Podcasts about heidemann

We are in the midst of a tech revolution in beauty right now, with needle-free, painless devices available to contour the face and body, and we are thrilled to have Bethany Heidemann, a successful Iowa-based esthetic nurse practitioner, joining us for a two-part series. Today, in Part 1, we further explore the Emsculpt Neo, the Emsella, and our latest device for treating cellulite, the Emtone. Bethany shares her journey as the first nurse practitioner in Iowa to introduce these devices, and we explore her from-the-ground-up approach to patient care, not just using filler but working on the bone and muscle structure as the foundation for building a beautiful facial canvas. The benefits of the Emsculpt Neo and Emsella devices: Emsculpt Neo: Strengthens and tightens muscles Rebuilds collagen and elastin in the skin Helps lift, firm, and tighten the treated area Targets both muscle tone and skin quality Emsella: Designed for pelvic floor strengthening Works with electromagnetic energy to stimulate muscle contractions Helps address stress incontinence and pelvic floor weakness Combination Therapy (Emsculpt Neo + Emsella): Enhances core and pelvic floor strength Ideal for postpartum recovery and abdominal support Addresses muscle weakness and skin laxity Provides a comprehensive approach to body contouring and pelvic health Bethany Heidemann's Bio: Bethany Heidemann is an Advanced Registered Nurse Practitioner. Bethany has been in aesthetic medicine for over 6 years. She graduated from the University of Iowa with her BSN in 2005 and From Chamberlain College of Nursing in 2017 with her MSN to become a nurse practitioner. Bethany's past experiences in nursing and as a nurse practitioner ignited her passion for caring for patients in a comprehensive and individualized manner, not a one-size-fits-all way. She is a true believer that looking good and feeling good comes from a combination of taking care of yourself from the inside out. She has brought on several services in her clinic that focus on improving overall quality of life which, in turn, makes you feel like a better version of yourself. In this episode: Bethany shares her approach to deciding about treatments for her patients How she educates patients about their concerns, starting from the ground up How Bethany addresses skin health The procedures she utilizes in her clinic to help patients strengthen the muscles of their face and body Bethanie describes the technology of the different devices she uses How Bethany helped a patient overcome significant back and hip pain with glute and abdominal treatments The benefits of Emsculpt Neo and Emsella treatments How do Emsculpt Neo and Emsella treatments feel? Links and Resources: Use code Drgray20 to get 20% off Perfect Aminos Guest Social Media Links: www.spryskinandwellness.com  On Instagram On Facebook Follow Your Longevity Blueprint  On Instagram| Facebook| Twitter| YouTube | LinkedIn Get your copy of the Your Longevity Blueprint book and claim your bonuses here Find Dr. Stephanie Gray and Your Longevity Blueprint online   Follow Dr. Stephanie Gray  on Facebook| Instagram| Youtube | Twitter | LinkedIn Integrative Health and Hormone Clinic Podcast production by Team Podcast

Die Veröffentlichung gilt als einer der größten Medienskandale des 20. Jahrhunderts: Die Rede ist von den sogenannten "Hitler-Tagebüchern". Am 25. April 1983 erklärten Verlagsleitung und Chefredaktion des "stern", Adolf Hitlers geheime Tagebücher zu besitzen. Kurz darauf verbreitete die Zeitschrift Fälschungen, die der Maler Konrad Kujau angefertigt und der Reporter Gerd Heidemann für das Magazin angekauft hatte. 2018 entdeckte der Journalist und Autor Dr. Malte Herwig im Keller des ehemaligen Stern-Reporters Gerd Heidemann mehrere hundert Tonbandkassetten, auf denen Heidemann jedes Gespräch aufgezeichnet hatte, das er zwischen 1980 und 1983 mit Konrad Kujau geführt hatte. Herwig machte aus diesem Material den preisgekrönten Podcast „Faking Hitler“. Gerd Heidemann ist Ende 2024 gestorben. Anlass genug, um mit Malte Herwig über den Skandal, die Person Gerd Heidemann, den Podcast "Faking Hitler" und über die Frage, ob sich so ein Skandal wiederholen könnte, zu sprechen. Hier geht es zum Podcast "Faking Hitler": https://www.stern.de/faking-hitler/

Endlich wieder Spukgeschichten! Nach dem Umzug ins Münsterland tischt Mariella Ingo gruselige und kuriose Stories aus der neuen Nachbarschaft auf. Statt Spinnen in der Yuccapalme gibt es also den Heidemann aus dem Moor, gruselige Provinz-Ruinen aus Ingos Heimat Ibbenbüren und viel nachhaltig Übernatürliches aus der Region. Und damit willkommen zu Staffel 2! Am alten Küchentisch in neuer Umgebung geht weiter mit einem wilden Mix aus Skepsis, Humor und einem Hauch Gänsehaut. Eine Folge voller Münsterland-Flair, kurioser Legenden und schauriger Unterhaltung! Welche wahren Gruselstories kennt ihr? Schreibt sie uns!

John Wilson on Nikki Giovanni, a leading poet in the 1960s Black Arts Movement who is hailed as one of the most important artist-intellectuals of the 20th century.Gerd Heidemann, the German journalist who found himself at the centre of one of the greatest journalist scandals of the 20th century, the Hitler diaries hoax.Cherry Hill, the award-winning model engineer who created detailed, functioning scaled-down models of Victorian traction engines.Sir Richard Carew Pole, the aristocrat who was a driving force behind the creation of Cornwall's Eden Project and Tate St Ives. Producer: Ed PrendevilleArchive: Industrial Nation, BBC Two, 2003; Heidemann arrested, BBC News, 1983; Forged Hitler diaries, Newsnight, BBC Two, 1985; Nikki Giovanni, Front Row, BBC Radio 4, 2024; Nihal Arthanayake: Sara Cox and Nikki Giovanni, BBC Radio 5 Live, 2024; Going to Mars: The Nikki Giovanni Project, HBO, 2023; Nikki Giovanni and James Baldwin: A Conversation, Soul!, 1971, Uploaded to Youtube 09.09.2022; The Black Woman, Stan Lathan, Indiana University Libraries Moving Image Archive, 1970, Uploaded to Youtube 30.09.2017; Nikki Giovanni Interviewed And Reads "Revolutionary Dreams"- February 1974, SMU Jones Film, Uploaded to Youtube 11.10.2023; Opening of the new Tate Gallery in St Ives, Cornwall, The Late Show, BBC, 1993; Prince of Wales officially opens new Tate Gallery in St Ives, Cornwall, BBC News, 1993; Upcoming opening of the Eden Project, BBC News, 2001; The Karen Hunter Show, SiriusXM Urban View (1993), Internet Archive, 12/05/2017

Baetz, Brigitte www.deutschlandfunk.de, @mediasres

Hooked FM #500 - Die Jubiläumsfolge feat. Tobias Heidemann!

Herbstreuth, Mike www.deutschlandfunk.de, Corso

Dans ce 219ème épisode de notre podcast, Enzo et moi avons eu le plaisir de recevoir Miguel Heidemann, double vice-champion d'Allemagne de cyclisme en contre la montre.Nous avons discuté en profondeur de ses performances remarquables en chrono, mais aussi de l'ensemble de sa carrière. Miguel s'est confié sur sa situation actuelle, notamment le fait qu'il n'a pas d'équipe pour la saison 2025, et nous sommes revenus sur son aventure en France au sein de l'équipe BNB de Jerome Pineau. Enfin, il a partagé avec nous ses ambitions pour l'avenir, ses perspectives et ce qu'il espère accomplir dans les prochaines années. Un épisode à ne pas manquer pour tous les fans de cyclisme !Retrouvez Miguel sur son compte instagram Miguel HeidemannHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Today's SWAPA Number is three. That's the number of avenues that SWAPA has pursued between CBA cycles to address issues that inevitably arise in membership business with the Company. These agreements of the association are brought forward when there is a need for corrective action or clarification, and they are highly dependent on the condition of the events. Whether these are letters of agreement, memorandums of understanding, or side letters, the breadth and depth of these issues can dictate the options on the table. We've already seen some examples of these things happening since Contract 2020 was ratified. So today we're talking with Negotiating Committee chair Jody Reven, and NC member, Kurt Heidemann, about what these different agreements are, how their mechanisms work, and why these processes are an important part of how SWAPA does business. If you have any feedback for us at all, please drop us a line at comm@swapa.orgFollow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

Wir schreiben das Jahr 2008 und wir befinden uns in Peking. Das Herz pocht, der Schweiß rinnt und die Augen fixieren das Ziel: Eine Goldmedaille bei den Olympischen Spielen. Ihr habt es im Titel schon gelesen: Unser Gast ist Britta Heidemann, die es als einzige Fechterin geschafft hat, das „Golden Triple“ zu erlangen. Das bedeutet, die Titel Olympiasieger, Weltmeister und Europameister gleichzeitig innezuhalten. Heute ist sie IOC-Kommissionsmitglied sowie im Vorstand der Olympic Refuge Foundation, die u.a. das IOC Olympic Refugee Team betreut. Darüber hinaus engagiert sie sich u.a. im Kuratorium der DFL-Stiftung und als Sonderbotschafterin "Sport für Entwicklung" des DOSB und des BMZ. Als Regionalwissenschaftlerin Chinas und mit fließenden Chinesischkenntnissen ist sie als freie Unternehmensberaterin, Key-Note-Speakerin und als Veranstalterin von Team-Incentives tätig und referiert zu den Themen Motivation, Erfolg und internationale Geschäftsbeziehungen.Heute sprechen wir mit Britta über alles, was zwischen Fechten und internationalen Beziehungen passiert. Wenn ihr mit Fechten bisher noch nicht so viele Berührungspunkte hattet, keine Sorge, uns ging es ähnlich. Doch Britta hat uns gezeigt, dass es weit mehr ist als nur eine Sportart. Macht euch bereit für eine Reise durch sportliche Höchstleistungen und mentale Stärke.Schaut unbedingt bei Britta vorbei:WebsiteLinkedInInstagramHier geht es zu unseren LinkedIn-Accounts:DamianThomasSend us a text

Vor 15 Jahren wagten Eva und Jan Heideman einen mutigen Schritt: Sie stiegen sehr früh als D2C-Marke in das Marktplatzgeschäft ein - und zwar mit einem Produkt, von dem damals niemand glaubte, dass es sich online verkaufen ließe: Schmuck. Doch die beiden haben das Kunststück mit Bravour gemeistert. Mittlerweile verkaufen sie ihre Edelstahl-Schmuckkollektionen für Damen und Herren auf verschiedenen Marktplätzen in 17 Ländern. In Folge 64 des Podcasts „Let's talk Marketplace“ erzählt Eva auch, wie naiv sie einst bei Brand for Friends angeklopft haben und wie ihr Angebot dort durch die Decke ging. Und sie spricht darüber, wie sie Marktplatzpräsenzen strategisch auswählen. Denn Zalando ist nicht Amazon: Auf Zalando kaufen eher 20-Jährige den Schmuck der Heidemans, auf Amazon suchen ältere Menschen nach Geschenken für ihre Liebsten. Und gemeinsam mit Valerie wirft sie einen Blick auf den neuesten Marktplatz-Quadranten für Schmuck. Außerdem in Folge 64: das Personalkarussell mit David Scheider, der Zalando verlässt und durch den ehemaligen COO David Schröder ersetzt wird, sowie einigen anderen. Und es gibt einen Ausblick auf das, was Valerie und Ingrid mit ihrem „Hidden Job Matching“ vorhaben. Hinweis unseres Sponsors ChannelEngine: Eine kurze Einführung in ChannelEngine: ChannelEngine ist ein Marktplatztechnologie-Dienstleister, der 2013 in den Niederlanden gegründet wurde. Mittlerweile ist er in ganz Europa, in den USA, Kanada, Australien, Singapur und Dubai aktiv. ChannelEngine agiert als Marktplatz-Integrator und stellt Marktplatz-Middleware zur Verfügung: Marken und Händler können sich damit mit mehr als 950 verschiedenen Online-Marktplätzen und Social-Media-Plattformen weltweit verbinden. Hinzu kommen automatisierte Prozesse für Produktlistings, Sortimente, Management und Fulfillment sowie Repricing. Channel Engine macht es seinen Kunden damit leichter, schneller und einfacher auf Marktplätzen zu wachsen. Mehr Infos zu ChannelEngine gibt's hier. Newsflash - Esprit ist insolvent. - Der britische Heimwerker-Marktplatz B&Q wächst weiterhin in einem atemberaubenden Tempo: Derzeit sind 1,2 Millionen Produkte von 1100 Verkäufern auf der Plattform gelistet. - Die Verbraucherzentrale lässt ihre Klage gegen Temu fallen, weil Temu die Anweisungen der Verbraucherschutzbehörde befolgen will. Mehr News jede Woche im „Marketplace Universe Weekly“, dem Newsletter von Marketplace Universe. Jetzt abonnieren! Kapitelmarken 00:00 Einführung und Vorstellung des Gastes 08:06 Personalkarussell 11:05 Newsflash 20:01 Heidemans Produkte und Preisgestaltung 22:12 Heidemanns Strategie bei der Auswahl von Marktplätzen

Outside Turn - Berlin Beatet Besstes präsentiert die Swing-Sendung mit Jörg Heidemann und Andreas Michalke. # Berlin Swing Radio Show Outside Turn präsentiert alte und neue jazzbeinflusste Tanzmusik, moderiert von zwei leidenschaftlichen Lindy Hop Tänzern. * https://www.facebook.com/outsideturn

Darin heads over to the east coast today for a chat with Tyler Akin, Chef and Founder of Form-Function Hospitality. They talk about Tyler's culinary adventures up & down the eastern seaboard, his mentoring of the next generation of chefs, and how he supported the culinary community during the pandemic. Then it's a dip into the archives when we were joined in the studio by singer/songwriter Monika Heidemann (stage name HEIDEMANN), who told us all about her early gravitation to synthesizers and lets us hear it.Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is now on shelves at bookstores around the world. It features 77 of the world's top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It's an anthology of memories, meals and mixtapes. Pick up your copy by ordering directly from Phaidon, or by visiting your local independent bookstore. Visit our site, www.snackytunes.com for more info.Heritage Radio Network is a listener supported nonprofit podcast network. Support Snacky Tunes by becoming a member!Snacky Tunes is Powered by Simplecast.

Der Besenwagen dreht die erste große Runde im neuen Jahr und wer im Januar einen Radprofi einladen möchte, muss sehr wahrscheinlich erst einmal weit fahren. Den eisigen Temperaturen in der Heimat entflieht man gerne in südlichere Gefilde und so geht auch unsere Route Richtung Süden. Die Zeit verfliegt förmlich und schneller als Gedacht stehen wir auf Mallorca vor der Unterkunft von Miguel Heidemann. Dem Saarländer passiert sowas andauernd, im Kampf gegen die Uhr zählt er in Deutschland zu den absoluten Spezialisten.

Today's SWAPA Number is 20, as in 20 questions, because that's what we're doing today on the show with typical host, Kurt Heidemann, who also happens to be a part of the NC.We've been in negotiations for more than three years, and the SEP process ran for two years before that. With that much time, a lot of our pilots either forgot or weren't here to know the why's behind some of our asks and how the NC conducts our negotiations. So today, we spent some time talking with Kurt about those why's.If you have any feedback for us at all, please drop us a line at comm@swapa.orgFollow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

Kathryn Heidemann is the President + CEO of the Cleveland Institute of Art, an arts & design college in our neighboring state to the west.  Kathryn has been working in the arts & culture administration sector for 25 years, having spent nearly 2 decades of her career in Pittsburgh.  She also plays a mean bass guitar and sings AT THE SAME TIME.  You may know her from such bands as Rockit Girl, Blindsider, The Victors!, and most recently, Garter Shake.  She is a powerhouse of a woman and in this interview we talk about her upbringing living abroad in Australia, Venezuela and Germany, as well as her time in Michigan, Chicago and Pittsburgh.  We marvel at Kathryn's rare-but-refreshing simultaneous affinity for both Pittsburgh AND Cleveland. This episode's "fact check" is available at yinzworldpodcast.com  If you like our show, please rate and review on your listening platform!  Connect at yinzworldpodcast@gmail.com or instagram @yinzworld. --- Support this podcast: https://podcasters.spotify.com/pod/show/yinzworld/support

What you'll learn in this episode:   How Nicola allows for spontaneity in her work, and how she decides when a piece is done Why the texture and physical sensation of jewelry is just as important as its aesthetic Why Nicola hopes her jewelry connects the wearer to nature How Nicola has forged successful relationships with galleries throughout Europe How metals can combine to create harmonious color combinations   About Nicola Heidemann Nicola Heidemann is a German art jeweler who seeks, through her work, to express her closeness to nature. Heidemann is interested in the ways the shapes and colors of the natural environment inform our sense of beauty, and she considers herself to be a collector—of allusions, impressions, associations.   Additional Resources: Nicola's Website Nicola's Instagram   Photos available on TheJewelryJourney.com Transcript: Like nature itself, Nicola Heidemann's jewelry can never be completely controlled. Using heat coloring techniques to create jewelry that evokes the beauty of the natural world, Nicola allows the material to tell her when the piece is finished. She joined the Jewelry Journey Podcast to talk about the materials she uses the most; why the ability to touch and carry her jewelry is central to her work; and why she hopes her jewelry bonds the wearer to nature. Read the episode transcript here.     Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com.   Today, my guest is Nicola Heidemann. She's based in Germany, in Stuttgart, and she founded Nicola Heidemann Jewelry. Welcome back.    I have the earrings and I have the bracelet. It's a bunch of connections. Do you think about that? Did you sketch out the earrings before you started, or do you sketch out a necklace?   Nicola: Yes, I do. Also, I have a leitmotif to have a memory of how I did it. Most of the time, I also sketch the shapes of the pebbles. For example, the bracelet you have, the pebbles have to match together. I sketch this connection of the pebbles and the shapes of the pebbles so that they are fitting together.    Sharon: Is that how it forms a bond? You say that jewelry forms a bond with nature. How does it form a bond, and what kind of bond does it form?   Nicola: Mainly through my memory or my soul. I feel quite connected with nature. I'm a gardener. A lot of time I spend in my garden and outside in the woods. It's like a sense or a feeling. It's my feeling with my bonds to nature. I hope to trigger this. When a person is seeing my jewelry, I hope it's functioning. I don't know.   Sharon: Do you think it's important that somebody understands that before they buy a piece of jewelry? Some artists think it's important that somebody knows the philosophy. Some do. Some don't. Do you think it's important that people know the philosophy behind your jewelry?   Nicola: For me, no, it's not important. First of all, it's important that the people have a feeling and they fall in love and they have their own ideas with a piece. Maybe later they can read about my philosophy, but on the first side, I hope the piece is triggering these feelings. So, for me, philosophy is later.   Sharon: I'm curious. How do you sell? Do you sell mostly at popups like Schmuck? Do you sell to galleries, or do you ramp up because Christmas is coming? How do you work?   Nicola: I sell exclusively with galleries. For me, that's the best way because they know the audience; they know my work. I have wonderful gallerists and gallery owners who are supporting me and I am in connection with them. I always have discussions with them. It's really supportive. I love this gallery system because I can work at my studio. I send them my pieces and they say, “O.K., people love it,” or sometimes, “Please make it a bit shorter.” I love that.   Sharon: Do they ask you for changes sometimes? Like you said, they want it shorter. Do they say to you, “We need more bracelets,” or “We need a ring,” or “we need necklaces”?   Nicola: Yes, sometimes. One of my really important gallery owners is Gallerie Slavik in Vienna. She's really supportive, and she makes amazing work at her gallery. For me, the information I get from her about how my pieces are—   Sharon: How they're seen? If I see them in a case, first of all, they're distinctive. I know it's your piece. If I see it, I know automatically who made it. Do you think other people see that?    Nicola: I think yes. I think I'm quite known in the field for now.    Sharon: Known in the field throughout Europe? I don't see your jewelry in the States. I wonder, are you known here? Are you known in Eastern Europe? Where are you known?   Nicola: In Europe. I used to work with the States, but for the moment, it's so complicated. I leave it up to the gallery owners to send the pieces. It's a part of the work I don't like, this paperwork and customs. I'm really grateful that gallery owners do that for me.    Sharon: Did you always like jewelry or small things? You said you like small things. Did you always like jewelry?    Nicola: Yes. I started quite early with some wire and, as I told you, some wooden pieces or pebbles. I started to learn it in my own studio. I think that was 38 years ago. Yes, I started with my own studio.   Sharon: Wow, that's a long time!    Nicola: Yeah, and I was really researching and experimenting. I wasn't a trained jeweler. I was taught by myself.    Sharon: Did you work with other metals besides titanium and copper? Did you experiment with other metals and come back to the titanium?   Nicola: I started with copper and brass and silver. The titanium I think I found maybe 10 years ago; I'm not sure.    Sharon: What did you like about it? It seems like you made a lot.    Nicola: In former times, I used to put color into my jewelry with gemstones. I really love color, and this was a possibility to put silver jewelry with some of my gemstones, but it was too small for me. I wanted to have bigger fields of color. When I explored the titanium, I fell in love with the color possibilities. On the other side, it's really weightless. You can make really big, bold jewelry pieces, but they are very comfortable to wear because they are so light.   Sharon: Yes, they are.    Nicola: It's two qualities. It's really light and it's this colorful quality.   Sharon: When you're gardening, what do you find? Does that give you ideas? You mentioned flowers. What do you like to garden?   Nicola: I did learn in my garden as well. I can put some flowers in, but nature will decide if they can stay there, and nature sends me different flowers. Some people call them weeds, but for me, it's wildflowers. My garden is full of wildflowers and vegetables. It's a bit of a chaotic mixture, but it's like in nature. The colors are beautiful. I'm always surprised about how my garden is developing similar to my jewelry. I'm surprised.   Sharon: It seems like it is similar to jewelry in that you wait for the garden to come up. You don't start and think, “It has to be this way.” That's interesting.    Are you starting to make a lot of new pieces? Is there a demand for new pieces at Schmuck and for Christmas? Are you busier now than other times of the year?   Nicola: Now, I'm not. For me, Christmas is not so important. The galleries are selling all year, so Christmas is not so important. Sometimes I prepare an exhibition when I try to make a bigger collection, but normally I work as I like and as I feel.   Sharon: Do the gallery owners, the gallerists, ever call you up and say, “It's been a long time since we've seen anything from you”? Do they bug you? Do they notice if you haven't sent something?   Nicola: I've been in good contact with all my gallery owners. That's maybe a reason why I like to have gallery owners in Europe. I visit them. I really love to visit my gallery owners. I go to Amsterdam or Vienna or Ravensburg. For me, the contact is really important.   Sharon: Do you they know you're coming or do you walk in?   Nicola: No, they know. We have an appointment.   Sharon: What do you want people to remember when they wear your jewelry? What kind of feeling do you want them to have?   Nicola: I want them to remember that our planet is beautiful. We are part of nature and we can be very, very lucky to spend some time here and to enjoy nature's beauty.   Sharon: Do you think it's important that somebody recognizes that?   Nicola: Yes, definitely. Facing all of our problems with climate change and extinction of fauna and flora, yes, I think it's really important to remember that nature is our home and we are a part of it. Definitely.   Sharon: Sometimes I wonder when it is art jewelry. There's a meaning there, but I tend to like the jewelry. Maybe the meaning is important, but I once heard somebody say they wouldn't buy unless they met the artist. I didn't understand that, really. Besides the heat treating of the metal, have you tried other techniques?   Nicola: For coloring, sometimes I use pigments and powder coating and some lacquers to get different colors, like a grass green or red. Other techniques, I forge. Some years ago, I was weaving titanium like basket weaving. That was a different technique. It was also blue-colored titanium wires. I was weaving some pieces like baskets.   Sharon: Wow! You mentioned that you use a different technique to get green like grass, but a lot of your titanium pieces seem to have that without anything else.   Nicola: There is a green appearing on titanium with heat, but it's a bit more bluish. When I want to have a green more yellowish, I add some transparent paint so I can also see the metal surface. It's not completely covered. The heat coloring is shining through the transparent layer of, in that case, a yellowish green.   Sharon: How often would you say you do this, and how many pieces? Is that an exception, that you paint, or is it something you do often with different techniques? The things I have seen have been titanium. They're blue or green.    Nicola: It's just an addition, I think. Sometimes I want to have this yellowish green, and I try to reach this, but most of my colors are only heat colors.   Sharon: You've been doing this for 38 years. How did you come to this? You kept experimenting and found different techniques?   Nicola: Yes, experimenting and making mistakes. I think I made a lot of mistakes and failures through the years. Maybe that's also the reason why my technique is so personal and so special.   Sharon: Do you ever want to revisit some of the other techniques you might have used earlier? Maybe you made a mistake, but you want to change the mistakes and do it again so it's O.K.   Nicola: I think all of my works are spoken in the same language, but 38 years ago, I wasn't able to make it really good or advanced. Now I can do things better and be more focused on my ideas, but the path is really important. Like a child is starting to go, it's important to learn every step. You don't go back, but it's always a part of you.   Sharon: That's interesting. You don't go back. I have to think about whether that's true or not. Don't you think you try things over? Do you say, “I did it this way before. That didn't work and I want to do it this way. Maybe it will be work”?   Nicola: Sometimes I make an experiment. This piece is in my drawers for years, and then I take it out and say, “Oh, now, I have a solution.” Years later, I know how to deal with it and how to combine it into a piece of jewelry.   Sharon: That's really interesting. Do you have a drawer full of things like that?   Nicola: Yes, many drawers full of things, full of unfinished pieces.   Sharon: Most of the things you've described, and the things you say you like, are small. Have you ever done large pieces, sculpture, public art or anything like that?   Nicola: Actually, I tried to do it once, but I realized that's not my scale. I really like the small things, the things you can put in one or two hands or hang around your neck. It's not my scale to make sculptures.   Sharon: How did you find out that it wasn't your scale? You just felt you couldn't carry it?   Nicola: I wasn't content with the outcome of this big piece. It's not my language.   Sharon: If it had been smaller, would you have been more content? Would you have been content if it had been the same thing but smaller?   Nicola: Yeah, probably, because it was also my language, but it was a big sculpture. It's not me. I don't know how to describe it differently.   Sharon: Was it outside for a gallery, for your garden? Where did you put it?   Nicola: I think it ended up in my garden and I forgot it. Probably now, it's underneath a layer of moss or grass; I don't know.   Sharon: There is a sculpture near here, a large one that people pass all the time. Unless you know it's there, you don't stop. Sometimes people are startled because they happen to notice it. I think I understand a little bit what you're saying. If the sculpture had been on a chain you could put around your neck, a small thing, would you have liked it more?    Nicola: Yeah, of course.    Sharon: What do you like making most?    Nicola: You mean what kind of jewelry?   Sharon: Yeah, what kind of jewelry.    Nicola: A difficult question. I think I love everything. I love necklaces, long necklaces, bracelets. I love playing with rings. For me, earrings are not for the wearer, but for the person who is seeing the wearer because you don't see your earrings by yourself. But I think I love everything.   Sharon: And when you make it, you don't have a preference? If somebody gave you gems, would you incorporate them if somebody gave you a handful of gems and said, “I want these in a necklace,” or “I want these in a bracelet”?   Nicola: I don't know. I have a lot of drawers with gems. For the moment, I don't think I want to work with gems. Probably I would hide them inside a piece. But yeah, for the moment, I don't want to work with gems. It's too much. I have my colorful jewelry, and I think it would be too much to add colorful gems to my colors.    Sharon: I'm noticing the necklace you have on because it's a pretty blue. Did you make that? That's a very bright blue.   Nicola: Yes, I made that recently. The inside is polished and the outside is rough. Also, it's this contrast between the different faces. It's just inside that's shimmering.    Sharon: Is that for the wearer, that it's shimmering, or for the person who's looking at you? I'm looking at you, for instance, and it's rough. Did you do that intentionally because you wanted to remember the roughness?   Nicola: Yeah, the outside is rough. If you touch it with your finger, you can feel this rough surface. I like that haptic sensation, that surface feel.    Sharon: And the shiny side, is that also rough?   Nicola: No, the shiny side is polished. It's quite smooth, and it's inside.    Sharon: Oh, I see. It's a good example of what you make of your philosophy. Thank you for being with us today. We really appreciate it. It's good to learn a lot more about you and what you do.   Nicola: Thank you. Thank you for inviting me, and thank you for your passion and your curiosity for our field. I really appreciate that. Thank you.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode:   How Nicola allows for spontaneity in her work, and how she decides when a piece is done Why the texture and physical sensation of jewelry is just as important as its aesthetic Why Nicola hopes her jewelry connects the wearer to nature How Nicola has forged successful relationships with galleries throughout Europe How metals can combine to create harmonious color combinations   About Nicola Heidemann Nicola Heidemann is a German art jeweler who seeks, through her work, to express her closeness to nature. Heidemann is interested in the ways the shapes and colors of the natural environment inform our sense of beauty, and she considers herself to be a collector—of allusions, impressions, associations.   Additional Resources: Nicola's Website Nicola's Instagram   Photos available on TheJewelryJourney.com Transcript: Like nature itself, Nicola Heidemann's jewelry can never be completely controlled. Using heat coloring techniques to create jewelry that evokes the beauty of the natural world, Nicola allows the material to tell her when the piece is finished. She joined the Jewelry Journey Podcast to talk about the materials she uses the most; why the ability to touch and carry her jewelry is central to her work; and why she hopes her jewelry bonds the wearer to nature. Read the episode transcript here.     Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   Today, my guest is Nicola Heidemann. She's based in Germany, in Stuttgart, and she founded Nicola Heidemann Jewelry. I had first seen her at Schmuck before Covid. Schmuck, for those of you who don't know, is the annual—I call it a trade show. Everybody knows it. I ask if you're going to Munich or you're going to Schmuck, and it's the same thing. She was at a table at a popup that was all over the city, but there were a couple of people who had stopped to look at her jewelry. I would have missed her totally, but it was this small group that made me curious. I stopped to look, and I was really taken by the blues and greens in her work and the shapes she uses in crafting her jewelry. It's also very deceptive. If you were to put it down on grass or on stones at the beach, it would be hard to tell her jewelry apart. It also looks heavy and it's very, very light.    Today, she'll tell us about her philosophy when it comes to both jewelry and metal and also nature, which plays a very important part in what she does. Welcome to the podcast, Nicola.   Nicola: Thank you, Sharon. Thank you for inviting me. Hi.   Sharon: Hi. You have a lot of inspiration from nature. Do you see colors in everything, other colors? You have so much that's blue and green. You get inspiration from nature, but is it from all nature, or only the sky or the ocean, which is blue, and grass?   Nicola: Nature for me is indeed the most important inspiration. I think our sense of beauty is informed by nature, by the shapes you find in nature, by the colors, the color combinations. That's my idea, to work in color combinations which you could find in nature as well. In nature, you don't have monochromatic colors or colors which are not matching to each other. This is my inspiration indeed.    Sharon: I saw some red, for instance. It's unusual for you. I saw a piece that had red in it. The inspiration for the red, and you have on a purple dress, do those come from nature or do they come from other places?   Nicola: Yes, of course. Reds you can find in flowers or in volcanic soils. Red is quite a common color in nature, but the reason why you don't see red in so many pieces of mine is that my main material I use is titanium. Titanium has a big range of plain color possibilities which don't include red, so I can make it blue and green and turquoise and yellowish, but red, I can't reach. So, for the red pieces, I must use different techniques to get it.   Sharon: I'm going to jump around because you said that titanium has a lot of different colors and that it gives you a lot of different ideas, new ideas. Do you write those down because there are so many of them?   Nicola: I don't write down. I draw a lot, but quite often the material is driving me through the process because there are some parts of my work which I can't control, and that's the heat coloring. I know it's quite good what I do, but there are some uncontrollable effects. Sometimes the material tells me, “O.K., that's the right color. Stop now.”    Sharon: If you're doing a piece and you see a color—let's say a gold that you didn't intend the piece to be—do you file that away mentally or in your drawings and think, “I'm going to try that next time or another time”? Do you think about it?   Nicola: Yes, sometimes I stop immediately and say, “O.K., this piece has to be gold now because it's such a beautiful gold.” I will stop because, when you stop the process of heating, the color remains. When I see it's so beautiful, I decide, “O.K., this piece has to be gold now.” I leave the decision sometimes to the material or to the—I don't know the word—for the moment.   Sharon: Do you go from a blue color to a green color to a gold color? I don't know how the process works. As you're heating, do you see blues and then greens and then golds?   Nicola: There's a shade of colors, a color palette. It starts with gold from a magenta. Then it's a lilac or violet, then it's blue, then it's turquoise, then it's yellowish and then the process again starts to go to pink, magenta, and then the green appears. It's a long task, and it depends on the temperature of the piece you're heating.   Sharon: You had mentioned the term shibuichi. I don't know how to say it.   Nicola: Shibuichi is a Japanese alloy which is one part of the Mokume Gane technique. It's the dark alloy of this Mokume Gane. Shibuichi is an alloy with a lot of copper, and it's also possible to heat color it. It has a warm red when you heat color it.   Sharon: So, it's a metal?   Nicola: Yeah, it's a metal alloy. It's 70% copper and 30% silver.    Sharon: Is it something that you go to your supplier and say, “I want to make this and I need some,” or do you make it?   Nicola: No, I order my metals from my supplier. I order titanium and copper and silver as wire and sheets.   Sharon: How often do you start new pieces?   Nicola: Pretty often. Sometimes a piece takes years because I'm not content, and I think, “No, it's not going to be good.” Sometimes I leave a piece for years, and then I see it again and put it out and say, “Now I have the idea. Now I can finish it.” I have a lot of pieces parallel which are not finished yet but in the making.    Sharon: Some of your pieces have dimension. Your pebble pieces seem to be folded over. What made you decide to add dimension?   Nicola: It's like in nature. On a pebble beach you have really beautiful, different shapes, and a volume is needed, I think, to tell the story I want to tell. Sometimes I want to touch a piece. I want to have it in my hand and hold it, and the volume is filling up my hand.    I don't know if I'm describing it right. For me, it's all about understanding nature. There are different terms for the word understanding in German. One is verstehen. It's like in English, understanding, but the other is begreifen, which literally means to touch it with your hand. A very important point in understanding nature is to touch it, to have this haptic experience.   Sharon: Do you live near the beach? Do you see pebbles just when you go outside?   Nicola: I live near a river beach. I often stroll around and collect pebbles. I did it when I was a child. I think that's also a reason why I love to make jewelry. It's something small you could put in your pocket and take with you. It's a beautiful pebble or a shell or a piece of wood, and for me, it's like jewelry. It's the same. It's a beautiful piece you can take with you. You are allowed to touch it with your hands. You can take it with you everywhere you go.   Sharon: Is some of your jewelry like that? Do you intend to make a piece of jewelry that somebody sticks in their pocket and knows is there?   Nicola: Sometimes, yes. They are allowed to do anything with a piece. Of course, it's also possible to wear it, but for me, this haptic sensation is so important and this idea to take it with you.   Sharon: To take the jewelry with you.   Nicola: Yes.   Sharon: Do you feel it? Let's say you're feeling stressed or talking to somebody and trying to explain something. If you feel the piece in your pocket, you feel more confident. That's what I'm looking for, confidence. Do you feel that?   Nicola: Yes, but most of the time, I touch the pieces. A ring, for example, I always play with a ring on my fingers, or I play with a chain around my neck. It's like a talisman, the piece, to be more relaxed or comfortable. The quality of the surface is often—some pieces are rough; some pieces are polished. I like the sensation the pieces cause on my fingertips when I touch them. So, yes.   Sharon: Is that why some of your jewelry is smooth and some of it's a little rougher? Is it to imitate nature, to imitate what you see?   Nicola: Yeah, maybe not to imitate, but to give a hint or to give a memory, to let people remember that we are part of nature. I think that's my story, to give a person the synch. We are part of nature and beauty is nature.   Sharon: That's interesting. Did you have that mindset when you started making jewelry or did you come to that?   Nicola: When I was a child, I collected small pieces. I built miniature landscapes in the garden, and when I painted, I painted miniature pictures of landscapes or trees. It always was a connection to nature. This is my background.   The idea to make jewelry was just to take these beautiful pieces with me. I wanted to keep them with me and to have them always with me. I'm not a trained goldsmith, so when I start a piece, sometimes I don't think about what it is. It's not going to be a necklace or a bracelet. First of all, it's an idea of a shape, a color, a face. Then later the idea is, “O.K., I want to make a necklace with this or a bracelet.”   Sharon: You don't start out where you have gold and you think, “I'm going to make a chain with it.” You shape it and it starts to take a form.   Nicola: It's the other way around. Jewelers normally have some gold; they make a chain and that's it. For me, first of all, the idea is important. Then comes the function and the wearability.   Sharon: I'm asking you because you have your pebble collection or your series of pebble jewelry, which is very interesting. Do you see pebbles and think, “I want to make a piece just like that”? How do you think about it?   Nicola: I think it's more a love affair. I love pebbles. I love the different shapes and faces. Also on a pebble beach, there's this collection of so many different pebbles. All of these come from different regions, and nevertheless they are matching or they are beautiful in this collection on a certain beach. For me, it's a desire, a desire for nature's beauty.   Sharon: It's interesting because you show some of your pieces lying on the pebbles, and it's hard to tell what's your work and what's nature's work. Is that what you were after, to have it blend in?   Nicola: I am content because I think my jewelry is almost as beautiful as nature is. Then I'm happy.   Sharon: Is that what you mean by saying that the heat colors are harmonious? I didn't understand what you meant by harmonious.   Nicola: Yeah, that's true. When you fire this metal—and it doesn't matter which metal. The heat colors of copper and the heat colors of titanium are matching or harmonious with each other. It's a harmonious match. It's like in nature. You don't have any color combinations in nature.   Sharon: Are you saying that sometimes you work with copper and sometimes it's titanium, and you get a gold color and they're similar to each other? Is that what you're saying?   Nicola: Yes, similar or matching in a way. They are not fighting each other. They are harmonious.   Sharon: Can you give us an example where you found something very harmonious that you didn't think would be harmonious when you started out?   Nicola: I made a series of earrings. I started with silver, and I sprinkled some copper inside and I heat colored it. It's a white ground with sprinkles of heat-colored copper. The top of this earring is a polished titanium, also heat colored. The colors are different, but in a way harmonious. It's three different metals, but they are playing a wonderful game together.   Sharon: Did you heat the silver first alone and then you sprinkled it?   Nicola: Yeah.   Sharon: You did. And then you played with it to see—   Nicola: Yeah, I played with it. All the silver or the metals are playing with me.    Sharon: You also said that the incomplete fascinates you. What did you mean by that?   Nicola: Sometimes you tell a story, and I probably tell stories with my jewelry as well, but it's not always visible. Sometimes I have a pebble with holes, and inside you can see a sparkle, but it's not describing or explaining on the first side what it is. Sometimes people say, “Oh, what's inside? What is it?” and I cannot explain what it is.    For me, secrets are really important. Secrets mean that you are curious; you want to explore something, but a piece of the secret always remains. It's not perfectly explained, but it makes us curious.   Sharon: Are there pieces you make with a secret that only you know or only the wearer knows?   Nicola: Maybe that. It's triggering questions. Maybe they find an answer or not, but it's a hint, and a hint always triggers you to think about it and to communicate. Sometimes my jewelry is causing communications because the people ask, “What is it, and why is it so shimmering inside? Why does it sound so interesting?” It starts a communication, and that's an effect I really love.   Sharon: That's really interesting. There's not a lot of jewelry that facilitates communication. Why do you think of yourself as a creator and not a collector?   Nicola: Or the other way around.    Sharon: You think of yourself as a collector. I pose the question: why do you think of yourself as a collector and not a creator?   Nicola: Because there's always a part which I can't control. I collect some ideas. I collect pieces and I put it together, but I'm not able to control every step of the work. That's why I say I'm a collector. Sometimes I put some ideas together, some techniques, and then something is growing and I'm not responsible for every part of it. Maybe that's the answer.   Sharon: It seems like you have a lot of ideas. I wonder how you keep track of them. If you wake up one morning and you can't think of anything to do, do you go back into your mental file drawer and think, “Well, I wanted to try this”? How do you work?   Nicola: Yeah, it's working quite easily. Sometimes I make drawings of my ideas, but most of the time, I really live with it. I go to bed with it and in the morning, I think about it. It's a bit like a permanent meditation. I am lucky enough to spend all my time with that. So, it's quite easy for me.    Sharon: When you sketch, what are you sketching? Are you sketching colors or pieces?   Nicola: I used to sketch more often and with colors, but for now, I sketch only with a pencil. Sometimes I draw some connections, sometimes technical things, how I can connect some pieces.   Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out.

Today's SWAPA Number is 18. That's the number of days the NMB has given us for the next 10 weeks. Those extra days with additional unmediated sessions for language writing will help us get closer to a deal. So today we're going to talk to the SWAPA NC Chair Jody Reven and NC members Kurt Heidemann and Damian Jennette about the latest in negotiations and where we might be going.If you have any feedback for us at all, please drop us a line at comm@swapa.orgFollow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

Today's SWAPA Number is 11.9 million. That's the amount of money lost in pure training costs alone from the pilots who have left Southwest since December of 2021. That's a lot of money being lost to attrition, and it doesn't take into account the lost revenue from those pilots no longer being here to fly the schedule as published.So on today's show, we spoke with NC Chair, Jody Reven, and NC members, Damian Jennette and Kurt Heidemann about where we stand with regard to negotiations and what comes after the SAV at the end of this month.If you have any feedback for us at all, please drop us a line at comm@swapa.orgFollow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

As we approach 100 episodes of the SWAPA Number podcast, we're going to look back on some highlights including some never before heard clips that will give you, our listeners, some insight into the process it takes to bring you information directly from the source- our SWAPA subject matter experts and leaders - since August 2019. If you have any feedback for us at all, please drop us a line at comm@swapa.orgFollow us online:Twitter - https://twitter.com/swapapilotsFacebook - https://www.facebook.com/swapa737

Tatiana Pavei da Silva Engenheira Agrônoma e Paisagista Fundadora da empresa reino vegetal paisagismo Com 23 anos de atuação no mercado de jardinagem e paisagismo.

This podcast episode features practical ideas on how to help ease the burden of those suffering from infertility. Ann, Jillian, and Christina share personal stories of people ministering to them and how they've helped others who are struggling. This is a great episode for any family members or friends of someone carrying the burden of infertility who want some concrete advice on how they can help. Or, if you are in a place where you feel called and able to lend a helping hand, please listen in and let us know what you think! Resources: Navigating Infertility Treatment with Your Healthcare Provider The Gift of Suffering Bridget Visit our website to learn more about Springs in the Desert, and make sure to follow us on Facebook and Instagram so that you don't miss a thing! We are walking with you on the path of infertility through our retreats and events, blog, podcast, resources, and more. Also, feel free to check out our sister ministry, Springs of Love, which encourages, educates, and equips Catholics to discern and live out the call to foster and adopt. God bless you! --- Support this podcast: https://anchor.fm/springsinthedesert/support

Clara Heidemann, Sprecherin für Hörspiele, Werbung, Hörbücher: Tipps für deine Stimme. Videopodcast

Kathryn Heidemann, a senior arts management and higher education leader, educator and artist, first joined CIA in 2019 as Vice President of Academic Affairs + Dean of Faculty. Heidemann played a key role in the development of CIA's most recent strategic plan and she also was instrumental in founding the Jane B. Nord Center for Teaching + Learning.

Brandon Heidemann describes himself as "Just a dude who loves Jesus and the adventure He brings". He's a well rounded adrenaline junkie, he runs an adventure camp for kids, called Camp Royal, and he shares about trials he has faced in his life that taught him to grow closer to the Lord through the hardship of it all. He shares the honest challenges of singleness in His late 30's but also about how he's learned to look into God's eyes and not His hands. Searching for who God is instead of what He has for him. 

TECH CLUBBERS PODCAST W/ JURI HEIDEMANN Juri Heidemann who is former known as Mio started his new alias in 2021. Influenced by a lot of different genres he creates his own vision of electronic music and releasing music in many different styles. The berlin based dj and producer shows his variety with his latest releases on Instinkt Lab, Be As One, Quartz Records, and export berlin. Keep your eyes open for upcoming eps and singles. Follow JURI HEIDEMANN here: Facebook: https://www.facebook.com/juriheidemann Instagram: https://soundcloud.com/juriheidemann Soundcloud: https://www.instagram.com/juri.heidemann

It is the early 1980s, and in a house in West Germany a man called Gerd Heidemann is flicking through a book with mounting excitement. Sentences leap from the page:   ‘The burning of the books was not a good idea of Goebbels',    ‘I have violent flatulence, and – says Eva – bad breath',    ‘The measures against the Jews are too strong for me'.   The book he is reading is one of over sixty volumes of the revelatory personal diaries of Adolf Hitler himself. Through Heidemann they will be purchased for millions of dollars and published in the world's leading newspapers and magazines. However, on publication day, with the world captivated by the opportunity to read the inner-most thoughts of the most notorious dictator in history, the scoop of the century falls apart. The diaries are total fakes and not even particularly good ones.   In this episode we explore the story of Gerd Heidemann and how he and many others fell victim to a now notorious conman and forger. Starting with how Heidemann was captivated by a historic find he couldn't ignore, to how simple forgeries made their way through authentication unscathed, to finally how the historic find of the century was shattered on the day of its publication.   So how were some of the world's foremost journalists conned, and who was behind a fraud that has gone down in media history?    Cast List:   Guy Walters  A British author, historian, and journalist, he has written several books on WWII. As a journalist for The Times, he writes on historical topics for the national press.  Dr Linda Papadopoulos   The Reader in Psychology at London Metropolitan University, with a 17-year career working as a research scientist and practicing psychologist.   Magnus Linklater  A journalist, writer, and former newspaper editor, he was the Executive Editor of Features at the Sunday Times during the Hitler Diaries scandal.   Gerd Heidemann   A former journalist for Stern Magazine, he was the first to bring the diaries to the attention of the media. Learn more about your ad choices. Visit megaphone.fm/adchoices

Brandon Heidemann, CEO of ROYAL, and I talk about the counter-intuitive methods we have used to build big organizations, launch major programs and have an amazing time in the process: put high-trust relationships at the top priority, play the long game and be fully present. You have to fight for it, but it pays off huge. --- Sign up to have Scott email you a weekly shot of energy, with 1 Cool Quote, 1 Deep Thought, and 1 Useful Tool. This is original content, not a repost of the podcast. You can find the sign-up section at the bottom of my website www.ScottWozniak.com  Learn how Scott and his team of consultants can help you build a legendary brand at www.SwozConsulting.com  Connect with Scott on social media:  linkedin.com/in/scottwozniak/ https://www.facebook.com/scottewozniak --- Follow Brandon at: Website:  www.WeAreROYAL.com Facebook: https: //m.facebook.com/theROYALcamp/ Instagram: https://instagram.com/ca mproyal?igshid=NzNkNDdiOGI= --- Bonus: check out his other podcast (Alpha Pack): https://kite.link/alpha-pack-podcast If you like this podcast you will probably like that one, too. Who knows, you might even like it better! :) 

Today's SWAPA Number is 50. That's the number of recently hired pilots who have voluntarily left Southwest Airlines so far in 2022. This record number shows that without an industry leading contract, Southwest Airlines cannot attract and retain the pilots needed to grow and sustain this network.SWAPA has been in formal negotiations for more than two years, since January of 2020, when we presented our pilot's full contract proposal. And just last month SWAPA filed for federal mediation with the National Mediation Board.So on today's show we talked to NC chair, Jody Reven and NC members, Damian Jennette, and Kurt Heidemann about what that means for the future of negotiations, how it affects the membership and what's to come next.

Miguel Heidemann! Ausreißer, Zeitfahrexperte und Aerodynamik Ass! Lennart interviewt die deutsche Außendienststelle Miguel Heidemann aus dem französischen Team B&b Hotels - KTM. Nach dem gemeinsamen vergangenen Jahr der beiden im Team Leopard erzählt Miguel von seiner ersten Profi Saison und den Herausforderungen als aufstrebender Radprofi! Wie er sich durch die Physik der Aerodynamik fuchst und in den Ausreißergruppen effizient über die Etappen bewegt, erzählt er uns in der heutigen Podcast Folge. Also schmeißt eure wöchentliche Rad Podcast Unterhaltung an, schaltet noch 2 Gänge höher ... viel Spaß! Du möchtest auch so schnell fahren wie Miguel? Das können wir dir nicht versprechen, aber ein Anfang in seine Fußstapfen sind die für dich unsere Trainingspläne Ob Ratensenker, VO2max Booster, Zeitfahren Spezialisten! Eine Übersicht aller Pläne findest du hier: https://www.trainingpeaks.com/my-training-plans/probike-academy Falls du dazu noch mehr Informationen benötigst findest du auf unserem YouTube Channel alle näheren Erklärungen zu den aktuellen Themen: https://www.youtube.com/c/PROBIKEAcademy Schreib uns doch, was du dir noch an Inhalten wünschen würdest und gemeinsam schauen wir, wo die Reise hingeht! Viel Spaß!

Did you know that every pharmaceutical on the planet derives from nature? How would you feel if you learned you could heal yourself in a multitude of different ways just from going outside? Zachary Heidemann: herbologist, coach, and happy human takes us on a journey of learning how to heal in this beautiful episode. If plants and herbs excite your fancy, you're not going to miss this incredible take. DISCLAIMER: On the FLYPSIDE podcast we encourage areas of thought that do not always align with the status quo. Every episode is intended to co-create and share ideas. I hope you all enjoy and learn something :) --- Support this podcast: https://podcasters.spotify.com/pod/show/alexandria-filipowski/support

Today Martin Daum speaks with Olympic fencing champion Britta Heidemann. They tackle a topic that is core to business and sports alike: motivation and competition. Britta is the first epée fencer in history who won the golden triple, which means being Olympic, World and European Champion at the same time. Therefore, she's the perfect guest to discuss how to best motivate yourself and others and how to stay focused among strong competitors. Martin Daum and Britta Heidemann will also touch on the topic of China since Britta is a true expert on the country. She has studied Chinese and business studies at university, has lived in China and speaks the language. Britta will share her insights on how to navigate the Chinese business world. Enjoy the new episode!

Today's SWAPA number is 845.  That's the number of days Southwest has had SWAPA's Contract 2020 proposal. On today's show I have a guest host, Lexi Taylor. Lexi is on our legal staff and is in the room for every negotiation.  Today we are interviewing Jody Reven as well as turning the tables on regular podcast host Kurt Heidemann and making him answer questions as part of the Negotiating Committee. We'll be talking about the pace of negotiations as well as what comes next.

Hello to all my booty seekers and cheek chasers, This is the Carpe Natem Podcast. I am your host Nate De La Hoya-Reynoso and I am so grateful you are listening to this episode. If you're new here, you should know that I believe that my purpose is to uplift, inspire and educate others to communicate masterfully so that they can better understand themselves and others. I've spent years in the personal development and transformational technology space, and I want to share with you the wisdom that was passed down to me from giants in the industry. So if you are on a journey of self-mastery like me, looking to make dreams a reality, and willing to be a leader for your family and community then join me in seizing the butt cheeks of life and give them a big squeeze.In this episode I have the pleasure of sitting down and talking with an exceptional human being, his name is Zach Heidemann.

Today's SWAPA Number is 420. That's the number of days since our CBA became amendable on September 1, 2020. While things have been slow going thanks to the pandemic, we're about to reach a major milestone this month when SWAPA finishes presenting it's full Contract 2020 proposal to the Labor Relations team.By wrapping that up, the focus will shift to the Company's comprehensive proposal and a start to negotiating in earnest. So today on the show, we're going to talk to NC Chair Jody Reven and our usual host Kurt Heidemann will be joining him to answer questions.

Today's SWAPA number is 50. That's the amount of SWAPA Number podcasts we've produced for our pilots since we started in August of 2019. We've gotten a lot of great feedback about them because they let us talk directly with our SMEs about subjects in an easy-to-follow format. So today on the show we're going to celebrate that milestone by turning our mics around and interviewing our long-time hosts Kurt and Amy so they can give a look into the inner workings of SWAPA Communications.

Brandon Heidemann / Fighting for a Bigger Purpose! Today I'm so excited to introduce you to my good friend Brandon, the Founder of ROYAL. He comes from a background of pro motocross racing but followed God's invitation to dive into action sports ministry in 2002, and started ROYAL in 2005. God's been writing a story through Brandon's life, like he does for all of us, and one of the strongest themes and takeaways of today's episode is all about discovering the story God is writing in our own lives, and how he longs to be a part of our journey too. Hear some of the wild “God stories” Brandon's gotten to experience and also heart-wrenching tragedies of Brandon's life but the redemption of them all as you get to know Brandon more! I hope you will walk away with a renewed sense of excitement for your OWN story and the story God is writing in your life today so grab a coffee OR a redbull and dive in with us to "The Places between". MORE ABOUT CAMP ROYAL: WeAreRoyal.com CAMP ROYAL SUMMERCAMPS: Day & Overnight with 2021 dates available THE ROYAL MISSION: To make sure this young generation understands their value in God's eyes and to empower them to live as ROYALTY. Follow ROYAL on Instagram here.  TOPICS COVERED: Identity / Racing Motocross Loss and Peace Pastor and True Identity Miraculous Provision Action Sports as a way to reach our youth Some takeaways for reflection: One of the quotes that stood out to us was the overriding affirmation of TRUST Brandon had in God and the peace that God offered with every decision to trust God in the losses and the unknowns of life. “If you trust me I promise I'm going to take care of this pain” -- Can you say that you trust God like this? If not, what is holding you back from fully trusting a loving God to take care of you? Imagine that God is all that you need.  How can you enjoy life to the full knowing He is the provider, the peacekeeper, the sovereign God who will take care of you? What dreams have you held onto for years? Are you holding onto them loosely enough that God can shape the outcome?  Or do you struggle with letting the results go? What does it look like to trust your dreams into God's hands, knowing he is sovereign and has far more than you could ask or imagine planned for you? God does not cause the pain or the tragedies in our lives, but he does care about us in the middle of these moments!  This is an overriding theme of Brandon's story.  How have you seen God comfort you in the midst of some of your hardest moments?  If you are in the middle of a place where you need to know God's love, ask him for his comfort today. We hope you can encounter the love of the Father that we know and experience daily. MORE RESOURCES: STAY IN THE STORY 25 day Devotional Like, rate or review this podcast and share with a friend YOU think could benefit from today's conversation. If you have comments or questions you want us to focus on in the future, send us a note. Find us on Instagram at @The_Places_between. Thanks for joining us on The Places Between. --- Support this podcast: https://anchor.fm/theplacesbetween/support

The topic: U.S.-China relations rest upon more than the formalized chess moves of presidents and diplomats. Far greater in scope and depth are the people-to-people exchanges in business, education, arts and culture, journalism, nonprofits, tourism, and so much more. These societal ties provide ballast for U.S.-China relations even when the political situation is at its most tense. Iowa's people-to-people connections with China are particularly strong and extend back nearly half a century, continuing a tradition in which Iowa also helped to play a moderating force with the Soviet Union at the height of the Cold War. How have these connections been built and sustained over time? What forms do they take? How do Iowans and their Chinese counterparts benefit from such ties? Our guest: Kim Heidemann is an international programming consultant, adjunct instructor at Des Moines Area Community College, staff member with the Republic of Kosovo Consulate in Des Moines, and an expert administrator in citizen diplomacy. During her 15 years with Iowa Sister States, she traveled extensively and helped to shape the grassroots ties between Iowa and several partner nations, including China's Hebei province, as "old friend" Xi Jinping returned to visit in 2012, triggering a heightened phase of trade and cultural exchange between the two nations. Full episode transcript: https://david-skidmore.medium.com/kyle-munson-and-david-skidmore-interview-with-kim-heidemann-bfefce55cca5. The series: David Skidmore and Kyle Munson produced this podcast series in conjunction with Skidmore's Spring 2021 U.S.-China international relations course at Drake University. Your hosts: David Skidmore is a Professor of Political Science at Drake University in Des Moines, Iowa, where he has taught since 1989. Skidmore's teaching and research focuses on U.S. foreign policy and U.S.-China relations. During the 1996-97 academic year, he taught at the Johns Hopkins-Nanjing University Center for Chinese and American Studies in Nanjing, China. He also served as a Fulbright Scholar based at the University of Hong Kong in 2010-2011. He is past Director of the Principal Financial Group Center for Global Citizenship (2002-2017) and the Nelson Institute for Diplomacy and International Affairs (2012-2017), both at Drake University. Skidmore is author, co-author or editor of six books including a monograph titled The Unilateralist Temptation in American Foreign Policy (Routledge, 2011), and has published numerous articles or chapters in various academic journals and books. His most recent research focuses on China's Belt and Road Initiative. His editorial writing has appeared in Fortune, U.S. News and World Report, Salon, The Conversation, the Diplomat, Global Times and the Des Moines Register. Kyle Munson is a journalist, writer, podcaster, and content strategist who currently works in content marketing and financial services. He previously spent 24 years with The Des Moines Register/Gannett in a variety of roles, including eight years as columnist. In 2017 he was awarded a grant from the Pulitzer Center on Crisis Reporting to report on U.S.-China relations early in the Trump administration as Amb. Terry Branstad began his tenure in Beijing. That resulted in the project “Iowa in the Heart of China.” Munson also reported on Chinese President Xi Jinping's 2012 visit to Iowa. He has volunteered and served as a board member with Iowa Sister States, a nonprofit dedicated to citizen diplomacy. He currently chairs the board of the Western Iowa Journalism Foundation. --- Send in a voice message: https://anchor.fm/uschina/message

Brandon Heidemann, the founder and second in command at Camp Royal joins Nick Ohrdorf to talk about his faith and his incredible journey. Camp Royal exists to help teach youth the gospel and help them find their true identity while providing the best action sports training! Brandon was a professional motocross rider!

Mike Heidemann is a musician and producer living in California. Mike shared the story of his first big celebrity interview, and what he did to make an impression.---Sign up for my daily email newsletter with a selection of tales of interest, my snarky commentary and a few amusing gifs: https://www.keithconradmedia.com/newsletter/ Connect on Twitter: https://www.twitter.com/keithrconrad Facebook: https://www.facebook.com/keithconrad/Instagram: https://www.instagram/keithrconradWhat happens when a modern aircraft carrier battle group and their British and Japanese allies suddenly find themselves the day before the Japanese attack on Pearl Harbor? You'll have to buy the book to find out!This is a project I've been working on for a number of years now, and it's finally come to fruition! My very first novel: “RIGHTEOUS MIGHT”Print: bit.ly/RighteousMight Ebook: https://www.amazon.com/dp/B08BQ7PLRH Support this podcast at — https://redcircle.com/the-greatest-story-ever-podcast6760/donations

It didn't take us long to end up in a loony bin, where even Indy and Mutt are questioning the plot of the movie. Mark Heidemann joins us again to spin some records. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

Indy gives Mutt some back-handed fatherly advise and greets a Christian Sister as Mark Heidemann spies from around the corner. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

Mutt and Pete are on the same page as they evaluate Indy's stories about his time with Pancho Villa, and our guest Mark Heidemann takes in the exotic and strangely familiar traditions of Peru. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

On this episode, Bethany chats with Brandon Heidemann, 2nd in Command for ROYAL Corporation, an organization that exists to see the next generations know their value in God's eyes & empower them to live as His children, royalty through the exciting avenue of action sports. You'll find treasures in this conversation for how you, too, can connect to the Father's heart & live out your own royalty.  Come, join the adventure! www.jbethanyanderson.com For more about ROYAL, visit: www.weareroyal.com or email brandon@camp-royal.com  Music by https://www.sessions.blue/  

Today on The MIke Wagner Show...Chicago radio producer and fill-in host at WGN radio Michael Heidemann talks about his career (a very exciting one and how he got to where he's at!) and moonlights as a singer (also known as Michael J. Foxy) throughout Chicago and describes how he is inspired by radio and how he gets his music! Check out where he plays, who his guests have been, and tune in to WGN radio every Monday-Friday from 10p-1a and check him out! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/themikewagnershow/message Support this podcast: https://anchor.fm/themikewagnershow/support

Everything gets all awkward as Indy and Henry embrace as father and son while Sallah and Marcus watch. Our guest Mark Heidemann returns to talk about man love and, yes, hats. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

Oh, we spoke too soon. Indy is alive. But Henry still gets to bring the house down with a heart-broken eulogy. Guest Mark Heidemann joins us to enjoy this proud entry in the history of fake movie deaths. Support us on Patreon: https://www.patreon.com/indianajonesminute Join us online at: http://www.indianajonesminute.com/ Facebook: https://www.facebook.com/groups/1011918448897040/ 

Former professional ballroom dancer, fashion model, now author, dancesport teacher and choreographer - Dirk Heidemann is the personification of Latin dancing: colorful, passionate and raw. After more than 30 years of training and preparing 40 champions of Germany, Europe, World Champions, Blackpool and German Open, he is considered one of the best ballroom dance coaches in the world. Topics discussed in this episode Life story and daily routines as a world-famous teacher How major differences of cultures can affect ballroom dance What are the 5 things he is looking as a judge in a couple Why technique is simply an instrument to help dancers show off what's really important How the physical beauty in dancesport is a top priority What makes a great dancer and how much your talent means in ballroom dancing world Would you love to learn choreographies, technical details and different methods for improving your posture, style, and overall performance from the comfort of your home studio? Our online platform - Dancesportlife Academy - offers you a vast library of courses and high-quality recordings of dance camps from all over the world at highly discounted prices.