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Le 14 mars 2025, un tribunal du comté de Los Angeles a condamné Starbucks à verser 50 millions de dollars à Michael Garcia, un livreur gravement brûlé par une boisson chaude dont le couvercle était mal fixé. Cet incident, survenu le 8 février 2020, a eu des conséquences majeures sur la vie de la victime.Les faitsLe 8 février 2020, Michael Garcia, livreur pour Postmates, se rend au drive-in d'un Starbucks à Los Angeles pour récupérer une commande de trois boissons chaudes "Medicine Ball" (un mélange de thés, de limonade et de miel). Selon la plainte, l'une des boissons, mal fixée dans le porte-gobelets, s'est renversée sur ses jambes dès qu'il a pris le plateau, provoquant des brûlures au troisième degré au niveau de l'entrejambe.Conséquences médicalesLes brûlures ont entraîné des lésions graves, notamment aux organes génitaux, nécessitant plusieurs interventions chirurgicales, dont des greffes de peau. Michael Garcia souffre depuis de douleurs chroniques, de défiguration et de troubles psychologiques liés à l'incident.Procédure judiciaireAccusant Starbucks de négligence pour ne pas avoir correctement sécurisé le couvercle de la boisson, Michael Garcia a porté l'affaire en justice. Après délibération, le jury a reconnu la responsabilité de Starbucks et a ordonné le versement de 50 millions de dollars en dommages et intérêts.Réaction de StarbucksStarbucks a exprimé sa sympathie envers Michael Garcia mais a contesté le verdict, jugeant le montant des dommages et intérêts excessif. La chaîne a annoncé son intention de faire appel de la décision.ImplicationsCette affaire rappelle l'importance pour les entreprises de veiller à la sécurité de leurs produits et services. Elle souligne également les conséquences potentielles d'une négligence, tant sur le plan humain que financier. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.
In This episode of the Golf Fitness Bomb Squad, join Chris as he dives into the science and myths surrounding golf workouts, with a focus on medicine balls and club head speed. In this episode, Chris breaks down why not all medicine ball exercises are created equal, debunking common misconceptions fueled by social media and pro-player trends. Backed by a research study from P4S, he compares medicine ball throws to dynamic exercises that target vertical force in the lower body and push power in the upper body, revealing which methods truly maximize club head speed with the same effort. Tune in to learn how to train smarter, not harder, and why rotary medicine ball drills might not be the game-changer you think. See omnystudio.com/listener for privacy information.
March, 11 - 1995 This week Ken welcomes comedian, and man behind the new special "Jew Verses the Volcano", Adam Newman. Ken and Adam discuss their mutual obsession with guitars, Sam Kinison, getting into magic, being awkward, learning card tricks out of spite, Dealt, Penn & Teller Fool Us, The X-Files, Dorfin', If I Did It, the OJ Simpson Trial, final meals, commemorative plates, American Gladiators rip offs, final meals, Roller Blades, figure skating, Blue Chips, sports movies, Shaq, Nick Nolte, Slapshot, Valerie Harper's version of "The Office", The Higgins Boys and Gruber, Joan Rivers Live in London, Comics Unleashed, taping an episode that airs TEN YEARS later, Dolph Lundgren's Punisher, Masters of the Universe, The Cosmic Key, John Tesh live at Red Rocks, Tim Robinson, Tim Busfield, Dabney Coleman, how we watch TV in hotel rooms, Death on the Job, Newbury Comics, Fanuel Hall, Mottley's, Erin Judge's Dress Up Show,J Jeff Foxworthy, The Beavis and Butthead Do America Soundtrack, Cartoons and real people getting together, Fox New Spring Season, Medicine Ball, Donal Logue, comics in cover bands, Primus, Black Hole Sun, Guitar Center riffs, Richard Grieco spending the night with a centerfold, religious cults, Peter Jennings, Sov Citizens, "First Amendment Auditors", YouTube recommendations, Rescue 9-11, Boy Meets World, Jonathan Gries, non-Gillian Anderson episodes of The X-Files, wanting to sit in your hotel room and play guitar, Dwayne Barry, loving Bonnie Hunt, compilations of depressing things, loving to see bad guys get theirs and Ken HIGHLY recommending the Equalizer films.
In a game that may or may not make TTAB history, Luc Leavenworth joins us to try to take down our juggernaut. Listen in and play along! CARD 1 CLUE: Cloudy without the meatballs CATEGORY: Things Assciated with Smoke ANSWERS: Cigar, Cigarette, Ham, Turkey, Signal, Marijuana, Fire CARD 2 CLUE: Can I sniff you there? CATEGORY: Movies with Dogs in Them ANSWERS: Beethoven, Old Yeller, Marley & Me, Cujo, Best in Show, Turner & Hooch, Air Bud CARD 3 CLUE: It's heavy CATEGORY: Gym Equipment ANSWERS: Treadmill, Dumbbell, Bench, Rowing Machine, Medicine Ball, Mats, Barbell CARD 4 CLUE: Maintaining the flow CATEGORY: World Rivers ANSWERS: Thames, Sienne, Nile, Amazon, Congo, Yellow, Niger CARD 5 CLUE: Red, Yellow, and Blue CATEGORY: Things associated with Bill Clinton ANSWERS: President, Arkansas, Gore, Hillary, Socks, Whitewater, Monica CARD 6 CLUE: Does the Mrs. know you do that? CATEGORY: Ways to Serve Potatoes ANSWERS: Baked, Scalloped, Au Gratin, Fries, Roaster, Mashed, Boiled (Admin note from Kit: Hooch from Turner & Hooch was a Dogue de Bordeaux)
Talking it over. Blueberry PopPop is making a historic run. Salt + Smee commericals. Brian Hoffman. Trade deadline talk. Will the Blues move Buchnevich? Contracts that have hamstrung the Note since 2019. Iggy gives his takes on the state of the Blues. Johnny Rockets. Kyle Gibson looked good yesterday... oh wait, he got shelled. The Athletic with an article about MLB contract extensions. Will the Redbirds extend Paul Goldschmidt? A story going around about some fishy line movement in a Temple-UAB basketball game. This isn't the first time some odd movements have occurred in a Temple game. How much does a medicine ball weigh? Learn more about your ad choices. Visit megaphone.fm/adchoices
Live To Inspire: The Podcast For Men In Their 20's To Get Into Their Best Shape Of Their Life
TODAY I TALK ABOUT : Fighting difficult digestion/gas, switching from cut to bulk properly, when to do medicine ball/plyometrics/explosive intensity exercises How you know when the weight is perfect to build Combat snacking / sugar cravings Should I eat before gym or after? How much too? Are all fruits good ? Are there any to avoid or limit? How to combat bloat/sodium sudden water retention? Proper volume of training for gains I have been a fitness coach for 5 years and I'm here to teach you what it takes to finally lose that weight and be the best version of yourself. So if you want to to lose weight and get your abs showing for the first time then DM the words “abs” on instagram @kevinwuwu_ and we'll have a chat whether or not I can help you lose that weight to get your abs for the first time
We're joined today by Rod and Karen from The Black Guy Who Tips Podcast, along with Marc Todd. In this episode we talk about Jamie Foxx's return, herpes facts and myths, listener comments, how to fix the Supreme Court, Florida trying to teach that slaves benefited from slavery, dangerous weightlifting mistakes, RGIII's knees, some Shannon Sharpe appreciation, and KevOnStage showing the right way to handle online criticism. Join our Patreon at www.patreon.com/threeguyson to get the YouTube link for today's show.
EP 523 N.P.3Pain is suffering or discomfort. It also means to take great care or effort. The more effort and care you put into something the more time needed. Time is one of the most valuable things we have. When you began to contemplate investing time and the gains that come from it. (Knowledge, Experience) . You can began to understand why sometimes pain is necessary when it comes to profit. Profit is gain or difference in whats earned versus whats spent. Putting hours and effort into a business that fails is painful. That failure contains lessons you can only learn from going through the experience. That knowledge is still invaluable regardless of monetary gain. Future attempts will cost you less time, money etc, because you know more about what doesnt work. You cant buy experience only through investing time and grit can you get it. Understanding how to define these two things based on your life is important. Painful experiences may include discomfort but there's always careful effort as well. Profit can be more than whats in your bank account. It can be experience, knowledge and more. No pain No profit. Thats N.P 2. On this episode of the Medicine Ball podcast we will add another N.P to round out this concept. So tune in as we turn pains to gains and losses to profit.
EP 512 "The Space Between" "Join me on the Medicine Ball podcast as I explore the often overlooked but crucial aspect of life - patience. In today's fast-paced world, it's easy to lose sight of the benefits of taking a step back and being patient. Patience is more than a characteristic, but a cultivated mindset. Often it is Ego or self entitlement that pushes us forward when we may not be ready or prepared. This can be hard to see in the moment. Lacking patience can lead to blown Opportunities and relationships. It can also cause you to fumble a current opportunity being too ambitious. You may be asking how? This episode I will show how, patience can lead to greater success. Including increased happiness in both personal and professional endeavors. Tune in as I tell inspiring stories and practical tips on how to cultivate a more patient mindset. Over time (ironically) you will begin to reap the rewards it brings. It's time to take a deep dive into the power of patience and waiting on the Medicine Ball podcast with LS3."
EP 512 "The Space Between" "Join me on the Medicine Ball podcast as I explore the often overlooked but crucial aspect of life - patience. In today's fast-paced world, it's easy to lose sight of the benefits of taking a step back and being patient. Patience is more than a characteristic, but a cultivated mindset. Often it is Ego or self entitlement that pushes us forward when we may not be ready or prepared. This can be hard to see in the moment. Lacking patience can lead to blown Opportunities and relationships. It can also cause you to fumble a current opportunity being too ambitious. You may be asking how? This episode I will show how, patience can lead to greater success. Including increased happiness in both personal and professional endeavors. Tune in as I tell inspiring stories and practical tips on how to cultivate a more patient mindset. Over time (ironically) you will begin to reap the rewards it brings. It's time to take a deep dive into the power of patience and waiting on the Medicine Ball podcast with LS3." https://anchor.fm/medicineballls3/subscribe SEGMENT 1 - Understanding Patience - 11:50 SEGMENT 2 - Benefits of Patience - 13:45 SEGMENT 3 - Practicing Patience - 21:47 https://www.medicineballls3.com/
Kevin Foster founded and runs the @javelin.anatomy instagram page, challenging the status quo of athletic development in throwing sport athletes. He is a former division 1 javelin thrower who now is one of the top javelin coaches in the country. https://javelin-anatomy.myshopify.com/ https://www.instagram.com/javelin.anatomy/ Checkout my Multidirectional Plyometric Course: www.multidirectionalpower.com
We are back again with Chris Finn the founder of Par4Success.com talking about something we hinted at in his appearance last month - rotational exercises, specifically with medicine balls. How you can use it to help your golf game and more importantly how to avoid hindering your golf game!Friend of the show Chris Finn from Par 4 Success has put together a free assessment to see how your four main rotation centers measure up to other golfers. Visit par4success.com/griffin to get your free assessment!
EP 503 "Mr. Perfect" Growing up I was a huge wrestling fan. The moves, the energy, the anticipation was more than enough to ensure I was there to watch weekly. One of the things that stick out and often could make or break one of the wrestlers were the names. Wrestlers names allowed them to amplify characteristics about themselves. Ravishing Rick Rude, Stone cold Steve Austin were awesome names and had skills to match. I was a fan of many but one of my favorites was Curt Henning a.k.a Mr. Perfect. His ring entrance, the way he acted disgusted with the out matched opponents on front of him. All added to the character. When I started Medicine Ball, I incorporated my life situations into the show. I then explained how I use my own advice in those instances. I have often heard that name(Mr. Perfect) used in a way to describe how I can sometimes carry myself. I am addressing it in this episode and accepting accountability. Showing my mindset when it's my turn to eat the frog. Tune in.
Season 5 EP 501 - Have you heard the one about Life? I would first like to thank everyone for the support as I have been dealing with Life.( Havent we all). It started with the end of Season 4 and me driving 2500 miles across country to the state of Washington. That showed me how things can differ so much just within the country. Mamba joined me for the ride , since then life has been hectic and at the same time beautiful all at once. I'm excited for this Season in which we will be focusing on Contentment. I have a ton of stories, and experiences which came with self development and lessons that I cant wait to share. In order to help people through tough experience s, I believe you yourself must go through and learn from your own tough experience s. Make sure you listen to this episode to get an update on my life, Medicine Ball and what you can expect in this season.
Episode 152 of A History of Rock Music in Five Hundred Songs looks at “For What It's Worth”, and the short but eventful career of Buffalo Springfield. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a twenty-five-minute bonus episode available, on "By the Time I Get to Phoenix" by Glen Campbell. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources As usual, there's a Mixcloud mix containing all the songs excerpted in the episode. This four-CD box set is the definitive collection of Buffalo Springfield's work, while if you want the mono version of the second album, the stereo version of the first, and the final album as released, but no demos or outtakes, you want this more recent box set. For What It's Worth: The Story of Buffalo Springfield by Richey Furay and John Einarson is obviously Furay's version of the story, but all the more interesting for that. For information on Steve Stills' early life I used Stephen Stills: Change Partners by David Roberts. Information on both Stills and Young comes from Crosby, Stills, Nash, and Young by David Browne. Jimmy McDonough's Shakey is the definitive biography of Neil Young, while Young's Waging Heavy Peace is his autobiography. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A quick note before we begin -- this episode deals with various disabilities. In particular, there are descriptions of epileptic seizures that come from non-medically-trained witnesses, many of whom took ableist attitudes towards the seizures. I don't know enough about epilepsy to know how accurate their descriptions and perceptions are, and I apologise if that means that by repeating some of their statements, I am inadvertently passing on myths about the condition. When I talk about this, I am talking about the after-the-fact recollections of musicians, none of them medically trained and many of them in altered states of consciousness, about events that had happened decades earlier. Please do not take anything said in a podcast about music history as being the last word on the causes or effects of epileptic seizures, rather than how those musicians remember them. Anyway, on with the show. One of the things you notice if you write about protest songs is that a lot of the time, the songs that people talk about as being important or impactful have aged very poorly. Even great songwriters like Bob Dylan or John Lennon, when writing material about the political events of the time, would write material they would later acknowledge was far from their best. Too often a song will be about a truly important event, and be powered by a real sense of outrage at injustice, but it will be overly specific, and then as soon as the immediate issue is no longer topical, the song is at best a curio. For example, the sentencing of the poet and rock band manager John Sinclair to ten years in prison for giving two joints to an undercover police officer was hugely controversial in the early seventies, but by the time John Lennon's song about it was released, Sinclair had been freed by the Supreme Court, and very, very few people would use the song as an example of why Lennon's songwriting still has lasting value: [Excerpt: John Lennon, "John Sinclair"] But there are exceptions, and those tend to be songs where rather than talking about specific headlines, the song is about the emotion that current events have caused. Ninety years on from its first success, for example, "Brother, Can You Spare a Dime?" still has resonance, because there are still people who are put out of work through no fault of their own, and even those of us who are lucky enough to be financially comfortable have the fear that all too soon it may end, and we may end up like Al begging on the streets: [Excerpt: Rudy Vallee, "Brother Can You Spare a Dime?"] And because of that emotional connection, sometimes the very best protest songs can take on new lives and new meanings, and connect with the way people feel about totally unrelated subjects. Take Buffalo Springfield's one hit. The actual subject of the song couldn't be any more trivial in the grand scheme of things -- a change in zoning regulations around the Sunset Strip that meant people under twenty-one couldn't go to the clubs after 10PM, and the subsequent reaction to that -- but because rather than talking about the specific incident, Steve Stills instead talked about the emotions that it called up, and just noted the fleeting images that he was left with, the song became adopted as an anthem by soldiers in Vietnam. Sometimes what a song says is nowhere near as important as how it says it. [Excerpt: Buffalo Springfield, "For What It's Worth"] Steve Stills seems almost to have been destined to be a musician, although the instrument he started on, the drums, was not the one for which he would become best known. According to Stills, though, he always had an aptitude for rhythm, to the extent that he learned to tapdance almost as soon as he had learned to walk. He started on drums aged eight or nine, after somebody gave him a set of drumsticks. After his parents got sick of him damaging the furniture by playing on every available surface, an actual drum kit followed, and that became his principal instrument, even after he learned to play the guitar at military school, as his roommate owned one. As a teenager, Stills developed an idiosyncratic taste in music, helped by the record collection of his friend Michael Garcia. He didn't particularly like most of the pop music of the time, but he was a big fan of pre-war country music, Motown, girl-group music -- he especially liked the Shirelles -- and Chess blues. He was also especially enamoured of the music of Jimmy Reed, a passion he would later share with his future bandmate Neil Young: [Excerpt: Jimmy Reed, "Baby, What You Want Me To Do?"] In his early teens, he became the drummer for a band called the Radars, and while he was drumming he studied their lead guitarist, Chuck Schwin. He said later "There was a whole little bunch of us who were into kind of a combination of all the blues guys and others including Chet Atkins, Dick Dale, and Hank Marvin: a very weird cross-section of far-out guitar players." Stills taught himself to play like those guitarists, and in particular he taught himself how to emulate Atkins' Travis-picking style, and became remarkably proficient at it. There exists a recording of him, aged sixteen, singing one of his own songs and playing finger-picked guitar, and while the song is not exactly the strongest thing I've ever heard lyrically, it's clearly the work of someone who is already a confident performer: [Excerpt: Stephen Stills, "Travellin'"] But the main reason he switched to becoming a guitarist wasn't because of his admiration for Chet Atkins or Hank Marvin, but because he started driving and discovered that if you have to load a drum kit into your car and then drive it to rehearsals and gigs you either end up bashing up your car or bashing up the drum kit. As this is not a problem with guitars, Stills decided that he'd move on from the Radars, and join a band named the Continentals as their rhythm guitarist, playing with lead guitarist Don Felder. Stills was only in the Continentals for a few months though, before being replaced by another guitarist, Bernie Leadon, and in general Stills' whole early life is one of being uprooted and moved around. His father had jobs in several different countries, and while for the majority of his time Stills was in the southern US, he also ended up spending time in Costa Rica -- and staying there as a teenager even as the rest of his family moved to El Salvador. Eventually, aged eighteen, he moved to New Orleans, where he formed a folk duo with a friend, Chris Sarns. The two had very different tastes in folk music -- Stills preferred Dylan-style singer-songwriters, while Sarns liked the clean sound of the Kingston Trio -- but they played together for several months before moving to Greenwich Village, where they performed together and separately. They were latecomers to the scene, which had already mostly ended, and many of the folk stars had already gone on to do bigger things. But Stills still saw plenty of great performers there -- Miles Davis and Dizzy Gillespie and Thelonius Monk in the jazz clubs, Woody Allen, Lenny Bruce, and Richard Pryor in the comedy ones, and Simon and Garfunkel, Richie Havens, Fred Neil and Tim Hardin in the folk ones -- Stills said that other than Chet Atkins, Havens, Neil, and Hardin were the people most responsible for his guitar style. Stills was also, at this time, obsessed with Judy Collins' third album -- the album which had featured Roger McGuinn on banjo and arrangements, and which would soon provide several songs for the Byrds to cover: [Excerpt: Judy Collins, "Turn, Turn, Turn"] Judy Collins would soon become a very important figure in Stills' life, but for now she was just the singer on his favourite record. While the Greenwich Village folk scene was no longer quite what it had been a year or two earlier, it was still a great place for a young talented musician to perform. As well as working with Chris Sarns, Stills also formed a trio with his friend John Hopkins and a banjo player called Peter Tork who everyone said looked just like Stills. Tork soon headed out west to seek his fortune, and then Stills got headhunted to join the Au Go Go Singers. This was a group that was being set up in the same style as the New Christy Minstrels -- a nine-piece vocal and instrumental group that would do clean-sounding versions of currently-popular folk songs. The group were signed to Roulette Records, and recorded one album, They Call Us Au-Go-Go Singers, produced by Hugo and Luigi, the production duo we've previously seen working with everyone from the Tokens to the Isley Brothers. Much of the album is exactly the same kind of thing that a million New Christy Minstrels soundalikes were putting out -- and Stills, with his raspy voice, was clearly intended to be the Barry McGuire of this group -- but there was one exception -- a song called "High Flyin' Bird", on which Stills was able to show off the sound that would later make him famous, and which became so associated with him that even though it was written by Billy Edd Wheeler, the writer of "Jackson", even the biography of Stills I used in researching this episode credits "High Flyin' Bird" as being a Stills original: [Excerpt: The Au-Go-Go Singers, "High Flyin' Bird"] One of the other members of the Au-Go-Go Singers, Richie Furay, also got to sing a lead vocal on the album, on the Tom Paxton song "Where I'm Bound": [Excerpt: The Au-Go-Go Singers, "Where I'm Bound"] The Au-Go-Go Singers got a handful of dates around the folk scene, and Stills and Furay became friendly with another singer playing the same circuit, Gram Parsons. Parsons was one of the few people they knew who could see the value in current country music, and convinced both Stills and Furay to start paying more attention to what was coming out of Nashville and Bakersfield. But soon the Au-Go-Go Singers split up. Several venues where they might otherwise have been booked were apparently scared to book an act that was associated with Morris Levy, and also the market for big folk ensembles dried up more or less overnight when the Beatles hit the music scene. But several of the group -- including Stills but not Furay -- decided they were going to continue anyway, and formed a group called The Company, and they went on a tour of Canada. And one of the venues they played was the Fourth Dimension coffee house in Fort William, Ontario, and there their support act was a rock band called The Squires: [Excerpt: The Squires, "(I'm a Man And) I Can't Cry"] The lead guitarist of the Squires, Neil Young, had a lot in common with Stills, and they bonded instantly. Both men had parents who had split up when they were in their teens, and had a successful but rather absent father and an overbearing mother. And both had shown an interest in music even as babies. According to Young's mother, when he was still in nappies, he would pull himself up by the bars of his playpen and try to dance every time he heard "Pinetop's Boogie Woogie": [Excerpt: Pinetop Smith, "Pinetop's Boogie Woogie"] Young, though, had had one crucial experience which Stills had not had. At the age of six, he'd come down with polio, and become partially paralysed. He'd spent months in hospital before he regained his ability to walk, and the experience had also affected him in other ways. While he was recovering, he would draw pictures of trains -- other than music, his big interest, almost an obsession, was with electric train sets, and that obsession would remain with him throughout his life -- but for the first time he was drawing with his right hand rather than his left. He later said "The left-hand side got a little screwed. Feels different from the right. If I close my eyes, my left side, I really don't know where it is—but over the years I've discovered that almost one hundred percent for sure it's gonna be very close to my right side … probably to the left. That's why I started appearing to be ambidextrous, I think. Because polio affected my left side, and I think I was left-handed when I was born. What I have done is use the weak side as the dominant one because the strong side was injured." Both Young's father Scott Young -- a very famous Canadian writer and sports broadcaster, who was by all accounts as well known in Canada during his lifetime as his son -- and Scott's brother played ukulele, and they taught Neil how to play, and his first attempt at forming a group had been to get his friend Comrie Smith to get a pair of bongos and play along with him to Preston Epps' "Bongo Rock": [Excerpt: Preston Epps, "Bongo Rock"] Neil Young had liked all the usual rock and roll stars of the fifties -- though in his personal rankings, Elvis came a distant third behind Little Richard and Jerry Lee Lewis -- but his tastes ran more to the more darkly emotional. He loved "Maybe" by the Chantels, saying "Raw soul—you cannot miss it. That's the real thing. She was believin' every word she was singin'." [Excerpt: The Chantels, "Maybe"] What he liked more than anything was music that had a mainstream surface but seemed slightly off-kilter. He was a major fan of Roy Orbison, saying, "it's almost impossible to comprehend the depth of that soul. It's so deep and dark it just keeps on goin' down—but it's not black. It's blue, deep blue. He's just got it. The drama. There's something sad but proud about Roy's music", and he would say similar things about Del Shannon, saying "He struck me as the ultimate dark figure—behind some Bobby Rydell exterior, y'know? “Hats Off to Larry,” “Runaway,” “Swiss Maid”—very, very inventive. The stuff was weird. Totally unaffected." More surprisingly, perhaps, he was a particular fan of Bobby Darin, who he admired so much because Darin could change styles at the drop of a hat, going from novelty rock and roll like "Splish Splash" to crooning "Mack The Knife" to singing Tim Hardin songs like "If I Were a Carpenter", without any of them seeming any less authentic. As he put it later "He just changed. He's completely different. And he's really into it. Doesn't sound like he's not there. “Dream Lover,” “Mack the Knife,” “If I Were a Carpenter,” “Queen of the Hop,” “Splish Splash”—tell me about those records, Mr. Darin. Did you write those all the same day, or what happened? He just changed so much. Just kinda went from one place to another. So it's hard to tell who Bobby Darin really was." And one record which Young was hugely influenced by was Floyd Cramer's country instrumental, "Last Date": [Excerpt: Floyd Cramer, "Last Date"] Now, that was a very important record in country music, and if you want to know more about it I strongly recommend listening to the episode of Cocaine and Rhinestones on the Nashville A-Team, which has a long section on the track, but the crucial thing to know about that track is that it's one of the earliest examples of what is known as slip-note playing, where the piano player, before hitting the correct note, briefly hits the note a tone below it, creating a brief discord. Young absolutely loved that sound, and wanted to make a sound like that on the guitar. And then, when he and his mother moved to Winnipeg after his parents' divorce, he found someone who was doing just that. It was the guitarist in a group variously known as Chad Allan and the Reflections and Chad Allan and the Expressions. That group had relatives in the UK who would send them records, and so where most Canadian bands would do covers of American hits, Chad Allan and the Reflections would do covers of British hits, like their version of Geoff Goddard's "Tribute to Buddy Holly", a song that had originally been produced by Joe Meek: [Excerpt: Chad Allan and the Reflections, "Tribute to Buddy Holly"] That would later pay off for them in a big way, when they recorded a version of Johnny Kidd and the Pirates' "Shakin' All Over", for which their record label tried to create an air of mystery by releasing it with no artist name, just "Guess Who?" on the label. It became a hit, the name stuck, and they became The Guess Who: [Excerpt: The Guess Who, "Shakin' All Over"] But at this point they, and their guitarist Randy Bachman, were just another group playing around Winnipeg. Bachman, though, was hugely impressive to Neil Young for a few reasons. The first was that he really did have a playing style that was a lot like the piano style of Floyd Cramer -- Young would later say "it was Randy Bachman who did it first. Randy was the first one I ever heard do things on the guitar that reminded me of Floyd. He'd do these pulls—“darrr darrrr,” this two-note thing goin' together—harmony, with one note pulling and the other note stayin' the same." Bachman also had built the first echo unit that Young heard a guitarist play in person. He'd discovered that by playing with the recording heads on a tape recorder owned by his mother, he could replicate the tape echo that Sam Phillips had used at Sun Studios -- and once he'd attached that to his amplifier, he realised how much the resulting sound sounded like his favourite guitarist, Hank Marvin of the Shadows, another favourite of Neil Young's: [Excerpt: The Shadows, "Man of Mystery"] Young soon started looking to Bachman as something of a mentor figure, and he would learn a lot of guitar techniques second hand from Bachman -- every time a famous musician came to the area, Bachman would go along and stand right at the front and watch the guitarist, and make note of the positions their fingers were in. Then Bachman would replicate those guitar parts with the Reflections, and Neil Young would stand in front of him and make notes of where *his* fingers were. Young joined a band on the local circuit called the Esquires, but soon either quit or was fired, depending on which version of the story you choose to believe. He then formed his own rival band, the Squires, with no "e", much to the disgust of his ex-bandmates. In July 1963, five months after they formed, the Squires released their first record, "Aurora" backed with "The Sultan", on a tiny local label. Both tracks were very obviously influenced by the Shadows: [Excerpt: The Squires, "Aurora"] The Squires were a mostly-instrumental band for the first year or so they were together, and then the Beatles hit North America, and suddenly people didn't want to hear surf instrumentals and Shadows covers any more, they only wanted to hear songs that sounded a bit like the Beatles. The Squires started to work up the appropriate repertoire -- two songs that have been mentioned as in their set at this point are the Beatles album track "It Won't Be Long", and "Money" which the Beatles had also covered -- but they didn't have a singer, being an instrumental group. They could get in a singer, of course, but that would mean splitting the money with another person. So instead, the guitarist, who had never had any intention of becoming a singer, was more or less volunteered for the role. Over the next eighteen months or so the group's repertoire moved from being largely instrumental to largely vocal, and the group also seem to have shuttled around a bit between two different cities -- Winnipeg and Fort William, staying in one for a while and then moving back to the other. They travelled between the two in Young's car, a Buick Roadmaster hearse. In Winnipeg, Young first met up with a singer named Joni Anderson, who was soon to get married to Chuck Mitchell and would become better known by her married name. The two struck up a friendship, though by all accounts never a particularly close one -- they were too similar in too many ways; as Mitchell later said “Neil and I have a lot in common: Canadian; Scorpios; polio in the same epidemic, struck the same parts of our body; and we both have a black sense of humor". They were both also idiosyncratic artists who never fit very well into boxes. In Fort William the Squires made a few more records, this time vocal tracks like "I'll Love You Forever": [Excerpt: The Squires, "I'll Love You Forever"] It was also in Fort William that Young first encountered two acts that would make a huge impression on him. One was a group called The Thorns, consisting of Tim Rose, Jake Holmes, and Rich Husson. The Thorns showed Young that there was interesting stuff being done on the fringes of the folk music scene. He later said "One of my favourites was “Oh Susannah”—they did this arrangement that was bizarre. It was in a minor key, which completely changed everything—and it was rock and roll. So that idea spawned arrangements of all these other songs for me. I did minor versions of them all. We got into it. That was a certain Squires stage that never got recorded. Wish there were tapes of those shows. We used to do all this stuff, a whole kinda music—folk-rock. We took famous old folk songs like “Clementine,” “She'll Be Comin' 'Round the Mountain,” “Tom Dooley,” and we did them all in minor keys based on the Tim Rose arrangement of “Oh Susannah.” There are no recordings of the Thorns in existence that I know of, but presumably that arrangement that Young is talking about is the version that Rose also later did with the Big 3, which we've heard in a few other episodes: [Excerpt: The Big 3, "The Banjo Song"] The other big influence was, of course, Steve Stills, and the two men quickly found themselves influencing each other deeply. Stills realised that he could bring more rock and roll to his folk-music sound, saying that what amazed him was the way the Squires could go from "Cottonfields" (the Lead Belly song) to "Farmer John", the R&B song by Don and Dewey that was becoming a garage-rock staple. Young in turn was inspired to start thinking about maybe going more in the direction of folk music. The Squires even renamed themselves the High-Flying Birds, after the song that Stills had recorded with the Au Go Go Singers. After The Company's tour of Canada, Stills moved back to New York for a while. He now wanted to move in a folk-rock direction, and for a while he tried to persuade his friend John Sebastian to let him play bass in his new band, but when the Lovin' Spoonful decided against having him in the band, he decided to move West to San Francisco, where he'd heard there was a new music scene forming. He enjoyed a lot of the bands he saw there, and in particular he was impressed by the singer of a band called the Great Society: [Excerpt: The Great Society, "Somebody to Love"] He was much less impressed with the rest of her band, and seriously considered going up to her and asking if she wanted to work with some *real* musicians instead of the unimpressive ones she was working with, but didn't get his nerve up. We will, though, be hearing more about Grace Slick in future episodes. Instead, Stills decided to move south to LA, where many of the people he'd known in Greenwich Village were now based. Soon after he got there, he hooked up with two other musicians, a guitarist named Steve Young and a singer, guitarist, and pianist named Van Dyke Parks. Parks had a record contract at MGM -- he'd been signed by Tom Wilson, the same man who had turned Dylan electric, signed Simon and Garfunkel, and produced the first albums by the Mothers of Invention. With Wilson, Parks put out a couple of singles in 1966, "Come to the Sunshine": [Excerpt: The Van Dyke Parks, "Come to the Sunshine"] And "Number Nine", a reworking of the Ode to Joy from Beethoven's Ninth Symphony: [Excerpt: The Van Dyke Parks, "Number Nine"]Parks, Stills, and Steve Young became The Van Dyke Parks Band, though they didn't play together for very long, with their most successful performance being as the support act for the Lovin' Spoonful for a show in Arizona. But they did have a lasting resonance -- when Van Dyke Parks finally got the chance to record his first solo album, he opened it with Steve Young singing the old folk song "Black Jack Davy", filtered to sound like an old tape: [Excerpt: Steve Young, "Black Jack Davy"] And then it goes into a song written for Parks by Randy Newman, but consisting of Newman's ideas about Parks' life and what he knew about him, including that he had been third guitar in the Van Dyke Parks Band: [Excerpt: Van Dyke Parks, "Vine Street"] Parks and Stills also wrote a few songs together, with one of their collaborations, "Hello, I've Returned", later being demoed by Stills for Buffalo Springfield: [Excerpt: Steve Stills, "Hello, I've Returned"] After the Van Dyke Parks Band fell apart, Parks went on to many things, including a brief stint on keyboards in the Mothers of Invention, and we'll be talking more about him next episode. Stills formed a duo called the Buffalo Fish, with his friend Ron Long. That soon became an occasional trio when Stills met up again with his old Greenwich Village friend Peter Tork, who joined the group on the piano. But then Stills auditioned for the Monkees and was turned down because he had bad teeth -- or at least that's how most people told the story. Stills has later claimed that while he turned up for the Monkees auditions, it wasn't to audition, it was to try to pitch them songs, which seems implausible on the face of it. According to Stills, he was offered the job and turned it down because he'd never wanted it. But whatever happened, Stills suggested they might want his friend Peter, who looked just like him apart from having better teeth, and Peter Tork got the job. But what Stills really wanted to do was to form a proper band. He'd had the itch to do it ever since seeing the Squires, and he decided he should ask Neil Young to join. There was only one problem -- when he phoned Young, the phone was answered by Young's mother, who told Stills that Neil had moved out to become a folk singer, and she didn't know where he was. But then Stills heard from his old friend Richie Furay. Furay was still in Greenwich Village, and had decided to write to Stills. He didn't know where Stills was, other than that he was in California somewhere, so he'd written to Stills' father in El Salvador. The letter had been returned, because the postage had been short by one cent, so Furay had resent it with the correct postage. Stills' father had then forwarded the letter to the place Stills had been staying in San Francisco, which had in turn forwarded it on to Stills in LA. Furay's letter mentioned this new folk singer who had been on the scene for a while and then disappeared again, Neil Young, who had said he knew Stills, and had been writing some great songs, one of which Furay had added to his own set. Stills got in touch with Furay and told him about this great band he was forming in LA, which he wanted Furay to join. Furay was in, and travelled from New York to LA, only to be told that at this point there were no other members of this great band, but they'd definitely find some soon. They got a publishing deal with Columbia/Screen Gems, which gave them enough money to not starve, but what they really needed was to find some other musicians. They did, when driving down Hollywood Boulevard on April the sixth, 1966. There, stuck in traffic going the other way, they saw a hearse... After Steve Stills had left Fort William, so had Neil Young. He hadn't initially intended to -- the High-Flying Birds still had a regular gig, but Young and some of his friends had gone away for a few days on a road trip in his hearse. But unfortunately the transmission on the hearse had died, and Young and his friends had been stranded. Many years later, he would write a eulogy to the hearse, which he and Stills would record together: [Excerpt: The Stills-Young Band, "Long May You Run"] Young and his friends had all hitch-hiked in different directions -- Young had ended up in Toronto, where his dad lived, and had stayed with his dad for a while. The rest of his band had eventually followed him there, but Young found the Toronto music scene not to his taste -- the folk and rock scenes there were very insular and didn't mingle with each other, and the group eventually split up. Young even took on a day job for a while, for the only time in his life, though he soon quit. Young started basically commuting between Toronto and New York, a distance of several hundred miles, going to Greenwich Village for a while before ending up back in Toronto, and ping-ponging between the two. In New York, he met up with Richie Furay, and also had a disastrous audition for Elektra Records as a solo artist. One of the songs he sang in the audition was "Nowadays Clancy Can't Even Sing", the song which Furay liked so much he started performing it himself. Young doesn't normally explain his songs, but as this was one of the first he ever wrote, he talked about it in interviews in the early years, before he decided to be less voluble about his art. The song was apparently about the sense of youthful hope being crushed. The instigation for it was Young seeing his girlfriend with another man, but the central image, of Clancy not singing, came from Young's schooldays. The Clancy in question was someone Young liked as one of the other weird kids at school. He was disabled, like Young, though with MS rather than polio, and he would sing to himself in the hallways at school. Sadly, of course, the other kids would mock and bully him for that, and eventually he ended up stopping. Young said about it "After awhile, he got so self-conscious he couldn't do his thing any more. When someone who is as beautiful as that and as different as that is actually killed by his fellow man—you know what I mean—like taken and sorta chopped down—all the other things are nothing compared to this." [Excerpt: Neil Young, "Nowadays Clancy Can't Even Sing (Elektra demo)"] One thing I should say for anyone who listens to the Mixcloud for this episode, that song, which will be appearing in a couple of different versions, has one use of a term for Romani people that some (though not all) consider a slur. It's not in the excerpts I'll be using in this episode, but will be in the full versions on the Mixcloud. Sadly that word turns up time and again in songs of this era... When he wasn't in New York, Young was living in Toronto in a communal apartment owned by a folk singer named Vicki Taylor, where many of the Toronto folk scene would stay. Young started listening a lot to Taylor's Bert Jansch albums, which were his first real exposure to the British folk-baroque style of guitar fingerpicking, as opposed to the American Travis-picking style, and Young would soon start to incorporate that style into his own playing: [Excerpt: Bert Jansch, "Angie"] Another guitar influence on Young at this point was another of the temporary tenants of Taylor's flat, John Kay, who would later go on to be one of the founding members of Steppenwolf. Young credited Kay with having a funky rhythm guitar style that Young incorporated into his own. While he was in Toronto, he started getting occasional gigs in Detroit, which is "only" a couple of hundred miles away, set up by Joni and Chuck Mitchell, both of whom also sometimes stayed at Taylor's. And it was in Detroit that Neil Young became, albeit very briefly, a Motown artist. The Mynah Birds were a band in Toronto that had at one point included various future members of Steppenwolf, and they were unusual for the time in that they were a white band with a Black lead singer, Ricky Matthews. They also had a rich manager, John Craig Eaton, the heir to the Eaton's department store fortune, who basically gave them whatever money they wanted -- they used to go to his office and tell him they needed seven hundred dollars for lunch, and he'd hand it to them. They were looking for a new guitarist when Bruce Palmer, their bass player, bumped into Neil Young carrying an amp and asked if he was interested in joining. He was. The Mynah Birds quickly became one of the best bands in Toronto, and Young and Matthews became close, both as friends and as a performance team. People who saw them live would talk about things like a song called “Hideaway”, written by Young and Matthews, which had a spot in the middle where Young would start playing a harmonica solo, throw the harmonica up in the air mid-solo, Matthews would catch it, and he would then finish the solo. They got signed to Motown, who were at this point looking to branch out into the white guitar-group market, and they were put through the Motown star-making machine. They recorded an entire album, which remains unreleased, but they did release a single, "It's My Time": [Excerpt: The Mynah Birds, "It's My Time"] Or at least, they released a handful of promo copies. The single was pulled from release after Ricky Matthews got arrested. It turned out his birth name wasn't Ricky Matthews, but James Johnson, and that he wasn't from Toronto as he'd told everyone, but from Buffalo, New York. He'd fled to Canada after going AWOL from the Navy, not wanting to be sent to Vietnam, and he was arrested and jailed for desertion. After getting out of jail, he would start performing under yet another name, and as Rick James would have a string of hits in the seventies and eighties: [Excerpt: Rick James, "Super Freak"] Most of the rest of the group continued gigging as The Mynah Birds, but Young and Palmer had other plans. They sold the expensive equipment Eaton had bought the group, and Young bought a new hearse, which he named Mort 2 – Mort had been his first hearse. And according to one of the band's friends in Toronto, the crucial change in their lives came when Neil Young heard a song on a jukebox: [Excerpt: The Mamas and the Papas, "California Dreamin'"] Young apparently heard "California Dreamin'" and immediately said "Let's go to California and become rock stars". Now, Young later said of this anecdote that "That sounds like a Canadian story to me. That sounds too real to be true", and he may well be right. Certainly the actual wording of the story is likely incorrect -- people weren't talking about "rock stars" in 1966. Google's Ngram viewer has the first use of the phrase in print being in 1969, and the phrase didn't come into widespread usage until surprisingly late -- even granting that phrases enter slang before they make it to print, it still seems implausible. But even though the precise wording might not be correct, something along those lines definitely seems to have happened, albeit possibly less dramatically. Young's friend Comrie Smith independently said that Young told him “Well, Comrie, I can hear the Mamas and the Papas singing ‘All the leaves are brown, and the skies are gray …' I'm gonna go down to the States and really make it. I'm on my way. Today North Toronto, tomorrow the world!” Young and Palmer loaded up Mort 2 with a bunch of their friends and headed towards California. On the way, they fell out with most of the friends, who parted from them, and Young had an episode which in retrospect may have been his first epileptic seizure. They decided when they got to California that they were going to look for Steve Stills, as they'd heard he was in LA and neither of them knew anyone else in the state. But after several days of going round the Sunset Strip clubs asking if anyone knew Steve Stills, and sleeping in the hearse as they couldn't afford anywhere else, they were getting fed up and about to head off to San Francisco, as they'd heard there was a good music scene there, too. They were going to leave that day, and they were stuck in traffic on Sunset Boulevard, about to head off, when Stills and Furay came driving in the other direction. Furay happened to turn his head, to brush away a fly, and saw a hearse with Ontario license plates. He and Stills both remembered that Young drove a hearse, and so they assumed it must be him. They started honking at the hearse, then did a U-turn. They got Young's attention, and they all pulled into the parking lot at Ben Frank's, the Sunset Strip restaurant that attracted such a hip crowd the Monkees' producers had asked for "Ben Frank's types" in their audition advert. Young introduced Stills and Furay to Palmer, and now there *was* a group -- three singing, songwriting, guitarists and a bass player. Now all they needed was a drummer. There were two drummers seriously considered for the role. One of them, Billy Mundi, was technically the better player, but Young didn't like playing with him as much -- and Mundi also had a better offer, to join the Mothers of Invention as their second drummer -- before they'd recorded their first album, they'd had two drummers for a few months, but Denny Bruce, their second drummer, had become ill with glandular fever and they'd reverted to having Jimmy Carl Black play solo. Now they were looking for someone else, and Mundi took that role. The other drummer, who Young preferred anyway, was another Canadian, Dewey Martin. Martin was a couple of years older than the rest of the group, and by far the most experienced. He'd moved from Canada to Nashville in his teens, and according to Martin he had been taken under the wing of Hank Garland, the great session guitarist most famous for "Sugarfoot Rag": [Excerpt: Hank Garland, "Sugarfoot Rag"] We heard Garland playing with Elvis and others in some of the episodes around 1960, and by many reckonings he was the best session guitarist in Nashville, but in 1961 he had a car accident that left him comatose, and even though he recovered from the coma and lived another thirty-three years, he never returned to recording. According to Martin, though, Garland would still sometimes play jazz clubs around Nashville after the accident, and one day Martin walked into a club and saw him playing. The drummer he was playing with got up and took a break, taking his sticks with him, so Martin got up on stage and started playing, using two combs instead of sticks. Garland was impressed, and told Martin that Faron Young needed a drummer, and he could get him the gig. At the time Young was one of the biggest stars in country music. That year, 1961, he had three country top ten hits, including a number one with his version of Willie Nelson's "Hello Walls", produced by Ken Nelson: [Excerpt: Faron Young, "Hello Walls"] Martin joined Faron Young's band for a while, and also ended up playing short stints in the touring bands of various other Nashville-based country and rock stars, including Patsy Cline, Roy Orbison, and the Everly Brothers, before heading to LA for a while. Then Mel Taylor of the Ventures hooked him up with some musicians in the Pacific Northwest scene, and Martin started playing there under the name Sir Raleigh and the Coupons with various musicians. After a while he travelled back to LA where he got some members of the LA group Sons of Adam to become a permanent lineup of Coupons, and they recorded several singles with Martin singing lead, including the Tommy Boyce and Steve Venet song "Tomorrow's Gonna Be Another Day", later recorded by the Monkees: [Excerpt: Sir Raleigh and the Coupons, "Tomorrow's Gonna Be Another Day"] He then played with the Standells, before joining the Modern Folk Quartet for a short while, as they were transitioning from their folk sound to a folk-rock style. He was only with them for a short while, and it's difficult to get precise details -- almost everyone involved with Buffalo Springfield has conflicting stories about their own careers with timelines that don't make sense, which is understandable given that people were talking about events decades later and memory plays tricks. "Fast" Eddie Hoh had joined the Modern Folk Quartet on drums in late 1965, at which point they became the Modern Folk Quintet, and nothing I've read about that group talks about Hoh ever actually leaving, but apparently Martin joined them in February 1966, which might mean he's on their single "Night-Time Girl", co-written by Al Kooper and produced and arranged by Jack Nitzsche: [Excerpt: The Modern Folk Quintet, "Night-Time Girl"] After that, Martin was taken on by the Dillards, a bluegrass band who are now possibly most famous for having popularised the Arthur "Guitar Boogie" Smith song "Duellin' Banjos", which they recorded on their first album and played on the Andy Griffith Show a few years before it was used in Deliverance: [Excerpt: The Dillards, "Duellin' Banjos"] The Dillards had decided to go in a country-rock direction -- and Doug Dillard would later join the Byrds and make records with Gene Clark -- but they were hesitant about it, and after a brief period with Martin in the band they decided to go back to their drummerless lineup. To soften the blow, they told him about another band that was looking for a drummer -- their manager, Jim Dickson, who was also the Byrds' manager, knew Stills and his bandmates. Dewey Martin was in the group. The group still needed a name though. They eventually took their name from a brand of steam roller, after seeing one on the streets when some roadwork was being done. Everyone involved disagrees as to who came up with the name. Steve Stills at one point said it was a group decision after Neil Young and the group's manager Frazier Mohawk stole the nameplate off the steamroller, and later Stills said that Richey Furay had suggested the name while they were walking down the street, Dewey Martin said it was his idea, Neil Young said that he, Steve Sills, and Van Dyke Parks had been walking down the street and either Young or Stills had seen the nameplate and suggested the name, and Van Dyke Parks says that *he* saw the nameplate and suggested it to Dewey Martin: [Excerpt: Steve Stills and Van Dyke Parks on the name] For what it's worth, I tend to believe Van Dyke Parks in most instances -- he's an honest man, and he seems to have a better memory of the sixties than many of his friends who led more chemically interesting lives. Whoever came up with it, the name worked -- as Stills later put it "We thought it was pretty apt, because Neil Young is from Manitoba which is buffalo country, and Richie Furay was from Springfield, Ohio -- and I'm the field!" It almost certainly also helped that the word "buffalo" had been in the name of Stills' previous group, Buffalo Fish. On the eleventh of April, 1966, Buffalo Springfield played their first gig, at the Troubadour, using equipment borrowed from the Dillards. Chris Hillman of the Byrds was in the audience and was impressed. He got the group a support slot on a show the Byrds and the Dillards were doing a few days later in San Bernardino. That show was compered by a Merseyside-born British DJ, John Ravenscroft, who had managed to become moderately successful in US radio by playing up his regional accent so he sounded more like the Beatles. He would soon return to the UK, and start broadcasting under the name John Peel. Hillman also got them a week-long slot at the Whisky A-Go-Go, and a bidding war started between record labels to sign the band. Dunhill offered five thousand dollars, Warners counted with ten thousand, and then Atlantic offered twelve thousand. Atlantic were *just* starting to get interested in signing white guitar groups -- Jerry Wexler never liked that kind of music, always preferring to stick with soul and R&B, but Ahmet Ertegun could see which way things were going. Atlantic had only ever signed two other white acts before -- Neil Young's old favourite Bobby Darin, who had since left the label, and Sonny and Cher. And Sonny and Cher's management and production team, Brian Stone and Charlie Greene, were also very interested in the group, who even before they had made a record had quickly become the hottest band on the circuit, even playing the Hollywood Bowl as the Rolling Stones' support act. Buffalo Springfield already had managers -- Frazier Mohawk and Richard Davis, the lighting man at the Troubadour (who was sometimes also referred to as Dickie Davis, but I'll use his full name so as not to cause unnecessary confusion in British people who remember the sports TV presenter of the same name), who Mohawk had enlisted to help him. But Stone and Greene weren't going to let a thing like that stop them. According to anonymous reports quoted without attribution in David Roberts' biography of Stills -- so take this with as many grains of salt as you want -- Stone and Greene took Mohawk for a ride around LA in a limo, just the three of them, a gun, and a used hotdog napkin. At the end of the ride, the hotdog napkin had Mohawk's scrawled signature, signing the group over to Stone and Greene. Davis stayed on, but was demoted to just doing their lights. The way things ended up, the group signed to Stone and Greene's production company, who then leased their masters to Atlantic's Atco subsidiary. A publishing company was also set up for the group's songs -- owned thirty-seven point five percent by Atlantic, thirty-seven point five percent by Stone and Greene, and the other twenty-five percent split six ways between the group and Davis, who they considered their sixth member. Almost immediately, Charlie Greene started playing Stills and Young off against each other, trying a divide-and-conquer strategy on the group. This was quite easy, as both men saw themselves as natural leaders, though Stills was regarded by everyone as the senior partner -- the back cover of their first album would contain the line "Steve is the leader but we all are". Stills and Young were the two stars of the group as far as the audience were concerned -- though most musicians who heard them play live say that the band's real strength was in its rhythm section, with people comparing Palmer's playing to that of James Jamerson. But Stills and Young would get into guitar battles on stage, one-upping each other, in ways that turned the tension between them in creative directions. Other clashes, though were more petty -- both men had very domineering mothers, who would actually call the group's management to complain about press coverage if their son was given less space than the other one. The group were also not sure about Young's voice -- to the extent that Stills was known to jokingly apologise to the audience before Young took a lead vocal -- and so while the song chosen as the group's first A-side was Young's "Nowadays Clancy Can't Even Sing", Furay was chosen to sing it, rather than Young: [Excerpt: Buffalo Springfield, "Nowadays Clancy Can't Even Sing"] On the group's first session, though, both Stills and Young realised that their producers didn't really have a clue -- the group had built up arrangements that had a complex interplay of instruments and vocals, but the producers insisted on cutting things very straightforwardly, with a basic backing track and then the vocals. They also thought that the song was too long so the group should play faster. Stills and Young quickly decided that they were going to have to start producing their own material, though Stone and Greene would remain the producers for the first album. There was another bone of contention though, because in the session the initial plan had been for Stills' song "Go and Say Goodbye" to be the A-side with Young's song as the B-side. It was flipped, and nobody seems quite sure why -- it's certainly the case that, whatever the merits of the two tracks as songs, Stills' song was the one that would have been more likely to become a hit. "Nowadays Clancy Can't Even Sing" was a flop, but it did get some local airplay. The next single, "Burned", was a Young song as well, and this time did have Young taking the lead, though in a song dominated by harmonies: [Excerpt: Buffalo Springfield, "Burned"] Over the summer, though, something had happened that would affect everything for the group -- Neil Young had started to have epileptic seizures. At first these were undiagnosed episodes, but soon they became almost routine events, and they would often happen on stage, particularly at moments of great stress or excitement. Several other members of the group became convinced -- entirely wrongly -- that Young was faking these seizures in order to get women to pay attention to him. They thought that what he wanted was for women to comfort him and mop his brow, and that collapsing would get him that. The seizures became so common that Richard Davis, the group's lighting tech, learned to recognise the signs of a seizure before it happened. As soon as it looked like Young was about to collapse the lights would turn on, someone would get ready to carry him off stage, and Richie Furay would know to grab Young's guitar before he fell so that the guitar wouldn't get damaged. Because they weren't properly grounded and Furay had an electric guitar of his own, he'd get a shock every time. Young would later claim that during some of the seizures, he would hallucinate that he was another person, in another world, living another life that seemed to have its own continuity -- people in the other world would recognise him and talk to him as if he'd been away for a while -- and then when he recovered he would have to quickly rebuild his identity, as if temporarily amnesiac, and during those times he would find things like the concept of lying painful. The group's first album came out in December, and they were very, very, unhappy with it. They thought the material was great, but they also thought that the production was terrible. Stone and Greene's insistence that they record the backing tracks first and then overdub vocals, rather than singing live with the instruments, meant that the recordings, according to Stills and Young in particular, didn't capture the sound of the group's live performance, and sounded sterile. Stills and Young thought they'd fixed some of that in the mono mix, which they spent ten days on, but then Stone and Greene did the stereo mix without consulting the band, in less than two days, and the album was released at precisely the time that stereo was starting to overtake mono in the album market. I'm using the mono mixes in this podcast, but for decades the only versions available were the stereo ones, which Stills and Young both loathed. Ahmet Ertegun also apparently thought that the demo versions of the songs -- some of which were eventually released on a box set in 2001 -- were much better than the finished studio recordings. The album was not a success on release, but it did contain the first song any of the group had written to chart. Soon after its release, Van Dyke Parks' friend Lenny Waronker was producing a single by a group who had originally been led by Sly Stone and had been called Sly and the Mojo Men. By this time Stone was no longer involved in the group, and they were making music in a very different style from the music their former leader would later become known for. Parks was brought in to arrange a baroque-pop version of Stills' album track "Sit Down I Think I Love You" for the group, and it became their only top forty hit, reaching number thirty-six: [Excerpt: The Mojo Men, "Sit Down I Think I Love You"] It was shortly after the first Buffalo Springfield album was released, though, that Steve Stills wrote what would turn out to be *his* group's only top forty single. The song had its roots in both LA and San Francisco. The LA roots were more obvious -- the song was written about a specific experience Stills had had. He had been driving to Sunset Strip from Laurel Canyon on November the twelfth 1966, and he had seen a mass of young people and police in riot gear, and he had immediately turned round, partly because he didn't want to get involved in what looked to be a riot, and partly because he'd been inspired -- he had the idea for a lyric, which he pretty much finished in the car even before he got home: [Excerpt: The Buffalo Springfield, "For What it's Worth"] The riots he saw were what became known later as the Riot on Sunset Strip. This was a minor skirmish between the police and young people of LA -- there had been complaints that young people had been spilling out of the nightclubs on Sunset Strip into the street, causing traffic problems, and as a result the city council had introduced various heavy-handed restrictions, including a ten PM curfew for all young people in the area, removing the permits that many clubs had which allowed people under twenty-one to be present, forcing the Whisky A-Go-Go to change its name just to "the Whisk", and forcing a club named Pandora's Box, which was considered the epicentre of the problem, to close altogether. Flyers had been passed around calling for a "funeral" for Pandora's Box -- a peaceful gathering at which people could say goodbye to a favourite nightspot, and a thousand people had turned up. The police also turned up, and in the heavy-handed way common among law enforcement, they managed to provoke a peaceful party and turn it into a riot. This would not normally be an event that would be remembered even a year later, let alone nearly sixty years later, but Sunset Strip was the centre of the American rock music world in the period, and of the broader youth entertainment field. Among those arrested at the riot, for example, were Jack Nicholson and Peter Fonda, neither of whom were huge stars at the time, but who were making cheap B-movies with Roger Corman for American International Pictures. Among the cheap exploitation films that American International Pictures made around this time was one based on the riots, though neither Nicholson, Fonda, or Corman were involved. Riot on Sunset Strip was released in cinemas only four months after the riots, and it had a theme song by Dewey Martin's old colleagues The Standells, which is now regarded as a classic of garage rock: [Excerpt: The Standells, "Riot on Sunset Strip"] The riots got referenced in a lot of other songs, as well. The Mothers of Invention's second album, Absolutely Free, contains the song "Plastic People" which includes this section: [Excerpt: The Mothers of Invention, "Plastic People"] And the Monkees track "Daily Nightly", written by Michael Nesmith, was always claimed by Nesmith to be an impressionistic portrait of the riots, though the psychedelic lyrics sound to me more like they're talking about drug use and street-walking sex workers than anything to do with the riots: [Excerpt: The Monkees, "Daily Nightly"] But the song about the riots that would have the most lasting effect on popular culture was the one that Steve Stills wrote that night. Although how much he actually wrote, at least of the music, is somewhat open to question. Earlier that month, Buffalo Springfield had spent some time in San Francisco. They hadn't enjoyed the experience -- as an LA band, they were thought of as a bunch of Hollywood posers by most of the San Francisco scene, with the exception of one band, Moby Grape -- a band who, like them had three guitarist/singer/songwriters, and with whom they got on very well. Indeed, they got on rather better with Moby Grape than they were getting on with each other at this point, because Young and Stills would regularly get into arguments, and every time their argument seemed to be settling down, Dewey Martin would manage to say the wrong thing and get Stills riled up again -- Martin was doing a lot of speed at this point and unable to stop talking, even when it would have been politic to do so. There was even some talk while they were in San Francisco of the bands doing a trade -- Young and Pete Lewis of Moby Grape swapping places -- though that came to nothing. But Stills, according to both Richard Davis and Pete Lewis, had been truly impressed by two Moby Grape songs. One of them was a song called "On the Other Side", which Moby Grape never recorded, but which apparently had a chorus that went "Stop, can't you hear the music ringing in your ear, right before you go, telling you the way is clear," with the group all pausing after the word "Stop". The other was a song called "Murder in my Heart for the Judge": [Excerpt: Moby Grape, "Murder in my Heart for the Judge"] The song Stills wrote had a huge amount of melodic influence from that song, and quite a bit from “On the Other Side”, though he apparently didn't notice until after the record came out, at which point he apologised to Moby Grape. Stills wasn't massively impressed with the song he'd written, and went to Stone and Greene's office to play it for them, saying "I'll play it, for what it's worth". They liked the song and booked a studio to get the song recorded and rush-released, though according to Neil Young neither Stone nor Greene were actually present at the session, and the song was recorded on December the fifth, while some outbursts of rioting were still happening, and released on December the twenty-third. [Excerpt: Buffalo Springfield, "For What it's Worth"] The song didn't have a title when they recorded it, or so Stills thought, but when he mentioned this to Greene and Stone afterwards, they said "Of course it does. You said, 'I'm going to play the song, 'For What It's Worth'" So that became the title, although Ahmet Ertegun didn't like the idea of releasing a single with a title that wasn't in the lyric, so the early pressings of the single had "Stop, Hey, What's That Sound?" in brackets after the title. The song became a big hit, and there's a story told by David Crosby that doesn't line up correctly, but which might shed some light on why. According to Crosby, "Nowadays Clancy Can't Even Sing" got its first airplay because Crosby had played members of Buffalo Springfield a tape he'd been given of the unreleased Beatles track "A Day in the Life", and they'd told their gangster manager-producers about it. Those manager-producers had then hired a sex worker to have sex with Crosby and steal the tape, which they'd then traded to a radio station in return for airplay. That timeline doesn't work, unless the sex worker involved was also a time traveller, because "A Day in the Life" wasn't even recorded until January 1967 while "Clancy" came out in August 1966, and there'd been two other singles released between then and January 1967. But it *might* be the case that that's what happened with "For What It's Worth", which was released in the last week of December 1966, and didn't really start to do well on the charts for a couple of months. Right after recording the song, the group went to play a residency in New York, of which Ahmet Ertegun said “When they performed there, man, there was no band I ever heard that had the electricity of that group. That was the most exciting group I've ever seen, bar none. It was just mind-boggling.” During that residency they were joined on stage at various points by Mitch Ryder, Odetta, and Otis Redding. While in New York, the group also recorded "Mr. Soul", a song that Young had originally written as a folk song about his experiences with epilepsy, the nature of the soul, and dealing with fame. However, he'd noticed a similarity to "Satisfaction" and decided to lean into it. The track as finally released was heavily overdubbed by Young a few months later, but after it was released he decided he preferred the original take, which by then only existed as a scratchy acetate, which got released on a box set in 2001: [Excerpt: Buffalo Springfield, "Mr. Soul (original version)"] Everyone has a different story of how the session for that track went -- at least one version of the story has Otis Redding turning up for the session and saying he wanted to record the song himself, as his follow-up to his version of "Satisfaction", but Young being angry at the idea. According to other versions of the story, Greene and Stills got into a physical fight, with Greene having to be given some of the valium Young was taking for his epilepsy to calm him down. "For What it's Worth" was doing well enough on the charts that the album was recalled, and reissued with "For What It's Worth" replacing Stills' song "Baby Don't Scold", but soon disaster struck the band. Bruce Palmer was arrested on drugs charges, and was deported back to Canada just as the song started to rise through the charts. The group needed a new bass player, fast. For a lipsynch appearance on local TV they got Richard Davis to mime the part, and then they got in Ken Forssi, the bass player from Love, for a couple of gigs. They next brought in Ken Koblun, the bass player from the Squires, but he didn't fit in with the rest of the group. The next replacement was Jim Fielder. Fielder was a friend of the group, and knew the material -- he'd subbed for Palmer a few times in 1966 when Palmer had been locked up after less serious busts. And to give some idea of how small a scene the LA scene was, when Buffalo Springfield asked him to become their bass player, he was playing rhythm guitar for the Mothers of Invention, while Billy Mundi was on drums, and had played on their second, as yet unreleased, album, Absolutely Free: [Excerpt: The Mothers of Invention, "Call any Vegetable"] And before joining the Mothers, Fielder and Mundi had also played together with Van Dyke Parks, who had served his own short stint as a Mother of Invention already, backing Tim Buckley on Buckley's first album: [Excerpt: Tim Buckley, "Aren't You the Girl?"] And the arrangements on that album were by Jack Nitzsche, who would soon become a very close collaborator with Young. "For What it's Worth" kept rising up the charts. Even though it had been inspired by a very local issue, the lyrics were vague enough that people in other situations could apply it to themselves, and it soon became regarded as an anti-war protest anthem -- something Stills did nothing to discourage, as the band were all opposed to the war. The band were also starting to collaborate with other people. When Stills bought a new house, he couldn't move in to it for a while, and so Peter Tork invited him to stay at his house. The two got on so well that Tork invited Stills to produce the next Monkees album -- only to find that Michael Nesmith had already asked Chip Douglas to do it. The group started work on a new album, provisionally titled "Stampede", but sessions didn't get much further than Stills' song "Bluebird" before trouble arose between Young and Stills. The root of the argument seems to have been around the number of songs each got on the album. With Richie Furay also writing, Young was worried that given the others' attitudes to his songwriting, he might get as few as two songs on the album. And Young and Stills were arguing over which song should be the next single, with Young wanting "Mr. Soul" to be the A-side, while Stills wanted "Bluebird" -- Stills making the reasonable case that they'd released two Neil Young songs as singles and gone nowhere, and then they'd released one of Stills', and it had become a massive hit. "Bluebird" was eventually chosen as the A-side, with "Mr. Soul" as the B-side: [Excerpt: Buffalo Springfield, "Bluebird"] The "Bluebird" session was another fraught one. Fielder had not yet joined the band, and session player Bobby West subbed on bass. Neil Young had recently started hanging out with Jack Nitzsche, and the two were getting very close and working on music together. Young had impressed Nitzsche not just with his songwriting but with his arrogance -- he'd played Nitzsche his latest song, "Expecting to Fly", and Nitzsche had said halfway through "That's a great song", and Young had shushed him and told him to listen, not interrupt. Nitzsche, who had a monstrous ego himself and was also used to working with people like Phil Spector, the Rolling Stones and Sonny Bono, none of them known for a lack of faith in their own abilities, was impressed. Shortly after that, Stills had asked Nitzsch
You need to have a medicine ball --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/mikerush/support
Harley's farm adventure has well and truly influenced the episode today! If you're a fan of chickens and want to know all about their laying patterns and how their eggs come to be... well my friend, you've come to the right place! Usually we are the LAST place you would turn for actual true facts on a subject... but you might actually learn something. Plus Nikki's had a run in with a medicine ball, and all we can ask is please, PLEASE someone send us the video footage! Happy Friday legends! LINKS Harley Breen @harley.breen Nikki Britton @thenikkibritton Nova Podcasts Instagram @novapodcastsofficial For tickets to Nikki's upcoming shows head to https://comedy.com.au/tour/nikki-britton-2022/ For tickets to Harley's upcoming shows head to harleybreen.com.au CREDITSHosts: Harley Breen & Nikki Britton Executive Producer: Rachael Hart Managing Producer: Elle Beattie Editor: Adrian Walton Find more great podcasts like this at novapodcasts.com.auSee omnystudio.com/listener for privacy information.
This is the ninth episode of the second season of "Having A Ball" (with Joseph Barnes and Andreas Enehaug).
This week Jo is talking with Actress and Director, Kai Soremekun about going grey, holding each other up, how we start to long for authenticity and why she has created an alter ego to express her feelings about growing older! Originally from Toronto, Canada, Kai Soremekun began her career as an actress in New York City before moving to Los Angeles. Her many credits include the films, “Heat”, “Regarding Henry” and a series regular role on the Fox television series “Medicine Ball”. Since putting her actor's perspective behind the camera, Kai's directing work has aired on Showtime, HBO Canada and shown in festivals around the world. Currently Kai is putting her 30+ years of experience as an actress and filmmaker into Stephanie Danger, a YouTube channel for women in midlife. The channel is Kai's love letter to middle aged women. Stephanie Danger serves as an alter ego encouraging us to live life by our own rules and go on a midlife rebellion. LINKS YouTube: https://www.youtube.com/c/thestephaniedanger Website: stephaniedanger.com The Midlife Movement is a friendly community which aims to challenge outdated stereotypes around midlife and ageing through the sharing of stories and 121 personal coaching. Find out more here: www.themidlifemovement.com Enjoyed this episode? Rate and review the podcast, and Subscribe wherever you might be listening to it so you never miss a new episode. --- Send in a voice message: https://anchor.fm/the-midlife-movement/message
In this episode we dive into the history of shadowboxing, the medicine ball, and the jump rope.
Presented By: www.exxentric.com/speedandpower Jordan is currently a sports performance coach at Elon University. Jordan has also spent time at the University of Minnesota, Wisconsin, and Concordia St.Paul. Buy the book- Reverse Engineering Sport: The 8 Vector System https://www.instagram.com/jordanbonieuwsma/ https://www.instagram.com/elonperformance/ Checkout my Multidirectional Plyometric Course: www.multidirectionalpower.com
Nelly drop a new one!! New Sextape..... on IG Stories lol And the ladies have not been kind to the man. The Shrimp Emoji been running all that The give the Ladies point of the view we have @KeyasRoomPodcast for some game. @DaBoyDame has come up with a new test to find out if a lady has the good ya feel me! After Sundays Euphoria's Episode Rue has become number 1 Crack head! But who else is top 10 And we airing out our beef with Starbucks!! Enjoy
You know what I've noticed? The way the Apostle Paul prays for the Ephesian church is not how we pray. Either he's wrong and needs to pray the way we pray, or else we need to learn from Paul and change our practices of prayer. (My money's on the latter option.) See, it turns out that we don't need what we think we need. What we really need is not prosperity or security or even clarity. What we really need is trust. P.S. Not totally sure it was actually 75 lbs…. Preacher: Andrew Forrest Scripture: Ephesians 1:15-23
You know what I've noticed? The way the Apostle Paul prays for the Ephesian church is not how we pray. Either he's wrong and needs to pray the way we pray, or else we need to learn from Paul and change our practices of prayer. (My money's on the latter option.) See, it turns out that we don't need what we think we need. What we really need is not prosperity or security or even clarity. What we really need is trust. P.S. Not totally sure it was actually 75 lbs…. Preacher: Andrew Forrest Scripture: Ephesians 1:15-23
This week Jeff will share many funny stories about his time working at AT&T. Join him as he talks about what it was like being an operator, a union rep, and so much more. This weeks movie review is a TV show This Is Us. The coffee review is one not to be missed.
Happy New Year everyone! On this last episode of the year, I speak with Mark Stone who is a veteran of the music scene who has kinda seen and done it all. He is someone I've know about for a very long time, and was happy to finally be able to speak with and get to know better. You should seek out an band he has been a part of, but most importantly, his most recent, Droplets which you can find more about here: https://droplet.bandcamp.com/ https://www.facebook.com/thejugcollector And with Mark being the ever present and knowledgeable musician that he is, it was a great joy to be turned onto this 1979 proto-punk monument, The Soft Boys' A Can of Bees. Amazing! Find out more about us at www.psychicstatic.net And we'll see you in the new year! Theme song written and performed by Jeff Robbins of 123 Astronaut.
Hello Friday Flexors!!Your medicine ball challenge week workout is a 10 Minute EMOMThe two movements are lunges and push ups.Even Minutes | Complete 20 lunges (10 ea. leg) Odd Minutes | Complete 10-15 push upsSet your timer and have some fun!!!Support the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
Can Marty fix a wayward documentary about a travelling music festival put on by Warner Brothers in order to capitalize on the popularity of Woodstock? We're about to find out
Hello Friday Flexors This week is a lower body focus!!!The moves are squats to a press, side lunges with a press and deadlifts.You will complete 4 rounds of each move, working for 30 seconds and resting for 15 secondsLet me know what you think about the workout. Email me at weflexonfriday@gmail.com or find me on IG at flex.on.fridaySupport the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
In this episode Sal, Adam & Justin cover some of the best explosive movements you can do for all parts of your body. The misunderstanding around explosive training. (2:43) Stop blaming your age. (7:48) The difference between strength and power. (11:16) What you practice is what you get. (16:16) Defining fast-twitch versus slow-twitch muscle fibers. (22:18) Where is the best place to put explosive exercises into your routine? (24:52) The Best Explosive Exercises for Each Muscle Group. #1 – Legs: Box Jumps and Hill Sprints. (27:09) #2 – Hips/Glutes/Hamstrings/Lower Back: Kettlebell Swings and Band/Sled Row. (33:16) #3 – Lats: Overhead Slam/Throw with Medicine Ball. (39:42) #4 – Chest: Explosive Push Up and Chest Press. (42:20) #5 – Shoulders: Push Press and Circus Press. (44:48) #6 – Core: Side Chop with Bands, Landmine, and Side Toss with Medicine Ball. (51:52) #7 – Calves: Jump Rope and Ice Skaters. (53:56) Related Links/Products Mentioned November Promotion: MAPS Anywhere and the Fit Mom Bundle – Both 50% off! **Promo code “NOVEMBER50” at checkout** Visit Drink LMNT for an exclusive offer for Mind Pump listeners! How to Box Jump the Right Way to Activate More Muscle Fibers – Mind Pump TV How to do a Proper Kettlebell Swing (Don't Make THIS Mistake!!) - Mind Pump TV Hardstyle Kettlebell Swings vs. Kettlebell Sport Kettlebell Swings – Mind Pump TV Improve Your Kettlebell Swing with These 2 Drills | MIND PUMP TV THE BEST Exercise For Back Strength, Stability & Posture with Bands – Mind Pump TV The BEST Full Body Workout You're Not Doing (TRY THIS!!) - Mind Pump TV MAPS Strong | MAPS Fitness Products - Mind Pump Media Build An Amazing Midsection with the Side Wood Chop – Mind Pump TV The Upper Body Landmine Workout You NEED To Try! - Mind Pump TV The BEST Anti-Rotation Exercises for a Strong Core #2 | MIND PUMP TV Activate More Chest Muscle Fibers with Medicine Ball Lateral Toss & Chest Pass How To Properly Do The Ice Skater Exercise Mind Pump TV - YouTube Mind Pump Podcast – YouTube Mind Pump Free Resources People Mentioned Joe DeFranco (@defrancosgym) Instagram
Hello Friday Flexors This week the moves are toe taps, sit ups with a press and burpees.You will complete 4 rounds of each move, working for 30 seconds and resting for 15 secondsLet me know what you think about the workout. Email me at weflexonfriday@gmail.com or find me on IG at flex.on.fridaySupport the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
This week Friday FlexorsThe moves today are a knee drive, plank with a tap and seat oblique crunches.You will complete 4 rounds of each move, working for 30 seconds and resting for 15 secondsLet me know what you think about the workout. Email me at weflexonfriday@gmail.com or find me on IG at flex.on.fridaySupport the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
This week Friday FlexorsThe moves today are push ups, tricep extensions and a curl and press.You will complete 4 rounds of each move, working for 30 seconds and resting for 15 secondsLet me know what you think about the workout. Email me at weflexonfriday@gmail.com or find me on IG at flex.on.fridaySupport the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
Hello Friday Flexers!!!This week and the next several weeks we will be using a medicine ball as a part of our workouts! You want a medium size medicine ball. So a weight the you can move for four rounds and that will challenge you.The moves today are high knees, bent over row and sit ups.You will complete 4 rounds of each move, working for 30 seconds and resting for 15 secondsLet me know what you think about the workout. Email me at weflexonfriday@gmail.com or find me on IG at flex.on.fridayUntil next week... Keep Flexing! Support the show Find me on Instagram @ flex.on.Friday or email me at weflexonfriday@gmail.com.Until Next Time... Keep Flexing!
In this week's episode, we start off by talking about the first date with Steph's “New Guy” - future nickname TBD. We talk about the date, catfishing, and how she confessed to him that he was actually talking to Laura at first and she was the one who matched with him. We then dive into some of your questions regarding the Gabby Petito case, age gap dating, WW, and supporting your local farmers! Flavors of the Week: Laura - Starbuck's Medicine Ball (or as Starbucks added their menu, the Honey Citrus Mint Tea) Steph - Canada Dry's Diet Ginger Ale Join our Facebook group, Club Wine Over Matter and follow us on Instagram - @WineOverMatterPod, @CrunchesBeforeBrunches, and @AuthenticallySteph! Thanks for supporting our sponsors: Real Good Foods Music used in this week's episode provided by Uppbeat (License code: HC5SSAI4EHNGWR2) --- Send in a voice message: https://anchor.fm/wineovermatter/message
On this episode of the Mallory Bros. Podcast, the bros have a good time with sharp dialogue back and forth. They start with sports. They talk the Russ Laker Trade, the Olympics, and Football. Terrell gives interview tips, Terrance has a hot take on Simone Biles, they talk Rolling Loud, baseball, and Juicy J receives necessary flowers.
Episode 30: Me and my special guest LS3 (host of Medicine Ball podcast) discuss being diagnosed with bi-polar disorder. And how he overcame the odds when it comes to treatment and removing modern medicine. Tune in and catch a dope vibe!
One of my pet peeves is the use of medicine ball throws to simulate ground strokes with sloppy form, too heavy of a med ball, and too demanding footwork. The goal of a performance coach is to improve athletic ability so the tennis player can use that improved athletic ability on the court. We are not trying to make them excellent at difficult to perform drills that do not transfer. Medicine ball training can either support performance or hinder performance. Choose wisely!
Learn about why changing out of your pajamas while you work could improve your mental health; why local honey doesn’t stop seasonal allergies; and shisa kanko, a surprisingly simple Japanese ritual that greatly improves accuracy. Working from home in your pajamas is linked to poorer mental health by Kelsey Donk The Re:Set Team. (2021, February 5). Scientists Say Working From Home in Pyjamas Can Dampen Your Mental Health. Re:Set. https://resetyoureveryday.com/scientists-working-from-home-pyjamas-mental-health/ Alberta Health Services. (2021). End PJ Paralysis | Alberta Health Services. Alberta Health Services. https://www.albertahealthservices.ca/info/Page15971.aspx Chapman, D. G., & Thamrin, C. (2020). Scientists in pyjamas: characterising the working arrangements and productivity of Australian medical researchers during the COVID‐19 pandemic. Medical Journal of Australia, 213(11), 516–520. https://doi.org/10.5694/mja2.50860 Local Honey Won't Fix Your Seasonal Allergies originally aired May 23, 2018 https://omny.fm/shows/curiosity-daily/local-honey-myths-nasa-to-the-moon-and-a-bisexual Shisa Kanko May Look Odd To Outsiders, But It Keeps Train Passengers Safe by Ashley Hamer Richarz, A. (2017, March 29). Why Japan’s Rail Workers Can’t Stop Pointing at Things. Atlas Obscura; Atlas Obscura. https://www.atlasobscura.com/articles/pointing-and-calling-japan-trains Gordenker, A. (2008, October 21). JR gestures. The Japan Times. https://www.japantimes.co.jp/news/2008/10/21/reference/jr-gestures/#.WPf_OVMrLVp MTA | news | Subway Conductors Point the Way to Safety. (2013). Mta.info. https://www.mta.info/news/2013/11/12/subway-conductors-point-way-safety Shinohara, K., Naito, H., Matsui, Y., & Hikono, M. (2013). The effects of “finger pointing and calling” on cognitive control processes in the task-switching paradigm. International Journal of Industrial Ergonomics, 43(2), 129–136. https://doi.org/10.1016/j.ergon.2012.08.004 JICOSH Home | Concept of “Zero-accident Total Participation Campaign”[English]. (2017). Archive.org. https://web.archive.org/web/20181117051253/http://www.jniosh.go.jp:80/icpro/jicosh-old/english/zero-sai/eng/ Subscribe to Curiosity Daily to learn something new every day with Cody Gough and Ashley Hamer. You can also listen to our podcast as part of your Alexa Flash Briefing; Amazon smart speakers users, click/tap “enable” here: https://www.amazon.com/Curiosity-com-Curiosity-Daily-from/dp/B07CP17DJY See omnystudio.com/listener for privacy information.
In 1970 Warner Brothers had a surprise hit on its hands when they released the documentary/concert film Woodstock. Though the studio spent less than a million dollars on it, the film would eventually gross $50 million at the box office. Warner Bros. had caught lightning in a bottle. The question for the suits was: How do we make lightning strike twice? The answer was the Medicine Ball Caravan. But the lightning fizzled. See acast.com/privacy for privacy and opt-out information.
Committing to a regular exercise regimen is often easier said than done. It takes discipline, focus and time – and if you’re planning to join a gym, it can cost you an arm and a leg every single month. But does it have to? The truth is, you don’t have to spend a fortune on gym memberships or fitness classes. With the tips and strategies featured inside of this special report, you’ll be able to achieve the exact same results at home at a low-to-no cost! Regular exercise, particularly as you get older, is an important component to living your best, most active and healthiest life. Beginners Tips to Working Out At Home: >> https://www.runtastic.com/blog/en/how-to-start-working- out/ How to Create a Gym At Home: >> https://www.self.com/story/exactly-how-to-start-workout- program-without-joining-gym 100 Home Based Workout Ideas: >> https://www.muscleandstrength.com/workouts/home. Jen’s top home workout favs! Running Belt: http://gojen180fit.com/rbelt Agility Ladder: http://gojen180fit.com/aldder Agility Markers: http://gojen180fit.com/markers. Amazon Band kit; https://tinyurl.com/180Fitbands Yoga and Barre Socks:http://gojen180fit.com/ybsocks Daily Motivation Cards: http://gojen180fit.com/mcards B-LINES Resistance Band: http://gojen180fit.com/rbandsl B-LINES Resistance Band Kit: http://gojen180fit.com/rbkit B-LINES Resistance Band Upgrade Kit: http://gojen180fit.com/rbukit Balance Ball: http://gojen180fit.com/bball Buddy Ball:http://gojen180fit.com/bbball Squishy Ball: http://gojen180fit.com/sqball Beachbody Step: http://gojen180fit.com/step BOD Rope: http://gojen180fit.com/rope Body Fat Tester: http://gojen180fit.com/bftest Chin Up Bar: http://gojen180fit.com/chinup Chin Up Max: http://gojen180fit.com/chinupmax Core Comfort Mat: http://gojen180fit.com/cmat Door Attachment Kit: http://gojen180fit.com/doorkit Foam Roller: http://gojen180fit.com/froller Hanging Ab Straps:http://gojen180fit.com/hastraps Jump Mat: http://gojen180fit.com/jumpmat Medicine Ball:http://gojen180fit.com/mball Premium Stability Ball: http://gojen180fit.com/sball PT Sandbag: http://gojen180fit.com/Sandbag Resistance Band Soft Handles: http://gojen180fit.com/rbsh Resistance Loops: http://gojen180fit.com/Resistanceloops Sculpting Band:http://gojen180fit.com/sculptingband Speed Rope: http://gojen180fit.com/speedrope Strength Band:http://gojen180fit.com/strengthband Weighted Gloves:http://gojen180fit.com/weightedgloves Yoga Mat: http://gojen180fit.com/yogamat --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/180fit/message Support this podcast: https://anchor.fm/180fit/support
"The Smoke" feat. Kendra the Creatress....keeping along with this months theme of honoring #breastcancerawarenessmonth by spotlighting knowledgeable, positive, powerful women we discuss Sage. Many people are familiar with smudging or the burning of sage and other spices, leaves and plants. This week Kendra who is the owner of tied_with_intention( an online store where you can purchase unique bundles to smudge with) gives us insight on some of the healing properties, and benefits of smudging. Rather your someone who is on a deeper level or someone who simply enjoys the smells of things such as lavender, white sage, cinnamon etc. ( Aromatherapy which is good for you mood and calming effects) this is the show for you. Here at Medicine Ball we approach all things with an open mind and unbiased P.o.v. So make sure your tuned in tonight to catch the show and add some new strategies and tools to your arsonal of life hacks
Medicine Ball Podcast S2E26 "Shuneys View" this week on Medicine Ball in honor of #breastcancerawarenssmonth I will be honoring great women in the month of October. This week is the first and I have Shuney host of "The Shuney View" Podcast as a guest this week. She will be speaking about her experiences being deployed during the pandemic,, and the events surrounding that. She will also will be speaking about the importance of knowing when to prioritize, yourself over others(I.e knowing when you need to say NO). We all have been there commiting to something or someone when honestly we are in no condition to do so. It can be a thin line when it comes to being kind, and helping others, and often those lines can be blurred. Is it regret,?do you feel obligated? Shuney's give us her tips and p.o.v to help us start saying NO as well as some of the most loaded and profound one liners, that quite frankly just make sense Join me as I bring you the first of 4 Women guest on this week's episode
Frank Skinner's on Absolute Radio every Saturday morning and you can enjoy the show's podcast right here. Radio Academy Award winning Frank, Emily and Alun bring you a show which is like joining your mates for a coffee... So, put the kettle on, sit down and enjoy UK commercial radio's most popular podcast. This week we are back at the linen basket and the team are joined by Gareth Richards. Frank has been thinking about his exercise history. The team discuss Lego, eating sunflowers and Gareth has been working at the Post Office.
Ladies and Gentlemen my name is LS3 and I'd like to officially invite you to check out Medicine Ball podcast available on all streaming platforms or wherever you get your music (Spotify ,Apple ,Iheart radio and many more) The Medicine Ball podcast is dedicated to the idea of exercising your mind and giving your brain a six-pack. Exercising your mind means that you actively think about a deal with all situations by first seeking to do anything other than what you are normally programmed, and/or comfortable doing. Now don't worry I'm fully aware that most people aren't using to this way of thinking but just like anything you want to get better at it requires effort, practice, and hard work. Now i'm no Dr. or Psychologist, but I have been diagnosed with bipolar disorder level one for 16 years, andI got to a point in my life where I was looking at the person I was becoming versus the person I wanted to be that required that I look at my Mental Health responsibly among other things but this is my story Welcome to Medicine Ball --- Send in a voice message: https://anchor.fm/medicineballls3/message
Every piece of exercise equipment has both positives and negatives, because of this, learning the proper use of each tool is critical to get the most out of it. Medicine balls are fantastic for hockey specific power and speed development, but, only if you program them the way they should be! After this episode, you will have a sound understanding of the 3 Power Pillars and will know exactly how to best use the medicine ball for hockey specific results. If you want a "done for you" off-season hockey training program, the new Off-Season Hockey Training Program is now live! Join the team here: https://www.hockeytraining.com/programs
Medicine ball is dedicated to the idea of exercise in your mind which means actively thinking and dealing with all situations by first seeking to do anything other than what you are normally program and comfortable and doing most people aren't used to this way of thinking but just like anything you want to get better at it requires effort dedication and hard work
The Medicine Ball Podcast latest episode Is out now S2E9 "H.a.b.i.t.s What If I told you A habit was your bodies scientific way to make things "easier"for you mentally. In a world where everything is geared towards no effort services it is crucial that we don't become mentally out of shape, and unable to think in the necessary ways to effectively to problem solve. Any unwanted behavior that remains unaddressed will build a habit so deeply rooted that comes automatic. Watch as I show how using the word habit as an acronym can also help you to start to build new ones. Medicine Ball
In this episode, Debbie shares her "stay at home" workout routine and tips to stay strong while we can't get to the gym! It is important to keep a schedule, find a new routine and sense of purpose each day. Week days are different than week ends! SLEEP is essential to recovery, repair and immunity to time your food, workouts and stressors away from bedtime (no news at night!). 1. April Yoga Challenge - "like" LOW CARB ATHLETE Facebook page for suggested YouTube free yoga "classes" - three days a week and discover your "Areas of Opportunity". Wow- my hips are tight and my right quad/hip is off! 2. Sunrise walks 10-15 minutes then "lunch break" walk and then an evening walk if we don't run or bike. 3. Bike rides - if you can ride outside then get out for some fresh air and leave your hood (if allowed!). Less is more right now so keep your exercise time and intensity low. 4. Run or run/walk- purpose to each workout, pace by heart rate, flat easy runs and hard hilly runs - or find stairs! 5. Strength Training: Circuit training with 2-4 exercises with 2-4 rounds with timer (Ipad HIIT Timer app). Less is more as we do not need more sources of chronic stress and activating release of the stress hormones CORTISOL when we are experiencing a world wide pandemic. Here is an article on cortisol, stress, and exercise DNAFit article: What you can do to maintain healthy cortisol levels when training- It is possible to enjoy the undeniable benefits of exercise while minimizng the impact on cortisol concentrations: Don't overdo it. Take regular breaks from intense training and listen to your body. Leave intense sessions to later in the day, when cortisol levels are lower. Eat right to fuel your body and make sure you consume carbohydrates and protein after exercise to decrease the cortisol response. Consider adaptogens to improve your body's response to stress. Check out our stress-busting article (coming on Friday!) for ways to cope with life's stresses and strains. Key equipment to have at home (Amazon)...I posted links on my LOW CARB ATHLETE Facebook page a few weeks ago. 1. BOSU 2. Stability Ball 3. STROOPS bands or bands with handles 4. Ankle bands 5. Perfect Push-up handles 6. Exercise Mat 7. Weights, Kettlebells and/or Medicine Ball 8. TRX 9. Rip Trainer Another article -Why long cardio workouts don't lead to sustained weight loss Over time our bodies adapt to repetitive aerobic exercise, using www.debbiepotts.net oxygen and energy more efficiently, thereby hindering fat loss. Endurance cardio has also been linked to an increase in the body's production of the “stress” hormone cortisol. If cortisol levels remain raised over time, our bodies become more sensitive to insulin and store fat (particularly in the abdominal area). Serotonin, thyroid function, growth hormone, testosterone and estrogen levels are all disrupted. Get outside and play...but stay 10 feet away from others, train alone or with your partner/housemate/spouse and wear a mask if around others! Here is the link on the study on exercising with friends and avoiding CV-19 Learn more on my website, blog posts and free e-books! www.debbiepotts.net
Jo Jan & Matt are back for another edition of The Impact Attack. Bin Hamin is recovering in the hyperbolic chamber from his trip to the Bahamas so the young lions are back at again and holding it down.On this episode they discuss a new Starbucks drink called "The Medicine Ball", Edge's Return, & Andrade gets popped for steroids. They then give a full recap on Impact Wrestling from Mexico. Support The Cause! Get Your TCH Shirts Today! www.prowrestlingtees.com/binhaminwww.prowrestlingtees.com/stevierichardswww.prowrestlingtees.com/SEGshirtswww.prowrestlingtees.com/greekgodpapadon Follow:@Get_Acre on Twitter and Tell them @HaminMediaGroup Sent You and that You should win Free Gold Bar! Subscribe to and get your Gold using our link www.getacregold.com/horsemen and build your wealth in 2020!
The ADULTS discuss encounters with rude people, middle school teachers, secret codes, Grandmas and much more! Call us at 424.272.8763 ADULTS: Art Hernandez: Homepage || Instagram || Twitter || Facebook Serafina Costanza: Homepage || Instagram || Twitter || Facebook Mel C: Instagram Eric Kaczmarowski: Instagram||Facebook || Email
In this episode the season finale of Medicine Ball we talk about Kobe Bryant and the mentality of a champion chasing greatness I breakdown my acronym of Mamba and how I relate it to life and my mental health illness
Today is just what you guys asked for! Another movement episode. Ackerman and Fern break down the Med Ball Clean. It’s one of the most undervalued and underutilized movements. Even though it’s one of the nine functional movements and it’s given a lot of time during the Level 1 seminar. Ackerman and Fern break it down, by the progressions, major faults and cues. They talk about the transfer of skill between med ball clean and how it’s one of the most soul-destroying within a workout. And there’s even a little challenge for you guys at the end of the podcast. If you have any questions about our new programming with is due out in the next few weeks or what to be first on the list - hit us on DM's or at besthouroftheirday@gmail.com Our new Box Tour Series Out now! Make sure you go check it out! Hey, team don ‘t forget! Jason new book Best Hour of Their Day is out now! Check out the extra content about this episode on besthouroftheirday.com Rate/subscribe in Apple Podcasts! Find us on Instagram: @besthouroftheirday + @thejasonackerman Check out our website - besthouroftheirday.com - to learn more about our private coaches development group. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jason-ackerman/support
Alex, Bobby and Chris talk about the allure of medicine balls, how you are probably using them wrong and what are the best ways to use them based on the science and research that is out there as well as their experience and objective data collection on over 1,000 golfers.
This week’s episode of #WhiteboardWednesday we're talking about Strength and Conditioning Exercises With a Medicine Ball. We have 20 different dryland exercises lined up for you between upper body, lower body, and your core to get you training and swimming faster than ever before!
This week’s episode of #WhiteboardWednesday we're talking about Strength and Conditioning Exercises With a Medicine Ball. We have 20 different dryland exercises lined up for you between upper body, lower body, and your core to get you training and swimming faster than ever before!
In a world where we all seem very connected, people are lonelier than ever before. Suicide rates among young people are skyrocketing. Why? Generally speaking, people have few friends. Today, Pastor Casey gives practical advice about how to both make friends and be a friend.
In a world where we all seem very connected, people are lonelier than ever before. Suicide rates among young people are skyrocketing. Why? Generally speaking, people have few friends. Today, Pastor Casey gives practical advice about how to both make friends and be a friend.
Welcome to episode 74 of THE UPSIDE with Callie and Jeff Dauler (original release date: October 22, 2019) ********** - our phone number is 800-434-5454 … call anytime, about anything! - follow Callie and Jeff on IG: @CallieDauler and @JeffDauler - join our awesome community on Facebook by clicking here - have you subscribed to our weekly Pick-Me-Up newsletter for good news and deals? - shop our Callie and Jeff merchandise ********** Please share this episode and the show with the whole world! The easiest way to do that - especially if someone doesn't know too much about podcasts - is by sending them to callieandjeff.com and having them hit the LISTEN NOW button. Internet magic will take them directly to the best available player for whatever device they are using. If you share about the show on social media, please use #livefortheupside so we see it and can respond / repost / follow! ********** Here are all of today’s show links, for your clicking convenience: ButcherBox (UPSIDE at checkout gets you $20 off and a free turkey with your first box) Skillshare (UPSIDE gets you two months of free learning) Hempfusion (UPSIDE at checkout for 20% off and free shipping on your first order) ********** Pre-show, Callie and Jeff reminisce about Saturday’s outstanding episode of Live PD. Many bears, including one that loved peanut butter sandwiches. Jeff is grateful for peanut butter sandwiches. Callie is grateful for silicone straws. Today, to start THE UPSIDE, Jeff totally jinxes himself by bragging that he hasn’t gotten a cold in the past 2 or 3 years. He gives his magic formula (Zicam, Emergen-C, tons of water, and a Medicine Ball from Starbucks.) This surely means he’ll be getting sick this week. Callers to the show have flu shot tips and are appreciative of something they learned from the show. Callie updates us on her friends teenager and his Homecoming date. Jeff give you a guaranteed-win bet to use with your friends. Callie reviews Wooden Ships Sweaters. Callie and Jeff are celebrating their third wedding anniversary tomorrow and Jeff appreciates the little, but weird, things they have in common. Post-show, Callie announced that gratitude journals will go on sale this week. Butcher Box: Take one more thing off your to-do list! Get high-quality meat delivered right to your door every single month. Grass fed beef, free-range chicken, heritage breed pork, and wild-caught salmon are all on the menu! Shipping is free in the continental US, and you get a free turkey PLUS $20 off your first box if you use the promo code UPSIDE when you check out. www.ButcherBox.com/upside. Skillshare: Don't trust random YouTube videos to teach you important things! Learn from an online learning community where you can see the credentials of your instructors and take thousands of courses. Scores of classes covering creative and entrepreneurial skills to get you set up for the starting a new project, setting yourself up for a new job, or just exploring something new. Two months totally free ... see how much you can learn! Just visit www.SkillShare.com/upside. Happy learning! Hempfusion: CBD is all over the place, but if you don't get a quality product, you won't get the results you are expecting. Hempfusion is full-spectrum hemp CBD, with omegas, terpenes, and other supportive nutrients. These aren't just trace amounts, like some other full-spectrum CBD, but enough Terpenes + Omegas in order to deliver maximum health impact. Use UPSIDE at hempfusion.com for 20% off and free shipping. ********** SUBSCRIBES, FOLLOWS, and FIVE-STAR REVIEWS are always appreciated. WE ARE ALWAYS GRATEFUL FOR YOU! Learn more about your ad choices. Visit megaphone.fm/adchoices
You think you "should" run and you've tried it, but you just don't like running? My friend, I have some simple (and easy!) advice for you. And while we're chatting about it... let's RUN. Level THREE | Steady state CARDIO | NO intervals | Burns 150 - 175 calories We're going steady state cardio today at whatever pace suits you best, while I offer some practical steps you can take to ENJOY RUNNING as part of your fitness routine:
Mark Verstegen is the founder and president of EXOS and one of the world's foremost experts on human performance. Mark has coached some of the most elite athletes on the planet and has also worked extensively with the NFL, corporations, and the military. EXOS is built around four pillars of performance - mindset, nutrition, movement, and recovery - and Mark takes us through it all. He has trained a ton of kids and gives everyone from parents to coaches a lot of great takeaways. We were so excited to have Mark in-house to talk about his philosophy and experience training youth athletes. For more information on Mark and EXOS, check out the EXOS website, or follow them on Facebook, Twitter, and Instagram. Books, people, and studies mentioned in the episode:Plyometric Exercises with the Medicine Ball, by Donald Chu (5:55)E.O. Wilson 16:37Anna Kournikova and Maria Sharapova (17:30)Article about Amanda Visek's "Fun Integration Theory" (24:00)Mindset, by Carol Dweck (29:52)Nutrition for kids (30:35)Mark Benden (44:45)Every Day is Game Day, by Mark Verstegen and Pete WilliamsCore Performance, by Mark Verstegen and Pete Williams
Today’s episode features pro trainer David Donatucci. David is the the owner/director of The Florida Institute of Performance in Palm Beach Gardens, Florida where he provides comprehensive sports performance training programs for professional, collegiate, high school and senior athletes. David is well known for his work with high-level golfers, but his diverse resume includes training athletes of all levels and types. He has been using medicine ball training for decades, and has honed in on essential biomechanical and kinetic parameters that can make this form of training optimally effective. David is a coach who truly knows the biomechanics of swinging sports and how to use that knowledge to create better transfer in the weight room and with medicine balls. When it comes to medicine ball training, it is easy to think that picking up a ball and throwing it against the wall will automatically transfer to rotation, but in talking to David and learning about things like launch angle, power transfer and ball velocity, we can easily see that what we are doing with our medicine ball work needs to have a high level of specificity, especially as the ability levels of the athletes we are working with increase. On today’s episode, David talks about the key components that bind rotational sport actions together, as well as the differences across sports such as baseball and golf. He talks about how to optimize the various components of medicine ball training, be specific to sport skills with medicine balls, as well as how to select proper weight and velocity (David is the inventor of the Ballistic Ball). For those fellow track coaches out there, David makes shot put and discus references which can certainly make us appreciate this smart episode even more. Today’s episode is brought to you by SimpliFaster, supplier of high-end athletic development tools, such as the Freelap timing system, kBox, Sprint 1080, and more. Key Points: David’s background in the field Key components that bind rotational sport actions together The importance of the front leg block in swinging, and how it is particularly important in golf David’s methods to get athletes into their front leg more in swinging motions How to differentiate medicine ball training across different rotational sports for different athletic needs The importance of launch angle in medicine ball throw training A guide to medicine ball weight for building rotational proficiency How to approach the rear leg/push leg in throwing a medicine ball “The hip motion, then followed by the torso motion, then followed by the arms, then followed by the implement is always a good sequence” “In a baseball swing at the end of the rotation there is still a lot of weight on that back foot, where as for golf, almost all the weight is going to be on the front leg at that point” “I have a lot of guys who hit the (golf) ball really far, who really don’t jump very high” “A 30-40 degree medicine ball angle simulates more of what you see in a baseball swing” “For me, the shot put (medicine ball throw) from a body motion, body rotation perspective can replicate a lot of movements in rotational sports” “One kid who did a medicine ball show put throw went back to the tee and improved his bat speed 3-4 miles per hour” “(Regarding medicine ball training) Baseball is the only one from a hitting standpoint that I want to create more of an upward push through the ball… pitchers I want to work more of the downward angle” “You may have an athlete start on a 3kg ball, then they are throwing 13-14m/s, now they can throw a 4kg ball” “If you can throw a 5kg ball 10 meters per second, you are doing pretty good” “To know if the kinematic sequence is right (for medicine ball throws), you will throw a “knuckleball” without a lot of rotation” “If the medicine ball is spinning in the release,
0:10 - Eminem’s Kamikaze and it’s pretty whatever14:08 - why it’s called Kamikaze25:01 - but what if we talked about something other than Kamikaze for a bit? Here’s how we heard about Eminem back in the day30:48 - Medicine Ball from Relapse33:58 - Just Lose It from Encore34:20 - Mosh from Encore35:04 - Forever from Relapse: Refill38:01 - Headlight from Marshall Mathers LP241:10 - In Your Head from Revival42:39 - Beautiful from Relapse45:50 - The Ringer from Kamikaze48:10 - Lucky You from Kamikaze49:33 - Not Alike from Kamikaze50:44 - Fall from Kamikaze54:40 - What to expect from our next episode, probably See acast.com/privacy for privacy and opt-out information.
Dr. Paul Thomas with Plum Health DPC We're back with another episode here on social enterprise. We have a doctor on this show who has been making a big impact in Detroit. It is Dr. Paul Thomas of Plum Health Care DPC. He has a dream of changing the notion of health care from a plastic card in your wallet to true healing from a healing doctor! What a concept! http://bonfiresofsocialenterprise.com/wp-content/uploads/2018/03/Plum_Health_Logo.jpg () http://bonfiresofsocialenterprise.com/wp-content/uploads/2018/03/2017.06.15_DC_Trip.jpg () http://bonfiresofsocialenterprise.com/wp-content/uploads/2018/03/Plum_Health_Direct_Primary_Care_with_Paul_Thomas_MD.jpg () For the full transcript click below Read Full Transcript Hi Everyone, this is Romy, and we're back with another episode here on social enterprise. We have a doctor on this show who has been making a big impact in Detroit. It is Dr. Paul Thomas of Plum Health Care DPC. He has a dream of changing the notion of health care from a plastic card in your wallet to true healing from a healing doctor! What a concept! Before we get going here, I want to give a big hello and thanks to our listeners in Japan, we appreciate you! Now, let's see what Natalie has today for us on the Fun Fuel…. I'm Natalie Hazen and I am bringing you this episode's Fun Fuel. The Medicine Ball isn't usually the hottest topic of conversation. If you like to exercise and are a gym goer, you may incorporate the medicine ball into your routine. Or perhaps this little dynamo isn't a part of your repertoire and you pass by, leaving it sitting on the rack wondering what to do with it. While there are many ways to use the medicine ball in strength training, according to the website, azcentral.com, One of the early uses of medicine balls was around 1,000 B.C. where Persian soldiers used round bladders filled with sand as part of their resistance training. Later on, Navy doctors would tell sailors to throw the balls around the decks of the ships to reduce boredom, avoid seasickness and improve the overall health of the enlisted men. But it was the United States President Herbert Hoover who brought the medicine ball to the attention of the rest of society in 1931 with his new sport called Hoover-Ball. When the president's personal physician noticed the president's sedentary lifestyle he developed a medicine ball throwing game to get him up and moving around. The president and members of his team would throw the sand-filled ball over a net similar to the one used during volleyball games. Big kudos to this physician's creativity to get his patient out and about and active. Like other early games, Hoover-Ball may not be played today, but the medicine ball surely has played an important role in many people's overall health. Thanks for listening and now on to the episode. Well, that was truly a fun fuel fact! I love it. So much history of innovation and disruptive strategies all around us! That is a great segway to my conversation with Dr. Paul Thomas. Dr. Paul Thomas: Yes, so we are a family medicine service in Southwest Detroit, called Plum Health DPC, and the DPC stands for Direct Primary Care. What that means is that I work with my patients directly, and we don't bill or use insurance. Instead, my patients pay me a monthly membership fee to be a part of the practice, kind of like a gym membership. Our service cost is $49 a month for adults, and it's $10 a month for kids. With that, my patients can come in and see me anytime they need me. That's the basic of it. Romy: How did you get the idea to start to do this? Dr. Paul Thomas: Well, I heard a podcast in 2012, and I was driving back from a residency interview in Minnesota. My friend sent me this text, and she just said, "Hey, Paul, there's this guy doing this libertarian concept for medical care, and I think it's right up your alley." My friend's a libertarian, so I gave it a listen, and it sounded like this...
Ignorant carnivores unite! Fruit salad v. fruit cup is answered. Haley’s vision is “tested” at yoga. Ken eats tea after working out his stomach. All of us may have learned some Japanese. 54:15mins 04/03/2018
I'm excited to bring you a workout today that you can literally do anywhere! That means whether you're traveling, at the gym, or at home, you can use just one piece of inexpensive (and fun) equipment and get in a great workout... And, best of all you can customize this exercise circuit to be either 5-minutes (1 round) or 25-minutes (3 rounds) based on your time frame and skill level... Tune into today's #CabralConcept 748 for this 6 exercise medicine ball circuit - Enjoy the show! - - - Show Notes & Resources: http://StephenCabral.com/748 - - - Get Your Question Answered: http://StephenCabral.com/askcabral
Contains music from D-Unity, David Tort, Armand Van Helden, Robbie Rivera, Byron Stingily and Faithless.
A woman posts profanity on
It's been rainy and foggy over here in the past couple of days. There is something cozy and comforting about hearing the raindrops falling down, no doubt about that. But it makes working out a little harder. But let's not complain about it. There is no point of complaining about things that we cannot help. We Have […] The post Quick Medicine Ball Tabata and My New Course on Udemy appeared first on Urban Jane.
Hey, friends! Greetings from Hawaii, where we will be celebrating Christmas and New Year's this year. I'm ready to get away from the low temps in California (one morning, it got as low as 39F!) and enjoy the warmth over here. Here is what I'm looking forward to during this winter vacation: Plenty of outdoor activities, […] The post Heart Pumping Jump Rope and Medicine Ball Workout appeared first on Urban Jane.
Hi friends! I'm happy to tell you that I have created my very first online course, High Intensity Medicine Ball Training for Fat Loss. As you know, I love to work out with equipment that is easy to take with me to my outdoor workouts. Check out couple of items that I have in my home […] The post Medicine Ball Course for Fat Loss appeared first on Urban Jane.
In today's episode you will hear from Paul Farmiga, Bill Self and Jim Fitzpatrick. Each were members of last year's Medicine Ball three-day intensive with Seth Godin. You will enjoy hearing about how their thinking was re-shaped and how that has woven into their careers these last twelve months.
In today's episode you will hear from Paul Farmiga, Bill Self and Jim Fitzpatrick. Each were members of last year's Medicine Ball three-day intensive with Seth Godin. You will enjoy hearing about how their thinking was re-shaped and how that has woven into their careers these last twelve months.
Today my interview is with Lisa-Marie Cabrelli. We were in a small breakout group at Seth Godin’s Medicine Ball and really hit it off. I love Lisa's mantra no excuses make a living from anywhere in the world. I think you will too. No nonsense power punch
Today my interview is with Lisa-Marie Cabrelli. We were in a small breakout group at Seth Godin’s Medicine Ball and really hit it off. I love Lisa's mantra no excuses make a living from anywhere in the world. I think you will too. No nonsense power punch
My guests are: Actor, Gerald McCullouch ("CSI") Actress, Kai Soremekun ("Medicine Ball") Writer, Sandra Payne ("Barney & Friends") To hear this show: http://www.latalkradio.com/Sheena.php For more info: http://www.sheenametalexperience.com
My guests are: Actor, Gerald McCullouch ("CSI") Actress, Kai Soremekun ("Medicine Ball") Writer, Sandra Payne ("Barney & Friends") To hear this show: http://www.latalkradio.com/Sheena.php For more info: http://www.sheenametalexperience.com
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night time PODCASTS. In the darkness I heard Freddie Cannon singing "Buzz buzz a diddle it" while Paul Butterfield drew down the moon singing "Come on in"....Joe South was beautifully "Snowed" while hanging out with the Yardbirds in the "Hot House of Omargarashid".....Expelled from the academies for crazy & publishing obscene odes on the windows of the skull, cowering in unshaven rooms in underwear, burning their money in wastebaskets and listening to the Terror through the wall, who got busted in their pubic beards returning through Laredo with a belt of marijuana for New York, who ate fire in paint hotels or drank turpentine in Paradise Alley, death, or purgatoried their torsos night after night with dreams, with drugs, with waking nightmares, alcohol and cock and endless balls......it was the Contours singing "Whole Lotta Woman" and the Blues Project who ate the fire with "No tome like the right time"........Four Sounds sang "Mama Ubangi Bangi" while junkies burned cigarette holes in their arms protesting the narcotic tobacco haze of Capitalism, who distributed Supercommunist pamphlets in Union Square weeping and undressing while the sirens of Los Alamos wailed them down, and wailed down Wall, and the Staten Island ferry also wailed....and Bob Seger told the tale of the "East Side Story".....The Spades, Carl Perkins & Black Keys all broke down crying in white gymnasiums naked and trembling before the machinery of other skeletons, biting detectives in the neck and shrieked with delight in policecars for committing no crime but their own wild cooking pederasty and intoxication, who howled on their knees in the subway and were dragged off the roof waving genitals and manuscripts? Medicine Ball, Trevor Burton and Can......
Debra Kang Dean reads her poems "Adam's Apple," "Medicine Ball," "Antennas," and an excerpt from "Traces" on this edition of The Poets Weave.