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Three time Ms. Noir City Audra Wolfmann joins us once again to look at some of the strangest Westerns ever produced by Hollywood. Both of these films have surprisingly feminist themes while being directed by two of the studio system's true iconoclasts. First, Joan Crawford as saloon keeper Vienna is pitted against Mercedes McCambridge as the sexually-frustrated matriarch Emma Small in JOHNNY GUITAR (1954) for control of an Arizona town, and its two most eligible bachelors: The Dancin' Kid (Scott Brady) and Johnny Guitar (Sterling Hayden). Vienna has had both of them, which Emma has had none, but Emma appears to be more attracted to her feminine rival judging by the intensity of her rages whenever she's around Vienna. Directed by Nicholas Ray, whose best-known film, REBEL WITHOUT A CAUSE (1955), also concerns a love triangle that doesn't conform to the gender norms of the time. Also starring Ernest Borgnine, Ward Bond, and John Carradine, and filmed in striking Trucolor by Henry A. Stradling (Hitchcock's SUSPICION; A STREETCAR NAMED DESIRE). Next, Barbara Stanwyck is the "high ridin' woman with a whip in director Sam Fuller's utterly bizarre FORTY GUNS (1957), a movie as obsessed with dicks as its title would suggest. Three very Earp like brothers played by Barry Sullivan, Gene Barry, and Robert Dix (they couldn't find another Barry?) ride into Cochise County, Arizona and are immediately confronted by the movie's titular 40 guns. Stanwyck is Jessica Drummond, who rules the territory with lead and leather. Incredible camera work here by Fuller and cinematographer Joseph F. Biroc (THE AMAZING COLOSSAL MAN). We discussed Fuller previously way back in our Dark AF episode (S1E7) with THE NAKED KISS (1964). FORTY GUNS also stars Dean Jagger, Elvis' milquetoast dad from KING CREOLE (S2E10), as the milquetoast sheriff. We also ask all the hard questions like why Lady Gaga doesn't want to call the musical JOKER sequel a musical? The answer may surprise you. And please give us good reviews on Apple Podcasts. We could use em. Please check out Audra's amazing podcasts: SPEAKEASILY VS. THE 80s and RETROPHILIA. www.audrawolfmann.net podcasts.apple.com/no/podcast/retr…re/id1598247675 Hosts: Philena Franklin, Bob Calhoun and Cory Sklar Special Guest: Audra Wolfmann Greg Franklin is on assignment OMFYS theme by Chaki the Funk Wizard used with permission "Drink to Forget" by the Hot Patooties used with permission. Thanks Beth! Trailer audio courtesy of Archive.org "Bone Dry" and "Spirit Riders" by Telecasted; "Desert Drive" by Everet Almond; and misc. gun shot sounds courtesy of YouTube Audio Library Horse sounds courtesy of freesound.org neighing horse.wav by soundslikewillem -- https://freesound.org/s/418428/ -- License: Attribution NonCommercial 4.0 Horse galloping (coconut shells) version 1 by alanmcki -- https://freesound.org/s/403025/ -- License: Attribution 4.0 snorting horse.wav by soundslikewillem -- https://freesound.org/s/418427/ -- License: Attribution NonCommercial 4.0 Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Twitter (X): @OM4YStoners Contact: oldmoviesforyoungstoners AT gmail DOT com NEXT EPISODE: Hammer Horror with horror blogger Rowan Lee. Still haven't figured out what movies yet because we're stoned.

This week on the blog, a podcast interview with playwright and screenwriter Jeffrey Hatcher on Columbo, Sherlock Holmes, favorite mysteries and more!LINKSA Free Film Book for You: https://dl.bookfunnel.com/cq23xyyt12Another Free Film Book: https://dl.bookfunnel.com/x3jn3emga6Fast, Cheap Film Website: https://www.fastcheapfilm.com/Jeffrey Hatcher Facebook Page: https://www.facebook.com/jeffrey.hatcher.3/The Good Liar (Trailer): https://youtu.be/ljKzFGpPHhwMr. Holmes (Trailer): https://youtu.be/0G1lIBgk4PAStage Beauty (Trailer): https://youtu.be/-uc6xEBfdD0Columbo Clips from “Ashes to Ashes”Clip One: https://youtu.be/OCKECiaFsMQClip Two: https://youtu.be/BbO9SDz9FEcClip Three: https://youtu.be/GlNDAVAwMCIEli Marks Website: https://www.elimarksmysteries.com/Albert's Bridge Books Website: https://www.albertsbridgebooks.com/YouTube Channel: https://www.youtube.com/c/BehindthePageTheEliMarksPodcastTRANSCRIPTJohn: Can you remember your very first mystery, a movie, book, TV show, play, a mystery that really captured your imagination? Jeffrey: You know, I was thinking about this, and what came to mind was a Disney movie called Emile and the Detectives from 1964. So, I would have been six or seven years old. It's based on a series of German books by Eric Kastner about a young man named Emile and his group of friends who think of themselves as detectives. So, I remember that—I know that might've been the first film. And obviously it's not a play because, you know, little kids don't tend to go to stage thrillers or mysteries and, “Daddy, please take me to Sleuth.But there was a show called Burke's Law that I really loved. Gene Barry played Captain Amos Burke of the Homicide Division in Los Angeles, and he was very rich. That was the bit. The bit was that Captain Burke drove around in a gorgeous Rolls Royce Silver Ghost, and he had a chauffeur. And every mystery was structured classically as a whodunit.In fact, I think every title of every episode was “Who Killed Cock Robin?” “Who Killed Johnny Friendly?” that kind of thing. And they would have a cast of well-known Hollywood actors, so they were all of equal status. Because I always think that's one of the easiest ways to guess the killer is if it's like: Unknown Guy, Unknown Guy, Derek Jacobi, Unknown Guy, Unknown Guy. It's always going to be Derek Jacobi. John: Yeah, it's true. I remember that show. He was really cool. Jim: Well, now I'm going to have to look that up.Jeffrey: It had a great score, and he would gather all of the suspects, you know, at the end of the thing. I think my favorite was when he caught Paul Lynde as a murderer. And, of course, Paul Lynde, you know, kept it very low key when he was dragged off. He did his Alice Ghostly impersonation as he was taken away.John: They did have very similar vocal patterns, those two.Jeffrey: Yep. They're kind of the exact same person. Jim: I never saw them together. John: You might have on Bewitched. Jim: You're probably right.Jeffrey: Well, I might be wrong about this, either Alice Ghostly or Charlotte Ray went to school with Paul Lynde. And Charlotte Ray has that same sound too. You know, kind of warbly thing. Yes. I think they all went to Northwestern in the late 40s and early 50s. So maybe that was a way that they taught actors back then. John: They learned it all from Marion Horne, who had the very same warble in her voice. So, as you got a little older, were there other mysteries that you were attracted to?Jeffrey: Yeah. Luckily, my parents were very liberal about letting me see things that other people probably shouldn't have. I remember late in elementary school, fifth grade or so, I was reading Casino Royale. And one of the teachers said, “Well, you know, most kids, we wouldn't want to have read this, but it's okay if you do.”And I thought, what's that? And I'm so not dangerous; other kids are, well they would be affected oddly by James Bond? But yeah, I, I love spy stuff. You know, The Man from Uncle and The Wild Wild West, all those kind of things. I love James Bond. And very quickly I started reading the major mysteries. I think probably the first big book that I remember, the first novel, was The Hound of the Baskervilles. That's probably an entrance point for a lot of kids. So that's what comes in mind immediately. Jim: I certainly revisit that on—if not yearly basis, at least every few years I will reread The Hound of the Baskervilles. Love that story. That's good. Do you have, Jeffrey, favorite mystery fiction writers?Jeffrey: Oh, sure. But none of them are, you know, bizarre Japanese, Santa Domingo kind of writers that people always pull out of their back pockets to prove how cool they are. I mean, they're the usual suspects. Conan Doyle and Christie and Chandler and Hammett, you know, all of those. John Dickson Carr, all the locked room mysteries, that kind of thing. I can't say that I go very far off in one direction or another to pick up somebody who's completely bizarre. But if you go all the way back, I love reading Wilkie Collins.I've adapted at least one Wilkie Collins, and they read beautifully. You know, terrifically put together, and they've got a lot of blood and thunder to them. I think he called them sensation novels as opposed to mysteries, but they always have some mystery element. And he was, you know, a close friend of Charles Dickens and Dickens said that there were some things that Collins taught him about construction. In those days, they would write their novels in installments for magazines. So, you know, the desire or the need, frankly, to create a cliffhanger at the end of every episode or every chapter seems to have been born then from a capitalist instinct. John: Jeff, I know you studied acting. What inspired the move into playwriting?Jeffrey: I don't think I was a very good actor. I was the kind of actor who always played older, middle aged or older characters in college and high school, like Judge Brack in Hedda Gabler, those kind of people. My dream back in those days was to play Dr. Dysart in Equus and Andrew Wyke in Sleuth. So, I mean, that was my target. And then I moved to New York, and I auditioned for things and casting directors would say, “Well, you know, we actually do have 50 year old actors in New York and we don't need to put white gunk in their hair or anything like that. So, why don't you play your own age, 22 or 23?” And I was not very good at playing 22 or 23. But I'd always done some writing, and a friend of mine, Graham Slayton, who was out at the Playwrights Center here, and we'd gone to college together. He encouraged me to write a play, you know, write one act, and then write a full length. So, I always say this, I think most people go into the theater to be an actor, you know, probably 98%, and then bit by bit, we, you know, we peel off. We either leave the profession completely or we become directors, designers, writers, what have you. So, I don't think it's unnatural what I did. It's very rare to be like a Tom Stoppard who never wanted to act. It's a lot more normal to find the Harold Pinter who, you know, acted a lot in regional theaters in England before he wrote The Caretaker.Jim: Fascinating. Can we talk about Columbo?Jeffrey: Oh, yes, please. Jim: This is where I am so tickled pink for this conversation, because I was a huge and am a huge Peter Falk Columbo fan. I went back and watched the episode Ashes To Ashes, with Patrick McGowan that you created. Tell us how that came about. Jeffrey: I too was a huge fan of Columbo in the 70s. I remember for most of its run, it was on Sunday nights. It was part of that murder mystery wheel with things like Hec Ramsey and McCloud, right? But Columbo was the best of those, obviously. Everything, from the structure—the inverted mystery—to thw guest star of the week. Sometimes it was somebody very big and exciting, like Donald Pleasence or Ruth Gordon, but often it was slightly TV stars on the skids.John: Jack Cassidy, Jim: I was just going to say Jack Cassidy.Jeffrey: But at any rate, yeah, I loved it. I loved it. I remembered in high school, a friend and I doing a parody of Columbo where he played Columbo and I played the murderer of the week. And so many years later, when they rebooted the show in the nineties, my father died and I spent a lot of time at the funeral home with the funeral director. And having nothing to say to the funeral director one day, I said, “Have you got the good stories?”And he told me all these great stories about, you know, bodies that weren't really in the casket and what you can't cremate, et cetera. So, I suddenly had this idea of a Hollywood funeral director to the stars. And, via my agent, I knew Dan Luria, the actor. He's a close friend or was a close friend of Peter's. And so, he was able to take this one-page idea and show it to Peter. And then, one day, I get a phone call and it's, “Uh, hello Jeff, this is Peter Falk calling. I want to talk to you about your idea.” And they flew me out there. It was great fun, because Falk really ran the show. He was the executive producer at that point. He always kind of ran the show. I think he only wrote one episode, the one with Faye Dunaway, but he liked the idea.I spent a lot of time with him, I'd go to his house where he would do his drawings back in the studio and all that. But what he said he liked about it was he liked a new setting, they always liked a murderer and a setting that was special, with clues that are connected to, say, the murderer's profession. So, the Donald Pleasant one about the wine connoisseur and all the clues are about wine. Or the Dick Van Dyke one, where he's a photographer and most of the clues are about photography. So, he really liked that. And he said, “You gotta have that first clue and you gotta have the pop at the end.”So, and we worked on the treatment and then I wrote the screenplay. And then he asked McGoohan if he would do it, and McGoohan said, “Well, if I can direct it too.” And, you know, I've adored McGoohan from, you know, Secret Agent and The Prisoner. I mean, I'd say The Prisoner is like one of my favorite television shows ever. So, the idea that the two of them were going to work together on that script was just, you know, it was incredible. John: Were you able to be there during production at all? Jeffrey: No, I went out there about four times to write, because it took like a year or so. It was a kind of laborious process with ABC and all that, but I didn't go out during the shooting.Occasionally, this was, you know, the days of faxes, I'd get a phone call: “Can you redo something here?” And then I'd fax it out. So, I never met McGoohan. I would only fax with him. But they built this whole Hollywood crematorium thing on the set. And Falk was saying at one point, “I'm getting pushback from Universal that we've got to do all this stuff. We've got to build everything.” And I was saying, “Well, you know, 60 percent of the script takes place there. If you're going to try to find a funeral home like it, you're going to have all that hassle.” And eventually they made the point that, yeah, to build this is going to cost less than searching around Hollywood for the right crematorium, And it had a great cast, you know, it had Richard Libertini and Sally Kellerman, and Rue McClanahan was our murder victim.Jim: I'll tell you every scene that Peter Falk and Mr. McGoohan had together. They looked to me as an actor, like they were having a blast being on together. Jeffrey: They really loved each other. They first met when McGoohan did that episode, By Dawn's Early Light, where he played the head of the military school. It's a terrific episode. It was a great performance. And although their acting styles are completely different, You know, Falk much more, you know, fifties, methody, shambolic. And McGoohan very, you know, his voice cracking, you know, and very affected and brittle. But they really loved each other and they liked to throw each other curveballs.There are things in the, in the show that are ad libs that they throw. There's one bit, I think it's hilarious. It's when Columbo tells the murderer that basically knows he did it, but he doesn't have a way to nail him. And, McGoohan is saying, “So then I suppose you have no case, do you?” And Falk says, “Ah, no, sir, I don't.” And he walks right off camera, you know, like down a hallway. And McGoohan stares off and says, “Have you gone?” And none of that was scripted. Peter just walks off set. And if you watch the episode, they had to dub in McGoohan saying, “Have you gone,” because the crew was laughing at the fact that Peter just strolled away. So McGoohan adlibs that and then they had to cover it later to make sure the sound wasn't screwed up. Jim: Fantastic. John: Kudos to you for that script, because every piece is there. Every clue is there. Everything pays off. It's just it is so tight, and it has that pop at the end that he wanted. It's really an excellent, excellent mystery.Jim: And a terrific closing line. Terrific closing line. Jeffrey: Yeah, that I did right. That was not an ad lib. Jim: It's a fantastic moment. And he, Peter Falk, looks just almost right at the camera and delivers that line as if it's, Hey, check this line out. It was great. Enjoyed every minute of it. Can we, um, can I ask some questions about Sherlock Holmes now?Jeffrey: Oh, yes. Jim: So, I enjoyed immensely Holmes and Watson that I saw a couple summers ago at Park Square. I was completely riveted and had no, absolutely no idea how it was going to pay off or who was who or what. And when it became clear, it was so much fun for me as an audience member. So I know that you have done a number of Holmes adaptations.There's Larry Millet, a St. Paul writer here and I know you adapted him, but as far as I can tell this one, pillar to post was all you. This wasn't an adaptation. You created this out of whole cloth. Am I right on that? Jeffrey: Yes. The, the idea came from doing the Larry Millet one, actually, because Steve Hendrickson was playing Holmes. And on opening night—the day of opening night—he had an aortic aneurysm, which they had to repair. And so, he wasn't able to do the show. And Peter Moore, the director, he went in and played Holmes for a couple of performances. And then I played Holmes for like three performances until Steve could get back. But in the interim, we've sat around saying, “All right, who can we get to play the role for like a week?” And we thought about all of the usual suspects, by which I mean, tall, ascetic looking actors. And everybody was booked, everybody was busy. Nobody could do it. So that's why Peter did it, and then I did it.But it struck me in thinking about casting Holmes, that there are a bunch of actors that you would say, you are a Holmes type. You are Sherlock Holmes. And it suddenly struck me, okay, back in the day, if Holmes were real, if he died—if he'd gone over to the falls of Reichenbach—people probably showed up and say, “Well, I'm Sherlock Holmes.”So, I thought, well, let's take that idea of casting Holmes to its logical conclusion: That a couple of people would come forward and say, “I'm Sherlock Holmes,” and then we'd wrap it together into another mystery. And we're sitting around—Bob Davis was playing Watson. And I said, “So, maybe, they're all in a hospital and Watson has to come to figure out which is which. And Bob said, “Oh, of course, Watson's gonna know which one is Holmes.”And that's what immediately gave me the idea for the twist at the end, why Watson wouldn't know which one was Holmes. So, I'm very grateful whenever an idea comes quickly like that, but it depends on Steve getting sick usually. Jim: Well, I thoroughly enjoyed it. If it's ever staged again anywhere, I will go. There was so much lovely about that show, just in terms of it being a mystery. And I'm a huge Sherlock Holmes fan. I don't want to give too much away in case people are seeing this at some point, but when it starts to be revealed—when Pierce's character starts talking about the reviews that he got in, in the West End—I I almost wet myself with laughter. It was so perfectly delivered and well written. I had just a great time at the theater that night. Jeffrey: It's one of those things where, well, you know how it is. You get an idea for something, and you pray to God that nobody else has done it. And I couldn't think of anybody having done this bit. I mean, some people have joked and said, it's kind of To Tell the Truth, isn't it? Because you have three people who come on and say, “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” “I'm Sherlock Holmes.” Now surely somebody has done this before, but Nobody had. Jim: Well, it's wonderful. John: It's all in the timing. So, what is the, what's the hardest part about adapting Holmes to this stage?Jeffrey: Well, I suppose from a purist point of view‑by which I mean people like the Baker Street Irregulars and other organizations like that, the Norwegian Explorers here in Minnesota‑is can you fit your own‑they always call them pastiches, even if they're not comic‑can you fit your own Holmes pastiche into the canon?People spend a lot of time working out exactly where Holmes and Watson were on any given day between 1878 and 1930. So, one of the nice things about Holmes and Watson was, okay, so we're going to make it take place during the three-year interregnum when Holmes is pretending to be dead. And it works if you fit Holmes and Watson in between The Final Problem and The Adventure of the Empty House, it works. And that's hard to do. I would say, I mean, I really love Larry Millett's book and all that, but I'm sure it doesn't fit, so to speak. But that's up to you to care. If you're not a purist, you can fiddle around any old way you like. But I think it's kind of great to, to, to have the, the BSI types, the Baker Street Irregular types say, “Yes, this clicked into place.”Jim: So that's the most difficult thing. What's the easiest part?Jeffrey: Well, I think it's frankly the language, the dialogue. Somebody pointed out that Holmes is the most dramatically depicted character in history. More than Robin Hood, more than Jesus Christ. There are more actor versions of Holmes than any other fictional character.We've been surrounded by Holmes speak. Either if we've read the books or seen the movies or seen any of the plays for over 140 years. Right. So, in a way, if you're like me, you kind of absorb that language by osmosis. So, for some reason, it's very easy for me to click into the way I think Holmes talks. That very cerebral, very fast, sometimes complicated syntax. That I find probably the easiest part. Working out the plots, you want them to be Holmesian. You don't want them to be plots from, you know, don't want the case to be solved in a way that Sam Spade would, or Philip Marlowe would. And that takes a little bit of work. But for whatever reason, it's the actor in you, it's saying, all right, if you have to ad lib or improv your way of Sherlock Holmes this afternoon, you know, you'd be able to do it, right? I mean, he really has permeated our culture, no matter who the actor is.Jim: Speaking of great actors that have played Sherlock Holmes, you adapted a movie that Ian McKellen played, and I just watched it recently in preparation for this interview.Having not seen it before, I was riveted by it. His performance is terrific and heartbreaking at the same time. Can we talk about that? How did you come to that project? And just give us everything.Jeffrey: Well, it's based on a book called A Slight Trick of the Mind by Mitch Cullen, and it's about a very old Sherlock Holmes in Surrey, tending to his bees, as people in Holmesland know that he retired to do. And it involves a couple of cases, one in Japan and one about 20 years earlier in his life that he's trying to remember. And it also has to do with his relationship with his housekeeper and the housekeeper's son. The book was given to me by Anne Carey, the producer, and I worked on it probably off and on for about five years.A lot of time was spent talking about casting, because you had to have somebody play very old. I remember I went to meet with Ralph Fiennes once because we thought, well, Ralph Fiennes could play him at his own age,‑then probably his forties‑and with makeup in the nineties.And Ralph said‑Ralph was in another film that I'd done‑and he said, “Oh, I don't wear all that makeup. That's just far too much.” And I said, “Well, you did in Harry Potter and The English Patient, you kind of looked like a melted candle.” And he said, “Yes, and I don't want to do that again.” So, we always had a very short list of actors, probably like six actors in the whole world And McKellen was one of them and we waited for him to become available And yeah, he was terrific. I'll tell you one funny story: One day, he had a lot of prosthetics, not a lot, but enough. He wanted to build up his cheekbones and his nose a bit. He wanted a bit, he thought his own nose was a bit too potatoish. So, he wanted a more Roman nose. So, he was taking a nap one day between takes. And they brought him in, said, “Ian, it's time for you to do the, this scene,” and he'd been sleeping, I guess, on one side, and his fake cheek and his nose had moved up his face. But he hadn't looked in the mirror, and he didn't know. So he came on and said, “Very well, I'm all ready to go.” And it was like Quasimodo.It's like 5:52 and they're supposed to stop shooting at six. And there was a mad panic of, Fix Ian's face! Get that cheekbone back where it's supposed to be! Knock that nose into place! A six o'clock, we go into overtime!” But it was very funny that he hadn't noticed it. You kind of think you'd feel if your own nose or cheekbone had been crushed, but of course it was a makeup. So, he didn't feel anything. Jim: This is just the, uh, the actor fan boy in me. I'm an enormous fan of his work straight across the board. Did you have much interaction with him and what kind of fella is he just in general?Jeffrey: He's a hoot. Bill Condon, the director, said, “Ian is kind of methody. So, when you see him on set, he'll be very decorous, you know, he'll be kind of like Sherlock Holmes.” And it was true, he goes, “Oh, Jeffrey Hatcher, it's very good to meet you.” And he was kind of slow talking, all that. Ian was like 72 then, so he wasn't that old. But then when it was all over, they were doing all those--remember those ice Dumps, where people dump a tub of ice on you? You have these challenges? A the end of shooting, they had this challenge, and Ian comes out in short shorts, and a bunch of ballet dancers surrounds him. And he's like, “Alright, everyone, let's do the ice challenge.” And, he turned into this bright dancer. He's kind of a gay poster boy, you know, ever since he was one of the most famous coming out of the last 20 some years. So, you know, he was suddenly bright and splashy and, you know, all that old stuff dropped away. He has all of his headgear at his house and his townhouse. He had a party for us at the end of shooting. And so, there's a Gandalf's weird hat and there's Magneto's helmet, you know, along with top hats and things like that. And they're all kind of lined up there. And then people in the crew would say, can I take a picture of you as Gandalf? “Well, why, of course,” and he does all that stuff. So no, he's wonderful. Jim: You do a very good impression as well. That was great. Now, how did you come to the project, The Good Liar, which again, I watched in preparation for this and was mesmerized by the whole thing, especially the mystery part of it, the ending, it was brilliant.How did you come to that project?Jeffrey: Well, again, it was a book and Warner Brothers had the rights to it. And because Bill and I had worked on Mr. Holmes--Bill Condon--Bill was attached to direct. And so I went in to talk about how to adapt it.This is kind of odd. It's again based in McKellen. In the meeting room at Warner Brothers, there was a life size version of Ian as Gandalf done in Legos. So, it was always, it'll be Ian McKellen and somebody in The Good Liar. Ian as the con man. And that one kind of moved very quickly, because something changed in Bill Condon's schedule. Then they asked Helen Mirren, and she said yes very quickly.And it's a very interesting book, but it had to be condensed rather a lot. There's a lot of flashbacks and going back and forth in time. And we all decided that the main story had to be about this one con that had a weird connection to the past. So, a lot of that kind of adaptation work is deciding what not to include, so you can't really be completely faithful to a book that way. But I do take the point with certain books. When my son was young, he'd go to a Harry Potter movie, and he'd get all pissed off. Pissed off because he'd say Dobby the Elf did a lot more in the book.But if it's a book that's not quite so well-known—The Good Liar isn't a terribly well-known book, nor was A Slight Trick of the Mind--you're able to have a lot more room to play. Jim: It's a very twisty story. Now that you're talking about the book, I'll probably have to go get the book and read it just for comparison. But what I saw on the screen, how did you keep it--because it was very clear at the end--it hits you like a freight train when it all sort of unravels and you start seeing all of these things. How did you keep that so clear for an audience? Because I'll admit, I'm not a huge mystery guy, and I'm not the brightest human, and yet I was able to follow that story completely.Jeffrey: Well, again, I think it's mostly about cutting things, I'm sure. And there are various versions of the script where there are a lot of other details. There's probably too much of one thing or another. And then of course, you know, you get in the editing room and you lose a couple of scenes too. These kinds of things are very tricky. I'm not sure that we were entirely successful in doing it, because you say, which is more important, surprise or suspense? Hitchcock used to have that line about, suspense is knowing there's a bomb under the table. And you watch the characters gather at the table. As opposed to simply having a bomb blow up and you didn't know about it.So, we often went back and forth about Should we reveal that the Helen Mirren character knows that Ian's character is doing something bad? Or do we try to keep it a secret until the end? But do you risk the audience getting ahead of you? I don't mind if the audience is slightly ahead. You know, it's that feeling you get in the theater where there's a reveal and you hear a couple of people say, “Oh, I knew it and they guessed it may be a minute before. But you don't want to get to the point where the audience is, you know, 20 minutes or a half an hour ahead of you.Jim: I certainly was not, I was not in any way. It unfolded perfectly for me in terms of it being a mystery and how it paid off. And Helen Mirren was brilliant. In fact, for a long time during it, I thought they were dueling con men, the way it was set up in the beginning where they were both entering their information and altering facts about themselves.I thought, “Oh, well, they're both con men and, and now we're going to see who is the better con man in the end.” And so. when it paid off. In a way different sort of way, it was terrific for me. Absolutely. Jeffrey: Well, and I thank you. But in a way, they were both con men. Jim: Yes, yes. But she wasn't a professional con man.Jeffrey: She wasn't just out to steal the money from him. She was out for something else. She was out for vengeance. Jim: Yes. Very good. Very, if you haven't seen it, The Good Liar folks, don't wait. I got it on Amazon prime and so can you.Jeffrey: I watched them do a scene, I was over there for about five days during the shooting.And watching the two of them work together was just unbelievable. The textures, the tones, the little lifts of the eyebrow, the shading on one word versus another. Just wonderful, wonderful stuff. Jim: Yeah. I will say I am a huge Marvel Cinematic Universe fan along with my son. We came to those together and I'm a big fan of that sort of movie. So I was delighted by this, because it was such a taut story. And I was involved in every second of what was going on and couldn't quite tell who the good guys were and who the bad guys were and how is this going to work and who's working with who?And it was great. And in my head, I was comparing my love for that sort of big blow it up with rayguns story to this very cerebral, internal. And I loved it, I guess is what I'm saying. And, I am, I think, as close to middle America as you're going to find in terms of a moviegoer. And I thought it was just dynamite. Jeffrey: It was very successful during the pandemic--so many things were when people were streaming--but it was weirdly successful when it hit Amazon or Netflix or whatever it was. And, I think you don't have to be British to understand two elderly people trying to find a relationship. And then it turns out that they both have reasons to hate and kill each other. But nonetheless, there is still a relationship there. So, I pictured a lot of lonely people watching The Good Liar and saying, “Yeah, I'd hang out with Ian McKellen, even if he did steal all my money.” John: Well, speaking of movies, I am occasionally handed notes here while we're live on the air from my wife. And she wants you to just say something about the adaptation you did of your play, Stage Beauty, and what that process was like and how, how that process went.Jeffrey: That was terrific because, primarily Richard Eyre--the director who used to run the National Theater and all that--because he's a theater man and the play's about theater. I love working with Bill Condon and I've loved working with Lassa Hallstrom and other people, but Richard was the first person to direct a film of any of my stuff. And he would call me up and say, “Well, we're thinking of offering it to Claire Danes.” or we're thinking…And usually you just hear later, Oh, somebody else got this role. But the relationship was more like a theater director and a playwright. I was there on set for rehearsals and all that.Which I haven't in the others. No, it was a wonderful experience, but I think primarily because the, the culture of theater saturated the process of making it and the process of rehearsing it and—again--his level of respect. It's different in Hollywood, everybody's very polite, they know they can fire you and you know, they can fire you and they're going to have somebody else write the dialogue if you're not going to do it, or if you don't do it well enough. In the theater, we just don't do that. It's a different world, a different culture, different kind of contracts too. But Richard really made that wonderful. And again, the cast that he put together: Billy Crudup and Claire and Rupert Everett and Edward Fox and Richard Griffiths. I remember one day when I was about to fly home, I told Richard Griffiths what a fan Evan-- my son, Evan--was of him in the Harry Potter movie. And he made his wife drive an hour to come to Shepperton with a photograph of him as Mr. Dursley that he could autograph for my son. John: Well, speaking of stage and adaptations, before we go into our lightning round here, you did two recent adaptations of existing thrillers--not necessarily mysteries, but thrillers--one of which Hitchcock made into a movie, which are Dial M for Murder and Wait Until Dark. And I'm just wondering what was that process for you? Why changes need to be made? And what kind of changes did you make?Jeffrey: Well, in both cases, I think you could argue that no, changes don't need to be made. They're wildly successful plays by Frederick Knott, and they've been successful for, you know, alternately 70 or 60 years.But in both cases, I got a call from a director or an artistic director saying, “We'd like to do it, but we'd like to change this or that.” And I'm a huge fan of Frederick Knott. He put things together beautifully. The intricacies of Dial M for Murder, you don't want to screw around with. And there are things in Wait Until Dark having to do just with the way he describes the set, you don't want to change anything or else the rather famous ending won't work. But in both cases, the women are probably not the most well drawn characters that he ever came up with. And Wait Until Dark, oddly, they're in a Greenwich Village apartment, but it always feels like they're really in Westchester or in Terre Haute, Indiana. It doesn't feel like you're in Greenwich Village in the 60s, especially not in the movie version with Audrey Hepburn. So, the director, Matt Shackman, said, why don't we throw it back into the 40s and see if we can have fun with that. And so it played out: The whole war and noir setting allowed me to play around with who the main character was. And I know this is a cliche to say, well, you know, can we find more agency for female characters in old plays or old films? But in a sense, it's true, because if you're going to ask an actress to play blind for two hours a night for a couple of months, it can't just be, I'm a blind victim. And I got lucky and killed the guy. You've got a somewhat better dialogue and maybe some other twists and turns. nSo that's what we did with Wait Until Dark. And then at The Old Globe, Barry Edelstein said, “well, you did Wait Until Dark. What about Dial? And I said, “Well, I don't think we can update it, because nothing will work. You know, the phones, the keys. And he said, “No, I'll keep it, keep it in the fifties. But what else could you What else could you do with the lover?”And he suggested--so I credit Barry on this--why don't you turn the lover played by Robert Cummings in the movie into a woman and make it a lesbian relationship? And that really opened all sorts of doors. It made the relationship scarier, something that you really want to keep a secret, 1953. And I was luckily able to find a couple of other plot twists that didn't interfere with any of Knott's original plot.So, in both cases, I think it's like you go into a watch. And the watch works great, but you want the watch to have a different appearance and a different feel when you put it on and tick a little differently. John: We've kept you for a way long time. So, let's do this as a speed round. And I know that these questions are the sorts that will change from day to day for some people, but I thought each of us could talk about our favorite mysteries in four different mediums. So, Jeff, your favorite mystery novel”Jeffrey: And Then There Were None. That's an easy one for me. John: That is. Jim, do you have one?Jim: Yeah, yeah, I don't read a lot of mysteries. I really enjoyed a Stephen King book called Mr. Mercedes, which was a cat and mouse game, and I enjoyed that quite a bit. That's only top of mind because I finished it recently.John: That counts. Jim: Does it? John: Yeah. That'll count. Jim: You're going to find that I am so middle America in my answers. John: That's okay. Mine is--I'm going to cheat a little bit and do a short story--which the original Don't Look Now that Daphne du Murier wrote, because as a mystery, it ties itself up. Like I said earlier, I like stuff that ties up right at the end. And it literally is in the last two or three sentences of that short story where everything falls into place. Jeff, your favorite mystery play? I can be one of yours if you want. Jeffrey: It's a battle between Sleuth or Dial M for Murder. Maybe Sleuth because I always wanted to be in it, but it's probably Dial M. But it's also followed up very quickly by Death Trap, which is a great comedy-mystery-thriller. It's kind of a post-modern, Meta play, but it's a play about the play you're watching. John: Excellent choices. My choice is Sleuth. You did have a chance to be in Sleuth because when I directed it, you're the first person I asked. But your schedule wouldn't let you do it. But you would have been a fantastic Andrew Wyke. I'm sorry our timing didn't work on that. Jeffrey: And you got a terrific Andrew in Julian Bailey, but if you wanted to do it again, I'm available. John: Jim, you hear that? Jim: I did hear that. Yes, I did hear that. John: Jim, do you have a favorite mystery play?Jim: You know, it's gonna sound like I'm sucking up, but I don't see a lot of mystery plays. There was a version of Gaslight that I saw with Jim Stoll as the lead. And he was terrific.But I so thoroughly enjoyed Holmes and Watson and would love the opportunity to see that a second time. I saw it so late in the run and it was so sold out that there was no coming back at that point to see it again. But I would love to see it a second time and think to myself, well, now that you know what you know, is it all there? Because my belief is it is all there. John: Yeah. Okay. Jeff, your favorite TV mystery?Jeffrey: Oh, Columbo. That's easy. Columbo.John: I'm gonna go with Poker Face, just because the pace on Poker Face is so much faster than Columbo, even though it's clearly based on Columbo. Jim, a favorite TV mystery?Jim: The Rockford Files, hands down. John: Fair enough. Fair enough. All right. Last question all around. Jeff, your favorite mystery movie? Jeffrey: Laura. Jim: Ah, good one. John: I'm going to go with The Last of Sheila. If you haven't seen The Last of Sheila, it's a terrific mystery directed by Herbert Ross, written by Stephen Sondheim and Anthony Perkins. Fun little Stephen Sondheim trivia. The character of Andrew Wyke and his house were based on Stephen Sondheim. Jeffrey: Sondheim's townhouse has been for sale recently. I don't know if somebody bought it, but for a cool seven point something million, you're going to get it. John: All right. Let's maybe pool our money. Jim, your favorite mystery movie.Jim: I'm walking into the lion's den here with this one. Jeffrey, I hope this is okay, but I really enjoyed the Robert Downey Jr. Sherlock Holmes movies. And I revisit the second one in that series on a fairly regular basis, The Game of Shadows. I thought I enjoyed that a lot. Your thoughts on those movies quickly? Jeffrey: My only feeling about those is that I felt they were trying a little too hard not to do some of the traditional stuff. I got it, you know, like no deer stalker, that kind of thing. But I thought it was just trying a tad too hard to be You know, everybody's very good at Kung Fu, that kind of thing.Jim: Yes. And it's Sherlock Holmes as a superhero, which, uh, appeals to me. Jeffrey: I know the producer of those, and I know Guy Ritchie a little bit. And, I know they're still trying to get out a third one. Jim: Well, I hope they do. I really hope they do. Cause I enjoyed that version of Sherlock Holmes quite a bit. I thought it was funny and all of the clues were there and it paid off in the end as a mystery, but fun all along the road.Jeffrey: And the main thing they got right was the Holmes and Watson relationship, which, you know, as anybody will tell you, you can get a lot of things wrong, but get that right and you're more than two thirds there.

Welcome to the Instant Trivia podcast episode 808, where we ask the best trivia on the Internet. Round 1. Category: military wives 1: As both a military and a political wife, she was determined not to look "Dowd"y. Mamie Eisenhower. 2: This widow of a slain Israeli general and prime minister now speaks out on the need for Middle East peace. Leah Rabin. 3: In 1824 David Farragut married Susan Marchant of this Virginia city and made that port his home. Norfolk. 4: A few weeks before their 1864 wedding, his fiancee Elizabeth called him her "old fellow with the golden curls". (George Armstrong) Custer. 5: That's the former Beatrice Ayer, gazing up at this husband of hers. General George Patton. Round 2. Category: all kinds of red 1: "Casey would waltz" with this kind of blonde as "the band played on". a strawberry blonde. 2: The kind of pirate played by Burt Lancaster in 1952 film. The Crimson Pirate. 3: The unmarried lady in the game of "Clue". Miss Scarlet. 4: A moron, the way Bugs Bunny usually pronounces it. maroon. 5: Cochineal treated with water and alum, or Eddie Mekka on "Laverne and Shirley". Carmine. Round 3. Category: royalty 1: Lord Mountbatten, the last viceroy of India, was the nephew of this last czar of Russia. Nicholas II. 2: Prince Rainier served in this country's army during WWII; Monaco doesn't have an army. France. 3: Bohemond I was a great leader of the first of these expeditions, in the 1090s. Crusades. 4: In 1993 King Hussein celebrated his 40th anniversary as ruler of this country. Jordan. 5: Rurik is the semi-legendary founder of this country. Russia. Round 4. Category: la la 1: This hit song by Ritchie Valens was originally the B-side of "Donna". "La Bamba". 2: This region in south-central Spain is the setting for Cervantes' "Don Quixote". La Mancha. 3: Bolivia's largest city, it was founded in 1548 on the site of an Inca village. La Paz. 4: George Hearn won a 1984 Tony for his role as Albin opposite Gene Barry's Georges in this Broadway musical. La Cage Aux Folles. 5: Before he was elected mayor of New York City in 1933, he served 14 years in the U.S. House of Representatives. Fiorello LaGuardia. Round 5. Category: nautical terms 1: Bird term for a small platform below the masthead light used as a lookout station. crow's nest. 2: A VLCC, very large crude carrier, is this type of ship. supertanker. 3: The helm of a small boat may just consist of a tiller and this in the water. Rudder. 4: An escutcheon is a board on the stern of a vessel that lists its port of registry and this. it's name. 5: This word can mean a vessel's national flag or the most junior commissioned officer in the U.S. Navy. ensign. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Jim revisits one of the most iconic Sci-Fi movies from 1953, George Pal's "War of the Worlds," starring Gene Barry, Ann Robinson, Les Tremayne, Robert Cornwaite, Lewis Martin, Sandro Giglio, Bill Phipps and Paul Frees. This take on the H.G. Wells classic has been a favorite of Monster Kids for 7 decades. Hear more on this week's episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim revisits one of the most iconic Sci-Fi movies from 1953, George Pal’s “War of the Worlds,” starring Gene Barry, Ann Robinson, Les Tremayne, Robert Cornwaite, Lewis Martin, Sandro Giglio, Bill Phipps and Paul Frees. This take on the H.G. Wells classic has been a favorite of Monster Kids for 7 decades. Hear more on … War of the Worlds (1953) Revisited Read More » The post War of the Worlds (1953) Revisited appeared first on The ESO Network.

Set sail on Episode 29, Season 2 of the Love Boat, the worlds greatest romantic comedy drama television series of all time! In this episode we follow an all star cast that includes Red Buttons, Gene Barry, Erik Estrada, Sam Groom, Hope Lange, Allen Ludden, Richard Mulligan and Mackenzie Phillips as they deal with a salacious senior, messy mergers, drunken dalliances, a devoted daughter, and one sad saxaphone. We also encourage everyone to find our Instagram page Lovin' The Love Boat to enjoy the super cool video messages from Isaac himself Mr. Ted Lange! And much more. Thanks for listening to the podcast and joining us on this voyage and by all means consider subscribing to the show as well as Paramount+ so you can watch the episode with us. We promise you'll be glad that you did. * Attention passengers! If you'd like to see the show continue please consider contributing to our GoFundMe so we can stay afloat and allow us to make good on our promise to have exciting new guests join us on future episodes. It means a lot and will also allow us to keep the show commercial free. Visit our page HERE and give whatever you can. Give any amount and help put us over the top of our original goal. Thank you! *If you enjoy the show and would like to contribute quickly please tip our crew any amount via Venmo: @istvansongs * Be sure to check out Istvan's other amazing podcast for kids and families, Istvan's Imaginary Podcast available everywhere podcasts are found. * Find and Follow our new Instagram profile here: @lovin_the_love_boat * And follow Istvan on Instagram: @iamistvan or on his website: www.istvansongs.com

The finale of our season on the awesome movie year of 1953 features our audience choice pick, H.G. Wells adaptation The War of the Worlds. Directed by Byron Haskin from a script by Barré Lyndon (based on Wells' novel) and starring Gene Barry, Ann Robinson and Les Tremayne, The War of the Worlds prevailed over two other alien/monster attack movies in our 1953 audience choice poll.The contemporary reviews quoted in this episode come from A.H. Weiler in The New York Times (https://www.nytimes.com/1953/08/14/archives/the-screen-in-review-new-martian-invasion-is-seen-in-war-of-the.html), Richard L. Coe in The Washington Post, and Edwin Schallert in the Los Angeles Times.Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in for the next installment, the epilogue to our 1953 season.

On this episode of The Snub Club, our crew looks to the sky to catch a glimpse of The War of the Worlds. Directed by Byron Haskins and starring Gene Barry and Ann Robinson, The War of the Worlds was nominated for three Academy Awards AND WON ONE! But since it was an award without competition it still counts for the podcast. In this episode, Danny, Sarah, and Caleb discuss alien invasions, post-war religion, and Oscar-worthy special effects.   Spoiler alert for NOPE...and The War of the Worlds I guess.   The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: That's All Right by Arthur Crudup

Buckle up for a deep dive into the era's space-paranoia with The War of the Worlds from 1953! Featuring Shrishma Naik, Carolyn Naoroz, Katherine Sherlock, and Justin Zeppa.The War of the Worlds was directed by Byron Haskin and stars Gene Barry and Ann Robinson.Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes:patreon.com/oldmovietimemachineWe appreciate your support, so please subscribe, rate, review, and follow the show:Instagram: @timemachinepodcastsFacebook: facebook.com/oldmovietimemachineEmail: partyline@oldmovietimemachine.comBuy our luxurious merchandise:https://www.teepublic.com/user/old-movie-time-machine★ Support this podcast on Patreon ★

It's a tale as old as time. Aliens come to our planet. Humans try to befriend them. Aliens shoot the humans. War begins. This week, we're boarding the storybook train for H.G. Wells classic story 'War of the Worlds'. Mike, Pat, Joel and Josh are discussing the finer points of the 1953 Byron Haskin film adaptation vs the 2005 #TomCruise and #StevenSpielberg update. While not as much dogfighting as in #TopGun, there will be loads of shooting, vaporizing and bird law, as it's us vs the suction cupped fingered them. Who will win this 'War of the Worlds'? If you'd like to leave the guys a question for the "Question of the Week" or leave us a show idea or voice message, call us at 708-669-9727 or use the Google Form link HERE. Join our Discord channel HERE! Or copy this link to your browser! https://discord.gg/UEmYaUt4sN   You can donate to the show at our Ko-Fi Page! ko-fi.com/40go14

It's a tale as old as time. Aliens come to our planet. Humans try to befriend them. Aliens shoot the humans. War begins. This week, we're boarding the storybook train for H.G. Wells classic story 'War of the Worlds'. Mike, Pat, Joel and Josh are discussing the finer points of the 1953 Byron Haskin film adaptation vs the 2005 #TomCruise and #StevenSpielberg update. While not as much dogfighting as in #TopGun, there will be loads of shooting, vaporizing and bird law, as it's us vs the suction cupped fingered them. Who will win this 'War of the Worlds'? If you'd like to leave the guys a question for the "Question of the Week" or leave us a show idea or voice message, call us at 708-669-9727 or use the Google Form link HERE. Join our Discord channel HERE! Or copy this link to your browser! https://discord.gg/UEmYaUt4sN You can donate to the show at our Ko-Fi Page! ko-fi.com/40go14

In 1898 H.G. Wells imagined a war between the people of Earth advanced invaders from Mars. Since then storytellers have re-envisioned this conflict for their own times. One of these was George Pal, whose 1953 movie became a generation's iconic depiction of THE WAR OF THE WORLDS. How does that mid-century version hold up seventy years later?

WPMT's premiere of “Somebody Loves Me,” featuring the title song from George Gershwin, will be live today, just as it was on the Lux Radio Theatre, featuring songs by Gershwin, Buddy G. DeSylva, Jay Livingston, Ray Evans and more! We are pleased to kick off Women's History Month with this musical starring Betty Hutton as "Blossom Seeley" and Gene Barry as "Benny Fields.” Tune in today at 1 PM CT, on all major podcast platforms!

Book Vs Movie: “The War of the Worlds” The H.G. Wells Science Fiction Classic Vs the 2005 Steven Spielberg Movie The Margos go back to both the world of science fiction and the film work of Steven Spielberg talking about the H.G. Wells classic novel The War of the Worlds (1898) which has been adapted as a successful radio program, films, and a TV series.  The novel is about a martian invasion that hits London and an unnamed narrator who escapes, is separated from his wife, and then has up close and traumatic interactions with the Martians who are taking over England. They use heat rays as a weapon and depend on human blood to feed themselves. The narrator meets with people underground on his way back home who want to fight the invaders. He eventually gets home (after being taken care of by a kindly family) and reunites with his wife who somehow survives the alien attacks. In the end, the Martians were killed by “earthly pathogens.”  Considered one of the first novels that supposed that otherworldly creatures could be smarter than humans--the story is a classic and the basis/inspiration for science fiction work for decades afterward.  In 1938, Orson Welles's radio program, created a one-hour play based on the story (which Welles most likely never read) and included some of his favorite writers and produces for The Mercury Theatre on the Air including John Houseman and Howard Koch. The setting was central New Jersey and the resulting panic was caused by an unsuspecting audience who thought the drama was real. Welles had to perform a mea culpa for the press (which he loved!) and it is considered one of the best radio dramas ever produced.  In this episode, we focus more on 2005's The War of the Worlds directed by Spielberg which stars Tom Cruise, Dakota Fanning, and Tim Robbins and is set in New Jersey and New England. Two other members of the cast were in the 1953 adaptation--Ann Robinson and Gene Barry.  So, between the novel, radio program, and the movie--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The life of author H.G. Wells and how he changed science fiction Orson Welles's influence on the storytelling of the 1938 radio play The major differences between the novel and the movie The cast: Tom Cruise (Ray Ferrier,) Dakota Fanning (Rachel Ferrier,) Justin Chatwin (Robbie Ferrier,) Mirando Otto (Mary Ann Ferrier,) Tim Robbins (Harlan Ogilvy,) Ann Robinson (Grandmother,) and Gene Barry (Grandfather)  Clips used: The Mercury Theatre 1938 production The War of the Worlds trailer “Ferry Disaster” “Fight on the Hill”  “No Shield” Music by John Williams Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs Movie: “The War of the Worlds” The H.G. Wells Science Fiction Classic Vs the 2005 Steven Spielberg Movie The Margos go back to both the world of science fiction and the film work of Steven Spielberg talking about the H.G. Wells classic novel The War of the Worlds (1898) which has been adapted as a successful radio program, films, and a TV series.  The novel is about a martian invasion that hits London and an unnamed narrator who escapes, is separated from his wife, and then has up close and traumatic interactions with the Martians who are taking over England. They use heat rays as a weapon and depend on human blood to feed themselves. The narrator meets with people underground on his way back home who want to fight the invaders. He eventually gets home (after being taken care of by a kindly family) and reunites with his wife who somehow survives the alien attacks. In the end, the Martians were killed by “earthly pathogens.”  Considered one of the first novels that supposed that otherworldly creatures could be smarter than humans--the story is a classic and the basis/inspiration for science fiction work for decades afterward.  In 1938, Orson Welles's radio program, created a one-hour play based on the story (which Welles most likely never read) and included some of his favorite writers and produces for The Mercury Theatre on the Air including John Houseman and Howard Koch. The setting was central New Jersey and the resulting panic was caused by an unsuspecting audience who thought the drama was real. Welles had to perform a mea culpa for the press (which he loved!) and it is considered one of the best radio dramas ever produced.  In this episode, we focus more on 2005's The War of the Worlds directed by Spielberg which stars Tom Cruise, Dakota Fanning, and Tim Robbins and is set in New Jersey and New England. Two other members of the cast were in the 1953 adaptation--Ann Robinson and Gene Barry.  So, between the novel, radio program, and the movie--which did we prefer? Have a listen and find out!  In this ep the Margos discuss: The life of author H.G. Wells and how he changed science fiction Orson Welles's influence on the storytelling of the 1938 radio play The major differences between the novel and the movie The cast: Tom Cruise (Ray Ferrier,) Dakota Fanning (Rachel Ferrier,) Justin Chatwin (Robbie Ferrier,) Mirando Otto (Mary Ann Ferrier,) Tim Robbins (Harlan Ogilvy,) Ann Robinson (Grandmother,) and Gene Barry (Grandfather)  Clips used: The Mercury Theatre 1938 production The War of the Worlds trailer “Ferry Disaster” “Fight on the Hill”  “No Shield” Music by John Williams Book Vs Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts Join our Patreon page to help support the show! https://www.patreon.com/bookversusmovie  Book Vs. Movie podcast https://www.facebook.com/bookversusmovie/ Twitter @bookversusmovie www.bookversusmovie.com Email us at bookversusmoviepodcast@gmail.com Brought to you by Audible.com You can sign up for a FREE 30-day trial here http://www.audible.com/?source_code=PDTGBPD060314004R Margo D. @BrooklynFitChik www.brooklynfitchick.com brooklynfitchick@gmail.com Margo P. @ShesNachoMama https://coloniabook.weebly.com/  Our logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

In the seventh episode of Season 3 (Manifest Destiny) Kyle is joined by fellow cinephiles Sarah Gray and Ryan Smith to discuss Samuel Fuller's subversive and feminist western Forty Guns, and all of its innuendo, character driven splendor, and shocking memorable moments.

Welcome, back CULT members. This week on the Criterion CULT Film Podcast we talk The War of the Worlds(1953) from director Byron Haskin and starring Gene Barry, Ann Robinson and Les Tremayne.  And to this weeks chopping block Nacho brings Neill Blomkamp's directorial debut District 9(2009) starring Sharlto copley, Jason Cope, and John Sumner. Will District 9 survive the CULT? Listen to find out. 

Thank you to Arthur Sculco for his selection of "The War of the Worlds" 1953 as well as three other films we recently reviewed "Soylent Green", "2001 A Space Odyssey" and "The Time Machine". Director Byron Haskin and Producer George Pal adapted the 1898 H.G. Welles novel to create an exciting and timeless science fiction film.Dr. Clayton Forrester played by Gene Barry is a well-known scientist from Pacific Institute of Science and Technology who finds himself in the middle of a large-scale invasion of Earth by Martians. Dr. Forrester and two colleagues happen to be fishing near the landing site of the first Martian war machine. These three people are quickly engaged in a life or death struggle to save our planet. Also involved are Sylvia van Buren played by Ann Robinson, Les Tremayne as Major General Mann, a large cast and world wide military forces who become involved in this war. The movie is great entertainment for all ages.Here’s the IMDB page for “War of the Worlds”Check us out on Patreon at www.patreon.com/classicmoviereviews for even more content and bonus shows.

We here at Haven Podcasts are especially thankful for our listeners. Happy Thanksgiving, Listeners! Ever since Spency Domepiece and I covered Forbidden Planet (1956) back in episode 4, we've had quite a few people ask us to cover more classic Sci-Fi movies that everyone SHOULD know! So, in response to that, filmmaker Joe Lemieux will be joining me in a special sub-series here on Then Is Now, aptly titled Classic Sci-Fi Movies! In this episode, Joe and I discuss the 1953 epic, War of the Worlds from Producer George Pal! We had fun talking about the movie and had some great laughs while doing so! We've got a lot of fun stuff coming up on Then Is Now, including continuing our primer on getting young people into watching horror films, starting with the Universal Classics, as well as several interviews with guests that you'll love! As always, please leave us a great review at iTunes, Stitcher, Spotify, or wherever you download your podcasts, so others can find the show! Visit our website havenpodcasts.com for other fun stuff including our sister show, The East Meets the West, in which we discuss Shaw Brothers movies and Spaghetti Westerns! If you would like to contact us directly about this show or any other, please email us at thenisnow42@gmail.com. Enjoy! Re-Gor

Mark Maddox joins Jim for a special Halloween Episode of the podcast, 1953's "War Of The Worlds," starring Gene Barry, Ann Robinson, Les Tremayne, Robert Cornwaite and Lewis Martin. This George Pal produced epic was one of the definitive sci-fi films of its time, featuring brilliant special effects and a contemporary take on the H.G. Wells classic. Join us as we wish everyone a Happy Halloween on this episode of "Monster Attack!"

*Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."* Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label *Imprint Films.* *Imprint Companion May 2020 Pt.1: THE WAR OF THE WORLDS, SORRY WRONG NUMBER, I MARRIED A MONSTER FROM OUTER SPACE* This episode we're talking Imprint 1 - "The War of the Worlds" (1953), Imprint 2 - "Sorry Wrong Number" (1948) and Imprint 3 - "I Married a Monster from Outer Space" (1958). *Blake Howard -* Twitter ( https://twitter.com/OneBlakeMinute ) & One Heat Minute Website ( https://oneheatminute.com/ ) *Alexei Toliopoulos -* Twitter ( https://twitter.com/ThisisAlexei ) & Total Reboot ( http://sanspantsradio.com/total-reboot ) ------------------------------------------- Imprint No 1 - THE WAR OF THE WORLDS (1953) ------------------------------------------- RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RATING: M RUNTIME (IN MINUTES): 125 THE MOST SAVAGE SPECTACLE OF ALL TIME H.G Wells' chilling novel of a Martian invasion of Earth becomes even more frightening in the 1953 film adaptation widely regarded as one of the greatest sci-fi movies of all time. *Special Features and Technical Specs:* * NEW 4K restoration from the original camera negative * NEW Audio commentary by film critics Barry Forshaw & Kim Newman * NEW remastered Dolby 5.1 surround remix * Audio commentary by actor Gene Barry and actress Ann Robinson * Audio commentary by "fans" Joe Dante, Bob Burns and Bill Warren * Original English Dolby Digital 2.0 Mono * "The Sky is Falling: Making "War of the Worlds" documentary * "H.G. Wells: The Father of Science Fiction" featurette * "The Mercury Theater on the Air Presents: The War of the Worlds Radio Broadcast" (with stills of Orson Welles) * Theatrical trailer ---------------------------------------- Imprint No 2 - SORRY WRONG NUMBER (1948) ---------------------------------------- RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RUNTIME (IN MINUTES): 128 While on the telephone, an invalid woman overhears what she thinks is a murder plot and attempts to prevent it. Starring Barbara Stanwyck & Burt Lancaster *Special Features and Technical Specs:* * 1080p presentation of the film on Blu-ray * NEW Audio commentary by noir expert and Film Noir Foundation board member Alan K. Rode * Eddie Muller Introduction (Previously Unreleased) * Hold The Phone: The Making Of "Sorry Wrong Number" (Previously Unreleased) * "Sorry Wrong Number" Radio Play * Theatrical Trailer ---------------------------------------------------------- Imprint No 3 - I MARRIED A MONSTER FROM OUTER SPACE (1958) ---------------------------------------------------------- RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RUNTIME (IN MINUTES): 117 I Married A Monster From Outer Space tells the story of a race of monster-like aliens from another planet who try to conquer Earth by taking over a small town, inhabiting the bodies of prominent citizens and trying to impregnate the women. *Special Features and Technical Specs:* * 1080p presentation of the film on Blu-ray * NEW Audio commentary by film critics Barry Forshaw & Kim Newman * LPCM 2.0 audio options * Optional English subtitles * Theatrical Trailer Support this podcast at — https://redcircle.com/one-heat-minute-productions/donations Advertising Inquiries: https://redcircle.com/brands

*Imprint Companion is the only podcast on the Australian Internet about "DVD Culture."* Hang onto your slipcases because Alexei Toliopoulos (Finding Drago, Total Reboot) and Blake Howard (One Heat Minute) team up to unbox, unpack and unveil upcoming releases from Australia's brand new boutique Blu-Ray label *Imprint Films.* This episode we're talking Imprint 1 - "The War of the Worlds" (1953), Imprint 2 - "Sorry Wrong Number" (1948) and Imprint 3 - "I Married a Monster from Outer Space" (1958). *Blake Howard -* Twitter ( https://twitter.com/OneBlakeMinute ) & One Heat Minute Website ( https://oneheatminute.com/ ) *Alexei Toliopoulos -* Twitter ( https://twitter.com/ThisisAlexei ) & Total Reboot ( http://sanspantsradio.com/total-reboot ) ******************************************* Imprint No 1 - THE WAR OF THE WORLDS (1953) ******************************************* RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RATING: M RUNTIME (IN MINUTES): 125 THE MOST SAVAGE SPECTACLE OF ALL TIME H.G Wells' chilling novel of a Martian invasion of Earth becomes even more frightening in the 1953 film adaptation widely regarded as one of the greatest sci-fi movies of all time. *Special Features and Technical Specs:* * NEW 4K restoration from the original camera negative * NEW Audio commentary by film critics Barry Forshaw & Kim Newman * NEW remastered Dolby 5.1 surround remix * Audio commentary by actor Gene Barry and actress Ann Robinson * Audio commentary by "fans" Joe Dante, Bob Burns and Bill Warren * Original English Dolby Digital 2.0 Mono * "The Sky is Falling: Making "War of the Worlds" documentary * "H.G. Wells: The Father of Science Fiction" featurette * "The Mercury Theater on the Air Presents: The War of the Worlds Radio Broadcast" (with stills of Orson Welles) * Theatrical trailer **************************************** Imprint No 2 - SORRY WRONG NUMBER (1948) **************************************** RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RUNTIME (IN MINUTES): 128 While on the telephone, an invalid woman overhears what she thinks is a murder plot and attempts to prevent it. Starring Barbara Stanwyck & Burt Lancaster *Special Features and Technical Specs:* * 1080p presentation of the film on Blu-ray * NEW Audio commentary by noir expert and Film Noir Foundation board member Alan K. Rode * Eddie Muller Introduction (Previously Unreleased) * Hold The Phone: The Making Of "Sorry Wrong Number" (Previously Unreleased) * "Sorry Wrong Number" Radio Play * Theatrical Trailer ********************************************************** Imprint No 3 - I MARRIED A MONSTER FROM OUTER SPACE (1958) ********************************************************** RELEASE DATE: May 27th, 2020 NUMBER OF DISCS: 1 RUNTIME (IN MINUTES): 117 I Married A Monster From Outer Space tells the story of a race of monster-like aliens from another planet who try to conquer Earth by taking over a small town, inhabiting the bodies of prominent citizens and trying to impregnate the women. *Special Features and Technical Specs:* * 1080p presentation of the film on Blu-ray * NEW Audio commentary by film critics Barry Forshaw & Kim Newman * LPCM 2.0 audio options * Optional English subtitles * Theatrical Trailer The August Bundle Pack contains pre-order titles and will be dispatched in the week leading up to its August 26th release date. Visit imprintfilms.com.au

En esta ocasión charlamos sobre la película "La guerra de los mundos" de 1953 de Byron Haskin, basada en la novela de H. G. Wells y protagonizada por Gene Barry, Ann Robinson, Les Tremayne, Henry Brandon, Robert Cornthwaite, Jack Kruschen, Sandro Giglio, Lewis Martin, Houseley Stevenson Jr., William Phipps, Cedric Hardwicke... Con la participación de: Rick Deckard - @UniversoLumiere Cristian Martínez - @crmahe Ramón Orts - @ramon_orts Francisco G. Rodriguez - @FranesfranCine Nos puedes escuchar en iVoox https://www.ivoox.com/podcast-cine-mas-cine_sq_f1770779_1.html Spotify https://open.spotify.com/show/2ApuRUPSB8eavyQ7CBuXQN Google Podcasts https://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuaXZvb3guY29tL3BvZGNhc3QtY2luZS1tYXMtY2luZV9mZ19mMTc3MDc3OV9maWx0cm9fMS54bWw y Apple Podcasts https://podcasts.apple.com/es/podcast/cine-más-cine/id1481721006 y nos puedes seguir en Twitter @mascine_podcast y en nuestra web diletantes.es

En esta ocasión charlamos sobre la película "La guerra de los mundos" de 1953 de Byron Haskin, basada en la novela de H. G. Wells y protagonizada por Gene Barry, Ann Robinson, Les Tremayne, Henry Brandon, Robert Cornthwaite, Jack Kruschen, Sandro Giglio, Lewis Martin, Houseley Stevenson Jr., William Phipps, Cedric Hardwicke... Con la participación de: Rick Deckard - @UniversoLumiere Cristian Martínez - @crmahe Ramón Orts - @ramon_orts Francisco G. Rodriguez - @FranesfranCine Nos puedes escuchar en iVoox https://www.ivoox.com/podcast-cine-mas-cine_sq_f1770779_1.html Spotify https://open.spotify.com/show/2ApuRUPSB8eavyQ7CBuXQN Google Podcasts https://podcasts.google.com/?feed=aHR0cHM6Ly93d3cuaXZvb3guY29tL3BvZGNhc3QtY2luZS1tYXMtY2luZV9mZ19mMTc3MDc3OV9maWx0cm9fMS54bWw y Apple Podcasts https://podcasts.apple.com/es/podcast/cine-más-cine/id1481721006 y nos puedes seguir en Twitter @mascine_podcast y en nuestra web diletantes.es

In this episode of the science fiction podcast 'The ACE: Atomic Cinema Experiment,' we discuss the original War of the Worlds. The film is Directed by Byron Haskin and stars Gene Barry, Ann Robinson & Les Tremayne. Plus the bonus Mystery Science Theater 3000 section is back with 'Revenge of the Creature' at 59:01 patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/Mild_Fuzz facebook: https://www.facebook.com/mildfuzznetwork Email: mftvquestions@gmail.com Audio version: https://the-ace-atomic-cinema-experime.pinecast.co UK Merch store: https://shop.spreadshirt.co.uk/mild-fuzz-tv/ US Merch store: https://shop.spreadshirt.com/mild-fuzz-tv-us SciFiPodcast #SciFi #ScienceFiction

Jim reflects on a classic sci-fi film that made quite an impression on him as a kid - 1957's "The 27th Day," starring Gene Barry, Valerie French, Arnold Moss, George Voskovec and Stefan Schnabel. Five people are abducted by an alien and given a weapon that could either save or destroy the world. When the rest of the planet discovers their identity, it is a race to the finish to keep the world safe. Will mankind survive? Find out on this episode of "Monster Attack!"

País Estados Unidos Dirección Steven Spielberg Guion David Koepp, Josh Friedman (Novela: H.G. Wells) Música John Williams Fotografía Janusz Kaminski Reparto Tom Cruise, Dakota Fanning, Justin Chatwin, Tim Robbins, Miranda Otto, David Harbour, Ty Simpkins, Rick Gonzalez, Yul Vazquez, Lenny Venito, Lisa Ann Walter, Ann Robinson, Gene Barry, David Alan Basche, Camillia Monet, Marlon Young, Maggie Lacey Sinopsis Adaptación de la novela homónima de H.G. Wells. La invasión de la Tierra por los marcianos y la terrible batalla que tiene que librar la humanidad para sobrevivir se centra en una familia americana. Ray Ferrier (Tom Cruise) es un estibador divorciado y un padre nada modélico. Estando sus hijos de visita en su casa, estalla una tremenda e inesperada tormenta eléctrica. Unos momentos después, Ray es testigo de un acontecimiento extraordinario que cambiará su vida y la de los suyos para siempre: una enorme máquina de tres patas emerge del suelo y lo arrasa todo.

In this installment, Al Sjoerdsma examines "Salvage," the first of the "retribution" stories but without the "retribution" closing narration as Gene Barry returns as a vengeful criminal three episodes after playing a cowboy.

Welcome to It's A Wonderful Podcast!! This week, we're delving into 1950s sci-fi movies for the first time on the show and talking the 1953 adaptation of H.G Wells' novel, THE WAR OF THE WORLDS, starring Gene Barry and Ann Robinson!!   IT'S A WONDERFUL PODCAST MERCH: https://www.teepublic.com/user/g9design   Find the show now on PodBean, Apple Podcasts, Stitcher & YouTube and be sure to rate, review and SHARE AROUND!!    Keep up with us on Twitter: Podcast: https://twitter.com/ItsAWonderful1 Nolan: https://twitter.com/nolandean27 Morgan: https://twitter.com/Th3PurpleDon   Keep being wonderful!! --- Send in a voice message: https://anchor.fm/itsawonderfulpodcast/message Support this podcast: https://anchor.fm/itsawonderfulpodcast/support

Chapter 1 of the History and Legacy of “Mystery Science Theater 3000”. Witness the birth of MST3K! Discover the secret influences of Elton John, Charlton Heston, Gene Barry and The Jim Carroll Band! Ponder, just for a moment, “Blood Hook”! Additional Exclamation Points!! (A production note: both Chapters 1 & 2 were recorded with a cheap-ass microphone. The quality is much better from Chapter 3 forward. I apologize in advance.)Keep the show alive today, get early episodes and hours of exclusive content for only $5: https://www.patreon.com/coolnesschroniclesThe 2020 Journals: https://ryanscoolnesschronicles.tumblr.comhttps://itunes.apple.com/us/podcast/the-coolness-chronicles/id1431611476https://www.stitcher.com/podcast/the-coolness-chronicles?refid=stprhttps://open.spotify.com/show/0sONU9Bdsq35PwO8mE3jVThttp://www.buzzsprout.com/200242Twitter: @coolnesspodryan, Facebook: https://www.facebook.com/coolnesspodryan Theme Music by: Bildschirm (bildschirm.bandcamp.com) The clips featured in this podcast were for critical review and parody, which are protected under the Fair Use laws of the United States Copyright Act of 1976. All rights are reserved and acknowledged.Support the show (https://www.patreon.com/coolnesschronicles)

Steve and Sean turn the dial on the Wayback Machine to 1968 and the premiere of Prescription: Murder (1968), starring Gene Barry as an adulterous psychiatrist who bumps off his wife with the help of his mistress.  Is this episode up to FDA standards?  Or is as toxic as diet pills?  Listen in and find out! Have a comment or question for the hosts?  Email Steve and Sean at columboconfab@gmail.com or follow us on Twitter via @columboconfab.

They've quietly laid their plans to take this world from us. An alien force from the stars sets its sights on taking the Earth for their own purposes. But first they must eliminate the native species who may resist. That species is us! H.G. Wells 1897 science-fiction classic The War of the Worlds has been adapted countless time for its thought provoking and chilling themes. Orson Welles Mercury Theatre radio program terrified a nation on October 30th, 1938 convincing a nation that a very real invasion was occurring. War of the Worlds would finally be brought to the screen for the first time in 1958 by famed producer George Pal and director Byron Haskins with stars Gene Barry and Ann Robinson. Several adaptions would be made over the years (sorry we can't cover them all) but none bigger than Steven Spielberg's survivor's of the invasion version from 2005 starring Tom Cruise, Dakota Fanning, Tim Robbins and Justin Chatwin. Join us as we compare these two amazing films! We here at Invasion of the Remake may have a soft spot for aliens, but this week we stand with Earth, as we are on the front lines of the War of the Worlds! Support independent podcasts like ours by telling your friends and family how to find us at places like Apple Podcasts, iTunes, Google Play Music, Stitcher, PlayerFM, Tune In Radio, Audioboom, BluBrry, Libsyn, YouTube, Spreaker and all the best podcast providers. Spread the love! Like, share and subscribe! You can also help out the show with a positive review and a 5-star rating over on iTunes. We want to hear from you and your opinions will help shape the future of the show. Your ratings and reviews also help others find the show. Their "earballs" will thank you. Follow us on Twitter: @InvasionRemake Like and share us on Facebook & Instagram: Invasion of the Remake Email us your questions, suggestions, corrections, challenges and comments: invasionoftheremake@gmail.com

In this week's episode Ken welcomes comedian Paula Poundstone to the show. Ken and Paula discuss the 60s Batman and it's death traps, Liberace, TMZ, Jennifer Aniston's possible pregnancies, America's desire to see celebrities fail, idolizing the wrong people, how actors are able to continue to work with bad material, awards shows, Roasts, Alex Trebek's hidden humor, Betty White's unauthorized backstory, Lost in Space, The Twilight Zone, Billy Mumy, banning television for children, going through life without an immunity to advertising, programming your children's tastes, The Three Stooges, experiencing comedy as a collective experience, technical failures increasing comedy, cartoon adaptations of live action sitcoms, Wacky Races, Boston's WSBK TV38 and it's phenomenal afternoon line up, the sanctity of a girl's underwear drawer,  Gilligan's Island, taking credit for Sherwood Schwartz's work, re-enacting the story of Reese's Peanut Butter Cups for the stage, OCD leading to marathoning shows, M.A.S.H., forsaking food for bus station TV watching, The Harvard Square Movie Theater's Double Feature education, Animal House, running into Donald Sutherland, being babysat by television, Romper Room, Captain Kangaroo, Child World: the World's Greatest Toy Store, I Love Lucy, Mr. Rogers, Mary Tyler Moore, Lily Tomlin,  The Dick Van Dyke Show, the cold harsh truth about taking care of 16 cats, Laugh In, The Smothers Brothers, getting away with the nipple, Love American Style, Carol Burnett, doing stand up on SNL, waiting for one or two good laughs on a sketch show, the loss of the 90 minute format TV show, Gene Barry in The Name of the Game, the world shattering depression that you get when your favorite series ends, forsaking prime time television, being hooked by The Mentalist, Boardwalk Empire, checking out of pop culture, being a contestant on Jeopardy, Angie Dickinson's unrealistic expectations of Alex Trebek, Cybill Shepherd, taking classes at the Groundlings, Paula's ABC Variety Show, The Malibu Fires, Joel Hodgson's Oreo cookie based ratings calculator, the Saturday Night death slot, letting shows have time to figure it out, CNN, the enraging ridiculousness of the 24-Hour News Cycle, and how technology is making us dumber. 

The 27 Most Terrifying Days in History! This week in the B-movie clubhouse Juan from the Creepy Swamps will join us as we talk about a cold war sci-fi thriller from 1957 called The 27th Day starring Gene Barry and Valerie French. Plus we have some great feedback. Toll Free Number 888-350-2570 Joe’s KickStarter Pick […]

(NSFW!)   Dan O'Bannon, dead? Brittany Murphy dead? Gene Barry, Roy Disney…but still no Lindsay?!  Something, Something, Dark Side. X-Men First Class. Holiday timeTV viewing. Myth Busters GORN CANNON! Eddie Izzard in Day of the Triffids! Kerry hates the gay?! Kerry did not know that! Brandons Big Gay blog hates the Elderly! We are only Media … Continue reading "0083 – The Adventures of Yamulke Johnson"

(NSFW!)   Dan O'Bannon, dead? Brittany Murphy dead? Gene Barry, Roy Disney…but still no Lindsay?!  Something, Something, Dark Side. X-Men First Class. Holiday timeTV viewing. Myth Busters GORN CANNON! Eddie Izzard in Day of the Triffids! Kerry hates the gay?! Kerry did not know that! Brandons Big Gay blog hates the Elderly! We are only Media … Continue reading "0083 – The Adventures of Yamulke Johnson"