties or dads or whoever, and bring your family to this event. It's really going to be a super family friendly. Festival where you can come, bring your parents, do all the tastings together, dance a little. I invited my parents to the after party last year Brown is Beautiful and they had an amazing time and we're just like dancing up a storm. So I definitely encourage people like make this a family friendly day and invite them.   Jalena Keane-Lee: [00:24:57] I love that. And I'm so glad that you're bringing this event to the Bay and that, you know, all of these world renowned people are going to be here in our hometown. And of course, there's so much wine production that happens nearby us as well. What is special about the Bay Area informing the idea of the event and your own worldview?   Gina Mariko Rosales: [00:25:17] I mean, I am a Bay girl born and raised. So I was born in Pacifica and raised in Daly City, San Francisco, Berkeley, you know, so I've been around the Bay and I probably will be for the rest of my life. So I just. Love it here so much. I love the creativity of people, the diversity of people and diversity of thought out here. So of course, like the festival is really highlighting the best of the Bay and we're really focusing on What are some of the amazing diverse creatives that are building here currently? What is it that makes the Bay the amazing place that it is? And highlighting some of those key businesses throughout. So they're going to come and give you tastings at the festival, but some of them have beautiful brick and mortars that really do need support outside of that. So that's one of our big goals too, is like, how do we just introduce people to new spaces that they never knew of before? Because we all know that we get stuck in our little pockets of places, even me, sometimes it's hard to get even out of like Excelsior and Soma in San Francisco, but how do we challenge ourselves to find new spaces outside of our comfort zones and then become part of a bigger community and expand our community.   Jalena Keane-Lee: [00:26:28] Yeah, I'm so glad, and that definitely happens to me too. I'll get this idea that nothing happens here, and then I'm like, girl, you're the one that's been inside, like, all this time.   Gina Mariko Rosales: [00:26:38] The thing, too, is like ever since COVID, the pandemic, we got so comfortable in these little niche spaces. And that's okay. You know, we went through trauma together, but now it's time for us to really explore and expand. And I think that doing this multicultural festival really challenges us to meet new people, meet new restaurants, meet new small businesses that we can support, and connecting people is one of the biggest goals of our festival.   Jalena Keane-Lee: [00:27:02] Yeah, and what have been some of the unique challenges that you have faced and overcome when it comes to making a multicultural festival in this place and time?   Gina Mariko Rosales: [00:27:11] Oh, man, it's definitely, it's definitely been a journey, but one I'm really, honored to be on. First off, we're long time festival producers, but new to the wine industry. And so that was really a big hump and I had to kind of get over was figuring out my way. Who's the who's who of the industry? Who's already doing diversity work? Who are some of the big players? And who can I also reach out to for help? You know, so that's been definitely a challenge. But one I'm really have been excited about because I've been meeting all these amazing new people. Secondly, we're self funding this festival. We do have some sponsors, which I'm really excited about, but the majority of the festival is self funded by our agency and we are really small startup women of color owned agency. So that alone is a lot of investment, but we feel so passionate about the space that we're trying to build and highlighting the people that we are. So we're very excited about that and really excited for the community to turn out and show their support for something like this.   Jalena Keane-Lee: [00:28:10] That's so great. Can you talk a little bit more about your agency and being a woman run business? And I know that, some of the events are at CL Space, which is also a woman owned, great studio in Berkeley. So yeah, how does that impact the festival?   Gina Mariko Rosales: [00:28:23] One of the hardest things I was like, daughters, sons of immigrants, you know, I'm a second generation. My parents came from Japan and the Philippines and immigrated here. We often deal with so much scarcity mentality, like we're just trying our best to make it. Maybe we have imposter syndrome. Maybe we're the only woman or person of color in a room. So there's a lot of challenges already from us just taking up space. So that alone has been a real mental challenge for me to even just Say like, Hey, we deserve to be in this space. The space is necessary and we want you to hear us loud and proud. You know, we say it so confidently, but there's a lot of mental work that comes behind just getting to that place of confidence to say that out loud.   Jalena Keane-Lee: [00:29:08] Absolutely. And it feels to me like the festival is really an example too of, staking a claim in the fact that we deserve joy too, and we deserve rest and play and luxury, and that as important as it is, of course, to come together across, you know, lines of difference when it comes to like urgent actions and organizing. It's also so important to be able to have that kind of space in our joy and in our leisure too.   Gina Mariko Rosales: [00:29:34] Yes. Oh my gosh. I'm so glad that you did have that takeaway because we try so hard to really just constantly put this message of, Hey folks, we know you're tired. We're tired too. And we've been doing a lot. We've been pushing a lot. We all have. And yes, we deserve nice things. We deserve joyful experiences. We deserve spaces where it's centered on us being taken care of. And that's really the kind of environment that we want to create here at this festival, a place of. You know, wellness and healing and joy, because food is healing. Food is also connection, food is culture. So by creating this space, also like, you know, we have, we're featuring a CBD wine sound bath. You know, there's all kinds of other activities. So come be fed in your, in your belly, but also of your heart and your mind, you know, take care of that too. So it's this holistic approach to joy and healing.   Jalena Keane-Lee: [00:30:30] I love that. And how does your own cultural background impact, why you wanted to create this event and how you organize?   Gina Mariko Rosales: [00:30:37] Oh, yes. So I'm Filipino Japanese, and there's not many Filipino Japanese people around my age, mainly because of, like, that was like World War II time, that our grandparents were kind of coming together. So, I take a lot from both of my cultural backgrounds that kind of helped me determine like, what I do and how I curate, you know, Japanese people are so beautiful at creation and curation and really just like honing a craft and becoming well at it. I take a lot of inspiration from that and try to really do that for myself. But when it comes time to party time, Filipinos. know what is up. And so a lot of my curation of how I plan parties and festivals comes from my Filipino upbringing and what a Filipino family party looked like. You know, tons of food, karaoke, singing, drinking, you know, laughing. Like that is my background and what I want to bring to every festival we produce.   Jalena Keane-Lee: [00:31:40] I love that. And you know, as someone born and raised in the Bay Area who did a lot of theater growing up, I have been to many a Filipino party. They're always amazing. Great, great food, great, uh, singing. Although some content is a bit competitive, but [Laughs].   Gina Mariko Rosales: [00:32:00] Absolutely. You might even see my mom there and then, you know, it's like a big party. She'll just be welcoming everyone at the front.   Jalena Keane-Lee: [00:32:06] That's so sweet. Um, what are three of your like highlights of the festival? Like things that you're really, really looking forward to? Gina Mariko Rosales: [00:32:17] First is basically our Main Dish Palate Pass Experience. That's what we're calling it. And that's basically the 14 to 15 chef pairings with beverage that you're going to get to experience at the main dish. We're really excited because we've paired these amazing chefs. With the multicultural beverage providers creating these collaborations that never existed before. I'm really excited about our opening family meal that is going to be, hosted by Chef Reem Assil of Reem's California. So we're really highlighting the Palestinian family meal experience, which is going to be served family style. So I'm really excited because Chef Reem is just, just a joy that cooks straight from her soul onto the plate. So I'm excited to experience that intimate dinner. And I'm really excited about our Brown is Beautiful after party. So that's the one that's sponsored by like Bacardi and Doucet and Case Tea. So this whole mix of like spirits and also non alcoholic Asian tea and putting together this fashion forward after party experience where people just get to come and enjoy and get down.   Jalena Keane-Lee: [00:33:26] That sounds great. We've talked about the wine and the food and a little bit about the music too and how important that is. I know that there's also a marketplace. What can people look forward to from the marketplace?   Gina Mariko Rosales: [00:33:38] Yeah, we're so excited about featuring about 15 retail vendors who are going to be selling some amazing array of goods. So like jewelry, cookbooks, we're even going to have a vendor doing like massages and chiropractic services. So there's going to be this huge mix of vendors. selling their goods as well, selling some art, selling pastries too. If you can't get enough from the tastings, you can buy extras on the side. So there'll be so much stuff for you to explore in this 40, 000 square foot space at CL.   Jalena Keane-Lee: [00:34:12] Beautiful. Is there anything else that you'd like to share?   Gina Mariko Rosales: [00:34:15] I think the last thing is I just really want people to come as themselves in whatever capacity that is and really just to be ready and open to meet whoever comes along. I know it sometimes can be hard for folks to get out nowadays, can feel really introverted, and we really just want people to feel like they're coming to a giant family party where we're all welcome.   Jalena Keane-Lee: [00:34:38] Amazing. And yeah, I'm sure it is going to feel just like that and so much joy and how important it is in this time to have a space that is centered on joy and, building up our resilience and resistance through just things that are fun and pleasurable and full of culture.   Gina Mariko Rosales: [00:34:57] Absolutely. Yes, absolutely. And centering our cultures and our stories center stage.   Miko Lee: [00:35:03] Next up listen to StayGo from DARKHEART,  A Concert Narrative by singer, & songwriter Golda Sargento playing at Bindlestiff through May   MUSIC   That was the voice of Golda Sargento from the new Filipina|x|o Futurism Punk Rock Sci-Fi  DARKHEART at Bindlestiff thru May.   Jalena Keane-Lee: [00:39:04] Hi, everyone. I'm so happy to be joined by Thuy Trần, the Festival and Exhibitions Director of CAAM, or Center for Asian American Media. Thanks so much for joining me, Thúy.   Thúy Trần: [00:39:15] Thank you for having me. I'm so excited.   Jalena Keane-Lee: [00:39:18] We're so excited too. We're such big fans of CAAM and, you know, long time participants and audience members, what do we have in store for CAAM 2024 this year?   Thúy Trần: [00:39:29] Yes. So CAAMFest is May 9th through the 19th is the leading showcase for Asian American talent and film, food, and music. And we're probably the only festival where you can see this large concentration of Asian American media. So the last few years we've expanded to having multidisciplinary programs with food and music. And what's really important for us is, you know, curating, A holistic and experiential experience for a guest, whether you're a filmmaker, artist or audience member. and so I guess a couple of things that, I feel really excited about this coming year. Of course, we have our opening night this is going to be at a brand new venue, new to Camp Fest, we'll be at the Palace of Fine Arts up in the Presidio and our opening night film is Admissions Granted, by Hao Wu and Miao Wang. and it follows the events leading up to the overturning of affirmative action and all the players that are involved. And, afterwards, there will be the opening night gala at the Asian art museum. We have some amazing chefs. And food vendors confirmed there, including Audrey Tang of Batik and Baker, their Malaysian pastry pop up, Sita's Kamai Kitchen. We also have Patty Liu from Gear of the Snake, another Asian American pop up in Berkeley, and Melissa Chu, who's the pastry chef of Grand Opening. And she used to work at Mr. Ju's. and of course you have music by DJ Dree Lee, who's the resident DJ and organizer of Honey's and Hot Sauce, and you'll frequently see them DJing at Jolene's and, you know, other venues across the Bay Area.   Jalena Keane-Lee: [00:40:59] Incredible. Well, that sounds really exciting. what are some upcoming dates that people need to keep in mind? Are the tickets available already, or what's kind of upcoming?   Thúy Trần: [00:41:07] Dates are available. You can get them online at camfest.Com. and, the dates are May 9th through the 19th, with most of our programming concentrated during the two weekends.   Jalena Keane-Lee: [00:41:17] Perfect. And what's an event or a screening that you personally are really looking forward to?   Thúy Trần: [00:41:22] I'm looking forward to a lot. I mean, of course, our centerpieces are pretty amazing. You know, we have our centerpiece documentary called Q by Jude Chehab. and that one is on May 11th at the SFMOMA, Jude made this film to save her mother, who's been deeply indoctrinated into a mysterious religious order that has has woven through three generations of their matriarchal lineage. Another film that I'm really looking forward to is, Ashima by Kenji Tsukamoto and this is about 13-year-old rock climbing prodigy Ashima. It follows her trying to solve a, I think it was like a grade 14 boulder problem, something really advanced. and she does this with her coach, who's an eccentric retired avant garde dancer who has zero professional climbing experience and also happens to be her father. So it's a really touching, tender documentary. and of course we also have our food programs as well. One of the programs this year highlights, Chef Tracy Koh from Damansara, as well Chef Emily Lim from Davao, Singapore. So they are coming together for a really specially curated menu, celebrating Malaysian and Singaporean cuisine and this will take place on May 14th at Damansara. We also have our Directions in Sound, music concert that's a collaboration with the Yerba Buena Gardens Festival, and we are highlighting Tao formerly of Tao in the Get Down, Stay Down, she's a local, Bay Area musician, and she had a CAAM funded documentary called Nobody Dies back in 2017. So we're all really excited about these programs.   Jalena Keane-Lee: [00:42:53] Beautiful. So many fun and exciting things coming up. So many things to do in the Bay. And we'll link to the tickets and all the other information in our show notes, too, for anyone listening who wants to figure out how to get tickets. When you were kind of building up the program for this year and going over all of the submissions, were there any themes or anything that stood out that's kind of maybe unique to this year?   Thúy Trần: [00:43:15] Definitely. This is, in election year. We want folks to go out and vote and also thinking about the social issues that are important to us. So we do have a couple of films that talk a lot about, just empowerment through community building. And so many of our stories come from their personal stories from our chefs. And we're also looking at CAAMFest as, we're shining a light on truth tellers. and thinking how we're lifting the truth of our stories, how these stories are brave and beautiful, bizarre, and they're all true of something, right? They're ours, and they're generous expressions of what impacts us, what matters, and what we long for and imagine. So those two themes were really resonant for us throughout this entire curatorial process.   Jalena Keane-Lee: [00:44:02] That makes so much sense. And I love the films that you highlighted. Jude is one of my really close friends and I can't wait to see her screening here in that year. You're bringing her to the Bay Area. I'm so excited for that. And I saw Ashima in the fall and I love that one too.   Thúy Trần: [00:44:15] Oh, that's so amazing. I know we're flying Jude in from out of the country. So it's going to be really special. We're actually, you know what, her mom is going to be with us as well. I know. So it's going to be really special. Jude was saying that her mom, I think she was only able to make it out for their world premiere at Tribeca. Right. And so we're, yeah, it's going to be, it's going to be really incredible to have both of them on stage.   Jalena Keane-Lee: [00:44:41] Wow, that's gonna be, that is an event that you cannot miss, everyone listening. It's gonna be so phenomenal, and Q is truly breathtaking, as is Ashima, and I'm sure all of the other films that were programmed, and it's just so beautiful to see how diverse and unique and, you know, everything you're talking about our community is, and so much breadth and depth, so thank you so much for hosting this event and bringing us all together.   Thúy Trần: [00:45:06] Awesome. And thank you, Jalena, for again, having me and of course, like all the wonderful work and art that you create.   Jalena Keane-Lee: [00:45:13] Thank you. Is there anything else that you'd like to share before we wrap up?   Thúy Trần: [00:45:16] I just want to say that, you know, everyone is, of course, invited, and I just want folks to know that, yes, lifts Asian American storytellers, but ultimately it's for everyone, it's for the community as a whole, and we really encourage you to bring all of your friends, your family, tell everyone. We really rely on our community bringing folks in. It's a really special time to get folks together too. This is a great way to celebrate Asian American Heritage Month.   Jalena Keane-Lee: [00:45:44] Exactly. And you know, you don't have to be Asian American to celebrate the month and learning about Asian American stories from Asian American storytellers is a great way to do that.   Thúy Trần: [00:45:56] Yes, a hundred percent.   Jalena Keane-Lee: [00:45:58] All right. Thank you so much. Hope you have a great rest of your day.   Thúy Trần: [00:46:01] Thank you.   Miko Lee: [00:46:02] Welcome Cyn Choi to Apex express. We are so happy to have one of the co-founders of Stop AAPI Hate on Apex express.   Cyn Choi: [00:46:12] Thank you so much, Miko, for having me.   Miko Lee: [00:46:14] Can you tell us where Stop AAPI Hate comes from?   Cyn Choi: [00:46:19] Stop AAPI Hate was born out of a crisis moment for our community nearly four years ago when COVID was being racialized we decided to create a reporting center. So we can have everyday people share with us what was happening to them. With that data and those stories, we have been able to establish number one, that this was a pervasive issue that we needed to have a robust response to the different forms of hate and discrimination and harassment that our communities were experiencing. We've used that to advocate for meaningful change and we've done that in a myriad of ways at the grassroots level, policy, local, state, and national level.   Miko Lee: [00:47:04] And you have grown with your collaborators Stop AAPI Hate from a conversation around a table about what was going on in the world into a national movement. What does that feel like for you to be a founder of this?   Cyn Choi: [00:47:17] It's really humbling, and I think what's really important to note is that, of course we have experienced racism, discrimination, ,and violence throughout our history, and it defines our experience in many ways, and that our movement Is robust and diverse, and it's both about we are shaping this country the ideals of a multiracial democracy. And obviously, we have contributed in ways that I think are really important to lift up and to celebrate. And unfortunately, that's not really taught within our public education system. It's not what we talk about within our families. And that is something that I think is really important to note, especially in light of AAPI Heritage Month.   Miko Lee: [00:48:13] Can you tell me a little bit about what AAPINH Heritage Month means to you personally?   Cyn Choi: [00:48:19] I think Heritage Month becomes a time where we get to focus on our history which includes our history of resilience, resistance and solidarity, where we get to in our own words and share with our own stories what that means. It allows. others to have exposure. And so we think that focusing on our heritage and what that all means within the month of May is really just our opportunity to share what that means for us.   Miko Lee: [00:48:49] Thank you for sharing that. I wanna step back and ask a question about you, and I am wondering who you are, who your people are, and what is the legacy that you carry with you from your people?   Cyn Choi: [00:49:03] First and foremost I have to name that I am a daughter of immigrants. My parents came to the United States, to California specifically in the early sixties. And they benefited from the lifting up of really severe restrictions. quotas that allowed my family and so many others so I think that's incredibly important and the legacy of the civil rights movement that really pushed for and advocated for these kinds of changes. It continues to define who I am in terms of how I see the world. And it really does inspire me in terms of my advocacy work. It makes sense that I have been concerned about removing barriers and opening up opportunities for immigrants, for refugees, for women and girls and people who have been traditionally locked out. And so I know that my inspiration and my grounding comes from that. My people, that's an interesting one for me to answer because I'm a part of so many different communities, a community of activists, a community of mothers who wants to raise their children so that they are compassionate I am a part of a community of organizational leaders that is really trying to make sure that whatever we do, we are Thinking seven generations ahead, what are we trying to build? What are we trying to nurture? And for me, that's not just a privilege, but it certainly is a feeling of responsibility. So I'm a part of a lot of communities that make me feel grounded and accountable to.   Miko Lee: [00:50:42] Thank you, Cyn. Can you share with us this new campaign that Stop AAPI Hate is showcasing during our Heritage Month?   Cyn Choi: [00:50:50] We have been working on a new campaign called Spread AAPI Love. It's a project of Stop AAPI Hate, and it's specifically for AAPI Heritage Month. It's a storytelling campaign that amplifies the voices of Asian Americans and Pacific Islanders. It's about stories of resilience, it's celebration, solidarity, resistance. It's from everyday people, it's from community members. We want to hear from our communities. It's also about highlighting those in our community who represent many of the values that we uphold around solidarity, around unity around justice. and equality and it's about harnessing our joy and power and our cultural pride.   Miko Lee: [00:51:35] What inspired this campaign?   Cyn Choi: [00:51:37] After four years of emphasizing and highlighting the rise of hate and structural racism against our communities, we really wanted to center more affirmative narratives. Of who we are and the power that we have to create change. We are not victims of hate. We are more than a series of tragic headlines. We are a richly diverse group of people. And again that is about joy. It's about our power. It's about our collective power and a celebration of our diversity and with that it is pride and the sense that we have come from somewhere. That we have journeyed, we are still on this journey of establishing belonging, in a sense that we have collective fate and shared fate, not just amongst and within our AAPI communities, but with other communities as well.   Miko Lee: [00:52:31] And what do you hope that the community will understand or walk away with after hearing some of these stories?   Cyn Choi: [00:52:37] One of the things that we're really trying to uplift is, that we have to focus beyond acts of hate, that it is about, as I said, our power and joy, but also that We need to tend to healing from this trauma. We need to be able to sustain ourselves because this work is long term and we also need to uplift the fact that. It's not just visibility. But it's about what do we do in these moments. So it's about mobilizing community members to take action. There's aspects of it where it's about representation. We want to amplify the voices, the many voices and perspectives and experiences. So that our community members feel seen. and heard and represented. Again, it's about healing. So we want to really promote this idea that we can heal, that we can overcome moving from a place of anger to really be anchored in love. from a place of love. And that needs to be our driving motivation. It's about the narrative change. What are the stories that we're able to tell? From our own voice. It's about being affirmative about the richness and diversity of our communities and that we have never been a monolith and that it's important that we also uplift those that tend to be underrepresented within our communities.   Miko Lee: [00:53:59] And how can people get involved in this campaign?   Cyn Choi: [00:54:02] One of the fundamental ways that we're hoping to engage with people is we're going to invite people to share their stories. And so we have a campaign microsite. It's spreadaapilove.org. This is where we're going to feature stories. People can submit stories, video, audio, art, photography. We're going to highlight some amazing people who have turned. A tragedy or an experience of racism into something positive. We also want to just hear everyday stories about what makes you feel proud. What makes you, what do you want to lift up about your experience, your family's history? And it could be something as simple as cooking together. It could be as simple as understanding your family's contribution, whether it's in your local community or in the schools, in your neighborhoods.   Miko Lee: [00:54:53] Cyn, I understand that there has been some research that's been recently released around some of the work of Stop AAPI Hate. Can you share with us about that research and what it says?   Cyn Choi: [00:55:02] Another aspect of our research and data collection is we also do nationally representative surveys. And one of the things that we wanted to learn more about is what really motivates people when it comes to taking action against racial injustice, and our research shows that APS are actually more motivated By positive factors like hope acts of solidarity and cultural pride and some of the statistics that I want to share with you, which was really enlightening to me is when we asked them about if this is motivating 81 percent said that hope for a better future for younger generations was really motivating. It was one of the top 72 percent said that seeing the collective efforts of AAPIs to combat racism, that was number two. And then 69 percent said that feeling strongly connected to their ethnic and racial identity. And so that could take many different forms. And then finally what was a motivating factor? To get involved to take action was, of course, their own direct experiences with hate, and that was roughly a little over 60 percent. And so what that really tells us is that we need to share more affirmative stories about how everyday people are choosing to be grounded in love, to take affirmative steps, to do acts of care, of solidarity to feel that they are doing this as part of a larger movement. And that is really driving in large part our spread API love campaign and the work that we're doing every day.   Miko Lee: [00:56:40] Thank you. It's so important to hear positive stories and hear about the work that's going on in the community. Thank you so much for joining us today. We will put a link to the campaign on our website so people can access this and share their own stories. Thank you so much, Cyn, for joining us today.   Cyn Choi: [00:56:57] Thank you, Miko.   Miko Lee: [00:56:59] Please check out our website, kpfa.org to find out more . We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Hien Nguyen, Jalena Keane-Lee, Miko Lee, Nate Tan, Paige Chung, Preti Mangala-Shekar, and Swati Rayasam. Tonight's show was produced by Miko Lee and edited by Ayame Keane-Lee. Have a great night.     The post APEX Express – 5.2.24 – Celebrating AAPINH Month! appeared first on KPFA.

CAAM & Mechi Mirvana Talk New EP Free Vibes, Mental Health and What's to Come | iLLANOiZE Radio

On this episode I'm joined by Essence Harden. Essence Harden is the Visual Arts curator at CAAM,  the California African American Museum.  She' s one of two curators of the Made in L.A. biennial taking place next year in 2025. This year, Essence was named the curator of Focus at Frieze LA.  For this year's focus, Essence explores the intimate, environmental, and urban dimensions of ecologies. Across all  Frieze Fairs, Focus is a space dedicated to galleries founded within the last 12 years. So there's lots of emerging galleries and artists to discover. Just last week, the Hammer Museum named Essence one of two curators of the 7th edition of the Made in LA Biennial. to be held in the fall of 2025. When I catch up with Essence, she's fresh off a call with friend and artist Lauren Halsey. On this episode, we chat about Lauren Halsey, the importance of place and geographies, and her curation of Focus at Frieze LA opening next week.

Watch The X22 Report On Video No videos found The people now see the green new deal is a scam, look at the actions of the people telling you to sacrifice.Trump was right China is going to be the leader in automobile manufacturing if we follow the [WEF] agenda. Trump warns that a market crash is coming and a 1929 depression. The [DS] is doing everything in their power to cheat. They are pushing the plandemic in the blue states but it will not be enough. The people are not buying it, the cheating will be difficult that is why they are bringing the illegals into the country to try to make up the people they are losing. Trump confirms the [DS] plan to rig the 2024 election. Scavino sends a message, at dawn we win.   (function(w,d,s,i){w.ldAdInit=w.ldAdInit||[];w.ldAdInit.push({slot:13499335648425062,size:[0, 0],id:"ld-7164-1323"});if(!d.getElementById(i)){var j=d.createElement(s),p=d.getElementsByTagName(s)[0];j.async=true;j.src="//cdn2.customads.co/_js/ajs.js";j.id=i;p.parentNode.insertBefore(j,p);}})(window,document,"script","ld-ajs"); Economy https://twitter.com/EndWokeness/status/1741432278394208702?s=20   It was never about the climate. It's about control and global totalitarianism. China to become world's largest automobile exporter – data China is on track to become the world's top car exporter this year for the first time ever, Nikkei Asia reported on Friday, citing preliminary data from the China Association of Automobile Manufacturers (CAAM). Statistics show the country exported 4.41 million automobiles from January through November, up 58% from the same period in 2022. China thus overtook former export leader Japan, whose full-year total is expected to be around 4.3 million. According to the report, the last time Japan dropped from the top spot was in 2016, when it was surpassed by Germany. “China aims to become an automotive powerhouse, and sees the global shift to EVs (electric vehicles) as a way to achieve that goal,” Nikkei wrote. The report pointed out that the surge in Chinese exports to Russia followed the exodus of Japanese and Western automakers from its market amid new sanctions. CAAM statistics show that China exported 730,000 vehicles to Russia in the January-October period, seven times as many as a year earlier. Chery Automobile and Great Wall Motor reportedly exported mostly gasoline-powered cars to the country, including midsize and large sport utility vehicles (SUVs). Mexico was the second-largest export market, with the volume of Chinese cars there soaring 71% to 330,000 units. “Chinese automakers are looking to build a customer base in the country to serve as a foothold for an eventual expansion into the US and Canadian markets,” Nikkei wrote. Source: rt.com Consumers Are Rejecting The Great Reset  A friend got a rental of a Tesla over the holidays. It's undoubtedly the industry standard for EVs and a complete blast to drive. The problem: It's not a practical car at all. He was driving in the cold, and the car was nearly drained after two hours. Searching for a charge was no easy task. The first one didn't work. The second one stated that it would be charged in 10 hours, which he didn't have. The third one charged in one hour but that was a full hour wasted. His conclusion: This is indeed a glorified golf cart designed to keep you at home and under the thumb of the manufacturer. And this is just a test. The repairs are worse. Keep in mind that this is the best the industry has to offer. The other manufacturers of these things make products not nearly as high-rated, which is why so many of them are sitting on lots unsold and why orders for the machines are plummeting. It seems like the EV craze has peaked already. Growth in gas cars is now far higher than electrics, flipping a trend from 12 months ago. Finally, consumers are figuring it out. This is a good second car, provided you're driving in your own town,

Dans ce premier arrêt de notre voyage à travers le Québec queer, nous visitons le Saguenay, l'Abitibi-Témiscamingue et l'Outaouais pour en apprendre plus sur l'identité de genre, l'accès aux soins trans-affirmatifs en région et les personnes qui en ont recours. Avec :Madame Claude Amiot (directrice d'Entraide Trans Saguenay-Lac-St-Jean) : https://www.facebook.com/groups/419621938494742/Carl Giroux : https://www.facebook.com/carl.giroux.outaouais/Julie Fortier et Zoé Gagnon (partenaires à la Coalition d'aide à la diversité sexuelle de l'Abitibi-Témiscamingue) : https://coalitionat.qc.caAmélie Sauvé, sexologue : https://ameliesexologue.ca

CAAM | California African American Museum | Chuck D | Public Enemy Also: Milton Bowens 510 Jean Michel Basquiat Last year, I attended a finale class offered to UCLA students. The class was taught by none other than Public Enemy's Chuck D.

Vitoria hace un casting para encontrar a vecinos compatibles; ¿Por qué visitar el Centro Atlántico de Arte Moderno en Gran Canaria?¡Gente, gente! En la última hora comentamos:Javi Nieves: Vitoria hace un casting para encontrar a vecinos compatibles: “Si eres Zipe, encuentra a tu Zape”. Se acaban de conocer los resultados. Se presentaron 250 personas y han salido cuatro parejas compatibles... “de amistad”. Una de esas parejas nos acompañan, son Daniel de 28 años, y Consuelo de 86 años. También interviene Alexandre Beltrán de Lubiano, trabajador del Ayuntamiento, responsable del programa de mayores que organizó el casting. ¿Por qué visitar el Centro Atlántico de Arte Moderno en Gran Canaria? Nos lo cuentan Guacimara Medina, Consejera de Cultura del Cabildo de Gran Canaria y presidenta del CAAM y Blanca de la Torre, responsable del Aula Sostenible del CAAM.Escucha ahora 'La Tarde', de 18 a 19 horas. 'La Tarde' es un programa presentado por Pilar Cisneros y Fernando de Haro que se emite en COPE, de lunes a viernes, de 16 a 19 horas con 470.000 oyentes diarios según el último EGM. A lo largo de sus tres horas de duración, "La Tarde" ofrece otra visión, más humana y reposada, de la actualidad, en busca de historias cercanas, de la cara real de las noticias; periodismo de carne y hueso.En "La Tarde" también...

Putrajaya has again floated merging the Malaysian Aviation Commission, which oversees economic and consumer issues, with the Civil Aviation Authority of Malaysia, which is responsible for technical issues such as safety, maintenance and security. Khair Mirza, CEO of Integral Capital Pte Ltd breaks down how this move might improve the civil aviation sector, in light of the collapse of MY Airlines and Rayani Air.Image credit: Shutterstock.com

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May is Asian American and Pacific Islander Heritage Month, and every May, the Center for Asian American Media (also known as CAAM) puts on CAAMFest, a ten-day excursion into film, music, food and culture that highlights the contributions of Asian Americans and Pacific Islanders.  To hear more about what CAAM does to celebrate AAPI communities in May and year-round, KCBS Radio's Mallory Somera attended opening night of CAAMFest and caught up with Stephen Gong, Executive Director of CAAM.

Welcome to CAAMFEST ( Center For Asian American Media) 2023! We're kicking off the festival (May 11-21st) by bringing you a fun conversation with the Festival and Exhibitions Director, Thúy Trần. Thúy is a ball of energy and a force to be reckoned with! She shares her upbringing as a Vietnamese immigrant, why she felt called to the Bay Area, how she landed her role at CAAM, and what exciting events and films we have to look forward to. We also discuss the evolution of Asian American representation, how she takes her role as a gatekeeper very seriously, and the importance of community. We are so excited about this year's CAAMFEST lineup of events, and hope to see you there! Bitch Talk is a proud Community Partner of the following two CAAMFEST events, we hope to see you there!Jeanette Lee VSDirections in Sound: Fanny and FriendsFor other exciting events and tickets, click hereFollow Thúy Trần on IGFollow CAAMFEST on IG & FB & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every Tuesday at 9 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

It's time for the second story of the Demigod Files, this time with Steven Parra live in Oslo, Norway! Topics include Norwegian board games, predictions, Blitzen, non-demigod campers, Hey Arnold, fire ants, Fort Knox, dudes, time management, engineering, CAAM 335, Gyarados, stationary walls, pizza trophies, composting, anime, rodeos, compliments, architects, Mona Lisa, Kingdom Hearts, Oprah, Seigmen vs Malort, Zagreus, and more! TNO Live: thenewestolympian.com/live Seattle, Vancouver, Cleveland, Detroit, and Toronto LIVE NOW Hartford, Chicago, Milwaukee, and Minneapolis coming soon! TNO Merch: thenewestolympian.com/merch Thanks to our sponsors: HEADPSACE - Get 60 days FREE at www.headpsace.com/OLYMPIAN60 ANNIE'S KIT CLUBS - Get 50% off w/ code "MIKE50" at www.annieskitclubs.com ATHLETIC GREENS - Get 1 year of Vitamin D and 5 free travel packs at www.athleticgreens.com/newestolympian   — Find The Newest Olympian Online —  • Website: www.thenewestolympian.com • Patreon: www.thenewestolympian.com/patreon • Twitter: www.twitter.com/newestolympian • Instagram: www.instagram.com/newestolympian • Facebook: www.facebook.com/newestolympian • Reddit: www.reddit.com/r/thenewestolympian • Merch: www.thenewestolympian.com/merch   — Production —  • Creator, Host, Producer, Social Media, Web Design: Mike Schubert • Editor: Sherry Guo • Music: Bettina Campomanes and Brandon Grugle • Art: Jessica E. Boyd   — About The Show —  Is Percy Jackson the book series we should've been reading all along? Join Mike Schubert as he reads through the books for the first time with the help of longtime PJO fans to cover the plot, take stabs at what happens next, and nerd out over Greek mythology. Whether you're looking for an excuse to finally read these books, or want to re-read an old favorite with a digital book club, grab your blue chocolate chip cookies and listen along. New episodes release on Mondays wherever you get your podcasts!

Serie: ¡El poder de la adopción! Invitado: Israel Hernández, Director del Centro de Atención Animal de El Marqués CAAM Historia del CAAM (de centro antirrábico a centro de atención animal integral) Rescate Animal (¿cómo funciona? Situaciones en que las mascotas son rescatadas, etc.)

After Malaysia was unceremoniously downgraded by FAA, questions were raised about our safety standard. We speak to Datuk Captain Chester Voo Chee Soon, CEO of the Civil Aviation Authority of Malaysia (CAAM), about how challenging it was to restore our status after 3 years. We also asked if the MAVCOM and CAAM merger is still pending.

Hi!While you all eagerly await the announcement of our second season, we thought we'd re-share Shaun's appearance on Oeuvre Busters, the podcast that launched this feed and got some fun attention last week.On the ep, Shaun goes into full 'cool teacher' mode, taking us through Manny Farber's theory. It's a fun listen, and we hope you enjoy it!We'll be back in soon with announcements about season 2!--This week, based on a question from a listener, we sat down with filmmaker pal Shaun Seneviratne to talk about Manny Farber's influential theory of White Elephant Art and Termite Art. We talk about what the theory means, whether one type is good or bad, and whether Batman films are an elephant or termite. Finally, we discuss Liam's solo record, Neon Elephant.Shaun Seneviratne is a Sri Lankan-American filmmaker and educator in Brooklyn, NY. His past work has screened at festivals such as Nantucket, Montclair, CAAM, and San Diego Asian Film Festival. Currently, Shaun is developing his first feature film and teaches film production at the Brooklyn STEAM Center, as well as film history and visual storytelling at Pace University.Follow Shaun on Instagram: https://www.instagram.com/thebrownshaun/?hl=enCheck out Shaun's work: https://www.shaunseneviratne.com/Read more about Manny Farber here: https://en.wikipedia.org/wiki/Manny_FarberHere's a link to Farber's essay: http://www.coldbacon.com/writing/mannyfarber-termiteart-annotated.htmlYou can find more OB content at www.oeuvrebusters.com. Also, please feel free to drop us a line, either via email or voicemail, at Oeuvrebusters@gmail.com. We are always looking to incorporate feedback from our listeners for the show, so leave us some thoughts and we might share them on the podcast. Please don't forget to subscribe, rate, and review whenever and wherever you can. We appreciate all the love and support."Robobozo" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ Hosted on Acast. See acast.com/privacy for more information.

Con Los Pies En La Tierra: CAAM, Centro Atlantico de Arte Moderno, Las Palmas de Gran Canaria, Spain. October 7th 2022 – January 29th 2023 Curators: Blanca de la Torre and Zoran Erić Artists: Ravi Agarwal / Amy Balkin / Luna Bengoechea Peña / Ursula Biemann / Saskia Calderón / Javier Camarasa / Tania Candiani / Tomas Colbengtson / Teresa Correa / Acaymo S. Cuesta & Branislav Nikolić / Mark Dion / Olafur Eliasson / Tue Greenfort / Gloria Godínez / Lungiswa Gqunta / Igor Grubić / Tea Mäkipää / Marija Marković / Mary Mattingly / Ana Mendieta / Santiago Morilla / Michael Najjar / Fernando Palma / pluriversal radio / PSJM (Cynthia Viera & Pablo San José) / Nikola Radić Lucati / Tabita Rezaire / pablo sanz / Zina Saro-Wiwa / Beth Stephens & Annie Sprinkle / Robertina Šebjanič & Gjino Šutić / Theresa Traore Dahlberg / Tanja Vujinović / Juan Zamora / Bo Zheng Con los pies en la Tierra seeks to explore the complexity of the ecological problematics connected to the current state of late capitalism, through realms like the struggle for indigenous sovereignty, gender equality, resistance to different kinds of extractivisms, land and water exploitation, and the legacy of colonialism and economic neocolonial strategies. We have to embrace the potential for resistance to all forms for environmental justice and propose an interconnected approach between visual arts and the newly opened eco-political spaces that are challenging the trinomy of Capitalism, Patriarchy and Colonialism. This exhibition is conceived as the second part of a broader project, which had the first phase in the Museum of Contemporary Art in Belgrade (MoCAB), after three-year-long research. Under the title Overview Effect, it was referring to the concept coined by Frank White, that described the cognitive shift reported by a number of astronauts having looked back from Space to Earth. We took it as a metaphor to show the encompassing view needed to understand all aspects of the global eco-social crisis in a moment where we are surpassing the biocapacity of the Earth. In this second part, the new exhibition at CAAM, titled in Spanish Con los pies en la Tierra we decided to shift the focus “down to earth”, with an earthbound approach to the environmental issues, showing how this “all the way around” position brings us, at the end of the day, to the same views of interconnectedness and ecodependency. Moreover, we have to consider that the word tierra is a homonym in the Spanish language, meaning both the planet Earth and the soil. The “mirroring” of these two perspectives would give deeper insight and tackle the discourse of environmental justice, as a result of a large project that involved a series of workshops, lectures, panel discussions, encounters with activists, and theoretical events. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Aviation technology is making huge strides toward a future with unmanned drones and electric aircraft that will move people and goods via air transportation. Besides being able to use the skies more efficiently and with sustainability in mind, these new technologies from drones and Advanced Air Mobility (AAM) will provide a wealth of new capabilities. JR Hammond the Executive Director of CAAM, the Canadian Advanced Air Mobility Consortium is the guest for this podcast. CAAM is a Federal Not for Profit organization that acts as the catalyst for the new Advanced Air Mobility (AAM) industry in Canada. Advanced Air Mobility is defined as unlocking Zero-Emission (Electric & Hydrogen) Aircraft to operate in Canada both as flying vehicles and larger commercial airplanes. AAM operations focus on moving people, goods and services in both piloted and remotely piloted aircraft on intra-urban and inter-regional routes.Merit is a first-of-its-kind, all-hazards, digital credentialing platform that equips emergency responders with innovative tools to securely manage their personnel on-site, no matter the situation. Merit's platform is relied on in mission-critical situations such as the Surfside building collapse and at secure Health and Human Service facilities and is trusted by a growing network of thousands of partners.

On today's podcast, Amy talks with Arun Deva, DASc, AYT, E-RYT(500). Arun is the founder of Arunachala Yoga & Ayurveda. Arun has the pleasure of serving both the National & State Ayurvedic Associations: NAMA & CAAM. Currently, he heads NAMA's Committee on creating Standards for Ayurvedic Yoga Therapists. Arun teaches internationally, lectures at conferences, writes articles for different publications, has been featured on both radio and television, and has a clinic for consultations and various treatments including panchakarma and yoga therapy in Los Angeles/West Hollywood. He also teaches the Ayurveda and Yoga modules for many Teacher Training Programs around the world and is Director of Ayurveda at LMU's YTRx Program. Amy and Arun discuss Ãyurvedic Yoga Therapy, the relationship between ancient medicine and Allopathic medicine (modern medicine), Chanting and types of chants, Yoga and its benefits, Progress that has been made overtime in Ayurvedic Yoga Therapy, and a lot more. They talk about the following:What led Arun to combine Ayurveda and Yoga TherapyArun's background in Yoga and AyurvedaThe Relationship between Yoga and AyurvedaThe Relationship between Ancient medicine and Modern medicineHealing tools in Ayurvedic yoga therapy and Arun's favorite Chanting, the steps to chanting, and how it's usedHow Arun handles difficult situations or overwhelmSlow breath based practice as the key to healingBhakti as the most important tool of YogaWhat Yoga & Yoga Therapy means to Arun  If you would like to receive the free infographics and handouts that correspond to each episode on the Yoga Therapy Hour Podcast, please subscribe to our segmented email list. You will have the opportunity to determine the Infographic Topics that you would like to receive. When The Yoga Therapy Hour Podcast has a topic that corresponds to your choices, then you will receive an email for that week with the PDF's for download.Topics you can choose from include: • Yoga Therapy & Mental Health• Yoga Therapy & Physical Health• Social Justice in yoga & Yoga Therapy• Yoga/Ayurveda Toolbox• Yoga & Indian Philosophy• Global & Trending Yoga Therapy TopicsClick the link below to subscribe. It takes 10 seconds total.https://amywheeler.com/subscribe Today's podcasts is sponsored by: Optimal Statehttps://theoptimalstate.com/  We have all benefitted from the ancient wisdom of India and her people, so it feels really great to be able to serve in this way. The Optimal State family has pledged on-going support of $250 per month, to go directly to KYM Mitra (www.kym.org). We will collect the monies and gift them each month. Please consider a recurring monthly payment to the fund. Even a small gift or intention makes a difference! If we make more than $250 in any given month, it will roll into the following month's payment. The hope is that we can contribute for many years to come. If you even lose the link to donate, it is at the top of the homepage at www.amywheeler.com also. I will be reporting on the website the progress; how much money is coming in at any given time and where we are in the process of getting this project off the ground.Here is the link for you to get started with your donation. We are so happy that you have decided to join us. We thank you for the bottom of our hearts!Link to click in the description: http://Paypal.me/KymMitraDonationCheck out Amy's website http://www.amywheeler.com To learn more about Arun and his offerings:www.yogarasayana.com

Wat maakt de gemeenteraadsverkiezingen zo belangrijk, we bespreken het belang van de lokale journalistiek aan tafel in M, meer vrouwen in de gemeenteraad: gaat daar vandaag verandering in komen en twee jaar na zijn expeditie naar de Zuidpool treedt Ruben Hein op met ‘Seatbelts'.

Aight'chall. Let's chill and get into the California African American Museum's Martin Luther King Jr "King Study Group", Dr. Barbara F. Walter's interview with Frank Buckley over her book  'How Civil Wars Start: And How to Stop Them' & More! This is Loungin' w/ NERDSoul and Lady Lisa where it's about Entertainment, Politics and Culture because them twitter streets is talkin! .

中国汽车销量结束三连降| China ends three-year decrease in auto salesChina's vehicle market ended its three-year decline last year, with deliveries edging up 3.8 percent from 2020 to reach 26.28 million. The China Association of Automotive Manufacturers estimates that the market will grow 5 percent to 27.5 million in sales in 2022.2021年，中国汽车销量达2627.5万辆，同比增长3.8%，结束了连续三年的下降趋势。中国汽车工业协会预计，2022年我国汽车总销量将达到2750万辆，同比增长5%。 ▲ Customers inspect an SUV in Shanghai. Photo/China Daily在上海，客户正在仔细检查一辆SUV。中国日报 摄Despite the hard-earned rebound and the positive prospects of the market as a whole, carmakers individually had an up-and-down year battling COVID-19 and chip shortages through 2021, a sign of the fast-evolving changes in the world's largest vehicle market.过去一整年，各汽车制造商忙于应对新冠疫情和芯片短缺等挑战，都经历了大起大落。此次销量回升来之不易且市场整体向好，这也标志着作为全球最大的汽车市场的中国市场正在经历一场快速的变化。Thanks to the rising popularity of electrification, new energy vehicle carmakers performed well, and local private brands attracted buyers away from international volume brands.由于电气化水平不断提升，新能源汽车制造商表现亮眼。此外，客户更倾向于选择一些民营本土品牌而非国际知名品牌。SAIC Volkswagen's sales plummeted 17.5 percent in 2021 from 2020, which Volkswagen Group China CEO Stephan Woellenstein said was the result of chip shortages.大众汽车集团（中国）首席执行官冯思翰（Stephan Woellenstein）表示，受到芯片短缺的影响，上汽大众销量2021年同比下降17.5%。The joint venture's sales drop, coupled with a slump at another joint venture, FAW-Volkswagen, resulted in Volkswagen's second yearly sales decrease in China.由于上汽大众和另一家合资公司一汽大众的销量都呈下滑趋势，大众汽车在华销量连续两年下降。SAIC GM's sales in 2021 fell around 9 percent year-on-year to 1.47 million units. Despite this, GM China President Julian Blissett said he is optimistic about 2022.上汽通用2021年销量为147万辆，同比下降约9%。尽管如此，通用汽车中国公司总裁柏历（Julian Blissett）表示，他对2022年持乐观态度。Many Japanese carmakers suffered as well. Nissan's deliveries totaled 1.38 million units, down 5.2 percent year-on-year, while Honda sold 1.56 million, marking a 4 percent fall. Mazda's sales slumped 14.3 percent year-on-year to 184,000 units.许多日本汽车制造商也有相同遭遇。东风日产销量138万辆，同比下降5.2%；本田销量156万辆，同比下降4%；马自达销量为18.4万辆，同比大幅下降14.3%。Toyota was the only exception. Partly insulated from chip shortages, it delivered 1.94 million vehicles in China, up 8.2 percent from 2020.丰田是唯一的例外。由于部分产业并未受到芯片短缺的影响，丰台在中国的交付量达到194万辆，较2020年增长8.2%。The CAAM said both Japanese and German carmakers' market share fell somewhat in China last year, without offering specific figures.中国汽车工业协会表示，2021年，日本和德国汽车制造商在中国的市场份额都有所下降，但没有提供具体数据。The premium vehicle segment experienced something different in 2021. Volkswagen's Audi deliveries fell 3.6 percent. BMW, however, saw its deliveries soar 9 percent to 846,000 units, consolidating its position as the best-selling premium carmaker in the country.高档汽车市场则有不同的表现。大众旗下的奥迪交付量下降了3.6%。然而，宝马的交付量大幅增长9%，达到84.6万辆，巩固了其在华销量第一的高档汽车制造商的地位。Luxury marques hit all-time high last year. Lamborghini sold 935 vehicles in China, up 55 percent from 2020. Bentley delivered 4,033 units, soaring 40 percent year-on-year.豪华汽车品牌去年创下历史新高。兰博基尼在中国售出935辆汽车，较2020年增长55%。宾利交付4,033辆，同比增长40%。Porsche's deliveries totaled 95,671 units in China, up 8 percent from 2020, but the growth rate was less than its global average of 11 percent.2021年，保时捷在华累计交付量为95671辆，同比增长8%，但仍低于增幅11%的全球平均水平。Private Chinese carmakers did a decent job as well. China's largest SUV maker Great Wall Motors sold 1.28 million vehicles last year, up 15.2 percent year-on-year from 2020.中国民营汽车制造商的表现同样亮眼。中国最大的SUV制造商长城汽车去年售出128万辆汽车，同比增长15.2%。The year 2021 marked the sixth year in a row that Great Wall Motors sold over 1 million vehicles.并且，这是长城汽车连续第六年突破百万销量。Last year, a record number of 143,000 units were sold in international markets, accounting for over 11 percent of the carmaker's total sales.2021年，其海外销量达到14.3万辆，创历史记录，占该品牌总销量的比重高达11%以上。Great Wall Motors aims to sell 4 million vehicles a year in 2025, with 80 percent of them NEVs.长城汽车公布其战略目标，即截至2025年，实现年销量达到400万辆，其中新能源汽车占比80%。BYD sold 740,000 vehicles last year, up 73.34 percent from 2020. Of its deliveries, more than 80 percent were electric vehicles and plug-in hybrids, which helped the carmaker seized the No 1 position in China's NEV segment.比亚迪在2021年共售出74万辆汽车，同比增长73.34%。其中，电动汽车和插电式混合动力汽车占其交付量的80%以上，使得该品牌在中国新能源汽车领域排名第一。Wuling came second by delivering 452,000 small electric vehicles last year, up 160 percent from 2020.五菱以45.2万辆的交付量位居第二，同比增长160%。They brought cumulative sales of the Sino-US joint venture's small electric cars to 750,000 units by the end of 2021.截至2021年底，这家中美合资企业的小型电动汽车的累计销量达到75万辆。Of its small electric models, Wuling said the most popular one was the Hongguang MINI EV.五菱表示，在其所有小型电动车型中，最受欢迎的是五菱宏光MINI EV。It has been the most popular electric model in China for 16 months in a row, with its cumulative sales hitting 550,000 units by the end of last year.它已连续16个月成为中国最受欢迎的电动车型，截至2021年底，累计销量达到55万辆。Tesla had the best growth among all international carmakers in China.所有在华的国际汽车制造商中，特斯拉增长最快。Over 484,000 Model 3 sedans and Model Y SUVs rolled off the facility's assembly line in 2021, accounting for 51.7 percent of Tesla's global deliveries of 936,000 units during the year, according to the China Passenger Car Association.据中国乘用车市场信息联席会数据统计，截至2021年，特斯拉共交付48.4多万辆Model 3和Model Y，占特斯拉全球交付量（93.6万辆）的51.7%。The carmaker is seeing its popularity hit a record high in China as well. In December, over 70,000 Tesla vehicles were sold in the country, 34 percent higher than the November figure.这家汽车制造商在中国的受欢迎程度也创下历史新高。去年12月，特斯拉汽车在中国的销量超过7万辆，比上月高出34%。They brought Tesla's China deliveries to over 320,000 units in 2021, which were one-third of the carmaker's global sales, according to the CPCA.根据乘联会数据统计，2021年，特斯拉在中国的交付量超过32万辆，占特斯拉全球销量的三分之一。A total of 3.52 million electric cars and plug-in hybrids were sold in 2021, up 160 percent from 2020, said the Ministry of Industry and Information Technology on Wednesday.工信部12日表示，2021年，全国共售出电动汽车和插电式混合动力车共352万辆，较去年增长160%。NEV exports in 2021 reached 310,000 units, a year-on-year surge of more than three times, which exceeded the cumulative exports in previous years, the ministry said.此外，2021年，新能源汽车出口量达到31万辆，同比增长3倍以上，超过往年累计出口量。Wang Weiming, an official from the ministry, said it will further promote the development of NEVs and smart vehicles, and improve the stability and competitiveness of the industry and supply chains of the automobile industry.工信部装备工业一司司长王卫明表示，要进一步推动新能源汽车和智能汽车的发展，提升汽车产业及其供应链的稳定性和竞争力。According to China's development plan, NEVs will account for about 20 percent of vehicles sold in 2025.根据中国的发展规划，截至2025年，新能源汽车将占汽车总销量的20%左右。edge 英 [edʒ]; 美 [edʒ]n.边，边缘；锋，刃；优势；影响力，奇特的品质；v.缓慢地移动；给……加边；险胜；用球拍边击球；倾斜滑雪；rebound 英 [rɪˈbaʊnd]; 美 [rɪˈbaʊnd]v.（球或其他运动物体）弹回；回升，反弹；抢篮板球；产生事与愿违的结果，适得其反 n.弹回，反弹；反弹球，回弹球；抢篮板球；回升，复兴；（尤指停药后病情的）反弹，复发；（因失恋而）处于心灰意懒的状态 v.重捆；重新装订（rebind的过去式和过去分词)electrification英 [ɪˌlektrɪfɪˈkeɪʃ(ə)n]; 美 [ɪˌlektrɪfɪˈkeɪʃn]n.电气化；带电；充电venture英 [ˈventʃə(r)]; 美 [ˈventʃər]n.风险项目，冒险事业；冒险旅行，冒险行动v.敢于去（未知或危险等地方）；冒险；小心地说，谨慎地做；敢说，大胆表示consolidate 英 [kənˈsɒlɪdeɪt]; 美 [[kənˈsɑːlɪdeɪt]v.使巩固，使加强；合并，统一marques 英 [mɑːk]; 美 [mɑːrk]n.知名品牌（尤指汽车）；（汽车或其他高档品的）牌子，商标；捕拿特许证

Tu and Lei start this pod with a discussion on CAAM numbers and outlook for BYD & Chery. They then take a look ahead to 2022 and how the OEMs will deal with the current battery constraints and how they may bleed into 2022. Tu & Lei then give a bit of background on Niutron and its CEO, founder of NIU, and his colorful past which then pushes them into a broader discussion about the technology companies who've announced plans to enter the EV space.Finally, Tu & Lei discuss the 9.98% stake that BAIC has in Daimler, how it got to that point and the significance of two Chinese OEMs owning almost 1/5 of one of Germany's most important companies. They close out the pod with a discussion on NIO Day 'Hello World' and speculate what you may see as part of NIO Day. 

64th Episode of Stay Up TV with host Stixx @11gone_shine and Co Host @Caam__21 Donate! Support Stay Up TV: https://www.paypal.com/biz/fund?id=9P3NXKW4VP67N Follow us on Social Media: Instagram: https://www.instagram.com/stayuptv Spotify: https://open.spotify.com/show/0KIWRvxrnmdAEm5C5uV7in?si=17Mb0jenQPqJjVa0ONf4NQ Follow Stixx (Host): https://www.instagram.com/11gone_shine https://www.twitter.com/11gone_shine Follow Cam (Co-Host): https://www.instagram.com/Caam__21 https://www.twitter.com/yung_dreads_713 Follow Kevin Burnett Jr (BTS/Producer): https://www.instagram.com/kevinburnettsc https://www.twitter.com/kevinburnettsc

63rd Episode of Stay Up TV with host Stixx @11gone_shine and Co Host @Caam__21 Donate! Support Stay Up TV: https://www.paypal.com/biz/fund?id=9P3NXKW4VP67N Follow us on Social Media: Instagram: https://www.instagram.com/stayuptv Spotify: https://open.spotify.com/show/0KIWRvxrnmdAEm5C5uV7in?si=17Mb0jenQPqJjVa0ONf4NQ Follow Stixx (Host): https://www.instagram.com/11gone_shine https://www.twitter.com/11gone_shine Follow Cam (Co-Host): https://www.instagram.com/Caam__1 https://www.twitter.com/yung_dreads_713 Follow Kevin Burnett Jr (BTS/Producer): https://www.instagram.com/kevinburnettsc https://www.twitter.com/kevinburnettsc

In Episode 27, Tu & Lei take a few minutes to unpack the July sales numbers from the CPCA & CAAM and the roots of the NEV sales surge. Tu & Lei also spend a few minutes to discuss Tesla's surprising numbers for July. Lei summarizes the most significant news coming out of NIO's earnings calls including the confirmation of a mass-market brand as well as 3 new products scheduled for launch before the end of 2022. Finally, Tu and Lei summarize the policy announcements made regarding utilizing OTA to update autonomous driving features as well as the restrictions on data collection and sharing.

62nd Episode of Stay Up TV with host Stixx @11gone_shine and Co Host @Caam__21 and @ben_dontfold Donate! Support Stay Up TV: https://www.paypal.com/biz/fund?id=9P3NXKW4VP67N Follow us on Social Media: Instagram: https://www.instagram.com/stayuptv Spotify: https://open.spotify.com/show/0KIWRvxrnmdAEm5C5uV7in?si=17Mb0jenQPqJjVa0ONf4NQ Follow Stixx (Host): https://www.instagram.com/11gone_shine https://www.twitter.com/11gone_shine Follow Cam (Co-Host): https://www.instagram.com/Caam__1 https://www.twitter.com/yung_dreads_713 Follow Kevin Burnett Jr (BTS/Producer): https://www.instagram.com/kevinburnettsc https://www.twitter.com/kevinburnettsc

We're celebrating the Bentonville Film Festival with director/writer Mari Walker of the intense and beautiful film, See You Then. Simply put, this film follows two exes who reunite ten years later after an abrupt breakup, but the topics it covers are so much more than this! We loved seeing an interesting Asian woman lead, and in depth conversations regarding trans issues. Honestly, some of the conversations in this film could have been recorded from a Bitch Talk happy hour (men, we suggest watching this film with a note pad). Mari shares her writing process, how making this film was like therapy, and how she came up with a XXX-Rated art exhibit idea for the film.Thanks for listening and for your support! We couldn't have reached 600 episodes without your help! Follow See You Then on IG & FB & TwitterFollow director Mari Walker on IG & FB & Twitter--Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for being vaxxed!--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

61st Episode of Stay Up TV with host Stixx @11gone_shine and Co Host @Caam__21 Donate! Support Stay Up TV: https://www.paypal.com/biz/fund?id=9P3NXKW4VP67N Follow us on Social Media: Instagram: https://www.instagram.com/stayuptv Spotify: https://open.spotify.com/show/0KIWRvxrnmdAEm5C5uV7in?si=17Mb0jenQPqJjVa0ONf4NQ Follow Stixx (Host): https://www.instagram.com/11gone_shine https://www.twitter.com/11gone_shine Follow Cam (Co-Host): https://www.instagram.com/Caam__1 https://www.twitter.com/yung_dreads_713 Follow Kevin Burnett Jr (BTS/Producer): https://www.instagram.com/kevinburnettsc https://www.twitter.com/kevinburnettsc

In this episode, Eric speaks with art and culture nonprofit consultant Charmaine Jefferson who talks about how her passion for the arts came about; from training in ballet and tap dancas a child and always having been surrounded by art — her uncle renowned artist John Riddle, her brother who is an artist and her aunt who had an artistic inclination. She talks about her days as a professional dancer, her experience as an African American and the challenges she faced during the “Black is Beautiful Era”, her education in Dance, followed by law school — which paved the way for her prolific career in Arts Administration and engaging with various institutions; museums, dance companies, performing houses, botanical gardens, science centers, including capital renovation, construction projects and board service, arranging charitable and public art programs… to eventually becoming the Executive Director of the California African American Museum. They  discuss her late uncle John Riddle and his iconic works, being related to Carter G. Woodson, the founder of Negro History Week and coming from a family of war protestors; that would engage in political debates and the importance of researching and documenting one's family tree. And her most recent venture her consulting firm Kélan Resources that enables her to consult with a variety of organizations; International Associations of Blacks and Dance, museums and historic houses around the country. For more visit: www.ericsperspective.comGuest Bio: Native Angelino; Charmaine is an arts and culture advocate and administrator. She serves nonprofits through Kélan Resources, her cause driven consulting firm dedicated to integrating art, history, culture, business and diversity into the DNA of education, community, philanthropy, and public and private collaborations. As an active volunteer, she recently completed 8 years as a gubernatorial appointee on the California Arts Council, and as a Director on the Board of Arts for LA. She continues to serve as a college trustee and academic committee chair for the California Institute of the Arts, as a mayoral appointee and vice chair of the City of Los Angeles' Cultural Affairs Commission, on the African American Advisory Council for PBS SoCal, on the Advisory Board of Children Mending Hearts and on the Advisory Committee for the Los Angeles County Cultural Affairs Commission's “Cultural Equity and Inclusion Initiative.” Charmaine received her B.A. in Dance from the University of California, Los Angeles; M.A. in Dance Education from New York University and J.D. from Georgetown University Law School. About Eric's Perspective: A podcast series on African American art with Eric Hanks. Eric Hanks — African American art specialist, owner of the renowned M. Hanks Gallery and commissioner on the Los Angeles County Arts Commission; offers his perspective on African American art through in-depth conversations with fellow art enthusiasts where they discuss the past, present & future of African American art.For more, visit www.ericsperspective.comSUBSCRIBE: http://bit.ly/2vVJkDnLISTEN ON: Apple Podcasts: https://apple.co/2B6wB3USpotify: https://spoti.fi/3j6QRmWGoogle Podcasts: https://bit.ly/3fNNgrYiHeartRadio: https://ihr.fm/2KtYGXv Pandora: https://pdora.co/38pFWAmConnect with us: Visit Eric's Perspective website: https://bit.ly/2ZQ41x1Facebook: https://bit.ly/3jq5fXPInstagram: https://bit.ly/39jFZxGTwitter: https://bit.ly/2OMRx33www.mhanksgallery.com

60th Episode of Stay Up TV with host Stixx @11gone_shine and Co Host @Caam__1 with special guest @Parislerouge and @Sensei.Carlos Donate! Support Stay Up TV: https://www.paypal.com/biz/fund?id=9P3NXKW4VP67N Follow us on Social Media: Instagram: https://www.instagram.com/stayuptv Spotify: https://open.spotify.com/show/0KIWRvxrnmdAEm5C5uV7in?si=17Mb0jenQPqJjVa0ONf4NQ Follow Stixx (Host): https://www.instagram.com/11gone_shine https://www.twitter.com/11gone_shine Follow Cam (Co-Host): https://www.instagram.com/Caam__1 https://www.twitter.com/yung_dreads_713 Follow Kevin Burnett Jr (BTS/Producer): https://www.instagram.com/kevinburnettsc https://www.twitter.com/kevinburnettsc

If not me, then who? At an Uber Elevate Summit in 2018, JR realized that no one was taking initiative to bring flying cars to Canada. In a room filled with aviation experts, JR felt an overwhelming amount of imposter syndrome. Why would a 27 year old with almost no experience in aviation think he has what it takes to bring electric flying vehicles to Canada? While he grew up in Calgary's energy hydrocarbon center, his wanderlust led him to live in Toronto, Barcelona, Hong Kong, and Shanghai. As the travel bug was solidified within him, his divergent side on sustainability was unveiled. He'll never forget the morning he woke up to smog so thick, he felt the sting in his lungs. His visceral reaction to the pollution awakened him to the consequences of conventional aircraft. JR Hammond is the 29-year-old CEO and Founder of Canadian Air Mobility (CAM) and the Executive Director of the Canadian Advanced Air Mobility Consortium (CAAM). The consortium serves as the non-profit idea generator and CAM is the for-profit investment house that ensures these business opportunities evolve into revenue generating operations. ❗ What is the PROBLEM that CAAM is solving? The Problem regarding sustainability: Conventional systems are not sufficient anymore. The aviation sector is accelerating our global footprint at the fastest rate and aircraft emissions are exponentially more harmful than ground emissions. The Problem regarding city infrastructure: We can't stack or expand highways anymore to facilitate the natural movement of people, goods and services. With the rapid urbanization of cities worldwide, we lack the ground space needed. Cities are growing at accelerated rates and space is running out. Our additional transportation needs are growing faster than bridges and tunnels can be built. HOW MUCH SPACE PARKING LOTS TAKE The Problem regarding traffic and human connectivity: The pandemic has proven that face-to-face interactions are irreplaceable in their value both for social and professional interactions. However, in the US, people that commute to work waste 54 extra hours a year in traffic delays. That's almost a week and a half of work. In LA, which is the most congested area, commuters waste an average of 119 hours per year.

We had an amazing experience covering the Center for Asian American Media (CAAM) Festival, and we're bringing you all of the behind the scenes dirt! Find out how we ended up doing not one, but 2 interviews for 2 different films (The Fabulous Filipino Brothers, and Ricochet), which film left us pleasantly confused, which interview made one of us so nervous she couldn't focus, and what caused Erin to almost poop her pants (metaphorically...we think). Then we get into the story behind Captain Party missing the panel with Margaret Cho. This was a film festival for the books, and we are exhausted. Enjoy!--Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for wearing a mask. --Buy us a cup of coffee!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

We're wrapping up our coverage of the Center for Asian American Media (CAAM) Festival with a powerful documentary, Because We Are Girls. Director Baljit Sangra, who also directed a short that preceded the documentary entitled Have You Forgotten Me, explains why it is so important to capture the lives and history of Asian immigrants, and in this case, in the form of a Punjabi family dealing with the aftermath of sexual assault. We get into how she dealt with filming the most intense scene of the film, the question of wether first generation children can ever find common ground with their immigrant parents, and how we are much more than just our trauma. This film shines a light on the unfair loopholes within the criminal justice system, the repercussions of sexual assault, and the unbreakable bond of sisterhood.You can follow director Baljit Sangra on IG & Twitter--Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for wearing a mask. --Buy us a cup of coffee!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions 

We're celebrating Asian American history at the Center for Asian American Media (CAAM) Festival, this time focusing on a documentary called The Race Epidemic. The history of racism against Asian Americans is something that has been hidden and erased from our history books, making a documentary like this more important than ever in this moment. We sat down with filmmakers Tony Shyu and Ron Wong about the evolution of this film, why certain words like "freedom" are triggering to people of color, how they decided which stories to choose, and their potential plans to turn this into a series. We thank them for telling these important stories, and hope this can eventually lead to the inclusion of Asian American history into our classrooms.You can follow The Race Epidemic on IG & FB & TwitterYou can follow director/writer Tony Shyu on IG & FB & Twitter--Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and thank you for wearing a mask. --Buy us a cup of coffee!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions   

In this episode, JR talks about the background behind setting up CAAM and why Canada can be one of the first countries to introduce advanced air mobility solutions into its cities. He gives his insight into NEXA Capital Partner's recent white paper about this, and also elaborates on the efforts CAAM is doing to organise the ecosystem and bring the next frontier of aviation to the country.

Introduction to the Coptic Addiction Awareness Ministry ~ 2020

Host Janice Rhoshalle Littlejohn talks with Naima Keith, the award-winning deputy director of the California African American Museum in Los Angeles about art, history, politics, and how they intersect. Naima also talks in detail about the new Spring Season at CAAM, which features five shows including exhibits of the work of New York based artist Derrick Adams, Los Angeles' own Kenyatta A C Hinkle, and a look back at the 1992 LA Uprising. Also, podcast superstar Karina Longworth returns to recommend Marcy Dermansky's novel The Red Car.

In this special episode of #BitchTalk, Erin & Ange record live on location, at the Alamo Draft House CAAMFest screening of the new web series, "Brown Girls"Listen in as they sit down and chat with writer/co-creator Fatimah Asgha and actress Nabila Hossain. For more on the Brown Girls series, visit www.BrownGirlsWebSeries.com Support the showThanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of the Bay Best Podcast in 2022 & 2023 without your help! -- Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM