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All Home Care Matters and our host, Lance A. Slatton were honored to welcome Cory Fosco as guest to the show. About Cory Fosco: Cory Fosco is the author of The Question of When: A Practical Guide to Knowing When It's Time for Assisted Living, Memory Care, or Skilled Nursing. Cory has spent 34 years in long-term care, beginning in social work and admissions and now working in healthcare technology. He is also the author of the chapbook Empty Streets (Alien Buddha Press, 2024), which contains a Pushcart Prize-nominated story, and his short work has appeared in Superstition Review, Hippocampus, and other publications. Cory holds an MA in Creative Nonfiction from Northwestern University and a BA in Creative Writing from Loyola University Chicago. Cory lives in Chicago with his wife Cyndi.
Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -deepending friendships -memoir-plus digressions -writing about our obsessions Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly. Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
This last episode before summer has us dreaming of the beach, Slushies—watching moonlight on the waves, reading novels in the sand. But not before we share this packed episode with you. Today we welcome special guest, Daniel Kuriakose, to hear about “The Common Well,” the literary journal he's relaunching alongside K Hank Jost. Daniel sticks around for our discussion of two poems by Mara Lee Grayson. We admire the duality on display in the first poem's back and forth-ness which has us pondering the undulation of its syntax. The late reveal of whom the lyric speaker addresses is satisfying surprise. A clever turn of phrase sends the more seasoned members of the team straight to this 90's Divinyls' song. The way enjambment revises meaning after a line break in both of these poems reminds Jason of Heather McHugh's poetry. And ultimately Kathy bring us back to the two questions we ask of every submission: do you want to stay with the poem and do you want to share it? Join us in sharing our deep thanks for two members of our staff who are with us for the final time: Reese, our co-op, and Lillie, our sound engineer. Best of luck to your both in the future. Thank you, Reese! Thank you, Lillie! Over the summer, keep tuning in for a retrospective with deep cuts from our archive. Thanks, as always, for listening! At the table: Dagne Forrest, Tobi Kassim, Daniel Kuriakose (special guest from “A Common Well”), Reese Pfunder, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (sound engineer), Derek Grebis (sound engineer) Author Bio: Mara Lee Grayson's poetry has appeared in Poetry Northwest, Tampa Review, and Nimrod, among other literary journals, and has been nominated multiple times for the Best of the Net and Pushcart Prizes. Grayson is the author or editor of five books of nonfiction. She holds an MFA from The City College of New York and a PhD from Columbia University and was previously a tenured professor in the California State University system. Originally from Brooklyn, New York, she currently resides in New Jersey. Social media: @maraleegrayson Website: maragrayson.com She Winds Her Stems through Fire for Burning Leaves Fend Off the Grief of Being Mowed On the trampoline, young boys next door bounce while inside, their mothers debate wine or coffee. Another weekend when the county's on emergency alert. For now, bees land on dogwood flowers, robins nest in tall trees planted by the prior owners, and my husband's on his knees out back for hours, pulling branches from hydrangeas I have neither time nor thumb to nurture back to life. He's learned a lot in efforts to identify the colony of ants that sent a scout across our deck, through the side door to a cat food bowl, like what distinguishes Bumblebee from Carpenter (they look the same, the bumble fuzzier). A million years of evolution, the male bee still hovers in one place, waiting for a female to fly by. I fold laundry then look up which buds bloomed in 17th Century Versailles. (You'd guess invasive species but, unironically, it's narcissus and orange blossoms.) For years, I worshipped palms on the other side of the Continental Divide, like I was replanted, like new soil could change the nature of the seed. I looked for lightning and caught language in my mouth. I dreamed of blooms, then woke up in the desert, staring at a mountain, believed to be an imprint of ancient gods whose voices echoed off the surface of the earth. The nervous system replicates in utero, its fight or flight part predetermined, part piano keys the brain may tap. Healing, says the therapist, happens in the pendulation. Insects bounce along the glass as children, mothers sip merlot in coffee mugs, and the man I married after you tans wrist to elbow, scratching up his forearms rending dead wood stems. It's sticky business, caught between my lush, infertile soil and flirting with the bees, he knows that when I think about you, I touch my self-concept on the page. What the Fortune Teller Tells Me on the Night I Leave California The Channel Islands will one day rise up in the distance like a resurrected poet high on mescaline and memories of pretty women. You will or won't learn how to tunnel through a prison of the mind. When the wind picks up, she says she was awoken by the rumble of a saw told so many times it must be true. You might as well drive six years backward, park beside a pool in west New Jersey. I think she means beginnings are like endings: eyelid work, a neuron matter, not ontology or god. To transit is to navigate the synapses, trade one water for another, every body's chemistry the same except for how the furniture's arranged, which pieces we keep secret from ourselves. She eschews the label hypocrite, calls herself a hippopotamus instead. Oh, she's drinking like a river now, but can you honestly say you've never felt a kinship for a living being who could crush you and the glass of bourbon in your hand? Maybe when you were a child, your father chalked equations on a dusty blackboard. Your height in centimeters is your adolescent telephone number divided by the times your mother screamed bringing you into this world.
In celebration of the launch of season 8, Jill Christman joins Let's Talk Memoir to interview Ronit about growing up with no blueprint for making a relationship work, fending for ourselves in childhood, being driven by curiosity, writing about others with generosity and complexity, conveying to readers that we are not the only one, the use of speculation to move toward a deeper truth, the key to memoir structure, how the now-narrator reaches a hand back to help the character we were, finding a deeper empathy and understanding, opposite world, trying to look perfectly 1980s, trusting that our memories are trying to tell us something, and Ronit's memoir When She Comes Back. Also in this episode: -Swedish Fish -The Love Boat -being prologue girls Books mentioned in this episode: The Situation and the Story by Vivian Gornick Notes of a Native Son by James Baldwin Stop-Time by Frank Conroy This Boy's Life by Tobias Wolf To Show and to Tell by Pilllip Lopate Jill Christman bio and links: Jill Christman is the author of The Heart Folds Early: A Memoir (released March 2026 from the University of Nebraska Press). Christman's other books include If This Were Fiction: A Love Story in Essays (2023 Foreword INDIES Silver Winner), Darkroom: A Family Exposure (winner of AWP Prize for CNF), and Borrowed Babies: Apprenticing for Motherhood. Her essays have appeared in many anthologies and in magazines such as Brevity, Creative Nonfiction, Fourth Genre, Iron Horse Literary Review, Longreads, and O, The Oprah Magazine. A 2020 NEA Literature Fellow, she teaches at Ball State University and serves as editor of River Teeth: A Journal of Nonfiction Narrative and Beautiful Things (a weekly online magazine of micro nonfiction). Visit her at jillchristman.com. Connect with Jill: https://www.instagram.com/jillchristmanwriter @jillchristman.bsky.social jillchristman.com Order for yourself and all your memoir-loving friends—directly from the University of Nebraska Press or your local independent or by using any of the handy links on my website. Use code 6AS26 for 40% off on any UNP book! Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
Ramona Ausubel is a graduate of the MFA program at the University of California, Irvine. She is the author of the novel No One Is Here Except All of Us and the short story collection A Guide to Being Born. Her work has been published in The New Yorker, One Story, The Paris Review Daily, Best American Fantasy, and elsewhere, and has received special mentions in The Best American Short Stories and The Best American Nonrequired Reading. She has been longlisted for the Frank O'Connor International Short Story Award, and was a finalist for the New York Public Library Young Lions Award and the Pushcart Prize. Her new book is Unstuck: A Writer's Guide. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hafeez Lakhani was born in Hyderabad, India and raised in suburban South Florida. His novel is called Abundance. His fiction and essays have appeared in Crazyhorse, Exposition Review, Salt Hill, Tikkun, The Cortland Review, and The Southern Review, among other places, and have garnered fellowships from PEN America and The Center for Fiction. He was twice recognized with a Notable Essay in Best American Essays and twice nominated for a Pushcart Prize. After publishing his essay, If We Show That We Like They Make More Mainga, he was profiled by the Huffington Post as one of “Eight Fantastic New Writers To Look Out For”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kathy puts the kibosh on our introductory weather ramblings, Slushies. Instead we're sharing what makes us grateful. Seems like, with our combined love of coffee, we're keeping the baristas in business. Aside from java, Tobi's thankful for poetry podcasts (not just ours), including Poem Talk from Penn Sound. Lisa's grateful for the public library that gives her free access to novels like The Copywriter by Daniel Poppick. Eric appreciates his students. And we reveal the secret behind why we're not on YouTube. Of course we're thankful to YOU for listening, Slushies, and to the writers who allow us to discuss their work, like today's featured poet, Sarah Brockhaus. In the first poem, “Still Here,” Eric notes the honest intertwining of the writing and teaching life. And Tobi remarks how the flexible nature of the English language, with its ability to shift nouns into verbs, is on display in the poem. The poem's nimble leaps reminds Jason of Richard Siken's valuable advice to “focus less on the lyric leap and more on the lyric landing.” The second poem challenges us with its frequent use of enjambment and caesura, but the ratio of challenge to pleasure is high. We end with Jason's sage advice on how to structure a submission. Thanks, as always, for listening, Slushies! At the table: Eric Baker, Tobi Kassim, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (Sound Engineer) Author Bio: Sarah Brockhaus is an MFA student at Louisiana State University. She is a co-editor of The Shore Poetry. Her work has been nominated for Best of the Net and the Pushcart Prize and her poems are published or forthcoming in Guernica, The National Poetry Review, American Literary Review, The Greensboro Review and elsewhere. Website: sarahbrockhaus.com Social Media: Instagram: @sarahb._23 Blue Sky: scbrock.bsky.social Still Here I try to teach my students to exist outside themselves and they email about double spacing and panic apologize for 12:01 submissions and I want to see them and say we're real people, all of us, we're real. Do you see? But I stare at my wall for hours and it means nothing. I've been losing things in dreams, each shape afterimages on my lids and I can't see the space around enough to place them. Perhaps there never was a hairbrush, a magnet in the shape of Louisiana, a letter written springs ago. Fingers trace the handwriting by heart like revision, same stories and script but the wrong heart. I'm translating farther and farther from the origin. My nails grow too long. I imagine myself bodiless, avoid reflections. I hold still and myself. There are eight taxidermied ducklings at the craft fair. So like life and so still. I want to break them from the cage, find a way for their bodies to hold again. Phonagnosia A wasp taps again against the window. I imagine the hollow clunk communicating other causes: an acorn slouching from a branch into a pool. A man's head, drunk, hitting the wall lullabically, my hand slid into the space between skin and cinder -block, how one might protect a baby's soft skull from a corner. I try to tell the wasp I am not home and everything from my body sounds human. To sleep I make lists on the uselessness of language: the phrase how are you? and how your doing well is a wall I trace my own name on like tally marks, how the sea swallows song and estranges it, how without air I am voice -less, how I haven't trained my ear to echo locate, and can't even vibrate some signal through a pane of glass, can't replay what you said years ago in any voice but the one inside me, that won't go, won't sound like anyone I know.
Vol. 9 of Story Time, a new series on the program featuring an author reading aloud from his work. In this episode, Kim Samek reads the title story from her acclaimed debut collection, I Am the Ghost Here (The Dial Press). Samek's fiction has won the O.Henry Prize, the Pushcart Prize, and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. A native of Seattle, she studied Creative Writing and German Literature at Stanford University. She lives in Los Angeles. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Watch this episode as a full video interview on YouTubeStephen Fishbach is a Pushcart Prize-winning writer and former television executive who served as a Vice President at MTV. A graduate of Yale with an MFA from NYU, he is widely recognised as a two-time contestant and runner-up on the reality show Survivor. His diverse writing background includes serving as a speechwriter for Stevie Wonder and hosting the literary podcast Paraphrase. Stephen lives in Washington, DC, with his wife and two daughters, and his debut novel, Escape!, was inspired by his unique insider perspective on reality television.We had a fantastic time chatting with Stephen about how a harrowing monsoon in the Cambodian jungle finally gave him the focus to pursue serious fiction. We delve into his transition from the "clown music" of reality TV to winning the Pushcart Prize, and how he used his writing to reclaim narrative control in his debut novel. We also talk about his love for the social deduction game Blood on the Clocktower and the meticulous research required to capture the "texture" of life of a professional Marilyn Monroe impersonator.Links:Buy Escape! nowVisit Stephen's websiteFollow Stephen on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mira is out sick again this week, so instead of a new episode of Brad & Mira for the Culture, I am instead joined by Chris Stuck, who came to my attention recently when he published a very provocative and unusually candid essay on the online literary magazine Zona Motel. The essay is called ‘Chasing Wild Geese Through the Corporate Book World, or How I Became a Hack and Stated Self-Publishing My Fiction.' Stuck is the author of Give My Love to the Savages, a debut story collection published in July 2021 by Amistad/HarperCollins. He was a finalist for the PEN/Robert W. Bingham Prize and the Oregon Book Award, and is a Pushcart Prize winner. His next story collection is called Baby, This is a High-Priced Country, and it will be the first title published on Chris's very own imprint, called Black Heroics Books. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kim Samek is the author of the debut story collection I Am the Ghost Here, available from The Dial Press. Samek's fiction has won the O. Henry Prize, the Pushcart Prize and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. She lives in Los Angeles. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Randy Koch reads his poem "Unfaithful," and Mary Lanham reads her poem "Survivor's guilt," from our Spring 2026 issue.Randy Koch is the author of four collections of poems: Composing Ourselves (Fithian Press, 2002), This Splintered Horse (Finishing Line Press, 2011), and forthcoming in 2026, both Against the Risen Flesh (Alternating Current Press) and Amends (Finishing Line Press). His poems have appeared in The Caribbean Writer, Chiricú Journal, The Texas Observer, Revista Interamericana, Sundial Magazine, and many others. A longtime columnist for LareDOS: A Journal of the Borderlands, he earned an MFA at the University of Wyoming and twice has been nominated for a Pushcart Prize.Mary Lanham is a queer writer, editor, and collage artist based in Minnesota. She is originally from the South; her accent is still around if you know where to look. Mary's poetry has appeared most recently in Sheila-Na-Gig and Amethyst Review, and her online home is inspiritedword.com.
In Wolf.Normal., a divorced mother impulsively decides to go on a challenging wilderness hike with a group of strangers. Over a day's hiking and a night sleeping in a remote cabin, she finds a strength and power within herself that she never realised existed before.Wolf. Normal was written and read by Lynne Curry. The producer was Tabitha Potts.The short story was first published in Literally Stories on March 27, 2026.Alaska/Washington author Lynne Curry—nominated for the 2025 Best of the Net Anthology, the 2024 Pushcart Prize and Best Microfiction—founded “Real-life Writing,” https://bit.ly/45lNbVo and publishes a monthly “Writing from the Cabin” blog, https://bit.ly/3tazJpW and a weekly “dear Abby of the workplace” newspaper column. Curry has published twenty-six short stories; seven poems; two articles on writing craft, and six books.Sound:Wolves - Yellowstone National Park by Nivatius -- https://freesound.org/s/519592/ -- License: Creative Commons 0Photo of wolf courtesy of Scott Liddell at Morguefile.comIt has come to our attention that individuals posing as Story Radio have been approaching writers asking for payment to be on the show. We never ask writers to pay to submit to us; you can visit our Submissions page and send us a story for free or contact us via email to offer us an author interview. If you want to support us, we do have a Patreon and other ways to donate on our website (below).Support Story Radio Podcast
In this rigorously honest conversation, author, speaker, advocate, and young woman in recovery Emi Nietfeld joins Dr. Tiffany Wynn to challenge the cultural narratives that equate suffering with strength and healing with achievement. Together, they explore what it means to reject recovery as a redemption arc and to release the pressure to turn pain into proof of worth.Emi shares her journey through foster care, homelessness, and significant mental health struggles, alongside the complex reality of later achieving many of the success markers society celebrates. She reflects on the dissonance of being seen as a story of resilience while still living with the lasting impacts of trauma, and how ambition can become entangled with survival, shame, and the need to justify one's suffering.Together, Emi and Dr. Tiffany unpack the myths of toxic resilience culture, including the expectation that trauma survivors package their pain into inspirational narratives. They explore the importance of creating communities where young women can be honest about struggling without feeling broken or behind, and how healing is shaped not only by individual effort, but by systems, relationships, and spaces that offer truth, connection, and a sense of belonging.Woven throughout the conversation are reflections from Emi's memoir, Acceptance, and a reminder that recovery is not about becoming stronger, more successful, or more palatable in the aftermath of pain. It is about telling the truth, being witnessed in our humanity, and remembering that we are always worthy of love and belonging—even when we are still healing.About EmiEmi Nietfeld is the author of Acceptance (Penguin Press, 2022), a memoir chronicling her journey through foster care and homelessness while interrogating the true meanings of resilience, ambition, and success.After graduating from Harvard in 2015, she worked as a software engineer, an experience she wrote about in her viral New York Times essay, “After Working At Google, I'll Never Let Myself Love a Job Again.”Emi's passionate about mental health, helping young people navigate their careers, and the connection between engineering and creativity. A dynamic, sought-after speaker, she regularly appears on podcasts, delivers conference keynotes, and speaks at universities and companies.Her essays have appeared in The New York Times, The Atlantic, Teen Vogue, Fortune, The Information, and other publications, been nominated for the Pushcart Prize, noted in The Best American Essays, and taught in classrooms from high schools to MFA programs.Connect with Emi: https://www.eminietfeld.com/ About Dr. TiffanyDr. Tiffany Wynn is a behavioral health leader with a PhD in Counsellor Education who focuses on trauma and resiliency, behavioral management, leadership, and professional development. She serves as trainer and consultant for academic and treatment organizations and is also a woman in long-term recovery. Connect with Dr. Tiffany Wynn: https://www.newexperiencescc.com/ Episode Resources:SHE RECOVERS Support for the Next Generation: https://sherecovers.org/support-for-the-next-generation/ Acceptance, A Memoir: https://www.eminietfeld.com/books “After Working At Google, I'll Never Let Myself Love a Job Again.” New York Times Essay: https://www.nytimes.com/2021/04/07/opinion/google-job-harassment.html
William Huhn is a critically acclaimed, award-winning writer of poetry and narrative essays. Huhn, the grandson of Alcoholics Anonymous co-founder Henrietta Seiberling, graduated from Vassar College with a degree in chemistry. He works for a testing and certification company, overseeing its East Coast laboratories. But despite the science side to him, he is really a creative artist at heart.He studied classical violin from age five and then took up old-time fiddle. He played fiddle across Europe after graduating from college, hoping to raise enough funds to live as a poet. He wrote much poetry during that period and others, many examples of which were published in journals and magazines.Now, years later, his debut poetry collection was released. Bachelor Holiday, which has been praised by Midwest Book Reviews, Literary Titan, and by notable award-winning writers. Kirkus Reviews gave it a starred review and the book was a finalist at American Book Fest's 2024 Book Award for Poetry. It also was the winner of the Literary Titan Gold Book Award for Poetry.He's had numerous narrative essays published in American Literary Review, Sport Literate, Pembroke, Rosebud, and other publications. Eight of these essays were listed as “Notable Essay” in The Best American Essays series. His writings received two honorable mentions in the New Millennium Award (for nonfiction) and twice he received Pushcart Prize nominations for nonfiction.His poetry has been published in Verse Daily, The Carolina Quarterly, Talking River Review, 34th Parallel, San Pedro River Review, Grey Sparrow Journal, Blue Moon Literary and Art Review, and elsewhere. BlazeVOX, his book publisher, is among the most prestigious independent literary presses in the nation.Born in Bryn Mawr, and raised in Devon, Pennsylvania, he also lived in Southern California and New York. He resides in a suburb of New York City with his wife and two young children. For more information, please see: www.williamhuhn.com. Connect on social media:https://www.facebook.com/WilliamBucklerHuhn/https://www.instagram.com/willhuhn/https://x.com/WillHuhnBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
On this episode of Madison BookBeat, host Sara Batkie is joined by author Lisa Low to talk about her new poetry collection, Replica. Stand-up comedy, a celebrity non-apology, observations of racism, and the slipperiness of nostalgia underpin Replica. In poignant, witty poems, Lisa Low navigates the tensions of solidarity and hostility in white spaces as she sets out to write differently about race. “The problem of being with a white man is also a problem of writing,” Low says in a prose poem that turns writing about identity on its head. She peers in from outside the poem, as if through an open ceiling. The poem itself becomes a site of investigation—a counterpoint to constricting narratives about Asian American identity—reimagined as a dollhouse, a stage with props, an image the speaker wears like a bodysuit. Replica asks what it means to represent yourself and your experiences in a world where you are indistinguishable from others. Lisa Low is the author of Crown for the Girl Inside, winner of the Vinyl 45 Chapbook Contest from YesYes Books. She is the recipient of a Pushcart Prize and a Gulf Coast Nonfiction Prize, and her poems have appeared in Copper Nickel, Ecotone, The Massachusetts Review, Poetry, The Southern Review, and elsewhere. She lives in Chicago. Cover design by adam bohannon, with art by Yuqing Zhu
In this episode of The Writing Life Podcast, award-winning writer Jenni Fagan shares the process of writing her latest novel, The Delusions – a story of profound human connection, on an unprecedented scale. Jenni Fagan won the Gordon Burn Prize for her memoir, Ootlin, which was also longlisted for the Women's Prize for Non-Fiction. Her debut novel, The Panopticon, saw her selected as a Granta Best Young British Novelist, and her second novel, The Sunlight Pilgrims, gained her Scottish Author of the Year. Jenni has been listed for the Encore Award, the James Tait Black Memorial Prizes, the Desmond Elliott Prize, the Sunday Times Short Story Award, and the Pushcart Prize. She is a Doctor of Philosophy, a member of Liberty, and a Royal Society of Literature Fellow. She sat down with NCW's Peggy Hughes to reflect on the novel's complex themes, including death and the afterlife, delusion and self-confrontation, and the enduring importance of connection, love, and humanity. They also touch on the ‘absolute freedom' of writing fiction, experimenting with different styles and genres, and how an initial idea can evolve into a vivid, fully realised story.
In this episode of What Are You Reading?, host Jason Blitman sits down with Lisa Lee to talk about the books that shaped and sustained her through the decade-long journey to her debut novel, American Han.Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received other fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, and the Korea Foundation. Her work has appeared in Ploughshares, VIDA, North American Review, Sycamore Review, Gulf Coast, and elsewhere. Lee holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Lisa Lee's Work Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.” Today, March 31, is Pub Day for her novel, American Han. Buy American Han Lisa Lee's Website Review of American Han from Kirkus Reviews At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book's unveiling At about 4:45, Lisa gives info on publishing and buying her book At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up At about 6:15, Lisa responds to Pete's question about her language and reading life in childhood and into young adulthood At about 9:00, Lisa cites Housekeeping by Robinson and Everett's Erasure as changing her perceptions of what writers At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable At about 14L15, Lisa responds to Pete's questions about the meaning(s) of han At about 16:00, Pete sets the book's exposition, and Lisa expands on the narrator Jane's mindset at the beginning of American Han At about 20:45, The two discuss the competitiveness within the family and expectations of Jane's mother At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships At about 26:05, Lisa responds to Pete's question about empathy/sympathy for her characters At about 29:05, Lisa reflects on Pete's wondering about han and intergenerational traumas in the book, and expands upon differences in han's impact in contemporary Korea and among members of the Korean diaspora At about 33:30, Pete highlights a memorable scene that At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator's sister, and his misogyny; Lisa speaks on Kevin's background and sense of han and sense of gender identity At about 40:15, Lisa and Pete discuss the book's timing and pacing and flashbacks At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address At about 45:40, The two reflect on children as the parents' “identity” At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin's horrific act shakes up the family At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off” At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026). In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021. She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment). The episode airs March 31 or April 1. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people. You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.
Naeem Murr, a dual US and UK citizen, is the author of four novels: The Boy, a New York Times Notable Book; The Genius of the Sea; and The Perfect Man, which was awarded The Commonwealth WritersʼPrize for the Best Book of Europe and South Asia, and was longlisted for the Man Booker Prize. His new novel is Every Exit Brings You Home. He is a former Stegner Fellow at Stanford. Among his awards are a Pushcart Prize, a Lannan Residency Fellowship, a PEN Beyond Margins Award, and a Guggenheim Fellowship. He lives in Chicago and teaches at Northwestern University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Notes and Links to Keith O'Brien's Work Keith O'Brien has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years. Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird. Buy Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird Keith O'Brien's Website Review for Heartland from The Wall Street Journal At about 1:50, Pete shouts out his brother as a huge Larry Bird fan At about 2:30, Keith talks about his book tour for the launch of Heartland and gives a summary of the book at about 4:40, Keith responds to Pete asking about the time period covered in the book and how he figured out his angle for the book at about 7:55, Keith talks about his attempts to talk to Larry Bird for the book at about 10:00, Pete sets the record straight grammatically, and Keith expands on Indiana State University President Dick Landini's persona at about 11:20, The two discuss the book's opening sequence, and Keith explains why he started the book where he did, with an Indiana State NIT loss and Larry Bird fracas at about 16:25, Keith talks about Larry Bird's treatment as "The Great White Hope" and the ways in which he was talked about and treated in the late 1970s at about 19:00, Larry Bird's childhood is discussed, including his father's military background, and Larry talks about his research and work to make Joey Bird "three-dimensional" at about 22:40, Keith gives background on the poverty and hardship in Larry Bird's upbringing at about 23:40, Dave Bliss, Bobby Knight, and Larry Bird's college recruitment are discussed at about 24:20, Keith recounts an amazing story involving Denny Crum and Larry Bird's recruitment at about 26:45, Larry's short time at Indiana University and Northwood Institute are highlighted at about 29:40, The two discuss important recruits for Indiana State to team up with Larry Bird, including Harry Morgan and his upbringing in a racist town/society at about 33:00, Larry responds to Pete's asking about the college basketball Magic Johnson/Larry Bird dynamic, and the racial dynamics and popularity of the NBA in the late 1970s at about 36:30, Keith gives background on the Celtics drafting Larry Bird after his junior year of college at about 37:10, Pete discusses the "glue guys" that Coach Hodges brought in to ISU for Larry's third year and the novelty of nationally-televised games at about 39:00, Keith reflects on the fact that while Magic Johnson is crucial to the book's events, he was at the time of the book's action, largely unknown to Larry, and vice versa at about 41:30, Keith responds to Pete's referring to the book's last section, a sort of "Where are they now?" by calling it his favorite section and how the players and connections to ISU were irrevocably-changed You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 334 with Lisa Lee. She is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.” The episode airs on March 31, Pub Day for her novel American Han. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people. You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.
Jane Doughtery writes magical, often apocalyptic fiction. She's been nominated for the Pushcart Prize, and is inspired by myth, history and classical tradition. Also, she's a poet, seeking to capture the moment in a spark of creativity. Her new novel is 'Pasiphae'. It's a re-imagining of the Greek minotaur myth, a bid to reclaim one of its most maligned women. From the perspective of his mother, it's inspired by how women's roles are distored in Irish and Greek mythology. Jane is putting that right.We talk about why she's detached from technology, also about the intention of poetry and what living in the country means for her idea.You can hear why she just wants to live in the world of her novels, what she needs to know to start, and how she wrestles with the fear of rejection.Get a copy of the book at uk.bookshop.org/shop/writersroutineSupport the show - patreon.com/writersroutineko-fi.com/writersroutineRead the newsletter - writersroutine.substack.comThis episode is supported by the 'Quick Book Reviews Podcast' by Philippa Hall. @writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.
Introduction to Lee Upton: I am a multi-genre author, not because I'm polygamous when it comes to genre, but because each genre is addictive and possibly a bit contagious. Along with The Withers and Tabitha, Get Up, I've written seven collections of poetry, two short story collections, a novella, four books of literary criticism, and an essay collection. My poetry has appeared widely, including in The New Yorker, Poetry, and Southern Review, as well as three editions of Best American Poetry. I am the recipient of the Pushcart Prize, Poetry Society of America awards, the Miami University Novella Prize, the Saturnalia Book Prize, and other honors. For over three decades I taught at Lafayette College, where I assumed the title Francis A. March Professor Emerita of English and Writer in Residence when I stepped away from teaching to write full time.
Welcome to the final installment of my interview with Cynthia Weiner, author of “A Gorgeous Excitement,” a coming of age novel set in 1980s New York City that was named a best book of 2025 by The New Yorker, Kirkus Reviews, and Oprah Daily and is freshly out in paperback.Cynthia is also the assistant director of the writer's studio in New York City and her short fiction has been published in “Open City,” “Ploughshares,” and “The Sun,” has earned a Pushcart Prize and been anthologized in Coolest American Stories 2024.In this fun episode, we covered:- The 90s soundtrack that's helping Cynthia get into her next project- The three writers whose examples inspire Cynthia on her own path- Her burning desire to have a house with a yard and, most importantly, a tree- The Max show she's bingeing, her elaborate daily diet soda ritual, the best day of the week, and the fast food meal she's cravingConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
Karen Palmer joins Let's Talk Memoir for a conversation about changing her identity to escape a dangerous ex-husband, being stalked, the consequences of deciding to disappear, coming to grips with the experience of domestic abuse, mistaking grief for maturity, telling a story as truthfully as possible, relinquishing a child, the long-term effect of PTSD, not ever completely knowing ourselves or others, deep truth vs. inconsequential truth, writing about ourself like we are a character, projecting a persona that isn't real, understanding the end of the story late in the writing, moving around in time without losing the reader, believing in a story and the ability to tell it, and her new memoir She's Under Here: a Love Story, a Horror Story, a Reckoning. Also in this episode: -keeping the faith -trying a story out as fiction first -coming of age with many obstacles Books mentioned in this episode: -In the Dream House by Carmen Maria Machado -Bluets by Maggie Nelson -Station Eleven by Emily St. John Mandel Karen Palmer's memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, CO, and lives with her husband in California. Connect with Karen: Website: www.karenpalmer.com Bluesky: bsky.app/profile/karenpalmer.bsky.social Instagram: instagram.com/karenpalmer1989/ Facebook: facebook.com/palmer.karen She's Under Here can be purchased at: AMAZON: https://www.amazon.com/Shes-Under-Here-Karen-Palmer/dp/1643757547?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.V14dH3NYK1_JGqY01snjfw.dGdXTKkQ0h0_uH68hQXjNRQ82iK7rF80ygG6EAeafQ8&qid=1759333809&sr=8-1' BOOKSHOP.ORG: https://bookshop.org/p/books/she-s-under-here-a-memoir-karen-palmer/d5c065268851768c?ean=9781643757544&next=t For a signed copy from Diesel Bookstore: https://dieselbookstore.com/book/9781643757544s Barnes & Noble: https://www.barnesandnoble.com/w/shes-under-here-karen-palmer/1147279207?ean=9781643757544 – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social
This week I'm replaying my interview with Cynthia Weiner, whose amazing coming of age novel set in 1980s New York City, “A Gorgeous Excitement,” is just out in paperback.“A Gorgeous Excitement” is inspired by Cynthia's own 80s upbringing on the Upper East Side of New York, as well as the infamous Preppy Killer, a former prep school student who killed a girl in Central Park in the summer of 1986 and who frequented a bar called Dorian's, where Cynthia spent many nights drinking with friends.Cynthia's work has won the Pushcart Prize and been anthologized in the Coolest American Stories. Cynthia is also the assistant director of The Writer's Studio in New York City where, fun fact, I took classes with her in the early 2000s.We covered:- The award she won in second grade that hooked her on the writing life- How she stumbled into teaching writing- Writing as a “weird compulsion”- The plus sides of working on a novel for nearly 10 years- The daily rituals that help her write- The time management technique that helps her get unstuck- Why catching up with a friend helps her write- How living a boring life leaves more space for the workConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
Liza Moore reads her poem "Under Van Gogh's Stars," and Johanna Caton, O.S.B., reads her poem "Little Dog" from our current Winter issue. Liza Moore is an artist and storyteller who resides with her husband and son in Round Rock, TX. She has created three children's books, and some of her artwork, poetry, and essays have been published in various journals, including Fathom Mag, Ekstasis Magazine, EcoTheo Review, Apple Valley Review, Thimble Lit Mag, Humana Obscura, St. Katherine Review, and Calla Press. To learn more about Liza and her creative work, please visit https://campsite.bio/liza_moore_art.Johanna Caton, O.S.B, is a Benedictine nun of Minster Abbey, in Kent, England. Her poems have appeared in a number of publications, including The Christian Century, St. Austin Review, Ekphrastic Review, Amethyst Review, One Art, Today's American Catholic, Fathom, Fare Forward, Windhover, The Catholic Poetry Room, and in two anthologies published by Amethyst Press: All Shall be Well, Poems for Julian of Norwich and Thin Places and Sacred Spaces. She is a Pushcart Prize nominee.
The Savage, Noble Death of Babs Dionne by Ron Currie is a hard-boiled crime novel from a Pushcart Prize-winning author. Ron joins us to talk about beginning with character, Franco-Americans, imperfect love, the butterfly effect, Maine and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Savage, Noble Death of Babs Dionne by Ron Currie Everything Matters by Ron Currie Flimsy Little Plastic Miracles by Ron Currie The One-Eyed Man by Ron Currie A River Runs Through It by Norman Maclean
In a brand new world filled with snow and wonder, hunters arrive for a day of sport and take the wolf pups' mother away. One wolf pup bravely follows, clearly disobeying his mother's oft spoken “rule of threes” that she used to save their lives.Today's story is Lyra by Pushcart Prize winner Laura Rodley.Read for you by Rob MacWolf — werewolf hitchhiker.thevoice.dog | Apple podcasts | Spotify | Google PodcastsIf you have a story you think would be a good fit, you can check out the requirements, fill out the submission template and get in touch with us.https://thevoice.dog/episode/lyra-by-laura-rodley
Page One, produced and hosted by author Holly Lynn Payne, celebrates the craft that goes into writing the first sentence, first paragraph and first page of your favorite books. The first page is often the most rewritten page of any book because it has to work so hard to do so much—hook the reader. We interview master storytellers on the struggles and stories behind the first page of their books. About the guest author: Crystal King's latest book The Happiness Collector was published by Mira. King is also the author of In the Garden of Monsters, The Chef's Secret and Feast of Sorrow, which was long-listed for the Center for Fiction's First Novel Prize and was a Must Read for the MassBook Awards. Her poetry has been nominated for a Pushcart Prize and she served as the former co-editor of the online literary arts journal Plum Ruby Review. In addition to her literary gifts, fueled by a passion for the food, language and culture of Italy, King is a culinary enthusiast and marketing expert. With an MA in critical thinking, she has taught writing, creativity and social media at multiple universities including Boston University, UMass, Mass College of Art, Grub Street and Harvard Extension. A native of the Pacific Northwest, King has made Boston her home. You can find her and lots of wonderful offerings at crystalking.com and IG @crystallyn14. About the host: Holly Lynn Payne is an award-winning novelist and writing coach, and the former CEO and founder of Booxby, a startup built to help authors succeed. She is an internationally published author of four historical fiction novels. Her debut, The Virgin's Knot, was a Barnes & Noble Discover Great New Writers book. She recently finished her first YA crossover novel inspired by her nephew with Down syndrome. She lives in Marin County with her daughter and enjoys mountain biking, surfing and hiking with her dog. To learn more about her books and private writing coaching services, please visit hollylynnpayne.com or find her at Instagram and Twitter @hollylynnpayne. If you have a first page you'd like to submit to the Page One Podcast, please do so here. As an author and writing coach, I know that the first page of any book has to work so hard to do so much—hook the reader. So I thought to ask your favorite master storytellers how they do their magic to hook YOU. After the first few episodes, it occurred to me that maybe someone listening might be curious how their first page sits with an audience, so I'm opening up Page One to any writer who wants to submit the first page of a book they're currently writing. If your page is chosen, you'll be invited onto the show to read it and get live feedback from one of Page One's master storytellers. Page One exists to inspire, celebrate and promote the work of both well-known and unknown creative talent. You can listen to Page One on Apple podcasts, Spotify, Pandora, Stitcher and all your favorite podcast players. Hear past episodes. If you're interested in getting writing tips and the latest podcast episode updates with the world's beloved master storytellers, please sign up for my very short monthly newsletter at hollylynnpayne.com and follow me @hollylynnpayne on Instagram, Twitter, Goodreads, and Facebook. Your email address is always private and you can always unsubscribe anytime. The Page One Podcast is created at the foot of a mountain in Marin County, California, and is a labor of love in service to writers and book lovers. My intention is to inspire, educate and celebrate. Thank you for being a part of my creative community! Be well and keep reading. ~Holly~ Thank you for listening to the Page One Podcast! I hope you enjoyed this episode as much as I loved hosting, producing, and editing it. If you liked it too, here are three ways to share the love:Please share it on social and tag @hollylynnpayne.Leave a review on your favorite podcast players. Tell your friends. Please keep in touch by signing up to receive my Substack newsletter with the latest episodes each month. Delivered to your inbox with a smile. You can contact me at @hollylynnpayne on IG or send me a message on my website, hollylynnpayne.com.For the love of books and writers,Holly Lynn Payne@hollylynnpaynehost, author, writing coachwww.hollylynnpayne.com
Jane Dougherty discusses with Ivan six things which should be better known. Jane Dougherty, of Irish origin, grew up in Yorkshire and now lives in France. She began writing by coming up with short stories and a YA series for her teenage children. Her first novel was published by an American publisher Musa in 2014. Since then, her poetry and short stories have been published online, in anthologies and magazines. She has been nominated twice for the Pushcart Prize and has published three poetry pamphlets. Her most recent novel, The Darkest Tide was published by Northodox Press in 2025. Pasiphae is available at https://www.waterstones.com/book/9781917163293 Déjà s'envole la fleur maigre (Paul Meyer, 1960) https://www.artforum.com/columns/paul-meyers-deja-senvole-la-fleur-maigre-231206/ Beatrice Cenci https://www.througheternity.com/rome/beatrice-cenci-life-death-rome The Lot-et-Garonne département https://www.guide-du-lot-et-garonne.com/en/tourism/discover/the-lot-et-garonne.html The works of Natalia Ginzburg https://www.nybooks.com/articles/1985/11/07/the-force-of-habit/ The painter Franz Marc https://www.lrb.co.uk/the-paper/v41/n12/michael-hofmann/at-the-orangerie The Irish legend about Grainne and Diarmuid https://www.discoveringireland.com/the-legend-of-diarmuid-and-grainne/ This podcast is powered by ZenCast.fm
This week on the podcast, Patrick and Tracy welcome Damien Ober, author of Voidverse. About Voidverse: When the Sinker was a child, all she knew was violence. To survive, she fled into the Void—a seemingly infinite nothingness where people live on “rocks,” individual lands spread out in all directions, floating in the vast empty space. Some rocks are giant magnets, others burn with eternal flame, and some are influenced by seemingly magical anomalies with such great powers that evil forces would stop at nothing to possess them. And while most are afraid of traveling through the Void, the Sinker is not. With a sword on her back, she speeds through the darkness, running from a past that is quickly gaining on her. Emery only knows the comfort of Fairviel, but when her son falls ill and the Sinker arrives on her doorstep, she ventures into the Void in search of a cure. When she returns, Fairviel is destroyed. With no home, Emery begins to sink, chasing a recurring dream that feels bigger than a dream, that feels like the key to everything. But they are not alone in the Void. Mercenaries rise and fall around them, princes and kings guard their kingdoms, and a great machine fuels its ascent by consuming all in its path. With the Void destabilizing, Emery and the Sinker find themselves at a turning point in history, a moment when everything could collapse or realign, and the only thing that may save them exists at the bottom of it all. Or so legend says… About Damien Ober: Damien Ober is a novelist and screenwriter. He was a writer for the Netflix series The OA and has written scripts and developed TV shows for Paramount+, AMC, Netflix, and Warner Brothers. His work has appeared in The Rumpus, NOON, B O D Y Literature, The Baltimore City Paper, VLAK, and port.man.teau. He was a co-winner of the Sherwood Anderson Award, was nominated for a 2012 Pushcart Prize, and his screenplay Randle Is Benign was selected for the 2013 Black List. This week's picks: Damien: Star Trek: Ascendancy (Board Game) Tracy: Sea Salt & Paper (Game) Patrick: The Game Master’s Book of Instant Towns and Cities by Jeff Ashworth (Author), Tim Baker (Author), Matheus Graef (Illustrator), Luke Eidenschink (Illustrator) & more Links: Damien Ober on Instagram Tracy Townsend on BluSky Patrick Hester on Instagram The Functional Nerds Patreon Page © 2026 Patrick Hester The post Episode 695-With Damien Ober appeared first on The Functional Nerds.
Notes and Links to Peter Orner's Work Peter Orner is the author of eight books, most recently the novel, The Gossip Columnist's Daughter, named one of the best books of 2025 by the New Yorker and the Chicago Tribune, as well as the essay collections, Still No Word from You, a finalist for the PEN Award for the Art of the Essay, and Am I Alone Here?, a finalist for the National Book Critics Circle Award for Criticism. His story collection Maggie Brown and Others was a New York Times Notable Book. Other books include Love and Shame and Love (Winner of the California Book Award) Last Car Over the Sagamore Bridge, The Second Coming of Mavala Shikongo (finalist for the Los Angeles Times Book Award), and Esther Stories. A recipient of the Rome Prize and a Guggenheim Fellowship, Orner is also the editor of three books of oral history for the Voice of Witness series, and co-editor with Laura Lampton Scott of a new oral history series from McSweeney's called “Dispatches.” His work has appeared in The New Yorker, the Atlantic, Harper's, the Paris Review and has been awarded four Pushcart Prizes. With Yvette Benavides, he's the co-host of the Lonely Voice Podcast on Texas Public Radio. Orner recently led short courses on James Joyce's Ulysses, and Melville's Moby-Dick for the Community of Writers/Writers' Annex. He teaches at Dartmouth College and lives in Vermont. Buy The Gossip Columnist's Daughter New York Times Review of The Gossip Columnist's Daughter Peter Orner's Website At about 2:30, Peter responds to Pete's question about the feedback he's gotten since the publication of At about 3:30, Peter expands on ideas of making Chicago concrete for his readers At about 4:40, Peter gives background on family's roots in Chicago and in Eastern Europe At about 6:25, Mike Ditka slander?! At about 7:50, Peter highlights Saul Bellow as a writer who influenced him, as well as Stuart Dybek, Betty Howland, and John Irving among others At about 10:05, Peter reflects on David Foster Wallace as an “Illinois writer” At about 12:10, Peter discusses Zadie Smith and Yiyun Li, and as impressive and chill-inducing contemporary writers At about 13:30, Peter lists some reading favorites of his university students, and he expands on how they are “blown away” by James Joyce's work At about 15:00, The two fanboy over James Joyce's “The Dead” At about 16:15, Peter reflects on Pete asking if his The Gossip Columnist's Daughter would be classified as “historical fiction” At about 17:15, Peter expands on his view of the book's epigraph from Chekhov At about 18:15, Pete cites another great epigraph and great book from Jess Walter At about 18:50, The two lay out the book's exposition, and Peter describes the book's inciting incident, a tragic death At about 20:20, The two discuss the book's beginning as in medias res At about 21:30, Peter talks about the character of Babs as inspired by grandmother, and Pete shares about his Chicago grandfather's longevity At about 22:55, Peter expands on the idea of Jed, the book's narrator, feeling that three key events in 1963 were a pivot point for the family At about 26:15, Jack Ruby and the provinciality and “small world” of Chicago At about 29:10, Pete and Peter lay out Jed's college professor setup At about 30:00, Peter explains the cause of death and theories and conspiracy theories around it At about 31:35, Peter responds to Pete's musings about the old-fashioned “imperative” headlines that At about 33:00, Some of Cookie Kupcinet's last writings are discussed At about 34:30, Peter reflects on the travails and pressures of Cookie At about 36:00, Some of the prodigious pull of Irv Kupcinet is discussed, and Pete compares Irv's work to that of Ace in Casino At about 37:55, Lou Rosenthal's reticence and kinship with Robert Todd Lincoln are discussed At about 39:00, Peter expands on a scene in which the “grieving” narrator walks by the house where his ex-wife and daughter live; he discusses the importance he places on place At about 41:40, Sidney Korshak and his historical background and Chicago connection is discussed At about 44:10, The two discuss doubts in the story about the way in which Cookie died At about 45:20, Cookie's legacy and the ways in which Jed, the narrator, gains a sort of obsession with conspiracy theories and marginalia At about 48:20, Peter talks about the book's storyline as a “family story” and using a “tiny kernel” as a “jump off” point for his book At about 49:20, Peter responds to Pete's questions about the state of the current conspiracy theories involving the Kupcinets and JFK's assassination At about 51:20, The two discuss the breakup of the friendship between the Rosenthals and Kupcinets, as Pete compares a turned-down piece of writing to the book's storyline At about 53:20, Peter reflects on the intrigue that comes with At about 55:00, Peter expands on the “Captain” moniker his grandfather have, and that he played off in his book At about 58:20, The two reflect on the memorable character of Solly At about 1:01:00, Theories involving traumas and low points and broken relationships are discussed At about 1:03:00, Pete highlights a resonant last scene You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 323 with second-time guest Luke Epplin. He is the author Our Team: The Epic Story of Four Men and the World Series That Changed Baseball and Moses and the Doctor: Two Men, One Championship, and the Birth of Modern Basketball. The episode airs on February 13, three days after Pub Day for Moses and the Doctor. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
This week's episode touches upon so many interesting topics for memoirists—from catalyst moments that create the foundational stories of our memoirs; to the ways we can prism experience through “before” and “after”; to the journey of titling and subtitling; to the wild and unpredictable individual journeys that lead to published books. Author Karen Palmer is an insightful guest whose memoir and journey to publication will inspire and propel you along, and remind you to stay the course. Your story matters! Karen Palmer's memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, and lives with her husband in California. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Beth Ann Fennelly is the author of the new book The Irish Goodbye, a collection of micro-memoirs. She was also Poet Laureate of Mississippi from 2016 to 2021 and her work has won a Pushcart Prize and was included in The Best American Poetry series three times. She appeared on the show before for another collection of micro-memoirs titled Heating and Cooling. You can also find Beth Ann Fennelly on a previous episode called MICRO (with Beth Ann Fennelly). We also used one of her micro essays as a launching point for a discussion on Episode GLAMOUR. ------------------------------------- COME TO ROME WITH US: Our third annual Bittersweet Life Roman Adventure is in the books! If you'd like to join us in 2026, and be part of an intimate group of listeners on a magical and unforgettable journey to Rome, discovering the city with us as your guides, find out more here. ADVERTISE WITH US: Reach expats, future expats, and travelers all over the world. Send us an email to get the conversation started. BECOME A PATRON: Pledge your monthly support of The Bittersweet Life and receive awesome prizes in return for your generosity! Visit our Patreon site to find out more. TIP YOUR PODCASTER: Say thanks with a one-time donation to the podcast hosts you know and love. Click here to send financial support via PayPal. (You can also find a Donate button on the desktop version of our website.) The show needs your support to continue. START PODCASTING: If you are planning to start your own podcast, consider Libsyn for your hosting service! Use this affliliate link to get two months free, or use our promo code SWEET when you sign up. SUBSCRIBE: Subscribe to the podcast to make sure you never miss an episode. Click here to find us on a variety of podcast apps. WRITE A REVIEW: Leave us a rating and a written review on iTunes so more listeners can find us. JOIN THE CONVERSATION: If you have a question or a topic you want us to address, send us an email here. You can also connect to us through Twitter, Facebook, and Instagram. Tag #thebittersweetlife with your expat story for a chance to be featured! NEW TO THE SHOW? Don't be afraid to start with Episode 1: OUTSET BOOK: Want to read Tiffany's book, Midnight in the Piazza? Learn more here or order on Amazon. TOUR ROME: If you're traveling to Rome, don't miss the chance to tour the city with Tiffany as your guide!
Scott Laudati has been nominated for the Pushcart Prize three times and won several awards for his fiction and poetry, including the 2018 “Riggs Gold Medal Essay Award,” “The Stark Award In Fiction In Honor Of Henry R. Roth,” and the 2018 “The Jack Grapes Poetry Prize.” Scott currently lives in Brooklyn, New York, and his social media is @scottlaudati Nancy Klepsch interviewed him for Take 5.
This week, Thom Francis welcomes Victor Clevenger to the mic. He performed at The Linda as part of the joint reading put on my the Hudson Valley Writers Guild, Hobo Camp Review, and Trailer Park Quarterly on July 23, 2022. +++++ Collaboration is crucial in the art and literature world. Working together with other writers, publications, and organizations help build a bigger, stronger community. A few years ago, the Hudson Valley Writers Guild began an annual reading series featuring writers from the Guild and online zines Hobo Camp Review and Trailer Park Quarterly. In July 2022, contributors from all three shared their work over two nights in Troy and Albany. Today, we are going to hear from poet and editor Victor Clevenger, who took the stage at The Linda in Albany, NY. Victor's work has appeared in print magazines and journals around the world, and has also been nominated for the Best of the Net Anthology and the Pushcart Prize. He has published several collections of poetry including A Finger in the Hornets' Nest (Red Flag Poetry, 2018), Corned Beef Hash By Candlelight (Luchador Press, 2019), A Wildflower In Blood (Roaring Junior Press, 2020), Scratching to Get By (Between Shadows Press, 2021), and 47 Poems (Crisis Chronicles Press, 2022).
This week's episode is sweeping, interesting, and passionate. Guest Andre Dubus III takes us on a ride through some of memoir's more confounding territory—what's yours to tell; considerations of harm; writing about violence; and getting to truth on the page. Also, Grant has a new book out, and we talk about his book trailer in this week's episode. Watch here.Andre Dubus III has authored nine books including the New York Times' bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His most recent novel, Such Kindness, was published in June 2023, and a collection of personal essays, Ghost Dogs: On Killers and Kin, was published in March 2024. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, three Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. He teaches at the University of Massachusetts Lowell. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
My guest this week is Crystal King, author of the novels “In the Garden of Monsters”--a retelling of the Hades and Persephone myth–“Feast of Sorrow”--about an ancient Roman gourmand–”The Chef's Secret”--about the pope's private chef during the Renaissance--and the brand new “The Happiness Collector,” about a modern-day history professor who lands her dream job in Rome where it slowly becomes apparent that ancient forces are still very much in play.Crystal is a Pushcart Prize–nominated poet and former co-editor of the (now defunct) online literary arts journal Plum Ruby Review. She has taught writing, creativity and social media at UMass Boston, Boston University, Mass College of Art, Harvard Extension School, and Grub Street.In today's episode, we cover:- Why she's obsessed with Italy- Her master's degree in the coolest subject I never realized was an area of study: critical and creative thinking- The master's thesis she was sure could be a book (until agents told her, no actually, it can't)- How teaching writing led to her writing her first novel- The two ways to make it in publishing (and the path she's chosen)- Her one regret in life- How her day job in marketing, social media, and AI helps her as a writer- A frank talk about the financial side of being an author- The cool ways she comes up with ideas- How she writes a book in six months, with a full-time day job- Her plug for writing every dayVisit Crystal at crystalking.com or on Substack @crystalking.For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
In fewer than two dozen lines, Cyrus Cassells's poem “Jasmine” offers readers a multisensory, cinematic immersion into late spring life in Rome. Not only is the “sweet, steady broadcast” of jasmine ever-present amid “the joyous braiding of sun and rain”, but there's also Daria, a “crone-glorious” neighbor, with a story about her romance with the gallant Galliano. It's la dolce vita, without overindulgence or artifice. We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes. Cyrus Cassells, former poet laureate of Texas, is the author of 11 books of poetry, including Is There Room for Another Horse on Your Horse Ranch? (2024), The World That the Shooter Left Us (2022), and More Than Watchmen at Daybreak (2020). Cassells's honors include the 2025 Jackson Poetry Prize from Poets & Writers, a Guggenheim fellowship, a Lambda Literary Award, a Lannan Literary Award, an NAACP Image Award nomination, a National Poetry Series selection, two NEA grants, two Pushcart Prizes, and the Poetry Society of America's William Carlos Williams Award. He is a Regents' and University Distinguished Professor of English at Texas State University.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Send us a textIt was a delight to chat with Walter about creativity, his latest book, The Meaning of Murder, and much more. This episode is one not to miss, especially for writers, or anyone interest in a good human interest story.A former crime reporter, Walter B. Levis' work has appeared in The NY Daily News, The National Law Journal, The Chicago Reporter, The Chicago Lawyer, The New Republic, Show Business Magazine, and The New Yorker, among other publications. He is author of the novel Moments of Doubt. His short stories have appeared widely, and have been chosen for a Henfield Prize and nominated for a Pushcart Prize. His new novel, The Meaning of the Murder, was published in August 2025 by Anaphora Literary Press. For 17 years he taught at the Ethical Culture Fieldston School in New York City. Previously, he served as a Dean at Columbia Grammar & Preparatory School. To learn more about Walter, and to snap up his book, go here https://www.walterlevis.com/Creator/Host: Tammy TakaishiAudio Engineer: Tammy Takaishi Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodRedbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!
Notes and Links to Farah Ali's Work Farah Ali is from Pakistan. She is the writer of the novels Telegraphy (January 2026, CB editions), and The River, The Town, as well as the short story collection People Want to Live. Her fiction has been anthologized in Best Small Fictions and the Pushcart Prize where it has also received special mention. She is the cofounder of Lakeer, a digital space for writing from Pakistan, and reviews editor at Wasafiri.
Notes and Links to Timothy Welbeck's Work Timothy Welbeck, Esq., is an affiliated faculty member in the Department of Africology and African American Studies, where he previously served as an Assistant Professor of Instruction. There he teaches an array of popular courses, including a course he developed entitled Kendrick Lamar and the Morale of the m.A.A.d city. More broadly, Timothy's scholarly work focuses on contemporary issues of racial identity in America, the intersection of racial classifications and the law in the American context, contemporary African American culture, and hip-hop as a microcosm of the Black experience. Timothy has also written several peer-reviewed journal articles including “We Have Come Into This House: The Black Church, Florida's Stop W.O.K.E., and the Fight to Teach Black History.” He also authored “Specter of Reform: The late Sen. Arlen Specter's Criminal Justice Reform, the Violent Crime Control and Law Enforcement Act of 1994, and its Role in Expanding the Modern Prison Industrial Complex,” explores the impact of the infamous 1994 Crime Bill in providing the infrastructure for mass incarceration within the United States. The research, funded by the Arlen Specter Center fellowship, examines how the federalization of criminal law, pursuant to the Commerce Clause, has led to expansive growth in federal law enforcement, imprisonment, and thus setting the foundation for the modern carceral state. Timothy's article “People's Instinctive Travels and the Paths to Rhythms: Hip-Hop's Continuation of the Enduring Tradition of African and African American Rhetorical Forms and Tropes,” examines hip-hop's continuation of centuries-old African cultural norms and aesthetic values. As an attorney, Timothy has long been an advocate for justice, using his legal expertise to defend society's most vulnerable individuals, including survivors of human trafficking, survivors of police brutality, and the indigent. He has also provided crisis management, guidance, and legal counsel to churches and nonprofit organizations across the globe. In that capacity, Timothy is the Chair of the Board of Directors for The Witness Foundation, and an Advisory Board member of For the Future Organization. Timothy has also served as the Civil Rights Attorney for the Philadelphia Chapter of Council on American-Islamic Relations (CAIR), where he defended the constitutionally protected civil rights and liberties of those who experience discrimination and harassment based on their faith, race, ethnicity, and/or national origin, particularly members of the Muslim community within Pennsylvania. As a hip-hop artist, he has released four full length recordings, shared the stage with national and international acts (Janelle Monáe, Jidenna, EPMD, Dead Prez, and Immortal Technique), won songwriting contests (Session 1 Grand Prize in 2010 John Lennon Songwriting Contest), garnered high compliments from hip-hop legends, industry taste-makers (Sway) and record executives (VP of A&R at Def Jam, Lenny S). His latest work, entitled ‘Trane of Thought, is a live recorded hip-hop album that melds songs from his first two albums the musical style of John Coltrane. Timothy presently serves as the Pastor of Formation and a Teaching Elder at Epiphany Church of Wilmington, bringing over twenty years of ministry experience. He fosters spiritual growth through expositional and topical preaching, community engagement, trainings, workshops and spiritual counseling. In his role, he equips Epiphany members to live out their faith practically in their communities and prepare others to do the same. Timothy's work as an attorney and scholar has allowed him to contribute to various media outlets, such as: Axios, BBC Radio 4, CBS, CNN, The Huffington Post, NBC, The New York Times, NPR, The Philadelphia Inquirer, REVOLT TV, The Washington Post, VOX, and 900 WURD AM. He has lectured nationally and internationally at esteemed institutions like: Magdalen College of Oxford University, Georgetown University, Swarthmore College, and provided invited keynote addresses at major corporations like 1Hotels, Campbell Soup, and Merrill Lynch. As a contributing writer, Timothy has bylines in The Huffington Post, The Philadelphia Inquirer, WHYY, and RESPECT Magazine. He earned his J.D. from Villanova University Charles Widger School of Law and his B.A. from Morehouse College, where he graduated cum laude and was awarded the Corella and Bertrand Bonner Scholarship. Timothy finds his greatest joy and fulfillment at home with his wife and three children. Timothy Welbeck's Website Video: “Kendrick Lamar and the Morale of m.A.A.d City Hiphop Course | Prof. Timothy Welbeck Explains” Video Conversation with Georgette from XXL: “Inside the Kendrick Lamar College Course Created to Study His Lyrics and Life” At about 2:50, Timothy highlights some “surreal moments” in his hip hop career and advocacy At about 4:20, Timothy responds to Pete's question about declining or rising advocacy in contemporary hip-hop At about 6:30, Timothy reflects on the balance between a democratization of hip hop and old models of record company control At about 9:05, Timothy talks about his reading background, including a Tim Follett read (!) and other formative works At about 12:10, Timothy talks about being a “late bloomer” in his hip hop exposure At about 13:25, Timothy cites Nas, Lauryn Hill, Blackstar, Outkast, The Roots as some of his favorite rappers and groups At about 14:45, Timothy talks about friends The Remnant and how they helped him to “understand the power of [his] own voice” At about 15:30, Timothy responds to Pete's question about how he listen to music now that he has written about and taught classes so extensively about hip hop At about 17:00, Timothy breaks down his process for listening to music that he will be writing/teaching about At about 17:50, Timothy explains the different ways of ordering Kendrick Lamar's albums/mixtapes, and expands on the class' contours At about 20:30, Timothy talks about the class on Kendrick Lamar's seeds, calling it "serendipitous" At about 23:10, Timothy talks about the class structure, including the foundation established at the beginning of the class At about 26:30, Timothy talks about how he goes about establishing Compton as an entity in itself, while at the same time showing its similarities to other casualties of government neglect and racism At about 28:25, Timothy talks about the "compelling" way in which Kendrick Lamar is both popularly respected and critically-acclaimed At about 31:55, Pete and Tim discuss an early Kendrick Lamar concert At about 32:25, Pete and Tim reflect on Kendrick Lamar's love of Black culture and for important music legends, particularly the way in which he featured titans on To Pimp a Butterfly At about 34:30, Tim describes the great insights At about 36:05, Marcus J. Moore's The Butterfly Effect and Cole Cuchna and his Dissect Podcast are shouted out by Timothy as experts on Kendrick and his work, and DJ Head as well and Curtis King are highlighted as close colleagues of Kendrick's At about 38:00, Timothy shares some of his favorite bars from Kendrick Lamar At about 41:15, Pete and Timothy fanboy over Kendrick's verse on “Nosetalgia” and Timothy gives kudos to Cole Cuchna's breakdown of the numerology of the verse At about 42:10, Timothy talks about a few songs that might be best representative of Kendrick Lamar's music You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, will be up at Chicago Review in the next week or so. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of children's literature on standout writers from the show, including Robert Jones, Jr. and Javier Zamora, as well as Pete's cherished relationship with Levar Burton, Reading Rainbow, and libraries. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 319 with Farah Ali, writer of the novel The River, The Town, and the short story collection People Want to Live. Her fiction has been anthologized in Best Small Fictions and the Pushcart Prize where it has also received special mention. She is the cofounder of Lakeer, a digital space for writing from Pakistan, and reviews editor at Wasafiri. Her novel Telegraphy is out on January 16, from CB editions, and the episode airs on Pub Day. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
Dr. Camille U. Adams joins Let's Talk Memoir for a conversation about generations of mothers choosing to unmother their children, colonial violence in Trinidad and Tobago, stifling relationships, cognitive dissonance, finding the psychological, emotional, and geographical distance we need, narcissism and the golden child, not wanting to tell the story we ultimately find a way to tell, being a poet first, retracting and pulling back to get close to ourselves and write, exigence in memoir, going no contact with family, cocooning ourselves, finding support systems that work, getting into literary magazines, how content creates form, and her 300-page poem How To Be Unmothered: a Trinidadian memoir. Info/Registration for Ronit's 10-Week Memoir Class Memoir Writing: Finding Your Story https://www.pce.uw.edu/courses/memoir-writing-finding-your-story Also in this episode: -the narcissist's nest -using elements of fiction -trusting yourself Books mentioned in this episode: -Thick and Other Essays by Dr. Tressie McMillam Cottom -Ordinary Girls by Jaquira Diaz -Brother, I'm Dying by Edwidge Danticat -Men We Reaped by Jesmyn Ward -The Dragon Can't Dance by Earl Lovelace -The Hurting Kind by Ada Limon Dr. Camille U. Adams is a writer from Trinidad and Tobago. Camille is the author of the memoir, How To Be Unmothered: a Trinidadian memoir, released August 2025 with Restless Books. Her manuscript was recognised as a finalist in the Restless Books Prize in New Immigrant Writing 2023. Camille earned her MFA in Poetry from City College, CUNY and a Ph.D. in Creative Nonfiction from FSU. She has been awarded Best of The Net - nonfiction 2024, and has received five Pushcart Prize nominations, three Best of the Net nominations, and recognition for a notable essay in Best American Essays 2022. Among Camille's awarded fellowships is an inaugural Tin House Reading Fellowship, an inaugural Granta nature writing workshop fellowship, an inaugural Anaphora Arts Italy Writing Retreat Fellowship, a McKnight Doctoral Fellowship, a Community of Writers Erica Ellner Memorial Scholarship, and a Roots Wounds Words Fellowship. Additionally, Camille is a Tin House alum and has received support from Kenyon Writers Workshop, VONA, and others. She has served as a juried reader for Tin House for two consecutive years, as a CNF editor at Variant Lit, and as an assistant editor at Split Lip Magazine and at The Account. Camille currently lives in Brooklyn where she teaches and is hard at work on book two. Connect with Camille: Website: www.camilleuadams.com Instagram: https://www.instagram.com/camille_u_adams Twitter: https://x.com/camille_u_adams Threads: https://www.threads.com/@camille_u_adams Bluesky: https://bsky.app/profile/camilleuadams.bsky.social – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social
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