Podcasts about No wave

This week we're tackling the wonderfully niche concept of anti-rock. Or more specifically, we're trying to work out what the hell it actually is, why Google doesn't seem to know either, and how it connects to everything from Frank Zappa taking the piss out of The Beatles to bands who are so talented they deliberately make themselves sound rubbish. Chris has dragged poor Mark and our resident punk professor Ferro down a rabbit hole that starts with French composers banging bits of concrete in the 1940s and somehow ends up at US Maple, a band that sounds like they're actively trying to annoy you. Along the way we encounter Captain Beefheart's deliberately mental Trout Mask Replica, The Residents being mysterious weirdos in eyeball masks, and Suicide essentially inventing electronic music with what amounts to a homemade fuzz box. We get properly stuck into the prehistory of experimental music, from Pierre Schaeffer's musique concrète through to the New York art scene of the 1970s. Our main thesis is that anti-rock isn't just noise for the sake of it - it's what happens when genuinely skilled musicians decide to systematically tear apart rock conventions from the inside. Think of it as punk's more cerebral, art school cousin who's read too much Derrida. This is part one of three. Next week we'll tackle the No Wave explosion in late 70s New York, and part three will finally explain why US Maple exist and why anyone would voluntarily listen to them. We also touch on Glenn Branca's guitar symphonies, Pere Ubu's Cleveland weirdness, and try to work out why some of the most influential experimental music came from artists who could absolutely play it straight if they wanted to. Spoiler: they definitely didn't want to. Timestamps: Episode Highlights: 00:00 Introduction and Initial Banter 00:51 Meet the Guest: Ferro (Not Pharaoh) 01:47 Ferro's Musical Journey and PhD in Punk 04:16 What the Hell Is Anti-Rock? 09:37 French Blokes Banging Concrete: The Birth of Musique Concrète 22:01 When Classical Composers Lost Their Minds 27:48 Moondog: The Homeless Viking of Sixth Avenue 28:25 How American Music Got Properly Weird 29:15 Snake Time Rhythms and Native American Influences 30:04 From Experimental Composers to Rock Subversion 30:36 Captain Beefheart's Deliberately Mental Masterpiece 35:05 Red Crayola: Texan Psychedelic Deconstructionists 40:42 The Residents: Eyeball Masks and Musical Terrorism 47:09 Suicide: Two Blokes and a Homemade Fuzz Box 52:06 Pere Ubu: Cleveland's Contribution to Musical Chaos 55:38 Setting Up the No Wave Explosion

Alle Links in den Shownotes. >> Djrum – Under Tangled Silence (Houndstooth) Felix Manuel mit einem neuen Album voll wunderschöner bleepy Electronica. Getrieben von klassischen Elementen, seiner Piano-Arbeit und einem Cello vermischen sich zarter Ambient-Techno und hibbeliger IDM. Heraus kommt eines der besten Alben des Jahres. >> Physalia – Oniria (okum produzioni) Die Italienerin schwebt mit ihrem Mix aus Kammerpop mit Piano-Einsatz und Dream-Pop wie auf ihrem Albumcover durch ein Meer aus Atmosphäre. Das soll ihr Debüt sein? >> Deradoorian – Ready For Heaven (Fire) Dub, Disco, No Wave, Post Punk – und das alles eiskalt vorgetragen. Deradoorian, die schon mit den Dirty Projectors und Kate NV immer eine Sonderausfahrt aus dem Pop genommen hat, groovt sich gekonnt durch ihre beste Solo-Platte. >> Tennis – Face Down in the Garden (Mutually Detrimental) Der musikalische Abschiedsbrief des Dream-Pop-Ehepaars erzählt von kleinen wie intimen Geschichten. Sind diese überhaupt für unsere Ohren gedacht? >> Hypochondrische Ängste – Real Authentic Berlin Street Love (Viel Erfolg mit der Musik) Spoken-Word-Stream-Of-Consciousness-Post-Alles-Musik. Songs sind das nur, wenn man will. Rhythmus, Melodie, Takt, Text – zusammen umzingeln sie das, was man für Songstruktur hält, kreisen ein, beobachten lieber von außen. Hochgradig assoziativ, fließend, überfordernd und doch in sich schlüssig. Wir reviewen außerdem neue Musik von Maria Somerville, Molly Nilsson, Elaine Howley, Any Other, Heavy Lungs, Penelope Trappes u. v. m. **Setlist:** - [00:00:00] Intro + Zuletzt gehört: ESC und Animal Collective - [00:07:30] **Djrum - Under Tangled Silence (Houndstooth)** - [00:18:51] Playlist Part 1: Elaine Howley, Molly Nilsson, Heavy Lungs, LDS - [00:24:18] **Physalia – Oniria (okum produzioni)** - [00:31:13] **Deradoorian - Ready For Heaven (Fire)** - [00:38:42] Playlist Part 2: Penelope Trappes, Maria Somerville, Introversion, Molecular - [00:43:08] **Tennis - Face Down in the Garden (Mutually Detrimental)** - [00:51:47] **Hypochondrische Ängste - Real Authentic Berlin Street Love (Viel Erfolg mit der Musik)** - [00:59:38] Playlist Part 3: Borez, Wishy, Audiojack, Any Other - Jetzt auf Spotify abonnieren. Neue Songs für die Playlist: Djrum - Let Me Elaine Howley - Hold Me In A New Way Molly Nilsson - Il Peggio Bar Di Caracas Heavy Lungs - Caviar LDS - mud zu Physalia - Devoured by the Sun Deradoorian - Any Other World Penelope Trappes - Sleep Maria Somerville – Spring Introversion - Found Footage Molecular - Got Game Tennis - 12 Blown Tires Hypochondrische Ängste - Ryanshair Borez - Rubber Eater Wishy - Fly Audiojack - JOY Any Other - Lazy

Join us in conversation with renowned songstress and author, Adele Bertei, as we weave our way through the life and times of Sinead O'Connor, courage in the name of justice, and the healing power of song. Adele is an anti-disciplinary author, director, performer, and composer currently residing in Los Angeles, CA. She is the author of Peter and the Wolves (Smog Veil, 2020), Why Labelle Matters (University of Texas Press, 2021), Twist: Tales of a Queer Girlhood (ZE Books, 2023), and Universal Mother (Bloomsbury 33 1/3, 2025).   Bertei was an original member of the critically lauded Contortions, produced by Brian Eno on the seminal No New York LP. Reading prose and poetry, she opened for writers such as William Burroughs, Allen Ginsberg, and Kathy Acker among many others. Bertei acted in several underground films, including a lead role in Born In Flames by Lizzie Borden.   Bertei was lead singer in the Bloods –America's first openly queer band of women, and has performed and recorded as a backing vocalist and touring vocalist for artists such as Tears for Fears, Thomas Dolby, Culture Club, Whitney Houston, Sandra Bernhard and Sophie B. Hawkins among many others.   New York City's Museum of Modern Art recently acquired films of Bertei reading her poem The Ragazzi Manifesto in 1978, and The Offenders by Scott and Beth B., where Bertei plays the lead.   She has created and facilitated songwriting workshops for homeless youth at My Friend's Place in Hollywood, and as a member of Wayne Kramer's Jail Guitar Doors, teaching songwriting to the incarcerated at the Twin Towers facility in downtown LA, and at Century Women's Regional Center at Lynwood, the largest women's jail in the nation.   Her next book, No New York: A Memoir of No Wave and the Women Who Shaped the Scene, will be released in early 2026 by Faber & Faber UK.   Thanks to my producer and editor, Lucas Bakker @Iamlucasbakker- whose original music and soundtrack weave the Blue Medicine Journal podcast all together!  

After a week off for the international break, the Kansas City Current headed to San Diego to face the Wave, winning 2-0. Cindy and Nancy talk the latest KC news, the win in San Diego, the upcoming match versus Houston, and more!

Alle Links in den Shownotes. >> Whatever The Weather – Whatever The Weather II (Ghostly International) Wenn ihr wissen wollt, wie ein Album klingt, das eine Durchschnittstemperatur von 12,58° hat, solltet ihr unsere Besprechung von Loraine James neuem Album hören, das mit leicht zittrigen Ambient-Sounds und einer zarten Version von Electronica und reduzierten IDM-Sounds zum Highlight wird. >> Rapt – Until The Light Takes Us (Z Tapes) Folk-Musik, die sich trotz eines tropischem Ersteindrucks vorrangig in den gespenstischen Nebelkulissen unbewohnter Dörfer der Vergangenheit aufhält. Bauen wir hier Sandburgen oder leben wir doch lieber in alten Steingemäuern? >>Raisa K – Affectionately (15 love) Für solche Alben steht man morgens noch auf. Leicht vom Schuss aufgeführter Pop-nicht-Pop. Leicht verhangene Melodie-Experimente. Musik so reich an Möglichkeiten und trotzdem entscheidet sich die Micachu-Komplizin immer für den charmanten Umweg. >> Cloakroom - Last Leg of the Human Table (Closed Casket Activities) Wackelige Soundwände groß wie Wolkenkratzer, Shoegaze aus dem Lehrbuch, Pop-Punk-Melodien und dann klopft auch noch Weezer an. Was will dieses Album von uns? Und können wir ihm das auch wirklich geben? Wir sind unterschiedlicher Meinung. >> YHWH Nailgun - 45 Pounds (AD93) 21 Minuten High-Speed-Gefrickel zwischen hibbeligem Math Rock, No Wave und Industrial. Zeit für Pausen hat das kurze, wuchtige Debüt der New Yorker nicht. Wir reviewen außerdem neue Musik von Building Instruments, Josi Devil, Blockhead, The Murder Capital, Saeko Killy, Maria Teriava uvm. **Setlist:** - [00:00:00] Intro + Zuletzt gehört: Mobbs/Susu Laroche und Jean Richie - [00:03:39] **Whatever The Weather // Whatever The Weather II (Ghostly International)** - [00:10:36] Playlist Part 1: Building Instrument, Josi Devil, The Murder Capitol, Cara Carpaccio - [00:15:54] **Rapt // Until The Light Takes Us (Z-Tapes)** - [00:24:35] **Raisa K // Affectionately (15 love)** - [00:30:34] Playlist Part 2: Maria Teriava, Library L'amour, Bandler Ching, Blockhead - [00:35:53] **Cloakroom // Last Leg Of The Human Table (Closed Casket Activities)** - [00:43:19] **YHWH Nailgun // 45 Pounds (AD93)** - [00:49:47] Playlist Part 3: Saeko Killy, D Stone, Lost Desert, Boldy James - Jetzt auf Spotify abonnieren. Neue Songs für die Playlist: Whatever The Weather - 3° Building Instrument - Saunte Josi Devil - Make It Better The Murder Capital - Love of Country Cara Carpaccio - Im Weltraum (576000003579 Jahre) Rapt - I Will Be My End Raisa K - FInal Generations Maria Teriava - What Is To Be Done Library L'amour - Deux Mains Bandler Ching - P'tit Île Blockhead - Oh Deer Cloakroom - Bad Larry YHWH Nailgun - Castrato Raw (Fullback) Saeko Killy – Jede Farbe D Stone - Banggg Lost Desert - Saudade Boldy James & Chuck Strangers - Unapologetic

This week I was joined by Jeremy Hunt for a fun conversation around his lates book, "From Chaos to Ambiguity: A Theology of Noise Rock". It is not often that I get to nerd out about my love for music and my love for theology in the same conversation! We take a deep dive into the history of Punk to No Wave to Noise Rock. We discuss the power of music and sound and Jeremy weaves in a deep theology of presence and creativity. Radical Theology & Process Theology also find their way into the conversation as always... Enjoy! RESOURCES: From Chaos to Ambiguity: A Theology of Noise Rock (Book) QOHELETH (Band Camp) *A special thanks to Josh Gilbert, Marty Fredrick, and Dan Koch. Love you guys

Let's get avant-garde and abstract - it's time to throw it back to 1970s downtown New York City for this week's Top 5 countdown. Dave Hanratty and Sonic Architect Adam Shanahan know next-to-nothing about this genre, so thankfully they have Dublin-based roustabout Skinner on board to take them through it. The multi-instrumentalist is fresh off tour in support of his debut album New Wave Vaudeville, which gets the official NO ENCORE 'go listen to this right after the podcast' seal of approval. ACT ONE (6:47): Skinner talks New Wave Vaudeville and falls prey to some impromptu quickfire quizzing. ACT TWO (33:02): This week's news section takes in the Oscars, Drake and Travis Scott witnessing John Cena's shocking heel turn, FIFA going full Super Bowl, ultra-brief Choice Prize chat, questionable auction items, and Dave's Sonic Challenge. ACT THREE (1:10:36): Top 5 No Wave.-Follow Skinner on Instagram Listen to New Wave Vaudeville on Bandcamp / Spotify / Apple Music Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Meg investigates the twisted tale of lemur enthusiast Professor John Buettner-Janusch. Jessica follows the star-studded origins of the club hit The Dominatrix Sleeps Tonight.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

In Episode #210 of The XS Noize Podcast, host Mark Millar speaks with Irish No-Wave Provocateur Skinner about his debut album, New Wave Vaudeville. Skinner kicks off 2025 with the release of his highly anticipated debut album, New Wave Vaudeville. The project of Dublin-based multi-instrumentalist, singer, and producer Aaron Corcoran, Skinner draws inspiration from the New York No Wave scene of the late '70s and early '80s. New Wave Vaudeville pays homage to the eclectic "New Wave Vaudeville" music variety freak show at New York's 57 Club from 1978 to 1983. Known for its unrestrained art performances and debaucherous energy, the 57 Club offered a wild counterpoint to the growing commercialization of modern culture—a spirit perfectly mirrored in the rambunctious and free-spirited sound of Skinner's debut collection. In this episode, Skinner discusses the writing and recording process behind New Wave Vaudeville, his upcoming shows, and much more. Listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, John Lydon, Bernard Butler, Steven Wilson, Midge Ure, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, The Brand New Heavies, Villagers, and many more.  

Chapter 1 What's No Wave by Thurston Moore"No Wave" by Thurston Moore is a profound exploration of an avant-garde music movement that emerged in New York City during the late 1970s. Characterized by its experimentalism, No Wave rejected the conventions of traditional rock and punk, opting instead for dissonance, noise, and a radical approach to sound. The genre was notably influenced by the harsh urban environment of New York, corresponding with the socio-political turmoil of the time. Artists associated with No Wave, such as Sonic Youth, Swans, and James Chance, embraced elements of free jazz, minimalism, and punk, creating an abrasive and confrontational experience.Throughout the text, Moore illustrates how No Wave was more than just a musical genre; it was also a cultural movement that intertwined visual art, film, and performance. He brings attention to key venues like CBGB and The Kitchen where No Wave artists showcased their work, and mentions the collaborative spirit among musicians, which was essential for the movement's evolution. The book maintains that No Wave's legacy continues to influence contemporary music and art, illustrating its lasting impact on the creative landscape.Chapter 2 No Wave by Thurston Moore Summary"No Wave" is a musical movement and artistic style that emerged in the late 1970s in New York City, characterized by its avant-garde approach to punk rock. It sought to break away from the conventional structures and sounds of typical rock music by incorporating dissonance, noise, and unorthodox performance styles. In his exploration of No Wave, Thurston Moore, the guitarist and vocalist of the iconic band Sonic Youth, reflects on the genre's influence on music and art. Moore emphasizes the genre's raw, experimental nature and its rejection of traditional melodies and harmonies. Bands associated with No Wave, such as Swans, DNA, and Mars, utilized feedback, atonality, and unconventional song structures to challenge listeners and redefine what music could be.The movement was not merely musical; it also encompassed visual art and performance, bringing together artists like Jean-Michel Basquiat and performance artist Laurie Anderson. Moore discusses how No Wave represented a response to both the commercialization of the music industry and the cultural dynamics of New York City during that era, highlighted by tensions around race and politics. In summary, Moore's insights reflect a deep appreciation for the No Wave movement as a pivotal point in the evolution of experimental music, underscoring its legacy as a profound influence on future genres and artists who continue to push the boundaries of sound.Chapter 3 No Wave AuthorThurston Moore is an American musician, songwriter, and author, best known as the guitarist and co-founder of the influential alternative rock band Sonic Youth. He is a prominent figure in the underground music scene and has played a significant role in the development of the No Wave movement, which emerged in downtown New York City in the late 1970s. No Wave Book DetailsRelease Date: Thurston Moore's book, titled "No Wave", was released on August 21, 2018. This book delves into the No Wave music scene, detailing its evolution and significance. Other Books by Thurston Moore"Confusion is Next" (1998) A book that explores the history of Sonic Youth and the underground music scene."The Best Day" (2015) This book captures Moore's thoughts and insights on music and life."Scene History" (2014) A unique exploration of the connections between punk rock, poetry, and art."Sonic Youth: The Very Best of" (2020) This work includes various written pieces about the band's impact and legacy. Best EditionIn terms of editions, "No Wave" is considered particularly significant due to its in-depth analysis and visual documentation of a crucial music movement, making it...

While Lydia and Tim have been busy on their respective tours, finding time to record new episodes has been challenging. In the meantime,  take a trip down memory lane revisiting a memorable moment from the early days. Shortly after arriving in Los Angeles in January of 2019, Lydia and Tim sat down with the legendary burlesque star and actress, Kitten Natividad. In this candid conversation, Kitten shares how she transitioned from a conventional career to burlesque, her experiences with director Russ Meyer, and her fond memories of Tom Selleck and Sean Penn's bachelor party. Sadly, in 2022, Kitten passed away. welcomed Lydia and Tim into her home as they navigated the early challenges of podcasting. She was cheerful, whip smart, and very very funny.  

In today's episode, Jacob, a physicist specializing in quantum mechanics, explores groundbreaking ideas on measurement, the role of probabilistic laws, and the foundational principles of quantum theory. With a focus on interdisciplinary approaches, Jacob offers unique insights into the nature of particles, fields, and the evolution of quantum mechanics. New Substack! Follow my personal writings and EARLY ACCESS episodes here: https://curtjaimungal.substack.com SPONSOR (THE ECONOMIST): As a listener of TOE you can get a special 20% off discount to The Economist and all it has to offer! Visit https://www.economist.com/toe LINKS MENTIONED: - Wigner's paper ‘Remarks on the Mind-Body Question': https://www.informationphilosopher.com/solutions/scientists/wigner/Wigner_Remarks.pdf - Jacob's lecture on Hilbert Spaces: https://www.youtube.com/watch?v=OmaSAG4J6nw&ab_channel=OxfordPhilosophyofPhysics - John von Neumann's book on ‘Mathematical Foundations of Quantum Mechanics': https://amzn.to/48OkeVj - The 1905 Papers (Albert Einstein): https://guides.loc.gov/einstein-annus-mirabilis/1905-papers - Dividing Quantum Channels (paper): https://arxiv.org/pdf/math-ph/0611057 - Sean Carroll on TOE: https://www.youtube.com/watch?v=9AoRxtYZrZo - Scott Aaronson and Leonard Susskind's paper on ‘Quantum Necromancy': https://arxiv.org/pdf/2009.07450 - Scott Aaronson on TOE: https://www.youtube.com/watch?v=1ZpGCQoL2Rk - Leonard Susskind on TOE: https://www.youtube.com/watch?v=2p_Hlm6aCok - Ekkolapto's website: https://www.ekkolapto.org/ TIMESTAMPS: 00:00 - Introduction 01:26 - Jacob's Background 07:32 - Pursuing Theoretical Physics 10:28 - Is Consciousness Linked to Quantum Mechanics? 16:07 - Why the Wave Function Might Not Be Real 20:12 - The Schrödinger Equation Explained 23:04 - Higher Dimensions in Quantum Physics 30:11 - Heisenberg's Matrix Mechanics 35:08 - Schrödinger's Wave Function and Its Implications 39:57 - Dirac and von Neumann's Quantum Axioms 45:09 - The Problem with Hilbert Spaces 50:02 - Wigner's Friend Paradox 55:06 - Challenges in Defining Measurement in Quantum Mechanics 01:00:17 - Trying to Simplify Quantum for Students 01:03:35 - Bridging Quantum Mechanics with Stochastic Processes 01:05:05 - Discovering Indivisible Stochastic Processes 01:12:03 - Interference and Coherence Explained 01:16:06 - Redefining Measurement and Decoherence 01:18:01 - The Future of Quantum Theory 1:24:09 - Foundationalism and Quantum Theory 1:25:04 - Why Use Indivisible Stochastic Laws? 1:26:10 - The Quantum-Classical Transition 1:27:30 - Classical vs Quantum Probabilities 1:28:36 - Hilbert Space and the Convenience of Amplitudes 1:30:01 - No Special Role for Observers 1:33:40 - Emergence of the Wave Function 1:38:27 - Physicists' Reluctance to Change Foundations 1:43:04 - Resolving Quantum Mechanics' Inconsistencies 1:50:46 - Practical Applications of Indivisible Stochastic Processes 1:57:53 - Understanding Particles in the Indivisible Stochastic Model 2:00:48 - Is There a Fundamental Ontology? 2:07:02 - Advice for Students Entering Physics 2:09:32 - Encouragement for Interdisciplinary Research 2:12:22 - Outro TOE'S TOP LINKS: - Support TOE on Patreon: https://patreon.com/curtjaimungal (early access to ad-free audio episodes!) - Listen to TOE on Spotify: https://open.spotify.com/show/4gL14b92xAErofYQA7bU4e - Become a YouTube Member Here: https://www.youtube.com/channel/UCdWIQh9DGG6uhJk8eyIFl1w/join - Join TOE's Newsletter 'TOEmail' at https://www.curtjaimungal.org Other Links: - Twitter: https://twitter.com/TOEwithCurt - Discord Invite: https://discord.com/invite/kBcnfNVwqs - iTunes: https://podcasts.apple.com/ca/podcast/better-left-unsaid-with-curt-jaimungal/id1521758802 - Subreddit r/TheoriesOfEverything: https://reddit.com/r/theoriesofeverything #science #sciencepodcast #physics Learn more about your ad choices. Visit megaphone.fm/adchoices

The Untold Story of Sheer Smegma/Teddy and the Frat GirlsJoin us as we uncover the untold story of Sheer Smegma/Teddy and the Frat Girls, Florida's pioneering all-female punk/no wave band from West Palm Beach! Spam Ax shares personal stories and reflections on the band's early days, influences, and South Florida punk scene of the late 70s and early 80s. [Recorded on 09/29/2024]☞ Follow Florida Sound Archive on Instagram! @floridasoundarchive ☞ Please SUBSCRIBE to the channel and give the video a thumbs up if you enjoy the contentConnect with Teddy and the Frat GirlsInstagram @teddyandthefratgirls...Related Episodes:The Story of Charlie Pickett - https://youtu.be/-geZ4dTJEG8

Thurston Moore is one of the most famous names in rock. With Kim Gordon and Lee Ronaldo, he formed Sonic Youth, one of the definitive art rock bands... yes, ART rock. Sonic Youth album covers famously spotlighted artists, from Gerhard Richter's candle on the cover of 1988's Daydream Nation to Raymond Pettibon's cartoon couple on the cover of 1990's Goo to Mike Kelley's stuffed animal on the cover of 1992's Dirty to Marnie Weber's collage for 1998's A Thousand Leaves. Well, now Moore is back, putting out a new dreamy solo album titled Flow Critical Lucidity, and true to form, the cover is another literal work of art: a photo of a sculpture of what appears to be metal helmet, studded with tuning forks. This is a work called Samurai Walkman, by the artist Jamie Nares. Nares is a figure of major cachet herself. She only just had a film retrospective at the Museum of Modern Art here in New York in the summer. Back in 2020, her fantastic 2011 video Street was the first film to be projected on the exterior of the Metropolitan Museum of Art—Thurston Moore, in fact, did the soundtrack to that film. Nares and Moore have a fruitful history of collaboration together, having both come up in the chaotic, experimental No Wave scene of the 1970s, and this week they join Ben Davis on the podcast to discuss. We're also thrilled to announce the launch of Art Market Minute, our new micro-podcast, hosted by news editor Margaret Carrigan. It offers a weekly snapshot of essential art market news, expertly compiled by the Artnet PRO editorial team. You can find it wherever you get your podcasts every Monday.

Pat Irwin is a musician and composer based in Long Island City. He was a significant figure in New York City's No Wave music scene during the 70s and 80s and later toured and recorded with The B-52s for many years. Pat has also enjoyed a successful career as a composer for film and television, scoring well-known projects such as "SpongeBob SquarePants," "Rocko's Modern Life," "Dexter: New Blood," and "Nurse Jackie." His current band, Suss, recently released an album called Birds and Beast and has upcoming tour dates scheduled. In this episode, Pat reflects on his extensive music career in New York City, discusses the importance of creative spaces and artistic collaboration, and shares advice for young musicians looking to break into today's music industry. Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network. Subscribe: https://podcasts.apple.com/us/podcast/the-big-life-nyc-with-roderick-angle/id1727438279 Watch: https://www.youtube.com/playlist?list=PL7_x00Dbn3ORngtNAnic4FcRQGTRmG7R2 Connect with Roderick Angle: https://www.bhsusa.com/real-estate-agent/roderick-angle Connect with Pat Irwin: https://patirwinmusic.com/ https://www.sussband.com/ https://www.instagram.com/patirwin100percent https://www.facebook.com/PatIrwinMusic Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida. https://bhsusa.com/ #thebiglifenyc #roderickangle #archtiecture #NYChistory

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Julia Gorton is one of the great photographers who captured and documented the New York music scene of the late 70s and early 80s with Punk, New Wave and No Wave artists thriving in an amazing simultaneous world.  We discuss the music scene, fellow photographers, and much more.  Julia's recent (and fantastic) book Nowhere New … Continue reading "Episode 112: Julia Gorton (Music Photography)" The post Episode 112: Julia Gorton (Music Photography) first appeared on A Photojournalism Podcast for Everyone.

El primer tramo del episodio de hoy lo pasamos con un disco que ya podríamos considerar un clásico del garaje ibérico, sí es que existe algo como eso. “Vivir sin civilizar” se editó en 1992, el álbum de debut de unos jóvenes Doctor Explosion que acaba de ser reeditado con unos cuantos retoques y mejoras. Es la excusa perfecta para conseguir juntar a sus tres integrantes originales, Jorge, Felix y Varo, para que nos recuerden aquellos tiempos en primera persona. En el segundo tramo del episodio dejamos un pequeño homenaje para el fallecido James Chance, el gran icono de la No Wave neoyorquina.Playlist;DOCTOR EXPLOSION “Sigue siendo cruel” (Vivir sin civilizar)DOCTOR EXPLOSION “Vivir sin civilizar” (Vivir sin civilizar)DOCTOR EXPLOSION “Vende tu corazón” (Vivir sin civilizar)DOCTOR EXPLOSION “La esclava” (Vivir sin civilizar)DOCTOR EXPLOSION “Muévete en el tren” (Vivir sin civilizar)DOCTOR EXPLOSION “Ha ha ha” (Vivir sin civilizar)DOCTOR EXPLOSION “Las manos en el pantalón” (Vivir sin civilizar)JAMES CHANCE and THE CONTORTIONS “Contort yourself” (Buy, 1979)JAMES CHANCE and THE CONTORTIONS “Jailhouse rock (live 1978)”Versión y Original; ELVIS PRESLEY “Jailhouse rock” (1957)Escuchar audio

The month of March kicks off TNT's deep dive into our next record label, London's own Soul Jazz Records. To start this series off, Thanh + Tim are talking about a compilation that features no wave, post-punk, mutant disco, and avant-funk all in one! Contort yourself along with us as we dig into 2003's “New York Noise: Dance Music from the New York Underground 1978-1982.”

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

The cassette tape was revolutionary. Cheap, portable, and reusable, this small plastic rectangle changed music history. Make your own tapes! Trade them with friends! Tape over the ones you don't like! The cassette tape upended pop culture, creating movements and uniting communities. High Bias: The Distorted History of the Cassette Tape (UNC Press, 2023) charts the journey of the cassette from its invention in the early 1960s to its Walkman-led domination in the 1980s to decline at the birth of compact discs to resurgence among independent music makers. Scorned by the record industry for "killing music," the cassette tape rippled through scenes corporations couldn't control. For so many, tapes meant freedom--to create, to invent, to connect. Marc Masters introduces readers to the tape artists who thrive underground; concert tapers who trade bootlegs; mixtape makers who send messages with cassettes; tape hunters who rescue forgotten sounds; and today's labels, which reject streaming and sell music on cassette. Their stories celebrate the cassette tape as dangerous, vital, and radical. Marc Masters is a music journalist whose work has appeared on NPR and in the Washington Post, Pitchfork, Rolling Stone, and Bandcamp Daily. He is also the author of No Wave. Marc Masters on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

In this episode of MFM Speaks Out, Dawoud Kringle comes out of retirement to present a 2023 retrospective. We will share some of the content we brought to you in 2023, and  enjoy a few other surprises as well.   Our guest for the January episode was Haana.  Haana is a violinist, vocalist, electronic music artist, visual performer, and entirely self-contained as a one-woman orchestra. She played with Kanye West, and Alvin Ailey, as well as festivals such as Joshua Tree Festival and Coachella and others in the US, Canada, UAE, and Australia, Barack Obama's inaugural ball, and at Michael Jordan's wedding. Haana has endorsement deals with Ableton, Native Instruments, Even Headphones (manufactured by Blue Microphones), and Realist Violins. She appeared in ads for Intel, Harvey Nichols, Nike, Ferrari, and Apple Computers. In addition, she has experience as a film composer and does artist mentorship/marketing, branding, and production consultation.  In February, MFM board member and co-producer of this very podcast Adam Reifsteck joined us for a very fascinating discussion. Adam is a New York-based composer, electronic music artist, producer, entrepreneur, and music activist. He writes for small ensembles, produces electronic music, and performs improvised group compositions on Wi-Fi-connected laptops. He has collaborated with string quartets, university choirs, and visual and electronic artists. His approach to composition includes elements of improvisation. He is a recipient of grants from the Lower Manhattan Cultural Council, the Irving S. Gilmore Foundation, and the Kalamazoo (MI) Community Foundation. His music has been performed by the Attacca Quartet, Amernet String Quartet, Cadillac Moon Ensemble, Duquesne University Chamber Singers, Flutronix, Gaudete Brass Quintet, Mana Saxophone Quartet, Western Michigan University Chorale, and many other ensembles. Adam is also an active recording engineer and producer whose studio alias SONIC FEAR has become synonymous with lush, genre-bending sounds—from dance floor-ready tracks to downtempo meditations. He is the founder and CEO of Teknofonic Recordings, an independent record label and artist development platform providing electronic musicians with learning resources, networking opportunities, and career support. Adam holds a master's of music degree in composition from Western Michigan University and a bachelor's of music in music technology from Duquesne University. He is a member of Broadcast Music Inc., the Society of Composers and Lyricists, the Recording Academy, the Audio Engineering Society, and Musicians for Musicians. Our March episode was a landmark. We interviewed Keyna Wilkins, the first MFM member from Australia. Wilkins holds a Master of Music Composition at Sydney Conservatorium, studied composition, classical and jazz piano, and classical flute with several prestigious instructors, and intuitive conceptual improvisation with Tibetan Buddhist musician Tenzin Cheogyal. holds an MA in Flute Performance at Bristol University (UK) in 2008. She is known as a soloist and leader of cutting-edge ensembles and has written over 60 compositions, including 4 major orchestral works. Her works have been commissioned and/or performed by ensembles such as The Metropolitan Orchestra, Syzygy Ensemble, Elysian Fields, The Sydney Bach Society, and many others. She has released 9 albums of original music on all streaming platforms including 4 solo albums. Wilkins is also an Associate Artist with the Australian Music Centre and has five tunes in the Australian Jazz Realbook. She also writes music for films and theatre including the short film "Remote Access" which won Best Short Film at the Imagine This International Film Festival in New York in 2019 and her works are featured on ABC, Triple J, Fine Music FM, Cambridge Radio, SOAS London and many more. Her music is published by Wirripeng and she is a member of Musicians for Musicians. MFM member Sylvian Leroux was our guest in April. Sylvian is a flutist, saxophonist, guitarist, composer, arranger, bandleader, educator, inventor, and prominent member of Musicians for Musicians.  Sylvain Leroux grew up in Montreal where he studied classical flute at Vincent d'Indy; and improvisation and composition in New York at the Creative Music Studio where he attended classes by luminaries Don Cherry, the Art Ensemble of Chicago, Karl Berger, Cecil Taylor, and many others. A pioneer of African/Jazz collaborations, Sylvain is a foremost player of the Fula flute, the traditional flute from Guinea. He was selected as “Rising Flute Star” by the Downbeat Magazine Critics' Poll for many years, achieving the #2 spot in 2019. As a bandleader, he brought traditional West African music to Zankel Hall with his Fula Flute Ensemble and held the fort for more than a decade at New York City's Zinc Bar with his African Jazz group “Source”. His 2002 CD “Fula Flute" achieved cult status, and stimulated a worldwide interest in the instrument. His 2012 album “Quatuor Creole” was hailed as “a perfect contemporary music release.” He curated New York's “Griot Summits” which featured performances by 25 West African griots from five countries. He has performed and recorded with Emeline Michel, Adam Rudolph, Karl Berger, Hassan Hakmoun, Billy Martin, and many West African stars. As a maker and seller of Fula flutes around the world, he invented and patented the Qromatica, a Fula flute capable of chromatic functionality. This led him to initiate "L'ecole Fula Flute", a music literacy project that graduated many excellent young flutists who are now re-energizing an endangered flute tradition. Our May 2023 episode featured Mark Chimples, a.k.a. Mark C. Mark is the guitarist and synthesizer player with Live Skull. Formed in 1982, Live Skull is considered by many aficionados to be the quintessential New York City noise band. Rising concurrently with bands such as Sonic Youth and Swans, Live Skull helped define the post-No Wave underground "noise rock" in the 1980s music scene in New York City. Over the following decades, Live Skull released five albums and three EPs with a rotating cast of 11 members, all of whom added new ideas to the group's evolving sound. Themes of struggle and chaos permeated and inspired their music. Their constant progression inspired New York Times critic Robert Palmer to call them “as challenging, as spiritually corrosive, and ultimately as transcendent as Albert Ayler's mid-'60s free-jazz or the implacable drone-dance of the early Velvet Underground. It's one of the essential sounds of our time." Music on this episode:Haana - Bison RougeAdam Reifsteck / Sonic Fear - AuroraKeyna Wilkins - Floating in SpaceSylvain Leroux - In Walked BudLive Skull - Party ZeroSpaghetti Eastern - Jungle BlueArturo O'Farrill and the Afro Latin Jazz Orchestra - Amidst the Fire and WhirlwindDave Liebman - Journey Around Truth  SoSaLa - Dadada Dadada DaaDawoud Kringle - Keep Trying CreditsProducer and host: Dawoud KringlePublisher: Musicians For Musicians (MFM), Inc. and Sohrab Saadat LadjvardiTechnical support: Adam ReifsteckLinksBe sure to follow and tag MFM on Facebook ([https://www.facebook.com/M4M.org/] and Instagram (https://www.instagram.com/mfm_association/).

2 hours on 2 super influential labels from early 80s New York City: 99 Records and Neutral Records.Playlist here: https://spinitron.com/WRFI/pl/18247299/Searching-For-A-Thread

This week Josh and Drusilla are joined by writer Shawn C. Harris to discuss the James Bond III 90s vampire film, Def by Temptation (1990.) From wiki: “Def by Temptation is a 1990 American horror film that was written, produced, and directed by James Bond III; and stars Cynthia Bond, Kadeem Hardison, Samuel L. Jackson, and Bill Nunn.” The film takes place in New York City in 1990. Drusilla watched Celine and Julie Go Boating, Josh watched Killers of the Flower Moon, Shawn loves Blue Eyed Samurai, and Josh is loving The Curse. Also discussed: trans identity in period pieces, Troma films, Vegas in Space, Kadeem Hardison, Spike Lee, AIDs, Eazy-E, fashion, No Wave, Frank Capra, new jack swing, swing music, nut allergies, succubus movies, Demi Lovato, and more. NEXT WEEK: Hellraiser (1987)Website: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel

Olá, pessoal! Neste episódio vamos falar de um disco muito querido do podcaster: Entertainment (1979)!‌Em 1976, formava-se uma das bandas que, em meio ao cenário punk, iriam definir a sonoridade - ou uma das muitas sonoridades - do universo do pós-punk. O Gang of Four lançou seu primeiro álbum, Entertainment, em 79, já dois ou três anos depois das estreias de Sex Pistols, The Clash, Ramones e do Blank Generation de Richard Hell and the Voivoids. Também mais de 5 ou 6 anos depois de New York Dolls e do Glam, alguns anos depois de Horses da Patti Smith e mais de 10 anos depois das bandas do proto-punk, como The Stooges, Velvet Underground e MC5 sacudirem o mundo do #rock e nublarem o mundo colorido dos anos 60.‌Mesmo anos depois de tudo isso, junto com Fear of Music (do Talking Heads de David Byrne), Metal Box PiL (de Johnny Rotten, ex-Sex Pistols), ou mesmo Y (do The Pop Group, banda experimental representante inglesa da chamada No Wave), Entertainmen revolucionou o rock e o punk, colocando outros estilos como funk, disco, dub e dance no caldo do punk. Foi um dos discos definidores de uma das muitas sonoridades do pós-punk subsequente.Influenciou muitas cenas posteriores, de Red Hot Chilli Peppers a U2, Nirvana, Fugazi a INXX, Franz Ferdinand, Rage Against the Machine. No Brasil, Titãs, Paralamas, Legião ou mesmo bandas do cenário mais underground do pós-punk, como Smack. Muitas bandas bem diferentes em seus estilos manifestaram essa influência.O caldo, o creme do podcast está na análise das letras e da poética fina da banda. Fina e punk, sofisticada e punk. Gang of Four mostrou que isso é possível. Suas letras eram politizadas, mas não recheadas de citações a história e invocações à luta como o The Clash, nem cuspindo impropérios contra a monarquia e o status quo, como o Sex Pistols e sua fúria anarquista. O Gang of Four sempre esteve mais interessado em colocar a política sob um verniz menos direto, mas ao mesmo tempo escancarado em uma poética que refletia uma sociedade do espetáculo doente, em que o fetichismo exacerbado da indústria cultural e do entretenimento criavam uma espécie de disfuncionalidade nas relações afetivas, pessoais e amorosas.Bora dar o play!Segue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH

One of the most innovative and iconic bands really gets the ball rolling - and leans hard on some under appreciated bandmates. And the kings of New Wave work some black magic on it. Psycho Killer, originally by Talking Heads, covered by Duran Duran featuring Victoria De Angelis.  In honor of David Byrne's French accent, outro music is Prisencolinensinainciusol, by Adriano Celentano. He's an Italian musician who wrote and performed the song to sound English, even though it has no actual English in it. Because he had big ideas too.

In June of 1987 Sonic Youth released their 4th studio album. The band continues their transition from No Wave to more traditional song structures but not ones to shy away from the avant-garde, the album is a loose concept record, the title itself is a reference to author Philip K. Dick's fraternal twin who died shortly after birth, and who's spirit haunted Dick for the rest of his days. Lets talk Sonic Youth, Sister!

Support Night Clerk Radio on Patreon We love the concept of lost media that never existed. In this episode, we're checking out two albums that present themselves as soundtracks or music to movies that never were. One album is the “restored” soundtrack to a lost horror movie, while the other skates by on a technicality because I love SWANS and never thought we would get to talk about them.Albums DiscussedThe Satan Complex by Gavino MorrettiSoundtracks For The Blind by SWANS CreditsMusic by: 2MelloArtwork by: Patsy McDowellRoss on TwitterBirk on TwitterNight Clerk Radio on Twitter

No Wave & Electronic on location @BURN2 'fest audio / playlist http://feeds.feedburner.com/RadioTroubleArchives

Host Nate Wilcox welcomes Eugene S. Robinson to discuss his new memoir "A Walk Across Dirty Water and Straight Into Murderer's Row" which covers his live during the period he went from dancing at Studio 54, playing saxophone in a New York no wave band to leading NorCal hardcore band Whipping Boy and that band's evolution into a post-hardcore noise rock band that would ultimately become Oxbow. Buy the book and support the show. CHECK OUT THE NEW LET IT ROLL WEB SITE -- We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please sign up for the email list on the site and get music essays from Nate as well as (eventually) transcriptions of every episode. Also if you can afford it please consider becoming a paid subscriber to support the show. Thanks! Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.com Follow us on Twitter. Follow us on Facebook. Let It Roll is proud to be part of Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Manchester underground music icon Harry Stafford (Inca Babies) and US-based trash blues guitarist Marco Butcher present 'The Rules of the House', the second taster of their forthcoming album 'We Are The Perilous Men', out in early September via Black Lagoon Records. Directed by Harry Stafford with camera work by Marco Butcher and Jonny Stafford, the accompanying video was filmed in Wales and North Carolina in 2023. On this track, Marco shows what a total stone rocker he is, with foot to the floor guitars and drums. Harry adds the story, which was inspired by a terse publican's list of ruleson the specials blackboard. Harry Stafford says, "I don't remember them all, but 'get a round in' was definitely one of them". Marco Butcher adds, "Rules of the House is a diabolical and swampy kind of song, mixing some sort of very solid groove with over-the-edge 'No Wave' type of guitars, cutting and dancing with the rhythm". This single follows the lead track 'Walk Among The Spectres', which explores our own fragile mortality, the video for which was filmed in the expansive Southern Cemetery in Didsbury South Manchester, which dates back to 1700 and was used throughout the Victorian era. Now a public park, people are invited to wander among the tombstones... to literally Walk among the Spectres. Following the resounding triumph of their 'Bone Architecture' album in 2021, the duo present the second chapter of this exploration, upholding their lockdown-inspired tradition of sending ideas back and forth between North Carolina and Manchester. Creating this album unconsciously - perhaps even telepathically - their musical connection has ignited this album with an infectious energy and spirit. Based in North Carolina, Brazil-raised trash blues guitarist Marco Butcher (Jam Messengers, Jesus and the Groupies) provides a solid backbeat, jumping with a frenetic rhythm. This foundation ranges from a mess of blues to a stumbling electro beat with Dwayne Eddie funeral guitar. His forays into dance and Hip hop see him mess with the rhythmic DNA, often inspiring the creation of a new dance shuffle at will. On August 19, 'The Rules of the House' will be available from fine music platforms, including Spotify, Apple Music and Bandcamp. The full album 'We Are The Perilous Men' will be released on September 8 and will be available on black vinyl, as well as digitally.

A little runthrough of minimal synth and twilight post punk.Playlist here: https://spinitron.com/WRFI/pl/17755912/Searching-For-A-Thread

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On this episode, I think I've perfected my system.  It's all about less randomness.  Planning things, thinking about things.  It all comes together in this episode where there's all sorts of thoughts and feelings.  That's what people want.  Emotion. Support the showhunchbunny.com

The notorious No Wave band Red Transistor didn't actually release anything in their short existence—but their posthumous single "Not Bite" / "We're Not Crazy," recorded in 1977 but released by Thurston Moore's Ecstatic Peace label in 1990. The single showcases how ahead of their time this chaotic noise punk band was, both in the cutting riffs, repetition, and rants of Rudolph Grey and Von Lmo and their legendarily destructive shows in which little on stage survived.Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Last month, Dix Denney, co-founder and bassist for the Los Angeles punk rock band The Weirdos, passed away. A couple of years ago, Weasel Walter and Lydia sat down with his brother John for an interview, which we are sharing with you today. John, along with his brother Dix, founded The Weirdos in 1975, and the band is considered one of the most important LA punk bands of all time. The band released the iconic albums Destroy All Music and We've Got the Neutron Bomb in the late 1970s. John and Dix helped shape the early Los Angeles punk scene with The Weirdos' sound, which blended punk, garage rock, and surf music.

Julia Gorton in conversation with David Eastaugh http://www.juliagorton.com/coming-new-products/nowhere-new-york With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos. Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Tonight on the flask at hand podcast we taste some interesting whiskey distilled from 100% oats. Koval from Chicago. It is surprisingly delicious.  Antimatter is the the topic tonight and holy shit, physics and fun ensue. Join us for a really fun night of bosons, fermions and photons as we delve into a world of physics and annihilation. The most expensive and rare substance in the world and why and how it could be the answer to all the earth's problems. Sit back and open your mind because the knowledge wilst flow. And as always thanks for listening! Sip, listen and laugh with us. Cheers! The whiskey: https://www.koval-distillery.com/newsite/ song: Antimatter by NOWAVE https://open.spotify.com/track/2RdXvzQPLq9pdjR3yD9twC?si=83650f67ccad4382

On this special episode, Mike spoke with underground filmmaker and No Wave founder Beth B about her career including her retrospective at the Metrograph as well as the upcoming Kino release of her films.Find out more at http://www.bethbproductions.com/Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

On this special episode, Mike spoke with underground filmmaker and No Wave founder Beth B about her career including her retrospective at the Metrograph as well as the upcoming Kino release of her films.Find out more at http://www.bethbproductions.com/

Best of the underground, week of Feb 21, 2023: We did it! 250 podcasts! Also - destroying each other! This week: Indie Rock vs. No Wave! (All podcasts are on www.hlycrp.com, and you can also follow us on Facebook, Instagram, and Twitter, and Spotify, and Apple Podcasts.)  

  Since the early Eighties Martin Bisi has run Brooklyn's legendary BC Studio  where he has worked on albums with the likes of Sonic Youth, Iggy Pop, Swans, William Burroughs, Helmet, Jim Thirlwell (Foetus) and even Afrika Bambaata.  BC Studio was originally founded in 1979 under the name OAO Studio. Initially Martin was working alongside Bill Laswell and Brian Eno, but by 1983 they had left the partnership and the studio was renamed. Since then, Martin has continued to work with a wide array of artists and styles, from No Wave through to Hip Hop.

Happy holidays! Here is another Christmas special to get you through all the travel and familial tribulations. 

Awesome Siblings Week on Turned Out A Punk continues! Today on the show, arguably one of the most important & extreme artists to emerge from punk, the great KEMBRA PFAHLER! Listen in as Damian sits down with one of his artistic heroes to talk about her incredible journey from Southern California surfer kid to New York City art icon. The Voluptuous Horror Of Karen Black, No Wave, Joe Coleman, the influence of Adam & Jawbreaker, The Screamers, her mom's reaction to “Sewing Circle”, the importance of surfing & tons more: THIS IS NOT TO BE MISSED! Check out Kembra on instagram: @Kembrapfahler_  ! Also, pick up a shirt for this podcast here: turnedoutapunk.com! Also Touched On: sharing process no hierarchy of influence  Jawbreaker is the world's greatest band Blake's gift of a book Rodney's: the good, the bad, the ugly The impact of growing up on the beach The Mad Fred Pfahler: one of the godfathers of California surfing Surfing as the roots of youth culture Meditation Yesterbating: revisiting old work NY Loft Parties The Pyramid Club Samoa parental support  No Wave Lydia Lunch Available-ism Uncle Joe Coleman The Steel Tips & SO MUCH MORE!