Podcast appearances and mentions of elvis aaron presley

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace un año: El Tenerife gana el derbi a Las Palmas con autoridad y pasa a octavos de la Copa del Rey. Hoy hace un año: El Gobierno baraja ir al Constitucional por las competencias de Costas. Pablo Rodríguez echa en cara a Ángel Víctor Torres que haya cambiado de posición tras llegar al Consejo de Ministros en detrimento de los intereses de Canarias. Hoy hace 365 días: Cáritas Diocesana alerta con datos de que la falta de recursos alojativos adaptados puede aumentar la vulnerabilidad de estas personas. Hoy se cumplen 1.049 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 8 de enero de 2025. Día Mundial de Elvis Presley. Elvis Aaron Presley​ (Tupelo, Misisipi, 8 de enero de 1935-Memphis, Tennessee, 16 de agosto de 1977), conocido como Elvis Presley o simplemente Elvis, fue un cantante y actor estadounidense, considerado como uno de los iconos culturales más populares del siglo xx. Es apodado como «el rey del rock and roll». Cuando tenía trece años, se mudó junto a su familia a Memphis, en Tennessee, donde en 1954 comenzó su carrera artística cuando el dueño de Sun Records, Sam Phillips, vio en él la manera de expandir la música afroamericana. Presley es considerado como una de las figuras más importantes de la cultura popular del siglo xx. American Idol se refirió a él como «el más grande ídolo mundial». Tenía una voz versátil y un inusual éxito en muchos géneros, entre ellos el country, el pop, las baladas, el góspel y el blues. Además, es el solista con más ventas en la historia de la música popular.​ Nominado a catorce premios Grammy, ganó tres y recibió uno en la categoría a la carrera artística a la edad de treinta y seis años, además de figurar en diversos salones de la fama musicales. 1914.- El Middlesex Hospital de Londres utiliza el radio para tratar el cáncer. 1924.- Un real decreto suspende en España la inmunidad parlamentaria. 1933.- Anarquistas y comunistas protagonizan sangrientos disturbios en Madrid, Barcelona, Valencia y Lérida. 1959.- Fidel Castro, al frente de sus tropas, entra triunfante en La Habana. .- Charles De Gaulle se convierte en presidente de la V República francesa. 1974.- La OPEP decide en Ginebra estabilizar el precio del petróleo si los países industrializados mantienen su inflación y las grandes compañías reducen sus beneficios. 1982.- Por primera vez en la historia del Principado de Andorra es elegido un presidente de Gobierno: Oscar Ribas Roig. 1986.- Creación de la Academia de Artes y Ciencias Cinematográficas de España. 2016.- México detiene de nuevo al narcotraficante Joaquín "el Chapo" Guzmán, seis meses después de su fuga. 2018.- El Grupo Zeta anuncia que dejará de publicar las revistas Interviú y Tiempo. 2021.- La borrasca Filomena paraliza gran parte de España. Afecta especialmente al centro y este peninsular, incluida la ciudad de Madrid, que, entre los días 8 y 9, registra una nevada histórica. Santoral para hoy, 8 de enero: santos Luciano, Máximo, Severino, Paciente y Erardo. Trump no descarta la fuerza militar para intentar tomar el control del Canal de Panamá y Groenlandia. El fundador del Frente Nacional francés, Jean-Marie Le Pen, muere a los 96 años. Espadas se retira de la carrera por el liderazgo del PSOE en Andalucía: "Paso el testigo a quien pronto dará el paso" El PP tacha de "degradación institucional" que los ministros sean candidatos autonómicos y el Gobierno lo ve compatible. El Supremo pide a la UCO que intente recuperar los mensajes y llamadas de los teléfonos del fiscal general. El Gobierno deja en manos de la Zarzuela que Juan Carlos I acuda a algún acto por los 50 años de la muerte de Franco. Clavijo pide una reunión "urgente" con Torres para analizar el decreto ley de distribución de menores migrantes. El presidente canario ve con "perplejidad" la falta de respuestas del Gobierno central para "aliviar la presión" que sufre el archipiélago Solo un 6,6% de las personas que están bajo el umbral de la pobreza en Canarias percibe una renta mínima. El Archipiélago supera a la media estatal (5,9%) pero se aleja de comunidades como Euskadi, donde el 51% de su población en esta situación percibe un ingreso. Canarias es la región que más ‘tira’ de la privada para operar. Casi la mitad de las intervenciones se derivan a los centros concertados, especialmente las de cirugía mayor ambulatoria, que son las que no requieren ingreso hospitalario. Las Palmas de Gran Canaria, segunda ciudad con menos delitos de entre las diez más pobladas del país. Según el balance de criminalidad publicado por el Ministerio del Interior, la capital ha registrado entre enero y septiembre de 2024 un total de 14.785 infracciones penales, 102 menos que en el mismo periodo del año anterior. Canarias ha recibido a 722 niños y jóvenes no acompañados desde el 17 de diciembre (20 dias). Unas 770 personas migrantes llegan a Canarias en diez embarcaciones en las últimas 24 horas, entre ellas 32 menores. El grupo más numeroso de todos estos rescates corresponde a un cayuco que entró en el puerto de La Restinga (El Hierro) acompañado por la Salvamar Acrux, en el que iban a bordo 143 ocupantes, incluidos cuatro bebés. Un día como hoy en 2017.- El musical "La La Land" hace historia en los Globos de Oro al convertirse en la película con el mayor número de premios obtenidos, un total de siete, todos a los que aspiraba.

Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. Hoy hace un año: El Tenerife gana el derbi a Las Palmas con autoridad y pasa a octavos de la Copa del Rey. Hoy hace un año: El Gobierno baraja ir al Constitucional por las competencias de Costas. Pablo Rodríguez echa en cara a Ángel Víctor Torres que haya cambiado de posición tras llegar al Consejo de Ministros en detrimento de los intereses de Canarias. Hoy hace 365 días: Cáritas Diocesana alerta con datos de que la falta de recursos alojativos adaptados puede aumentar la vulnerabilidad de estas personas. Hoy se cumplen 1.049 días del cruel ataque e invasión de Rusia a Ucrania. Hoy es miércoles 8 de enero de 2025. Día Mundial de Elvis Presley. Elvis Aaron Presley​ (Tupelo, Misisipi, 8 de enero de 1935-Memphis, Tennessee, 16 de agosto de 1977), conocido como Elvis Presley o simplemente Elvis, fue un cantante y actor estadounidense, considerado como uno de los iconos culturales más populares del siglo xx. Es apodado como «el rey del rock and roll». Cuando tenía trece años, se mudó junto a su familia a Memphis, en Tennessee, donde en 1954 comenzó su carrera artística cuando el dueño de Sun Records, Sam Phillips, vio en él la manera de expandir la música afroamericana. Presley es considerado como una de las figuras más importantes de la cultura popular del siglo xx. American Idol se refirió a él como «el más grande ídolo mundial». Tenía una voz versátil y un inusual éxito en muchos géneros, entre ellos el country, el pop, las baladas, el góspel y el blues. Además, es el solista con más ventas en la historia de la música popular.​ Nominado a catorce premios Grammy, ganó tres y recibió uno en la categoría a la carrera artística a la edad de treinta y seis años, además de figurar en diversos salones de la fama musicales. 1914.- El Middlesex Hospital de Londres utiliza el radio para tratar el cáncer. 1924.- Un real decreto suspende en España la inmunidad parlamentaria. 1933.- Anarquistas y comunistas protagonizan sangrientos disturbios en Madrid, Barcelona, Valencia y Lérida. 1959.- Fidel Castro, al frente de sus tropas, entra triunfante en La Habana. .- Charles De Gaulle se convierte en presidente de la V República francesa. 1974.- La OPEP decide en Ginebra estabilizar el precio del petróleo si los países industrializados mantienen su inflación y las grandes compañías reducen sus beneficios. 1982.- Por primera vez en la historia del Principado de Andorra es elegido un presidente de Gobierno: Oscar Ribas Roig. 1986.- Creación de la Academia de Artes y Ciencias Cinematográficas de España. 2016.- México detiene de nuevo al narcotraficante Joaquín "el Chapo" Guzmán, seis meses después de su fuga. 2018.- El Grupo Zeta anuncia que dejará de publicar las revistas Interviú y Tiempo. 2021.- La borrasca Filomena paraliza gran parte de España. Afecta especialmente al centro y este peninsular, incluida la ciudad de Madrid, que, entre los días 8 y 9, registra una nevada histórica. Santoral para hoy, 8 de enero: santos Luciano, Máximo, Severino, Paciente y Erardo. Trump no descarta la fuerza militar para intentar tomar el control del Canal de Panamá y Groenlandia. El fundador del Frente Nacional francés, Jean-Marie Le Pen, muere a los 96 años. Espadas se retira de la carrera por el liderazgo del PSOE en Andalucía: "Paso el testigo a quien pronto dará el paso" El PP tacha de "degradación institucional" que los ministros sean candidatos autonómicos y el Gobierno lo ve compatible. El Supremo pide a la UCO que intente recuperar los mensajes y llamadas de los teléfonos del fiscal general. El Gobierno deja en manos de la Zarzuela que Juan Carlos I acuda a algún acto por los 50 años de la muerte de Franco. Clavijo pide una reunión "urgente" con Torres para analizar el decreto ley de distribución de menores migrantes. El presidente canario ve con "perplejidad" la falta de respuestas del Gobierno central para "aliviar la presión" que sufre el archipiélago Solo un 6,6% de las personas que están bajo el umbral de la pobreza en Canarias percibe una renta mínima. El Archipiélago supera a la media estatal (5,9%) pero se aleja de comunidades como Euskadi, donde el 51% de su población en esta situación percibe un ingreso. Canarias es la región que más ‘tira’ de la privada para operar. Casi la mitad de las intervenciones se derivan a los centros concertados, especialmente las de cirugía mayor ambulatoria, que son las que no requieren ingreso hospitalario. Las Palmas de Gran Canaria, segunda ciudad con menos delitos de entre las diez más pobladas del país. Según el balance de criminalidad publicado por el Ministerio del Interior, la capital ha registrado entre enero y septiembre de 2024 un total de 14.785 infracciones penales, 102 menos que en el mismo periodo del año anterior. Canarias ha recibido a 722 niños y jóvenes no acompañados desde el 17 de diciembre (20 dias). Unas 770 personas migrantes llegan a Canarias en diez embarcaciones en las últimas 24 horas, entre ellas 32 menores. El grupo más numeroso de todos estos rescates corresponde a un cayuco que entró en el puerto de La Restinga (El Hierro) acompañado por la Salvamar Acrux, en el que iban a bordo 143 ocupantes, incluidos cuatro bebés. Un día como hoy en 2017.- El musical "La La Land" hace historia en los Globos de Oro al convertirse en la película con el mayor número de premios obtenidos, un total de siete, todos a los que aspiraba. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Entrevista en el programa El Remate de La Diez Capital radio con el analista político, Manolo Fernández. Trump no descarta la fuerza militar para intentar tomar el control del Canal de Panamá y Groenlandia. Espadas se retira de la carrera por el liderazgo del PSOE en Andalucía: "Paso el testigo a quien pronto dará el paso" El Supremo pide a la UCO que intente recuperar los mensajes y llamadas de los teléfonos del fiscal general. El Gobierno deja en manos de la Zarzuela que Juan Carlos I acuda a algún acto por los 50 años de la muerte de Franco. - Entrevista en El Remate de La Diez Capital Radio: El gran problema de la vivienda En el programa El Remate de La Diez Capital Radio, se contó con la participación de Virginia Teja, reconocida especialista en la compraventa de viviendas, para analizar uno de los temas más críticos en la actualidad: el problema de la vivienda. Durante la entrevista, se abordaron las dificultades que enfrenta la población para acceder a una vivienda digna, desde los altos precios del mercado inmobiliario hasta la falta de oferta de vivienda asequible. Virginia Teja destacó cómo la inflación, la escasez de suelo urbanizable y la demora en la construcción están afectando tanto a compradores como a inquilinos. También ofreció claves para entender las dinámicas del mercado y las posibles soluciones, como la necesidad de una mayor intervención pública, incentivos para la construcción de viviendas sociales y políticas que regulen los alquileres abusivos. Esta entrevista pone sobre la mesa un problema de gran calado, abriendo un espacio para el análisis y la reflexión sobre el futuro del mercado inmobiliario y el derecho fundamental a una vivienda adecuada. - Entrevista en La Diez Capital Radio: Antonio Rodríguez, director de Eficiente Happiness. En la sección del portavoz de los vecinos en Canarias, conducida por Abel Román en La Diez Capital Radio, se llevó a cabo una interesante entrevista con Antonio Rodríguez, director de la consultora Eficiente Happiness. Esta consultora se especializa en un enfoque innovador y necesario: la humanización de las empresas. Durante la conversación, Antonio Rodríguez explicó cómo Eficiente Happiness trabaja para transformar las dinámicas empresariales, poniendo a las personas en el centro de las organizaciones. A través de estrategias que promueven el bienestar laboral, la empatía y la comunicación efectiva, la consultora busca construir entornos de trabajo más saludables y productivos. El director destacó la importancia de humanizar las empresas no solo como una herramienta para mejorar la productividad, sino como una forma de generar un impacto positivo en la sociedad. “Cuando las personas son felices en sus trabajos, las empresas crecen de manera sostenible, y eso se refleja en todo su entorno”, afirmó Rodríguez. La entrevista ofreció una visión fresca sobre el futuro del mundo laboral, invitando a reflexionar sobre el valor de la humanidad como motor del éxito empresarial. - Sección en el programa El Remate con el Director de Capital Radio Gran Canaria, Pepe Rodíguez. Las Palmas de Gran Canaria, segunda ciudad con menos delitos de entre las diez más pobladas del país. Según el balance de criminalidad publicado por el Ministerio del Interior, la capital ha registrado entre enero y septiembre de 2024 un total de 14.785 infracciones penales, 102 menos que en el mismo periodo del año anterior. Canarias ha recibido a 722 niños y jóvenes no acompañados desde el 17 de diciembre (20 dias). Unas 770 personas migrantes llegan a Canarias en diez embarcaciones en las últimas 24 horas, entre ellas 32 menores. - En la sección Tiempos Interesantes con José Figueroa: Misterios y actualidad. En la sección Tiempos Interesantes de La Diez Capital Radio, José Figueroa nos sumergió en un programa lleno de enigmas y reflexiones sobre los tiempos extraordinarios que vivimos. Entre los temas destacados, se abordaron las últimas noticias acerca de un misterioso barco de la armada americana que parece estar rastreando las costas canarias. ¿Qué operaciones se están llevando a cabo? ¿Qué podría significar esta presencia? Estas preguntas abrieron el debate sobre posibles vínculos con la geopolítica o fenómenos desconocidos. Otro de los puntos clave fue el estigma asociado a los testigos del fenómeno ovni. José Figueroa reflexionó sobre cómo, a pesar del creciente interés público, muchas personas aún temen hablar abiertamente sobre sus experiencias debido a la incredulidad y el rechazo social. Numerosos oyentes han contactado para compartir relatos que evidencian un patrón de fenómenos inusuales, pero también la aparente ley del silencio que domina los grandes medios de comunicación sobre esta temática. Finalmente, el programa conectó estos temas con el contexto más amplio de los tiempos peculiares que nos ha tocado vivir, reflexionando sobre cómo los cambios globales están moldeando nuestra percepción de la realidad y el misterio. Un espacio que invita a cuestionar, explorar y mantener la mente abierta. - Entrevista en El Remate de La Diez Capital Radio: La decadencia del C.D. Tenerife. En el programa El Remate de La Diez Capital Radio, se analizó la preocupante situación del Club Deportivo Tenerife de la mano del especialista en temas deportivos, Juan Antonio Quintero. Durante la entrevista, se abordaron las razones detrás de lo que muchos consideran una decadencia del histórico equipo tinerfeño, que atraviesa una etapa marcada por la irregularidad y la falta de resultados sólidos. Quintero explicó cómo factores como una planificación deportiva deficiente, decisiones estratégicas erráticas en la dirección del club y la falta de una apuesta firme por la cantera han afectado negativamente el rendimiento del equipo. Además, se debatió sobre el descontento de la afición, que ha mostrado su preocupación por la desconexión entre el club y sus seguidores. El especialista también planteó posibles soluciones, entre ellas una reestructuración integral del club, mayor inversión en talento local y la necesidad de recuperar la identidad que hizo del C.D. Tenerife un equipo competitivo en el pasado. La entrevista dejó claro que, aunque el camino hacia la recuperación será complejo, el C.D. Tenerife aún tiene la oportunidad de resurgir si se toman las decisiones correctas en el momento adecuado.

Elvis Aaron Presley; Amerikalı şarkıcı, müzisyen, oyuncunun hikayesi.

Priscilla Presley joins Johnny Sanchez to answer questions she has Never been asked before!  For example, who would you have a conversation with from any time in history... toilet paper over or under.... what would you never do again.... three things you must have on a desert island with you... and so much more!  Listen to this exclusive interview with actress, model, author, entrepreneur, and the former wife of the King of Rock and Roll, Ms. Priscilla Presley!

Velkommen til brevkassens afsnit nummer 200! Hvordan fejrer vi det? Nu skal du høre: Birgitte bliver inviteret til et mystisk formelt middagsselskab hos Elvis Aaron Presley i Los Angeles. Han opfører sig som om han er deres kejser, der har hidkaldt sine undersåtter aka harem, altså sådan lidt. Han tror han kan snyde sig til en sjov oplevelse, men skandierne har luret ham. De out snu'er ham.

Vi er tilbage i Memphis og brevkassen er endnu engang åben. Nu med gæstevært, Elvis Aaron Presley, som har udviklet talenter indenfor stort set alt, og er blevet en slags spirituel guide, der kan løse næsten alle dine problemer. Hvad giver du? Det er april 1960. Velkommen til!

Elvis (2022) PG-13 2h 39m Jennie outs herself as a life-long Elvis enthusiast in the name of drawing out deep life lessons from Baz Luhrmann's Oscar nominated biopic Elvis. Sarah and Jennie discuss how the film reveals truths about how we engage with ourselves and the world around us through three main musically-inspired themes: Return to Sender, Devil in Disguise, and That's Alright Mama. Listen to learn how you can appreciate instead of appropriate, fill your life with supportive people, place balance above showmanship in your everyday life, and how Elvis is every mom.  Episode 20-The Greatest Show On Earth is Self-Care and That's Alright Elvis For those who are Deaf or hard of hearing, please visit this link for the transcript of this episode of Screen Cares: Episode Transcript Episode Page with Pictures Episode Host: Jennie Ziverk Carr Co-Host: Sarah Woolverton-Mohler   Screen Shares Rating:  Work Screen- Setting boundaries is an important part of a healthy working relationship, and the film Elvis gives many excellent non-examples. Little Screen- Elvis can serve as a launching off point to discuss self-care, achievement, and growth with mature children in your life. Family Screen- Make intergenerational connections by watching Elvis with your extended family of many ages. The film could be particularly good at connecting older people who were alive during Elvis' fame with younger people.  Screen Sparks: How do we grapple with the historical precedents that minority culture is often only elevated when it's appropriated? How can we do better? What is your personal boundary between performance and reality? Do you ask anyone in your life to perform? Is it okay to idolize anyone?   3 Musical Take-Aways from Elvis (2022) and Opportunities to Take Action: Return to Sender-Check your sources and cite your work-There's value in re-examining origins and problematic histories with an open mind, and willingness to make changes.  We talk about cultural appropriation and artistic reparations. Please consider donating to one of the following organizations that support black artists.  The Memphis Black Arts Alliance  10 Organizations Supporting Black Artists, Creators, Movers & Shakers You Can Donate To Today Here Are 26 Organizations You Can Donate to That Support Emerging Black Artists, Thinkers, and Change-Makers Beware Devils in Disguise-Be with people who want you whole-People who only want you at your best don't want what's best for you; they want what's best for them. People are not monolithic symbols they're complex beings It's Alright Mama-Be a wheel or better yet, be a rock-No-one is super human. When we put a person at the center of a system and/or on a pedestal we risk stripping them of their humanity and burning them out.   After the Credits Roll-Links Referenced during the show: Directed by Baz Luhrmann Austin Butler... Elvis Tom Hanks ... Colonel Tom Parker Olivia DeJonge ... Priscilla Helen Thomson ... Gladys Richard Roxburgh  ... Vernon Kelvin Harrison Jr... B.B. King Elvis black inspiration: https://www.sbs.com.au/guide/article/2018/05/25/black-artists-inspired-elvis-presley    Elvis Presley Inspiration: https://www.pbs.org/wnet/americanmasters/six-musicians-who-influenced-elvis-presley/21850/   Pricilla Presely speaks out against claims that Elvis was racist: https://guitar.com/news/music-news/priscilla-presleys-ex-wife-speaks-out-against-claims-that-the-elvis-was-racist-he-had-black-friends-friends-from-all-over/   What did black musicians think? https://www.vanityfair.com/hollywood/2022/06/elvis-biopic-black-musicians 2022 California Task Force to Study and Develop Reparation Proposals for African Americans “During the 1920s and 1930s, Black musicians were subjected to contracts where the copyright for their work would be assigned to their employer, while being paid less than white musicians who had similar contracts. 44 For example, Elvis Presley imitated Black blues and R&B singers, and due to these exploitative contracts, the original song creators whose work he appropriated were not even paid for the use of their music. 45 One of Elvis' hit songs, “That's All Right Mama,” was originally written and recorded by Arthur Crudup, a Black man who was paid so little for his recordings that he had to work as a laborer selling sweet potatoes. 46 This type of appropriation was so pervasive that many Americans did not understand that these art forms were invented by Black artists.” https://oag.ca.gov/system/files/media/ab3121-reparations-interim-report-2022.pdf    Behind the Scenes:       Jennie managed to find the watercolor she made way back in high-school inspired by a Time Magazine cover, her favorite color, and one of her favorite musicians. The outting is complete. I Jennie Ziverk Carr have made a painting of Elvis Aaron Presley. Please still be my friend.   

Ian and Sven follow up their highly acclaimed Podcast featuring Leo Sayer with part 2 of the chat which focuses on some amazing stories, told the only way Leo can. These include how he became (after falling 25 feet off the stage), the last person to speak to Elvis before the King passed. Expect also to hear about sitting in British Airways First Class where he and Mohammed Ali became close friends and how Leo taught him and other famous boxers, how to to sing….. We also discuss his latest releases “Selfie” and “Northern Songs” as well some fun “desert island” questions. Elvis Presley (to Leo Sayer) “This is Elvis Aaron Presley and you Make Me Feel Like Dancing “ Muhammad Ali (to Leo Sayer) “I love you Leo”

Elvis Presley, el Rey del Rock & Roll grabó en 1956 uno de sus grandes éxitos titulado “Hound dog”. Así la escuché yo… La canción éxito de Elvis Presley es una obra de la legendaria dupla de compositores conformada por Jerry Leiber y Mike Stoller, quienes la escribieron con el título “Hound dog”, y fue grabada originalmente cuatro años antes, en 1956, por la artista estadounidense Willie Mae Thornton, quien poco después llegó a conocerse con el seudónimo de "Big Mama" Thornton. ¿Y tú, conocías la canción original? Autores: Jerry Leiber & Mike Stoller (estadounidenses) Hound dog - Elvis Presley (1956) single “Hound dog/Don't be cruel (1956) Elvis Presley (nombre real Elvis Aaron Presley, estadounidense) Hound dog - Willie Mae "Big Mama" Thornton (1952) single Hound dog/Night mare” (1952) "Big Mama" Thornton (nombre real Willie Mae Thornton, estadounidense) ___________________ “Así la escuché yo…” Temporada: 6 Episodio: 32 Sergio Productions Cali – Colombia Sergio Luis López Mora

Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977), or simply Elvis, was an American singer and actor. Dubbed the "King of Rock and Roll", he is regarded as one of the most significant cultural figures of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy. #Elvis #Elvis Presley #truecrime #truecrimecommunity #truecrimepodcast #crime #murder #podcast #truecrimeaddict #serialkiller #serialkillers #truecrimejunkie #horror #unsolved #murderino #podcastersofinstagram #truecrimeobsessed #mystery #ssdgm #truecrimefan #killer #truecrimememes #unsolvedmysteries #creepy #paranormal #podcasts #history #tedbundy #criminal #scary #podcasting #coldcase #murdermystery #bookstagram #death #buzzfeedunsolved #crimescene #truecrimepodcasts #missingperson #missing #halloween #crimejunkie #news #myfavoritemurder #spooky #supernatural #truecrimestories #homicide #ryanbergara #shanemadej #murderer #podcaster #truecrimebooks #memes #spotify #podernfamily #boogara #shaniac #jeffreydahmer #police #s #justice #forgotten history #The Aftermath

Are you lonesome tonight?  Then listen to this episode of the Oh Brother podcast where brothers Dan and Mike take a deep dive into Baz Lurhmann's latest feature film Elvis starring Austin Butler as Elvis Aaron Presley.  Lurhmann's biopic chronicles the life of American music icon Elvis Presley, from his childhood to becoming a rock and movie star in the 1950s while maintaining a complex relationship with his manager, Colonel Tom Parker played by two-time Oscar winner Tom Hanks.  Elvis also features Olivia DeJonge as Priscilla Presley, Helen Thomson as Gladys Presley, and Richard Roxburgh as Vernon Presley.  It's now or never, so don't be cruel and enjoy the latest episode of the Oh Brother podcast.#elvis #elvispresley #bazlurhmann #austinbutler #tomhanks #music #movies #podcast #hbomax #entertainmentFor all things Oh Brother, visit their official website at https://ohbpodcast.com and don't forget to subscribe to the Oh Brother podcast on YouTube.Oh Brother theme music: Dave Diaz @RevdrumAudio/video production: Anthony Liberatore Cover Art: Naim Solis @lenovatoFind Oh Brother on social mediaInstagramTwitterFacebookOh Brother can be found on all major podcast platforms:Apple PodcastsSpotifyPandoraAmazon MusiciHeartRadio Actress Karissa Lee Staples

Born in Tupelo, Mississippi in 1935 Elvis Aaron Presley began his career in Memphis, Tennessee and was on a fast track to become the King of Rock n Roll. He is considered one of the most significant figures of the 20th century.  He had a 149 songs to appear on Billboard's Hot 100 Pop Chart in America. Our mom has been a life-long fan of Elvis and even got to see him perform in Las Vegas one of the 1st nights he was there in 1969. He was a special artist to our mom in ways that only fans of the 1950's - 70's could understand, so we dedicate this episode to you mom…. In celebration of Sun Records (the first record company Elvis ever recorded with) hitting their 70th birthday this year, we are doing a Sun Records giveaway! THE PRIZE includes: one test pressing vinyl (picked at random) one official Sun 70th vinyl (one of our four curated compilations) one Sun t-shirt Follow us @SteelMagnoliasPodcast to enter to win! Book referenced:  "Elvis Word for Word" - https://amzn.to/3RBzuLD Want to connect? Join our Patreon Community of supporters for a Southern Sister Chat BONUS episode, perks and SWAG: https://www.patreon.com/steelmagnolias Sign up for our mailing list: https://mailchi.mp/e3cef217a5e7/sweetnews  Instagram @SteelMagnoliasPodcast Episode Transcript: https://steelmagnoliaspodcast.com  

Elvis Aaron Presley​, más conocido como Elvis Presley o simplemente Elvis, fue un cantante, compositor y actor estadounidense, considerado como uno de los iconos culturales más populares del siglo XX. Es apodado como «el rey del rock and roll» Voz: Eduadro Ortega Producciòn: El Portal radio º Toox Media

#UnDíaComoHoy pero en 1977 fallece el cantante #ElvisPresley. Elvis Aaron Presley fue uno de los #cantantes estadounidenses e #ÍconosCulturales más populares del siglo XX, conocido ampliamente bajo su nombre de pila, Elvis. Se hace referencia a él frecuentemente como "El #ReyDelRockAndRoll" #Presley es considerado como una de las #figuras más importantes de la cultura popular del siglo XX. La muerte del cantante se hizo pública oficialmente a las 3:30 p. m. en el Baptist Memorial Hospital. #ElvisPresley #falleció en Memphis a la edad de 42 años, a causa de un infarto agudo.

El 8 de enero de 1935 Gladys Love Smith entra en trabajo de parto, el embarazo fue complicado y el parto parece ir por el mismo camino. Embarazada de gemelos la situación supera a la comadrona asistente quien decide llamar a un doctor, el primero en abandonar el vientre es Jesse Garon desgraciadamente no tiene signos vitales, enseguida nace Elvis Aaron Presley, nadie en el cuarto lo sabe pero acaban de presenciar el nacimiento del Rey del Rock & Roll. Un artista que lo cambiará todo, uno de los iconos más importantes del siglo XX, con más de 500 millones de discos en todo el mundo fue el artista más vendido de todos los tiempos. No te pierdas la historia de su niñez y adolescencia, su llegada a Memphis y su paso por Tupelo.

In today's most recent round yet, your extraordinary examiners of randomness honor a request from their favorite Patreon, Kiki, and discuss a topic so important to the future of humankind that it can only be tackled on this here podcast: First Contact.When aliens from beyond our galaxy finally reveal themselves to Earth, what are the three things that make us worthy of joining their galactic federation?Surely they'll mention Beer.There can be no doubt they'll mention Elvis Aaron Presley. Don't worry, these guys think of everything. After the fact. So pop open your favorite beverage of choice, make yourself comfy, and enjoy this well-thought-out round of… For complete show notes, go to Shayne.Fun/bt. Follow Beer Thursday on Instagram so you can enjoy Jay's brilliant beer photography and join the convo next time we go live! Please support us on the Beer Thursday Patreon page! The first 19 Great Human Beings will get access to the Beer Thursday Facebook group at the $5 level.Never miss an episode and help us take you to the top with us by subscribing and leaving a 5-Star review on your favorite podcasting app:Apple PodcastsListen on Amazon MusicSpotifyStitcherGoogle PodcastsiHeartRadioSupport the show

From humble beginnings in small town, Mississippi, to taking his last breath in a 2nd floor bathroom in his Graceland mansion( and everywhere in between); Elvis Aaron Presley lived the lives of 20 men. Ryan and Jordan go through his storied life, highlighting a few lesser known aspects. This is, a longer than normal, artist highlight episode. From his discography, marriage, movie career, his manager, his death, etc. we try to cover it all. What is your favorite Elvis song? Let us know what you think of the man, the myth, the legend…Elvis Presley As always: LIKE, FOLLOW, SHARE, RATE, REVIEW! We love your feedback! Happy 4th of July!!! Hasta Mañana! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/countrymusiccritic/support

What is more American than July 4th? Elvis Aaron Presley would be the correct answer. The only thing more American than Elvis would be going to see the new Baz Luhrmann film in the theater while eating a slice of apple pie. Consession stands across America should have thought of this idea. Join Andrew for on a trip to the movies to see Elvis. 

Kaj nam izjava, da je Elvis Presley osrednja popkulturna ikona 20. stoletja, danes sploh pove? Oziroma, nam lahko pove kaj novega? Avstralski režiser Baz Luhrmann, ki je s svojim razkošno dinamičnim vizualnim pristopom prinesel novo življenje v zaprašen žanr mjuzikla, se je s skoraj triurnim biografskim filmom, naslovljenim preprosto Elvis, lotil zahtevne naloge. Elvis Aaron Presley namreč ni bil samo preprost fant z revnega juga ZDA, ki mu je uspelo v glasbenem svetu, postal je tudi največji zvezdnik v smislu svoje lastne, tržno zelo natančno in zelo uspešno dirigirane blagovne znamke ter »influencer« par excellence, za kar je skrbel njegov vampirski impresarij oziroma zlovešč menedžer »Polkovnik« Tom Parker, jungovska Elvisova senca. Biografski film uokvirja Parkerjeva retrospektivna pripoved, in njun zapleten, vseživljenjski odnos je tudi jedro filma, ki je sestavljen iz različnih dvojnosti oziroma sopostavitev nasprotij. Po eni strani ohranja precej spoštljiv odnos do Elvisa in njegovih bližnjih, po drugi nas skozi žanr glasbenega filma in prijetnih rokenrol nastopov sooča s številnimi patologijami, od skrajnega nelagodja, ki ga zbuja že sam lik Toma Parkerja v sijajnem utelešenju Toma Hanksa, do vrste nerazrešenih odnosov znotraj Elvisove osnovne družine. Verjetno najboljši pa je film v tem, da zariše skozi oseben prikaz vzponov in padcev širšo sliko kulturnega in družbenega miljeja Amerike v drugi polovici 20. stoletja ter njenih številnih nevralgičnih točk, od problema rasne segregacije do prikaza kapitala kot neusmiljenega gonila glasbenega razvoja ter industrije zabavljaštva. Režiser Baz Luhrmann vzame zelo resno imperativ, da je treba pripovedovati vizualno in si da duška z uporabo vseh mogočih slikovnih in montažnih trikov, tako da se gledalčeva retina ne spočije niti v pripovedno upočasnjenih pasusih filma. Vse skupaj je pravzaprav nabuhel eksces, kakršno je bilo tudi Elvisovo pozno obdobje nastopanja v Las Vegasu, pri čemer za ustrezno igralsko prezenco vendarle poskrbi Austin Butler v naslovni vlogi. Film ni pretirano subtilen v podajanju informacij ali pravzaprav v čemerkoli, je pa zanimiv kot prikaz zgodovine rokenrola in njegovih dvojnih korenin v cerkvenem gospelu revnih temnopoltih z ameriškega juga ter v bolj posvetnih melodijah ritma & bluesa, kar je preko country glasbe sčasoma prišlo v glavni popkulturni tok, ki je spodbudil tudi socialno revolucijo. V te prizore je Luhrmann spretno uvedel potujitveni učinek, saj na ulice glasbenega vrveža Memphisa v zgodnjih 50. letih vdira sodoben, družbenokritičen hiphop. Skratka, izredno ambiciozen film, ki pa mu ob vsej bombastičnosti uspe najti neko notranje ravnovesje. Morda tudi na račun tega, da je v celoti zaznati grško tragedijo: značaji vseh vpletenih jih vodijo v propad, in protagonist, ki je milijonom prinašal občutek ali pa vsaj iluzijo sreče, sam te nikakor ni našel …

Baz Luhrmann, the man behind Strictly Ballroom, Australia, Romeo + Juliet, Moulin Rouge! and The Great Gatsby returns with Elvis, his hip-shaking biopic of The King Of Rock 'N' Roll that sees relative newcomer Austin Butler transform into the man, the myth, the legend that was Elvis Aaron Presley. On this episode of Screen Time you'll hear the likes of Luhrmann and Butler talk about how they brought his Memphis mansion Graceland to life, as well as how they shot so many eye-catching, toe-tapping performances on camera. Joining Ali to do the film justice is friend of the show Clarisse Loughrey, someone who really knows her Luhrmanns.

Da ærkejyske gæstevært Christian Thomsen for år tilbage kom til os med idéen om en Elvis-episode fra Filmnørdens Hjørne, sad vi nok med nogenlunde samme ansigtsudtryk, som du har lige nu. For selvom Elvis Aaron Presley nok er det største kulturelle ikon, der nogensinde er kommet ud af USA, så er det begrænset, hvor stort et aftryk han satte på filmhistorien. Vi burde umiddelbart krydse en stak mere egnede podcast-kandidater af listen, inden vi kom til Elvis. Vi skrinlagde idéen. Så blev det pludselig bekendtgjort, at australske Baz Luhrmann ville komme med en stort anlagt Elvis-film. Så sagde en af landets største Elvis-nørder, Henrik Knudsen, pludselig ja til at være med. Og Henrik sagde også, at vi kunne optage episoden i det hus han havde bygget i Randers - en tro kopi af Elvis' eget hjem Graceland kaldet Memphis Mansion. Og så fik vi pludselig arrangeret, at den første officielle visning af Elvis på dansk grund ville blive i Randers, hvor vi fra Hjørnet og Henrik og hans Memphis Mafia alle gik ind og så den sammen. Og her sidder vi så, klar med en vaskeægte Hjørne-episode om Tornadoen fra Tupelo, Den vibrerende Valentino, Mr. Sideburns, Kongen - Elvis "The Pelvis" Presley! For fra en filmnørds synspunkt kan man angribe Elvis fra et utal af vinkler: Spillefilm med Elvis som skuespiller (31 film på 15 år), dokumentarer om Elvis, spillefilm om Elvis, koncertfilm med Elvis og sidst, men ikke mindst, naturligvis en laaaang anmeldelse af Buz Luhrmanns Elvis. Vi håber episoden giver bare en snært af den Elvis-oplevelse, vi har haft. Vi bliver nok aldrig helt færdige med at spejle ikonet Elvis i filmens verden, men her gør vi i hvert fald forsøget på at favne manden og filmene om og med ham fra start til slut. Rigtig god fornøjelse med episoden! Med venlig hilsen, Casper, Christian & Henrik

Hot on the heels of Halloween, John Carpenter lovingly crafted this tribute to The King and established his long-term friendship with Kurt Russell. Let's talk about Scotty Moore, Robert Goulet, Merle Kilgore, Lester Bangs, Public Enemy, Living Colour, Sam Phillips, Dick Clark and oh yes, ELVIS AARON PRESLEY. To me, yes he is The King. But so are LIttle Richard, Jerry Lee Lewis, Lemmy Kilmister and Chuck Berry. So these Elvis episodes will neither be a deconstruction nor a glorification.  Choose your way of supporting the show for no money or for maybe some money: https://linktr.ee/justtheworstever References: https://www.peterguralnick.com/ https://birthmoviesdeath.com/2015/08/21/emergency-mythmaking-john-carpenters-elvis https://archive.org/details/MusicWorldNo.6Oct.151957/page/n3/mode/2up National Sexual Assault Hotline 1-800-656-4673 National Suicide Prevention Lifeline 800-273-8255

Smith learns what a hangover feels like and may regain his testimony of the Word of Wisdom. Are ambulances the only vehicles that can have a backwards font on their bonnets? Vengeance is mine, saith the Lord. The guys explain the timeline of the Old and New Testaments of the Bible, which are separated by the birth of one Elvis Aaron Presley. Smith had a goth friend in elementary school who may have given him real blood for a Halloween costume. The guys tease more info to come about temples and review some of the requirements to actually go inside. To Joe's utter delight, Smith drops a little Regan in verse 3. The guys try to get to the bottom of whether or not Laban's murder is a good idea- they're leaning toward no if it's for scripture, but yes if it's for Hollywood. Smith recalls a pretty effective missionary door approach from his mission days. Zoram is super into talking about the elders of the Jews as evidenced by verses 22 and 27. Remember who you are and what you stand for.  Mormon Rap- https://youtu.be/4TeV8yp8ALM Brother Jake's YouTube channel- https://www.youtube.com/c/BrotherJake Music Provided by Eric VanAusdal with permission from the artist.  The Book of Mormon is publicly available at churchofjesuschrist.org Email us at joeandsmithpod@gmail.com

Mike O'Donnell came to Phantom Power to talk wrestling, guns and the glitzy history of the military with Jarrod and Chris. Jarrod missed a murder on TikTok, but he knows all about Elvis Aaron Presley now. Mike's roommate and podcast co-host, Manny Santiago, lost a near-fatal bet about a cake. Chris is afraid of video games. But don't worry because Rob Riggle is going to protect them all. 

Welcome to season 3! On this episode of MICRO BREAK (Episode 85), we revisit the life and career of "The King", Mr. Elvis Aaron Presley. This episode was sparked from episode 80, Elvis! A Rifle or a Guitar? My stop in Tupelo, MS. So learn with me about the life and times of a entertainment legion! Follow the Host Linktree: https://linktr.ee/MICRO_BREAK Website: https://www.podpage.com/micro-break/ Resources https://worldhistoryproject.org/topics/elvis-presley https://www.graceland.com/biography --- Send in a voice message: https://anchor.fm/microbreak/message Support this podcast: https://anchor.fm/microbreak/support

In December we celebrated the birth of a the boy king but in January, we celebrate the birth of another King -- the undisputed King of Rock and Roll, Elvis Aaron Presley.  Born in Tupelo, MS, Elvis made his way to Memphis, TN where he made his new home and it's still the home of the King where thousands visit Graceland and pay homage to the King.  We too pay homage to the King of Rock and roll but we do it Windy City Irish Radio-style.  Elvis' contribution to music is unmeasurable and reached every corner of the world including his ancestral homeland where his great-great-great-great granddaddy emigrated from County Wicklow to the New Orleans after an incident where a bunch of Carlow roughens knocked him down, stepped on his face and maybe slandered his name all over the place but thankfully never stepped on his suede shoes.   Elvis loved the Irish and they, in turn, loved him.  In honor of the King's 87th birthday, we celebrate his musical legacy featuring music from singer songwriter and Irishman, Phil Coulter, Bing Crosby, a poem by Bono, Daniel O'Donnell, Delores O'Roirdan, Orla Fallon, Imelda May and Jack Savoretti, The Waterboys, Elvis impersonator, Jim Brown, a great story from broadcaster and journalist, Joe Jackson, on why Heartbreak Hotel is an Irish song, The Poor Clares from New Orleans and one from the King himself.  It's all right here on Windy City Irish Radio broadcasting live on WNDZ 750AM Chicago and live streamed on www.globalirishradio.com and the podcast at www.windycityirishradio.com.  

Fred discusses the life and career of Elvis Aaron Presley, born this day in 1935. www.rockysealemusic.com https://rockysealemusic.com/wow-i-didn-t-know-that-or-maybe-i-just-forgot https://www.facebook.com/150wordspodcast --- Send in a voice message: https://anchor.fm/rocky-seale7/message

Una de las agrupaciones más representativas del movimiento de música “Electrónica - Dance” es el dúo británico Pet Shop Boys, quienes se anotaron uno de sus grandes éxitos en 1987 con la canción “Always on my mind”. La canción de los Pet Shop Boys es una nueva versión del tema grabado por el Rey del Rock and Roll, Elvis Presley en 1972 bajo el título “Always on my mind”. Así la escuché yo Aunque se dice que la grabación original de esta canción la realizó B. J. Thomas sin llegar a prensarla en vinilo, el honor de la primera publicación le correspondió a la artista Gwen McCrae, quien la presentó en 1972 con el título “You were always on my mind” (Tú estuviste siempre en mi mente). Autores: Wayne Carson Thompson & Mark James & Johnny Christopher (estadounidenses) Always on my mind - Pet Shop Boys (1987) “Instrospective” álbum (1987) Pet Shop Boys (son Neil Tennant & Chris Lowe, británicos) Always on my mind - Elvis Presley (1972) single “Always on my mind/Separate ways” (1972) Elvis Presley (nombre real Elvis Aaron Presley, estadounidense) You were always on my mind - Gwen McCrae (1972) single “You were always on my mind/He's not you” (1972) Gwen McCrae (bautizada como Gwen Mosley, estadounidense, quien con su casamiento, adoptó el apellido McCrae de su esposo) ___________________ “Así la escuché yo…” Temporada: 4 Episodio: 11 Sergio Productions Cali – Colombia

Polish up those blue suede shoes and fry yourself up a Monte Cristo sandwich, because this week Kyle and Jeremy are talking crazy stories about The King, Elvis Aaron Presley.

My notes are done and we are ready to go however, Lady KLA has to crash the party.  We talk about the recent passing of Elvis Aaron Presley and how Zeb messes up everything.

Programa de actualidad informativa, presentado y dirigido por Miguel Angel González Suárez. www.ladiez.es - Hoy lunes 16 de agosto San Roque. El 16 de agosto de 1982 se crea el primer CD (disco compacto). El 16 de agosto de 1977 a la edad de 42 años muere Elvis Aaron Presley, Apodo: The King. El Gobierno afgano se desmorona tras la llegada a Kabul de los talibanes. El presidente sale del país mientras los insurgentes entran en la capital para tomar el poder 20 años después de la caída de su régimen del terror. El miedo a la violencia se extiende por la ciudad. Desde que comenzó la guerra contra los talibanes en 2001, las fuerzas estadounidenses han sufrido 2.300 muertes en sus filas y alrededor de 20.500 soldados han resultado heridos en acción. EEUU ha gastado más de 1 billón de dolares. ALERTA MÁXIMA POR TEMPERATURAS. Tenerife y Gran Canaria, en alerta máxima, podrían superar los 43 ºC. El Archipiélago registró ayer una jornada calurosa, soleada y con calima con los termómetros alcanzando valores de 40 ºC o más. RECOMENDACIONES.Ante estos episodios de altas temperaturas, Sanidad recomienda a los ciudadanos beber mucha agua o líquidos sin esperar a tener sed, evitando las bebidas alcohólicas y las muy azucaradas. Asimismo, también es recomendable evitar exponerse al sol a las horas de mayor intensidad, así como evitar las actividades deportivas, salidas de excursiones o visitas al exterior. Además, recomienda procurar permanecer a la sombra, colocarse en las zonas más frescas de las viviendas, hacer comidas ligeras, usar ropa ligera y de color claro, gorras, gafas de sol, calzado fresco, tener cuidado con los medicamentos que deben estar en la nevera, mantener la cadena de frío de los alimentos. Controlados los conatos de Las Mesas y Los Campitos. Los servicios de emergencia han conseguido controlar dos conatos de incendio declarados durante la tarde del domingo. Todo esto y mucho más en La Reunión de Primera. - MISTER RNB TENERIFE, Francisco Junco, participará en el certamen nacional MISTER RNB ESPAÑA, junto a 52 participantes provinciales de todo el país; valedero para representar a España como única marca oficial rumbo a las citas mundiales de los concursos masculinos más importantes y con mayor tradición en el tiempo y repercusión mediática, como son: MISTER INTERNACIONAL y MISTER SUPRANACIONAL. Mister RNB España tendrá lugar en el municipio de Periana, en la comarca de la Axarquía, provincia de Málaga, con fechas del 12 al 19 de septiembre para la convivencia y Gala Final el sábado, 18 de septiembre de 2021, atendiendo a todas las medidas sociosanitarias vigentes para entonces contra la pandemia del COVID-19. - Entrevista en el programa El Remate para toda Canarias que hace nuestro compañero y director de Capital Radio Gran Canaria, Pepe Rodríguez en el hace un repaso a la situación actual del territorio a la Consejera de Área Política Territorial y Paisaje del Cabildo de Gran Canaria; Inés Miranda Navarro.

Hoy lunes 16 de agosto San Roque. El 16 de agosto de 1982 se crea el primer CD (disco compacto). El 16 de agosto de 1977 a la edad de 42 años muere Elvis Aaron Presley, Apodo: The King. El Gobierno afgano se desmorona tras la llegada a Kabul de los talibanes. El presidente sale del país mientras los insurgentes entran en la capital para tomar el poder 20 años después de la caída de su régimen del terror. El miedo a la violencia se extiende por la ciudad. Desde que comenzó la guerra contra los talibanes en 2001, las fuerzas estadounidenses han sufrido 2.300 muertes en sus filas y alrededor de 20.500 soldados han resultado heridos en acción. EEUU ha gastado más de 1 billón de dolares. ALERTA MÁXIMA POR TEMPERATURAS. Tenerife y Gran Canaria, en alerta máxima, podrían superar los 43 ºC. El Archipiélago registró ayer una jornada calurosa, soleada y con calima con los termómetros alcanzando valores de 40 ºC o más. RECOMENDACIONES.Ante estos episodios de altas temperaturas, Sanidad recomienda a los ciudadanos beber mucha agua o líquidos sin esperar a tener sed, evitando las bebidas alcohólicas y las muy azucaradas. Asimismo, también es recomendable evitar exponerse al sol a las horas de mayor intensidad, así como evitar las actividades deportivas, salidas de excursiones o visitas al exterior. Además, recomienda procurar permanecer a la sombra, colocarse en las zonas más frescas de las viviendas, hacer comidas ligeras, usar ropa ligera y de color claro, gorras, gafas de sol, calzado fresco, tener cuidado con los medicamentos que deben estar en la nevera, mantener la cadena de frío de los alimentos. Controlados los conatos de Las Mesas y Los Campitos. Los servicios de emergencia han conseguido controlar dos conatos de incendio declarados durante la tarde del domingo. Todo esto y mucho más en La Reunión de Primera.

Another unplanned visit from someone everyone knew as Elvis Aaron Presley from Tupelo Mississippi. I must admit I was never a fan until he started showing up in our class. And then I spent the time to listen to his earlier rockabilly tunes, and grew to appreciate what he'd done with his talent. To be clear Jennifer and I don't discuss in advance who we're going to speak to, and Luana Anders our trusted moderator is in charge of who gets on her clipboard and into the class. As noted, a couple of weeks ago it was film producer Carl Laemmle, someone I knew very little about, but had much to say about the journey in the afterlife. In this episode Elvis wanted to talk about process - the process of how we bring a portion of our conscious energy to a lifetime, and that is never lost, or goes away. He references someone Jennifer and I have no idea - a young girl that met him when he crossed over, but he wanted to speak about that process, and how knowing a bit of it in advance "would have helped him." Also the topic of chanting and praying aloud comes into play - for those who are religious, consider this a message from heaven, for those more science oriented consider this a "conversation with one's subconscious about how to heal or cure depression." We've heard it often, that meditation can help heal or cure a person, and meditating on music is also a way to do the same. In this instance, the concept is to "listen to music that elevates your spirit or "heals the heart." To be clear, I asked if this concept was a religious or a science one - and the answer was that it was literally the fact that one can "heal or help one's health by connecting to, dancing to, swaying to, listening to their favorite singer, to connect with the memory of them, to connect with the heart of them, to connect with the healing light of the universe by listening. This isn't a new topic nor is it fantastical.  Set aside the idea of who the conversation is with and focus on the content of the conversation and it becomes clear why it's important to know that life goes on, and that we can connect with loved ones on the flipside.   By the way: the film “Hacking the Afterlife” is available on  Gaia.com Jennifer is at JenniferShaffer.com I'm at RichMartini.com HackingTheAfterlife.com is our podcast MartiniZone.com is our youtube channel This version of “Route 66” is on “Rich Martini on the Rocks” at Amazon or CDbaby.com

In this episode of A Little More Conversation, our resident Elvis expert Martin and our Elvis novice Noel, review the fourth studio album of Elvis Presley titled “Elvis is Back!” from 1960 and Elvis' life at the time.We discuss his 2 years in the army, how he spent his time while away in Germany and his return to the US.This album marked the beginning of a jam-packed year for Elvis including 2 studio albums and the filming of 3 movies. It was a landmark year for Elvis as he returned to the public eye and established him as an all-time great. Join us as we celebrate the life and music of Elvis Aaron Presley! Links to Frank Sinatra Duet from 1960 Timex Special: https://www.youtube.com/watch?v=1qpM2wSD7BARemember to follow us on Instagram! https://www.instagram.com/a_little_more_conversation/***This is an unofficial podcast that is not related to or endorsed by EPE in any way.***.

In this episode, of A Little More Conversation, our resident Elvis expert Martin and our Elvis novice Noel, review the third studio album of Elvis Presley titled “Elvis' Christmas Album” from 1957 and Elvis' life at the time.We discuss the incredible variation on the album from Christmas rock to Christmas carols and gospel, how the album was marketed to a wider demographic than his previous albums and everything he was up to during the year which passed since his second album, including his rise to movie star fame! This was a jam packed year with 3 movies, several single releases including 'All Shook Up' and 'Teddy Bear', countless appearances and shows. This was a massive milestone in The King's career, as in the next few months following this album, Elvis was drafted into the Army and lost his mother. Join us as we celebrate the life and music of Elvis Aaron Presley! Links to sampled recordings:1957 TV Ad for Elvis' Christmas Album: https://youtu.be/PE5PBtVu-D0***This is an unofficial podcast that is not related to or endorsed by EPE in any way.***. 

In this episode, our resident Elvis expert Martin and our Elvis novice Noel, review the second studio LP of Elvis Presley titled “Elvis” from 1956. From the steamy 'Love me' to the upbeat cover of Little Richard's 'Ready Teddy' this album is packed with some of Elvis' finest work.We talk about the high and lows of the album, some details of its production, and then also dive into the world of Elvis at the time of its release, including his explosive performances on his numerous TV appearance which led to his launch onto the world stage. Join us as we celebrate the life and music of Elvis Aaron Presley! Links to sampled recordings:Elvis Presley "Love Me" on The Ed Sullivan Show https://www.youtube.com/watch?v=PkK7RYm-99oElvis “Love Me” Live in Las Vegas 1970 https://www.youtube.com/watch?v=jiTdTeEHGkgReady Teddy - TV Performance from 1956 https://www.youtube.com/watch?v=VsPIjjitRXM***This is an unofficial podcast that is not related to or endorsed by EPE in any way.*** 

"The Worth of Souls is Great,"

Elvis Aaron Presley se coronó como el ‘rey del rock and roll' por su indiscutible voz y la fusión de blues y el rock. Reconocimiento que lo llevó a vender más de mil millones de discos y ser el ícono de Estados Unidos. Sin embargo, su vida se fue desplomando por su adicción a los medicamentos como: opioides, barbitúricos, entre otros que lo llevaron a la muerte el 16 de agosto de 1977. El doctor Elmer Huerta explica la historia clínica de este gran artista.

Elvis Aaron Presley se coronó como el ‘rey del rock and roll' por su indiscutible voz y la fusión de blues y el rock. Reconocimiento que lo llevó a vender más de mil millones de discos y ser el ícono de Estados Unidos. Sin embargo, su vida se fue desplomando por su adicción a los medicamentos como: opioides, barbitúricos, entre otros que lo llevaron a la muerte el 16 de agosto de 1977. El doctor Elmer Huerta explica la historia clínica de este gran artista.

The King of Rock, known by many as the man with the greatest and most iconic voice of all time who changed the music industry. Known by others for his exemplary dress sense (manly because it's seen at ever fancy dress party). However, how well known really was Elvis Aaron Presley? Was he really a great man or was this all just pretend?

What a Creep Season 8, Episode 2 Elvis Aaron Presley Elvis Aaron Presley is one of the biggest rock stars of all time and is known as “The King of Rock & Roll.” Beginning with his meteoric rise in the mid-1950s to his sad decline in the 1970s, Elvis is still one of the most popular celebrities in the world with his estate earning $80 million in 2018. He remains the best-selling solo artist in recorded history. He has had the most songs charting in Billboard magazine top 40. He has the record for selling the most albums on the Billboard 200. He holds the record for most gold records of all time (solo artist) and was posthumously awarded the Presidential Medal of Freedom in 2018. There have been dozens of books and movies made about him and his life. John Lennon once said he did not think the 60s were truly over until Elvis’ death. Bob Dylan described hearing Elvis for the first time as feeling as if he had busted out of jail. His sexy onstage presence set America & the world on fire.  The world is filled with Elvis impersonators and his legacy will last forever. He was also a major Creep when it came to women with much of his time focused on girls as young as 14. He could also be a mean asshole to his close friends, associates, stage crew, and family. Trigger Warning: Sexual Assault, Predatory Grooming, and Drugs.  Elvis Presley Wikipedia Vice GOAT (Australia) Meauuw Elvis Presley: A Southern Life by Joel Williamson Newser Elvis Presley: A Careless Love by Peter Guralnick Elvis & Me by Priscilla Presley The Elvis Blog run by Phil Arnold (the “Original Elvis Blogmeister”) Daily Mail   Also, be sure to follow us on social media! But don’t follow us too closely … don’t be a creep about it!   Subscribe to us on Apple Podcasts Twitter: https://twitter.com/CreepPod @CreepPod Facebook: Join the private group!  Instagram @WhatACreepPodcast Visit our Patreon page: https://www.patreon.com/whatacreep Email: WhatACreepPodcast@gmail.com  We’ve got merch here! https://whatacreeppodcast.threadless.com/# Our website is www.whatacreeppodcast.com  Our logo was created by Claudia Gomez-Rodriguez follow her on Instagram @ClaudInCloud  

The classic Henry Sellers ("I MADE THE BBC") episode, Competition Time. Hopefully  you'll laugh as much as the largely overshadowed character, Barty  Dunne; we get the first appearance of Dick Byrne; how many times Mrs  Doyle says 'Ah, go on!' (it's hard to keep count!); lepresy; Craggy  Island Rehab Resort; Hans Zimmer (you'll hear why); Going for Gold;  Stars in Their Eyes; Elvis Aaron Presley and lots more! Except the  English Papers. Stray Observations Henry Sellers was played by Niall Buggy 'Ah Go On' count: 25! Dick Byrne was played by Maurice O'Donoghue Craggy Island v Rugged Island is one of fiction's great place rivalries! We have a good look at director Declan Lowney's contribution to the show too

The classic Henry Sellers ("I MADE THE BBC") episode, Competition Time. Hopefully  you'll laugh as much as the largely overshadowed character, Barty  Dunne; we get the first appearance of Dick Byrne; how many times Mrs  Doyle says 'Ah, go on!' (it's hard to keep count!); lepresy; Craggy  Island Rehab Resort; Hans Zimmer (you'll hear why); Going for Gold;  Stars in Their Eyes; Elvis Aaron Presley and lots more! Except the  English Papers. Stray Observations Henry Sellers was played by Niall Buggy 'Ah Go On' count: 25! Dick Byrne was played by Maurice O'Donoghue Craggy Island v Rugged Island is one of fiction's great place rivalries! We have a good look at director Declan Lowney's contribution to the show too

Personalidade clássica do rock and roll, Elvis Aaron Presley nasceu em 8 de janeiro de 1935, na cidade de East Tupelo, Mississippi (Estados Unidos). É considerado por muitos o pai deste ritmo musical e por outros tantos como o "Rei do Rock".★ Support this podcast ★

Primer especial de los dos dedicados al Rey de Rock, Elvis Presley, el chico de Tupelo que lo rompió en los estudios Sun de Sam Philips, en Memphis. Su querida madre se emocionó escuchando el disco de acetato con las dos canciones que su retoño cantaba como nadie, That´s all right (Mama) y Blue Moon of Kentucky. No solo su madre se enamoró. Su energía, su atractivo natural, su swing, el chico que cantaba con feeling de negro y una electricidad nunca vista hasta ese momento, revolucionaron la música para siempre. Después llegaría el Coronel Parker, la RCA, Hollywood, el ejército, y la decadencia. En esta primera parte Raúl Gallego recuerda a Elvis Aaron Presley, el camionero del tupé que se convirtió en la más luminosa estrella del rock. Temas: 1 - Old Shep 2 - All shook up 3 - I want you, I need, I love you 4 - That´S all right (Mama) 5 - Blue Moon of Kentucky 6 - Good Rockin´Tonight 7 - Milkcow Blues Boogie 8 - I forgot to remember to forget 9 - Mystery Train 10 - Trying to get to you 11 - Baby, let´s play house 12 - Heartbreak Hotel 13 - Blue Moon 14 - Blue Suede Shoes 15 - Lawdy Miss Clawdy 16 - Love me 17 - It´s so strange 18 - Jailhouse Rock 19 - Trouble 20 - The girl of my best friend 21 - Fever 22 - Are you lonesome tonight

Elvis Aaron Presley, também conhecido mononimamente como Elvis, foi um cantor, músico e ator estadunidense. Tido como um dos mais significantes ícones culturais populares do século XX, ele é frequentemente chamado de o Rei do Rock, ou simplesmente "O Rei". Ele nasceu em 1935 e faleceu em 1977, aos 42 anos. >> Por 5,99 você aceita um adicional de Soneto para acompanhar? Apoie o projeto! =P https://www.amazon.com.br/dp/B08DJ61J4R/ Autor: Elvis Presley Poema: Love Me Tender Voz: Jéssica Iancoski "Me ame com ternura, me ame com doçura Nunca me deixe partir Você tornou minha vida completa E eu te amo tanto Me ame com ternura, me ame de verdade Todos os meus sonhos realizados Porque, meu amor, eu amo você E eu sempre amarei Me ame com ternura, me ame por muito tempo Leve-me ao seu coração Pois é lá que eu pertenço E nós nunca nos separaremos Me ame com ternura, me ame, de verdade Todos os meus sonhos realizados Porque meu amor eu amo você E eu sempre amarei Me ame com ternura, me ame com carinho Diga-me que você é minha Eu serei seu durante todos os anos Até o final dos tempos Me ame com ternura, me ame de verdade Todos os meus sonhos realizados Porque meu amor eu amo você E eu sempre amarei" Descubra mais em www.jessicaiancoski.com Está servido? Fique! Que tal mais um poeminha? ___ >> Quer ter um poema seu aqui? É só preencher o formulário! Após o preenchimento, nossa equipe entrará em contato para informar a data agendada. https://forms.gle/nAEHJgd9u8B9zS3u7

. “There have been a lotta tough guys. There have been pretenders. And there have been contenders. But there is only one king.” - Bruce Springsteen "ETERNAL GRACELAND":https://www.graceland.com/about-elvis

Elvis Aaron Presley, also known simply as Elvis, was an American singer and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". There are, however, people who believe the events of his death don't add up, and that he faked his own death. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elvis Aaron Presley, also known simply as Elvis, was an American singer and actor. He is regarded as one of the most significant cultural icons of the 20th century and is often referred to as the "King of Rock and Roll" or simply "the King". There are, however, people who believe the events of his death don't add up, and that he faked his own death.

“El ritmo es algo que se tiene o no se tiene, pero cuando lo tienes, lo tienes todo” – Elvis Presley. Elvis Aaron Presley nació el 8 de enero de 1935 en Tupelo, Mississippi, Estados Unidos, en una casa construida por su propio padre, Vernon. Tuvo un hermano gemelo, Jesse, que nació treinta y cinco …

¡Bienvenidos a este nuevo Rugido amigos! Comenzamos 2020 con un REY en mayúsculas. Elvis Aaron Presley, el Rey del Rock, se sube a mi Impala, donde os daré un repaso de su trayectoria, escucharemos esos temas que tanto hemos disfrutado en el mundo audiovisual de cualquier índole y formato, y por último, aunque sin duda lo mejor del programa, la divertida, intensa y encantadora charla que tuve con el fantástico Miguel Angel Tocado, del podcast "Una Vida de Cine". Partimos de Tupelo, tomaremos algo en Memphis, y pondremos la guinda en Las Vegas. What else? ¿Tenéis el pasaporte en regla chicos? Os invito a pasar un buen rato con el rock más genuino. Descarga, escucha, comparte, disfruta. Yo me encargo del resto. Arrancamos! En Twitter: @RugidoImpala Mail: rugidoimpala@gmail.com

Here's your daily look at 'Today in Rock History' featuring: Noah Schnapp is 15. He plays Will Byers on "Stranger Things." Seann William Scott is 43. Tommy Lee from Motley Crue is 57. Lindsey Buckingham from Fleetwood Mac is 70. Stevie Ray Vaughan was born on this day in 1954. He was only 35 when the helicopter carrying him crashed leaving Alpine Valley. Today in 1945, a 10-year-old Elvis Aaron Presley made his first public appearance, in a talent show at the Mississippi-Alabama Dairy Show. He won 2nd place and $5.

di Gianni MiragliaElvis is in the building, Elvis has not left Building! Elvis non è morto, il suo corpo è morto, ma il suo spirito è qui e ci dice di andare avanti. Ode ad Elvis Aaron Presley, ode all'unico vero Re, colui che per primo ci ha insegnato che il rock'n'roll, prima che un genere, è attitudine e stile di vita. Un racconto insolito e personale, quello del nostro istrionico barista, ricco di aneddoti e curiosità ma lontano dall'idea di una tradizionale biografia, e che punta piuttosto a restiturci l'essenza della prima e insuperabile icona pop della nostra epoca. Accompagnati dal flusso ininterrotto delle sue immortali canzoni, e da una galleria di personaggi di contorno che va dai grandi bluesman a Bruce Springsteen, ripercorriamo le tappe fondamentali che hanno creato il mito di Elvis, l'uomo che, alla faccia dei tanti razzisti che si professano suoi fans, ha messo insieme una mano destra bianca, una mano sinistra nera, e ha inventato il Rock'n'Roll.

Elvis Presley ‘el rey del rock and roll’ y su terrible adicción a los opioides que lo llevaron a la muerte

Elvis Aaron Presley was born in Tupelo, Mississippi, on January 8, 1935, to Vernon and Gladys Presley. Born in a two-room house built by his father, grandfather and uncle, Elvis was one of twin brothers born to the Presleys. His brother, Jessie Garon, was stillborn. The city of Tupelo bought the home and surrounding property in 1957. The property stands in its original location and has been restored to its original condition, decorated with period furniture, and is open to the public for tour. We are honored today to have a special guest on the line for you to help us learn all about it .. he is the the executive director of the Elvis Presley Memorial Foundation! Dick Guyton Also, we present a special short presentation for Wisdome Organics with Larry and Shira Geller!

Elvis Aaron Presley. His life and music. We chat with leading Elvis Tribute artist Che Orton about life as an Elvis, and the upcoming major competition at Elvis' home, Gracelands.

Elvis Aaron Presley was born on 8 January 1935 in Tupelo, Mississippi in a shotgun house built by his father Vernon. He had a twin brother called Jesse who was 35 minutes older than he but unfortunately was stillborn.Elvis’s mother, Gladys, who was of Scots-Irish descent, had eloped with Vernon when she was 21. She … The post Elvis Presley appeared first on 5 Minute Biographies.

  Welcome to episode nineteen of A History of Rock Music in Five Hundred Songs. Today we’re looking at “That’s All Right Mama” by Elvis Presley. Click the full post to read liner notes, links to more information, and a transcript of the episode.  —-more—-     Resources As always, I’ve created a Mixcloud streaming playlist with full versions of all the songs in the episode. Elvis’ 1950s catalogue is, at least in the UK, now in the public domain, and can thus be found in many forms. This three-CD box set contains literally every recording he made from 1953 through 1955, including live recordings and session outtakes, along with a handsome book. This ten-disc set, meanwhile, charts the history of Sun Records, with the A- and B-sides of ninety of the first Sun singles, including all Elvis’ five Sun releases in their historical context, as well as “Bear Cat” and a lot of great blues and rockabilly. And this four-CD box set of Arthur Crudup contains everything you could want by that great bluesman. I’ve relied on three books here more than any others. The first is “Before Elvis” by Larry Birnbaum. which I’ve recommended many times before. The other two are by Peter Guralnick — Sam Phillips: The Man Who Invented Rock ‘n’ Roll, and Last Train to Memphis. The latter is the first volume of Guralnick’s two-volume biography of Elvis. The second volume of that book is merely good, not great (though still better than much of the nonsense written about Elvis), but Last Train to Memphis is, hands down, the best book on Elvis there is. (A content warning for both Guralnick books — they use racial slurs in reported speech, though never in anything other than a direct quote).   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, I just want to emphasise that in this episode I talk about some of Sam Phillips’ ideas around race and how to end racism. I hope I make it clear that I disagree with his ideas, but in trying to be fair and present his thinking accurately I may have given a different impression. I’m sure people listening to this in the context of the series as a whole understand where I’m coming from, but I’m aware that this will be some people’s first episode. There’s a reason this comes after the episode on “Sh’Boom”. If you come out of this episode thinking I think the way to end racism is to have white people perform black people’s music, go back and listen to that one. Anyway, on with the show… The Starlite Wranglers were not a band you would expect to end up revolutionising music — and indeed only some of them ever did. But you wouldn’t have expected even that from them. They were based in Memphis, but they were very far from being the sophisticated, urban music that was otherwise coming from big cities like that. Their bass player, Bill Black, would wear a straw hat and go barefoot, looking something like Huckleberry Finn, even as the rest of the band wore their smart Western suits. He’d hop on the bass and ride it, and tell cornpone jokes. They had pedal steel, and violin, and a singer named Doug Poindexter. Their one record on Sun was a pure Hank Williams soundalike: [excerpt of “My Kind of Carrying On” by Doug Poindexter and the Starlite Wranglers] Again, this doesn’t sound like anything that might revolutionise music. The single came out and did no better or worse than thousands of other singles by obscure country bands. In most circumstances it would be no more remembered now than, say “Cause You’re Always On My Mind” by Wiley Barkdull, or “Twice the Loving” by Floyd Huffman. But then something unprecedented in modern music history happened. Sun Records was the second record label Sam Phillips had set up — the first one had been a very short-lived label called Phillips, which he’d started up with his friend, the DJ Dewey Phillips (who was not related to Sam). After his experiences selling masters to other labels, like Modern and Duke and Chess, had caused him more problems than he’d initially realised, he’d decided that if he wanted to really see the music he loved become as big as he knew it could be, he’d have to run his own label. Because Sam Phillips had a mission. He was determined to end racism in the US, and he was convinced he could do so by making white audiences love the music of black people as much as he did. So the success of his new label was a moral imperative, and he wanted to find something that would be as big as “Rocket 88”, the record he’d leased to Chess. Or maybe even a performer as important as Howlin’ Wolf, the man who decades later he would still claim was the greatest artist he’d ever recorded. Howlin’ Wolf had recorded several singles at Sam’s studio before he’d started Sun records, and these singles had been leased to other labels. But like so many of the people he’d recorded, the record labels had decided they could make more money if they cut out the middle-Sam and recorded Wolf themselves. Sam Phillips often claimed later that none of the records Wolf made for Chess without Sam were anything like as good as the music he’d been making at 706 Union Ave; and he may well have been right about that. But still, the fact remained that the Wolf was elsewhere now, and Sam needed someone else as good as that. But he had a plan to get attention – make an answer record. This was something that happened a lot in blues and R&B in the fifties — if someone had a hit with a record, another record would come along, usually by another artist, that made reference to it. We’ve already seen this with “Good Rockin’ Tonight”, where the original version of that referenced half a dozen other records like “Caldonia”. And Sam Phillips had an idea for an answer song to “Hound Dog”. There had been several of these, including one from Roy Brown, who wrote “Good Rockin’ Tonight” — “Mr Hound Dog’s in Town” [excerpt: Roy Brown “Mr Hound Dog’s In Town”] Phillips, though,thought he had a particularly good take. The phrase “hound dog”, you see, was always used by women, and in Phillips’ view it was always used for a gigolo. And the female equivalent of that, in Phillips’ telling, was a bear cat. And so Sam Phillips sat down and “wrote” “Bear Cat”. Well, he was credited as the writer, anyway. In truth, the melody is identical to that of “Hound Dog”, and there’s not much difference in the lyrics either, but that was the way these answer records always went, in Phillips’ experience, and nobody ever kicked up a fuss about it. He called up a local Memphis DJ, Rufus Thomas, and asked him to sing on the track, and Thomas said yes, and the song was put out as one of the very first records on Phillips’ new record label, Sun. [excerpt of “Bear Cat” by Rufus Thomas] What was surprising was how big a hit it became — “Bear Cat” eventually climbed all the way to number three on the R&B charts, which was a phenomenal success for a totally new label with no track record. What was less phenomenal was when Duke Records and their publishing arm came to sue Sam Phillips over the record. It turned out that if you were going to just take credit for someone else’s song and not give them any of the money, it was best not to have a massive hit, and be based in the same city as the people whose copyright you were ripping off. Phillips remained bitter to the end of his life about the amount of money he lost on the record. But while he’d had a solid hit with “Bear Cat”, and Joe Hill Louis was making some pretty great blues records, Sam was still not getting to where he wanted to be. The problem was the audiences. Sam Phillips knew there was an audience for the kind of music these black men were making, but the white people just wouldn’t buy it from a black person. But it was the white audiences that made for proper mainstream success for any musician. White people had more money, and there were more of them. Maybe, he started to think, he could find a white person with the same kind of feeling in their music that the black people he was working with had? If he could do that — if he could get white people to *just listen* to black people’s music, *at all*, even if it was sung by a white person, then eventually they’d start listening to it from black people, too, and he could break down the colour barrier. (Sam Phillips, it has to be noted, always had big ideas and thought he could persuade the world of the righteousness of his cause if everyone else would *just listen*. A few years later, during the Cuban missile crisis, Phillips decided that since in his mind Castro was one of the good guys — Phillips was on the left and he knew how bad Batista had been — he would probably be able to negotiate some sort of settlement if he could just talk to him. So he got on the phone and tried to call Castro — and he actually did get through to Raul Castro, Fidel’s brother, and talk to him for a while. History does not relate if Phillips’ intervention is what prevented nuclear war.) So Sam Phillips was in the right frame of mind to take advantage when history walked into his studio. Elvis Aaron Presley was an unlikely name for a teen idol and star, and Elvis had an unlikely background for one as well. The son of a poor sharecropper from Mississippi who had moved to Memphis as a young man, he was working as a truck driver when he first went into Memphis Recording Service to record himself singing a song for his mother. And when Phillips’ assistant, Marion Keisker, heard the young man who’d come in to the studio, she thought she’d found just the man Phillips had been looking for – the white man who could sing like a black man. Or at least, that’s how Keisker told it. Like with so many things in rock music’s history, it depends on who you listen to. Sam Phillips always said it had been him, not Keisker, who “discovered” Elvis Presley, but the evidence seems to be on Keisker’s side. However, even there, it’s hard to see from Elvis’ original recording — versions of “My Happiness” and “That’s When Your Heartaches Begin” — what she saw in him that sounded so black. While the Ink Spots, who recorded the original version of “That’s When Your Heartaches Begin”, were black, they always performed in a very smooth, crooner-esque, style, and that’s what Presley did too in his recording. He certainly didn’t have any particular blues or R&B feel in his vocal on those recordings. [excerpt: “That’s When Your Heartaches Begin” — Elvis Presley] But Keisker or Phillips heard something in those recordings. More importantly, though, what Sam Phillips saw in him was an attitude. And not the attitude you might expect. You see, Elvis Presley was a quiet country boy. He had been bullied at school. He wore strange clothes and kept to himself, only ever really getting close to his mother. He was horribly introverted, and the few friends he did have mostly didn’t know about his interests, other than whichever one he shared with them. He mostly liked to listen to music, read comic books, and fantasise about being in a gospel quartet like the Jordanaires, singing harmony with a group like that. He’d hang around with some of the other teenagers living in the same housing block — Johnny and Dorsey Burnette, and a guy called Johnny Black, whose big brother Bill was the bass player with the Starlite Wranglers. They bullied him too, but they sort of allowed him to hang around with them, and they’d all get together and sing, Elvis standing a little off from the rest of them, like he wasn’t really part of the group. He’d thought for a while he might become an electrician, but he kept giving himself electric shocks and short-circuiting things — he said later that he was so clumsy it was a miracle that he didn’t cause any fires when he worked on people’s wiring. He didn’t have many friends — and no close friends at all — and many of those he did have didn’t even know he was interested in music. But he was absorbing music from every direction and every source — the country groups his mother liked to listen to on the radio like the Louvin Brothers, the gospel quartets who were massive stars among the religious, poor, people in the area, the music he heard at the Pentacostal church he attended (a white Pentacostal church, but still as much of a Holly Roller church as the black ones that SIster Rosetta Tharpe had learned her music from). He’d go down Beale Street, too, and listen to people like B.B. King — young Elvis bought his clothes from Lansky’s on Beale, where the black people bought their clothes, rather than from the places the other white kids got their clothes. But he wasn’t someone like Johnny Otis who fitted in with the black community, either — rather, he was someone who didn’t fit in anywhere. Someone who had nobody, other than his mother, who he felt really close to. He was weird, and unpopular, and shy, and odd-looking. But that feeling of not fitting in anywhere allowed him to pick up on music from everywhere. He didn’t own many records, but he *absorbed* songs from the radio. He’d hear something by the Ink Spots or Arthur Crudup once, and sing it perfectly. But it was gospel music he wanted to sing — and specifically what is known euphemistically as “Southern Gospel”, but which really means “white Gospel”. And this is an important distinction that needs to be made as we go forward, because gospel music has had a huge influence on rock and roll music, but that influence has almost all come from black gospel, the music invented by Thomas Dorsey and popularised by people like Sister Rosetta Tharpe or Mahalia Jackson. That’s a black genre, and a genre which has many prominent women in it — and it’s also a genre which has room for solo stars. When we talk about a gospel influence on Ray Charles or Aretha Franklin or Sam Cooke, that’s the gospel music we’re talking about. That black form of gospel became the primary influence on fifties rhythm and blues vocals, and through that on rock and roll. But there’s another gospel music as well — “Southern Gospel” or “quartet gospel”. That music is — or at least was at the time we’re talking about — almost exclusively white, and male, and sung by groups. To ears that aren’t attuned to it, it can sound a lot like barbershop music. It shares a lot of its repertoire with black gospel, but it’s performed in a very, very different style. [excerpt: “Take My Hand, Precious Lord”, the Blackwood Brothers] That’s the Blackwood Brothers singing, and you can hear how even though that’s a Thomas Dorsey song, it sounds totally different from, say, Mahalia Jackson’s version. The Blackwood Brothers were young Elvis Presley’s favourite group, and he was such a fan that when two of the group died in a plane crash in 1954, Elvis was one of the thousands who attended their funeral. He auditioned for several gospel quartets, but never found a role in any of them — but all his life, that was the music he wanted to sing, the music he would return to. He’d take any excuse he could to make himself just one of a gospel group, not a solo singer. But since he didn’t have a group, he was just a solo singer. Just a teenager with a spotty neck. And *that* is the feature that gets mentioned over and over again in the eyewitness descriptions of the young Elvis, when he was starting out. The fact that his neck was always filthy and covered in acne. He had greasy hair, and would never look anyone in the eye but would look down and mumble. What Sam Phillips saw in that teenage boy was a terrible feeling of insecurity. It was a feeling he recognised himself — Phillips had already been hospitalised a couple of times with severe depression and had to have electric shock therapy a few years earlier. But it was also something he recognised from the black musicians he’d been working with. In their cases it was because they’d been crushed by a racist system. In Phillips’ case it was because his brain was wired slightly differently from everyone else’s. He didn’t know quite what it was that made this teenage boy have that attitude, what it was that made him a scared, insecure, outsider. But whatever it was, Elvis Presley was the only white man Sam Phillips had met whose attitudes, bearing, and way of talking reminded him of the great black artists he knew and worked with, like Howlin’ Wolf or B.B. King, and he became eager to try him out and see what could happen. Phillips decided to put Elvis together with Scotty Moore and Bill Black, the guitarist and bass player from the Starlite Wranglers. Neither was an impressive technical musician – in fact at the time they were considered barely competent – but that was a plus in Phillips’ book. These were people who played with feeling, rather than with technique, and who wouldn’t try to do anything too flashy and showboaty. And he trusted their instincts, especially Scotty’s. He wanted to see what Scotty Moore thought, and so he got Elvis to go and rehearse with the two older musicians. Scotty Moore wasn’t impressed… or at least, he *thought* he wasn’t impressed. But at the same time… there was *something* there. It was worth giving the kid a shot, even though he didn’t quite know *why* he thought that. So Sam Phillips arranged for a session, recording a ballad, since that was the kind of thing that Elvis had been singing in his auditions. The song they thought might be suitable for him turned out not to be, and nor were many other songs they tried, until eventually they hit on “That’s All Right Mama”, a song originally recorded by Arthur “Big Boy” Crudup in 1946. Arthur Crudup was a country-blues singer, and he was another of those people who did the same kind of record over and over — he would sing blues songs with the same melody and often including many of the same lyrics, seemingly improvising songs based around floating lyrics. The song “That’s All Right Mama” was inspired by Blind Lemon Jefferson’s classic “Black Snake Moan”: [excerpt: “Black Snake Moan”, Blind Lemon Jefferson] Crudup had first used the line in “If I Get Lucky”. He then came up with the melody for what became “That’s All Right”, but recorded it with different lyrics as “Mean Ol’ Frisco Blues”: [excerpt: “Mean Old Frisco Blues”, Arthur Crudup] Then he wrote the words to “That’s All Right”, and sang them with the chorus of an old Charley Patton song: [excerpt: “Dirt Road Blues”, Arthur Crudup] And then he recorded “That’s All Right Mama” itself: [excerpt “That’s All Right Mama”, Arthur Crudup] Crudup’s records, as you can hear, were all based on a template – and he recorded several more songs with bits of “That’s All Right” in, both before and after writing that one. Elvis, Scotty, and Bill, however, didn’t follow that template. Elvis’ version of the song takes the country-blues feel of Crudup and reworks it into hillbilly music — it’s taken at a faster pace, and the sound is full of echo. You have Bill Black’s slapback bass instead of the drums on Crudup’s version. It still doesn’t, frankly, sound at all like the black musicians Phillips was working with, and it sounds a hell of a lot like a lot of white ones. If Phillips was, as the oversimplification would have it, looking for “a white man who could sing like a black one”, he hadn’t found it. Listening now, it’s definitely a “rock and roll” record, but at the time it would have been thought of as a “hillbilly” record. [excerpt “That’s All Right Mama, Elvis Presley] There is, though, an attitude in Presley’s singing which is different from most of the country music at the time — there’s a playfulness, an air of irreverence, which is very different from most of what was being recorded at the time. Presley seems to be treating the song as a bit of a joke, and to have an attitude which is closer to jazz-pop singers like Ella Fitzgerald than to blues or country music. He wears the song lightly, unafraid to sound a bit silly if it’s what’s needed for the record. He jumps around in his register and sings with an assurance that is quite astonishing for someone so young, someone who had basically never performed before, except in his own head. The B-side that they chose was a song from a very different genre — Bill Monroe’s bluegrass song “Blue Moon of Kentucky”: [excerpt: Bill Monroe “Blue Moon of Kentucky”] Elvis, Scotty, and Bill chose to rework that song in much the same style in which they’d reworked “That’s All Right Mama”. There’s nothing to these tracks but Elvis’ strummed acoustic, Black’s clicking slapback bass, and Scotty Moore’s rudimentary electric guitar fills — and the secret weapon, Sam Phillips’ echo. Phillips had a simple system he’d rigged up himself, and no-one else could figure out how he’d done it. The room he was recording in didn’t have a particularly special sound, but when he played back the recordings, there was a ton of echo on them, and it sounded great. The way he did this was simple. He didn’t use just one tape recorder — though tape recorders themselves were a newish invention, remember — he used two. He didn’t do multitracking like Les Paul — rather, what he did was use one tape recorder to record what was happening in the studio, while the other tape recorder *played the sound back for the first recorder to record as well*. This is called slapback echo, and Phillips would use it on everything, but especially on vocals. Nobody knew his secret, and when his artists moved off to other record labels, they often tried to replicate it, with very mixed results. But on “Blue Moon of Kentucky” it gave the record a totally different sound from Bill Monroe’s bluegrass music — a sound which would become known, later, as rockabilly: [excerpt “Blue Moon of Kentucky”, Elvis Presley] Phillips took the record to his friend, the DJ Dewey Phillips, who played it on his R&B show. When Elvis found out that Dewey Phillips was going to be playing his record on the radio, he was so nervous that rather than listen to it, he headed out to the cinema to watch a film so he wouldn’t be tempted to turn the radio on. There was such a response to the record, though, that Phillips played the record fourteen times, and Elvis’ mother had to go to the cinema and drag him out so he could go on the radio and be interviewed. On his first media interview he came across well, largely because Phillips didn’t tell him the mic was on until the interview was over – and Phillips also asked which school Elvis went to, as a way of cluing his listeners into Elvis’ race – most people had assumed, since Phillips’ show normally only played records by black people, that Elvis was black. Elvis Presley had a hit on his hands — at least as much of a hit as you could get from a country record on a blues label. Sadly, Crudup had sold the rights to the song years earlier, and never saw a penny in royalties – when he later sued over the rights, in the seventies, he was meant to get sixty thousand dollars in back payments, which he never received. I’ve seen claims, though I don’t know how true they are, that Crudup’s total pay for the song was fifty dollars and a bottle of whisky. But it was at the band’s first live performance that something even more astonishing happened, and it happened because of Presley’s stagefright, at least as Scotty Moore used to tell the story. Presley was, as we’ve mentioned, a deeply shy young man with unusual body language, and he was also unusually dressed — he wore the large, baggy, trousers that black men favoured. And he was someone who moved *a lot* when he was nervous or energetic — and even when he wasn’t, people would talk about how he was always tapping on something or moving in his seat. He was someone who just couldn’t keep still. And when he got on stage he was so scared he started shaking. And so did his pants. And because his pants were so baggy, they started shaking not in a way that looked like he was scared, but in a way that was, frankly, sexual. And the audiences reacted. A lot. Over the next year or two, Presley would rapidly grow utterly confident on stage, and when you look at footage of him from a few years later it’s hard to imagine him ever having stage fright at all, with the utter assurance and cocky smile he has. But all his stage presence developed from him noticing the things that the audience reacted to and doing more of them, and the thing they reacted to first and most was his nervous leg-twitching. And just like that, the unpopular poor boy with the spotty neck became the biggest male sex symbol the world had ever seen, and we’ll be seeing how that changed everything in future episodes.  

  Welcome to episode nineteen of A History of Rock Music in Five Hundred Songs. Today we're looking at "That's All Right Mama" by Elvis Presley. Click the full post to read liner notes, links to more information, and a transcript of the episode.  ----more----     Resources As always, I've created a Mixcloud streaming playlist with full versions of all the songs in the episode. Elvis' 1950s catalogue is, at least in the UK, now in the public domain, and can thus be found in many forms. This three-CD box set contains literally every recording he made from 1953 through 1955, including live recordings and session outtakes, along with a handsome book. This ten-disc set, meanwhile, charts the history of Sun Records, with the A- and B-sides of ninety of the first Sun singles, including all Elvis' five Sun releases in their historical context, as well as "Bear Cat" and a lot of great blues and rockabilly. And this four-CD box set of Arthur Crudup contains everything you could want by that great bluesman. I've relied on three books here more than any others. The first is "Before Elvis" by Larry Birnbaum. which I've recommended many times before. The other two are by Peter Guralnick -- Sam Phillips: The Man Who Invented Rock 'n' Roll, and Last Train to Memphis. The latter is the first volume of Guralnick's two-volume biography of Elvis. The second volume of that book is merely good, not great (though still better than much of the nonsense written about Elvis), but Last Train to Memphis is, hands down, the best book on Elvis there is. (A content warning for both Guralnick books -- they use racial slurs in reported speech, though never in anything other than a direct quote).   Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, I just want to emphasise that in this episode I talk about some of Sam Phillips' ideas around race and how to end racism. I hope I make it clear that I disagree with his ideas, but in trying to be fair and present his thinking accurately I may have given a different impression. I'm sure people listening to this in the context of the series as a whole understand where I'm coming from, but I'm aware that this will be some people's first episode. There's a reason this comes after the episode on “Sh'Boom”. If you come out of this episode thinking I think the way to end racism is to have white people perform black people's music, go back and listen to that one. Anyway, on with the show... The Starlite Wranglers were not a band you would expect to end up revolutionising music -- and indeed only some of them ever did. But you wouldn't have expected even that from them. They were based in Memphis, but they were very far from being the sophisticated, urban music that was otherwise coming from big cities like that. Their bass player, Bill Black, would wear a straw hat and go barefoot, looking something like Huckleberry Finn, even as the rest of the band wore their smart Western suits. He'd hop on the bass and ride it, and tell cornpone jokes. They had pedal steel, and violin, and a singer named Doug Poindexter. Their one record on Sun was a pure Hank Williams soundalike: [excerpt of "My Kind of Carrying On" by Doug Poindexter and the Starlite Wranglers] Again, this doesn't sound like anything that might revolutionise music. The single came out and did no better or worse than thousands of other singles by obscure country bands. In most circumstances it would be no more remembered now than, say "Cause You're Always On My Mind" by Wiley Barkdull, or "Twice the Loving" by Floyd Huffman. But then something unprecedented in modern music history happened. Sun Records was the second record label Sam Phillips had set up -- the first one had been a very short-lived label called Phillips, which he'd started up with his friend, the DJ Dewey Phillips (who was not related to Sam). After his experiences selling masters to other labels, like Modern and Duke and Chess, had caused him more problems than he'd initially realised, he'd decided that if he wanted to really see the music he loved become as big as he knew it could be, he'd have to run his own label. Because Sam Phillips had a mission. He was determined to end racism in the US, and he was convinced he could do so by making white audiences love the music of black people as much as he did. So the success of his new label was a moral imperative, and he wanted to find something that would be as big as "Rocket 88", the record he'd leased to Chess. Or maybe even a performer as important as Howlin' Wolf, the man who decades later he would still claim was the greatest artist he'd ever recorded. Howlin' Wolf had recorded several singles at Sam's studio before he'd started Sun records, and these singles had been leased to other labels. But like so many of the people he'd recorded, the record labels had decided they could make more money if they cut out the middle-Sam and recorded Wolf themselves. Sam Phillips often claimed later that none of the records Wolf made for Chess without Sam were anything like as good as the music he'd been making at 706 Union Ave; and he may well have been right about that. But still, the fact remained that the Wolf was elsewhere now, and Sam needed someone else as good as that. But he had a plan to get attention – make an answer record. This was something that happened a lot in blues and R&B in the fifties -- if someone had a hit with a record, another record would come along, usually by another artist, that made reference to it. We've already seen this with "Good Rockin' Tonight", where the original version of that referenced half a dozen other records like "Caldonia". And Sam Phillips had an idea for an answer song to "Hound Dog". There had been several of these, including one from Roy Brown, who wrote “Good Rockin' Tonight” -- "Mr Hound Dog's in Town" [excerpt: Roy Brown “Mr Hound Dog's In Town”] Phillips, though,thought he had a particularly good take. The phrase "hound dog", you see, was always used by women, and in Phillips' view it was always used for a gigolo. And the female equivalent of that, in Phillips' telling, was a bear cat. And so Sam Phillips sat down and "wrote" "Bear Cat". Well, he was credited as the writer, anyway. In truth, the melody is identical to that of "Hound Dog", and there's not much difference in the lyrics either, but that was the way these answer records always went, in Phillips' experience, and nobody ever kicked up a fuss about it. He called up a local Memphis DJ, Rufus Thomas, and asked him to sing on the track, and Thomas said yes, and the song was put out as one of the very first records on Phillips' new record label, Sun. [excerpt of "Bear Cat" by Rufus Thomas] What was surprising was how big a hit it became -- "Bear Cat" eventually climbed all the way to number three on the R&B charts, which was a phenomenal success for a totally new label with no track record. What was less phenomenal was when Duke Records and their publishing arm came to sue Sam Phillips over the record. It turned out that if you were going to just take credit for someone else's song and not give them any of the money, it was best not to have a massive hit, and be based in the same city as the people whose copyright you were ripping off. Phillips remained bitter to the end of his life about the amount of money he lost on the record. But while he'd had a solid hit with "Bear Cat", and Joe Hill Louis was making some pretty great blues records, Sam was still not getting to where he wanted to be. The problem was the audiences. Sam Phillips knew there was an audience for the kind of music these black men were making, but the white people just wouldn't buy it from a black person. But it was the white audiences that made for proper mainstream success for any musician. White people had more money, and there were more of them. Maybe, he started to think, he could find a white person with the same kind of feeling in their music that the black people he was working with had? If he could do that -- if he could get white people to *just listen* to black people's music, *at all*, even if it was sung by a white person, then eventually they'd start listening to it from black people, too, and he could break down the colour barrier. (Sam Phillips, it has to be noted, always had big ideas and thought he could persuade the world of the righteousness of his cause if everyone else would *just listen*. A few years later, during the Cuban missile crisis, Phillips decided that since in his mind Castro was one of the good guys -- Phillips was on the left and he knew how bad Batista had been -- he would probably be able to negotiate some sort of settlement if he could just talk to him. So he got on the phone and tried to call Castro -- and he actually did get through to Raul Castro, Fidel's brother, and talk to him for a while. History does not relate if Phillips' intervention is what prevented nuclear war.) So Sam Phillips was in the right frame of mind to take advantage when history walked into his studio. Elvis Aaron Presley was an unlikely name for a teen idol and star, and Elvis had an unlikely background for one as well. The son of a poor sharecropper from Mississippi who had moved to Memphis as a young man, he was working as a truck driver when he first went into Memphis Recording Service to record himself singing a song for his mother. And when Phillips' assistant, Marion Keisker, heard the young man who'd come in to the studio, she thought she'd found just the man Phillips had been looking for – the white man who could sing like a black man. Or at least, that's how Keisker told it. Like with so many things in rock music's history, it depends on who you listen to. Sam Phillips always said it had been him, not Keisker, who "discovered" Elvis Presley, but the evidence seems to be on Keisker's side. However, even there, it's hard to see from Elvis' original recording -- versions of "My Happiness" and "That's When Your Heartaches Begin" -- what she saw in him that sounded so black. While the Ink Spots, who recorded the original version of "That's When Your Heartaches Begin", were black, they always performed in a very smooth, crooner-esque, style, and that's what Presley did too in his recording. He certainly didn't have any particular blues or R&B feel in his vocal on those recordings. [excerpt: "That's When Your Heartaches Begin" -- Elvis Presley] But Keisker or Phillips heard something in those recordings. More importantly, though, what Sam Phillips saw in him was an attitude. And not the attitude you might expect. You see, Elvis Presley was a quiet country boy. He had been bullied at school. He wore strange clothes and kept to himself, only ever really getting close to his mother. He was horribly introverted, and the few friends he did have mostly didn't know about his interests, other than whichever one he shared with them. He mostly liked to listen to music, read comic books, and fantasise about being in a gospel quartet like the Jordanaires, singing harmony with a group like that. He'd hang around with some of the other teenagers living in the same housing block -- Johnny and Dorsey Burnette, and a guy called Johnny Black, whose big brother Bill was the bass player with the Starlite Wranglers. They bullied him too, but they sort of allowed him to hang around with them, and they'd all get together and sing, Elvis standing a little off from the rest of them, like he wasn't really part of the group. He'd thought for a while he might become an electrician, but he kept giving himself electric shocks and short-circuiting things -- he said later that he was so clumsy it was a miracle that he didn't cause any fires when he worked on people's wiring. He didn't have many friends -- and no close friends at all -- and many of those he did have didn't even know he was interested in music. But he was absorbing music from every direction and every source -- the country groups his mother liked to listen to on the radio like the Louvin Brothers, the gospel quartets who were massive stars among the religious, poor, people in the area, the music he heard at the Pentacostal church he attended (a white Pentacostal church, but still as much of a Holly Roller church as the black ones that SIster Rosetta Tharpe had learned her music from). He'd go down Beale Street, too, and listen to people like B.B. King -- young Elvis bought his clothes from Lansky's on Beale, where the black people bought their clothes, rather than from the places the other white kids got their clothes. But he wasn't someone like Johnny Otis who fitted in with the black community, either -- rather, he was someone who didn't fit in anywhere. Someone who had nobody, other than his mother, who he felt really close to. He was weird, and unpopular, and shy, and odd-looking. But that feeling of not fitting in anywhere allowed him to pick up on music from everywhere. He didn't own many records, but he *absorbed* songs from the radio. He'd hear something by the Ink Spots or Arthur Crudup once, and sing it perfectly. But it was gospel music he wanted to sing -- and specifically what is known euphemistically as "Southern Gospel", but which really means "white Gospel". And this is an important distinction that needs to be made as we go forward, because gospel music has had a huge influence on rock and roll music, but that influence has almost all come from black gospel, the music invented by Thomas Dorsey and popularised by people like Sister Rosetta Tharpe or Mahalia Jackson. That's a black genre, and a genre which has many prominent women in it -- and it's also a genre which has room for solo stars. When we talk about a gospel influence on Ray Charles or Aretha Franklin or Sam Cooke, that's the gospel music we're talking about. That black form of gospel became the primary influence on fifties rhythm and blues vocals, and through that on rock and roll. But there's another gospel music as well -- "Southern Gospel" or "quartet gospel". That music is -- or at least was at the time we're talking about -- almost exclusively white, and male, and sung by groups. To ears that aren't attuned to it, it can sound a lot like barbershop music. It shares a lot of its repertoire with black gospel, but it's performed in a very, very different style. [excerpt: "Take My Hand, Precious Lord", the Blackwood Brothers] That's the Blackwood Brothers singing, and you can hear how even though that's a Thomas Dorsey song, it sounds totally different from, say, Mahalia Jackson's version. The Blackwood Brothers were young Elvis Presley's favourite group, and he was such a fan that when two of the group died in a plane crash in 1954, Elvis was one of the thousands who attended their funeral. He auditioned for several gospel quartets, but never found a role in any of them -- but all his life, that was the music he wanted to sing, the music he would return to. He'd take any excuse he could to make himself just one of a gospel group, not a solo singer. But since he didn't have a group, he was just a solo singer. Just a teenager with a spotty neck. And *that* is the feature that gets mentioned over and over again in the eyewitness descriptions of the young Elvis, when he was starting out. The fact that his neck was always filthy and covered in acne. He had greasy hair, and would never look anyone in the eye but would look down and mumble. What Sam Phillips saw in that teenage boy was a terrible feeling of insecurity. It was a feeling he recognised himself -- Phillips had already been hospitalised a couple of times with severe depression and had to have electric shock therapy a few years earlier. But it was also something he recognised from the black musicians he'd been working with. In their cases it was because they'd been crushed by a racist system. In Phillips' case it was because his brain was wired slightly differently from everyone else's. He didn't know quite what it was that made this teenage boy have that attitude, what it was that made him a scared, insecure, outsider. But whatever it was, Elvis Presley was the only white man Sam Phillips had met whose attitudes, bearing, and way of talking reminded him of the great black artists he knew and worked with, like Howlin' Wolf or B.B. King, and he became eager to try him out and see what could happen. Phillips decided to put Elvis together with Scotty Moore and Bill Black, the guitarist and bass player from the Starlite Wranglers. Neither was an impressive technical musician – in fact at the time they were considered barely competent – but that was a plus in Phillips' book. These were people who played with feeling, rather than with technique, and who wouldn't try to do anything too flashy and showboaty. And he trusted their instincts, especially Scotty's. He wanted to see what Scotty Moore thought, and so he got Elvis to go and rehearse with the two older musicians. Scotty Moore wasn't impressed... or at least, he *thought* he wasn't impressed. But at the same time... there was *something* there. It was worth giving the kid a shot, even though he didn't quite know *why* he thought that. So Sam Phillips arranged for a session, recording a ballad, since that was the kind of thing that Elvis had been singing in his auditions. The song they thought might be suitable for him turned out not to be, and nor were many other songs they tried, until eventually they hit on "That's All Right Mama", a song originally recorded by Arthur "Big Boy" Crudup in 1946. Arthur Crudup was a country-blues singer, and he was another of those people who did the same kind of record over and over -- he would sing blues songs with the same melody and often including many of the same lyrics, seemingly improvising songs based around floating lyrics. The song "That's All Right Mama" was inspired by Blind Lemon Jefferson's classic "Black Snake Moan": [excerpt: "Black Snake Moan", Blind Lemon Jefferson] Crudup had first used the line in "If I Get Lucky". He then came up with the melody for what became "That's All Right", but recorded it with different lyrics as "Mean Ol' Frisco Blues": [excerpt: "Mean Old Frisco Blues", Arthur Crudup] Then he wrote the words to "That's All Right", and sang them with the chorus of an old Charley Patton song: [excerpt: "Dirt Road Blues", Arthur Crudup] And then he recorded "That's All Right Mama" itself: [excerpt "That's All Right Mama", Arthur Crudup] Crudup's records, as you can hear, were all based on a template – and he recorded several more songs with bits of “That's All Right” in, both before and after writing that one. Elvis, Scotty, and Bill, however, didn't follow that template. Elvis' version of the song takes the country-blues feel of Crudup and reworks it into hillbilly music -- it's taken at a faster pace, and the sound is full of echo. You have Bill Black's slapback bass instead of the drums on Crudup's version. It still doesn't, frankly, sound at all like the black musicians Phillips was working with, and it sounds a hell of a lot like a lot of white ones. If Phillips was, as the oversimplification would have it, looking for "a white man who could sing like a black one", he hadn't found it. Listening now, it's definitely a "rock and roll" record, but at the time it would have been thought of as a "hillbilly" record. [excerpt “That's All Right Mama, Elvis Presley] There is, though, an attitude in Presley's singing which is different from most of the country music at the time -- there's a playfulness, an air of irreverence, which is very different from most of what was being recorded at the time. Presley seems to be treating the song as a bit of a joke, and to have an attitude which is closer to jazz-pop singers like Ella Fitzgerald than to blues or country music. He wears the song lightly, unafraid to sound a bit silly if it's what's needed for the record. He jumps around in his register and sings with an assurance that is quite astonishing for someone so young, someone who had basically never performed before, except in his own head. The B-side that they chose was a song from a very different genre -- Bill Monroe's bluegrass song "Blue Moon of Kentucky": [excerpt: Bill Monroe "Blue Moon of Kentucky"] Elvis, Scotty, and Bill chose to rework that song in much the same style in which they'd reworked "That's All Right Mama". There's nothing to these tracks but Elvis' strummed acoustic, Black's clicking slapback bass, and Scotty Moore's rudimentary electric guitar fills -- and the secret weapon, Sam Phillips' echo. Phillips had a simple system he'd rigged up himself, and no-one else could figure out how he'd done it. The room he was recording in didn't have a particularly special sound, but when he played back the recordings, there was a ton of echo on them, and it sounded great. The way he did this was simple. He didn't use just one tape recorder -- though tape recorders themselves were a newish invention, remember -- he used two. He didn't do multitracking like Les Paul -- rather, what he did was use one tape recorder to record what was happening in the studio, while the other tape recorder *played the sound back for the first recorder to record as well*. This is called slapback echo, and Phillips would use it on everything, but especially on vocals. Nobody knew his secret, and when his artists moved off to other record labels, they often tried to replicate it, with very mixed results. But on "Blue Moon of Kentucky" it gave the record a totally different sound from Bill Monroe's bluegrass music -- a sound which would become known, later, as rockabilly: [excerpt "Blue Moon of Kentucky", Elvis Presley] Phillips took the record to his friend, the DJ Dewey Phillips, who played it on his R&B show. When Elvis found out that Dewey Phillips was going to be playing his record on the radio, he was so nervous that rather than listen to it, he headed out to the cinema to watch a film so he wouldn't be tempted to turn the radio on. There was such a response to the record, though, that Phillips played the record fourteen times, and Elvis' mother had to go to the cinema and drag him out so he could go on the radio and be interviewed. On his first media interview he came across well, largely because Phillips didn't tell him the mic was on until the interview was over – and Phillips also asked which school Elvis went to, as a way of cluing his listeners into Elvis' race – most people had assumed, since Phillips' show normally only played records by black people, that Elvis was black. Elvis Presley had a hit on his hands -- at least as much of a hit as you could get from a country record on a blues label. Sadly, Crudup had sold the rights to the song years earlier, and never saw a penny in royalties – when he later sued over the rights, in the seventies, he was meant to get sixty thousand dollars in back payments, which he never received. I've seen claims, though I don't know how true they are, that Crudup's total pay for the song was fifty dollars and a bottle of whisky. But it was at the band's first live performance that something even more astonishing happened, and it happened because of Presley's stagefright, at least as Scotty Moore used to tell the story. Presley was, as we've mentioned, a deeply shy young man with unusual body language, and he was also unusually dressed -- he wore the large, baggy, trousers that black men favoured. And he was someone who moved *a lot* when he was nervous or energetic -- and even when he wasn't, people would talk about how he was always tapping on something or moving in his seat. He was someone who just couldn't keep still. And when he got on stage he was so scared he started shaking. And so did his pants. And because his pants were so baggy, they started shaking not in a way that looked like he was scared, but in a way that was, frankly, sexual. And the audiences reacted. A lot. Over the next year or two, Presley would rapidly grow utterly confident on stage, and when you look at footage of him from a few years later it's hard to imagine him ever having stage fright at all, with the utter assurance and cocky smile he has. But all his stage presence developed from him noticing the things that the audience reacted to and doing more of them, and the thing they reacted to first and most was his nervous leg-twitching. And just like that, the unpopular poor boy with the spotty neck became the biggest male sex symbol the world had ever seen, and we'll be seeing how that changed everything in future episodes.  

In this latest thrilling episode, Mick and Joel pick over the life, loves and legacy of the greatest rock star of them all. The Big Cheese, the full enchilada, the deep-fried cheese burger. Or simply, The King. Elvis Aaron Presley is the pioneer of rock 'n roll. the man who created a road-map for rock stars before rock stars even existed. From a dirt-poor childhood, via a spell as a truck driver and briefly the world's most famous GI, he became the planet's biggest superstar and then its most mysterious recluse. Today, Elvis has taken on such a mythic quality that it's now hard to believe he was actually even a man (and a relatively young one when he died, aged just 42). This is an amazing, but tragic tale; a tale of fierce youth, facile films, fancy jumpsuits, and folly. See acast.com/privacy for privacy and opt-out information.

Elvis Aaron Presley, ABD'li şarkıcı, müzisyen, aktör. Dünya çapında Rock'n Roll'un kralı ya da kısaca kral olarak tanınır. Diğer lakabı olan Elvis The Pelvis ise 1950'li yıllarda kendisine takılmıştır.

Episode 21 - Elvis, And The Pearly GatesOn August 16, 1977 Elvis Aaron Presley died. But one of his greatest adventures was just beginning.Listen to this episode to learn all about The King in the afterlife.With Brendan Carr as Elvis, Matt Casarino, Jill Knapp, Kevin Regan, and Steve Roney

The classic Henry Sellers ("I MADE THE BBC") episode, Competition Time.Hopefully you'll laugh as much as the largely overshadowed character, Barty Dunne; we get the first appearance of Dick Byrne; how many times Mrs Doyle says 'Ah, go on!' (it's hard to keep count!); lepresy; Craggy Island Rehab Resort; Hans Zimmer (you'll hear why); Going for Gold; Stars in Their Eyes; Elvis Aaron Presley and lots more! Except the English Papers.Subscribe now to get a new episode every Sunday morning - just in time for Mass! Subscribe on iTunes (https://itunes.apple.com/gb/podcast/ecumencial-matters-father/id1116660897?mt=2) or search for Father Ted on your favourite podcast provider and leave a comment on our Facebook page www.facebook.com/EcumenicalMatters. Your browser does not support the audio element. Stray ObservationsHenry Sellers was played by Niall Buggy'Ah Go On' count: 25!Dick Byrne was played by Maurice O'DonoghueCraggy Island v Rugged Island is one of fiction's great place rivalries!We have a good look at director Declan Lowney's contribution to the show too (adsbygoogle = window.adsbygoogle || []).push({});

Elvis Aaron Presley died on this day 40 years ago.  How big was Elvis' influence on Rock and Roll?  We're Having Coffee, Talking - Elvis Presley

O Rei. Esse título é para poucos. E menor ainda é o número de pessoas que faz jus a esse tipo de adjetivo. Elvis Aaron Presley mudou não apenas a história da música, mas influenciou de tantas formas a mídia, a cultura e o comportamento de sua época que seria injusto não lhe darem uma coroa. Nesse programa falamos um pouco sobre a carreira de Elvis, sua importância no cenário de transformação musical dos anos 50 e de sua prematura morte em 1977. Dê o play e venha quebrar os quadris com a gente. Ficha Técnica: Nesse programa Marton Santos, Leonardo Santos e Jaison Mafra ficam Elvispreyslando por aí por 1h e 08 minutos. Patreon Papricast CLIQUE AQUI E SE ASSOCIE AO PAPRICAST Camisetas Papricast Acesse nossa loja no Tanlup para comprar as nossas camisetas ASSINE NOSSO FEED! Feed, RSS e iTunes: http://feeds.feedburner.com/Papricast Para assinar no iTunes, clique na aba Avançado, e Assinar Podcast. Cole o endereço e confirme. Assim você recebe automaticamente os novos episódios.

Elvis Aaron Presley (8 de enero de 1935 - 16 de agosto de 1977) fue uno de los cantantes estadounidenses más populares del siglo XX, considerado como un icono cultural y conocido ampliamente bajo su nombre de pila, Elvis. Se hace referencia a él frecuentemente como «el Rey del rock and roll» o simplemente «el Rey» Megamix con algunos de sus grandes exitos en remezclas y Mashup's Espero que te guste !!!

Program 120: Elvis Aaron Presley sings Peace in the Valley.

Elvis Aaron Presley was born 75 years ago today, the perfect day to kick off our series of 75-second features about Elvis. Look for new pieces every Tuesday and Thursday at 7:50 am. In episode 1, he introduces himself to the world as a bright eyed young man, explaining why he can't stand still when he sings.

Elvis Aaron Presley was born 75 years ago today, the perfect day to kick off our series of 75-second features about Elvis. Look for new pieces every Tuesday and Thursday at 7:50 am. In episode 1, he introduces himself to the world as a bright eyed young man, explaining why he can't stand still when he sings.