Podcast appearances and mentions of Vincent van Gogh

What happens to famous works of art when they are stolen from museums and private art collections? In the Netherlands, museums and collectors reach out to Arthur Brand, a self-styled art detective who works to track down art that has gone missing and fallen into the criminal underworld.  This week on The Sunday Story, when a famous Van Gogh painting is stolen from a museum, Brand teams up with an unlikely partner – art thief Octave Durham. Together, the pair work to rescue a masterpiece from the underground market and return it to its museum home. See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Mundo Milenial con María González analiza el esperado regreso de Amaia Montero a los escenarios junto a La Oreja de Van Gogh en la ciudad de Murcia. Se aborda desde la aparición sorpresa de la cantante con Karol G hasta la polémica salida de Leire Martínez del grupo. A pesar de los rumores negativos y vídeos manipulados en redes sociales se destaca el éxito rotundo de los conciertos y la satisfacción del público presente. Aunque la puesta en escena fue sencilla, la nostalgia colectiva y el entusiasmo de los seguidores justificaron plenamente el evento. Finalmente, se plantea la posibilidad de que esta serie de actuaciones represente una gira de despedida definitiva para cerrar un ciclo histórico de la banda.

Van Gogh et ses crises, Kurt Cobain et sa dépression, Virginia Woolf et ses troubles bipolaires… Depuis des siècles, l'image de l'artiste torturé fascine. Comme si le génie créatif allait de pair avec la souffrance, comme si être brillant avait un prix. Mais ce lien entre maladie mentale et créativité peut être expliqué scientifiquement. Est-ce vrai ? Comment cela se fait-il qu'il y ait un lien ? Écoutez la suite de cet épisode de "Maintenant Vous Savez". Un podcast Bababam Originals, écrit et réalisé par Laura Taouchanov. À écouter aussi : Qu'est-ce que le rire prodromique, la "maladie du Joker" ? Qu'est-ce que la maladie du Nobel ? La pédophilie est-elle vraiment une maladie ? Retrouvez tous les épisodes de ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"Maintenant vous savez".⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Suivez Bababam sur ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Introduction: The Line Between Learning and Stealing Well, hey there. Welcome back. And I really mean that. I’m really glad you’re here. I’m really glad that you enjoy my vast library of information. In fact, I want you to do whatever you want with it. If you can accomplish something or understand something, in fact, there’s really no limit to what I would like you to do with the information. Except for one thing. And that one thing is steal it. What Actually Constitutes Stealing in the Age of AI? And you might say, well, Mark, it’s free. You’re already giving it away for a steal. Oh, I gotcha there. That was clever. Here’s the thing. If you use the information for yourself, that’s not stealing. If you use the information to improve something or to learn, or if it acts as a springboard in which you can say, hey, Mark mentioned that thing, I’m going to go look it up further and go do a, you know, go dive right into that, that’s not stealing. However, if you essentially cut and paste my information into AI and then post the result as your own, that’s stealing. The Unique Stamp of a Creator: Why Authenticity Matters Now you could say, well, look, lots of people come up with information relatively at the same time, right? So someone could come up with something around the same time someone else does, or there might be 20 people posting about the same time. Well, that’s fine, of course. If all 20 people did their research and due diligence, you’re going to see the flavor of that person on each post. I would like to think that each and every post that I make, each and every podcast episode, every book that I write has my stamp on it. It has my signature. You know that Mark Bradford wrote that. And for it to have that signature, there’s going to be good and bad, right? You may find that these episodes are rather dense and you would like someone to talk a little slower. You might also enjoy the fact that I have a format of sort of discover, raise awareness, and then kind of give you a tangible thing to take away. AI Generation vs. Iterative Creation: Putting Heart into the Work But it’s me. And I do this stuff from scratch. I mean, let’s talk about AI a little bit. Even when I generate some images, I spend way too much time on what is basically an image that people on Spotify and YouTube and iTunes probably aren’t going to see. And yet I still spend all of that time. And when I generate an image, I don’t just say, hey, give me an image of somebody doing this. No, I spend way too much time adjusting and iterating and iterating and iterating. And I did a podcast episode called Live Life Iteratively, and we talk about that there. The truth is I put my heart and soul into these things. Ultimately, I want you to benefit from it. I want you to be wiser and smarter. I want you to have a spark because of something I said. But when someone takes that, they take what you have written and they obviously put it through an AI slop machine only to repost it, that’s stealing. It’s a bunch of other things too. But it’s stealing. The Impact of AI on Non-Creative Professions If you’re not in the creative space, you may either doubt what I’m saying, or you might think, well, I can’t really relate to that. But you can. Even if you’re not in the creative space, and I typically argue that everyone’s in that space, there are still things that are uniquely you. And those aren’t things that only you find at home. Those are things that manifest themselves in your job. And if you’re successful at what you do, part of that success is probably because you do it your way. All of the fungible pursuits are still affected by this. Even if you’re in banking, or real estate, or dentistry, or sales, you’re still going to bring what is uniquely you to the table. It’s going to give you an advantage over other people, and it’s going to be something that people recognize you by. Experience Equals Wisdom: The True Cost of Duplication You may sell something that is in no way remotely interesting to people, but you make a good living at it. And you’ve figured out a way to sell that. You’ve figured out a way to connect to other people, to potential clients, in a way that gives you a lot of success. And it was probably done with blood, sweat, and tears. You probably had to figure this out after a while. And as I say, pain equals experience, and experience equals wisdom. So you have this wisdom that you painfully acquired. If someone comes by and copies that, you may say, well, it was eventually going to get out. But if somebody copies that and says, hey, I’m unique in this way because I do this thing… You would then say, well, no, you’re not unique. Now you’re a duplicate because you just stole the thing that I do. The Dirty Secret of AI Training Models and Piracy I’m not even talking about patents, trademarks, and copyrights. I’m talking about systems and things and ways of communicating, and ideas that people can come up with independently. The age of AI brings with it a lot of ups and downs. In my opinion, a lot more downs than ups. And when people adopt technology, technology tends to just magnify something that they’re already experiencing. How AI Amplifies Our Basic Instincts and Desires If someone’s a thrill seeker and they have a car, but they get a fast car, well, that’s going to amplify their seeking of that thrill in a way that’s pretty obvious. If someone’s desperately seeking status and attention, and AI comes along, well, it’s going to basically enable that. Like a drug dealer saying, hey, the drugs are now free, just click this button. You’ve seen it before. You’ve seen the memes about the flyers. How every flyer looks the same. And they call them the “boomer AI flyers” because they are. Typically older people who have adopted AI and just marvel and are thrilled at the fact that they can type a few things into it and get a flyer. But the flyers all look the same. The creative space has always been a difficult place to enforce ownership and rights. In fact, even when AI came along and was trained on books, do you think those books were paid for? A lot of them weren’t. The dirty secret of AI is that a lot of the books that main AIs were trained on were pirated. Generating Art vs. Imitating Artists: An Ethical Distinction Let me be introspective and objective. Now, as I’ve said, I use typically Midjourney and spend many hours, probably too many hours, generating and regenerating and adjusting images over and over and over again just so that I can get the proper image to invoke the proper emotion, at which time I then overlay all of my text and spend way too much time deciding on a stupid font, etc., etc. So I spend way too much work on that. But I’ve generated an image. And those images are drawn from the works of artists. I could say, show me an image of two people shaking hands as if Van Gogh painted it. And it would do it. It would do it in such a way that would be fairly believable. Now, Van Gogh would never paint that, but now you’ve created an image as if you’re that person. I don’t sell that image though. I don’t sell that image as if I created it. I generated it, but I didn’t create it. There’s a vast difference between using that as a background, as an icon for one of my podcast episodes, and finding someone online, perhaps someone I know, and taking a picture of their painting, feeding it through Midjourney, and saying, make a painting just like this one. And then me posting it as if I did that. Do you see the difference? Actionable Advice: How to Avoid Becoming “AI Slop” And again, I can feel in a lot of your brains that you’re going, well, look, this just doesn’t affect me. I don’t care. But it does affect you. And again, if you’re not in what you think is a creative space, there are still aspects of what you do, your productivity and your output, that are going to be affected by AI. And if someone then uses that as a proxy, you’re going to be in trouble. You’re going to be without a job, and you’re going to fight tooth and nail to hang on to what makes you you. I’m telling you, it doesn’t feel good when that happens. So this is the part in the episode where I tell you what to do, or I say what can we do, right? So what can you do? Well, we raised awareness of it, so be mindful of this. And if you’re mindful in a way that you weren’t before, you’re going to see in areas where people after a certain age post a lot of this, you’re going to see it. It’s all you’re going to see. All you’re going to see is this, as referred to as AI slop, over and over and over again. Personally, you should avoid anything that decides it wants to take the place of your frontal lobe. And I did a podcast episode on that, and there’s an MIT study in which people don’t think for themselves. They just went, oh, okay, I’ll just ask the AI for that. Give me a bullet list of five reasons why blah, blah, blah. And now I’ll post that and shove that in people’s faces. And if someone asks that person the next day, what was your post about? They’d have no idea. That’s not information. That’s not helping people. That’s static. That’s noise, and that’s garbage. And it’s not good for you. Protecting Your Work: Takedown Notices and Platform Stringency YouTube is very stringent about takedown notices. People can post a notice and say, hey, this is my stuff. And then YouTube will come to that person who is the creator and say, okay, we’ve taken this down or we’ve demonetized it. And in some cases, when people are accused of this, it’s frustrating because they’ll be getting tens of thousands of views and the money that should be going to them goes to somewhere else. But they take that stuff seriously. I have been tagged in both Spotify and YouTube about Alchemy. And it wasn’t hard to prove that I was here first and I and my specific kind of alchemy is different than what they were saying. They even have AI, here we go, they even have AI that randomly will spot stuff and say, hey, you’re infringing. So you also risk that. Conclusion: Focus on Your Unique Gift I know it makes your head spin when you just want to eat your pancakes and you just want to go do your job. But I’m warning you that if you are someone who creates or someone who has a special way of doing something, and that’s everyone, you can be in danger of this happening to you. If you’re someone who does this sort of thing, know that there are consequences for doing it. In a perfect world, I think each and every one of us has a gift. We have a gift and can bring something to other people, to groups, to civilization as a whole. We all have a gift. And focusing on that gift is what makes us happy and productive and who we are. Focusing on copying someone else’s gifts is just not a good idea. Thank you as always. I appreciate you, and I appreciate you listening. And take care.

Achtung! : In dieser Folge geht es naturgemäß auch um handfeste Gewalt und Suizid. Bitte nicht mit kleinen Kindern anhören oder wenn diese Themen nicht gewünscht sind. Während andere Podcasts in die Sommerpause gehen, geraten Franca und Christian richtig in Erzähllaune. In dieser Podcast folge geht es um das Leben von Vincent van Gogh. Wie verlor er sein Ohr - und starb er tatsächlich durch Suizid — oder stimmt da etwas nicht? Psychologie, Kunst und eine Kriminalgeschichte: Franca erzählt das Leben eines Mannes, der mit dem eigenen Namen auf dem Grabstein seines toten Bruders aufwuchs, in London an gebrochenem Herzen zerbrach, als Laienprediger alles verschenkte und erst mit 27 Jahren anfing zu malen — um eines der bedeutendsten Gesamtwerke der Kunstgeschichte zu hinterlassen, von dem er zu Lebzeiten ein einziges Bild verkaufte. Es ist eine spannende Geschichte um Absinth, exzessives Leben und gescheiterte Beziehungen rund um Vincent van Gogh. Sein Verhalten und seine Gefühle gaben schon zu Lebzeiten Anlass zu Fragen und auch zu Sorge. Was das tägliche Ablecken von Pinseln damit zu tun hat, warum er auf dem Boden schlief und was es mit den Sonnenblumenbildern wirklich auf sich hatte, erfährst du in dieser spannenden Folge. Die Studie zu der heutigen klinischen Betrachtung von van Goghs Symptomen findest du hier: https://link.springer.com/article/10.1186/s40345-020-00196-z Francas neues Buch: Die innere Oma — ab 4. September 2026, jetzt kurze Zeit mit handschriftlicher Signatur vorbestellbar: https://shop.autorenwelt.de/products/die-innere-oma-von-franca-cerutti Alle Tourdaten und Tickets für Dezember: https://www.190a.de/psychologie-to-go/ Unterstütze uns auf Steady: https://steady.page/de/psychologie-to-go/about Hinterlasse eine Frage oder einen Kommentar auf unserem Anrufbeantworter: https://www.speakpipe.com/Psychologietogo Noch mehr gibt´s auf www.franca-cerutti.de Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/psychologietogo Du möchtest Werbung in diesem Podcast schalten? Dann erfahre hier mehr über die Werbemöglichkeiten bei Seven.One Audio: https://www.seven.one/portfolio/sevenone-audio

Il Metropolitan Museum of Art non è solo un museo: è una macchina del tempo che racchiude cinquemila anni di storia umana, dall'antico Egitto a Van Gogh.In questo episodio ti racconto come nacque nel 1870 dal sogno di un gruppo di americani, come divenne uno dei musei più grandi al mondo affacciato su Central Park, e quali capolavori non puoi perderti: il Tempio di Dendur, i Vermeer, le armature dei cavalieri, fino al celebre Met Gala.E poi tutte le informazioni pratiche per visitarlo senza stress: orari, prezzi aggiornati e un trucco per vedere anche i Cloisters con lo stesso biglietto. Buon ascolto!

El verano astronómico llega este domingo con máximas de 38 grados en Andalucía y 35 en el interior, con lluvias en el Cantábrico y Castilla y León. El juez Calama declara que no se desvirtúan los indicios de criminalidad en la declaración de Zapatero, quien pide confianza. La Comisión Europea critica a España por la indemnización insuficiente en despidos improcedentes y pide reforzar la ley. En '¡Buenos días, Javi y Mar!', buscan historias para "Misión Posible", como la de una oyente que, queriendo ser arqueóloga, halla una villa romana en Roma. Se comenta la tendencia a caminar hacia la izquierda en el hemisferio norte y la historia de los girasoles de Van Gogh como regalo de amistad. Se habla de nuevos gadgets en coches y la frustración con sistemas de seguridad. Los oyentes comparten teorías curiosas: la lechuga y las pesadillas, el horario de los vecinos, cómo llevar el bolso según la edad, el tamaño de la ropa interior femenina y el parecido entre parejas. También se juega a "Sé ...

En '¡Buenos días, Javi y Mar!' nos vamos de fiesta con Javi y Mar, que esta vez se pasan por la gran celebración anual de la música. Entre canciones, nos cuentan historias de viajes y escuchamos las experiencias más locas de los oyentes en transporte público. También hablamos de un estudio curioso que dice que, cuando nos perdemos, tendemos a caminar hacia la izquierda, y recordamos la historia de Van Gogh. Javi nos enseña su coche nuevo y todos los gadgets que lleva encima, mientras nos metemos de lleno en esas pequeñas teorías sobre la vida cotidiana: desde por qué hacemos lo que hacemos con la lechuga hasta los vecinos ruidosos, los bolsos, la ropa interior, las colas del súper o por qué algunas parejas acaban pareciéndose. Fernando nos trae una noticia de lo más sorprendente sobre un sicario que subcontrata su trabajo. En nuestros juegos, nos ponemos a prueba con preguntas sobre nuestras costumbres en la ducha y esos objetos inútiles que todos tenemos por casa. Además, una ...

Sofi visita los jardines de Van Gogh, Fa explica la controversia de The Perfect Crown y ambas van a su primera boda de una little shxt

Two people can face the same loss and walk away with completely different lives. The variable was never the circumstance. It's the innerstance. In this solo episode, Alan tells the story of the 17 minutes between learning his mentor Jim Hesseman had passed and sitting down to coach a couple who were counting on him — and the two reframes that turned him from a man owned by grief into one who could choose his way through it. Reflective questions for the listener What emotion have you been waiting on your circumstances to give you permission to feel? Is there a grief, or a hard feeling, you've been bracing against instead of giving an appointment to? Which of the three levers — what you see, what you say, what you do — is easiest for you to reach for first? Chapters  00:00 The text at 3:43 00:29 Who Jim was 04:41 When grief used to own me 07:13 Schedule your grief 08:27 Choose your emotion 09:42 The 17 minutes 14:04 Innerstance over circumstance 15:32 You are what you feel 15:47 Feel it first (Dispenza) 17:41 The Triad (Robbins) 22:11 Tribute to Jim and how to help   Frameworks and sources credited Jim Hesseman — Air Care Alliance President, founder of White Feather Flight, 2023 National Aeronautic Association honoree. Vincent Van Gogh — letter to Theo (“the little emotions are the great captains of our lives”). Dr. Joe Dispenza — Becoming Supernatural. Tony Robbins — Awaken the Giant Within (The Triad). Call to action Honor Jim's legacy. Volunteer as a pilot or refer someone who needs a free flight to medical care at angelflightwest.org.

El esperado retorno de Amaia Montero a los escenarios junto a La Oreja de Van Gogh se ha materializado con dos exitosos conciertos en la Plaza de Toros de Murcia. A pesar de los temores previos por el estado de la cantante y la difusión de vídeos falsos en redes sociales, la actuación demostró que la banda sigue conectando con su público a través de un sentimiento de nostalgia compartido. El evento, descrito como un "disfrute máximo" con fans visiblemente emocionados, contó con casi toda la formación original, a excepción del anterior guitarrista. No obstante, este reencuentro se percibe más como una posible "gira de despedida" para cerrar un capítulo por todo lo alto que como un proyecto de largo recorrido con nuevos lanzamientos discográficos.

Russ Ramsey is a gifted storyteller and a trusted guide in the world of art. He is the author of Rembrandt is in the Wind and Van Gogh Has a Broken Heart: What Art Teaches Us About The Wonder and Struggle of Being Alive. In this episode from October 2024, Russ and Jonathan Rogers talk about sunflowers, the sublime, and the connection between suffering and wonder. This episode is sponsored by The Habit's Writer Development Cohorts.Support the show: https://therabbitroom.givingfuel.com/memberSee omnystudio.com/listener for privacy information.

CADENA 100 ofrece 45 minutos de música sin interrupción. Melendi regresa a la televisión como coach en 'La Voz' y prepara una gira con nuevo disco. En 'Mateo & Andrea', Andrea comparte detalles del cumpleaños de su hija Sofía, celebrado con una piñata en la piscina de sus abuelos. También debaten sobre la tendencia de los regalos de cumpleaños infantiles, que ahora se gestionan con Bizum, y cómo Sofía pide tatuajes temporales, que su padre luce. La banda sonora de la película 'Las Guerreras K-Pop' rompe récords, superando a Whitney Houston, y su canción "Golden" gana un Grammy. Netflix ya planea una gira mundial y una secuela. CADENA 100 programa éxitos de Álvaro de Luna, Anastasia, La Oreja de Van Gogh, Nepol, Taylor Swift y Valu.

Jenn is back from vacation and she tells us all about it! Netherlands and Italy- the foods (especially the bread) , olive oil, and unsalted bread. She tells us about the Ann Frank museum, Van Gogh's life and history, a visit to the Vatican, and seeing Roman history and local etiquette. There was also bike riding in white linens pants and flip flops.. up and down mountain roads. We also discuss the decline of the dollar overseas, traveling overseas as a vegan, the festivals of St Peter, and what fruits were best on her trip. What we are watching:Copenhagen Test - Peacock Love Island - PeacockFriends and Neighbors - Apple TVFrom - MGMHacks - HBODeath by Water - HBOM.I.A. - PeacockWorld Cup - Fox & Peacock NBA Finals - ABC/ESPNSummer House - BravoOutlast - Netflix He-Man - TheatersDisclosure Day - TheatersCONNECT WITH JENN & MYRONJENN ON TWITTERJENN ON INSTAGRAMMYRON ON TIKTOKMYRON ON INSTAGRAMMYRON ON BLUESKYSUBSCRIBE TO DEAR DEAN MAGAZINEVOICE MEMOS WEB PAGE

Van Gogh’s Irises, which he painted while committed to an asylum, started out violet but turned blue over time. The red he used (the color associated with madness) is gone, and all we see is the purity of the primary color associated with peace. Where his life as an artist began (optimism) looked so different from where it ended (despair). But where people’s view of him as an artist was when he died (madness) looks so different from how his life is regarded today (brilliance).See omnystudio.com/listener for privacy information.

In this episode Miles is joined by Lesley Chamberlain to discuss her newly-published monograph, 'Undoing the Moral Empire: Moral Philosophy in post-War Britain'. https://www.bloomsbury.com/uk/undoing-the-moral-empire-9781350457751/ After 1945, Britain wanted to be a new country. The authority of state and church were giving way, the Empire was dismantled, and it was no longer clear who was leading whom in matters of morals. Individuals were left to reinvent their ethical lives anew. The lives and works of the philosophers discussed in this book were caught up this sea-change. Bernard Williams, Philippa Foot, Iris Murdoch, Richard Wollheim, Charles Taylor and Alasdair MacIntyre were all characters in search of a moral England, with a particular vision of the good society. From communitarianism to swinging Sixties' individualism, and radical theories of art – which understood questions of ambiguity, error and forgiveness more than the state ever could – this is the story of their sometimes convergent but often discrepant ideas on ethical life in the second half of the twentieth century. Undoing the Moral Empire is a work of biography, social history and the history of ideas that masterfully reconstructs the shifting sentiments of the post-war era, reconfiguring enduringly relevant questions of freedom, virtue, and society. Lesley is an author, literary critics and translator whose work has focused on Rilke, Nietzsche, German philosophy, Conservative Modern Russia, Heidegger, Van Gogh, Lenin, Freud, travel writing, cuisine in Russia and Poland, journalism and fiction – twelve books in all. She's also the author of the forthcoming chapter on Murdoch and Russian Literature in the Oxford Handbook of Iris Murdoch. This new book marks a homecoming for Lesley. You can find out much more about her work at her website: http://lesleychamberlain.co.uk/

Miquel del Pozo abre La Ventana del Arte para hablar del trabajo de Van Gogh en el sanatorio de Sant Paul en Saint-Rémy.

Chameleon is a film by Helen Sear, made in 2012, duration 10 minutes and 41 seconds. This silent film begins in complete darkness in the dead of night, and gradually, a golden sunflower in full bloom, just before going to seed, emerges. Out of frame, the only light source, a single torch with adjustable focus, is used to slowly illuminate the petals that gently sway in the night's breeze. The torch's focus is gradually modified to intensify the light beam onto the centre of the flower. The sunflower begins to take on the impression of an ambiguous moving, staring eye, similar to that of a chameleon that can move in all directions and each eye independently. It then recedes back into the darkness as the torch's focus is reset. Artist, Helen Sear, said: “Sunflowers have always been very iconic in the history of art, including, obviously, Van Gogh, Ai Weiwei, Rose Finn-Kelcey, Man Ray, and many others. And I wanted to try and make a piece of work, which added another dimension to the already much depicted sunflower. “I'm very interested in the kind of porousness between animal, vegetable and mineral, and how sometimes, these things merge together. And while I was looking at the sunflower in its state of full bloom, and just before it was going to seed, I thought it looked very much like an eye that was looking directly at myself. So I wondered how I might be able to capture this feeling, where the flower could in some way become alive or somewhere between a plant or an animal or a mythical being, that is actually looking straight back at the viewer, in a way, looking at them straight in the eye.” Helen Sear's practice focuses on the co-existence of human, animal, and natural environments and is rooted in an interest in Magic Realism, Surrealism and Conceptual Art. She studied Fine Art at Reading University and University College London, Slade School, her practice coming to prominence in the late 1980s, when she worked primarily with mixed-media installation, performance and video. Photography remains a central subject and medium in her work, which often challenges the dominance of the eye and the fixed-point perspective associated with the camera lens, and explores the potential of the artwork to activate and elicit feeling. Sear was the first woman to represent Wales with a solo exhibition at the 56th Venice Biennale 2015, presenting a suite of new works…the rest is smoke. She was elected a Royal Academician in 2024.

As you may have heard in last week's episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we've still got much to discuss!On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management.Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies.Finally, and for the final time, it's time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course. In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts.EndorsementsDana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.)Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music. Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers. Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa.Steve: Following up on last week's endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

As you may have heard in last week's episode, the Culture Gabfest is hanging up its microphones after 18 years of cultural commentary. But before our final episode, we've still got much to discuss!On this special guest-packed show, Steve, Dana, and Nadira Goffe have the power! That is the power to get into it with VSFOP Jamelle Bouie about Masters of the Universe, the latest attempt by Mattel to launch their own cinematic universe. They assess the state of IP-driven superhero movies and whether this newest entry—starring Nicholas Galitzine, as the buff, loin cloth-wearing He-Man, and Jared Leto, as the slightly lascivious Skeletor—is more than brand management.Next, they turn to the wild, surreal revenge thriller Is God Is, written and directed by Aleshea Harris based on her stageplay. They talk about how this tale of twin sisters seeking vengeance fits into the growing pantheon of Black horror as well as the ancient canon of revenge tragedies.Finally, and for the final time, it's time to talk about Taylor Swift. In the wake of her newest release, the song “I Knew It, I Knew You” for the Toy Story 5 soundtrack, the gang assembles one more time to take up the long-simmering Tay debate. Jody Rosen and Julia jump on the call/enter the Thunderdome for this, of course. In a bonus episode for Slate Plus subscribers, the panel pours one out for the recently shuttered Hampshire College and reflects on the changing landscape of the liberal arts.EndorsementsDana: The interactive, Jazz-playing, transit-obsessed, single purpose website Train Jazz. (Hat tip once more to Rusty Foster's Today in Tabs.)Nadira: The Black Film Archive which showcases Black films made from 1898 to 1999 currently streaming. Also, the year 2016 in music. Jody: For some Gabfest replacement therapy, watching academic lectures on YouTube such as the lectures of art historian John Walsh at Yale Art Galleries—including ones on Vincent Van Gogh and Dutch masters— and cultural historian Eric Lott on Racial Masquerade in America and Philippe Petit's legendary tightrope walk between the Twin Towers. Julia: Patrick Radden Keefe's new book London Falling and the song "Come Tomorrow" by Patti Scialfa.Steve: Following up on last week's endorsement, Steve can confirm that Disgrace by J.M. Coetzee is, in fact, good. Also recommended: Offshore by Penelope Fitzgerald. --Email us your thoughts at culturefest@slate.com. Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Hosted on Acast. See acast.com/privacy for more information.

Sanctuary on the Moon est une initiative internationale visant à créer une capsule temporelle. Il s'agit de graver sur des disques des dessins et des textes qui reflètent « ce que l'on est, ce que l'on sait, ce que l'on fait aujourd'hui » pour ensuite les déposer sur la Lune avec une prochaine mission de la NASA et qu'ils y restent « pour qu'un jour des archéologues puissent les retrouver et comprendre comment notre civilisation était en 2020, 2030 ».L'objectif est de garder des traces de l'humanité telle qu'elle existe aujourd'hui dans des milliers, voire des millions, d'années à venir. Des collégiens de notre partenaire Eco Radio, du collège Vincent Van Gogh, à Blénod-lès-Pont-à-Mousson, en France, ont reçu trois invités pour parler du projet et du concours « Les enfants de la planète Terre » : Hélène Pierson, rédactrice scientifique de Sanctuary on the Moon, Juliette Sardet de la Commission nationale française pour l'UNESCO, et Guillaume Monnain, illustrateur spécialisé dans la vulgarisation scientifique.Dans cet entretien, ils expliquent ce qu'est le projet Sanctuary on the Moon etcomment les enfants sont impliqués dans ce projet à travers un concours sélectionnant des dessins qui seront envoyés sur la Lune.

Mark Normand joins us today in the tent to discuss the recently released UFO/UAP files and government disclosure. We deep dive into the 'DAW UAP P52' file footage, talk about The Great Pyramid Power Plant Theory, strange architectural carvings on Gothic and Romanesque churches, and other interesting topics... WELCOME TO CAMP!

Sorry for the WAIT!! We are back with VISUAL PROMPT #3! We're here with Cody's pick and his guest, his wife LYDIA! Cody went with a very literal expression of the prompt. He went with a film from directors DK Welchman & Hugh Welchman comes “Loving Vincent.” This film was ENTIRELY made with real life paintings for every frame. It's a mind blowing undertaking and we really enjoyed talking about the different themes. We also really enjoyed painting while talking about Vincent Van Gogh. We hope you like it too. Enjoy!Film Discussed: Loving Vincent (2017)Letterboxd: Eric Peterson:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/EricLPeterson/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jared Klopfenstein:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/kidchimp/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ethan Jasso:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/e_unit7/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Caleb Zehr:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/cjzehr/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Ricky Wickham:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/octopuswizard/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cody Martin: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letterboxd.com/codytmartin/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Here is a COMPLETE LIST of every film that we have done an episode for. Enjoy!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://letterboxd.com/ericlpeterson/list/a-complete-list-of-every-the-film-snobs-episode/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Five star reviews left on the pod get read out loud!

Join our next FASO Show Live!https://artists.boldbrush.com/p/the-faso-showLearn the magic of marketing  with us here at BoldBrush!boldbrushshow.com--On today's episode we sat down with Sarkis Antikajian. Born in 1933 in Amman, Jordan, Sarkis discovered French Impressionism and Van Gogh as a teenager — a spark that never left him. He immigrated to the United States at 25, spent 35 years as a pharmacist building the financial independence to paint full-time, and retired in 1994 at 62 to finally live his dream. He is now 93, and still paints every day. Deeply shaped by Van Gogh's persistence, Sarkis believes in loving the process over the outcome, staying curious at every stage of a career, and painting freely without chasing validation or market trends. He has worked across watercolor, acrylic, oil, figurative, landscape, and abstraction — always seeking new ways to see.His advice to artists: find another source of income so financial fear doesn't limit your creativity, paint often and on inexpensive materials, and stop waiting for anyone else's approval to make the work that's truly yours.Sarkis' FASO site:sarkisantikajianfineart.com/Sarkis' PBS Oregon Art Beat Video:https://www.pbs.org/video/oregon-art-beat-painter-sarkis-antikajian/

Van Gogh lived a troubled life and did not garner attention as a painter until after his death by suicide. Today we dive into this complicated journey as an artist.See omnystudio.com/listener for privacy information.

À l'été 2022, les Galeries Nationales d'Écosse se préparent à accueillir une exposition sur l'impressionnisme. Avant d'être exposées, toutes les œuvres sont passées aux rayons X, pour vérifier leur état et leur authenticité. Une surprise attend les experts chargés d'analyser le « Portrait d'une paysanne », peint par Van Gogh en 1885... Dans "Ah Ouais ?", Florian Gazan répond en une minute chrono à toutes les questions essentielles, existentielles, parfois complètement absurdes, qui vous traversent la tête. Un podcast RTL Originals.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

What if reality isn't something happening around you? What if it's actually responding to you? In this fascinating Dead Talk, Christy brings in renowned channel and author Jane Roberts and visionary physicist David Bohm. Together, they share with us a radically different way of understanding consciousness, manifestation, choice, and the nature of experience. They reveal why life is not a fixed world unfolding independently of you, but a living field of possibilities shaped by perception, expectation, attention, and participation. Along the way, they explore probable realities, the illusion of separation, the interconnected nature of the universe, and why even your thoughts, fears, hopes, and assumptions are participating in the experiences you call your life. If you've ever wondered whether reality is more fluid than it appears, whether consciousness plays a larger role than science has traditionally acknowledged, or whether there is a deeper intelligence woven into everyday experience, this conversation will challenge the way you see yourself and the world around you. The most important question raised in this episode is not: "What do I want to create?" It's: "What am I already participating in?" Once you understand the difference, you'll never look at reality the same way again. Earlier this week, Christy and I appeared on the Recover Your Soul podcast and Christy brought in Lucille Ball and Vincent Van Gogh. Listen here Read about The Freedom Project 7-day Boosts here Schedule a call with Christy to learn more about The Freedom Project here Schedule a call with Gary to learn more about The Freedom Project here      

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Trigger Warning: Extreme Imagery dealing with themes of SA, dead fetuses, and other violence.Welcome to pcmc, your one-stop shop for non-toxic fandom! On today's all-new episode, host Mike Bongiorno is joined, once again, by good friend of the show Nadia Kader. This episode is about the work of the great pop artist H.R. Giger. Giger is best known as the man who designed the Xenomorph for the Alien film series, but he spent a lifetime crafting bizarre, disturbing images that dealt with the merging of the biological and mechanical, and life with death. This episode is an audio commentary on works of art. The hosts will give the names of each piece they are discussing and the listener can either find them online, or go to @PCMCpod on Instagram and find all the works there in one place (also don't forget to like and subscribe)! If you enjoy this episode, be sure to browse our feed for episodes on artists like Van Gogh and Banksy, plus much, much more!follow us everywhere @PCMCpod

In this outrageous episode of BS Free MD, Drs. May and Tim Hindmarsh dive headfirst into one of the most absurd headlines they've ever covered: a man attempting to pull a 2-ton police car with his penis… while on fire… all in the name of prostate cancer awareness. But the chaos doesn't stop there. The conversation spirals into pharmaceutical “awareness” campaigns, toxic chemical exposure in artists, questionable modern healthcare practices, pig semen-based cancer research, and the growing tendency of medicine to mask symptoms instead of asking why disease is happening in the first place. Along the way, the hosts mix sharp medical insight with dark humor, personal stories, cocktails, and the kind of unfiltered commentary that's become signature BS Free MD. In This Episode A strongman pulls a police car with his penis while on fire “High Potassium Awareness Day” and pharma-driven health campaigns AstraZeneca's role in disease awareness marketing Why “awareness culture” may actually be advertising Artist Govinder Nazra's tragic death linked to solvent exposure Van Gogh, lead poisoning, and toxic art materials Modern medicine's obsession with symptom masking Screening questionnaires and healthcare bureaucracy Experimental eye drops made from pig semen exosomes Why pigs are used so heavily in medicine and research Alcohol-free beer, bourbon, and Loaded Cannon Distillery Updates on BS Free MD's Substack and upcoming content About BS Free MD BS Free MD explores medicine, culture, relationships, freedom, health, and current events through candid conversations that challenge mainstream narratives. Hosted by physician couple Drs. May and Tim Hindmarsh, the show blends humor, skepticism, storytelling, and medical insight in a way that keeps listeners informed — and entertained. Links & Resources BS Free MD Website BS Free MD Substack BS Free MD on Rumble Athletic Brewing Company

Most of us are lonelier than we're willing to admit — and we're not telling anyone about it.This sermon is about the most ordinary thing in the world: a table. A meal. It turns out that simple thing might be the answer to something much larger.Drawing from the story of Jesus eating with the people no one else would eat with (Luke 5), Acts 2, the neuroscience of bonding, and a Van Gogh painting about Belgian coal miners — this sermon makes the case that God has always worked through ordinary tables. From the first meal in Genesis to the final feast in Revelation, the table isn't incidental to the story. It is the story.You'll wrestle with why belonging still feels so dangerous even when you want it. You'll encounter a Jesus who doesn't wait until you're ready to pull up a chair. And you might leave with one idea that changes how you think about every meal you eat for the next 70 days.Jesus keeps setting the table. The question: what are we going to do?

durée : 00:28:46 - Les Pieds sur terre - par : Sonia Kronlund - À Saint-Dizier, l'équipe municipale a transformé tous les panneaux publicitaires en œuvres d'art. À la place des réclames, des reproductions de Cézanne, Van Gogh, Hokusai, Manet, Delacroix, Botticelli… La ville devient un musée à ciel ouvert pour contourner la morosité ambiante. - réalisation : Élise Andrieu, Emmanuel Geoffroy, Victor Kandelaft, Mélissa Foust Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:28:46 - Les Pieds sur terre - par : Sonia Kronlund - À Saint-Dizier, l'équipe municipale a transformé tous les panneaux publicitaires en œuvres d'art. À la place des réclames, des reproductions de Cézanne, Van Gogh, Hokusai, Manet, Delacroix, Botticelli… La ville devient un musée à ciel ouvert pour contourner la morosité ambiante. - réalisation : Élise Andrieu, Emmanuel Geoffroy, Victor Kandelaft, Mélissa Foust Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Ayaan Hirsi Ali was born in Somalia, grew up in Saudi Arabia, Ethiopia, and Kenya, fled to the Netherlands in 1992 to escape an arranged marriage, became a member of the Dutch parliament, and collaborated with the filmmaker Theo van Gogh on a short film about the treatment of women under Islam. Ever since Van Gogh was murdered by a Dutch Islamist on an Amsterdam street in 2004, with a death threat addressed to her pinned to his chest with a knife, she has lived under security protection. She is the author of several books, among them Infidel, her memoir, and Heretic, in which she argued that Islam requires a reformation from within if it is to be compatible with liberal democratic civilization. For twenty years she was among the world's most prominent atheists—not merely in her personal convictions but in her public arguments, which held that reason and individual freedom were incompatible with religious submission of any kind. In November of 2023, she announced that she had become a Christian. That announcement, and the essay she wrote explaining it, raised one of the most searching questions in contemporary intellectual life: what does a civilization require in order to defend itself, and can secular liberalism supply it? This week, Ayaan Hirsi Ali joins the Tikvah Podcast to discuss her diagnosis of what political Islam is doing to Europe and to America—a diagnosis that has only sharpened since October 7—and her argument that the assault on Jews and Jewish life is not merely a Jewish problem but a leading indicator of a broader civilizational vulnerability. This conversation was recorded live before members of the Tikvah Society in New York City. If you'd like information about joining the Tikvah Society, write to us at society@tikvah.org and we'll get right back to you. This week's episode of the Tikvah Podcast is generously sponsored by Dr. Michael Schmerin and family. If you are interested in sponsoring an episode of the Tikvah Podcast, we invite you to join the Tikvah Ideas Circle. Visit tikvah.org/circle to learn more and join.

Send Kevin a Text MessageMark Canton, producer of 300, Immortals, Men in Black, Air Force One, and My Best Friend's Wedding, former President of Worldwide Production at Warner Bros., and former Chairman of Columbia Pictures and Columbia TriStar Motion Picture Companies, joins host Kevin Goetz for a conversation about a career defined by passion and instinct. From delivering mail on the Warner Bros. lot as a college student to greenlighting some of Hollywood's most beloved films, Canton reflects on the legends he learned from, the risks he took, and why he still smells the circus every time he walks onto a sound stage.Queens, New York, and Family (02:34): Canton traces his love of film to a father who survived being shot down over France in WWII, won an Oscar for a short film on Van Gogh, and went on to do publicity for Hitchcock and Dr. Martin Luther King Jr., and to a mother who was a published poet. The movies, he says, were always destiny.Learning from the Greats on Papillon (15:22): Working for director Franklin Schaffner in Jamaica and living between the houses of Steve McQueen and Dustin Hoffman, Canton learned what it meant to commit to a film.From the Warner Bros. Mail Room to Running the Studio (20:31): Canton traces his rise from UCLA film student to head of Worldwide Production at Warner Bros., sharing stories about the Vacation franchise, Caddyshack, and Lethal Weapon.Taking the Helm at Columbia Pictures (39:22): Recruited by Peter Guber and Jon Peters, Canton became Chairman of Columbia Pictures and later oversaw Columbia TriStar. He reflects on the team he assembled and the record-breaking run that followed, including Jerry Maguire, My Best Friend's Wedding, Bad Boys, and Air Force One.The Art of the Difficult Screening (47:51): Canton recounts two defining test screening moments: a chaotic preview of Scorsese's The Age of Innocence in a New Jersey bowling alley, and a tough audience response to Luc Besson's Léon: The Professional that led to an ultimatum and a reworked film that became a modern classic.The Cable Guy and No Regrets (50:43): Canton defends paying Jim Carrey $17 million and notes what history confirmed: the film launched Ben Stiller's directing career, introduced Jack Black, Owen Wilson, and Judd Apatow. He also recalls his affectionate standoff with Mike Nichols over the ending of Wolf.What Keeps Audiences Coming Back (54:50): Canton argues that what fills theaters today is the same thing that made Purple Rain a phenomenon: the feeling of a live, communal, irreplaceable experience.Host: Kevin GoetzGuest: Mark CantonProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Mark Canton:Wikipedia: https://en.wikipedia.org/wiki/Mark_CantonIMDB: https://www.imdb.com/name/nm0004799/Instagram: https://www.instagram.com/markcanton/?hl=enFor more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Il futuro non è un'attesa, è un atto di volontà.

07 14-05-26 LHDW Abellán nos habla de ridículo de Amaya Montero en su regreso con la Oreja de Van Gogh. Pink Floyd y su transcendencia

#160 Anne Frank House & Van Gogh Museum: Are Amsterdam's Most Famous Museums Worth It? In this episode of The Everyday Bucket List Podcast, we explore two of Amsterdam's most powerful and unforgettable experiences: the Anne Frank House and the Van Gogh Museum. From emotional history to world-famous art, this episode shares what it's really like to visit these iconic attractions—and why planning ahead is essential. Karen, Rich, Cedric, and Simon share firsthand experiences, practical travel tips, and honest reactions after visiting both museums during their Amsterdam trip. From navigating timed-entry tickets to standing inside the actual secret annex where Anne Frank hid during World War II, this episode dives into the moments that made these visits deeply meaningful. We also discuss the Van Gogh Museum's immersive galleries, the emotional story behind Van Gogh's life and artwork, and why these museums left such a lasting impact on us. In this episode, we cover: What it's like visiting the Anne Frank House How far in advance to book tickets Best times to visit + timing tips What to expect at the Van Gogh Museum Favorite exhibits and emotional highlights How much time you'll need for both museums Travel planning strategies for Amsterdam We also share a useful travel product recommendation for staying organized while traveling, plus a few personal Mother's Day memories and random stories at the end of the episode. Whether you're planning your first trip to Amsterdam or deciding which attractions deserve a spot on your itinerary, this episode will help you prepare for two of the city's most memorable experiences. CLICK THE LINKS BELOW OR CUT AND PASTE THEM INTO YOUR BROWSER: Binge-listen to my Amsterdam playlist https://open.spotify.com/playlist/07q6GH9BLjr3PWgCxOjreB?si=w9BDltD9RsmOHkao9lyPoA&pi=kg_a0reoT6i9C Binge-listen to my playlist about traveling to Europe https://bit.ly/4g4Bb07 Listen to these episodes next: Amsterdam's Straat Museum: Is it Worth it? Spotify or Apple (Ep158) Spring Bucket List: See the Most Beautiful Tulip Garden in the World Spotify or Apple (Ep 157) 19 Cheap Ideas to FULLY Enjoy Spring & FINALLY Escape Winter Spotify or Apple (Ep152)  RESOURCES: Grab a copy of The Everyday Bucket List Book https://amzn.to/3vwxz2K Support my work: https://buymeacoffee.com/edbl Foldable Hangers: https://amzn.to/42r7Et3 Connect with me: Website: KarenCordaway.com Twitter (X): @KarenCordaway https://x.com/karencordaway Pinterest: @Everyday_Bucket_List https://www.pinterest.com/EverydayBucketList/ TikTok: @Everyday_Bucket_List https://www.tiktok.com/@everyday_bucket_list Need a coach? Hire me to help with bucket list goals: https://karencordaway.com/contact/ If you're enjoying this podcast, please rate and review it to let me know what content you want more of! Disclaimer: Some outbound links financially benefit the podcast. Using them is a small way to support the show at zero cost to you. I only endorse products I personally use or would recommend to close friends and family. https://karencordaway.com/disclaimer/       Travel hangers https://amzn.to/4tA0DRR

En el programa de este martes hemos recibido a nuestro jueza, Carmen Lomana. Entre otros asuntos, ha juzgado las críticas a La Oreja de Van Gogh en su vuelta a los escenarios con Amaia Montero. Además, en nuestro repaso a lo mejor de las redes sociales nos hemos reído con una marca de conservas que tiene un nombre muy particular. Y también hemos hablado con los oyentes de ese momento en el que casi "se matan", como Xavi Rodríguez, que se llevó un buen susto con la silla de trabajo de su casa y de los momentos más tensos que han vivido. See omnystudio.com/listener for privacy information.

Transcriptie: https://www.eenbeetjenederlands.nl/podcast/van-gogh-deel-2Steun de podcast! https://petjeaf.com/eenbeetjenederlandsAflevering 84: Van Gogh (deel 2: de kunstenaar)Dit is de tweede aflevering over Vincent van Gogh. Vincent is 27 jaar en heeft besloten om kunstenaar te worden. Schilderen is het nieuwe doel in Vincents leven. Maar het is niet eenvoudig. Hij woont op verschillende plekken, heeft weinig geld en worstelt met zijn mentale gezondheid. Toch maakt hij schilderij na schilderij, en ontwikkelt hij een eigen stijl vol kleur en energie. Vincents eigen brieven geven het mooiste beeld van zijn ideeën en ontwikkeling. Daarom gebruiken we die deze aflevering om het werk van Vincent van Gogh beter te leren kennen.Deze maand staat er ook een exclusieve aflevering over Jo Bonger klaar voor Vrienden van de Podcast. Ga naar petjeaf.com/eenbeetjenederlands voor meer informatie.Een Beetje NederlandsDe podcast voor iedereen die beter Nederlands wil leren luisteren! Voor mensen op niveau B1/B2. Afleveringen over allerlei onderwerpen in duidelijk en helder gesproken Nederlands. Iedere aflevering heeft een transcriptie om mee te lezen. Leer met deze podcast Een Beetje Nederlands!Learn Dutch with this podcast for intermediate learners (level B1/B2). This podcast lets you listen to a range of different subjects in clear and slowly spoken Dutch. Every episode comes with a free transcript on the website. Learn a little Dutch with Een Beetje Nederlands!

Rialtóirí aerthráchta, nó air traffic controllers - not many of us could explain what they do, ach bheimis i bponc ceart gan iad. We're joined sa stiúideo by Nicóla Ní Riada from AirNav Ireland agus í ag insint dúinn faoin day-to-day agus faoin traenáil le bheith i do rialtóir aerthráchta. Coinnigh súil ar ár socials le roinnt snippets a fheiceáil ón gcuairt a thug Doireann agus Síomha ar an bhfoireann in the AirNav tower! Besides all things air traffic, Doireann & Louise nearly come to blows mar gheall ar sheaicéad Adidas (of all things), agus insíonn Louise dúinn faoina haistear ealaíne go dtí seo. Van Gogh is quaking. Sponsored by Fáilte Ireland. Déan plean dod' shaoire ghearr ag DiscoverIreland.ie.  HOW TO GAEL: LE GEALAÍ Baile Átha Cliath: ⁠⁠https://www.ticketmaster.ie/how-to-gael-dublin-05-04-2026/event/1800638AD058E413⁠⁠ Bí i dteagmháil linn! Ríomhphost: ⁠⁠howtogael@gmail.com⁠⁠ Suíomh: ⁠⁠https://www.howtogael.com/⁠⁠ Instagram: ⁠⁠https://www.instagram.com/howtogael/⁠⁠ TikTok: ⁠⁠https://www.tiktok.com/@howtogael Learn more about your ad choices. Visit podcastchoices.com/adchoices

What if the funding to grow your quilting business was already sitting in your local community, waiting for someone like you to apply for it? In this episode of the Craft To Career Podcast, I'm talking with Eva Saunders of Gingerly Quilt Co. about the unique way she has grown her quilting business: by applying for and receiving local grants for small creative businesses. These grants have helped Eva develop online quilting courses, invest in her ideas, and grow Gingerly Quilt Co. without relying only on pattern sales. Her story is such a good reminder that there are creative ways to fund a quilting business, and sometimes the resources you need may be closer than you think. Eva has also created a beautiful and memorable niche as a quilt pattern designer. With her background and love for art history, she designs quilts inspired by famous works of art and artistic movements. From a Starry Night quilt inspired by Van Gogh to Art Deco quilt patterns, Eva brings fine art into quilting in a way that feels fresh, meaningful, and completely her own. In this episode, we will talk about: How Eva discovered grant opportunities in her local community What the grant application process looked like for her creative business Why niching down into art history quilts helped her stand out as a pattern designer How she turns famous artwork into quiltable designs The unique construction methods behind her art quilts How turning quilt patterns into online quilting courses opened up new revenue streams What it looks like to build a quilting business around your personal interests and expertise Listen to this episode if you: Are a quilt pattern designer looking for new ways to fund your business Have wondered if grants for small creative businesses could help you grow Want to create more unique and memorable quilt patterns Are interested in art quilts, art history quilts, or fine-art-inspired quilting Feel like you need help finding a niche that feels true to you Want to learn how online quilting courses can become another revenue stream Eva's story is full of practical insight and creative inspiration. Whether you are dreaming of applying for a grant, creating a course, or developing a niche pattern design style of your own, this conversation will give you so much to think about. About Eva Saunders Eva Saunders is the quilt pattern designer behind Gingerly Quilt Co. Her work blends quilting, art history, and creative construction methods to create patterns that feel like works of art. Through Gingerly Quilt Co., Eva creates art-inspired quilt patterns and online quilting courses that help quilters bring famous artwork and beautiful design movements into their own quilts.

Leo Rizzi charla con Nacho García y Lalachus de disco La belleza de las flores y adelanta en exclusiva cuándo saldrá de gira. Bertus le pone nota a los puentes (como el de mayo que acabamos de pasar). Alba Cordero apunta las cuatro canciones que le gustaría que La Oreja de Van Gogh incluya en el setlist de su gira. Y Juan Sanguino habla la fiebre del puntito azul, la avalancha de cancelaciones de conciertos. Además, en la sección A puro fomo se debate entre quedar con amigos para hacer repostería o una noche de campamento.

There's a town in Texas called Round Top. Population eighty-seven. One square mile. And in that town, an artist named John Lowry sold a single painting for $141,500. (We toured his gallery on YouTube — link's right there in his name. Watch it before or after this episode.) That's the headline. Here's the part nobody tells you: he then sold roughly $60,000 more in reproductions of that same image. Same painting. Different mediums, different sizes, different price points. One image, two hundred grand. That is not luck. That is not a once-in-a-lifetime fluke. That is a system. And the same system is what Gray Malin uses to run a 4,156-SKU catalog with 221 variants of certain images. The same system is what Wyland — yes, that Wyland — uses to sell 972 products across 45 different mediums, raising prices roughly 10% a year for the last sixteen years. This episode deconstructs the engine that makes all of that possible. Print on Demand and the sample ladder aren't two ideas. They're one engine. The artists at the top of this business have figured that out. Most artists haven't. We're going to fix that today. But first — a quick rant about what gets in the way. In this episode: The $141,500 painting in a town of 87 people — and why the second sale is the lesson The knife salesman pivot: why Print on Demand is a sample tool first, a profit tool second Hobbyist or business? The honest question every artist has to answer The Drain — four ideas clogging up most art businesses (you can't run a business / you can't run sales or marketing campaigns / you can't be perceived a certain way / never discount your work) — and why every pro you admire threw all four of them out Why we study the masters: you studied Van Gogh and Ansel Adams in art school. Time to study the people doing it best in the business of art. Gray Malin, deconstructed: 4,156 SKUs, 16-year escalator, 221 variants of single images. What an artist with a real engine looks like under the hood. Wyland, deconstructed: 972 products across 45 mediums. The 10%-a-year price escalator that compounds for decades. The catalog as a museum gift shop. The Range Unlock: your catalog isn't N images. It's N images × M mediums × P price points. Most artists are sitting on 100x more inventory than they think. Same image. Every price point. Why this is the single most important sentence in your art business. The bottom rung IS the sample: a $20 mug isn't a giveaway, it's a customer-acquisition machine wearing a price tag The Buc-ee's flex: how the cheap stuff at the front door funds the expensive stuff at the back wall John Lowry, the customer mirror: an Art Storefronts customer in a one-square-mile Texas town doing exactly what Malin and Wyland do — at his scale. Proof this isn't a billionaire-only game. (Watch the full studio tour on YouTube.) "You don't sell JPEGs" — the Brooks rant about why a digital file is not a product, and what the pros actually sell How the Six Basics from The Long Game show up — receipt by receipt — in all three of these businesses The artichoke storage room (you'll know what this means by the end) This week's homework: audit your own catalog the way we just audited Malin and Wyland. Take your top 5 best-selling images. Count how many mediums you currently offer them in. Count how many price points. Now ask: could I responsibly add three more variants of each, this week, with Print on Demand? If the answer is yes — and it almost always is — you just found revenue you already earned but haven't collected yet. Resources mentioned: John Lowry of Humble Donkey Studio — the full video tour on YouTube (the original 2024 interview referenced throughout this episode) Humble Donkey Studio — John Lowry's website Humble Donkey on Instagram Gray Malin — the catalog we deconstruct Wyland — the other catalog we deconstruct Art Storefronts — the website + storefront engine built for working artists Related episodes: Why Your Website Will Still Be Working in 2055 — The Long Game (the parent episode this one builds on) Humble Donkey Studio — the original John Lowry interview, July 2024 All Oars In — The Anatomy of a Sale Nothing New Under the Sun — The Rules That Actually Sell Art So: which 78-year-old version of yourself wins? The one still asking what to post on social media, or the one running a real engine — same image, every price point, compounding every year? You don't have to be in a billionaire's neighborhood to do this. You can be in Round Top, Texas. Population 87. The engine doesn't care where you live. It cares whether you build it.

Send Carla a message!Today, I sit down with Michelle, a former coaching client, longtime art educator, and new author  (Heart of Color: A Gentle Look at Vincent Van Gogh) to talk about what happens when you finally stop living inside the “box” of other people's expectations and start building a life that has room for your real self.If you are inspired by stories of creativity, courage, or starting over, this conversation is for you.Subscribe for more conversations like this.Share the episode with a friend who needs a nudge, and leave a review to help others find it too.Get a copy of Michelle's book:https://www.artful-spark.com/storeThe book will be available for purchase starting May 15. Connect on Instagram @artful.sparkOctober 22, 2026 Celebrate Bloom Kindness Day: Check our website for ideas close to the date. Learn more about Carla:Website: https:/www.carlareeves.com/Get The Differently Journal:https://carlareeves.com/journalConnect on Pinterest: https://www.pinterest.com/differentlyco/Connect on LI: https://www.linkedin.com/in/reevescarla/Connect on Youtube: https://www.youtube.com/@differentlythepodcastGo to https://carlareeves.com/free-class to get The Class schedule, sign up, and/or pass it on to a friend.  Come hang out and learn with us for FREE!Book a Complimentary Strategy Call with Carla:  https://bookme.name/carlareeves/strategycallIf you enjoyed this episode, be sure to share it with a friend. A free way to support our show is by leaving a five-star rating and review on your favorite podcast player. It's a chance to tell us what you love about the show and it helps others discover it, too. Thank you for listening!

If you're an artist, when would you like recognition to strike? Do you want it to be in your lifetime, only to be forgotten decades after your death? Or do you want to remain undiscovered, with your story potentially echoing for centuries after you've been discovered posthumously? These are some of the thorny questions Dan and Elizabeth consider in this episode about artistic failure. Together, they trace the stories of artists whose lives don't neatly match up with the reputations their works have gathered: French writer George Sand, and the painters Vincent Van Gogh, and Artemisia Gentileschi. Each artist presents a differing experience of the kaleidoscope that is artistic failure: Van Gogh and Gentileschi suffered great personal anguish yet have given the world canonical paintings, while Sand was one of the most popular novelists of the 19th century – only to be cast out of the canon in the next century. So what would you rather: Acclaim now, or acclaim posthumously? – As always, Dan's royal favourites can chime in anytime on the royal court on Patreon at patreon.com/thisishistory. And don't forget to listen to this season's accompanying bonus episodes for this miniseries, where Dan and Producer Al are dissecting the biggest historical failures as submitted by the royal favourites. In this episode, they discuss a potential research fail about Battle of Hastings, what happens when failure is lost in translation, and what American Reconstruction can teach us about historical failure. – A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices –– Presented by Dan Jones and Elizabeth Day Producer - Alan Weedon Senior Producer - Dominic Tyerman Researcher - Phoebe Joyce Executive Producer - Louisa Field Executive Producer - Dan Jones Executive Producer for Daylight Productions - Elizabeth Day Production Manager - Jen Mistri Production Coordinator - Eric Ryan Head of content - Chris Skinner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us Fan Mail170 - Think river cruising in France means the Seine? Think again. In this episode of Travel Inspired, hosts and travel agents Rob & Kerri Stuart take you along on a seven-day journey down one of Europe's most overlooked — and most rewarding — waterways: the Rhône River in southern France.Let us help you with your next vacationFrom the Van Gogh-painted streets of Arles to the Roman grandeur of Avignon, the UNESCO-listed Pont du Gard aqueduct, and the snow-dusted vineyards of Tain-l'Hermitage, every port stop on this iconic south-to-north itinerary offers something unforgettable. And it all culminates in Lyon — the gastronomic capital of France and a city that deserves far more than a quick stopover.Rob and Kerri share firsthand experiences from two separate Rhône River cruises (first with AmaWaterways in 2014, and most recently with luxury boutique line Uniworld), offering honest insight into what makes this itinerary so special — and who it's perfect for.In this episode, you'll discover:Why the Rhône rivals Italy for Roman history and architectureThe best port stops on a southern Rhône cruise — and what not to missHow to choose between Arles-to-Lyon vs. Lyon-to-Arles (and why direction matters)What a private wine tasting in the Rhône Valley is really likeWhy Lyon deserves extra days at the end of your cruiseWho this cruise is ideal for — couples, empty nesters, foodies, and beyondWhether you're a first-time river cruiser or looking to upgrade from the Rhine or Danube, this episode will inspire you to put the Rhône River at the top of your travel bucket list.

Transcriptie: https://www.eenbeetjenederlands.nl/podcast/van-gogh-deel-1Steun de podcast! https://petjeaf.com/eenbeetjenederlandsAflevering 83: Van Gogh (deel 1: de jonge jaren)Iedereen kent Van Gogh: hij is een van de bekendste schilders ter wereld. Je denkt waarschijnlijk aan zijn Zonnebloemen, de Sterrennacht of natuurlijk aan zijn oor. Dat hij maar een paar kunstwerken verkocht heeft in zijn leven. Dat klopt allemaal, maar dat is niet het hele verhaal. Van Gogh had een tragisch leven. Hij werd pas kunstenaar op zijn 27ste, tot zijn dood tien jaar later. Hoe werd deze jongen uit Brabant de wereldberoemde schilder die we kennen? In deze eerste aflevering over Van Gogh kijken we naar het eerste deel van zijn leven. Naar zijn jeugd en zoektocht naar zijn plek in de wereld.Deze maand staat er ook een exclusieve aflevering over Judith Leyster klaar voor Vrienden van de Podcast. Ga naar petjeaf.com/eenbeetjenederlands voor meer informatie.Een Beetje NederlandsDe podcast voor iedereen die beter Nederlands wil leren luisteren! Voor mensen op niveau B1/B2. Afleveringen over allerlei onderwerpen in duidelijk en helder gesproken Nederlands. Iedere aflevering heeft een transcriptie om mee te lezen. Leer met deze podcast Een Beetje Nederlands!Learn Dutch with this podcast for intermediate learners (level B1/B2). This podcast lets you listen to a range of different subjects in clear and slowly spoken Dutch. Every episode comes with a free transcript on the website. Learn a little Dutch with Een Beetje Nederlands!

CADENA 100 emite la mejor variedad musical con temas de Beyoncé, La Oreja de Van Gogh, Damiano David, Aitana, Taio Cruz, Fangoria y Katy Perry. En '¡Buenos días, Javi y Mar!', Javi y Mar comparten buenas noticias: la adopción de Kimba, una perra que encuentra un hogar tras diez años en un refugio; Yolanda, guía de turismo en Murcia, recibe una distinción de calidad por sus 22 años de trayectoria; y Javi relata la experiencia de su mujer corriendo una media maratón junto a Álex Roca, un deportista con discapacidad, destacando su mensaje inspirador sobre vivir la vida al máximo y buscar la felicidad. También saludan a oyentes como Inés en Soria y Natalia en Teruel.