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Carol Odell joins Let's Talk Memoir for a conversation about being methodically sexually groomed as a girl during her time working at a stable, sexual grooming as a slow desensitization process, interrupting the patterns created from unprocessed trauma, including her experience as a therapist in her pages, trying to trace our behavior and thread the story in the narrative, taking risks and doing deeper work, the divisions within ourselves, writing self back into scenes we've emotionally splintered off from, recognizing ourselves as victims, hybrid publishing through She Writes Press, turning down the volume on critical self-talk, and her new memoir Girl Groomed: A Therapist's Memoir of Trauma. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: - vulnerability - practicing good self-care - being compassionate with ourselves Books mentioned in this episode: - Glass Castle by Jeannette Walls - Educated by Tara Westover - Bird by Bird by Anne Lamott - Writing Down the Bones by Natalie Goldberg Carol Odell, LICSW, grew up riding horses on the show jumping circuit in Virginia. She has been a practicing psychotherapist facilitating groups and working with couples and individuals since 1984. Married for thirty-eight years and the mother of a grown son, her other passions include: squash, pickleball, partner-dancing, mosaics, writing, traveling and being in community with friends and family. She and her husband currently split their time between Seattle and Cle Elum, Washington. Connect with Carol: Website and newsletter: www.carolodellmsw.com Instagram: mosaicofthoughts_ Professional FB page: www.facebook.com/cfodellmsw - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
Hafeez Lakhani was born in Hyderabad, India and raised in suburban South Florida. His fiction and essays have appeared in Crazyhorse, Exposition Review, Salt Hill, Tikkun, The Cortland Review, and The Southern Review, and have garnered fellowships from PEN America and The Center for Fiction. He was twice recognized with a Notable Essay in Best American Essays and twice nominated for a Pushcart Prize. He was profiled by the Huffington Post as one of “Eight Fantastic New Writers to Look Out For.” His debut novel, Abundance, following five members of an American Muslim family across Miami, New York, Monaco, and Gujarat, was a People Magazine Most Anticipated Book of 2026. Hafeez and Barbara DeMarco-Barrett talk about how he knew the novel idea had legs and how he committed to it for the long haul: 12 years in the making! They also talk about when you know a novel is done, how to use your critique groups' feedback, using a Venn diagram, not going to an MFA program, and much more. For more information on Writers on Writing and to become a supporter, visit our Patreon page. For a one-time donation, visit Ko-fi. You can help out the show and indie bookstores by buying books at our bookstore on bookshop.org. It's stocked with titles by our guest authors, as well as our personal favorites. And on Spotify, you'll find an album's worth of typewriter music like what you hear on the show. It's perfect for writing. Look for the artist, Just My Type. You can find hundreds of past interviews on our website. (Recorded on April 28, 2026) Host: Barbara DeMarco-Barrett Host: Marrie Stone Music: Travis Barrett (Stream his music on Spotify, Apple Music, Etc.)
In this episode, C. Christopher Smith, founding editor of ERB, chats with poet Julie Moore, who is also the new producer of this podcast. Chris and Julie offer a behind-the-scenes look at the podcast and discuss Julie's hopes for her work as producer. They also discuss Julie's brand collection of poems, Devil's Backbone, which arrives in bookstores this week.A Best of the Net and eight-time Pushcart Prize nominee, Julie L. Moore is the author of five poetry collections, including, the brand new collection Devil's Backbone. Her previous collection, Full Worm Moon, won a 2018 Woodrow Hall Top Shelf Award and received honorable mention for the Conference on Christianity and Literature's 2018 Book of the Year Award. After directing two university Writing Centers for 20 years, Julie now lives in Indiana and works at Eastern University for its LifeFlex program as a Senior Online Advisor and First Year Composition Instructor.
ADVENT BLUE Will Fortner is very good at his job. As a data manager for the Choice Institute — a global technology conglomerate that transforms raw information into certainty for the world's most powerful clients — he has learned to read patterns that others cannot see. He has also learned that not everything he sees is necessarily to his clients' advantage. This knowledge has made him wealthy. It has also made him deeply, permanently cynical. When Will is recruited for a particularly delicate and far more lucrative contracted query, the Institute insists he take on a companion to ensure his stability. Mirai Redwater is clever, forthright, and entirely impossible to read. As Will moves deeper into the entanglements of the Choice Institute's darker architecture, the question that follows him at every step is the same one that defines the novel: is he being supported — or is he being used? A near-future psychological thriller for readers of Kazuo Ishiguro's "Klara and the Sun", Dave Eggers' "The Circle", and Philip K. Dick. Literary science fiction that does not feel like science fiction — because the world it depicts feels like tomorrow morning. TOPICS OF CONVERSATION The data-driven future behind Advent Blue, where the Choice Institute collects and maps human behavior to predict and influence what people will do, taking today's data tracking many steps further. Will Fortner, the "navigator" who reads people through the map, and how that ability breeds cynicism and isolation, mirrored in the fortress home he builds for himself called the Keep. The key relationships that shape Will: his supervisor Stockton the moral chameleon, his ex Hannah, and his assigned companion Mira, whose foundation of candor and "sacred veil" drive much of the emotional core. The moral machinery of the Institute, including "bomber's morality," the AI handler Emma, and how manipulation gets reframed as serving a greater good. The book's layered symbolism and dualities, from the Phantom Reach painting to Mars as the ordered world and Earth as the mess, and how things can be one thing and its opposite at once. Roland's approach to writing the strange and surreal, grounding the uncanny in recognizable reality so readers connect with the characters on a human level. ABOUT THE AUTHOR After working more than thirty-five years in health care, including three decades of midnight shifts, Roland Allnach has seen life from a different angle. He has worked to develop his writing career, drawing creatively from life experience, literary classics, history, and mythology. His publishing arc began with short stories, one of which was nominated for the Pushcart Prize, and his stories have appeared in numerous publications. From there he branched into book publishing and has since followed with a string of titles ( Remnant, Oddities & Entities, Prism, Oddities & Entities 2: Vessels, The Digital Now, The Writer's Primer, Angela's Arm, and his most recent, Advent Blue ). Although his stories often bridge several genres, his writing dwells most often on the strange and surreal, with strong characterization and cathartic elements, utilizing aspects of science fiction, the supernatural, paranormal, and psychological/Gothic horror. His books have received unanimous critical praise and have been honored with more than a dozen national book awards. He has also served as an active member of his local literary community on Long Island, New York. During his tenure as president of Long Island Authors Group he doubled membership to one hundred authors, implemented the group's unique Traveling Bookstore and later transformed this to a permanent bookstore in conjunction with Islip Arts Council. He also made the group's authors a regular presence at many local town fairs, made appearances at the Brooklyn Book Festival, and represented the group before the New York Library Trustees Association. Roland has also appeared on national and local television, terrestrial and internet radio, and has conducted presentations on publishing at local libraries and art venues. After a break from publishing during and after the COVID pandemic, he has now returned to his writing pursuits. When not immersed in his imagination, he can be found at his website, rolandallnach.com, along with a wealth of information about his stories and experiences as an author. He is also a scale model hobbyist, and his creations can be found on his Youtube channel, Practical Plastic. Creative pursuits aside, his joy in life is the time he spends with his family. Learn more about the author and his work at: www.rolandallnach.com CONNECT WITH ROLAND ALLNACH WEBSITE: www.rolandallnach.com GOOREADS:https://www.goodreads.com/author/show/5181360.Roland_Allnach AMAZON PAGE: https://amzn.to/3Qtjz7f FACEBOOK: https://www.facebook.com/roland.allnach YOUTUBE: https://www.youtube.com/channel/UCDi6-XVqErGMIoXv027j3tw
Cinelle Barnes joins Let's Talk Memoir for a conversation about her brain aneurism rupture, writing a memoir two years after brain surgery, the healing modality that is writing personal narrative, memoir as a palimpsest, having multiple memoirs, narrating from the perspective of the adult, choosing to be in a place of discovery, alternating timelines, offloading thoughts onto sticky notes, when writing becomes episodic and collage like, gratitude as fertilizer for the brain, holding onto our words and art to keep holding onto who we are, investigating the many selves within the self, and her new memoir A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -micromemoirs -fostering neuroplasticity -changing as we explore Books mentioned in this episode: -Easy Beauty by Chloe Cooper Jones -Mother Mary Comes to Me by Arundhati Roy -The Man Who Could Move Clouds by Ingrid Contreras Cinelle Barnes is the Philippine-born author of Monsoon Mansion: A Memoir, Malaya: Essays on Freedom, and A Way Home: A Memoir of Losing Yourself and the Beauty of Returning. She is also the editor of the New York Times “New and Noteworthy” A Measure of Belonging: Twenty-One Writers of Color on the New American South. Cinelle is a survivor of a brain aneurysm rupture and sits on the Brain Injury Leadership Council of South Carolina, and is the recipient of awards and fellowships from the Sustainable Arts Fund, the Authors League Fund, the National Endowment for the Arts, South Arts, and the North American Travel Journalists Association, among others. She has served on the jury panels for several literary awards, including the inaugural Pulitzer Prize for Memoir. Her writing has appeared in Coastal Living, Travel + Leisure, Buzzfeed, Catapult, Electric Literature, and Longreads, among others. Cinelle lives in Charleston, SC, with her husband, daughter, and cat. Connect with Cinelle: Webiste: cinellebarnes.com Instagram: @cinellebarnesbooks Purchase Book via Bookshop: https://bookshop.org/p/books/a-way-home-a-memoir-of-losing-yourself-and-the-beauty-of-returning-cinelle-barnes/1a3f1cce1c657294?ean=9781662510618&next=t - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Well, that's about it for the story of planet Earth, poor Earth, reduced to not much more than a piece of burnt coal. But, as Deb Olin Unferth shows in her latest electrifying novel, life and love persist, even in the most unexpected, inhospitable places.Two women meet on a beach of artificial sand. One was raised in a pod in the ocean and the other may or may not be a robot. Their love—or any love—seems so unlikely. Earth is severely depopulated. Some people have given up, gone off to Mars. Others pursue eternal life as digital code. And yet others, like Dylan and Melanie, are holdouts—and some of those holdouts are constructing a vast molecular collection in hopes that a future person may be alive to make a new Earth. Foolhardy? Misguided? Quixotic? Probably. But what can a human (or a robot) do?By the end of Unferth's wild, poetic, revelatory, and slyly philosophical novel, the reader has traveled to the very edges of the cosmos as a “soul globule” and between grains of sand as a microscopic tardigrade. A slim book tackling big questions (is all matter conscious? will we tech ourselves into salvation, or out of existence?), Earth 7 (Graywolf Press 2026) is a poignant inquiry into death, mourning, and indefatigable life, the most exhilarating work to date by one of our most original and beloved writers. Deb Olin Unferth is the author of seven books, including Barn 8 and Wait Till You See Me Dance. She has received a Guggenheim Fellowship and four Pushcart Prizes, and was a National Books Critics Circle Award finalist. Her work has appeared in Harper's, The Paris Review, Granta, and McSweeney's. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Recommended Books: Victor Pelevin, Omon Ra Jean Stafford, A Mother in History Tanya Tagaq, Split Tooth Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
We're bringing back favorite episodes over the summer as encore editions. Since this episode first aired, poet Jen Siraganian won the 2026 Perugia Press Prize for her debut collection "Everything Has Been Moved, Even the Dead," which is forthcoming in September 2026. Congratulations, Jen! Slushies, we invoke the retelling of a ghostly experience shared by Kathy and Marion at the Hotel Figueroa in California earlier this year partway into this episode. Two poems by Jen Siraganian are at the heart of our discussion, and it's the first of these that puts ghosts into our heads. This poem also causes us to consider at some length the physical form chosen by or for a poem, and how this can utterly enhance the experience of the poem when it's just right. It's also an opportunity for Jason to raise the spectre of the virgule (or slash) once again, and we even pause briefly to recall when WYSIWYG was a useful acronym. We end the episode with an ekphrastic that prompts an on-the-spot tie breaker (thanks to our sound engineer Lillie for saving the day!). https://whitney.org/collection/works/2171 https://www.nga.gov/collection/highlights/gorky-the-artist-and-his-mother.html At the table: Kathleen Volk Miller, Marion Wrenn, Lisa Zerkle, Jason Schneiderman, Dagne Forrest, Jodi Gahn, Derek Grebis (sound engineer) Jen Siraganian is an Armenian-American writer, educator, and former Poet Laureate of Los Gatos, California. Her poetry has appeared or is forthcoming in AGNI, Barrow Street, Best New Poets, Cortland Review, Poetry Daily, Prairie Schooner, The Rumpus, Smartish Pace, and other journals. Her work has been nominated for a Pushcart Prize and won the 2024 New Ohio Review Poetry Prize. A former managing director of Litquake: San Francisco's Literary Festival, she is a current Lucas Artist Fellow. jensiraganian.com Social media handles: Facebook @jen.siraganian, Instagram @jsiraganian, Bluesky @jsiraganian.bsky.social, Website Walking into St. James Cathedral as If We Were Already Ghosts My Father and I View Two Versions of Arshile Gorky's The Artist and his Mother Lip corners sink, an upturned bowl dripping its contents onto the white of her dress. Her eyes, Armenian saucers of round, outline hollows of darkness. Sharing color only, no overlap of limbs or space, shades of pink echo his coat, her lap, a paleness descends. My father nudges my elbow. He seldom mentions his mothers, the one who raised him, the other who gave him away. I want him to discuss the lack of daisies in the boy's hands, the mother's face swaddled in a cocoon of scarf. Instead, he stands, cloud-drifts across the gallery. We bench in front of The Liver is the Cock's Comb. He points to the ferns feuding with triangles, the thorned stems breathing blossom.
Amil Niazi joins Let's Talk Memoir for a conversation about the pressure on children of immigrants, outsiderness, striving to change our circumstances, what happens to women in the workplace after becoming mothers, confronting misogyny and racism, The Hard Part - her series for The Cut, when people are threatened by ambition, avoiding the need to make memoir prescriptive, offering people perspective that is uniquely yours, sticking to our original vision, finding a way to get our books into the worlds, when work, motherhood, and ambition collide, the desire to have more, the journey of a life, and her new memoir Life After Ambition: A “Good Enough” Memoir. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -pivoting -obligatory gratitude -asking ourselves what drives us Books mentioned in this episode: Slouching Toward Bethlehem by Joan Didion Daughter by Claudia Dey Amil Niazi is a writer and producer. She writes The Cut's series on parenting, The Hard Part, and covers work and motherhood and how the two intersect. Her writing has also appeared in The New York Times, The Guardian, and The Washington Post. Connect with Amil: Instagram: https://www.instagram.com/amilniazi/ Ami Niazi's column on The Cut: https://www.thecut.com/author/amil-niazi/ Life After Ambition: https://www.simonandschuster.com/books/Life-After-Ambition/Amil-Niazi/9781668056035 - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
With thanks to “forever” plastics, the earth has reverted to sand and dust. Dylan has been raised by her scientist mother, in a pod under the sea, and longs to escape the loneliness of being confined. The only friend she ever had was a pen pal from Mars, who disappeared. With great effort, she's escorted onto land, to the place of her mother's employment where she becomes the groundskeeper. Unofficially, she begins studying sand. After a few years, the company sends her on a vacation and she meets Melanie, possibly a robot. Love flourishes on the floundering planet, but death is never far, and Dylan's pen pal returns too late in Earth 7 (Graywolf Press 2026), a dystopian novel about the frailty of the planet, the ongoing need for scientific research, and the human struggle for survival. Deb Olin Unferth is the author of seven books, including the novels Barn 8 and Vacation, the memoir Revolution, finalist for the National Book Critics' Circle Award, two story collections, and the graphic novel I, Parrot. Her fiction and essays have appeared in over fifty magazines and journals, including Harper's, the New York Times, The Paris Review, Granta, and McSweeney's. She has received a Guggenheim fellowship, three Pushcart Prizes, a Creative Capital Fellowship for Innovative Literature, fellowships from the MacDowell, Yaddo, and Ucross residencies. She's a professor at the University of Texas at Austin, where she teaches for the Michener Center, the New Writers' Project, and she also directs the Pen City Writers, the prison creative-writing program at a south Texas penitentiary. Unferth founded and directs the Pen City Writers, a creative writing program for incarcerated men at a maximum-security prison in south Texas. The program has been running for ten years, and the students regularly win writing awards from Pen America and the Insider Prize. Their work has appeared in many places, including Vice, StoryQuarterly, the Texas Observer, the Stranger's Guide, and the Marshall Project. Deb and her friend, Lucy Corin, have gone on several research and writing trips together, including to the Sahara Desert for the sand; in 2024, they spent a month in the Arctic to see ice, trying to get as close to the North Pole as possible, and reaching the 82nd parallel. Last year, they rented two pods in a scrub desert Dark Sky area of the US to see darkness. Originally from Chicago, Unferth lives in Austin with philosophy professor Matt Evans. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
On this episode of Madison BookBeat, host Sara Batkie is joined by author Lisa Fishman to talk about her deubt novel, Write Back Now! Acclaimed poet Lisa Fishman's debut novel tracks a peripatetic 1970s childhood and the uprooted friendship between girls who stay connected by mail, until they don't. It opens in a borrowed house in wintry Nova Scotia, where the adult narrator faces the first-ever border closure between her two countries. Framed by these long-separated experiences, the novel keeps almost-beginning again as the narrator tries to figure out where she will be next by figuring out where she has been previously. Along the way, a dead horse, a lost crop, a miscarriage, an extra-tropical cyclone with hurricane-force winds, and more friendships between women emerge. Write Back Now! explores the tensions between experience and loss, imagination and memory, the real and the secretly real. It is now available from Guernica Editions. Lisa Fishman is the author of the story collection World Naked Bike Ride, short-listed for the ReLit Award for Short Fiction. Her fiction has appeared in The Fairy Tale Review, The Rupture, Guesthouse, Flash Boulevard, and Jerry Jazz Musician. A nominee for the PEN/Robert J. Dau Short Story Prize and a Pushcart Prize, Fishman has published eight poetry books, including One Big Time; 24 Pages & other poems; Mad World, Mad Kings, Mad Composition; The Happiness Experiment; and Dear, Read. Her poetry is anthologized in Best American Experimental Poetry, The Arcadia Project: North American Postmodern Pastoral Poetry, The Ecopoetry Anthology, and Fence Books' Not for Mothers Only. With origins in both Montreal and the Detroit area, Fishman is a dual citizen who divides her time between Wisconsin and Eastern Canada. Write Back Now! is her first novel. You can learn more about Lisa on her page at Wave Books
All Home Care Matters and our host, Lance A. Slatton were honored to welcome Cory Fosco as guest to the show. About Cory Fosco: Cory Fosco is the author of The Question of When: A Practical Guide to Knowing When It's Time for Assisted Living, Memory Care, or Skilled Nursing. Cory has spent 34 years in long-term care, beginning in social work and admissions and now working in healthcare technology. He is also the author of the chapbook Empty Streets (Alien Buddha Press, 2024), which contains a Pushcart Prize-nominated story, and his short work has appeared in Superstition Review, Hippocampus, and other publications. Cory holds an MA in Creative Nonfiction from Northwestern University and a BA in Creative Writing from Loyola University Chicago. Cory lives in Chicago with his wife Cyndi.
Melisa Febos joins Let's Talk Memoir for a conversation about romantic obsessions, celibacy as a portal to freedom, living her way into a corner and having to fight her way out, leading with scene and story and plot, taking back the sovereignty of her own mind and body, approaching oneself as a protagonist, leaving out what isn't central to the story, remembering memoir is not a transcription of a time lived, radical feminists, exercising agency and self-reclamation, living an examined life, integrating memories that were indigestible to us in the moment, the project of looking at ourselves honestly, and her most recent book, now in paperback The Dry Season: A Memoir of Pleasure in a Year Without Sex. Ronit's upcoming workshop: Writing Dynamic Memoir: From Lived Experience to Gripping Story https://www.lmcmurtrylitcenter.org/workshops/writing-dynamic-memoir-from-lived-experience-to-gripping-story Also in this episode: -deepending friendships -memoir-plus digressions -writing about our obsessions Books mentioned in this episode: Will and Attention by Meghan O'Gieblyn Canon by Paige Lewis Fat Swim by Emma Copley Eisenberg Melissa Febos is the national bestselling author of five books, including Abandon Me, Girlhood—which won the National Book Critics Circle Award in Criticism, Body Work: The Radical Power of Personal Narrative, and, most recently, The Dry Season. Her awards and fellowships include those from the Guggenheim Foundation, LAMBDA Literary, the National Endowment for the Arts, The British Library, The Black Mountain Institute, MacDowell, the Bogliasco Foundation, The American Library in Paris, and others. Her work has appeared in The Paris Review, The New Yorker, The Sun, The New York Times Magazine, The Best American Essays, Vogue, The Best American Travel and Food Writing, and New York Review of Books. Febos is a Roy J. Carver Professor at the University of Iowa, where she teaches in the Nonfiction Writing Program. She lives in Iowa City with her wife, the poet Donika Kelly. Connect with Melissa: Website: https://www.melissafebos.com/ Instagram: https://www.instagram.com/melissafebos Purchase book via bookshop: This is for the pre-order paperback for The Dry Season https://bookshop.org/p/books/the-dry-season-a-memoir-of-pleasure-in-a-year-without-sex-melissa-febos/f1c8367d8e351d91?ean=9780593685150&next=t - Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
This last episode before summer has us dreaming of the beach, Slushies—watching moonlight on the waves, reading novels in the sand. But not before we share this packed episode with you. Today we welcome special guest, Daniel Kuriakose, to hear about “The Common Well,” the literary journal he's relaunching alongside K Hank Jost. Daniel sticks around for our discussion of two poems by Mara Lee Grayson. We admire the duality on display in the first poem's back and forth-ness which has us pondering the undulation of its syntax. The late reveal of whom the lyric speaker addresses is satisfying surprise. A clever turn of phrase sends the more seasoned members of the team straight to this 90's Divinyls' song. The way enjambment revises meaning after a line break in both of these poems reminds Jason of Heather McHugh's poetry. And ultimately Kathy bring us back to the two questions we ask of every submission: do you want to stay with the poem and do you want to share it? Join us in sharing our deep thanks for two members of our staff who are with us for the final time: Reese, our co-op, and Lillie, our sound engineer. Best of luck to your both in the future. Thank you, Reese! Thank you, Lillie! Over the summer, keep tuning in for a retrospective with deep cuts from our archive. Thanks, as always, for listening! At the table: Dagne Forrest, Tobi Kassim, Daniel Kuriakose (special guest from “A Common Well”), Reese Pfunder, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (sound engineer), Derek Grebis (sound engineer) Author Bio: Mara Lee Grayson's poetry has appeared in Poetry Northwest, Tampa Review, and Nimrod, among other literary journals, and has been nominated multiple times for the Best of the Net and Pushcart Prizes. Grayson is the author or editor of five books of nonfiction. She holds an MFA from The City College of New York and a PhD from Columbia University and was previously a tenured professor in the California State University system. Originally from Brooklyn, New York, she currently resides in New Jersey. Social media: @maraleegrayson Website: maragrayson.com She Winds Her Stems through Fire for Burning Leaves Fend Off the Grief of Being Mowed On the trampoline, young boys next door bounce while inside, their mothers debate wine or coffee. Another weekend when the county's on emergency alert. For now, bees land on dogwood flowers, robins nest in tall trees planted by the prior owners, and my husband's on his knees out back for hours, pulling branches from hydrangeas I have neither time nor thumb to nurture back to life. He's learned a lot in efforts to identify the colony of ants that sent a scout across our deck, through the side door to a cat food bowl, like what distinguishes Bumblebee from Carpenter (they look the same, the bumble fuzzier). A million years of evolution, the male bee still hovers in one place, waiting for a female to fly by. I fold laundry then look up which buds bloomed in 17th Century Versailles. (You'd guess invasive species but, unironically, it's narcissus and orange blossoms.) For years, I worshipped palms on the other side of the Continental Divide, like I was replanted, like new soil could change the nature of the seed. I looked for lightning and caught language in my mouth. I dreamed of blooms, then woke up in the desert, staring at a mountain, believed to be an imprint of ancient gods whose voices echoed off the surface of the earth. The nervous system replicates in utero, its fight or flight part predetermined, part piano keys the brain may tap. Healing, says the therapist, happens in the pendulation. Insects bounce along the glass as children, mothers sip merlot in coffee mugs, and the man I married after you tans wrist to elbow, scratching up his forearms rending dead wood stems. It's sticky business, caught between my lush, infertile soil and flirting with the bees, he knows that when I think about you, I touch my self-concept on the page. What the Fortune Teller Tells Me on the Night I Leave California The Channel Islands will one day rise up in the distance like a resurrected poet high on mescaline and memories of pretty women. You will or won't learn how to tunnel through a prison of the mind. When the wind picks up, she says she was awoken by the rumble of a saw told so many times it must be true. You might as well drive six years backward, park beside a pool in west New Jersey. I think she means beginnings are like endings: eyelid work, a neuron matter, not ontology or god. To transit is to navigate the synapses, trade one water for another, every body's chemistry the same except for how the furniture's arranged, which pieces we keep secret from ourselves. She eschews the label hypocrite, calls herself a hippopotamus instead. Oh, she's drinking like a river now, but can you honestly say you've never felt a kinship for a living being who could crush you and the glass of bourbon in your hand? Maybe when you were a child, your father chalked equations on a dusty blackboard. Your height in centimeters is your adolescent telephone number divided by the times your mother screamed bringing you into this world.
In celebration of the launch of season 8, Jill Christman joins Let's Talk Memoir to interview Ronit about growing up with no blueprint for making a relationship work, fending for ourselves in childhood, being driven by curiosity, writing about others with generosity and complexity, conveying to readers that we are not the only one, the use of speculation to move toward a deeper truth, the key to memoir structure, how the now-narrator reaches a hand back to help the character we were, finding a deeper empathy and understanding, opposite world, trying to look perfectly 1980s, trusting that our memories are trying to tell us something, and Ronit's memoir When She Comes Back. Also in this episode: -Swedish Fish -The Love Boat -being prologue girls Books mentioned in this episode: The Situation and the Story by Vivian Gornick Notes of a Native Son by James Baldwin Stop-Time by Frank Conroy This Boy's Life by Tobias Wolf To Show and to Tell by Pilllip Lopate Jill Christman bio and links: Jill Christman is the author of The Heart Folds Early: A Memoir (released March 2026 from the University of Nebraska Press). Christman's other books include If This Were Fiction: A Love Story in Essays (2023 Foreword INDIES Silver Winner), Darkroom: A Family Exposure (winner of AWP Prize for CNF), and Borrowed Babies: Apprenticing for Motherhood. Her essays have appeared in many anthologies and in magazines such as Brevity, Creative Nonfiction, Fourth Genre, Iron Horse Literary Review, Longreads, and O, The Oprah Magazine. A 2020 NEA Literature Fellow, she teaches at Ball State University and serves as editor of River Teeth: A Journal of Nonfiction Narrative and Beautiful Things (a weekly online magazine of micro nonfiction). Visit her at jillchristman.com. Connect with Jill: https://www.instagram.com/jillchristmanwriter @jillchristman.bsky.social jillchristman.com Order for yourself and all your memoir-loving friends—directly from the University of Nebraska Press or your local independent or by using any of the handy links on my website. Use code 6AS26 for 40% off on any UNP book! Ronit Plank bio and links: Ronit Plank is a writer, teacher, and editor whose work has appeared in The Atlantic, Poets & Writers, River Teeth's Beautiful Things, The Rumpus, Salon, Hippocampus, The New York Times, and elsewhere, earning Best of the Net, Best Microfiction, and multiple Pushcart Prize nominations. Her memoir When She Comes Back was a Book Riot Best True Crime Book and Kirkus Reviews calls it, “An intimate, intuitive, emotionally vivid family account that finds hope in reconciliation". Ronit is also the author of the award-winning short story collection Home is a Made-Up Place, and her work has been anthologized in Selected Memories, Vol. 2: 15 Years of Hippocampus Magazine and Manna Songs: Stories of Jewish Culture and Heritage. Ronit is the Creative Nonfiction Editor at The Citron Review, teaches memoir at a host of venues including the University of Washington's Continuum Program, Antioch University, and 92NY's Roundtable, and is host of the podcast Let's Talk Memoir and the Substack Let's Talk Memoir. Find her on social media @ronitplank Website: www.ronitplank.com Substack: https://substack.com/@ronitplank Instagram: https://www.instagram.com/ronitplank/ When She Comes Back: https://ronitplank.com/when-she-comes-back/
Ramona Ausubel is a graduate of the MFA program at the University of California, Irvine. She is the author of the novel No One Is Here Except All of Us and the short story collection A Guide to Being Born. Her work has been published in The New Yorker, One Story, The Paris Review Daily, Best American Fantasy, and elsewhere, and has received special mentions in The Best American Short Stories and The Best American Nonrequired Reading. She has been longlisted for the Frank O'Connor International Short Story Award, and was a finalist for the New York Public Library Young Lions Award and the Pushcart Prize. Her new book is Unstuck: A Writer's Guide. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hafeez Lakhani was born in Hyderabad, India and raised in suburban South Florida. His novel is called Abundance. His fiction and essays have appeared in Crazyhorse, Exposition Review, Salt Hill, Tikkun, The Cortland Review, and The Southern Review, among other places, and have garnered fellowships from PEN America and The Center for Fiction. He was twice recognized with a Notable Essay in Best American Essays and twice nominated for a Pushcart Prize. After publishing his essay, If We Show That We Like They Make More Mainga, he was profiled by the Huffington Post as one of “Eight Fantastic New Writers To Look Out For”. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kathy puts the kibosh on our introductory weather ramblings, Slushies. Instead we're sharing what makes us grateful. Seems like, with our combined love of coffee, we're keeping the baristas in business. Aside from java, Tobi's thankful for poetry podcasts (not just ours), including Poem Talk from Penn Sound. Lisa's grateful for the public library that gives her free access to novels like The Copywriter by Daniel Poppick. Eric appreciates his students. And we reveal the secret behind why we're not on YouTube. Of course we're thankful to YOU for listening, Slushies, and to the writers who allow us to discuss their work, like today's featured poet, Sarah Brockhaus. In the first poem, “Still Here,” Eric notes the honest intertwining of the writing and teaching life. And Tobi remarks how the flexible nature of the English language, with its ability to shift nouns into verbs, is on display in the poem. The poem's nimble leaps reminds Jason of Richard Siken's valuable advice to “focus less on the lyric leap and more on the lyric landing.” The second poem challenges us with its frequent use of enjambment and caesura, but the ratio of challenge to pleasure is high. We end with Jason's sage advice on how to structure a submission. Thanks, as always, for listening, Slushies! At the table: Eric Baker, Tobi Kassim, Jason Schneiderman, Kathleen Volk Miller, Lisa Zerkle, Lillie Volpe (Sound Engineer) Author Bio: Sarah Brockhaus is an MFA student at Louisiana State University. She is a co-editor of The Shore Poetry. Her work has been nominated for Best of the Net and the Pushcart Prize and her poems are published or forthcoming in Guernica, The National Poetry Review, American Literary Review, The Greensboro Review and elsewhere. Website: sarahbrockhaus.com Social Media: Instagram: @sarahb._23 Blue Sky: scbrock.bsky.social Still Here I try to teach my students to exist outside themselves and they email about double spacing and panic apologize for 12:01 submissions and I want to see them and say we're real people, all of us, we're real. Do you see? But I stare at my wall for hours and it means nothing. I've been losing things in dreams, each shape afterimages on my lids and I can't see the space around enough to place them. Perhaps there never was a hairbrush, a magnet in the shape of Louisiana, a letter written springs ago. Fingers trace the handwriting by heart like revision, same stories and script but the wrong heart. I'm translating farther and farther from the origin. My nails grow too long. I imagine myself bodiless, avoid reflections. I hold still and myself. There are eight taxidermied ducklings at the craft fair. So like life and so still. I want to break them from the cage, find a way for their bodies to hold again. Phonagnosia A wasp taps again against the window. I imagine the hollow clunk communicating other causes: an acorn slouching from a branch into a pool. A man's head, drunk, hitting the wall lullabically, my hand slid into the space between skin and cinder -block, how one might protect a baby's soft skull from a corner. I try to tell the wasp I am not home and everything from my body sounds human. To sleep I make lists on the uselessness of language: the phrase how are you? and how your doing well is a wall I trace my own name on like tally marks, how the sea swallows song and estranges it, how without air I am voice -less, how I haven't trained my ear to echo locate, and can't even vibrate some signal through a pane of glass, can't replay what you said years ago in any voice but the one inside me, that won't go, won't sound like anyone I know.
Vol. 9 of Story Time, a new series on the program featuring an author reading aloud from his work. In this episode, Kim Samek reads the title story from her acclaimed debut collection, I Am the Ghost Here (The Dial Press). Samek's fiction has won the O.Henry Prize, the Pushcart Prize, and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. A native of Seattle, she studied Creative Writing and German Literature at Stanford University. She lives in Los Angeles. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
Watch this episode as a full video interview on YouTubeStephen Fishbach is a Pushcart Prize-winning writer and former television executive who served as a Vice President at MTV. A graduate of Yale with an MFA from NYU, he is widely recognised as a two-time contestant and runner-up on the reality show Survivor. His diverse writing background includes serving as a speechwriter for Stevie Wonder and hosting the literary podcast Paraphrase. Stephen lives in Washington, DC, with his wife and two daughters, and his debut novel, Escape!, was inspired by his unique insider perspective on reality television.We had a fantastic time chatting with Stephen about how a harrowing monsoon in the Cambodian jungle finally gave him the focus to pursue serious fiction. We delve into his transition from the "clown music" of reality TV to winning the Pushcart Prize, and how he used his writing to reclaim narrative control in his debut novel. We also talk about his love for the social deduction game Blood on the Clocktower and the meticulous research required to capture the "texture" of life of a professional Marilyn Monroe impersonator.Links:Buy Escape! nowVisit Stephen's websiteFollow Stephen on InstagramSupport us on Patreon and get the podcast early and ad-free, along with other great benefits, including a bonus episodes: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.
A. J. Bermudez speaks to Emily Everett about her story “The Sixteenth Brother,” which appears in The Common's fall issue. With a fable-like feel, the story explores the dynamics of family and gender roles in Morocco, as fifteen brothers scheme to convince their youngest sibling to allow the sale of the family's ancient and opulent riyad. A. J. discusses the story's framing device—a storyteller relaying it, almost like gossip—and how it creates both intimacy and distance. She also talks about her work in film, and the interplay between writing for the page and for the screen. A. J. Bermudez is an award-winning writer and director who divides her time between Los Angeles and New York. She is the author of Stories No One Hopes Are About Them, winner of the Iowa Short Fiction Award and a Lambda Literary Award finalist. She is a recipient of the PAGE Award, the Diverse Voices Award, the Alpine Fellowship Writing Prize, the Pushcart Prize, and the Steinbeck Fellowship. In addition to writing and filmmaking, she is also a former boxer and EMT, and her work gravitates toward contemporary intersections of power, privilege, and place. Read the story in The Common here. Learn more about A. J. and her work here. The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook. Emily Everett is managing editor of the magazine and host of the podcast. In 2025 her debut novel All That Life Can Afford was a Reese's Book Club pick, and her work appeared in The New York Times Modern Love column. Previous publications include the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction. Learn more about your ad choices. Visit megaphone.fm/adchoices
Mira is out sick again this week, so instead of a new episode of Brad & Mira for the Culture, I am instead joined by Chris Stuck, who came to my attention recently when he published a very provocative and unusually candid essay on the online literary magazine Zona Motel. The essay is called ‘Chasing Wild Geese Through the Corporate Book World, or How I Became a Hack and Stated Self-Publishing My Fiction.' Stuck is the author of Give My Love to the Savages, a debut story collection published in July 2021 by Amistad/HarperCollins. He was a finalist for the PEN/Robert W. Bingham Prize and the Oregon Book Award, and is a Pushcart Prize winner. His next story collection is called Baby, This is a High-Priced Country, and it will be the first title published on Chris's very own imprint, called Black Heroics Books. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kim Samek is the author of the debut story collection I Am the Ghost Here, available from The Dial Press. Samek's fiction has won the O. Henry Prize, the Pushcart Prize and has been cited as a distinguished story in Best American Short Stories. Her stories appear in Zyzzyva, The Threepenny Review, Story, Guernica, and elsewhere. She works as a TV writer and producer, with credits including WordGirl and Catfish, and her writing has been nominated for an Emmy Award. She lives in Los Angeles. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Randy Koch reads his poem "Unfaithful," and Mary Lanham reads her poem "Survivor's guilt," from our Spring 2026 issue.Randy Koch is the author of four collections of poems: Composing Ourselves (Fithian Press, 2002), This Splintered Horse (Finishing Line Press, 2011), and forthcoming in 2026, both Against the Risen Flesh (Alternating Current Press) and Amends (Finishing Line Press). His poems have appeared in The Caribbean Writer, Chiricú Journal, The Texas Observer, Revista Interamericana, Sundial Magazine, and many others. A longtime columnist for LareDOS: A Journal of the Borderlands, he earned an MFA at the University of Wyoming and twice has been nominated for a Pushcart Prize.Mary Lanham is a queer writer, editor, and collage artist based in Minnesota. She is originally from the South; her accent is still around if you know where to look. Mary's poetry has appeared most recently in Sheila-Na-Gig and Amethyst Review, and her online home is inspiritedword.com.
In Wolf.Normal., a divorced mother impulsively decides to go on a challenging wilderness hike with a group of strangers. Over a day's hiking and a night sleeping in a remote cabin, she finds a strength and power within herself that she never realised existed before.Wolf. Normal was written and read by Lynne Curry. The producer was Tabitha Potts.The short story was first published in Literally Stories on March 27, 2026.Alaska/Washington author Lynne Curry—nominated for the 2025 Best of the Net Anthology, the 2024 Pushcart Prize and Best Microfiction—founded “Real-life Writing,” https://bit.ly/45lNbVo and publishes a monthly “Writing from the Cabin” blog, https://bit.ly/3tazJpW and a weekly “dear Abby of the workplace” newspaper column. Curry has published twenty-six short stories; seven poems; two articles on writing craft, and six books.Sound:Wolves - Yellowstone National Park by Nivatius -- https://freesound.org/s/519592/ -- License: Creative Commons 0Photo of wolf courtesy of Scott Liddell at Morguefile.comIt has come to our attention that individuals posing as Story Radio have been approaching writers asking for payment to be on the show. We never ask writers to pay to submit to us; you can visit our Submissions page and send us a story for free or contact us via email to offer us an author interview. If you want to support us, we do have a Patreon and other ways to donate on our website (below).Support Story Radio Podcast
In this rigorously honest conversation, author, speaker, advocate, and young woman in recovery Emi Nietfeld joins Dr. Tiffany Wynn to challenge the cultural narratives that equate suffering with strength and healing with achievement. Together, they explore what it means to reject recovery as a redemption arc and to release the pressure to turn pain into proof of worth.Emi shares her journey through foster care, homelessness, and significant mental health struggles, alongside the complex reality of later achieving many of the success markers society celebrates. She reflects on the dissonance of being seen as a story of resilience while still living with the lasting impacts of trauma, and how ambition can become entangled with survival, shame, and the need to justify one's suffering.Together, Emi and Dr. Tiffany unpack the myths of toxic resilience culture, including the expectation that trauma survivors package their pain into inspirational narratives. They explore the importance of creating communities where young women can be honest about struggling without feeling broken or behind, and how healing is shaped not only by individual effort, but by systems, relationships, and spaces that offer truth, connection, and a sense of belonging.Woven throughout the conversation are reflections from Emi's memoir, Acceptance, and a reminder that recovery is not about becoming stronger, more successful, or more palatable in the aftermath of pain. It is about telling the truth, being witnessed in our humanity, and remembering that we are always worthy of love and belonging—even when we are still healing.About EmiEmi Nietfeld is the author of Acceptance (Penguin Press, 2022), a memoir chronicling her journey through foster care and homelessness while interrogating the true meanings of resilience, ambition, and success.After graduating from Harvard in 2015, she worked as a software engineer, an experience she wrote about in her viral New York Times essay, “After Working At Google, I'll Never Let Myself Love a Job Again.”Emi's passionate about mental health, helping young people navigate their careers, and the connection between engineering and creativity. A dynamic, sought-after speaker, she regularly appears on podcasts, delivers conference keynotes, and speaks at universities and companies.Her essays have appeared in The New York Times, The Atlantic, Teen Vogue, Fortune, The Information, and other publications, been nominated for the Pushcart Prize, noted in The Best American Essays, and taught in classrooms from high schools to MFA programs.Connect with Emi: https://www.eminietfeld.com/ About Dr. TiffanyDr. Tiffany Wynn is a behavioral health leader with a PhD in Counsellor Education who focuses on trauma and resiliency, behavioral management, leadership, and professional development. She serves as trainer and consultant for academic and treatment organizations and is also a woman in long-term recovery. Connect with Dr. Tiffany Wynn: https://www.newexperiencescc.com/ Episode Resources:SHE RECOVERS Support for the Next Generation: https://sherecovers.org/support-for-the-next-generation/ Acceptance, A Memoir: https://www.eminietfeld.com/books “After Working At Google, I'll Never Let Myself Love a Job Again.” New York Times Essay: https://www.nytimes.com/2021/04/07/opinion/google-job-harassment.html
William Huhn is a critically acclaimed, award-winning writer of poetry and narrative essays. Huhn, the grandson of Alcoholics Anonymous co-founder Henrietta Seiberling, graduated from Vassar College with a degree in chemistry. He works for a testing and certification company, overseeing its East Coast laboratories. But despite the science side to him, he is really a creative artist at heart.He studied classical violin from age five and then took up old-time fiddle. He played fiddle across Europe after graduating from college, hoping to raise enough funds to live as a poet. He wrote much poetry during that period and others, many examples of which were published in journals and magazines.Now, years later, his debut poetry collection was released. Bachelor Holiday, which has been praised by Midwest Book Reviews, Literary Titan, and by notable award-winning writers. Kirkus Reviews gave it a starred review and the book was a finalist at American Book Fest's 2024 Book Award for Poetry. It also was the winner of the Literary Titan Gold Book Award for Poetry.He's had numerous narrative essays published in American Literary Review, Sport Literate, Pembroke, Rosebud, and other publications. Eight of these essays were listed as “Notable Essay” in The Best American Essays series. His writings received two honorable mentions in the New Millennium Award (for nonfiction) and twice he received Pushcart Prize nominations for nonfiction.His poetry has been published in Verse Daily, The Carolina Quarterly, Talking River Review, 34th Parallel, San Pedro River Review, Grey Sparrow Journal, Blue Moon Literary and Art Review, and elsewhere. BlazeVOX, his book publisher, is among the most prestigious independent literary presses in the nation.Born in Bryn Mawr, and raised in Devon, Pennsylvania, he also lived in Southern California and New York. He resides in a suburb of New York City with his wife and two young children. For more information, please see: www.williamhuhn.com. Connect on social media:https://www.facebook.com/WilliamBucklerHuhn/https://www.instagram.com/willhuhn/https://x.com/WillHuhnBecome a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Growing up in the San Francisco Bay Area in the 1980s, Jane Kim and her brother, Kevin, dutifully embodied the model minority myth as their parents demanded: both stellar tennis players and academically gifted, they worked hard to make their parents proud. Jane went on to law school. Kevin came close to becoming a professional tennis player. But where they started is nowhere near where they have ended up: Jane has stopped going to her law school classes, and Kevin, now a policeman, has become increasingly distant. Their parents, each on their own path toward the elusive American Dream (their mother hell-bent on having the perfect house and the perfect family, their father obsessed with working his way up from one successful business to the next), don't want to see the family unraveling. When Kevin goes missing, no one recognizes his absence as the warning sign it is until it erupts, forcing them all to come to terms with their past and present selves in a country that isn't all it promised it would be. Both deeply serious and wickedly funny, American Han (Algonquin Books, 2026) is a profound story about striving and assimilation, difficult love, and family fidelity. A searing portrait that challenges assumptions about the immigrant experience, Lisa Lee's debut introduces a powerful new voice on the literary landscape. Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received additional fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, the Korea Foundation, and others. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, Gulf Coast, Tusculum Review, Reed Magazine, New World Writing, and elsewhere. She holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles and grew up in Napa, California. Recommended Books: Giada Scodellaro, Ruins, Child Morgan Day, The Oldest Bitch Alive Elaine H. Kim, “Home is Where the Han Is” Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature
On this episode of Madison BookBeat, host Sara Batkie is joined by author Lisa Low to talk about her new poetry collection, Replica. Stand-up comedy, a celebrity non-apology, observations of racism, and the slipperiness of nostalgia underpin Replica. In poignant, witty poems, Lisa Low navigates the tensions of solidarity and hostility in white spaces as she sets out to write differently about race. “The problem of being with a white man is also a problem of writing,” Low says in a prose poem that turns writing about identity on its head. She peers in from outside the poem, as if through an open ceiling. The poem itself becomes a site of investigation—a counterpoint to constricting narratives about Asian American identity—reimagined as a dollhouse, a stage with props, an image the speaker wears like a bodysuit. Replica asks what it means to represent yourself and your experiences in a world where you are indistinguishable from others. Lisa Low is the author of Crown for the Girl Inside, winner of the Vinyl 45 Chapbook Contest from YesYes Books. She is the recipient of a Pushcart Prize and a Gulf Coast Nonfiction Prize, and her poems have appeared in Copper Nickel, Ecotone, The Massachusetts Review, Poetry, The Southern Review, and elsewhere. She lives in Chicago. Cover design by adam bohannon, with art by Yuqing Zhu
In this episode of What Are You Reading?, host Jason Blitman sits down with Lisa Lee to talk about the books that shaped and sustained her through the decade-long journey to her debut novel, American Han.Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. She has received other fellowships and awards from Kundiman, Millay Arts, Hedgebrook, the Rona Jaffe Foundation, Tin House, Jentel Artist Residency, and the Korea Foundation. Her work has appeared in Ploughshares, VIDA, North American Review, Sycamore Review, Gulf Coast, and elsewhere. Lee holds an MFA from the University of Houston and a PhD in Creative Writing and Literature from the University of Southern California. She lives in Los Angeles.Sign up for the Gays Reading Book Club HERESUBSTACK! MERCH! WATCH! CONTACT! hello@gaysreading.com Hosted on Acast. See acast.com/privacy for more information.
Notes and Links to Lisa Lee's Work Lisa Lee is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.” Today, March 31, is Pub Day for her novel, American Han. Buy American Han Lisa Lee's Website Review of American Han from Kirkus Reviews At about 1:40, Lisa discusses the exhaustion and excitement that comes with Pub Day and the book's unveiling At about 4:45, Lisa gives info on publishing and buying her book At about 5:40, Lisa and Pete shout out meaningful writers in her life and talk about her book events coming up At about 6:15, Lisa responds to Pete's question about her language and reading life in childhood and into young adulthood At about 9:00, Lisa cites Housekeeping by Robinson and Everett's Erasure as changing her perceptions of what writers At about 10:30, Lisa expands upon the greatness of Percival Evertett, homing in on Erasure At about 13:20, Pete reads a generic definition of han and compares it to a word like saudade that is virtually untranslatable At about 14L15, Lisa responds to Pete's questions about the meaning(s) of han At about 16:00, Pete sets the book's exposition, and Lisa expands on the narrator Jane's mindset at the beginning of American Han At about 20:45, The two discuss the competitiveness within the family and expectations of Jane's mother At about 21:45, Lisa responds to Pete asking about the quote that Jane has succeeded “despite” her mother, not “because of” her mother At about 25:15, Pete cites the Korean folk tale of Chun in talking about parental-child relationships and sibling relationships At about 26:05, Lisa responds to Pete's question about empathy/sympathy for her characters At about 29:05, Lisa reflects on Pete's wondering about han and intergenerational traumas in the book, and expands upon differences in han's impact in contemporary Korea and among members of the Korean diaspora At about 33:30, Pete highlights a memorable scene that At about 34:05, Pete riffs on the "manosphere" and connections to Kevin, the narrator's sister, and his misogyny; Lisa speaks on Kevin's background and sense of han and sense of gender identity At about 40:15, Lisa and Pete discuss the book's timing and pacing and flashbacks At about 42:40, Pete highlights an important and well-drawn scene about an alternate way of being mother and daughter At about 43:55, Lisa expands on a Korean custom of associating parents with their children through different forms of address At about 45:40, The two reflect on children as the parents' “identity” At about 46:40, Pete points out the independence of the mother and father at a point in the book where Kevin's horrific act shakes up the family At about 47:35, The two discuss the importance of a family vacation and ideas of “let[ting] the lid off” At about 48:10, Pete asks Lisa about ending the book as she does, with a flashback, and with the tone that she uses You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 335 with Toni Ann Johnson, who won the 2024 Screen Door Press Prize for Fiction with her linked collection, BUT WHERE'S HOME? (UPK 2026). In 2021, she won the Flannery O'Connor Award for her linked short story collection LIGHT SKIN GONE TO WASTE (UGA Press 2022). The collection was shortlisted for an NAACP Image Award for Outstanding Literary Work, and also shortlisted for the Saroyan Prize. A novella, HOMEGOING, won Accents Publishing's inaugural novella contest in 2020 and was released in May of 2021. She is also a screenwriter with a number of produced projects to her credit including, Ruby Bridges (ABC), Crown Heights (Showtime), The Courage to Love (Lifetime) the TV pilot, Save The Last Dance (Fox Television), and the feature film, Step Up 2: The Streets (Summit Entertainment). The episode airs March 31 or April 1. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people. You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.
Naeem Murr, a dual US and UK citizen, is the author of four novels: The Boy, a New York Times Notable Book; The Genius of the Sea; and The Perfect Man, which was awarded The Commonwealth WritersʼPrize for the Best Book of Europe and South Asia, and was longlisted for the Man Booker Prize. His new novel is Every Exit Brings You Home. He is a former Stegner Fellow at Stanford. Among his awards are a Pushcart Prize, a Lannan Residency Fellowship, a PEN Beyond Margins Award, and a Guggenheim Fellowship. He lives in Chicago and teaches at Northwestern University. Learn more about your ad choices. Visit megaphone.fm/adchoices
Notes and Links to Keith O'Brien's Work Keith O'Brien has written five books, won the PEN America award for best biography, and has contributed to multiple publications over the years. Keith's work has appeared in the New York Times Magazine, the Atlantic, Rolling Stone, the Wall Street Journal, and on National Public Radio. His radio stories have aired on All Things Considered, Morning Edition, and Weekend Edition, as well as Marketplace and This American Life. His latest gem is Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird. Buy Heartland: A Forgotten Place, an Impossible Dream, and the Miracle of Larry Bird Keith O'Brien's Website Review for Heartland from The Wall Street Journal At about 1:50, Pete shouts out his brother as a huge Larry Bird fan At about 2:30, Keith talks about his book tour for the launch of Heartland and gives a summary of the book at about 4:40, Keith responds to Pete asking about the time period covered in the book and how he figured out his angle for the book at about 7:55, Keith talks about his attempts to talk to Larry Bird for the book at about 10:00, Pete sets the record straight grammatically, and Keith expands on Indiana State University President Dick Landini's persona at about 11:20, The two discuss the book's opening sequence, and Keith explains why he started the book where he did, with an Indiana State NIT loss and Larry Bird fracas at about 16:25, Keith talks about Larry Bird's treatment as "The Great White Hope" and the ways in which he was talked about and treated in the late 1970s at about 19:00, Larry Bird's childhood is discussed, including his father's military background, and Larry talks about his research and work to make Joey Bird "three-dimensional" at about 22:40, Keith gives background on the poverty and hardship in Larry Bird's upbringing at about 23:40, Dave Bliss, Bobby Knight, and Larry Bird's college recruitment are discussed at about 24:20, Keith recounts an amazing story involving Denny Crum and Larry Bird's recruitment at about 26:45, Larry's short time at Indiana University and Northwood Institute are highlighted at about 29:40, The two discuss important recruits for Indiana State to team up with Larry Bird, including Harry Morgan and his upbringing in a racist town/society at about 33:00, Larry responds to Pete's asking about the college basketball Magic Johnson/Larry Bird dynamic, and the racial dynamics and popularity of the NBA in the late 1970s at about 36:30, Keith gives background on the Celtics drafting Larry Bird after his junior year of college at about 37:10, Pete discusses the "glue guys" that Coach Hodges brought in to ISU for Larry's third year and the novelty of nationally-televised games at about 39:00, Keith reflects on the fact that while Magic Johnson is crucial to the book's events, he was at the time of the book's action, largely unknown to Larry, and vice versa at about 41:30, Keith responds to Pete's referring to the book's last section, a sort of "Where are they now?" by calling it his favorite section and how the players and connections to ISU were irrevocably-changed You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up now at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 334 with Lisa Lee. She is the recipient of the Marianne Russo Emerging Writer Award from the Key West Literary Seminar, an Emerging Writer Fellowship from the Center for Fiction, and a Pushcart Prize. Her work has appeared in Ploughshares, VIDA: Women in Literary Arts, North American Review, Sycamore Review, and elsewhere. Her essay on racial invisibility and erasure in the writing workshop was featured on Bitch Media's feminism & pop culture podcast Popaganda, on the episode “Writing About Race.” The episode airs on March 31, Pub Day for her novel American Han. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people. You can also donate at chuffed.org, World Central Kitchen, and so many more, and/or you can contact writer friend Ursula Villarreal-Moura directly or through Pete, as she has direct links with friends in Gaza.
Jane Doughtery writes magical, often apocalyptic fiction. She's been nominated for the Pushcart Prize, and is inspired by myth, history and classical tradition. Also, she's a poet, seeking to capture the moment in a spark of creativity. Her new novel is 'Pasiphae'. It's a re-imagining of the Greek minotaur myth, a bid to reclaim one of its most maligned women. From the perspective of his mother, it's inspired by how women's roles are distored in Irish and Greek mythology. Jane is putting that right.We talk about why she's detached from technology, also about the intention of poetry and what living in the country means for her idea.You can hear why she just wants to live in the world of her novels, what she needs to know to start, and how she wrestles with the fear of rejection.Get a copy of the book at uk.bookshop.org/shop/writersroutineSupport the show - patreon.com/writersroutineko-fi.com/writersroutineRead the newsletter - writersroutine.substack.comThis episode is supported by the 'Quick Book Reviews Podcast' by Philippa Hall. @writerspodwritersroutine.com Hosted on Acast. See acast.com/privacy for more information.
Introduction to Lee Upton: I am a multi-genre author, not because I'm polygamous when it comes to genre, but because each genre is addictive and possibly a bit contagious. Along with The Withers and Tabitha, Get Up, I've written seven collections of poetry, two short story collections, a novella, four books of literary criticism, and an essay collection. My poetry has appeared widely, including in The New Yorker, Poetry, and Southern Review, as well as three editions of Best American Poetry. I am the recipient of the Pushcart Prize, Poetry Society of America awards, the Miami University Novella Prize, the Saturnalia Book Prize, and other honors. For over three decades I taught at Lafayette College, where I assumed the title Francis A. March Professor Emerita of English and Writer in Residence when I stepped away from teaching to write full time.
Welcome to the final installment of my interview with Cynthia Weiner, author of “A Gorgeous Excitement,” a coming of age novel set in 1980s New York City that was named a best book of 2025 by The New Yorker, Kirkus Reviews, and Oprah Daily and is freshly out in paperback.Cynthia is also the assistant director of the writer's studio in New York City and her short fiction has been published in “Open City,” “Ploughshares,” and “The Sun,” has earned a Pushcart Prize and been anthologized in Coolest American Stories 2024.In this fun episode, we covered:- The 90s soundtrack that's helping Cynthia get into her next project- The three writers whose examples inspire Cynthia on her own path- Her burning desire to have a house with a yard and, most importantly, a tree- The Max show she's bingeing, her elaborate daily diet soda ritual, the best day of the week, and the fast food meal she's cravingConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
Karen Palmer joins Let's Talk Memoir for a conversation about changing her identity to escape a dangerous ex-husband, being stalked, the consequences of deciding to disappear, coming to grips with the experience of domestic abuse, mistaking grief for maturity, telling a story as truthfully as possible, relinquishing a child, the long-term effect of PTSD, not ever completely knowing ourselves or others, deep truth vs. inconsequential truth, writing about ourself like we are a character, projecting a persona that isn't real, understanding the end of the story late in the writing, moving around in time without losing the reader, believing in a story and the ability to tell it, and her new memoir She's Under Here: a Love Story, a Horror Story, a Reckoning. Also in this episode: -keeping the faith -trying a story out as fiction first -coming of age with many obstacles Books mentioned in this episode: -In the Dream House by Carmen Maria Machado -Bluets by Maggie Nelson -Station Eleven by Emily St. John Mandel Karen Palmer's memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, CO, and lives with her husband in California. Connect with Karen: Website: www.karenpalmer.com Bluesky: bsky.app/profile/karenpalmer.bsky.social Instagram: instagram.com/karenpalmer1989/ Facebook: facebook.com/palmer.karen She's Under Here can be purchased at: AMAZON: https://www.amazon.com/Shes-Under-Here-Karen-Palmer/dp/1643757547?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.V14dH3NYK1_JGqY01snjfw.dGdXTKkQ0h0_uH68hQXjNRQ82iK7rF80ygG6EAeafQ8&qid=1759333809&sr=8-1' BOOKSHOP.ORG: https://bookshop.org/p/books/she-s-under-here-a-memoir-karen-palmer/d5c065268851768c?ean=9781643757544&next=t For a signed copy from Diesel Bookstore: https://dieselbookstore.com/book/9781643757544s Barnes & Noble: https://www.barnesandnoble.com/w/shes-under-here-karen-palmer/1147279207?ean=9781643757544 – Ronit's writing has appeared in The Atlantic, The Rumpus, The New York Times, Poets & Writers, The Iowa Review, Hippocampus, The Washington Post, Writer's Digest, American Literary Review, and elsewhere. Her memoir WHEN SHE COMES BACK about the loss of her mother to the guru Bhagwan Shree Rajneesh and their eventual reconciliation was named Finalist in the 2021 Housatonic Awards Awards, the 2021 Indie Excellence Awards, and was a 2021 Book Riot Best True Crime Book. Her short story collection HOME IS A MADE-UP PLACE won Hidden River Arts' 2020 Eludia Award and the 2023 Page Turner Awards for Short Stories. She earned an MFA in Nonfiction Writing at Pacific University, is Creative Nonfiction Editor at The Citron Review, and teaches memoir through the University of Washington's Online Continuum Program and also independently. She launched Let's Talk Memoir in 2022, lives in Seattle with her family of people and dogs, and is at work on her next book. More about Ronit: https://ronitplank.com Subscribe to Ronit's Substack: https://substack.com/@ronitplank Follow Ronit: https://www.instagram.com/ronitplank/ https://www.facebook.com/RonitPlank https://bsky.app/profile/ronitplank.bsky.social
This week I'm replaying my interview with Cynthia Weiner, whose amazing coming of age novel set in 1980s New York City, “A Gorgeous Excitement,” is just out in paperback.“A Gorgeous Excitement” is inspired by Cynthia's own 80s upbringing on the Upper East Side of New York, as well as the infamous Preppy Killer, a former prep school student who killed a girl in Central Park in the summer of 1986 and who frequented a bar called Dorian's, where Cynthia spent many nights drinking with friends.Cynthia's work has won the Pushcart Prize and been anthologized in the Coolest American Stories. Cynthia is also the assistant director of The Writer's Studio in New York City where, fun fact, I took classes with her in the early 2000s.We covered:- The award she won in second grade that hooked her on the writing life- How she stumbled into teaching writing- Writing as a “weird compulsion”- The plus sides of working on a novel for nearly 10 years- The daily rituals that help her write- The time management technique that helps her get unstuck- Why catching up with a friend helps her write- How living a boring life leaves more space for the workConnect with Cynthia on Instagram at @cynthiaweinerThere are new Finding the Throughline episodes roughly every other week–hit “subscribe” so you know when the next ones drop!For full show notes with links to everything we discuss, plus bonus photos!, visit katehanley.substack.com.Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices
The Savage, Noble Death of Babs Dionne by Ron Currie is a hard-boiled crime novel from a Pushcart Prize-winning author. Ron joins us to talk about beginning with character, Franco-Americans, imperfect love, the butterfly effect, Maine and more with cohost Isabelle McConville. This episode of Poured Over was hosted by Isabelle McConville and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Savage, Noble Death of Babs Dionne by Ron Currie Everything Matters by Ron Currie Flimsy Little Plastic Miracles by Ron Currie The One-Eyed Man by Ron Currie A River Runs Through It by Norman Maclean
This week's episode touches upon so many interesting topics for memoirists—from catalyst moments that create the foundational stories of our memoirs; to the ways we can prism experience through “before” and “after”; to the journey of titling and subtitling; to the wild and unpredictable individual journeys that lead to published books. Author Karen Palmer is an insightful guest whose memoir and journey to publication will inspire and propel you along, and remind you to stay the course. Your story matters! Karen Palmer's memoir She's Under Here grew out of her award-winning essay The Reader Is the Protagonist, first published in VQR and selected by Leslie Jamison for inclusion in Best American Essays 2017. She has received a Pushcart Prize and grants from the NEA and the Colorado Council on the Arts, and is the author of the novels All Saints and Border Dogs. Other work has appeared in the Kenyon Review, Arts & Letters, The Rumpus, and Kalliope. She teaches at Lighthouse Writers Workshop in Denver, and lives with her husband in California. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
This week's episode is sweeping, interesting, and passionate. Guest Andre Dubus III takes us on a ride through some of memoir's more confounding territory—what's yours to tell; considerations of harm; writing about violence; and getting to truth on the page. Also, Grant has a new book out, and we talk about his book trailer in this week's episode. Watch here.Andre Dubus III has authored nine books including the New York Times' bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie. His most recent novel, Such Kindness, was published in June 2023, and a collection of personal essays, Ghost Dogs: On Killers and Kin, was published in March 2024. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, three Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. He teaches at the University of Massachusetts Lowell. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In fewer than two dozen lines, Cyrus Cassells's poem “Jasmine” offers readers a multisensory, cinematic immersion into late spring life in Rome. Not only is the “sweet, steady broadcast” of jasmine ever-present amid “the joyous braiding of sun and rain”, but there's also Daria, a “crone-glorious” neighbor, with a story about her romance with the gallant Galliano. It's la dolce vita, without overindulgence or artifice. We invite you to subscribe to Pádraig's weekly Poetry Unbound Substack, read the Poetry Unbound books and his newest work, Kitchen Hymns, or listen to all our Poetry Unbound episodes. Cyrus Cassells, former poet laureate of Texas, is the author of 11 books of poetry, including Is There Room for Another Horse on Your Horse Ranch? (2024), The World That the Shooter Left Us (2022), and More Than Watchmen at Daybreak (2020). Cassells's honors include the 2025 Jackson Poetry Prize from Poets & Writers, a Guggenheim fellowship, a Lambda Literary Award, a Lannan Literary Award, an NAACP Image Award nomination, a National Poetry Series selection, two NEA grants, two Pushcart Prizes, and the Poetry Society of America's William Carlos Williams Award. He is a Regents' and University Distinguished Professor of English at Texas State University.Find the transcript for this show at onbeing.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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