Podcasts about music coordinator

Lauren Rhoades talks with composer, conductor, and keyboardist Buck McDaniel. Originally from Columbia, MS, Buck is now based in New York City, where he has worked as Music Coordinator on the forthcoming film The History of Sound, starring Paul Mescal and Josh O'Connor, and conducted a special choral collaboration with Sam Smith and Sharon Stone on NBC's Saturday Night Live, among other projects. On the Arts Hour, Buck discusses his newest solo piano work, “Any Room is a Room to Read In,” inspired by Eudora Welty's writings on creativity and place. If you enjoyed listening to this podcast, please consider contributing to MPB. https://donate.mpbfoundation.org/mspb/podcast. Hosted on Acast. See acast.com/privacy for more information.

James has a fun conversation with the East Coast based performer. YawnyBlew is the brainchild of Brooklyn-based songwriter Johny Gonzalez. Debuting in 2020, YawnyBlew was initially a vehicle to showcase music during the global pandemic, but eventually evolved into a vehicle for self discovery, artist expression and industry reform for the Grammy and NME nominated creative. Beginning his professional songwriting career in 2017, Yawny scored his first placement “Light It All Up” for the television series Empire. Produced by Rodney Jerkins, the protest anthem was featured in season 3 and sung by Rumer Willis. He would go on to pen three additional songs that season for Jussie Smollett, a major win for Yawny, a queer boy from The Bronx, NY who dreamed of uplifting others like himself with his music. In the years since, Yawny has been working hard behind the scenes writing for the likes of Keiynan Lonsdale, Dyllon Burnside, Maeta, Cocoa Sarai and Cam Anthony. He would be one of the key creatives behind Thai Pop singer Pyra, who's music has been called “dystopian pop” and features themes of feminism, self discovery, queer exploration and more. Their work together scored several NME Award nominations in 2022. Later that same year he would mentor under Pharrell Williams while crafting songs for TikTok star Marley Bleu. As YawnyBlew, he unapologetically champions body positivity and queerness on songs like “Can't Compete,” and “Curious?” made in collaboration with Brooklyn based multi-hyphenate Tarik “amir.” Carroll. Their collaborative debut DREAMBIIG was released in Oct 2023. Elsewhere on solo songs like “driveslow,” Yawny talks about figuring out life on your own terms while not being afraid to live authentically. Following the launch of his podcast BIIGGER THAN OUR DREAMS in 2022, Yawny has been stepping out more into the public speaking realm, discussing issues that directly affect marginalized creatives and how they show up in the world. His abilities to tell other's stories through his journalist works (The Source Magazine, The Music Times) and podcast endeavors caught the attention of tech giant META, where Yawny serves as a Music Coordinator and communication strategist for Meta's Music. yawnyblew.com

Emily Poaletti grew up in southwest Wisconsin, went to Brigham Young University-Idaho and got a vocal music degree, then moved with her husband to Northwest Arkansas. She has taught private voice lessons for eight years and has been the music director for five different children's musicals. Emily has served as a ward choir director, ward music coordinator and stake music coordinator, as well as in Primary, Young Women, and Relief Society presidencies. She loves having the chance to sing with others of faith, and served on the music committee for the Bentonville temple open house and dedication this year, also directing one of the dedicatory session choirs. Emily is the parent of five boys. She loves to be in nature with them and convinces them to sing with her at least once a day. Links Putting Jesus at the Center of Your Ward | An Interview with David Butler Music Library: Hymns How to Send Mass Text Messages on iPhone There is already a discussion started about this podcast. Share your thoughts HERE. Watch on YouTube Transcript coming soon Get 14-day access to the Core Leader Library Highlights Coming soon The Leading Saints Podcast is one of the top independent Latter-day Saints podcasts as part of nonprofit Leading Saints' mission to help Latter-day Saints be better prepared to lead. Learn more and listen to any of the past episodes for free at LeadingSaints.org. Past guests include Emily Belle Freeman, David Butler, Hank Smith, John Bytheway, Reyna and Elena Aburto, Liz Wiseman, Stephen M. R. Covey, Julie Beck, Brad Wilcox, Jody Moore, Tony Overbay, John H. Groberg, Elaine Dalton, Tad R. Callister, Lynn G. Robbins, J. Devn Cornish, Bonnie Oscarson, Dennis B. Neuenschwander, Anthony Sweat, John Hilton III, Barbara Morgan Gardner, Blair Hodges, Whitney Johnson, Ryan Gottfredson, Greg McKeown, Ganel-Lyn Condie, Michael Goodman, Wendy Ulrich, Richard Ostler, and many more in over 600 episodes. Discover podcasts, articles, virtual conferences, and live events related to callings such as the bishopric, Relief Society, elders quorum, Primary, youth leadership, stake leadership, ward mission, ward council, young adults, ministering, and teaching.

While we frequently spotlight drummers who have made enduring contributions to Broadway and touring stages, it's just as essential to get the inside scoop from the influential figures orchestrating things behind the curtain. That's why today marks the launch of a special three-part series. We're ecstatic to start by introducing you to Michael Aarons, a seasoned Music Coordinator whose portfolio spans Broadway, recording studios, live events, television, film, and national tours.With a career spanning over 20 years in various corners of the music industry—from Broadway theaters to concert arenas and from TV studios to film sets—Michael is a revered music coordinator and guitarist. He's the linchpin behind forming first-rate pit orchestras for countless Broadway productions and more than 15 national tours. Beyond the stage, Michael's talents extend to his roles as a music coordinator, guitarist for Grammy-winning albums, and in various capacities in TV and film, including work as a composer.What truly sets Michael apart is his deep-rooted understanding of the commercial aspects of music. He is adept at overseeing logistics, negotiating union labor agreements, and skillfully steering through the complicated challenges often tied to large-scale productions. His insights are a treasure trove for drummers and anyone aspiring to make their mark in the music industry.As Broadway Drumming 101 continues to evolve, we're delighted to broaden our horizons to include voices like Michael's—industry stalwarts who provide unique perspectives and priceless counsel.This episode is the first in a three-part series designed to dive deep into a wealth of knowledge and tips to elevate your musical career. Stay tuned for the next installments, set to drop on November 11th and 18th. Whether you're a seasoned drummer or just getting started, this series is an invaluable resource you will want to take advantage of.For more details, visit M2 Music.Clayton Craddock hosts the Broadway Drumming 101 Podcast and has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud. He has been a sub drummer on Motown, The Color Purple, Rent, Little Shop of Horrors, Spongebob Squarepants-The Musical, Evita, Cats, Avenue Q, and The Big Apple Circus. The next project he's working on is The Hippest Trip – The Soul Train Musical.Clayton has performed on various TV shows, including Good Morning America, The Colbert Report, The View, The Jimmy Fallon Show, The CBS Early Show, the Today Show, and the 2010 and 2019 TONY Awards at Radio City. He's shared the stage with legends such as The Stylistics, Denise Williams, Chuck Berry, and Ben E. King and was in the Netflix DWYCK episode of Luke Cage with the Delfonics and the HBO version of Lady Day at Emerson's Bar and Grill.Clayton is a proud endorser of Ahead Drum Cases, Paiste Cymbals, Innovative Percussion drumsticks, and Empire Ears. Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

The hosts of the Aged Out Podcast, Mike Fantini and Evan Worrell, react to the 2023 Cavaliers Percussion Section from finals day with Cavaliers Percussion Caption Supervisor/Designer and Music Coordinator, Mike McIntosh.

6/27/23: Investigative reporter Alden Wicker, author of “To Dye For: How Toxic Fashion Is Making Us Sick and How We Can Fight Back;” Johnny Memphis, Music Coordinator, Florence Summer Concert Series; Negro League expert Duke Goldman on reparations; Lisa Reilly on “The Hustler Files” and persons behind the wall.

Janine joins me to discuss her renditions of the National Anthem and This Land is Your Land; moving to Long Island; Doc Pomus; studying historic preservation; getting a job as a receptionist in a service used by Howard Shore; Howard asks her to be his assistant; went to see Patti Smith perform; had to ask for lyrics from band for a shooting script, embarrassing her in front of Taj Mahal; trying to find Steve Jordan on show night; asked to create band space on home base; Leo Yoshimura balked because it didn't have union stamp; Howard called and it became bandstand; filed all paperwork, copyrights, and union activities; appearing in two sketches in the Mary Kay Place episode; SNL never cleared music rights; going through NBC's audio library and bringing music for writers to judge for sketches; Larry the cart guy; Hall Willner did the job muh better than she did; getting officially hired after Mardi Gras episode; Bonnie Raitt; the true story of Elvis Costello's 1977 appearance; giving a backhanded compliment to The Greatful Dead; hanging out with The Rolling Stones; having them sign a picture so that the crew members would know which Stone they were talking to; going to see a Broadway play with Frank Zappa the week after he hosted; not getting Kate Bush; having Gilda hug her when she said how sexy she was as Candy Slice; working on Gilda Live on Broadway; Desmond Child & Rouge; Milton Berle hated by crew who were there on his show thirty years earlier; Twitter's SNL hosts introduce musical guests; Gary Numan; Howard Shore would book someone the opposite of Jean Doumanian's picks; Sun Ra - master of the Walkman; Bette Midler; Linda Rondstadt and Phoebe Snow; The Roches appearance inspire their song "The Big Nothing"; Delbert McClinton; Bill Murray constantly playing The Amazing Rhythym Aces until they were booked; Jaco Pistorius eats the "prop" peanuts during a rehearsal of a Nick the Lounge Singer sketch; the backstage vibe of a party with show girls, camels, and Abe Lincoln: Eubie Blake & Gregory Hines; Steve Martin's Best Show Ever; helping Howard Shore score The Brood; Eugene Record; Michael Palin; crew bets when Jean Doumanian will "steal" Lorne's job; not liking Jean Doumanian; Jean not particularly liking television; SNL is for people who love TV; Walter Matthau; Kirk Douglas; O.J. Simpson; Michael Sarrazin; Marianne Faithfull; leaving with the original cast and having job taken over by Hal Wilner; Hal calling her to ask how things are done; becoming friends and producing shows with him starting in 1985; how Hal got her to start singing seriously; the real meaning of Save the Last Dance for Me; finding Van "Piano Man" Walls; her art.

Part 2 - This episode we'll learn about the life of a Music Coordinator in Film & Television. A Music Coordinator's primary responsibility is finding music that can be used in a video or production. For example, if a director wishes to hire an orchestra to record music for a film, it is up to the music coordinator to book the orchestra, the recording studio, and studio staff, and they must also negotiate legal rights to use the music, negotiate salaries, and coordinate with editors and film producers. As you can imagine, this role requires project management, negotiation and budgeting skills.Today's guest is Tanisha Edwards, Music & Production Coordinator for Saatchi & Saatchi. I've always known Tanisha as a music head so I was excited to invite her as a guest so I could hear how she leverages her creative and strategic brain in the world of music & Hollywood. Her path into this career is a bit non-traditional but a rich lesson about ingenuity and intention! Her story is an inspiration so pull up a chair.https://www.linkedin.com/in/tanishadedwards/The TYH2WD Audience is interested in hearing about your career or trade so sign up below to be a guest!https://lnkd.in/gx75DdES

Part 1 - This episode we'll learn about the life of a Music Coordinator in Film & Television. A Music Coordinator's primary responsibility is finding music that can be used in a video or production. For example, if a director wishes to hire an orchestra to record music for a film, it is up to the music coordinator to book the orchestra, the recording studio, and studio staff, and they must also negotiate legal rights to use the music, negotiate salaries, and coordinate with editors and film producers. As you can imagine, this role requires project management, negotiation and budgeting skills.Today's guest is Tanisha Edwards, Music & Production Coordinator for Saatchi & Saatchi. I've always known Tanisha as a music head so I was excited to invite her as a guest so I could hear how she leverages her creative and strategic brain in the world of music & Hollywood. Her path into this career is a bit non-traditional but a rich lesson about ingenuity and intention! Her story is an inspiration so pull up a chair.https://www.linkedin.com/in/tanishadedwards/The TYH2WD Audience is interested in hearing about your career or trade so sign up below to be a guest!https://lnkd.in/gx75DdES

Born in Mexico City, raised in Chicago and moved to California at age 12, Monica Ricardez started her career with Tower Records as a clerk in West Covina. She got a call two days after  submitting her application and filling out Bob Fetter's famous 2 page music quiz. Rotating between the record floor and the Classical Department, Monica also worked in the unique position known as Label Auditor doing inventories for specific record distributors before Tower had computerized inventory tools. Leaving Tower and moving to Mexico City to open a business with a friend, Monica became friends with one of the investors of Tower Records Mexico who lured her back to Tower and she never looked back. Training a crew of people who knew nothing about how Tower Records operated, Monica proved invaluable during her time in Mexico City. A couple years later she came back to the US working with Rick Dorsey in West Covina and immediately set about working the Latin Music section. “It's not a great section” she told him. In true Tower fashion, Dorsey gave Monica free reign to overhaul the section which she did immediately causing significant growth in that department. Recognizing these increases, Monica was promoted to the position of Southwest Latin Music coordinator and ultimately, after interviewing with Stan Goman and George Scarlett she was promoted to National Latin Music coordinator and worked out a deal where she didn't have to move to Miami as originally envisioned. Monica discusses her triumphs, her inability to get some Tower Managers fully on board and other hurdles she faced and overcame during her time at Tower Records. Her interactions with Russ Solomon are what kept her with the company to the end. 

Episode 46 of Classis Wisconsin Weekly! We chat with Lakeisha Heeringa, Music Coordinator at 2nd Randolph CRC. 2nd Randolph CRC's Website: http://www.secondcrcrandolph.org/ Watch services on Facebook: https://www.facebook.com/SecondCRCRandolph/ ———————————————- More from Oostburg CRC Sermons: https://www.firstcrcoostburg.org/sermons Study Guides: https://www.firstcrcoostburg.org/resources Music: https://open.spotify.com/album/4P7JbJlHzabPNW8GpdxKcB Stream: https://www.firstcrcoostburg.org/stream

Pastor Joe'l Reming, Life Worship Church discusses how to live with peace and confidence in turbulent times.Joe'l received the Lord Jesus as her Savior and was filled with the Holy Spirit at the age of 5 years old, and has been serving the Lord faithfully since. Joe'l attended Rhema Bible College in Tulsa, OK where she studied Youth Ministry and was a part of the choir. Over the past 24 years Joe'l has served in; praise and worship, assisting pastors, ministers, administration and as a youth leader. Joe'l has the biggest heart for worship. It is her passion and life! Joe'l worked on staff at World Outreach Church, where she served as a Music Coordinator and was later an Associate Pastor with her husband. She has also faithfully served at Abundant Life Christian Center as a part of their worship team.

The hosts of the Aged Out Podcast, Mike Fantini and Evan Worrell, react to the 2022 Cavaliers Drumline from their warm up for DCI Finals 2022 with Cavaliers Percussion Caption Manager, Percussion Arranger and Music Coordinator, Mike McIntosh.

Born and raised in Queens, NY, Michael is a graduate of the prestigious Archbishop Molloy High School and the renowned music conservatory. The Manhattan School of Music. Upon graduation from The Manhattan School in 1971, he pursued a career as a professional performing musician spanning the next 35 years. While still in Manhattan, Michael started his professional playing career by being a frequent substitute drummer/percussionist at the long-running off-Broadway production of Jacques Brel Is Alive & Well & Living in Paris. Besides touring in the early 70s with Broadway National tours of Promises, Promises, Applause, and The Magic Show, Michael was also in bands backing Sally Kellerman, Dionne Warwick, The 5th Dimension, and Jane Olivor. Being hired as the original drummer for They're Playing Our Song on Broadway led to the beginning of his long and rewarding working & personal relationship with Marvin Hamlisch. With Marvin's complete & trusting support, Michael embarked on a second related career as a Music Coordinator beginning in 1992. In 1993 he was Music Coordinator and drummer for Marvin's The Goodbye Girl. From 1990 until 2005, Michael was conductor and drummer for all of Marvin's concert appearances. In addition to contracting many films and TV score recordings of Marvin's music, Michael was given his greatest opportunity when Marvin entrusted him to hire and coordinate the 63-piece orchestra for the Barbra Streisand concert tour in 1994. Michael repeated that effort several times over the next 15-20 years. Upon closing the Broadway production of Imaginary Friends featuring Marvin's music, Michael chose to put away his drumsticks and concentrate solely on his burgeoning career as a Music Coordinator.  Among over a hundred Broadway productions coordinated by Michael since 1993 are Hamilton, Dear Evan Hansen, The Book of Mormon, Wicked, and The Lion King. Michael's life is complete with his wife of 40 years, Actress/Dancer/Choreographer Pamela Sousa, son Zachary, daughter Alexis, daughter-in-law Christin, and grandson Gavin Michael.For more: https://www.m2music.nyc/about-usThank you for reading Broadway Drumming 101. This post is public, so feel free to share it.Clayton Craddock hosts the Broadway Drumming 101 Podcast and Newsletter. He has held the drum chair in several hit broadway and off-broadway musicals, including Tick, tick…BOOM!, Altar Boyz, Memphis The Musical, Lady Day At Emerson's Bar and Grill and Ain't Too Proud.The Broadway Drumming 101 Instagram page: InstagramThe Broadway Drumming 101 YouTube page: YouTubeFor more about Clayton, click HERE Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe

I am joined by very first musical education teacher and my old friend, former classmate, Jill McCorkmick. Jill graduated from Indiana Wesleyan University with a B.S. in Music Education 2001, complerted her Masters in Music at NIU 2005. Jill has an endorsement in English as a Second Language 2018. She has been the Music Coordinator for District 428 since 2012-1 and currently teaches General Music to K-5 at Founders Elementary. Jill also sings in the community with the DeKalb Municipal Band. Has been married to her amazing husband, Brendan for 20 years, who is also an educator. Raising three sons: Sam (15), Jack (12), Ben (9) and loves to watch sports, cook, read, and many other things. We talk about The value of Music Education and navigating the classroom during a pandemic. Trying to have work/life balance and serving the community where you live. --- Send in a voice message: https://anchor.fm/pixelclassroom/message Support this podcast: https://anchor.fm/pixelclassroom/support

Glenn Eichelberger is the Director of Bands at Stillman College in Tuscaloosa, Alabama. Glenn has been involved in HBCU bands for his entire career and joins the show to discuss his career and his experiences with HBCU excellence in music. Links: Glenn Eichelberger Holsinger: Prelude and Rondo Sheldon: 1,000 Cranes Nelhybel: Festivo Biography: Mr. Eichelberger currently serves  the Director of Bands at Stillman College in Tuscaloosa, Alabama. Mr. Eichelberger recently completed his Masters of Arts in Instrumental Conducting at Morgan State University in Baltimore, Maryland (2020). Mr. Eichelberger is a native of Miami Florida where he graduated from Miami Carol City Senior High School (1997). He started his undergraduate studies at Florida A&M University where he was a member of the FAMU Marching 100, Symphonic, Jazz, Brass Ensemble and Trombone Choir. In 2000 and 2002 Mr. Eichelberger was selected for the College Band Directors National Association (CBDNA) Southeast Intercollegiate Honors Band. He is also a former member of the U.S. Marines Basic Musician Enlistment Program where he studied at the Armed Forces School of Music in Norfolk, Virginia. Mr. Eichelberger also holds a Bachelor of Music in Jazz Studies from Florida Memorial University (2011). Mr. Eichelberger is also the Founder and President of the Palm Beach Band Director Coalition. Prior to his appointment as the Director of Bands at Stillman College, Mr. Eichelberger served as the Director of Bands at Park Crossing High School in Montgomery, AL (2020-2021), a Graduate Conductor at Morgan State University in Baltimore, MD (2017-2020), Music Teacher at Holabird Middle School in Dundalk, MD (2017-2019), Department Chair and Director of Bands at Jeaga Middle School in West Palm Beach Florida (2015-2016), Director of Bands and Music Coordinator at N.E.W. Preparatory High School of Performing Arts in Fort Lauderdale, Florida (2014-2015), Director of Bands at American Senior High School in Hialeah, Florida (2008-2013). Mr. Eichelberger has also served as the Assistant to the Director of Band and Music Arranger at Johnson C. Smith University in Charlotte, NC (2005-2006). Mr. Eichelberger has also served as the Assistant Director of Band and Music Arranger at James S. Rickards High in Tallahassee, Florida (2002-2003). During his Tenure at James S. Rickards the band was selected as the honor band for the Veterans Day Celebration and was selected to perform a post-game performance at Florida A&M University; Assistant to the Director of Band and Arranger at Thomasville High School in Thomasville, Georgia (2004-2005), during his time at Thomasville High the band was featured in a commercial for White Wheat Bread for the Hostus Bread Company. In the summer of 2006 Mr. Eichelberger was asked to serve as the Assistant Director of Bands and Music Arranger at his alma mater Miami Carol City Senior High. In April of 2007 Mr. Eichelberger was asked to serve as the Interim Director of Bands at Miami Carol City Senior High after the Promotion of Fedrick C. Ingram to Secretary/Treasurer of United Teachers of Dade. Mr. Eichelberger has been a Guest Clinician at the Savannah State University Summer Band Camp, (2012), Florida A&M University Marching 100 Summer Band Camp (1998-2002, 2004) Dade County Parks and Recreation Annual Summer Performing Arts Camp (1999), Miami Northwestern Senior High (1999), North Miami Beach Senior High (2004) and Florida Memorial University Miami All-Star Summer Band Camp (2003-Present), and several high schools in Georgia, Florida, North Carolina, and South Carolina. He has served as a guest Conductor at Miami Carol City Senior High, Thomasville High School, Florida Memorial University, and Savannah State University. Mr. Eichelberger is a member of the HBCU-National Band Director Consortium, Music Educator National Conference (MENC), Florida Bandmasters Association (FBA), Florida Music Educators Association (FMEA), International Association of Jazz Educators (IAJE), FAMU Marching 100 Alumni Band Association, (DAC) Diaspora Arts Coalition, (UTD) United Teachers of Dade, Florida Education Association (FEA), National Education Association (NEA), Teacher Association of Baltimore County (TABCO), Alabama Education Association (AEA), Maryland Music Educators Association, and an honorary member of the Eta Omicron Chapter of Tau Beta Sigma.

In this episode in our SIX the Musical series, we are chatting with the music coordinator of SIX, Kristy Norter! We chat all about her process overseeing that the production follows all the union rules for their musicians, how she balances contracting SIX and playing Saxophone at Tina: The Tina Turner musical at the same time, and so much more! If you are listening to this on Apple Podcast, we'd love it if you could share your love in a review! ABOUT KRISTY NORTER Kristy Norter is a freelance musician specializing in woodwind instruments. She is the music coordinator for SIX, making her the only female music coordinator on Broadway. Kristy also currently plays saxophone on Broadway in Tina: The Tina Turner Musical. Some of her past credits include A Bronx Tale, In the Heights, Newsies, Radio City Christmas Spectacular, the Big Apple Circus, Radio City Spring Spectacular, Himself and Nora, and multiple shows at the Paper Mill Playhouse including originating the Reed 1 books for Ever After, Bandstand, Bronx Tale, The Sting, The Honeymooners, Halftime, and Benny and Joon. Kristy has subbed on dozens of Broadway musicals and performed with many talented musicians including Idina Menzel, Chita Rivera, Nancy Wilson, Bernadette Peters, Kristin Chenoweth, Michael Feinstein, Bootsy Collins, the Four Tops, the Temptations, Princeton Symphony Orchestra, Broadway Backwards Orchestra, Broadway on Broadway Orchestra, Diane Schuur, and Alan Cumming. Her Music Coordinator credits include Cyrano, For Colored Girls, Kristin Chenoweth's For the Girls Concert Series, and SIX. MENTIONED IN THIS EPISODE: SIX on Instagram: www.instagram.com/sixonbroadway SIX on Facebook: www.facebook.com/sixbroadway Get Your Tickets: www.sixonbroadway.com --- Come say hi to us! Facebook: @PageToStagePodcast @BroadwayPodcastNetwork Instagram: @PageToStagePodcast @TheMaryDina @BrianSedita @BroadwayPodcastNetwork Twitter: @TheMaryDina @BwayPodNetwork YouTube: @PageToStagePodcast @BroadwayPodcastNetwork #PageToStagePodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

We have seen quite a few questions relating to music, so today we’re joined by Attique Iqbal who is the Music Coordinator with NFL Media. We discover how he carved out a niche for himself, why reporting music is really important to both you and the artists, and what other freelance jobs he keeps for the love of the game.Link to the custom music track for the NFL game mentioned:https://countrymusictattletale.com/2018/10/18/honey-county-releases-remix-of-los-angeles-with-justin-burk/

In this episode we consider a challenge for daily living from Oswald Chambers. Ben Doehle joins us again as a guest co-host to discuss his role as a music director for Valley Bible Church. Finally, J. Gresham Machen warns us from the past about the most dangerous tool in the hands of any tyrant. --- Send in a voice message: https://anchor.fm/bombadilsporch/message

We welcome Dr. Darrin Oehlerking, Director of Bands at the University of Saskatchewan to the Band Room. Dylan and Darrin speak about his zigzag path to where he is, his position at the UofS, building community through music, the 2021 National Youth Band of Canada and much more!Help Support the Band Room Podcast by Becoming a Patron Through Patreonhttps://www.patreon.com/bandroompodHelp support the Band Room Podcast by getting your merch at the BRP Storehttp://www.bandroompod.com/storeMusic used in this episodeBRP Theme Music: Skyline by EKR HammellPerforming Ensemble: University of Toronto Wind EnsembleDr. Gillian MacKay – Conductor​About Darrin Dr. Darrin Oehlerking is Director of Bands and Associate Professor of Music at the University of Saskatchewan in Saskatoon, where he conducts the Wind Orchestra, and teaches courses in Conducting, Wind Literature and Music Education. He previously served as Director of Bands and Jazz at Bemidji State University in Bemidji, Minnesota, and as Music Coordinator for the Louis Riel School Division in Winnipeg, Manitoba. His post-secondary experience also includes assignments at the University of Manitoba and Iowa Wesleyan College. Originally from Winnipeg, Manitoba, Dr. Oehlerking earned his Doctor of Musical Arts in Wind Conducting at The University of Iowa, where he studied with Dr. Myron Welch. He also studied with Dr. Dale J. Lonis at the University of Manitoba, where he earned his Masters in Music Performance with an emphasis in Conducting. His undergraduate work was also at Manitoba, where he earned separate Bachelors degrees in Music and Education. Prior to his appointment at Saskatchewan, Dr. Oehlerking taught a wide variety of students and musicians at the primary, secondary and post-secondary levels. His ensembles have enjoyed success at the local, national and international levels, garnering outstanding performance awards and showcase invitations from a variety of organizations. Dr. Oehlerking Past President of the Canadian Band Association, a Past President of the Saskatchewan Band Association, and is also a Yamaha Artist/Educator. He belongs to several other professional organizations, including the Saskatchewan Music Educators Association, Manitoba Band Association, College Band Directors National Association, and WASBE. Dr. Oehlerking has conducted ensembles, served as an adjudicator, conference presenter and clinician across Canada, as well as in the United States, United Kingdom, Germany, Switzerland and the Netherlands Episode LinksDarrin Oehlerkinghttps://artsandscience.usask.ca/profile/DOehlerking#/profileUniversity of Saskatchewan Department of Musichttps://artsandscience.usask.ca/music/TED Talk: Building Music Through Community https://www.youtube.com/watch?v=fL52mEHblco&ab_channel=TEDxTalksU Sask Wind Orchestrahttps://artsandscience.usask.ca/music/ensembles/wind.php#Covid19InformationNational Youth Band of Canadahttps://www.canadianband.org/nyb-2020-2021Skyscapes: The Music of Pete Meechanhttp://meechanmusic.com/category/recordings/Support the show (https://www.patreon.com/bandroompod)

•Rev. Walter P. Clark is a native of Gary, IN and has served consistently for over 40 years as an Organist, Assistant Director and Director of Music. He has served as Music Coordinator for multiple organizations. Conducted workshops on Leadership, Music Ministry and Choirs across the country.  He received training through Moody Bible Institute, Chicago Baptist Institute, National Baptist Convention and United Way of Chicago.  Walter serves as Board secretary of International Gospel Coalition founded by the late Lavell Lacey. •Walter was a former host of several radio shows in and around the Chicago land area.  He currently owns and operates Judah Life Media and Steel City Gospel Radio. Any questions or comments please send an email to: letstalk2gmg@gmail.com

Series Two: Audio and Video Recording Technology - The Gear You NeedEpisode Three: Interview with Dr. Matt Filosa and Dr. Matt JordanDr. Matt Filosa is currently an elementary school music teacher in Texas. Along with this appointment, he has been the co-founder of the design company, Synced Up Designs, as well as the a percussion specialist, writer/arranger for some of the major WGI/DCI marching arts groups (Cadets and Music City Mystique), and an active performer throughout the United States/abroad.Dr. Matt Jordan is currently the Assistant Professor of Percussion at Jacksonville State University. He is also the front ensemble arranger for Music City Mystique, the Music Coordinator and Sound Designer for the Bluecoats Drum and Bugle Corps, and a Music Advisor for the Colts Drum and Bugle Corps. Prior to starting at JSU, Matt was the Concert Percussion Marketing Manager for Pearl Corporation/Adams Musical Instruments, and Assistant Director of Bands/Instructor of Percussion at Middle Tennessee State University.Thank you for giving up your time, Dr. Filosa and Dr. Jordan! Make sure to Like, Subscribe, Rate, and Review us! Thanks!**********Visit www.tommydobbspercussion.com for more information about what these two are up to.And check out @thepercussionpedagogypodcast on Instagram for pictures, updates, and more. **********The music you hear was created by my good friend, Ryan Robinson.All graphic design work was done by Janell Anne.PPP is edited and hosted by me, Tommy Dobbs.

Station To Station goes behind the stages, venues and studios of Kansas City's musical landscape. Musician, writer and 90.9 The Bridge Content Manager Michelle Bacon chats with fellow music professionals about their passions, careers and experiences in an ever-evolving industry. This is a production of the Center Cuts podcast. Please join Michelle as she welcomes Sarah Bradshaw to the inaugural episode of Station To Station. Sarah is the Music Coordinator for 90.9 The Bridge, and serves many roles at the station, including hosting on-air every weeknight and on Sunday afternoons. Sarah discusses her life and musical connections, as well as her roles at The Bridge and how we can build a stronger music community. All songs used with permission from the artists. Thank you for sharing! Other Americans - "Kink Wave" Frogpond - "Talk To Me" The Guild - "Heterogenous" Hi-Lux - "Dance With My Baby" Hope you can join us!

Inspired by his Grandmother’s gospel records, a four- year-old Patrick climbed atop a piano bench and began to play by ear. Thus began his lifetime love affair with gospel music, a passion which has consumed and driven him…   Patrick attended Norfolk State University and received the Bachelor of Music degree in Vocal music and in 2016 he completed his Masters Degree at Liberty University. While attending NSU, he was appointed director of the Voices of Inspiration Gospel Choir and won many awards and choral competitions with them. For 10 years, Patrick has blessed the NSU Voices of Inspirations with his desire to "Sing unto the Lord a New Song." Together they praised God almighty, offering songs of praise that warm the souls of those proclaiming the spirit of the Lord.   Licensed to preach in 2002, Patrick has served as the Worship Pastor to one of the top-tiered churches within Hampton Roads Region. Revered by many as a true gospel choirmaster, he has often been noted for his tremendous ability to write, arrange and produce music that is stirring and always appropriate for worship. He is best celebrated for his flamboyant, aggressive, high energy, yet technical style of choir directing and has been deemed as the "Prince of Choirs". He has served as a background vocalist and choir director for many plays, gospel artists, recordings and workshops. He currently serves under his mentor Minister Ricky Dillard as assistant director in his, Grammy nominated, Stellar Award winning choir New Generation Chorale, Chicago, Illinois.   Patrick is also the founder and conductor of his national recording choir D’vyne Worship; a 50+ voice choral aggregate which sings not only gospel and contemporary songs, but anthems as well. Under his leadership, this choir has charted on Billboard Music's Top 10 and received national recognition from the voting academy of The Stellar Awards.    He serves as the VA 2nd Jurisdiction's State Minister of Music COGIC, VA 2nd Jurisdiction's AIM Vice-Chairman, Chorum of Directors for the International Music Department COGIC, Department Cantor for the International Department of Evangelism COGIC, Music Coordinator for International Mens Department COGIC, and holds a seat on the Contemporary Adult Division Board of GMWA. Patrick frequently travels the country, as he is called upon to serve as guest conductor, vocalist, clinician, lecturer and evangelist. In 2015 Elder Riddick launched a life empowering bible study entitled "Moments of Deliverance" which is geared to equip and develop all whom desire to grow in their Christian Faith. 

Amber Goodwyn is the acting Executive Director at 91.3FM, CJTR Regina Community Radio on Treaty 4 land / in Regina, SK. Before moving to Regina in 2012 she was the Music Coordinator and Music Librarian at CKUT 90.3FM in Montreal, as well as a volunteer host. She’s a new member of the Swamp Fest music festival Board of Directors and has previously served on the boards of Girls Rock Regina and Holophon Audio Arts. She has also served on various juries for music and arts funding and has written about music and the arts as a freelancer for Prairie Dog Magazine, Broken Pencil and other publications. In her art life she’s a multidisciplinary artist with active performance, film and video, writing and music practices. Currently she plays music in her experimental synth pop solo project Natural Sympathies and in the duo Dialtone, and used to play in the Montreal bands Cobra & Vulture and Nightwood.

We continue our series of Sports Movies Podcasts, with Attique Iqbal, as he stops by to discuss the football movie released in 2000, "The Replacements." Story follows a band of misfit football players called on as replacement players during a players' strike, loosely based on real-live events in 1987. Keanu Reeves & Gene Hackman lead the cast of this feel-good story. Attique is Music Coordinator for the NFL Network, and a proud Fresno State Alum. You can find him on Twitter & Instagram at SportsGuy786 Photo Courtesy Attique Iqbal's Twitter Account

On this episode of Baring It All with Call Me Adam, on the Broadway Podcast Network, I am catching up with the hilarious, award-winning Julie Halston. Today we are talking about the 10th Anniversary benefit fundraiser Broadway Belts for PFF! which will take place on Monday, February 24 at The Edison Ball Room. For tickets visit https://www.pulmonaryfibrosis.org/get-involved/broadway-belts-for-pff Hosted by Julie Halston, Broadway Belts for PFF! helps raise money for the Pulmonary Fibrosis Foundation. Pulmonary Fibrosis is a deadly & complex disease that causes progressive scarring in the lungs. It affects nearly 200,000 Americans annually and 50,000 new cases are diagnosed each year. This year marks the 10-year Anniversary of Broadway Belts for PFF! This year's performers include Bernadette Peters, J. Harrison Ghee, Jason Gotay, Sierra Boggess, Annaleigh Ashford, Beth Malone, Caissie Levy, Charles Busch, Robert Creighton, and former Yankee's Center Fielder Bernie Williams. The evening will honor Tony-winning producer Daryl Roth (Kinky Boots) with the Ralph Howard Legacy Award. Broadway Belts for PFF! is directed by Carl Andress (The Confession of Lily Dare, The Divine Sister) with Christopher McGovern (Cagney) as Musical Director, Ed Windels as Music Coordinator, and Greg Santos as Stage Manager. The benefit is produced for the tenth straight year by D. Michael Dvorchak, Sue Frost (Memphis, Come From Away), Julie Halston and Ed Windels. Like what you hear? Then become a member of my Patreon Page for exclusive behind-the-scene perks! For more "Call Me Adam" interviews visit: https://callmeadam.com  Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ)  Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY)  Edited by Drew Kaufman (https://bit.ly/2OXqOnw) More on Julie: Julie Halston was most recently seen on Broadway in the 11-time Tony Nominated Musical Tootsie, directed by Scott Ellis. She also appeared on Broadway Scott Ellis’ revival of George S. Kaufman & Moss Hart’s You Can’t Take It With You, earning the Actors Equity Richard Seff Award as well as Drama Desk Award and Outer Critics Circle Award nominations. She has also been seen on Broadway in On the Town, Anything Goes, Hairspray, Gypsy, and On the Twentieth Century, for which she received an Outer Critics Circle Award nomination. Julie is a founding member of Charles Busch’s legendary theatre company, Theatre in Limbo, and has co-starred with Charles in numerous productions including Vampire Lesbians of Sodom, The Tribute Artist, and her Drama Desk Award nominated performances in The Divine Sister and Red Scare on Sunset. She was last seen off-Broadway in Richard Greenberg’s The Babylon Line at Lincoln Center Theater. Julie recently starred in both the McCarter Theater Center and Hartford Stage’s sold out productions of Agatha Christie’s Murder on the Orient Express. Regionally, she has appeared in the Huntington Theatre Company’s adaptation of A Confederacy of Dunces and the Kennedy Center production of The Guardsman. She has appeared on television in a variety of series including Difficult People, Woody Allen’s Crisis in Six Scenes, and Law & Order: SVU. She is best known to television audiences for her roles as Bitsy Von Muffling from Sex and the City and Tina Carmello from The Class. She is a frequent co-host of the Emmy Award winning television series Theater Talk. In addition to her many award winning solo comedy performances, including her off-Broadway hit, Julie Halston’s Lifetime of Comedy, Julie was honored with a Lifetime Achievement Award from the Off-Broadway Alliance.

How do you become a Film & TV Music Coordinator? How about when you didn't get your undergraduate or masters degree in a relative subject?Welcome to Part 2 in the 2-part "The Music In Movies" series with Darian Farrell, Film & TV Music Coordinator at Universal Music Group.In Part 1, we went through a day in Darian's life as a Film & TV Music Coordinator. In this episode, we’ll take you through Darian's career journey so you know what skills and experience are necessary to land a job as an Film & TV Music Coordinator.As always, you can check out this episode's show notes page to find all photos, relevant links and how you can connect with Darian. See acast.com/privacy for privacy and opt-out information.

What does it mean to be a Film & TV Music Coordinator? What do they do all day?Welcome to Part 1 in the 2-part "The Music In Movies" series! In this episode, we're going to experience a day in the life of Darian Farrell, Film & TV Music Coordinator for Universal Music Group, so you can decide if this job is right for you!Have you ever seen a trailer to a movie and thought, ‘Damn, this song’s has me pumped up for this movie!’ Or danced along to a Beyonce song on Just Dance or played a game like Fortnite with celebration music?Well, those songs can’t just be played willy-nilly… creators need to have rights & pay up to use them and that need to be approved by the company who owns the song... That’s where Darian comes in.As always, you can check out this episode's show notes page to find all photos, relevant links and how you can connect with Darian. See acast.com/privacy for privacy and opt-out information.

Over the last four decades, John Miller has served as Music Coordinator for over 130 Broadway productions and is currently represented by Ain't Too Proud: The Life and Times of the Temptations and Oklahoma!, in addition to the upcoming New York production of Tina: The Tina Turner Musical. He has worked on Broadway's biggest hits including: The Producers, Once, Jersey Boys, and Hairspray. As a bassist, he has played with everyone from Madonna, Bob Dylan, and Elvis Costello, to Frank Sinatra, Tony Bennett, and the New York Philharmonic. As an actor, he played the role of Dee Dee the drug-dealing percussionist in Amazon Prime's Golden Globe-winning "Mozart in the Jungle" for all four seasons. Miller's album, "Stage Door Johnny", takes an irreverent and engaging musical trek through a collection of beloved tunes, featuring songs currently on Broadway - "Wouldn't It Be Loverly" from My Fair Lady, "Why Can't You Behave?" from Kiss Me Kate, and "Oh, What a Beautiful Mornin'" from Oklahoma! - in addition to unexpected choices like "Real Live Girl" from Little Me and "I Won't Grow Up" from Peter Pan. On "Stage Door Johnny", Miller uses jazzy arrangements, humor, even country music inflections to spice up the mix and create what he wryly calls "Quaalude Funk." The album seeks to remind Broadway fans just how versatile the genre is, and how well the songs stand up to new arrangements. Even those who feel predisposed to not like theater music might find themselves humming along to the tunes. On this episode, John shares his one way ticket to Bossa Nova's early formative years in Brazil. He also talks about opening night on Broadway, offers advice for musicians, and recalls one particularly memorable concert performing with Frank Sinatra at Carnegie Hall. John is just one of the dynamic guests featured on The One Way Ticket Show, where Host Steven Shalowitz explores with his guests where they would go if given a one way ticket, no coming back! Destinations may be in the past, present, future, real, imaginary or a state of mind. Steven's guests have included: Nobel Peace Prize Winner, President Jose Ramos-Horta; Legendary Talk Show Host, Dick Cavett; Law Professor, Alan Dershowitz; Fashion Expert, Tim Gunn; Broadcast Legend, Charles Osgood; International Rescue Committee President & CEO, David Miliband; Playwright, David Henry Hwang; Journalist-Humorist-Actor, Mo Rocca; SkyBridge Capital Founder & Co-Managing Partner, Anthony Scaramucci; Abercrombie & Kent Founder, Geoffrey Kent; Travel Expert, Pauline Frommer, as well as leading photographers, artists, chefs, writers, intellectuals and more.

We all know that choices have consequences. But have you stopped to think about the different types of consequences? And are consequences purely a negative thing? Creative Arts and Music Coordinator of Shiloh, Nicole Weatherly, joins Aaron and Brolin to discuss wisdom and consequences.

Wayne Leechford, Music Director at DPAC, is responsible for hiring all of the musicians when concerts, comedy shows, or Broadway tours need them. And sometimes he gets to play in the shows too! Find out how it all works - what shows usually bring their own musicians, how long the contract musicians at DPAC have to learn the music, how many instruments they typically play, what the coolest show Wayne has ever played was, and so much more! Wayne Leechford, Music Coordinator at DPAC (Find out more about Wayne at WayneLeechford.com) Tickets for all of our shows are available at DPACnc.com, Ticketmaster, or the Blue Cross NC Ticket Center at DPAC. DPAC is the Durham Performing Arts Center, located in the American Tobacco Historic District of downtown Durham, North Carolina, right by the Durham Bulls Athletic Park and within walking distance of incredible hotels, restaurants, and more.  Our theatre has 2,700 seats and we host over 200 events a year. From Broadway shows, to concerts, comedy, family shows, and more – there’s something for everyone at DPAC.  With everything that’s going on here, we thought it was time to take you backstage at DPAC! This show is hosted by Taylor Zansberg, and produced by Jason Gillikin for Earfluence.

Nicole Weatherly, Creative Arts & Music Coordinator here at Shiloh Hills Fellowship, joins Aaron and Brolin as they discuss if it is okay to doubt God at times.

Nicole Weatherly, Creative Arts & Music Coordinator here at Shiloh Hills Fellowship, joins us to discuss the difficult aspects of pain, suffering, and grief as we ask the question, "Why does God allow bad things to happen?".

Nicole Weatherly, Creative Arts & Music Coordinator here at Shiloh Hills Fellowship, joins us to dig into how looking, listening and loving are essentials to walking in a manner worthy of the calling of God.

At 94 years old, Tony Award winner Seymour Red Press is one of the most beloved artists working on Broadway. As a music coordinator, Seymour has helped bring to life such musicals as Dreamgirls, Nine, Once on this Island, The Light in the Piazza, Shuffle Along, Bright Star and the revivals of Gypsy, Anything Goes, Carousel, and so many more! Seymour pulls back the curtain on his career to discuss how he became a side man to Benny Goodman and Tommy Dorsey, what it was like to duet with Patti LuPone, and why a little pressure got him the best bands at the Palace! Also, Seymour shines the spotlight on Jule Styne, Elvis Presley, and John Kander! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4

Every Wednesday experience the unlocking of secrets to success, how to handle the worst and the best life throws at you. Get past The Pretty; the glitz and the glam that many see on social media. The Ugly; the bedrock beginnings and hard times that are difficult that make you question your path. The Grind; the hustle the sleepless nights that no one sees's which develops The G Code's; life lessons which foster Success. Get ready for The G-Code. Unlocking all Go Getta codes to success. Meet Sean “SDot” Mascoll, this weeks featured Go Getta on The G Code Podcast. No matter what field of entertainment you work in, the one thing that everyone knows is that the lifespan for most people in this line of work is very short, but what makes the difference is one's drive to stay in it and make it all happen. Sean Mascoll a.k.a. Sdot, all around go-to guy is no stranger to hard work. Who knew that when Sdot started working on the street team for one of New York's premier hip-hop radio stations, Hot 97 (WQHT) in 2000, that it would have led him to be one of the most integral people in making SiriusXM Satellite Radio (formally Sirius Satellite Radio), function as Manager of Music Programming Operations.   Sdot's passion to leave his mark in the industry led him to a position in the production department for Hot 97's sister station Kiss FM (now ESPN Radio), while still working for Hot 97's street team in 2001. Realizing that in order for him to really make it all work, Sdot left the street team to focus on commercial production in 2002 for Emmis Communication's top three New York stations: Hot 97, 98.7 Kiss, and CD 101.9. At this point, Sdot was labeled “The Hardest Working Man in Radio” due to his motivation to really learn it all. In 2003, he was recruited to work on the “Star and Buck Wild” morning show (Hot 97) as one of the morning producers and continued on morning show production for over two years, working with Sway (MTV/SiriusXM), Joe Budden (popular rap artist/reality star), and Miss Jones (air personality). “Working morning radio was definitely an experience. I was able to work with a great staff and was able to build as a person and professional,” states Sdot. The word about his work ethic spread and in 2005, Sdot returned to commercial production where he was then approached by Reggie Hawkins who he previously worked with at Hot 97, to work for Sirius Shade 45 as a board-op for all mix shows. Still pulling hours for both commercial and satellite radio, Sdot realized the possibilities at Sirius and left commercial radio in late 2005. He came on board with Sirius Satellite Radio producing live mix shows and as a Music Coordinator working on different stations. Since then, after overcoming a few ups and downs within the radio industry and working in both talk and music radio, Sdot is currently Program Director of SiriusXM FLY (uncensored Hip Hop and RnB from the 90s and 2000s) and Manager Music Programming Operations. Some of his duties include, but not limited to the hiring of interns, part & full-time employees, creating work schedules for staff, approving timesheets, providing additional personnel support for employees, and maintaining the day-to-day operations of SiriusXM FLY. “Working at SiriusXM Satellite Radio really has been thus far the monumental point in my radio career. I think it’s such a learning experience that early in my career, I have the opportunity to be exposed to such an array of music genres and be in a position of leadership” says the mild manner Mr. Mascoll, “It’s great that one moment I’m in the studio with Boyz II Men, half hour later I’m in programming meetings”.   Making sure that listeners get their daily music fix is this magic man's forte. “A lot of people are closed minded when it comes to different kinds of music…not me! I have no problem contributing to our hip hop stations and then turning right around, and doing a live broadcast on one of our rock channels. Go figure, this Brooklyn native was so into rock?   With a diverse background, Sdot doesn't see knowing different genres of music as a problem, but as something new to learn while his career stock rises…fast! “When I tell people what I do and the channels I work on, I get mix reactions. They don’t understand how a person that's so into “hip hop” can sit for hours at a time and listen to artists like Frankie Lymon, Beres Hammond, or even a rock band like Matchbox Twenty…I tell them “change, brings freshness!”   Sdot has certainly come a long way since his humble beginnings on the street team. God and passion wakes him up every day to make Good Radio. His ability to not take “NO” for an answer, his determination, and focus will take him far. Follow him on instagram (@sdotgoodradio) and take a look into his world!   Check out The G-Code Weekly With ADRI.V The Go Getta for a dope motivational message and meetings with featured Go Getta's as they give you the G Codes to Success. Get to know The Pretty, The Ugly, The Grind of Success. Listen to The G-Code Here!

DJFolami, a native of New York City, parlayed a love of music into learning the mechanisms of record labels and talent buying. She also found a proclivity nurturing and curating parties, and finally, DJ'ing. During her time in NYC, she also found a passion for (and excels at) producing soundscapes for fashion shows and special events. Relocating to Aspen, CO spawned a new world of music curation. For over a decade, DJFolami was the Music Coordinator at the Caribou Club and also enjoys opening for a variety of artists at the Belly Up Aspen, a boutique live music venue voted by Rolling Stone Magazine as one of America's Best Live Music Clubs. She also travels internationally to cities such as Paris and Madrid to play shows. You can learn more about her at www.djfolami.com and follow her on Soundcloud and Mixcloud at DJFolami. Find Laura at www.laurapowers.net, on Facebook @thatlaurapowers, on twitter @thatlaurapowers, and on instagram at laurapowers44.