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En esta emisión de Me lo Dijo Adela analizamos el impacto histórico de la caída de Nemesio Oseguera Cervantes, “El Mencho”, y el reacomodo de poder dentro del Cártel Jalisco Nueva Generación, con revelaciones exclusivas del exagente de la DEA Héctor Berrellez, figura clave en el caso de Kiki Camarena, quien nos ofrece una mirada única sobre el operativo y el futuro de la seguridad en México; además, el experto Salvador Mejía desmenuza las redes de lavado de dinero que sostuvieron al imperio criminal, mientras revisamos imágenes inéditas de la guarida donde el capo pasó sus últimas horas. En la agenda política, abordamos la Reforma Electoral impulsada por Claudia Sheinbaum, con el análisis de Lety Robles de la Rosa sobre plurinominales y presupuesto a partidos; y en el plano internacional, Brenda Estefan examina el State of the Union de Donald Trump, especialmente sus posturas sobre migración, Venezuela y narcotráfico. Cerramos con lo mejor del espectáculo en TV Notas, tendencias de la Fashion Week y toda la acción deportiva. ¿La caída del Mencho marcará un cambio real en la seguridad del país o es el inicio de una nueva guerra entre cárteles? Te leemos en los comentarios. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
En esta emisión de Me lo Dijo Adela analizamos el impacto histórico de la caída de Nemesio Oseguera Cervantes, “El Mencho”, y el reacomodo de poder dentro del Cártel Jalisco Nueva Generación, con revelaciones exclusivas del exagente de la DEA Héctor Berrellez, figura clave en el caso de Kiki Camarena, quien nos ofrece una mirada única sobre el operativo y el futuro de la seguridad en México; además, el experto Salvador Mejía desmenuza las redes de lavado de dinero que sostuvieron al imperio criminal, mientras revisamos imágenes inéditas de la guarida donde el capo pasó sus últimas horas. En la agenda política, abordamos la Reforma Electoral impulsada por Claudia Sheinbaum, con el análisis de Lety Robles de la Rosa sobre plurinominales y presupuesto a partidos; y en el plano internacional, Brenda Estefan examina el State of the Union de Donald Trump, especialmente sus posturas sobre migración, Venezuela y narcotráfico. Cerramos con lo mejor del espectáculo en TV Notas, tendencias de la Fashion Week y toda la acción deportiva. ¿La caída del Mencho marcará un cambio real en la seguridad del país o es el inicio de una nueva guerra entre cárteles? Te leemos en los comentarios. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
「【新宿住友ビル三角広場】約100ブースもの古着店が集結!古着のファッションウィーク『Tokyo Vintage Fashion Week』が3月13日より3日間開催」 西新宿にある「新宿住友ビル三角広場」では、世界初の古着のファッションウィーク『Tokyo Vintage Fashion Week』が2026年3月13日(金)から3日間にわたって開催。詳細をご紹介します。『Tokyo Vintage Fashion Week』は、古着マーケット、ファッションショーなど、ヴィンテージファッションの魅力を「見る・買う・体験する」ことができるヴィンテージファッションの祭典として開催。
The latest from Washington following Donald Trump’s State of the Union address. Then: we discuss the significance of German rearmament with Liana Fix. Plus: the latest business news and a check-in from Milano Fashion Week.See omnystudio.com/listener for privacy information.
Your Day Off @Hairdustry; A Podcast about the Hair Industry!
Show Notes – Season 9, Episode 2What does it really take to work Paris Fashion Week as a behind-the-chair hairstylist?In this episode, Corey sits down with Dallas-based master colorist Michelle Bowden to unpack how one simple ask turned into a backstage pass to Paris.Michelle has spent 23 years in the same salon, building a loyal clientele and refining her craft as a specialist colorist. Fashion Week wasn't part of some grand master plan. It came from staying curious, investing in education, and having the courage to raise her hand when opportunity showed up.Here's what you'll hear in this conversation:• How Michelle built a long-term career in one salon without job hopping• Why specializing (cut vs. color) helped her master her craft• How taking a wig and styling masterclass opened the Fashion Week door• The exact moment she asked to be considered for the team• Why she almost said no when the Paris invite came• What backstage at Fashion Week is really like (tight spaces, fast timelines, controlled chaos)• Why speed and solid technique matter more than glam• How creative projects improve your confidence behind the chair• The truth about “pay to play” Fashion Week scamsMichelle shares honestly about insecurity, imposter syndrome, and the mindset shift required to step into rooms where no one knows your name. She also talks about how staying grounded behind the chair keeps her creatively fulfilled—even while expanding into global opportunities.This episode is a reminder that:Opportunity doesn't always knock loudly.Sometimes it shows up quietly and waits for you to speak first.If you've been waiting to feel “ready,” this is your nudge.You don't need to leave your chair to elevate your career.But you do need to put yourself out there.Listen in and let us know:If you got the invite to Fashion Week… would you go?
New York Fashion Week isn't dead, but it is changing. In this solo NYFW recap, Victoria breaks down what felt different this season and how Fashion Week is getting too expensive. From major brands like Ralph Lauren and Marc Jacobs showing off-schedule, Thom Browne showing in San Francisco, brands giving away show tickets leading to how NYFW could be evolving into an “Art Basel”-style citywide experience. She also shares the fashion tech + retail innovation that caught her eye, the behind-the-scenes realities of how outfits (and glam) actually happen during Fashion Week, and the pop-ups + community events that proved NYFW is increasingly about access, culture, and connection not just runway invites.Follow Fashion & Founders:Podcast IG: @fashionandfoundersPodcast Substack: Fashion and FoundersPodcast Website: fashionandfounders.comPodcast TikTok: @fashionandfoundersPodcast LinkedIn: Fashion and FoundersPodcast YouTube: Fashion and FoundersPodcast Links: Shop MyGlamsquad:Code: FASHIONANDFOUNDERS for $20 offRent the Runway:Code: RTRXVSMITH50and get 50% off your first month!Rebecca Minkoff episode on fashion week being to expensiveHEREThanks for listening!
This Lightning Round segment of the Omni Talk Retail Fast Five, sponsored by the A&M Consumer and Retail Group, Mirakl, Ocampo Capital, Infios, Quorso, and Veloq, closes out the show with rapid-fire takes on Fashion Week trends, 2016 nostalgia, Robert Duvall's Mount Rushmore, and unexpected Olympic curling drama. From the cultural ripple effects of Fashion Week to the one thing our hosts would bring back from 2016, plus strong opinions on Robert Duvall and the intensity of Olympic curling, Chris Walton and Anne Mezzenga, joined by Jenn Hahn, keep things moving with quick hits and sharp debate. ⏩ Tune in for the full episode here: https://youtu.be/adBITqt-5Ho #RetailLightningRound #RetailCulture #FashionWeek #WinterOlympics #RobertDuvall #RetailNews #OmniTalk #ConsumerTrends
"A Paris, dans le tumulte de la Fashion Week, Maxine, une réalisatrice américaine apprend une nouvelle qui va bouleverser sa vie. Elle croise alors le chemin dʹAda, une jeune mannequin sud‐soudanaise ayant quitté son pays, et Angèle, une maquilleuse française aspirant à une autre vie. Entre ces trois femmes aux horizons pourtant si différents se tisse une solidarité insoupçonnée. Sous le vernis glamour se révèle une forme de révolte silencieuse : celle de femmes qui recousent, chacune à leur manière, les fils de leur propre histoire." "Coutures" dans les salles romandes depuis le 18 février, avec Angelina Jolie, Ella Rumpf, Anyier Anei. La réalisatrice Alice Winocour et l'actrice Ella Rumpf sont les invitées de Rafael Wolf.
Bund sagt nein zu Sawiris‑Yachthafen, Gefängnis-Direktor äussert sich erstmals zum Aufstand im Bellechasse, Zürichs erste Fashion Week
Amy Smilovic is the founder and creative director of the independent global fashion brand Tibi. In addition to helming her beloved brand, Smilovic also runs an educational "style class" on Instagram and is the author of two books: The Creative Pragmatist: An Intelligent Conversation About Personal Style and Almost Reckless: A Creative and Pragmatic Approach to Taking Risks, which is available for preorder now. On this episode, Smilovic gets into the tangible ways she's been able to trust her gut throughout her career, viewing items in your closet as ingredients, and her practical tips for how to layer in the winter without looking like a snowman. Plus, she lets us in on Tibi's plan for fashion week. Preorder Almost Reckless here.
Cette semaine dans CAST, on reçoit une tornade derrière les platines : Andy 4000, la DJ la plus hot de Paris. Oui, hot par le style. Hot par l'énergie. Et hot par la capacité à retourner n'importe quel dancefloor — du club underground moite à 3h du matin aux soirées les plus couture de la Fashion Week.Dans cet épisode aussi inspirant qu'hilarant, Andy revient sur ses débuts — quand mixer relevait plus du système D que du booking international — et sur les étapes clés qui ont façonné son parcours. Elle raconte comment naviguer entre différentes sphères (mode, musique, art, nuit, luxe… et afters improbables) lui a permis de créer un univers à part, sans jamais se laisser enfermer dans une case.On parle collaborations marquantes, rencontres décisives et petits hasards devenus grands tournants. Oui, il y a du name dropping (parce que pourquoi pas ?) — des créateurs pointus aux artistes visionnaires, en passant par ces figures de l'ombre qui ont cru en elle avant tout le monde. Elle rend hommage à celles et ceux qui ont joué un rôle clé dans son ascension, avec autant de gratitude que de punchlines.Mais au-delà du succès, Andy insiste sur l'essentiel : rester ouverte à la nouveauté, aux autres, aux opportunités inattendues. Se réinventer. Ne jamais jouer un seul morceau trop longtemps — dans la musique comme dans la vie.Et surtout, elle parle de transmission. De son envie de tendre la main à la nouvelle génération de DJ, de partager les codes, les erreurs, les stratégies… et de rendre ce qu'elle a reçu. Parce que briller seule, c'est cool. Faire briller les autres, c'est iconique.Un épisode drôle, cash, inspirant — à écouter avant de sortir… ou avant de changer de vie.
In this episode of arts24, film critic Manon Kerjean reviews several new French releases: Alice Winocour's "Coutures", starring Angelina Jolie and Louis Garrel in a backstage drama about women navigating illness and industry pressures during Fashion Week; Anthony Marciano's "Le Rêve américain", featuring Raphaël Quenard and Jean-Pascal Zadi as two unlikely French NBA agents; and Pascal Bonitzer's "Maigret and the Dead Lover", with Denis Podalydès investigating aristocratic secrets in early 2000s Paris.
Brad and T. Kyle are back for the first episode of 2026 after the Winter Hiatus! We're catching up on everything we missed (well, attempting), including a sneak peek of T. Kyle's trip to Bluestone Manor with Dorinda Medley, the ‘Heated Rivalry' cultural takeover, Mariah Carey's MusiCares tribute with Taylor Momsen, the ‘Chick' lost album, the 2026 Winter Olympics, the 2026 Grammys, the Best New Artist category, Addison Rae's performance, Bad Bunny's big win, the upcoming 2026 Super Bowl halftime show, High Fashion Editorial! featuring Madonna's Dolce & Gabbana campaign, Fashion Week heading to NYC, new music incoming from Robyn, Ashlee Simpson, Agnes, John Summit, LONOWN, Michael Medrano, Gregory Dillon, Loreen, Lykke Li, and the Spice Girls f—king with us again. Welcome back! Hosted on Acast. See acast.com/privacy for more information.
Meghan Mundy's journey through fashion has taken her from Madison Avenue boutiques to some of Rochester's most memorable runway shows. She opens up about building Rochester Fashion Week, raising millions for local charities, and why treating people with respect has been the foundation of her success. A thoughtful look at creativity, reinvention, and community impact.
Repairs, Runways, and Real Life: Adam shares the aftermath of a major ice storm that damaged his farm and forced a creative plumbing winterization solution, while Peter recounts his trip to Berlin for Fashion Week and the realities behind the modeling industry. The hosts also discuss vintage truck restoration decisions, water system maintenance, travel packing habits, battery longevity strategies, and emerging wellness trends. Adam Bell and Peter Nikolaidis The Blurring The Lines Podcast Links: Culligan WH-HD200-C Whole House Water Filter System 1” Inlet/Outlet – Improve Tap Water Taste, Remove Sediment, Protect Appliances : https://amzn.to/4koSWuK Youtube: https://youtu.be/Wl14KpwL9r0 Learn More About the Hosts: PeterNikolaidis.com https://YogaWithPeter.com https://friendswithbrews.com Adam Bell Roaming Roan Lavender Farm https://rrlavenderfarm.com
Zürich wird modisch bereichtert: Nächste Woche findet die Zürich Fashion Week statt.
This week on Out Wide, Stef and Resh sprint (and occasionally rage-walk) through the 2026 Australian Open, an event that somehow managed to be thrilling, exhausting, political, inspiring, and completely sabotaged by ESPN at the same time.We start with the real final boss of the tournament: sports streaming capitalism. ESPN Plus? ESPN Unlimited? ESPN Select? Cable? VPNs? Mexico?? Watching tennis in 2026 apparently requires a CPA, an IT degree, and a teenage LimeWire mindset. ESPN, respectfully: jail.Before we get into forehands and finals, the hosts pause to acknowledge the world being… on fire. From ICE terrorizing communities to athletes being asked political questions they'd rather moonwalk away from, this episode grounds itself in the belief that tennis does not exist in a bubble, no matter how badly some press rooms want it to. Coco Gauff emerges as the moral North Star of the tournament—21 years old, emotionally fluent, politically aware, and still somehow finding time to hype a gay hockey romance show.On court, Elena Rybakina wins the Australian Open in stoic legend fashion, celebrates with a whisper of a fist pump, and gets criticized for not doing enough cartwheels. Meanwhile, Stef and Resh firmly defend the right to win a Grand Slam quietly and go home. Let introverts live.Then came Naomi Osaka's jellyfish fit, the moment tennis fashion officially entered its couture era. Inspired by marine biology and designed with Beyoncé's designer (casual!), Naomi floated onto Rod Laver Arena like an aquatic deity and said, “Even if I lose, I'll trend.” She was right. The outfit ate. The internet screamed. Traditionalists clutched pearls. Naomi posted six photos and logged off. Icon behavior.We also get:ESPN booth shakeups (women rising, Mac bros still yapping)Venus Williams returning at 45 and reminding everyone she is eternalSerena Williams definitely maybe returning (she's in the drug testing pool, babes)Jelena Djokovic inserting herself where nobody askedCarlos Alcaraz winning everything, breaking records, cramping, thrivingQueer history made on the ATPRising stars, comeback queens, GI distress, political statements via T-shirts, and one extremely icy handshakeAnd just when you think it's over, we pivot to the Grammys, Bad Bunny, dip-based Super Bowl planning, and a light call to mass-stream Michelle Obama's Becoming out of pure spite.Final verdict: The Australian Open 2026 was messy, moving, glamorous, infuriating, and extremely Out Wide. Tennis was played. Statements were made. Jellyfish were served. And ESPN still owes us emotional damages.
Visuals: https://getbehindthebillboard.com/episode-103-katie-dinardo-kelley-barrettEpisode #103 features Katie DiNardo & Kelley Barrett, creative directors at Uncommon New York.Katie & Kelley are a brilliant and prolific team. They started their career at Leo Burnett, Chicago creating the anti-gun violence campaign “The Lost Class" which won a Titanium Lion, one of the most revered accolades in the industry. Their rise to fame has continued at pace ever since, being included in both AdAge's "Creatives to Watch " and Adweek's "Creative 100" lists from 2025.We started our chat with British Airways, which was most apt as we flew out on BA, and for the week were Englishmen in New York. We love the BA campaign, and it was great to see previously unseen executions, ‘A city that sleeps' is a cracker.Next we talked pain. The retail kind. A social experiment in SoHo, New York, during Fashion Week, featuring a claw machine containing a single, un-winnable Hermès Birkin bag worth $10,000. A provocative and brilliant use of OOH. Prior to installation, ads across the city were asking "Want pain?" or proclaiming "One priceless handbag you have zero chance of winning," to build intrigue. For those who came along, consolation prizes of t-shirts and keychains eased the pain, extending the ironic message beyond physical the stunt itself.Although not pure OOH, we also chatted a bit about The Lost Class, just because it was a big moment and an incredibly important campaign.We finished on DePop with witty fashion billboards. People sharing their clothes. The buyer and seller together inside the same jumper together. Much like K&K themselves.Thank you so much Katie & Kelley. It was great to have you on the show and best of luck with the wedding plans
Opptur er tilbake! Ingeborg har vært sulten på Fashion Week i København, Annette har (kanskje) hatt livsstilsendring, og de begge er enige om at de ikke vil hoppe i strikk eller kveles av mann fra Løren.Produsert av PLAN-B Hosted on Acast. See acast.com/privacy for more information.
Da Leao a Kean, habitué dei catwalk, quest'anno a Milano è stata anche la prima volta di Manuel Akanji, ospite degli show di Saul Nash e Domenico Orefice. L'hype che gravita attorno alla FW Week è anche il momento perfetto per poter lanciare una nuova capsule - vedi David Beckham - o addirittura un marchio, come Cole Palmer. Quali sono state le novità che condividono calcio e moda in questi primi mesi dell'anno? Ce ne parla Adele Stigliano.Potrero, dove tutto ha inizio. Un podcast sul calcio italiano e internazionale.Su Como TV (https://tv.comofootball.com) nel 2026 potete seguire in diretta le partite della Saudi Pro League, Saudi King's Cup, Supercoppa d'Arabia, Copa Libertadores, Copa Sudamericana, Recopa, Liga Profesional Argentina, Trofeo de Campeones argentino, Eredivisie, Coppa di Francia, Scottish Premiership, Coppa di Scozia, Scottish League Cup, Scottish Championship, Coppa di Portogallo, Supercoppa di Portogallo, HNL croata e tutti i contenuti di calcio italiano e internazionale on demand.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/potrero--5761582/support.
La music story du jour c'est celle des DJs qui deviennent styliste du son…Une semaine sur les points de rencontres entre l'électro et d'autres formes d'art. Aujourd'hui, la mode. Parce que depuis des années, les musiques électroniques ont franchi le seuil des Fashion Weeks, pas en simple bande-son, parfois comme co-créatrices des défilés.
Et si on parlait de hockey sur glace ? Heated Rivalry la série canadienne qui a cassé Internet sera disponible vendredi sur HBO Max en France. Si vos algorithmes sont imperméables à la folie qui s'est emparée de la toile depuis fin novembre, petit rappel des faits. Adaptée des romans de Rachel Reid, Heated Rivalry raconte la passion secrète qui consume Shane Hollander, le Canadien, et Ilya Rozanov, le Russe, 2 jeunes stars qui jouent respectivement pour Montréal et pour Boston. Je ne vous en dis pas plus si jamais vous avez eu la chance de ne pas encore vous faire spoiler. Cette série bien ficelée est une romcom dont elle emprunte pas mal de codes. Elle révèle 2 jeunes acteurs qui il y a encore quelques semaines couraient les castings et servaient dans des diners. Les vies de Hudson Williams et Connor Storrie ont bien changé puisque désormais ils enchaînent les late shows, remettent des Golden Globes, portent la flamme olympique et sont invités à la Fashion Week habillés par Saint-Laurent. Succès phénoménal, donc, que personne n'avait vu venir et pour un budget tout petit. Le réalisateur Jacob Tierney s'est vu fermer la porte par plusieurs productions américaines avant de se collaborer avec Crave, une petite plateforme canadienne dont c'est à ce jour le plus gros succès. Un succès qui n'est pas sans occasionner son lot de critiques : la série serait trop blanche, (alors qu'un acteur est asio-descendant) ne serait pas assez inclusive (alors qu'un personnage présente des troubles du spectre autistique ou que deux rôles secondaires sont joués par des personnes trans)… On dit aussi qu'elle promeut le stéréotype des corps masculins musclés, qu'elle n'est pas assez politique et qu'enfin elle s'adresse surtout aux personnes hétérosexuelles. Et pourtant, depuis la diffusion de Heated Rivalry un ancien joueur de hockey canadien a fait son coming out, suivi de près par un ancien joueur de football américain. Le champion de ski acrobatique Gus Kenworthy, qui participe aux JO, a raconté comment il se serait senti moins seul si la série avait existé il y a 15 ans quand il a révélé son homosexualité. Même son de cloche pour le joueur de hockey sur gazon, Nicolàs Keenen, compagnon du futur Premier Ministre néerlandais qui a détaillé cette semaine la peur qu'il ressentait quand il était encore dans le placard. Est-ce que 2026 va voir le tabou de l'homosexualité masculine dans le sport céder le pas ? La question se pose et sans doute que Heated Rivalry n'y est pas pour rien. Au-delà de toute considération esthétique ou politique, l'art a cette capacité de nous rassembler et de pointer tout ce que nous avons en commun. Dans sa série, Jacob Tierney le fait avec beaucoup de tendresse, une pointe d'humour et sans rien céder sur le fond. Quelques jours avant des JO d'hiver dans l'Italie de Meloni et une coupe du monde de foot dans les Etats-Unis de Trump, il y a quand même de quoi se réjouir. Mais loin de moi l'idée de piquer le rôle de chroniqueur série à notre Olivier Forest, cette série on va surtout en parler à travers sa musique. La bande originale est signée d'un garçon qu'on connait bien. Il a sorti 5 albums de pop électronique et romantique, avec des titres évocateurs : Une version améliorée de la tristesse, 20 000 heures de solitude, Noir Eden. Peter Peter est aujourd'hui au téléphone depuis chez lui à Québec, l'invité de Place des Fêtes. PETER PETER "La nuit est longue" PETER PETER "Distant rivalry" PETER PETER "Danses-tu dehors, ce soir quelque part, loin de ton téléphone" TOM MISCH "Sisters With Me" CHARLOTTE DAY WILSON "If Only" JANIS "Cry With Us" LEWIS OFMAN "Electronicity"
In dieser Episode diskutieren Sascha und Mario über ihre Erfahrungen in der Modewelt, weil Mario auf der Fashionweek in Paris war. Kann man bestimmte Sportarten wir Handball wieder cool machen? Zudem erörtern sie, was Erfolg für sie bedeutet und welche Fehler sie in ihrer beruflichen Laufbahn gemacht haben. Zudem gehen wir einigen Fauxpas am Set auf der Grund und was dies für Auswirkungen hatte.Sie diskutieren ihre Zukunftsvisionen in der Branche, persönliche Gewohnheiten und Vorlieben, insbesondere in Bezug auf Technologie. Außerdem fragen wir uns, warum wir Lastenräder auf einmal überall sehen und was in der Popkultur so ging! ISSO100 gibt es alle 2 Wochen überall wo es Podcasts gibt! 00:00:00 Die Technik wars! 00:00:14 Saschas 2016 Shitstorm00:05:01 Marios Fashionweek!00:20:40 Q&A: Fragen aus der Community00:21:08 Die perfekte Kamera für Fotografen00:27:33 Wie wird man erfolgreich als Fotograf?00:34:48 Definition und Erwartungshaltungen00:40:38 Schonmal was am Set verkackt?00:46:41 Was geht in 10 Jahren Mario und Sascha?00:55:57 Technick fragen?01:06:50 Hottake zum Thema Lastenrad?!01:11:07 ByeByeFresh01:13:53 Fotografie und moderne Technik01:18:52 Stranger Things: Wie war die letzte Staffel?01:23:54 Musikempfehlungen und Popkultur
Copenhagen Fashion Week marks its 20th anniversary at a moment when the fashion system is being asked to account for itself. In conversation with CEO Cecilie Thorsmark and COO Isabella Rose Davey, this episode examines how a regional fashion week evolved into a platform with global influence, and what that evolution reveals about the future of the industry. “Fashion weeks were falling out of sync with the world around us. They were celebrating fashion in a bubble, while everything else was changing.” CEO Cecilie Thorsmark “What feels contemporary now to me is generosity.” COO Isabella Rose Davey Episode Highlights: A reflection on Copenhagen Fashion Week's evolution from a regional showcase into a global platform with cultural and economic impact over its 20-year history. Insight into how Cecilie Thorsmark redefined the purpose of a fashion week, shifting it from celebration alone to a system that engages with responsibility, progress, and accountability. A candid discussion about implementing binding sustainability requirements, including the real challenges of enforcement, support, and industry resistance. An exploration of why sustainability works best as infrastructure rather than storytelling, and how Copenhagen embedded it into participation itself. A deep dive into CPHFW NEWTALENT and what emerging designers actually need today, beyond visibility, including mentoring, financial literacy, and long-term business support. A reframing of the term “emerging designer,” challenging age-based definitions and highlighting reinvention, experience, and second chapters. A conversation about the advantages of being small, agile, and human, and why Copenhagen's scale allows for experimentation and intimacy that larger fashion weeks often lose. A thoughtful examination of why brands should be allowed to end, evolve, or transform without stigma, and how creative energy changes form rather than disappears. Cultural insight into why Copenhagen feels different, touching on quality of life, generosity, openness, and the city's ability to foster genuine connection during fashion week. A closing reflection on what feels contemporary now, distilled into two values that define the platform's ethos moving forward: responsibility and generosity. Learn more about your ad choices. Visit megaphone.fm/adchoices
Après une accalmie, les attaques jihadistes de camions de carburant qui viennent de pays voisins reprennent au Mali. La semaine dernière plusieurs dizaines de camions ont été détruits, des chauffeurs de camions tués. A l'approche du mois de ramadan les autorités de Bamako veulent assurer l'approvisionnement du pays en carburant et en vivres, afin de faire face au blocus économique imposé par les djihadistes.
진행자: 홍유, Chelsea ProctorTailoring, time travel and return of ceremony at Paris Men's Fashion Week기사요약: 2026년 가을·겨울 파리패션위크에서 우영미와 Juun.J는 여행과 의례, 과거와 미래를 잇는 테일러링과 형식미로 한국 패션의 존재감을 각인시켰고, 에르메스·디올·루이비통 등 글로벌 하우스들 역시 격식과 퍼포먼스, 정체성이 교차하는 ‘새로운 클래식'의 귀환을 선언했다.[1] Korean fashion asserted its place at the heart of Paris Men's Fashion Week for fall-winter 2026, with Wooyoungmi and Juun.J anchoring the season through collections that balanced heritage and modernity, while global luxury houses from Hermes to Dior and Louis Vuitton framed a week where tailoring, identity and performance converged.anchor: 중심을 이루다converge: 수렴하다[2] Wooyoungmi presented her show on Sunday at the historic Salle Wagram in the 17th Arrondissement, unveiling a collection that reimagined winter travel as an occasion for ceremony. Inspired by journeys spanning steam locomotives to subways, the lineup fused Edwardian and 1960s-70s dandy tailoring with technical outerwear, from velvet blazers and faux astrakhan waistcoats to reversible parkas and sculptural coats.locomotive: 기관차fuse: 융합하다[3] “Winter can be framed as an annoyance or a wonderland. For the fall 2026 collection, Wooyoungmi took the latter view,” the brand said, recasting cold-weather dressing as an act of elegance. Creative director Woo Young-mi looked back to the early 20th century, when the arrival of Korea's first railway transformed travel into a formal ritual. “Now more grounded in her identity, Woo proposes elegance as a form of courtesy, not a way of showing off,” the show notes added.annoyance: 성가심ritual: 의식be grounded in: ~에 기반하다[4] Korean cultural references were woven literally into the clothes. Nordic-style knits revealed themselves as dancheong, Korea's traditional decorative architecture pattern, on closer inspection, while bespoke prints on trench coats featured pagodas, mountains and traditional beoseon socks and gat hats. The soundtrack -- a moody collage of wind, rain and steam engines blended with Korean folk chants reworked through artificial intelligence -- underscored the collection's dialogue between past and future.be woven into: ~에 녹아들다기사원문: https://www.koreaherald.com/article/10662831
Manterfeld-Wormit, Barbara www.deutschlandfunk.de, Morgenandacht
Cette année, la Fashion Week a encore battu son plein à Paris. Mais derrière les podiums et les flashs, il y a surtout des semaines de travail intense. Rose Torrente, fondatrice de la maison Torrente, a habillé des générations de femmes et de grandes stars. À travers ses souvenirs, elle redonne à la haute couture son vrai visage : celui du travail, de l'exigence, mais aussi des rapports de force. En studio également, Martine Houdet, qui a passé près de 50 ans dans les ateliers de Dior et Chanel, nous plonge dans l'envers du décor : le travail précis des "petites mains". Ainsi que Sophie Brafman, journaliste, animatrice et chroniqueuse mode, elle décryptera la mode d'aujourd'hui et ce que nos vêtements disent de nous.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.
It's Fashion Week at Life With Eric, and Kiley goes straight for Eric's wardrobe and shoe choices. Eric admits his San Francisco trip was surprisingly nice, relives a gross blood test fiasco, and explains how Jelly Roll on the Joe Rogan Podcast made him emotional. Plenty of laughs and entertaining chaos in this episode.
The Rachel Zoe Project, Season 1, Episode 3This week, Princess has a 10 minute rant that you can skip or not. Also, Rachel Zoe is in NY, wearing fur and pretending to ignore her husband.
Learn more about Tina at: https://www.propelmodels.comhttps://www.instagram.com/propelmodels/?next=%2F Show Notes:
China’s top-ranking general, Zhang Youxia, has been placed under investigation after being accused of giving nuclear secrets to the US. Then: coverage from Monocle’s recent trip to Nuuk and a look back at Paris Men’s Fashion Week. See omnystudio.com/listener for privacy information.
Tyler Brûlé, Emma Nelson and guests look back at the week’s news, live from the French capital. We also turn to Paris Men’s Fashion Week with Matthieu Zucconi.See omnystudio.com/listener for privacy information.
Proč Rusko znovu útočí na Ukrajinu v době třístranných rozhovorů o míru? Plánuje ANO na svém sněmu nějaké změny ve směřování strany? A co současný premiér a předseda ANO nejvíc kritizoval? Jak vidí budoucnost pánské módy slavné módní domy a jak se návrháři vyrovnávají s trendem udržitelnosti?
Proč Rusko znovu útočí na Ukrajinu v době třístranných rozhovorů o míru? Plánuje ANO na svém sněmu nějaké změny ve směřování strany? A co současný premiér a předseda ANO nejvíc kritizoval? Jak vidí budoucnost pánské módy slavné módní domy a jak se návrháři vyrovnávají s trendem udržitelnosti? Všechny díly podcastu Hlavní zprávy - rozhovory a komentáře můžete pohodlně poslouchat v mobilní aplikaci mujRozhlas pro Android a iOS nebo na webu mujRozhlas.cz.
Subscribe to Throwing Fits on Patreon. Bonjour! This week, Jimmy is getting over a cold and Larry is Zooming in from Paris—where he's technically at Fashion Week, but literally not really because he's actually on a business trip and it's also his wife's birthday on top of that—to chat the PFW social media playbook, Air France La Première, From the World of John Wick: Ballerina, the charm of Rubirosa's, Auralee's joie de vivre, getting terminally mogged by a male model, letting the clubstaurant find you, fashion beers and fashion beards, Ralph Lauren glazing blowback, A.PRESSE's continued hyperbolic accession, the lost art of tempered and measured reactions, the two sides of the wild brand dinner conversation coin, a hater's view of everything unfolding from back home, whether or not a fashion show is ever worth potentially missing your flight, RIP Valentino, finding yourself back in the content mines, baby's first ISO post, and much more.
durée : 00:08:01 - L'invité de 6h20 - par : Mathilde MUNOS - Claire Thomson-Jonville, directrice éditoriale de Vogue France, revient sur le début de la Fashion week, semaine de la mode masculine du 21 au dimanche 25 janvier 2026. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
What if the fastest way into iconic events isn't waiting to be hired but learning how those worlds were built first? In this episode, I'm taking you to Paris and inside the history of fashion to unpack what Fashion Week, legacy brands, and iconic environments can teach us about event careers today. From Coco Chanel and Russian influence to Place Vendôme, runway origins, and why calendars don't move, this isn't just fashion trivia, it's career strategy. If you want to work inside legacy driven major events, this episode is about learning how to read the room before you're invited into it.For a more detailed read, check out my blog: https://lauralloydevents.com/2026/01/12/what-studying-paris-fashion-history-taught-me-about-fashion-week-and-iconic-events-careers/If you're serious about working at iconic events and you want to go deeper, Inside Iconic Events starts soon. It's my 8 week program designed to help you create a career in major events. Enrollment is open now!https://lauralloydevents.com/a-flair-for-iconic-eventsGet a copy of my 2 NEW FREEBIES:21 Places to Find Iconic Event OpportunitiesA super simple and straightforward resource to help you uncover where opportunities for your dream events existhttps://iconicevents.thrivecart.com/21-places-iconic-events-opportunitiesThe Iconic Events Career Evolution GuideGet this powerful, no fluff (and not so basic) guide for event pros craving more. Whether you're shifting sectors, re-entering after a break, or finally ready to go after big events, this guide will help you get started: https://iconicevents.thrivecart.com/the-iconic-events-career-evolution-guide/Support Laura:https://www.buymeacoffee.com/laurayarblloyd Connect with Laura:LinkedIn: https://www.linkedin.com/in/laurayarbroughlloydWebsite: https://www.lauralloydevents.comInstagram: https://www.instagram.com/lauralloydevents and https://www.instagram.com/aflairforvipeventsYoutube: https://www.youtube.com/@laurayarbroughlloyd
In this episode, Victoria sits down with designer and founder Rebecca Minkoff to break down what it really takes to build a fashion brand and keep it alive through industry curveballs. Rebecca shares how an internship led to her first break, the celebrity moment that helped launch her label, and why success is a slow build of momentum over time. They dive into the business realities fashion school doesn't teach like costing, pricing, profitability, and why she believes founders should bootstrap before raising money. Rebecca also pulls back the curtain on the true cost of Fashion Week, navigating fast fashion copycats, using AI to pitch and work smarter, and the resilience required to play the long game.Follow Fashion & Founders:Podcast IG: @fashionandfoundersPodcast Substack: Fashion and FoundersPodcast Website: fashionandfounders.comPodcast TikTok: @fashionandfoundersPodcast LinkedIn: Fashion and FoundersPodcast YouTube: Fashion and FoundersPodcast Links: Shop MyVictoria Pickle Closet: @victoriasFollow Rebecca Minkoff:IG: @rebeccaminkoffIG: @beckyminkoffFemale Founder CollectiveSuperwoman PodcastHer book FearlessFashion Career Playbook HERERent the Runway:Use code: RTRXVSMITH50 and get 50% off your first month!Thanks for listening!
This week the queens have to compete against Van Goth in a design challenge. But not just any design challenge, designing a gown for the Queen of the North herself, Brooke Lynn Heights! Is Van truly the design challenge GOAT? Did one of the Snatch Game girls have a secret passion for fashion? Did anyone get the guest judge's number? And how did we make it to 150 episodes!?!?!? all this and more!!! and we got to 150 episodes cause we love our listeners!! Stay toxic!!
What if choosing sobriety didn't mean giving something up—but gaining everything?In this powerful Dry January episode of Women Road Warriors, Shelley Johnson and Kathy Tuccaro sit down with Kim Bellas, founder of the international movement Sober Is the New Cool, to explore how sobriety can unlock joy, clarity, confidence, and deeper connection.Kim's journey began in 2013 as a mother's promise to her teenage son after he developed seizures and could no longer drink socially. Determined to show him that fun, belonging, and celebration don't require alcohol, Kim chose sobriety herself—and never looked back. Thirteen years later, she's living proof that a sober life can be vibrant, stylish, and deeply fulfilling.In this inspiring conversation, Kim shares her powerful mantra—“Never ever miss another memory”and how it became the foundation of a global movement rooted in compassion, self-love, and holistic wellness. From walking in Fashion Week at age 62 to leading the International Recovery Walk across 35+ countries, Kim is redefining what recovery and wellness look like at every stage of life.This episode is for anyone curious about Dry January, questioning their relationship with alcohol, navigating mental health challenges, or simply seeking more presence and purpose. Kim reminds us that we're all recovering from something, and every step toward wellness matters.If you're ready for hope, support, and a community that meets you where you are—this conversation will show you that saying no to one thing can open the door to absolutely everything.✨ Sobriety is empowering.✨ Wellness is a journey.✨ And joy doesn't need alcohol to shine.https://www.soberisthenewcool.cahttps://youtube.com/@soberisthenewcool?si=YFSP6SpXkY7CdL6Uhttps://www.facebook.com/share/19CKzrPT2o/?mibextid=wwXIfrwww.womenroadwarriors.com#DryJanuary #SoberIsTheNewCool #SoberCurious #SobrietyJourney #KimBellas #HolisticWellness #MentalHealthMatters #WomenRoadWarriors
Fashion Week may spotlight bold heels, sculpted silhouettes, and statement accessories—but once the runway lights fade, a deeper question remains: what are these trends doing to our bodies? Dr. Sherry McAllister, president of the Foundation for Chiropractic Progress and author of Adjusted Reality: Supercharge Your Whole-Being for Optimal Living and Longevity, brings more than 25 years of clinical expertise to the conversation. After attending Fashion Week this year, Dr. McAllister shares eye-opening insights on how fashion choices—on the runway and in everyday life—affect posture, spinal alignment, breathing, and long-term health. From how high heels can dramatically increase spinal load, to the hidden strain caused by handbags and tight clothing, she explains how small, intentional adjustments can help anyone move with greater ease, confidence, and longevity. Blending real-world observations from conversations with New Yorkers during Fashion Week with practical, science-backed guidance, Dr. McAllister offers a fresh perspective at the intersection of style, whole-being health, and presence—proving that looking good doesn't have to come at the cost of feeling good.Become a supporter of this podcast: https://www.spreaker.com/podcast/i-am-refocused-radio--2671113/support.Subscribe now at YouTube.com/@RefocusedNetworkThank you for your time.
In 2012, Daniella Kallmeyer began her eponymous brand with $7,000 and a goal to create a line of elevated wardrobe staples. Fifteen years later, her ethos remains the same and she's getting her flowers for the brand she's built—in fact, this year Kallmeyer was nominated for Womenswear Designer of the Year by the Council of Fashion Designers of America. On this episode, Daniella discusses bootstrapping her brand, what it was like in the room at the CFDA awards (hint: Rihanna was sitting next to her), and why she credits so much of her scrappiness to her time spent ghost-designing for QVC.
Kiera is joined by renowned cosmetic dentist Dr. Pia Lieb to talk about Dr. Lieb's journey in her field, as well as her insights into what the rich and famous ask for (and pay for) when it comes to their teeth. Episode resources: Subscribe to The Dental A-Team podcast Schedule a Practice Assessment Leave us a review Transcript: Kiera Dent (00:00) Hello, Dental A Team listeners. This is Kiera. And today I am so excited. I have an incredible doctor on our podcast. Dr. Pia is coming to from New York, Manhattan. And this woman is incredible. She has been able to build and sustain a high-end cosmetic practice. She's figured out how to be, you guys are gonna love this, a referral only destination for patients seeking discretion, innovation, and ultra-personalized care. This woman has been named the Michelangelo of dentistry and I am so excited to welcome her on the podcast. Welcome Dr. Pia, how are you today? Dr Pia (00:32) Thanks for having me, Kiera. Kiera Dent (00:34) Of course. Well, I have been so excited about this podcast. I don't often get to bring clinical guests onto the podcast. And so to just kind of hear of how you do your cosmetic dentistry, how did you become this practice of being so sought after? ⁓ How did you become the Michelangelo of dentistry? So kind of just walk the listeners through how did Dr. Pia go from where she was to where she is today? Kind of just give us a background on, on who you are and what your story has been. Dr Pia (01:04) Well, I'm gonna start with, it all started in dental school. There was a lecturer by the name of Dr. Gallup Evans who has passed away since. And he was giving a PG, which is obviously post-doctoral course on cosmetic dentistry. And his reputation was he was the one who did. the supermodel Polina Povaskova's veneers back in the early 90s. And I went up to him after the lecture and I basically said, I'm a sponge, teach me, tell me what to do so I can do the same thing that you're doing. I've completely fell in love and cut out a class to go to that course. And after the course, he turned around to me and said, well, sweetheart. You're either born with it or you're not. So I went home and I cried for five days. and he completely tore me to shreds and that really got me upset and ⁓ I was a great student. was the youngest in NYU as a student. I graduated high school at 16. I was the nerd, right? And basically what I did is I was asked to start teaching after residency and that was my... Kiera Dent (02:03) Absolutely. Dr Pia (02:26) way to make sure that I would never allow anyone to speak to a student like that. And my whole point was, I want to empower the dental students. I don't want anyone to feel the way I did by this particular person. And basically I had nowhere to start. So I started taking all of these courses, these PG program courses, and I met up. Kiera Dent (02:37) Mm-hmm. Dr Pia (02:53) When I was actually in dental school, I went and I met the holy grail ceramist who invented veneers in America. And I went up to him and I said the same thing, I'm a sponge, please teach me. And he was like, great. Okay. You have a car. And I'm like, yes, I do. He goes, all right, come to the lab every Friday after school and every Saturday, let me teach you how to prep and how to do veneers. And this man who also passed away has taught me everything. Kiera Dent (03:12) I'm Dr Pia (03:23) that I know because the doctors were not doing it and there was only two guys in New York that were doing veneers in the 80s and in the 90s and those were older men in their 40s and they were not going to take a young 20 year old female and teach her what to do because they were you know insecure that we were going to take over the business from them. So that's how it all started. And obviously, I taught for 18 years and I did do that what I set my mind to do. I wanted to give every one of my students the best experience that they can have with dentistry and with cosmetic dentistry. And we're still friends after all these years. So I must have done something right, that they still love me to invite me for dinners into their houses. Kiera Dent (04:10) Thank ⁓ I think that you're speaking to my own heart. mean, having that love being in the dental colleges, of to give back, like that's the whole reason Dental A Team exists was because of those students that you just fall in love with. And kudos to you because I got really lucky and I worked at Midwestern University's Dental College in Arizona. And I have been told that the culture there and the experience there is not like most dental schools. It was a very empowering, very enriching. There was no smashing of models. There was no... ⁓ destroying people's dreams, but I know that that's not everywhere. so kudos to you for ⁓ making a stance and also not giving up on your dream. And I think something I took from that is how often are we maybe told something that's not true and we believe it. We take that on as an identity and yes, crying for five days. I don't blame you, I would have done the same thing, but ⁓ it is. Dr Pia (05:03) No, it's demoralizing, you know, like it's just here you are, you're this young bright-eyed and bushy-tailed eager beaver who wants to be the best at her profession and then you get some 50 year old man telling you, ⁓ honey, you can't do this, you gotta be born with it. I'm like, really? Kiera Dent (05:20) Hmm. Maybe I am born with it and have you seen it. ⁓ Dr Pia (05:25) And you know what I was and that's that's the thing and it's just but it's the way he said it but we'll get back to karma because 18 years go by and he was lecturing again and karma if it's a small I don't want to say the b word on a podcast but Kiera Dent (05:42) Mmm. Hahaha Dr Pia (05:51) it is. So he's got the lecture, same thing, same before and afters. And this time I'm wearing a white lab coat and scrubs underneath and I had you know, and at this point, I was clinical assistant professor and there were like 350 doctors in the audience. And he's like, Does anyone have anything to say? And I'm at the back wall, I wasn't sitting down, I was standing up and I raised my hand and I was like, He goes, and he goes, I know that name. You're in press and you're my competition. And he was like, and you know, what is it that I said? said, you know what? Thanks to you, I am who I am today. I want to say thank you. If you didn't say this to me and make me go home and cry for five days, I wouldn't have. done everything humanly possible to be your competition and here I am I didn't know if he was gonna slap me or kick me out or just whatever it was but it was not what I and he said you know come on down and just tell us more about it he goes you've got so much pressure all over the place and it was funny because at that point Kiera Dent (06:52) Ha! Dr Pia (07:08) That was like maybe 10 months after I did 10 episodes on TLC of 10 years younger. And I was all over the place. Like everybody knew me from TV and from press and ⁓ the New York Times wrote that I'm the Michelangelo in Smile Boutique. And it just got to that point. I got the recognition that I worked so hard for. he was like, all right, give me a hug. I was like, thank God. to get a slap. But I was ready to get like thrown out or to. So that's kind of what I wanted to do is I just want to empower every single person out there. And you have to understand, when I went to school, we there were no women, it was 97 % men, we had Kiera Dent (07:43) You Dr Pia (08:02) maybe seven girls in the graduating class. I mean, not that we had a lot. We have much smaller classes back then and we were 97, but seven out of 97 is a low percentage. Kiera Dent (08:14) That is, yeah. Wow, that's such a fun, ⁓ I think kudos to you. And one of my favorite lines through life has been, life is not happening to us, it's happening for us. And I'm sure in that moment, you felt like life was happening to you. Like, who is this jerk? And they destroyed my dreams. And yet, ⁓ again, not to say that that's ever the right route to go. But I just want to highlight and compliment of you took something that people could have said would be sour grapes and you actually turned it into beautiful wine. and you turned it into something beautiful and it was fuel to your fire to make you into this incredible woman that the world needed. And so I'm very curious, how did you then go from, okay, here we are, how'd you become this renowned cosmetic dentist, getting on TLC, getting all the press, like what was kind of the way to get into that? Because I'm sure there's a lot of dentists who want to live your dream. How did you do it? Dr Pia (09:04) I think the way in was truly like in 1998 or 99, I don't remember what year it was, but it was the first gen art fashion show for Fashion Week in New York where they took up and coming young designers and they had a private fashion show with about 10 of small up and coming, which we don't have anymore. mean, New York Fashion Week is no longer what used to be. But I go there and I had a patient from Belgium who had a really good friend who was an up and coming crazy French designer and he was showing the runway and I just basically went with her and I remember that we were after the fashion show there was a VIP with champagne and we got these wristbands and so forth and my my patient was, you know, late 30s, single and ready to mingle. And there was this really cute male model that did the runway for ⁓ another designer that wasn't as big. And she was like, my God, he's so cute. And here I was, I had no makeup on, right? Kiera Dent (10:07) Yeah. Dr Pia (10:23) this long Margiela dress and I have like Doc Marten boots, my hair up in a ponytail, just like mascara and red lips on. And I went up to this guy and I said, hi, I'm Dr. Pia. You know, my friend Jacqueline wants to meet you. And he had this woman who was next to him and she was like, you gotta talk to me. I'm his booker. I didn't know what a booker was. So I'm like, what's a booker? I thought it was like the, you know, betting on horses, know, like booking, you know, that's what I thought. Kiera Dent (10:47) Yeah. Yeah. Dr Pia (10:53) And basically, ⁓ I was like, No, no, no, I'm just, you know, we're going behind if you guys want to come and join us at the after party behind and he was like, great, she goes, No, no, no, we can't go anywhere. You got to go through me. And I'm like, Okay, I said, Look, I'm a cosmetic dentist. And back then we had cards, right? So I was like, Here's my card. She goes, I want one, too. And I and Yeah, that was it. had some drinks afterwards. And she was like, Yeah, I want to come in as a patient. I have to come in first before he comes in. Because he said he needed his teeth done. I was like, okay, so the next morning, I'm like, live it at like nine o'clock. I call Wilhelmina who was like back then the number one modeling agency for men. And I call and I'm like, Can I speak to Jennifer and Kiera Dent (11:32) Yeah. Dr Pia (11:47) She picks up the phone. I'm like, hi, it's dr. P again. I'm like, I just want to make it really clear I'm married. I do not I am NOT picking up on on your male model It was my friend who was interested just making putting it out there and being totally transparent. So she's like fine I Want an appointment so I booked her and the moment that I booked her She introduced me to the modeling industry. So then I started getting all the models Kiera Dent (11:57) Mm-hmm. Dr Pia (12:13) the supermodels, I got everybody in and I think that's how it all started with the press and everything because they've seen my work with the modeling industry and that's how kind of it all started and the thing with me it's always been privacy it's I've never named names I will never name names because it's like plastic surgery if you're going to go in and get a facelift do want it to be plastered all over the press I don't think so so it's the same thing with veneers I mean I do very natural handmade porcelain and the whole secret that I think to my success is I've never gone into that chicklity white Hollywood smile the toilet bowl teeth or the turkey teeth as now they all go to Turkey to have them done well I've never done that so for me I've always followed what I believe in and did the best that I can and I think that that is as long as you love what you do Kiera Dent (12:55) Mm-hmm, mm-hmm. Yeah. Dr Pia (13:12) and try to be the best that you can be. think the universe, no matter what God you believe in, you know, I think the universe gives it back to you. Kiera Dent (13:23) I think, well, and also what I heard from that is kudos to you for just going and meeting people and for being out there. Like, I don't think people realize the power of connections, the power of human interaction, the power of who you know. I think we're in such a society where it's all online and we just think, which you can still connect online, but like, don't be afraid to say hi to people. Don't be afraid to introduce yourselves and... Like I said at the beginning, Dr. Pia, it's very rare that I bring on clinical guests to the podcast. So I'm curious, you work on supermodels, you work on really incredible people. I have a doctor, which we will not name names either, who works on movie stars in LA. so I have a couple of questions and if you don't want to answer by all, you probably do. We will chat post show and see, exactly off call. ⁓ But. Dr Pia (14:07) I probably know him. If it's it, we'll do it all off, off. Kiera Dent (14:15) I'm curious, Dr. Pia, just for listeners to know, what is like, I'm gonna ask a few questions and like I said, privacy and respect are my number one. So if there's something that you're like, I'm not gonna answer by all means, audience just know Dr. Pia is so kind to come onto the podcast for us and I did not prep her because I never know what I'm gonna ask. It's just a genuine curious host over here wanting to know, what are the average cases like dollar wise, our low end to our high end of cases that you're doing? I just want people to know, because I think people do not believe that this is real life dentistry and it can be. Dr Pia (14:51) You're talking about veneers or you're talking about all the procedures. Veneers. Veneers are from three to 45, 100 or two. It depends. mean, if someone is a massive grinder and I've got issues with them. Kiera Dent (14:54) I would say let's do veneers and then let's do other procedures. Dr Pia (15:12) having, you know, doing the grinding at night, felspathic, I'm a little bit weary of doing that and I'll do the 3D printed. ⁓ As much as I'm not the greatest fan of doing that, I would rather keep them in a night guard and let them have the beautiful teeth. But it basically is... ⁓ Kiera Dent (15:19) Totally. Mm-hmm. Dr Pia (15:35) You know, for the handmade porcelain, I mean, there are some people out there that are charging over five. And I think that's just a little bit exaggerated because I know how much it costs me to make. think, you know, 4500 is a fair price. You don't have to go above five. I think that's just the ingredient. Kiera Dent (15:42) Totally. Sure. Mm-hmm. Which I appreciate that you say that, especially with the press and with the people that you worked on. You have an opportunity to charge more, but you're also being ethical and fair, which I think ties to the passion, the love, the reason people can trust you. So how many veneers, this is like, now I'm gonna just be like a nerdy patient. How many, because I feel like a lot of people just want like the four veneers and then the six and then. Dr Pia (16:15) Alright, come on, bring it on! Kiera Dent (16:20) Do you just do all of them? there a space where clinically you recommend like we stop here for smile lines? What's kind of your, what's your, what's your clinical excellence on this? What do you recommend? Dr Pia (16:25) No! I think you should have either one or as many as you need. think the biggest problem and the... Okay, now you got me. So my competition in New York will only do 10. And he's my former student. Kiera Dent (16:37) I'm ready. She got fired up everybody. Juicy like sits up. Mm-hmm. Dr Pia (16:51) which is even more infuriating to me. Like I so disagree because I think if you have a beautiful smile and let's say you fell and you've had a root canal and the tooth is starting to change color. I think if you're a good clinician and a good clinician is a cosmetic dentist, I don't believe a GP could do this. Okay. And men, we have the issue with 40 % are colorblind. So that's another issue altogether. Kiera Dent (16:52) That's I do remember there was a girl in dental school who couldn't like really see and I was like, how do you like she couldn't see colors and I'm like, how do you, how do you, how do you get over that as a dentist? I'm just curious. I can't check the color, right? Okay, so making sure you think that you can do one if you're a good clinician, which is, love this. Cause people tell me all the time, you can't do one. Dr Pia (17:29) Well, they get the dental assistant to choose the color. I do one. do one. So I do one. I do one. I'll do two. If you're if you ground I do four. I'll do six, I'll do 10, I'll do 12. If the person has a really big smile and it's a color correction like a tetracycline case, then I have to do 12, you know, like, because it depends if you're someone that has this uber large mouth, then and you when you smile, you go back to the second molars, you have to do it. But I feel that this whole entire ⁓ doing 10 or nothing. think that is so unfair to the patients. And I think it's such bad karma as well, because it's going to come back and bite you later on, because I don't feel that everyone has to have that many done. And the other thing that I'm actually known for is the fact that I don't believe that you have to necessarily file the tooth down. If the teeth are in the correct position, okay let's back it up. If the teeth are not in the correct position do Invisalign first and then do the handcrafted veneers because the way I do them they're as thin as a contact lens so there is no drilling needed. Anytime why I wouldn't want anyone to drill my teeth to put veneers on why are you taking away to add on it's an Kiera Dent (18:42) Love. Mm-hmm. Dr Pia (19:08) moron right so if you are a true cosmetic dentist and know how to do this and have the right support of the right ceramist they should be see-through Kiera Dent (19:09) Mm-hmm, mm-hmm. Yeah. Dr Pia (19:24) So if that's the case, there's no drilling involved. And if you need only one, just do one. There's no reason to spend that money on doing more if you don't need them. Kiera Dent (19:32) It's incredible. which I'm so grateful to hear this. This is why I was so excited. I'm like, I have so many questions about this and I'm just curious of how you do it and to hear that being really talented at this, you don't need to do more than that because I hear all the time like, well, if you only do four, then you're gonna see it, but I don't disagree with you. think if you're good at what you, and this isn't just dentists. I also think dentists, well, I'm gonna go out on a limb. Now I'm fired up to be, like, here we go. Dr Pia (20:02) No, no, they want the money. It's clear as day. They're doing it for the money. Kiera Dent (20:06) Right. Well, and also I'm like, if you're not good enough to be able to do one without it looking like a chicklet, I might question, you good enough to be doing this in general? And that I know is a very bold statement, but I might get really good at this. I don't disagree. Dr Pia (20:18) No, they should not be doing them. I'm sorry, they should not be doing it. And with felspathic, with the handmade porcelain, it... I can't say it enough. One is not a problem. Kiera Dent (20:35) Okay, let's talk about different labs and how do you choose a good lab for ceramic, for cosmetic cases? Like what's the difference? I mean, I've heard some people that are printing ⁓ Emax crowns for the front and I wanna like cringe and I'm like, ⁓ that feels really bad. So let's talk about like, how do you pick a good lab? What's the difference of a good lab? How is it handmade versus not? Like what are some of those nuances within the cosmetic world that really make a difference on being able to do one versus having to do eight to 10? Dr Pia (20:48) No, no, no, no, I didn't write. Kiera Dent (21:03) because you're gonna see lines and it's gonna look different. Dr Pia (21:06) Okay, so I'm a nerd. I'm going to give you the whole entire background. Okay. ⁓ So basically the handmade porcelain is felspathic and it can be as thin as 0.16 of a millimeter, which is technically a contact lens. Okay. It's thinner than your natural fingernail, not with gel on it or powder, you know, polish. I'm talking about a natural fingernail. So having said that, Kiera Dent (21:08) I love it. I want this. Mm-hmm. Dr Pia (21:33) Now in the way that those are made they're done on platinum foil so you take the model of the teeth they put platinum foil which is also like super super thin microns it's you know anywhere between 10 microns 20 microns okay and then on that porcelain on that platinum foil the porcelain multiple colors multiple translucencies get added on and that's the veneer is made. Okay so that's how we're able to have them super thin. The 3D printing, different story altogether. So 3D printing needs to have minimum Kiera Dent (22:05) Mm-hmm. Yeah. Dr Pia (22:17) between 1.5 to 2 millimeters of thickness. So those right there are thick. Okay, so that's why you need to file. Otherwise, everything is gonna be out. That's why they need to do 10 because they can't match the flatness of a natural tooth. So those are done by a computer. So what you do is you scan with the feldspathic. You still have to take good old fashioned impressions because the model has to be poured in Kiera Dent (22:22) Right. Mm-hmm. Mm-hmm. Dr Pia (22:47) it cannot be on plastic to do the platinum foil. With the 3D printing, with 3D printing veneers and crowns, you basically just scan the tooth, send it via, you know, the cloud. It gets to the lab, they print out the model, and then they start designing the shape and the size of what they want the veneer or the crown to look like. Kiera Dent (22:51) Interesting. Dr Pia (23:14) and then they have this block which is like about this big and it's like a disc it's like an oversized hockey puck okay and out of those they usually get out of those hockey pucks usually they get 25 crowns and veneers like either or okay ⁓ Kiera Dent (23:22) Mm-hmm. Okay. Sure, okay. Dr Pia (23:35) Now those blocks you have to understand they come in one solid color and very opaque hence why they look like toilet bowls like you can see like ⁓ Simon from What is it the the show with America's Got Talent right now his teeth walk in before him Kiera Dent (23:55) Mm-hmm. Dr Pia (23:58) They're so white and chalky. He had them done and they're too big, personal. I mean, I think they're too, he's too horsey. He should have stayed with the veneers he had before because they looked more natural and. Kiera Dent (23:58) It's true. Dr Pia (24:12) But that's the problem. If you have them very, if you have the 3D printed, the opacity is one solid, you know, base that the computer then drills that hockey puck to form the crowns and the veneers. So you're never going to get the aesthetics of having incisal translucency or having a halo or having them nice and flat. You're not, because the computer is going to make them the thickness that Kiera Dent (24:33) right? Dr Pia (24:41) They cannot drill those any thinner than that because they're going to break. Kiera Dent (24:46) So this is fascinating and I love this because now I have more quite like being an assistant, also having worked in this, also having gone to labs, also having like things done for family and friends that I know. Are you a fan of custom shading where you send your patients to the lab or how, okay, so how do you get it to where it's like a perfect shade match, like consistently, any tips that you have to make it to where it is really that absolutely perfect, making your smiles. Dr Pia (25:04) Hell no. Kiera Dent (25:15) beyond perfect without sending them to a lab. Because I think a lot of people hold back and they're like, I've got to send it. But I've seen a lot of dentists where they'll try to put the shading in, they try to put the translucency in. This is no knock on dentists. This is like, hey, we've got an expert here. Let's ask how she does it so we can all rise up. Dr Pia (25:30) Okay, honestly, I take the patient to the window. My whole main thing is every single office that I've built, I need to have windows that are five feet tall. and sunlight. So I'm able just to move the patient to the window. And that's where the talent comes in. I'm able to take shade without a shade guide. I mean, I'm at that point, but I've been doing this for decades now. So it's like at the beginning, I wasn't so I would do the shade guide and I would write it on a piece of paper and just be like, okay, the neck is an A two and then we have an A one body and then we have translucency of two millimeters and a halo and I just draw it. Kiera Dent (25:41) Fascinating. Dr Pia (26:10) and then they would make every single veneer with the same recipe. It's almost like cooking. But the window and natural sunlight is the key. Because all these computers that you put up against your tooth, all due respect. Kiera Dent (26:15) I see. Mm-hmm. Yep. Mm-hmm. That's great. they shade it differently. Dr Pia (26:29) it's not only that you have to understand everybody's tooth is a different length okay like your centrals are fairly long for the average person right that particular shade guide is not going to read color on your tooth that you probably have 12 millimeter long centrals and i'm diagnosing you over the video right so that particular Kiera Dent (26:35) Mm-hmm. Mm-hmm. Mm-hmm. Yeah. Mm-hmm. Hey, thank you. Yeah. Dr Pia (26:58) light source is not going to be able to read 12 millimeters perfectly from the gum line to the incisal. It's just not going to happen. You're going to need and if you're not good at taking shade, go do endo or oral surgery or ortho. Kiera Dent (27:07) Right. It's true cosmetic is about I feel it's about the precision. It's about the aesthetics and like there I mean I hire designer to do my house. I'm not going to do it. I know that that is not my forte. I'm really good at other things, but I'm not good at color matching and what goes well together and how to put this together. It's just not my strength and skill set and I really do believe like this is what I think going back to your original professor speaker lecturer who completely dash your dreams. I think maybe possibly what he meant was, I think there's some people who have a natural eye for cosmetic and aesthetics and there's other people who maybe don't. And I think you can adapt it and evolve it and become, and you have clearly proven that. But my guess is, I mean, hearing that you're even on fashion week, my hunch is you already by default had a very strong fashion aesthetic. Maybe you didn't, but I would guess that that kind of has been a part of you. Dr Pia (28:07) No, I did. did. And you know, I do like my own makeup and I know my colors and things like that. And so that helped. I have to say that really did help me quite a bit. Kiera Dent (28:11) Mm-hmm. which is why you were drawn to this. You had the passion, fire, because you already knew that. Dr Pia (28:21) And I loved it and I was like, how can I? And then what the other thing is like, you may not know you have it. So the other thing what I say is buy some art books. That's what I did. Buy some art books. Get to learn the difference between the chroma and the hue and just take a couple of art classes and see if you have it. And if not, what can you pick up and learn from those art classes if you really want to do it? And I'm not trying to be sexist by any means, but I do think that women are better at it because of color. And I think we're a lot more patient because the way I do it is I do diagnostic wax ups on every case, whether it's one tooth, unless it's even with the prepless veneers where I don't touch the tooth. Kiera Dent (28:52) Yeah. Dr Pia (29:16) I still do the wax ups to see I've had all let me backtrack a little bit but I've had every single 2d program in the last what 16 years that they've been out more than 16 years okay and it's not the same when you see yourself in a photo with the size and shape and color that you might want okay it's like using it's like using the apps to change your hair color i'm Kiera Dent (29:32) Wow. I agree. Mm-hmm. Mm-hmm. Dr Pia (29:50) the strongest belief that if you do want to change your hair color, I think you should try on a wig and wear it for a couple of days. So that that whole entire ⁓ Kiera Dent (29:58) Yeah, I don't disagree. Dr Pia (30:03) philosophy that I have what I do is I do the diagnostic wax-ups I do the indexes and without drilling the teeth the patients come in and I pop it over their teeth, you know with the Luxe attempt, know the temporary material that sets over it and I tell them to walk out with it and You know, it's not bonded on or anything. They can just take their fingernail and just pop it all off But go out let your family see it. Let your partner see it. See how you feel. Is it too long? Kiera Dent (30:22) Mm-hmm. Dr Pia (30:33) Is it too square? Is it too round? I'm allowed to have my opinion, but you're paying me and if your opinion is different than mine You have you should have the right as a patient to get what you want. Not what I want We have to come somewhere in between sometimes like I'll put my foot down and I'll be like you really don't want them that way Kiera Dent (30:49) Mm-hmm. And I'm glad... You're right. We don't want them to make a statement before you walk in the room. That's what we're going to just highlight here. But hey, if you want white white, like at the end of the day, that's what they're going to have. I love that you, ⁓ I think this is probably what's made you really great. I don't know. I've heard a lot about you. But I think what you do is you make sure that the patients are obsessed with the results and not that Dr. Pia is obsessed. Like you're obsessed with the craftsmanship of what you've done. You're really talented at that. But like hearing that you let people walk out and go try these on and what is it going to be like before you do it? That to me says that you are so obsessed about the outcome and the result for the patient. And then your job is to make sure you have the most excellent craftsmanship, the best product, the best techniques, the best method to get them the outcome they want. And I think hearing that, I'm just so proud of you. And I'm so grateful to hear that there are clinicians in our industry that are obsessed about that rather than the reverse. Because I think some people are obsessed about maybe the dollar, maybe about doing these types of cases, but they're not the best at it, or this is what I think that they should look like. You really want to make sure that that patient is like a walking raving fan of you before you even do the work on them. And that I think is very special about you.
Native Roots Radio Presents: I'm Awake - AM950 The Progressive Voice of Minnesota
Robert and Wendy tackle reports of ICE harassment in Minneapolis before Senator Mary Kunesh updates us on MMIR progress. To close, Wendy celebrates a fur-free Fashion Week and shares a wild story about her cat, Goliath.
In 2011, Lagos Fashion Week debuted, putting Nigerian style on the map. Omoyemi Akerele founded the event which helped to launch the careers of designers internationally.It has grown into a major fashion event and won the 2025 Earthshot Prize for sustainability.In 2023, Omoyemi Akerele spoke to Reena Stanton-Sharma about the first show. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Founder of the Lagos Fashion and Design Week Omoyemi Akerele. Credit: Pius Utomi Ekpei/afp via Getty Images)
#885. America's favorite reality TV family is back and here to tell their truth!Todd and Julie Chrisley sit down with Kaitlyn Bristowe for a raw, emotional, and surprisingly funny conversation about life after the headlines — from how Chrisley Knows Best really began (hint: it all started at Fashion Week!) to the rise, the fall, and the comeback everyone's been waiting for.They open up about being separated for 28 months, the unexpected friendships they made on the inside, and how they managed to stay connected when they couldn't speak for over two years. The couple also discusses their presidential pardon, their work in prison reform, and what they're doing now to help others who feel wrongfully accused.True to form, the Chrisleys bring humor, heart, and a dose of Southern fire to every story — proving that even after everything, their resilience (and wit) still shine through.If you're LOVING this podcast, please follow and leave a rating and review below! PLUS, FOLLOW OUR PODCAST INSTAGRAM HERE!Thank you to our Sponsors! Check out these deals!Better Help: Our listeners get 10% off their first month at BetterHELP.com/VINE.Bombas: Head over to Bombas.com/vine and use code vine for 20% off your first purchase.Chewy: This Halloween, make your pets be part of the celebration. Shop costumes, toys, and treats with Chewy! Go to Chewpanions.chewy.com/OFFTHEVINEPODCAST to get $20 off your first order.Nutrafol: For a limited time, Nutrafol is offering our listeners $10 off your first month's subscription and free shipping when you go to Nutrafol.com and enter the promo code VINE.EPISODE HIGHLIGHTS: (1:50) – Todd and Julie share how Chrisley Knows Best first came to be — from a chance meeting at Fashion Week to landing nine network offers.(19:52) – The Chrisleys reveal why they believe they were targeted because of their celebrity status.(31:50) – Todd and Julie compare their very different prison experiences and how each coped with life inside.(41:50) – The couple opens up about not being able to speak for two and a half years while serving their sentences.(57:00) – Todd explains how he's now involved in prison reform and helping others impacted by the system.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
[video available on spotify] in honor of paris fashion week, i'm going to share with you my fashion week routine. Learn more about your ad choices. Visit podcastchoices.com/adchoices