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With both Brad and Dave nominated for awards this year, the guys spiral into a surprisingly deep conversation about awards, marketing, ego, and whether creators should plaster “award nominee” stickers all over their books. Later, they tackle a listener question about using 3D models, digital sets, and reference material in comics production — leading to a fascinating behind-the-scenes look at how both creators actually build comics pages in tools like Clip Studio Paint and Photoshop. Along the way, they discuss why imperfections matter in cartooning, how typography affects visual storytelling, and why “cheating” is often just another word for “working smarter.” Today's Show Should you put an award nomination on a book cover? UPDATE: Hugo Award voter packet "WSFS Membership" Using sets and other pre-made background materials UPDATE: Patreon Quips is now available on desktop You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. • Check it out at https://comiclabshop.com • Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) Brad and Dave tackle a listener question that gets to the heart of creative careers: Can you make a living telling shorter stories, or does success demand long-form work? As always, the answer is equal parts practical advice and creative philosophy — grounded in real-world experience and delivered with ComicLab's signature mix of humor and honesty. TODAY'S SHOW • Can you build a career on individual short stories? • Market expectations around story length (comics, film, TV) and perceived value • Creative problem-solving as a business tool — making unconventional formats work • Strategies for packaging short stories (genre consistency, shared setting, through-lines) • Examples of experimental storytelling formats (anthologies, vignette structures) • PROMO: Huion Kamvas 22 (Gen 3) — features, workflow integration, and discount code ComicLab5 at https://comiclabshop.com • Estate planning for cartoonists — what happens to your IP after death? • Debate: Should creative work become public domain sooner? • Should kids continue your comic… or make their own work? • The reality of legacy comics vs. modern independent publishing You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
A listener asks whether some words are inherently funnier than others—and it opens the door to a deep dive on word choice, dialogue, and how to make jokes land harder. Brad and Dave break down why shorter, punchier words tend to win, how sound and rhythm affect comedy, and why you should always end on the funniest word. They also walk through their real-world writing process—cutting aggressively, reading dialogue out loud, and constantly swapping in better word choices. From there, the conversation expands into how to write strong dialogue (hint: it's not about realism—it's about impact), plus a list of pitfalls to avoid, including gimmicky accents, overstuffed word balloons, and writing that slows the reader down. They also revisit a past take on political cartoons (turns out, they're thriving on Reddit), talk about the return of Web 1.0 strategies like guest comics, and reinforce a core principle: own your platform and your audience. TODAY'S SHOW • Writing funny words: Why word choice makes or breaks a joke • Psychologist vs. psychiatrist — choosing the funnier word (it's "shrink") • How to edit your way to stronger, tighter dialogue • Dialogue pitfalls: accents, gimmicks, and readability traps • Political cartoons are thriving on Reddit (and what that means) • The return of Web 1.0 tactics: Guest comics and cross-promotion • Reclaiming your platform: Why websites still matter You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
This episode examines a Bluesky thread where cartoonists self-reported their financial realities. While the original question was thoughtful — seeking insight into full-time and part-time comic careers — the resulting discussion revealed a common problem: an echo chamber of discouragement. Brad and Dave emphasize that these threads often skew negative due to self-selection bias. Many successful creators don't participate—either because they're busy, uncomfortable sharing income, or wary of backlash. The result? A distorted picture where it appears that no one is succeeding, even though many are. TODAY'S SHOW Nobody makes a living in comics ComicLab LIVE at the NCS Conference and Reuben Awards, Aug. 6-8, Columbus, Ohio — nationalcartoonists.com Tattoos Baby Blues and Zits announce retirement Death of syndication You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — a 21.5" pen display with a gorgeous 2.5K screen and really smooth performance. Bottom line: it feels great to draw on — and it punches way above its price. *Check it out here: https://comiclabshop.com *Use code COMICLAB5 for an exclusive 5% discount! (Valid through June 14th) On Today's Show: Your comic is gaining traction — but now readers want answers faster than you can tell the story. Brad and Dave explain why that's actually a great sign — and how to turn audience curiosity into a powerful engine that keeps readers hooked instead of overwhelming your narrative. PLUS — CONGRATULATIONS TO DAVE KELLETT FOR HIS HUGO AWARD NOMINATION! TOPICS Dave Kellett has been nominated for a Hugo Award How much to share with an eager audience ComicLab Confab (609) DRY-ELB-0 Update: USPS fuel surcharge will *not* affect Media Mail prices New tariff worries NCS conference and Reuben Awards Aug. 6-8, Columbus, Ohio Different ways to present a scene A listener question leads into the episode's central topic: what to do when a new project suddenly starts attracting attention and readers begin asking lore questions faster than the story can answer them. Brad and Dave frame this as the best possible problem for a storyteller to have — not a crisis, but proof that the story is working. Their advice is to resist the urge to dump exposition too early, and instead use reader curiosity as fuel to keep them engaged and coming back for more. Another listener question asks how to make necessary exposition more entertaining in a history comic, and the hosts widen that into a general storytelling discussion. They explore how to handle “problem panels” — moments where important information must be conveyed, but the raw facts feel static or dull. Their answer is that exposition does not need to be delivered plainly: creators can change the point of view, alter the tone, insert found documents, frame facts through action, or even break into totally different storytelling modes if it makes the comic more engaging. The episode also includes a couple of business updates for cartoonists. Brad shares good news about USPS fuel surcharges not applying to Media Mail, which matters for creators shipping books, while Dave warns that new tariffs may affect imported book shipments and advises cartoonists to build more buffer into Kickstarter budgets for 2026. It's a practical reminder that making comics also means staying alert to the changing realities of fulfillment and production costs. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Today's show is sponsored by Huion, makers of the Huion Kamvas 22 (Gen 3) — go to https://bit.ly/41pXyI7 or https://comiclabshop.com and use the code COMICLAB5 to unlock an exclusive 5% discount! (Valid 4/6/2026 - 6/14/2026) The Kamvas 22 (Gen 3) is the New 22" Benchmark. A powerful yet accessible 21.5'' pen display featuring a 2.5K QHD 90Hz screen, PenTech 4.0, and Canvas Glass 2.0. Designed for smooth, precise, and true-to-life creation, it redefines what an entry-level display can deliver — professional performance without the premium price. TODAY'S SHOW How to do a two-page splash page Get your discounted Huion Kamvas 22 (Gen 3) at comiclabshop.com - COMICLAB5 UPDATE: Got a comment for ComicLab? Dial the ComicLab Confab! (609) 379-3520... that's (609) DRY ELB-0 NCS in Columbus, Ohio, Aug 6-8 USPS fuel surcharge goes into effect April 26th and ends (maybe?) Jan. 17, 2027 (NOTE: This will not affect Media Mail pricing) Editorial cartoonists on social media What's the deal with Susan MacTaggart? Introducing Dr. Reginald Wigglesby Splash Pages Brad and Dave take a deep dive into splash pages — what they are, how they've traditionally been used, and how they function differently in print versus webcomics. They discuss classic first-page splash images as attention-grabbing devices, as well as the practical reality that they can help creators hit deadlines. Dave shares how he uses splash pages sparingly in Drive to give big moments room to breathe, while Brad explains how he uses them consistently at the start of chapters in Evil Inc, both as storytelling tools and promotional assets. The conversation also explores why two-page splash spreads can struggle online — especially on mobile — and reinforces a key principle: a graphic novel page is not the same as a webcomic update, and each must be designed with its medium in mind. ComicLab Confab (Listener Calls) The guys remind listeners about the ComicLab Confab — their voicemail line where creators can call in with questions, comments, or hot takes. It's an easy, low-pressure way for the community to participate in the show and potentially have their thoughts featured on-air. If you've got something to say about comics, business, or creative life, you can dial (609) 379-3520 — that's (609) DRY-ELB-0. National Cartoonists Society — Columbus, Ohio Brad and Dave highlight the upcoming National Cartoonists Society event in Columbus, Ohio (Aug. 6–8), encouraging cartoonists to attend. They emphasize the value of in-person networking, camaraderie, and professional development that comes from gathering with other working cartoonists — something that can be hard to replicate online. https://nationalcartoonists.com/registration-now-open-80th-reuben-awards-ncs-conference/ USPS Fuel Surcharge Update A practical business note: the USPS fuel surcharge goes into effect April 26 and is expected to run (possibly) through January 17, 2027. This will impact many shipping rates for creators who sell physical goods, though Media Mail remains unaffected. For cartoonists running Kickstarters, online stores, or Patreon rewards, this is a reminder to factor rising shipping costs into pricing and planning. https://about.usps.com/newsroom/national-releases/2026/0325-usps-announces-transportation-related-time-limited-price-change.htm Editorial Cartoonists on Social Media The conversation touches on how editorial cartoonists are navigating social media — including the challenges of visibility, audience building, and platform changes. Brad and Dave reflect on how shifting algorithms and audience behavior can affect political and commentary-based comics, and what that means for creators trying to get their work seen. What's the Deal with Susan MacTaggart? In a classic ComicLab aside, Brad and Dave riff on the mysterious (and confusing) name “Susan MacTaggart,” using it as an example of how something presented without context can create intrigue — or just bewilderment. It ties back humorously to their broader discussions about clarity, audience expectations, and grabbing attention. Introducing Dr. Reginald Wigglesby The episode also features the introduction of Dr. Reginald Wigglesby — a comedic bit that adds to the show's ongoing tradition of playful world-building and running gags. It's a reminder that even in a craft-focused podcast, humor and character bits are part of what makes ComicLab feel like hanging out with friends. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
This week on ComicLab, veteran comic artists Brad Guigar and Dave Kellett kick things off a discussion about something every cartoonist wrestles with: work-life balance. If you're juggling a day job, relationships, and your creative ambitions, Brad and Dave break down practical strategies that actually work — including: • Why consistency beats intensity • How to build a repeatable creative schedule • The power of small, daily wins • And why your health and relationships are just as critical as your drawing skills They also tackle a big-picture career question: What happens when a long-running comic ends? Dave shares his thoughts on winding down Drive, how to retain an audience, and the challenge of transitioning into your next project without losing momentum. Plus: • Smart ways to monetize short comics • Why finished is better than perfect • And how thinking long-term can transform your creative output Whether you're just starting your first comic or planning your next big move, this episode is packed with actionable advice — and a few chaotic detours along the way. Key takeaway: Three years are going to pass anyway… you might as well have a finished comic at the end of them. Today's Show • UPDATE: Enshittification of Bluesky begins • Work-Life balance • UPDATE: NCS Conference and Reuben Awards • Monetizing short comics • What will Dave do when Drive is over? For more information about joining the National Cartoonists Society, go to https://nationalcartoonists.com/how-to-join/ • Get on the mailing list • More information on the 27 Club • 80th annual Reuben Awards and NCS Conference — August 6-8, 2026 You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Sorg and Dave Podnar are back with a fresh AwesomeCast packed with mobile photography gear, geeky discoveries, video game updates, and big questions about AI. This week they dig into a massive new iPhone telephoto lens concept, Sorg's dive into Webtoons and Dungeon Crawler Carl, a digital tabletop gaming system from Board.fun, NASA's shift toward a lunar base, and whether anyone should trust Claude to control their computer. Plus: Chachi Says Video Game Minute and a great Women's History Month spotlight on engineer Judith Love Cohen.
In this episode of ComicLab, Brad and Dave tackle a surprisingly practical question: How do you start a web ring for comics creators? With social media platforms becoming less reliable for discovery, the classic web ring is making a comeback as a way for creators to promote each other directly. Along the way, the guys discuss audience targeting, technical setup, and why the success of a web ring depends more on community alignment than on code. Plus: tattoo debates, Tolkien romance arguments, and the eternal challenge of drawing the right amount of detail in your comics. Key topics How to start a web ring UPDATE: Dave should read Tolkein as a romance How much detail should we include in our drawings? Amazon plagiarism Paid setup Matt Sowers, who created the Hot Box web ring software can install and host the software for you. Contact him at hotbox@rcsipublishing.com $50 — install on your server $100 — hosted setup (includes one year hosting). After that, hosting is $75/year. $75/year — ongoing web hosting for your comic You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Making friends in the comics community can be... complicated. After all, we're kind of an introverted bunch. When it comes to social interaction, Brad and Dave have made all the mistakes, so you don't have to! They'll talk about trying too hard, encountering hostility, and trying to fit into a community that's just not right for you. Speaking of realizing a community isn't a good fit, Dave just found out he was kicked off Amazon. And that's perfectly OK with him. Today's Show UPDATE: Dave has been kicked off Amazon! UPDATE: Our listeners recommend eBay for international shipping Making friends with other cartoonists What can a full-time self-published comic artist expect to earn? Summary In this engaging episode, cartoonists Brad Guigar and Dave Kellett explore the complexities of social interactions within the creative community, the challenges of online publishing, and the evolving role of AI in content moderation. They share personal stories, practical advice, and insights on navigating friendships, social media, and the digital landscape as artists and creators. They share personal stories, industry insights, and humorous banter that will inspire and inform creators at all levels. Key Topics Social interactions among artists and creators Challenges of online publishing and content moderation Strategies for building and maintaining friendships in creative communities The financial realities of full-time cartooning The importance of evolving creatively and professionally Understanding the influence of zeitgeist on comic success You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Everyone is here as we make our way to the castle for the riveting, epic, titanic, colossal giant-sized episode 600! aka hitting that Milestone with Andy talking too much. Comic Shop News Image to unveil new Energon title: M.A.S.K. which derails into toy talk for too long News – Concrete returns and more Substack comics coming to print at Dark Horse International comic purchasing Conan the Barbarian #25 by Alex Horley and Jim Zub (Titan)https://titan-comics.com/c/2323-conan-the-barbarian/ Titan’s Savage Sword of Conan talk Invincible Universe Battle Beast by Ryan Ottley and Robert Kirkman (Image)https://imagecomics.com/comics/releases/invincible-universe-battle-beast-1 The Muppets Noir #1 by Roger Langridge, Dearbhla Kelly (Dynamite)https://www.dynamite.com/htmlfiles/interviews.html?showinterview=IN11252510734 Wally Wood Book of the Week – The Complete Witzend Vol 1 (collects issues 1-7) by Wally Wood, Al Williamson, Archie Goodwin, Ralph Reese, Frank Frazetta, Reed Crandall, Steve Ditko, Gray Morrow, Harvey Kurtzman, Vaughn Bode and more (Fantagraphics). Stay tuned for Volume 2https://blog.fantagraphics.com/witzend-by-wallace-wood-and-various-artists-videophoto-slideshow-preview/ Death Fight Forever #1 by Andrew MacLean, Alexis Ziritt (Image) whic leads to video game talk and movieTV adaption talkhttps://imagecomics.com/comics/releases/death-fight-forever-1-of-5 Spawn the Dark Ages (vol 2) #1-3 by Liam Sharp (Image)https://imagecomics.com/comics/releases/spawn-the-dark-ages-1-of-6 Where do you buy Digital Comics now? Mind Mgmt Vol 1-6 and Kickstarter of the Read along comic and audio by Matt Kindt (Dark Horse)https://www.darkhorse.com/books/3001-455/mind-mgmt-omnibus-part-1-tpb/ Phil gets into the Humble Bundles. Massive Verse comics one, Fallout Tabletop bundleHumblebundle.com Hellraiser Kickstarterhttps://www.kickstarter.com/projects/boom-studios/hellraiser-leviathans-library MegaMan X by Daniel Arseneault, Hanzo Steinbach (Udon)https://store.udonentertainment.com/collections/mega-man/products/mega-man-x-0-cvr-a-jeffrey-chamba-cruz-copy Shout OutsDerek Enjoy! Twitter: @indiecomicbookn, Bluesky: @marvelicbnoise.bsky.social
What's the difference between a concept and a conceit — and why does confusing the two quietly sabotage so many comics? In this episode, Brad and Dave break down one of the most important (and misunderstood) distinctions in storytelling. A concept is the engine that drives your story forward. A conceit is a clever wrapper that might look great… but doesn't go anywhere. If you've ever launched a comic that felt strong at first but ran out of momentum, this conversation will hit home. We talk about: Why constraints actually fuel creativity How to test whether your idea has real staying power The danger of building a comic around a gimmick And how to strengthen your story before you spend months drawing it Today's show: A comic without recurring characters UPDATE: ComicLab accent challenge UPDATE: Amazon Advantage UPDATE: DoubleDogBook.com How to do a sarcastic word balloon Takeaways Character design plays a crucial role in storytelling. Comics can thrive without a central protagonist. Idea-driven comics have historical precedence. Naming a comic can be a challenging but essential task. Feedback is vital in the creative process. Constraints can enhance creativity and focus. Monosyllabic titles are often more memorable. A good title can significantly impact a comic's success. The creative journey involves trial and error. Sharing ideas at smaller levels can reveal what resonates. Avoiding sunk cost fallacy is crucial in decision-making. Amazon Advantage can lead to unexpected losses. Understanding the costs of shipping is essential for profitability. Sarcasm in comics requires careful visual and textual cues. Bold lettering can enhance the impact of sarcasm. Walt Kelly's techniques in lettering were innovative but sometimes excessive. Comic creators should consider the visual presentation of dialogue. A well-crafted word balloon can convey emotion effectively. The legacy of past cartoonists informs current practices. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
This week, we welcome the brilliant Dylan Meconis, creator of Queen of the Sea and Bite Me. Here's what we cover: How most colorists actually break in (hint: it's not by “murdering another colorist in single combat” — though that was discussed) What “flatting” is — and why it's often your first step into paid coloring work Why networking is really just “being friends with cartoonists” Portfolio strategy: Why saying “I do everything” is less effective than saying “I do this brilliantly” Analog coloring techniques — watercolor paper, oil-based pencils, and why certain materials go extinct at the worst possible moment The realities of scanning physical art (and why scanners are basically cameras on an arm) How to handle black plates, rich black, and avoiding fuzzy type in print If you've ever wondered whether coloring could be an income stream for you — or how to level up your current process — this episode is a masterclass. Products and Programs mentioned on the show Note: Some of the links are affiliate links WildCraft Studio is in Portland, Oregon. PITT monochrome oil pencils by Faber-Castell Watercolor paints, Daniel Smith brand Watercolor paper (cold press) by Arches White watercolor paper, Dick Blick house brand Epson scanner, Perfection series Epson scanner, Workforce series Colored pencils, Caran d'Ache Summary In this engaging conversation, the hosts welcome cartoonist Dylan Meconis to explore various topics including coloring techniques, the integration of digital and traditional media, and the importance of choosing the right materials for comic creation. Dylan shares insights into her unique artistic process, the challenges of color printing, and the significance of lettering in comics. The discussion also highlights the value of collaboration and the joy of discovering new art supplies. Takeaways Dylan Meconis emphasizes the importance of using various mediums in art. The process of creating 'Queen of the Sea' involved unique coloring techniques. Dylan's artistic process includes both traditional and digital methods. Choosing the right materials can significantly impact the final artwork. Scanners play a crucial role in capturing traditional art for digital use. Lettering is an essential aspect of comic creation that requires careful consideration. Collaboration with other artists can enhance the creative process. Experimenting with different art supplies can lead to unexpected discoveries. Understanding color printing challenges is vital for comic artists. Dylan's approach to art is influenced by her background and experiences. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
A listener writes in after a breakup, worried they've lost their creative spark for good. Brad and Dave unpack the emotional toll of heartbreak, why creative paralysis is normal, and how time, grief, and self-reflection can ultimately deepen your storytelling. Also: Dave is quitting Amazon Advantage, and he shares why he made that startling decision.Today's ShowComics Will Break Your Heart (and so will dating)Dave Kellett's "Double Dog Dare" bookAmazon AdvantageImposter Syndrome and mental healthTakeawaysIt's normal to feel creatively blocked after a heartbreak.Finding joy in solitude can help with creativity.Time is essential for healing after a breakup.Navigating international shipping can be complex and frustrating.Mental health is crucial for creative individuals.Imposter syndrome can hinder the creative process.Seeking professional help is important for mental health issues.Weather can significantly affect mood and creativity.Sharing experiences can help others feel less alone.Listener feedback can provide valuable insights for improvement. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
The Mel Brooks documentary, "The 99-Year-Old Man!" holds a lot of wisdom for cartoonists. Speaking of wisdom, it doesn't take much to avoid these common Kickstarter scams.Today's ShowWhat can cartoonists learn from Mel Brooks?KickstarterSummaryIn this episode of ComicLab, cartoonists Brad Guigar and Dave Kellett discuss the challenges and joys of creativity, drawing inspiration from Mel Brooks' documentary. They explore themes of fear, kindness, and the importance of perseverance in artistic careers. The conversation also touches on the realities of navigating Kickstarter campaigns, including the rise of scams targeting creators. Throughout, the hosts emphasize the power of laughter and the need for support in the creative community.TakeawaysFear is a recurring theme in creativity.The fear of not trying is greater than the fear of failure.Kindness can have a profound impact on artists.Perseverance doesn't mean sticking to what's not working.You can reinvent yourself as an artist at any stage.Kickstarter scams are on the rise; be cautious.Laughter is a powerful tool for change.Support from friends is crucial in creative journeys.It's important to recognize the struggles behind success.Creativity often requires stepping out of comfort zones. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Cartoonists Brad Guigar and Dave Kellett dig into the many ways we react to humor — from full-on belly laughs to the silent internal “that was good” response. After that the way, they tackle some big (and surprisingly relatable) topics:Are they actually going to use Patreon Quips?Dave's Bad 2025 — what went wrong, what he learned, and why it mattersWhy you never stop building an audience, even when things feel “established”And yes… being scared of Reddit comments is universal!SummaryIn this episode of Comic Lab, hosts Dave Kellett and Brad Guigar dive into the nature of humor in comics, prompted by a listener's question about whether funny comics truly elicit laughter or if they are simply enjoyable. Brad and Dave explore the subjective nature of humor, sharing their own experiences with laughter and recognition of craft in comedy. Next, they delve into the ongoing journey of building and maintaining an audience in the ever-evolving landscape of comics. They emphasize that there is no such thing as a 'built audience.' Audience engagement is a continuous process that requires constant effort and adaptation. Drawing on the metaphor of the Ship of Theseus, they discuss how creators must regularly replace and update their strategies to keep their audience engaged, acknowledging that audience members may leave for various reasons, including life changes or simply forgetting about the content.The conversation also touches on the emotional toll of negative feedback, particularly on platforms like Reddit, where creators often face harsh criticism. Brad and Dave share personal anecdotes about dealing with trolls and the importance of focusing on the positive aspects of audience engagement. They conclude by reinforcing the idea that the creative journey is ongoing, and that every creator must continually learn and adapt to thrive in the industry.Takeaways"Not every year is going to be gangbusters."There's no such thing as a built audience; you're always in building mode.Audience engagement is like the Ship of Theseus; it's constantly changing.You should aim to gain 2-6% new audience every month to replace those who leave.Negative comments often come from unhappy individuals; don't take them personally.Every creator must continually learn and adapt to thrive in the industry. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
An online publisher has become the center of some genuinely alarming stories. Brad and Dave break down five hard lessons comic creators can learn when a publisher shows signs of instability, mismanagement, or collapse.Today's ShowFive Lessons from a Publisher in CrisisSubmitting your work for awardsSummaryCartoonists Brad Guigar and Dave Kellett explore the importance of owning and controlling one's career in the comic industry. They discuss the need for business acumen among cartoonists and the risks of signing contracts. The conversation emphasizes the value of learning from mistakes in self-publishing, the power of transparency among creators, and the benefits of submitting work for awards. Ultimately, they stress that the goal is not independence at all costs, but informed consent in business relationships.TakeawaysThere is a percentage of humans who can close their nostrils underwater.Cartoonists must be prepared to be business people.Your best defense is often not signing a contract.Mistakes in self-publishing are manageable and teach valuable lessons.Transparency among creators is crucial for success.Experience changes the power dynamic in negotiations.Submitting for awards can provide valuable insights into your work.Reviewing your work helps improve your editorial and aesthetic eye.Self-publishing allows for greater control over your career.Imposter syndrome should not prevent you from submitting your work. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
A listener asks: "Should you judge a book by its cover?" Cartoonists Dave Kellett and Brad Guigar say... YES! Next, a cartoonist who is too embarrassed to promote his own work gets some encouragement and words of advice from the veteran comic creators.TODAY'S SHOWShould you judge a book by its cover?Too embarrassed to promoteTakeawaysA book's cover plays a significant role in its marketability.It's important to design a cover that reflects the content of the comic.Promoting comics can be challenging, especially in unexpected social situations.Introverts can find it difficult to promote their work in person.Having a decoy website can help ease the promotion process.It's okay to feel uncomfortable discussing your work with strangers.Using humor can help deflect awkward conversations about your work.Online promotion can be more effective than in-person promotion. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Another January means another annual trip to visit the big homie, Walt. We hit the ground running so fast this episode, that we didn't even have time to record a proper intro. We talked about a bit of everything, including Walt's pull-list, Ryan Coogler's original script for Black Panther 2, things we'd change about digital comics, Todd McFarlane and Jim Lee's legacy, Avenger's: Doomsday, and we defended Cyclops' honor. This episode also includes a special cameo via phone towards the end
Today, I sit with Kenny Meyers to talk with him about Sweet Shop the newest hub for Digital Comics Marketplace. Along with Bindings Comic Marketing made easy and Find your Comic Store its one thing to say that you love Comic Books but to say make your entire ecosystem in helping creators makes you really wanna fight for this guy. Kenny in the last year or so has taken on more than 24 publishers honed in on his launch any day now from Image, IDW, Fantagraphics, and Dark Horse to name a few. The Comic Creator feels slighted by the subscription model that many are moving to as click and buy should be what we want in getting the creators paid. Kenny feels with Sweet Shop that this is the focus that not only the consumer but the creator as well can thrive from.Join the Waitlist at https://sweetshop.app/Support this podcast at — https://redcircle.com/the-faqs-project-hosted-by-james-grandmaster-faqs-boyce/donations
What does it really mean when someone looks at your career and says, “You should be doing more”?In this episode of ComicLab, Brad and Dave respond to a pointed listener question that cuts straight to the bone: If they have the skills, the experience, and the ideas — why haven't they launched even more projects? The answer isn't defensive or dismissive. Instead, it becomes a clear-eyed breakdown of creative bandwidth, sustainability, work-life balance, and the invisible labor that propels up a long-term comics career. From Patreon and newsletters to storefronts, commissions, podcasts, and family responsibilities, they unpack why “doing enough” is often misunderstood from the outside — and why restraint can be a strategic choice, not a lack of ambition.The conversation then pivots to one of the trickiest problems any humor writer faces: How to judge your own work when readers don't get the joke. How many confused comments are just statistical noise—and when do they signal a real problem in execution? Brad and Dave dig into the uncomfortable middle ground between ego and humility, exploring how to listen to feedback without letting it derail your voice, and how to improve clarity without sanding off what makes your work distinctive. It's a nuanced, experience-earned discussion about ramps, chasms, audience expectations, and why “it happens to everyone” is not an excuse — but also not a death sentence.If you've ever felt pressure to produce more, or struggled to decide whether reader confusion is a warning sign or just the cost of taking creative risks, this episode offers hard-earned perspective from two cartoonists who've been navigating those exact questions for decades.TakeawaysCreative projects often take a backseat due to time constraints.Cartoonists manage a heavy workload that includes multiple projects.Balancing creativity with administrative tasks is crucial for success.Feedback from readers can help improve comic writing.Self-editing is a continuous process for comic creators.Reader confusion can indicate a need for better communication in comics.Communication is key in the artistic process. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Cartoonists Brad Guigar and Dave Kellett discuss the nuances of print-on-demand services. As Brad says, "It's a good place to start, but a bad place to stay." They delve into the importance of advanced planning for holiday sales. Finally, they share strategies for engaging audiences at comic conventions, covering pricing strategies and the psychology of sales, and emphasizing the importance of understanding costs and audience engagement.Today's ShowPrint on DemandHow to "Let Time Be Your Editor"Convention PricingHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysPatience is key in daily struggles.Print on demand can be a good starting point but not a long-term solution.Planning for holiday sales should start well in advance.Engaging with audiences at conventions is crucial for building a network.Clear pricing and signage can significantly boost sales at conventions.Using loss leaders can attract customers but should be carefully calculated.Understanding your costs is essential for pricing strategies.Round numbers simplify transactions and reduce friction in sales.Time away from your work can provide valuable perspective for editing.Building a strong online presence is important for comic creators. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
Syndicated cartoonists Jerry Scott and Rick Kirkman share their journey of collaboration that spans over 35 years, focusing on their iconic comic strip, "Baby Blues." They discuss their initial meeting, the challenges of working together, the creative process behind their gags, and the evolution of their work. The dialogue highlights the joys and conflicts of collaboration, the importance of humor in parenting, and the unique dynamics of their partnership. They discuss their early encounters with legendary cartoonists, the challenges and joys of taking over legacy strips, the impact of awards on their careers, and the importance of authenticity in parenting comics.You can read "Baby Blues" at Gocomics.com/babybluesHuionHuion is sponsoring today's show, and they're offering additional discounts on the following products when you use the discount code: ComicLabKamvas 22 Plus — A luxurious large-screen, high-resolution digital pen display with an etched glass surface that simulates the texture of paper while it protects your eyes from harmful glare.Kamvas 13 (Gen 3) — With a large 13.3-inch screen and an FHD (1920X1080) resolution, this model ensuring seamless collaboration with your laptop. The durable back cover also offers superior protection while ensuring interface stability.Huion Note — You found your new on-the-go brainstorming tool. With writing synchronizing, offline storage, document management, one-click PDF sharing, and portable A5 size, Huion Note will redefine what a new generation of notebooks can do.TakeawaysJerry and Rick's collaboration spans over 35 years.Their wives introduced them, both aspiring cartoonists.They bonded over a shared love for comics and cartooning.Baby Blues was inspired by their experiences as parents.They learned the importance of hitting deadlines.Collaboration requires open communication and compromise.Writing gags often starts with the punchline first.The creative process is a blend of writing and drawing.Their friendship enhances their creative output. Meeting legendary cartoonists was a pivotal moment.Legacy strips come with both pressure and opportunity.Awards can create a sense of responsibility.Parenting comics resonate deeply with readers.Book titles can encapsulate the essence of the work.Professional jealousy is detrimental in the creative field.Authenticity in storytelling is crucial.The weight of awards can be both a blessing and a burden.Creating relatable content helps connect with audiences.Collaboration and community are vital in the cartooning world. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. He is available for personal consultations. Dave Kellett is the creator of Sheldon and Drive. He is the co-director of the comics documentary, Stripped.
DSTLRY founders and Comixology pioneers, David Steinberger and Chip Mosher, are on the show to talk about their new digital comics platform: Neon Ichiban, and what comic fans can expect from the digital storefront and their patent-pending feature: Neon Ichiban Remarques. David and Chip also settle the digital collectibles vs NFT debate, reflect on the golden years of Comixology, champion creator rights and equity, and discuss what the future holds for DSTLRY. Watch the video version of this episode on YouTube: HERELINKS: Pre-order a shirt or hoodie from the new merch drop: HEREJoin our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group We read Fan Mail, send us some! Pre-order a brand new Short Box shirt, long sleeve, or hoodie: HERE Visit the shop in Jax, or shop online at gothamcitylimit.comProudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!
While you're stuck trying to find the RIGHT way to start your comic, someone else is starting a comic THEIR way. That's because the only RIGHT way to start a comic is the WRONG way. Confused? We'll explain. Also—storytelling without conflict? Kishōtenketsu is a story structure that highlights contrast rather than conflict. But first, Dave's Los Angeles may have the most "perfect days" in the United States, but Brad argues that Philadelphians truly appreciate their sunny weather more when it occurs.SummaryIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the challenges of starting a comic, emphasizing that there is no right way to create comics and that experimentation is essential. The hosts provide practical advice on overcoming creative blocks, the importance of consistency in practice, and the necessity of starting, even if it means doing it imperfectly. In this episode, the hosts explore the creative process, discussing the fear of starting projects and the importance of embracing imperfection. They share insights from their recent social media challenge, reflecting on productivity and the benefits of reducing screen time. The conversation shifts to the discovery of non-conflict storytelling techniques, particularly the Japanese writing style Kishōtenketsu, which emphasizes character development over traditional conflict. Finally, they discuss updates to the Patreon app, highlighting user experiences and the implications of its new features.Today's ShowHow to get startedKishōtenketsu / YonkomaPatreon Quips and the new app layoutTakeawaysThe perfect weather map reveals surprising data about ideal climates.Appreciation for perfect days can differ based on location.Creativity often requires overcoming distractions in daily life.Starting a creative project can be daunting but is essential.There is no 'right' way to create comics; experimentation is key.The importance of frequency in creative practice cannot be overstated.Every artist has a unique process that evolves over time.Mistakes and failures are part of the creative journey.Setting small, achievable goals can lead to significant progress.The fear of imperfection can hinder creativity, but starting is crucial. The fear of starting often holds creators back.Embracing the wrong way is part of the creative process.Social media challenges can lead to increased productivity.Reading before bed can improve mental well-being.Non-conflict storytelling can be just as impactful.Kishōtenketsu offers a fresh perspective on storytelling.Personal growth is a continuous journey, even in adulthood.Patreon updates aim to enhance user experience and discoverability.Understanding new app features is crucial for creators.Community engagement on platforms like Patreon is vital. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Joining us for day one of our NYCC '25 INTERVIEW-A-THON is the CEO of Sweet, which is bringing a new age of resources for comic book fans. First, there's Bindings: an all-in-one file sharing marketing tool created specific for comic book creators. There's also Sweet Shop, a brand new (much needed) digital reader for comic books. Lastly, there's FindYouComic.Store, a revolutionary comic shop locator that helps you find your next local comic shop.It is our pleasure to welcome back Kenny Meyers onto The Oblivion Bar Podcast!---Thank you Oni Press & Endless Comics, Cards & Games for sponsoring The Oblivion Bar PodcastFollow us on InstagramFollow us on TikTokFollow us on BlueSkyConsider supporting us over on PatreonThank you DreamKid for our Oblivion Bar musicThank you KXD Studios for our Oblivion Bar art
In this episode of the Business of Laravel podcast, Matt Stauffer interviews Kenny Meyers, CEO of Sweet, a company working to improve the comic industry through technology. They discuss the unique challenges of building a digital comic store, the importance of team dynamics, and why Sweet chooses not to use AI in order to protect artists and their work. Kenny also shares his journey in the comic world, the power of networking, and offers advice for aspiring entrepreneurs.Matt Stauffer Twitter - Matt Stauffer (@stauffermatt) on XTighten Website - Tighten | Software Development for Web and Mobile | Laravel, Livewire, Vue.js, and ReactKenny Meyers on Bluesky Kenny Meyers on Instagram Sweet WebsiteSweet Shop -----Editing and transcription sponsored by Tighten.
Disney+ Subscribers To Get Access To Select WEBTOON Digital Comics https://whatsondisneyplus.com/disney-subscribers-to-get-access-to-select-webtoon-digital-comics/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Disney+ Subscribers To Get Access To Select WEBTOON Digital Comics https://whatsondisneyplus.com/disney-subscribers-to-get-access-to-select-webtoon-digital-comics/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Disney+ Subscribers To Get Access To Select WEBTOON Digital Comics https://whatsondisneyplus.com/disney-subscribers-to-get-access-to-select-webtoon-digital-comics/ #DisneyPlus VISIT ONLINE - http://www.WhatsOnDisneyPlus.com If you enjoy our content, please consider supporting it via our Patreon or as a YouTube Channel Membership from as little as $2 a month and get access to exclusive content and much more.
Dave Kellett and Brad Guigar hosted a live performance of ComicLab at the 79th annual National Cartoonists Society Conference and Reuben Awards. Joining them onstage to talk about the business of comics were three marvelous cartoonists:Jason Chatfield, a remarkably talented cartoonist who is as comfortable doing stand-up comedy as he is sitting down to create cartoons for The New Yorker. His new book, “You're Not a Real Dog Owner Until…”, is a danged delight, and belongs on your shelf.Sean Wang, the creator of Runners, a wonderful sci-fi comedy about alien smugglers. Its most recent Kickstarter launched a couple days before the recording of the show, and was funded shortly thereafter — which is 100% a coincidence, but we'll be claiming credit nonetheless.Cassidy Wasserman, whose debut graphic novel, On Guard, was published by Random House earlier this year to rave reviews. She has also illustrated no fewer than three delightful children's books.On the show...What's working — and what's not working — in your comics business?What should you do when subscriptions stagnate?What's the best way to use Patreon without burning out on complex rewards?What is the best use of Print On Demand?How can I use Substack to publish/monetize my comic?Is social media declining? — And if so, how are you compensating? You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Hoopla gives readers free access to THOUSANDS of digital comics, manga, and graphic novels from publishers like Marvel, DC, Image, and more—all with just a library card. Catherine Zappa, VP of Digital Acquisition at Hoopla Digital, joins the show to share how comics make it onto the platform, the latest in digital reading trends, new features like manga support, and Hoopla's mission to empower public libraries. Watch the uncut video version of this episode: HERE LINKS: Buy merch from the official Short Box Merch Store: HEREJoin our Patreon Community, and get access to bonus episodes, free comics, and other rewards! Try a FREE 7-day trial: HERETake your comic shopping experience to the limit, by shopping online at Gotham City Limit!The Schiller Kessler Group We read Fan Mail, send us some! Visit the shop in Jax, or shop online at gothamcitylimit.com Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT!
In this episode, Steve and Jarrod discuss the current state of the comic book industry, focusing on the resurgence of comics, the challenges faced by new readers, and the impact of digital accessibility. They review various comic books, including Green Lantern, Superman, and X-Men, while sharing their thoughts on the evolving landscape of comic storytelling. The conversation also touches on the importance of pacing in comic series and the effects of delays on reader engagement. Finally, they share their picks of the week, highlighting standout issues and themes.Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l
Today, YOU are the star of the show. We asked ComicLab listeners to help us celebrate our 400th episode by calling in with favorite memories from our seven years of podcasting. And — WOW! — did you ever deliver! Today's show will put a smile on your face for the rest of the day.ComicLab has been cranking out episodes about making comics — and making a living from comics — every week since January 2018. (Twice a week, if you count the Patreon-exclusive Pro Tips episodes!) A show that set out to share shop talk, advice, and friendship has become a weekly favorite of cartoonists, comic creators, and people who simply enjoy hearing people share their passion for comics. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Today we're talking digital comics, innovation, and disruption — past, present, and future. I'm joined by two key figures who changed the game once… and are looking to do it again. David Steinberger and Chip Mosher, the co-founders of Comixology, are here to talk about their bold new venture: Neon Ichiban — a next-gen digital comics marketplace built to empower creators, preserve ownership, and rebuild trust in the digital reading experience.In this conversation, we dig into their Comixology origin story, the Amazon acquisition and aftermath, and why they believe now is the time to reboot what digital comics should be. From creator-first economics to indie publishing opportunities, this is a candid, no-BS look at the challenges and potential of reinventing comics distribution from the ground up — again.
While Dave Kellett was at Alaska Comics Camp, he had the opportunity to speak with Jarad Greene, a cartoonist who works on staff at The Center for Cartoon Studies and has helped color many graphic novels for younger readers. He is the author and illustrator of the graphic novels A-Okay, A for Effort, and Scullion: A Dishwasher's Guide to Mistaken Identity — available wherever books are sold and through his affiliate Bookshop.org shop. He talked with Dave about the joys of learning to use a brush for inking.MORE ABOUT JARADWebsite | TikTok | Instagram | YouTube You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Today's episode is sponsored by Dreamhost. The first step in owning and controlling your own work is building a website, and Dreamhost is there to make that simple, painless, and inexpensive. Go to www.Dreamhost.com/ComicLab for details.The life of a comic artist is often a solitary one. Brad and Dave discuss ways of maintaining social connections for mental health and creativity. Later, they discuss the dangers of setting an artificially low Kickstarter goal.ON TODAY'S SHOWThe lone life of a comic artistUPDATE: Susan MacTaggart's affirmationshttp://www.Dreamhost.com/comiclab for special offers on web hosting for listenersAn artist is reminded of the importance of artSetting an artificially low Kickstarter goalSUMMARYIn this episode of ComicLab, hosts Brad Guigar and Dave Kellett explore the themes of socialization and loneliness in the life of cartoonists. They share humorous anecdotes from a recent trip to San Diego Comic Con, discuss the challenges of working alone, and emphasize the importance of maintaining social connections for mental health and creativity. The conversation also touches on practical tips for finding community, engaging with other cartoonists, and the value of stepping outside one's comfort zone to meet new people. In this episode, the hosts explore the importance of socialization for cartoonists and the healing power of art. They discuss how creative spaces can foster social interaction and the necessity of getting out of the studio.The conversation shifts to the emotional impact of art, particularly in times of personal grief, highlighting how art can provide escapism and comfort. The hosts reflect on their own experiences with art as a source of healing and the responsibility of artists to connect with their audience. In this episode, Brad Guigar and Dave Kellett discuss the significance of the arts in education and the joy of discovering new authors like John Scalzi.The show ends with discussing practical strategies for running successful Kickstarter campaigns. They emphasize the importance of understanding costs, setting realistic goals, and the potential risks of lowering funding targets. The hosts also explore the concept of urgency in crowdfunding and how to engage backers effectively, including leveraging early releases and creating special offers for supporters.TAKEAWAYSCartoonists often face loneliness in their profession.Finding a balance between solitude and socialization is crucial.Social interactions can enhance creativity and humor.Engaging with other cartoonists can provide support and inspiration.Joining groups like the National Cartoonist Society can foster connections.Participating in local meetups can improve mental health.Volunteering can introduce you to diverse perspectives.Maintaining friendships is essential for personal growth.Stepping out of your comfort zone can lead to new opportunities. Cartoonists can benefit from socializing in creative spaces.Art serves as a vital escape during tough times.Engaging with the community can enhance creativity.Walking a dog can lead to unexpected social interactions.Art can be a source of emotional healing.Creativity can be a daily practice, like brewing coffee.Comics can have a profound impact on readers' lives.Doom scrolling can be countered with engaging literature.Art can help maintain mental health and balance.Every artist contributes to the larger narrative of humanity. The arts are often undervalued in education.Discovering new authors can enhance escapism.Kickstarter strategies can significantly impact success.Setting realistic funding goals is crucial.Understanding costs is essential for Kickstarter campaigns.Lowering goals can be risky and detrimental.Project We Love may not significantly boost funding.Engaging backers early can create a sense of urgency.Special offers can incentivize early support.Learning from failed campaigns is part of the process. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.If you'd like a one-on-one consultation about your comic, book it now!Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
In this episode of The Corner of Story and Game, writer, educator, and cross-media storyteller David Gallaher joins us to explore one of the most nuanced challenges in narrative design: how to create emotionally grounded characters that hold up, regardless of the medium.David draws from his work on comics like High Moon and The Only Living Boy, as well as his narrative leadership on games like Tom Clancy's Ghost Recon Breakpoint, to outline what he calls the character's “fire, scar, and lie.” This powerful framework offers writers and designers a durable, emotional blueprint for characters that need to live across formats from the page to the controller to the streaming screen.We talk about:
Live I Think This Is Great! With Clay N. Ferno from Dead Moon Audio with Special Guest Dursin Join us as we dive into a vibrant discussion about The Alfred Letters, our Batman musings, and the latest happenings at League Podcast. We talk about Clay's Community Arts Advocate Award at Glowball at Arts at The Armory, biking woes, and the excitement of Free Comic Book Day. Plus, get insights on Daredevil's new season, Substack dynamics, and the ever-evolving world of Marvel and DC movies. Tune in for laughs, geek chatter, and some salty language about parking tickets! 00:00 Clay N. Ferno Here…I'm Matt Dursin 00:12 Collaborative Projects and Awards 02:16 Funny Moments and Samba Dancing 03:44 Podcasting and IPA Talk 04:26 Grinds My Gears: Parking Woes 06:25 Bike vs Car Debate 12:56 Substack and Writing Insights 21:22 Digital Comics and Marvel Unlimited 26:16 Free Comic Book Day and Thunderbolts 27:30 Brave New World Review 28:13 Marvel Movie Critiques 30:27 Fantastic Four Reboots 39:02 Substack and Content Creation 50:19 Daredevil and Disney Plus 56:12 Final Thoughts and Farewell leaguepodcast.com vampcouncil.com facebook.com/leaguepodcast instagram.com/leaguepodcast bsky.app/profile/leaguepodcast.bsky.social threads.net/@leaguepodcast youtube.com/@leagueofordinarygentlemen instagram.com/dursin instagram.com/claynferno dursin.substack.com claynferno.substack.com
In this episode, the hosts discuss their experiences with digital comics versus physical copies, the importance of comic book stores, and the trends in comic book collecting. They review recent comic releases, including anthology series and heist stories, and share their thoughts on final issues and new titles. The conversation also touches on the evolution of characters in comics, particularly in the context of the X-Men series, and concludes with their picks of the week.Jacen Burrows interview: https://pagechewing.com/interview-with-artist-jacen-burrows/Send us a messageSupport the showFilm Chewing Podcast: https://www.buzzsprout.com/2235582/followLens Chewing on YouTube: https://www.youtube.com/@lenschewingSpeculative Speculations: https://creators.spotify.com/pod/show/speculative-speculationsSupport the podcast: https://www.paypal.com/ncp/payment/7EQ7XWFUP6K9EJoin Riverside.fm: https://riverside.fm/?via=steve-l
League Podcast Special Edition: Diamond Bankruptcy and the future of Free Comic Book Day Join Matt Dursin and newly minted standup comedian Clay N. Ferno for a special edition of The League celebrating the ghosts of Free Comic Book Day past and discussing the downfall and bankruptcy of Diamond! Clay shares his first experience doing standup comedy and discusses the variety show he recently headlined with the help of Ultimate Durson. The duo also delve into the future of Free Comic Book Day in the wake of Diamond Comics' bankruptcy and reminisce about their days as Wednesday Warriors. Stay tuned to the League Podcast feeds on Spotify and YouTube for recommendations on must-watch shows and movies, and reflections on the current state of comics (since 2009). 00:00 Introduction and Free Comic Book Day Confusion 01:06 Clay N. Ferno Standup 02:44 Challenges and Experiences in Standup Comedy 06:34 Will & Harper 10:24 Diamond Comics Bankruptcy and Impact 13:14 Free Comic Book Day: Past and Future 31:01 Digital Comics and Retailer Incentives 34:01 The Future of Comic Book Shops 35:09 Diamond's Sale and Industry Changes 36:17 The Decline of Physical Comic Shops 41:56 Personal Reflections on Comic Collecting 51:28 Marvel Movie Reviews and Industry Insights 58:24 Classic Movie Recommendations 59:50 Podcast and Final Thoughts
League Podcast Special Edition: Diamond Bankruptcy and the future of Free Comic Book Day (Episode 521)Join Matt Dursin and newly minted standup comedian Clay N. Ferno for a special edition of The League celebrating the ghosts of Free Comic Book Day past and discussing the downfall and bankruptcy of Diamond! Clay shares his first experience doing standup comedy and discusses the variety show he recently headlined with the help of Ultimate Durson. The duo also delve into the future of Free Comic Book Day in the wake of Diamond Comics' bankruptcy and reminisce about their days as Wednesday Warriors. Stay tuned to the League Podcast feeds on Spotify and YouTube for recommendations on must-watch shows and movies, and reflections on the current state of comics (since 2009).00:00 Introduction and Free Comic Book Day Confusion01:06 Clay N. Ferno Standup02:44 Challenges and Experiences in Standup Comedy06:34 Will & Harper10:24 Diamond Comics Bankruptcy and Impact13:14 Free Comic Book Day: Past and Future31:01 Digital Comics and Retailer Incentives34:01 The Future of Comic Book Shops35:09 Diamond's Sale and Industry Changes36:17 The Decline of Physical Comic Shops41:56 Personal Reflections on Comic Collecting51:28 Marvel Movie Reviews and Industry Insights58:24 Classic Movie Recommendations59:50 Podcast and Final ThoughtsLeaguePodcast #FreeComicBookDay #StandUpComedy #ComicBookTalk #Podcasting #ComicBookIndustry #ComicBookStores #DiamondComics #ComicsDistribution #DigitalComics #ComicBookCulture #ComicBookHistory #ComicBookMovies #MarvelMovies #DCComics #ComicConversations #NerdCulture #GeekTalk #ComicBookCommunity #ComicBookFans #PodcastEpisode #AudioPodcast #ComicNews #MovieReviews #EntertainmentNews
Brad Guigar has categorized the information shared by creative individuals into three groups. Dave Kellett has a couple of his own to contribute. Of the five, only one is useful. Identifying the others can help you avoid making some significant mistakes.Today's showTypes of information creative people shareUPDATE: Brad Guigar celebrates 25 years in comicsStory pacingSummaryIn this episode, Brad and Dave discuss the information shared among creative individuals, categorizing them into facts, marketing, and herd mentality. The discussion highlights the importance of discerning between genuine facts and marketing tactics. Dave suggests the list should include misinformation and bad actors in the creative community. In this episode, Dave Kellett and Brad Guigar discuss the realities of book signings, networking, and celebrating milestones in one's career, particularly in the comic industry. They share personal anecdotes about their experiences and reflect on the mental health benefits of recognizing achievements. The conversation then shifts to writing advice, focusing on story pacing, exposition, and actionable strategies for aspiring writers to improve their craft.TakeawaysSharing information among creatives is essential for growth and learning.Facts are verifiable truths that can help guide creative decisions.Marketing often skews perceptions and can lead to poor decision-making.Herd mentality can mislead creatives into following trends without critical thinking.Misinformation can come from well-intentioned but uninformed sources.Bad actors exist in the creative community, and caution is necessary.Understanding the difference between marketing and facts is crucial for success.Social media is primarily a marketing tool for many creators. Book signings often don't attract large crowds.Celebrating career milestones can boost mental health.Reflecting on past achievements can provide motivation.Each page of a comic should be satisfying on its own.Writers should focus on manageable story lengths.Use visuals effectively to enhance storytelling.Avoid information dumps in storytelling.Create tension through micro-tension techniques.Leave breadcrumbs for readers to follow in the narrative. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Christopher Carter is the CEO & Founder of GlobalComix, a new digital comic platform and comic reader app that's quickly growing in popularity among comic fans and comic creators around the world. Chris joins me to talk about the future of digital comics, old-school manga fan forums, hot spots around the globe for indie comics, and how GlobalComix is helping creators around the world get paid.Watch the video version of this podcast on YouTube!Want to hear bonus episodes? Listen to HUNDREDS of exclusive episodes, over on our Patreon Channel. Try a FREE seven-day membership: Here! LINKS: Take your comic shopping experience to the limit, by shopping online at Gotham City Limit!MERCH SALE! Get 20% off Short Box merch by using the discount code: “YOO“Join our Patreon Community and get VIP treatment, bonus episodes, and other perks and rewards! Try out a free 7-day trial, here. No pressure!We read Fan Mail! Send us some Proudly sponsored by Gotham City Limit!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the showREACH OUT TO US!
Join this channel to get access to perks: https://www.youtube.com/channel/UCkHTY1eNYHr9JoTndx_m6kA/join New T-shirts & more are now available! http://tee.pub/lic/BAMG This week on Bronze and Modern Gods, we're diving into:
In the final installment of a three-part series on the National Cartoonists Society conference and Reuben Awards celebration, cartoonists Dave Kellett and Brad Guigar sit down over a couple of tasty adult beverages and share stories and reflections on this year's event. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Dave Kellett and Brad Guigar take their podcast on the road, recording this episode live at the Comic-Con Museum in San Diego as part of the National Cartoonists Society conference and Reuben Awards celebration! They were joined on stage by Maria Scrivan, Hector Cantu, and Dana Simpson to discuss the pressing issues facing cartoonists in the years to come. On today's show:How are you addressing artificial intelligence?What's working on social media?What are your plans for the next five years?What does retirement look like?Maria ScrivanMaria Scrivan is a New York Times bestselling author and award-winning syndicated cartoonist.The first book in her graphic novel series, Nat Enough (Scholastic/Graphix), launched on April 7th, 2020, became an instant New York Times bestseller. It was followed by Forget Me Nat, Absolutely Nat, Definitely Nat, Nat for Nothing, and All is Nat Lost. Nat a Chance will be available in Spring 2025. She is also a contributor to Marvel's Super Stories, which was released in October 2023. Her books have been translated into Italian, French, German, Spanish, Catalan, Hebrew, Korean, Russian, Turkish, and Greek. Maria's comic, Half Full, is syndicated by Andrews McMeel and available on GoComics.com/half-full. For the past ten years, it has appeared daily in newspapers nationwide, including the LA Times.Hector CantuHector had numerous submissions to Mad magazine successfully rejected before the age of 12. In 2000, he launched “Baldo” with Carlos Castellanos. The strip appears in more than 200 newspapers through Andrews McMeel Syndication. Hector currently lives with his wife in the Dallas/Fort Worth area, and is founder of Texas Cartoonists, the Texas Chapter of the National Cartoonists Society.Dana SimpsonDana Claire Simpson, a native of Gig Harbor, Washington, first caught the eyes of devoted comics readers with the internet strip Ozy and Millie. After winning the 2009 Comic Strip Superstar contest, she developed the strip Phoebe and Her Unicorn (originally known as Heavenly Nostrils), now syndicated in newspapers worldwide.There are nineteen Phoebe and Her Unicorn books, including the newest, Unicorn Crush. Ozy and Millie have two books also. All told, Simpson has sold over four million books.Her books have appeared on the New York Times bestseller list and won the Washington State Book Award and the Pacific Northwest Book Award. She lives with her spouse and her cat in Santa Barbara, California. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Show note: Unfortunately, we had some daunting technical difficulties during this recording session, so we had to switch to Zoom to record half of the show.As Dave Kellett recovers from a successful San Diego Comic-Con, Scott Kurtz steps in to help Brad talk about making a graphic novel. In the second half, the two spill some tea over early webcomic history. THIS WEEKHow to make a graphic novelWebcomic history"Table Titans Club" is available at Target stores nationwide, along with Amazon, Barnes & Noble, and your local bookstore! You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.
Sometimes, it seems as if the more your skills improve, the longer it takes to get something done! Shouldn't it be the other way around?! Also... what's the most polite way to tell a comic-con shopper to just stop reading and BUY the danged comic?ON TODAY'S SHOWHow to get better faster and faster betterSites with links to webcomicsStop reading and BUY it!SUMMARYIn this conversation, Brad and Dave discuss speeding up the sketching phase in comics. They also talk about the availability of websites that collect links to independent webcomics, and they suggest creating a collective or list of similar comics to promote each other's work. They also caution against relying solely on top webcomic lists or joining Webtoons or Tapas. In the next part of the conversation, the hosts discuss strategies for dealing with people who read comics at conventions without buying them. They share their own approaches, including offering a free sketch, providing a map to the booth, and letting a crowd build. They emphasize the importance of allowing people to take their time to fall in love with the comic and not pressuring them into making a purchase. They also highlight the psychological effect of having a crowd at the booth, which can attract more people. The hosts conclude by reminding listeners to focus on creating a positive and comfortable experience for potential readers.TAKEAWAYSImproving sketching speed takes time and practice, and it's natural for it to slow down as you become more skilled and focused on quality.Consider the value of spending extra time on the sketching phase to produce higher-quality artwork.Webrings are a 20-year-old concept and not the same as what the listener is looking for.Top webcomic lists and joining webtoons or tapas may not be the most effective ways to promote independent webcomics.Consider creating your own collective or list of similar comics to promote each other's work.Maintaining your own list or ring allows you to have more control and ownership over your promotion efforts. At conventions, people should be allowed to take their time reading comics without being pressured to make a purchase.Offer incentives like free sketches or maps to the booth to encourage potential buyers.Letting a crowd build at the booth can attract more people and create a positive psychological effect.Focus on creating a comfortable and enjoyable experience for potential readers. You get great rewards when you join the ComicLab Community on Patreon$2 — Early access to episodes$5 — Submit a question for possible use on the show AND get the exclusive ProTips podcast. Plus $2-tier rewards.Brad Guigar is the creator of Evil Inc and the author of The Webcomics Handbook. Dave Kellett is the creator of Sheldon and Drive.