Podcasts about allegorical

Reading bible guided by Holy Spirit; Fleeing the light heading into darkness; Allegorical trees; Breakdown of family; Man's thinking; Comprehending God?; Context; Sons of Israel; Birthright; Divine revelation; Right reason - "logos"; Gods many; Man's dominion; Bondage of Egypt; Social safety net; Dream interpretation; Kadesh, Shur and Gerar; "News"; "Men of Sodom"; Gates; Active volcanoes?; Fear not!; Debate on Hebrew "words"; Loving the light; Born again?; Gerar = gimel-resh-resh; Journey between righteousness and its absence; Melchizedek = righteous king of peace; Returning to righteousness; Walking in faith; Two ways to learn; Intellect vs spirit; "Person" = member; Respecter of persons; Inclusion?; "Patri"; Disease; Abraham's altars; Gen 21:1; Sarah's visitation; LORD vs Lord; "Isaac" = laughter; Sarah "said" vav+tav+aleph-mem-resh; Ex 3:14; Sacrificing for others; "laugh"; circumcision; Subject citizens; Tribute; Giving over your power; Demoniac; Being weaned; The Harlot; Bull story; tzdek-chet-kuf (laugh?) or mock?; Passing life to next generation; "Christian"; Things people want to hear…; "Cast out" the bondwoman; Grievous - yara 3415 yod-resh-ayin? Or raa resh-ayin-ayin?; Gen 26:8; mem-tzedek-chet-kuf; sporting?; Sarah and Hagar's roles; Your role?; Democracy; Modern signs of Sodom; Learn Abraham/Moses/Christ's instructions; Seeking the kingdom of God and His righteousness; Grievous?; Why separate the boys?; Abraham's way; Setting the captive free; Doing the will of the Father; True sons; "Beersheba"?; Finding truth; Symbolism of Hagar and the lad; Humility; Lesson for Hagar; Milk and meat; Covenanting with Abimelech?; Abraham's well; "Beer" + "sheba"; seven?; Gen 46:1; Well of righteousness and truth; One purse of socialism; Agreeing to be righteous; Stones of the altar; Free societies; Walk in faith!

We are pleased to present the Humor and Satire Finalists! Good luck to all as we enter the final stages of judging!

The Humor and Satire Semi-Finalists for 2024 are here! The lists are coming fast now! Keep an eye out for the Finalists!

These books have advanced to the next judging rounds. We will put them to the test and choose the best among them. These titles have moved forward in the first look rounds from all 2024 HUMOR & SATIRE Fiction entries to the 2024 Humor and Satire Book Awards SHORT LIST

In this milestone 20th episode of the Proclaim Peace Podcast, hosts Jennifer Thomas and Patrick Mason are joined by peace scholar Elray Henriksen as they dive into the latter portion of the Book of Mormon, often referred to as the "war chapters" of Alma. The episode explores the extensive battle narratives between the Nephites and Lamanites, highlighting memorable characters such as Captain Moroni and Pahoran. The hosts discuss varying perspectives on these chapters, with some listeners eagerly anticipating Captain Moroni's story while others tend to skip ahead to Helaman. Join them as they unpack the lessons and themes of peace within these intense narratives.[00:02:53] Costs of war in scripture.[00:05:21] Allegorical interpretation of battles.[00:08:04] Defining peace through Galtung's triangle.[00:14:44] Millennium of peace commitment.[00:20:13] Militarism and cultural implications.[00:23:10] Inner Captain Moroni.[00:25:04] Worldview in defensive wars.[00:30:01] Temptation and human nature.[00:35:02] Internal struggle and temptation.[00:38:22] Captain Moroni as a model.[00:44:25] Grace in relationships and judgment.[00:47:43] Finding peace through spiritual practice.[00:50:20] Expansive conversations about faith.For full show notes and transcript, visit https://www.mormonwomenforethicalgovernment.org/proclaim-peace

A discussion about the allegorical method of biblical interpretation.

A discussion about allegorical bible study

A discussion about allegorical bible study

A discussion about the allegorical method of biblical interpretation.

Revelation, Session Two Christ the Savior, Anderson SC Fr. Anthony Perkins Sources: The translation of the Apocalypse is from the Orthodox Study Bible. Lawrence R. Farley, The Apocalypse of St. John: A Revelation of Love and Power, The Orthodox Bible Study Companion (Chesterton, IN: Ancient Faith Publishing, 2011), Bishop Averky, The Epistles and the Apocalypse (Commentary on the Holy Scriptures of the New Testament, Volume III. (Holy Trinity Seminary Press, 2018). Andrew of Caesarea, Commentary on the Apocalypse, ed. David G. Hunter, trans. Eugenia Scarvelis Constantinou, vol. 123, The Fathers of the Church (Washington, DC: The Catholic University of America Press, 2011). Venerable Bede, The Explanation of the Apocalypse, trans. Edward Marshall (Oxford: James Parker and Co., 1878). William C. Weinrich, ed., Revelation, Ancient Christian Commentary on Scripture (Downers Grove, IL: InterVarsity Press, 2005). Correction from Last Week Revelation was removed from active use because it was being used to support the Marcionists, not the Gnostics [or Montanism as I said in the class!]. The Orthodox Study Bible; “[I]n the second and third centuries Revelation was widely twisted and sensationally misinterpreted, and the erroneous teachings brought troublesome confusion to Christians – a trend that continues to this day.” Review of Last Week The Church wants us to be aware of the Last Judgement but from WITHIN the sacraments and the “good defense” God gives us through them.  Authorship and Dating of the Work The author was St. John the Theologian St. John's disciple Papias of Hierapolis, St. Justin the Martyr (lived in Ephesus), St. Irenaeus (disciple of Polycarp of Smyrna who was a disciple of St. John), St. Hippolytus (disciple of St. Irenaeus), St. Clement of Alexandria, Tertullian and Origen were early leaders of the Church who knew and witnessed to this. The work itself (see 1:2; also exile on Patmos). The date of the work is AD 95/96 St. Irenaeus; Against Heresies (5.30.3) Purpose of the Work To show things that must shortly come to pass (1:1). Pastoral protection and encouragement to the early Church against state persecution and (internal) heresy. Apokalypsis means uncovering of something that has been hidden. Style and Interpretation of the Work Apocalyptic Literature.  A “visceral” (Fr. Lawrence) and heavily symbolic genre.  It is meant to be prophetic in every sense of the word. “It is a human work.  But it is also an apostolic work, and as an apostle, John tells the truth, striving to convey to us the substance and power of what the Lord revealed to him for our sake.” (Fr. Lawrence) What are we to make of the diverse interpretations offered by saints? Not to be taken literally in the modern sense; “Thus, for example, a literalistic understanding of the images of this book has given occasion, and even now continues to give occasion, for the false teaching of “Chiliasm” – the thousand-year reign of Christ on earth.” (Bishop Averky) Bishop Averky says four main categories of interpretation (and calls for a combination): Visions and symbols of the “last times” (end of the world, the anti-christ, second coming) Description of the historical pagan Roman persecutions against the Church in the first century. Look for realization of the prophecies in recent history. Allegorical and moral meaning. The Orthodox Study Bible: “Faithfulness in tribulation” is the main theme, with subthemes of Divine Judgment of human wickedness and The symbolic presentation of most major New Testament teachings concerning eschatology, the study of the last things. 1:1. The Revelation of Jesus Christ, which God gave Him to show His servants – things which must shortly take place. And He sent and signified it by His angel to His servant John. Andrew of Caesarea. “An apocalypse is the manifestation of hidden mysteries when the intellect is illuminated either through divine dreams or according to waking visions from divine enlightenment. To be given to Christ, it says, making this statement about him especially with respect to his human , since in the Gospel he above all others dwelt on the sublime and things that befit God. And here, the magnitude of the divinity of Christ is shown through the attending angel, and through the name of the teaching servants, for “all things are his servants.” The must come to pass soon means that some of the predictions concerning them are to come to pass immediately thereafter and the things regarding the end are not to be delayed, because “one thousand years” to God is “like yesterday's day, which is reckoned as having elapsed.” St. Bede. The revelation of Jesus Christ.  The progress with which the Church that had been founded by the Apostles was to be extended, or the end with which it was to be perfected, had need to be revealed, in order to strengthen the preachers of the faith against the opposition of the world. And John, in his own manner, refers the glory of the Son to the Father, and testifies that Jesus Christ has received from God. shortly. That is, which are to happen to the Church in the present time. signified. He wrapped up this revelation in mystical words, that it might not be manifested to all, and become lightly esteemed. angel. For an angel appeared to John in the form of Christ, as will be seen more clearly in that which follows. John. That through John He might lay open to all His servants the things which he, by the privilege of a peculiar chastity, obtained above all others to behold. Oecumenius: When it is said to him, “The Revelation of Jesus Christ, which God gave to him,” it is as though he said, “This revelation is given from the Father to the Son, and then from the Son to us,” his servants. By calling the saints the “servants” of Christ, he safeguards what is proper to his deity. For, to whom would men belong, unless to him who is the Maker and Creator of humankind? And who is the Creator of human-kind and of all creation? No one other than the only begotten Word and Son of God! For, the present author says in the Gospel, “All things were made through him.” And why does he wish to add “what must soon take place,” although those events which will take place have not yet occurred, even though a considerable span of time has passed, more than five hundred years, since these words were spoken? Because to the eyes of the eternal and endless God all ages are regarded as nothing, for, as the prophet says, “A thousand years in your sight, O Lord, are as yesterday when it is past, or as a watch in the night.”3 For this reason, therefore, he added “soon,” not to indicate a measure of time which must pass before the fulfillment of what must happen, but to indicate the power and eternality of God. For to him who is, any passage of time, even should it be great and considerable, is something small when compared with that which is unending   1:2. Who bore witness to the Word of God, and to the testimony of Jesus Christ, to all things that he saw.   OSB: Testimony of Jesus refers to a witness concerning Jesus; not the testimony of Christ Himself. Andrew of Caesarea.  “Christ,” he says, “declared these things to me through an angel, as a master to a household servant, as I had borne witness to my confession to him,” of which, on the basis of the visions to bear witness and, in view of the return of those who hear, to preach both the things which are and which escape human understanding and the things which will occur in the future, for, prophetically, he had seen them both. And clear from what he says: those things which are and those which must come to pass. These are descriptions both of the present time and of the future. St. Bede; testimony. That thou mayest not doubt of the person of John, he is the same who gave testimony to the eternal Word of God incarnate, according as he saw, saying, “Whose glory we saw, the glory as of the only-begotten of the Father.”   1:3.  Blessed is he who reads and those who hear the words of this prophecy, and keep those things which are written in it; for the time is near. Andrew of Caesarea.  He blesses those who read and hear through the actions, for the present time is near, through which it is possible to acquire the blessing, and to all the work is laid open. As the Lord says, “Work [13] while it is day.” And elsewhere, the time is near, the time of the distribution of prizes, on account of the brevity of the present life in comparison to the future. St. Bede. Blessed. Teachers and hearers are therefore blessed, because they who keep the Word of God find that a short time of labour is followed by everlasting joys. Averky; “The book of the Apocalypse has, consequently, not only a prophetic but also a moral significance.  The meaning of these words is as follows: blessed is he who, reading this book, will prepare himself by his life and deeds of piety for eternity, for the translation to eternity is near for each of us. Fr. Lawrence.  Seven beatitudes (blessings) are pronounced upon (Fr. Lawrence): 1:3 “the one who reads and the ones who hear the words of the prophecy, and keep the things which are written in it” 14:13 the martyrs “who die in the Lord from now on” 16:15 “the one who keeps alert,” faithfully awaiting the Lord's Coming 19:9 “those who are called to the wedding supper of the Lamb” 20:6 the martyrs who have “a part in the first resurrection” 22:7 all who “keep the words of the prophecy of this book” 22:14 all those in the martyric Church, “those who wash their robes, so that they may have their right to the tree of life, and may enter by the gates into the city.”  

Welcome to another book essay from Robin! Thank you Case Aiken, who receives a monthly Patron shoutout. ----- This essay contains spoilers for SHADES AND SILVER by Dax Murray.  Many attempts at gender allegories in fantasy (or sci-fi) fall apart because they try to replicate binary gender in an attempt at gender essentialism in different trappings. SHADES AND SILVER deftly avoids this by starting without gender and then never focusing on it.  Full Essay Text at link.

This week on Sinica, a discussion of Netflix's adaptation of Liu Cixin's The Three-Body Problem (or more accurately, Remembrance of Earth's Past). Joining me to chat about the big-budget show is Cindy Yu, host of The Spectator's “Chinese Whispers” podcast, one of the very best China-focused podcasts; and Christopher T. Fan, who teaches English, Asian American Studies, and East Asian Studies at U.C. Irvine and is a co-founder of Hyphen magazine. Cindy and Chris both wrote reviews of the show and a bunch of other folks answered the call and contributed their thoughts as well. 6:46 – 3 Body Problem as Chinese IP and audience reception 14:44 – The pros and cons of a more faithful adaptation, comparisons with Tencent's adaptation, [and the Netflix production (process) (? Or keep it separate, 20:17)]23:44 – How the show portrays its Chinese characters and China and audience responses38:14 – Allegorical interpretations and real-world (political?) connections 48:11 – What to look forward to in (possible?) future seasons 51:14 – Chenchen Zhang's humanity/autocracy binary and the 工业党 gōngyè dǎng 57:02 A win for Chinese soft power? Recommendations:Cindy: The Overstory by Richard Powers Chris: Same Bed Different Dreams by Ed ParkKaiser: Kaiser: Run and Hide by Pankaj Mishra; other novels by Pankaj Mishra, including Age of Anger: A History of the Present and From the Ruins of Empire: The Revolt Against the West and the Remaking of Asia; and other novels by Richard Powers, including Galatea 2.2, Operation Wandering Soul, and The Gold Bug Variations See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this message Paul uses Sarah and Hagar as an example of the law and the promise.

Notes and Links to Jennifer Croft's Work        For Episode 228, Pete welcomes Jennifer Croft, and the two discuss, among other topics, her early relationship with words and geography and later, multilingualism, formative colleagues and teachers who guided and inspired her love of languages and literary translation, her serendipitous path to focusing on Polish and Spanish translations, connections between cultural nuances and translation, and literal and allegorical signposts in her book, including climate change and celebrity “brands,” the fluidity of translation, the relationships between translators and original writing, the intriguing phenomenon that is amadou, and time and perspective and their connections to translation.     Jennifer Croft won a 2022 Guggenheim Fellowship for her novel The Extinction of Irena Rey, the 2020 William Saroyan International Prize for Writing for her illustrated memoir Homesick, and the 2018 International Booker Prize for her translation of Olga Tokarczuk's Flights. A two-time National Book Award–honoree, Croft is Presidential Professor of English & Creative Writing at the University of Tulsa.  Buy The Extinction of Irena Rey     Jennifer's Wikipedia Page   Review of The Extinction of Irena Rey in The New York Times   Jennifer Discusses her Book with Scott Simon on NPR's Weekend Edition At about 2:40, Jennifer discusses the feedback she's gotten, and the overall experience that has governed the weeks since the book's March 6 publication   At about 3:40, Shout out to the coolest envelope ever, and to Emily Fishman at Bloomsbury Publishing At about 4:20, Jennifer talks about the influences that led to her curiosity about reading and geography and knowledge  At about 5:55, Jennifer lays out the books that she was reading in her childhood, and talks about books and writing as ways of “traveling” At about 8:15, Jennifer talks about inspirations from her reading, including working with Yevgeny Yevtushenko At about 10:15, Jennifer expounds upon her journey in learning new languages, and how learning Spanish and Polish were connected At about 13:15, Jennifer and Pete talk about the greatness of Jorge Luis Borges, and Pete shouts out the unforgettable “The Gospel According to Mark” At about 14:15, Jennifer charts what makes her MFA in Literary Translation different than translation on its own At about 15:30, Jennifer recounts her experiences in Poland when she was there during the time of Pope John Paul II's death At about 17:35, Jennifer talks about the art of translation and how she has evolved in her craft over the years At about 20:45, Pete uses a Marquez translation as an example of a seemingly-absurd rendering, while Jennifer provides a balanced view of translation challenges  At about 22:30, Pete cites some of the gushing blurbs for the book and asks Jennifer about seeds for the book; she cites a genesis in a nonfiction idea  At about 28:15, Pete reads a plot summary from the book jacket/promotional materials  At about 29:10, Pete and Jennifer discuss the book's two narrators-Emilia the writer, and Alexis, her English translator-and their conflicts and devolutions  At about 33:40, Pete remarks on the strategic and highly-successful structure of the book At about 34:20, Jennifer responds to Pete's questions about her use of images throughout the book At about 37:30, Jennifer discusses the “dishonest[y] of subjectivity” in discussing translation and the author/translator's role in the writing At about 38:20, Pete reads a few key lines from the book, including the powerful opening lines and gives some exposition of the book At about 40:50, Jennifer responds to Pete's questions about the importance of amadou in the book, and she expands on its many uses and history At about 45:35, Jennifer expounds on ideas of the “mother tongue” as posited in the book, and uses examples from her own life to further reflect At about 48:00, Incredibly-cute twin content! At about 48:35, Chloe, a character from the book, and shifting alliances are discussed  At about 50:50, Amalia, the “climate-change artist,” a main character in Irena's Grey Eminence, is discussed, and the two point out similarities to fado singer Amália Rodrigues   At about 53:15, Pete asks Jennifer about the process of writing stories within stories At about 54:10, The two discuss some of the plot-the book's unfurling At about 55:55, The two discuss a cool “Easter Egg” and meta-reference in the book At about 57:20, Jennifer discusses the connections between fungi, the natural world, and translators At about 59:30, Art and destruction, as featured in the book, is discussed  At about 1:02:00, Jennifer responds to Pete wandering about what is lost/gained through translation, in connection to the book's translator Alexis At about 1:03:40, Jennifer speaks to time and perspective as their forms of “translations” At about 1:05:10, Jennifer speaks about exciting new projects, including a translation of Federico Falco's work     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.     I am very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership! Check out my recent interview with Gina Chung on the website.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! I have added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. Thanks to new Patreon member, Jessica Cuello, herself a talented poet and former podcast guest.     This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.     The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 229 with Will Sommer, who covers right-wing media, political radicalization and right-wing conspiracy theories in the United States. His 2023 book is Trust the Plan: The Rise of QAnon and the Conspiracy That Reshaped América. He is also featured as an expert on QAnon in HBO's Q: Into the Storm  The episode will go live on March 28 or 29.  Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

Most of the Bible was written to be understood literally, describing historical events that actually happened. There are some parts of the Bible, though, that were written in figurative language; they are poetic or didactic in nature, describing an indescribable God using the limited words we have, and using allegory to teach us about ultimate reality in Him...

After the intaglio about the annunciation, Dante moves beyond Virgil (or is prodded to move beyond his guide) to discover a second sequence, this time from the story of King David and his journey with the ark of the covenant into Jerusalem.The scene is so realistic that it causes a sensory confusion in our pilgrim. Problem is, his amazement at the realism in the art is based on the poet's fabrication of details in the scene. The imagined enhances the real? A complex game indeed!Join me, Mark Scarbrough, as we look with the pilgrim at the second carving on the terrace of the prideful in PURGATORIO.Here are the segments for this episode of WALKING WITH DANTE:[01:13] My English translation of the passage: PURGATORIO, Canto X, lines 46 - 69. If you'd like to read along or drop a comment to continue the conversation, please go to my website, markscarbrough.com.[04:00] Comparing the first image in the marble with this second one: spare vs. elaborate.[04:54] Dante, on the side of Virgil's heart, eventually passes his guide. Is this symbolic? Allegorical? Or ironic?[09:51] The relief in the marble is a story lifted from II Samuel 6: 1 - 23.[12:19] The last six lines of the passage seem to show a dichotomy between low comedy and high tragedy.[14:26] Complex ironies in the passage: Dante makes up details that are the basis of its hyper-realism.[17:23] More complex ironies in the passage: Dante the poet may appear in disguise twice in the pilgrim's story.[21:01] The call for greater realism leads to, yes, Renaissance art but also to modern abstraction.[23:48] Rereading the passage: PURGATORIO, Canto X, lines 46 - 69.

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

As per William Shakespeare, ‘all the world's a stage'. But what if the human soul was a stage too? What if the stage of the world and the stage of the soul coincided? And what if the soul was also the main character of the play?  These questions are at the core of Eugenio Refini's book Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy (Legenda, 2022), which explores pedagogical uses of allegorical drama in Italy in the decades around 1600, with a focus on the place of theatre in the education of female orphans in the hospitals of Venice. The consumption of morality plays is looked at as a form of spiritual practice modeled on long-lasting theatrical metaphors. In this context, tropes such as the theatrum mundi not only regained their literal meaning by being actually staged, but also turned into rhetorical devices able to promote the inner staging of the ‘world' on the ‘spiritual' stage of the soul. Kate Driscoll is Assistant Professor of Italian and Romance Studies at Duke University. She is a specialist of early modern Italian and European literary and cultural history, with interests in women's and gender studies, performance history, and the cultures of diplomacy and reception. Email: kate.driscoll@duke.edu. Learn more about your ad choices. Visit megaphone.fm/adchoices

Love Like No Other A Study in Song of Solomon Ways to Interpret: 1. Allegorical 2. Literal 3. Typological Purpose: 1. To illustrate the pure sexual love between a husband and wife 2. To illustrate God's love for the church Cast of Characters: 1. Shulamite Woman 2. Solomon 3. Friends Song of Solomon 1:1-4 Good character is what attracted her the most

Lets share Good News together. To partner with us financially visit www.gospelchurch.co/give or text the word "FRESH" to 94000. Message Notes: Writer: John the Apostle When 95 A.D. Where: island of Patmos in the Aegean Sea (13 square miles) 4 John to the seven churches that are in Asia: Grace to you and peace from him who is and who was and who is to come, and from the seven spirits who are before his throne, 5 and from Jesus Christ the faithful witness, the firstborn of the dead, and the ruler of kings on earth. To him who loves us and has freed us from our sins by his blood 6 and made us a kingdom, priests to his God and Father, to him be glory and dominion forever and ever. Amen. 7 Behold, he is coming with the clouds, and every eye will see him, even those who pierced him, and all tribes of the earth will wail on account of him. Even so. Amen. 8 “I am the Alpha and the Omega,” says the Lord God, “who is and who was and who is to come, the Almighty.” – Revelation 1v4-8 (ESV) Methods of Interpretation: 1) Allegorical - symbolic with no prophetic content 2) Historical - these events have already past… (70 AD) 3) Literal (Futuristic) - John literally sees these things The Book of Revelation: 505 Old Testament citations or allusions (325 of them come straight from the prophets) John to the seven churches that are in Asia: Grace to you and peace from him who is and who was and who is to come, and from the seven spirits who are before his throne, – Revelation 1v4 (ESV) WHAT ARE THE SEVEN SPIRITS? Three Interpretations: “Seven” = completeness, fullness of the Spirit Seven virtues of the Holy Spirit 1 There shall come forth a shoot from the stump of Jesse, and a branch from his roots shall bear fruit. 2 And the Spirit of the Lord shall rest upon him, the Spirit of wisdom and understanding, the Spirit of counsel and might, the Spirit of knowledge and the fear of the Lord. – Isaiah 11v2 (ESV) Seven angels (see 8:2) And I saw the seven angels who stand before God, and seven trumpets were given to them. – Revelation 8v2 (NIV) What's my Job? 1. STAY FAITHFUL 5 and from Jesus Christ the faithful witness, the firstborn of the dead, and the ruler of kings on earth. To him who loves us and has freed us from our sins by his blood 6 and made us a kingdom, priests to his God and Father, to him be glory and dominion forever and ever. Amen. – Revelation 1v5-6 (ESV) To him who loves us and has freed us from our sins – Revelation 1v5 (ESV) Stay Faithful: To loving God and His word with all diligence To loving your neighbor as yourself 2. STAY FRUITFUL Behold, he is coming with the clouds, and every eye will see him, even those who pierced him, and all tribes of the earth will wail on account of him. Even so. Amen. – Revelation 1v7 (ESV) 29 “Immediately after the distress of those days “‘the sun will be darkened, and the moon will not give its light; the stars will fall from the sky, and the heavenly bodies will be shaken.' 30 “Then will appear the sign of the Son of Man in heaven. And then all the peoples of the earth will mourn when they see the Son of Man coming on the clouds of heaven, with power and great glory. 31 And he will send his angels with a loud trumpet call, and they will gather his elect from the four winds, from one end of the heavens to the other. – Matthew 24v29-31 (NIV) Two Phases to Jesus' Second Coming: Coming on the clouds - Rapture the church Coming with the clouds - Establish Kingdom and end the battle of Armageddon 3. STAY FASCINATED “I am the Alpha and the Omega,” says the Lord God, “who is and who was and who is to come, the Almighty.” – Revelation 1v8 (ESV) All things were made through him, and without him was not any thing made that was made. – John 1v3 (ESV) For from him and through him and for him are all things. To him be the glory forever! Amen. – Romans 11v36 (NIV)

In this podcast we lay the foundation of methods of interpretation. I pray you enjoy this and learn a great deal!

The book of Ruth easily lends itself to an allegorical interpretation, which corresponds in many ways to the endowment. Ruth, typifying any individual or Israel as a whole, undertakes and completes a journey to the Lord, typified by Boaz, the kinsman-redeemer. Ruth goes from emptiness/famine and the bitterness of family death to fulness and renewed […] The post Conference Talks: Ruth: An Allegorical Reading first appeared on The Interpreter Foundation.

Jonathan Brentner Jonathan Brentner and Mary Danielsen discuss the importance of understanding the 4 main views of Bible Prophecy - Preterist, Historicist, Allegorical and Futurist. While the rapture debate rages on, particularly on social media, there are other terms we should understand to help us see where the church has been going for the last many years. Why does the glorious hope get dragged through the doctrinal mud these days, along with the resurrection of the dead in Christ and we which are alive and remain? We also look at facism as seen through the eyes of Habakkuk. A thoughtful podcast for the wearly traveler. Speaker and blogger Jonathan has authored "Triumph of the Redeemed" and "Cancel This: What Today's Church Can Learn from the Bad Guys of the Bible" which can be found on Amazon.com. Now posting some of our podcasts ON VIDEO on Rumble - HERE. Subscribe to our Youtube Channel - HERE.

Easily one of the most spiritual, thought provoking interviews we have ever had here on the cult. You may have to listen to this show several times and still leave with more questions than answers but Kurt does a great job at breaking it down for us in easy to understand terms. Allegorical, double and triple entendres and the fascinating the world and all of its facets on a higher level to understand and truly know thyself is what this episode is all about. Keep that third eye open!To find Kurt's work check out---> www.rightofway.lifeSign up for our Patreon go to-> Patreon.com/cultofconspiracypodcastSign up for our Rokfin go to -->Rokfin.com/cultofconspiracy--->For all of your Cult of Conspiracy needs! Including discounts to Adam&Eve & MERCH! Go to -> https://linktr.ee/cultofconspiracyThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5700337/advertisement

We have a bit of an ayahuasca purge on this episode. The past three years left a bad taste in JDO's mouth, and he articulates what exactly bothered him so much about people's response to global crisis. Next time, we get fun and positive as a palate cleanser, but this one felt necessary at the time to get all the poison out. We can move on from here.   In this episode, we talk:   What are you manipulating? What are you manipulated by?   We talk about High Strangeness in high temperatures. Unexpected pest control community service. Automated negligence. Survival of the Sanest. "Humanity always pokes through". Rehabilitated expectations / Integrated ethics. A sanitarium in the woods. Textured storytelling and the Emblematic. Applying principals over value judgements.    Exploring the lust for facets and fixation. Augmented Backmasking Game. The Graveyard of Failed Pitches. Rejigging the Formula (trusting hidden rivers). Performative syntax. The Trafficking of Image Currency. The pathogen of self-hypnotic photography. Microlabs of Cryptogenic Time Control. Transitory masks of initiation. Mini epics of manipulation. Edward T. Hall's "Human Extensions''. Doomed mimetics (pat apocalypses). The Selfie vs. The Mask.    Nightmare callback. Secular Disguises vs. Sacred Costumes. Self-less faces concealing themselves. Obscured recognition. The psychotic detritus of vintage crisis management. Beautiful psyops. All-purpose Manichaeism. The disturbance of rapid social change. Large scale ritual sacrifice (David goes to church). Pop culture survivor's guilt in Big Sur. The fungal classism of unquestioned hypocrisy. The Infallible Panel of Experts.    Conspiracy Theory as Category. Pynchon's COVID novel. "Everything's going to plan". Allegorical distance. Scrappy points of view and amending opinions. Suspicious explosive change. Nonplayer Roleplayer (Collision vs. Integration). Giving attention to what's interesting. Inexplicable bafflement. The courage of curiosity as virtue. Grumpy satisfaction. RnD as practice and discipline. Hiders and Seekers (who's stepping in the river?"). All live events matter. "Nothing simple in the Doing''. The Non Agency of the Woke Junky.    Recurring dream settings. Landlord Anxiety at Sting's Luxury Apartments and a schism in the Small Town soap opera.   Thank you to Nick Spinnett for his amazing summary.

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Cemetery Symbolism is often the hook that lures people into the cemetery world. What is it? What does it mean? Symbols and how they are interpreted is a complicated and much debated topic in art history. Email: Tombwithaviewpodcast@gmail.comFacebookInstagram

Welcome to Episode 83 of the Monday Night MasterDebaters where I am joined by Ryan from Dangerous World Podcast, Hank from 643 Conspiracy Podcast, and Nico from The Chronspiracies Podcast. Tonight we talk about a NY Yankees 9/11 conspiracy, Fertile Crescent, Bible Literal vs Allegorical, Physical Law vs Spiritual Law, Mickey Mantle card, Pokemon Cards, Dracula Parrot, Orphans/Asylums, 90's Toys, Kobe Bryant ‘Chamberlain Heights' predictive programming from 2017, South Park Student Athletes, Electroculture, 43,200 significance in Pyramids, Napoleon kidnaps Pope, Chimp Empire, and much more! Please Donte to our good friend Ryan Chesnutt's family, Rest In Power Buddy GoFundMe: https://gofund.me/5259ecb4 Crazy Cards on IG we talked about: https://www.instagram.com/baseballrittner/ https://www.instagram.com/lukethecardist/  Please leave a review & share the show! Go support the great guests at: Hank from 643 Conspiracy Podcast https://www.instagram.com/643_conspiracy_podcast/ https://anchor.fm/6-4-3 https://open.spotify.com/show/7aY66cAPrMOPNuWeElUgqP?si=W_9C0RfQS9qV-r1To3ne5Q Nico  from The Chronspiracists Podcast https://www.instagram.com/thechronspiracistspodcast/ https://open.spotify.com/show/3Fo0lnA0D2RSCkTy8OCLYd?si=EVeCv8qBSlGGjABfhSVshA purepetwellness.com Discount Code: DWP Ryan from Dangerous World Podcast Patreon: https://www.patreon.com/DangerousWorldPodcast/posts IG: @dangerousworldpod linktr.ee/dangerousworldpodcast Mat from The Great Deception Podcast Linktree: https://linktr.ee/thegreatdeceptionpodcast IG: https://www.instagram.com/thegreatdeceptionpodcast/ https://www.instagram.com/thegreatdeceptionpodcast_v2/ YouTube: https://youtube.com/user/Barons44 To Make Contributions: Patreon: https://www.patreon.com/thegreatdeceptionpodcast Merch: https://my-store-cb4b4e.creator-spring.com thegreatdeceptionpodcast@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/the-great-deception-podcast/support

  Jadeth gets more answers.

More of Jadeth's questions answered.      

  The Penultimate Chapter for the Season!

#179 Mind Brain Connection (Allegorical Reality of First The Jew, Then The Greek -090 --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-kay-fairchild/support

This book, also called the Song of Solomon, is one of the most neglected - and controversial - books of the Bible. It is a book about lovemaking from an author who had 700 wives and 300 concubines. So explicit are these aspects that because of its erotic content, the rabbis forbade the book to be read by anyone under the age of 30. Almost every verse has been the subject of debate by its interpreters. Probably no other book of the Bible has such a variegated tapestry of interpretation. Yet, all Scripture speaks of the glory and beauty of our Messiah. John the Baptist recognized Christ as the Bridegroom, as Christ Himself also claimed. And Paul pressed the idiom even further, as does John in the Book of Revelation. Of the more than 1,000 songs of Solomon only this was designed by God to be included in the Biblical canon. Copyright © 07-01-2011

This book, also called the Song of Solomon, is one of the most neglected - and controversial - books of the Bible. It is a book about lovemaking from an author who had 700 wives and 300 concubines. So explicit are these aspects that because of its erotic content, the rabbis forbade the book to be read by anyone under the age of 30. Almost every verse has been the subject of debate by its interpreters. Probably no other book of the Bible has such a variegated tapestry of interpretation. Yet, all Scripture speaks of the glory and beauty of our Messiah. John the Baptist recognized Christ as the Bridegroom, as Christ Himself also claimed. And Paul pressed the idiom even further, as does John in the Book of Revelation. Of the more than 1,000 songs of Solomon only this was designed by God to be included in the Biblical canon. Copyright © 07-01-2011

This book, also called the Song of Solomon, is one of the most neglected - and controversial - books of the Bible. It is a book about lovemaking from an author who had 700 wives and 300 concubines. So explicit are these aspects that because of its erotic content, the rabbis forbade the book to be read by anyone under the age of 30. Almost every verse has been the subject of debate by its interpreters. Probably no other book of the Bible has such a variegated tapestry of interpretation. Yet, all Scripture speaks of the glory and beauty of our Messiah. John the Baptist recognized Christ as the Bridegroom, as Christ Himself also claimed. And Paul pressed the idiom even further, as does John in the Book of Revelation. Of the more than 1,000 songs of Solomon only this was designed by God to be included in the Biblical canon. Copyright © 07-01-2011

looking at the church father writings and how they viewed greek thought in the first 4 centuries. comparing exegesis vs eisegesis and comparing the literal and allegorical approaches to scripture.

Jade and the Pastor start an explanation of the Creator.

Jade and Jadeth enter a church building.

This week, we dive into the words of Dr. George Oliver in an examination of his works. In it, we'll explore the allegorical and mythological origins of the Royal Art! We also have an announcement 10 years in the making from SPML, and we wrap with a contemplative look at the "daily grind." Thanks for listening and have a great week! Links: About George Oliver https://en.wikipedia.org/wiki/George_Oliver_(freemason) Part 1  https://www.universalfreemasonry.org/en/article/the-great-work-of-speculative-freemasonry-part-i Craftsman+ FB Group https://www.facebook.com/groups/craftsmanplus/ WCY NFT https://wcypodcast.com/nft Get a Tarot Reading by RJ http://www.wcypodcast.com/tarot Masonic Curators https://www.youtube.com/c/MasonicCurators WCY Podcast YouTube Channel https://www.youtube.com/c/WhenceCameYou Ancient Modern Initiation: Special Edition http://www.wcypodcast.com/the-Shop The Master's Word- A Short Treatise on the Word, the Light, and the Self - Autographed https://wcypodcast.com/the-shop Get the new book! How to Charter a Lodge https://wcypodcast.com/the-shop Truth Quantum https://truthquantum.com Our Patreon www.patreon.com/wcypodcast Support the show on Paypal https://wcypodcast.com/support-the-show Get some swag! https://wcypodcast.com/the-shop Get the book! http://a.co/5rtYr2r

A few weeks ago we spoke with Dcn. Garlick about the ways to read scripture: 1. Literal 2. Allegorical 3. Moral 4. Anagogical. We take that and St. Thomas Aquinas's homily and apply that to marriage! http://www.patreon.com/thecatholicmanshow (Become a Patron! Over 40 interviews, a course with Karlo Broussard, a 10 part series on the domestic church, a course on fitness and virtue by Pat Flynn, and free thank you gifts for supporting the show!) https://selectinternationaltours.com/catholicmanshow/ () WE ARE GOING TO IRELAND WITH FR. SEAN DONOVAN AND THERE ARE STILL A FEW SPOTS LEFT! JOIN US – https://selectinternationaltours.com/catholicmanshow/ (MORE DETAILS HERE). LIVING BEYOND SUNDAY: MAKING YOUR HOME A HOLY PLACE https://thecatholicmanshow.com/wp-content/uploads/2022/08/Living-Beyond-Sunday_3D_FRONT.jpg ()Our new book is available for pre-order from Ascension Press! “I love this book. It provides wise counsel with beautiful simplicity. So, if you are looking to safeguard your family life from the wiles of the enemy and encourage your spouse and children to become the saints God is calling them to be, this is a book for you.” – Fr Gregory Pine Home life can be difficult and busy, and it's easy to get distracted from the point of it all: raising a family of saints. In https://ascensionpress.com/products/living-beyond-sunday-making-your-home-a-holy-place (Living Beyond Sunday: Making Your Home a Holy Place), two married couples share what has helped them make their homes a place of encounter with God–a place where saints are being made. About our drink: Matsui Peated Japanese Whisky About our gear: N/A About the Topic: What does marriage show us about God, His Church, our soul, and the institution of marriage? Let's discuss! https://exodus90.com/pray/?utm_source=catholicmanshow&utm_medium=referral&utm_campaign=holy-hour-2022&utm_content=tcms (“Any man who wants a solid faith-filled family should do Exodus 90.”) TIME CODES: If this is your first time listening to The Catholic Man Show, we do 3 things almost every episode:1.) Open, review, and enjoy a man beverage – Minutes 1-12.2.) Highlight a man gear – Minutes 12-24.3.) Have a manly conversation – Minutes 24-48If you haven't listened to The Catholic Man Show before, check out our previous episodes https://thecatholicmanshow.com/episodes/ (here). Subscribe to our https://www.youtube.com/channel/UC5MhmMZZhEnrapVYUIkFHLg?view_as=subscriber ( YouTube channel) to watch past episodes. Want to help The Catholic Man Show? By giving us a rating on https://itunes.apple.com/us/podcast/the-catholic-man-show/id1128843873?mt=2 (iTunes, it helps others find the show.) Want to say up with The Catholic Man Show? Sign up for our mailing list: http://www.thecatholicmanshow.com/manly (Click Here) Looking for a prayer to pray with your wife? https://thecatholicmanshow.com/blog/looking-for-a-prayer-to-pray-with-your-wife-print-this-off-and-start-praying/ (Check this blog out.) Are you getting our emails? Sign up for our newsletter where we give you all bacon content – never spam.  http://thecatholicmanshow.com/manly/ (SIGN UP HERE:) https://thecatholicmanshow.com/wp-content/uploads/2019/04/tcms-email-ss.png ()

We've heard the original source for Atlantis, but why is it that Plato's Timaeus and Critias can't be termed "myths"? If it isn't a myth, how do we know that there isn't some history behind it? This episode details what we do know about Plato's Atlantis and what that proves.CW/TW: far too many Greek myths involve assault. Given it's fiction, and typically involves gods and/or monsters, I'm not as deferential as I would be were I referencing the real thing.Sources/Further Reading: Plato's Timaeus and Critias, quotes translated by Benjamin Jowett; A Brief History of Atlantis: Plato's Ideal State by Stephen P. Kershaw (includes alternate translation of Plato); PDF: Truth, Lies, and History in Plato's Timaeus and Critias by Thomas K Johansen, 1998. Attributions and licensing information for music used in the podcast can be found here: mythsbaby.com/sources-attributions. Special podcast artwork by Sara Richard. See acast.com/privacy for privacy and opt-out information.