Podcast appearances and mentions of James Chance

I dette afsnit af 'Rockhistorier' kigges der, traditionen tro, tilbage på 20 af de største kunstnere, der forlod os i det forgangne år. Henrik Queitsch og Klaus Lynggaard har samlet en divers playliste, med alt fra funkinspirerede intromelodier fra Quincy Jones til Françoise Hardys tårefremkaldende ballader. Værter: Klaus Lynggaard og Henrik QueitschKlip: Kristian VestergaardPlayliste: Quincy Jones: “Theme from ‘Ironside'” (1971) John Mayall & the Bluesbreakers with Eric Clapton: “All Your Love” (Bluesbreakers, 1966)  Kris Kristofferson: ”Casey's Last Ride” (1970)Duane Eddy: “Rebel-‘Rouser” (1958)Phil Lesh/Grateful Dead: “Unbroken Chain” (1974)Sérgio Mendes & Brazil '66: “Batucada” (1968)Preben Devantier/Steppeulvene: “Dunhammeraften” (1967)Christian Sievert: ”Fantasia por seguiriyas” (1976)Françoise Hardy: ”Ma jeunesse fout le camp” (1967) Frankie Beverly/Maze: ”Color Blind” (1977)Melanie: “Lay Down (Candles in the Rain)” (1970)Mary Weiss/The Shangri-La's: “Give Him a Great Big Kiss” (1964)Wayne Kramer & Dennis Thompson/MC5: “Tonight” (1970)Eric Carmen/Raspberries: “Go All the Way” (1972) Johnny Madsen: “Aldrig mere” (2015)Steve Harley/Cockney Rebel: “Tumbling Down” (1974)James Chance & the Contortions: “Contort Yourself” (1979)Karl Wallinger/World Party: “It Is Like Today?” (1993)Steve Albini (født 1962)/Big Black: “Kerosene” (1985)Laura Illeborg (født 1969): ”God vagt” (2007)

Chapter 1 What's No Wave by Thurston Moore"No Wave" by Thurston Moore is a profound exploration of an avant-garde music movement that emerged in New York City during the late 1970s. Characterized by its experimentalism, No Wave rejected the conventions of traditional rock and punk, opting instead for dissonance, noise, and a radical approach to sound. The genre was notably influenced by the harsh urban environment of New York, corresponding with the socio-political turmoil of the time. Artists associated with No Wave, such as Sonic Youth, Swans, and James Chance, embraced elements of free jazz, minimalism, and punk, creating an abrasive and confrontational experience.Throughout the text, Moore illustrates how No Wave was more than just a musical genre; it was also a cultural movement that intertwined visual art, film, and performance. He brings attention to key venues like CBGB and The Kitchen where No Wave artists showcased their work, and mentions the collaborative spirit among musicians, which was essential for the movement's evolution. The book maintains that No Wave's legacy continues to influence contemporary music and art, illustrating its lasting impact on the creative landscape.Chapter 2 No Wave by Thurston Moore Summary"No Wave" is a musical movement and artistic style that emerged in the late 1970s in New York City, characterized by its avant-garde approach to punk rock. It sought to break away from the conventional structures and sounds of typical rock music by incorporating dissonance, noise, and unorthodox performance styles. In his exploration of No Wave, Thurston Moore, the guitarist and vocalist of the iconic band Sonic Youth, reflects on the genre's influence on music and art. Moore emphasizes the genre's raw, experimental nature and its rejection of traditional melodies and harmonies. Bands associated with No Wave, such as Swans, DNA, and Mars, utilized feedback, atonality, and unconventional song structures to challenge listeners and redefine what music could be.The movement was not merely musical; it also encompassed visual art and performance, bringing together artists like Jean-Michel Basquiat and performance artist Laurie Anderson. Moore discusses how No Wave represented a response to both the commercialization of the music industry and the cultural dynamics of New York City during that era, highlighted by tensions around race and politics. In summary, Moore's insights reflect a deep appreciation for the No Wave movement as a pivotal point in the evolution of experimental music, underscoring its legacy as a profound influence on future genres and artists who continue to push the boundaries of sound.Chapter 3 No Wave AuthorThurston Moore is an American musician, songwriter, and author, best known as the guitarist and co-founder of the influential alternative rock band Sonic Youth. He is a prominent figure in the underground music scene and has played a significant role in the development of the No Wave movement, which emerged in downtown New York City in the late 1970s. No Wave Book DetailsRelease Date: Thurston Moore's book, titled "No Wave", was released on August 21, 2018. This book delves into the No Wave music scene, detailing its evolution and significance. Other Books by Thurston Moore"Confusion is Next" (1998) A book that explores the history of Sonic Youth and the underground music scene."The Best Day" (2015) This book captures Moore's thoughts and insights on music and life."Scene History" (2014) A unique exploration of the connections between punk rock, poetry, and art."Sonic Youth: The Very Best of" (2020) This work includes various written pieces about the band's impact and legacy. Best EditionIn terms of editions, "No Wave" is considered particularly significant due to its in-depth analysis and visual documentation of a crucial music movement, making it...

Here is a playlist that comes out when one puts a vast range of musical styles in a blender a blender, from Malian music to folk, from krautrock and post-punk, to the manic energy of James Chance or early Talking Heads. A special focus on the recent projects of musicians that are about to come to Brooklyn for an International Anthem showcase at Public Records: Anna Butterss, Jeff Parker, Josh Johnson, Jeremiah Chu, Gregory Uhlmann, and more. The playlist features also Pédro Kouyaté and the Orchestre Tout Puissant Marcel Duchamp. Detailed playlist at https://spinitron.com/RFB/pl/19859432/Mondo-Jazz (from "Tissu" onwards). Happy listening! Photo credit: Zach Caddy.

Con Shane McGowan (The Pogues), The Soft Moon, Damo Suzuki (Can), James Chance, Steve Albini, Karl Wallinger, Steve Harley, Françoise Hardy, Kris Kristoffreson, Liam Payne (One Direction), Nell, Toumani Diabate, Ségio Mendes y Pino D'Angiò.Escuchar audio

Robert Longo talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Born in 1953 in Brooklyn, Longo was a key figure in what was called the Pictures generation of artists, which emerged in New York in the late 1970s. After that initial burst of attention he has since met with wide acclaim with his translations of everything from reportage photographs to historic paintings into vast charcoal drawings. By rendering the images in this way, he reinforces the impact of the original sources and yet prompts questions about the meaning and the power structures within and around them. By expanding their scale, he also transforms them. Up close—as we are overwhelmed by the analogue artisanship involved in the drawing—these dramatic images are abstracted. He talks about why he favours the term “collision” over “collage” and reflects on the concern with violence in his work. He discusses being, as he puts it, “an abstract artist working representationally”. He explains the process behind his responses to major works of art by everyone from Jackson Pollock to Rembrandt and Manet, and talks about the influence of Gretchen Bender on his newest Combine pieces. And he details the breadth of inspirations for his 1980s Men in the Cities series, from James Chance, frontman of the Contortions, to Rainer Werner Fassbender's An American Soldier. Plus, he gives insight into studio habits and rituals and answers our usual questions, including, “What is art for?”Robert Longo: Searchers, Thaddaeus Ropac, London, 8 October-20 November; Pace, London, 9 October-9 November; Robert Longo, Albertina Museum, Vienna, until 26 January; Robert Longo: The Acceleration of History, Milwaukee Art Museum, Milwaukee, Wisconsin, US, 25 October-23 February 2025. Hosted on Acast. See acast.com/privacy for more information.

Don't Die goes into NIDA, AA, Alateen and the little nudge that really gets addicts to turn toward the light, plus Bob talks James Chance, Steve Clark of Def Leppard, Methadone Vs Suboxone and the unforgettable wisdom of counselor Gloria Scott Plus Ohana Fest is right around the corner and Don't Die will be there live Sunday September 29 with a special surprise for everybody Mark your calendars and Don't Die everybody

This week, we talked to punk legend Jerry A Lang of Poison Idea, who discussed The Decline Of Western Civilization and the punk rock scene of that time. We talk about power of power of The Germs, Black Flag, Circle Jerks, the professionalism of X and Fear, how The Weirdos were supposed to have been in the film, how the audience in the movie theater started stage diving & smashing up the theater, the soundtrack LP, seeing Italy's Raw Power play in your basement, The Desperate Bicycles, Slash & Search And Destroy magazine, booking punk shows, rock star attitudes in early punk rock, Poison Idea being the opening band for the movie and the fight that happened when the crowd showed up, being scared by The Fall and the No Wave LP, the death of Darby Crash, Chris' time working at a pizza parlor with four members of Poison Idea, the economics of punk rock living, crossing the street from heavy metal dudes, dressing like James Chance, the impact the film has as a younger viewer vs. as an older viewer, seeing The Wipers' first show, kids putting on Pere Ubu Shows, soup kitchen rock stars, punk rockers scaring your home town residents, having being a treasurer in the early punk rock scene, why Social Distortion & Youth Brigade from the punk doc Another State Of Mind were not allowed to play in Portland, the short life span of 80s punk rock venues, is the film a Slash Records commercial, what bands would be in our dream version of Decline and so much more.So, let's innocently stage dive off the movie theater's stage for this week's Revolutions Per Movie!JERRY A LANG:https://americanleatherrecords.bigcartel.com/https://rarebirdlit.com/black-heart-fades-blue-signed-by-jerry-a-lang/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movies releases new episodes every Thursday. If you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. There, you can get weekly bonus episodes and exclusive goods just for joining.SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Please welcome Mickey Bergman, lead author of the book "In The Shadows," where he discusses his experiences negotiating the release of hostages and people unlawfully imprisoned in some of the most restrictive places on Earth.  In the book, Mickey takes the reader through his time working with Governor Bill Richardson and, after his death, transforms his legacy into the non-profit Global Reach, where he now brings in a community of people to continue the work.  This is part two of a two-part episode. Check out last week's episode to hear part one.  Global Reach Website: https://www.reach.global/ Link to the book: https://www.amazon.com/Shadows-High-Stakes-Negotiations-Americans-Captured ---- One CA is a product of the civil affairs association  and brings in people who are current or former military, diplomats, development officers, and field agents to discuss their experiences on the ground with a partner nation's people and leadership. We aim to inspire anyone interested in working in the "last three feet" of U.S. foreign relations.  To contact the show, email us at CApodcasting@gmail.com  or look us up on the Civil Affairs Association website at www civilaffairsassoc.org --- Today's music is a tribute to James Chance, who passed away this week. The solo is from his album White Cannable. Retrieved from https://youtu.be/vUfcWDHMEQY?si=gPGLKe6_05aFSE24 --- Host Jack Gaines

Hosts Jim DeRogatis and Greg Kot talk with singer and songwriter Angélica Garcia, whose latest album "Gemelo" is sung almost entirely in Spanish. They also pay tribute to the late James Chance and Françoise Hardy.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Angélica Garcia, "Color de Dolor," Gemelo, Partisan, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club, Parlophone, 1967James Chance and the Contortions, "I Can't Stand Myself," No New York, Antilles, 1978James White and The Blacks, "Contort Yourself," Off White, ZE, 1979Françoise Hardy, "Comment Te Dire Adieu (It Hurts to Say Goodbye)," Comment Te Dire Adieu?, Vogue, 1968Françoise Hardy, "All Over the World," Françoise Hardy Sings in English, Vogue, 1966Angélica Garcia, "Reflexiones," Gemelo, Partisan, 2024Angélica Garcia, "Guadalupe," Gemelo, Partisan, 2024Angelica, "Angel Baby," Angel Baby, Ultra, 1991Angélica Garcia, "El Que," Gemelo, Partisan, 2024Angélica Garcia, "Mirame," Gemelo, Partisan, 2024Angélica Garcia, "Y Grito," Gemelo, Partisan, 2024Angélica Garcia, "Paloma," Gemelo, Partisan, 2024Hazel, "Smooth Sinner," Hazel EP, Self-Released, 2011Radiohead, "Kid A," Kid A, Capitol, 2000Angélica Garcia, "La Llorona," Cha Cha Palace, Spacebomb, 2020Death by Chocolate, "Land of Chocolate," Death by Chocolate, Jet Set, 2001Chelsea Wolfe, "Tunnel Lights," She Reaches Out to She Reaches Out to She, Loma Vista, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sports enthusiasts from around the world will soon be glued to their nearest viewing screen, watching the action unfold during the international Summer Olympic Games in Paris.   But how much do you know about the finer points of photographing elite level competition, or about the lightning-fast, high-tech journey these images make from inside a camera to a remote editing workflow, and then onward to be enjoyed by you, the viewer?   In today's podcast we've got the inside track on how these visual delicacies are brought to life and served up to global audiences. Our guests are Getty Images Chief Photographer Maddie Meyer and Managing Editor James Chance, who runs Getty Images' editing operations in Europe.   We start with Maddie, who details the advance preparations and complex logistics required to ensure the success of 60 Getty Images photographers on the ground in Paris, alongside a sizable amount of remote and robotic gear. In the show's second half, James describes the impressive synergy between the photographers on site and the massive team of photo editors he's assembled to work remotely from London and in other locations around the world—a complex infrastructure that's a first for the agency.   Immerse yourself in the passion for sports and learn what it takes to capture images that set you apart from the pack.   As Maddie Meyer sums up, “That's where the real challenge comes in. And that's where I would say it's really difficult. But that's where knowing the athletes comes in, knowing the way they move, knowing their rituals before they get in the pool, knowing some of the dynamics between the athletes, where you can really kind of pick up on the minutia to try and make something special.” Guests: Maddie Meyer & James Chance Episode Timeline: 3:37: Maddie's college internship at Getty Images, and her experiences as a woman shooting sports. 8:30: Plans for covering the Paris Games, and details about the Getty Images team. 11:56: Maddie's aquatics specialty and details about photographer assignments. 16:23: A question of shooting strategy: going for maximum volume vs anticipating more and shooting less. 22:37: Dedicated cameras vs remotes and robotic equipment, plus Maddie's go-to gear: A Canon R3 mirrorless and 28-70 mm f/2 lens. 28:23: Episode Break  29:35: The synergy and trust between photography and photo editing teams. 33:28: Logistics of staff photographers, remotes, and robotic cameras on the ground to capture the Paris Games  38:28: Details about Getty Images remote photo editing staff in the UK during the Paris games, and their three-stage editing process. 43:33: The technical tools—hardware and software—powering the Getty Images workflow and file management process. 1:00:58: The most important qualities in a Getty Images photo editor. Guest Bios: Maddie Meyer is a chief photographer for Getty Images based in—but not geographically limited to—Boston, Massachusetts. She joined the Getty Images team in January 2015, after earning a Bachelor of Science degree in photojournalism from Ohio University. Maddie's assignments range from covering New England's professional sports teams to international travel covering events such as the Men's and Women's World Cup, the FINA World Swimming championships and the Olympic Games in Rio and Pyeongchang. Her pictures are continually published in major metropolitan newspapers, magazines, and websites worldwide, including ESPN, the New York Times, Sports Illustrated, the Washington Post, among many other media outlets. Equally skilled as a photographer, James Chance began his editing career as a freelancer in London. He currently serves as the managing editor for Getty Images Europe, the Middle East, and Africa. He works to train and schedule the editing team, as well as plan editing for major events such as the Women's World Cup in Australia, and the Paris Olympic Games. James helped to create the vision for Getty Images remote editing plan, where photo editors will be working out of the company's London office, while the photographers will be in Paris.  Stay Connected: Maddie Meyer Website: https://www.maddiemeyerphoto.com/ Maddie Meyer Instagram: https://www.instagram.com/maddiemeyer2/ James Chance Instagram: https://www.instagram.com/jameschance_5 Getty Images Website: https://www.gettyimages.com/ Samsung T7 Shield Portable SSD: https://www.bhphotovideo.com/c/product/1742972-REG/samsung_mu_pe4t0s_am_4tb_t7_shield_portable.html

Please welcome Mickey Bergman, lead author of the book "In The Shadows," where he discusses his experiences negotiating the release of hostages and people unlawfully imprisoned in some of the most restrictive places on Earth.  In the book, Mickey takes the reader through his time working with Governor Bill Richardson and, after his death, transforms his legacy into the non-profit Global Reach, where he now brings in a community of people to continue the work.  This is the first of a two-part episode. The second part will come out next week.  Global Reach Website: https://www.reach.global/ Link to the book: https://www.amazon.com/Shadows-High-Stakes-Negotiations-Americans-Captured ---- One CA is a product of the civil affairs association  and brings in people who are current or former military, diplomats, development officers, and field agents to discuss their experiences on the ground with a partner nation's people and leadership. We aim to inspire anyone interested in working in the "last three feet" of U.S. foreign relations.  To contact the show, email us at CApodcasting@gmail.com  or look us up on the Civil Affairs Association website at www civilaffairsassoc.org --- Today's music is a tribute to James Chance, who passed away this week. The solo is from his album White Cannable. Retrieved from https://youtu.be/vUfcWDHMEQY?si=gPGLKe6_05aFSE24 --- Host Jack Gaines

Check Playlist This episode of The Five Count featured an exclusive interview with musician Jesper Binzer. Jesper is best known as the founder and frontman for the band D-A-D. Known for songs like Girl Nation and Sleeping My Day Away, D-A-D- has been making music since the early ‘80s. During the show he discussed the early days of D-A-D, the impact they've had on other Danish bands, and the upcoming D-A-D album Speed of Darkness. They also have a greatest hits album out now!During the rest of the show we discussed the recent flooding in the area, paid tribute to musician James Chance, and Ton shared stories about all the men he showered with as a lad. He was squeaky clean! https://youtu.be/ASfVIFUw20Y?si=M1gntsQjnTwv3wAz

Las cosas hay que hacerlas, mal, pero hacerlas. Sarmiento Voce faz porque precisa fazer, ninguem fará no seu lugar, nem melhor, nem pior. E faz sempre, insistentemente, por teimosia e paixão - as vezes faz por raiva (troca um artigo e voce passa a fazer com raiva) duas coisas diferentes e complementares. Nesse episódio do Boia, Bruno Bocayuva, João Valente e Júlio Adler rezam aos deuses do cinema, da música e do carrinho, vulgo skate, sem esquecer do Netuno e os Orixás. Nos despedimos do Cesinha Chaves, Tamayo Perry e Ronaldo Ludovico, ao mesmo tempo, das musas Françoise Hardy e Anouk Aimée, ainda do furioso James Chance e do camaleão Donald Sutherland. Boia sendo Boia, não deixaria de fora o Wallace J. Nichols, mente azul, virou água e meditação. A trilha tem canções de despedida como, Bro Hymn dos Pennywise, The Last Goodbye dos Agent Orange e Strange fruit pelos UB40. Saravá! --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

In this episode we welcome John Doran and Luke Turner to downtown Hammersmith and invite them to talk about their much-loved and newly-revamped Quietus "webzine". (That's Noughties-speak, for all you kids out there.) The intrepid duo look back on the 2008 birth of their baby and reflect on its survival and evolution over the subsequent 16 years. Quotes from pieces they wrote about Kanye West (2008) and Britpop "fakestalgia" (2014) prompt thoughts on such much-missed Quietus writers – and RBP contributors – as S(teven)Wells, Dele Fadele and Neil Kulkarni. Mention of a recent Quietus piece about Yoko Ono leads us to clips from Mark Kemp's 1992 audio interview with the pioneering avant-gardist whose life and work are celebrated in an exhibition at London's Tate Modern (15 February to 1 September, 2024). Ardent fans of Ono's woefully-overlooked solo albums, John and Luke talk about the relentless racist/misogynist abuse she's suffered as "the woman who broke up the Beatles" [sic]. Staying in the demi-monde of downtown New York transgression, we pay tribute to departed jazz-punk No Waver James Chance, another Quietus anti-icon, before Mark winds up the episode with quotes from newly-added library pieces about the Beatles (1963), the Temptations (1970), Kurtis Blow (1981), Jerry Dammers (1990) and Glen Campbell (1999). Finally, Jasper rounds things off with remarks on Atlanta's overshadowed rappers Goodie Mob... Many thanks to special guests John Doran and Luke Turner. Read the Quietus at thequietus.com, and find their books, including Jolly Lad and Men at War in all good bookshops. Pieces discussed: Kanye West: Sensitive Soul, Modern Life Isn't Rubbish: The Trouble With Britpop Nostalgia, Yoko Ono audio, Q: Why Interview James Chance? A: Because He's There, Bow To The Devilish Prince: James Chance Interviewed, Downtown icon James Chance cuts loose, It's the Beatles! Part 5: How To Avoid The Stage Door Crowds... Enter Through The Roof, Temptations: no trouble pleasing their audience, Kurtis Blow: Rap-sody in Blow, Mandela's Day — The Journey To Freedom, Glen Campbell: "I could have gone the same way as Elvis" and Goodie Mob: World Party

Welcome back! Class is in session. This week in the Department of Metal Antiquities, we are joined by associate professors from Masonique, the punk band from Portland, OR who just dropped their first record on sweet vinyl. This week, we are discussing the late punk legend, James Chance and The Contortions. Rest In Power, James who died on 6/18/24. This was already planned.... Check out Masonique: But the vinyl: https://masonique.bandcamp.com Give the band some love: https://www.facebook.com/masoniquemusic/

C'est le freestyle du mercredi ! Monte le son ! TRACKLIST Zdar - How Do You See Me Now Charli XCX - Everything is romantic Tems - Love Me JeJe Olof Dreijer & Diva Cruz - Brujas Par-T-One VS INXS - I'm So Crazy Dennis Parker - Like An Eagle Brijean - Workin' On It Brijean - Roller Coaster James White & The Blacks - Contort Yourself Meryl - Dembow Martinica (ft. Lamasa, Jozii, Noelia, Shannon & Yozo) Jamie xx - Baddy On the Floor (ft. Honey Dijon) Alpha Blondy - Yéyé (club Suite Movement One + Two) Jean Bouchty - Taking Off Mura Masa & slowthai - up all week Nami Shimada - Sun Shower (Larry Levan Mix) Chaz Jankel - Number One Chaz Jankel - Without You The Velvet Underground - Beginning To See The Light The Velvet Underground - Pale Blue Eyes NxWorries - Distractions

Queen aurait conclu un accord avec Sony Music pour l'acquisition de son catalogue musical, ce qui était prévu depuis un certain temps déjà. James Chance, pionnier de la scène No Wave new-yorkaise, est décédé, il avait 71 ans. Jean-Louis Aubert nous présente "Merveille", premier extrait de son nouvel album à paraître à la rentrée, 3 ans après l'album ‘'Refuge'' (150.000 exemplaires) et une grande tournée. Axl Rose, le leader de Guns N' Roses, apparaîtra sur le nouvel album de Michael Schenker, intitulé ‘'My Years In UFO'', parmi les autres invités : Slash, Dee Snider de Twisted Sister, Roger Glover de Deep Purple et Biff Byford, de Saxon. Mr Big sortira son 10e album studio, le bien nommé ‘'Ten'', le vendredi 12 juillet avec 11 nouveaux titres originaux après le 1er single, "Good Luck Trying", voici "Up On You", le clip est à voir sur notre site web. Mots-Clés : Sortie, tracklist, version, Love To Love, origine, Lights Out, extrait, Mother Mary, collaboration, clip, rôle, sources, milliard, dollars, acquisition, type, enchérisseur, identité, million, frère, maladie débilitante, famille,1977, groupe, jazz-funk-punk, The Contortions, style, unique, scène, new-yorkais, jeu, saxophone, chaotique, rythme, funky, artiste chanson, solaire, optimiste, havre de paix, village, France, extrait. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, chaque jour à 7h30 et 18h30. Merci pour votre écoute Pour écouter Classic 21 à tout moment : www.rtbf.be/classic21 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

El primer tramo del episodio de hoy lo pasamos con un disco que ya podríamos considerar un clásico del garaje ibérico, sí es que existe algo como eso. “Vivir sin civilizar” se editó en 1992, el álbum de debut de unos jóvenes Doctor Explosion que acaba de ser reeditado con unos cuantos retoques y mejoras. Es la excusa perfecta para conseguir juntar a sus tres integrantes originales, Jorge, Felix y Varo, para que nos recuerden aquellos tiempos en primera persona. En el segundo tramo del episodio dejamos un pequeño homenaje para el fallecido James Chance, el gran icono de la No Wave neoyorquina.Playlist;DOCTOR EXPLOSION “Sigue siendo cruel” (Vivir sin civilizar)DOCTOR EXPLOSION “Vivir sin civilizar” (Vivir sin civilizar)DOCTOR EXPLOSION “Vende tu corazón” (Vivir sin civilizar)DOCTOR EXPLOSION “La esclava” (Vivir sin civilizar)DOCTOR EXPLOSION “Muévete en el tren” (Vivir sin civilizar)DOCTOR EXPLOSION “Ha ha ha” (Vivir sin civilizar)DOCTOR EXPLOSION “Las manos en el pantalón” (Vivir sin civilizar)JAMES CHANCE and THE CONTORTIONS “Contort yourself” (Buy, 1979)JAMES CHANCE and THE CONTORTIONS “Jailhouse rock (live 1978)”Versión y Original; ELVIS PRESLEY “Jailhouse rock” (1957)Escuchar audio

El programa d'avui ha tingut, com sempre, molts protagonistes: Fontaines D.C., Evan Dando, Steve Van Zandt, Joan Daus

Three new releases by John Lurie, Benjamin Herman and Fergus Quill give us the opportunity to pay tribute to three musicians whose no-holds-barred attitude significantly marked the scenes in New York and the UK in the 1980s... and now: Xero Slingsby, James Chance and Lurie. The playlist also features: The Works, The Contortions, The Lounge Lizards, Michael Blake, Marc Ribot, Stefan Pasborg Detailed playlist at https://spinitron.com/RFB/pl/18680724/Mondo-Jazz (up to "Melt Yourself Down"). Happy listening!

On today's episode, I talk to musicians Pat Place and Cynthia Sley of Bush Tetras. Both art students, Cynthia and Pat moved to New York in the 1970s and were soon sucked into the music scene. Pat became one of the founders and the guitarist of James Chance and the Contortions, and then in 1979, the two formed Bush Tetras. Their debut 7-inch EP, "Too Many Creeps", was released in 1980 on 99 Records, and even though they only stayed together for another three years, the band was an integral part of the downtown New York no wave scene. The band has reformed twice since then, once in the late-'90s and most recently in the mid-aughts, and they've been going strong since. Their latest album They Live in My Head was just released at the end of July on Wharf Cat Records, and it's fantastic! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Today I'm joined by Trash (@bidenbigboi) for more weepy Irish bullshit; this time through a double feature, the 1980 no wave film No Japs at My Funeral and the 1991 film the Commitments. In this episode, we largely discuss No Japs at My Funeral which is a vehicle through which we also discuss various aspects of The Troubles, especially the earlier period. Episode 59 Songs: I Can't Stand Myself by the James Chance and the Contortions Alternative Ulster by Stiff Little Fingers Banana Republic by the Boomtown Rats Links: https://twitter.com/bidenbigboi www.patreon.com/programmedtochill https://programmed-to-chill.myshopify.com/

Adele Bertei in conversation with David Eastaugh https://www.adelebertei.com Bertei began her career playing guitar and singing in the Wolves, her first band with Laughner. She left Cleveland for New York City in 1977 shortly after Laughner died prematurely of complications due to alcoholism. Bertei quickly became a prominent figure in the no wave art and music scene in NYC, playing Acetone organ and guitar in the original line up of the Contortions fronted by James Chance. written three books as well. Published in 2013, Bertei's first book is “Peter and the Wolves” about her friendship with musician Peter Laughner and their journey through the 1970's underground punk scene. The book was rereleased in 2021. Bertei's second book, Why Labelle Matters, is about the cultural and musical progress achieved by Patti Labelle and the Bluebelles in the 1960's. The newest book by Bertei is a memoir titled “Twist: An American Girl.” The release date is set for spring of 2023 with publisher ZE Books.

Julia Gorton in conversation with David Eastaugh http://www.juliagorton.com/coming-new-products/nowhere-new-york With a synthesis of imagery, metaphor and feeling, in a space located between attraction and angst, Julia Gorton's photos of New York's No Wave scene, 1976-1980, capture a fleeting time with unique style. 192 pages and 170 photos. Her beautiful vision of downtown Manhattan, in the moments before AIDS, crack, Disney and condos changed everything forever, focus on subjects including musicians and friends; Debbie Harry, Patti Smith, Tom Verlaine, David Byrne, Lydia Lunch, Iggy Pop, James Chance, Richard Hell, Anya Phillips and many others less well known, but certainly just as memorable. 

Brian Eno sempre foi um artista que colocou na sua música muito da sua formação em artes visuais na Belas Artes. Desde o Roxy Music, onde todos os integrantes eram formados em artes, até o desenvolvimento da ambient. Partindo do glam rock, desenvolvendo depois a melhor estirpe da música de elevador, a gente vai falar justamente desse momento de transição de um artista, que para esse que vos escreve são sempre os mais interessantes.A gente vai falar de "Before and After Science", de 1977. Esse disco reúne toda a alquimia musical de Eno: Funk com Krautrock alemão, ecos bem leves ainda glam, pós-punk e new wave (estilos novatos em 77) e ambient music. Diferente do anterior que quebrava com o glam para mergulhar muitíssimo na ambient, esse parece que retrocede nesse sentido um pouco, pois a ambient music está lá mas não é o centro. O centro é uma alquimia rica, um todo acessível e experimental ao mesmo tempo. Disseco no podcast também por que Eno se classificava como um “non-musician”.Esse episódio disseca algumas referências fundamentais para Eno e para a Ambient music e algumas referências-livre-associações fruto da interpretação do podcaster. Falamos de Erik Satie, Kurt Schwitters, William Burroughs, Byron Gysin etc. Falamos um pouco do Roxy Music, mencionamos a relevância de Eno como produtor, engenheiro de som etc. Um cara que produz bandas que se inserem no cenário mais pop como U2 e Coldplay, mas também obras como "No New York", que revelou todo o cenário do punk mais underground/conceitual/ da No Wave reunindo bandas como DNA do Arto Lindsay, James Chance and the Contortions, Teenage Jesus and The Jerks da Lydia Lunch.  MúsicasNo One ReceivingLadytron (Roxy Music)Music for AirportsKurt's RejoinderKing's Lead HatBy This RiverHere He ComesBackwaterEnergy Fools the MagicianJulie WithThrough Hollow LandsSpider And IRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAHSegue a gente lá no insta: @umpaposobresom Produção: Baioque ConteúdoRoteiro e apresentação: Pedro SchwarczDireção: Newman CostaEdição: Felipe CaldoRedação: Luiz Fujita e Paulo BorgiaArte: CRIO.LAH

Podcast de Jean Michel Espitallier pour websynradio : Jean-Michel Espitallier - L'hibiscus n'est pas un animal - Robert Fripp & Brian Eno , Suicide, Zdenek Liska, Rimitti + Robert Fripp, Jean-Luc Godard, James Chance and the Contortions, Tricky, Zeni Geva, Glenn Branca.

Lydia from Gustaf is on the podcast! We have an amazing discussion about pop punk nostalgia, Gustaf's super busy year of touring, and Lydia's love of Gary Puckett and the Union Gap. We also reminisce on growing up in Boston, throwing impromptu childhood  family talent shows, and contemplate using color theory to boost our mood on boring work days. Discover bonus eps, playlists, and more on Patreon: https://www.patreon.com/agrrrlstwosoundcents✨ MORE ABOUT GUSTAF ✨Gustaf is a five-piece art punk band from Brooklyn, NY whose records fuse the infectious danceability of ESG and Bush Tetras with the frenetic energy of The Modern Lovers and The Fall. They have shared stages with Cage the Elephant, Beck, Bush Tetras, Martin Rev, James Chance, IDLES, Wet Leg, Foals, and Yard Act. Their debut album, 'Audio Drag for Ego Slobs,' is available on all DSPs. ✨ KEEP UP TO DATE WITH GUSTAF ✨Web: https://www.gustaftheband.comBandcamp: https://gustaf-nyc.bandcamp.comInstagram: https://www.instagram.com/gustaf_nyc/Twitter: https://twitter.com/gustaf_nycFacebook: https://www.facebook.com/Gustafnyc/YouTube: https://www.youtube.com/channel/UCsDiUNBEe2u60AyLC_evQKgSpotify: https://open.spotify.com/artist/6QqLYrbjh5CnfMG7z5r96EApple Music: https://music.apple.com/us/artist/gustaf/282771888✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://agrrrlstwosoundcents.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/grrrlsoundcents

For the past five decades, the British-born, New York–based artist Jamie Nares has been capturing the passage of time, the physics of motion, and the essence of self through a wide variety of mediums, including film, painting, music, photography, and performance. Many of Nares's films, such as Pendulum (1976) and Street (2011), play with rhythm and speed as they distill the streets of New York City and the movements of its inhabitants. Nares's vast body of work shares a common theme: the recording of a specific moment in time that gives the viewer an intimate look into a human experience. Her famous brushstroke paintings are both powerful and delicate, capturing the mere seconds of a single, continuous bodily motion using a repeated swooping gesture. One of her recent projects, “Monuments,” pays homage to the workmen who, centuries ago, chiseled marks in the huge granite blocks of downtown Manhattan. As life speeds up following the pandemic lockdowns of 2020 and 2021, Nares's work serves as a beautiful reminder to slow down, and to more deeply explore the many movements around us.On this episode of Time Sensitive, Nares talks with Andrew about her decades of work exploring time, rhythm, and movement; her journey transitioning to womanhood at age 65; and why her daughters and the next generation give her hope for the future.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Full transcriptJamie NaresKasmin Gallery[03:32] Street[15:43] Pendulum[25:26] Red-Handed[27:29] A New Vein[31:10] James Chance and the Contortions[38:18] Ramp[38:36] No Wave Cinema[39:21] Monuments[50:02] “Nares: Moves”

Tripp Nasty takes us deep into the strange and scary world of Denver's alt music scene. Tripp discusses his history as a computer programmer(??) and future physicist(???) before recently going for his masters in accounting(????) all while developing a deep appreciation of sound and Moog's synthesizers. He also talks about landing in jail for two days during the pandemic (?????) and a Denver industrial band that landed in jail themselves after a prolonged harassment campaign of Tripp and other local musicians that involved fake tours, tear gas, and home break-ins(?????????????). Because Tripp's connections in the underground run deep and Brandon and I already name drop so many bands that range in obscurity, I've included short clips interspersed and laid under as bed music throughout the episode for some additional context for people like Jennifer. The episode opens with Tripp Nasty's "Western Pride" and closes with "On a Snowy Afternoon," both off his recent album Making the Pythons Dance. Other clips in order of appearance include Shonen Knife, the Disco Biscuits, Echo Beds, William Basinski, Sun City Girls, Crash Worship, James Chance & the Contortions, Yonatan Gat and the Eastern Medicine Singers, Harry Pussy, Tripp Nasty's "Snowy Afternoon," the Forbidden Planet soundtrack, Delia Derbyshire, various modular synth clips from Tripp Nasty Sounds on Instagram, Ezra Buchla, and more from Tripp Nasty Sounds. I'm not gonna post song titles since I'm not trying to get us unlisted. You can find Tripp Nasty on his website, his bandcamp, and twitter. Jennifer C. Martin also has a new fiction piece up influenced by her new relationship. Give that a read at Olney Magazine.

Walt Disco is a young stylish band from Glasgow. Over the last two years they wrote, recorded and self produced their debt album, Unlearning  (Out April 1st on Lucky Number Music).  In this episode Joe talks with 2 members of the sextet, singer James and keyboardist/guitarist Finley.   James and Finely share the process of making Unlearning , why they wanted it to sound "scrappy", how that forced them to think differently and why self producing gave them a sense of childlike wonderment.   We learn what drives them to have a strong stylized aesthetic and they share a couple stories from their experience playing the Celine show in Paris.  They also discuss the influence of new wave AND no wave and tell us what they love about touring. We hear a couple tunes from Unlearning.  https://waltdisco.bandcamp.com/musichttps://www.luckynumbermusic.com/releases/https://www.izotope.com/https://us.minorfigures.com/

Multi talented Adele Bertei burst into the public eye as one of the stars of the 1970's No Wave scene, as organist for James Chance and The Contortions. Since then, her entire career has been extraordinary. She's a musician, singer, film director/producer as well as a song writer and literary writer. Musically, she's worked with everyone from Brian Eno, Culture Club and Deborah Harry to Thomas Dolby, Tears For Fears, Anubian Lights and several others. Adele and hostess Pleasant Gehman have known each other for over forty years. In this episode, they exchange anecdotes about Manhattan's pre-gentrified Lower East Side, including CBGB, Max's Kansas City, Studio 54, Johnny Thunders, Jerry Nolan, Sid Vicious and Heroin They discuss everything from drag queen culture tothe new music she's recording, Berthold Brecht, and of course, witchcraft.More from Pleasant Gehmanwww.pleasantgehman.comInstagram: @princessofhollywoodwww.facebook.com/pleasant.gehmanwww.twitter.com/PleasantGehman1This show is part of Pantheon Podcasts

Multi talented Adele Bertei burst into the public eye as one of the stars of the 1970's No Wave scene, as organist for James Chance and The Contortions. Since then, her entire career has been extraordinary. She's a musician, singer, film director/producer as well as a song writer and literary writer. Musically, she's worked with everyone from Brian Eno, Culture Club and Deborah Harry to Thomas Dolby, Tears For Fears, Anubian Lights and several others. Adele and hostess Pleasant Gehman have known each other for over forty years. In this episode, they exchange anecdotes about Manhattan's pre-gentrified Lower East Side, including CBGB, Max's Kansas City, Studio 54, Johnny Thunders, Jerry Nolan, Sid Vicious and Heroin They discuss everything from drag queen culture tothe new music she's recording, Berthold Brecht, and of course, witchcraft. More from Pleasant Gehman www.pleasantgehman.com Instagram: @princessofhollywood www.facebook.com/pleasant.gehman www.twitter.com/PleasantGehman1 This show is part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Multi talented Adele Bertei burst into the public eye as one of the stars of the 1970's No Wave scene, as organist for James Chance and The Contortions. Since then, her entire career has been extraordinary. She's a musician, singer, film director/producer as well as a song writer and literary writer. Musically, she's worked with everyone from Brian Eno, Culture Club and Deborah Harry to Thomas Dolby, Tears For Fears, Anubian Lights and several others. Adele and hostess Pleasant Gehman have known each other for over forty years. In this episode, they exchange anecdotes about Manhattan's pre-gentrified Lower East Side, including CBGB, Max's Kansas City, Studio 54, Johnny Thunders, Jerry Nolan, Sid Vicious and Heroin They discuss everything from drag queen culture tothe new music she's recording, Berthold Brecht, and of course, witchcraft.More from Pleasant Gehmanwww.pleasantgehman.comInstagram: @princessofhollywoodwww.facebook.com/pleasant.gehmanwww.twitter.com/PleasantGehman1This show is part of Pantheon Podcasts

Multi talented Adele Bertei burst into the public eye as one of the stars of the 1970's No Wave scene, as organist for James Chance and The Contortions. Since then, her entire career has been extraordinary. She's a musician, singer, film director/producer as well as a song writer and literary writer. Musically, she's worked with everyone from Brian Eno, Culture Club and Deborah Harry to Thomas Dolby, Tears For Fears, Anubian Lights and several others. Adele and hostess Pleasant Gehman have known each other for over forty years. In this episode, they exchange anecdotes about Manhattan's pre-gentrified Lower East Side, including CBGB, Max's Kansas City, Studio 54, Johnny Thunders, Jerry Nolan, Sid Vicious and Heroin They discuss everything from drag queen culture tothe new music she's recording, Berthold Brecht, and of course, witchcraft. More from Pleasant Gehman www.pleasantgehman.com Instagram: @princessofhollywood www.facebook.com/pleasant.gehman www.twitter.com/PleasantGehman1 This show is part of Pantheon Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Neste programa destacamos um momento histórico cultural muito interessante passado especialmente em Nova Yorque nos meados/final dos anos 70 que teve curta existência: a “No Wave”, um fenômeno underground e avant-garde multiartístico abrangendo a música, o audiovisual, artes cênicas, entre outras. O nome cunhado do contraponto e rejeição com a comercial New Wave, estilo musical mainstream vigente na época, com inspiração em outros gêneros não comuns: post-punk, funk-punk, industrial, noise e experimental. Produção e apresentação do nosso colaborador internacional Fabian Fernandez, que de algum da costa brasileira elaborou essa playlist (sem ordem cronológica de execução): 1 – “Baby Dee” – Konk – surgida em NY em 1980 imersa na sonroridade pós-punk, new wave e disco-funk, liderados pelos saxofonista Dana Vlcek. Segundo consta Richard Edson foi baterista da primeira formação da celebre Sonic Youth . 2 – “Blonde red head” – DNA – foi a banda do famoso músico e compositor americano Arto Lindsay (natural da Virginia), surgida em 1977 com músicas de carater experimental. 3 – “Contort Yourself” – James Chance – outro famoso no movimento, cantor, compositor e saxofonista nascido no Wisconsin. Gravou muitos álbuns com diversas bandas entre as quais o The Contortions. 4 – “You Make no sense” – ESG – grupo formado por duas irmãs do Bronx, responsáveis por instituir o disco-punk. A ideia da banda foi da mãe das adolescentes com intuito de afastá-las da barra pesada que era o bairro. 5 – “Reduction” – Material – banda experimental criada em 1977 pelo famoso baixista e produtor Bill Laswell. 6 – “Wawa” – Lizzy Mercier Descolux – cantora e compositora francesa que se mudou para NY no final dos anos 70 onde fundou a ZE Records responsável por lançar artistas da cena No Wave e underground da cidade. 7 – “Optimo” – Liquid Liquid – banda dance-punk de NY com curta existência – 1980-1983. Em 2008 o quarteto retomou as atividades com a mesma formação original. 8 - “Button Up” – The Bloods – banda funk/punk de garotas de Nova Iorque. 9 – “Atomic Bongos” – Lyndia Lunch – Ainda adolescente chegou em NY. cantora, poetisa, compositora e escritora, considerada um dos grandes nomes do movimento No Wave, formou com James Chance a banda Teenage Jesus and The Jerks. Na época ganhou esse sobrenome por roubar comida para levar aos colegas artistas. 10 – “Bleeding” – The Method Actors – banda de Athens na Georgia surgida em 1979, única da lista sem ligação direta com a cena de NY. Programa produzido por Fabian Fernandez com apresentação de Ricardo Pinto (@ricardoppaiva), Alex de Souza (@ombudsman) e Jesuino André (@jesuinoaoliveira). Agradecimentos aos parceiros da revista O Inimigo (@revistaoinimigo), loja de presentes Mina Flor (@minaflor_minaflor) e Alfonso Turismo (@alfonsotour João Pessoa). Em dezembro sorteio de brindes com os nossos ouvintes e seguidores! Contatos: www.meusons.blogspot.com www.alternativab.com.br/radio https://www.megafono.host/podcast/meu-sons meusonspodcast@gmail.com @meusons (instagram) @meusonspodcast (twitter) @alternativab (instagram) Use máscara e tome a vacina! Até o próximo programa! --- Send in a voice message: https://anchor.fm/alternativab/message

In this episode, Michael Zilkha joins us all the way from Houston, Texas, to reminisce about his iconic ZE label — and the extraordinary artists he signed to it, from James Chance & Lydia Lunch to his late ex-wife Cristina and August "Kid Creole" Darnell... not forgetting John Cale, whom we hear in two audio clips talking about Lou Reed, Andy Warhol and the Velvet Underground. Discussion of Todd Haynes' new documentary on the band — Michael's all-time favourite group — follows. Mark & Jasper round things off by talking us through their highlights among the 100+ new articles added to the RBP library, including a 1966 piece on Mama Cass meeting the Beatles, Nick Kent's 1987 Face op-ed on the Smiths, and a 2018 celebration of Moroccan gnawa by John Lewis. Many thanks to special guest Michael Zilkha. Visit the ZE Books website at zebooks.com. Pieces discussed: Mary Harron on Michael Zilkha, Paul Rambali on Michael Zilkha, ZE Records night at Hurrah, John Cale audio, The Cure, Stevie Wonder, Kirsty MacColl, Mama Cass, Mitch Mitchell, Donald Fagen, The Smiths, Wynton Marsalis, Chris Blackwell, Slick Rick, Junkie XL/Elvis, New Orleans Funk and Moroccan gnawa. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Michael Zilkha joins us all the way from Houston, Texas, to reminisce about his iconic ZE label — and the extraordinary artists he signed to it, from James Chance & Lydia Lunch to his late ex-wife Cristina and August "Kid Creole" Darnell... not forgetting John Cale, whom we hear in two audio clips talking about Lou Reed, Andy Warhol and the Velvet Underground. Discussion of Todd Haynes' new documentary on the band — Michael's all-time favourite group — follows. Mark & Jasper round things off by talking us through their highlights among the 100+ new articles added to the RBP library, including a 1966 piece on Mama Cass meeting the Beatles, Nick Kent's 1987 Face op-ed on the Smiths, and a 2018 celebration of Moroccan gnawa by John Lewis. Many thanks to special guest Michael Zilkha. Visit the ZE Books website at zebooks.com. Pieces discussed: Mary Harron on Michael Zilkha, Paul Rambali on Michael Zilkha, ZE Records night at Hurrah, John Cale audio, The Cure, Stevie Wonder, Kirsty MacColl, Mama Cass, Mitch Mitchell, Donald Fagen, The Smiths, Wynton Marsalis, Chris Blackwell, Slick Rick, Junkie XL/Elvis, New Orleans Funk and Moroccan gnawa.

Great story about Chris getting the job at Berklee, how he put his family first and made some career sacrifices for them by creating something new and different to do, musically… great story how he wound up marrying his wife, personal improvements he’s made and others he is looking to still make, a GREAT story about Bruce Springsteen and more cool convo If you’d like to support this show: http://www.everyonelovesguitar.com/support A leading online instructor for TrueFire and Guitarinstructor.com, Chris was one of the youngest professors in the guitar department when he was teaching at Berklee. He leads an organ trio called CB3 and the progressive math funk project RedRightReturn. He regularly plays with Oz Noy, Dave Fiuczynski, members of Snarky Puppy, and has recorded and/or toured with Dweezil Zappa, Karsh Kale, James Chance and others  Subscribe https://www.everyonelovesguitar.com/subscribe/ Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/

Adele Bertei -  Contortions,  Peter Laughner & Why Labelle Matters - in conversation with David Eastaugh Bertei began her career playing guitar and singing in the Wolves, her first band with Laughner. She left Cleveland for New York City in 1977 shortly after Laughner died prematurely of complications due to alcoholism. Bertei quickly became a prominent figure in the no wave art and music scene in NYC, playing Acetone organ and guitar in the original line up of the Contortions fronted by James Chance. While working as personal assistant to Brian Eno in 1978, Bertei took him to a series of concerts at Artists Space in New York, which resulted in Eno producing the iconoclastic LP No New York for the Virgin/Antilles label, featuring the Contortions and three other no wave bands.

DARRYL JENIFER IS HERE!!! Join Damian as he sits down with the Bad Brains' LEGEND to discuss his journey in punk. From kicking Cars' records off of turntables to the Bad Brains' early "James Chance" era to the real story behind the Clash Bond Street show: DON'T MISS THIS ONE!!!  Also touched on: Growing up with Soul, GoGo and Motown Discovering the Damned, Sex Pistols and The Ramones Some nights, it’s Wow! Some nights, it’s Why? Brothers before Bad Brains RIP Sid McCray: too punk for a band The influence of a Budgie Loving No New York Comp  Mindpower The James Chance inspired first line up of the Bad Brains “Five people clap for you and now you’ve sold out” From one song to Black Dots in a few months Playing with on back of flatbed  the Mall in DC Seeing Jame Brown at the Howard Theatre in ’64 “Why is the bass too loud?”: The first time seeing Bob Marley  The Swimming Pool Q’s The Urban Verb the year 1979 The Happening Playing Berlin when the Wall fell The art of writing a setlist Kicking a Cars record off the turntable: “Why are they playing this shit?!” “Biker Music”: Hearing the Viletones’ Screamin’ Fist for the first time A “19 year old young Peter Tosh” had no love for Basquiat  Ian MacKaye: Very Washingtonian  The Old New York CBGBs: always cool The Bloodless Pharaoh’s Brian Setzer goes swing Red Hot Chilli Peppers : “How the hell did this band get on the bill?” The Beastie Boys going rap Screamin’ Mad George is making shit again: living with The Mad “Stay Close To Me is a Clash influenced song and Pay To Come is a Ramones influenced song” Meeting Jerry Williams and Th’Cigaretz  “The Ramones are dope but I am The Damned“ The Clash and The Ramones are sore losers AND SO MUCH MORE!!!!!!!! Brought to you by Vans

Véritable météorite arty, la no wave s’est développé dans les lofts et les clubs du Lower East Side, au coeur de Manhattan vers 77. Malgré une existence très courte, seulement 5-6ans et bien que l’essentiel du mouvement n’ait été consignés que sur d’obscurs labels à faible tirages assez mal distribués, la no wave a eu une influence considérable dans de nombreux genres musicaux. Notamment dans la scène free jazz avec John Zorn, ou dans la musique contemporaine avec Arthur Russell, Rhys Chatham et Glenn Branca qui ont eux-même participé à sa genèse. On retrouve aussi l’héritage de no wave dans la noise avec des groupes comme Harry Pussy ou Prurient. Le terme No Wave souligne le caractère expérimental de la musique : la musique No Wave n'appartenait à aucun style ou genre fixe. À bien des égards, la No Wave n'est pas un genre musical.
 Bien que prolongeant le punk à sa manière, la no wave, n’aura aucun porte étendard. Toutes les formations que l’on regroupera sous cette étiquette n’auront ,comme pour le post-punk britannique, assez peu de points communs, en dehors d’un rejet commun envers la structure traditionnelle de la chanson. Il y a cependant certains éléments propres à la plupart des groupes de cette scène au son très particulier, les guitares bruitistes souvent atonales, les rythmes déstructurés, le chant hurlés ou atone, la tendance à mettre l'accent sur la texture musicale plutôt que sur la mélodie pour beaucoup, la NO WAVE, c'est avant tout ça. Elle est souvent mieux défini en termes d'environnement artistique. Les musiciens s'inspirant fortement de l'art de la performance à la fois très théâtrale et minimaliste. Cette scène n'aurait sans doute pas eu autant de résonance sans Brian Eno qui décida d’enregistrer les artistes qu’il avait découvert lors du festival underground à l'Artist Space en mai 78. Il les enregistrera pendant les séances de mastering du deuxième album des Talking Heads. Sa compilation NO NEW YORK sort en 1978, avec des titres de D.N.A., Mars, James Chance et Teenage Jesus & The Jerk et donnera un véritable coup de projecteur à ses groupes éphémères mais tellement important. Pour finir deux citations qui résume bien le mouvement et la vie artistique de l’époque à New-York. Celle de Brian Eno : « Je savais que les groupes que j’avais produits sur No New York allaient se séparer dans la foulée de l’enregistrement. Pourtant j’avais dans l’idée qu’ils marqueraient les esprits aussi durablement que les mouvements esthétiques du début du 20ème siècle. » Enfin celle de Anita Sarko, à l’époque Dj, dans le livre New York Noise : « La vie avait des allures de performance artistique continuelle, mais débarrassée de toute prétention crispante. Tu pouvais faire ce que tu désirais. Si tu voulais peindre, tu peignais. Si tu voulais être musicien, tu prenais ta putain de guitare ». Suicide/Cheree Teenage Jesus and the Jerks/Orphans Bush Tetras/Things That Go Boom In The Night Mars/3E Lizzy Mercier Descloux/Fire Y Pants/Barbara's Song Liquid Liquid/Cavern Swell Maps/The Helicopter Spies Glenn Branca/Lesson No. 2 Theoretical Girls/Computer Dating

With seminal releases from Suicide, James Chance, Lydia Lunch, Was (Not Was), Kid Creole and the Coconuts, the Waitresses, and many others, ZE Records was described by John Peel as "the best independent record label in the world." UK-born Michael Zilkha founded the label alongside Michel Esteban in 1978, after running the short-lived Spy Records with John Cale. After the label closed in 1984, Zilkha left New York for Texas, where he now is in the renewable energy business.In this interview, we talk to Michael Zilkha about his early musical influences, his coming to New York immediately after school, and the formation of what would become one of the most acclaimed record labels of the era. Recently, Zilkha revived the ZE brand to release "The Future Is Mine" featuring Bun B and Mr. Biggs:https://www.youtube.com/watch?v=ITdsUr4tDeo

The Chance Brothers and Company glassworks began producing glass in 1824 at their facility in Smethwick, West Midlands, England. Before too long, the company became known as the best glass manufacturer in Britain. In addition to producing sheet glass, Chance Brothers perfected methods of manufacturing optical glass for telescopes. In 1848, Chance Brothers began working on the manufacture of Fresnel lenses for use in lighthouses. A first-order lens was created and displayed in the Crystal Palace at London’s Great Exhibition of 1851. James Chance worked with Trinity House to adjust the lenses already in British lighthouses so that they were more efficient. The Chance Glassworks and canal. courtesy of Chance Heritage Trust. The company’s lenses were eventually used in approximately 2500 lighthouses worldwide. The lenses were all sizes, including 13 hyper-radial lenses, which were the largest ever used. Chance Brothers also became involved in the production of prefabricated cast-iron lighthouse towers. In addition, they made lanterns and other components for lightships, and clockworks used to drive the rotation of lenses in lighthouses. Interior of the Crystal Palace showing the Chance Brothers first-order lens, 1851. (U.S. Lighthouse Society) Mark Davies The Chance Brothers factory in Smethwick was officially closed in the early 1980s. Today, the Chance Heritage Trust is working to restore the remaining buildings at the nine-acre Chance Glassworks site in Smethwick. The plan is to convert the site to a combination of residential units, educational space, a heritage center, a café, and archives facilities. Mark Davies is the co-founder and chair of the Chance Heritage Trust. Click here to read the Chance Heritage Trust's magazine, CHaT

Can business school support an entrepreneurial venture? [Show summary] James Chance, a 2019 London Business School MBA graduate, reveals how his experience at LBS impacted his path as an entrepreneur, along with how he’s transforming online privacy protection through his startup, yourself.online. Learn how entrepreneur James Chance launched his start-up while at London Business School. [Show notes] James Chance graduated from the University of Bristol in 2011 with a degree in mechanical engineering. He then worked as a strategy consultant for Accenture UK, until he joined Google in 2016. He earned his MBA at London Business School in 2019, which is where he also launched yourself.online, his startup. We're going to learn more about James's MBA path and experience, as well as about the launching of yourself.online and how it can help you maintain your privacy. Can you tell us a little bit about your background, where you grew up, and what you like to do for fun? [2:03] I grew up in Central London, not too far from the City, the financial district, right in the center, quite close to St. Paul's. That was a real eye-opener in terms of this very fast-paced world, and growing up, I was fortunate enough to, from that experience, see a lot of things, arts, culture, different businesses, all sorts of different stuff as a kid and as a teenager. When I reached the end of secondary school, then I decided I wanted to get out of London and go to the University of Bristol, as a change of scenery. In terms of what I like to do for fun, I've always been really passionate about traveling. I was fortunate enough to have a few occasions where I've traveled for work and worked in different countries, the US, Australia. But then I’ve also done more adventurous travels as well. I was fortunate enough, with a friend of mine in 2011, after I graduated from college, to drive halfway around the world from London to Mongolia in a car we bought on eBay for just under a thousand dollars. It's an adventure called the Mongol Rally, which was great fun. And I've always been trying to find those sorts of, not quite as adventurous, but trips that are a little bit off the beaten track. But unfortunately that's all on hold this year, but big plans for next year, hopefully. Next year, post-pandemic, I'd really like to do more of South America, since it's not really somewhere I've explored much. I'd really like to do some of the Argentina, Brazil, bits of Peru as well. You worked as a strategy consultant for Accenture for almost four years, then for Google as an analytical consultant, and also in e-commerce for a family business in Norway. With all these different experiences, why did you decide you wanted or needed an MBA? [3:50] I first started to think about doing an MBA when I was in consulting. This is something throughout, really: I had come into business coming from an engineering background, so coming from a technical background, where my quantitative skills and analytical skills were good, but I didn't have that much grounding in terms of finance, management, stuff like that. And I was fine for probably, I would say, the first few years of my career. But I found when I was at Google, I was fortunate enough to be brought into some really high-profile meetings with some of our senior clients, the CMOs of some of the largest e-commerce companies in the world, and stuff like that. Fantastic experience, but I was sitting at some of these meetings and I thought, I don't know how you work out marketing ROI. There were things that I just didn't have the fundamental business knowledge around. I could do the maths and things like that, and solve problems, but there were broader things I'd like to expand my skill base at and expand my fundamental background knowledge. LISTEN: Encore: Is an MBA Worth It, or Is the Sky Falling Down on the MBA Degree? >> And then on top of that, I'd always had throughout my business days a kind of back-...

One thing that Jazz and Circus have in common is that--unlike way too many things that we see in our daily lives--you can't fake them. You cannot pretend you're an expert among circus or jazz artists… If you are not … it'll show! And this authenticity may be one of the reasons why they seem so precious in this age of disposable fakeness. Here we continue our exploration of the connections between jazz and circuls with a dolly shot of circus acts, fire eaters, mimes, jugglers and many more. Enjoy the show, and don't forget that jazz never fails to be our safety net when we fall off the trapeze because the other guy didn't bother reaching out for us... The playlist features Rusty Bryant, Tuatara, Hypnotic Brass Ensemble, Mathilde Santing, Paolo Fresu, Rez Abbasi, Trio Grande & Matthew Bourne, Django Bates, Phillip Johnston, James Chance, Nucleus, Noël McGhie and Charlie Haden. Detailed playlist at https://spinitron.com/RFB/pl/11882854/Mondo-Jazz (from Rusty Bryant onwards).

Sebadoh [00:43] "Soul and Fire" Bubble & Scrape Sub Pop SP192 1993 If this song doesn't get you back together with your girlfriend, I don't know what will. Buck Owens [04:29] "A Happening in London Town" Buck Owens in London 1969 Capitol Records ST-232 1967 The Boys from Bakersfield cut loose in Dear Old Blighty. Buddy Alan [07:30] "Lodi" The Buck Owens Show Live in Las Vegas Pickwick JS-6128 1969 A chip off the old block connecting with the kids. Cat Stevens [10:54] "Oh Very Young" Buddha and the Chocolate Box A&M Records SP 3623 1974 Maybe a song about Buddy Holly? Stray Cats [14:24] "Stray Cat Strut" Built for Speed EMI America ST-17070 1982 This Dave Edmunds-produced single helped the boys from Massapequa reach number 3 on the Hot 100. Charley Pride [17:41] "Burgers and Fries" Burgers and Fries/When I Stop Leaving (I'll Be Gone) RCA Victor APL1-2983 1978 Ah yes, Ye Olden Time When Things Were Presumably Simpler. This one made it all the way to number 2 on the Hot Country Songs in 1978. Don't even ask me about the disco country single When I Stop Leaving (I'll Be Gone). Glen Campbell [20:53] "Together Again" Burning Bridges Capitol Records T-2679 1967 Well, since we've already got some Buck Owens in the show, why not some more? Burt Bacharach [23:12] "Bond Street" Reach Out A&M Records SP 4131 1967 Whoops. The jacket is for Burt's 1971 self titled album, but the record is actually his 1967 album Reach Out. But we've made the best of it with this selection from the Columbia Pictures Casino Royale film. Carpenters [26:32] "I'll Never Fall in Love Again" Burt Bacharach & Friends A&M Records SP-19007 1971 Huh, maybe this is the perfect song for these times. Boys are germy! Men at Work [29:31] "Who Can It Be Now?" Business as Usual Columbia FC 37978 1982 Every day, someone is born who has never heard Who Can It Be Now. Made it to number one on the Hot 100 and the album was multi-platinum. Pure Prairie League [32:52] "Falling in and Out of Love/Amie" Bustin' Out RCA Victor AYL1-4656 1972 (1982 reissue) String arrangements by Mick Ronson. Whaddya know. BJ Thomas [39:22] "On a Bicycle Built for Joy" Butch Cassidy and the Sundance Kid A&M SP 4227 1969 The main theme repeated for bicycle shenanigans as performed by Paul Newman. Audacity [43:32] "Hole in the Sky" Butter Knife Suicide Squeeze S122 2013 Fullerton's Audacity with their fine 2013 release Butter Knife, on lovely translucent orange gold. Bob Newhart [46:32] "An Infinite Number of Monkeys" The Button-Down Mind Strikes Back Warner Bros 1393 1960 Ah monkeys. What would we do without them. Fun fact: My daily quarantine routine includes watching an episode of The Bob Newhart Show while I eat my lunch (not to be confused with Newhart). Does not disappoint. Hi, Bob. Contortions [48:06] "My Infatuation" Buy ZE Records/Island ILPS 7002 1979 Some exemplary No Wave from James Chance and company. The Andrews Sisters [50:25] "Rum and Cola" By Popular Demand Decca Records DL 8360 1957 The Andrews Sisters interpretation of Lionel Belasco and Lord Invader's calypso classic, as sanitized by Morey Amsterdam. Music behind the DJ: "Alfie" by Christopher Scott

Jeff Klingman joins a special and somber episode of the podcast discusses the passing of Ze Records and No Wave icon Cristina. A proto-Madonna, Cristina embodied the DIY nature of the NYC-based No Wave scene, bringing insouciance and noise to pop. We also discuss Ze labelmates like James Chance and Kid Creole, and compare her music and that movement to the electroclash blip of the early 2000s. RIP Cristina, hope you got your ticket to the tropics. For supplemental listening, Jeff Klingman created a Cristina-specific playlist https://open.spotify.com/playlist/7at0ooMo5bDBfBOiE5EIrY?si=niVSsEtqRIaedSzj0xiAjA and one featuring Ze Records' Greatest Hits https://open.spotify.com/playlist/1FmYfrWc6o6wsTQDV4CTVg?si=U0srmeo5SOOYvEoYUFlwGw

In the first episode of 2020, Mark, Barney & Jasper celebrate the 40th birthday of James Blood Ulmer's startling Are You Glad to be in America? Pringle waxes lyrical about seeing Ulmer live and about the man's influence on his own guitar-playing – and then, with his colleagues, discusses the "punk-jazz" scene that coalesced around JBU, James Chance, Defunkt and others.RBP's power trio then considers amusing interviews with Billy Idol, Gerry [and the Pacemakers] Marsden and Solomon Burke by New Zealander and former Rip It Up editor Chris Bourke. (Honorary mentions, along the way, to Nik Cohn, Nick Lowe and Jürgen Klopp.)Mark intros a discussion of the week's new audio interview — with Joan Baez in 1992 — by playing a clip of America's folk queen describing how she's (temporarily) let go of her political activism. Baez's significance and legacy are considered after a second clip about learning how hard it is to write songs when you're not Bob Dylan.Mark also talks us through his highlights of the week's new library additions, including a report on hanging out with Madeline Bell in swinging '60s London that reads like a scene from Austin Powers; Sounds' Dave McCullough bemoaning the joyless postpunk of the Raincoats and the Mekons in 1979; and Police man Stewart Copeland and others on the art of drumming in 1988…By contrast, Jasper revisits the return of avant-funk postpunks 23 Skidoo in 2000, a probing biog of Beyoncé from 2015 and the musings of Panic! at the Disco's Brendon Urie in 2016…James Blood Ulmer and Ornette Coleman, James Blood Ulmer, Punk Jazz, Billy Idol, Gerry Marsden, Solomon Burke, Joan Baez audio, Plonk Lane of the Small Faces, Madeline Bell, Jimi Hendrix R.I.P., Weather Report, Simon Frith, The Raincoats, Tony Wilson, Drummers, Black Box, Speed, Lucinda Williams, 23 Skidoo, White Stripes, Beyoncé, Panic! at the Disco and Lizzo live.

In the first episode of 2020, Mark, Barney & Jasper celebrate the 40th birthday of James Blood Ulmer's startling Are You Glad to be in America? Pringle waxes lyrical about seeing Ulmer live and about the man's influence on his own guitar-playing – and then, with his colleagues, discusses the "punk-jazz" scene that coalesced around JBU, James Chance, Defunkt and others. RBP's power trio then considers amusing interviews with Billy Idol, Gerry [and the Pacemakers] Marsden and Solomon Burke by New Zealander and former Rip It Up editor Chris Bourke. (Honorary mentions, along the way, to Nik Cohn, Nick Lowe and Jürgen Klopp.) Mark intros a discussion of the week's new audio interview — with Joan Baez in 1992 — by playing a clip of America's folk queen describing how she's (temporarily) let go of her political activism. Baez's significance and legacy are considered after a second clip about learning how hard it is to write songs when you're not Bob Dylan. Mark also talks us through his highlights of the week's new library additions, including a report on hanging out with Madeline Bell in swinging '60s London that reads like a scene from Austin Powers; Sounds' Dave McCullough bemoaning the joyless postpunk of the Raincoats and the Mekons in 1979; and Police man Stewart Copeland and others on the art of drumming in 1988… By contrast, Jasper revisits the return of avant-funk postpunks 23 Skidoo in 2000, a probing biog of Beyoncé from 2015 and the musings of Panic! at the Disco's Brendon Urie in 2016… James Blood Ulmer and Ornette Coleman, James Blood Ulmer, Punk Jazz, Billy Idol, Gerry Marsden, Solomon Burke, Joan Baez audio, Plonk Lane of the Small Faces, Madeline Bell, Jimi Hendrix R.I.P., Weather Report, Simon Frith, The Raincoats, Tony Wilson, Drummers, Black Box, Speed, Lucinda Williams, 23 Skidoo, White Stripes, Beyoncé, Panic! at the Disco and Lizzo live.

In the first episode of 2020, Mark, Barney & Jasper celebrate the 40th birthday of James Blood Ulmer's startling Are You Glad to be in America? Pringle waxes lyrical about seeing Ulmer live and about the man's influence on his own guitar-playing – and then, with his colleagues, discusses the "punk-jazz" scene that coalesced around JBU, James Chance, Defunkt and others.RBP's power trio then considers amusing interviews with Billy Idol, Gerry [and the Pacemakers] Marsden and Solomon Burke by New Zealander and former Rip It Up editor Chris Bourke. (Honorary mentions, along the way, to Nik Cohn, Nick Lowe and Jürgen Klopp.)Mark intros a discussion of the week's new audio interview — with Joan Baez in 1992 — by playing a clip of America's folk queen describing how she's (temporarily) let go of her political activism. Baez's significance and legacy are considered after a second clip about learning how hard it is to write songs when you're not Bob Dylan.Mark also talks us through his highlights of the week's new library additions, including a report on hanging out with Madeline Bell in swinging '60s London that reads like a scene from Austin Powers; Sounds' Dave McCullough bemoaning the joyless postpunk of the Raincoats and the Mekons in 1979; and Police man Stewart Copeland and others on the art of drumming in 1988…By contrast, Jasper revisits the return of avant-funk postpunks 23 Skidoo in 2000, a probing biog of Beyoncé from 2015 and the musings of Panic! at the Disco's Brendon Urie in 2016…Pieces discussed: James Blood Ulmer and Ornette Coleman, James Blood Ulmer, Punk Jazz, Billy Idol, Gerry Marsden, Solomon Burke, Joan Baez audio, Plonk Lane of the Small Faces, Madeline Bell, Jimi Hendrix R.I.P., Weather Report, Simon Frith, The Raincoats, Tony Wilson, Drummers, Black Box, Speed, Lucinda Williams, 23 Skidoo, White Stripes, Beyoncé, Panic! at the Disco and Lizzo live.The RBP podcast is part of the Pantheon Podcasts network.

In the first episode of 2020, Mark, Barney & Jasper celebrate the 40th birthday of James Blood Ulmer's startling Are You Glad to be in America? Pringle waxes lyrical about seeing Ulmer live and about the man's influence on his own guitar-playing – and then, with his colleagues, discusses the "punk-jazz" scene that coalesced around JBU, James Chance, Defunkt and others. RBP's power trio then considers amusing interviews with Billy Idol, Gerry [and the Pacemakers] Marsden and Solomon Burke by New Zealander and former Rip It Up editor Chris Bourke. (Honorary mentions, along the way, to Nik Cohn, Nick Lowe and Jürgen Klopp.) Mark intros a discussion of the week's new audio interview — with Joan Baez in 1992 — by playing a clip of America's folk queen describing how she's (temporarily) let go of her political activism. Baez's significance and legacy are considered after a second clip about learning how hard it is to write songs when you're not Bob Dylan. Mark also talks us through his highlights of the week's new library additions, including a report on hanging out with Madeline Bell in swinging '60s London that reads like a scene from Austin Powers; Sounds' Dave McCullough bemoaning the joyless postpunk of the Raincoats and the Mekons in 1979; and Police man Stewart Copeland and others on the art of drumming in 1988… By contrast, Jasper revisits the return of avant-funk postpunks 23 Skidoo in 2000, a probing biog of Beyoncé from 2015 and the musings of Panic! at the Disco's Brendon Urie in 2016… Pieces discussed: James Blood Ulmer and Ornette Coleman, James Blood Ulmer, Punk Jazz, Billy Idol, Gerry Marsden, Solomon Burke, Joan Baez audio, Plonk Lane of the Small Faces, Madeline Bell, Jimi Hendrix R.I.P., Weather Report, Simon Frith, The Raincoats, Tony Wilson, Drummers, Black Box, Speed, Lucinda Williams, 23 Skidoo, White Stripes, Beyoncé, Panic! at the Disco and Lizzo live. The RBP podcast is part of the Pantheon Podcasts network.

Floridian noise-rock quartet Clang! plays some songs of their self-released album Whac-A-Mole. 0:51 - Shovel // 07:58 - 21 // 11:12 - Obvi // 14:56 - Women // 19:45 - Gemorrah // 29:57 - So // 34:27 - Permanent Makeup - An Unburdening // 37:30 - Nude Tayne - We're Almost There

(0:49) Top story this week is the second helicopter crash within the past month, this time atop a building in Midtown. The FAA confirms that Timothy McCormack was not licensed to fly in bad weather because he was not "instrument rated", meaning that he was not qualified to fly a helicopter using only the instrument panel and was only certified to fly in good weather when visibility was greater than 3 miles. If you saw anything that day or have photos or video of the crash, email witness@ntsb.gov (3:45) 34 years ago on June 12, 1985 — A teen and his brother attempt to rob a plainclothes police officer near Morningside Park, leading the officer to shoot and kill one of them (4:50) 4 years ago on June 13, 2015 — Three attempted terrorists are arrested in a pressure-cooker bomb plot (6:22) Coming up this Saturday, June 15th: A coalition of organizations are holding a clinic for people experiencing homelessness and their pets. (7:51) Turns out a Burger King in Brooklyn was taking the idea of an Impossible Burger a bit too literally! (9:01) If you're headed to Governors Island this summer, see if you can hitch a ride on a brand-new ferry boat that will go into weekend service beginning on June 15th. The new ship, called the Governors 1, was built by Rhode Island-based Blount Boats, and can carry up to 400 passengers per trip from Lower Manhattan to Governors Island. The first trip of the new 132-foot-long ferry will leave at 10:20am from the Battery Maritime Building at South Street and Broad Street on Saturday, June 15th. (9:36) 36 years ago on June 11, 1983 — A man jumps to his death from the Empire State Building observation deck, the second person to do so within two weeks. (10:42) 2 years ago on June 10, 2017 — Area code 332 becomes active to begin supplementing the dwindling amount of available 212 and 646 numbers. Phone calls in Mandarin are a scam targeting cities with large Chinese populations (12:22) 122 years ago on June 15, 1897 — A fire sweeps through Ellis Island's wood buildings (13:01) 135 years ago on June 16, 1884 — America's first rollercoaster opens in Coney Island (15:05) It's hard to believe it's been seven years since the Space Shuttle arrived in New York, but check the links in the show notes to see Video from April 2012 of the Space Shuttle arriving in New York aboard its special Boeing 747 transport vehicle and a Time-Lapse Video from June 12, 2012 of the Space Shuttle Enterprise Being Lifted Onto the Intrepid Air Craft Carrier's Flight Deck, where you can now view an entire exhibition about the journey the shuttle took to reach New York. A Great Big City has been running a 24-hour newsfeed since 2010, but the AGBC News podcast is just getting started, and we need your support. A Great Big City is built on a dedication to explaining what is happening and how it fits into the larger history of New York, which means thoroughly researching every topic and avoiding clickbait headlines to provide a straightforward, honest, and factual explanation of the news. Individuals can make a monthly or one-time contribution at agreatbigcity.com/support and local businesses can have a lasting impact by supporting local news while promoting products or services directly to interested customers listening to this podcast. Visit agreatbigcity.com/advertising to learn more. AGBC is more than just a news website — It also automatically checks MTA data before morning rush hour and sends out notifications if there are delays on any subway lines, LIRR or MetroNorth trains, and bridges and tunnels. Follow @agreatbigcity on social media to receive the alerts. Park of the day DeRosa–O'Boyle Triangle — Dewey Ave. bet. E. Tremont Ave. and Edison Ave., the Bronx — This triangle honors William Anthony DeRosa and Andrew O'Boyle, two Throgs Neck natives who were killed during World War II. Parks Events Father's Day Classic Car Show — June 16, 2019 Concert Calendar Feed Me and BlackGummy are playing Brooklyn Steel on Thursday, June 13th. The National and Courtney Barnett are playing Prospect Park Bandshell on Thursday, June 13th. Marissa Nadler and Stephen Brodsky, Annie Hart, and Russian Baths are playing Saint Vitus Bar on Thursday, June 13th. Full of Hell, elizabeth colour wheel, and Primitive Man are playing Brooklyn Night Bazaar on Friday, June 14th. Ariana Grande, Normani, and Social House are playing Barclays Center on Friday, June 14th. MxPx, Rehasher, and Unwritten Law are playing Irving Plaza on Saturday, June 15th. Death Cab for Cutie and Jenny Lewis are playing Forest Hills Stadium on Saturday, June 15th. Church of Misery and Toke are playing Saint Vitus Bar on Saturday, June 15th. Deceased, Attacker, Ruthless and Eat Lead at Brooklyn Bazaar, Deceased, Attacker, Eat Lead, and Ruthless are playing Brooklyn Bazaar on Saturday, June 15th. Ariana Grande, Normani, and Social House are playing Barclays Center on Saturday, June 15th. Thompson Square is playing Meadowlands Racetrack — 1 Racetrack Drive — on Saturday, June 15th at 4pm. Death Cab for Cutie with Jenny Lewis is playing Forest Hills Stadium — 1 Tennis Pl — Forest Hills on Saturday, June 15th at 6pm. Ariana Grande are playing Barclays Center — 620 Atlantic Avenue — Boerum Hill on Saturday, June 15th at 8pm. James Chance and The Contortions, Ice Balloons, and James Chance are playing Our Wicked Lady on Sunday, June 16th. Wisin Y Yandel are playing Prudential Center — 25 Lafayette Street — on Sunday, June 16th at 7pm. DaBaby (16+) is playing PlayStation Theater — 1515 Broadway — Midtown on Sunday, June 16th at 8pm. Wu-Tang Clan is playing Amphitheater At Coney Island Boardwalk — 3052 West 21st Street — Seagate on Sunday, June 16th at 8pm. Ariana Grande, Normani, and Social House are playing Madison Square Garden on Tuesday, June 18th. Minuit Machine, Milliken Chamber, and silent em are playing Brooklyn Night Bazaar on Tuesday, June 18th. JoJo Siwa with The Belles is playing Beacon Theatre — 2124 Broadway — Upper West Side on Tuesday, June 18th at 7pm. Ariana Grande are playing Madison Square Garden — 4 Pennsylvania Plaza — Midtown West / Chelsea / Hudson Yards on Tuesday, June 18th at 8pm. Soundgarden (21+) is playing Brooklyn Steel — 319 Frost Street — Greenpoint on Tuesday, June 18th at 8pm. A R I Z O N A and morgxn are playing Brooklyn Steel on Wednesday, June 19th. Billie Eilish - WHEN WE ALL FALL ASLEEP, TOUR, Billie Eilish, and Denzel Curry are playing Radio City Music Hall on Wednesday, June 19th. Ariana Grande - Sweetener World Tour, Ariana Grande, Normani, and Social House are playing Madison Square Garden on Wednesday, June 19th. Kishi Bashi and Takénobu are playing Murmrr Theatre on Wednesday, June 19th. semaphore, Bonsai Trees, Stay Inside, and Synapses Firing are playing El Coretz on Wednesday, June 19th. Jason Isbell with Father John Misty is playing Prospect Park Bandshell — 95 Prospect Park West — South Slope on Wednesday, June 19th at 6pm. Ari Lennox (18+) is playing Bowery Ballroom — 6 Delancey Street — Lower East Side on Wednesday, June 19th at 7pm. Billie Eilish with Denzel Curry is playing Radio City Music Hall — 1260 6th Avenue — Midtown on Wednesday, June 19th at 7pm. Ariana Grande are playing Madison Square Garden — 4 Pennsylvania Plaza — Midtown West / Chelsea / Hudson Yards on Wednesday, June 19th at 8pm. Tank and the Bangas / Cory Henry and the Funk Apostles, Tank and the Bangas, and Cory Henry and the Funk Apostles are playing Prospect Park Bandshell on Thursday, June 20th. Thanks for listening! Find more fun things to do at agreatbigcity.com/events. Learn about New York Here's something you may not have known about New York: You may apply to ride along with NYPD officers during their shift if you are a New York resident and at least 18 years old — Visit the link in the show notes to the NYPD site to find out more Weather The extreme highs and lows for this week in weather history: Record High: 99°F on June 14, 1956 Record Low: 48°F on June 15, 1933 Weather for the week ahead: Rain throughout the week, with high temperatures rising to 89°F on Monday. Intro and outro music: 'Start the Day' by Lee Rosevere — Concert Calendar music from Jukedeck.com — Roller coaster music: "Transit of Venus" (1883) by John Philip Sousa, performed by the United States Marine Band

24 years ago on June 5, 1995 — Just after 6am, a 'J' Train headed into Manhattan rear-ends an 'M' Train on the Williamsburg Bridge, killing the train operator and injuring 64 others With New York hosting the World Pride Festival in June and the 50th anniversary of the Stonewall riots approaching at the end of the month, Police Commissioner O'Neill made a public statement on June 6th formally apologizing for the actions of the NYPD in 1969. 10 years ago on June 8, 2009 — The first section of the High Line opens, from Gansevoort to 20th Street, 8 years ago on June 7, 2011 — The second section of the High Line opens from 20th to 30th Street, and this week, the final section has been opened, completing the park. On June 4th, a ribbon-cutting ceremony opened the final section, a small spur that extends to the east at 30th Street toward Tenth Avenue. This section of the High Line can safely be accessed now that construction on the eastern part of Hudson Yards has been completed, since the Spur of the High Line passes underneath one of the new buildings. After emerging from the building, the walkway opens up to a large plaza area above Tenth Avenue that will host a rotating selection of public art, with plans for more upcoming events to be held there. And, in case you were wondering: Although the other sections opened on June 8th, 7th, and 4th, The third section of the High Line, from 30th Street through the west side of Hudson Yards, wasn't able to open on a June date, and instead opened in September 2014. The number of new measles cases in the city continues to decrease, but cases nationwide in 2019 have surpassed the number last seen 25 years ago in 1994, with 971 reported cases as of May 30, 2019. New York still represents the majority of the yearly cases, but the outbreak in Brooklyn seems to have begun to slow. Within the city, there were only 17 new cases reported since May 29th, with Williamsburg, Boro Park, and Sunset Park being described as Neighborhoods with Ongoing Transmissions. New cases peaked in March and April, and have continued to decrease in May and June. You can view more information about measles at nyc.gov/doh or call 311 for information on where you or your child can get vaccinated against the disease. Some of the city's newest residents are moving back to upstate NY after losing their jobs! — Riverside Park Goats Sent Back To Farm 3 years ago on June 9, 2016 — A British tourist floats for two hours in New York Harbor after a piece of Jersey City dock he was standing on breaks loose A man was arrested by the Joint Terrorism Task Force for planning to attack Times Square. NBC New York identifies the man as Ashiqul Alam, a 22-year-old resident of Jackson Heights, who had been under surveillance and stated a desire to attack Times Square, first suggesting grenades, but settling on firing a gun into the crowd. The FBI arrested Alam after he allegedly tried to buy guns with the serial numbers removed. 22 years ago on June 12, 1997 — Sri Chinmoy creates the world's longest certified footrace, the Self-Transcendence 3100 Mile Race, in Jamaica, Queens 8 years ago on June 6th, 2011 — Video of Zelda the Battery Park Turkey. She survived the flooding of the park during Hurricane Sandy in 2012 only to be killed by a car in 2014 on South Street A Great Big City has been running a 24-hour newsfeed since 2010, but the AGBC News podcast is just getting started, and we need your support. A Great Big City is built on a dedication to explaining what is happening and how it fits into the larger history of New York, which means thoroughly researching every topic and avoiding clickbait headlines to provide a straightforward, honest, and factual explanation of the news. Individuals can make a monthly or one-time contribution at agreatbigcity.com/support and local businesses can have a lasting impact by supporting local news while promoting products or services directly to interested customers listening to this podcast. Visit agreatbigcity.com/advertising to learn more. Park of the day Patrick O'Rourke Park — 12 Avenue in Dyker Heights, Brooklyn — Former site of a WWII victory garden where residents grew food, this park was renamed in 2003 for local resident Patrick O'Rourke, whose medical injury when he was a child impacted medical practice worldwide by drawing attention to the necessity of blood oxygen monitors. Parks Events 2019 NYC Parks Pickleball Festival — June 8, 2019 Concert Calendar Geographer and Manatee Commune are playing The Bowery Ballroom on Friday June 7th. The Marcus King Band is playing Brooklyn Bowl on Friday June 7th. Alexisonfire and Angel Du$t are playing Terminal 5 on Friday June 7th. Coheed and Cambria with Every Time I Die and Mastodon are playing Amphitheater At Coney Island Boardwalk — 3052 West 21st Street — Seagate on Friday June 7th at 6pm. Empire of the Sun (16+) is playing Webster Hall — 125 East 11th Street — Noho / Union Square on Friday June 7th at 7pm. Local Natives with Middle Kids (16+) is playing Brooklyn Steel — 319 Frost Street — Greenpoint on Friday June 7th at 9pm. Alexisonfire and Drug Church are playing Terminal 5 on Saturday June 8th. Remo Drive, Slow Bullet, and Slow Pulp are playing The Bowery Ballroom on Saturday June 8th. Frankie Cosmos and ian sweet are playing Industry City Courtyard on Saturday June 8th. Empire of the Sun (16+) is playing Webster Hall — 125 East 11th Street — Noho / Union Square on Saturday June 8th at 7pm. The Mavericks is playing Beacon Theatre — 2124 Broadway — Upper West Side on Saturday June 8th at 8pm. Anthony Santos is playing United Palace Theatre — 4140 Broadway — Hudson Heights on Saturday June 8th at 8pm. Machine Gun Kelly (16+) is playing PlayStation Theater — 1515 Broadway — Midtown on Saturday June 8th at 8pm. Alexisonfire is playing Terminal 5 — 610 W 56th St. — Hell's Kitchen / Midtown on Saturday June 8th at 8pm. Bobby is playing Kings Theatre — 1027 Flatbush Avenue — Ditmas Park / Flatbush on Saturday June 8th at 8pm. Beach House and Ed Schrader's Music Beat are playing Brooklyn Steel on Sunday June 9th. godmaker, Somnuri, Stonecutters, and Yatra are playing Sunnyvale on Sunday June 9th. India.Arie is playing Beacon Theatre — 2124 Broadway — Upper West Side on Sunday June 9th at 8pm. Beach House (16+) is playing Brooklyn Steel — 319 Frost Street — Greenpoint on Sunday June 9th at 8pm. Beach House and Ed Schrader's Music Beat are playing Brooklyn Steel on Monday June 10th. Tim McGraw with Jon Meacham is playing Beacon Theatre — 2124 Broadway — Upper West Side on Monday June 10th at 8pm. Beach House (16+) is playing Brooklyn Steel — 319 Frost Street — Greenpoint on Monday June 10th at 8pm. Spirit Adrift, Coagula, and High Command are playing Saint Vitus Bar on Tuesday June 11th. Pink Sweat$ (16+) is playing Webster Hall — 125 East 11th Street — Noho / Union Square on Tuesday June 11th at 7pm. The National and Courtney Barnett are playing Prospect Park Bandshell on Wednesday June 12th. The National with Courtney Barnett is playing Prospect Park Bandshell — 95 Prospect Park West — South Slope on Wednesday June 12th at 7pm. Feed Me and BlackGummy are playing Brooklyn Steel on Thursday June 13th. Marissa Nadler and Stephen Brodsky, Annie Hart, and Russian Baths are playing Saint Vitus Bar on Thursday June 13th. The National with Courtney Barnett is playing Prospect Park Bandshell — 95 Prospect Park West — South Slope on Thursday June 13th at 7pm. Full of Hell, elizabeth colour wheel, and Primitive Man are playing Brooklyn Night Bazaar on Friday June 14th. Ariana Grande, Normani, and Social House are playing Barclays Center on Friday June 14th. Death Cab for Cutie and Jenny Lewis are playing Forest Hills Stadium on Saturday June 15th. Church of Misery and Toke are playing Saint Vitus Bar on Saturday June 15th. Deceased, Attacker, Ruthless and Eat Lead at Brooklyn Bazaar, Deceased, Attacker, Eat Lead, and Ruthless are playing Brooklyn Bazaar on Saturday June 15th. Ariana Grande, Normani, and Social House are playing Barclays Center on Saturday June 15th. James Chance and The Contortions, Ice Balloons, and James Chance are playing Our Wicked Lady on Sunday June 16th. Ariana Grande, Normani, and Social House are playing Madison Square Garden on Tuesday June 18th. Minuit Machine, Milliken Chamber, and silent em are playing Brooklyn Night Bazaar on Tuesday June 18th. A R I Z O N A and morgxn are playing Brooklyn Steel on Wednesday June 19th. Billie Eilish - WHEN WE ALL FALL ASLEEP, TOUR, Billie Eilish, and Denzel Curry are playing Radio City Music Hall on Wednesday June 19th. Ariana Grande - Sweetener World Tour, Ariana Grande, Normani, and Social House are playing Madison Square Garden on Wednesday June 19th. Kishi Bashi and Takénobu are playing Murmrr Theatre on Wednesday June 19th. semaphore, Bonsai Trees, Stay Inside, and Synapses Firing are playing El Cortez on Wednesday June 19th. Thanks for listening! Find more fun things to do at agreatbigcity.com/events. New York Fact Here's something you may not have known about New York: Roosevelt Island was named "Welfare Island" in 1921 after the Penitentiary Hospital located on the Island. It was renamed in honor of Franklin D. Roosevelt in 1977 Weather The extreme highs and lows for this week in weather history: Record High: 99°F on June 4, 1925 Record Low: 45°F on June 3, 1929 Thanks for listening to A Great Big City. Follow along 24 hours a day on social media @agreatbigcity or email contact@agreatbigcity.com with any news, feedback, or topic suggestions. Subscribe to AGBC News wherever you listen to podcasts: iTunes, Google Play, or Player FM, Pocket Casts, Podcast Addict, or listen to each episode on the podcast pages at agreatbigcity.com/podcast. If you enjoy the show, subscribe and leave a review wherever you're listening and visit our podcast site to see show notes and extra links for each episode. Intro and outro music: 'Start the Day' by Lee Rosevere — Concert Calendar music from Jukedeck.com

Ever stopped to think what the internet says about you? James Chance tells Jeff Skinner how pondering that very question gave him the idea for a new business – and why, for all of us, it’s more necessary now than ever to keep track of our online identities and who has access to them. This is episode 2 of our entrepreneurs’ journey series.

DeepRAW70 by ARTIUM Tracklisting: 01 Jonathan Fire Eater "When The Curtain Calls For You" 02 Bambara "Doe-Eyed Girl" 03 Jaye Jayle "The Beats Keeps Cool" 04 Tindersticks "Her (original version, 1993)" 05 Tropical fuck Storm "You Let My Tyres Down" 06 The Wilful Boys "Rough As Guts" 07 Kim Phuc "Wormwood Star" 08 Witch Hats "Neil Diamond Entry" 09 Boss Hog "Green Skirt" 10 The Beautiful New Born Children "Do The Do" 11 Hot Snakes "Suicide Invoice" 12 A Place To Bury Strangers "Straight" 13 Clinic "W.D.Y.Y.B." 14 Pissed Jeans "The Bar Is Low" 15 James Chance & The Contortions "Design To Kill" 16 U.S. Maple "Letter To ZZ Top" 17 The Good Damn "The Hill"

We start out 2019 with an explosion not a bang. Our guests are award-winning investigative journalist May Jeong, award-winning writer/stand up comedian Josh Gondelman and singular blues punk rock n’ roll bad ass musician Shilpa Ray. Along with special surprise guest Mitch The Enthusiasm Coach and Megan Fitzpatrick Gets It Off Her Chest. Christian and Shonali catch up on the holidays, mom talk, Nancy Pelosi, Howard Schulz' signature and the opportunity which 2019 will hopefully bring. Their first guest is investigative journalist May Jeong.  May is a wunderkind.  She's spent years living in Afghanistan covering the war and received high accolades for reporting from there.  We discuss her courage, smarts and as she calls it being "young and dumb" in terms of saying yes to every opportunity to get the real story.  Look for her upcoming work in the New Yorker regarding another explosive ground breaking story. Shonali's new 2019 positive attitude is due to the new man in her life, Mitch The Enthusiasm Coach.  Mitch who also wears two headbands at one time shows Christian how to get inspired about the year and take charge of his life.   The second guest in the lineup is award winning writer and stand up comedian Josh Gondelman.  He was a former writer for Last Week Tonight with John Oliver and currently write for the new late night show on Showtime with Desus and Mero.  What Christian and Shonali find most interesting about Josh is that he is from Boston, has no accent AND was a former preschool teacher. 2019 is going to be a big one for Josh.  He just recorded a one hour comedy live special and has written a new book "Nice Try - Story of Best Intentions and Mixed Results" to come out this year. Oh and Desus and Mero's show debuts on February 21st.  Get It Off Your Chest with audience member Megan Fitzpatrick.  She comes forth with martini in hand.  Our problems stem mostly from the weather and inconsiderate people.  Whew, don't you feel better.  Our last guest is the amazing multi-instrumentalist, singer-songwriter punk rock blues musician Shilpa Ray.  Wow.  Shonali bonds with Shilpa on being Bengali Female Desis who play rock n' roll.  Unbelievably she had a music pageant dad who had to force her to practice her harmonium and vocals at a young age.  Believably he also still wants her to go to med school.  Shilpa says she is actually shy which is shocking.  Shilpa kindly answers Christian's template musician question beautifully.  Please go see Shilpa play live at El Cortez on February 8th with James Chance to find out why people call her god. Shilpa performs two songs live on piano in the Red Room, 1) Same Sociopath and 2). Cry For the Cameras  Enjoy!  Happy New Year! Also special thanks to Matt Hunziker for coming in a crushing it as Mitch the Enthusiasm Coach!

WMSE’s Local/Live once again returns to Club Garibaldi’s for another awesome Local/Live segment that you can join! On Tuesday, February 6th, we welcome the zany and crazy-talented Xposed 4Heads for a live show and interview on-site and over the airwaves. In 2012, Xposed 4Heads had the opportunity to “regroup” for the “Lest We Forget” festival and has been going strong ever since. X4 has had numerous acclaimed releases in the synth pop art rock genre. Guest artists have included No Wave legend James Chance, Tuxedomoon co-founder Blaine Reininger, Grammy winner Frank London from the Klezmatics and Deborah Evan from The Flying Lizards (among others). 2017’s ‘Urgency Squad’ stayed on WMSE’s Top Ten play list for 6 months. Xposed 4Heads are a party band that puts on a high energy, witty show that is compared to a mash-up between Devo and the B52’s which features the Star Girls, two aliens that have come for peace and dancing. You can join WMSE and the Xposed 4Heads at Club Garibaldi’s as we team up for this live radio show. If you can’t make it, listen live over the airwaves (or in the WMSE archives). As always, WMSE Music Director Erin Wolf and co-host Cal Roach will lead the Rhythm Chicken through questions in between the live performance with the help of our audience (audience participation is encouraged!). Doors are at 5:30pm and the segment starts at 6pm and runs until 7pm. Club Garibaldi’s is located at 2501 S. Superior Street in Bay View. This is a 21+ event which is FREE and open to the public. Again, if you can’t join us for the live segment and show at Club Garibaldi’s, please tune in, per usual, to 91.7 FM (or stream online at WMSE.org) at the 6 o’clock hour. Local/Live on WMSE is sponsored by Club Garibaldi’s.

Spinoff Music editor Henry Oliver talks to Australian music eccentric Kirin J Callinan about encores, acting, secondhand book-shopping with James Chance, Jimmy Barnes' scream, and pissing one's own mouth.

• James Chance and the Contortions • Change • Spyro Gyra • J.J. Fad • Marilyn Monroe • Samantha Fox • The Triplets • Tia • Transport • China Crisis • The Babys • The Zantees • Robert Gordon • Tracey Ullman • VR Troopers

After 10 amazing years at KEXP, DJ El Toro is moving to Tucson, AZ next month. In his final “Music That Matters” podcast, you'll hear some of his favorite new songs, with special emphasis on punk and no wave veterans (Jah Wobble, Alice Bag, James Chance) who continue to innovate and instigate in the 21st century. It's not really goodbye, merely au revoir.   1. Lambchop – The Hustle2. The April Seven – Platform Shoes3. Jah Wobble's Invaders of the Heart – Cosmic Blueprint4. Tay Sean – Um Tryin' (feat. Jusmoni)5. Lilac – Secrets6. Rob Townsend – U Can Be My Lover7. Ultimate Painting – Song for Brian Jones8. Dungen – Jakten Genom Skogen9. Toy – I'm Still Believing10. Alice Bag – No Means No11. James Chance and the Contortions – Melt Yourself Down12. Pylon – Volume (live)13. King Dude – Holy Christos14. Dust Moth – Corrections15. Marissa Nadler – The Best You Ever Had16. Little Annie – Dear JohnSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Our fourth episode of Totally Made Up Tales, with more tales of wonder and mystery. Spread the word! Tell a friend!   Music: Creepy – Bensound.com.   Andrew: Here are some totally made up tales. Brought to you by the magic of the internet.   James: One   Andrew: Day   James: Elise   Andrew: Held   James: Her   Andrew: Boyfriend   James: Tightly   Andrew: And   James: Whispered   Andrew: That   James: She   Andrew: Was   James: Pregnant.   Andrew: He   James: Was   Andrew: Surprised   James: But   Andrew: Delighted.   James: Together   Andrew: They   James: Planned   Andrew: For   James: A   Andrew: Home   James: That   Andrew: Would   James: Welcome   Andrew: A   James: New   Andrew: Life.   James: Painting   Andrew: The   James: Nursery   Andrew: In   James: Bright   Andrew: Green   James: With   Andrew: Some   James: Dinosaurs   Andrew: On   James: The   Andrew: Walls.   James: Building   Andrew: A   James: Crib   Andrew: Out   James: Of   Andrew: Ikea   James: And   Andrew: Reading   James: To   Andrew: Each   James: Other   Andrew: The   James: Day   Andrew: Of   James: Delivery   Andrew: Arrived   James: And   Andrew: They   James: Took   Andrew: Elise   James: To   Andrew: The   James: Hospital,   Andrew: Where   James: She   Andrew: Gave   James: Birth   Andrew: To   James: A   Andrew: Healthy   James: Baby   Andrew: Dinosaur   James: The   Andrew: End.   James: This is the story of the Gamekeeper's Family.   Once upon a time, not so very long ago, there lived a couple in a wood.   Andrew: The husband was a gamekeeper at the local estate.   James: His wife was a housekeeper for the same.   Andrew: They had lived in their little cottage very happily for the last fifteen years.   James: But ... they longed for a child.   Andrew: They had tried many things, been to doctors, healers and priests but without success.   James: They had traveled the world looking for witches that might be able to cure their barrenness, but all in vain.   Andrew: After many years of searching and hoping, they had resigned themselves to their situation and were content to mind the children of their neighbours and fellow workers.   James: But one day, as the gamekeeper walked home through the forest paths, he came across a basket.   Andrew: Attached to the basket was a note, read, “please take care of me” and inside wrapped up in blankets there was a tiny baby.   James: He rushed home to his wife to show her what he had found.   Andrew: They spent a long time discussing whether or not it would be right for them to keep this child. Who had left it there and why?   James: Eventually, they chose to consult the local vicar who assured them that with all of their experience helping to look after their neighbours' children and given that almost everyone else in the village already had children of their own, the right thing would be for them to keep it and raise it as their own.   Andrew: This they did, with great success and a fine healthy young man was the product of their labours.   James: They had named him Benjamin, after the wife's father and as Benjamin grew in stature, he also grew in the love given to him, not only by them but by others in the village. For everyone enjoyed his outgoing and pleasant company.   Andrew: As the years passed the time came for him to take over his father's job as gamekeeper on the estate and this he did.   James: He had spent his childhood growing up amongst the forest and knew how to look for the different types of woodland animal and also how to protect them. How best to defend them from poachers and so forth. And so, continuing the charm of his childhood as he started his job, he proved to be more than adept as a gamekeeper and was rapidly promoted until he became head gamekeeper.   Andrew: After many years, his parents passed away in a peaceful old age and he moved back to the cottage where he had grown up.   James: By this time, he was himself, married, although as with his parents, he and his wife Amelia, had not been able to have a child.   Andrew: One day, while out walking in the estate, completing his rounds and jobs, Benjamin too came across a basket with a note attached.   James: The note, as the note on his own basket, said “please take care of me” and inside was a tiny child that he took home to Amelia and which as with his parents before him, they decided it was right to adopt.   Andrew: Now, the listener will not know that Benjamin's parents had not chosen to share with him the story of how they had found him in a cradle in the woods. And so, it did not occur to him that there was anything unusual about this coincidence.   James: As Benjamin and Amelia's daughter, Susanna, grew, she also, much like Benjamin was much loved around the village and when it came time for her to start working, she took over Amelia's job as housekeeper, as Amelia had taken over the job of Benjamin's mother before her.   Andrew: And so it was that this story played out from generation to generation. Susanna had a son named Robert. Robert had a daughter named Barbara. Barbara had a son named Tom.   James: And always, down through the generations, the same jobs were passed from father to daughter, from daughter to son, across the generations, gamekeeper and housekeeper both.   Andrew: But why? Why was it that these popular, lovable, outgoing people were never able to have children of their own? And where was it that the mysterious foundlings were coming from?   James: For that, dear listener, we must go back to the first gamekeeper and housekeeper, Benjamin's parents, and see their story from another angle.   Andrew: Once upon a time there was a magical forest where there dwelled many sprites and pixies.   James: Chief among them was a fairy who had lived for many hundreds of years, spending her time looking after the non-magical creatures of the kingdom.   Andrew: Now, many fairies have an ambiguous and complicated relationship with human beings, seeing them somewhat like a tree sees a fungus growing on its bark.   James: At times, the fairy would help humans through stumbling difficulties in their lives, but at other times she would punish them for what she saw as a transgression against the magical forest.   Andrew: She was, to our eyes, capricious in her whims. Sometimes kind, sometimes cruel.   James: One day, the gamekeeper, while walking home through the forest spied a rogue pheasant which had somehow escaped from, as he thought, the forest that he managed.   Andrew: What appeared to be a pheasant to his eyes, was in fact the fairy, wandering through her domain.   James: He carefully set a trap and as she did not consider him a threat, she walked right into it and was quickly bound and trussed with him carrying her home towards the pot.   Andrew: He was not by nature a sentimental person, having spent his life working with the wild animals of the forest. But, there was something about the way this bird fixed him with a seemingly knowing stare as he set it down on the kitchen table that made him think twice about instantly wringing its neck.   James: In the moment that he hesitated, the fairy, as fairies sometimes do, cast a spell, not only for her to be released and free but also so that he would forget having ever encountered her. And, as fairies are also sometimes wont to do, she cursed him at that moment, annoyed and upset that she had ignominiously been bound and walked over the forest. She cursed him that he should never have a child to love him.   Andrew: Sometime later, the fairy observed his wife walking through the forest and weeping and lamenting her lack of children.   James: Unaware that this woman was in any way related to the gamekeeper she had previously cursed, she cast a beneficial spell over the housekeeper that she would have a child that she so clearly desired.   Andrew: The child of course, was easy to provide for fairy folk often have children which they need to be raised in the human world.   James: And no one ever questioned from Benjamin through Susanna, through Robert, through Barbara, through Tom, why, when their feet touched the ground in the forest, flowers grew in their footsteps.   Andrew: And from generation to generation, they continued to live, in the small charming cottage in the middle of the wonderful magical wood.   James: Sally   Andrew: Held   James: Her   Andrew: Handbag   James: Defensively   Andrew: When   James: The   Andrew: Mugger   James: Threatened   Andrew: Her   James: With   Andrew: A   James: Knife.   Andrew: She   James: Balanced   Andrew: On   James: The   Andrew: Balls   James: Of   Andrew: Her   James: Feet   Andrew: And   James: Lashed   Andrew: Out   James: With   Andrew: Her   James: Handbag   Andrew: Knocking   James: Him   Andrew: Over   James: And   Andrew: Giving   James: Her   Andrew: The   James: Chance   Andrew: To   James: Escape.   Andrew: She   James: Reported   Andrew: The   James: Incident   Andrew: To   James: The   Andrew: Police   James: Who   Andrew: Promptly   James: Ignored   Andrew: Her   James: And   Andrew: Carried   James: On   Andrew: Filling   James: In   Andrew: Paperwork.   James: The   Andrew: End.   James: Our next story is Jeremy's Place.   One   Andrew: Day   James: Jeremy   Andrew: Was   James: Walking   Andrew: Along   James: The   Andrew: High   James: Street   Andrew: When   James: He   Andrew: Noticed   James: That   Andrew: The   James: Shops   Andrew: Were   James: All   Andrew: Closed.   James: In   Andrew: Normal   James: Times   Andrew: They   James: Would   Andrew: Be   James: Open   Andrew: On   James: Fridays   Andrew: But   James: Today   Andrew: They   James: Were   Andrew: Not   James: “Hmmm?”   Andrew: He   James: Thought   Andrew: “Is   James: There   Andrew: A   James: Special   Andrew: Occasion?   James: Perhaps   Andrew: It's   James: Remembrance   Andrew: Day?   James: But   Andrew: That   James: Is   Andrew: Always   James: On   Andrew: A   James: Sunday.”   Andrew: So   James: He   Andrew: Knocked   James: On   Andrew: The   James: Door   Andrew: Of   James: The   Andrew: Post   James: Office   Andrew: And   James: Waited   Andrew: For   James: Someone   Andrew: To   James: Open   Andrew: It.   James: Waited   Andrew: And   James: Waited   Andrew: Then   James: Waited   Andrew: Some   James: More.   Andrew: He   James: Gave   Andrew: The   James: Putative   Andrew: Post-mistress   James: Half   Andrew: An   James: Hour   Andrew: And   James: She   Andrew: Didn't   James: Appear.   Andrew: So   James: He   Andrew: Pushed   James: And   Andrew: The   James: Door   Andrew: Opened.   James: “Funny,”   Andrew: He   James: Thought   Andrew: And   James: Stepped   Andrew: Inside.   James: Inside   Andrew: There   James: Was   Andrew: No   James: Light.   Andrew: In   James: The   Andrew: Space   James: Reserved   Andrew: For   James: Packages,   Andrew: There   James: Was   Andrew: A   James: Small   Andrew: Dog.   James: “Strange,”   Andrew: He   James: Thought,   Andrew: And   James: Approached.   Andrew: The   James: Dog   Andrew: Looked   James: At   Andrew: Him   James: And   Andrew: Opened   James: His   Andrew: Mouth.   James: “Why   Andrew: Are   James: You   Andrew: Here?”   James: Asked   Andrew: The   James: Dog   Andrew: “I   James: Want   Andrew: To   James: Know   Andrew: What's   James: Going   Andrew: On?”   James: Said   Andrew: Jeremy.   James: “This   Andrew: Is   James: Not   Andrew: A   James: Place   Andrew: For   James: You.”   Andrew: Said   James: The   Andrew: Dog   James: “Where   Andrew: Am   James: I?”   Andrew: “You   James: Are   Andrew: In   James: The   Andrew: Seventh   James: Kingdom.”   Andrew: Jeremy   James: Backed   Andrew: Away   James: From   Andrew: The   James: Dog   Andrew: And   James: Fled.   Andrew: Once   James: Outside   Andrew: He   James: Started   Andrew: To   James: Calm   Andrew: Down   James: Again.   Andrew: He   James: Convinced   Andrew: Himself   James: That   Andrew: Nothing   James: Strange   Andrew: Had   James: Happened   Andrew: To   James: Him   Andrew: And   James: Proceeded   Andrew: To   James: Walk   Andrew: Down   James: The   Andrew: High   James: Street   Andrew: And   James: Knocked   Andrew: On   James: The   Andrew: Door   James: Of   Andrew: The   James: Butchers.   Andrew: Again   James: There   Andrew: Was   James: No   Andrew: Reply   James: So   Andrew: He   James: Pushed   Andrew: The   James: Door   Andrew: Open   James: And   Andrew: Stepped   James: Inside.   Andrew: Within,   James: There   Andrew: Was   James: No   Andrew: Light.   James: In   Andrew: The   James: Area   Andrew: Where   James: Meat   Andrew: Would   James: Be   Andrew: Chilled   James: There   Andrew: Was   James: Another   Andrew: Dog.   James: “What   Andrew: Are   James: You   Andrew: Doing   James: Here?”   Andrew: Said   James: The   Andrew: Dog.   James: “I'm   Andrew: Just…”   James: “No!”   Andrew: Said   James: The   Andrew: Dog.   James: “This   Andrew: Is   James: Not   Andrew: A   James: Place   Andrew: For   James: You!”   Andrew: Jeremy   James: Looked   Andrew: Confused.   James: “Where   Andrew: Am   James: I?”   Andrew: “Go!   James: This   Andrew: Is   James: The   Andrew: Kingdom.   James: You   Andrew: Must   James: Leave.”   Andrew: Jeremy   James: Backed   Andrew: Away   James: From   Andrew: The   James: Dog   Andrew: Into   James: The   Andrew: Doorway,   James: And   Andrew: Stepped   James: Back   Andrew: Onto   James: The   Andrew: High   James: Street.   Andrew: Now   James: He   Andrew: Was   James: Having   Andrew: Second   James: Thoughts   Andrew: About   James: The   Andrew: Shopping   James: Trip   Andrew: That   James: He   Andrew: Had   James: Planned   Andrew: And   James: Walked   Andrew: Back   James: Towards   Andrew: Home.   James: Passing   Andrew: The   James: Police   Andrew: Station,   James: He   Andrew: Went   James: To   Andrew: The   James: Door   Andrew: And   James: Knocked.   Andrew: The   James: Door   Andrew: Was   James: Not   Andrew: Locked,   James: And   Andrew: So   James: He   Andrew: Went   James: Inside.   Andrew: Within,   James: There   Andrew: Was   James: No   Andrew: Light.   James: In   Andrew: The   James: Cells   Andrew: Where   James: Prisoners   Andrew: Usually   James: Resided,   Andrew: There   James: Was   Andrew: A   James: Third   Andrew: Dog.   James: “Seriously!”   Andrew: Said   James: The   Andrew: Dog.   James: “What   Andrew: Are   James: You   Andrew: Doing   James: Here?”   Andrew: Jeremy   James: Panicked   Andrew: And   James: Ran   Andrew: At   James: The   Andrew: Dog.   James: “Give   Andrew: Me   James: Back   Andrew: My   James: Place!”   Andrew: He   James: Exclaimed.   Andrew: The   James: Dog   Andrew: Jumped   James: Sideways   Andrew: And   James: Avoided   Andrew: Jeremy's   James: Grasping,   Andrew: And   James: Replied,   Andrew: “This   James: Is   Andrew: Your   James: Place   Andrew: Here.”   James: Slamming   Andrew: The   James: Cell   Andrew: Door   James: Shut,   Andrew: Jeremy   James: Collapsed   Andrew: Into   James: The   Andrew: Corner   James: And   Andrew: Slept.   James: The   Andrew: Next   James: Day   Andrew: He   James: Awoke   Andrew: In   James: The   Andrew: Cell   James: To   Andrew: Discover   James: Three   Andrew: Policemen   James: Looking   Andrew: At   James: Him   Andrew: In   James: Confusion.   Andrew: “What's   James: All   Andrew: This   James: Then?”   Andrew: They   James: Said   Andrew: In   James: Unison.   Andrew: Jeremy   James: Stumbled   Andrew: Out   James: Into   Andrew: The   James: Open   Andrew: Air   James: And   Andrew: Saw   James: That   Andrew: Things   James: Were   Andrew: Back   James: To   Andrew: Normal.   James: The   Andrew: Post   James: Office   Andrew: Was   James: Open,   Andrew: The   James: Butchers   Andrew: Had   James: Customers,   Andrew: The   James: High   Andrew: Street   James: Was   Andrew: Bustling.   James: “What   Andrew: Happened   James: Yesterday?”   Andrew: He   James: Thought   Andrew: As   James: He   Andrew: Opened   James: His   Andrew: Front   James: Door.   Andrew: “I   James: Swore   Andrew: I…”   James: And   Andrew: In   James: Front   Andrew: Of   James: Him   Andrew: Were   James: Three   Andrew: Dogs.   James: The   Andrew: End.       James: Peter   Andrew: Liked   James: Jam   Andrew: And   James: Toast.   Andrew: He   James: Regularly   Andrew: Ate   James: Ten   Andrew: Slices   James: Of   Andrew: Them   James: For   Andrew: Breakfast.   James: His   Andrew: Constitution   James: Was   Andrew: As   James: Solid   Andrew: As   James: A   Andrew: House.   James: One   Andrew: Day   James: He   Andrew: Ran   James: Out   Andrew: Of   James: Jam   Andrew: And   James: Had   Andrew: To   James: Use   Andrew: Marmite   James: Instead.   Andrew: This   James: Gummed   Andrew: His   James: Works   Andrew: Up   James: And   Andrew: He   James: Slowly   Andrew: Died.   James: The   Andrew: End.   I've been Andrew, and I'm here with James. These stories were recorded without advanced planning and then lightly edited for the discerning listener. Join us next time for more totally made-up tales ...    

Anteprima stereonotte con James Chance, Ibrahim Maalouf e Shuggie Otis

Fine-art croissants SOUPCANS join us to discuss acid trips in new york, Primus influences, James Chance's melting hair, and more! Plus, an epic tale of playing a show at an elementary school to a group of freaked out kids! We play these tunes: ISS - ISS - (I Want A) Amphetamine PrescriptionNervosas - S/T - Night RoomProtomartyr - Under Color of Official Right - Boice or BoyceNew Fries - Fresh Face Forward - PlexiglassFreak Heat Waves - Bonnie’s State of Mind - Dig A HoleCarpenters - Carpenters - SuperstarGold Class - It's You - Life As A GunMass Gothic - Nice Night - Nice NightGazebos - Die Alone - I Don't Want To Be HereRenny Wilson - Punk Explosion/Extension - Escaping Alive

Tercer capítulo de Autómata, programa emitido el miércoles 23 de Julio del 2014 por radio SER FM. Sonaron: Familea Miranda, Jaime sin Tierra, Tortoise, Pánico, The Feelies, James Chance, Bad Brains, La Golden Acapulco, The Meters y Public Enemy.

Guest DJ: Marc Masters (Plums, Pitchfork Media, author, No Wave) |Playlist:...James Chance and the Contortions - I Can't Stand Myself |Mars - Puerto Rican Ghost |Teenage Jesus and the Jerks - My Eyes |DNA - New Fast |Red Transistor - Not Bite |Ut - Sham Shack |Ursula Bogner - Trabant |Matrix Metals - Flamingo Breeze 1 |Black Bananas - Do It |Psychedelic Horseshit - Laced |The Psychic Paramount - N5 |Plums - Clamourous |Sightings - A Rest |Eat Skull - Heaven's Stranger |Feedtime - Rock and Roll |Fang Wizard - Shorts Illustrated |B.A.L.L. - Bird |Ducktails - Art Vandelay |

Shock World Service #043 Genius is a Weapon by Neil Higgins 25/11/2011 London, United Kingdom Almost all the tracks in this mix were released between 1980-82. The outside world seemed to be full of confusion & danger: huger strikes, riots, hostages, assassinations, glue-sniffing & imminent nuclear wipeout. That paranoia & anger fed into the music, giving it this edge of urgency & anger. 1. Cabaret Voltaire - The Voice of America' (Intro) / The Cure - Three Almost all the tracks in this mix were released between 1980-82, with maybe a couple from 1979. The artists I love from this period were fusing punk, funk, reggae, disco and electronics, all in an un-self-conscious way, because the rules hadn't been written yet. Also, in the early 80s the outside world seemed to be full of confusion and danger: huger strikes, riots, hostages, assassinations, glue-sniffing and imminent nuclear wipeout. All that paranoia and anger fed into the music, giving it this edge of urgency and anger. If things continue to fall aaprt maybe we will get some of that back into music? Just a thought. 2. Virgin Prunes - Ulakanakulot Probably Ireland's leading art-goth-pagan-death-cult band of the early 80s. Actually, the only one. In conservative, catholic Ireland of the time the Prunes were an unbelievably confusing and unsettling presence. Gotta admire them for that. This track is from their debut LP ‘If I Die, I Die' and is a suitably sinister groove. 3. David Byrne & Brian Eno - Regiment In 1980 Brian Eno took a couple of months out from basically inventing ambient music to make the ‘My Life in a Bush of Ghosts' album with David Byrne. Cutting and pasting tape loops of African and Arabic vocals and percussion with found-sounds from US TV news and radio evangelists over edgy punk-funk grooves. In the process they pretty much invented a whole new approach to music production, one that paved the way for an era of leftfield sample-based music. The fusion of world music, electronics and dislocated voices sounds like an obvious formula now, but this was 1981 – there were no samplers, MIDI, or laptops. The sampled words ‘… his insane desire to use his genius as a weapon...' are referring to the silent movie director Erich von Stroheim, but they kind of capture the spirit of the music here. 4. James White & the Blacks - Irresistible Impulse If anyone deserves the ‘punk-funk' label, it's got to be James Chance. Another slice of danceable but menacing New York no-wave funk. From the 1982 Album Sax Maniac. I saw him live in London a couple of years ago and he was still on fire… 5. The Slits - Heard it Through the Grapevine ‘Heard it Through the Grapevine' was the b-side of The Slits first single in 1979 and follows a grand tradition of sarcastic punk versions of soul and funk classics. This slice of cynical joy mixes soul, reggae, pop and punk and delivers proper girl power. In fact there were loads of fantastic, strong and edgy female-led bands around at the time. What happened? 6. Bauhaus - Bela Lugosi's Dead Goth-Dub-Horror-Disco starts and ends with ‘Bela Lugosi's Dead' This classic was released in 1979 as a 6-and-a-half minute 12” with a disco-style arrangement, dub effects and unashamed Hammer House lyrics. It should be ridiculous but somehow it's majestic. Undead! Undead! Undead! 7. Yoko Ono - Walking on Thin Ice Yoko Ono ‘Walking on Thin Ice'. Legend has it that it was while returning from the final studio session for this track that John Lennon was shot and killed, and he died clutching the master tapes. The discordant lead guitar on this song was Lennon's last performance – a long journey from ‘I Wanna Hold Your Hand'. It gives Yoko's great song a whole extra level of mystery and significance. ‘When our hearts return to ashes – It'll be just a story…'

Part 2- Leaving "Heavenston;" going back to Kansas City and landing his first regular gig at a colorful bar; playing jazz in KC; Pat Metheny; playing jazz and the features of Kansas City jazz styles as that time; swinging and schmaltzy as an aesthetic; going to Evergreen in Olympia, Washington; playing at the Rennaissance Fair in Eugene, OR with the Flying Karamazov Brothers, Rev Chumley etc.; Tommy and the Snakes and other experiences in country music; back to Kansas City and then being drawn to New York in the late 70's by friend at Parsons; the New York scene- at Hurrah's, James Chance, James White and the Blacks; No Wave; getting into the publishing business and then writing through that; going to Hunter; meeting Bern Nix and the Theater for the New City; Crystal Field; William parker joins to make the Bern Nix trio; the aesthetics that were, how they came to be that way, and how they became so misunderstood; not wanting to be bourgeois in New York.

Off Minor #25 on DeepFrequency.comPlaylist:Off Minor themeYellow Magic Orchestra - SimoonPaul Simpson Connection - Treat MeAleem - Release yourselfNami Shimada - Sun Shower (Larry Levan Mix)Rick Howard - Who's Gonna Make My Name??? - from the Unity Kolabo on Underground QualityHot Contact - Walter JonesTwilight Moose - Forest information centerJames Chance and the ContortionsThe Coasters - Down in MexicoThe Abbysinians - Zion IMad Professor - Black is DubGoblin - WitchK. Hand - NoiseAlien OST - Dead in a long timeindeed