Podcast appearances and mentions of Alan Wilder

I discuss Alan Wilder's Depeche Mode side project Recoil and its 1992 album Bloodline.

Enardan nous résume l'actualité de la décennie actuelle d'Alan Wilder.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ---Sources et liens externes :La collection d'Alan Wilder (recoil.co.uk)Interview d'une journaliste sur le retour d'Alan (Twitter)Alan félicité dans le speech Rock & Roll Hall of Fame (YouTube)Alan Wilder vend sa collection entière de vinyles et CD (YouTube)Alan Wilder about Depeche Mode and more (YouTube)Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Angélique nous donne les avis des Auditeur.ices sur Alan Wilder, ex-membre de Depeche Mode.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJRetrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Angélique et Vincent listent les différentes apparitions, interviews et projets d'Alan Wilder.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ---Sources et liens externes :Somebody, live at Royal Albert Hall, 17 Février 2010 (YouTube)Interview With Alan Wilder, February 20th, 2010Selected (Wikipédia anglais)Alan Wilder Collected (YouTube)Vaughn George sur Alan Wilder Collected (YouTube)Interview à propos de Selected sur la compagnieartistique.comInterview sur thequietus.comInterview sur reflectionsofdarkness.com sur SelectedArticles sur Nevermind The PosersRetrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Enardan et Vincent reviennent sur la décennie 90 très riche en rebondissements…----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ---Sources et liens externes :Sébastien Michaud - Éthique Synthétique, éditions Camion Blanc (p. 193, 230-231, 257)Jonathan Miller - Stripped, édition Omnibus Press, en anglais.Classic Pop - Music for The Masses (anglais, p. 124-127)Discographie de Recoil (Wikipédia anglais)Bloodline (Wikipédia anglais)Bloodline (429harrowroad.com)Unsound Methods (Wikipédia anglais)Unsound Methods (DMLiveWiki)Unsound Methods EPK (YouTube)1995-06-01 Alan Wilder departure from Depeche Mode (DMLiveWiki)Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

MJ et Yohan nous racontent dans cette décennie le projet Recoil.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ---Sources et liens externes :Liquid (Wikipédia anglais)Interview de Chronic'art à propos de LiquidSubHuman (Wikipédia anglais)Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dans cette première partie de l'émission, Philo' nous détaille les deux premières décennies de la vie d'Alan Wilder.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ----Sources et liens externes :Depeche mode de A à Z de Florence RAJON, éditions les guides MusicBook de l'ÉtudiantWikipedia (français)Wiki Depeche ModeSébastien Michaud - Éthique Synthétique, éditions Camion BlancLes Inrockuptibles Hors-série Depeche Mode à travers le temps 2018The Dragons - Over the Moon (YouTube)Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut !Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Angélique et MJ nous parlent de la décennie 80 avec l'arrivée d'Alan Wilder dans DM et le début du projet Recoil.----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ----Sources et liens externes :Chansons de DM composées par Alan Wilder (DMLiveWiki)1+2 (Wikipédia anglais)1+2 (Recoil.co.uk)Hydrology (Recoil.co.uk)Hydrology (Wikipédia anglais)Q+A / Recoil / 1 + 2 / HYDROLOGYLes démos d'Alan WilderAlan Wilder présente l'Emulator IIRetrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Dès son arrivée dans Depeche Mode en 1982, Alan Charles Wilder n'a pas laissé les autres membres du groupe et les fans indifférents…!De “Get the Balance Right!” à “Songs of Faith and Devotion”, de son départ du groupe en passant par son Projet “Recoil”, Depeche Pod retrace dans cet épisode toute la carrière et la vie d'Alan !----Au sommaire :Intro, présentation de l'équipe et de l'invité (00:00:00)Sommaire de l'émission (00:09:19)De 1959 à 1979 (00:10:47)De 1980 à 1989 (00:13:55)De 1990 à 1999 (00:46:33)De 2000 à 2009 (01:07:36)De 2010 à 2019 (01:21:05)Depuis 2020 (01:56:01)Les avis des auditeur.ices (02:05:06)Conclusion (02:20:59)Bonus express (02:24:26)----Crédits :Couverture épisode : EnardanMusiques originales : YohanMontage : MJ----Sources et liens externes : Consultez nos Réseaux Sociaux pour découvrir tous les liens allant vers les sources contenues dans cette émission.Retrouvez nos liens sur LinkTree !Depeche Pod fait partie du label Podcut ! Cliquez sur le lien pour découvrir les autres podcasts du label. Venez donner au Patreon pour le soutenir ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Depeche Mode entwickelte sich bis Mitte der 90er zur erfolgreichsten Band dieses Genres. Regelmäßig veröffentlichte die Band neue Alben. Violator aus dem Jahr 1990 stellte einen Höhepunkt dar, Enjoy the silence und Personal Jesus sind inzwischen Klassiker der Popmusik. Persönliche Krisen, Drogenmissbrauch und Zerwürfnisse innerhalb der Band schwächten die Gruppe; Alan Wilder verließ sie schließlich. Als Trio hielt Depeche Mode sein Niveau, entwickelte den für die Band typischen metallischen Synthieklang mit Rockelementen weiter. Ausgedehnte Welttourneen feierten die Musik und die besondere Verbundenheit zwischen Band und ihrem Publikum. Auch nach Corona und dem überraschenden Tod des Gründungsmitglieds Andrew Fletcher hielt dies an. Sänger Dave Gahan und Komponist Martin Gore sind nach wie vor – trotz Soloprojekten – sicht- und hörbar Depeche Mode. Peters Musikliste Speak & Spell (1981): New life, Puppets, Photographic, Just can't get enough A Broken Frame (1982): Leave in silence, My secret garden, Monument, See you, The meaning of love, The sun & the rainfall Construction Time Again (1983): Love, in itself, Everything counts, Two minute warning, Told you so Some Great Reward (1984): Something to do, Lie to me, People are people, Somebody, Master and servant The Singles 81-85 (1985): Shake the disease Black Celebration (1986): Black celebration, A question of lust, It doesn't matter two, But not tonight Music For The Masses (1987): Never let me down again, The things you said,, Strangelove, Little 15, Behind the wheel, Pimpf Violator (1990): World in my eyes, Personal Jesus, Halo, Enjoy the silence, Policy of truth Songs Of Faith And Devotion (1993): I feel you, Walking in my shoes, In your room Ultra (1997): Barrel of a gun, Home, It's no good, Useless Exciter (2001): Dream on, Freelove, I feel loved, Goodnight lovers Playing The Angel (2005): A pain that I'm used to, John the revelator, Suffer well, Precious Sounds Of The Universe (2009): Wrong, Fragile tension, Little soul, Peace, Come back, Spacewalker Delta Machine (2013): Welcome to my world, Heaven, Secret tot he end Spirit (2017): Going backwards, Where's the revolution, The worst crime, Cover me Memento Mori (2023): Wagging tongue, Ghosts again, Soul with me, Before we drown, Speak to me Unser Podcast-Tipp in dieser Folge: So Long, Cohen. Beautiful Loser und Weltstar Leonard Cohen https://1.ard.de/So-Long

Mit "Some Great Reward" haben Depeche Mode es 1984 zum ersten Mal in die Top drei der deutschen Albumcharts geschafft. Auch ihr erster Nummer-1-Hit "People Are People" ist darauf. Depeche Mode ist bis heute nicht nur eine der größten Synth-Pop-Bands aller Zeiten, sondern einfach eine Band mit unglaublich vielen treuen Fans auf der ganzen Welt. Neben den Synthie-Klängen haben sie sich in den 80ern vor allem auch durch die Beats mit sehr vielen industriellen Geräuschen ausgezeichnet – ihr Markenzeichen. Das hören wir zum Beispiel auch im ersten Nummer-1-Hit, den die Band in Deutschland hatte: "People Are People". Nachdem Gründungsmitglied Vince Clarke die Band bereits 1981 verlassen hatte und sich anderen Projekten wie Yazoo und später Erasure gewidmet hatte, brauchten Depeche Mode jemanden, der diese Position ausgleicht. Gefunden haben sie Alan Wilder, der als klassisch ausgebildeter Musiker sehr viel Qualität mit in die Band bringen konnte. Das hat die Qualität der Band deutlich verbessert, auch was den Sound betrifft. Mit "Some Great Reward" haben Depeche Mode damals einen großen Schritt in Richtung ihrer späteren Weltkarriere gemacht. Zum einen, weil sie sich musikalisch auf diesem Album selbst "gefunden haben" und zum anderen sind auf der Platte mit "People Are People" und "Master and Servant" zwei ihrer wichtigsten Singles der 80er auf dem Album, die es bei vielen Radiostationen in die Playlisten geschafft haben. __________ Über diese Songs vom Album "Some Great Reward" wird im Podcast gesprochen (15:39) – "Lie To Me"(21:10) – "People Are People"(43:45) – "Somebody"(52:43) – "Blasphemous Rumors"(01:02:14) – "Master And Servant" __________ Alle Shownotes und weiterführenden Links zur Folge "Some Great Reward" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-depeche-mode-some-great-reward-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

This week in the world we live in and life in general w/ host Jon Justice- Spirit singles collection announced- Alan Wilder private collection sale - Listener feedback.SUPPORT MY NERD WORLD: https://ko-fi.com/jonjustice33 1/3 BOOK LINK : MARY VALLE tinyurl.DM101Book Michael Tennent music: https://michaeletennant.bandcamp.com/yum and use this code. ra52-we8wThe Postal Service: Enjoy the Silence https://www.youtube.com/watch?v=DtMo45zGsSUBut Not Tonight Re-worked https://youtu.be/4VqNcVS9kCADepeche Mode Documentary: https://www.side-line.com/long-lost-depeche-mode-documentary-goes-online-in-the-bbc-storyville-series/https://www.youtube.com/watch?v=kk2thrDgFKcDrink and Chat Link! https://youtu.be/nT_IecrHG8cSUPPORT MY NERD WORLD: PICK UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70's - 1990'sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) Gahan Corbijn and the Asteroid of Misfortune, The Rocket Queen (Book 5) Fear the Dangerous Night (Book 6) are available now in ebook, paperback, audiobook and free on Kindle Unlimited!EMBARK Battle Planet (Book 7) is now available!www.MyNerdWorld.net https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.comTwitter @TheMyNerdWorld @JonJusticeInstagram TheJonJusticeFacebook Jon JusticeJoin the mailing list! TalkShowNerd@gmail.com

Kennt ihr das auch? Ihr fahrt auf der Autobahn und vor euch ein Auto mit einem Aufkleber, der "DM" lautet, meist dazwischen eine Rose oder eben nur ein Rose. Ihr wisst sofort, ja die FahrerIn vor mir steht auf die gleiche Musik wie ich und es kommen Ereinnerungen an alte Zeiten hoch. Jeder verbindet damit andere Erinnerungen: Konzerte, Platten, Parties, Mixed Tapes, Mode, usw... Diese Erinnerungen sind bei jedem verschieden, und dennoch war Depeche Mode eine Band, die das Leben von sehr vielen Teenagern der 80er und 90 begleitet hat und auch noch heute begleitet. In Folge 64 von Tales of Us solle es um diese Band gehen, genauer genommen um ihre erste Schaffensphase, lasst euch überraschen wo wir den cut off machen. Möglicherweise werden es auch zwei und nicht nur eine Folge. Wir werden sehen. Kommt gut in die Woche.Hier der erwähnte erste Live-Mittschnitt:Depeche Mode 1980-10-30 Bridge House, London Folgende Songs haben wir heute auf die Playlist gesetzt:Johnny Marr - I Feel YouAesthetic Perfection - Living the Waster LifeFür Euch stehen folgende Songs zur Auswahl:Phillip Boa & The Voodooclub - Enjoy The SilencePillath, feat. Sido - Kein bisschen reiferAngelzoom - The things you saidDie "Mother of all Playlists" findet ihr bei Spotify und AmazonMusic.Erreichen könnt ihr uns untertalesofus.de oder über Facebook und Instagram

Lassés de la new wave dont ils sont devenus les avatars, les 4 garçons de Depeche Mode sont en 1989 à la recherche d'un nouveau souffle. Ils veulent changer de dimension commerciale et surtout renouveler leur direction artistique. Avec Violator, Depeche Mode fait une entrée magistrale dans les 90s : le disque est sensuel et mystique, sombre et électronique, et contient bon nombre de ce qui deviendra des classiques du groupes, comme “Personal Jesus”, “Policy of Truth”, “World in My Eyes” et bien sûr “Enjoy The Silence”. Dans la discographie bien fournie de Depeche Mode, Violator est l'album qui fait l'unanimité tant auprès des fans et des critiques que des membres du groupe. Vendu à 10 millions d'exemplaires, dont 4 rien qu'aux Etats-Unis, cet album iconique a influencé de nombreux groupes de rock comme Marilyn Manson, Deftones ou Rammstein ainsi que les pionniers de la techno comme Derrick May et Juan Atkins.Dans cet épisode, Olivia vous raconte l'histoire inédite de Dave Gahan, Martin Gore et Alan Wilder. Greg Cook nous emmène aux Puk studios (Danemark) en compagnie du producteur Mark Ellis aka Flood. Fanny, elle, nous fait découvrir l'univers de leur directeur artistique Anton Corbijn et le making of du clip “Enjoy The Silence”. Crédits :Générique : Dr Alban "Sing Hallelujah"Titres écoutés dans l'émission : “World In My Eyes”, “Sweetest Perfection”, “Personal Jesus”, “Halo”, “Waiting For The Night”, “Enjoy The Silence”, “Policy Of Truth”, “Blue Dress”, “Clean”, “People Are People”, “Shake The Disease”, “Enjoy The Silence (Martin L. Gore home demo version)”. Kraftwerk ”Autobahn”, Orchestral Manoeuvres In The Dark “Electricity”, Composition of Sound “Let's Get Together”, Johnny Cash “Personal Jesus”, Nine Inch Nails “Down In It”.Extraits : “Depeche Mode - Just Can't Get Enough - Top Of The Pops - 24/9/81”, “Depeche Mode - Everything counts (101 live at the Pasadena Rose Bowl, 1988)”, “Depeche Mode: 1989-90 If You Wanna Use Guitars, Use Guitars (Documental)”.Radio K7, c'est le meilleur de la musique des années 90s, avec du grunge, de la dance et du RnB. Chaque mois on rembobine leurs cassettes et vous raconte l'histoire inédite des albums qui ont marqué vos 90s. Une émission animée par Emmanuel Minelle, Fanny Giniès, Olivia Godat et Greg Cook. Enregistrée chez Fanny Giniès. Générique réalisé par Greg Cook. Identité graphique signée Floating Studio.LAISSEZ UN MESSAGE APRÈS LE BIP !Vous pouvez nous appeler au 01 89 16 75 31, pour suggérer un album, donner votre avis ou chanter en karaoké avec nous ! Promis, on diffusera les messages au prochain épisode !Et restez connectés : — X : @RadioK7Podcast— Instagram : @radio_k7— Facebook : @Radiok7podcast

NEW EPISODE UP! What's your most loved and least favorite song on Depeche Mode's Memento Mori album?! We were prepping to take a year off but Sam's suggestion to rank DM's latest before it was even released was too tempting to not do ASAP. It still took us weeks to record and almost a year to release but it's fun to hear our fresh reactions. Even more fun is finally recording recollections of decades of memories of one of our favorite bands of all-time since we hadn't started a podcast when we ranked Black Celebration a few years ago. Edited by Sam. Listen at WeWillRankYouPod.com, Apple, Spotify and your favorite wagging tongue supplier.   Follow us and weigh in with your favorites on Facebook, Instagram & Threads and Twitter @wewillrankyoupod .FILE UNDER/SPOILERS:Always You, Before We Drown, Blasphemous Rumours, David Bowie, Richard Butler, death, Don't Say You Love Me, Christian Eigner, Andrew Fletcher, James Ford, Dave Gahan, Ghosts Again, Peter Gordeno, Martin L. Gore, Halo, harmonies, high speed car chase, Lost Highway, David Lynch, Memento Mori, My Cosmos Is Mine, My Favourite Stranger, Never Let Me Go, new wave, People Are Good, Marta Salogni, Soul with Me, Speak to Me, synthpop, Wagging Tongue, Alan Wilder, 2023.US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com(Sam's music page) http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on Recoil, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.   Songs In This Episode Intro - Stalker 16:19 - Incubus 29:11 - Control Freak 36:14 - Drifting Outro - Missing Piece   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

After splitting from Depeche Mode in 1995, Alan Wilder focused his full attention on Recoil, his side-project going back to the mid-1980s. In 1997, the same year DM released "Ultra," Wilder released the fourth Recoil studio album, "Unsound Methods." Free to explore the electronic soundscape, Wilder enlisted several vocalists to tackle the electronic/trip-hop material, including Douglas McCarthy from Nitzer Ebb and NYC spoken word artist Maggie Estep. The result is both of the time and ahead of its time, fitting in nicely with the mid-90s trip-hop sounds of Massive Attack, Sneaker Pimps, and Portishead, while also foreshadowing the more experimental and cinematic sounds of James Lavelle's Unkle.   Songs In This Episode Intro - Stalker 16:19 - Incubus 29:11 - Control Freak 36:14 - Drifting Outro - Missing Piece   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

With their seventh release, 1990s 'Violator', Depeche Mode completed their transformation from quirky synth-pop pioneers to international rock stars. A more stripped-down, sinister sound aided by producer Flood perfectly showcases these dark songs about guilt, salvation and obsession. It's a sound that this week's guest, poet and music lover Sarah Nichols, has kept close to her heart for over 30 years. Songs featured in this episode: Enjoy The Silence - Tori Amos; Run - New Order; Pictures Of You - The Cure; Behind The Wheel (Live 1988, Pasadena CA) - Depeche Mode; Temptation - New Order; People Are People, Stripped, A Question Of Time, World In My Eyes, Sweetest Perfection - Depeche Mode; Personal Jesus - Marilyn Manson; Personal Jesus - Johnny Cash; Personal Jesus, Halo, Waiting For The Night, Enjoy The Silence, Policy Of Truth - Depeche Mode; Fascination Street - The Cure; Blue Dress - Depeche Mode; One Of These Days - Pink Floyd; Clean, Ghosts Again - Depeche Mode

In part 1 of our trilogy of Depeche Mode episodes, we discuss the first phase of Depeche Mode's career. We get our synths out, bounce around the room, and speak and spell out the early days of Martin Gore, Andy Fletcher, Alan Wilder, Vince Clarke, and Dave Gahan.  So, don't fret about any broken frames because it's construction time again with more than just some great reward at the end. I'll see myself out.   Video Links: Just Can't Get Enough See You The Meaning of Love Leave in Silence Get the Balance Right Everything Counts Love, In Itself People Are People Master and Servant Blasphemous Rumours Somebody Shake the Disease It's Called a Heart   Find us at: https://podlikeahole.podbean.com/ Direct Download Facebook Instagram   Twitter  Patreon Artwork by Greg Wolgast    

O projeto nasceu em 24 de agosto de 2013 no MOD Variete Club - Balcarce 563 (San Telmo), fruto de um show na apresentação de uma coletânea de bandas de Tributo chamada "Depeche Mode Tributo Argentino Vol 3", que foi produzida por nosso atual Manager Ricardo Lerin, que inclusive foi quem escolheu o nome THE MODE. Gabriel Stanizzo, que é o cérebro programado e musical da banda, encontrou Steve Bryan no YouTube cantando Enjoy the silent, e logo o convidou para participar do encontro como convidado do Corus, seu projeto de synthpop da época, que entre outras coisas covers de Erasure e Depeche Mode, naquela noite tanto o público de San Telmo presente, quanto nosso empresário e produtor Ricardo Lerin, viram o potencial e a semelhança particular em som e imagem com o Depeche Mode, e nessa mesma noite o projeto nasceu com o objetivo de sempre crescer como banda tributo. De 2013 até hoje como evolução tocamos o Support Kart Uenala membro hoje produtor do Depeche Mode, fomos escolhidos como suporte no Information Society Luna Park, e a mesma banda Depeche Mode nos escolheu em um concurso chamado Takeover, que escolheu fãs e projetos que demonstrava amor pela banda, e fomos escolhidos como a melhor banda da América Latina pelo som e pela particularidade dos nossos shows, que imitavam a estética e a parafernália da banda, isso não deu acesso por um dia ser quem conseguiu o Facebook Oficial da banda, e fizemos vários posts incluindo vídeos do The MODE, a história e tudo relacionado ao que chamamos entre os fãs, a Devoção ao culto chamado DEPECHE MODE. Uma honra e um grande privilégio para nós. Os espetáculos são elaborados, seguindo a imagem, estética de cada espetáculo ou Tour do DEPECHE MODE. Um verdadeiro desafio conseguir encontrar o som certo, como a interpretação de cada membro, no caso de Steve que personifica Dave Gahan e tem um trabalho árduo e detalhado, como o que Ignacio também contribui em seu papel como Martin Gore, o som , a imagem, o contexto do visual, tudo muito milimétrico. O Depeche Mode é uma banda muito detalhada, e tentamos seguir esse conceito. Gabriel é quem tem o papel de estudar, procurando cada som dos bancos de sintetizadores e samplers, como a bateria eletrônica certa para cada Faixa. Atualmente estamos exibindo um show semelhante ao GLOBAL SPIRIT TOUR, que foi a turnê que o DM apresentou em La Plata em 2018, e incluímos em nossas fileiras dois grandes músicos como Urkel nos coros, sintetizadores e guitarra, e Gaby Muscio na bateria , o resultado foi ótimo e durante a pandemia apresentamos no Teatro Coliseo com Esgotado, este último espetáculo, que será apresentado em Streaming no dia 18 de dezembro pelo nosso canal oficial no Youtube, e conta com o apoio de Fan pages de países como EUA, México, Paraguai, Uruguai, Brasil, Barcelona, ​​​​Itália, Chile, Peru entre outros... Em breve com todos os horários disponíveis em nossas redes sociais. Todos convidados a curtir um momento de grandes clássicos do Depeche Mode.. Muito ensaio e seguindo a evolução natural da sala, o conceito é a GLOBAL SPIRIT TOUR e os Hits do DEPECHE MODE, mas temos mais um show preparado para os fãs em que o conceito vai de 1980 a 1990 a parte mais eletrônica do a banda, onde sintetizadores, samplers e máquinas de ritmo são o fator predominante, essa data será 20 de novembro no The Roxy em Palermo, e é mais um show para os fãs, em que há músicas que o DM não toca mais ao vivo, e o O som é muito da época do 101 ou World Violation Tour, na época em que Alan Wilder estava presente, integrante que deixou a banda e foi o cérebro criador do reconhecido som do DEPECHE MODE. The MODE Depeche Mode Tribute band Redes Sociais Youtube https://www.youtube.com/c/TheMODEDepecheModeTribute/videos Instagram https://www.instagram.com/themodeoficial/

MOCNA STRONA MUZYKI 178 Kolejne 178 wydanie audycji Mocna Strona Muzyki ponownie spędzimy przy muzyce wokół grupy DEPECHE MODE. W trakcie audycji pojawią się solo wokalista grupy David GAHAN, lider formacji Martin GORE oraz były klawiszowiec i kompozytor Alan WILDER jako RECOIL. Zespół jest już dla wielu fanów legendą a jedno z czołowych miejsc w historii muzyki rockowej jest dodatkowym elementem tworzącym tą legendę. W trakcie audycji oczywiście wszystko jest możliwe więc słuchajcie nas.

Hoy celebramos el cumpleaños de la gran Suzanne Ciani y de Alan Wilder (Depeche Mode). Feliz 606 una máquina de ritmo muy usada por grupos como Nine Inch Nails y Autechre! Rd-9 de Behringer se comienza a enviar a todo el mundo . Elektron lanza Transfer 1.4 para sus máquinas. Y el parche de la semana.

EAGLE SESSIONS #329 Eagle Sessions Number 329 is out now. This time with a fun guestmix by a good buddy of mine. Say ‘Hello' to DERALINEA! He himself describes his musical development as that of house music: from disco to R'n'B to Kraftwerk. At the age of 14, he stocked his vinyl collection with disco, soul and funk. Artists such as Gloria Gaynor or Earth, Wind & Fire were pioneers who determined his sound when he frst started playing in public at the age of 16. To this day, the musician is fascinated by the wide range between Detroit, Chicago House and Techno. On his musical journey, he pursues a clear goal: to always remain open to all electronic genres. DerAlinea stands for a cross-genre style mix of house, techno, deep and minimal techno. The focus, however, is on quality, which is not measured by genres but by thinking outside the box. "For me, the value of good electronic music lies in the fact that tracks dare to do something," the artist defnes it. "In my case, that also means moving back to the (analogue) times of the 303, 808, Moogs, Jupiter's and DX7's" After times of reinventing himself, all his concentration is now on what he loves: the music. "DerAlinea" was born, a name as a programme - after all, "Alinea" marks a paragraph, a new beginning. The essence: sustainable productions, releases and the booking business. As an artist and booker, DerAlinea is now part of the Swiss Nervoes family, resident and musical idea generator at Club Frau Holle in Hamburg. He never let himself be diverted from the path of making his own sound, remaining unpretentious and multilayered. DerAlinea wants to introduce people to music that is perhaps unknown but exciting. As a DJ, he sees himself as part of an event, drifting and musically engaging with what is moving at the moment. "I prefer to play long sets where I become one with the audience and follow the dynamics. I want people to go home happy at the end of a long night. "Chicago House, especially Frankie Knuckles, is his lasting inspiration. He is also inspired by the innovative production techniques of Alan Wilder, the unorthodox of Ricardo Villalobos, and artists who creatively bring music to the forefront. Emotionality and passion for inspired creation are omnipresent and also allow the thoroughbred musician to grow constantly. "Life is too short to do something without passion. " Links: Soundcloud: @deralinea Facebook: www.facebook.com/deralinea Instagram: www.instagram.com/deralinea The Eagle Sessions are presented by AlBird. Follow via: Facebook: https://www.facebook.com/DJAlBird Instagram: https://www.instagram.com/albird81/ Soundcloud: https://soundcloud.com/djalbird Beatport: https://www.beatport.com/artist/albird/391040 Twitch: https://www.twitch.tv/albird81 Spotify: http://bit.ly/AlBird81 Tracklist: Not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

EAGLE SESSIONS #329 Eagle Sessions Number 329 is out now. This time with a fun guestmix by a good buddy of mine. Say ‘Hello' to DERALINEA! He himself describes his musical development as that of house music: from disco to R'n'B to Kraftwerk. At the age of 14, he stocked his vinyl collection with disco, soul and funk. Artists such as Gloria Gaynor or Earth, Wind & Fire were pioneers who determined his sound when he frst started playing in public at the age of 16. To this day, the musician is fascinated by the wide range between Detroit, Chicago House and Techno. On his musical journey, he pursues a clear goal: to always remain open to all electronic genres. DerAlinea stands for a cross-genre style mix of house, techno, deep and minimal techno. The focus, however, is on quality, which is not measured by genres but by thinking outside the box. "For me, the value of good electronic music lies in the fact that tracks dare to do something," the artist defnes it. "In my case, that also means moving back to the (analogue) times of the 303, 808, Moogs, Jupiter's and DX7's" After times of reinventing himself, all his concentration is now on what he loves: the music. "DerAlinea" was born, a name as a programme - after all, "Alinea" marks a paragraph, a new beginning. The essence: sustainable productions, releases and the booking business. As an artist and booker, DerAlinea is now part of the Swiss Nervoes family, resident and musical idea generator at Club Frau Holle in Hamburg. He never let himself be diverted from the path of making his own sound, remaining unpretentious and multilayered. DerAlinea wants to introduce people to music that is perhaps unknown but exciting. As a DJ, he sees himself as part of an event, drifting and musically engaging with what is moving at the moment. "I prefer to play long sets where I become one with the audience and follow the dynamics. I want people to go home happy at the end of a long night. "Chicago House, especially Frankie Knuckles, is his lasting inspiration. He is also inspired by the innovative production techniques of Alan Wilder, the unorthodox of Ricardo Villalobos, and artists who creatively bring music to the forefront. Emotionality and passion for inspired creation are omnipresent and also allow the thoroughbred musician to grow constantly. "Life is too short to do something without passion. " Links: Soundcloud: @deralinea Facebook: www.facebook.com/deralinea Instagram: www.instagram.com/deralinea The Eagle Sessions are presented by AlBird. Follow via: Facebook: https://www.facebook.com/DJAlBird Instagram: https://www.instagram.com/albird81/ Soundcloud: https://soundcloud.com/djalbird Beatport: https://www.beatport.com/artist/albird/391040 Twitch: https://www.twitch.tv/albird81 Spotify: http://bit.ly/AlBird81 Tracklist: Not available This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

"Was soll jetzt noch kommen?" dachte sich ein erschöpfter Dave Gahan 1988 backstage im Rose Bowl Stadion in Pasadena nach der Mega-Show vor 70 000 Fans. Was folgte, war 1990 DAS ultimative Depeche Mode-Album, nicht nur aus kommerzieller Sicht. "Violator" ist ein Meilenstein des Genres Synth-Pop - und mehr.

In this installment, the boys remain guestless as they discuss a new product called Computer Gun (probably used by some kid in Quincy), where to get space suits, and getting Columbo'd. All this happens while the lads have a paste party, and manage to discuss Depeche Mode's 2005 album "Playing the Angel". Also, Christopher knows that Alan Wilder is not in Erasure. He misspoke.

Finally, you can hear the long held secrets of how we met each other and started the podcast, followed by a quick recap of the five records we talked about before we decided to start recording our chats: Depeche Mode-Black Celebration, The Cure-Head On The Door, INXS-Kick, Tears For Fears-Songs From The Big Chair and the Pretty In Pink soundtrack. Our abridged life stories are fascinating but when we tackle the best and worst songs of five 1980s classics in an hour, sparks FLY. Please tell us how YOU would rank tonight's tunes on Instagram, Facebook and Twitter @wewillrankyoupod ! FILE UNDER/SPOILERS: Depeche Mode, Robert Smith, Never Tear Us Apart, Roland Orzabal, But Not Tonight, Pretty In Pink, Dave Gahan, Push, the one guy who stands behind a keyboard but doesn't play it, INXS, Songs From The Big Chair, New Dress, John Hughes, Black Celebration, In Between Days, Michael Hutchence, Left Of Center, Tears For Fears, Please Please Please Let Me Get What I Want, Martin Gore, Head On The Door, New Sensation, Curt Smith, the Smiths, Here Is The House, Kick, Mothers Talk, Need You Tonight, Echo and the Bunnymen, Alan Wilder, Bring on the Dancing Horses, the Cure, Everybody Wants To Rule The World. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020) THEM: https://www.TheCure.com https://www.DepecheMode.com https://www.TearsForFears.com https://www.INXS.com https://en.wikipedia.org/wiki/Pretty_in_Pink END CREDITS SONG: Try A Little Tenderness by Otis Redding

Metal Interview de CROWN représenté par Stéphane Azam et David Husser pour parler de "The End of All Things" attendu le 16 avril 2021 via Pelagic Records. ▬ About Crown ▬ The End Of All Things is for C R O W N what Kid A was for Radiohead: an album that nobody was expecting from them. Dark and moody; bleak and sublime; airy and crushing; mesmerizing and engrossing; bold yet unerring; strident, danceable and suffocating, all at the same time. An album oozing with tasteful, fragile hooklines flirting with the abyss they are hovering above, encapsulated within an ingenious major production, provided by one half of C R O W N himself: David Husser has worked as a sound engineer, producer and musician all across the globe with artists like Alan Wilder o f Depeche Mode or at Peter Gabriel's Real World studio, and has toured with his industrial band Y Front alongside Rammstein in the 90s. Paul Kendall (Mute Records, NIN, Nick Cave) said about David: "a distorting diamond... we have collaborated on a number of projects and I have been amazed by his ability to teach an old dog new tricks. He is simply the best recording engineer I have ever met". The other half of C R O W N is founding father and vocalist Stéphane Azam, who has worked as live sound engineer for French blackgaze pioneers Alcest for years. Stéphane's low, soothing voice on The End Of All Things comes as a complete surprise to anyone familiar with the band's previous 2 records, which featured mostly screamed vocals – a fact showcasing the immense versatility of the musicians at work here. Furthermore, In contrary to previous efforts, there are (almost) no vocal guest appearances on The End Of All Things – 'almost', because Karin Parks of Årabrot lends her beautiful voice to closing track Utopia. David pushed Stéphane from the start of the writing and recording process to do all the vocals himself, for the sake of coherence: he wanted the band and the album to have one single "captain of the vessel. Stéph sings with a very low voice now, and it was a challenge to make space for that sound- and production -wise, we had to find some kind of relief in the low register. It took us pretty long to find what we consider the right recipe to make it work", Husser explains. Crown started out in 2011 as 2 men and a drum machine, and their debut album instantly got them an invitation to the prestigious Roadburn festival in 2013, and a record deal with Candlelight. The duo's early sound was defined by hissing electronics, soaring heavy guitars and the absence of "real" drums, touching on industrial metal acts like Godflesh, Ministry or Killing Joke. The End Of All Things is clearly a departure from that sound in almost every imaginable way. "Life is change, its the only thing we can always expect", says Husser. "It's the same with music. I personally feel offended when a band just regurgitates their own ideas and delivers a copy of the previous album, over and again... I want to take risks and let myself in for adventures and ventures nto new territories, otherwise it wouldn't be art anymore". The End Of All Things'is a seminal album, which could well turn into a new 'Shape Of Heavy Music To Come'. Get involved. "A nihilistic listening experience" – The Quietus ▬ TRACKLIST▬ 1. Violence 2. Neverland 3. Shades 4. Illumination 5. Nails 6. Gallow 7. Extinction 8. Fleuves 9. Firebearer 10. Utopia https://amzn.to/3mxZbOG ▬ FOR FANS OF ▬ NINE INCH NAILS, JUNIUS, MASSIVE ATTACK, DEPECHE MODE, GODFLESH, SWANS, KILLING JOKE, THE YOUNG GODS, KRAFTWERK, NEUBAUTEN, BRIAN ENO, CULT OF LUNA ▬ Disclaimer ▬ This description contains affiliate links, which means that if you click on one of the product links, I'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for the support! ▬ A propos de la ZanZanA ▬ ZanZanA est la chaîne YouTube officielle de l'émission METAL, animée par Karim BENAMOR. Après des années passées sur RTCI (Radio Tunis Chaine Internationale), cette émission s'est muée en un Live Streaming Show diffusé à 20h30. Sur cette chaîne retrouvez le Talk de l'émission avec des lives improvisés, des interviews d'artistes, des débats, ainsi que divers playlists de vidéos sélectionnées pour vous. La ZanZanA, l'émission du METAL, depuis 2000 ▬ ZanZanA Live Streaming Show ▬ Abonnez vous à nos chaines et n'oubliez pas de cliquer sur les rappels pour être prévenus de nos prochains Live ! ► Retrouvez tous les anciens numéros du ZanZanA Live Streaming Show ici (vidéos ou podcasts audio) : https://lnkfi.re/zanzana ► Retrouvez tous les anciens numéros du ZanZanA Live Streaming Show ici (vidéos ou podcasts audio) : https://lnkfi.re/zanzana ► Pour être informés des prochains streaming, abonnez vous à notre newsletter : https://lnkfi.re/zanzana-mail #Metal #ZanZanA #crown

This week in the world we live in and life in general w/ host Jon Justice- New Martin Gore Solo track Howler- Update on the podcast - Listener feedbackSign the Alan Wilder petitionhttp://chng.it/DwwXPMFfSUPPORT MY NERD WORLD: PICK UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70’s 80’s 90’s and 2000’sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) EMBARK: The Vanishing War (Book 3) are available now in ebook, paperback and audiobook! Gahan Corbijn and the Asteroid of Misfortune (Book 4) is now available Embark: The all new Sci-Fi Space Opera, written by Star Wars enthusiast Jon Justice.. A must read for any Science Fiction fan! Get it now at the links below. www.MyNerdWorld.net https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.comTwitter @TheMyNerdWorld @JonJusticeInstagram TheJonJusticeFacebook Jon JusticeJoin the mailing list! TalkShowNerd@gmail.com

This week in the world we live in and life in general w/ host Jon Justice- Martins next solo release The Third Chimpanzee first single The Mandrill- Revisiting the back catalogue and what should the next album sound like?- Listener feedbackSign the Alan Wilder petitionhttp://chng.it/DwwXPMFfSUPPORT MY NERD WORLD: PICK UP YOUR COPY OF THE EMBARK, THE SCIENCE FICTION SERIESAn exciting mix of Fast and Furious, Star Wars, Ready Player One and the sci-fi adventures of the 70’s 80’s 90’s and 2000’sEMBARK: Book 1 and EMBARK: Treasure in Darkness (Book 2) are available now in ebook, paperback and audiobook!EMBARK: The Vanishing War (Book 3) is now available Embark: The all new Sci-Fi Space Opera, written by Star Wars enthusiast Jon Justice.. A must read for any Science Fiction fan! Get it now at the links below. www.MyNerdWorld.net https://www.amazon.com/dp/B07K7LLFZYEmail: TalkShowNerd@gmail.comTwitter @TheMyNerdWorld @JonJusticeInstagram TheJonJusticeFacebook Jon JusticeJoin the mailing list! TalkShowNerd@gmail.com

It’s time for Steve and Remfry to delve into their big box of classic albums and pull out another one of their all time favorite records. We’re going slightly off piste this week, as we delve deep into the career of electro pop innovators turned synth rock megastars Depeche Mode. In this first part, you might be surprised to learn, we have picked the band's 1987 sixth album Music For The Masses. Sandwiched between the groundbreaking Black Celebration and the commercial juggernaut of Violator, MFTM is scandalously overlooked in the DM back catalogue, and we discuss why it is the best (YOU HEARD ME, BEST) Depeche Mode album. Starting with a quick potted history of the band, and of electronic music, we look at the ongoing improvements in the studio, the increasing involvement of Alan Wilder, how the finished album started to change the perception of the band, the tour that followed the record and, of course, the huge Pasadena Rose Bowl show that cemented the band as a stadium act and was captured on the infamous 101 live tour document. Before teasing the second part of this double bill, where we will be looking at Violator; Part two is available at patreon.com/riotactpodcast. See acast.com/privacy for privacy and opt-out information.

Depeche Mode made a decision to minimize their pre-production work when they created their seventh studio album.  It must have worked, becauce Violator would become their breakthrough international album.  Keyboardist Andy Fletcher, keyboardist and vocalist Martin Gore, also keyboardist and drum machinist Alan Wilder, and lead man Dave Gahan had previously hit the charts with their 1984 single “People Are People.” This album would see crossover success led by the monster hit “Personal Jesus.”  While the album was released in May of 1990, the last single from the album came out in September 1990.Depeche Mode is best known as a keyboard-powered synth pop band, primarily successful in Europe up until this time.  The band name comes from a French fashion magazine, which had at one time considered making the band give up the name — but they decided to leave things alone.  The band was bringing more attention to the magazine, so it was a smart decision to let the band continue with the name.The name of the album was a bit of a joke, poking fun at heavy metal albums of the time.  The group had decided to take a break from the extensive pre-planning that had marked the development of their previous albums.  Perhaps the increased spontaneity helped propel this album to a crossover success.We hope you enjoy this album discussion and thoughts on 1990.  World In My EyesThis lead song was the fourth and final single from the album, and was released in September 1990. Martin Gore liked this song because of its upbeat tone, though “upbeat” might be a rather fluid description.  You get a sense of the keyboard-heavy foundation of the band with this song.Enjoy the SilenceThis hit song was originally written by Martin Gore as a ballad, but the producer, Alan Wilder increased the tempo and made it a dance song.  The lyrics are dark, but Martin Gore considered the dark lyrics “more authentic.”Personal JesusThis is the monster hit from the album, and boasts a rare guitar riff among the keyboards.  This top 40 hit has been covered by a number of artists, including Johnny Cash, Marilyn Manson, and Sammy Hagar.  The lyrics are about having someone as an idol in your life - dependent upon you in an unhealthy way.  David Gahan, after a wild youth, is now a sacramental convert to the Greek Orthodox Church.CleanA deeper cut from the album, this track was heavily inspired by Pink Floyd's “One of these Days” from 1971.   ENTERTAINMENT TRACK:Theme from “The Fresh Prince of Bel-Air” by DJ Jazzy Jeff and The Fresh PrinceWill Smith made rap accessible, while starting his career as a celebrity through his acting on this comedy show. STAFF PICKS:Fly to the Angels  by SlaughterThe band name for Brian's staff pick sounds like a heavy metal name picked out of a hat, but it is actually the name of their frontman, Mark Slaughter.  The song is a ballad about a friend who has passed away. The song comes from the 1990 album "Stick It To Ya."  Fly to the Angels propelled Slaughter to stardom during a time when the Hair Bands were on their way out and Grunge was on its way in.Mansion on the Hill  by Neil Young and Crazy HorseWayne brings us the guy that was grunge before grunge was cool.  This song and album was recorded with very little production, which gives it a live feel.  The Mansion on the Hill is about a place where “psychedelic music fills the air.”Thunderstruck   by AC/DCBrian's staff pick is the lead single off AC/DC's 12th studio album (11th international release).  Angus Young is playing a single string with no picking, just hammer on and pull offs using the second string.  The song name came from a toy made by The Ideal Company called ThunderStreak, which was a wooden hydrofoil boat that was powered with a rubber band wind-up propeller.Candy  by Iggy Pop and Kate PiersonRob's pick rounds things out with a crossover alternative rock hit.  Iggy Pop tells of a lost love from his perspective in one verse, then Kate Pierson (from the B-52's) picks up the next verse from the lost love's perspective. INSTRUMENTAL TRACK:For the Love of God  by Steve VaiGuitar virtuoso Steve Vai takes us out on this week's podcast with an eastern influenced instrumental riff.

This week from the world we live in and talking about life in general with host Jon Justice -Spirits on the Forest physical release?-Will Vince Clarke and Alan Wilder attend the R&R Hall of Fame-What Dave says about a new album-Revisiting Exciter -Listener Feedback and more.EMBARK: Treasure in Darkness is HERE!!!BUY TODAY! Embark: The all new Sci-Fi Space Opera, written by Depeche Mode and Star Wars mega fan Jon Justice is available now in ebook, kindle unlimited and paperback here. A must read for any Star Wars Science Fiction/Depeche Mode fan! Get it now at the link below. www.MyNerdWorld.net Email: TalkShowNerd@gmail.comTwitter @TheMyNerdWorld @JonJusticeInstagram TheJonJusticeFacebook Jon JusticeJoin the mailing list! TalkShowNerd@gmail.com

'Violator' (Depeche) - La banda que se reinventó para no morir con Patricia Torres ¡Bienvenidos a los Vinilos de Barbarella! El podcast donde sólo se escucha música en formato de vinilo. Después de un largo parón veraniego, volvemos con fuerza y abrimos esta nueva temporada con 'Violator', el álbum con el que la banda inglesa Depeche Mode abrió triunfalmente la puerta de los 90 y del olimpo musical, es uno de aquellos discos —tal vez de los últimos— que son un ente en sí mismo y de los que se escuchan de principio a fin como cuando ves una película. El hilo argumental es la música en sí misma y engancha tanto que parece que te van llevando en una montaña rusa de sensaciones desde el primer corte hasta el último. Depeche Mode se formó en Basildon, Essex, en 1980. La formación original eran Martin Gore, sintetizadores, Dave Gahan, Voz, Vince Clark, Letras, Andrew Fletcher, teclados (Bajo/Guitarra). Luego de la salida de Clarke (porque no le gustó el rumbo que estaba cogiendo la banda), entro Alan Wilder quién era el único con formación musical como tal. Nuevamente, en el apartado de ‘El Rincón de Barbarella' contamos con la colaboración de Patricia Torres ‘Cripatia', que tiene su propio podcast ‘Hablemos de Montessori'. Los temas que reseñamos hoy son: ‘World In My Eyes', 'Sweetest Perfection', 'Personal Jesus', 'Enjoy The Silence', 'Policy Of Truth' y 'Halo'. Hoy pincharemos una edición fabricada en España el año 1990. Los datos de dicha edición son: Título: Violator Artista: Depeche Mode Sello Discográfico: Stumm 64 Label Code: M-4984-1990 Código de barras: 5016025310647 Año: 1990 Fabricación: España Los enlaces que aparecen en el Podcast son los siguientes: Web de Depeche Mode: http://www.depechemode.com Deconstruyendo a Depeche Mode: https://youtu.be/1XeP8ASy-MI Podcast 'Hablemos de Montessori': https://www.ivoox.com/podcast-hablemos-montessori_sq_f1583814_1.html Web de Ràdio Taradell: https://www.radiotaradell.com No olvides dejar tu comentarios y puntuaciones en iTunes, para nosotros son muy importantes. Ponte en contacto con nosotros: Web: http://www.vinilosbarbarella.com Facebook: http://facebook.com/barbarellavinyls2 Twitter: @barbarellavinyl Instagram: https://www.instagram.com/barbarellavinyls/ Flickr: https://www.flickr.com/photos/116847885@N05/show/ 0072 - 'Violator' (Depeche Mode) - La banda que se reinventó para no morir

'Violator' (Depeche) - La banda que se reinventó para no morir con Patricia Torres ¡Bienvenidos a los Vinilos de Barbarella! El podcast donde sólo se escucha música en formato de vinilo. Después de un largo parón veraniego, volvemos con fuerza y abrimos esta nueva temporada con 'Violator', el álbum con el que la banda inglesa Depeche Mode abrió triunfalmente la puerta de los 90 y del olimpo musical, es uno de aquellos discos —tal vez de los últimos— que son un ente en sí mismo y de los que se escuchan de principio a fin como cuando ves una película. El hilo argumental es la música en sí misma y engancha tanto que parece que te van llevando en una montaña rusa de sensaciones desde el primer corte hasta el último. Depeche Mode se formó en Basildon, Essex, en 1980. La formación original eran Martin Gore, sintetizadores, Dave Gahan, Voz, Vince Clark, Letras, Andrew Fletcher, teclados (Bajo/Guitarra). Luego de la salida de Clarke (porque no le gustó el rumbo que estaba cogiendo la banda), entro Alan Wilder quién era el único con formación musical como tal. Nuevamente, en el apartado de ‘El Rincón de Barbarella’ contamos con la colaboración de Patricia Torres ‘Cripatia’, que tiene su propio podcast ‘Hablemos de Montessori’. Los temas que reseñamos hoy son: ‘World In My Eyes', 'Sweetest Perfection', 'Personal Jesus', 'Enjoy The Silence', 'Policy Of Truth' y 'Halo'. Hoy pincharemos una edición fabricada en España el año 1990. Los datos de dicha edición son: Título: Violator Artista: Depeche Mode Sello Discográfico: Stumm 64 Label Code: M-4984-1990 Código de barras: 5016025310647 Año: 1990 Fabricación: España Los enlaces que aparecen en el Podcast son los siguientes: Web de Depeche Mode: http://www.depechemode.com Deconstruyendo a Depeche Mode: https://youtu.be/1XeP8ASy-MI Podcast 'Hablemos de Montessori': https://www.ivoox.com/podcast-hablemos-montessori_sq_f1583814_1.html Web de Ràdio Taradell: https://www.radiotaradell.com No olvides dejar tu comentarios y puntuaciones en iTunes, para nosotros son muy importantes. Ponte en contacto con nosotros: Web: http://www.vinilosbarbarella.com Facebook: http://facebook.com/barbarellavinyls2 Twitter: @barbarellavinyl Instagram: https://www.instagram.com/barbarellavinyls/ Flickr: https://www.flickr.com/photos/116847885@N05/show/ 0072 - 'Violator' (Depeche Mode) - La banda que se reinventó para no morir

Episode 89: Depeche Mode – Some Great Reward (1984) Part 3 In the United States, the unofficial end to summer is here, and so is the end of Brian and Sarah's discussion of Some Great Reward. The fourth album by Depeche Mode is about to celebrate its 35th anniversary, and our hosts have very much enjoyed taking a fond look back at it.       Part 3 –Track by Track, continued Before getting back into the song discussion, there are some voicemails from listeners to share from locations across the globe. Then it's back to Some Great Reward. There are only two more songs on the album to talk about, but our hosts still have plenty to say! One of the songs is one of the few Alan Wilder-penned works in the Depeche Mode catalogue, and Sarah talks about why that was the case. The hosts also get into a discussion about English grammar, which threatens to distract Brian from the topic at hand. Thankfully, they get back on track to talk about the album closer and its video. If You Want Blasphemous Rumours    Part 4 – Extra Credit In a contrast to some album reviews where there is no Extra Credit section, there are two topics addressed in this Extra Credit section. First, Brian talks about "The World We Live in and Live in Hamburg," the first Depeche Mode live concert performance released on video. He shows off his old VHS tape of the concert (only to Sarah, of course, but she confirms he does so), talks about its importance in his life, and also explains why this concert has not seen a re-release onto newer video formats. Then, Sarah goes over the two B-sides associated with this album: “In Your Memory” and “(Set Me Free) Remotivate Me.” She reminds the listeners that one of these songs was also mentioned in Episode 50, where the hosts discussed "Some Great B-Sides" by Depeche Mode. She shares her thoughts on both songs and declares her preference, with Brian chiming in as well. Part 5 – Final Review and Rating Brian goes first with his review and rating, and he is surprisingly brief. But throughout the three episodes, he has made it quite clear just how important this album is to him and what an impact it made on his life, so this is more a confirmation of what is probably already known. Sarah also explains that this was a very important album for her as well, but because of the timing of when she was introduced to it, the impact on her is slightly different than it was for Brian. She hems and haws a bit when it comes to her rating, but finally settles on a number, of which Brian heartily approves. See the videos discussed here: Alan Wilder demo of “If You Want” Blasphemous Rumours Watch a young woman losing her mind while screeching along with "Blasphemous Rumours"   Read more at http://www.permanentrecordpodcast.com/ Visit us at https://www.facebook.com/permrecordpodcast Follow us at https://twitter.com/permrecordpod Check out some pictures at https://www.instagram.com/permanentrecordpodcast/ Leave a voicemail for Brian & Sarah at (724) 490-8324 or https://www.speakpipe.com/PermRecordPod- we're ready to believe you!  

Colecionar arquivos de sons aleatórios e depois brincar de Dr. Frankenstein e criar uma das faixas dançantes mais memoráveis dos anos 80. Neste edição do Resumo do Som nós vamos entender como o grupo Depeche Mode criou StrangeLove, hit de 1987. Capa do álbum Music for the Masses Depeche Mode em 1986 (esquerda para direita): Dave Gahan, Martin L. Gore, Andrew Fletcher e Alan Wilder (topo). StrangeLove está disponível em:       Strangelove foi escrita por Martin Gore e produzida por Depeche Mode© 1987 Mute  Agradecimentos aos produtores virtuais pelo apoio:Fabiano F. M. Cordeiro Ricardo BunnymanGostaria de apoiar o 80 WATTS? É só escolher a plataforma de sua preferência.       This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

La pérdida de Alan Wilder fuerza a la reinvención artística del grupo, que se apoya en Tim Simenon (Bomb The Bass) para 'triphopizar' el sonido de un nuevo disco, Ultra, totalmente hijo de su tiempo: la década de los 90. Dave Gahan toca a las puertas del mismísimo infierno, pero sobrevive para contarlo. Es un nuevo episodio en la historia de Depeche Mode, que ocupa los años 95 al 97.

El día de su cumpleaños, 1 de junio de 1995, Alan Wilder anuncia al grupo y al mundo que abandona Depeche Mode. Dedicamos un programa a esta decisión, realizado entre el estudio y el MadCool 2018, en las horas previas al concierto de Depeche Mode.

**Violator** (1990) es el séptimo álbum del grupo inglés de música electrónica, Depeche Mode (Andrew Fletcher, Martin Gore, Alan Wilder, David Gahan), producido durante 1989 y publicado en 1990. Al 2009, Violator ha vendido más de 13.5 millones de copias; sigue siendo el álbum mejor vendido en la trayectoria de DM. En 1990 llegó al número 17 en la tabla de fin de año de la revista Billboard.​ Es considerado uno de los mejores discos de la historia y de los más influyentes de la música electrónica.

En este capítulo los pobres chavales desentrañan el disco más intenso de Depeche Mode, el que marcó la inflexión rock, el último con Alan Wilder.

Our guest today on “ADD Comedy with Dave Razowsky” is Alan Wilder. Alan is a Joseph Jefferson Award-nominated ensemble member at Chicago’s Steppenwolf Theater, and he’s appeared in over 60 Steppenwolf productions all over the world. He’s also appeared on numerous shows on NBC, CBS, HBO, and FOX.  Alan’s hilarious, and smart, and wise, and honest. We chatted in Chicago at Steppenwolf’s rehearsal space located alongside the “el” tracks at Halsted and North. We had a blast and could have talked for a long time. Enjoy!

1. Strangelove (Bomb The Bass) - Depeche Mode 2. Keep On (Razormaid! Mix) - Cabaret Voltaire 3. World In Motion (The B-Side) - England New Order 4. Suicide Blonde (Milk Mix) - INXS 5. Don't Talk To Me About Love (12" Mix) - Altered Images 6. Quiet Life (12" Mix) - Japan 7. Memorabilia (12" Mix) - Soft Cell 8. Left To My Own Devices (New Toy Mix) - Pet Shop Boys 9. Your Love Takes Me Higher (The Pod Went Pop Mix) - Beloved 10. You Spin Me Round (Murder Mix) - Dead Or Alive 11. Take Me Now (Razormaid! Mix) - Vicious Pink 12. Sex (I'm A ... ) (Extended Version) - Berlin 13. Girls On Film (Night Version) - Duran Duran 14. Dance With Me (Long Version) - Alphaville 15. It's Called A Heart (Extended) - Depeche Mode Notes and other random things: I hope this time around I will get to do some notes on some of the tracks in this episode. I'm guessing most would rather hear the music than read a bunch of ramblings from a guy stuck in the 80s, but I'll do my best to keep the total package intact. I do want to quickly point out to readers/listeners that this episode did manage to earn an "Explicit" tag due to some thematic issues in a couple of the songs. While the language is generally fine, there is one "slut" outburst in the Berlin tune and some sketchy noises in a couple of the songs typically associated with carnal activities. Just wanted any parents out there to be aware should you feel like playing this mix in the car or somewhere where inquisitve and/or impressionable kids might be within earshot. Berlin and Beloved are the problematic songs, so just fast-forward through those if you're concerned. On to the songs ... Leading off things is a Bomb The Bass remix of the DM classic, "Strangelove". It's an appropriate first track, I suppose, as the song was the first single off the Music for the Masses album, which was released in 1987. While eminently successful at that point in their career, it's probably the album that nudged DM toward super-stardom, an interesting turn of events considering the band chose the album name as a lark, a snide dismissal of the suggestion that they create more commercially successful music. While the compositions on the album were more sparsely arranged than previous albums and darker in tonality, the album was a critical and commercial success, effectively making DM a musical fixture among the masses, something they jokingly embraced in selecting the title. As for the song itself, it was originally a high-energy pop song, but Mute founder and producer Daniel Miller thought the overall feel of the track wasn't a good fit for the album. Miller's remixed version is the one that shows up on Music for the Masses. Bomb The Bass, by the way, is the one-man audio production team, Tim Simenon. Simenon found early success in the mid-80s as a musician creating drum tracks and basslines, then "bombing" them with a variety of samples and noises. His first single, "Beat Dis", which contained 72 samples including bits and pieces from Public Enemy to Ennio Morricone to anything in between, was one of the first tracks to introduce sampling into the musical vernacular. "World in Motion" was a song written by New Order in support of England's 1990 FIFA World Cup campaign. Believe it or not, the tune still stands as New Order's only #1 hit on the UK singles charts, holding the top spot for 2 consecutive weeks. The song is credited to ENGLAND New Order, most likely because members of that era's football (soccer) team, including left-winger and future hall-of-famer, John Barnes, contributed vocals and rapping to the song. Last year, a blog entry in NME magazine celebrated the 25th anniversary of perhaps the greatest sports-themed anthem of all time with a look at ten "geeky" facts about the song. I've reposted them below. 1. New Order drummer Steve Morris claims the band's manager, Tony Wilson, tricked the FA and the band into working with each other. "Knowing Tony, he probably sold them the idea of us doing a song and then told us the FA had come up with the brilliant idea." 2. In fact, he and instrumentalist Gillian Gilbert initially thought the offer of making the song was a joke. They had another offer of work on the table – with director Michael Powell – but eventually chose to delay that until the following year. Later, on the day they started recording 'World in Motion', they received a phone call saying Powell had died. "We made the right decision," they said. "We'd have looked like proper charlies working with a dead director." 3. Gilbert and Morris were actually pretty crucial to the song – the track was adapted from one of their compositions as The Other Two, which was originally written for BBC's 'Reportage'. 4. At the time, when NME asked footballer John Barnes how excited he was to be collaborating on a football song, he responded: "If I thought it was going to be the same as the usual crap, why bother? But this is alright." Barnes' rap was written by the man himself and performed - legend has it - in one take. 5. When the FA heard "love's got the world in motion", they asked the band to replace "love's" with "we've". The band refused. "It's an anti-hooligan song", they said. Too right. 6. Morris, in a crisis of ambiguity, called coming up with the lyrics a "nightmare", because he wanted to avoid any association with football violence while being cheeky enough that "if it all went pear-shaped, at least we could say it was a joke." He later said, "I couldn't imagine it being anything other than 'World Cup Willy', but Keith Allen got involved and made it funny." 7. Keith Allen, who co-wrote 'World In Motion', wanted it to be called 'E for England', with lyrics that ran: "E is for England, England starts with E / We'll all be smiling when we're in Italy." The FA vetoed the decision. Looking back at it in 1993, he was diplomatic: "I think at the time there were certain drug-related overtones that didn't appeal to either Top of the Pops or the record company." Allen was later involved in 1998 unofficial England song 'Vindaloo'. 8. At the time the song was released, lead singer Bernard Sumner told NME, "This should be the last straw for Joy Division fans." Make of that what you will. 9. Reflecting on the song years later, Morris said that it may have changed football. "It did come at a bit of a turning point for football. Until that point it was all very laddish. After 'World in Motion' everybody got a bit loved-up with it." 10. Barnes recently revealed that he had to do a rap-off with Paul Gascoigne, Steve McMahon, Peter Beardsley and Des Walker before he was picked to perform the rap. The question is - did Gazza cry when he lost out that time too? By the way, the song that would knock "World in Motion" from it's lofty perch at #1? "Sacrifice" by Elton John. For shame! Produced by the great Trevor Horn and appearing on the album Introspective, as well as being one of the longest tracks in their musical repertoire, "Left to My Own Devices" by the Pet Shop Boys was intended to be an "experiment in seeing how mundane a pop song could be, before setting it against extravagant music," according to lead singer Neil Tennant. No doubt, the song adds touches of classical music, specifically orchestral phrases culled from Claude Debussy's "Prélude à l'après-midi d'un faune" ("Prelude to the Afternoon of a Faun"), to the proceedings. However, this mundane song is rife with supposedly biographical or semi-biographical information from Tennant's youth that he ambiguously puts on display topped off with an idiomatic title. Whether lyrics about "roundheads" (a reference to Pro-Parliamentary forces in the English civil war) the sun and brochures and Che Guevara are self-referential terms about the Boys' "alternative" lifestyles is a matter of conjecture and I'll leave it to smarter people than myself to pour over the details. Frankly, I don't care what the meaning. I prefer just to listen and enjoy. In a previous episode, I mentioned the numerous contributions of Nick Rhodes to the success of Duran Duran. Perhaps his biggest was that of a visionary as he quickly seized on the potential of the music video. He was the one who pushed the band toward more elaborate productions, a somewhat questionable decision at the dawn of the 80s as the phenomenon that would come to be known as MTV was still months away from its eventual August 1, 1981 launch date. Not to mention, at that time, nobody could have actually predicted the overwhelming success of the network and the lasting impact it would have on the music industry. Released in July of 1981, "Girls On Film" was the third single from Double D's self-titled album. Interestingly, it was the band that chose the song to be their third single after a dismal showing by the second single, "Careless Memories", a song that had been selected by their label, EMI. Though "Careless Memories" reached #37 in the UK, it was perceived as a failure because the first single, "Planet Earth", had been a Top 20 hit. "Careless Memories" was also the song chosen to herald the soon-to-be released full-length album. That the band chose "Girls On Film", a staple at live performances, as the group's third single was fortuitous. It helped album sales overseas, though it did not initially chart in the US. After the follow-up success of the Rio album in 1982, their first album was re-issued in the states in 1983 and became certified platinum in 1985. While the song is no doubt a great one, it was the video, which was originally filmed in 1981 a few weeks prior to the launch of MTV, that made serious waves and caused serious consternation among parents and network censors. The uncut version circulated regularly on the Playboy Channel as it was deemed too pornographic for MTV. It was also banned on the BBC. A heavily-edited "day" version was created for regular airplay and is the one with which most of us are familiar. And though the song had already achieved chart success, it was that video, directed by Godley & Creme, that kept people talking and kept the band firmly in the public eye. Simon Le Bon would later lament that the scandalous nature of the video obscured the message of the song, which was about the exploitation of models in the fashion industry. To end this episode, I figured I'd include the most reviled song in the Depeche Mode catalog. Okay, that's a bit of an exaggeration, but both Martin Gore and Alan Wilder have, on numerous occasions, described "It's Called A Heart" as their least favorite single ever recorded by DM. Wilder admitted he was "anti even recording, let alone releasing it". So, why the high level of disdain for the song? Seems the band, especially Wilder, thought that the b-side, "Fly On The Windscreen" was a stronger song and should have been released as the band's next single at the time. Apparently, the record label didn't like the fact the first word of the song was "death". Yet Wilder argues: "I fought tooth-and-nail on behalf of the B-side Fly on the Windscreen which was far superior. To me, the whole thing was a serious backward step. I felt we'd worked diligently to build up recognition for a harder sound, with more depth and maturity, and here was this ultra poppy number that did nothing for our reputation." When asked in an interview if he could turn back time and do something over again, Wilder responded: "I don't think I'd change much, apart from some of the hair styles and those daft boots I wore in 101. Oh, and I'd also make sure that I missed my wake-up call on the day we made the video for It's Called a Heart." Wilder says of the video concept, "Quite how [Peter Care, the director] equated 'calling something a heart' with twirling cameras around on the end of a string in a field of corn in Reading dressed in a skirt, I'll never be able to tell you." Wilder hated the song so much that he answered the question "In your opinion, what makes up a true DM fan?" with "Anyone who still gives us the time of day after having heard It's Called a Heart". Remixes didn't fare much better in Wilder's eyes. He once commented on the "Slow Mix" version of the song, "...you do need to be particularly devout to endure it - slowing it down to half speed made it twice as long - probably not a very good idea - twice the agony." Okay, so Alan Wilder doesn't particularly care for the song, but I LOVE IT! And since I'm curating this podcast, I included all 7+ minutes of the Extended Mix for your listening enjoyment. That's it for this episode. I've got another podcast all figured out and I'll post it as soon I can find time to record it. Thanks for tuning in/listening/reading!

Join Red Velvet Media as we talk to Alan Charles Wilder Also known as (Slick!)(born 1 June 1959) is a British musician, formerly of Depeche Mode. His current musical project is called Recoil, started as a side project to Depeche Mode.