Podcast appearances and mentions of Philip Jeck

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday night's broadcast features tremorkikimor, Philip Jeck, Blake Lee, Mirror System, Luuma, Bestia Astrum, The Sea Of Wires, and In Spite Of Dreams, plus new music from Vancouver's Peggy Lee / Cole Schmidt, Stefan Smulovitz, and Kuma.

Episode 719: October 29, 2024 playlist: Angel Bat Dawid, "Nuclear War! (Oui Ennui Cosmic Off-Ramp Ouimix)" (Red Hot and Ra - Nuclear War : The Remixes) 2023 Red Hot Organization Philip Jeck, "Mono" (rpm) 2024 Touch A.M. Blue, "September" (September) 2024 [self-released] KMRU, "lattice" (forge) 2024 Seil Songs: Ohia, "She Came To Me As A Ghost (live in Tilburg, Netherlands on October 9th, 2000)" (Live: Vanquishers) 2024 Secretly Canadian Craven Faults, "Lampes Mosse" (Bounds) 2024 Leaf tashi dorji, "begin from here" (we will be wherever the fires are lit) 2024 Drag City Black Rain, "Wintermute" (Neuromancer) 2024 Room40 The Ghostwriters, "Fix It In The Mix" (Objects In Mirrors Are Closer Than They Appear) 1981 Red Music / 2024 Dark Entries Windy and Carl, "Heavy Creation" (Heavy Early and The Creation of Venus) 2024 Blue Flea Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Electronic adventures at the fantastic Smokehouse in Ipswich. Friendship is a large part of the music experience. We meet friends at gigs, we're in bands with friends, and sometimes, when the stars align we get to put on gigs featuring friends. Then there are the magical occasions whereby we are able to promote a gig for a friend who has lived abroad for years and is back in the UK for just a short time. This episode is about one of those magical times. Sure, the huge acts can afford impressive light shows and enough lasers to upset commercial air traffic, but what can artists who haven't already made millions do to make gigs more interesting? This episode of the Beat Motel podcast is a review of a rare UK performance by Egypt-based Nujumi. Support from Jon Bowers, Strandings and Mawhrin Skel. NUJUMIBased in Eqypt, Nujumi describe themselves as 'green pastures and dark debris'. Orchestrated synth and strings emerging from the dusts of the Sahara.Created by Daniel Merrill, one-third of the Dead Rat Orchestra.https://nujumi.bandcamp.com/ JOHN BOWERSIn his first performance returning to Ipswich after 10 years in the Newcastle DIY scene, John Bowers will coax room feedback, chaotic noise, spectral ambience, and extreme dynamics from his modular synthesizer and Pure Data programs. John has a long history in rowdy improvised experimental electronics having performed at festivals including the Venice Biennale, Experimental Intermedia New York, Transmediale/CTM Vorspiel Berlin, Piksel Bergen, Electropixel Nantes, BEAM London, Faster Than Sound Aldeburgh, Yarmonics Great Yarmouth and Spill Ipswich, and toured with the Rambert Dance Company performing David Tudor's music to Merce Cunningham's Rainforest. He is one third of the noise rock trio Tonesucker. He has just launched a personal record label, https://unlanded.bandcamp.com/. Its first album, Unlanded Volume 1 is planned for release June 2023. https://www.instagram.com/johnthemodulator/ STRANDINGSStrandings is the new project by Dead Rat Orchestra member Robin Alderton. A combination of electro-acoustic elements featuring the folk based influences of his soundtrack work with DRO and solo textural collage work utilising turntables, electronics and manipulated vinyl. For fans of Philip Jeck, William Basinski and CST Records. MAHWRIN SKELDepending on whim, willingness and weather Mawhrin Skel makes music that is often described as noise, drone, techno-alt-orchestral and ambient. His music is characterised by its use of harsh, abrasive sounds, deep frequencies as well as long, slow, and meditative passages. Mawhrin Skel is the stage name of Andrew Culture, occasional novelist and bassist of These Are End Times.https://mawhrinskel.bandcamp.com/

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday afternoon's broadcast features new Symposium Musicum, Dave Clarkson, Michael Bonaventure, Vitolo / Buoninfante / De Rosa, Philip Jeck / Chris Watson, Kreysing / Emerge, Anicoc, Andrius Arutiunian, and The Hallways.

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This Friday afternoon's broadcast features new Richard Begin, Anicoc, Dave Clarkson, Mount Shrine, M. Knagge, Dead Voices On Air, Standard Grey, and Philip Jeck / Chris Watson‘s ‘Oxmardyke‘.

Tonight's edition features long form awesomeness including a new Ian Hawgood piece for your garden plants, plus tunes from Sam Prekop, American Analog Set, Philip Jeck,…

As always, we are governed by the releases that come in every month; we've certainly had our fair share this time of ambient, symphonic, neo-classical & experimental stuff for this podcast. In addition to what would have been Vangelis's 80th birthday, there are tributes from Michael Neil on his album ‘Into Infinity', & Aural Films, with thirty-seven artists from around the world who have contributed their own reflections on his vast career, four & half hours of music, we've selected four tracks from this special collection titled ‘Tears In The Rain'. Someone you may not have heard of, Philip Jeck, who died last year, worked with old records and record players salvaged from junk shops. He really did play them as musical instruments, genuinely creating moving and transfixing music where we hear the art, not the gimmick. On the album ‘Stardust' he collaborated with Faith Coloocia. We begin with Johan Tronestam's latest release, full of melodic music on 'Cosmic Drama Part 2'. Download bio pages: https://we.tl/t-x0EbIaA37L. ‘Playlist No 230 02.31 Johan Tronestam ‘Interstellar Space Part II' (album Cosmic Drama II) https://tronestamjohan.bandcamp.com www.groove.nl 13.48 Johan Tronestam ‘The Final Drama' 17.54 Language Field ‘Modus Vivendi' https://buriedtreasure.bandcamp.com info@thedelawareroad.com 21.55 Language Field ‘Earl Of Deferral' 25.50 Bleep & Booster ‘Find The Light' (album The World Of Bleep & Booster: promo) 31.51 Monster Taxi ‘A Walking Stranger' (single) 35.17 Sisters In Synths ‘Honoring The Elders' (album Medusa) ***https://alanrpearlmanfoundation.bandcamp.com 44.51 DASK ‘Matter Domination' (album Born From The Stars) https://dask-syngate.bandcamp.com 47.18 DASK ‘Primordial Black Hole' 50.30 DASK ‘Birth Of A Universe' 54.15 Amie Waters ‘Dormiveglia' (album Nakazora) https://amiewaters.bandcamp.com/album/nakazora 01.01.21 Michael Neil ‘Endless Sky' (album This Wide Land) https://michaelneil.bandcamp.com 01.06.22 Michael Neil ‘Into Infinity' (album Into Infinity) *** 01.19.08 Robert Simon Thoma ‘Snowy Landscape Part 2' www.bscmusic.com 01.24.40 Natalia Quest ‘Upon Us' (single Instrumental version)) https://soundcloud.com/quest-project (Album Tears In The Rain-Vangelis Tribute) https://auralfilms1.bandcamp.com 01.28.54 Jorge Granda ‘City Of Text' (album Tears In The Rain-Vangelis Tribute) www.jorgegranda.com 01.31.54 Ran Kirlian ‘Final Frontier' (album Tears In The Rain-Vangelis Tribute) https://rankirlian.bandcamp.com 01.38.17 Christopher Alvarado ‘Mechanised Touch' (album Tears In The Rain-Vangelis Tribute)https://christopheralvaradocompositions.bandcamp.com 01.44.50 Robotic Conversations ‘I've Seen Things' (album Tears In The Rain-Vangelis Tribute) https://roboticconversations.bandcamp.com ------------------------------------------------------------------------------------------------------------------- 01.49.15 Aarktica ‘Golden Hour Of Pyramid House' (album Paeans) www.projekt.com 01.57.16 Rudy Adrian ‘Dawn Redwood' (album On A Walk In The Shadow Garden) http://ambientelectronic.bandcamp.com/yum 02.00.47 Rudy Adrian ‘Dark Waters' 02.06.41 Shajan ‘Awakened Earth' (album Garden of Eden) www.bscmusic.com 02.15.06 Aglaia ‘The Left Bank Of The River' (album Along The Vast Ancient River) www.projekt.com 02.25.31 theAdelaidean ‘Sastrugus' www.projekt.com 02.29.19 theAdelaidean ‘Aurora Mirabilis' 02,36.07 Faith Coloccia & Philip Jeck ‘Stardust' (album StarDust) https://philipjeck.bandcamp.com/album/stardust 02.42.00 Faith Coloccia & Philip Jeck 'Mycobiont'' 02.44.50 Athshe 'Nurture Riverboat' (EP Burning Electronics) https://ellirecords.bandcamp.com/ 02.49.20 Anarres ‘Reliably Presume' (EP Burning Electronics) Edit ***

Episode 571: April 17, 2022 playlist: SAULT, "Air" (AIR) 2022 Forever Living Originals Marissa Nadler, "Quicksilver Daydreams Of Maria" (Songs Of Townes Van Zandt Vol. III) 2022 Neurot Julia Reidy, "Holding Onto" (World in World) 2022 Black Truffle Ultima Esuna, "7 Salidas" (Nervous Horizon Vol. 4) 2022 Nervous Horizon Philip Jeck, "Wipe" (7) 2003 Touch Marina Herlop, "shaolin mantis" (Pripyat) 2022 PAN Distant Fires Burning, "DFB132" (Inperspectycon Vol.2) 2022 Audiobulb Sontag Shotgun x Lau Nau, "Valo Siroutuu" (Valo Siroutuu) 2022 Beacon Sound The Howard Hughes Suite, "Slow Motion Pictures" (Transcendental Medication) 2022 The Slow Music Movement Fennesz, "Aus" (Hotel Paral.lel) 1997 Mego / 2022 Editions Mego Lawrence English, "Antarctica (Excerpt)" (Viento) 2022 Room40 Chikuzan Takahashi, "Iwaki Impromptu Bill Laswell Mix-Translation" (Iwaki Impromptu) 2021 Volkuta Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Sonic Youth - "Come and Smash Me Said The Boy With The Magic Penis" - Nothing Short Of A Total War v/a Current 93 - "If A CIty Is Set Upon A Hill" - If A CIty Is Set Upon A Hill Helm - "Silencer II" - V/A ‎– Blanck Mass Presents The Strange Colour Of Your Body's Tears Re-Score Arcane Device - "Drazy Hoops" - Trout Gerritt - "Unknown" - Creation Stories Mira Calix - "The Abandoned Colony Collapsed My World" - Absent Origin [R.I.P. Mira Calix!] Philip Jeck - "Spirits Up" - Surf [R.I.P. Philip Jeck!] https://www.wfmu.org/playlists/shows/114176

"Music Is My Radar, because Music has always been, it still is and will always be one reason to live and to keep my mind, body and spirit alive."This is RKO Radio Sircus, with Maurizio Mottola, voice and desktop studio.This episode is dedicated to the loving memory of Philip Jeck, died at 69 a few days ago.1. blur – on your own2. bauhaus – drink the new wine3. working men's club – widow4. johnny marr - night and day5. orlando weeks – big skies, silly faces6. trentemøller – dead or alive7. fontaines d.c. - just like heaven8. silverbacks – archive material9. belle and sebastian – unnecessary drama10. guided by voices – excited ones11. philip jeck – vinyl coda iv (extract)

Episode 55 Drum Machines: A Recorded History, Part 2: Digital Drum Machines   Playlist Linn Drum Gary Numan, “My Brothers Time” from Dance (1981 Beggar's Banquet). Early use of the Linn LM-1 by John Webb on this track. Note the sound of the claves, played by Numan but not digital. Bass, Saxophone, Mick Karn; Linn LM-1 drum machine, John Webb; Piano, Claves, Gary Numan. 4:37 Rajie, “ストーミー・ナイト (Stormy Night)” from Acoustic Moon (Sony 1981). Early recognition in Japan of the original Linn LM-1 drum machine. Rajie, vocals; Guitar, Mikihiko Matsumiya; Bass, Tsugutoshi Goto ; Chorus,  Hiroshi Koide,  Raji ; Composed By,  Akira Inoue ; Drums,  Tatsuo Hayashi ; Electric Guitar-Tsuyoshi Kon; Flute,  Motoya Hamaguchi ; Lyrics By,  Etsuko Kisugi ; Percussion,  Motoya Hamaguchi ; Prophet-10, Linn LM-1, Electric Piano,  Akira Inoue. Early Linn Drum Computer. 5:08 Herbie Hancock, “The Twilight Clone” from Magic Windows (1981 Columbia). If you want to study the latest in emerging electronic music instruments, just listen to the many albums by Herbie Hancock throughout the 1970s and 1980s. He was an early adopter of the Linn LM-1, heard here and played by Hancock. Bass, Louis Johnson; Linn LM-1 Drum Machine, Herbie Hancock; Ghanian Drums, Moody Perry III; Ghanian Drums, Bells, Kwasi Dzidzornu, Kwawu Ladzekpo; Lead Guitar, Adrian Belew; Percussion, Paulinho Da Costa; Rhythm Guitar, George Johnson; Written by, A. Belew, H. Hancock. 8:16 Don Henley, “The Boys of Summer” Linn Drum demo version (excerpt) (1984 private). Guitar and Linndrum, Mike Campbell; Synthesizer, Steve Porcaro; Synthesizer, Guitar, Danny Kortchmar. Bass, Larry Klein; vocals, lyrics, Don Henley. The instrumental part of the song came first and was put together by Tom Petty bandmate Mike Campbell who had just purchased a LinnDrum machine which was a more affordable model than the original LM-1 released in 1980. Campbell put together a rhythm track and played some guitar. Tom Petty wasn't interested in the song at that time, so it went to Henley, who wrote the lyrics. This demo was close to the final version. The final mix of the song also included some human drumming, as did live performances where a human drummer tried to replicate the sound of the original Linndrum. 0:42 Jean Michel Jarre, “Zoolookologie” from Zoolook (1984 Disques Dreyfus). A fascinating exploration of samples both of voice and drums. This is the later version of the Linn Linndrum machine, just before the introduction of the Linn 9000. There is pure joy in this track as Jarre uses the Linndrum to create many unexpected sounds and atypical rhythms. Bass, Marcus Miller; Composer, Producer, Ethnic Vocals Processing, Keyboards, Electronics, Jean-Michel Jarre; Drums, Yogi Horton; Daniel Lazerus; Guitar Ira Siegel; Guitar, Effects, Adrian Belew; Keyboards, Frederic Rousseau. 4:13 David Van Tieghem, “In-A-Gadda-Da-Vida” from In-A-Gadda-Da-Vida (1986 Wide Angle). Drummer and percussionist Van Tieghem created this version of the Iron Butterfly song using electronic drums (Octapads) and digital drums. Engineer, Programmed By Fairlight Programming Assistance, Eric Liljestrand; Guitar, Larry Saltzman; Vocals, Synthesizer Digital, Analog, Percussion Acoustic, Electronic, Mixed By, Producer, David Van Tieghem; Written-By, Doug Ingle. Basically a one-person performance aside from guitarist Saltzman. Van Tieghem was using both hand played electronic drums (the Octapads) plus some digital drum machines. 5:36 Suzanne Ciani, “Mosaic” from Neverland (1988 Private Music). Composed, Arranged, Performed, Produced by Suzanne Ciani. Among the many electronic instruments used by Ciani were keyboards made by Yamaha, Roland, and Bode (vocoder). For drum programming, she turned to the Linn 9000. This track has some decidedly simple, yet complex rhythms using the Linn 9000 that are truly nuanced and more jazz like. The care with which she programmed this track is in contrast to the typical drum machine beats you hear on records. Ciani also used a Roland TR-707 on this album, which you may also detect on this track. 4:37 Oberheim DMX Todd McKinney, “Kimberlite” from The Sound Of The System (1982 Oberheim). This 7-inch demo disc includes music created by Todd McKinney and Daniel Soger, two Oberheim employees. “Kimberlite” was composed and performed by McKinney using the DMX Programmable Digital Drum Machine, the DSX Digital Polyphonic Sequencer, and the OB-Xa Polyphonic Synthesizer. 2:28 Tangerine Dream, “Poland” from Poland (The Warsaw Concert) (1984 Jive Electro). You can hear the Bohn Digital Drums in the first half of the song and the Oberheim DMX in the second half. But that's a bit of a guess. Dr. Böhm DIGITAL DRUMS was a rhythm machine made in Germany from 1982-83, also known as ''the German Linndrum.'' Composed, performed, and produced by Tangerine Dream. Jupiter 8, PPG Wave 2.3 Waveterm, Minimoog, Korg Monopoly, Sequenced by EEH CM 4 Digital Sequencer, Bohm Digital Drums, Roland Tr 808 Drums, Roland SDE 3000 Delay, MXR 01 Digital Reverb, MXR Digital Delay, Johannes Schmoelling; Prophet 5, Prophet 600, Prophet 1, E-mu Custom Programmable Synth, Moog Custom Programmable Modular Synth, MTI Synergy, Sequenced by the PE Polyrhythmic Sequencer, Compulab Digital Sequencer, Syntec Custom Digital Drum Computer, Electronic Drums Simmons Drum Modules, Effects Quantec Room Simulator, Roland SDE 3000, Electronics Hill Multi-mixer, Chris Franke; Yamaha DX 7, Yamaha YP 30, Jupiter 8, Jupiter 6, Prophet 5, PPG Wave 2.2, Sequenced By Pe Polyrhythmic Sequencer, EEH Cm 4 Digital Sequencer, PE Custom Trigger Selector, DMX Oberheim Digital Drum machine, Edgar Froese. 8:43 Herbie Hancock, “Earth Beat” from Future Shock (1983 Columbia). In addition to the DMX, this track includes evidence that Garfield Electronics Dr. Click Rhythm Controller was a much-needed rhythm device for wrangling the otherwise incompatible signals prior to the introduction of MIDI a few years later. Craig Anderton wrote the following about Doctor Click in an article in Keyboard from 1983: "Doctor Click is not a keyboard instrument, not a drum machine, and not a signal processor: What it does is synchronize and interface these three families of devices together. Not only can it interface to existing sync tracks, it can build up click tracks from incomplete click tracks, and even create sync and/or click tracks which are referenced to a live musician." Hancock masters Dr. Click on this album. Fairlight CMI, Yamaha GS-1, Yamaha CE-20, Dr. Click Rhythm Controller, Herbie Hancock; DMX Drum Machine, Synare Electronic Drums, Memory Moog Programming, Michael Beinhorn; Bass, Bill Laswell; Bata, Daniel Ponce; Turntables – Grandmixer D. ST. 5:09 Herbie Hancock, “Hardrock” from Sound System (1984 Columbia). The sound of the Oberheim DMX digital drum machine as used by Herbie Hancock. This album was his follow-up to the album Future Shock on the DMX made a famous appearance in the song Rockit, which was unusually a top-selling hit for Hancock. The DMX is played here by non-other than Bill Laswell. Note that Simmons electronic drums are also being played on this track by Anton Fier, but I think you can tell the difference. Bass, Drum Machine DMX, Tape, Bill Laswell; Bata, Daniel Ponce; Simmons electronic drums, Sound Plates, Cuica, Anton Fier; Guitar, Henry Kaiser, Nicky Skopelitis; Fairlight CMI Programming, Will Alexander; Fairlight CMI, Rhodes Chroma, Apple IIe, Yamaha DX7, Emu 4060 Digital Keyboard, Herbie Hancock; Synthesizer (XMD), Rob Stevens; Turntables, D. St; Written-By, B. Laswell, D. Showard, Herbie Hancock. 6:10 Davy DMX, “Bonus Beats” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberhheim DMX digital sampling drum machine. He is also known as David Franklin Reeves, Jr. Here is a bonus track of only drum machine and turntable. 1:47 Davy DMX, “One For The Treble (Fresh) (Instrumental)” from One For The Treble (Fresh) (1984 Tuff City). Davy DMX when he first met the Oberheim DMX digital sampling drum machine. Another track from that same 12-inch. 7:31 Movement MCS Drum Computer John Foxx, “Pater Noster” from The Garden (Virgin 1981). This album was produced after Foxx left Ultravox. It is another example of the MCS Drum Computer. This track only features Foxx on synthesizers, voice, drum programming, and a manually struck Tom Tom. 2:30 Roland El Escuadrón Del Ritmo, “Las Cucarachas” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). I discovered this wonderful collection of Mexican synth-pop tracks, some never before heard, and immediately dug-out a track using a drum machine. This track is from 1982. In this case, the drum machine is the Roland Compu-Rhythm CR-78, which was a transitional analog device with analog drum sounds and digital control for programming patterns. 3:44 Nahtabisk, “La Dama De Probeta” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Another hidden gem from Mexico. This track is from 1984 and features the Roland drumTR-606 Drumatix. The TR-606 featured PCM-encoded sounds of real drums. This small device, that ran on batteries, helped define the sound of early techno. 3:20 E-mu Joe Mansfield, “Drumulator (Instrumental)” from Drumulator (2014 Get On Down). This is a track featuring the sounds of the E-mu Drumulator that was sold from 1983 to 1985. It had twelve, 8-bit sampled sounds of real drums and at about $1000 was more affordable that drum machines like the Linndrum and Oberheim DMX. It was created on the heels of the sample synthesizers they made under the Emulator name. It also had a relatively short life so few recordings from the time were made. This demo is an example of what could be done with the Drumulator and Herbie Hancock took a liking to it prior to switching to the Oberheim DMX. 2:02 Richard Souther, “Uncharted Waters” from Innermission (1986 Meadowlark Records). Music and realization by Richard Souther. Includes synthesizers from Roland, PPG, Sequential Circuits, and Casio. He also used both the Linn 9000 and E-mu SP-12 drum machines, which are both heard on this track. You can clearly hear the Linn 900 and its distinctive snare and bass sounds, while the E-mu, which was built around the circuits in the company's popular keyboard samplers, provided some of the more unusual, even exotic, percussion sounds. 3:23 Alesis Slant, “Sheep” and “Ducks” from Hive (1989 These Records). This amazing group, although short-lived, was a British experiment in rock with noise elements that included Cris Cheek, Philip Jeck, Sianed Jones, and Osian Tam. Cross used an Alesis HR-16, which is showcased in the second of two tracks, “Ducks.” I think that is probably the same drum machine in the first track, “Sheep” so I thought this represented some good contrast in the way that the sound could be treated. This had 49 digital samples of drums that could be programmed in real-time by playing the velocity sensitive drum buttons. Double Bass Julia Doyle; Guitar, Cabasa, Engineer, Co-producer Maciek Hrybowicz; Keyboards, Accordion, Synthesizer DX7; Piano, Clarinet, Voice, Marimba, Goblet Drum Darabouka, Tambourine, Bells Agogo Bells, Sampler Cassette Samples, Flute Souffara, Rattle Seed Pod Rattles, Performer Emax, Alesis HR-16, Breath Rhythms, Face Slap, Mixed By, Co-producer Cris Cheek; Turntables, Radio Philip Jeck; Violin, Piano, Vocals, Organ, Fife, Viol Viola Da Gamba, Harmonium, Claves, Performer Emax, Breath Rhythms, Mixed By, Co-producer Sianed Jones; Voice Osian Tam. 4:31 Closing, Linn LinnDrum Mikel Rouse, “Quorum part 2” from Quorum (1984 Club Soda Music). It was inevitable that a composer would create an extended piece of music using only the Linn Linndrum. Mikel Rouse was that person. Listen to the hypnotic patterns of this work. From the composer's notes: “Quorom is a piece for LinnDrum machine (or 18 percussion players) in 9 parts running approximately 1 hour and 45 minutes in length. Though the sequence of parts 1 through 9 must be maintained, the parts may be divided into sections, or run continuously. Themes are produced through the synchronization of the 3 generators, 3-5-8, and their complimentary factors yield counterthemes. Power series are then applied to produce harmonic contrasts from the original themes. Thematic material is developed through multiple variation techniques (circular permutations, accents through superimposition of an additional component, natural growth through the summation series). I decided to undertake the programming myself and, with the aid of Jim Bergman, successfully completed the programming in about 5 hours. I would like to stress that all programming was done through the step-by-step process provided in the operator's manual for construction “songs” from “patterns”. No special treatments or extensions (including cassette interfaces) were required.” Such was the versatility of the Linn Linndrum. 11:16   Background Sounds Volti, “Corazón” from Back Up: Mexican Tecno Pop 1980-1989 (2021 Dark Entries). Mexican electro-pop group. This track is from 1986 and features unknown drum programming. vocals, synthesizer, Lyndell Brookhouse; bass, synthesizers, drum programming percussion, Eddie Rubello; Backing Vocals, Katie Taylor; Congas, Edgar Herrera; Piano, Vincent Kenis; Timbales, Pedro Ortiz. 3:45. Adams and Fleisner, tracks “a1, a2, b1, b2, b3” from Modern Digital Recorded Drumcomputer Rhythm Tracks (1983 Break Records). I think this track of library digital drum samples from the Netherlands was made with the Drum Computer MCS II (or Percussion Computer) from Movement Computer Systems, a rare British made-drum machine circa 1983. It had an integrated CRT monitor and had an orange (or black) case. It used 8-bit samples of drums and featured 14 voices and programmable patterns. Opening: Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations. There are dozens of drum machines that dot the history of electronic music. For an encyclopedic list of almost every drum machines ever made, and there were dozens of variations and models up until around 1985, check-out the excellent books by Alex Graham, a UK-based drum machine collector and specialist.

Tonight's edition features new beats from Call Super, Octo Octa, Pole and some great soundscapes from Philip Jeck + Faith Coloccia, Ulrich Schnauss + Mark Peters, Salamanda and plenty more. Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Cherry Drops by Call Super on Cherry Drops I (Can You Feel the Sun) ⭐️

Episode 19   Maximum Turntablism, Part 2   Modern Experimental Turntablism and CD Glitch Music   Playlist: Pierre Henry, Concerto Des Ambiguïtés parts 1,2,3,and 5(1950) from Symphonie Pour Un Homme Seul / Concerto Des Ambiguïtés (1972, Philips). Premiered on August 7, 1950. Christian Marclay, “Smoker,” (1981) from the album Records (1997). Christian Marclay, turntables and processing. Recorded on a cassette deck at home. DJ Shadow ... And The Groove Robbers, “Hindsight,” from In/Flux/ Hindsight (1993) Institut Fuer Feinmotorik, “A1” from Wenig Information: Kein Titel (1998). Recorded live between April and June 1998 in Cloister Bad Säckingen, Germany. For turntables, mixer, compressor, various processed records, paper, cardboard, scotch tape, household rubber, wire, various other odds and ends. Peter Cusack & Nicolas Collins, “Hazlitt” from ‎ A Host, Of Golden Daffodils (1999). Recorded live in concert at STEIM (Amsterdam, The Netherlands) June 1996 and at Museum für Gegenwart, Hamburger Bahnhof, (Berlin, Germany), November 1996. Electronic processes, CD, radio sources, trombone-propelled electronics, Nicolas Collins; guitar, bouzouki, whistling, electronics, sampler triggers, Peter Cusack. Gen Ken Montgomery, “Droneskipclickloop”(excerpt, 1998) from Pondfloorsample (2002). Using four CD players and curated sounds in the categories Drone, Skip, Click, and Loop. Mixed in real time at a performance at Experimental Intermedia Foundation (NY) on March 17, 1998. Crawling with Tarts, “Trecher Track” from Turntable Solos (1999). By Michael Gendreau and Suzanne Dycus-Gendreau. Yasunao Tone, “Part 1”(excerpt 1999) from Solo for Wounded CD (1999). All sounds used were from scratched CD's. Philip Jeck, “Untitled 2,” from Soaked (2002). Turntables, Philip Jeck, electronics, Jacob Kirkegaard. Recorded live at the Electronic Lounge, Moers Festival, Germany. Maria Chavez, “Jebus” from Tour Sampler (2004), recorded in Houston, Texas. Turntables and electronics by Maria Chavez. Marina Rosenfeld, “Three” from Joy of Fear (2005). Piano, turntables, dubplates, electronics, sound processing], vocals, Marina Rosenfeld. She said, “This record couldn't exist without the small collection of one-off ‘acetate records' (dub plates) that I've been making since 1997, when I first encountered Richard Simpson and his disc-cutting lathe in Los Angeles.” Luc Ferrari and Otomo Yoshihide, Slow Landing” from ‎Les Archives Sauvées Des Eaux (2008). Composed by Luc Ferrari and Turntables, Electronics, prepared phono cartridges by Otomo Yoshihide. Christian Marclay, from Record Without a Cover (excerpt, 1999). Marked with instructions, "Do not store in a protective package," my copy is a reissue of the disc first released in 1985, done by Japanese label Locus Solus. The naked record will naturally become increasingly damaged from shipping, storing, and playing the record, all becoming part of the work. In essence, the owner is implored to progressively destroy the release, allowing it to become scratched and bruised from accumulating damage that make each copy unique. My copy actually skips a lot. In the passage I am playing I often had to press the needle down a little bit to get through a skip. There is faintly recorded jazz music found on some of the disc, while other parts are pretty much composed only of surface noise. The Archive Mix in which I play two additional tracks at the same time to see what happens. Here are two more tracks of modern experimental turntablism: Tsunoda Tsuguto, “Air Pocket” (1997) from Turntable Solos (1999). Merzbow, “Batztoutai—The Nightengale's Song” (1985) from Turntable Solos (1999). The incidental music heard while I'm speaking is from a damaged and skipping CD that I have of Sun Ra. The track is “Sound Spectra/ Spec Sket” from the album Other Planes of There (1964). For more information about the history of turntablism, read my book: Electronic and Experimental Music (sixth edition), by Thom Holmes (Routledge 2020). Notes for this episode can be found on my blog: Noise and Notations.

Louise Episode 81 - Do whatever you want all the timefeaturing music by Sunset Rollercoaster, Melmann, Philip Jeck, Jlin, Liv.e, Ric Wilson, Ela Minus, Eddie Gomez, Bill Evans Trio, and Pascal Rogéwith the voice of Louise Bourgeois from the films, "Louise Bourgeois - Ich bin, was ich tue" by Nigel Finch, and "Louise Bourgeois - Die Bildhauerin und ihr avantgardistisches Werk" by Guichard von Camille also featuring the voice of Daniel Milman in his lecture entitled, "Louise Bourgeois and Psychoanalysis" also featuring an ambient field recording by Lucretia Dalt programmed and produced by @small_ernst Namo Guan Shi Yin Pusa Thank you for listening

Philip Jeck; Bryce Hackford; Sam Mallett; Jon Hassell; Building Castles out of Matchsticks; Miles Davis; Bill Laswell / Alex Haas; Nils Petter Molvaer; Fond of Tigers; DJ Python; Evan Caminiti; James Holden; Einsturzende Neubauten; Capital K; Higher Intelligence Agency; Thomas Fehlmann; DJ Python; Building Castles out of Matchsticks; Carla dal Forno; Ana Woulfe; Lolina; Ela Orleans & Beck.

Skyggnst aðeins í hljóðheim raftónlistarmannsins Philip Jeck, sem heimsækir Sequences hátíðina í vikunni. Einnig hljómar lag af nýrri plötu Halldórs Eldjárn sem kemur út í vikunni. Einnig heyrist sýnishorn af plötu Red Barnett, sem er væntanleg. Nýtt lag frá Sonic Youth meðlimnum Kim Gordon fer líka á fóninn. Hátalarinn heimsótti 12 Points tónlistarhátíðina í lok síðasta mánaðar og í þessum þætti heyrast tóndæmi frá Bretlandi, þar á meðal viðtal við hljómsveitina Family Band. https://www.12points.ie/

Skyggnst aðeins í hljóðheim raftónlistarmannsins Philip Jeck, sem heimsækir Sequences hátíðina í vikunni. Einnig hljómar lag af nýrri plötu Halldórs Eldjárn sem kemur út í vikunni. Einnig heyrist sýnishorn af plötu Red Barnett, sem er væntanleg. Nýtt lag frá Sonic Youth meðlimnum Kim Gordon fer líka á fóninn. Hátalarinn heimsótti 12 Points tónlistarhátíðina í lok síðasta mánaðar og í þessum þætti heyrast tóndæmi frá Bretlandi, þar á meðal viðtal við hljómsveitina Family Band. https://www.12points.ie/

Check The Applegate Experience™ Podcast on Anchor: https://anchor.fm/stevenapplegate I invite you to reinvent yourself at https://CherryLane.Associates Subscribe to #TheApplegateExperience Podcast https://anchor.fm/stevenapplegate YouTube Channels: https://www.youtube.com/user/coyotebullet2002 https://www.youtube.com/channel/UCCW_Xw7WgBQ0vvYFIEt8xdA Like on Facebook: https://www.facebook.com/TheApplegateExperience Follow on Snapchat: https://www.snapchat.com/add/StevenApplegate Twitter: https://twitter.com/StevenApplegateMD Instagram: https://www.instagram.com/theapplegateexperience/ https://www.instagram.com/stevenapplegatemd/ https://www.linkedin.com/in/steveneapplegate https://medium.com/@steveneapplegate ___ Department.Media Production Visit: http://www.BlockchainTrade.Market Join our Discord: https://discord.gg/sxNmwhs Follow on Telegram @BlockchainTrade.Market t.me/BlockchainTradeMarket Follow on Instagram: https://www.instagram.com/blockchaintrade.market/ Follow on Twitter: BlockchainTrade™ (@Blockchain_BTM): https://twitter.com/Blockchain_BTM?s=09 Like us on Facebook at https://www.facebook.com/BlockchainTrade.Market/ Please subscribe to our YouTube Channel: https://www.youtube.com/channel/UCpEmDm0CJhORFAg8QxSdP4g Get started with Coinbase: https://www.coinbase.com/join/599a0a2633253e019cf5df59 Help grow the digital currency community and earn free bitcoin! Using digital currency is more fun with friends. Once your friend buys or sells $100 of digital currency or more, you will both get $10 of free bitcoin. Trade Hundreds of Cryptocurrencies with Binance Referral Code: 13060913 http://www.binance.com/?ref=13060913 Ethereum Accepted Here: 0x073e9a81d85ffce5ff57d675caf123f610562051 Bitcoin Accepted Here: 15nDzVyLx2FbGWq2C4HwciktaEf1b9HhDY ___ The Future is NOW! https://AiTech.Zone https://VReyes.Vision https://FoodChain.FUND https://BlockchainTrade.Market https://CherryLane.Associates https://UAV.Report https://ARSign.Systems https://BlueMountain.Market https://Department.Media https://NeoRack.Systems https://Bucha.Cafe https://Applegate.Management ___ ___ Google Podcasts Spotify Breaker RadioPublic Apple Podcasts Castbox Overcast Pocketcasts Podbead Stitcher Tunein --- Support this podcast: https://anchor.fm/stevenapplegate/support

The concept of this episode, compiled by our friend Stefan Rotter, can only be described by matching the artists' list with the explanation he provided us: “Constantly four tracks running (85%), it's like acoustic LSD and I never took it”. The episode features: Roberto Musci, Hanno Leichtmann, Vladislav Delay, Platform, Jon Hassel, Andrew Hill, Muta, Nick Mott, Eloping with the Sun, Luigi Nono, Chris Watson, The Dwarfs of East Agouza, Giuseppe Ielasi, Andrew Pekler, Jingzi Li, Luc Ferrari, Muslimgauze, Terre Thaemlitz, Rapoon, Gesellschaft Zur Emanzipation Des Samples, Jan Bang, Jay-dea Lopez, Takeshi Ueno, Kozutoki Umezo, Triorganico, Groupshow, Pierre Bastien, Akosh S Unit, Arthur Russell, Demdike Stare, Sun Ra, Philip Jeck, Janek Schaefer, Mike Cooper, Barbara Buchholz, Annette Vande Gorne, Moondog, Garry Bradbury, Marcel Duchamp, Bellows, Tim Hecker and more.

Gas; Scanner; Mica Levi / John Coates; Julia Kent / Jean D.L.; Thomas Koner; Sarah Davachi; Jessica Moss; SubtractiveLad; Philip Jeck; The Field; Tim Hecker; Meat Beat Manifesto; Pepper Moth; Veneer; Christina Vantzou; Kelly Moran; Ian William Craig; White Poppy; Julianna Barwick; Mathew Dear; Vermont; Dead Can Dance; Matchess; Julia Holter; Son Lux & Peppermoth.

Recorded live as part of “Touch presents…” with Philip Jeck and Yann Novak in Amsterdam on 15th March 2018. Play loud!

Marc Barreca / Keery Leimer; Delia Derbyshire Appreciation Society; Philip Jeck; SubtractiveLad; Building Castles out of Matchsticks; Civvie; Kaitlin Aurelia Smith; Earthern sea; High Plains; Ryan Huber; Saltland; Maya Jane Coles; Four Tet; Respectfulchild; Forager; Golden Retriever; Mount Kimbie; Maya Jane Coles; Bonobo; Elsiane; Pantha du Prince; Trailer Trash Tracys & TalSounds.

Episode 370: October 1, 2017 playlist: Glenn Jones and Matthew Azevedo, "June Too Soon, October All Over" (Waterworks) 2017 Thrill Jockey F ingers, "Awkwardly Blissing Out" (Awkwardly Blissing Out) 2017 Blackest Ever Black Arthur Russell, "You And Me Both" (Calling Out Of Context) 2004 Audika Jan St. Werner, "Grains and Grammar" (Spectric Acid (Fiepblatter Catalogue #5)) 2017 Thrill Jockey Tony Buck, "Unearth" (Unearth) 2017 Room40 Radian, "Jet" (Rec.Extern) 2002 Thrill Jockey Philip Jeck, "Iklectik (excerpt)" (Iklectik) 2017 Touch Ben Frost, "Trauma Theory" (The Centre Cannot Hold) 2017 Mute Ian William Craig, "On the Reach of Explanations" (Live in Durbe) 2017 Recital Program The Caretaker, "Drifting time misplaced" (Everywhere at the end of time - Stage 3) 2017 History Always Favours the Winners Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Kerry Leimer; SubtractiveLad; Philip Jeck; Building Castles out of Matchsticks; Mappe Of; Zavala; Philip Jeck; Titanium Tunnels; Forager; High Plains; Kammerflimmer Kollektief; Mingle; Maya Jane Coles; Civvie; DJ Rap; Miriodor; Deadbeat; Moths and Locusts; The Purveyors of Free Will; Saltland; Bonobo; Pantha du Prince & Trailer Trash Tracys.

Brian Eno; Bing & Ruth; Nico; Marc Barreca / Kerry Leimer; TALsounds; An Ant and an Atom; Loscil; Civvie; Pole; Sarah Davachi; Delia Derbyshire Appreciation Society; Benoit Pioulard; Saltland: Harald Budd / Brian Eno; Philip Jeck; The Purveyors of Free Will; Laurie Anderson; Tiny Vipers; High Plains; Brian Eno; Do Make Say Think; Porter Ricks; Dixie's Death Pool & Sneaks.

In 2010, I began a musical collaboration with Philip Jeck, a critically acclaimed sound artist from Liverpool. This show is about a correspondence we began that could be called a musical version of the game exquisite corpse. Over the past 7 years, Philip and I have passed the recording back and forth, manipulating the sound every time, with each iteration sounding completely different than the last.

Brian Eno; Max Richter; Brian Eno; Souns; Ian William Craig; Tristan Perich; Sarah Davachi; Julianna Barwick; Ian William Craig; Philip Jeck; Mich Cota; Corinthian; Nils Petter Molvaer / Moritz von Oswald; Dalot; Sinewave; Andy Stott; Quadra; Building Castles out of Matchsticks & Ought.

TravCast is the Writer's Podcast from the Traverse, Scotland’s New Writing Theatre. Literary Associate, Rosie Kellagher, interviews well known playwrights whose work features in the year round programme at the Traverse. In this episode, Rosie Speaks to Rebecca Sharp. Rebecca’s work spans theatre/performance, poetry, prose and collaborative projects. Originally from Glasgow, she studied Theatre at Glasgow University. Her early plays were produced at the Arches theatre in Glasgow - ‘fascinatingly complex, audacious and at times brain-poppingly clever work’ (Neil Cooper, The Herald): Last Child (2001) and Danger: Hollow Sidewalk (2006). Recent projects include The Ballad of Juniper Davy and Sonny Lumiere (poetry, performance), Little Forks (live literature), For the Bees (text and music with Mr McFall’s Chamber), Rules of the Moon (text/sound/performance with Philip Jeck), The Unmaking of Mary Somerville (with Stellar Quines theatre company) and The Wakeful Chamber (with a Play a Pie and a Pint, Aberdeen Performing Arts and Sound new music festival); as well as her current play, The Air That Carries The Weight with Stellar Quines. She currently lives in Fife. www.rebeccajoysharp.com Original music by James Iremonger www.jamesiremonger.co.uk Produced and engineered by Cian O Siochain

Howie B / Hubert Noi, Philip Jeck, Kilimanjaro Dark Jazz Ensemble, Loscil, Jonsi & Alex, Kyle Bobby Dunn, Jeff Greinke, Boundary, Tim Hecker, Vermont, Benoit Pioulard, Valiska, Building Castles out of Matchsticks, Shriekback, Esmerine, Cocteau Twins, White Poppy, Francoiz Breut, Aidan Baker / Valerie Niederoest / Maude Oswald, Majical Cloudz & Frog Eyes.

Tim Hecker, Philip Jeck, Fluxion, Valiska, Tortoise, Loscil, A Winged Victory for the Sullen, Johann Johannsson, Mira Calix, Benoit Pioulard, Parkland, Chris Herbert, White Poppy, Kyle Bobby Dunn, Rene Hell, Oren Ambarchi, Howie B / Hubert Noi, Esmerine, Lawrence English & Aidan Baker / Clara Engel.

"Life (Pt. 1)" by Dan Friel from Life; The title track from Anoxia by L A N D; "Dayz Up North" by Yung H33m from Abundance, Vol 6; "Physis" by Majeure from Union of Worlds; "Barrow in Furness (Open Thy Hand Wide)" by Philip Jeck from Cardinal; The title track from Glass Ceiling Universe by Apprentice Destroyer; "Shadow Hand" by Zombi from Shape Shift; "A Wind from All Directions" by Inventions from Maze of Woods; "Loving of Leaving (Instrumental)" by King Midas Sound and Fennesz from Edition 1; "Each Surface of Night" by Drew McDowall from Collapse; "Repletion" by Berber Ox from Lye.

"Life (Pt. 1)" by Dan Friel from Life; The title track from Anoxia by L A N D; "Dayz Up North" by Yung H33m from Abundance, Vol 6; "Physis" by Majeure from Union of Worlds; "Barrow in Furness (Open Thy Hand Wide)" by Philip Jeck from Cardinal; The title track from Glass Ceiling Universe by Apprentice Destroyer; "Shadow Hand" by Zombi from Shape Shift; "A Wind from All Directions" by Inventions from Maze of Woods; "Loving of Leaving (Instrumental)" by King Midas Sound and Fennesz from Edition 1; "Each Surface of Night" by Drew McDowall from Collapse; "Repletion" by Berber Ox from Lye.

My good friend, Gene over at Ambient Landscape, asked me to do a guest mix for him and this mix is the result.  Ambient Landscape is a great source of ambient info and mixes. What got me started on this mix was an interesting video I found on YouTube by Wouter van Veldhoven called "two sad tape recorders."  It's basically two portable reel to reel tape machines each playing their loops at the same time.  Here's the video... https://www.youtube.com/watch?v=SvvFdhNiMwM The sound of those two sad tape recorders reminded me of mixes I've done that combine very old recordings with new music that blends well with those scratchy, noisy old records.  That's where this mix began and from there I went in search of old cylinder recordings, which have gotten easier to find since my first mix with this theme back in 2008. The vintage cuts that I used in the mix come from Edison cylinders recorded around 1906 to 1908.  Most of the old tracks are effected in some way.  Sometimes I slowed the original way down, other times echo and reverb were added.  For many of them the original is combined with the effected version to create some bizarre other-worldly sound. The new music in the mix is a collection of stuff that seems to work well with this theme.  Gavin Byars "Sinking of the Titanic" works on two levels - sonically is blends well with the tracks around it and it's about the sinking which took place in 1912. When thinking about music that uses cracking, scratchy noises I immediately thought of Harry Towell aka Spheruleus.  And wouldn't you know it, Harry just released an album entitled "William Barber" that makes use of a wax cylinder recording from 1906 as it's inspiration and sound source.  It's a wonderful album.  You can find it here... https://spheruleus.bandcamp.com/album/william-barber It's remarkable how much excellent music Harry has put out over the years.  Check out his music and his labels... http://spheruleus.com/ http://tessellate-recordings.com/releases/ https://audiogourmet.bandcamp.com/ I think the mix does a pretty good job of mashing up the old and the new. Enjoy T R A C K L I S T : 00:00 various - vintage recording montage 01:01 The Edison Venetian Trio - Her Bright Smile Haunts Me Still 1908 01:55 The Edison Venetian Trio - Her Bright Smile(stretched and remixed) 03:50 Gavin Byars - The Sinking of the Titanic(2007 version w/ Alter Ego and Philip Jeck) 06:00 Gavin Byars - The Sinking of the Titanic(1994 version) 10:20 William Basinski - Cascade 15:45 Wouter van Veldhoven - two sad tape recorders(original and stretched played together) 18:27 Ian William Craig - Second Lens 20:50 unknown - 13_360º 23:00 Otto A Totland - pinô 25:22 Guy Gelem - Jerusalem 28:05 Hans Kronold - The Swan 1906(reworked) 30:00 Field Rotation - Zeitreise(remixed by the frozen vaults) 35:20 Spheruleus and Friends - To Us Thy Memory Can Never Be Lost 37:20 Octavio Yanez - Anita 1907(reworked) 42:05 Bill Seaman and John Supko - The Hiding Place 43:50 Hildur Gudnadottir - Birting 46:05 The Frozen Vaults - Cloak of Lingering Fog 48:30 unknown - flute and violin phrase slowed down 20x 49:49 Spheruleus and Friends - All Good Things Come From Above 50:55 Bill Seaman and John Supko - And the Ice Appeared Blue 53:15 Hans Kronold - Chopin Nocturne 1907 53:45 Gavin Byars - The Sinking of the Titanic 57:50 end

stirring up the dust ghosts from the past whisper in grooves of forever There's a first for this blog - vinyl haiku.  I was looking for ways to describe this mix and as I collected expressive words, the list started to take on it's own poetic quality.   So I thought, what the heck, I'll just formalize it into an actual haiku.  It was fun, I haven't written any sort of silly haiku in years. Anyway, the haiku fits this mix because the music is all dusty and scratchy.  It all has a old vinyl feel to it.  It some cases it has that feel because the music really is old, like early 1900s old.  Two of the tracks are actually old Edison cylinder recordings.  I searched through old recordings at archive.org for music that would blend well with the other ambient & neo-classical tracks in this mix. I've done two previous mixes in this style - Sustain & Decay and Revenants of the Past.  A lot of ambient music makes use of noise, distortion, scratches, glitches, hiss & pops so the actual old recordings fit in nicely.  There are six old recordings that appear in the final mix.  Most of the ambient cuts are of fairly recent vintage. I like the title for this mix because the word "score" takes on a double meaning as in a musical soundtrack as well as trench, channel or groove in a vinyl record or cylinder. Enjoy the pops & hisses. T R A C K L I S T : 00:00    1956 RCA Victor Vinyl Records Educational Documentary 00:30    Arturo Toscanini - Romeo & Juliet Overture(Pt-1)1946 01:25    The Caretaker - Mental Caverns Without Sunshine 01:45    e and i - known things 03:50    Maps & Diagrams - Longitudinal Vibration 07:20    Billow Observatory - Helsinki Radio 08:50    Tim Hecker - Sketch 6 10:00    e and i - tiniest smile 11:11    Philip Jeck - chime again 14:05    Edison Bohemian Orchestra Lacinquantaine Cylinder Recording 15:15    Ten and Tracer - By Twirling the Quicksphere 18:00    Tape Loop Orchestra - The Word On My Lips Is Your Name 19:50    Philip Jeck - Wipe 23:15    Benoît Pioulard - Pidgin 24:25    Mozart 'Gavotte in G' from 'Idomeneo' (1912) 25:25    The Humble Bee - The Collecting Plate 26:25    Part Timer - Undead part 1 30:15    The Caretaker - Mental Caverns Without Sunshine 31:00    Semiramide Overture 1912 35:05    Maya Beiser - Time Loops 37:25    From The Mouth of The Sun - Color Loss 42:42    The Caretaker - A Last Glimpse Of The Land 45:15    Tape Loop Orchestra - The Word On My Lips Is Your Name 51:25    Albert Spalding - Thais(violin) Edison blue amberol cylinder  52:30    The Humble Bee - Fin 54:07    end

Photo: Mike Harding and Philip Marshall VINYL+. live at ZKM, Karlsruhe 21st April 2012. Achim Mohn uses 3 omnitronic decks, Philip Jeck 2 Dancettes and sampler. The resurgence of vinyl in recent years is a phenomenon which has not gone unnoticed; as CD declines sharply, its audio limitations exposed not only by advances in other technologies, but also by the myths propagated at the inception of digital exposed, so artists explore and demand other formats to express their work. Although a business model is still some way off the traditional artist label distribution shop paradigm, it is clear this is being radically overhauled and replaced by online sales platforms set up by the artists themselves. But vinyl seems to have escaped this process, and continues to grow. Why is that? Recorded by Philip Marshall from desk to hard drive.

Philip Jeck in performance was recorded on 6th September 2011 at The Brucknerhaus, Linz, Austria for Prix Ars Electronica, at which Philip Jeck was awarded a Distinction for his LP 'Suite: Live in Liverpool' [Touch # Tone 29, 2009]. The multi-channel recording (2 channels off the desk, two in the room) was mixed for TouchRadio by BJNilsen. The Ghost of Philip Jeck by Mike Harding

Allez-Allez return with a brilliant DJ mix and an interview with Glasgow's Den Haan...

Alex Wilson pays tribute to the sad passing of Trish Keenan, as well as gives an insight into the gems of Lubos Fisher, John Baker, Taylor Deupree and more...

  Rare Frequency Podcast 46: The Overlooked One 1 Sam Prekop, "Knitting Needles (excerpt)" Old Punch Card (Thrill Jockey) CD 2010 Time: 00:00-1:48 2 Franck Vigroux, "Judas" Camera Police (D’Autres Cordes) CD 2010 Time: 1:49-5:14 3 Can’t, "My Apologies Can Only Be Insincere" Puerto Rican Boom Car (IRFP) CD 2000 Time: 5:15-10:08 4 Akira Rabelais, "As Fingers Trace Around the Rim of a Colorless Sky" Caduceus (Samadhi Sound) CD 2010 Time: 10:09-17:23 5 Mike Shiflet, "Llanos" Llanos (Self-released) CD 2010 Time: 17:55-23:17 6 Toshimaru Nakamura, "Nimb Number 44" EGrets (Samadhi Sound) CD 2010 Time: 23:17-32:03 7 Alvin Lucier, "Spherics" Sferics / Music For Solo Performer (Lovely) CD 2010 Time: 32:04-40:10 8 Joji Yuasa, "Nadja, Twinkling In Stars, Part 11" Obscure Tape Music Of Japan Vol.12: Miniatures Of Concrete Works (Edition Omega Point) CD 2010 Time: 40:56-42:13 7 Philip Jeck, "Ark" An Ark for the Listener (Touch) CD 2010 Time: 42:13-46:10 7 Senking, "V8" Pong (Raster-Noton) CD 2010 Time: 46:10-51:02 7 Sigurd Berge, "Eg Beisla Min Støvel" Early Electronic Works (Prisma) CD 2010 Time: 52:08-57:45

This concert was part of Todaysart, Den Haag, Netherlands on 27.09.09. Also appearing as part of the Touch events were Hildur Gudnadottir, Philip Jeck, Jana Winderen and The Eternal Chord. It was recorded straight from the mixing desk to an Ares Pll Nagra digital recorder. Born in Tromso (Norway), Geir Jenssen is better known as Biosphere, a key figure in contemporary Norwegian music. In 1992, Jenssen shot to fame with his Biosphere-debut album "Microgravity", becoming one of the pioneering ambient artists from the 90's. He was one of the first to come up with the mix of soundscapes, voice samples and atmospheric noise with trancey melodies and solid beats. Biosphere gave an intimate performance in the Lutherse Kerk, a very small church.

One of my favorite mixes from last year was Sustain & Decay. It was fun digging up old recordings & mixing them with new releases. So I decided to do a follow-up, with the result being "revenants of the past". It follows the same basic formula of last years mix(which was also released in October). I browsed through a ton of files at archive.org, looking for things like old vinyl records & Edison cylinder recordings from as far back as 1888. I mixed these recordings with current music that either sounds old or in some cases actually uses old recordings as a sound source to be manipulated into something new. In the last mix The Caretaker figured prominently and here too there is an extended track in the middle of this sequel mix. The track is an excerpt from a mix James Leyland Kirby, AKA The Caretaker, did for Fact Magazine. I think "revenants" is a good mix of familiar & unfamiliar artists here. I had to get William Basinksi's Disintegration Loops in somewhere & so the mix closes with a track from Loops #2. Enjoy the entropy. T R A C K L I S T : 00:00 Around the world on a phonograph 1888 00:15 Szilágyi Imre Zenekara - kurucz motak (from 78rpm record) 02:25 SIGHUP - city heart (from the album "end of") 05:20 Cylon - 4feb1912pt12 (from the ep "winter") 12:30 Joe Belov - Air for G String 1920 Edison cylinder 12:30 Krzysztof Orluk - the girl the melody in the head (from the album "blurred reflection") 16:00 Glim - puszta (from the album "music for field recordings") 19:00 Okkyung Lee - sky (from the album "nihm") 25:30 Montauk - Tranquility (from the album "the moment lasts a second but the memory lives on forever") 26:15 Skye Boat Song (from 78rpm record, Edinburgh, Scotland) 26:30 The Caretaker - Fact Mix #45, May '09 (excerpt from Fact Magazine mix) 35:40 Asher - Minatures #11 (from the album "minatures") 38:00 Rae Eleanor Bal - Gypsy Love Song 1927 40:20 Lucky Pierre - velbon (from the album "touchpool") 42:40 Jaudas Society Orchestra - Beautiful Ohio Waltz 1919 Edison cylinder 43:10 Philip Jeck - 1986(Frank was 70 years old) (from the album "surf") 44:00 relmic statute - 1rhet ednalnge (from the album "sitting under the lantern's glow") 47:30 Bronnt Industries Kapital - maggots in the rice (from an untitled cd) 49:50 Alessandro Moreschi - Ave Maria 1904 Edison cylinder 51:50 36 - signal (from the album "Hypersona") 53:00 Sub Loam - ohr (part 3) stones, sunlight, morning (from the album "Ohr") 55:50 William Basinksi - dlp 3 (from "The Disintegration Loops") 1:00:00 end

Rehearsal tapes from The Suffolk Symphony. On August 22nd 2009 Touch will present a multimedia perfomance of The Suffolk Symphony - the culmination of the week's work undertaken during the residency. Faster than Sound comes to the Snape Proms for more experiments in sound and image. Faster Than Sound bring more imaginative experiments with sound and image to the Snape Proms with The Suffolk Symphony, a specially commissioned residency and new work by leading sonic and visual production company Touch. Inspired by the historic coastline of Aldeburgh and its surrounding area including Aldeburgh Music's Snape Proms and its history, Touch will create a new audio-visual symphony from scratch, using only locally sourced sounds and images. Beginning on 16 August, Philip Jeck, BJNilsen, Jon Wozencroft, Philip Marshall and Mike Harding will go on a week-long treasure hunt to unearth old records, field recordings, home-made sounds and images to create a new multimedia Suffolk Symphony, culminating in its first performance on the 22 August.

  Rare Frequency Podcast 30: Hot Stuff Note: Yes, I play the same Philip Jeck piece in consecutive podcasts. What excuse can I possibly offer? Well, uh, it really is hot. (opening music: Warner Jepson, “Skate Date,” Totentanz And Other Electronic Work 1958-1973 (Disc Two) (Expanding Melon) 2CD) 1 Alva Noto, "u_07" Unitxt (Raster-Noton) CD 2008 2 Frank Bretschneider, "Rand" Rand (Mille Plateaux) CD 2000 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 DJ /Rupture vs. Badawi Quintet, "Ipanema Under Fire" Unit of Resistence (Roar) CD 2008 5 Asmus Tietchens, "Rosenkranz" Mysteries of the Organ (Die Stadt) CD 2008 6 Burning Star Core, "Challenger" Challenger (Hospital Productions) CD 2008 7 Kevin Drumm, "Snow" Imperial Distortion (Hospital Productions) CD 2008 8 Byetone, "Heart" Death of a Typographer (Raster-Noton) CD 2008 9 Gas, "Zauberberg 6" Nah und Fern (Kompakt) 4CD 2008

  Rare Frequency Podcast 30: Sprung (opening music: Raymond Scott, “Domino,” Manhattan Research Institute (Basta) CD) 1 Baris Manco, "Flower Called Love" Hava Nargile (Dionysus) CD 2001 2 Boredoms, "8" Super Roots 6 (Vice) CD 2007 3 Philip Jeck, "Shining" Sand (Touch) CD 2008 4 Mordant Music, "Fading Font" Mordant Music Sampler (Mordant Music) mp3 2007 5 Belbury Poly, "Cool Air" Farmer’s Angle (Ghost Box) EP 2008 6 Jozef van Wissem, "Into the Abyss of Perdition" A Priori (Incunabulum) CD 2008 7 Warner Jepson, "Blood Knot" Totentanz and Other Electronic Music, 1958-73 (Expanding Melon) CD 2008 8 Frank Rothkamm, "Encounter With Remarkable Trees" Just Three Organs (Flux) CD 2008 9 Schlammpeitziger, "Dauerdachdeck Dritter" Schwingstelle Fur Rauschabzug (Sonig) CD 2008 10 Felix Kubin, "Bruder Luzifer" Filmmusik (A-Musik) CD 2001 11 Shots, "Arabian Nightmare" Dubstep Drama (Rinse FM) CD 2008

  Rare Frequency Podcast 22: Bring Me the Head of Podcast 22 Note: I forgot to list the Philip Jeck track in my back announcement. Bad DJ. (opening music from Li De La Russe (Delia Derbyshire), “Fresh Aire (Russe)” The Tomorrow People (Trunk) CD) 1 Jazkamer, "Eat Shit I " Eat Shit (Asspiss) CD 2007 2 Area C, "Haunt" Haunt (Last Visible Dog) CD 2007 3 Jozef Van Wissem, "The Port" A Rose By Any Other Name (Incunabulum) CD 2007 4 Omar Souleyman, "Atabat" Highway to Hasake (Sublime Frequencies) CD 2007 5 Philip Jeck, "Instructions for Survival 2" TouchRadio (Touch Radio) CD 2007 6 Mem1, "Ipomoea" Alexipharmaca (Interval Recordings) CD 2007 7 The Buoys, "Spider" Grillo Parlante (Bathysphere) CD 2007 8 Karl-Ernst Sasse, "Finale" Kosmos: Soundtracks to Eastern Germany’s Adventures in Space (All Score) CD 2000

  I take on the guise of DJ Top Hush for this relatively relaxed podcast, which is loosely based on a set I played out in April at an ambient night here in the Boston area called Furniture Music (sadly, now defunct). This is an unusually mellow podcast, so sit back, listen in and calm down just a tad. Full tracklisting below. Rare Frequency Podcast 9: Furniture Music 1 Tod Dockstader, "Soft Aurora" Recorded Music for Film, Radio & Television (Creel Pone) CD-r 2006 2 Moebius, "Falsche Ruhe" Blue Moon: Original Soundtrack" (Sky Records) 1986 3 Biosphere, "The Things I Tell You" Substrata 2, disc one (Touch) 2CD 2001 4 Toshiya Tsunoda, "Seashore, Venice Beach_31 Jul 01" Ridge of Undulation (Hapna) CD 2005 5 Chris Watson, "Runway 02E" An Evening at Room40 (Room40) CD 2006 6 Tim Hecker, "Spectral" Radio Amor (Mille Plateaux) CD 2003 7 Keith Fullerton Whitman, "2nd Early Monolith" An Evening at Room40 (Room40) CD 2006 8 Robert Fripp & Brian Eno, "Evening Star" Evening Star (Editions EG) CD 1989 9 Laurie Spiegel, "4 Short Visits To Different Worlds: A Garden (C 1970)" Obsolete Systems (EMF) CD 2001 10 Thomas Koner, "Une Topographie Sonore: Col De Vence" Zyklop (Mille Plateaux) 2CD 2003 11 Biosphere, "The Silent Orchestra" Substrata 2, disc two (Touch) 2CD 2001 12 COH, "Between Heaven and Earth" Above Air (Eskaton) CD 2006 13 Philip Jeck, "Wipe" 7 (Touch) CD 2003 14 Biosphere/Deathprod, "Katedra Botaniki" Nordheim Transformed (Rune Grammofon) CD 1998 15 Pan Sonic, "Vaihtovirta" Aaaltopiiri (Mute) CD 2001 16 Aphex Twin, "Curtains" Selected Ambient Works Volume II (Warp) 2CD 1994

Philip Jeck - from the archives: Track 1 - Wholesome Sunday (A live mix from the 2004 Mor festival, Ireland 22.08.04) 9:20 Track 2 - In Loving Memory: Walter Gibbons and Arthur Russell (Originally recorded for the TRACE CD, Audio Research Editions, ARECD102, Liverpool, 1999) 2:04 Track 3 - Nelson Surfs [from Touch Sampler 2, 1997] 6:33 Track 4 - 16/17 Rehearsal [from Touch Sampler 3, 1999] 8:18 Track 5 - As My Shadow Passes... [from Touch Sampler 00, 2000] 9:37 and a special bonus - 12:00 Extracts from the live soundtrack "Instructions for Survival", a dance production choreographed and danced by Charlie Morrisey & Scott Smith on 3rd February 2005 at the Corn Exchange, Brighton Dome. Recent performances were held at the Linbury Theatre, Opera House, Covent Garden, London on 22nd and 23rd July 2005. Track 1 - Instructions for Survival 1 5:59 Track 2 - Instructions for Survival 2 6:33