Podcasts about ain't misbehavin'

PetAbility teams up with Behave Atlanta to explore how  trainers and behaviorists  intersect with physical rehabilitation so that pets may live their best lives. Have you really ever thought about how your pet's emotional health might affect their physical health? Or why it may be important, even vital, to have a well-trained, emotionally balanced pet? Skills such as leash manners, a strong recall, and drop it/leave it can be the difference between life and death. And a well-behaved pet means they can  join you on exciting adventures out in the community, further enhancing the bond between you. We also discuss  how stress impacts your pet's health and how to recognize the signs of stress,  including cortisol spikes. Heck, what is cortisol and why should you care? How do you keep your dog below their threshold by creating a Zen zone or taking a cortisol vacation? And did you know that your stress level can actually be mirrored by your pet? Yikes! Finally, think how different a visit to the vet might be if it was a wonderfully positive experience because they enjoy everything from the car ride there to being handled for their physical exam.  We think after listening to this episode, you will not only see your pet differently and focus on their emotional well-being in addition to physical well-being. Just like humans,  body and soul cannot be compartmentalized – each impacts the other.Click here to learn more about Amy and Lillian, owners of Behave Atlanta.Read this article Article about stress being contagious between people and their dogs.Learn more about the Sleepy Pod cat (pet) bed/carrier/car seat that is mentioned in the podcast.DisclaimerThe contents of the PetAbilityTM  podcast are for informational purposes only.   The host(s) and their guests make no claims, warranties or representations about the content of these podcasts, or the accuracy, completeness or timeliness of their content. The opinions expressed are those of the host(s) and their guests. Discussion about any third party products or services are not intended to be endorsements or suggest any relationship or association between PetAbility and any other person or entity.  The host(s) and guests are not responsible or liable for any damage, injury, mistake, misinterpretation, or misuse of the contents of the podcasts or any related materials. Furthermore, this podcast and any associated materials are not a substitute for professional veterinary care.Support the show (https://www.paypal.com/donate?hosted_button_id=Q3T26JAY5L3S8)

 There are lots of stories about the great jazz songwriter Fats Waller. Our favorite is about the time he was kidnapped off the streets of Chicago. Now, it was 1926 and Fats was just leaving a gig in the early morning when four men grabbed him, bundled him into a car and sped off to a hotel. Ordered inside and, with a gun to his back, he was pushed toward a piano and told to play. It was only then that Fats realized that HE was the “surprise gift” at Al Capone’s birthday party! Now that is a command performance. It was three years later that Fats — who copyrighted more than 400 songs in his oh-so-brief lifetime (he died at just 39!) — wrote our favorite Waller composition. Here’s our 2020 rendition of “Ain’t Misbehavin’” from a recent Flood rehearsal.

Performer-singer-mentor and Helen Hayes Award-winning writer Lady Dane Figueroa Edidi is here for a Tony-winning revue of 30s music staged in the 80s but that lives forever. Topics Include: songs about weed, Billy Porter, Nell Carter, the black experience through white eyes, art that shouldn’t survive, and the good reasons why Lady Dane does not like Hamilton. Lady Dane FE dot com Featured Recordings: Ain't Misbehavin' - Original Broadway Cast Recording (1978) • “Lush Life” - Ella Fitzgerald & Duke Ellington (1965) Watch the Original Cast Live at La-Ti-Do on YouTube! MERCH! T-shirts! Totes bags! BASEBALL SHIRTS! ETCETERA! DO YOU LIKE MOVIE MUSICALS? Join us on PATREON to get our patrons-only podcast The Original Cast at the Movies! This month is the Don Bluth classic Anastasia (1997) with Casey Erin Clark (Little Women) and Courtney Laine Self (Crazy for You). A movie that is really two movies: the first is a historical fiction romance and the second is a horror-comedy about a dead guy and his talking bat. Patreon • Twitter • Facebook • Email

This week Ken welcomes long time friend and author of the excellent new memoir, Let's Never Talk About This Again, Sara Faith Alterman. Ken and Sara discuss strict parents, Ken's mistaken memory of Sara being an only child, Larry, Sara's Three Categories of TV: Things she was allowed to watch, things her parents like so she could watch, and things she desperately wanted to watch but couldn't, The Thornebirds, being a drama and choir nerd, Growing Pains, Gimme a Break, loving Nell Carter, jazz cigarettes, Chuck Berry, Reefer Madness, Back to the Future, sneaking TV, pajamas, gender fluid children, loving dinosaurs, "all we are is what we're told and most of that is lies", feety vs footy, Ain't Misbehavin', It's Your Move, Married...with Children, Massive Boner Alert: MBA, sneaking sugar, forbidden cookies, being impulsive and obsessive, no longer having to keep knowledge, cliffhangers, over the top badness, teenager soaps, being never home alone, sadistic bakers, The Frugal Gourmet, murderous Julia Child, Star Search, Chicago, strip teases, writing Ben Vereen a letter, Zoobily Zoo, Shelly Duval's Faerie Tale Theater, and Swan's Crossing fueled sexual awakening.

Avery Sommers is thrilled to be part of The Mabel Mercer Foundation 30th New York Cabaret Convention. Her other favorite concert appearances include Carnegie Hall, The Palm Beach Symphony Orchestra, and the Kravis Center. Avery is an award-winning actress/singer whose voice has been called a powerhouse by the New York Times. She was honored to replace Nell Carter on Broadway in Ain't Misbehavin'. On National Tour, she delighted audiences as Matron Mama Morton in Chicago (with Chita Rivera and Joel Grey) and charmed them as Jewel in The Best Little Whorehouse in Texas (with Ann-Margret).  averysommers.com wijsf.org

In this episode, Ben and Daniel discuss the 1982 broadcast of the Tony-winning musical Ain't Misbehavin', starring Nell Carter, André DeShields, Armelia McQueen, Ken Page, and Charlayne Woodard. Ain't Misbehavin' is a tribute to the black musicians of the 1920s and 30s, and uses the music of Fats Waller to celebrate the creativity of the Harlem Renaissance and the Golden Age of hotspots like the Cotton Club and the Savoy Ballroom. The musical was directed by Richard Maltby Jr., with choreography and musical staging by Arthur Faria.

It always seemed kind of magical how at the weekly rehearsals it's often the oldest and the youngest players at the table who develop a special kind of simpatico. Now, chronologically, there’s sixty years difference in the ages of Doug Chaffin and Vanessa Coffman, but when the music starts, these two are obviously quite soulful siblings. Listen to the musical conversations they’re having throughout the great old Fats Waller standard that we started last night’s session with. P { margin-bottom: 0.08in }

Celebrating 14 years of this podcast! Music includes: Ain't Misbehavin, Step It Up and Go, Down Home Rag, Go Where I Send Thee, Waltz in C-Sharp Minor, Cross Your Heart and I Shall Wear a Golden Crown. Performers include: Artie Shaw, Blind Boy Fuller, Anita O'Day, Arizona Dranes, Alfred Cortot and the Swift Jewel Cowboys.

Host Deardra Shuler talks with Dawn Marie Driver (member of the Irving Street Repertory) about the show "Ain't Misbehavin" being featured at Lehman Center for the Performing Arts on Saturday, January 18, 2020 at 8:00 pm,   A strong soprano, Ms Driver tutored under Bishop Nathanial Townsley Jr and has traveled extensively across the US and overseas. She  has collaborated with Gospel Great-Edwin Hawkins, Director -Dwight R.B. Cook, B’way and Film Choreographer Louis Johnson, as well as with the legendary Woodie King, Bway, Movie & Television Stars Carol Woods, Ben Vereenand Ruby Dee to name a few.  She is the Executive Producer and co-writer of four On-Stage Musicals:“NightSongz-The New Musical”, “Follow The Star-The Musical”, “Love Songs” and “Brooklyn To Bethlehem.”.Dawn is a cast member of Smokey Joe’s Café and a 2015 Audelco Award Winner for Best Revival in Ain’t Misbehavin’ with Irving Street Repertory Company. She appears in Ain't Misbehaven the musical featuring the songs of  Fats Waller with fellow cast members: Tony Perry, Anita Welch, Ron Lucas, Melvinna Rose.  

Actor/Songstress/Performer Jenni Burke is joining the conversation on Cue To Cue today! Jenni Burke will unravel the strides she is taking to continuously find happiness and share positive things into the world. She will echo the value of redemption, authenticity and believing in your magic as an artist.   In this episode!   how to be in control of your finances as an artist. how to get inspired and stay inspired how to be in alignment with the law of reciprocity in your life and career how to handle the fickleness and thrive in the “fair-weatherness” of the entertainment industry Why you need to be an abundant thinker Share this episode >>> www.thisischelseajohnson.com/157 A little about Jenni: A Toronto native and no stranger to the  Film Theater and music scenes. Jenni’s career has taken her all across our beautiful country most recently - Vancouver Island, Winnipeg, Calgary just this year. Up Coming: Da Kink in My Hair(Arts Club); Sleeping Beauty (Drayton)New Canadian Curling Club in Kamloops BC. National Art Center, The Grand Theater, The Globe, The Citadel, The Arts Club and Can Stage, Shakespeare in the Park. Recent stage credits include Timothy Findley's The Wars, Bang Bang, King Lear and Twelve Night, Little Shop of Horrors, Funny Girl, Chicago, Funny Girl, Les Miserable, Mary Poppins, Ain't Misbehavin, Drowsy Chaperone, Once on this island ,The Miracle Worker, Toute Comme Elle ,Vagina Monologues,The Miracle Worker.  Film and TV credits include; Sensitive Skin, Rookie Blue, Da Kink in my Hair, Blues Brothers 2000, Half Baked, Under Cover Brother, The Music Man, This is Wonderland. Missing. Forbidden fruit and TIFF award-winning film You are Here.   Follow Jenni! T: @TheJenniBe I: @jennicburke

In which the Musical Man is lookin' good, feelin' bad, and longing for the day when nylons bloom again. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com

Scaletta: .- FABRIZIO POGGI and CHICKEN MAMBO. Bye bye bird...- JACKIE WILSON. It's so finemente...- FAT'S WALLER. Ain't Misbehavin...- QUINCY JONES. Jazz corner of the World...- QUINCY JONES. Birdland...- ARETHA FRANKLIN. (you make me fill like) a natural woman...- MARVIN GAYE and DIANA ROSS. You are everything...- NEVILLE BROTHERS. Sister Rosa...- Dr JOHN and ERIC CLAPTON. City that care forgot...- ERYKAH BADU. Bag Lady...- MICHAEL KIWANUKA. One more night...- MICHAEL FRANTI. Oh my God

Ain't Misbehavin - was the musical. Need to focus on the right things.

André De Shields is currently giving a Tony-nominated performance as Hermes in Hadestown, which earned 14 Tony nominations. This marks De Shields' third nomination, his previous nods were for his work in Play On! and The Full Monty. He has appeared in almost a dozen Broadway productions, including The Wiz and Ain't Misbehavin'.Hosted by Beth Stevens, Ryan Lee Gilbert and Caitlin Moynihan

Topics: Black Hair/Jheri Curls, Luther Vandross, Ragtime (Film) - Howard Rollins Jr., Nell Carter (Tv). (Bonus Artist: Luck Pacheco)   1981 Notes 1.      Snapshots 2.      Ronald Reagan is President 3.      Jan - Ronald Reagan is sworn in as the 40th President of the United States. Minutes later, Iran releases the 52 Americans held for 444 days, ending the Iran hostage crisis. 4.      Mar - U.S. President Ronald Reagan is shot in the chest outside a Washington, D.C. hotel by John Hinckley, Jr. Two police officers and Press Secretary James Brady are also wounded. 5.      Jun - The Centers for Disease Control and Prevention report that five homosexual men in Los Angeles, California, have a rare form of pneumonia seen only in patients with weakened immune systems (the first recognized cases of AIDS). 6.      Jul - President Ronald Reagan nominates the first woman, Sandra Day O'Connor, to the Supreme Court of the United States. 7.      Aug - MTV (Music Television) is launched on cable television in the United States. 8.      Aug - The IBM Personal Computer, commonly known as the IBM PC, is introduced. 9.      Nov - Luke and Laura marry on the U.S. soap opera General Hospital; it is the highest-rated hour in daytime television history. 10.     Dec - The first American test-tube baby, Elizabeth Jordan Carr, is born in Norfolk, Virginia. 11.     Open Comments: 12.     Popular Music Scene 13.     Top 3 Singles 14.     1 - "Bette Davis Eyes", Kim Carnes 15.     2 - "Endless Love", Diana Ross & Lionel Richie 16.     3 - "Lady", Kenny Rogers 17.     Record of the Year: "Bette Davis Eyes" performed by Kim Carnes 18.     Album of the Year: John Lennon & Yoko Ono, Double Fantasy 19.     Song of the Year: "Bette Davis Eyes" performed by Kim Carnes 20.     Best New Artist: Sheena Easton 21.     Open Comments: 22.     Popular Movies 23.     Top 3 Grossing Movies 24.     1 - Raiders of the Lost Ark 25.     2 - On Golden Pond 26.     3 - Superman II 27.     Open Comments: 28.     Popular TV 29.     Top 3 Rated Shows 30.     1 - Dallas 31.     2 - 60 Minutes 32.     3 - The Jeffersons 33.     Open Comments: 34.     Black Snapshots 35.     Feb - Funky 4 + 1 perform "That's the Joint" on NBC's Saturday Night Live. This makes them the first hip hop act to perform on national television.  36.     Mar - Toni Morrison gave her next novel, Tar Baby (1981), a contemporary setting. In it, a looks-obsessed fashion model, Jadine, falls in love with Son, a penniless drifter who feels at ease with being black. 37.     Jun - Wayne Williams, a 23-year-old African American, is arrested and charged with the murders of two other African Americans. He is later accused of 28 others, in the Atlanta child murders. 38.     Aug - Bryant Gumbel: The candidates auditioned for Brokaw's job throughout the summer of 1981 when he was on vacation. Gumbel became a candidate for the job just by chance when he served as a last-minute substitute for Today co-anchor Jane Pauley in August 1981.  39.     Oct - Gimme a Break! is an American sitcom that aired on NBC for six seasons from October 29, 1981 until May 12, 1987. The series starred Nell Carter as the housekeeper for a widowed police chief (Dolph Sweet) and his three daughters. 40.     Sep - Isabel Sanford - For her role on The Jeffersons as "Weezy", she won a Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series in 1981, making her the first African American actress to win in that category. 41.     Best R&B Vocal Performance, Female: Aretha Franklin for "Hold On I'm Comin'" 42.     Best R&B Vocal Performance, Male: James Ingram for "One Hundred Ways" 43.     Best R&B Performance by a Duo or Group with Vocal: Quincy Jones for The Dude 44.     Best R&B Instrumental Performance: David Sanborn for "All I Need Is You" 45.     Best Rhythm & Blues Song: "Just the Two of Us" performed by Grover Washington, Jr. & Bill Withers 46.     Open Comments: 47.     Economic Snapshot 48.     New House: 78k 49.     Avg. income: 21k 50.     New car: 8k 51.     Avg rent: 315 52.     Postage Stamp: 18c 53.     Movie ticket: 2.25 54.     Open Comments: 55.     Social Scene: The Jheri Curl 56.     Brief History of Black Hair 57.     For centuries black communities around the world have created hairstyles that are uniquely their own. These hairstyles span all the way back to the ancient world and continue to weave their way through the social, political and cultural conversations surrounding black identity today. 58.     Ancient Origins: Headdresses and wigs symbolized one’s rank and were essential to royal and wealthy Egyptians, male and female alike.  59.     Twisted Locks: Dreadlocks have often been perceived as a hairstyle associated with 20th century Jamaican and Rastafarian culture, but according to Dr. Bert Ashe’s book, Twisted: My Dreadlock Chronicles, one of the earliest known recordings of the style has been found in the Hindu Vedic scriptures and worn about 2,500 years ago. 60.     Intricate Braids: Braids were used to signify marital status, age, religion, wealth, and rank within several West African communities. 61.     Bantu/Nubian Knots: Bantu universally translates to “people” among many African languages and is used to categorize over 400 ethnic groups in Africa.  62.     Cornrows: Africans wore these tight braids laid along the scalp as a representation of agriculture, order and a civilized way of life. These types of braids have served many purposes, from an everyday convenience to a more elaborate adornment meant for special occasions. In the age of colonialism, slaves wore cornrows not only as an homage to where they had come from, but also a practical way to wear one’s hair during long labored hours. 63.     Madam CJ Walker and The Quest for Straight Hair: Even after Emancipation, there was a growing notion that European textured hair was “good” and African textured hair was “bad,” foreign and unprofessional. Wigs and chemical treatments became the means to achieve smoother, straighter hair. Cornrows were still popular, but this time only as the base for sew-ins and extensions, not something thought of as for public display. In the early 1900s, Annie Malone and Madam C.J. Walker started to develop products that targeted this want for straighter hair.  64.     Dreadlocks: In the 1920s, Jamaica born Marcus Garvey began a black nationalist movement in America to spread his belief that all black people should return to their rightful homeland of Africa. Although many associate dreadlocks like Bob Marley’s with what became known as the Rastafari movement, the Ethiopian emperor, who the movement was named for, was better known for his facial hair than the hair on his head. Early Rastas were reluctant to cut their hair due to the Nazarite vow in the Bible. Tensions started to build regarding debates on whether to comb these locs. In the 1950s, a faction within the Rastafari movement, the Youth Black Faith, rebelled against any visual signs of conformity, and split into the “House of Dreadlocks” and “House of Combsomes.” 65.     Afro: With the Civil Rights Movement of the 1960s and ‘70s, came the rise of the natural hair movement that encouraged black communities to accept their hair and turn away from damaging products. The notion of conforming to European standards did not fit with their message of black power. 66.     Jheri Curl (Thanks Michael Jackson):  The Jheri curl provided a glossy curly style that became uniquely iconic in its time. The name comes from its inventor, Jheri Redding, a white man from an Illinois farm who turned into one of the 20th century’s leading hair chemists. In the 1970s, Jheri Redding Products created a two-step chemical process that first softened the hair, then sprang it up into curls. However, Comer Cottrell is the man responsible for taking this product to the masses. In 1970, Cottrell and two partners started mixing hair care products by hand for their new L.A. company, Pro-Line Corporation. By 1980 they were able to create a product that replicated the look of the Jheri curl for much cheaper. The Curly Kit cut out the need to book an expensive salon appointment and in 1981, Forbes magazine called it “the biggest single product ever to hit the black cosmetic market.” In their first year of business, the $8 kits took in over $10 million in sales. 67.     Audio Clips 68.     Shape-Ups and Fade: (Thanks Michael Jackson) The 1980s ushered in the birth of Hip Hop, which had a huge cultural influence on style. Black barber shops around the U.S. had perfected the fade but the ‘80s allowed them to blossom with more forms of creativity and expressionism. Afros were shaped up with the sides cut short for a hi-top fade, and cornrows were braided in with flairs of individuality. Icons like Grace Jones sported inspired looks on their album covers, and by the 1990s the fade was being beamed into television sets across the U.S., via Will Smith in The Fresh Prince of Bel Air. [Source: https://www.history.com/news/black-hairstyles-visual-history-in-photos] 69.     Open Comments: 70.     Question: What is your "back in the day" hair horror story? 71.     Music Scene 72.     Black Songs from the Top 40  73.     #2 - "Endless Love", Diana Ross & Lionel Richie 74.     #6 - "Celebration", Kool & the Gang 75.     #7 - "Kiss on My List", Hall & Oates 76.     #13 - "Being with You", Smokey Robinson 77.     #18 - "Just the Two of Us", Grover Washington, Jr. & Bill Withers 78.     #19 - "Slow Hand", The Pointer Sisters 79.     #22 - "Sukiyaki", A Taste of Honey 80.     #39 - "Lady (You Bring Me Up)", Commodores 81.     #45 - "How 'Bout Us", Champaign 82.     Vote: 83.     Top R&B Albums 84.     Jan - Hotter Than July, Stevie Wonder 85.     Feb - The Gap Band III, The Gap Band 86.     Mar - The Two Of Us, Yarbrough & Peoples 87.     Apr - Being With You, Smokey Robinson 88.     May - A Woman Needs Love, Ray Parker Jr. & Raydio 89.     Jun - Street Songs, Rick James 90.     Oct - Breakin' Away, Jarreau 91.     Nov - The Many Facets Of Roger, Roger 92.     Nov - Never Too Much, Luther Vandross 93.     Nov - Something Special, Kool & The Gang 94.     Nov - Raise, Earth, Wind & Fire 95.     Vote: 96.     Key Artists: Luther Vandross, "The Velvet Voice" 97.     Luther Ronzoni Vandross Jr. (@ 30 yrs. old), was born and raised in NYC. He was a singer, songwriter and record producer. - "For many years, Luther Vandross was the vintage Cadillac among the banged-up jalopies in the used car lot of male pop singers.  98.     With a sound that echoed the smooth soul stylings of the 1960s, Vandross was a fixture on the rhythm and blues charts from his solo recording debut in 1981 until his tragic stroke in 2003. Over the course of his career he released a string of platinum albums and established himself as one of the leading romantic singers of his generation. Much of his appeal came from his emotional approach to music, which he modeled after great female vocalists such as his friends Aretha Franklin and Dionne Warwick." 99.     He Came from Musical Family:  His father, an upholsterer, died when Luther was eight years old, and his mother, a nurse, supported the family (4 children) while living in lower Manhattan housing project. His first piano lessons came at the age of three and his sister was a member of a doo-wop group. By 13, Vandross was obsessed with the girl groups of the Motown label, as well as the gospel-based soul sounds being produced by the likes of Aretha Franklin and Cissy Houston. He liked to hang out in the school hallways and sing doo-wop. In 1972 (@21 yrs. old) a song written by Vandross, "Everybody Rejoice," was chosen for the Broadway musical The Wiz. Although he received substantial royalties for the composition, the money was not enough to support him completely, and Vandross continued to work at a variety of "day jobs". 100.    Entered the Music Industry through the Back Door: In 1974 (@23 yrs. old), Vandross received his first real professional break. A childhood friend landed a job backing British singer David Bowie, and he invited Vandross to accompany him to a recording session during the making of Bowie's album Young Americans. During the session, Bowie overheard Vandross mentioning some background vocal arrangement suggestions to Alomar. Bowie loved the ideas, and he immediately hired Vandross to sing and arrange backup vocals for the album. He also recorded a Vandross-penned song, "Fascination." When the album was finished, Vandross joined the Bowie tour as a backup singer. Through Bowie, Vandross made many important connections in the music industry, laying the groundwork for his own budding career. Bowie introduced Vandross was Bette Midler. She hired Vandross to sing backup vocals on her next two albums. Vandross soon became much sought after. Among the artists whose recordings his voice appeared on during the next few years were Chaka Khan, Carly Simon, Ringo Starr, the Average White Band, Barbra Streisand, and Donna Summer. He also became one of Madison Avenue's favorite voices for commercial jingles. During the late 1970s, Vandross's anonymous voice was used to sell everything from fried chicken to long-distance telephone service, not to mention as a recruiting tool for the U.S. Army.  Artistically, however, those jobs did not satisfy him, and he continued to try to break out as a solo act. He formed or joined several groups, with such names as Luther, Bionic Boogie, and Change, but none proved commercially viable. He also sang the lead vocal on Chic's song "Dance, Dance, Dance." 101.    Hit the Big Time: Part of the problem in landing a solo recording contract was Vandross's insistence on total creative control of the recording process. Another problem was the prevalence of disco, a musical form antithetical to Vandross's lyrical approach. Finally, in 1980, Vandross used his own money to rent a studio and began recording. He took the resulting handful of songs to Epic Records, and he was immediately given a contract. Epic released Vandross's first solo album, Never Too Much, in 1981. The album sold more than one million copies cracked the top ten on black pop charts, and effectively launched Vandross's career as a solo superstar. 102.    Audio Clip / Open comments: 103.    Achievements: Grammy Awards, 1979, 1990, 1991 (2), 1996, 2003 (4); NAACP Image Awards, 1990, 2003. 104.    Health and death: As Vandross's career expanded, so did his waistline. At times his weight soared to well over 300 pounds. Angered by the constant mention of his size in the press, where he was tagged with such nicknames as the "heavyweight of soul," Vandross shed 120 pounds, only to seesaw back and forth between weight extremes for the next several years. In several interviews, Vandross attributed the yo-yoing to his love life. When things were going well, he lost weight; when he was heartsick, he overcompensated with food. Sadly, in April of 2003 Vandross suffered a debilitating stroke that left him temporarily in a coma; the stroke was likely caused by a combination of his recent weight gain and his ongoing struggle with diabetes. He never fully recovered.  105.    Vandross died on July 1, 2005, at the JFK Medical Center in Edison, New Jersey, at the age of 54 of a heart attack. [Source:https://www.encyclopedia.com/people/literature-and-arts/music-popular-and-jazz-biographies/luther-vandross] 106.    Movie Scene: Ragtime 107.    A 1981 drama, directed by Miloš Forman, based on the 1975 historical novel Ragtime by E. L. Doctorow.  Starring: Howad E Rollins Jr, Moses Gunn, Debbie Allen, and Samuel Jackson. 108.    Review: "Profound as Coalhouse's story might be, Ragtime is about far more. Set in early 1900s New York, at the beginning of America's so-called Gilded Age, the movie is about the radical and long-lasting changes, including the onset of the industrial revolution, and increased importance of civil rights and sexual equality issues. As in E.L. Doctorow's novel, the characters in Forman's film each represent those changes, with Coalhouse just one in a complex and compelling mix. [Source: Nikki Tranter - 28 Nov 2004 https://www.popmatters.com/ragtime-1981-dvd-2496253275.html] 109.    Roger Ebert - “Ragtime” is a loving, beautifully mounted, graceful film that creates its characters with great clarity. We understand where everyone stands, and most of the time we even know why. Forman surrounds them with some of the other characters from the Doctorow novel (including Harry Houdini, Teddy Roosevelt, and Norman Mailer as the architect Sanford White), but in the film they're just atmosphere, window dressing. Forman's decision to stick with the story of Coalhouse is vindicated, because he tells it so well. [Source: https://www.rogerebert.com/reviews/ragtime-1981] 110.    Audio Clips 111.    Open Comments 112.    The actor Howard E. Rollins Jnr made his film debut in Milos Forman's Ragtime (1981) as Coalhouse Walker, the cool, sophisticated ragtime pianist. who becomes head of a group of black revolutionaries. Variety praised his "staggeringly effective portrayal of conscience-wracked pride" and "intense screen magnetism that bodes instant stardom". For a time, it looked as if Rollins would become Sidney Poitier's successor. However, in spite of unanimous praise from the critics, and an Oscar nomination for Best Supporting Actor, Rollins made only one other film appearance. This was A Soldier's Story (1984) ...Rollins gave another memorable performance as the stylish, self-assured but intense Captain Richard Davenport, one of the first black officers in the US Army, who arrives in a racially segregated training camp in wartime Louisiana to investigate the murder of a black sergeant. But this time there was no Oscar recognition or any follow-up movie roles. Years passed before Hollywood felt ready to promote a serious black actor: Denzel Washington. 113.    Question: Was he better than Denzel? 114.    Black Television: Gimme a Break! [PLEASE!] 115.    The series aired for 6 seasons and starred Nell Carter as the housekeeper for a widowed police chief (Dolph Sweet) and his three daughters. 116.    Nell Ruth Hardy, (@ 33yrs old), born and raised in Birmingham, AL was an award-winning singer, actress, Broadway and television performer. She possessed a powerful, sultry singing voice and had a very strong stage presence; she deftly handled roles in drama, comedy, and musicals with equal capability. 117.    Carter was the fifth of nine children. When she was a toddler, her father died of electrocution. At 15, she was raped at gunpoint and gave birth to the child. That same year, four of her friends died when a bomb planted by segregationists exploded in a local church. Later, Carter would say she found solace in listening to music, having a fondness for her mother's Dinah Washington and B.B. King tunes as well as her brother's Elvis Presley records. Carter developed her performance skills by singing in church groups, on the gospel circuit, on a weekly radio program, and coffeehouses. At age 19, she moved to New York City to study acting at Bill Russell's School of Drama. There, she began to appear at several nightclubs. 118.    Carter's Broadway debut came in the 1971 musical Soon. (@23 yrs. old), – unknowns Richard Gere and Peter Allen were in the cast. Carter also had a bit part in the film Jesus Christ Superstar in 1973. She moved overseas and studied drama in London before being cast in the 1978 Broadway production of Ain’t Misbehavin' (@30 yrs. old), where it ran four years. She would win a Tony Award for her performance in Ain't Misbehavin' and won an Emmy Award in 1982 for the television version of the show. In addition to her stage roles, Carter appeared in a handful of television shows in the late 1970s and early 1980s, including the soap opera Ryan's Hope in 1978 and 1979 and in the television series The Mis-adventures of Sheriff Lobo in 1980. Sensing her appeal, network executives offered her the lead role in the sitcom Gimme A Break! in 1981. 119.    Audio clip: 120.    After Gimme a Break went off the air in 1987, Carter took various parts in films, on television shows, and on stage. Even later in her career, Carter kept active with cabaret performances and concerts. 121.    Eating disorders, alcohol and drug addiction, and other health concerns plagued Carter for years. In a 1994 interview, she admitted that she first tried cocaine the night she won her Tony Award. In 1992, Carter had two brain surgeries to fix an aneurysm. In 1997, Carter learned she had diabetes. Carter was married in 1982 and divorced in 1992, then married again that same year. She was divorced again in 1993. In 1989 and 1990, she adopted two sons. Carter died on January 23, 2003, at the age of 54 due to natural causes likely caused by heart disease and complications from diabetes. [Rumored: After her passing, friends and family were surprised to discover that Carter had been living as a closeted lesbian, and that custody of her children had been left to her domestic partner, Ann Kaser.] [Main Source: https://www.notablebiographies.com/newsmakers2/2004-A-Di/Carter-Nell.html#ixzz5kPhe5ORT] 122.    Open Comments 123.    Question: Was this just a show about a modern Mammy? 124.    Vote: Favorite Pop Culture thing for the year?

Lettice and Kate Discuss the show Ain't Misbehavin' at the Southwark Playhouse over a Gin Fizz

Topics: Muhammad Ali, Rick James, Max Robinson (TV). (Bonus Artist: hidingtobefound)   1978   1.    Snap Shots   2.    General News   3.    Jimmy Carter is President   4.    February   5.    The first computer bulletin board system (CBBS) is created in Chicago.  Bulletin board systems were in many ways a precursor to the modern form of the World Wide Web, social networks, and other aspects of the Internet.   6.    Serial killer Ted Bundy is captured in Florida and The Hillside Strangler of Los Angeles, (serial killing cousins) claims a 10th and final victim.   7.    April   8.    Women's Army Corps (WAC) abolished (1943-1978); women integrated into regular Army.   9.    September   10.    The Camp David Accords were signed by Egyptian President Anwar Sadat and Israeli Prime Minister Menachem Begin . The Accords led directly to the Egypt–Israel Peace Treaty a year later. Due to the agreement, Sadat and Begin received the shared 1978 Nobel Peace Prize. In turn, these events led to Sadat's assassination by members of the Egyptian Islamic Jihad in 1981.   11.    November   12.    Mass murder/suicide of 909 Americans in Jonestown, Guyana under the direction of Jim Jones.   13.    December   14.    Chicago serial killer John Wayne Gacy, who is subsequently convicted of the murder of 33 young men, is arrested.   15.    Open Comments:   16.    Economic Snapshots   17.    Min. wage = $2.65hr (+.35) / $106wk / $5,512 yrly) - 2018 = $21,228yrly   18.    Avg. Income per year - $16,975   19.    Avg. Cost of new house - 54,749   20.    Avg. Rent - $260   21.    Avg. Cost new car - $5,405   22.    Postage Stop - $0.15   23.    Unemployment 6.4% vs Black unemployment 14.5%   24.    Open Comments:   25.    Black Snapshots   26.    February   27.    Harriet Tubman is the first African American Woman to be honored on a U.S. postage stamp.   28.    Muhammad Ali loses title to Leon Spinks    29.    May   30.    Ain't Misbehavin' (musical) hits Broadway. Won 1978 Tony Award for Best Musical: Breakout Stars was Nell Carter (sitcom Gimme a Break!) and Irene Cara (Flash Dance: What a Feeling) and Charlayne Woodard (Janice on The Fresh Prince of Bel Air)   31.    June   32.    The SCOTUS bars quota systems in college admissions but affirms the constitutionality of programs which give advantages to minorities.   33.    July   34.    ABC World News Tonight, employing a unique three-anchor setup:  Frank Reynolds serving as lead anchor from Washington, Peter Jennings with international news from London, and Max Robinson presenting national news from Chicago. Robinson is noted as the first African-American broadcast network news anchor in the United States   35.    September   36.    Ali defeats Spinks and regained the WBA heavyweight title, becoming the first man to win the World Heavyweight Championship three times.   37.    Misc.:   38.    Nikki Giovanni Poetry Collections: Cotton Candy and Woman   39.    Open Comments:   40.    Music Snapshots   41.    Record of the Year: Billy Joel for "Just the Way You Are"   42.    Album of the Year: Saturday Night Fever Soundtrack, Various Artist   43.    Song of the Year: Billy Joel for "Just the Way You Are"   44.    Best New Artist: A Taste of Honey   45.    Top Billboard Singles   1.    Shadow Dancing", Andy Gibb 2.    "Night Fever", Bee Gees 3.    "You Light Up My Life", Debby Boone   46.    Open Comments:   47.    Movie Snapshots: Highest-grossing films   1.    Grease 2.    Superman 3.    National Lampoon's Animal House   48.    Open Comments:   49.    TV Snapshots   1.    Laverne & Shirley 2.    Three's Company 3.    Mork & Mindy   50.    Debuts   51.    September - WKRP in Cincinnati (Featuring Tim Reid as Venus Flytrap): BEST THEME SONG EVER!!!   52.    November - Diff'rent Strokes: The series stars Gary Coleman and Todd Bridges as Arnold and Willis Jackson, two Black boys from Harlem who are taken in by a rich white Park Avenue businessman and widower named Phillip Drummond (Conrad Bain) and his daughter Kimberly (Dana Plato), for whom their deceased mother previously worked.   53.    Open Comments:   54.    Social Scene: Ali's Last Dance (Muhammad Ali vs. Leon Spinks I and II)   55.    First Fight (February): THE ONLY TIME ALI LOST HIS TITLE IN THE RING   56.    Tom Gray (Ringtv.com) - "At 36 years of age, the great Muhammad Ali was on the physical descent. The warning signs were clearly visible in prior defenses of his heavyweight championship. Jimmy Young and Ken Norton could easily have been given decisions against Ali in 1976. A European-level fighter like Alfredo Evangelista could last the distance in May 1977. And power-puncher Earnie Shavers, despite falling short on points, had inflicted 10 fights worth of damage on “The Greatest” over 15 brain-shuddering rounds that September. Ali, who should have been enjoying retirement, needed a very easy fight – enter Leon Spinks. The St. Louis product was a decorated amateur star. He had captured bronze at the World Championships in 1974, silver at the Pan-Am Games in 1975 and gold, as a light heavyweight, at the Montreal Olympics in 1976. Great stats, but, alarmingly, the challenger was bringing a (6-0-1, 5 knockouts) professional record into a heavyweight championship fight. The 24-year-old Spinks would be the most inexperienced professional to vie for the title (in 21yrs, since "1957").   57.    Spinks won a split decision   58.    The matchup would win Fight of the Year, Round of the Year (for rnd 15), and Upset of the Year awards.   59.    Aftermath: Spinks signed for a rematch with Ali at the Louisiana Superdome in New Orleans and was stripped of his title for refusing to fight no. 1 contender Ken Norton instead.   60.    The Rematch   61.    70,000 people attended the bout and paid a total of $6 million admission, making it the largest live gate in boxing history at that time.   62.    Ali beat Spinks in a unanimous decision.   63.    When Ali reclaimed the title, he made history by becoming the first man to win the heavyweight championship three times.   64.    After the fight, Ali retired from boxing in 1979 - for the first time.   65.    Subsequently, Ali tried 2 more comebacks: In 1980, against former heavyweight champion Larry Holmes and in 1981 against Trevor Berbick    66.    Both were loses, 1978 rematch the last win of his boxing career.   67.    Legacy   68.    Pro Record: 61 fights / 56 wins / 5 losses [By the end of his career Ali had absorbed ~200,000 hits]   69.    Time magazine named Ali one of the 100 Most Important People of the 20th Century / Sportsman of the Century by Sports Illustrated / Named Sports Personality of the Century in a BBC poll / The Presidential Citizens Medal by President Bill Clinton / The Presidential Medal of Freedom from President George W. Bush / Sports Illustrated renamed its Sportsman Legacy Award to the Sports Illustrated's Muhammad Ali Legacy Award.  (honors former "sports figures who embody the ideals of sportsmanship, leadership and philanthropy as vehicles for changing the world.") / Ring Magazine, named him number 1 greatest heavyweights from all eras / The Associated Press, No. 1 heavyweight of the 20th century / ESPN, the second greatest pound for pound fighter in boxing history (#1 Sugar Ray Robinson) and the second greatest heavyweights of all time, behind Joe Louis    70.    Personally: Ali and James Brown are the only two men I think my father ever admired.   71.    Open Comments:   72.    Music Scene   73.    Billboard Year-End Top 40 Black singles of 1978   74.    #9 - "Boogie Oogie Oogie", A Taste of Honey   75.    #10 - "Three Times a Lady", Commodores   76.    #20 - "Dance, Dance, Dance", Chic   77.    #31 - "Jack And Jill", Raydio   78.    #34 - "Last Dance", Donna Summer   79.    #38 - "The Closer I Get to You", Roberta Flack & Donny Hathaway   80.    Number-One R&B singles of 1978   81.    Jan - "Ffun", Con Funk Shun   82.    Jan - "Our Love", Natalie Cole   83.    Feb - "Theme Song from 'Which Way Is Up'", Stargard   84.    Feb - "Too Hot ta Trot", The Commodores   85.    Feb - "It's You That I Need", Enchantment   86.    Mar - "Flash Light”, Parliament   87.    Mar - "Bootzilla", Bootsy's Rubber Band   88.    Apr - "The Closer I Get to You", Roberta Flack and Donny Hathaway   89.    Apr - "Too Much, Too Little, Too Late", Johnny Mathis and Deniece Williams   90.    May - Take Me to the Next Phase (Part 1)", The Isley Brothers   91.    May - "Use ta Be My Girl", The O'Jays   92.    Jul - "Stuff Like That", Quincy Jones   93.    Jul - "Close the Door", Teddy Pendergrass   94.    Jul - "You and I", Rick James   95.    Aug - "Boogie Oogie Oogie", A Taste Of Honey   96.    Aug - "Three Times a Lady", The Commodores   97.    Aug - "Get Off", Foxy   98.    Sep - "Holding On (When Love Is Gone)", L.T.D.   99.    Sep - "Got to Get You into My Life", Earth, Wind & Fire   100.    Sep - "One Nation Under a Groove (Part 1)", Funkadelic   101.    Nov - "I'm Every Woman", Chaka Khan   102.    Dec - "Le Freak", Chic   103.    Vote:   104.    Jan - All 'N All, Earth, Wind and Fire   105.    Feb - Saturday Night Fever Soundtrack, Bee Gees   106.    Mar - Bootsy? Player of the Year, Bootsy's Rubber Band   107.    Apr - Street Player, Rufus featuring Chaka Khan   108.    Apr - Weekend in L.A., George Benson   109.    May - Showdown, The Isley Brothers   110.    Jun - So Full Of Love, The O'Jays   111.    Jun - Natural High, The Commodores   112.    Aug - Life Is a Song Worth Singing, Teddy Pendergrass   113.    Sep - Blam!, The Brothers Johnson   114.    Oct - Is It Still Good to Ya, Ashford & Simpson   115.    Oct - One Nation Under a Groove, Funkadelic   116.    Nov - The Man, Barry White   117.    Dec - C'est Chic, Chic   118.    Vote:   119.    Key Artist   120.    Who: James Ambrose Johnson Jr., a.k.a. Rick James The Superfreak (@ 30 yrs old): singer-songwriter, multi-instrumentalist, hitmaker, performer, producer, impresario, and pioneer in the fusion of funk groove and rock.  A flamboyant, provocative, charismatic, brilliant, volatile, and outrageous bona fide superstar.    121.    Why is he being featured: Debut solo album, Come Get It!, with hit singles "You and I" & "Mary Jane"   122.    Short Story:  Born and raised in Buffalo, New York, he was one of eight children. His father was abusive and abandoned the family when James was eight. His mother was a former dancer who worked as a housekeeper, but also was a numbers runner. Went to Catholic school and was an altar boy, he also committed petty theft crimes, and spent some time in juvenile detention centers. He also began doing drugs. While James was always musically inclined, it was not until he performed in a talent show in high school that he seriously considered a career in music. He formed a group called the Duprees. At the same time, he joined the Naval Reserve to avoid the draft. As he and his group gained popularity he began to skip out on his naval duties. James was soon drafted, but he fled to Canada.  His uncle was Melvin Franklin of the Temptations. Franklin helped his nephew get a recording contract with Motown Records. This led to James striking a deal with the government and serving some time in prison for draft evasion. After his release, he began to record his first album, which included the hits "You & I," and his ode to marijuana, "Mary Jane." The album sold two million copies.   123.    James's second album, Bustin' Out of L Seven(1979), followed the previous album's success, eventually selling a million copies.   124.    His third album, Fire It Up (1979) and the supporting tour led to James developing a bitter rivalry with one of his opening acts, Prince. Rick accused Prince of ripping off his act.   125.    His fifth album, Street Songs (1981), also proved to be a crossover success. With the Temptations on background vocals, James released "Super Freak."    126.    With the success of "Super Freak," James began to produce for other artists. He formed an all-girl band named the Mary Jane Girls. He also performed duets with R&B singer Teena Marie and Smokey Robinson. He also produced comedian Eddie Murphy's "Party All The Time," which was a hit in the mid-1980s.   127.    James' on-stage persona was one of wild debauchery. Dressed in sequins, tight leather, high-heeled boots, and cornrows or a jheri curl, James oozed sex on stage. Offstage, he smoked marijuana and snorted cocaine. According to the Washington Post, he told the Detroit News in 2004, "The biggest mistake I made is that I tried to become my alter ego. I wanted to be Rick James, wild man, party machine, lady slayer, and the cocaine told me I could. I forgot that I was James Johnson, a nerdy kid who grew up reading Dante's Inferno on Saturday nights."   128.    James' spiral out of control came to a head when he was charged with assault in 1991. He was convicted in 1993 and served three years. He vowed to get clean and live a more sedate life. Upon his release, he married and began having serious health problems.  James was found dead on August 6, 2004; he was 56.  His death was ruled accidental, but nine drugs were found in his system. However, the official cause of death was a heart attack.   129.    Open Comments:   130.    Movie Scene   131.    The Wiz: A musical adventure fantasy film based upon characters from “The Wizard of OZ” featuring an all-black cast, the film was loosely adapted from the 1974 Broadway musical of the same name. It follows the adventures of Dorothy, a shy, twenty-four-year-old Harlem schoolteacher who finds herself magically transported to the urban fantasy Land of Oz, which resembles a dream version of New York City. Befriended by a Scarecrow, a Tin Man and a Cowardly Lion, she travels through the city to seek an audience with the mysterious Wiz, who they say is the only one powerful enough to send her home.   132.    Various reviews: "...Diana Ross, too old to play Dorothy." and ...portrayal of Dorothy was "cold, neurotic and oddly unattractive" / "...cockamamy screenplay" / “the picture finished off Diana Ross's screen career" / "The Wiz was too scary for children, and too silly for adults." / Ray Bolger, who played the Scarecrow in the 1939 The Wizard of Oz film, did not think highly of The Wiz, stating "The Wiz is overblown and will never have the universal appeal that the classic MGM musical has obtained."   133.    Sean Munger - seanmunger.com "...But, despite the fact that it was a bad movie–and it clearly is–there’s a lot of very interesting stuff about The Wiz lurking under the surface. You can make an argument that its failure ended not one but two eras in cinema: the era of the glitzy big-budget musical, and that of what is known, not entirely politically correctly (these days), as the “Blacksploitation” boom. The Wiz also began a professional association between two of its participants that had an effect on popular culture of almost inestimable magnitude: the musical pairing of Michael Jackson and songwriter/producer Quincy Jones."   134.    Open Comments:   135.    TV Scene   136.    Maxie Cleveland "Max" Robinson, Jr. (@39yrs old): American broadcast journalist and founder of the National Association of Black Journalists   137.    Robinson’s first journalism job began and ended in 1959, when he was hired to read news at a Portsmouth, Va., television station. Although the station selected him over an otherwise all-white group of applicants, it still enforced a color barrier by projecting an image of the station’s logo to conceal Robinson as he read the news. He was fired the day after he presented the news without the logo obscuring his face. In 1965 he joined WTOP-TV in Washington, D.C., as a correspondent and camera operator, but he moved quickly to nearby WRC-TV, where he won awards for coverage of race riots and a documentary on life in poor urban neighborhoods. He was hired back by WTOP as its first African American news anchor in 1969 and stayed there until 1978. Robinson moved to Chicago when ABC News chose him as one of three co-anchors for ABC’s World News Tonight. The anchor arrangement ended with the death of co-anchor Frank Reynolds in 1983. Robinson left ABC News shortly thereafter and joined Chicago’s WMAQ-TV as a news anchor (1984–87).   138.    Clarence Page offered a final tribute to his friend Max Robinson in Chicago: "Some journalists are remembered for the stories they covered. Robinson will be remembered for being the story. Like Jackie Robinson, who broke baseball's color bar in 1947, Max Robinson won't be applauded for his home runs, but for the fact that he ran the bases."   139.    Open Comments:   140.    Final Question: Biggest legacy from 1978?

Ruben Studdard and Clay Aiken made themselves known for being the finalists on American Idol season two and now they've reunited for Ruben & Clay's First Annual Christmas Carol Family Fun Pageant Spectacular Reunion Show. This marks the first time Aiken and Studdard have performed together on a national stage since their dramatic 2003 American Idol finale. Aiken has previously appeared on Broadway as Sir Robin in Spamalot while Studdard's theatrical credits include a national touring production of Ain't Misbehavin'. This new holiday show marks his Broadway debut. Follow them on social media at @clayaiken and @rubenstuddard.Hosted by Caitlin Moynihan, Ryan Lee Gilbert and Eric King

Bill Wyman's Rhythm Kings leika lögin Yesterdays, Oh Baby, I Put A Spell On You, Mood Swing, Rhythm King, Tomorrow Night, Rough Cut Diamond og Daydream. Rob Madna tríó leikur lögin Just In Time, Fallin' In Love With Love, Body And Soul, Summertime og Display. Dutch Jazz Orchestra flytur lögin Ain't Misbehavin', Basin Street Blues, In A Mellow Tone, Peace Of Mind, Happy Hour og Blues Time.

One of Broadway's busiest and most respected set designers, Tony Award winner John Lee Beatty, swings by Shetler Studios to sit down with Rob and Kevin and review his portfolio which includes over 100 Broadway credits including the set designs for Ain't Misbehavin, Talley's Folly, Baby, The Most Happy Fella, Chicago, Once Upon a Mattress, Wonderful Town, and so many shows over at Encores! John pulls back the curtain on his career to discuss how a day with Michael Kidd transformed his career, what it was like working with Ming Cho Lee, and why he is the go to designer for living rooms everyone wants to live in! Also, John shines the spotlight on Douglas W Schmidt, Richard Maltby Jr, and Gerald Gutierrez! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Fats Waller & Rhythm sextett flytja lögin By The Light Of The Silvery Moon, Ain't Misbehavin', Sad Sap Sucker Am I Am, Moppin' and Boppin', I Wanna Hear Swing Songs, Cash For Your Trash, Your Socks Don't Match og Chant Of The Groove. Stórsveit Benny Goodman flytur lögin Goodbye, Undercurrent Blues, Swintime In The Rockies, Peckin', Downhill Special, If I Had You, It Takes Time og Flying Home. Don Sebesky og hljómsveit leika lögin Satin Doll, Mood Indigo, Take The Coltrane, Caravan, Creole Love Call, Chelsea Bridge og El Morro.

In the 2nd episode of "T&E Theatre Factory" we discuss the 2018 Tony Awards, Ain't Misbehavin' at Theatre By the Sea, and introduce our dumb gecko, Davey. (j/k, we love you, Davey!)

Kvartett Einars Iversen leikur lögin Swedish Pastry, Bernie's Tune, Lover Man, I May Be Wrong, S'Wonderful og Ain't Misbehavin'. Kjell Karlsen og félagar leika lögin Practically Duke, Dear George, Thumber, Blue Daniel, Scrapple From The Apple, Fair Weather og Five Spot After Dark. Thomas Huber & Jazz Connection flytja lögin Strange Excuse, Squash At Two, I Knew, Pep Talk og Flamba. Kristinn Svavarsson og félagar hans leika lögin Put Your Head On The Shoulder, Ó borg mín borg, Tvær stjörnur, Blendnar tilfinningar og Samferða.

Ifeoma Nkemdi, dance teacher at Newberry Math & Science Academy in Chicago, Illinois, narrates today's podcast celebrating the Tony Award winning Broadway musical "Ain't Misbehavin" with a special intro by Jauvon Gilliam, principal timpanist in the National Symphony Orchestra in Washington, DC

Ifeoma Nkemdi, dance teacher at Newberry Math & Science Academy in Chicago, Illinois, narrates today's podcast celebrating the Tony Award winning Broadway musical "Ain't Misbehavin" with a special intro by Jauvon Gilliam, principal timpanist in the National Symphony Orchestra in Washington, DC

Adapted from the novel by internationally acclaimed author Li Xiuwen, Road to Heaven: The Jonathan Lee Musical is happening. The original musical will feature music by one of China's most iconic singer-songwriters, and through a translator, I was able to talk to him about this amazing project. It will feature English lyrics by Tony Award winner Richard Maltby, Jr., (Ain't MIsbehavin', Miss Saigon, Fosse), book by John Dempsey (The Pirate Queen, The Witches of Eastwick), and direction by Eric Schaeffer (Gigi, Follies, Million Dollar Quartet). Don Frantz (Disney's The Lion King and Beauty and the Beast) is executive producer. About Jonathan Lee: https://en.wikipedia.org/wiki/Jonathan_Lee_(musician) Please Support Keith Price's Curtain Call on Patreon: http://www.patreon.com/keithpricecurtaincall Keith PRice's Curtain Call on Broadway World: https://www.broadwayworld.com/author/Keith-Price-s-Curtain-Call Subscribe to Keith Price's Curtain Call on Itunes: www.keithpricecurtaincall.com Follow @keithpricecurtaincall on Instagram Follow @kpcurtaincall @comedydaddy Like me on FB: https://www.facebook.com/Keith-Prices-Curtain-Call-1380539615593807/ Subscribe on You Tube: https://www.youtube.com/channel/UCduwJ3ytmAwdJMQtGllk1Ig

Even if your feet's too big come to the heavyside layer and join Rob and Kevin as they sit down with the incredible star of The Wiz, Ain't Misbehavin, Cats, and the iconic The Nightmare Before Christmas, the warm and wonderful Ken Page. Ken pulls back the curtain on his career to discuss how a young boy from Missouri became one of Broadway's most beloved actors, what it was like learning to play a cat, and why he still loves being the Oogie Boogie. Also, Ken shines the spotlight on The MUNY, Trevor Nunn, Nell Carter, and Tim Burton! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Joe Hunter and his guest, George Foley, listen with you to 4 renditions of “Ain’t Misbehavin” by Thomas “Fats” Waller, Louis Armstrong, Art Tatum, & Leon Redbone. They discuss the life of the great pianist Thomas “Fats” Waller, the style of jazz piano called “stride piano,” the overall impact of the song “Ain’t Misbehavin’,” and some of the artists who have performed this song. You’ll also enjoy this week's bonus tune by the classic jazz pianist, John Ulrich, titled “Little

Highlights  from the Armed Forces Radio show, Jubilee. Artists include: Count Basie, Lena Horne, Jimmy Rushing, Harry James, Tampa Red, Helen Humes and Louis Armstrong. Music includes: Ain't Misbehavin, Lady Be Good, Perdido, I'll Be Up Again Someday, Sho Sho Baby and Honeysuckle Rose. 

Kvartett John Mehegan leikur fjögur lög: Stella By Starligh, Uncus, Sirod og Taking A Chance On Love. Kvintett Björns Thoroddsen leikur lögin Bossanova, Fuglinn, Sleipnir, Tívolí og Elli. Niels Jørgen Steen's A-Team leikur Stormy Monday Blues, Cherokee, The Rhythm, Mr. Jorda, If You Could See Me Now og Ain't Misbehavin. Bennie Wallace og hljómsveit leika fimm lög: Border Town, East 9, Seven Sisters, Bon-a-Rue, Carolina Moon.

"I Hear Bells", "Miss Byrd", "The Movie In My Mind", and the list goes on...and on...and on...and on....Richard Malby Jr., Tony Award winning director of Ain't Misbehavin and lyricist of such musicals as Baby and Miss Saigon, drops by Shetler Studios to speak with Rob and Kevin about his remarkable career, a career that shows no signs of slowing down anytime soon. In part one of Richard's interview, Richard discusses the art of lyric writing, what inspired him to transition from lyric writing to directing, and walks listeners through the process of structuring and directing the Tony Award winning musical revue, Ain't Misbehavin! 

This episode we talk with Pat Marotta President of Bridge Players Theatre Company. Shows talked about: Fables and Fairy Tales, To Kill a Mockingbird, Ain't Misbehavin', A Lesson Before Dying, A Midsummer's Night Dream - A musical Comedy, Mash Potatoes and Davey, Sister Act, Making God Laugh.   Would never do Annie Please visit Bridge Players Company for the upcoming events Listen to find out even more! If you have any comments, questions, or requests, contact us on our Facebook page CommunityTheatreStudio, our webpage CommunityTheatreStudio.Podbean.com or e-mail us at CommunityTheatreStudio@gmail.com and we are now available in iTunes as well. We are supported by Village Playbox of Haddon Heights, NJ

The Wiz is in the House! Andre DeShields, Tony nominated star of The Wiz, Ain't Misbehavin', and The Full Monty, takes Rob & Kevin on a spiritual journey that reminds all of us about the gift of telling stories through song, dance, and speech. Also, Andre speaks on color blind casting, breaking the glass ceiling, and how to stay true to oneself in the face of artistic adversity.

Today Ken welcomes actress, all around personality, and former lawyer Lara Jill Miller (Gimme a Break) to the show. Ken and Lara Jill discuss timing tolerance, loving Nell Carter, starting in dinner theater, working on Broadway with Dick Van Dyke, coming from a Pajama Factory dynasty, growing up in Pennsylvania, loving Nell Cater, doing voice over for commercials, success derived from not having a New York accent, Ain't Misbehavin', appearing in the Macy's Thanksgiving Day Parade, singing with the Care Bears, Circus of the Stars, Star Games, swimming with Ricky Schroeder, Little House on the Prairie, being loyal to your friends shows, NBC's classic Saturday Night line up, being one of two live shows during NBC's Saturday Night Live event, seeing the string pulling The Jetsons, how a background in theater makes live three camera sitcoms easy, KTTV, being recognized nationally, signing autographs, getting free Vans and Nikes, keeping scrap books, fan mail, going through your awkward years on camera, being set up by The National Enquirer, meeting George Burns, touring nationally, being enthralled by circus life, back door pilots, the secret origins of A Different World, perusing a career in law, evolving into a voice actor, avoiding the common pitfalls of a life as a child actor, riding the wave, having a grounded outlook, living below your means, signing network deals, Little Darlings, telling your Nana about your screen tests, lifetime supplies of free sneakers, teen magazines, memorabilia, performing in prison, living in the social media age, having a unique voice, Blue Bloods, Shades of Blue, and the guilty pleasures of reality TV.

The third installment of a special podcast series produced in partnership with Portland Center Stage and their production of Ain't Misbehavin'. Paul Knauls was the owner of one of North Portland's favorite nightclubs, the Cotton Club. He shares stories about the club's role in Portland jazz scene.

Drummer Christopher Brown about his journeys across the world playing jazz, and finding his way back to Portland. This is the first episode of a special series sponsored by Portland Center Stage and their production of Ain't Misbehavin'.

Tracy is introduced to popular Christian music and begins incorporating it when asked to sing special musical numbers in Sacrament Meeting and other Church events. She and Scott become well-known for their talents, despite being so bad at one time that they were given a 5-dollar tip to stop singing.

This week I am delighted to welcome back to the show Doug Lain, host of what was once called the Diet Soap podcast, but which is now the Zero Squared podcast. We talk about why Doug’s new job as publisher of Zero Books doesn't make him a capitalist, what econophysics has to do with Marx, capitalism as objective reality, base vs superstructure, radical politics and the current balance of forces, how Woody Allen has lost his way, the latest book Doug’s working on, and how cool and communist Star Trek is. You can find the shows new Stitcher presence here: http://www.stitcher.com/podcast/from-alpha-to-omega You can find the Zero Squared podcast and all of Doug's other stuff here: DouglasLain.com Here is Zero Books: http://www.zero-books.net/ The music on this show was: ‘The Order of the Pharaonic Jesters’ by Sun Ra and his Arkestra ‘Maple Leaf Rag’ by Scott Joplin ‘Si tu vois ma mère’ by Sidney Bechet ‘For The Love Of Money’ by O’Jays ‘Ain't Misbehavin’ by Django Reinhardt

In this episode, Black Hollywood Live hosts Nick Perdue and Megan Thomas interview special guest Terrence 'TC' Carson. Born and raised in Chicago, T.C. was encouraged to follow his dreams to be a performer by his family since he was a young boy. He began his career as a dancer and easily slid into performing in many plays and musicals such as "The Wiz," "Dreamgirls" and "Ain't Misbehavin." Carson also starred in the 90's comedy Living Large and is now part of the Star Wars universe as he has voiced the characters of Darth Vader and Mace Windu in animated series and video games. Terrence is a member of Iota Phi Theta Fraternity and frequently moonlights as a jazz vocalist in several clubs. In 2002, he released his debut CD entitled, Truth This interview was recorded on April 18th, 2014.

Another light Jazz tune by Fats Waller

Another light Jazz tune by Fats Waller

Guests this hour include - Erin Lewis (S.D. musical theater), and Tom Del Beccaro (Political Vanguard) -The latest on ObamaCare, the fight, the dent ceiling, and the looming government shutdown. -Erin Lewis from San Diego Musical Theatre stops by to talk AIN'T MISBEHAVIN' with Mark. - Tom Del Beccaro chimes in on his weekly visit with the missing money from ObamaCare, insane deductables, and higher premiums! - Cassidy Wolf harassment/web security/and the sextortion around the story. LIVE, LOCAL, and bring it to your home! He's Mark Larson!

1) AIN'T MISBEHAVIN', by Murray Horwitz, Richard Maltby, Jr., et al., at Stages St. Louis (2) COSI FAN TUTTE, by W. A. Mozart & Lorenzo Da Ponte, at Opera Theatre of St. Louis (3) THE WIZARD, at Circus Flora (4) HIGH FIDELITY, by Tom Kitt, Amanda Green, & David Lindsay-Abaire, at New Line Theatre (5) 9 CIRCLES, by Bill Cain, at R-S Theatrics (6) TRAVELS WITH MY AUNT, by Graham Greene, adapted by Giles Havergal, at ACT Inc. (7) THE DAMASK CHEEK, by John Van Druten & Lloyd Morris, at ACT Inc.

Episode 3: In this episode, you'll hear five songs about love, just in time for Valentine's Day. The songs are "Pounds of Soul" by Betty Bibbs, "Mambo Like a Madman" by The Right Bastards, "Mario Kart Love Song" by Sam Hart, "Ain't Misbehavin'" by Louis Armstrong, and "Spancil Hill" by Toad In The Hole.

The life and work of songwriter, Andy Razaf. Songs include: Ain't Misbehavin, Honeysuckle Rose, Black and Blue, My Fate Is In Your Hands and In the Mood. Performers include: Fats Waller, Louis Armstrong, Ethyl Waters, Bing Crosby and The Ink Spots.  

The multi-talented Andre De Shields describes the development of his new one-man show, "Mine Eyes Have Seen The Glory: From Douglass to Deliverance", and why it may be a work-in-progress for several years to come. He also talks about growing up in a family of 11 children in Baltimore and why he was unexpectedly the one to make a career in entertainment; his undergraduate years at the University of Wisconsin, including an infamous production he described as "the nude Peter Pan," directed by Stuart Gordon (who would later create the Organic Theatre in Chicago and direct the film "Re-Animator"); why he had to sleep in a public park in order to secure his first professional role in a show he'd never seen -- "Hair"; why he can lay claim to being the man who made Bette Midler's back-up singers, The Harlettes, dance; how the process of elimination ended up yielding him the title role in "The Wiz"; why it was Jackie Onassis who revealed to him and his castmates in "Ain't Misbehavin'" that they were in a hit; whether he'd tackle the multiple roles of director, choreographer, bookwriter, songwriter and star of "Harlem Nocturne" if he had to do it all over again; his thoughts on African-American actors taking on traditionally Caucasian roles, having had the opportunity to play Willy Loman in "Death of a Salesman" and "Our Town"'s Stage Manager; why he feels that the musical "Play On!" was misunderstood; and the incredible liberation of his big number in "The Full Monty". Original air date - February 1, 2010.

The multi-talented Andre De Shields describes the development of his new one-man show, "Mine Eyes Have Seen The Glory: From Douglass to Deliverance", and why it may be a work-in-progress for several years to come. He also talks about growing up in a family of 11 children in Baltimore and why he was unexpectedly the one to make a career in entertainment; his undergraduate years at the University of Wisconsin, including an infamous production he described as "the nude Peter Pan," directed by Stuart Gordon (who would later create the Organic Theatre in Chicago and direct the film "Re-Animator"); why he had to sleep in a public park in order to secure his first professional role in a show he'd never seen -- "Hair"; why he can lay claim to being the man who made Bette Midler's back-up singers, The Harlettes, dance; how the process of elimination ended up yielding him the title role in "The Wiz"; why it was Jackie Onassis who revealed to him and his castmates in "Ain't Misbehavin'" that they were in a hit; whether he'd tackle the multiple roles of director, choreographer, bookwriter, songwriter and star of "Harlem Nocturne" if he had to do it all over again; his thoughts on African-American actors taking on traditionally Caucasian roles, having had the opportunity to play Willy Loman in "Death of a Salesman" and "Our Town"'s Stage Manager; why he feels that the musical "Play On!" was misunderstood; and the incredible liberation of his big number in "The Full Monty". Original air date - February 1, 2010.

Actress Charlayne Woodard (who declines to call herself a playwright) talks about the creation of her one-actor shows "Pretty Fire", "Neat", "In Real Life" and her newest, "The Night Watcher", currently in performance at Primary Stages in New York. And while she has chronicled segments of her life in plays, she further illuminates her career, discussing her leap from the church choir to performing theatrical works; her move to New York after college and the remarkable ease with which she got cast in the Broadway musical "Ain't Misbehavin'"--only to find she needed to develop a true work ethic to retain her role; her struggle to be thought of as something more than just a musical performer and the opportunities she was given by Joseph Papp and later George C. Wolfe at The Public Theater; how as a writer she interacts with other playwrights, such as Suzan-Lori Parks, when performing in their works; her efforts to master a South African dialect sufficiently to please playwright and director Athol Fugard; and whether she has ever seen anyone else perform in one of her own solo works. Original air date - October 12, 2009.

Actress Charlayne Woodard (who declines to call herself a playwright) talks about the creation of her one-actor shows "Pretty Fire", "Neat", "In Real Life" and her newest, "The Night Watcher", currently in performance at Primary Stages in New York. And while she has chronicled segments of her life in plays, she further illuminates her career, discussing her leap from the church choir to performing theatrical works; her move to New York after college and the remarkable ease with which she got cast in the Broadway musical "Ain't Misbehavin'"--only to find she needed to develop a true work ethic to retain her role; her struggle to be thought of as something more than just a musical performer and the opportunities she was given by Joseph Papp and later George C. Wolfe at The Public Theater; how as a writer she interacts with other playwrights, such as Suzan-Lori Parks, when performing in their works; her efforts to master a South African dialect sufficiently to please playwright and director Athol Fugard; and whether she has ever seen anyone else perform in one of her own solo works. Original air date - October 12, 2009.

(Episode 2 of 2)  Pianist and composer, Willerm's versatility has created a high demand for him with prominent jazz, rap, soul, and fusion artists including 2009 Best World Guitarist Fareed Haque, Grammy Award winning artist T-Pain, Lauryn Hill , Kirk Whalum, Louis Bellson , Lew Soloff, Calvin Newborne, Corey Wilkes, Curtis Fuller, Jimmy Heath, David Sanchez, Jennifer Holiday, George Freeman, Red Holloway, Javon Jackson, Melton Mustafa Sr, Peter Erskine, Public Announcement, Freddie Jackson, and more. He has performed over 20 festivals all around the Globe, as well as having conducted or played the lead piano book in Broadway shows such as Dreamgirls, Ain't Misbehavin, Crowns, Aida, and The Best of Broadway. Along with several commercial recordings, he is also featured on the critically acclaimed “Flat Planet” by Virtuosity Guitarist Fareed Haque. Delisfort's debut album entitled "Freedom Riders" scheduled for release in September 2009. wdelisfort.com

(Episode 1 of 2)  Pianist and composer, Willerm's versatility has created a high demand for him with prominent jazz, rap, soul, and fusion artists including 2009 Best World Guitarist Fareed Haque, Grammy Award winning artist T-Pain, Lauryn Hill , Kirk Whalum, Louis Bellson , Lew Soloff, Calvin Newborne, Corey Wilkes, Curtis Fuller, Jimmy Heath, David Sanchez, Jennifer Holiday, George Freeman, Red Holloway, Javon Jackson, Melton Mustafa Sr, Peter Erskine, Public Announcement, Freddie Jackson, and more. He has performed over 20 festivals all around the Globe, as well as having conducted or played the lead piano book in Broadway shows such as Dreamgirls, Ain't Misbehavin, Crowns, Aida, and The Best of Broadway. Along with several commercial recordings, he is also featured on the critically acclaimed “Flat Planet” by Virtuosity Guitarist Fareed Haque. Delisfort's debut album entitled "Freedom Riders" scheduled for release in September 2009. wdelisfort.com

The songs of Thomas Waller, including: Ain't Misbehavin, The Joint is Jumpin, Honysuckle Rose and A Handfull of Keys. Performers include: James P Johnson, Benny Goodman, Ruth Etting and Fats Waller.

tenor banjo solo

tenor banjo solo

Songs include: Ain't Misbehavin, Ain't She Sweet, I Ain't Got Nobody and You Ain't Heard Nothin Yet. Performers include: Fats Waller, Ruth Etting, Mississippi John Hurt, Louis Jordan , The Skillet Lickers and Cab Calloway.

Part II of an interview with Frenchie Davis of “Ain’t Misbehavin’” with Popejoy Hall’s Terry Davis.

Recordings released in the pivotal year of 1929. Artists include: Louis Armstrong, Fats Waller, Jimmie Rodgers, Sophie Tucker and Helen Kane. Songs include: Ain't Misbehavin, My Rough and Rowdy Ways, Numb Fumblin, Pony Blues and In the Fall of 29.

Big Band Serenade presents our 1 year of Podcasting the Best of the Big Band Era. This week Red Nichols' Five Pennies from the Radio Transcriptions "Brunswick Brevities" and "The Heat" Series 1929-1930.  Songs play are in order of play,1)"I May Be Wrong",2)"They Didn't Believe Me",3)"On The Alamo",4)"That's Aplenty",5)"Can't Yo' Hear Me Callin' Caroline,6)"Margie",7)"Wait For The Happy Ending",8)"Whispering",9)"My Future Just Passed",10)"After You's Gone",11)St. Louis Blues",12)"Call Of The Freaks",13)"The Sheik of Araby",14)"Strike Up The Band",15)"Black and Blue",16)Ain't Misbehavin",17)"Sweet Georgia Brown",18)"Walkin' The Dog",19)"Here Comes Emily Brown"

Big Band Serenade features this week Fats Waller. Songs played in order of play, 1)"Ain't Misbehavin'"-1929,2)"All My Life",3)"Honey Hush"-1939,4)"If I Were You",5)"I'll Never Forgive Myself",6)"I'm Gonna Sit Right Down"-1935,7)"The Joint Is Jumping",8)When Somebody Thinks You're Wonderful",9)"Sping Cleaning",10) Radio Program From Yacht Club, Oct.8,1938

Lyricist and director Richard Maltby, Jr. talks about how he grew to be fond of Johnny Cash (who he never met) as he developed the musical "Ring of Fire", recalls creating "Ain't Misbehavin'" in the cabaret of the original Manhattan Theatre Club, describes the process of his four-decade-long collaboration with composer David Shire, explains his role in the writing of "Miss Saigon" and expresses some significant ambivalence over being labeled as "the father of the jukebox musical." Original airdate - April 7, 2006.

Lyricist and director Richard Maltby, Jr. talks about how he grew to be fond of Johnny Cash (who he never met) as he developed the musical "Ring of Fire", recalls creating "Ain't Misbehavin'" in the cabaret of the original Manhattan Theatre Club, describes the process of his four-decade-long collaboration with composer David Shire, explains his role in the writing of "Miss Saigon" and expresses some significant ambivalence over being labeled as "the father of the jukebox musical." Original airdate - April 7, 2006.

Lyricist and director Richard Maltby, Jr. talks about how he grew to be fond of Johnny Cash (who he never met) as he developed the musical "Ring of Fire", recalls creating "Ain't Misbehavin'" in the cabaret of the original Manhattan Theatre Club, describes the process of his four-decade-long collaboration with composer David Shire, explains his role in the writing of "Miss Saigon" and expresses some significant ambivalence over being labeled as "the father of the jukebox musical." Original airdate - April 7, 2006.