Podcasts about Wide angle

Please support this show buy subscribing / following and writing a review if you can. It greatly helps us to reach more photography enthusiasts like you! Konstantin & Becky bring to you the latest Nikon news and photography related announcements. 0:00 Intro 1:05 Z 28-400mm is shipping worldwide 3:12 Z8 and other Firmware updates 6:25 Z8 & ZF were best selling cameras at Map Camera 7:49 Nikon completes acquisition of RED 8:27 Nikon x RED at NAB 9:48 Live panel with Jarred Land 10:50 Nikon will make Cine Lenses? 13:15 Did Nikon buy RED because of the lawsuit? 16:14 Nikon is now a big player in Cinematography 18:38 Tamron Z 28-75 lens is shipping 20:00 Voigtlander Z 75mm f/1.5 announced 22:19 Viltrox AF 56mm f/1.7 DX Lens announced 23:33 Viltrox AF 20mm f/2.8 review 24:58 Atomos Ninja phone video co-processor Nikon Report 148 Nikon Z 28-400 lens is shipping worldwide Order yours at Grays: https://shop.graysofwestminster.co.uk/product/nikkor-z-28-400mm-f-4-8-vr-deposit/#tab-description Nikon  Z 8 Firmware ver. 2.0.1 https://downloadcenter.nikonimglib.com/en/download/fw/527.html Z 5 Firmware ver. 1.4.3 https://downloadcenter.nikonimglib.com/en/download/fw/526.html Z 50 Firmware v. 2.5.1 https://downloadcenter.nikonimglib.com/en/download/fw/519.html Z 30 Firmware ver 1.11 https://downloadcenter.nikonimglib.com/en/download/fw/520.html D6 Firmware ver. 1.60 https://downloadcenter.nikonimglib.com/en/download/fw/521.html D780 Firmware ver. 1.11 https://downloadcenter.nikonimglib.com/en/download/fw/525.html COOLPIX P950 Firmware ver. 1.5 https://downloadcenter.nikonimglib.com/en/download/fw/523.html COOLPIX P1000 Firmware ver. 1.7 https://downloadcenter.nikonimglib.com/en/download/fw/524.html Nikon Message Center 2 (mac) ver. 2.5.1 https://downloadcenter.nikonimglib.com/en/download/sw/253.html Z8 and ZF were best selling cameras for 2023 at MAP Camera Japan https://tinyurl.com/3265smm7 Nikon Triumphs With Four Wins At This Year's TIPA World Awards https://tinyurl.com/bdfyt45e Nikon completes acquisition of RED, appoints a new CEO https://www.nikon.com/company/news/2024/0412_imaging_01.html https://tinyurl.com/2wpjzkfp RED was showcasing the all-new V-RAPTOR [X] and V-RAPTOR XL [X] cameras at the 2024 NAB show. It was part of the Nikon stand. https://tinyurl.com/mstsmnun Photos of Nikon stand from NAB https://tinyurl.com/ywrym9nz Exclusive NAB Live With Jarred Land (ex RED President) - RED, After Nikon Acquisition - Where We Go From Here by Scott Balkum https://www.youtube.com/watch?v=DYEcoWjkHx0&t=2s RED Will Continue to Support Canon RF, But Nikon is ‘Considering' Making Cine Optics https://tinyurl.com/3f6bxdn8 A New Camera Using Both Nikon and RED Tech Will Come in ‘A Few Years' https://tinyurl.com/2ckaex5z Nikon Began Steps to Acquire RED in 2022 ‘Due to the Lawsuit https://tinyurl.com/5t4548z4 3rd party: Tamron 28-75mm F/2.8 Di III VXD G2 Nikon Z is also shipping Order yours at Grays: https://shop.graysofwestminster.co.uk/product/tamron-28-75mm-f-2-8-di-iii-vxd-g2-nikon-z/#tab-description Voigtlander NOKTON 75mm f/1.5 Aspherical full-frame mirrorless lens for Nikon Z-mount Pre order yours at Grays: https://shop.graysofwestminster.co.uk/product/voigtlander-75mm-f-1-5-nokton-aspherical-lens-for-nikon-z-mount-cameras/#tab-description New Viltrox AF 56mm f/1.7 APS-C lens for Nikon Z-mount is now shipping https://viltroxstore.com/en-gb/products/viltrox-af-56mm-f1-7-xf-z?variant=40983511400514 https://tinyurl.com/wtc3njzz Viltrox AF 20mm F2.8 Full Frame Lens Review for Nikon Z Mount - Affordable 20mm Wide Angle for Nikon by Grays https://www.youtube.com/watch?v=nQHLvKhJB2Q&t Atomos announces the Ninja phone video co-processor https://tinyurl.com/mu7zcd2u Thanks for watching! #nikon #nikonred #voigtlander --- Send in a voice message: https://podcasters.spotify.com/pod/show/grays-of-westminster/message

Senior US Economist Brett Ryan and Senior International Economist Peter Sidorov discuss the latest trends in bank lending and financing conditions and their implications. In the past two years, central banks on both sides of the Atlantic have delivered their sharpest hiking cycles since the 1980s. But the economic impact of these has varied widely, opening the door for less synchronous policy as central banks contemplate cutting rates.

In this Moxie by Proxy episode, we discuss the moxie of the women of Iceland through the camera lens of Pamela Hogan, Emmy award-winning filmmaker, journalist, and media executive.In her latest documentary, The Day Iceland Stood Still, Pamela and her collaborator acclaimed Icelandic filmmaker Hrafnhildur Gunnarsdóttir, take us back to October 24, 1975, and the months leading up to that historic moment when 90 percent of Iceland's women took the “day off,” bringing the country to a standstill and catapulting Iceland to the world's superpower of gender equality. The story comes to life through interviews with the unstoppable women who planned and lived that day, interwoven with playful animation and evocative archival footage. Seven years in the making, the documentary is evidence of Pamela's filmmaking moxie and her belief in a riveting story. The film's release in 2024 celebrates the 50th anniversary of that day. Pamela describes the joy, grit, and determination of a diverse group of women as they sought to change the status quo, open up career opportunities, and promote wage parity. It's a fascinating examination of compromise, unifying messaging around social change, and grassroots organization. Ultimately, it's a story of how ordinary women managed to do the extraordinary.Pamela also describes the roots of her moxie in being raised by a single mother who was deeply involved in the women's equal rights movement in the 1970s United States. She is drawn to stories of women, stories that are fascinating and often overlooked. It is like whether a tree falling in the forest with no one around makes a sound; she believes if no one tells a person's story, it doesn't exist.Pamela's body of work includes Looks Like Laury Sounds Like Laury, Women, War & Peace series and its kick-off episode, I Came to Testify, and Wide Angle series on PBS. At Wide Angle, she was the Executive Producer working with global filmmakers on 70 hours of character-driven documentaries illuminating under-reported stories. While there, she developed Ladies First, an Emmy-award-winning film about women's leadership in post-genocide Rwanda, and Time for School, a longitudinal series that followed seven children in seven countries fighting the odds for a basic education.Pamela is recognized with the National Council for Research on Women Making a Difference for Women award. She is an adjunct professor at Columbia University's Graduate School of Journalism and on the board of the International Center for Transitional Justice.This episode of Main Street Moxie is proudly sponsored by Elyse Harney Real Estate and Meadowscapes. ResourcesFork FilmsThe Day Iceland Stood StillWomen's Day Off - Main Street MagazineSupport the show

The wide angle lens is a thing of beauty--it's probably the most crucial piece of any photographer's gear bag.  They're a must for landscape photography, but also really excellent at travel and cultural photography, and even wildlife photography if you get the right one.  Plus, they give you a lot of bang for your buck and are often a beginner photographer's first entry into high quality lenses due to relative affordability. In this episode I dive into everything that makes up this category of lens, including zoom range and ideal focal lengths, aperture ratings, overall quality, focus motor, image stabilization, and even prime lenses and ultrawides.If you're thinking about upgrading or simply wanting to know more about the abilities and flexibility you have with your wide angle lens, this is a packed episode full of photography goodness.My top pick for a wide angle lens: 24-105mm f/4CanonNikonSonyOther considerationsCanon 24-70 f/2.8Sony 24-70 f/2.8Nikon 24-70 f/2.8Rokinon PageCanon Page

I moved to Beacon in 2010, and because my job involves travel, one of the considerations in the city's favor was the proximity to a regional airport. New York Stewart International, located across the river in New Windsor, seemed to offer convenient access to the U.S. air traffic system. Sure enough, I found that I could connect on American Airlines - through a daily flight to Philadelphia - to many of my most common destinations, such as San Francisco, Toronto and Florida. I accepted the fact that I had only limited options of airlines and flight times and that I had to travel to the Port Authority's other three airports (LaGuardia, JFK and Newark) for direct flights to most cities such as Austin, Texas, and for international flights to China, France and Ireland. But then we had the pandemic, and the large carriers, Delta and American, dropped their flights to and from Stewart. Today there are only a handful of airlines operating, and the destinations are limited to a few locations in the U.S. (mostly Florida) and cheap flights to Reykjavik and the Faroe Islands. And, of course, we are hearing the stories of near misses at airports, vacation snafus as airlines cancel thousands of flights because of too few staff and, most recently, a door "plug" blowing out in midflight. There's more at stake than the hours wasted driving to JFK to catch a flight to San Francisco. The situation at Stewart is not unique. The deregulation of the U.S. air travel industry in 1978 has not led to any of the claims its advocates provided in support of dismantling the regulated competition model that had served the country for 40 years, since the 1930s, in which a federal Civil Aeronautics Board allocated routes to airlines, including those to regional airports, and the prices of flights. Ganesh Sitaraman, a law professor at Vanderbilt University and the author of Why Flying is Miserable and How to Fix It, has said that "all the things that are a problem with flying are a function of public policy choices. We decide as a country that we want children's toys to be safe, that we want rural places to have electricity service, that we think banks should be able to function reliably. These are public policy choices to regulate or set up systems that advance goals we have as a country. When we have failures in these systems, it's a function of getting the policies wrong. That decision led to the situation we are in now. "The 1980s were defined by cutthroat competition between the airlines," Sitaraman has said. "A lot of new entrants offered no-frills service, had no unions and took on the high-volume traffic and high-traffic routes, for example. This initially meant more competition and lower prices on those routes. But the big airlines fought back and pushed out a lot of these new competitors, raised prices afterward, and consolidated into large fortress hubs like Atlanta, Dallas or Charlotte. "By the end of the decade, after dozens of bankruptcies and mergers, labor-management strife, declining service quality, congestion and lost baggage, there was a shakeout in the airlines that led to reconsolidation. The same big airlines that existed under regulation were still dominant, just without the checks of the regulated period. So, we moved from regulated oligopoly to unregulated oligopoly. Despite the airlines getting bailed out by the federal government during the pandemic to the tune of $50 billion, the Highlands and even many mid-sized cities such as Dubuque, Iowa, and Toledo, Ohio, have few options for air travel. The answer is obvious: reregulate the airlines. Sitaraman told The New York Times last month how this could be done: "In big cities, limit any single carrier to 30 percent of the flights. Require the big airlines to serve smaller markets. Require 'interlining,' in which airlines honor one another's tickets if one has a problem. Ban or regulate the offshoring of heavy aircraft maintenance, which is done in countries including China and El S...

Over the past three decades, "economic dynamism" - an aggregate measure of an array of factors - has fallen across the U.S., with the average state dropping by 30 percent between the early 1990s and the start of the pandemic in 2020. The measure was created by the Economic Innovation Group (EIG), a think tank based in Washington, D.C., and updated most recently in May in a report called Dynamism in the West, Stagnation for Much of the Rest. While New York is the fourth most populous state, it has not fared well compared to Florida, Texas and California. New York has dropped 24 spots on EIG's index in the past five years and is now at No. 46. The other three states have been consistently in the top 10. (The most dynamic state economy is in Delaware, followed by Utah and Idaho.) The index includes components such as the rate of new startup companies; the share of workers at firms less than five years old; housing permits per 1,000 residents; and worker churn. The highest dynamism rankings are for states with the most aggressive rates of building. New York has created 1.2 million jobs over the past 10 years but only 400,000 homes, driving up costs and leading many to leave the state. The dynamism measure also includes the business-growth rate; the labor-force participation rate; how many inventors with patents are residents; and the migration rate, which reflects the desire of people to move to New York. The state suffers in all these measures, and its ratings have fallen like a rock over the past decade. One large reason for this is population. According to the Fiscal Policy Institute, from 2010 to 2020 New York's population grew by 4.2 percent, or 823,100 people, mostly in New York City. But in 2020-21, the state lost 2.1 percent of its residents, or 431,100 people. The people leaving are those who are less well-off and can't afford the rising costs. These are the sort of working- and middle-class people who would stay if the economy were creating better-paying jobs. It appears from other data that the millionaires who fled during the pandemic are returning and perhaps could play a role in sparking higher dynamism. But historically, the largest growth comes from the creation of small businesses, and the conditions in New York - the housing crisis, workers leaving and high taxes - do not point to an immediate turnaround. The trend might turn because of outside forces such as the Federal Reserve lowering interest rates, but it will require major shifts in other factors, especially housing and the departure of workers, for New York to return to the top 20 in the economic dynamism index. As goes New York City, so goes New York. We'll have to see if conditions bedeviling the city retreat over the next decade, but we should remain pessimistic about the next few years.

Welcome to the Visual Storytelling podcast. Let's discuss the benefits of using a wide angle lens.  Using a wide-angle lens offers several benefits in photography: 1. Expansive Field of View. 2. Depth and Spatial Awareness. 3. Distortion and Creative Perspective. 4. Close Proximity. 5. Environmental Portraits. Remember that wide-angle lenses have their limitations too, such as potential distortion and the tendency to diminish the size and impact of distant subjects. However, when used effectively, they can expand your creative possibilities and deliver compelling visual results. If you've enjoyed this podcast, and would like to listen to more topics, just like this one, then why not consider following the Visual Storytelling Podcast, so as not to miss out on, not only new episodes, but catch up on previous episodes you may have missed, or simply wish to listen to again. It genuinely does make a difference. Until next time,  Be Creative. Be Inspired. Be You. LINKS https://linktr.ee/garyfernon https://photoreceptorcell.co.uk --- Send in a voice message: https://podcasters.spotify.com/pod/show/gary-fernon/message

Time:AfternoonMinister:Rev. Phil GrotenhuisTexts:Isaiah 11:1–9

This episode is a story about wide-angle imaging for fire mapping and maritime search but it's also a story about changing the culture and getting people to trust a new way of doing things.   My guest today is Alison Harrod - mission success manager at a start-up called Overwatch imaging    Whenever I work with a company like Overwatch Imaging it is hard to know which story to tell, we could just as easily have made an episode about AI and object detection or about smart sensors because they do those things too.     The decision depends on the guest and their background so after meeting Alison we decided to make this episode for you and try to give you a broad overview of what wide-angle imaging is and how it's used in the context of fire mapping and maritime search. ...but It's one thing to have a technology and it is another thing entirely to get people to use it … as you will hear fire mapping is not “a move fast and break things kind of situation”   Connect with Alison here! https://www.linkedin.com/in/alisonharrod/ https://www.overwatchimaging.com/   Other relevant podcast episodes that you might enjoy Thermal Imagery From Space https://mapscaping.com/podcast/thermal-imagery-from-space/ Finding Water Leaks From Space https://mapscaping.com/podcast/finding-water-leaks-from-space/ Cube Satellites Of The Stratosphere https://mapscaping.com/podcast/cube-satellites-of-the-stratosphere/

In this episode of The Fully Booked Photographer the team discusses planning for 2024 and beyond.   They discuss the importance of having a business plan and visioning where you want your business to be in 5 years. Using a "wide angle lens" as a metaphor, they encourage listeners to dream big and think about what their life and business will look like in the future.   In this episode you will hear: Tips for starting your 2024 business planning now instead of waiting until January How to use a "lens framework" to approach business planning The value of envisioning the "big picture" for your business Why dreaming big for the future of your business is important An exercise to imagine what your life will be like in 5 years time   For more information about this episode head to https://www.thefullybookedphotographer.com/mifgeal   The Fully Booked Photographer is the podcast that will help you grow your photography business by teaching you how to improve your marketing to get better leads, increase conversations with your ideal clients and generate more profit for your photo-based business, whether that is through eliminating the seasonality of your sessions or filling up the calendar of your studio. This show is brought to you by the industry experts from the Business Success Academy, Ronan Ryle - Board of Directors of the PPA, Professional Photographers Of America; Photography-marketing funnel specialist Jonathan Ryle; 7-figure entrepreneur, including a successful 3rd generation photography business, Bradley Bulmer; and published author and successful children's studio owner in Tampa Jeanine McLeod. Tune in to this show for real-world experience, outside perspective, industry knowledge and mentorship that is usually only accessible to members of BSA's Photography Marketing Accelerator and listen to the business growth tactics that generate highly targeted leads and bookings for your photography brand. Through this fun, educational, inspirational, innovative and high-energy show, The Fully Booked Photographer aims to share the mission of Creating A Healthier Society Through Photography.

“Homer through a Microscope and a Wide-Angle Lens”, a lecture by Dr. Joshua Katz, Senior Fellow at the American Enterprise Institute

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/yann_arthus_bertrand_a_wide_angle_view_of_fragile_earth ■Post on this topic (You can get FREE learning materials!) https://englist.me/96-academic-words-reference-from-yann-arthus-bertrand-a-wide-angle-view-of-fragile-earth-ted-talk/ ■Youtube Video https://youtu.be/_1lwr8ywmGo (All Words) https://youtu.be/oMIaUVI-Ozo (Advanced Words) https://youtu.be/9og8IoU1R_Y (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Wayne Suggs is an immensely talented landscape photographer hailing from Las Cruces, New Mexico. Wayne captures the beauty of the Southwest United States and shares his images not only for others to enjoy, but to help increase awareness of the necessity to preserve our precious surroundings.  Wayne is a professional photography instructor with Muench Workshops and his hardcover photography book, The Color of Dreams, is an instant classic and expresses some of Wayne's best work in print.Topics Richard and Wayne discuss:The underrated beauty of the desertStrategies for exploring new photography locationsChasing the light versus previsualizationThe art and process of previsualizationComposition in the fieldWhat's more important? Composition or light?Falling in love with your photographyThe influences of David and Marc MuenchWorking with wide-angle lensesPost processing philosophyAnd much more.Notable Links:Wayne Suggs PhotographyWayne Suggs Photography on FacebookWayne Suggs Instagram Muench WorkshopsThis episode is brought to you by Lexar.For more than 25 years, Lexar has  been trusted as a leading global brand of memory solutions so they know first-hand just how quickly content is transforming our world.Their award-winning lineup performs second-to-none and includes professional memory cards, card readers, and solid-state drives for creators of all skill levels.Whether shooting photos, capturing video, or transferring content on the go, Lexar provides the quality and performance you can rely on to get the shot with confidence.I've been using the Lexar Professional CFexpress Type B GOLD memory cards with my Canon mirrorless cameras for years and they deliver the blazing speed and durability for the extreme weather conditions I encounter anywhere in the  world.To learn more about Lexar memory solutions, visit www.lexar.com.

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When you begin to live your life on a wide angle lens, you start to see things differently, beyond YOU. Do the people, surroundings and mindsets around you support your growth or hinder it?

HT1596 - Seeing in Wide Angle I've always struggled with the challenge of seeing and wide-angle view. My natural vision tends to be telephoto, zooming in on details. I think I figured out why! My eyes don't zoom but in my mind I can restrict what I see to the details in the distance. Conversely, my eyes can't zoom out to see in wide-angle. I have to scan the scene and then assemble the full image in my mind's eye. That's the part where I struggle.

Ineke Mushovic, Executive Director of Wide Angle Research and Republican Rule, and Deepak Puri, CEO of The Democracy Labs, agree that candidates from the top of the ballot to the bottom can productively use strong images and provocative ads to draw in voters and drive a call to action. The Wide Angle Research approach brings video and storytelling techniques to down-ballot races and advocates looking to educate and persuade. Deepak and Ineke talk about: Use of political and advocacy ads to paint a dystopian view Need to tie issues together to make the point to voters Framing issues to tap into fear and an emotional response Using fear productively Making the argument in a concise and memorable way @TheDemLabs #WideAngleResearch #PoliticalAds #VoterPersuasion WideAngleResearch.org  RepublicanRule.org   TheDemLabs.org  

This is an abridged version of an Instagram Live conversation I had with Brendon Fallon of Brendon Fallon, host of The Wide Angle on Epoch TV. #TheAndresSegovia #CCP #taiwan Across The Socials @TheAndresSegovia & Twitter @_AndresSegovia www.TheAndresSegovia.com Affiliate Links: https://t.co/WHhZe7DUZz

Introducing Pontensic GPS Drone by Dronedandy: an advanced aerial exploration device with GPS precision, intelligent flight modes, high-quality imaging, extended flight time, and user-friendly controls. Elevate your creativity and capture breathtaking visuals from above. Experience limitless possibilities with Pontensic GPS Drone. EMarketing Co. 30 North Gould Street #Suit R, Sheridan, WY 82801, United States Website http://emarketingcrew.com/ Email prc.pressagency@gmail.com

This is one of the most useful exercises I can recommend, and one that has produced some remarkable breakthroughs for clients and friends. Expanding your view of the world is remarkable liberating, and can reduce anxiety, open your mind to new ideas, help you be more creative, and enhance your employment opportunities. As promised in this episode, here's a link to a handful of photos I've taken. https://500px.com/p/natewalkerTo get hold of me and talk about how I can best help you, go to https://natewalkercoaching.com/contact-1 and share your thoughts, notes, comments, or aspirations in the comments section. Or, DM me on Facebook, etc.  Tell me how I can help you best, and we'll schedule some time together, free of charge, to discuss it.  Please share this podcast with family and friends.

In this episode I am talking about the latest news stories that caught my eye this past week. You can find the show notes here. https://liamphotographypodcast.com/episodes/episode-337-40k-in-gear-gone-drones-moody-landscape-wide-angle-black-hole-779 Remember I now have my own discount code for all Platypod branded products at http://www.platypod.com using my code LD20 you can save 20% off on ALL individual Platypod branded products EXCLUDING Bundles, which are already discounted and Square Jellyfish or Lume Cube branded items. I also have an affiliate code for Dehancer Film profiles at http://www.deheancer.com and use code LDPHOTO I also now have my own affiliate link for Think Tank Photo, use the link to guy any of their gear, get a free gift and free shipping!!! https://www.thinktankphoto.com/?rfsn=7232819.5f5392&utm_source=refersion&utm_medium=affiliate&utm_campaign=7232819.5f5392 Also be sure to join the Liam Photography Podcast Facebook Group https://www.facebook.com/groups/liamphotographypodcast/ You can reach the show by call or text @ 470-294-8191 to leave a comment or request a topic or guest for the show. Additionally you can email the show @ liam@liamphotographypodcast.com and find the show notes at http://www.liamphotographypodcast.com. You can find my work @ https://www.liamphotography.net and follow me on Instagram, Facebook and Twitter @liamphotoatl. If you like abandoned buildings and history, you can find my project @ http://www.forgottenpiecesofgeorgia.com. and http://www.forgottenpiecesofpennsylvania.com. Please also stop by my Youtube channels Liam Photography Forgotten Pieces of Georgia Project Forgotten Pieces of Pennsylvania Project

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Brought to you by Start Right your business local, global & promoted, & Live Design live custom design, collaborate real time. William Clyde Mosley III (@williamcmosley) is Owner of Start Right & Live Design. He also works as the Marketing & eCommerce Director of New Human. He is proficient in Javascript, CSS, HTML & PHP. William has created over 700 YouTube films & 900 podcasts with over 60K views. William is a polymath of marketing, eCommerce & internet filmmaking. He is extremely fast at executing mission-critical deadlines & wizarding them into cohesive promotional campaigns & eCommerce experiences. William is married to Laura Mosley and is the father to 5 boys. He thoroughly enjoys fatherhood and talks often about it on his YouTube channel and podcast. He supports BLM, Hispanic Heritage, LGBTQ, Women's Rights, ASD, ADHD & Big Families. A few kind words from his colleagues: "I had the pleasure of supervising Mr. Mosley's work as Creative Director at New Human, where I was President of the company. There was no one who could match his skill in developing & maintaining our extensive online store, generating successful landing lead pages, managing email campaigns, live webinars, custom server process programming, and online course development. I was absolutely and unequivocally pleased with his work. Most notably, Will possesses a refreshing and remarkable work ethic. He is extremely attentive to detail and quality in the code he writes and possesses tireless diligence in meeting deadlines and schedules. Will is truly a delight to work with under fast-paced deadlines and mission-critical projects." - Former New Human President, Ann Sharpsteen "I had the privilege to first meet Will about 4 years ago. From day 1 Will made me smile with his positive energy and optimistic views on life and work. He inspires me to be a better person and to see things in a more positive light, in all circumstances. Will is an amazingly dedicated husband and father, his patience is endless! What can I say, more Will makes life better.. Truly. Work: Will always meets challenges with new eyes and ideas, things I would never think of, then completes them with skill and imagination that usually goes beyond what was expected. Will's creativity was often not utilized to its full extent by management. His knowledge of social media comes with his ability to keep an open mind and a finger on the pulse of what is currently trending in this crazy world. Priceless in my opinion." - New Human Vice President, Scott Johnson "I wholeheartedly recommend William Mosely the III for his work ethic, quality of work, and capacity to do just about anything imaginable! He has worked for my company for many years and due to changes in the world, we had to change his work to contracting on a project basis. If you are looking for a full-stack web developer and designer you won't get better and more seamless work. We never had to wait for ‘bugs' or ‘kinks' to be worked out. He was able to not only design, and program, plus carry out the work being right on target for the delivery date. Don't let Will pass you by! It will be a pleasure for you to work with him, he is creative, honest, and forthright; he is highly qualified and we are grateful that he was able to make every request we had, become real, dynamic, and beautiful! Give him a try immediately, you won't be disappointed!" - New Human President, Lee G. Woolley DNM BNC Please enjoy! START RIGHT Your Business Local, Global & Promoted For startups that have a lot on their plate but not enough time to create. Expert custom design to bring your packaging, branding, marketing, eCommerce, & trade show displays to life. Get your custom quote now at https://startrighttoday.com LIVE DESIGN Live Custom Design. Collaborate Real Time. Everything for your startup: Labels, packaging, branding, marketing & trade show displays. It's all here. Book your design session now at  https://livedesignrealtime.com

Dave wraps up 2022 with a roundup of the most important stories in meta-politics. This is the show to listen to if you want to get ramped up on what to expect in 2023. Topics covered include Ukraine, Elon Musk, Russian Cosmism, Twitter, Dollar, Crypto, Debt Ceiling, Noosphere, Politics, the "how to fix it" part, Mastodon, and honestly a whole lot more. Along with some interesting audio clips that help put things into context! Paper: Disinformation and its effects on social capital networks Keywords: Ukraine, Musk, Dollar, Crypto, Debt Ceiling, Noosphere, Politics, Mastodon, Social Capital, Disinformation, Omnibus, HIMARS, Patriot, Golden Billion, Putin, Eurasianism, Cosmism, Traditionalism, Nuclear, SXSW, Tsiolkovsky, Longtermism, Multiplanetary species, Tesla, Saudi Arabia, COVID, oil/gas, Twitter, Rogozin, Roscosmos, Fiona Hill, Burnt Hair, Hierarchy, Dollar, Foster Gamble, Thrive, BRICS, gold, Zoltan Pozsar, Bretton Woods III, Golden Ruble 3.0, Sergey Glazier, Petroyuan, China, GCC, Taiwan, mBridge, CBDC, Bitcoin, Luna, FTX, NFTs, Trump, Debt Ceiling, Tom Emmer, Gold, Noosphere, Jeffrey Sachs, Sacha Stone, Sustainable Development Goals, SDG, MDG, New Earth, Shock therapy, Barrick Gold, David Sacks, Metaphysics, DeStantis, January 6, Mastodon, Toad Social, Wide Angle, Washington Spectator, Medium.

Minami Levonowich - professional golfer, Speedgolf champion and world traveler - has been on 5 golf TV shows throughout her career. Hear what goes on behind the scenes on Cinderella Story, the Korean LPGA Tour's version of Big Break, and the Wide Angle Extreme Golf World Championship, which is similar to Altered Course. With her extensive list of countries she's played in, tune in to Minami's thoughts on the growth of Speedgolf in the U.S. as well as why so many players from Korea and Japan have found success on the LPGA Tour.

This week the boys talk about a recent dive in Lake Huron on a couple of Advanced Open Water milk run shipwrecks, The North Star and the Mary Alice B. These are two of the most popular wrecks in lower lake huron and Jamesy and Brando joined some friends for a fun day on the water. The weather and visibility was not perfect but the boys had cameras and tried to make the best of it. Join us as we take a look at taking good photos in bad visibility. Get 20% OFF @manscaped + Free Shipping with promo code TGDP at MANSCAPED.com! #ad #manscapedpod

“When I was in Ukraine, I was speaking to a few Ukrainian intellectuals, historians and others; one made a very interesting point to me...When Putin says Zelenksy is a Nazi; in the West, we hear that [as] so ridiculous. He's Jewish; how can he possibly be a Nazi? But when he's saying that to Russians it…sends a slightly different signal…When you're Russian, Nazism, the manifestation of Nazism isn't anti-semitism so much; it's this western decadence. And so when Putin says Zelensky is a Nazi, he's saying Zelensky is the manifestation of this breed of Western decadence that we as Russians have to guard the world against.” Elliot Ackerman served as a U.S. Marine Corps officer in Iraq and Afghanistan, and later in Afghanistan as a CIA paramilitary officer. In this episode of “The Wide Angle” he offers his strategic to ground level insights on what decides who comes out on top in Ukraine. His most recent novel is the New York Times bestseller, “2034: A Novel of the Next World War.” --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

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It's easy to remember: http://value4value.io/ newpodcastapps.com I use https://fountain.fm If you're looking to discuss photography assignment work, or a podcast interview, please drop me an email. Drop Billy Newman an email here. If you want to look at my photography, my current portfolio is here. If you want to read a free PDF eBook written by Billy Newman about film photography: you can download Working With Film here. If you get value out of the content I produce, consider making a sustaining value for value financial contribution, Visit the Support Page here. You can find my latest photo books all on Amazon here. Website Billy Newman Photo https://billynewmanphoto.com/ YouTube https://www.youtube.com/billynewmanphoto Facebook Page https://www.facebook.com/billynewmanphotos/ Twitter https://twitter.com/billynewman Instagram https://www.instagram.com/billynewman/ About   https://billynewmanphoto.com/about/ 0:14 Hello, and thank you very much for listening to this episode of The Billy Newman photo podcast. But today's photograph comes from one of the springtime scenes of light and weather that comes through really more often than other places in the world. But it comes through pretty often through the Willamette Valley. And this is a photograph of, of a passing rain system like a big sell of a storm. In the in the Willamette Valley with with a lot of light coming through the low, the low level of it, it's really cool, you get to see the green grass is kind of D saturated tone in the green grasses that comes up to the rainbow that's there shining down onto the land, and then you see a bit of the rain as it comes up higher and higher into the darker clouds above. So it was really cool, colorful photo that I liked a lot. And this is what I try and push for a lot with some of my photographs is to is to go for more of an ethereal or dreamlike representation of what reality was at that time. Even though this was just a regular summer storm was rain and some sunlight, I think it really comes across as a special moment this photograph. So it's a really cool thing. And it's something I've been trying to work on more and more in the photographs I've been creating. You can see more of my work at Billy Newman photo comm you can check out some of my photo books on Amazon. And then you look at Billy Newman under the authors section there and see some of the photo books on film on the desert, on surrealism, camping, and cool stuff over there. Really trying to do a lot of scouting stuff, which I've enjoyed to doing some scouting stuff through the summertime has been pretty cool, where I'm really trying to go through some of these back roads and trying to like Mark spots in the map where there's good campsites, which I hadn't really done before. You know, it was a lot of places, I've driven a lot, a lot of roads I've been on, especially, you know, like back country roads, to Forest Service roads, BLM roads, and I know a lot of good dispersed camping areas. And really, I understand the context of how to find those areas so much better now that I'm older than when I was young. I mean, when I was young, and I go camping with my dad, you know, we'd go out to Eastern Oregon we'd find some spots and they'd note about this spot since you know, he was a kid and he was going over there and hunting camps and stuff with his grandpa. 2:41 So it's cool for me to get to go over to the same spot and get to check out that area and stuff. But I think there's been or at least when I was a kid, I didn't really understand that the land, like the public land rights that you have, and really how those are organized, like how public lands are organized and what you can do on him and then sort of how it operates. I didn't really understand the difference between national forest land and BLM land or national Parkland and state Parkland or wilderness areas, National Wildlife Refuge areas, man there's just so many different distinctions of different things and then also just private property. So I didn't really have a clear recollection of any of those things. And really a lot of time when it's public land, you can go on it but there's some things you can't do on it like I they maybe hunt in some circumstances, like a, like a national park, or I think you can't discharge a firearm inside of national park, but for specifically permitted events, maybe probably national wildlife refuges. I think those hunting opportunities are are limited also though, you can still do some things in those areas, I think you have to get permitted and you have to drop tag for that location, I think is what it is. But But yeah, it's kind of interesting, sort of learning about that, learn how these things go and also finally getting some maps that you can use that you can kind of trust better while you're in the back country. I think that's something that's really helped me kind of understand where I can go and what I can do and i don't know i mean, we've had those map books you know, like that, that 50 page or 100 page book of Oregon and you know, every every page is a 25 mile map of that area is always super useful, how they kind of grid out everything and show you that you know the mile by mile marking and the topography of the area, the different little roads and stuff but even those roads, those mapmakers still got things wrong. I remember to you know, back in like, was it 2004 I think we were out in an area and Southern Oregon near the Nevada border was a Druze reservoir somewhere south of Gearhart mountain. And I remember we were on some, some little, some little road I don't even know if it was if it was a national forest area, I think it was just in the in between private and public lands as it kind of jumps back and forth in those pretty remote areas. All of it is just remote, desert and forest and sagebrush Juniper, but some of it goes into like ranch land, it's more managed and some of it gets back into BLM land as this as this little road sort of meander through it. But I remember being out there and noticing that the map on the page was just totally different than the map or the you know, the real world ground truth of where the road went. And I saw Oh, wow, yeah, you can't really trust the maps to show you the information that you want to see when you need it. Other times too, you know, you'll see like, Oh, hey, like it shows there's a road right here. Good deal, we'll take that road. Well, you know, it shows it's on the map. So you cut down there, you get on the road, and then it's washed out like crazy, or it's super bumpy and like, and just terrible, right? And but it's the same green roads, the same label, the same marking is the road next to it that was graded and, and 5:49 art was that paved, right? It's graded gravel, they put more gravel down, I think, is what I'm trying to say they've, they've made it an easier going road to drive on. But then you get those washboard sections out there. I don't know if you guys have done that, where you're driving around in the Forest Service roads and those gravel roads. And I think it's a natural process of erosion that occurs that creates these waves in the material, you know, as I think, as a rainwater comes down, is sort of naturally over time generates these, these little ripples. And that's the washboard effect that you get when you're driving. That's also the thing that kind of kicks your car sideways when you're, you're going a little too fast on a gravel road. So I started doing today I think I kicked it pretty hard side or not, you know, like, it's pretty loose on the traction and it was starting to tip sideways in my truck. And so I slowed down and threw it into four wheel drive after that, and was able to cruise around out here pretty freely. But yeah, I wanted to talk on this podcast about hanging out in the Fremont National Forest and I just got finished with a huge thunderstorm that came through. It just really finished raining a little bit ago. We were kind of I think when I arrived to today at this Meadows still a few hours before sunset, so I walked around and kind of went along the perimeter of the meadow and then and then I noticed that you know, I mean it's cloudy. It's been kind of cloudy today, and there's been thunderheads that have been building up over the location that I've been ever since I kind of came over the past the Cascades had been in like a pretty solid string of a thunderheads that have sort of coalesced into big mass over the Cascades some of it here over the Fremont National Forest river mountains these are that I'm in and and yeah it seems like this section in Eastern Oregon was getting hit with a good Thunder a good summer August thunderstorm today which was kind of fun to sit through and go through it was cool that I got rained on pretty hard early when I was driving over I thought I'd get out here and be a little bit more free of it but it seemed like that storm kind of drifted over this way and it was sort of drifting north from here and and yeah, it is a new system but man there's just a bunch of lightning that was coming through and huge cracks of thunder just big deep rumbles I haven't heard Thunder like that. And in years and years probably you know where it just kind of stays and like hangs and rolls for 10 seconds 15 seconds it seems like you know you just really kind of like whoa is Can it really still be just cracking and rumbling and rolling. And, and there was enough activity and if lightning activity that was going on there where you'd hear thunder. I mean, it was almost like 45 minutes there where there was just a crack and a roll of thunder almost continuously like it was it was pretty intense. It's It's It's really I think one of the more strong lightning storms I've been in in a while but that's sort of how it goes out here when you have these higher elevations I think I'm floating around up in the 5100 feet or so above sea level. And so it just means I'm up in the mountains where these these thunderstorms get started, you know, they get there. They get there. I think that's where they they'll kind of coalesce over these big mountain tops and then float over in the hot weather. I don't really understand the weather enough to say I know how a thunderstorm starts it doesn't start now. I've just gotten cold enough I'm trying to throw jacket on. Now you got to live through it. I'm really camping. It's been good. But I'm gonna be out here for two nights I think is what I'm going to do and then tomorrow a cruise out and I'll try and hit some of these Forest Service roads for a bit. drive around do some exploring mark a couple spots on the map as a as I'm cruising around. I think that'll be that'll be a good time but the I haven't been out here before. I think I've heard of a couple friends that have been out in this area that have done some. I think they did a couple scouting trips for a hunting trip that they're going on in the fall. I think this is an area where we're one of my friends goes I think they try and drop a tag for not this area. I think it's a drainage over from here but I think I've heard about this area a couple times from from people talking about it too. Yeah it's cool it's cool spot it was out taking pictures earlier taking some photographs I've been working mostly probably for almost a year and a half now I've been working a lot with this 17 to 40 millimeter wide angle Canon lens and it's a pretty inexpensive lens and you can get it for like 400 bucks maybe a little less if you're lucky and you get it on a sale time sometimes in the fall as we're kind of ramping down toward 10:29 for Thanksgiving I think you can get some good deals on it but that's it's sort of in the the $400 range I think sometimes maybe it's more around five or something but I picked it up a couple years ago when I was starting to do some real estate photography or while I was working for Airbnb for a while where they had hired me as a photographer to go into these Airbnb plus listings and get a new set of photographs I was interested in kind of learned about how specific they wanted all those this photographs and this this really specific art style and and you know format of it and it was fine It was interesting to do for a while but but what was cool is that I picked up that lens to get in and do that work. But really after that I've been appreciating how much I can do with that wide angle lens and then you know 40 millimeters isn't way different than 50 millimeters it's certainly different for the effects of portraits and stuff but when I'm out here doing landscape stuff and I'm trying to take pictures of a lot of this stuff is kind of sketch photos to where I'm sort of going around and midday I'm taking some photos of some different things I want some cat photos and my track and my my little cooler set up in the back here and so all that's been good in addition to that the the Astro photography stuff that I can do with it is pretty cool because it drops down to the 17 millimeters it's an autofocus lens, it's a sealed lens, it's it's pretty it's it's pretty good in most ways and I've really noticed over time that I'm not as as absolute of a mandate for me to be shooting at a really wide open f stop you know, shooting at a wide open aperture almost all my photos early on were 1.8 or or 2.0 or 208 or something and I would do that really because I was trying to I was really trying to get because I didn't have very many lenses I was really trying to get as much effect out of that book k out of that soft background as I could so I was really trying to lean into that and get some photos with it and I noticed with my camera and equipment at the time that it just it just looked better. They just did look better when it was at you know f1 eight I think I just had that nifty 50 Nikon 50 millimeter for the longest time that's what I did I did my early trips on and did a lot of my portfolio building stuff on that but but I've got a different 50 millimeter lens with me now I've got it on my film camera in my bag right now which I need to take out too and I'm trying to finish a roll of avatar film it's been on there for a while and I've enjoyed shooting it it's cool it's a it's a new Canon camera to me at least I got it used on kth and spent 35 bucks on it 10 bucks to ship it and it takes a weird battery to it's one of those 90s film cameras it has this weird it almost looks like a battery pack this it's like two so it was almost like two double A's if they were a little fatter but are bonded together in this little plastic pack and then you pop that in there and shoot for a little while I guess and it runs a meter okay so I'm getting by with it but I've noticed the film cameras stuff it's it's fun to have an awesome film camera it'd be cool to have a Leica and all the lenses I wanted but a lot of the time with that you know the good lenses I have this this new or like canon l glass that I get to shoot through and for film photos and for the variety of images or the variety of lenses i have i can i can do telephoto I can do prime I can do really wide angle all with the modern digital Canon lenses that have you know chips in them that read well that meter well that make contact with or send information back and forth or at least from the lens to the camera I think xao works that works in the autofocus stuff for the digital camera this is this is autofocus Yeah, it's an autofocus digital camera. It's sending information back it's working Yeah, that makes sense yeah, so it's it's cool like that's something I didn't really have available to me for a long time you know, I think what I've probably on this podcast if you go way back in the archives I'm talking a lot about film with a Nikon f4 you know, I mean that just had autofocus that was the first camera like 88 to get autofocus period. So it's cool to have that in a more flexible way now but what I remember talking about in the past that was that I had like limited options with glass all the time, I didn't really always have the lenses that I would have preferred. And so I've kind of made a collection of that now with this canon stuff, I got a Canon camera and so I can throw all those lenses on and have that same flexibility that I have with my digital set. But just with this, this film body that I get to shoot a roll through so I kind of saved the film stuff When it's a thing that I want, but what I've noticed though for a little while, is that I miss a lot of those moments and I ended up just having the 15:09 the norm, you know, the regular digital camera with me with a bunch of my other gear, whenever going out and trying to kind of just take the camera with me and then I'll leave the bigger bag back at the truck, so that I'm not really carrying as much stuff with me, I've also started carrying, like when I'm out here in the woods and stuff I'm carrying that binocular harness with me, which is kind of cool, you can get them in different sizes, but it's sort of like if you imagine like a backpack, but what they do is they strap onto the front so it's right on your chest. And what you can do is Phil is put like a pair of binoculars in there. So you can pull them out and then scatter around with your binoculars, do some glasses, and then pop them back into your into your harness and then kind of carry on with whatever you want to do. But if you leave that empty without the without the binoculars, if you have a smaller camera rig, probably like a mirrorless or a Sony camera, you know, like one of those Sony A 6000s man, if you were a backpacker, and you had a Sony A 6000. And this, this front carry, like binocular pack, you'd be really sad that would be like all the camera bag that you'd need. In fact, really if I'm thinking about ever doing some like over you know, some longer backpacking travel, where I just have to pack everything in a way it's gonna be something I'm more conscious of. And I think that's really like the way to go is I've kind of been thinking about it a little bit it's like get to get a lighter camera. Or I mean it'd be great like carrying like a 360 camera you know, if you're going up someone else's, those are almost nothing as it is anyway but but if you're carrying like an SLR or something that you want to try and do some some more controlled photography with you had something like a, an A 6000 from Sony or an a seven, seven or three or whatever it is something that size with a lens attached to it, you know, that could fit in one of these binocular harnesses, harnesses and carry kind of route on your front and then you see something you would take it, pop that open right on your chest, pull it right up to your eyes, got straps on it in the harness, pull it right up to your eyes ready to shoot, and you can take photos, or take photos, you know as quick as you want to. So it's kind of a cool process. If you're out hiking a lot for what I'm doing, I have my binocular harness, but it's got binoculars in it. And I've been kind of going around and trying to do some bird watching stuff while I'm out here. And so cool Hawk, those posted up who's looking at me, that's about all I've seen so far. So coyote the other day, that was cool. I'll talk about that later that but 17:33 but so I had those binoculars in there. And I've been kind of going out on these, these shorter hikes and stuff that I've been trying to go around and like, just kind of watch some stuff or watch land and kind of keep an eye out. But I just had the camera on my longer strap on my side with that 17 to 40 millimeter lens. And that's worked really good. And it's been a pretty flexible kit for me to go around and take a bunch of photographs with so it's pretty easy, pretty lightweight to work with. And I can kind of move back and forth between those things strapped around my neck, you know, it's not everything just hanging around my neck with a lanyard, it's all kind of put somewhere or packed in somewhere. So it's been kind of cool. But it was good going out and taking some photos tonight, I was trying to get some of the i didn't i didn't get any lightning in the camera, though the lightning stone kind of passed as soon as it was getting really dark enough to do like a long exposure kind of thing where I could, I could sort of catch something, something spark and otherwise, you know, you got it, you got to beat the lightning bolt with your shutter finger. And that's a pretty tricky task to do. I think that's how they do it, you know, when you get those, you get those like magazine photos back in the day of powerful lightning bolt striking. I don't know the center of a road or something like that, it's what they'd show, you know, some kind of power lightning bolt, but the way that they would do that stuff is i think i think it was like it was dark out, you know, are pretty dark out. And so they set the camera up for just a cycle of long exposures. And then they would just kind of let it ride, you know, so they'd have a couple seconds to expose the image to whatever you know, at work, and then they just kind of have that rolling so that when when a bolt of lightning did strike, and it would be captured. And you could go through that collection of capital or you know how I say that, when a lightning bolt would strike the ground, the camera would have already been exposing for a photograph. Because it's just cycling the shutter on a four second exposure, let's say something like that. And so you know, it takes a four second exposure stops, processes for a second, it takes for second exposure stops processes for a second. So I think that's how they did some of that stuff where they, they kind of anticipate. Alright, it's been a couple minutes. Let's take a frame now. And then it's just going to be an event in the future. So we don't know if it's going to happen or not. We're going to wait for this event in the future when we boom see a lightning bolt and then that light then exposes the sensor or the film and the camera. And then you're left with an image that has that lightning bolt represented in the frame when you're shooting on a tripod or something like that with with like a short cycle, long exposure. And I thought that was pretty cool, but I didn't really get a chance to get all that stuff set up before the storm kind of passed me by I did get a lot of cool handheld stuff that was that's great if the thunder heads and stuff and really unfortunately just in the location that I'm at a lot of that and I guess maybe for the better. But that lightning storm didn't pass right over my head, it was still a little ways away. So I could see the lightning bolts cracking through the trees can out that distance more, a few they stretched across the sky pretty good too. It's just a big old, you know, from from east to west. It was like, you know, big old chunk of boulders crack all the way across the sky. It was cool. 20:53 So I got some photos of the thunderheads, the sunset, the the big field out here, it's cool. It's a nice area. But I was also thinking about some of the other stuff that I want to be doing tomorrow. So I'm out in the Fremont National Forest, I'm going to be heading I think, maybe south from here, and I'm going to try and explore a couple areas that are still open. Or I guess it's all open publicly, this is like a pretty large contiguous section of of national forest land here. And really like that's a big part of Oregon overall, right? It's like 53%, public lands. It's cool. Yeah, if you look at a map, you'll see the cities and you'll see like the highways and stuff. But if you have the right map, it'll show you where the BLM land is and where the different national forests are. And it's cool, this whole area of the Northwest is just, there's a lot of public land that you get to use. And there's a lot of open area that you get to go to and, and yeah, now that I've got a good map of the outdoor off road, roads and some of the terrain and stuff with some good notes, and I'm able to kind of move around and get out to a lot more places than I had before. So it's been cool. The app that I'm using is the on x off road app, it's, I think 2999 a year. And so pitch that out, picked up this app, and then you can download offline, these, these really detailed off road maps, they're supposed to show you all the trails, you know, even just walking trails, all the roads, all of the like the pieces of information you'd need for kind of moving around in the back country and really as surprising as it is as remote as a lot of these places are people go here, you know, it's also public land is managed by the the forest department forest Forest Service. Yeah, I think a lot of the stuff managed by the Forest Service, the BLM stuffs managed by the BLM. And that's why these roads are as good as they are or maintained. And that's why I like when trees are down on these mountain roads, you know, someone has to go through at the beginning of the year and cut all those out, rip them out filling the potholes, all that sort of stuff. So all these areas are, are known about and you know, kind of managed in a pretty significant way. In fact, I think, more so to come in the future. I think they just announced yesterday or the day before that they've passed the great American outdoors Act, which I really don't know the first thing about, or, or what it does or doesn't do, or what puts in or leaves out. But I think part of my understanding is that it's supposed to change some of the funding mechanisms that go into supporting the the maintenance of these public lands that are out here across the country, but really significantly out here in the western states. So it's, it's pretty cool. I think, before that it was like, well, we should spend, you know X amount of money, but there's a more important place for that money to go. So it wasn't like a guaranteed amount. Sort of what I understand so if I understand it correctly, there's like I think they've said $3 billion a year of mandated funding for projects. I think here in the back country, BLM land, Forest Service land and like national wildlife refuges and stuff so pretty cool. But yeah, I think that's gonna, well maybe we'll see a change in that I think it's supposed to better fund the operations of BLM and forest service people as they're going through and trying to get these areas ready for, for the public to be using more regularly. So it's cool. I think it'll mean a lot over the next few years or what maybe we'll see how it, how it kind of transforms some of the way that these these areas are managed. I think maybe it's more for mining, I probably shouldn't even speculate. I'm not sure at all, but it's pretty cool. I'm excited about being out here and doing some camping and stuff dealing with this thunderstorm. I think it's one of those things where by the morning, you know it's going to be or at least well I was looking at the weather it should be mostly cloudy, partly cloudy, mostly sunny tomorrow for a while. So It's pretty cool. I'm excited to be hanging out, do some cabin stuff, do some podcasting. I'm in the back of my truck right now like I was saying it was rain in early after this thunderstorm so I got that canopy on my truck. And I'm nice and dry, nice warm, kind of feels like I'm just inside somewhere. So it's, it's a cool cool rig, having the four wheel drive, having the canopy on the back, having your staff and your sleeping area, just kind of set it back there and I'm ready to go. So I've been having a good time being out here and 25:31 it's been pretty good. Pretty good trip so far. I so appreciate you guys checking out this podcast from me. I'm gonna do a couple more podcasts while I'm out here on this camping trip. And I'll I'll try and try and set up a little backlog of them on my website. I think it'll be a good idea. Now I kind of take their breaks and stuff from it. I'm sure no one, no one keeps listening when it when it is there. But hey, if you listen to this end of the podcast, shoot me an email. Time for the plugs. It's Billy Newman that photo.com if you want to check out my website, see some of my photographs, check out more podcasts that I've done, or books that I've tried to put together which is maybe what I'm going to try and do out here to try and get some photographs for another good book. 26:19 You can check out more information at Billy Newman photo comm you can go to Billy Newman photo.com Ford slash support. If you want to help me out and participate in the value for value model that we're renting this podcast with. If you received some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at Billy Newman photo comm forward slash support, you can also find more information there about Patreon and the way that I use it if you're interested or feel more comfortable using Patreon that's patreon.com forward slash Billy Newman photo. Yeah, this summer, I've been trying to do a lot to work to get together some new photos, some new stuff to try and kind of build a base and then move from there a little bit. But I'm really excited to try and put up a bunch of the older portfolio photographs that I have. And I was really happy to work on the website a lot this summer, I kind of redesign a bit of that, you check that out tell you anything about it's a billion human photo.com. And I try to strip out a lot of the unnecessary parts and I'm trying to kind of hone it down a little bit. So it's a little cleaner, but it's gone. Well, I've tried to set it up a little bit more. So it's stream based, if that makes sense. You know, we've kind of moved toward like the Facebook stream, the Twitter stream, the Instagram stream. So I'm trying to kind of move it to where, like I talked about on the podcast before where a lot of the media stuff that I put together, the video clips, the photographs and stuff that wherever they do end up going whatever sites I am populating, like flicker and Instagram and Facebook and all the rest of it, that's kind of what's shown on the website, or you know how the website's going to try and automatically pull that stuff and ingest that into the website. So I don't have to do it as much. And that's kind of been fun. Actually, it's kind of cool doing that. But the thing that I need to do, the part that still left is I need to go through my photo portfolio, kind of the long term portfolio of images I have, and I'm trying to go through and select what would be good to show the work that I've done so far. And I'm trying to do that in a way that's more developed than I had before I've gone through and I've selected, I've kind of picked the photos that I like a lot. But I've tried to do a couple different things. And hey, another truck. That looks like a few times of gravel in the back. So what I want to do, though, with the photo stuff, and what I've kind of been trying to work out a little bit is to go through Instagram or to go through Facebook and to try and select my favorite photographs, but then also just select the ones that have been sort of chosen by the market. That's another idea that I'm trying to go for what what do people actually like of the pictures that I take? What are the ones that people seem to connect with the most. So in one level, I'm trying to find all those photos. And then I'm trying to sort of remake those photos or re edit them or you know, kind of re republish them in a way that looks sort of new. And that's cleaned up a little bit in the way that I can I can edit and create stuff now. So part of the step is that and then the other part is to sort of learn what people like of the photos I'm making that I want to go out and try and make more of that. Or I try and dig in a little deeper on on the part that seems to get the most traction or that seems to be seen as the most valuable. So what are those like what I've noticed? 29:39 Well, yeah, what I've noticed anecdotally so far is that the low light stuff or the Astro photography, the night photography, the landscapes where there's stars matched in the background seem to really perform really well. And I really love trying to take those photos and I know a lot about how to lay out the stars that I would want in that foot or you know, I know where the stars are I know how to kind of line some of the landscape stuff out that I know how to expose for it. So that's a part that I'd really like to get into and push for more of what seems to be a draw the photos that I take. But on the other side of that, too, I really want to do more, more fine art photography, that's what I really liked, and was kind of drawn into when I first started taking photos, even way back on film, before I knew how at all, but I really liked the fine art side of it, where you could go through and try and put the nicest elements together or, you know, try and put a landscape together. But I liked that side of it a lot more than the product or production side of it. In a sense, at least. And I've always been really interested in the fine art photographers that are out there, or the fine art landscape photographers where you see some of the advanced kind of work that they put together, some of the ways that they're able to put real pieces real elements into a photograph, it's always seemed so cool, when you're really able to be in tune with that sort of stuff. And I don't know, I've just always loved the old landscapes, and, you know, old Fine Art images from the past. So that's kind of the stuff that I'm trying to get into. But organizing this stuff has been interesting. So I'm trying to use this program called Scrivener. And maybe I talked about it before or maybe a while back, I talked about it. But Scrivener is kind of interesting. It's this, and I talked about it yesterday, no, but it's this writing application that I'm trying to get into. And it seems like it would take a few tutorials to really figure out it's a little bit more in depth, hey, gravel truck, it's a little bit, it's quite a bit more in depth than something like Word. Even though Microsoft Word is sort of an industry standard that everyone has sort of learned on for the last 1520 years, it really is a little bit more specific to like an essay for at least the way I've learned it. But it's more specific to the essay format of word processing, where you're trying to get a page accomplished, you're trying to edit through that or you're trying to edit through kind of a single document. And Scrivener is sort of laid out in a way where there's a few more pieces on the side of it, where it's really supposed to be a research applicant, or you're supposed to kind of compile 32:04 different documents of text research or photo research and kind of put that together. And then you're able to sort of assemble a larger writing project from there, which I think is kind of interesting, like i'd figure like book authors would use a writing program like this to work on their character outlines. And their story outlines their plot summaries, and then they would work that into the manuscript that they would make into their book later. So I just think it's kind of an interesting way that they seem to be going, or that the program is built to sort of go about it. So I'm trying to get into that and do it well. But one of the aspects I'm trying to do is to put in all the portfolio of photographs that I have, into this Word document, and then sort of sort those photographs, and write about those photographs a little bit to see which photographs really seem to connect with me, or connect and connect with an audience the most and, but also a photograph sort of have a story associated with them, I love that. Like, if you would follow me for this for a second, you would kind of see that there's a difference between the photographs that are going to be the most monetizable the ones that you can make money from like, let's say portraits, let's say business portraits for some company you could get, you could get some money for that. But you wouldn't really want to post that in your portfolio of work necessarily, you'd want to like, at least in my case, what I'd like to do is show some photos from the imnaha River Canyon, like where we were last week on our photo trip. So you kind of want to move into that stuff. But you don't, it's not gonna be the same sort of thing. Like those landscape Fine Art photos are just, you know, the landscape, travel, adventure, tourism sort of stuff, that's all going to be on one side of it. And then the other is going to be, you know, senior portraits, business portraits, event photography, wedding photography, that sort of stuff. So there's sort of two sides of, of a portfolio. One of them's a photo product that's valuable for money. And the other one's a, an art piece that's valuable because of its aesthetic. And those are sort of different things that you've kind of, as a photographer, you're trying to build both of those up at the same time, it's sort of like two different routes that you have to work on at the same time until they sort of merge together and unify. So it's got an interesting part of it. And that seems to be part of the process that I'm in right now is trying to figure that stuff out. So some weeks, it's, I'm working really hard on the aesthetic side of the photography. And then some weeks I'm working really hard on the monetizable compensation based side of the products that I want to try and build as a photographer that's in business, right? And there are those are interesting challenges. But I guess I've been doing it for a couple years, and it's kind of fun, at least to a ticket to still be doing it. So a couple of things that I'm trying to do is I'm trying to go through and build a new Lightroom catalog of all the photos that I've taken this year and all the photos from the last couple Will your second organize those and do a little bit of what I'm talking about. So I have this kind of tighter collection of maybe the top 100 Top 200 Top 50 some number in there of of well laid out photo essays and stories with an image you know that's kind of what I'm trying to get to especially for like the, the social media content side of it, I want to try and have that ready to go with a higher frequency almost all the time. So I'm trying to get everything kind of pre produced, right? Does that make sense? One all the portfolio photos pre selected and then ready for me to go if I want to, if I want to post those, I get those out on any given day. So it's interesting, it's kind of a cool project. I worked on it a little bit to work on it a little bit here and there when I can but that's another part that's kind of tough. I mean, gosh, I haven't even finished my website yet. Which I guess the last part is still just this I need to it's kind of what it's been waiting for is I need to finish the selection of the portfolio and then I can build the portfolio gallery and put that up on the website. But so far, it's been working great just to send the y'all over to Instagram. I think that's where most of the stuff goes. That's where all the current content goes. Anyway. Thanks a lot for checking out this episode of The Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com a few new things up there some stuff on the homepage, some good links to other other outbound sources, some links to books and links to some podcasts. Like this blog posts are pretty cool. Yeah, check it out at Billy new minnesota.com. Thanks a lot for listening to this episode and the back end

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“[Xi Jinping] knows that if he were to fail, he wouldn't get a nice house in the Chinese capital. He would be jailed; he'd lose assets; his family would be disadvantaged. He could even lose his life. So, the stakes are much higher for Xi Jinping.” 2022 is the ‘make-or-break' year for General Secretary of the Chinese Communist Party (CCP), Xi Jinping. This is the year he will make his bid for a third term as the autocratic leader of China. This is also the year in which the fiercest sabotage attempts are likely to be made against him, from within the Party. Author and U.S.-China foreign policy analyst, Gordon Chang joins me in this episode of The Wide Angle. He reveals how the ‘pressure cooker' that CCP now represents could easily erupt in ways that extend well beyond China's shores.

“When we see the West imposing these sorts of authoritarian lockdowns, and we see them aiming to impose bio-surveillance states, this must change our perception of the world.” In this episode of “The Wide Angle,” Lee Smith poses the question: Where does ‘democracy-based' foreign policy stand in a time of dwindling democracy under Covid-19 restrictions and mandates? Lee Smith is a veteran investigative journalist who writes for both “The Epoch Times” and “The Tablet.” Historically, the alliances and partnerships between Western countries have been largely based on shared democracy. So, what happens when Western “democracies” veer drastically away from democratic principles? And when it comes to confronting the major tyrants of our times, like the Chinese Communist Party, how do the actions of “Democratic” governments really measure up? #LeeSmith #Democratic #Mask

Vaggs, buy one get two free. Stay healthy USA eating your chicken crunch wrapped, chocolate coated, less feelings taste great brewski dooskis. Enjoying a smooth draw from your untested strawberry flavored ecig. But get vaggsed because rona could kill you AND me. Videos, Interviews, Podcasts on Covid Vaccine Science & EthicsVaccine Questions: Dr. Robert Malone, mRNA Vaccine Inventor, on Latest COVID-19 Data, Booster Shots, and the Shattered Scientific ‘Consensus', American Thought Leaders with Jan JekielekVaccine Taboos: Dr. Robert Malone, mRNA Vaccine Inventor, on the Bioethics of Experimental Vaccines and the ‘Ultimate Gaslighting', American Thought Leaders with Jan JekielekWhat Are Escape Mutants: Dr. Robert Malone on Ivermectin, Escape Mutants, and the Faulty Logic of Vaccine Mandates, American Thought Leaders with Jan JekielekVaccine Coercion: Suspended Medical Ethics Professor Aaron Kheriaty on Vaccine Coercion, Risks, and Natural Immunity, American Thought Leaders with Jan JekielekVaccine Ethics: Dr. Aaron Kheriaty on ‘Biosecurity Surveillance,' Perverse Vaccine Incentives, and Testing COVID-19 Vaccines on Children, American Thought Leaders with Jan JekielekEthics of Vaccinating Children: Dr. Scott Atlas on Vaccine Mandates for Children, Natural Immunity, and Florida's COVID-19 Surge, American Thought Leaders with Jan JekielekThe Zero Covid Pipe Dream: Dr. Jay Bhattacharya on Vaccine Mandates, Herd Immunity, and Why Zero COVID-19 Is Impossible, American Thought Leaders with Jan JekielekDangers of Vaccine Mandates: Harvard Epidemiologist Martin Kulldorff on Vaccine Passports, the Delta Variant, and the COVID ‘Public Health Fiasco', American Thought Leaders with Jan JekielekThe Power of Natural Immunity: Harvard Epidemiologist Martin Kulldorff: Hospitals Should Hire Nurses with Natural Immunity, Not Fire Them, American Thought Leaders with Jan JekielekVideo of BMJ Editor Peter Doshi's evidence at an expert panel on COVID vaccine mandates & injuriesHow does natural immunity stack up to vaccinations?, Aaron Kheriaty, Fox News with Shannon BreamCollege COVID mandates represent form of ‘medical authoritarianism', Aaron Kheriaty, Fox News Jonathan Isaac's answers questions on his vaccination status, Orlando Magic Press ConferenceVaccine Ethics, Aaron Kheriaty on Kennedy Saves the World podcastIs COVID-Deaths Data Being Manipulated for Profit? Doctor Sues University Over Mandatory Vaccine Policy, Aaron Kheriaty, The Wide Angle with Brendon Fallon

At the time of publishing, the U.K. and Canada are the latest countries to join the diplomatic Boycott of the Beijing Winter Olympics. This comes just days after the White House's corresponding announcement. The U.S. cited persecution of Uyghur in Xinjiang as the primary reason for its action. But, are there other motives underlying its stand against the Chinese Communist Party (CCP) at this time? And why is there no mention of Peng Shuai accompanying this boycott being made in the name of human rights? What is the relationship between the U.S. boycott of the Winter Olympics and Russia's preparations to invade Ukraine? The CCP has recently leveled heavy criticism against Western democracy. Alongside this, it has announced its own brand of ‘democracy,' i.e., “Whole Process Democracy.” How does the latter stand up to a basic democracy litmus test? #WinterOlympics #PengShuai #CCP

How high does the Russia-collusion hoax rate on the scale of U.S. political scandals? Veteran journalist and author, Lee Smith, would say it tops them all. With the Watergate scandal, the American press uncovered corruption and crimes at the highest levels of government, leading to President Richard M Nixon's resignation. Fifty years on, we find the press fulfilling a much-altered purpose. Lee, author of ‘The Permanent Coup' and ‘The Plot Against the President,' joins me to explain why this event represents the darkest chapter in American politics, and the media's complicity in this. What patterns do we see emerging in U.S. media that resemble Chinese Communist Party propaganda? #CCP #LeeSmith #Dossier

odysee, brandnewtube may have additional info the big media places won't even discuss. Consider how you get the source you can learn from. Videos, Interviews, Podcasts on Covid Vaccine Science & EthicsVaccine Questions: Dr. Robert Malone, mRNA Vaccine Inventor, on Latest COVID-19 Data, Booster Shots, and the Shattered Scientific ‘Consensus', American Thought Leaders with Jan JekielekVaccine Taboos: Dr. Robert Malone, mRNA Vaccine Inventor, on the Bioethics of Experimental Vaccines and the ‘Ultimate Gaslighting', American Thought Leaders with Jan JekielekWhat Are Escape Mutants: Dr. Robert Malone on Ivermectin, Escape Mutants, and the Faulty Logic of Vaccine Mandates, American Thought Leaders with Jan JekielekVaccine Coercion: Suspended Medical Ethics Professor Aaron Kheriaty on Vaccine Coercion, Risks, and Natural Immunity, American Thought Leaders with Jan JekielekVaccine Ethics: Dr. Aaron Kheriaty on ‘Biosecurity Surveillance,' Perverse Vaccine Incentives, and Testing COVID-19 Vaccines on Children, American Thought Leaders with Jan JekielekEthics of Vaccinating Children: Dr. Scott Atlas on Vaccine Mandates for Children, Natural Immunity, and Florida's COVID-19 Surge, American Thought Leaders with Jan JekielekThe Zero Covid Pipe Dream: Dr. Jay Bhattacharya on Vaccine Mandates, Herd Immunity, and Why Zero COVID-19 Is Impossible, American Thought Leaders with Jan JekielekDangers of Vaccine Mandates: Harvard Epidemiologist Martin Kulldorff on Vaccine Passports, the Delta Variant, and the COVID ‘Public Health Fiasco', American Thought Leaders with Jan JekielekThe Power of Natural Immunity: Harvard Epidemiologist Martin Kulldorff: Hospitals Should Hire Nurses with Natural Immunity, Not Fire Them, American Thought Leaders with Jan JekielekVideo of BMJ Editor Peter Doshi's evidence at an expert panel on COVID vaccine mandates & injuriesHow does natural immunity stack up to vaccinations?, Aaron Kheriaty, Fox News with Shannon BreamCollege COVID mandates represent form of ‘medical authoritarianism', Aaron Kheriaty, Fox News Jonathan Isaac's answers questions on his vaccination status, Orlando Magic Press ConferenceVaccine Ethics, Aaron Kheriaty on Kennedy Saves the World podcastIs COVID-Deaths Data Being Manipulated for Profit? Doctor Sues University Over Mandatory Vaccine Policy, Aaron Kheriaty, The Wide Angle with Brendon Fallon

This is episode 32 and we're swinging back to the Cape frontier through the last few decades of the 18th Century. I am going to thoroughly probe this period because so many crucial things were unfolding across southern Africa such as the development of new centralized powerful kingdoms in the East, the acceleration of land occupation by the trekboers and the first real clashes between the isiXhosa and settlers. That is far too much to chew on in just one episode I'm sure you'll agree. First we need to step back and take a wide-angle view of the region. By the mid-1700s the eastern Cape frontier was a vaguely defined area east of the Gamtoos river. This is where black South African's speaking a Bantu language first encountered white settlers as distinct from traders and missionaries. It was also here that policies which have had a profound influence on southern Africa were first formulated and applied. It was also a cultural frontier between warring states and had many characteristics of frontiers elsewhere across the world at that time. One of course was in north America

This is episode 32 and we're swinging back to the Cape frontier through the last few decades of the 18th Century. I am going to thoroughly probe this period because so many crucial things were unfolding across southern Africa such as the development of new centralized powerful kingdoms in the East, the acceleration of land occupation by the trekboers and the first real clashes between the isiXhosa and settlers. That is far too much to chew on in just one episode I'm sure you'll agree. First we need to step back and take a wide-angle view of the region. By the mid-1700s the eastern Cape frontier was a vaguely defined area east of the Gamtoos river. This is where black South African's speaking a Bantu language first encountered white settlers as distinct from traders and missionaries. It was also here that policies which have had a profound influence on southern Africa were first formulated and applied. It was also a cultural frontier between warring states and had many characteristics of frontiers elsewhere across the world at that time. One of course was in north America

Member of Afghan Parliament and activist, Farzana Kochai, was a child when the Taliban last occupied Afghanistan. She remembers then, the ban on girls attending school, on women working, and women needing a chaperone if they wanted to go outside their homes. Farzana is now risking her life to speak out to preserve something of the freedoms and democracy gained over the past twenty years. After being in a state of shock for the first days of the Taliban occupation of Kabul, she then became the first female Afghan politician to participate in political debate–broadcast to the world, she says. “We talked about the…future of women and the use of Parliament in the future of the regime that is going to be formed in Afghanistan.” “I choose to stay here…to be with my people, my women, in my country, as we can't just leave. All of us–we can't leave. And here we need some people to speak up for us.” #FarzanaKochai #Afghanistan #Taliban

Just days ago, NY Governor Cuomo defended himself against Attorney General findings that he has grossly harassed a number of female employees of New York State. There are now widespread calls for his resignation, not to mention his impeachment. Cuomo says the allegations against him are based more or less in misunderstanding—whereby women misinterpreted the gestures of warmth and affection that he extends indiscriminately to men, women, white, black, young, old, etc. We ask the people roaming the streets of New York City what they think. #AndrewCuomo #Harassment #NewYorkers

Economics and philosophy scholar, Dr. Dave Brat reveals how the enlightenment, renaissance, and reformation shaped the freedoms and ethics of our times; which he now considers under major threat. He sees the attack on traditional and universal values manifesting globally in the Israel-Gaza violence, and the multi-pronged China threat. Beneath these pressing crises, he identifies two long-standing, opposing forces—one championing freedom, and one aiming to subvert it. “The rule of law, freedom of religion, freedom of thought, freedom of expression…All of these have been bipartisan issues for hundreds of years,” Dr. Brat says, before lamenting the ‘value-confusion' of people of modern times: “People cannot see the basic contrast between freedom and totalitarian regimes. And even in the US, we're drifting ever so steadily, but steadily toward a bigger and bigger and bigger federal government.” What do our traditions and history tell us about the global conflicts of our times, and how to defuse them? #Israel #Gaza #China

https://youtu.be/_WRPyIMm024 This week in Hong Kong it takes the form of four thugs with sledgehammers smashing up the Epoch Times's printing press; here in America it takes such forms as YouTube viewers being involuntarily unsubscribed from channels—like ours—covering “sensitive, political topics. This kind of under-the-table censorship of “sensitive” content is increasingly a reality in America and not just the purview of totalitarian regimes. When a U.S. big tech company chooses to collaborate with a Chinese-military-aligned university but rejects collaboration with the U.S. military, serious questions arise about whose interests these tech firms serve. Clearly, it's high time for Silicone Valley to be checked on actions that compromise American national interests, as tech billionaire investor, Peter Thiel suggests. #EpochTimes #HongKong #ChinaUS ________________

https://youtu.be/HVWrsGJUbvA “If Xi Jinping doesn't respect Biden… [Xi] could really push the United States and International community to war,” Gordon Chang told Wide Angle this week. What's more, political turmoil in Beijing could add to Chinese regime volatility, leading to even more unpredictable and dangerous behavior from their side. The U.S. and Western democracies have recently sanctioned CCP officials for the genocide of the Uyghur in Xinjiang (North West China). Nike, H&M and other retailers are boycotting Xinjiang ‘slave-labor' cotton. The reaction of China's propaganda machine to this has been confused and contradictory, suggesting internal competition and dispute. The CCP's 16 minute ‘war-wolf' attack on the U.S. at the Alaska talks 2 weeks ago may just prove to be the spark of a FINALLY, serious U.S. stance against the CCP. If so, let's hope it unfolds in time to curb the violations of the Chinese regime and prevent global catastrophe. #BoycottXinjiangCotton #CCPwarWolf #XinjingCotton _________________