Podcasts about Richie Cunningham

Today on America in the Morning   Trump & Netanyahu Meet President Trump welcomed Israeli Prime Minister Benjamin Netanyahu to the White House for a visit, the first by a world leader since the president announced his new tariffs. John Stolnis has a recap from Washington of the conversation that included tariffs, Gaza, and Iran.     Latest On Tariffs Wall Street and markets around the world continue to react to the tariff orders of President Trump. There's also reaction on Capitol Hill, where a group of bipartisan senators want a say in enacting tariffs.    Doomsday Mom's Next Trial The latest murder trial of the so-called Doomsday Mom began in an Arizona court, where Lori Vallow Daybell is representing herself. Following the story is correspondent Bob Brown.     Dodgers To The White House The latest honor for the baseball World Series champion Los Angeles Dodgers was a visit to the White House.  Washington correspondent Sagar Meghani reports.    SCOTUS Order On Maryland Deportation Case Chief Justice John Roberts agreed to pause a midnight deadline for the Trump administration to return a Maryland man deported by mistake to a notorious prison in El Salvador. Correspondent Ed Donahue has details.    Latest On North Carolina Supreme Court Case The North Carolina Supreme Court temporarily blocked a lower court ruling that would have required that more than 65,000 votes cast in the disputed 2024 state Supreme Court race be recounted and verified.       Wall Street & Congress React To Tariffs It was a whipsaw ride on Wall Street to start the week with worldwide worries about President Trump's tariff plans, and new additional penalties for China after the Chinese leadership ordered retaliatory tariffs against the US. Washington correspondent Sagar Meghani reports.     Trump Announces Iran Meetings As the world deals with President Trump's latest moves on tariffs, there was a bombshell announcement regarding a major diplomatic development. The President says the U.S. will hold ‘direct' talks with Iran on its nuclear program. Details from correspondent Rich Johnson.    Weather Death Toll Rises Days of relentless heavy rain led to flash flooding, and combined with tornadoes ripped through the Midwest and the South, as the death toll rises from the storms and stories of horror from Kentucky. The latest from correspondent Julie Walker.     Proxy Compromise Speaker Mike Johnson and Florida GOP Congresswoman Anna Paulina Luna say they have cut a deal to end the fight over proxy voting for new parents, which would reopen the House floor after nearly a week of legislative paralysis. Sue Aller has details.    Maine Sues Trump Administration The state of Maine announced it is suing the Trump administration to try to stop the government from freezing federal money in the wake of a dispute over transgender athletes in sports.       HHS Plans For Flouride Dentists may have a hard time with this, but there are reports out of the Department of Health and Human Services that the days of having fluoride in your water may be numbered. Lisa Dwyer has details.     Finally   He provided both the explosive percussion on hits like “Call Me” and the laid-back rhythm on the reggae-influenced “The Tide Is High.” Clem Burke, the versatile drummer for 70's punk-disco-rock group Blondie passed away.     It was a reunion 50 years in the making for the Fonz, Richie Cunningham, Ralph and Potsie. Kevin Carr reports on the recent Happy Days reunion. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode we're diverting from the usual Satan in the White House formula. We won't be talking about all the people who have claimed Donald Trump is the antichrist. But rather we're tackling the people who have claimed he is the chosen one.There are cameo guest star appearances from Texas, Secretary of Energy, Rick Perry, Republican Party, Fox News, Africa, Sarah Huckabee Sanders, Michele Bachman, Israel, Gaza, Assassins Creed, Palestine, Black Lives Matter, The Salt Lake Tribune, Pentecostals, Billy Graham Evangelistic Association, Vladimir Putin, Franklin Graham, Lance Wallnau, God's Chaos Candidate, POTUS Shield, Melania Trump, Florida, Mark Taylor, DARPA, Jesus Christ, Mar a Lago, YHWH, Liberty University, Thomas Matthew Crooks, Pennsylvania, South Carolina, Tim Scott, Republican National Convention, Wayne Allen Root, Newsmax TV, Bill O'Reilly, Joe Rogan, China, Celebrity Apprentice, The Apprentice, Scott Baio, Joanie Loves Chachi, Happy Days and Richie Cunningham.  #666 #SketchComedy #Sketch #Comedy #Sketch Comedy #Atheist #Science #History #Atheism #Antitheist #ConspiracyTheory #Conspiracy #Conspiracies #Sceptical #Scepticism #Mythology #Religion #Devil #Satan #Satanism #Satanist #Skeptic #Debunk #Illuminati #SatanIsMySuperhero #Podcast #funny #sketch #skit #comedy #comedyshow #comedyskits #HeavyMetal #weird #RomanEmpire #Rome #AncientRome #Romans #RomanEmperor  666, SketchComedy, Sketch, Comedy, Sketch Comedy, Atheist, Science, History, Atheism, Antitheist, Conspiracy Theory, Conspiracy, Conspiracies, Sceptical, Scepticism, Mythology, Religion, Devil, Satan, Satanism, Satanist, Skeptic, Debunk, Illuminati, Heavy Metal, weird, Roman Empire, Rome, Romans, Roman Emperor, SatanIsMySuperhero,  

“Kate was able to go off script. Then I found I could go with her. Pretty soon we're doing stuff that is not on the written page. That's where we found the little ‘in-between' moments.”  - Bruce BoxleitnerSusan and Sharon are so excited to talk with the star of one of their favorite 80s TV shows of all time -- Bruce Boxleitner from Scarecrow & Mrs. King!  Bruce's television career started way back in 1973 with an appearance on The Mary Tyler Moore Show. He has since appeared in over 100 films and TV shows including Gunsmoke, Baretta, Police Woman, Hawaii 5-0, Babylon 5, Crossing Jordan, Commander in Chief, American Dad, Cold Case, Heroes, Chuck, NCIS, Supergirl, The Orville, When Calls The Heart, How The West Was Won, Bring ‘Em Back Alive, The Gambler and Tron.In Part One of this two-part interview, Bruce reflects on getting the role of Lee Stetson, working with Kate Jackson and the cast of Scarecrow & Mrs. King and filming some of the show's most memorable episodes during the summer of 1984 in Europe.THE CONVERSATIONGETTING THE SHOW: "I was in a daze. I ended up on the roof... The security guard down below: 'What are you doing up there?' 'I don't know!'"UN-“HAPPY DAYS”: How Bring ‘Em Back Alive fought a losing battle on Tuesday nights against Richie Cunningham and the Fonz… But how it led to Bruce's most famous TV role of all time!CALLING ALL SPIES: What was it like auditioning with Kate Jackson -- in front of the same executives that just cancelled his last show?On Mel Stuart: “He was the best. I miss him so much. He made me laugh more than anyone I've ever worked with.”THE OLD CAR: Driving that '63 Porsche Speedster around Washington, D.C. during the pilot: “It died after every take.”THE NEW CAR: a 1984 Corvette: “It fit me like a pair of fiberglass pants.”Gary Davis -- Bruce's secret stunt double -- did all Lee Stetson's stunts, and doubled for Bruce more times than you might think.NOT TOO MANY GUNFIGHTS AT 8PM: The Scarecrow editors assembled a gag reel of all the times top agent Lee Stetson lost his gun.SAVING MS. SMITH: While filming in Munich, Bruce and Martha Smith walked into the wrong punk bar. Bruce got her out -- but only after throwing some Stetson-style punches!Working in the Alps and in Amanda's house with Jean Stapleton -- “I wish she could have done more episodes.”One of Bruce's favorite episodes? S2; EP1 “To Catch a Mongoose”S2; EP21: “Burn Out” -- and the scene where Lee slaps Amanda. How did that feel for Kate -- and Bruce?So, join Susan and Sharon -- and Bruce -- as they talk Beverly Garland, James Garner, quirky humor, Scotland Yard, Lee Stetson's wardrobe, “When should we kiss?”  -- and what happened the day Moonlighting premiered!Make sure to join us NEXT EPISODE for Part Two of our conversation with Bruce Boxleitner!AUDIO-OGRAPHYFind out more about Bruce Boxleitner at Facebook.com Follow him at Instagram.com/BoxleitnerBruceCatch him on Cameo at Cameo.com/BoxleitnerBruceWatch S2, Ep. 21: Burn out on TubiRead the NY Times review of Bruce's 1973 Broadway play debut, Status Quo Vadis. And guess who else was in the cast? (Hint: Sam from Cheers!)   CONNECTVisit 80sTVLadies.com for transcripts.Sign up for the 80s TV Ladies mailing list.Support us and get ad-free episodes on PATREON.VOTEWe're a 2024 Podcast Award Winner! We WON for Best Film & TV. Thank you Podcast Awards!REMEMBER: Register or Check your US Election Registration at Vote.orgMake a plan to Vote. Check out Ballot Ready.This year is the 45th anniversary of President Carter's Crisis of Confidence speech. Read Susan's new play about the speech and the confidence it takes to be president in challenging times: Confidence (and the Speech) at Broadway Licensing.

Most Christian single women and men we surveyed feel that many girls seem to prefer to date “bad guys”. Yup, hands down most single girls (Christians included) would rather date Jack Sparrow, the pirate, than Richie Cunningham, the Happy Days all-around good guy. ? One depressed single Christian guy (I’m assuming he’s a good one) lamented: “I just don’t get it. Here I am, a sensitive, passionate Christian with a caring heart and a good job, but I can’t find […] The post Christian Single Girls Who Date Bad Guys appeared first on Christian Singles Advice | Christian Dating Advice Tips. Related posts: 10 Things Christian Guys Do That Girls Love Dating Tips for Shy Guys How Not to Attract a Single Guy What Christian Single Girls Want in a Guy What Christian Single Guys Need in a Wife

Hey you! Yeah you! Don't be a Bozo!Check out the Crispy Coated Robots episode on Best Clowns in Movies and TV!You'll find out...Which clown Richie Cunningham saw naked...Why Jason prefers clowns that smoke...Which magician's clown name was also slang for urination...Why Joseph chose to nominate a controversial Doork...Why Jim loves Jerry's worst/best movie...How "TV Magic Cards" got so popular in the 70's...Why Willard Scott wore a paper cup on his nose...And much, much more!  Which buffoons will make the top five list for the future?! Listen in for some serious clown talk with CCR!

Nuovo progetto discografico di Daniele Cobianchi: Ceo di una grande azienda della pubblicità, torna al suo primo amore, la musica. Ep e singolo si intitolano Richie Cunningham.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

{Happy Days} / [A Tie That Binds] [As Seen On TV] / I _ NY (I Love New York) New Albums Coming Soon Love , -Ū. I SAID I LOVE YOU! I AMBER HEARD YOU —YEAH, WELL, YOU COURTNEY LOVED HIM! No guilt trips. Brooklyn, I don't give a shit about you blond bitches Ya'll is crooked as fuck Fast walking trying to pass me That's alright; I can write A whole album in 45 minutes So pay attention I should be booking shows I'm stuck at the stove With no furniture No money to blow Blowing bubbles in the tub Wondering how the fuck I'm supposed to run With no protein I'm so hungry Carbohydrates can't harm nobody Less you're a wanna be All my demons skinny as can be And still eating Still scrolling on social media like “Fuck it “ I don't owe nobody nothing I don't want nobody, actually All of these guys find me ugly Just wait till it's me on the Tv I'll have them all Take me to the future again I been in this bed for six days Just going blank slate [Slate Your Name, Please] A monocle, A synagogue, a musical, and a monologue Let's log it all on the podcast and make it a montage, Shall we, or shall we not? SAGAL: CUT. I'm not that dead, man I been praying for him and his family Can't get her name out of my head, that one These are oceans, planets and oceans I can write a whole album In 45 minutes Might need a jacket I die when the wind blows If it gets colder I fit the mold, huh? I'm not worried about a snowman Till it gets frozen Bring the hoes in Dirty dozen donuts Something says “you were chosen” Another stroller I don't even want to go there My life is over I got your number I never ever want to grow here on my Nowhere I'm sober I'm so bare I'm so Bearr [censored] I never wanted the impossible thought form I never wanted to forgot where I come from I never won an award for nothing I don't want no man I don't want no friends I don't want it no more It's a war here I'm no racist, promise I'm just informing ya Compromises and honor rolls Sometimes you take two doses Sometimes you're a bulldozier And hozier don't know shit Satan can't do shit but sit there Cause Ain't nobody in that body Just the lack of where I am is I am is I don't really need nobody Cause soon as I got him He gon want some body That's not me That's the problem Another oracle Another blonde with no Nothing between the thighs, I shot him right between the eyes I been crying and trying days and nights To be right there Be right there He really like a nightmare Yeah. He really like a nightmare Yeah. He really like a nightmare A whole frightening ass— Lights up, Curtains open quiet on stage Hold backstage Quick change I just want to walk into buffalo exchange like Here, take this; I'll take 5 orders or your best chicken, And just wait for this literal genius to be like “Uh—we don't have chicken here” Sorry, I just assumed with buffalo Walked in with nothing, No clothes Just a really old guy holding my hand like “I'll buy this” Thanks, gramps That's my man Thanks lion, That's my Maine. Now, what's my name? Manhattan. Why all the white supremacists mad? They're just like that I spin backwards trying to die Cause I can't catch a white man That's big ass fish I just got my dick stroked, you know This one and that one, he says Swerve, I'm all in my mainstream All in my I can't take it I just had a big ass stroke, you know I been smelling cornbread— Nope, That's the oven I love it Here's my language: Jesus, save us There she is— Another television envious of sentientness You know This is the sweetness of success Without the sweat in it I put a letter out in public to Letterman and Conan Before of course I realized, I just might be writing to dead men And that's what death is Debt That's what death is When Johnny Depp is your best friend And everything and everyone else is indifferent And the dishes have just been Like that In the sink, Like the rest of the trinkets Now let that sink in Or synchronize in synchronized Fuck it (I'll keep drinking/ Thinking) I'll never be a Never be a Whatever this bitch is I never loved him Never loved him Never loved another's husband Never remembered anyway, what the password was When the last world ended My eyes got brown as my skin is I miss him Dinner and wine, then I kissed him In a different dimension Now it's just Not worth mentioning It's so funny. I don't want Nothing no more Not a dog Not a baby That's a death wish I don't want a friend in the world Besides my best friend I only talk to my mother over Divorce papers and turntables I been battling Satan I'm just the saddest thing that ever happened (Finally, a hook in this bitch) I'm just the saddest thing that ever happened Next to Johnny Carson, that is, you know Leno, Subliminal messages And infinite women I'm just the saddest thing that ever happened Since Patrick the predecessor This is just a precursor to Esha The successor The success story starts When starr's shaman curse is over Where will I ever find a four leaf clover Or a lover in Manhattan or new York at all, mom?!? I must be a dead man walking I'm the saddest thing that ever happened I got my name on the dollar bill Now the face of the phases is coming The worst thing that ever happened A dead man walking Green means go The whole world is color coded My heart is swollen And I just want to go home My throne is Not my apartment With the darkness sets in Regrets starts sending me electromagnetic messages I could honest to God Not give a fuck If a bus or a truck Just hit me It's been a year and some months in this city And I have a whole studio But my humor loud is still shitty I love this city But miss decency These immigrants just don't know how to act Too many levels and synchronicities to this thing Too many levels of infinite television figures Way too many people giving me attention Way too many Dollar signs on mattresses, Too many mad maxes and mad hatters Too many beautiful black man ‘s with manners I just wonder why I can't find them attractive Satan holds the door open The world war's starting I don't want no problems, I just blow bubbles, dory, like It was horrible, Touching the face of the sun And then Vanishing like that It's impossible, Now I've got piglets and players And nice hats With sliced cabbage If I back track To mice and men My sandwhich is just as Tight as ever, Last I checked Lesson learned, I said Don't touch that But I pressed the easy button Twice since lunch Fuck I might have fucked up somewhere Getting drunk with the undercover Who doesn't know nothing according To the blowjobs i showed him No man And no friends No dog And no kids No sodom and gamora With long hair I'm the whore of babylon, underling Do you know this? Do you notice me? Coming over with no hair In the clear As if I would still feel the same Like next year I can't hear it It's encouragement Take a long dive Off a short pier! It's the wrong hearing I got no charges out on the open I just won't be starting fires under Bridges As long as there's water running Which I should be, But life's not funny And something haunting me, I got problems with God Probably a prophet, apostle or something With black skin and a hanging stomach I never ever had love again? That does it I'm over this whole world, Fuck it I want another husband Who doesn't have occulars at all, then Dead man walkin I'm dead man walking I'm so sick of talking And motorcycles and hotrods stalking my apartment But nothing I do or say quite matters Like the latest cake album Cause fame does fuck up the Love game And the other ones That's the whole world, now Nothing but monopoly to dumb Gods I'm just sucking my thumb, nodding like Fuck my heart is open I want to throw up, and this whole ass Borough smells like vomit And dog piss! I just want to be be as tall or as small as hot is, But this plot shit Is getting thinner Like I should be but it's getting closer to dinner And this ugly ex husband Keeps costing me money It's fucked up But I don't want nothing but Some fucking vanilla Hagen das! I want a dog, But money is a fuckin problem, All I know is The more I want something The farher away it is all from coming I need alcohol in my stomach And my hearts erupting with love, or something I should probably pick up a Book of Mormon before Sunday Cause my God ain't moving me Up from this apartment You started it I planted the seed, Then they put water on it Gues I'm growing Up Everything sucks Especially my birthday But the worst day Was earth day I'm famous But my net worth And network Ain't working I am way way higher than the fourth floor I'm in 4 4 time In the forth world Wake up, It's the fourth world war Wake up It's the fourth world war Wherefore art thou iPhones ? I don't want them at my shows Turn them off They're turning your mind Psycho Psychosis is this I got flows I slept four hours Been up more Guess what That means Time froze I'm exposing this guy like Fandoms We worshiping icons And idols Lifeless models And guy drones I send cyclones My way My eyes light up I don't like hoes I take midol All night Just to fight bros I get drunk I'm live at 9 Alright tho Alright I'm up all night I spilled my blood Like a tampon Now I'm on Icon Todrick That's hot Alright I put my sweat and tears in it Cause I ain't hearing shit If it's just mustache, man No beard in it? That's weird I'm still here Waiting for Cher to appear Like “Fuck. Did I miss it?” I must be Sonny Or somebody Cause I'm dead Oops Apple tree Johnny Come after me Johnny come lately Or something was up With the other dimensions This suit is is interesting I got a Ron burgundy one I got records for days in my Daisy I got Niggas on niggas on niggas And witches on sticks No brooms They on zoom calls In messy ass rooms Fuck that How can I be your only fan If you don't need a man And the price goes up When I get what I wanted I take screenshots And then I move on Pornhub is still free hun Fucking—dumb bitch You're dumbo; Remember me? No I meant Brooklyn! Just keeping the peace I'm Christopher Columbus But Columbine on columbians I like a genocide Once or twice every Generation Reprogram the Asians To be human again Someone save them Reprogram the masses To react to Something other than Reactions I should redact this All of a sudden, I'm sick to my stomach I've been stuck for days like this Stuck, and just suffering Death wishes, all in these documents Death wishes Death wishes— Things that I've written, but shouldn't have I'm losing you, aren't I? I'm losing myself, really, I might die from this It is a crime to write this I dot my is any cross my t'a Grit my teeth and fingers That my tribe doesn't find this It is ridiculous, It's ridiculous; these documents Death wishes, telepaths And televisions What's the difference in This, And the encryption of it I can't reach out; I know better than even to look I just can't ask…. You're just a page upon my book I was never the one To test the task at hand The safest bet I'll just stay here With a pillow under my head So near the latest terrorist attack Likeness is what it attracts So I can't look back in bed On back to back How bad we bled Or often we bled out What's happened? A head in the clouds And i can't think straight It's a canon camera A keystone cast, A comic drama A cosmic someone Who just went backwards . . . Breaking down the walls It's always Lennon who hold the candle On walks with God, on the other side Of the art of death A long lost lover I never thought of Or just can't think To hold together When it never rains in ever land December's where I left her Hold my hand Or love me harder Don't look twice Or once more after Never close the door The chapter coming next Is love and laughter in never happened Can a happenstance look after A restless toddler Another walk with God, John holds the candle, Dad holds all the cradle to my heart And I want nothing but to run Something something something Something something this way comes —the attack on the heart worked For the sake of the art, it hurts, And it beats like a drum Of course it does Cause Something something something Never comes Sunday's almost over, Over once it comes Another lover, someone's husband Better not to God, The Judge had hung her verdict on the cross How are ‘What have yous' and ‘Who does that's for besides A pungeant conversation starter Just to cover up the odor Of cedar smoke and Dove deodorant, Pesticides And raw Hyde dog chews I thought “Who are you” Far too often Of the cosmos, But, the color of love hit my lungs At the tip of my tongue in a shade of Blue Who is it? Sister, sister Mister brother Doctor, Doctor Teacher, I am you. (So here's what to do with it) Call you up to the 212 My heart won't stop thumping I've had much coffee, Something, just probably lust is Welling up in my safe deposit box All I wanted was just enough evidence To go to heaven with something to show for all this Go for broke, or superstardom Don't you know that all you are is —stardust? I sleep with the lights on Clutching my stones The false shaman Haunts me from another time zone He won't leave me alone Until I throw myself off a roof Or in front a train Trying to drain me of my Brain and free agency Free gateway Read the gallery; So much flattery happened to have had me at Fallacies laughing at everyone else But the flatlined hack I hate being black when I'm fat And I've never had flat where my abs are Or my ass is Who sang the guitar a short song I hope imm wrong for the trophy I'm full grown, but only ¾ cups Of the measurements I'm sure heaven sent To picture infinite in A different integer (Sure.) For certain, it was just words Worth the wordforms to armor with curtains Just to give earth back her Metamorphosis The more I resist, however The more the world wants in It sure hurts so it must hurt more To become what you are but worse In the wake of a war When you wake up a heart That was already broken I put your mantras on bus stops And calmly enforced all the karma coming for The ones who harm me So what for, besides the war, are you working for If circles are drawn into Pentecostals And crosses alter your Munchausen syndrome If god wills it to be so, then it will be so; If God does not, then it must not be. And so it is, and so I am. Amen Make Antigone's monologue into a song I'm old New York Sippin soda through a straw I seen it all, Technology come up, Like the sun does Our side first, Ahead of the times I'm old New York I'm the New York Times These subway ads are fucking wild. The wibway is wild in itself Which is why I guess there's an ad that says “Don't be someone's subway story, Which is why, as a writer, I'm like; No; DO: Do be my subway story— And if it's good enough, You'll be a joke in my comedy routine Or If you're even more lucky, And I find you hilarious, I might just put you in a song I will turn my headphones all the way off To make an audio recording If you being hilarious— Read: obnoxious, Somewhat ghetto, or just slightly off-putting, but like, loud about it. Someone's acting up and it doesn't make me wanna actually slit my wrists, I'm like “Yeah!” Do that PLEASE. Do it LOUDER. But man, the subway is wild sometimes Like, the real jungle. I was on my way to an interview, And the trains were backed up, it was rush hour, so like, the whole train of people was like rushing, like running for the train— And this whole group of people coming off the train that were about to leave were like, in the way— And people were like, running around people, rushing around, it was like total chaos, and this dude in front of me—it was a black dude, he like straight up line backed this dude—luckily not onto the tracks, cause we were all like along that fucking yellow line, between the tracks— Sorry, for those of you dumb enough to actually live in the city and drive and have never seen the subway— There's this yellow line that says : do not cross this line, in front of the tracks— DO NOT CROSS. It everybody does because, you know Mass transit So anyway, We're all walking this line, Like running for this train, And this dude, this subway fucking hero Sees the doors about to close, And fucking linebacks this dude, just HUH, but at the same time moving him safely out of the way There's a poster I straight up stand by, it Jon daily must be a fucking beast. I saw his ad for his show, That shit start watching me like the Mona Lisa. I was like, On God, I walked like 2 more ads, And still felt like his eyes were following me— never turn around, so I pivot— I pivot and change directions, And I go back to look at this poster, You know, To make sure it's — His name is Malakai. Oh—that's it. Don't mistake my kindness work weakness. [ESHA pours nearly an entire bottle of AMSTERDAM coconut vodka down the kitchen sink] No hard stuff. That was for me. not in the house. It's a townhouse. It's my townhouse. I'm not arguing. Yes you are—there's some red wine in the [he's already found it, and is pouring himself a glass] Perfect. Now lastly, Do you have any pants? I have pants; I just don't wear them. Well, wear them. What. For what. My daughter has a key and she stops by sometimes without calling. That sounds awful. You have two of your own daughters. Actually, one; Olivia wants to be Oliver. That's uncomfortable— Actually, it's awesome. I almost like her more now. Glad you're taking it well. That's why the vodka. The wine should do. Hey, let me in. What the fuck do you want? Tales of A Superstar DJ My sexual appetite wa insatiable, and yet–I ddn't really want anybody–not that it mattered, as was for the most part, unavailable, entirely, anyway, closing an open heart before it turned into a bleeding wouldn which could not be mended–of course, the cause of my eventual death. Then, I was doing much more than nothing at all, and still being looked after in some way, and all that I wanted anyway, was love–which no man at all seemd to actually have for me. A woman, I had learned, is not much worth but by her body. Fake smiles, as the live camera rolls Fake smokes, for the folks at home From now on, it's all lights and cameras Too much action, actually Too many fountains [A delivery arrives at the warehouse] VICTOR What's this? PATRICK A pillow top mattress. VICTOR It's big. PATRICK It better be. VICTOR It looks nice: PATRICK Let's open it. he produces a box cutter from his left pocket. [after opening the box, Patrick, Victor, and Sutton stand around the mattress in a triangular formation.] SUTTON This is mad nice. VICTOR Nicer than any bed I've ever owned. PATRICK takes a long draw off of his cigarette PATRICK Really? Hm. [he produces a knife from its holster and tears into the edge of the mattress] VICTOR YOOOOOOOOOOOOOOOOOOOOOO. SUTTON shrugs. PATRICK cuts a deep exposure into the center of the mattress, pulling back the layers of foam, creating a pocket in its center.] PATRICK Perfect. {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū. From Wikipedia Happy Days is an American television sitcomthat aired first-run on the ABC network from January 15, 1974, to July 19, 1984, with a total of 255 half-hour episodes spanning 11 seasons. Created by Garry Marshall, it was one of the most successful series of the 1970s. The series presented an idealized vision of life in the 1950s and early 1960s Midwestern United States, and it starred Ron Howard as Richie Cunningham, Henry Winkler as his friend Fonzie, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] {Enter The Multiverse} [The Festival Project.™] COPYRIGHT © THE FESTIVAL PROJECT 2019-2024 | THE COMPLEX COLLECTIVE. © ALL RIGHTS RESERVED. © -Ū.

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. Il conflitto in Medio Oriente, Macron in Germania, la corruzione in Liguria. Spazio Starbene. Si avvicina l'estate e iniziamo a parlare di dieta! Ma anche di regimi alimentari più in generale. In diretta la direttrice di Starbene Francesca Pietra. Il nuovo decreto che introduce una stretta sugli autovelox nelle strade comunali e non solo. Il punto con Emilio Deleidi, collaboratore motori del Corriere della Sera. Don Antonio Mazzi, fondatore della comunità Exodus, regala ogni giorno un pensiero, un suggerimento, una frase agli ascoltatori di RTL 102.5. Tanti gli italiani che iniziano a prenotare, proviamo a fare un punto sui trend dell'estate, le mete più scelte e quelle più abbordabili anche economicamente con Simona Tedesco, direttrice di Dove. Una bella novità musicale che accende i riflettori sul tema del confronto generazionale. Richie Cunningham, un progetto di Daniele Cobianchi. Spazio Attualità. Antonio Padellaro, giornalista e fondatore de Il Fatto Quotidiano, in libreria con "Solo la verità lo giuro" (Edito da Piemme). All'interno di Non Stop News, con Enrico Galletti, Massimo Lo Nigro e Giusi Legrenzi.

Co-Hosts Teri Knight and Mark Taylor are back "DISHING" BOLD AND BEAUTIFUL!! Plus SUPER SUDSY QUESTIONS SEGMENT!! SOAPDISH--BOLD AND BEAUTIFUL AGENDA---May 24, 2024 1) Opening 2) Dr. Finn and Hope have been chatting it up lately. He gave her a back/neck rub in his office to help with her stress.... 3) Deacon and Sheila were going to get married and have it on a California beach.  Hope reluctantly plans to attend and Finn does not.  Finn told Sheila and Steffy he was not attending.  Hope is there with the officiant and Deacon and Sheila. Finn stays for the wedding. 4) Finn ordered a few pizzas from DiGiorno and went to pick them up. It turns out Deacon and Sheila have moved there wedding to DiGiorno. 5) Sheila flips when She sees Finn at DiGiorno and thinks he is there for the wedding.  6) Meanwhile Steffy is at home waiting for Finn (along with the whiner Liam) and she texts Finn wondering what is taking him so long, 7) ACTOR SPOTLIGHT--Clint Howard is Ron Howard's (who played Richie Cunningham and famous Director) brother. He plays the homeless man currently on The Bold and Beautiful. Clint began his career when he was two, appearing in five episodes of The Andy Griffith Show, then starring his older brother Ron.  He played Leon, a toddler in a cowboy outfit who wandered around Mayberry  8) SUPER SUDSY QUESTIONS WiIl Dollar Bill and Poppy reunite or continue their relationship? Will there be a scene made or more surprises at Deacon and Sheila's wedding?  Will Steffy find out about Finn attending Sheila's wedding? If so, how will she? If there is trouble in paradise coming with Finn and Steffy, will Hope be there for Finn and Liam for Steffy?  Will there be issues with the officiant being the Homeless man? 9) Other Comments/Thoughts? 10) Closing --- Support this podcast: https://podcasters.spotify.com/pod/show/mark-taylor20/support

In this week's motivational podcast, Hollywood director and actor Ron Howard remembers quitting his eighth-season tenure as Richie Cunningham on Happy Days to pursue his dream as a filmmaker.

Pro Palestinian Protesters denying access to UCLA encampment, fire fighters, professors, faculty and students. // USC Protesters vandalized school property on campus; including the Tommy Trojan statue // Security Guard shot outside Music Executive Cash Xo's Encino property/ Who's Richie Cunningham? // Monster Bees in toddler's bedroom turns out to be a massive beehive  

In this episode, Nick welcomes film critics Erik Childress and Steve Prokopy to the podcast as they review some new movies including: "Rise of the Beasts" the latest chapter in the "Transformers" series; "Past Lives" a heartbreaking story about 'the love that got away;' the WWII horror movie "Brooklyn 45;" and the origin story of the most popular snack flavor of all time, "Flamin' Hot." Then, Esmeralda Leon joins Nick to fulfill another Magic Megaphone request (involving Richie Cunningham's favorite insult: 'Bucko'), and they talk about some roles that famous actors would love to forget. Included in that conversation is the McDLT commercial featuring a young Jason Alexander (with hair!); "The Devil's Rain," a horror movie in which John Travolta melts into a pile of goo; and "200 Cigarettes," which stars everyone from Paul Rudd to Courtney Love to Kate Hudson to Buster Poindexter. They also chat about Esma's rediscovery of the great TV series, "Homicide: Life on the Streets," and how great Andre Braugher is in it...and how weird it is to watch it on the ancient format of DVD. [EP148]

The very popular situation comedy, “Happy Days” ran for eleven seasons beginning in January 1974 and ending in July 1984. The series was set in Milwaukee, Wisconsin in the 1950's and early 1960's and was centered around teenager, Richie Cunningham (played by Ron Howard), his family and friends, Potsie, Ralph and the local tough guy, Arthur Fonzarelli, known as “The Fonz”. A prominent figure in the Cunningham family was Richie's mom, Mrs. Cunningham, affectionately called “Mrs. C.” played by actress Marion Ross. During those eleven seasons, “Mrs. C.” earned a place in many people's hearts as America's mom. In this episode of Your History Your Story, we will be joined by Marion Ross, who is 94 years young and her son, actor, comedian and impressionist, Jim Meskimen. Marion will share a few stories from her autobiography, “My Days, Happy and Otherwise”. Stories will include her childhood in Minnesota and dreams of becoming an actress, her early career in movies and television and her rise to stardom as “Mrs. C.” on Happy Days. Music: "With Loved Ones" Jay Man Photo(s): Courtesy of Marion Ross Support Your History Your Story: Please consider becoming a Patron or making a one time donation via PayPal. - THANK YOU!!! YHYS Social Links: CLICK HERE YHYS Join our mailing list!: CLICK HERE To purchase Marion Ross' book, "My Days, Happy and Otherwise": https://a.co/d/gq6oX3x #yhys #history #podcast #storytelling #youhaveastorytoo

It's hard to find a person that has never seen Happy Days. This iconic show which represented life in the '50s is easily regarded as one of the most popular shows of the '70s. Set in Milwaukee, WI we meet Richie Cunningham, an all American boy and join him in his day to day interacting with his friends and family. The show was met with moderate success but by its second season was already seeing a dip in the ratings. To counter this the show's creator, Gary Marshall retooled the format a bit focusing on broad comedy and increasing the role of a minor character, a cool biker who went by the name of "Fonzie". These changes quickly turned Happy Days into the number 1 program by the mid '70s. Fonzie became a pop culture phenomenon and became one of the most merchandised characters in television history. Despite the majority of the show's success coming after the seconds season, is there enough in the show's pilot the warrant a green-light? Listen as the boys do a deep dive on Happy Day's pilot episode, "All The Way". www.S1E1POD.com Starring: Ron Howard, Marion Ross, Anson Williams, Tom Bosley, Henry Winkler, Don Most, Gavan O'Herlihy, Erin Moran, & Kathy O'Dare

Rich breaks down the NFL QB carousel and says what the Bears should do with the #1 pick in the upcoming NFL Draft. Emmy Award-winning actor Henry Winkler tells Rich how he reacted watching his new best friend Patrick Mahomes win the Super Bowl, when he'll ever have that long-awaited dinner with the Chiefs' QB, his hilarious reaction to learning of Aaron Rodgers' “darkness retreat,” when we can expect the new season of HBO's ‘Barry' to drop, why the food at SoFi Stadium pales in comparison to the Rams stadium's spectacle, and reveals whatever happened to Richie Cunningham's older brother on ‘Happy Days.' Learn more about your ad choices. Visit podcastchoices.com/adchoices

When it comes to Hollywood careers, Ron Howard is in a class all by himself. Beloved as Opie Taylor on "The Andy Griffith Show" in the 1960s and Richie Cunningham on "Happy Days" in the 1970s, he made his directing debut as a under the watchful eye of trash-cinema luminary Roger Corman with his films going on to cumulatively rack up nine Academy Awards including Best Picture and Best Director for "A Beautiful Mind." Our very own Bruce Miller had the chance to talk to him as he's making the "For Your Consideration" rounds for his movie "Thirteen Lives," a dramatization of the Tham Luang cave rescue, as well as promoting his new book, "The Boys: A Memoir of Hollywood and Family" which he co-authored with his brother, Clint. Also on the show we talk about new releases "Spoiler Alert" (adapted from a memoir where terminal cancer is the tragic twist) and "Violent Night" (a sort of "Home Alone" meets "John Wick"), both of which we think are very good but certainly might not make for the best double feature. Where to watch: Thirteen Lives (Prime Video) Spoiler Alert (Official Website) Violent Night (Official Website) Recent articles by Bruce Miller: 'Amsterdam' isn't the memorable mystery some thought 'George & Tammy' offers a surface look at country legends 'The Fabelmans' is one of the year's best pictures 'The Menu' serves up plenty of attitude -- and deadly surprises Gossip aside, 'Don't Worry Darling' bears watching Kal Penn says Santa Claus may just be the one to bring us together 'She Said' meticulously details the Weinstein case 'Christmas Story Christmas' recalls the original's beats Billy Eichner's 'Bros' is almost as tame as a Hallmark film Follow the show: Apple: https://podcasts.apple.com/us/podcast/streamed-screened/id1497387116 Spotify: https://open.spotify.com/show/28W6TG5TZMsXwWARz6lEu4 Twitter: https://twitter.com/StreamdNScreend Instagram: https://www.instagram.com/streamedandscreened Facebook: https://www.facebook.com/StreamedAndScreened Streamed & Screened is a podcast about movies and TV hosted by Bruce Miller, an entertainment reporter for multiple decades who is now the editor of the Sioux City Journal, Jared McNett, a reporter for the Sioux City Journal, and Chris Lay, the podcast operations manager for Lee Enterprises.See omnystudio.com/listener for privacy information.

Anson Williams grew up in a modest home in Burbank which his WWII-veteran father bought with a VA loan. His idyllic childhood unfolded against the sunshine and particular American optimism of the 1950s and 1960s. So when he and his friend Ron Howard were cast in "Happy Days," Garry Marshall's nostalgic look back at the 1950s, he fit neatly within the 1970s zeitgeist. The show, which ran from 1974 to 1984, made Williams' Potsie Weber, along with Howard's Richie Cunningham, Don Most's Ralph Malph and Henry Winkler's Fonzie, among the best-known characters of the era, viewed each week by nearly 70 million people. Williams soaked up lessons on set from Marshall and Howard and has now amassed 43 credits to date as a director, in addition to his 100+ acting credits. He now lives in Ojai, a place he's been visiting for decades and regards as a haven and sanctuary from the manic pace of the outside world. He's announced his bid for Mayor and is committed to bringing a collaborative, cooperative style to Ojai's pressing issues such as affordable housing, fire and drought threats and a spirit of civic goodwill and trust. We also talked about glider piloting, fishing with Henry Winkler, setting up innovative school programs, Annie Besant and much more. We did not talk about the Shoeless Joe Jackson and Black Sox scandal of 1919, the Haber-Bosch method nor lost metallurgic technologies of the Bronze Age.

Fact: Since 2016, there's no such thing as an authorized “live Beatles record” without Opie's involvement. Sure, “At The Hollywood Bowl” was originally released lo-fi style in 1977, back when Richie Cunningham was chillin' with Potzie, Mrs. C, and the increasingly insane Chachi. But it wasn't until Apple slapped Ron Howard's name on a brand new cover (yuck) that this long-deleted title finally appeared on CD in dramatically improved sound, as a slightly forced tie-in with the “Eight Days A Week” film. So yeah, it was ol' Winthrop (#TheMusicMan #GaryIndiana) who made a Splash with this Gung Ho re-release that's Far and Away the only official live Beatles record. In this episode, Tony and T.J. dive into Giles Martin's stunning remix, on the 45th anniversary of George Martin's original presentation of the legendary '64 and '65 Hollywood Bowl shows. Along the way, these Beautiful Minds Backdraft themselves into other pertinent topics, like:   ☎️ Did the Nerk Twins inspire the Jerk Twins, later known as the Jerky Twins, and ultimately known as G.O.A.T. comedy act The Jerky Boys?  

00:00:00 Molly RauhHello and welcome back to this CCIRA Literacy Conversations podcast. I'm your host Molly Rauh with my co-host Jessica Rickert. Today's podcast features, Marc Tyler Nobleman.00:00:14 Jessica RickertMarc's work centers around writing fiction and nonfiction books for young people, Mark shares how he writes books that grab an interest people will welcome. Mark we're so excited to chat with you tonight. Could you start by telling us a little bit about your background?00:00:34 Marc Tyler NoblemanWell, thanks for having me. And I am very excited to be making my return to CCIRA. It's either my third or my fourth; I can double check that before I get there. So I am an author of books for young people. I've been doing this for most of my adult life. I've written both nonfiction and fiction. My main criteria is I want to write books that grab your attention. I want to tell....If it's nonfiction, I want to tell an Untold Story, or at least what I hope will be an untold story to most readers. And if it's fiction, I just want to surprise you. I wanted to be funny, or just feel fresh to you in some way, and something that you that might grab you just from a quick, quick little glimpse, or a quick initial explanation, not a deep dive. But just I want to grab people right away.00:01:25 Jessica RickertSo when did this start? When did you start writing?00:01:29 Marc Tyler NoblemanWell, same time as everybody when I was a tiny person, but I liked it at the time, unlike a lot of my peers. And so I would write short stories. I know I did that in high school, so that might be the earliest I can say definitively. And in college, I knew I wanted to become some kind of a professional writer. It didn't know what. And I got out of school, and I stumbled into being a children's book author that was not on my agenda. Not that I was against it. I just didn't think of it. And here I am. All these years later, I'm very happy with that. I mean, it's expanded into a variety of types of writing, but that is my that is, my focus really is writing for young people. And and there are adults, their loved ones who are adults, their parents, their teachers.00:02:15 Molly RauhWell, and you and I have already... So people who can't see, he and I share the love of comics. And so I'm kind of curious. One of your more nonfiction stories is about the sort of originally unknown second co-creator of Batman. How did you get into that story?00:02:42 Marc Tyler NoblemanYes.00:02:42 Molly RauhHow do you spell across that? Where does that come from?00:02:45 Marc Tyler NoblemanWell, do we do? Should I explain to who our listeners who Batman is, or do you think they already know? They probably...00:02:53 Molly RauhI hope they know00:02:54 Marc Tyler NoblemanThey probably know. Let's give them that benefit of the doubt. So that is my big story. I will be talking about that in person. I don't want to spill the beans too much on that. But I'll answer your question, which doesn't spill the beans, which is that I was a comic book reader since I was in, again, a tiny person. And back then it wasn't cool. Now it's cool now anyone can do it, now, there's no judgment, but back then it was not exactly mainstream, or, you know, widely accepted. In fact, you know, when I was in, when I was in grade school to high school, I think there were only two or three mainstream superhero movies in that entire 10 or 12 year stretch. Now there's two or three a week, just to put it in perspective. You know, there were the Superman movies. And then at the very end of high school, the Batman movie came out. Those are the main ones. And then there was a couple lesser ones. So it really wasn't something that was, you know, widely accepted. And I, as a as a person who became a writer, I started to pay attention not only to the fictional side, but to who created these characters. And I, I remember that on my 16th birthday. The cover of Time Magazine was Superman's 50th birthday, and it talked about his creators. So I was a sixteen-year-old reading Time magazine in my school library, you know, having an epiphany that yeah, these characters came from somewhere, and I was interested in that. So I don't know exactly when I learned about the story behind Batman, but I know it was not in college. It was after that. Because in college, I proof that I did not know about The Unsung co-creator, because there's not my proudest moment, but I'm just gonna be honest with you, because you're all adults, some of my friends and I would crank call each other each other, not strangers. And this is back in the answering machine days. So our goal was to just fill out the tape. Just talk until we got cut off. So I would just ram- We would all just ramble. You know, I would just pick up a book and start reading. I would tell some story from my childhood. I am. One of the stories I told was this story began Batman, and all I mentioned was Bob Kane, the artist, the man who was credited on Batman at the time, the only person. I didn't mention Bill Finger. So as as late as college, I had never heard of this man who then end up becoming the subject of my most, I think, my most popular book and a huge part of my life, which is, again, a story that I'll tell in great detail at the conference. But you know, just the point being that, you know, you can't, as we I'll say, as adults, and as teachers and Educators can't believe everything you read. Got to look further, you might be even if it's something as huge as Batman, maybe even, especially if it's something as huge as Batman, you've got to know your source. You've got a double check. Make sure you're getting the true story you might be, you know, pulling the wool over your eyes.00:05:39 Molly RauhNow, you just made me more curious. There's no answer.00:05:41 Marc Tyler NoblemanThat's the goal right? 00:05:42 Molly RauhI'm gonna have to come see you at the conference, so I can get more info.00:05:44 Marc Tyler NoblemanPlease, do. That's what I want. I want a big group on a big, huge attendance.00:05:50 Molly RauhOkay, so, thinking more about because, you know, we have teachers here. And so they're trying to inspire their own next generation of authors. In terms of process, how do you go about writing a book? Like what? What steps do you work through?00:06:11 Marc Tyler NoblemanSo if it's fiction, I like to try to sketch out the arc of the story in advance. Now you're not locked in, but it helps me to have guideposts. And when I teach creative writing to kids in the summer and at various times during the year and I always tell them that you, I recommend that you do that, but don't feel beholden to it. You know, if your writing and your story goes in another Direction, that's okay, you're not breaking a law or a rule, but it does help to have that outline, especially, I think, the ending, because I really think with fiction, it's and I think it's important at least it helps me to have some sense of your destination so that you get there and an exciting way. I talk about it with kids by saying, if you know, there's let's say it's a Sunday, and your family is all hanging out, looking for something to do. Someone in your family might say, let's go get ice cream, but you know, we're not going to go straight there. We're going to take the scenic route. Another person might say, let's just get in the car and drive, and who knows where we'll end up. So in one, in case you've got a destination which you might get excited about, and then you take a roundabout way to get there, because that's fun in another, you're excited because you don't know what at all where you're going. So it's just one of the two, but I just prefer knowing that we're going to get ice cream at the end. That's how I like to write that I know that's where we're going. Now with nonfiction. It just starts with just the, the, the, you know, the spark of the electricity running up my spine. I mean, I read something, I hear something that I feel is so enticing and even better again, if it hasn't been done before, and it's own book. So most of my nonfiction in recent years, it's that category. Its if given my know some of the story, of course, but it hasn't been the focus of its own book. And so I love that I love feeling like I'm walking through the forest by myself. No one else is looking for mushrooms or whatever you're foraging for. You're the only one you're going to get all the best spoils. And I also just love the excitement that I see on faces of both kids and adults want to telling a story that that is new for them. So, you know, with all no love loss to Rosa Parks and Babe Ruth. And, you know, any number of other textbook names that get tons of picture books about them all deserve it. Muhammad, Ali. And, well, a lot of the presidents are falling out of favor these days. But, you know, you know who I'm talking to. Ruth Bader Ginsburg. All these people have multiple picture books by now, and they deserve them. But I want to I want to be one of the people that writes about someone that you don't really know. So that, to me, is just it's a little riskier as some some publisher. Some editors don't want to work on books that aren't pre-sold. But for me, it's the only way forward. I just want to be fulfilled by the read, the process. So with fiction, I have to sketch it out a bit with nonfiction. I just have that spark, and I just download as much as I can about the topic. And then I go through and it's fun, because then you go through and pick out the kid-friendly parts. The parts that you know are going to excite kids. It might not be them. You know, the linear story from. I mean, it will be linear when it's done, but, you know, you might be missing big moments that are not appropriate or interesting for kids. You still have to make it, you know, a cohesive whole. So that's finest. Yet. What are the pieces of this that work best for my audience? 00:09:36 Jessica RickertAnd how, like, what resources, do you have "go to" resources when you're researching for those non-fiction books?00:09:45 Marc Tyler NoblemanYeah, I just use Wikipedia exclusively. I basically just rewrite Wikipedia articles and act like its original. Wait. You're going to share this with other people. (Jessica laughs) Good? Yeah. Now, well, because I'm trying to do these stories that are more or less Untold. Oftentimes I can't rely on just the internet or books, because again, there's stuff out there that's never been documented. So a lot of the work I've done has been about people that are either still alive, or people who died recently enough that there are people still alive who knew them. So I get original interviews with those people, and sometimes original documents, you know, private documents letters, or, you know, Vital Records or so on that helped fill in the story, never been published in. If they're on the Internet, it's often because I put them there. Now, after, after I do the book, I put some of the research online share the wealth, and you know, for the next person who might want to write about that. Of course, I do use the internet, and I do use books as well, but I'm more excited about these, you know, these Quests for the things that aren't as easy to find, and sometimes you don't get some anywhere. I mean, right now, I'm working on a book where there are two main true story, two main character, two main figures. They're both still alive. The story happened in the 70s. One of them gave me a lovely two hour interview so far. And the other one I I just reached out today to this person's family, but I've been told, don't expect this person to participate for reasons that will become clear when this, when the topic is revealed, but so I may not get that, but I'm going to carry anyways and just write based on what's already been documented, maybe without family. But again, some of the stuff I've written is by about people that are long dead. So I'm never. There's not any opportunity to talk to those people. So it can be done without talking to the people involved. It's just sweeter for me if I can get their buy-in and get there on, you know, the previously Untold Story. 00:11:43 Molly RauhThinking about just interviewing in general, I know that sometimes that's a challenge to ask kids to do. So, what are some of your tips for reaching out to someone and kind of asking for their time and their story and their information?00:11:59 Marc Tyler NoblemanYeah, well, I wish I was a little kid asking because who said, can say no to a little kid, right? That would that would be an advantage, but I get it. Yeah, it is an important skill, even if you don't become a writer. It's just important to know how to ask questions of other people. being appropriate, but, you know, getting the story, you know, and how to handle people that are difficult or mysterious, or whatever. So that is a great skill. I mean, for kids that are doing that for school, I mean, I did will depend on the assignment. But let's say they don't have a specific number of questions to ask, maybe just start with five something that seems manageable and not overwhelming. And if you can ask them to, don't think of it like an assignment. But think of it like, you're just curious, what do you? What do you? What would you want to know about? Someone kids are not. They're very curious. But, I mean, I have two kids of my own, and sometimes they just don't, you know, the they don't articulate what they want to know, and just they just they give up before they even start. So if you tell them just, you know, think about what something you want to ask someone that you think that person is never talked about, or wouldn't tell you without you asking, or just try to make it a little bit more of a game and a mystery like can you be the one to crack the code? Can you get this person to tell you about his childhood when she never talked about before? I don't know, make it a little bit more of a challenge. I haven't done that specifically with kids, but, you know, working on interview techniques. But you know, you never, you just have to keep trying. If someone's I don't know if I would emphasize this with kids. But when people say no to me, I don't, I don't hear the word no when it comes to asking for an interview that's not talking about other types of consent, but I will keep trying to get the story. And I actually put a bit of a burden on their shoulders saying, you might be the only person who can share this information. So for the you know, for posterity, for scholarship, I hope that you'll you'll talk about it, and that doesn't always work, but I am not gonna let it go without trying. It's just too important. I've had people that have died that I know know interesting things about my topics, but they wouldn't tell me. So I, you know, I don't want I want to limit, mitigate that as much as possible. So basically, like we tell kids, you know, there's no such thing as a dumb question. Ask whatever is of interest to you. 00:14:10 Molly RauhSo a little perseverance is valuable there too. Let's see, there's so so many different directions I could go. So I'm also curious, you know, just about. Obviously comic books have been a passion that informed a couple books. But what are some of your interests outside of writing outside of, you know, that career path that inspire you as a writer, or just help you kind of feel well-rounded and give you that energy and inspiration to keep writing?00:14:52 Marc Tyler NoblemanWell, I mean, it's nothing original to say that I love reading, and I do. And I love running, and I can't say that it has a direct correlation to writing. But there are a lot of people that would compare writing to running because they're both typically solitary. And I also, you know, as a writer, I don't want to be the person of a person who's just at a desk in a room all day, even before covid. I wanted to get out and get some air. And so that that's a happy place for me. I. There's a trail that picks up right around the corner from our house. And it's might like it's like a second home for me to go there and listen to music and not, you know, a lot of people listen to podcasts when they run or commut or all that. But I'm so much with words all the time when I'm working, that when I run, I listen to music. I give myself a chance, because I don't have a commute. I don't drive anywhere everyday guaranteed. So that's my time to just listen to music and relax and get some, some fresh air. And I've actually got a couple book ideas while I've been running; nothing that's sold yet. But I don't know if the running is a help or a hindrance. But yeah, when you're out there, your head clears, and you can think of things and... And I have, as I mentioned, two kids. I love spending time with my family. They're both teenagers now. So it's not always my choice anymore. Spend time with them. I have to be penciled in or well, you know, typed in. And as I mentioned, I love music I love especially 80s music. I could do a whole talk on that, but I don't think anybody would show up. Maybe that's another conference. So those are my things running, music, family.00:16:36 Molly RauhAll right, I get that like running, I think, is I don't know, it's cathartic. It just helps you, you know, I, yeah, I think it's stimulating for ideas. Yeah. So no, no podcast, no words, music only.00:16:51 Marc Tyler NoblemanOkay, yeah, they're, we're a dying breed or so much so much pressure to listen to podcasts these days.00:16:58 Molly RauhI know. Well, I did the podcasting for a while, but even on my commute, I don't listen to podcasts anymore. I do listen to audio books. My commute is for audiobooks. So since you said reading which, you know, you said, not unique, which is true. Every time we talk to authors, they always have books that they love. So what are some of your favorite authors, or favorite books, especially when you were younger, that have kind of led you to have the passion you have for reading and writing?00:17:28 Marc Tyler NoblemanWell, some of these may not be so original either, but Where the Wild Things Are, which each, when I revisited it as an adult, reading it to my own kids, I was really blown away about how beautifully written is. It's not just this memorable visual journey, but the way he wrote it was so so wonderful. And it's only 10 sentences, which is a weird thing to realize as an adult, I love a novel called the mouse in the motorcycle. By Beverly Cleary, who just passed away. I think it was last year. And I loved a book that is not well-known. It's called David and the Phoenix. Have you heard of that? By any chance? It wasn't a big, you know, classic book, although since I've been to, I mean, over the years I've blogged about it and talked about it in various ways. And I know a lot of people come out of the woodwork and say, I totally remember that book. That was a big favorite of mine. But again, it never became a classic. So that was a novel written in 1957 by a man named Edward Ormondroyd, who's still alive at 96 and he's a friend, I guess you could say, I did reach out to him at one point, interview him for my blog. And I met him in person. So that was a really fulfilling moment, to meet someone that inspired me as it, not only as a fan to an author, but as peers. I mean, because I do that now too. And he was very gracious and very interesting, and that he had never met. You'd never done anything that authors today do. He'd never spoken at a conference. He'd never done a book signing. He never did a school visit, they just didn't he his that this book was published in 1957. It wasn't - those things were in all standard at. Certainly not school visits, I would imagine. So that was interesting, meet an author who has a totally different experience as a children's author than I have. So those are three of my favorites as a kid. Yeah, those are three of my favorites.00:19:21 Jessica RickertWhat about for your own books that you've written? Do you have some favorites, both fiction and nonfiction that you love more than other book, your other books?00:19:33 Marc Tyler NoblemanWell, everything I've done in the last ten or twelve years totally overrides everything I did before that not that they weren't books of Merit of some kind. I mean, I put my heart into those two, but what I've been doing recently are all things that topics that I hand pick. And before that, I was sometimes doing books based on other people's suggestions, or, you know, not not coming to it on my own. So, of all my books, and I mean my Batman book is my favorite in the sense that it became more than a book. And again, I don't want to teach just enough to get people to show up. It's it started off as a book, and it became a mission. And it became a very big mission that lasted many years, so that that's a category unto itself. And then, you know, the others I love in different ways too, they all like, with everything that we do, they have their, you know, they conjure different, you know, moments of your life, or in my case, I think about some of the struggles that each one involved, and what I had to try to overcome to get the book published, because nothing's come easy for me with writing, which is fine. If it's easy, it's it's boring. But it isn't like I've written a book and then the next day, someone says, I want that like it's taken a while for me, a lot of my work. And but again, because it's I'm, I think it's because I'm choosing topics that they feel are going to be a harder sell. And I tell them, well, that's what I'm here for. I'm not just going to write it and then go on a run and never come back. I'm going to help you sell it and promote it, and that's why I do conferences. That's why I go to schools. I want people to, you know, enjoy the story the way I did I wouldn't do all this work, and then let it float off, you know, on its own. So yeah, the Batman book would take first place. And then a lot of the recent ones would be in a tie for second.00:21:27 Molly RauhSo, thinking about that, you like comics? So we've asked about books, but what are some of your favorite Comics? Or even graphic novels? Because like you and I have mentioned there, you know, once upon a time, it wasn't cool to be into comics. But now, like there's not that stigma around that. So maybe share some of your favorites, some newer things that are being printed and published that kids might get their hands on, or that teachers might get hands on, because I certainly like some adult comics that I would never give to kids. And I've also had some comics that, like as soon as I'm done reading, I bring into the classroom to a particular kid. And I'm like, you have to read this. Here's the next one. What are some of your favorite? Well, a couple of graphic novels I've read recently that I loved were "Flamer" by Mike Curato, which is biographical and "New kid". Of course, I by Jerry Craft. I really liked. I don't read tons of graphic novels by you know, it's not I'm not. I don't specifically gravitate towards those. I just gravitate towards a good book, whether it's graphic novel, you know, pros or whatnot. Another one I read this summer that I thought was great was "Kent State." It's a new. It's 00:22:47 Molly Rauhthe newest book by a guy named Derf Backderf And it's, it's, it's his telling of the Kent State, the Ohio, you know, the, the Four Dead in Ohio story. And I knew almost nothing about that, even though I knew, ooh, that I know. I mean, I know of the song I know of the incident, but I couldn't have told you what it was about. And he just does a masterful job of weaving these four individuals stories into one tragic, overarching story. And then as far as traditional comics I mean, I grew up on I mean, being a huge fan of I'm a DC guy. As you can imagine, based on Batman. My favorites were Justice League because I like groups. I like to see how groups work together, like to see how groups split up to tackle different issues, both in superhero comics and in life. I also liked it a team-up comic called "The Brave and the Bold," which was Batman, plus somebody else every issue. And there was another one of DC Comics presents, which was Superman, plus someone else. And there are there are there are collected editions of those. I would recommend them for teachers with kids, because comics these days, the the there are still comics produced for elementary age kids. But a lot of the main characters are quite dark. Even Superman. I mean, a lot of the stories are quite sophisticated, quite dark. So not the same way when we were kids, where it was all kind of for everybody. So if you go back to the stuff that was done in the 70s and 80s, it's you know, it's a bit dated a little. It's a little dated. But I think for kids that like superheroes, they might really like it. You know, that sometimes it's a one-and-done story. It's you not to read 20 issues to get a full story. You can read one, which I think for reluctant readers is a little bit more accessible. Nowadays, you know, everything's an arc. You know, it's a it's 8 issue Arc, or a ten issue arc because they want to. They're creating these stories to be bound and sold as graphic novel so they can sell them online and easier with, you know, the newsstand business of buying this individual issue is, unfortunately, I don't think going to be around for much longer. Once people our age phase-out, they're not going to do it for the next generation. They're not buying comics generally. So, and then, of course, there's all the, you know, the ones that don't need my help. You know, there's there's the Raina, you know, Telgemeier books to Cece Bell, and they're doing great things, and kids know them already. So they don't need, you know, like them. But those are great too. 00:25:19 Jessica RickertI have a question not being a connoisseur of comic books, and only just watching the movies which I know is probably horrible for you two. Do you have a favorite superhero?00:25:32 Marc Tyler NoblemanSuperman. So it's again, it's there's this dichotomy throughout my whole childhood, you know, cool and uncool. So Superman uncool, Batman cool. DC uncool, Marvel cool. Han Solo cool, Luke Skywalker, uncool. You know, Fonzie, cool, Richie Cunningham uncool. I always like the uncle ones, except I did like Han Solo better than Luke. But for the most of the most of, those examples I was on the less cool side. So yeah.00:26:09 Molly RauhAll right, you're going to have to explain that one 'cause I have my reasons why I would pick Batman over Superman. So why Superman? Because, no I hardcore disagree with you on that one.00:26:20 Marc Tyler NoblemanSo do most kids. I I think it's, so I mean, a lot of it is just, you know, who you meet first. And he, I remember being introduced to Superman. It feels like first. But I also like, I mean, hit, you know, the Superman that I fell in love with is doesn't exist anymore. In a way. You know, he was good for good sake. There wasn't. There was no complexity to it. Of course, you know, our culture at the moment, and probably forever more is is just much more sensitive to all kinds of Injustice and differences, and, you know, sent being sensitive to as much as possible in every direction which those are certainly greatness there. Superman, you know, used to just you just you just had you just trusted the guy to do the right thing no matter what. And now it's just not as not as black and white. So I still love him, but I think it's just getting more complicated to be Superman than it used to be. And I love Batman too, obviously I spent a whole bunch of my life on him too. But I like Superman, just seems they both seem like loners. And I think I always was I always was drawn to that. Now they both have, well now they're both. It's not good. You know, things evolve. Now, they're - Superman's married with a son. And Batman has Catwoman. But you know, when I was growing up, they were loners and I that appealed to me to that they would do the right thing not to get tons of friends and to get paid or praise, but just because it was the right thing and that really resonated with me as a kid and helped inspire me to write Boys of Steel, my Superman book. That notion of just do the right thing, even if you don't get all this attention for it, or jobs and money, or your name on a big, you know, sign or plaque, or, you know, something like that. You're just doing it because, you know, in your heart, that's what you should do. And I like that about Superman. And Batman did it too. But it was just that was Superman's whole whole essence. 00:28:21 Molly RauhAll right, that's a fair argument. That's maybe the best argument for Superman I've ever heard. So, yeah, I might, I might like him a little better than I did a minute ago.00:28:31 Marc Tyler NoblemanWhat's your Batman take?00:28:33 Molly RauhWell, for me, it's it's a very simple piece of superpowers and not having superpowers. I like Batman because theoretically, like he is a regular human being. Yes, he's empowered by, you know, money and access to this technology. But, you know, I kind of liked that he was an ordinary human being. Who just, you know, used innovations, and you know his own personal sort of drive to become a superhero.00:29:07 Marc Tyler NoblemanI want to see if I can find. I saved this tweet that for me, really summarized Superman in a new way. But probably I knew it all along innately. So I love this. Superman stories aren't a fantasy about how good it would be to have power. they're a fantasy about what it would be like if someone with power was good. So giving credit where credit's due. This is I don't even know who this is. But the it's a someone on Twitter named Ian McIntyre. So I just love that that he could do whatever he wants. I mean, talk people talk about Batman that you know, look what he's doing with no power. But there's a flip side. Look what Superman is not doing with power. 00:29:50 Molly RauhI like that take that's kind of cool, that almost like I might have to pull that into an essential question, because I teach history and like, you know, we just finished some industrial like Gilded Age, Progressive Era, kind of stuff. And a big piece of that was looking at corruption. And so thinking about, like people with power, you know, do they do they always abuse it? Or are there people who use it for good? And so thinking of, yeah, yeah, well, I can send that to you. 00:30:25 Jessica RickertI just never really, like, you guys have opened my eyes to there's deeper and more complex things than just like the movies that I go to like looking. I'm definitely going to look at superheroes differently now. At a deep audio cuts out.00:30:43 Marc Tyler NoblemanThey're not for everybody.00:30:45 Molly RauhYeah, they're not for everybody, but I, you know, anybody I think, who's into comics, realizes that the majority of your comics, whether it's super hero stories or anything else, they're really human stories. They're looking at the human condition and looking at human motivations. And so the social scientist in me always loves them, because they're really just kind of who are we at our core? And, you know, what are we capable of in good and bad ways?00:31:14 Marc Tyler NoblemanYeah. 00:31:18 Jessica RickertWell. Are there any other books that you want to highlight for teachers that might be listening, that you think would be good for them to share with their students? I know you have a lot of books, but a couple that, oh, you should try this one or try this one00:31:33 Marc Tyler NoblemanSure. So I wrote a book called "Fairy Spell," which is a true story about two girls in World War One era England who went into the woods one day with a camera. And this was, again, World War 1 era. So this was not camera like anything we've seen. And they came back with only one photo, which one of their fathers developed in the dark room in their house. And that photo revealed one of the two girls with what they said were for fairies. And this kicked off a mystery that lasted for the rest of their lives. So they were one of them was only nine, and one was 16 and they didn't reveal the full truth about what really happened that day in the woods until they were in their 80s. So what I love about this story level out of things about I love it. It's about two girls. I love that it's about two girls that have agency. They're driving the story I love. I can't reveal it because it would spoil the book. But when they end up telling more of what happened later in life, I love their reason for not telling it sooner. So at first I thought maybe there'd be some. Maybe I'd get some pushback that I'm writing a book about liars. I don't want to say what they said that was true and not true. They said things that - I'm going to say this so I don't spoil the whole thing. At the end, there's they have a different -they say something different than each other. Their story was the same for most of those years. But then at the end, they diverge. So there is some. There is some untruth in it. But there's also some truth. And I love how it's just a new way of looking at the truth. And what isn't what we, how we classify truth and what we, how we judge people that don't tell the truth. You know, it's not, they don't lie for the same reason with the same effect. So I love that. And it also it's become, you know, very relevant with respect to fake news. I didn't write it because of that, but it is a great book to use to help children start to discern, you know, the importance of, again, not believing everything you read on at face value and learning how to verify things on the especially on the internet, whether they're true or not, or whether they need more, you know, more investigation. So that's a great book for that. And apparently, that's what a lot of people use it for. And there are a lot of lessons these days about that which is so important, teaching our kids how to be internet savvy, and how to not question everything to the point that you are a conspiracy theorist. But just you have a healthy skepticism about things so that you use your brain. And when I say in the book, you know, some people decry the internet saying that it makes us think less. I think it has to, really, it's making us think more. You really need to, like, I just said, don't take the first- and I, you know, I tell my kids, we all tell kids. Now, you know, the last couple of years, when you Google something, Google has a little box at the very top. It's in a box the to make you think like that's the definitive be-all-end-all answer. So I tell my kids, well, view, are you even looking at the source of that? And just because Google says it's true doesn't mean it is. So that book is helpful, I think with that topic. And then I wrote another book that's called "Thirty Minutes Over Oregon," so closer to your side of the country. And that's a true story out of WWII about a Japanese pilot named Nobuo who did something that no one before him, or since luckily has done. He became the only person in history to bomb the United States mainland from a plane. And the reason that most people have never heard this is because those bombs did not kill anyone, didn't even hurt anyone. They hit the forest outside of a town called Brookings. So maybe a couple squirrels bit it, but no humans. And because of that, it's not a World War. Two story that we teach it wasn't a turning point, but that's why I love it. It's a smaller story with a great famous first that is not really famous. And then this emotional core about this pilot, how this act impacted him later in life. So it's a great story about how enemies can become friends. I don't want to say too much, but he does come back to America after the war. And it's about something that you don't see in picture books. Too much least. I haven't seen it in non-fiction picture books, and that is redemption. This the idea of redemption, most picture books, that folk that are biographical. They follow the same arc. They start in someone's childhood. The child has a dream. The child tries and fails multiple times. And eventually the book ends with this person becoming the famous person that we all know. Again, the you know, with Bader Ginsburg or Babe Ruth, who met those I don't need to name famous people, you all know them, but that's and that's fine. But I don't. I prefer different kinds of stories. So I prefer story that's not quite as predictable where maybe they mean the Batman story is about a guy that basically opposite success. And then the ending is that he failed. So it's kind of a bummer, but that's life sometimes, and people we need to tell kids that you did a great thing. We shouldn't. He should be honored for it. But in the end, he didn't really benefit from it. And it was a sad story. And that's okay. It's okay to have a sad story. So the 30 minutes of Oregon book is a great story about Redemption about how I mean. Now it's especially, I think, a topic in the news and in life is about second chances. I mean, people are, you know, I see a lot of people that are not given a second chance. They misspeak. They something comes up from their past from sometimes even as young as being a teenager. And that completely changes the entire trajectory of their adult life. And there are times where, you know, second chances are definitely less viable. But I think for a lot of these cases, they're not in. This is a story about that. In today's world, you know, this man's story would he would have not been given a second chance, and he would have been a villain for the rest of his life. So I love this idea of, you know, seeing them at a human level. In this case, he was doing something during war, and you don't excuse that. But it was a war, and everyone was doing things that they would prefer not to be doing. And he did spend a lot of years trying to atone for that and show his true nature, and so reconciliation, redemption, very powerful, very powerful ideas. That, again, you don't see that often in - at least, I don't see them in picture books. I hope they're out there. I just haven't seen them myself. So those two, I think, really help with a lot of different levels of lessons in classrooms character development. And of course, the news thing is more, you know, practical skill.00:38:23 Molly RauhI love that. I think I know what books I'm picking up next, and hopefully I can get through them before. Maybe I hit some units where I could use those in my classes, because, you know, again, I'm a history teacher. I can totally use those.00:38:40 Marc Tyler NoblemanThank you.00:38:41 Molly RauhSo we're at that point where we're some of your heroes00:38:49 Marc Tyler NoblemanHeroes in general. Or...00:38:51 Molly RauhWell, certainly educational heroes, if you have them. But if you want to go a different route and just focus on anybody who's inspired you, who is your hero in what you do, you can go broader if that suits you better. Sure, well, I can do a two-in-one. I can do a personal hero and an educator here, which is my mom, who was a teacher before I was born. So I ruin that. She gave up when I came along, but she is just she's had a really, really challenging life for different reasons. But you turned out to be the sweetest mom. I mean, except for your two moms of all time. And with no, with no guidance, she, you know, she didn't have a loving upbringing where she had something 00:39:40 Molly Rauhto learn from. I don't know where she gets it from. And and she was also someone that you know, helped shape my creative side When We Were Young, my sister and I, my mother would not give us coloring books, because she felt we should start with a blank page that we should create from nothing. And so after a while, I think we wore down a bit, and as long as we still Drew on blank pages as well, but she didn't want us to be given someone else's work and then fill it in. And she also nudged me to be that she saw that I could be a writer before I did, which is typical mom. You know, she knew that I what I was good at, or what I had an aptitude for, and probably what I like, even though I didn't realize it. And she nudged me that way. And then again, as this is going to be no surprise about a guy who liked Superman Richie Cunningham, DC Comics better than there are opposite, which is that I have a lot of teachers that not only were inspirational for me, I'm still in touch with. I mean, most people I know if they're in touch with anyone, it's just one teacher I'm in touch with. I mean, not regular touch, but I have emails and reach out on, and I would say, on a, you know, somewhat regular basis to say hi to a number of teachers. So and you know, sometimes it's very vague why they resonate with me, but they must they must have helped shape me. I can't always figure out why I'm so drawn to them still, but a couple in particular are you no, are you know were formidable, or not formidable, formative, or probably formidable too, formative for me. And I love that because they are so that such a thankless job for so many and I it just three. It's very gratifying to, you know, all these years later, to just have this relationship so that they know that they mattered to me and probably to others that don't don't don't all right, as you know, aren't as obsessive about these things as I am, reaching out keeping in touch. So that means a lot to me for teachers that I had that had an impact for them to know that they did even your in my old age.00:41:47 Jessica RickertI love that. Well, thank you so much for joining us. We're all definitely going to have to check out so many more books. I loved your cliffhangers. And if you have not registered for Marc Tyler, Nobleman's sessions yet, now you got to go find out about the Batman story too. So thank you for joining us. And we look forward to seeing you in February at CCIRA.00:42:13 Marc Tyler NoblemanI can't wait. Thank you so much for your time. And I look forward to seeing you both in person. 00:42:19 Molly RauhThanks for listening to CCIRA Literacy Conversations podcast. To find out more about CCIRA go to CCIRA.org. On CCIRA.org, you can join as a member, or find great resources like our professional development blog, which posts every Tuesday and has a variety of guest writers on an awesome selection of topics. CCIRA is a professional organization of educators and community members is dedicated to the promotion and advancement of literacy. We also have a Twitter account @ColoradoReading. You can find us on Instagram at CCIRA_ColoradReading. Or you can find us on Facebook, where we also have a members only group that we're trying to build. And our Facebook account is CCIRA Colorado Reading. We'd love to hear more from you. And again, if you're looking for new content, please send any questions or things you'd be interested in seeing from ccir a to ccir a video at gmailcom. Thanks for listening and have a great week.

It's the Season 4 premiere of Excelsior Journeys, and host & producer George Sirois celebrates with a deluxe-length discussion with writer/producer Ron Friedman. With over 60 years in show business, Ron has accrued a lot of experiences and he shares so many of them here. Come and hear from the man who wrote for such iconic characters as Sheriff Andy Taylor, Samantha Stephens, Willy Gilligan, Archie Bunker, Felix Unger, Oscar Madison, Richie Cunningham, Arthur Fonzarelli, Cobra Commander, and Optimus Prime, among so many others. Also, if you have a story that needs an extra pair of eyes, this specific pair belongs to the man who has written more than 700 hours of prime time television, and he's interested in reading it. Contact Ron at riffyank@aol.com for details. Get Ron's Autobiography "I Killed Optimus Prime: Confessions of a Hollywood Screenwriter" by clicking here: https://amzn.to/3hvQp2t If you would like to support this show, sign up to be a guest, or subscribe to your platform of choice, please click here: http://www.hesgotit.com/podcasts. Support this podcast at — https://redcircle.com/excelsior-journeys/donations This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Support this podcast

It's the Season 4 premiere of Excelsior Journeys, and host & producer George Sirois celebrates with a deluxe-length discussion with writer/producer Ron Friedman. With over 60 years in show business, Ron has accrued a lot of experiences and he shares so many of them here. Come and hear from the man who wrote for such iconic characters as Sheriff Andy Taylor, Samantha Stephens, Willy Gilligan, Archie Bunker, Felix Unger, Oscar Madison, Richie Cunningham, Arthur Fonzarelli, Cobra Commander, and Optimus Prime, among so many others. Also, if you have a story that needs an extra pair of eyes, this specific pair belongs to the man who has written more than 700 hours of prime time television, and he's interested in reading it. Contact Ron at riffyank@aol.com for details. Get Ron's Autobiography "I Killed Optimus Prime: Confessions of a Hollywood Screenwriter" by clicking here: https://amzn.to/3hvQp2t If you would like to support this show, sign up to be a guest, or subscribe to your platform of choice, please click here: http://www.hesgotit.com/podcasts. Support this podcast at — https://redcircle.com/excelsior-journeys/donations This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy Support this podcast

A long time ago in a North America that now seems very far far away, Richie Cunningham became a director and filmed a couple of Irish corkers as they take a trip across the pond to take a shot at finding land and a new life while accidentally stepping in some love along the way. Well, the two corkers are Tom “I'm totally not a hostage of a huge cult” Cruise and Nicole “Thank God I got a divorce from Tom when I did” Kidman who are joined alongside Thomas Gibson, Robert Prosky, and Cyril Cusack to bring together Ron “stop calling me Richie Cunningham” Howard's, Far and Away. A film that brought home modest earnings and even more modest reviews but found a home in our hearts anyways. But, does it hold up? Listen in as Jon, Colin, and Brent debate fisticuffs technique and proper Irish accents as we try to decide if this one was a corker or a filthy leprechaun's taint.

#Fats Domino blueberry hill# one of the founding fathers of Rock and roll one of the Kings# classic song and vocals# Respect# happy days tv show Richie Cunningham favorite song

Join the boys in lockdown as we celebrate the 7th Anniversary of The Radioactive Lounge! This episode we discuss our comic book crushes - those characters we secretly love yet have no damn clue why. Plus, all the usual news and reviews, indecent proposals, some cum but not as much as previous episodes, a brief exploration into the legacy of Richie Cunningham's lost big brother, several dodgy Betty Olsen impersonations, a firm but fair refusal from Lucas Testro, Mitchell gets barbaric, and Larry is back on his Hulk and Archie bullshit. Oh, and fan mail from Canada! Edited by Melissa Davies. SHOW NOTES: 00:00 Intro & News 28:37 Reviews: - Flash #770 - Iron Man Big Iron Trade - Doctor Doom Pottersville Trade - Not All Robots #1 - Barbaric #1 - She Josie Trade 1:09:21 Comic Book Crushes 1:46:22 BA's PA 1:52:10 Sandman Tales  

Ron Howard and his wife Cheryl stopped by the studio in 1977. He told me that he started acting when he was four years old. He has acted in numerous movies and TV shows and produced many popular films. Most remember Ron as Richie Cunningham on “Happy Days.” Ron tells me about his career in show business from the beginning and his wife Cheryl told me how they met and what it’s like to be married to Ron.

DANNYLAND!! This week is AMAZING!!!

As regular listeners know, Then Is Now is a show in which we discuss pop culture that is disappearing from our zeitgeist and present it to today's audience – an effort to show people all the cool stuff they may have missed out on. The film, American Graffiti from 1973 directed by George Lucas of Star Wars fame, is an important film in our culture and film history. This is a movie that NEEDS to be seen! The story is a slice of life from 1962, concerning a group of friends just out of High School, and is a coming of age tale as they face their fears and concerns regarding the major life changes ahead of them. Joining me today is a brand new guest co-host named Lucas, who is not from America, but is very enthusiastic about discussing American pop culture on this show! This was his first viewing of American Graffiti and we had a great conversation, diving deep into the themes and subtext of the film. If you haven't seen it, you definitely NEED to, and show it to a young person you know as well, then come back and listen to this show! Then Is Now Podcast is now a proud member of the Dorkening Podcast Network, so be sure to check out the other great shows there, at thedorkening.com. Send your feedback to thenisnow42@gmail.com. Folow us on Twitter at twitter.com/havenpodcasts. Join the conversation at our FacebookGroup. Visit our website: havenpodcasts.com where you'll find our sister show, The East Meets the West, in which we discuss Shaw Brothers films and Spaghetti Western movies! Please SUBSCRIBE to our YouTube page. Don't forget to go to wherever you download your podcasts from and leave us a great review so more listeners can find us! You can find us on all the podcasting apps, especially the big 3: iTunes, Spotify, and Stitcher! Enjoy! Re-Gor

This weeks second serving is The Descent 2 from 2009.  The original Descent was one of the best horror films of the decade, so how does this hold up?   Those of you who always wondered what happened to Richie Cunningham's brother Chuck, we found him.  He moved out of state and became a Sheriff. Where to find us: https://jumpscare.podbean.com https://itunes.apple.com/us/podcast/jumpscare/id1436554914?mt=2 https://www.youtube.com/channel/UCH00Ygf2EQQOmqmo5_RsEyg  https://open.spotify.com/show/5EmdRIgfMSFDH73DGSon6o https://podcasts.google.com/?feed=aHR0cHM6Ly9qdW1wc2NhcmUucG9kYmVhbi5jb20vZmVlZC54bWw  https://letterboxd.com/jumpscare  

Happy Days is an American sitcom television series that aired first-run on the ABC network from January 15, 1974, to September 24, 1984, with a total of 255 half-hour episodes spanning eleven seasons. Created by Garry Marshall, the series was one of the most successful of the 1970s, an idealized vision of life in the mid-1950s to mid-1960s Midwestern United States, and starred Ron Howard as young Richie Cunningham, Henry Winkler as his friend Arthur "Fonzie" Fonzarelli, and Tom Bosley and Marion Ross as Richie's parents, Howard and Marion Cunningham.[1] Although it opened to mixed reviews from critics, Happy Days became successful and popular over time.[2] The series began as an unsold pilot starring Howard, Ross and Anson Williams, which aired in 1972 as a segment entitled "Love and the Television Set" (later retitled "Love and the Happy Days" for syndication) on ABC's anthology show Love, American Style. Based on the pilot, director George Lucas cast Howard as the lead in his 1973 film American Graffiti, causing ABC to take a renewed interest in the pilot. The first two seasons of Happy Days focused on the experiences and dilemmas of "innocent teenager" Richie Cunningham, his family, and his high school friends, attempting to "honestly depict a wistful look back at adolescence".[2] Initially a moderate success, the series' ratings began to fall during its second season, causing Marshall to retool it emphasizing broad comedy and spotlighting the previously minor character of Fonzie, a "cool" biker and high school dropout.[2] Following these changes, Happy Days became the number-one program in television in 1976–1977, Fonzie became one of the most merchandised characters of the 1970s, and Henry Winkler became a major star.[3][4] The series also spawned a number of spin-offs, including Laverne & Shirley and Mork & Mindy.

Another Happy Days crossover episode! One evening, Laverne and Shirley's television set finally dies a fiery death! When they find out that the Jefferson High School Victory Dance's first place winners get his-and-hers TVs, Laverne and Shirley concoct a plan to use Potsie Weber and Richie Cunningham to win the big prize. Cuteness ensues. On the pod, Lisa and Chris talk actor chemistry and the way the girls' personality has changed despite their first Happy Days appearance still being sort of canon? --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode, Chris and Mark join leather-clad lothario The Fonz as he travels through time and space with Richie, Ralph Malph and an annoying cross between Muttley and Scrappy-Doo

In this episode, Chris and Mark join leather-clad lothario The Fonz as he travels through time and space with Richie, Ralph Malph and an annoying cross between Muttley and Scrappy-Doo

In this episode, Chris and Mark join leather-clad lothario The Fonz as he travels through time and space with Richie, Ralph Malph and an annoying cross between Muttley and Scrappy […]

Don Most made us all laugh as Richie Cunningham's practical-joke playing friend Ralph Malph on Happy Days. After appearing in feature films and even directing a few, Don says he's returning to his first love -- singing.

Don Most made us all laugh as Richie Cunningham's practical-joke playing friend Ralph Malph on Happy Days. After appearing in feature films and even directing a few, Don says he's returning to his first love -- singing.

Like what you heard? Connect with   (https://www.instagram.com/heljinx/?hl=en) If you liked this episode please share it with a friend, get involved on social media, by following Inside Tri Show on  leave a review in Apple (https://podcasts.apple.com/gb/podcast/inside-tri-show/id1488560381) . Show Sponsors Thanks to Sports Tours International and Oryon Connect for sponsoring the show Sports Travel International (https://sportstravelinternational.com/events/club-la-santa-ironman-lanzarote/) if you’re in Ireland) are offering listeners an exclusive 10% discount on their Ironman Lanzarote package with the discount code: INSIDE1 if you book by 29th Feb 2020. Please note Terms and conditions apply: Offer – 10% off the package price (excludes entries) booked by 29/2/20. Not combinable with any other offer, applies to new bookings only. In terms of the entry price – Sports Tours' entry fee is already £150 cheaper than booking direct with IRONMAN and they do not charge the 8% booking fee.  Oryon Connect @YouTube @ OryonConnect. (https://www.youtube.com/watch?v=EbH5yVW85w8) BUY HELEN A COFFEE To help me to continue to bring you the best interviews in triathlon every week, I’d love you to become a patreon and  buy me a coffee every so often (https://www.patreon.com/insidetrishow) . POWERED BY 33 FUEL This week's show is powered by  www.33fuel.com (https://www.33fuel.com/winter-survival-bundle) Komfuel www.komfuel.co.uk (https://www.insidetrishow.com/www.komfuel.co.uk) INTERVIEW TIME LINE* (not the whole episode) 0.00 Is triathlon as fun as it used to be at the start?  Ben explains how he got into triathlon and how the things that are fun have changed but that he feels fortunate and grateful to able to be a professional triathlete. 2.00 What doesn’t excite him anymore? Ben admits the travel isn’t as fun as it used to be. “Now I have a family and now I’m 36 years old, I appreciate having my home environment which keeps me comfortable and dialled in when it comes to my training and as much as I love the culture and racing in different places, I love being home now. Something that didn’t excite me as much early on was probably the pursuit of sponsors and now it’s really cool and I look forward to having these conversations and how we can grow their brand as well as mine. 4.00 How he doesn’t want to put a number on when he will retire. “I think you have an idea in your mind and you see a lot of people fizzle out in their late 30s but a lot of it comes from a motivational stand point. Can you still get excited about getting out of the door for training and taking care of the little details off the bike for example. Five more years would be great, that would take me to 42 and if I could continue to get support and I still have the passion, I would love that. But seeing that end makes me more appreciative of all of the components. 5.45 Talks about Richie Cunningham and Chris Lee and how he trained a lot with them when he was in his early 30s and they were on the brink of retiring ‘overall the one message that I get from most people when they reach that stage is do this for as long as you can because we don’t always understand how great of a job it really is. That said, it can be a grind and it sometimes can be like any other job’ 7.45 Do a lot of pro triathletes glorify it all on Instagram? “I do think it would be nice if we were a little bit more open about the parts of it that weren’t so awesome all of the time but it’s about that line and how much you decide to let people into your life.” We go on to talk about who does the posting on Instagram.   11.15 What does ‘an attitude of gratitude’ mean to him? Ben reflects on his big injury in 2018 ‘maybe the passion about why I do this had shifted and I felt quite blind-sided by this injury. And having it taken away from me Support this podcast

Episode 4 was a little slower than the previous 3 episodes, but it did fill in a lot about the Mandalorian. It was verified that he does in fact remove his helmet, but only when alone. That means no one has seen his face since he was a child taken in by the Mandos. The Mandalorian finds a very backwater planet that doesn't even have a spaceport to hide out. He runs into Cara Dune (Gina Carano), an ex Rebel shock trooper who is also hiding out on the planet. They get into a bit of a tussle (Cara Dune appeared to be winning) before they join forces to help a small local group of farmers to defeat a raiding clan of Klatooinians. Those Klatooinians have some big firepower in the form of an up-armored AT-ST. They took a somewhat goofy looking vehicle that the Ewoks made short work of, and turned it into a really evil looking killing machine. Long story short, the farmers win and The Mandalorian is thinking about staying in the village with Baby Yoda. That is, until a bounty hunter tries to sniper Baby Yoda (He deserves his own name, so let's call him Little Yodes). The Mando then realizes he has to stay on the run and take Little Yodes with him to keep him safe. If you watch the credits you'll notice Bryce Dallas Howard (daughter of Ron Howard aka Opie aka Richie Cunningham) directed this episode. She did a pretty decent job of capturing the human emotions side of the Mandalorian. Have you watched all the episodes yet? What did you think about the this fourth episode? Did we miss any Easter eggs? Let us know in the comments. We have a Google Voice number where you can call and leave us your thoughts. If they are good, we will use them on the show. The number is (575) 323-1332.  SUBSCRIBE to watch more videos like this one! LET'S CONNECT! -- Talk Nerdy to Me Facebook -- Zia Comics Facebook -- Zia Comics Twitter -- Zia Comics Instagram -- Talk Nerdy to Me website -- Zia Comics website LISTEN TO OUR PODCAST! - iTunes - Stitcher - Google Play #StarWars #TheMandalorian #Mandalorian #PedroPascal #GinaCarano #BabyYoda #RazorCrest #Beskar #CaraDune

When I was a kid, HAPPY DAYS was one of the most prolific programs on television. What I remember from that was red-headed Richie Cunningham, […]

When I was a kid, HAPPY DAYS was one of the most prolific programs on television. What I remember from that was red-headed Richie Cunningham, his family, and the rocking around the clock of those who worshipped the Fonz, and all things drive-in diner. The cars. The stories. The innocence, and ROLLER SKATES! It was … Continue reading American Grafitti (1973) – A Perspective Review →

When I was a kid, HAPPY DAYS was one of the most prolific programs on television. What I remember from that was red-headed Richie Cunningham, his family, and the rocking around the clock of those who worshipped the Fonz, and all things drive-in diner. The cars. The stories. The innocence, and ROLLER SKATES! It was … Continue reading American Grafitti (1973) – A Perspective Review →

When I was a kid, HAPPY DAYS was one of the most prolific programs on television. What I remember from that was red-headed Richie Cunningham, his family, and the rocking around the clock of those who worshipped the Fonz, and all things drive-in diner. The cars. The stories. The innocence, and ROLLER SKATES! It was … Continue reading American Grafitti (1973) – A Perspective Review →

Indiana Jones dreams that he's spaceman named Han Solo, that Sallah is a Wookiee, and that Richie Cunningham is a film director! It's our review of Solo: A Star Wars Story!

Part Fast & Furious, part Dukes of Hazard, Ron Howard stars in this Roger Corman produced action, comedy Eat My Dust! (1976). Eat My Dust! is about a boy who tries to impress a girl by giving her a ride in a fast car...a fast car he has just stolen! His father isn't impressed, he's the Sheriff after all. It may be hard thinking of Richie Cunningham stealing a car, or the director of Solo: A Star Wars Story for that matter, but it happened and Invasion of the Remake is here to assess this insane chase film while trying to rebuild this car flick from the ground up. Don't be last in the race, listen to this weeks episode now or you will Eat My Dust!   Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, Audioboom, BluBrry, Libsyn, YouTube, Spreaker, iHeartRadio and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com

Rory is currently reigning as King George III in the touring production of the smash hit "Hamilton." It's a role he first played on Broadway for a year where he was the first actor to replace an original cast member in the production. He is best known for starring in the original company of "The Book Of Mormon" on Broadway. He received both Tony and Drama Desk nominations for playing openly closeted Mormon Elder McKinley and performing the show stopper "Turn It Off". Most recently he was seen on stage in back to back Off-Broadway productions at Second Stage's "Nobody Loves You" (Drama Desk nomination) and "Little Miss Sunshine." His broadway debut was in "The 25th Annual Putnam County Spelling Bee" and regionally, he created the role of Richie Cunningham in Garry Marshall’s "Happy Days The Musical" for Goodspeed Opera House and Paper Mill Playhouse. Rory expanded his repertoire of pasty white dudes by butchering the song “Cadillac Car” as lead singer of ‘Dave and the Sweethearts’ in the Paramount Pictures film "Dreamgirls." Most recently, Rory was seen on the CW's "Crazy Ex-Girlfriend." He can also be seen on the small screen in episodes of "Partners" with Kelsey Grammer and Martin Lawrence, "Nurse Jackie," "The Good Wife," "Law and Order: SVU," and "1600 Penn." This year Rory premiered his autobiographical show "Pub Crawl" to a sold out crowd at Joe's Pub in New York City. Pub Crawl is his tale of being raised in an Irish pub in Cleveland by his single mom and all the bar's eclectic patrons. Rory tells his hilarious coming of age story using classic Irish pub songs from The Wolftones, U2, Van Morrison and more with music direction from Tony and Grammy Award winner, Stephen Oremus. Rory is a Co-Founder of Broadway Impact, an organization that mobilizes the theater community to take action on fighting for marriage equality. Along with Jenny Kanelos and Gavin Creel, Rory was there from it's inception and has organized large rallies, phone banks, and theater events; all for the sake of marriage equality. Currently Broadway Impact is producing the play 8, conceived by Rory and edited by Oscar winner Dustin Lance Black. 8 uses the original transcript of the trial that overturned Prop 8 in California and puts it on a stage for theaters all across the country to perform and hold talkbacks. Rory has had the pleasure of performing around the country in the piece with many great actors and activists including George Clooney, Brad Pitt, Larry Kramer, Cleve Jones and many more. Currently 8 has been produced in over 400 theaters, including in all 50 states and in 7 countries. Rory lives in Los Angeles with his husband Gerold Schroeder. He is very happy:)

In this minute we talk about living dangerously, x-ray vision eye patches, and Richie Cunningham and his wife, Oprah. Special Guest: Rel and her Australian Shepherd, Charlie. Find her on twitter @rellydoo

Episode 34 of the "Knights of Vader – A Star Wars Podcast!" Rate and review us on iTunes to enter our Spider-Man Homecoming digital copy contest! Click here for rules Tonight Zack, Mark and Zenger discuss the unusually timed announcement that Rian Johnson is planning a whole new Star Wars trilogy. Why announce now that a filmmaker will make 3 more films in a series, despite their sole endeavor still more than a month out from release? Imagine if you don’t like The Last Jedi… Is there any point in liking Star Wars for the next decade? Why is it that Lucasfilm, in an industry filled with talented filmmakers, can only get along with 2 specific directors and Richie Cunningham? Join us and find out! Check out Zenger’s main show ZengThis, available on all major podcasting platforms!

Why are the TV ratings for the Summer Olympics so low? What the heck is up with Billy Carter? Are they going to kill off Richie Cunningham?  All these questions and more could be asked after listening to the latest episode of Pop History Podcast! Host and producer: Jay Jackson Theme music by Jason Parkhurst. All other music used herein is the property of their respective songwriters, publishers, and recording companies, and are used within this podcast for historical educational purposes. Support us on Facebook, Instagram, Twitter, and Patreon! To hear the full versions of all these songs, find our playlist on Spotify by searching for Pop History Podcast. The Billboard Top Ten singles chart used for this show was the week of July 12, 1980. 

October 22-28, 1983 Today Ken welcomes journalist, comedian and head honcho at The Comics Comic, Sean McCarthy. Ken and Sean discuss Sean's jetsetting lifestyle, business cards, the tunnels under Northeastern University, Remington Steele, Mr. Smith, bad reporting on AIDS, growing up in CT, four Worcesters, sports Man Caves, Lynn, Defunct Sports teams, betting on horses, James Bond, classic Halloween costumes, Cabbage Night, Diff'rent Strokes, cable boxes, Bizarre, Silver Spoons, The Third Eye on Nickelodeon, being mistaken for Zach Galifinakis, the Elks, bonerless Love Boat, Fantasy Island, CBS, Alice, ignoring Knight Rider, being a child of the 70s during the 80s, Midnight Run vs Midnight Express, Goodnight Beantown, Gail King, Football, SNL, Loren Michaels New Show, dirty joke books, the return of Richie Cunningham to Happy Days, Cocoon vs. Slash, 80s old people, Oh! Madeline, Real People, the Sci-Fi Ball, Elvira, the P.A. based beginnings of Sean's broadcasting career, Guiness Book of World Records, Facts of Life, Dom Delouise as a vigilante, Joey Lawrence's Gimme a Break debut, Mama's Family, We Got it Maid, Hunter, Sliders, Remote Control, latch key kids, Celtics season opener, It's the Great Pumpkin Charlie Brown, Garfield on the Town, short person solidarity, and Ken's love of Jennifer Slept Here.

Episode #86: Happy Days - “The Not Making of a President” Original Release Date: September 9, 2017 Move over Batman vs. Superman, there's a bigger battle at hand… Stevenson vs. Eisenhower. Yes, this week Patrick and Kat head back to the 1950s via the 1970s through a powerful episode of Happy Days that has Richie Cunningham falling for a gal who was Sizzling for Stevenson. Plus, we examine the Cunningham family history and what may have brought them to Wisconsin. We have some great stuff coming up, so don't forget to subscribe, rate, and review us on iTunes. Website: http://www.averyspecialpodcast.com Twitter: @VeryPodcast Starring: Patrick M. Dunn and Kat Halstead

This week's sources of fun and frivolity: [The Sacrament, 2013, Ti West] Does found-footage/mockumentary horror have a future? Perhaps not if Ti West's uninspiring Jonestown riff is anything to go by. Luckily, Anna spices things up by telling us about the time she lead a crazed cult dedicated to the worship of a discarded mandarin peal resembling former High Court justice Michael Kirby. [Frost/Nixon, Ron Howard, 2008] Richie Cunningham offers the story of David Frost, a kind of successful, 1970s version of Alan Partridge, and his landmark interviews with disgraced former President and wily old bastard Richard M. Nixon. [The Boy Who Could Fly, 1986, Nick Castle] Castle played Michael Myers in the original Halloween, but presumably he took off the mask to direct this (forgotten?) family classic. John Carpenter makes a cameo appearance in a music video, while Jason Priestly is also in it as someone called Gary, although we didn't spot him. The Boy Who Could Fly's supposed continuity with The Last Starfighter can be explored here. It'll blow your mind!Enjoy the podcast? Please review and/or rate it on iTunes. We'll love you forevs if you do.

A&G talk to William Shatner; Mitt in 2012 and McCain in 2008 warned about Putin, Russia, and Ukraine instability; What if TMZ existed when Richie Cunningham was tomkattin' around

Overview .... Chasing Ironnman Points as a professional Panama 70.3 - Oscar Galindez at age 43 throwing it down! Peter Robinson coming out of retirement Sebastian Kienle goes to Orbea? Lance Armstrong Pay Off's & Race Fixing Swimmers Olympic Distance V's Ironman speed differences The first 10k of the bike at Kona + wheel changes for pros The evolution of Iron distance racing ... how much faster it's getting Ironman Japan Prize Money ... WTF? Sanchez Gone! Yet another drug cheat. Effects of Energy Drinks Geelong Long Distance Triathlon 2013 Predictions Questions from the MaccaX VIP Group - Join Here www.MaccaX.com (pricing going up at 500 members, capped out at 1000) 1 legged cycling on the trainer .... does this really help? How do you balance training, traveling, racing and family life? What's more important building the base or doing high intensity work? How do we fire our glute muscles, balance between quads and glutes for cycling and running. Mentions: Heather Wertell, Kelly Williamson, Oscar Galindez, Paul Ambrose, Lance Armstrong, Van Halen, Richie Cunningham, Paul Matthews, Clayton Fettell, Brad Kahlefeldt, Peter Robertson, Emma Moffatt, Craig Walton, Darren Smith, Annabel Luxford, Melissa Rollinson, Sebastian Kienle, Craig Alexander, Beyonce, Ray Lewis, Brett Sutton, Mark Allen, Dave Scott, Alister Brownlee, Scott Tinley, Spencer Smith, Craig Walton, Simon Lessing.

Amazingly JP was on time and Le Fogeaux seemed as if no heart attack on the tennis court had even occured whilst he expoused the virtues of the new Richie Cunningham movie called Rush. Meanwhile evil forces were at play in Singapore despite the fact that Bryce and Harty enjoyed the most pleasant 1974 Toyota Crown taxi ride from Marina Bay Sands to the airport. Nismo kicks ass in Germany. Real Player is back in a betting way. App controlled brewery. And barely a chance of Weekend at Bernie detention after Colonel Klink cracks it with CVC. Meat lump tips and other blabs.