Podcasts about gachet

Kerst Update!!! Groots onderzoek van the New York Times naar het verdwenen portret van Dokter Gachet brengt de journalisten naar Zwitserland, naar een mysterieuze villa. Maar hebben we het portret dan nu eindelijk gevonden?  Reden voor mij om mijn podcast van vorig jaar af te stoffen: Op 15 mei 1990 wordt in veilinghuis Christie's in New York geschiedenis geschreven: Het portret van dokter Gachet  -  een van de laatste werken van Vincent van Gogh - wordt voor het allerhoogste bedrag ooit verkocht. $75 miljoen. Inclusief toeslagen een verbijsterende $82.5 miljoen.  Nadat iedereen is uitgefeest verdwijnt Het portret van dokter Gachet naar Tokyo. En is daarna nooit meer publiekelijk gezien. Sterker nog: Niemand weet met zekerheid waar het schilderij is gebleven… Werd het gecremeerd samen met een Japanse papier magnaat? Zit het stiekem in een kluis van een spaghetti miljardair?  En wat heeft Adolf Hitler hier mee te maken? En nu staat The New York Times dus voor de poorten van een mysterieuze villa in Zwitserland... Luisteren dus naar Het verdwenen portret van dokter Gachet Wil je deze podcast steunen? Nou dat kan! Koop mijn boek, De moord op mr. Jacques Wijsman! In dat boek raakt Josephine van Dil - Ter Heul betrokken bij deze zaak als haar broer verdacht wordt van de moord op de jonge advocaat Wijsman. Joop en haar vriendinnen moeten alles uit de kast trekken om de echte dader op te sporen, zelfs als dat steeds gevaarlijker lijkt te worden. . #vangogh #gachet #mysterie #vincent #vincentvangogh #lizluyben #nederlandsepodcastserie

Van Goghs Porträt seines Arztes Dr. Gachet, ein Interieur mit zwei Frauen von Vermeer beim Konzert, das Bildnis eines jungen Mannes von Raffael: Drei Kunstwerke, die seit Jahrzehnten nicht mehr öffentlich zu sehen waren. Werden sie wieder auftauchen? Von Stefan Koldehoff und Johannes Nichelmann www.deutschlandfunkkultur.de, Feature

Van Goghs Porträt seines Arztes Dr. Gachet, ein Interieur mit zwei Frauen von Vermeer beim Konzert, das Bildnis eines jungen Mannes von Raffael: Drei Kunstwerke, die seit Jahrzehnten nicht mehr öffentlich zu sehen waren. Werden sie wieder auftauchen? Von Stefan Koldehoff und Johannes Nichelmann www.deutschlandfunkkultur.de, Feature

Van Goghs Porträt seines Arztes Dr. Gachet, ein Interieur mit zwei Frauen von Vermeer beim Konzert, das Bildnis eines jungen Mannes von Raffael: Drei Kunstwerke, die seit Jahrzehnten nicht mehr öffentlich zu sehen waren. Werden sie wieder auftauchen? Von Stefan Koldehoff und Johannes Nichelmann www.deutschlandfunkkultur.de, Feature

Joining Mike Davis and Producer Amanda "This Evening" are Peggy Gachet and Judi Cowan from Rotary Club of St. Augustine Sunset talking to us about Sunset & S'mores.

"Le cinéma peut créer des rêves plus durables." Aujourd'hui, je pars à la rencontre de Charles Gachet-Dieuzeide, co-fondateur de Secoya Eco Tournage, qui propose des solutions sur mesure pour accompagner les sociétés de production audiovisuelles à engager une transition écologique. "2030 Glorieuses", c'est le podcast qui met en avant les acteurs du monde de demain, ceux qui incarnent les utopies réalistes dont nous avons tant besoin. Ils sont des milliers en France à agir concrètement pour montrer que l'action est le meilleur remède contre le fatalisme et que, si nous agissons avec ambition et amour, la décennie des 2030 glorieuses est à portée de mains.

House, funk, soul, bass and beats for open-minded listeners with an old-skool state of mind, presented by DJ D'Francisco. Featuring Tribute to Oye guest mix from Owen Barden https://www.mixcloud.com/owenbarden/ Contact: fdisco@hotmail.com / @frankiedisco54 Catch the pod live every Friday afternoon on www.musicboxradio.co.uk 3-5 UK time, as a podcast or at www.mixcloud.com/francisco Tracklist: Northern Form - SanguineTony Allen, Theo Parrish, Eska, Andrew Ashong - Days Like This ReworkBad Medicine - Trespasser (Pts 1+ 2 D'Francisco DJ Edit))Cool Affair - Medu'NeterAndreya Triana - Gold (Fakear Remix)Gwen McRae - Doin' ItSticky Dub - Warrior ChantSoul Parlor - One For You No bassxxxcxxcThe Extra T's - ET BoogieMasters at Work - MAW Expensive DJ Meme - Century (DJ Spen's Extended FunkyAfroSpaceOdyssey)Low Steppa, Crusy - Bullerengue (Extended Mix)Dennis Cruz - Bonito (Original Mix)Amane, Joi N'Juno - Namaseo feat. Amane (Art Of Tones Remix)Art Of Tones - Reprise De Fonk (Original Mix)Mark Knight, Green Velvet, James Hurr - Greatest Thing Alive (Extended Mix)Mijangos, George Vibe - Happy DrumsDennis Ferrer, Danil Wright, Kasango - Church Lady (Kasango Extended Mix)Bontan, Lazarusman - Drum RhythmCISUMMI, Stevo Atambire, Sparrow & Barbossa - DIKEBO (Sparrow & Barbossa Remix)Neil Pierce - Ring For RhemiStefano Ranieri - Sanda Sanda (Original Mix) Adam F - Brand New Funk Revisited (Adam F Reboot VIP)High Contrast, Kae Tempest, Anita Blay - Time Is Hardcore (Breakage's Hardcore Bubblers Mix)Dr S Gachet - Remember the Roller

Vu sur Hellfest 2024 : Julien Gachet du groupe INNER LANDSCAPE Rencontre avec Julien GACHET chanteur guitariste du groupe INNER LANDSCAPE proposée par Alexandre Raphalen Cet article provient de Radio AlterNantes FM

Personne ou presque ne connaissait son nom il y a encore quelques années, pourtant son œuvre est immense : Alice Millat s'est battue toute sa vie pour permettre aux femmes de participer à des compétitions sportives, jusqu'à créer des Jeux olympiques entièrement féminins au début du XXe siècle. Des combats avant-gardistes qui font écho à ceux qu'il reste à mener pour une meilleure visibilité des femmes dans le sport. À l'origine, il n'y avait même pas de nom ni de prénom sur la tombe d'Alice Milliat, qui repose dans un cimetière de Nantes, dans l'ouest de la France. « C'est une tombe extrêmement simple. Sa sépulture est aussi modeste que son œuvre est grande », se plaît à dire Stéphane Gachet. Ce passionné des Jeux olympiques lui a consacré une biographie en 2019, Alice Milliat – Les vingt ans qui ont fondé le sport féminin (La compagnie du livre) et a contribué, par la même occasion, à la faire sortir de l'oubli.Au début du XXe siècle, Alice Milliat, passionnée d'aviron, milite pour que les femmes intègrent les compétitions sportives, contre le discours imposé par la religion et même certains médecins. « La femme ne devait pas se dévêtir, ni s'exposer en public. Elle devait absolument se préserver. Son seul but était d'enfanter », résume Stéphane Gachet. À rebours de la doxa, Alice Milliat estime que pour changer les choses, les clubs féminins doivent être dirigés par des femmes. Alors, en 1915, elle prend la tête d'un club de gymnastique à Paris, qu'elle ouvre à d'autres sports comme l'athlétisme, le basketball, le football, le rugby et le hockey. Pour l'époque, c'est plus que novateur. Mais le contexte est favorable, pointe Stéphane Gachet : « Un événement important survient : la Première Guerre mondiale. Les hommes vont libérer leurs places dans les foyers, aux usines et sur les terrains de sport. »En 1919, nouvelle étape, elle contribue à fonder la fédération des sociétés féminines sportives qu'elle dirige. Puis, elle demande au comité olympique d'inscrire les épreuves féminines d'athlétisme aux Jeux olympiques. Refus catégorique de son président d'alors : le baron Pierre de Coubertin. « Je n'approuve pas personnellement la participation des femmes à des concours publics. Aux Jeux olympiques, leur rôle devrait être surtout de couronner les vainqueurs », expose-t-il dans une archive sonore.Qu'à cela ne tienne, Alice Milliat réplique à ce refus en 1922 en créant les premiers Jeux féminins à Paris. Le succès est immédiat et s'étire jusqu'à la dernière édition de 1934. « On rapporte qu'il y a plus de 20 000 spectateurs dans les stades et des performances sportives qui n'ont rien à envier aux hommes », développe Stéphane Gachet.Le coup d'arrêt interviendra dans les années 1940, sous le régime de Vichy qui gommera complètement cet héritage en interdisant aux femmes de pratiquer des sports dans des compétitions publiques.« C'est comme si le sport des années 20 et 30 n'avait jamais existé », pointe encore Stéphane Gachet. Si bien qu'Alice Milliat décède dans l'indifférence générale en 1957.Le combat continue aujourd'huiMais depuis quelques années, son nom et son œuvre refont surface. À quelques pas du cimetière, où elle est enterrée, une école maternelle et élémentaire est en construction. « Ce sera le premier établissement scolaire de France à porter le nom d'Alice Milliat », se réjouit Stéphane Gachet, qui assume aussi des fonctions de conseiller régional à la région des Pays-de-la-Loire.À Paris aussi, des initiatives sont mises en place. Notamment une visite guidée menée par l'association « Feminists in the City » et la Fondation Alice Milliat. Une vingtaine de personnes présentes ce jour-là sur les traces de quelques figures du sport féminin, « qu'on essaye de lier à des enjeux contemporains liés au féminisme », explique en guise d'introduction Sonia, la guide-conférencière.La visite débute devant l'entrée du Comité National Olympique et Sportif Français (CNOSF), situé dans le 14e arrondissement de Paris. « Il y a deux statues qui trônent ici dans le hall du CNOSF, pointe du doigt Sonia. Sur la droite, on a le baron Pierre de Coubertin. Et sur la gauche, regardez qui voilà : C'est Alice Milliat. Et ça a été une longue bataille. Il a fallu sept longues années pour qu'elle trône ici. »Caroline est l'une des participantes du jour. « Cette visite participe à la faire sortir de l'oubli, ce qui est indispensable ». Mais les combats d'Alice Milliat sont loin d'être achevés, juge-t-elle. « Il faut plus de femmes dans les fédérations, il faut aussi davantage d'argent, car aujourd'hui ce n'est pas du tout équivalent par rapport aux hommes. Bref, on est encore loin d'avoir une équité dans la pratique sportive entre hommes et femmes. Donc le combat continue, comme qui dirait ! »Pour la première fois aux Jeux olympiques de Paris, il y aura exactement le même nombre de femmes que d'hommes engagés : 5 250 précisément. La parité est donc atteinte plus d'un siècle après les premiers Jeux olympiques féminins. Une bonne nouvelle, bien sûr, salue Tess Harmand. Mais la directrice générale de la fondation Alice Milliat, créée en 2016, se montre vigilante : « On espère que cet intérêt pour Alice Milliat ne va pas retomber après les Jeux. On a bon espoir que toutes les actions que l'on fait puissent continuer bien au-delà de l'olympiade. Car le sport reste un formidable outil pour faire évoluer les mentalités pour plus d'égalité dans la société aussi. »À lire aussi«Olympisme, une histoire du monde»: à Paris, une exposition entre sport et politique

[EXTRAIT] Olivier Bossard raconte les coulisses de sa collaboration avec Max Commençal chez Sunn et de comment ils ont révolutionné le monde du VTT.Pour retrouver l'épisode complet, tapez "#47 - Olivier Bossard - Le Boss de la suspenson a-t-il vraiment fini de bousculer le monde du VTT?"------Olivier Bossard est le fondateur de Bos suspensionLorsqu'il a créé sa première fourche à suspension à 23 ans, Olivier n'imaginait surement pas qu'elle allait marquer le début d'une d'une ère d'innovations et de victoires.Mais c'était sans compter sur la rencontre avec Max Commençal qui a fait des étincelles, changé sa vie et contribué à transformer durablement le monde du VTT avec des innovations qui restent encore d'actualité aujourd'hui.De 1994 à 1999, le duo a pratiquement tout gagné avec des pilotes comme François Gachet, Nicolas Vouilloz, Anne-Caroline Chausson et Cédric Gracia et a contribué à faire du team Sunn un époque mythique dont les passionnés se rappellent avec émotion.Mais vous allez voir qu'Olivier est loin de vivre dans le passé et que son présent est bien fourni et que l'avenir peut encore réserver quelques surprises.Dans cet épisode, attendez-vous à: Découvrir pourquoi Olivier Bossard s'est lancé dans la suspension de VTTComment s'est fait la rencontre avec Max CommençalL'origine des premiers vélos de descente Sunn et les débuts pas évidents en compétitionLes technologies utilisées à l'époque et qui sont encore au goût du jour et celles qui pourraient voir le jour demainL'avis d'Olivier sur le marché du vélo et de la suspensionLa vraie raison derrière l'absence de Bos sur le marché du VTT et Qu'est ce qui pourrait le faire revenirEt bien plus encore----Où suivre Olivier: https://www.bos-suspension.com/L'article "History of Victory de Matt Wragg: https://www.pinkbike.com/news/Bos-Suspension-A-History-of-Victory.html-----

Olivier Bossard est le fondateur de Bos suspensionLorsqu'il a créé sa première fourche à suspension à 23 ans, Olivier n'imaginait surement pas qu'elle allait marquer le début d'une d'une ère d'innovations et de victoires.Mais c'était sans compter sur la rencontre avec Max Commençal qui a fait des étincelles, changé sa vie et contribué à transformer durablement le monde du VTT avec des innovations qui restent encore d'actualité aujourd'hui.De 1994 à 1999, le duo a pratiquement tout gagné avec des pilotes comme François Gachet, Nicolas Vouilloz, Anne-Caroline Chausson et Cédric Gracia et a contribué à faire du team Sunn un époque mythique dont les passionnés se rappellent avec émotion.Mais vous allez voir qu'Olivier est loin de vivre dans le passé et que son présent est bien fourni et que l'avenir peut encore réserver quelques surprises.Dans cet épisode, attendez-vous à: Découvrir pourquoi Olivier Bossard s'est lancé dans la suspension de VTTComment s'est fait la rencontre avec Max CommençalL'origine des premiers vélos de descente Sunn et les débuts pas évidents en compétitionLes technologies utilisées à l'époque et qui sont encore au goût du jour et celles qui pourraient voir le jour demainL'avis d'Olivier sur le marché du vélo et de la suspensionLa vraie raison derrière l'absence de Bos sur le marché du VTT et Qu'est ce qui pourrait le faire revenirEt bien plus encore----Où suivre Olivier: https://www.bos-suspension.com/-----

Et si on profitait des jours fériés pour parler argent en bande ? Matthieu Stefani vous propose sa sélection d'épisodes à (ré)écouter entre amis : #16 - Mouvement FIRE : épargne hardcore et retraite à 40 ans (Victor Lora, janvier 2020) #68 - Guide de l'investissement en SCPI entre amis (Gautier Delabrousse-Mayoux, juin 2021) #59 - Chasser en meute, comment investir entre amis (Corentin Orsini, avril 2021) #168 - Investir dans un coliving entre amis (Matt, Jérémy Gachet, Loic Audet, juin 2023) La Martingale est un podcast produit par CosaVostra, du label Orso Media.

Stéphane Gachet était au téléphone des Grosses Têtes ce 21 février. Il publie "JO d'été : tous les médaillés Français de 1896 à nos jours". Un livre dans lequel il parle notamment d'une certaine Yvonne Prévost... Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

Stéphane Gachet était au téléphone des Grosses Têtes ce 21 février. Il publie "JO d'été : tous les médaillés Français de 1896 à nos jours". Un livre dans lequel il parle notamment d'une certaine Yvonne Prévost... Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.

durée : 02:00:36 - Le 5/7 - par : Mathilde MUNOS, Amaury Bocher, Elise Amchin - Caroline Bayle-Siot et Stéphane Gachet sont les invités du 5/7

durée : 00:06:41 - L'invité de 6h20 - Les médailles des JO 2024 seront dévoilées ce jeudi : Stéphane Gachet responsable des évènements sportifs pour Nantes métropole et auteur de livres sur le sport, notamment de "JO d'été, tous les médaillés français de 1896 à nos jours" (2023 aux éditions Talent Sport) est l'invité de 6h20.

La rétrospective du Musée d'Orsay revient sur les ouvres réalisées par Vincent Van Gogh, les derniers mois de sa vie, à Auvers-sur-Oise. Elle sera interrompue par son suicide en 1890. Vous pourrez découvrir une quarantaine de tableaux et une vingtaine de dessins. Van Gogh se montre très inspiré et produit même quelques chefs-d'œuvre. Il peut compter sur l'aide du Dr Gachet, un médecin spécialisé dans le traitement de la mélancolie. Des sujets très variés sont abordés. Je me suis reconnu dans les tourments de l'artiste. « Van Gogh à Auvers-sur-Oise, les derniers mois », une exposition à voir jusqu'au 4 février au Musée d'Orsay dans le 7ème.

Samuel Péridy a été pilote professionnel de VTT de descente, journaliste et photographe pour le magazine VTT Mag et dirige aujourd'hui une école de VTT à Métabief.Samy comme l'appellent ses proches a été aux premières loges de l'arrivée du VTT en France.Passionné de motocross, il est tombé amoureux de ce sport grâce à son ami Philippe Moreau qui lui a mis « le pied à l'étrier ».Après une carrière professionnelle pendant laquelle il a côtoyé, challengé et même battu les plus grands, il est passé de l'autre côté de la barrière en entant chez VTT Mag où il a officié pendant 18 ans.Une période faste pendant laquelle il a essayé les meilleurs vélos, voyagé aux 4 coins du Monde pour rouler sur les plus beaux spots avec les meilleurs pilotes pour ramener les plus belles images.Aujourd'hui, Sam se consacre à son école de VTT et fait ressurgir quelques souvenirs de la grande époque.Dans cet épisode vous découvrirez:Comment Sam est passé de débutant en VTT à triple Champion du Monde Master.Comment il a battu Nicolas Vouilloz à la régulière alors que ce dernier était invaincuSes souvenirs des vélos les plus incroyables qu'il ait essayéSes meilleurs histoires sur l'âge d'or de la presse spécialisée mais aussi son point de vue sur le déclin qui a suivi.Son engagement auprès de la station de Métabief et comment le VTT se développe sur placeSon récit sur l'évènement qu'il a organisé pour les 30 ans des championnats du Monde à Métabief.Et bien plus encore.——Préparez-vous à un épisode fourni en name droping qui rappellera des souvenirs à certains d'entre vous…Quelques uns des très nombreux noms dont on a parlé pendant l'épisode:Nicolas Vouilloz, Philippe Moreau, Nolwenn Lecaer, Karim Amour, Max Commençal, Max Gardella, Alex Balaud, François Gachet, Anne-Caroline Chausson, Cedric Gracia, Florent Poussin, Miguel Martinez, Vincent Ranchoux, Christophe Jobic, Benjamin Lacoste, Giovanna Bonazzi, Peter Pouly, Olivier Guincêtre.Et sachez que la version vidéo de cet épisode ainsi qu'une vidéo Bonus de dans le garage de Sam sont à retrouver sur Youtube à partir de 18h le jour de sa publication.L'épisode en vidéo est ici le Lundi 8 à partir de 18:00 :https://www.youtube.com/channel/UC9n72z3lZDhD-YKdAY3bILQ/Le Bonus avec le garage de Sam est ici à la même heure: https://www.youtube.com/channel/UC6SZoLpZodkADwXMM7LJYiQ/————

Op 15 mei 1990 wordt in veilinghuis Christie's in New York geschiedenis geschreven: Het portret van dokter Gachet  -  een van de laatste werken van Vincent van Gogh - wordt voor het allerhoogste bedrag ooit verkocht. $75 miljoen. Inclusief toeslagen een verbijsterende $82.5 miljoen.    Nadat iedereen is uitgefeest verdwijnt Het portret van dokter Gachet naar Tokyo. En is daarna nooit meer publiekelijk gezien. Sterker nog: Niemand weet met zekerheid waar het schilderij is gebleven…   Werd het gecremeerd samen met een Japanse papier magnaat? Zit het stiekem in een kluis van een spaghetti miljardair?  En wat heeft Adolf Hitler hier mee te maken?   Luisteren dus naar Het verdwenen portret van dokter Gachet Wil je deze podcast steunen? Nou dat kan! Koop mijn boek, De moord op mr. Jacques Wijsman! In dat boek raakt Josephine van Dil - Ter Heul betrokken bij deze zaak als haar broer verdacht wordt van de moord op de jonge advocaat Wijsman. Joop en haar vriendinnen moeten alles uit de kast trekken om de echte dader op te sporen, zelfs als dat steeds gevaarlijker lijkt te worden. Bestel een exemplaar voor jezelf en vertel het aan al je vrienden. Het is al "briljant", "krankzinnig" en "Agatha Christie meets Cissy van Marxveldt" genoemd. Inmiddels zijn we al aan de tweede druk. Te bestellen bij Bruna.nl, Bol.com maar natuurlijk ook bij je lokale boekhandel!!!! Zoals Naboekov in Sint-Truiden of Omeros in Den Haag. #steunjelokaleboekhandel    

Jonas stellt euch heute seinen Lieblingspodcast "Finding van Gogh" vor. Es geht um die Suche nach van Goghs Bild "Dr. Gachet" und die Podcast erzählt parallel die Entstehungsgeschichte des Werks. Den Podcast könnt ihr hier hören: https://open.spotify.com/show/756rGoZykB3R09RQYzNi5R Mehr über Pool Artists erfahrt ihr auf https://www.poolartists.de/ Folgt uns auch bei Instagram: https://www.instagram.com/poolartists/

On this episode of See How We Run! we're joined by Gallery Gachet's executive Director Demi London and artistic director Moroti George to talk about the evolution of Gachet's approach to supporting artistic creation and exhibition, in ways that are accessible to and supportive of people facing systemic barriers and social marginalization. We speak about the ways the gallery's programming and operations changed over time in response to shifts in funding, space and the needs of the community, and we discuss their personal entry points into their work at the gallery. This episode is hosted by SFU VOCE program manager Julia Aoki. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/229-art-as-agency-autonomy-and-community.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/229-art-as-agency-autonomy-and-community.html Resources: Gallery Gachet: https://gachet.org/ Dion Smith-Dokkie, This Will Be The First Of A Thousand Worlds: https://gachet.org/current-events-and-exhibitions/dion-smith-dokkie Black Art Centre: https://theblackartscentre.ca/ VANDU: https://vandu.org/ Open Space: https://openspacearts.ca/ Bios: Demi London Traversing through the fields of art, culture, education, and parenting, Demi March London has become attached to experimental emergent spaces and the dialogical aesthetics of administration. Figuring out what ideas look like, and how to talk about them, is an integral part of progressing critical discourse; Demi finds encouragement and hope by advocating for different ways of knowing and being. Galleries and museums have a tendency to be ceremonial spaces for the performance of authority, and Demi has always admired artist-run centres for challenging this and interrogating notions of power and place. As Executive Director at Gachet, Demi aims to foster a reflective and inclusive culture of ideas, discourse, critique, and community – a safe space for creative experimentation and articulating vulnerability. Moroti George Olumoroti (MorotiI) Soji-George (he/they) is a curator, writer and educator based in Vancouver, BC. He is the curator at the Black Arts Centre in Surrey, BC and the artistic director of Gallery Gachet in downtown Vancouver. Olumoroti's curatorial practice primarily involves unravelling and demystifying the ways Blackness is embodied and codified in our shared milieu and conceptualizing the works of Black Contemporary artists and their contributions to the Black cultural lexicon and our understanding of the state of Blackness. His research and curatorial practice also involve envisioning accessible and community-centred art spaces and highlighting the stories of individuals and communities who construct new ways of being that challenge the Western status quo. At the core of his practice is the belief that space could be used to reflect the agency and lived experiences of individuals whose bodies and identities are not typically valued, respected and represented in traditional art and academic settings. Cite this episode: Chicago Style Aoki, Julia. “See How We Run! Art as Agency, Autonomy and Community — with Demi London and Moroti George .” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, December 5, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/series/see-how-we-run/229-art-as-agency-autonomy-and-community.html.

“Face à l'inceste” avec deux témoignages livrés par d'une part Anne Clerc, déléguée générale de Face à l'Inceste et Christian Gachet qui publie “Vie privée”, un livre co-édité par Le Noyer et distribué par Alliance service en Belgique. Merci pour votre écoute Le fin Mot c'est également en direct tous les jours de la semaine de 18h30 à 19h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Le fin Mot sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/23283 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

In Folge 21 geht es endlich um Kunst und um einen Mann, der um sein Leben malte. Dabei schaffte er es zu einiger Berühmtheit in der Kunstwelt. Sein Name untrennbar mit einem der größten Maler des Barock verbunden, obwohl die beiden dreihundert Jahre trennen. Nicole erzählt euch die ganze Geschichte.   Die Links zur Folge:   Eine sehr sehenswerte Doku der BBC: https://youtu.be/O6HA2Qo5lfk?si=_ure8Rn77E0w4Z3S  „The Last Vermeer“ - Spielfilm mit Guy Pearce und August Diehl 2021: Bei Apple TV: https://tv.apple.com/de/movie/the-last-vermeer/umc.cmc.4ljc9xps9v7o2u6b0lkdsyclh Bei Amazon Prime: https://www.amazon.de/gp/video/detail/B09HLC86CZ/ref=atv_dp_share_cu_r   „Das Mädchen mit dem Perlenohrring“ - Spielfilm mit Scarlett Johannson und Colin Firth: https://www.amazon.de/gp/video/detail/B00ESNEOAW/ref=atv_dp_share_cu_r   Links zu den Museen Mauritshuis, Boymanns und Rijksmuseum Amsterdam:  https://www.mauritshuis.nl/de/sammlung-entdecken/kollektion/670-madchen-mit-dem-perlenohrring/   https://www.boijmans.nl/en/depot   https://www.rijksmuseum.nl/de/besuchen   Zum Städelmuseum und zum Podcast „Finding van Gogh - Auf der Suche nach dem legendären Bildnis des Dr. Gachet“: https://www.staedelmuseum.de/de/digital/finding-van-gogh    Quellen: https://de.wikipedia.org/wiki/Han_van_Meegeren?wprov=sfti1#K%C3%BCnstlerische_Entwicklung   https://kingkunst.de/gesellschaftliches/han-van-meegeren-vermeer-falscher/   https://www.zdf.de/dokumentation/terra-x/terra-x-f-wie-faelschung-meisterwerke-christian-berkel-100.html   https://de.wikipedia.org/wiki/Jan_Vermeer?wprov=sfti1#   https://de.wikipedia.org/wiki/Das_M%C3%A4dchen_mit_dem_Perlenohrgeh%C3%A4nge?wprov=sfti1#Literatur   Mehr von uns findet ihr hier: https://linktr.ee/hintergoogle   Eine Mail schreibt ihr uns unter hintergooglelinks@online.de

Com uma coleção excepcional de pinturas, desenhos e cartas, o Museu d'Orsay em Paris convida o público a reviver os últimos 70 dias de Vincent Van Gogh em Auvers-sur-Oise, o vilarejo francês amado pelos impressionistas – um lugar onde Van Gogh, sofrendo de problemas mentais, explorou uma expressividade criativa sem paralelo na história da arte e onde morreu, após atirar contra si mesmo durante um episódio depressivo em 1890.  Paisagens campestres, casas de vilarejo [as chamadas chaumières, construções típicas do norte da França], naturezas-mortas e alguns retratos. O Museu d'Orsay traz 74 pinturas e 33 desenhos, além de cartas e objetos pessoais, como um caderno de esboços, que teletransportam o público aos últimos 70 dias de Vincent Van Gogh, durante sua última estadia em Auvers-sur-Oise, um dos locais franceses mais populares entre os impressionistas, no norte do país.Foi lá que Van Gogh morreu em 29 de julho de 1890, dois dias depois de atirar no próprio peito com um revólver. Até o fim, o artista holandês pintou, pesquisou, experimentou e explorou novos formatos e novas cores, com a expressividade criativa que acompanhava seu sofrimento mental. É a primeira vez que uma exposição se concentra nos últimos dois meses da vida do pintor, revelando toda a diversidade e riqueza deste curto período.Depois do Museu Van Gogh em Amsterdã, a mostra está agora em Paris: "Van Gogh à Auvers-sur-Oise, les derniers mois" ("Van Gogh em Auvers-sur-Oise, os últimos meses") abriu as portas no dia 3 de outubro e pode ser vista no Museu d'Orsay até o dia 4 de fevereiro de 2024.Emmanuel Coquery, curador-geral de Patrimônio do museu e um dos curadores da exposição fala sobre o quadro que recebe os visitantes no início da mostra, um dos mais conhecidos de Van Gogh, um autorretrato pintado em 1889, no período em que morava em Saint-Remy de Provence. O pintor, com sua barba e cabelos ruivos, olha para a esquerda com olhos penetrantes que imediatamente nos colocam frente a frente com o destino do pintor. Qual seria o estado de espírito do artista ao se pintar dessa forma? "Ele convalescia de uma doença. Trata-se de um autorretrato. É um quadro que faz parte de uma série de quatro autorretratos, na verdade seus quatro últimos, uma vez que ele não se pintou em Auvers-sur-Oise, e são trabalhos que acontecem durante uma grave crise do artista que durou seis semanas e que o deixou completamente inconsciente", explica Coquery. "Ele ficou inativo devido a suas crises psicóticas nesse período. É preciso dizer que não se trata de um pintor louco, mas um homem que tinha crises de loucura. Ele pinta para se recompor, para se ver melhor, para se examinar, sendo tão introvertido, e ele acaba ficando tão feliz com esse quadro que ele se dizia pronto a mostrá-lo publicamente e ao médico que é a razão de sua mudança para a região", conta.Van Gogh chegou a Auvers-sur-Oise alguns meses depois, em 20 de maio de 1890, e pintou 74 quadros e fez 33 desenhos até o dia da sua morte. Emmanuel Coquery explica o frenesi criativo de Van Gogh no período."Ele precisa se curar. Ele precisa sentir que a cura é possível, e ele sente instintivamente que a pintura é sua boia de salvação. O médico que cuida da sua depressão lhe reafirma a importância de estar ativo no trabalho, e Van Gogh chega ao vilarejo culpando sua estadia no sul da França por sua melancolia, que ele espera dissipar no norte", sublinha o curador da exposição."Van Gogh é tomado por uma espécie de euforia ao chegar ao local que o reconecta com suas raízes e se reaproxima de seu irmão Théo, que o apoia e que literalmente o alimenta, pois lhe fornece uma pensão todos os meses e permite que o artista possa pintar", salienta.Coquery conta que Van Gogh dizia que Auvers-sur-Oise era "terrivelmente bela". Seria o vilarejo um condensado pitoresco de paisagens? "Sim, porque reunia, como ele mesmo dizia, as casas modernas e antigas, com telhado de sapê, e também o lado urbano e interiorano, com jardins de cultivo, e emolduradas pelo rio e a ferrovia bem ao lado. Isso criava um efeito concentrado de tudo que Van Gogh amava", nota Coquery.A exposição possui um fio condutor: os temas das pinturas. Van Gogh trabalhou sistematicamente os mesmos, estabelecendo ligações entre pinturas e desenhos. Um dos retratos é uma homenagem a seu médico, Dr. Gachet, por quem  o pintor desenvolveu uma estreita amizade e confiança."Ele é melancólico e isso marca o artista desde o início, como uma espécie de novo alterego, em relação ao principal alterego de suas pinturas, seu irmão Théo. Existe até uma semelhança física entre eles, porque Gachet é ruivo, e rapidamente eles se apaixonam amigavelmente, era uma relação mais como uma amizade do que uma coisa médico-paciente", diz o curador da mostra no Museu D'Orsay "E Gachet era um médico apaixonado pela arte, pintor amador, um artista da gravura, ou seja, ele tinha todos os instrumentos necessários para compreender o que se passava na cabeça de um pintor que não está bem; ele era o cara ideal para colocar Van Gogh no caminho certo, e o artista também sente isso e se apoia nele, rapidamente fazendo também uma gravura sua", esclarece.

On July 29, 1890, a hot and muggy afternoon, shortly after Vincent van Gogh was laid to rest after his honor killing for “compromising” his doctor's twenty-one-year-old daughter, Marguerite, twenty-six (26) of his unknown paintings and other art material were stolen from the hotel where he had been laid out for his final viewing by his doctor and his son. This was the largest art heist of a single artist ever, and today would be worth many billions! This theft led to the Gachet art forgery ring and many fakes, forgeries, and altered provenance for years. This is the story in the book 3 of the Killing Vincent Trilogy of what happened to all this art and to Marguerite and her sad, long life without her Vincent. This book three is the finale of the Trilogy. Book one was Killing Vincent and proved forensically that it was not possible for Vincent to self-inflict his mortal wound. If Vincent did not shoot himself in the belly, (of all places) then whoever put that penetrating wound in his abdomen murdered him! Book two, Love and Murder, now in your hands answers the questions of how, why, and where Vincent van Gogh was murdered and how a brilliant cover up of the murder was accomplished by the persons of interest using the false narrative of a suicide as a martyr for his art. There is also a sneak preview of chapter one from book three The Day Vincent van Gogh was Murdered; The Honor Killing that Changed Art History Forever and Led to The Greatest Art Heist in Modern Times. Hopefully this will you excite you to put the entire Killing Vincent Trilogy together in your mind's eye in preparation for the major movie, Finally Love.

Van Gogh à Auvers-sur-OiseLes derniers moisau Musée d'Orsay, Parisdu 3 octobre 2023 au 4 février 2024Interview de Emmanuel Coquery, directeur du développement culturel et du musée de la Bibliothèque nationale de France,conservateur général du patrimoine, auparavant adjoint au Directeur de la conservation et des collections du musée d'Orsay,et co-commissaire de l'exposition, par Anne-Frédérique Fer, à Paris, le 2 octobre 2023, durée 14'50, © FranceFineArt.https://francefineart.com/https://francefineart.com/2023/10/12/3485_van-gogh_musee-d-orsay/communiqué de presseCommissaires :Nienke Bakker, conservatrice des peintures au musée Van Gogh d'AmsterdamEmmanuel Coquery, directeur du développement culturel et du musée de la Bibliothèque nationale de France, conservateur général du patrimoine, auparavant adjoint au Directeur de la conservation et des collections du musée d'OrsayEn collaboration avec :Louis van Tilborgh et Teio Meedendorp, Directeurs de recherche au musée Van GoghCette exposition est organisée par le musée d'Orsay et le musée Van Gogh d'Amsterdam.Le musée Van Gogh d'Amsterdam et l'établissement public des musées d'Orsay organisent une exposition intitulée Van Gogh à Auvers-sur-Oise. Les derniers mois présentée au musée Van Gogh du 12 mai au 3 septembre 2023, pour marquer son 50e anniversaire, et au musée d'Orsay. C'est la première exposition d'envergure consacrée aux oeuvres produites par l'artiste durant les deux derniers mois de sa vie, passés à Auvers-sur-Oise, près de Paris. L'exposition constitue l'aboutissement d'années de recherches sur cette phase cruciale de la vie de l'artiste, et permettra au public de l'apprécier enfin à sa juste dimension.Arrivé à Auvers-sur-Oise le 20 mai 1890, Vincent Van Gogh y décède le 29 juillet à la suite d'un coup de revolver tiré dans la poitrine. Bien que le peintre n'ait passé qu'un peu plus de deux mois à Auvers, cette période voit un renouveau artistique, avec des recherches propres, marqués par la tension psychique de la nouvelle situation qui se cristallise autour de cette installation.Durement éprouvé par les différentes crises subies à Arles puis dans l'asile de Saint-Rémy, Vincent Van Gogh se rapproche de Paris et de son frère Théo, désormais marié et père d'un petit Vincent, pour retrouver un nouvel élan créatif. Le choix d'Auvers tient à la présence dans le village du Dr Gachet, médecin spécialisé dans le traitement de la mélancolie, et par ailleurs ami des impressionnistes, collectionneur, et peintre amateur. Van Gogh s'installe au centre du village, dans l'auberge Ravoux, et explore tous les aspects du nouveau monde qui s'offre à lui, tout en luttant contre des inquiétudes multiples, crainte du retour de ses crises cycliques, soucis liés à la santé et aux projets d'indépendance commerciale de Théo, sentiment de relégation dans les priorités existentielles de son frère, doutes sur sa valeur artistique, sans oublier une notoriété naissante dans la critique.Aucune exposition n'a encore été consacrée exclusivement à ce stade final, pourtant crucial, de sa carrière, en dépit du fait qu'il ait produit en deux mois pas moins de 73 tableaux et 33 dessins, parmi lesquels des chefsd'œuvre iconiques comme Le Docteur Paul Gachet, L'église d'Auvers-sur-Oise, ou encore Champ de blé aux corbeaux.my. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

„Das Bildnis des Dr. Gachet“ ist eines der populärsten Gemälde von Vincent van Gogh — aber wo ist es? In „Finding van Gogh“ begleiten wir den Journalisten Johannes Nichelmann auf der Suche. >> Artikel zum Nachlesen: https://detektor.fm/digital/podcastpodcast-finding-van-gogh

„Das Bildnis des Dr. Gachet“ ist eines der populärsten Gemälde von Vincent van Gogh — aber wo ist es? In „Finding van Gogh“ begleiten wir den Journalisten Johannes Nichelmann auf der Suche. >> Artikel zum Nachlesen: https://detektor.fm/digital/podcastpodcast-finding-van-gogh

„Das Bildnis des Dr. Gachet“ ist eines der populärsten Gemälde von Vincent van Gogh — aber wo ist es? In „Finding van Gogh“ begleiten wir den Journalisten Johannes Nichelmann auf der Suche. >> Artikel zum Nachlesen: https://detektor.fm/digital/podcastpodcast-finding-van-gogh

7 月上旬，我在即刻上写下：「逛了一整天的梵高博物馆，看完之后还是久久不能忘怀，难以言说的震撼，大概也就是哭了十来次的水平吧。文字真的很难准确传达内心的感受了，录一期单口试试。」现在总算兑现了当时的想法。通过这次机会，我看见了热烈、浪漫、独来独往的梵高，他作为天才的一面逐渐变得具体。也看见了执拗、沉迷，甚至过分专注的梵高，他作为疯⼦的⼀⾯逐渐令人共情。当然，在「梵高」这个鼎鼎大名之下，他也只是一个普通人。他勤奋、上进，时常也会焦虑、反思和自我贬低。热爱世界，尊重底层人民，这是他的温柔和敏感。这一切的经历，都成为了他细腻笔触的一部分，让他创作出许多抚慰人心、震撼后世的作品。这算是我第一次正式录制单口，还有一些想表达的并没能那么成熟地传达出来，因此也欢迎各位在评论区里多给我一些反馈。祝大家收听愉快。【Timeline】一、梵高博物馆与本期播客00:04:32 梵高博物馆的特别之处00:07:41 主题式博物馆和主题式的信息摄入00:10:47 梵高博物馆的展厅布置00:13:59 为什么 Sarah 要读梵高的朋友伯纳德写的一封信？00:18:48 关于这期播客的展开方式二、梵高其人00:21:35 梵高的背景：中产家庭和紧张的亲子关系00:26:02 开始工作的青年梵高：从接触艺术到踏上传教士之旅00:34:20 27 岁，决心成为画家的梵高00:37:27 坚定走上艺术道路，勤奋又高产三、梵高艺术生涯里的几个关键时期（一）荷兰时期00:44:24 对农民的尊重、关怀和共情00:47:08 《吃土豆的人》00:50:52 梵高的情感插曲和与父亲的关系变化（二）安特卫普时期00:55:52 临摹浮世绘，加强自我风格00:57:32《盛开的杏花》（三）巴黎时期01:01:09 点彩画派的影响和自画像的创作（四）法国阿尔时期01:03:09 花的创作01:05:14 梵高画的杏树、桃树和李树01:06:29 割耳事件：被回应的孤独、与高更的争吵、精神失常的梵高（五）圣雷米时期01:12:28 不待见的邻居和高产的梵高01:14:29 在精神上支持和鼓励梵高的加谢医生01:17:35 梵高的自杀：「如果你要救我的话，那我就必须再做一次」四、伯纳德写给奥里埃的信01:19:15 背景介绍01:25:49 Sarah 的读信时间【梵高博物馆的导览图】【名词解释】博物馆1. 梵高博物馆（Van Gogh Museum）：一家位于荷兰阿姆斯特丹的一座博物馆，主要收藏荷兰著名画家梵高及其同时代者的作品。2. 纽约现代艺术博物馆（The Museum of Modern Art，简称 MoMA）：一家现代艺术博物馆，也是世界上最杰出的现代艺术馆之一，位于美国纽约市曼哈顿中城。1929 年，MoMA 从梵高的弟弟提奥的遗孀乔安娜手中购得梵高的《星夜》，并在馆中展出。3. 奥赛博物馆（法语：Musée d'Orsay）：一家位于法国巴黎的近代国家艺术博物馆，收藏了梵高于 1988 年创作的《罗纳河上的星夜》。4. 毕加索博物馆（Picasso Museum）：节目中提到的是在巴塞罗那和巴黎的毕加索博物馆。世界上一共有四座毕加索博物馆，分别位于西班牙的巴塞罗那和马加拉、法国的巴黎和昂蒂布。5. 普拉多博物馆（西语：Museo Nacional del Prado）：一家位于西班牙马德里的国家博物馆，主要收藏从 14 世纪到 19 世纪的欧洲绘画、雕塑和工艺品。6. 提森-博内米萨国立博物馆（西语：Museo Thyssen-Bornemisza）：马德里艺术金三角区的三大博物馆之一，紧邻普拉多博物馆与索菲亚王后艺术中心。馆内收藏的艺术品来自提森-博内米萨家族于20世纪初开始的私人收藏。艺术家索引1. 巴勃罗·鲁伊斯·毕加索（西语：Pablo Ruiz Picasso；1881 年 10 月 25 日 — 1973 年 4 月 8 日）：西班牙著名的画家、雕塑家、版画家，是立体主义的创始者之一，也是 20 世纪现代艺术的主要代表人物之一。代表作品有《格尔尼卡》等。2. 让-弗朗迪克·米勒（法语：Jean-François Millet，1814 年 10 月 4 日 — 1875 年 1 月 20 日）：法国巴比松派的画家。多以乡村风俗画中的人性展现为人知晓。代表作有《拾穗》《播种者》等。3. 奥斯卡-克劳德·莫奈（法语：Oscar-Claude Monet，1840 年 11 月 14 日 — 1926 年 12 月 5 日）：法国画家，被誉为是印象派代表人物和创始人之一。代表作品有《印象·日出》《睡莲》等。4. 保罗·高更（法语：Eugène Henri Paul Gauguin，1848 年 6 月 7 日 — 1903 年 5 月 8 日）：法国后印象派的画家和雕塑家。代表作包括《我们从哪里来？我们是谁？我们往哪里去？》等。5. 伦勃朗·哈尔门松·范赖恩（荷兰语：Rembrandt Harmenszoon van Rijn；1606 年 7 月 15 日 — 1669 年 10 月 4 日）：荷兰画家，巴洛克绘画艺术的代表画家之一。代表作品有《夜巡》《拉撒路的复活》等。6. 阿道夫·蒙蒂塞利（法语：Adolphe Monticelli，1824 年 10 月 14 日 — 1886 年 6 月 29 日）：印象派画家之前的一代法国画家，是梵高高度欣赏的艺术家。艺术风格 / 流派1. 浮世绘：一种日本传统的木刻版画艺术形式，起源于 17 世纪的江户时代，并兴盛于 18 至 19 世纪，而且对西方系数（比如印象派）产生了很大的影响。主要特点是线条流畅、色彩鲜艳、构图简洁。代表人物有葛饰北斋、菱川师宣等。2. 印象派：一种 19 世纪后半叶在法国兴起的艺术流派。它以其对光影和色彩的独特表现方式而闻名。代表人物有莫奈、梵高等。3. 点彩画派：一种 19 世纪末期兴起的一种绘画技法和艺术风格，属于后印象派的一种表现形式。点彩派画家将纯色点或线条排列在一起，使观者在视觉上产生混合色彩的效果。代表人物有乔治·修拉等。【相关链接】文字1. 《看见》，发布于孟岩的同名公众号2. Sarah 在即刻上发布的相关动态「逛了一整天的梵高博物馆，难以言说的震撼」《盛开的杏花》和热门单曲 Golden Hour 的封面之间的关联「最打动我的还是他笔下的花」第一次听伯纳德写给奥里埃的信奥里埃在《法国商业杂志》上发表的评论在提森博物馆偶遇伯纳德的四幅画视频1. 梵高博物馆的收藏品2. 梵高博物馆的 Youtube 频道发布的 4K 线上导览视频3. 《吴文芳：40小时看世界 第五季》（2021）里关于梵高的视频第 1 集 梵高：最疯狂的艺术家（上）第 2 集 梵高：最疯狂的艺术家（下）4. 《至爱梵高·星空之谜》（2017）：一部讲述梵高生平的传记类动画电影。播客1. 《42 30岁后爱上梵高》by 来日方长radio | 不止是聊日本2. 《44. 梵高：未完成的爱情，与不朽的画作》 by 梁永安的播客【梵高相关】梵高的代表作品1. 《吃土豆的人》（The Potato Eaters）：于 1885 年创作的油画作品。2. 《向日葵》（Sunflowers）：共有七幅，是梵高在 1888 年至 1889 年间所绘的一系列画作。下图为 1889 年 1 月创作的版本。3. 《盛开的杏花》（Almond Blossom）：于 1888 年至 1890 年间在法国的阿尔勒和圣雷米创作的画作。4. 《粉色果园》（The Pink Orchard）：1888 年 4 月上旬于法国的阿尔勒创作的画作。5. 《粉色桃树》（The Pink Peach Tree）：1888 年 4 月至 5 月于法国的阿尔勒创作的画作。6. 《白色果园》（The White Orchard）：1888 年 4 月于法国的阿尔勒创作的画作。7. 《星夜》（The Starry Night）：于 1889 年在法国圣雷米的一家精神病院里创作的一幅油画。梵高身边的人（以下名称皆为法语名）1. 提奥·梵高（Theodorus van Gogh）：梵高的弟弟，是梵高长久的支持者，也是和梵高关系最亲密的人。2. 乔安娜·梵高·邦格（Johanna van Gogh-Bonger）：梵高的弟媳，在梵高去世后珍藏了梵高的诸多作品。在梵高去世后的十年里，为梵高办了七次画展，前六次反应平平，直到第七次才引起轰动。自此，梵高才终于声名鹊起。3. 埃米尔·伯纳德（Émile Bernard）：一位法国后印象派画家和作家，与梵高、高更等人建立了艺术友谊。4. 凯·沃斯·斯特里克（Kee Vos-Strickeer）：梵高的表姐，也是梵高第二次恋爱的对象5. 文森特·威廉·梵高（Vincent Willem van Gogh）：梵高的侄子，与梵高同名。跟随母亲乔安娜的步伐，积极推广从母亲那里继承来的梵高画作和信件。6. 加谢医生（Dr. Gachet）：梵高在精神病院认识的精神科医生，也是一位热衷于绘画的艺术家。始终鼓励着梵高的创作。7. 约瑟夫·鲁林（Joseph Roulin）：一位在法国阿尔勒火车站的邮差，是梵高在阿尔为数不多的好朋友。8. 阿尔贝·奥里埃（Albert Aurier）：一位法国的艺术评论家、画作和作家。1890 年 1 月，在《法国商业杂志》中热烈赞扬了梵高的画作。与梵高相关的信件1. 梵高书信全集2. 梵高的弟弟提奥给阿尔贝·奥里埃的信开场 / 片尾音乐：Starry Starry Night by Lianne La Havas转场声音：在葡萄牙西南角的辛特拉小镇街边，Sarah 录制的里拉琴弹奏声（okjk.co）转场配乐：Golden Hour by JVKE读信配乐：koko by 坂本龙一制作：Sarah、二琳、我不跑调（okjk.co）剪辑：二琳

Fin 2021, Matthieu Stefani et son ami Jérémy Gachet décident de se lancer dans un nouveau projet : la création d'un coliving à Colombes (Hauts-de-Seine). Accompagné par Loïc Audet (Président et Directeur Général d'Immocitiz), le projet voit rapidement le jour. 18 mois plus tard, en mai 2023, les premiers locataires s'installent dans le coliving. Entre temps, il a fallu : trouver le lieu et le bien idéal, monter un business plan, négocier le prix, chercher un financement, organiser les travaux et gérer tout un tas de choses. Finalement, Matthieu et Jérémy ont-ils bien fait d'investir dans un coliving entre amis ? Quels résultats peuvent-ils espérer sur les prochaines années ? Ils nous disent tout sur leur investissement : Quelles sont les étapes d'un tel projet d'investissement ? Comment financer l'achat, les travaux et le mobilier ? Quels sont les coûts ? Quelle est la rentabilité attendue ? Investir entre potes : est-ce vraiment une bonne idée ? Avantages : Triple bonnes nouvelles ! Nous avons négocié trois offres pour nos auditeurs : Avec le code MARTINGALE : 20% de réduction pour l'achat de lunettes chez Acuitis à Marne-la-Vallée - le magasin cogéré par Jérémy Gachet Avec le code SUN_MARTINGALE : 5% de réduction sur l'achat de panneaux solaires chez Sunology - les panneaux dont est équipé le coliving Cocoon Avec le code MARTINAGALE10 : 10% de réduction sur le mobilier pour un projet d'investissement avec Immocitiz Ils citent les références suivantes : Quelques photos du coliving Cocoon La version live de cet épisode (YouTube) L'épisode #294 de GDIY avec Victor Augais Cooloc Le DPE Ainsi que d'anciens épisodes de La Martingale : #30 - B. Tavernier et L. Audet - Les meilleurs coups dans l'immobilier locatif sans sortir de chez soi #164 - Antoine de Ravel d'Esclapon - Tout ce qu'il faut savoir sur la Société Civile On vous souhaite une très bonne écoute ! C'est par ici si vous préférez Apple Podcasts, ici si vous préférez Google Podcast ou encore ici si vous préférez Spotify. Et pour recevoir toutes les actus et des recommandations exclusives, abonnez-vous à la newsletter, c'est par ici. La Martingale est un podcast produit par CosaVostra, du label Orso Media. Merci à notre partenaire Nalo de soutenir le podcast. Rendez-vous sur nalo.fr pour découvrir leur assurance-vie et plan d'épargne retraite et bénéficiez de 3 mois de frais de gestion offerts.

Thailand's wine market is expected to grow annually by roughly 7% between 2023-2027.Listen in as we examine Thailand's wine business through the eyes of an expert.Today, we are joined by Fabien Gachet, National Sales Director in charge of HORECA and Marketing at Independent Wine & Spirits to discuss Thailand's growing thirst for wine. Fabien is based in Thailand and has previously worked in Shanghai, China with some of the most dynamic wine brands.In today's podcast we will discuss the wine styles and trends that dominate the Thai market and the unexpected lessons that he's learned along the way.Independent Wine and Spirits (Thailand) is a world-class beverage distributor with a core focus on importing internationally renowned wine, spirits, and other beverages.Find out more: https://www.iwsthailand.comWe have a new website! Visit us at https://www.thebottledshow.comSince 2016, Bottled in China brings you into the food and drink scene through conversations with the some of the most happening personalities. Hosted by Emilie Steckenborn, the show is your one spot for all things food, beer, wine and spirits from across the world. Connect with us on LinkedIn or Instagram @bottled.in.china Podcast available on iTunes, Spotify , online or wherever you listen to your episodes! 

Entrepreneur et co-fondateur, Charles Gachet-Dieuzeide a lâché très vite son rôle pour le confier à d'autres bien plus experts que lui. Une décision pas toujours simple pour ceux qui ont créé leur entreprise... mais tellement essentielle pour lui faire passer un palier, grandir et faire grandir ses équipes. Dans cet extrait, Charles revient sur sa posture de dirigeant, sur la responsabilisation de ses équipes... et son nouveau rôle. Une situation qu'il compare à la parentalité. Sans oublier la référence à l'épisode enregistré avec Éric Larchevêque cité dans cet extrait ;)

Charles Gachet-Dieuzeide, c'est l'histoire d'un jeune hyperactif en ZEP originaire de Grenoble qui découvre avec le monde du travail une motivation et manière de canaliser son énergie : à 20 ans, il monte sa 1ère boite et enchaine les erreurs... avant de monter une autre boite puis Secoya en 2018 et cette fois innover sur son marché. Aujourd'hui, Secoya c'est plus de 210 clients en 5 ans, une équipe de 15 personnes, plus d'1M€ de CA... et un positionnement différenciant : les "Mr/Mme RSE ou Covid-19" sur les plateaux de tournage, c'est eux. Dans cet épisode, il revient sur l'évolution de son modèle économique (à la fois pour pérenniser son entreprise et s'adapter à ses clients), ses expériences à l'étranger, l'Australie, Hollywood... et comment il a cru que ce serait (beaucoup) de percer là-bas. Des apprentissages qu'il partage aisément : parce que Charles n'hésite pas à parler aussi de ses erreurs. Que ce soit la mauvaise association, le système D qui peut aider (ou au final bloquer), le choix du statut de l'entreprise... Un épisode "vérité" qui ravira toutes celles et ceux qui rencontrent des galères... c'est à dire toutes les entrepreneuses et entrepreneurs ! Bonne écoute

1911: Ein italienischer Anstreicher versteckt sich nachts in einer Besenkammer des Louvre und stiehlt die berühmte Mona Lisa. 2019: Zwei Männer steigen durch das Fenster des Grünen Gewölbes in Dresden ein, schlagen mit einer Axt Löcher in eine Vitrine und stehlen Schmuckstücke im Wert von fast 114 Millionen Euro. Nur zwei von vielen spektakulären Kunstdiebstählen der letzten Jahrzehnte. Neben Drogen- und Menschenhandel gehört die Kunstkriminalität inzwischen zu den häufigsten Verbrechen. Wie agieren diese Räuberbanden? Warum verschwinden manche Bilder wie das Portrait des Dr. Gachet von Van Gogh auf so mysteriöse Weise? Und wie fahnden die Ermittler nach der Diebesbeute?

Ceci est une rediffusion. “Le management, c'est aussi être capable de s'adapter aux différents membres de son équipe. On ne manage pas du tout de la même façon une personne qui a 30 ans d'expérience et une personne qui démarre dans la vie active.” Nouvelle semaine, nouvel épisode de podcast. Olivier Gachet a travaillé 15 ans chez Coca-Cola. Il y a 1 an, il quitté son poste de directeur des médias et partenariats France pour réaliser son rêve et devenir coach professionnel. Aujourd'hui, il intervient sur 3 missions principales : Il aide les étudiants et jeunes diplômés à trouver leur école, à décrocher leur stage, leur alternance ou leur premier job, et les prépare aux entretiens. Il fait du coaching individuel pour cadres et managers, afin de les aider à être plus performants et épanouis au travail. Il accompagne toute personne en reconversion professionnelle Se retrouver dans l'épisode : 03'36'' : Passer de manager à coach professionnel 05'15'' : De futur tennisman à manager chez Coca 06'57'' : 1 erreur à éviter quand on devient manager 09'23'' : 2 paramètres à prendre en compte en management "éclectique" 11'10'' : 1 trait de caractère qui favorise un management vertueux 13'16'' : La fréquence optimale pour fixer et mener des 1 : 1 16'32'' : 1 posture à adopter en période d'incertitude 19'00'' : Adapter son management en périodes de crise 22'27'' : 3 grands apprentissages hérités d'une gestion de crise 26'10'' : 1 manière de quitter son poste en toute sérénité 31'27'' : Une habitude à prendre pour se sentir mieux au quotidien P.S. 15 secondes et 5* ⭐️⭐️⭐️⭐️⭐️ sur Apple Podcast et Spotify pour nous soutenir. Merci à notre sponsor : Asana

durée : 00:59:00 - Mauvais genres - par : François Angelier - Disparu il y a 50 ans, Dino Buzzati (1906-1972) continue de rayonner avec force et discrétion au sein de la littérature européenne de l'imaginaire.

durée : 00:59:00 - Mauvais genres - par : François Angelier - Disparu il y a 50 ans, Dino Buzzati (1906-1972) continue de rayonner avec force et discrétion au sein de la littérature européenne de l'imaginaire.

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“Le management, c'est aussi être capable de s'adapter aux différents membres de son équipe. On ne manage pas du tout de la même façon une personne qui a 30 ans d'expérience et une personne qui démarre dans la vie active.” Nouvelle semaine, nouvel épisode de podcast. Olivier Gachet a travaillé 15 ans chez Coca-Cola. Il y a 1 an, il quitté son poste de directeur des médias et partenariats France pour réaliser son rêve et devenir coach professionnel. Aujourd'hui, il intervient sur 3 missions principales : Il aide les étudiants et jeunes diplômés à trouver leur école, à décrocher leur stage, leur alternance ou leur premier job, et les prépare aux entretiens. Il fait du coaching individuel pour cadres et managers, afin de les aider à être plus performants et épanouis au travail. Il accompagne toute personne en reconversion professionnelle Se retrouver dans l'épisode : 03'36'' : Passer de manager à coach professionnel 05'15'' : De futur tennisman à manager chez Coca 06'57'' : 1 erreur à éviter quand on devient manager 09'23'' : 2 paramètres à prendre en compte en management "éclectique" 11'10'' : 1 trait de caractère qui favorise un management vertueux 13'16'' : La fréquence optimale pour fixer et mener des 1 : 1 16'32'' : 1 posture à adopter en période d'incertitude 19'00'' : Adapter son management en périodes de crise 22'27'' : 3 grands apprentissages hérités d'une gestion de crise 26'10'' : 1 manière de quitter son poste en toute sérénité 31'27'' : Une habitude à prendre pour se sentir mieux au quotidien P.S. 15 secondes et 5* ⭐️⭐️⭐️⭐️⭐️ sur Apple Podcast et Spotify pour nous soutenir. Merci à notre sponsor : Asana

A stranded motorist was surprised by this stranger's kindness.More: https://amp.cnn.com/cnn/2022/01/04/us/virginia-trucker-food-stranded-motorists/index.htmlUPDATE: Two big updates on this story, we found out Jean is a Marine —- and was gifted a year's worth of breakfasts for his kindness.H/T: CNNSupport the show

This week, Trivia Detectives Helen and Bill begin their journey of discovery with Vincent van Gogh, which leads them to Clive Dunn and a hand grenade down his trousers to Christina Aguilera and Ben Elton, via Eastenders and Abba's performance at the 1974 Eurovision Song Contest.Related Links:The Starry Night by Vincent van Gogh, MOMA New York City:https://artsandculture.google.com/asset/the-starry-night/bgEuwDxel93-Pg?hl=en-GBVincent Van Gogh's The Starry Night: Great Art Explained on youtubehttps://www.youtube.com/watch?v=wk9L1N9bRREYou can visit the house Vincent lodged at, in Brixton 1873–74 https://vangoghhouse.co.uk/Don MacLean performs Vincent live:https://www.youtube.com/watch?v=4wrNFDxCRzUVincent's The Red Vineyard, the only painting he sold while alive:https://joyofmuseums.com/museums/russian-federation/moscow-museums/pushkin-museum/the-red-vineyard-by-vincent-van-gogh/Vincent's most expensive painting, The Portrait of Dr. Gachet:https://www.vincentvangogh.org/portrait-of-dr-gachet.jspList of most expensive paintings ever sold:https://en.wikipedia.org/wiki/List_of_most_expensive_paintingsDad's Army episode The Deadly Attachment, featuring a hand grenade down Lance Corporal Jones' trousers: https://www.dailymotion.com/video/x5sdx1fEthel Skinner is having trouble with her Willy in Eastenders:https://www.youtube.com/watch?v=WCmNgaSqX9YClive Dunn performs Grandad on Top of the Pops. The song was written by Herbie Flowers (who played the iconic bass line in Lou Reed's Walk on the Wildside), and features Rick Wakeman on keyboard:https://www.youtube.com/watch?v=XC5fqzKxau8One of the funniest answers ever given on Pointless, featuring Alexander Armstrong:https://www.youtube.com/watch?v=SjTTvn2muRMOpening theme tune to the original Danger Mouse, written by folkie/comedian, Mike Harding sung by Sheila Gott (not Myfanwy Talog), featuring Penfold (hamster, not mole):https://www.youtube.com/watch?v=uMXYJwjL51w Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Le goût de Paris : conversation avec Sophie GachetAncienne grand reporter à Elle Magazine, Sophie Gachet, blonde lumineuse et ultra sympathique, a couru les « fashion weeks » pendant près de vingt ans. Elle a choisi de se consacrer à l'écriture ; un choix encouragé, notamment, par l'immense succès en France et à l'étranger de l'ouvrage « La Parisienne » écrit avec Inès de la Fressange en 2010 et réédité à plusieurs reprises.  Plus récemment, elles ont également publié avec Olga Sekulic un livre intitulé « Le bonheur ; c'est les autres ! » prenant le contrepied de Sartre pour proposer un guide de développement collectif, efficace et réconfortant en période de pandémie.Sophie Gachet nous raconte dans cette épisode son parcours ; de Genève où elle est née, à Paris en passant par New-York, ses premiers pas à Elle et le virage qu'elle a pris plus récemment. Elle nous raconte comment elle voit la parisienne ; mythe parfois fantasmé ; mais pas tant que cela, estime-t-elle. Être parisienne ; c'est avant tout un état d'esprit et une grande liberté. Et aussi la liberté de faire des « fashion » faux pas...car pour Sophie Gachet, le mauvais goût peut aussi être stylé.Sophie Gachet a vécu l'évolution du monde de la mode vers l'écoresponsabilité ; un horizon indépassable aujourd'hui même s'il reste encore beaucoup à effectuer...Bonne écoute.Les designers cités pendant cet épisode sont :Virgil AblohAlbert ElbazThierry MuglerRoland MouretLes ouvrages cosignés par Sophie Gachet sont publiés aux éditions Flammarion.Merci à la Brasserie "Madame Rêve" pour son accueil.

Notre invitéQu'est-ce qui fait rester les commerciaux ?« Quand tu les mets dans des positions où ils sont CEO de leur territoire, c'est comme ça que tu obtiens 150% des commerciaux. Parce qu'intrinsèquement les gens ont envie de se dépasser et d'avoir un impact. »L'autonomie et la responsabilisation, c'est une culture à développer dès le premier jour..Dans ce 3e épisode de Vive La Vente, Julien Lesueur reçoit Gaëtan Gachet, Chief Strategy Officer chez Algolia, une licorne française qui compte aujourd'hui plus de 10 000 clients dans 100 pays, dont des grands comptes comme Lacoste, Universal Music et Ouest France.Gaëtan connaît bien ces sujets de culture commerciale puisqu'il a rejoint Algolia fin 2013 en tant que second employé de la boîte et premier responsable commercial. Après avoir signé le premier million, il a monté toute l'équipe commerciale de 0 à 100 personnes et développé le business jusqu'à 100 millions d'ARR en 5 ans

Capital of the province of #Guavio in #Cundinamarca, #Colombia, one could do worse than spend a few nights in #Gachetá when looking for a short escape from Bogotá. Read the text of this audio blog at https://wwcorrigan.blogspot.com/2022/01/gacheta-if-you-can.html. --- Send in a voice message: https://anchor.fm/brendan-corrigan/message

Cette semaine on accueille Victor Gachet, batteur du groupe INK. On évoque la sortie de Climax, un EP de jazz électro sorti en novembre 2021. L'occasion de parler musique, parcours personnel, création musicale et concert avec une date importante à Strasbourg le 10 février => concert de sortie à l'espace Django. Le groupe INK c'est : Léonard Kretz : saxophone Seb Vallé : piano/keybords Lionel Ehrhart : bass Victor Gachet : drums ► Official website : http://leschapeauxnoirs-jazz.com/​ Follow INK on : ► Facebook : https://www.facebook.com/INKelectrojazz ► Instagram : https://www.instagram.com/ink.electro... ► Bandcamp : https://leschapeauxnoirs.bandcamp.com​ Support this podcast

Cette semaine on accueille Victor Gachet, batteur du groupe INK. On évoque la sortie de Climax, un EP de jazz électro sorti en novembre 2021. L'occasion de parler musique, parcours personnel, création musicale et concert avec une date importante à Strasbourg le 10 février => concert de sortie à l'espace Django. Le groupe INK c'est : Léonard Kretz : saxophone Seb Vallé : piano/keybords Lionel Ehrhart : bass Victor Gachet : drums ► Official website : http://leschapeauxnoirs-jazz.com/​ Follow INK on : ► Facebook : https://www.facebook.com/INKelectrojazz ► Instagram : https://www.instagram.com/ink.electro... ► Bandcamp : https://leschapeauxnoirs.bandcamp.com​ Support this podcast

Cette semaine on accueille Victor Gachet, batteur du groupe INK. On évoque la sortie de Climax, un EP de jazz électro sorti en novembre 2021. L'occasion de parler musique, parcours personnel, création musicale et concert avec une date importante à Strasbourg le 10 février => concert de sortie à l'espace Django. Le groupe INK c'est : Léonard Kretz : saxophone Seb Vallé : piano/keybords Lionel Ehrhart : bass Victor Gachet : drums ► Official website : http://leschapeauxnoirs-jazz.com/​ Follow INK on : ► Facebook : https://www.facebook.com/INKelectrojazz ► Instagram : https://www.instagram.com/ink.electro... ► Bandcamp : https://leschapeauxnoirs.bandcamp.com​ Support this podcast

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Trk 21 - 1890 Auvers - Sur - Oise – Portrait Of Dr Gachet by Birmingham Hippodrome

La última vez que el mundo vio el retrato que Van Gogh pintó de su médico el doctor Paul Gachet fue el 15 de mayo de 1990.  La obra se vendió esa noche por 82.5 millones de dólares, el precio más alto alcanzado por una obra de arte en subasta hasta ese momento.  Después se perdió su rastro para siempre. Quién la compró? Cuál es su historia?  Dónde esta hoy? En este episodio les contamos todo, o más bien: todo lo que se sabe, acerca del “Dr. Gachet”.Vincent Van Gogh vivió las ultimas semanas de su vida en el poblado de  Auvers-sur-Oise en Francia.  Se mudó ahí en Mayo de 1890, después de haber sido dado de alta de la clínica para enfermos mentales de Saint-Remy en la que estuvo interno por un año. Auvers era la residencia del doctor Paul Gachet, neurólogo y psiquiatra que se especializaba en pacientes melancólicos (así llamaban entonces a los trastornos causados por la depresión). Gachet fue pintor y grabador amateur, ademas de médico de varios artistas incluyendo a Paul Cezanne y Camille Pissarro. Se hicieron amigos y el doctor posó para un retrato. Aquí comienza la historia de una de las obras de arte más buscadas de la  historia.BibliografíaBailey, Martin (2019). The Art Newspaper. Adventures in Van Gogh (blog). "Where is the portrait of Dr Gachet? The mysterious disappearance of Van Gogh's most expensive painting.” https://www.theartnewspaper.com/blog/where-is-van-gogh-s-portrait-of-dr-gachet Mayo, 2021.(2019). The Art Newspaper. Adventures in Van Gogh (blog). “Van Gogh and Germany: Frankfurt mounts best show on the artist in recent years.”  https://www.theartnewspaper.com/blog/van-gogh-and-germany-frankfurt-mounts-best-show-on-the-artist-in-recent-years 10 de mayo, 2021.Blot, Gérard. Musee d’Orsay. Le docteur Paul Gachet [Dr Paul Gachet]. [Internet] Accesible en https://www.musee-orsay.fr/en/collections/works-in-focus/search/commentaire/commentaire_id/dr-paul-gachet-2988.html?no_cache=1&S=&print=1&no_cache=1& 14 de mayo, 2021.Rosenbaum, Lee. (2007). Arts Journal. “Dr. Gachet” Sighting: It WAS Flöttl! [Internet] Accesible en https://www.artsjournal.com/culturegrrl/2007/01/dr_gachet_sighting_it_was_flot.html Mayo, 2021Kleiner, Carolyn (2000). U.S. News online. Mysteries of History. “Van Gogh's vanishing act: A high-cost, low-profile canvas.” https://web.archive.org/web/20110514004014/http://www.usnews.com/usnews/doubleissue/mysteries/portrait.htm  Mayo, 2021.Städel Museum (2019). Making Van Gogh: A German Love Story (exhibition). [Internet] Accesible en https://www.staedelmuseum.de/en/vangogh 10 de mayo, 2021.(2019). Podcast Finding Van Gogh: In search of the legendary “Portrait of Dr Gachet” [Internet] Accesible en https://www.staedelmuseum.de/en/podcast-finding-van-gogh Mayo, 2021.Boll, Dirk. (2015) Christie’s. Art Works News. “Auctions that made art history: Part 2.”  https://www.christies.com/features Auctions_That_Made_History_2-5580-1.aspx Mayo, 2021.

Scooba & JB on The DJ Sessions and Waterland Arcade present "Attack the Block" 4/13/21   ABOUT SCOOBA: Dj Scooba is one of the founding fathers of Junglist Platoon as well as a resident to LA's longest running Drum and Bass weekly RESPECT. Scooba has played an integral part in the Los Angeles Drum and Bass scene for over a decade and his fan base continues to grow with every set he plays.   As a resident at RESPECT he has shared billings with producers and DJ's and MC's such as Kenny Ken, Fearless, Bailey, DJ Rap, Shy FX, DJ SS, Dr. S. Gachet, Fabio, High Contrast, Marcus Intalex, Grooverider, Adam F, Goldie, Dieselboy, Pendulum, Mampi Swift, Bad Company, Cause 4 Concern, Photek, DJ Zinc, Red One, Krust and DJ Die.   Playing at huge clubs such as The World Of Drum And Bass and the United States of Drum And Bass at WMC in Miami as well as many local events like Bassrush, Electric Daisy Carnival, DataBass, Engage,Nocturnal Wonderland, Beyond Wonderland, Funktion and Rapture.   Scooba has also produced two tracks with Sub Flo and MC Me under the name Shadow Unit for Kenny Ken's imprint Mix'n' Blen Recordings with 'Thief' and 'Cylinder' MNB012. His clean, distinct and upfront dance floor mixing styles has definitely come to make him a crowd pleaser. ABOUT JB MC: Sandra “JB MC” Lovos is a jungle/drum and bass MC in Los Angeles, CA. In 2008, she attended a jungle show in Orange County, CA where she approached Insomniac Event's resident MC, MC Dino. She hit him with a freestyle & he handed her the mic to hit the stage for her first time as an MC. While supporting the scene in Orange County & Los Angeles, she witnessed a female MC, Julz The Huntress, who was performing at a monthly in OC, Upgrade DNB. She was inspired & motivated with Huntress's confident vocal sound.   Soon, the 2 collaborated and headlined MC'd at Resinate's DNB Bombshell 2010. Later, she was asked to become a resident MC at Upgrade by founder, MC Werd. Since then, JB has performed alongside Optiv, Drumsound & Bassline Smith, Reid Speed, Scooba, APX1, Curious & numerous local DJ's in Southern California & Texas.   She made her FM radio debut when her & partner, DJ Scooba (Junglist Platoon/Respect) played live on 90.7 FM KPFK for the Radiobomb show. In fall 2016, she released a liquid mix where she went back to back with UK's first female jungle/dnb MC, Lady MC. With multiple projects in the works, be sure to keep up with what this female MC is brewing.   About "The DJ Sessions" - “The DJ Sessions" is a online/downloadable series featuring the hottest electronic music DJ's with live mixes and interviews, streamed live to a global audience. Check out the website: www.thedjsessions.com   With over 1,900 episodes produced over the last ten years "The DJ Sessions" has featured international artists such as: BT, Cut Chemist, Lindsey Stirling, Mako, Simon Patterson, Morgan Page, Jes, David Morales, Thievery Corporation, Sander Van Dorn, GAWP, Somna, Roxanne, Scotty Boy, Jody Wisternoff, Benny Bennasi, Christopher Lawrence, Oliver Twizt, Ricardo Torres, Alex Harrington, Pete Moss, Colette, 4 Strings, Sunshine Jones, Elite Force, Revolvr, Kenneth Thomas, Paul Oakenfold, George Acosta, Reid Speed, TyDi, Donald Glaude, Jimbo, Ricardo Torres, Hotel Garuda, Bryn Liedl, Rodg, Kems, Mr. Sam, Steve Aoki, Funtcase, Dirtyloud, Marco Bailey, Dirtmonkey, Crystal Method, Beltek, Dyro, Andy Caldwell, Darin Epsilon, Kyau & Albert, Kutski, Vaski, Moguai, Blackliquid, Sunny Lax, Matt Darey, and many more.   In addition to featuring national/international artists “The DJ Sessions” featured hundreds local top DJs from their homebase of Seattle.   We have also undergone a massive upgrade in our TDJS studios and to our TDJS Mobile Studio to full HD streaming and HD audio to make the quality of the shows even better than before. Along with that we have launched a new website that now features our current live streams and past episodes in a much more user friendly mobile/social environment.   About The DJ Sessions Event Services - TDJSES is a WA State Non-profit charitable organization that's main purpose is to provide music, art, fashion, dance, and entertainment to local and regional communities via events and video production programming distributed through broadcast television and the internet for live and archival viewing.   "The DJ Sessions" is a Twitch "Featured Partner" and MixCloud "Featured Partner" series and has been recognized by Apple twice as a "New and Noteworthy" and "Featured Video” podcast. UStream and Livestream have also listed TDJS as a "Featured" stream in their lineups. The TDJS combined live streaming/podcast audience is over 90,000 viewers per week.   For all press inquiries regarding “The DJ Sessions”, or to schedule an interview with Darran Bruce, please contact us at info@thedjsessions.com

Claudine Gachet est psychothérapeute et directrice de lʹassociation Face à Face. Elle est lʹune des expertes suisses de la violence et de celle des jeunes en particulier. Son portrait est brossé avec humour par Brigitte Rosset.

Our guest this week is Annebelle Mauger. Manager of Imagine Van Gogh. The immersive ground-breaking installation that’s gaining profile all over the World. It opens at Vancouver’s Convention and Exhibition Centre March 19 – June 11 and in Edmonton Expo Centre March 27 – May 2   https://vancouver.imagine-vangogh.com/information/ https://edmonton.imagine-vangogh.com/information/   In 2000, Annabell Mauger discovered Cathédrale d’images in Baux-de-Provence thanks to her partner, Timothée Polad. Founded by his grandparents Albert and Anne Plécy, this historic site was home to the first audiovisual creation in “Image Totale”. As it gained recognition worldwide, Cathédrale d’images presented new immersive exhibitions every year. Imagine Van Gogh, designed by Annabelle Mauger and Julien Baron (longtime collaborators on projects at Cathédrale d’images), is a direct continuation of Albert Plécy’s concept of the “Image Totale”. From the very first outline of Imagine Van Gogh right up to its full realization, complete respect for the painted work is present in all of Annabelle Mauger and Julien Baron’s work. Though time passes and technology evolves, these advancements ensure above all else the preservation of still works of art. Imagine Van Gogh highlights the works of Vincent Van Gogh from his Arles period (1888-1889) to the end of his life in 1890. These were exceptional years for the master, showcasing his talent, as well as his torments, in iconic works such as Sunflowers, Irises, Wheatfield with Crows, The Starry Night, in addition to his Japanese influences with the magnificent Almond Blossoms or his later The Church at Auvers. It also incorporates the many portraits painted during this period, including his Self-Portraits, Portrait of Dr. Gachet, La Mousmé, Portrait of the Postman Joseph Roulin, and L’Arlésienne: Madame Ginoux. Altogether, an incredible number of Van Gogh’s masterpieces will be revealed to visitors from a completely new perspective. Vincent writing to his brother Theo as he painted … The Arles Period Selected works: The Yellow House, Café Terrace at Night, Harvest at La Crau with Montmajour in the Background, L’Arlésienne : Madame Ginoux, Sunflowers, Starry Night over the Rhône (1888). When the mistral’s blowing, though, it’s the very opposite of a pleasant land here, because the mistral's really aggravating. But what a compensation, what a compensation, when there’s a day with no wind. What intensity of colors, what pure air, what serene vibrancy. The Saint-Rémy-de-Provence Period Selected works: The Garden of St. Paul Hospital, The Red Vineyard, The Road Menders, Les Alyscamps, Fishing Boats on the Beach at Saintes-Maries (1889). For many days I’ve been absolutely distraught, as in Arles, just as much if not worse, and it’s to be presumed that these crises will recur in the future, it is abominable.» The Auvers-sur-Oise Period Selected works: The Town Hall at Auvers, Portrait of Doctor Gachet, The House of Pere Pilon, Daubigny’s Garden. The Church at Auvers, Landscape of Auvers in the Rain, Wheatfield with Crows (May 20 to July 29, 1890). Auvers is really beautiful – among other things many old thatched roofs, which are becoming rare. I’d hope, then, that in doing a few canvases of that really seriously, there would be a chance of recouping some of the costs of my stay – for really, it’s gravely beautiful, it’s the heart of the countryside, distinctive and picturesque. They’re immense stretches of wheatfields under turbulent skies, and I made a point of trying to express sadness, extreme loneliness. You’ll see this soon, I hope – for I hope to bring them to you in Paris as soon as possible since I’d almost believe that these canvases will tell you what I can’t say in words, what I consider healthy and fortifying about the countryside. Vincent Van Gogh Exhibition: https://vancouver.imagine-vangogh.com/lexposition/ Annabelle Mauger Bio: https://vancouver.imagine-vangogh.com/biographie-dannabelle-mauger/ Vincent Van Gogh Bio: https://vancouver.imagine-vangogh.com/biographie-de-vincent-van-gogh/

Il a réalisé le film éponyme de l'épisode "Nous, les Hyper-Dirigeants", Laurent Gachet vous parle de sa participation aux Invincibles ! Pour découvrir le court-métrage, rendez-vous sur nos réseaux sociaux Instagram, Facebook, YouTube ou par ici : https://linktr.ee/lesinvinciblespodcast Crédits du court-métrage : Texte et voix (podcast) : Benjamin Georjon Musique originale (podcast) : Arnaud Vernet aka Le Naun Interprétation : Benjamin Georjon Images : Soul Pixel Réalisation : Laurent Gachet Crédits : Le Cercle d'Aldébaran & Les Invincibles crédit photo de la cover de cet épisode bonus : DR

CW: discussion of self harm, suicide, and mental illness (specifically bipolar and/or schizoaffective disorders). We are talking about these things almost exclusively in terms of Van Gogh’s life, so if you’re familiar and comfortable with those (sometimes gorey) details, you will likely not be bothered by this conversation. We also talk some about sex workers, but not really about sex work. Today I'm talking with Nicolette Paglioni about the stylistic masterwork that is Loving Vincent, the 2017 film where every frame is hand-painted. It's a masterful film about the life and death (mostly death) of Vincent Van Gogh, and if you ever wanted to know something about the man Nicolette will be happy to share it with you. We talk about many nuances of his life, the wonder of animation and rotoscoping, making art, and mental illness. There's also more to the video version this week, as it features paintings by Van Gogh that Nicolette touches on that are not heavily featured in this podcast, seeing as it's an audio medium. If you're interested in the podcast Nicolette mentioned about finding the portrait of Dr. Gachet, that can be found here! Or follow these links if you're interested in a new movie being made by this studio in the painted style, or want to check out the Booth Western Art Museum. If you want to support us and get perks, including early access to content, check out Video Eclectic on Patreon, and there are so many other places you can follow Video Eclectic if you want to keep up with all things Subjective Cinema! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Tous le monde a un jeu auquel il a joué quand il était petit et qui le fait retomber en enfance quand il y rejoue, un peu comme la madeleine de Proust! Pour ce 5ème épisode, et premier de 2021, j'ai eu la chance d'accueillir Willy Gachet, batteur du groupe de rock français Les 3 Fromages, pour parler de Crash Bandicoot! Mais on abordera aussi d'autres jeux sur Playstation 1 comme Crash Team Racing ou Medievil! Merci à Fredoune pour le logo du Podcast et à Woody pour le générique!

In our eighth season, we’re exploring examples of some of the most expensive artworks ever sold at auction considering why they garnered so much money, and discovering their backstories. Today: Vincent van Gogh’s Portrait of Dr. Gachet. Please SUBSCRIBE and REVIEW our show on Apple Podcasts! Twitter / Facebook/ Instagram SPONSORS: The Great Courses Plus: Get free access to their entire library with my special link! Indeed: ArtCurious listeners get a FREE $75 CREDIT to boost job posts Kobo: Enjoy a 30-day free trial, and then a low monthly subscription fee of $12.99 Bloomberg Connects: Download‌ ‌Bloomberg‌ ‌Connects‌ ‌at‌ ‌the‌ ‌Apple‌ ‌App‌ ‌and‌ ‌Google‌ ‌Play‌ ‌stores to access museums, galleries, and cultural spaces around the world anytime, anywhere Learn more about your ad choices. Visit megaphone.fm/adchoices

Dans sa quête d'utilité, de sens au travail et de limitation des impacts environnementaux, on peut parfois être perdu et ne pas savoir comment s'y prendre. Le livre "Ecolo au boulot - S'inspirer de la permaculture en entreprise" d'Anthony Gachet propose une méthode, des témoignages et idées d'actions qui pourront vous aider à enfin faire entrer l'écologie dans votre travail au quotidien. ___ Le livre d'Anthony aux éditions ULMER : https://www.editions-ulmer.fr/editions-ulmer/etre-ecolo-au-boulot-s-inspirer-de-la-permaculture-en-entreprise-753-cl.htm Le podcast sur le challenge vider le serveur : https://anchor.fm/dashboard/episode/eivqdu ___ Contact : ecoloauboulot@gmail.com Le blog : https://ecoloauboulot.jimdofree.com/ Instagram : @ecolo_auboulot LinkedIn : https://www.linkedin.com/company/ecolo-au-boulot

Aujourd'hui, je pars à la rencontre de Charles Gachet-Dieuzeide, co-fondateur de Secoya Eco Tournage, qui propose des solutions sur mesure pour accompagner les sociétés de production audiovisuelles à engager une transition écologique. "2030 Glorieuses", c'est le podcast qui met en avant les acteurs du monde de demain, ceux qui incarnent les utopies réalistes dont nous avons tant besoin. Ils sont des milliers en France à agir concrètement pour montrer que l’action est le meilleur remède contre le fatalisme et que, si nous agissons avec ambition et amour, la décennie des 2030 glorieuses est à portée de mains.

À quoi sert la publicité ? Nous allons poser cette question aujourd'hui à un Rough Man. Pour ceux qui ne connaissent pas ce métier, il s'agit des illustrateurs qui dessinent les storyboards des spots ou vidéos ou films. On l'imagine, ce métier a fortement changé, car aujourd'hui tout se fait avec un mobile. Mais si la forme change, reste la question du fond. Et là, rien à changé. Cédric Gachet, qu'est-ce qu'une idée publicitaire ? Un podcast également disponible sur: Apple Podcast https://podcasts.apple.com/ch/podcast/cominmag/id1526101611?l=fr Anchor https://anchor.fm/cominmag Google Podcast https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8xYmRjZjE5OC9wb2RjYXN0L3Jzcw Spotifiy https://open.spotify.com/show/3uFVrP7kAMuAMM4av61q3j --- Send in a voice message: https://anchor.fm/cominmag/message

Boję się, że będę w tym podkaście niczym starsza koleżanka z przedszkola, która w tajemnicy zdradza, że święty Mikołaj nie istnieje i tym sposobem psuje całą zabawę związaną z oczekiwaniem na gwiazdkowe prezenty.Muszę jednak to zrobić. Muszę zerwać z kilkoma mitami na temat Vincenta van Gogha i liczę na to, że doktor Gachet, którego widzisz na portrecie, przed którym się zatrzymaliśmy, mi w tym pomoże.W żadnym wypadku nie chcę sprawić, abyś przestał lubić i podziwiać twórczość Van Gogha. Vincent van Gogh to wielki artysta i nie zamierzam tego kwestionować. Ale właśnie dlatego, że jest wielkim artystą, zasługuje na to, aby oddzielić jego twórczość od narosłych wokół niej mitów. Van Gogh nie był szaleńcem. Był chory psychicznie i w czasach, kiedy psychiatria stoi na znacznie wyższym poziomie niż w XIX wieku powinniśmy już to rozróżniać.Zapraszam też na stronę podcastu – https://przedobrazem.pl/podcasty/muzeum-orsay/ – oprócz transkryptu obrazu znajduje się tam wiele ciekawych reprodukcji dzieł sztuki.Możesz też mnie obserwować w social mediachFB: https://www.facebook.com/Przed-obrazem-107322314372425IG: https://www.instagram.com/przed_obrazem/

Spazio dedicato alla musica "Made in Puglia" curato da Carlo Chicco01 #ACQUASUMARTE – VITA D'ARTISTA02 #ANDREASENATORE – SPACE AND TIME03 #ASHA –watch me as i sink04 #gigante – rettile05 #MUN – healing06 #serpenti – giorni di ulisse07 #molla – superpizza08 #ninotchka – scegli me09 #lamunicipal – quando crollerà il governo10 #violentscenes – in the morning sun11 #vegetableg – la filastrocca dei 9 pianeti12 #tizianafelle – mark my words13 #giuntodicardano – ritratto del dottor Gachet 14 #mrbricksandtherubbles – voodoo spell15 #botanique – make up16 #tobialamare – dada

Die Züge in Deutschland sind aktuell zwar nicht mehr so voll, doch unsere beiden Spaßnasen bemühen sich weiter um beste Podcast Unterhaltung. Es wird erzählt, wie McDonalds Menschen vom Vegetarismus befreit und wie ehrlich man über die Lebenspartner*innen von guten Freunden sprechen darf. Außerdem steht die Qualität von Backwerk und der Aufenthaltsort von Doktor Gachet in Frage. Das Intro kommt von Jahzzar - Take Me Higher Podcast Finding van Vogh Doku: Neues Leben im alten Hafen

What makes people stay? 'If it was just the equity in the compensation, I would have been gone a long time ago.' Aka Think about the culture from day 1. In this episode, Gaëtan GACHET, SVP Sales and employee nr 2 at Algolia - sits down with me to comment on Algolia's second consecutive recognition by Battery Ventures as One of Top Cloud Computing Companies to Work For in 2019. A very genuine talk on what has made Algolia a successful employer brand and work environment not only in their early days but also through a global scaling phase. We hope you'll find some good insights there as an early-stage startup and scaleup Founder. Share your thoughts!

Die neue Ausstellung des Städelmuseums zeigt einen leeren Rahmen. Was fehlt? „Das Bildnis des Dr. Gachet“. Der Podcast „Finding Van Gogh“ erzählt seine Geschichte.Der Artikel zum Nachlesen: https://detektor.fm/kultur/n99-anna-huber-und-johannes-nichelmann-ueber-finding-van-gogh

Frankfurt, Germany, 1905. Georg Swarzenski is appointed director of the Städel at the age of 30. He wants to open the richly traditional museum for exciting new art. In 1911, he purchases the “Portrait of Dr Gachet” in Paris – an act that makes a strong statement in the unyielding German Empire. Swarzenski very skilfully develops the Städel into a modern museum. In 1933, however, when he is at the height of his career, the Third Reich descends upon him. Swarzenski is of Jewish descent but not only personally under existential threat: his lifework, the modern collection, is also the target of attack. The “Portrait of Dr Gachet”, the silent observer of all these goings-on, is confiscated in 1937 and declared “degenerate art”. This is a chapter in the painting’s history that bears witness to the brutal and contradictory ideology of the National Socialists – and to the importance they attach to art.

The “Portrait of Dr Gachet” is in storage in a granary in Berlin along with thousands of other confiscated artworks. Here it comes to the attention of one of the leading National Socialists: Hermann Göring wants to turn it into cash abroad. By a circuitous route, the work finds its way into the possession of a Jewish family in Amsterdam who are compelled to flee the Nazis themselves a short time later The “Portrait of Dr Gachet” goes to New York with them. There it not only witnesses how times change, but also how the image of van Gogh evolves: Is there any truth in the myth of the mad genius? Can van Gogh’s art be separated from his biography?

Johannes and the curator Alexander Eiling are standing in the Städel Museum’ storage room – in front of an empty picture frame. It is the frame that once held the “Portrait of Dr Gachet”, which was in the Städel collection until 1937. The present owner: anonymous. The museum long made every effort to obtain the painting as a loan for its upcoming van Gogh exhibition – in vain. Instead, the empty picture frame will serve in the show as a reminder of the work’s breath-taking history. The tale begins in Auvers-sur-Oise, a small town outside Paris. It is there that van Gogh paints the portrait of his doctor just a few weeks before he commits suicide. How is the painting linked to van Gogh’s own biography? What makes it a masterwork?

The “Portrait of Dr Gachet” has meanwhile changed owners thirteen times – and now it’s writing art market history. How did it come about: the historical auction where the painting broke all the price records? Johannes travels to Christie’s in London to meet with Christopher Burge, the auctioneer who auctioned the portrait in 1990. Burge recounts how not only the prices but also something else exploded in New York at the time. What path has the international art market taken since then?

“In general when people don’t know where a painting is, they say it’s in a private collection in Switzerland. That’s the standard response.” Where is the “Portrait of Dr Gachet” now? Since the historical auction in 1990, the artwork has never been on view to the public again. Its last three decades begin in Japan and lead to an Austrian – and shady business dealings in the Caribbean. Finally, Johannes comes surprisingly close to the work’s present owner in New York. Which is not to say that the “Portrait of Dr Gachet” couldn’t also be in Switzerland.

Karla Gachet is a native of Quito, Ecuadorwww.karlagachet.comwww.runaphotos.org@kchete77

Johannes steht mit Kurator Alexander Eiling im Gemäldedepot des Städel Museums – vor einem leeren Bilderrahmen. Der Rahmen gehörte einmal zum „Bildnis des Dr. Gachet“, das bis 1937 Teil der Städel Sammlung war. Der heutige Besitzer: anonym. Das Städel Museum hat lange versucht, das Gemälde als Leihgabe für seine anstehende Van-Gogh-Ausstellung zu bekommen, vergebens. Stattdessen wird dort der leere Rahmen an die atemberaubende Geschichte des Bildes erinnern. Sie beginnt in Auvers-sur-Oise, einem kleinen Ort außerhalb von Paris. Hier malt van Gogh das Porträt seines Nervenarztes, nur wenige Wochen, bevor er sich selbst das Leben nimmt. Wie ist das Gemälde verwoben mit van Goghs eigener Biografie? Was macht es zu einem Meisterwerk?

Frankfurt, 1905. Georg Swarzenski wird mit 30 Jahren Direktor des Städel. Er möchte das traditionsreiche Museum für neue, aufregende Kunst öffnen. 1911 erwirbt er in Paris das „Bildnis des Dr. Gachet“ – ein Statement im verstockten deutschen Kaiserreich. Mit viel Geschick baut Swarzenski das Städel zu einem modernen Museum aus. Doch 1933, am Höhepunkt seiner Karriere, bricht das Dritte Reich über ihn ein. Swarzenski ist jüdischer Herkunft und nicht nur persönlich existenziell bedroht: Auch sein Lebenswerk, die moderne Sammlung wird angegriffen. Das „Bildnis des Dr. Gachet“, der stille Beobachter all dessen, wird 1937 beschlagnahmt und zur „entarteten Kunst“ erklärt. Was bis dahin passiert erzählt von der widersprüchlichen und brutalen Ideologie der Nationalsozialisten und von der Bedeutung, die sie der Kunst beigemessen haben.

Das „Bildnis des Dr. Gachet“ lagert in einem Kornspeicher in Berlin, zusammen mit Tausenden beschlagnahmten Kunstwerken. Hier fällt es einem der führenden Nationalsozialisten ins Auge: Hermann Göring will es im Ausland zu Geld machen. Über Umwege gelangt das Gemälde in den Besitz einer jüdischen Familie in Amsterdam, die kurz darauf selbst vor den Nationalsozialisten flieht. Mit ihr geht das „Bildnis des Dr. Gachet“ nach New York. Hier erlebt es nicht nur, wie sich die Zeiten wandeln, sondern auch, wie sich der Blick auf van Gogh verschiebt: Was ist dran am Mythos des wahnsinnigen Genies? Ist van Goghs Kunst von seiner Biografie zu trennen?

Das „Bildnis des Dr. Gachet“ hat bisher 13 Mal den Besitzer gewechselt – jetzt schreibt es Kunstmarktgeschichte. Wie kam es zu dieser historischen Auktion, in der das Gemälde alle Preisrekorde brach? Johannes reist zu Christie’s nach London und trifft dort Christopher Burge, den Auktionator, der das Porträt 1990 versteigert hat. Burge erzählt, wie damals in New York nicht nur Preise explodierten, sondern auch etwas ganz anderes. Wohin hat sich der internationale Kunstmarkt seitdem bewegt?

„Wenn Leute keine Ahnung haben, wo ein Bild ist, dann sagen sie, dass es in einer privaten Sammlung in der Schweiz ist. Das ist die Standardantwort.“ Wo ist das „Bildnis des Dr. Gachet“ heute? Seit der historischen Auktion 1990 ist das Kunstwerk aus den Augen der Öffentlichkeit verschwunden. Die drei letzten Jahrzehnte des Gemäldes beginnen in Japan und führen zu einem Österreicher und fragwürdigen Karibik-Geschäften. In New York kommt Johannes dem aktuellen Besitzer des Gemäldes schließlich überraschend nahe. Was nicht bedeutet, dass das „Bildnis des Dr. Gachet“ nicht auch in der Schweiz sein könnte.

In search of the legendary “Portrait of Dr Gachet”. The last great portrait by Vincent van Gogh disappeared from the public eye three decades ago. The podcast series FINDING VAN GOGH traces the painting’s eventful history – to get to the bottom of the question: where is the masterpiece now?

Auf der Suche nach dem legendären „Bildnis des Dr. Gachet“. Seit drei Jahrzehnten ist das letzte große Porträt von Vincent van Gogh aus den Augen der Öffentlichkeit verschwunden. Die Podcast-Serie FINDING VAN GOGH geht seiner bewegten Geschichte nach, und auch der Frage: Wo ist das Meisterwerk heute?

In May of 1990, Vincent van Gogh’s Portrait of Dr. Gachet, sold at auction for 82.5 million dollars. The buyer would die six years later. In 1999, the Metropolitan Museum of Art sought out the new owner to borrow the painting for an exhibit, but they couldn't find one. After numerous conflicting leads and dead ends, it was discovered that the painting was gone. 

Hope less to live more. Presence is the true present of living with less hope, being in a place of less expectation and control, more trust, flow, and freedom in my being. This is a deep acceptance of what is in my experience in a fuller way, where I can experience more and not exist from the place where hoping that things would be different was a helpful tool of survival. In this podcast, I share a personal story of what made me break, lose all hope, and become more present to the true moments that exist now. This is an exploration of how hope can be helpful and unhelpful, as well as thoughts about what can be embedded and masked in the concept of hope. The presents or presence of being hope-less? ;)   A Little About A{Live} Now I've found that when I share what's true in the moment, there is so much ALIVENESS and fullness in me. That's why I started the the A{Live} Now mini-series, which is within the Embody Podcast. This is the second episode and I intend to share what's happening in my real life and in my inner world, what's truly full and alive now. What's alive now in me has often been what's filled the juicy stuff of life: themes, joys, or challenges that others may also be experiencing, a fear and other emotions that bring me to the edge of my fullest expression in the moment. As you listen, I will also share snippets of how you can support your own heart and soul, know yourself, be your fullest, or heal and love yourself.   Links, Article, and Resources All Show Notes for This Episode

Screen English - I have an appointment with Dr. Gachet.

Words of the day: brushstroke. animate. palette. blue. technique. New Bedford, Massachusetts based artist Kat Knutsen joins ahtcast to talk about her experience working on the Loving Vincent film. Loving Vincent is an animated film, telling an important part of the Vincent van Gogh story, using oil paintings created in the style of the artist himself.  Working at the film's painting studio in Gdansk, Poland for a number of months, Knutsen was immersed in the production that turned out thousands of paintings for the project. Kat painted upwards of 80 oil paintings for the film herself. Mixing. mixing, mixing, and even counting paint-strokes at times as her paintings came together. Listen in for more!   Above: Kat Knutsen's working space while painting for the film. Character featured is Dr. Gachet.     Kat Knutsen's website: http://katknutsen.com/home.html       (Original podcast intro song by David T Miller and Phillip J. Mellen)  

In this next edition of the New England Junglists Mixtape Series, DJ Nick Minieri guides us through an hour and twenty minutes of Old School UK Hardcore, Breakbeats and Early Jungle (1990-1995). Sit back and take your history lesson. #KnowYourRoots. Track Listing: Masters at Work: M.A.D.D. RIOT Ray Keith: Tapes EP (A) Strategy: Money Go Round Doc Scott: Surgery Bass Construction: Too Sexy to Dance Tone Def: Hectic House Noise Factory: Recession Time Sudden Def: I Got Whatcha Want House Crew: We Are Hardcore D Major: One Step Dr S. Gachet & Funky Junky: Logan’s Run Force Mass Motion: Jack of Diamonds Smith Inc: Palomino Electronic Experienced: 303 China White: Keep Generate Delay: Broken Heart Elevation: Another Time Dillinja: From Beyond Dillinja: Majestic B-Line EP (A1) Nicky Blackmarket & Formula 7: Spiritual Feelings Formula 7: Jodi’s Theme Johnny Jungle: Johnny (Pascal Remix) Da Maytrix: Let Me Know Northern Connexion: Rethink Dread Bass: Baby Tears TIC: Rockers L Double: What Am I Gonna Do?

When Van Gogh settled in Auvers to seek care from the physician, Dr. Gachet, he learned with delight that Daubigny had had a home in Auvers. In mid-June 1890, he painted his first small study of Daubigny’s garden. In July, he made this larger version of the house and its property, adding the small dark figure of Madame Daubigny in the distance at the left, along with a black cat in the foreground.

Van Gogh si trasferisce ad Auvers-sur-Oise, nella locanda dei coniugi Ravoux. Il pittore viene affidato alle cure del malinconico dottor Gachet. A Vincent basta poco per capire che il dottore è malato più di lui.

Synopsis During a visit to an art gallery with , the Doctor's interest is caught by a painting of a church by Vincent van Gogh: there's a face in the window of the church – a curious, shadowed creepy face with a beak and nasty eyes. The Doctor is worried, and is sure he has seen the face somewhere before. There is only one thing for it: a trip in the TARDIS back to , so the Doctor can find out from the artist himself. Plot The Doctor and Amy looking at van Gogh's painting of the Church at Auvers. In a field of wheat, something begins running through it, scaring the crows away, while an artist paints the scene. The same painting, years later, hangs in the Musée d'Orsay in . A man, Dr. Black, in glasses and a bowtie tells a group of people that the painting is one of van Gogh's last paintings and that the last few months of his life were the most astonishing months of his artistic outpouring. As he compares van Gogh to , the Doctor and pass behind him, admiring the pieces of art around them. Amy thanks the Doctor for bringing her to the museum and asks why he is being so nice to her. The Doctor defends himself and Amy says that she was only joking, asking why he was being so serious. Dr. Black tells the group the value of van Gogh's work today, tens of millions, and compares it with the value of it when van Gogh died, the value of a sofa and some chairs. A child says "He's the doctor." Thinking it is him, the Doctor turns around, only to discover the children are looking at a picture of van Gogh's doctor. Amy grabs the Doctor's hand and pulls him towards a painting of a church. As the Doctor admires the work, he notices something in the window of the church. Amy asks if it is a face and the Doctor tells her that it is, and that it isn't a nice face. The Doctor approaches Dr. Black, interrupting his talk and asks him when the painting was painted, asking him to skip a long speech. Dr. Black tells him that it was probably between the first and third of June in 1890. The Doctor thanks him, then the two men compliment each others bow ties. The Doctor then grabs Amy's hand and pulls her away. She asks about looking at the rest of the paintings, but he shoves her ahead, telling her that it is a matter of life and death, and that they must talk to Vincent van Gogh. The materializes and the Doctor and Amy exit. The Doctor tells Amy the plan, to find van Gogh, wait for him to take them to the church, then defeat the monster. Amy exclaims that it will be easy, but the Doctor disagrees. He says that van Gogh will probably be in the local café and describes it. Amy flicks through her van Gogh guide and finds a painting of it. The Doctor tells her that that painting is the one, then Amy points out that the real café is right infront of them. The Doctor approaches the owner and asks about Vincent van Gogh. The owner disappears inside, so the Doctor asks the waitresses. The waitresses tell the Doctor and Amy that van Gogh is a mad drunk who never pays his bills. The Doctor tells them he's a good painter and the two women just laugh at him. As the Doctor sits at a table, a man follows the owner out of the café and tries to bargain with him, one painting for a drink. The Doctor points to the man and mouths to Amy that he is van Gogh. The owner says that the painting is no good, and tells van Gogh to either pay for drinks or get out. The Doctor offers to either pay for van Gogh's drink or to buy the painting, to which van Gogh asks who the Doctor is. The Doctor tells him that he is new in town, to which van Gogh tells him three things; that he pays for his own drinks, that no-one buys his paintings lest they be laughed out of town and that Amy is cute, but the Doctor should not interfere. Van Gogh returns to bargaining with the owner who still refuses to give him a drink, until Amy interferes and tells the two to shut up. She tells the owner that she will buy a bottle of wine, and will share it with whomever she wishes, looking at van Gogh. The owner agrees and follows Amy inside. Inside, the Doctor and Amy talk with van Gogh. Van Gogh asks about Amy's accent and whether she comes from Holland. She replies "no" while the Doctor replies "yes" at the same time. The Doctor introduces himself properly as "the Doctor", which causes van Gogh to believe that he is a doctor sent by his brother to help him with his mental state. The Doctor laughs at the notion and points to a painting beside van Gogh. Amy says that it is one of her favourites, to which van Gogh tells her she's never seen it before. She covers up her mistake and van Gogh comments on her hair colour, so she comments on his. Vincent and Amy at the Café. The Doctor interrupts and asks Vincent if he has painted any churches lately and van Gogh tells him that he has been thinking about painting one church. The Doctor says that is good news, when someone screams, the Doctor says that that is not good news. Out in the street, the three find a girl who has been killed. The mother of the girl pushes her way through, then blames Vincent for her daughter's death. She and some of the crowd throw stones at Vincent, so the Doctor, Amy and Vincent leave immediately. The Doctor asks Vincent if a similar murder has happened before. Vincent tells him that there was one a week ago and the Doctor says he thought so. He tells Vincent that he must get home. Vincent asks where the Doctor and Amy are staying, which the Doctor takes as an invite to stay with him. Amy nervously laughs and follows the Doctor, Vincent in tail of the two. Outside Vincent's home, the Doctor comments on the dark and the starry night. Van Gogh says that Amy and the Doctor will be alright to stay with him for one night, and one night only. Amy exclaims that they will be staying with him and the Doctor tells her until he paints the church. Inside, van Gogh lights a lamp and apologizes about the "clutter", saying he must really clear it out. Vincent offers coffee and after seeing Vincent put coffee on one of his works, the Doctor tells him to be careful with his work and that they are precious. Vincent disagrees with the Doctor, but Amy tells Vincent that they are precious to her. The Doctor asks about the church, to which Vincent asks about his obsession with it. The Doctor asks about Vincent, and Vincent tells him that it seems to him the world offers much more than the normal eye can see. The Doctor agrees with him, glancing at Amy. Soon after, Vincent wildly talks about colours and how he can hear them, and how he thinks. The Doctor stares at Vincent saying that he believes he has had enough coffee. The Doctor asks where Amy is and a scream comes from outside. Vincent and the Doctor rush outside and find Amy on the ground, shaken, but not injured. The Doctor says not to worry that the attacker has gone, but Vincent screams and runs to get a fork. The Doctor tries to calm Vincent down, but Vincent runs towards them. Amy and the Doctor move to the side and van Gogh tells them to run. The Doctor agrees and tells Amy that Vincent is having a fit. The Doctor again tries to calm Vincent down, telling him that it is only him there, when something large knocks him off his feet. Amy shouts that she cannot see anything and asks what it is. The Doctor agrees that her question is good. He gets up and grabs a stick, telling Vincent he will help him fight it. Vincent asks the Doctor if he can see the creature too, to which the Doctor says he can, kind of, and finally not. The Doctor then gets hit again and thrown over a table, landing on his back. Vincent tells the Doctor that he couldn't see the creature. The Doctor returns to where the creature was, swinging his stick around, while Vincent attacks the creature and fends it off. Both Vincent and Amy watch as the Doctor continues to fight nothing, swinging his stick around. Vincent tells the Doctor that the creature has gone, to which the Doctor stops. The three return inside. The Doctor says that the creature was invisible, and asks Vincent what it looked like. Vincet says he'll show them and begins to paint over one of his paintings, much to the Doctor and Amy's horror. After he has finished, the Doctor takes the painting from van Gogh and gives Amy instructions to keep Vincent safe. Amy protests the Doctor going outside as it is dangerous, but the Doctor decides to still go, telling them he'll be back before they can say "where's he got to now?" The Doctor leaves and Amy turns back to Vincent. The Doctor screams "not that fast" to keep the two on their toes and says he'll be pretty fast, then leaves. The Doctor walks down the alleyways, seemingly being followed by the creature, but reaches the TARDIS before he comes to any danger. Inside, he drags a chest from one of the alcoves, talking to a specific item. He apologizes to the item, saying he thought it was just a useless, embarrassing present from his godmother, who had two heads and bad breath, on both the heads. He pulls out a machine attached to a mirror and puts it up on the TARDIS console. He links it up to the TARDIS and sticks his tongue out at it. The machine identifies the Doctor as "Doctor" and his home planet as and prints a copy out on the console's typewriter, including pictures of the first and incarnations. The Doctor then shows Vincent's drawing of the creature to the mirror in order to identify it. The machine first identifies it as a parrot, then a polar bear, both of which the Doctor dismisses. He then complains that the impressionists are not accurate enough and that it wouldn't happen with one of the "proper" painters, but then apologizes to Vincent. He says that Vincent will have to draw something better and throws the painting away behind him. The Doctor attempting to identify the 'invisible monster'. Leaving the TARDIS, now day, the Doctor alters the machine. The creature appears behind the Doctor, appearing in the mirror. The machine's "match" noise sounds and the Doctor says that there may be a time delay, but the machine always gets it in the end, not noticing the actual creature behind him. The Doctor reads the details on the creature, a , before noticing that it is directly behind him. The Doctor begins to run and hides behind a corner. He uses the mirror to see the creature charging towards him, before running again. He tries to slow the creature by blocking its path, and the creature hits its head on an archway. The Doctor hides behind another corner and sees the creature fleeing. He breathes a sigh of relief, before turning the corner and seeing Amy. Both of them scream and the Doctor says that she scared the living daylights out of him. Amy apologizes and says that she was bored of Vincent's snoring. The Doctor enters Vincent's room and opens the windows, letting in a flood of light and waking Vincent up. Vincet gets up as the Doctor leaves the room, telling Vincent that Amy brought him a present. Amy tells him she brought the present for saving her the previous night. Vincent looks out to see the outside surrounded by sunflowers. Amy suggests he paint the flowers, but Vincent says that they are not his favourite flower, much to the surprise of Amy and the Doctor. Vincent explains that he finds them complex, half-living and half-dying, a little disgusting, but a challenge. The Doctor tells Vincent he is sure he will rise to the challenge. Amy amidst the sunflowers. The Doctor shows Vincent a picture of the Krafayis, explaining how the species travels in space as a pack and that they are a brutal race; if one falls behind, the rest of the pack do not return for it. He explains that this particular one has been left behind, and like the other Krafayis abandoned across the universe, it will kill without mercy until killed, which they usually are not, given their invisibility. The Doctor tells Vincent that they are in a unique position of being able to stop this one if Vincent paints the church. Vincent asks about the monster, but the Doctor tells him that if he paints the church, the monster will come. Vincent agrees and the Doctor tells him that he and Amy will be no longer bothering him by the next day and will be gone. After Vincent has left the room, the Doctor tells Amy that taking Vincent is risky. Amy asks if it is riskier than normal. The Doctor checks to see that Vincent is not listening and tells Amy that if Vincent is killed, half the pictures in the Musée d'Orsay will disappear and that it will be their fault. The Doctor knocks on Vincent's door and enters. He finds Vincent on his bed crying. The Doctor asks if he can help. Vincent tells the Doctor that he and Amy will leave as everyone always leaves him, that he will be left with an empty heart and no hope. The Doctor tells Vincent that his experience is that there is always hope, but Vincent tells him that he does not have a full experience and that he knows it will not end well. The Doctor tries to console him, but Vincent gets angry and tells him to get out. The Doctor leaves. Amy asks the Doctor what is happening and the Doctor explains how delicate Vincent is, that he will eventually shoot himself, and that is why they should leave. After looking at some of Vincent's paintings, the Doctor says that he and Amy must go to the church and hope that the Krafayis still turns up. Before they can leave, Vincent appears at the door, fully clothed and ready to go, selecting a paintbrush. Amy, walking arm in arm with Vincent, tells him that she is sorry he is sad. He tells her that the moods he has last for weeks or even months, but that he can soldier on if she can. She tells him that she is not soldiering on but he says to her that he can hear the song of her sadness and points out that she is crying. He tells Amy that he understands but Amy replies, telling him that she does not. The Doctor, having listened to the conversation interrupts and proposes a plan. Vincent says that they will fight the creature, but the Doctor explains that it needs to be more developed, that he needs to be able to see the creature as well. Amy asks how the Doctor is supposed to see the monster, to which he replies that he has the answer inside a box he is carrying, giving praise to his godmother. Further up the road, the three see the funeral of the girl who was killed the previous night. They stand at the side of the road, Vincent having taken his hat off in respect, as the coffin passes with sunflowers on top. Amy asks the Doctor if he has a plan, to which he tells her that he doesn't, but something similarly greater. Vincent sets up his easle as the Doctor makes sure that he will be told when the creature appears. Vincent tells the Doctor that he is mad and not stupid. The Doctor begins to explain that he may not actually be mad, just deeply depressed, but Vincent tells him to shush, and that he is working. As Vincent paints, the Doctor talks about watching painting the Sistine Chaple, and how he winged because he was afraid of heights but Amy tells him to shush. Later he moves on to , and how he tried to advise him on his paintings. Much later, the Doctor, bored, asks if time normally passes really slowly and in the correct order. He stands up and tells Amy and Vincent that he can't stand an unpunctual alien attack. Amy asks if he is nervous, when Vincent tells the two that the monster is now at the window. The Doctor tells Amy and Vincent that he is going in, so Vincent tells him that he is going in too. The Doctor stresses that Vincent is Vincent van Gogh, and that he is not going in. Vincent protests that the Doctor is not armed, but the Doctor tells him that he is, with overconfidence, the machine and a small screwdriver. The Doctor says that all he needs to do is find the correct prozac setting to stun the creature. He gives Amy one simple instruction, not to follow him and signals to Vincent to watch her. Amy agrees and the Doctor heads towards the church. Vincent leans in towards Amy and asks if she will follow him, and she tells him that she will. Vincent then tells Amy that he loves her. Just outside the chapel, the Doctor opens his box and takes out the machine. He puts it on and before heading into the chapel, looks at a carving above the door, a carving of an angel slaying a dragon. Inside, the Doctor looks around for the Krafayis. Outside, Amy asks Vincent if the Krafayis has moved. Vincent tells her that it hasn't, but suddenly tells her that it has turned around. After approaching the window where the Krafayis was, the Doctor believes the creature has moved. Suddenly, a hand knocks the Doctor flying. Amy and Vincent hear the crash, look at each other and head inside to help the Doctor. The Doctor recovers from his fall and tries to stun the Krafayis. He runs towards a room when he bumps into Amy. The two of them hide in a confessions box to hide. While inside, the Doctor tells Amy to breath quieter. Amy says that she cannot, then believes that it has walked past them. Then the Krafayis begins attacking the confessions box, and the Doctor compliments its excellent hearing. Vincent then calls on the monster, fighting it with a chair, while telling Amy and the Doctor to get behind him. The Doctor, twice, tries to stun the Krafayis again but is unsuccessful and on the second attempt, the Krafayis actually seems to enjoy it. Vincent tells the Doctor to duck as the creature takes a swipe at him, then to move to his left. However, because of miscommunication, left being Vincent's left and not the Doctor's, the Doctor is hit by the monster against a wall. The Doctor suggests that they run like crazy and regroup, so Amy chooses the nearest room to hide in. They get in the room and attempt to close the door until the creature blocks it with its foot. Vincent, however, stands on the foot and the creature retreats. The Doctor begins to tell Amy and Vincent his plan, but accidentally calls Vincent, Rory. When Amy asks what the plan is, the Doctor tells her that the only plan he is sure of his that he will only use his sonic screwdriver to screw in screws in future. Vincent tells Amy and the Doctor to give him a second and that he will be back. The Doctor considers talking to the Krafayis and hearing his side of the story. Although he thinks the Krafayis may not be in the mood for it, the Doctor but tries anyway. The Doctor explains to the creature that he understands that it is trapped on the planet and alone, and tells it that he is also alone. Suddenly, the window behind them smashes open and the invisible creature jumps through. Vincent returns with his easle, holding the feet up, the spikes being used as a weapon. The Doctor asks what it is doing and is told it is feeling it's way around the room. The Doctor calls himself stupid and comments that he is getting old. The Doctor figures out that the Krafayis is blind and raises his voice when mentioning the fact it has perfect hearing. Vincent then tells them that it is now charging towards them. Vincent runs forward as the creature charges, telling the Doctor and Amy to get back. The creature is stabbed by the easle, and Vincent is sent hanging in the air. As the creature falls to the ground, Vincent lets go of the easle and lands on his feet. Vincent tells the Doctor that he didn't mean to kill the creature, and the Doctor comforts it as it dies. He makes out that the creature says that it is afraid and the Doctor tells it not to be while stroking it. Vincent compares the Krafayis to humans who lash out when they are frightened, much like those in the town that scream at him and the children who throw stones at him. The Doctor then says that sometimes winning is no fun at all. Amy, Vincent and the Doctor lie in a field and hold hands. Vincent asks the other two to see the world as he does, describing the night sky. The Doctor tells him that he has seen nothing as wonderful as what Vincent has. Vincent tells the Doctor and Amy that he will miss them when they are gone. The Doctor, Vincent and Amy gazing up at the 'Starry Night' The next morning, Vincent tries to give the Doctor a self portrait as a gift, but the Doctor refuses (though Vincent isn't surprised). Vincent hugs Amy who tells him to be good and kind to himself and to trim his beard before next kissing someone. Vincent also tells Amy that if she tires of the Doctor, she should return and they could have children together. Vincent then tells the Doctor that he thinks he might not do as well on his own than when he was with him. They embrace in a hug, then Amy and the Doctor leave. Outside, the Doctor asks Amy if she is thinking what he is thinking. She replies telling him she wants food before they leave, not exactly what the Doctor was thinking. The Doctor then calls Vincent, who hangs out a window, and tells him he has something to show him and to tidy himself up first. The Doctor takes Vincent to a poster covered TARDIS and lets him inside. Vincent then peers out of the TARDIS and feels the outside walls before going back in and asking how he is crazy and the Doctor and Amy are sane. The Doctor enters and takes Vincent's hat off him, placing it on the hatstand. Amy closes the door and they head to the console. Vincent asks what all of the buttons do and the Doctor explains several of them; one which plays soothing music, one which makes a large noise and one which makes everything shake. Vincent asks what a button does and the Doctor lunges forward to stop Vincent from pressing it, telling him that it is the Friction Contrafibulator. Then Vincent asks what another button does, to which the Doctor tells him that it is ketchup, then points to another which he calls mustard. Vincent asks them back to the café, but the Doctor tells him that he wishes to show him something first. In Paris 2010, outside the Musée d'Orsay, the last few posters burn off the TARDIS. Amy, Vincent and the Doctor step outside and head into the museum, the Doctor explaining when and where they are. The three enter the van Gogh exhibition. Vincent looks around at his work in awe at the number of people looking at them. The Doctor then asks Dr. Black to tell him where van Gogh stands in the importance of the history of art. Amy positions Vincent behind Dr. Black so he can hear all the positive things he thinks of him; that he is the finest painter of them all, the most popular painter who managed to transform his pain into beauty, that he was not only the world's greatest artist but also one of the greatest men of all time. Vincent in the Musée d'Orsay At hearing these words, Vincent begins to cry, but when the Doctor asks if it is too much, he replies that they are tears of joy. Vincent then kisses, hugs and thanks Dr. Black, apologizing about his beard after. Dr. Black then walks away, but pauses for a moment to ponder. He looks back and then dismisses the thought. The Doctor returns Vincent to his own place and time. Vincent tells the Doctor that he will be a new man and the Doctor tells Vincent that it has been an honour. Amy then hugs Vincent as he jokes about her marital status, to which Amy tells him she in not the marrying kind. The TARDIS departs and Vincent walks off. Vincent's dedication of Sunflowers for Amy.Amy and the Doctor return to the Musée d'Orsay, Amy believing that there will be hundreds more paintings, but the Doctor is doubtful. In the gallery, Amy finds no new paintings and hears Dr. Black still saying that he commited suicide at age 37. Amy thinks that they didn't make a difference to Vincent's life at all, but the Doctor explains to her that although good things can't remove the bad things, the bad things can't spoil the good things, and that they certainly added a large amount of good things to Vincent's life. The Doctor also shows Amy that they did make a couple of minor changes, such as the non-existance of the evil face in the church window. As Amy walks away, she walks towards another painting, one of sunflowers, which she sees is dedicated in her name. She tells the Doctor that if they had been married, their children would have had very red hair. The Doctor calls them the "Ultimate Ginger". Amy smiles at him and says the "Ultimate Ginge". The two chuckle together as Amy tears up. Cast - Matt Smith Amy Pond - - Tony Curran Dr Black - Bill Nighy (uncredited) - Chrissie Cotterill Student - Student - - Nik Howden Waitress - Sarah Counsell Crew Executive Producers: Steven Moffat, and Beth Willis Produced byPatrick Schweitzer Directed by Richard Curtis Brian Minchin and Director of PhotographyTony Slater Ling Edward Thomas Visual Effects Make-up DesignerBarbara Southcott Casting DirectorAndy Pryor CDG MusicMurray Gold Costume DesignerRay Holman Special Effects Original theme music by Ron Grainer• Title sequence by • With thanks to ,   General production staff Production Executive - - Location Manager - - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Production Management Assistant - - Production Accountant - A/Production Accountant - Carole Wakefield Directorial/DOP staff 1st Assistant Director - 2nd Assistant Director - 3rd Assistant Director - - Nicola Eynon Price, - Non Eleri Hughes - B Camera Operator - Matthew Poynter - - John Robinson Assistant Camera - , Jon Vidgen - - Mark Hutchings Best Boy - - Ben Griffiths, Steve Slocombe, , Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Associate Designer - - Ben Morris - - Catherine Samuel - Storyboard Artist - Concept Artists - Richard Shaun Williams, - - , Standby Art Director - Tristan Peatfield Standby Carpenter - - Keith Freeman Standby Painter - - Paul Aitken Dressing Chargehand - - Martin Broadbent, Props Fabrication Manager - Barry Jones - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Construction Chargehand - Practical Electrician - - , - BBC Wales Graphics Costume Costume Supervisor - Crowd Supervisor - Lindsay Bonacorssi Costume Assistants - , Make-up and prosthetics Make-up Supervisor - Make-up Artists - , Morag Smith Movement Stunt Co-ordinator - Crispin Layfield Casting Casting Associates: , General post-production staff Post-production Supervisors - , Chris Blatchford Post-production Co-ordinator - - - Matthew Clarke, Mark Bright Special and visual effects - - Mick Vincent Sound - Bryn Thomas - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Sound FX Editor - Foley Editor - Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.            This was the first episode of the BBC Wales series to have two credited script editors. Oddly, was credited at the end of the roll, suggesting she was considered more "senior" than .  As on , Patrick Schweitzer was double-credited as both and . References The episode makes numerous direct and indirect references to van Gogh's most famous works, though artistic liberty was taken in regard to their chronology and the locations in which they were painted. While the setting for the episode was ostensibly Auvers-Sur-Oise, the last place of residence and resting place of van Gogh, where he painted Church at Auvers, inspiration for the set decoration of his home and the cafe he frequented (or rather was frequently thrown out of), came from works he previously produced while living in Arles several years before (Bedroom in Arles, Cafe Terrance at Night). Also, while the episode suggested Amy Pond inspired van Gogh to paint sunflowers, particularly Still Life: Vase with Twelve Sunflowers, to which he then 'dedicated' to her, they were, in fact, painted in 1887 and 1888. Van Gogh works referenced in the episode include: Church at Auvers (1890), Bedroom in Arles (1887), Cafe Terrance at Night (1888), Still Life: Vase with Twelve Sunflowers (1888), Portrait of Dr. Gachet (1890), The Starry Night (1889), Wheatfield With Crows (1890), Vincent's Chair with His Pipe (1888), Self-Portrait with Straw Hat (1887). Among the posters covering the TARDIS are those for the cafe Au Tambourin at 27 Rue Richelieu in Paris, which was the first place to exhibit van Gogh's artwork in Paris. The Doctor refers to having met and . The Doctor expresses frustration with van Gogh's 'impressionist' style when attempting to identify the invisible monster (though van Gogh is considered to be post-Impressionist by art historians), suggesting that this would "never happen with , one of those proper painters." While this suggests the Doctor's affinity for some notion of 'scientific accuracy' over emotive artistic expression, he later humbly tells Vincent that while he has seen many things, "you are right, nothing quite as wonderful as the things you see." Story notes The episode was incorrectly entitled, Lend Me Your Ear. However, no mention or reference was made in the episode regarding van Gogh's ear at all. Unlike most stories in this series, this story focuses much more on characters than plot, and has hints and references to van Gogh's depression and suicide, something the series has not explored very much before. In fact, a message and phone number for the 'BBC Action Line' was broadcast following the 'Next Time' trail, for those wanting more information on 'issues raised in this program.' Pictures of the First and Second Doctors are printed on the TARDIS' typewriter. This is the second story in the series to lack any cracks, silence, or other foreshadowing of the series' finale (the first being Amy's Choice). However, it does tie in to 's death and establishes that, on some level, Amy is aware he has died. Although originally believed to be standalone, spoilers make this story involved with the series arc, some mentioning van Gogh's paintings, one of which is Dr. Gatchet, relating to the finale. Dr. Gatchet is supposed to be appearing in the mentioned episode. Others include van Gogh communicating a disturbing prophecy to the Doctor in the finale through one of his paintings, and a van Gogh reference in : The Lodger. Bill Nighy was not credited for his role. Numerous positive or affirmative references were made in the episode to van Gogh and Amy's hair colour, perhaps in a conscious effort to address the accusation by some viewers of the program being 'anti-ginger' (the so-called 'ginger' controversy). The song used for the final scenes is "Chances" by Athlete. Amy attempting to get Vincent to paint 'The Sunflowers' is similar to Rose trying to get Queen Victoria to say, "I am not amused." (: Tooth and Claw) Ratings 5.0 million Filming locations National Museum of Wales Trogir, Croatia Roald Dahl Plass , which is supposed to double for the Musée d'Orsay in Paris Rumours It was rumoured that either the Timoreen, the Ha'rik or the Skarkish will appear. The monster was a Krafayis. It was rumoured that Vincent van Gogh will stab a yellow monster. He stabbed the Krafayis, the monster was pale yellow. Howard Lee plays a character called "Dr. Gachet" . Dr. Gachet was van Gogh's real doctor, who nursed him during his final years. He was mentioned but he was not actually in the episode. Nighy plays a van Gogh expert, with similar fashion tastes to the Doctor himself. This turned out also true. He also wore a bowtie. Steven Moffat stated in a recent interview that the controversial topic of the regeneration limit for Time Lords will be "addressed in a very, very cheeky way by an old friend of mine" at some point in Series 5. As the "old friend" could very well be Richard Curtis, the issue might be addressed in this episode. This turned out to be false for this episode, but it could happen in later episodes with Alex Kingston's character River Song addressing the subject, as Steven Moffatt created her character. As a Vincent van Gogh painting will feature in the events of "The Pandorica Opens", it was likely that this story would bring more developments to the main story arc of the series. This was not the case, with the episode being more or less a stand-alone story, but apparently the finale will still feature a van Gogh painting in some way. This connection may be illuminated in "The Lodger", as a pamphlet for a van Gogh exhibit can be seen on Craig's fridge in the trailer. Although, the Doctor does take a van Gogh painting inside the TARDIS trying to identify the Krafayis, he pitches the painting over his shoulder into the TARDIS. Perhaps that painting is the one to carry a message 1,000 years into the future. It was rumoured that Vincent will propose to Amy or ask the Doctor to travel with them because in the preview clips, he shows a large interest in Amy and the Doctor and even tells Amy that he loves her. This turned out true. Production errors When running through the streets with his mirror, the Doctor screams "Ahh", but his mouth is not synced with his screaming. For most of the episode, Amy is wearing tights. During the church scene, when van Gogh starts painting the Church, they've gone. Later on when the group are hiding from the monster, she's wearing them again, as was the case with the previous episode. When in the chapel looking for the monster, the Doctor switches the mirror from his left to right side while holding his sonic screwdriver. For each change, the camera angle also changes, and the sonic screwdriver changes from being in closed mode and extended mode. At the beginning, when looking at the painting of the church, the Doctor scratches his head. When the camera is behind the Doctor, he uses his right hand but when the camera cuts to in front of him, he is using his left hand. Continuity If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion. The Doctor and compliment each other's bow ties, the Doctor exclaiming again that "bow ties are cool". (: The Eleventh Hour, Amy's Choice) The Doctor mentions that he had a godmother with two heads. Before his , he declared that he might have ended up with two heads. (: The Parting of the Ways) Although it seemed like a joke at the time, this statement suggests that a regeneration actually could result in the creation of an extra head. It may also be a reference to the . (: The Time of Angels) The and second Doctors are pictured. The Doctor finds his species identifier device by rifling through a chest in the TARDIS' alcoves; this plot device for providing artifacts and tools was utilised in several of the previous incarnations' series (e.g. : The Abominable Snowmen, where the Second Doctor finds a holy Tibetan bell and Jamie a set of bagpipes). It has also been used in the Tenth Doctor's era, in which he retrieved an Agatha Christie novel. (: The Unicorn and the Wasp) The Doctor once again mentions that he is aging mentally, contrasting with his physical appearance. (: Time Crash, ) Amy mentions that the Doctor took her to . The planet was featured in : , and the "fall of Arcadia" was mentioned as one of the events of the Time War in : . The Doctor mentions , to which Amy asks "who?" Amy also says that the Doctor is being extra kind to her, feeling guilty about Rory's erasure. Van Gogh also sees that Amy is crying, although she doesn't know why; he theorises that she has lost someone. After receiving a half-joking marriage proposal from Vincent, Amy tells him that she's "not the marrying kind". (: Cold Blood). This marks the fourth episode this season which opens on a nature shot. : The Time of Angels, Amy's Choice, The Hungry Earth and this episode all open on beautiful, wide-open fields on bright, sunny days. Vincent van Gogh is the second historical figure in the new series to have romantic feelings for one of the Doctor's companions and the third to have such feelings for a member of the TARDIS crew. Previously, made advances towards , and Madame de Pompadour fell in love with the Doctor. (: The Shakespeare Code, The Girl in the Fireplace) Home video releases - Doctor Who Series Five - Volume Three will feature , The Hungry Earth, Cold Blood and Vincent and the Doctor. It will be released on Monday 2nd August 2010 (UK Only) on DVD and Blu-ray.

Van Gogh’s extraordinary and tragic life, his feelings and thoughts revealed in prolific correspondence, often overwrites the material reality of his paintings. He was a pioneer of modern art, using the genres of landscape, portraiture and still life to experiment with form and colour. Here, in an extraordinary close-up rendition of urban nature, Tree trunks in the grass, Van Gogh reinvigorates the landscape format by looking down into it instead of outwards, and thus eliminates both horizon and sky. He wrote about the painting in a letter to his brother Theo in early May 1890, in which he also details a planned journey from the asylum at Saint-Rémy to the care of Dr Gachet at Auvers-sur-Oise: … my work is going well, I have done two canvases of the fresh grass in the park, one of which is extremely simple, here is a hasty sketch of it. The trunk of a pine violet-pink and then the grass with white flowers and dandelions, a little rose tree and other tree trunks in the background right at the top of the canvas.1 By cropping the composition so radically, especially at the top and bottom, Van Gogh shows how well he absorbed the strategies of Japanese woodblock artists. He combines these with the exemplar of photography, focusing on one part of an object to stand in for the whole. Verticals and diagonals struggle for dominance, with the main tree trunks sloping slightly, boldly placed off-centre. Our eye is led back by white accents from the foreshortened ground in a zigzag, and through the central field into the dappled lawn under the far trees. It lingers briefly, returning by means of blue marks, to the central motif. In Tree trunks in the grass, the artist’s palette is reduced to light shades of green, white and yellow, highlighted by blue and a little red, allowing tones to accentuate the texture of the main trunk. Other trunks are blue-black, dark against bright spring vegetation. Van Gogh’s characteristically energetic paintstrokes, delicate in the flowers and thicker in the grass, become rugged in the bark of the trees. This landscape was observed close-to, painted on the spot in the asylum garden at the end of April 1890. Van Gogh is a specific, rather than a general, artist: that is, he uses the immediate to communicate larger themes. Looking at the painting, we feel the joy of being outdoors, where sunlight and flowered grass suffuse our senses. Christine Dixon 1 Letter 631, The complete letters of Vincent Van Gogh, 2nd edn, vol. 3, London: Thames & Hudson, 1959, pp. 265, 267.

Après son internement à l'asile de Saint-Rémy-de-Provence, Vincent Van Gogh se rend à Auvers-sur-Oise chez le docteur Gachet, amateur d'art et protecteur des peintres, à qui l'a recommandé son frère Théo. Van Gogh peint l'idiot du village, ainsi que Marguerite, la fille de son hôte, insatisfaite de ce portrait. Puis il rejoint, sur les bords de l'Oise, des amies prostituées dont Cathy, qui s'étonne de le trouver vieilli; il n'a alors que trente-sept ans. Théo vient à Auvers passer le dimanche en compagnie de son épouse Jo et de leur petite fille. La réunion familiale est joyeuse, Vincent se plaît à singer Toulouse-Lautrec. Jo se confie à lui à propos du caractère de Théo, qui lui échappe. Souffrant d'être à la charge de son frère, qui n'arrive pas à vendre une seule de ses toiles...

Après son internement à l'asile de Saint-Rémy-de-Provence, Vincent Van Gogh se rend à Auvers-sur-Oise chez le docteur Gachet, amateur d'art et protecteur des peintres, à qui l'a recommandé son frère Théo. Van Gogh peint l'idiot du village, ainsi que Marguerite, la fille de son hôte, insatisfaite de ce portrait. Puis il rejoint, sur les bords de l'Oise, des amies prostituées dont Cathy, qui s'étonne de le trouver vieilli; il n'a alors que trente-sept ans. Théo vient à Auvers passer le dimanche en compagnie de son épouse Jo et de leur petite fille. La réunion familiale est joyeuse, Vincent se plaît à singer Toulouse-Lautrec. Jo se confie à lui à propos du caractère de Théo, qui lui échappe. Souffrant d'être à la charge de son frère, qui n'arrive pas à vendre une seule de ses toiles...