Podcast appearances and mentions of georgia mcbride

On this episode, I spoke to writer and co-director Kelly O'Sullivan, co-director Alex Thompson, and lead actor Keith Kupferer about their work on Ghostlight.  Another reminder for all movie lovers! Win a gift card to your favorite local cinema! Subscribe to Silver Screen Social on iTunes or Spotify, leave a rating/review, and DM us a screenshot on Instagram @jacksonvickery or @silverscreensocialpod for your chance to win!  A bit about the three… KELLY O'SULLIVAN (Writer and Co-Director): Kelly O'Sullivan is a writer, director and actor. She wrote and starred in SAINT FRANCES which premiered at SXSW and won a Special Jury Prize for "Breakthrough Voice" and the Audience Award for Narrative Feature. SAINT FRANCES, released by Oscilloscope Laboratories, is one of the most acclaimed independent films of 2020. Kelly received a Gotham Award nomination for Breakthrough Actor, a John Cassavetes nomination from the Independent Spirit Awards and was also named one of Filmmaker Magazine's "25 New Faces of Independent Film."  Kelly was recently seen in Cooper Raiff's acclaimed 2022 film CHA CHA REAL SMOOTH, and will next be seen in the independent films HANGDOG, directed by Matt Cascella and THE GRADUATES by Hannah Peterson. On the small screen Kelly has appeared in two seasons of "Sirens" as well as Hulu's "Battleground" and FOX's "The Mob Doctor." Her theater credits include THE SEAGULL at The Goodman and seven productions at the Steppenwolf including THE CRUCIBLE. Kelly recently made her debut behind the camera with the short film "My Summer Vacation." ALEX THOMPSON (Co-Director) Alex Thompson is a writer, director and producer based in Chicago. His debut feature, SAINT FRANCES, premiered at the '19 SXSW Film Festival and won the Grand Jury prize for "Breakthrough Voice" and the Audience Award. KEITH KUPFERER (Dan) Keith Kupferer's more recent stage credits include West Side Story (Lyric Opera) The Seagull and The Great Leap at Steppenwolf Theatre; The Cake, Cal in Camo (Jeff Award for Supporting Actor), American Wee-Pie, and 26 Miles at Rivendell Theatre Ensemble where he is a founding member; Sweat, Support Group for Men (Jeff nomination for Ensemble), God of Carnage, Passion Play, High Holidays at The Goodman Theater; Murder on the Orient Express at Drury Lane; The Mystery of Love and Sex (Jeff Nomination for Supporting Actor), and Death of a Streetcar Named Virginia Wolf at Writer's Theatre; The Qualms, Good People, and Middletown, Of Mice & Men also at Steppenwolf Theatre; the world premiere of The Humans at American Theatre Company; Hillary and Clinton, Never the Sinner, and Appropriate at Victory Gardens; Gypsy at Chicago Shakespeare Theater; The Legend of Georgia McBride at Northlight Theatre; Big Lake, Big City and Trust for Lookingglass Theatre. Film credits include Emperor of Ocean Park (currently filming); Ghostlight; Widows; Monuments; The Dilemma; Dark Knight; Public Enemies; The Express; Stranger Than Fiction; Road to Perdition; Finding Santa; Fred Klaus; The Last Rights of Joe May; and The Merry Gentleman directed by Michael Keaton. TV credits include Southside, The Big Leap, 61st Street, The Chi; Proven Innocent; Better Call Saul; Empire; Chicago P.D.; Betrayal; Crisis; Chicago Fire; and Detroit 187.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues  ​ Bookwaves Jan Morris (1926-2020) Jan Morris was a noted travel writer and historian, and a leading figure in the trans world. As James Morris, she accompanied Edmund Hillary on the first expedition to the summit of Mount Everest. Before and after her transition in 1964 to the time of her death, Jan Morris had published 18 travel books, six history books including a three volume history of the British Empire, eight memoirs including the best-selling Conundrum, two novels and twelve collections of essays. These interviews were originally aired together on November 25, 2021.   An interview recorded while Jan Morris was attending a conference in San Francisco, August 20, 1999. Richard Wolinsky and Richard A. Lupoff discuss her career, her feelings toward writing, the United States and other topics. Jan Morris's book, Lincoln: A foreigner's quest, discussed in the interview, was published in 2001. Complete 38-minute podcast.     An interview recorded during the book tour for “Trieste and the Meaning of Nowhere,” recorded November 16, 2001 in the KPFA studios. In this interview Jan Morris talks about the meaning of Trieste in her life, delves deeply into what she sees as the future of humankind over the following decades, and pretty much nails where we are today in 2021. True to her word in the interview, “Trieste and the Meaning of Nowhere” was the last full-length book Jan Morris would write. Collections of new and old essays were published in 2004 and 2010, an illustrated essay on the Battleship Yamoto in 2018, and two volumes of late in life diaries were published, the first in 2018, “In My Mind's Eye,” and posthumously in 2021, “Thinking Again.” Complete 40-minute podcast.   Review of “1984” at Aurora Theatre through December 10, 2023.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Felonious Mixtape runs Nov. 30-Dec. 2 and Dec. 7-9. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Bulrusher by Eisa Davis, October 27 – December 3, 2023, Peets Theatre. Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose:  How the Grinch Stole Christmas, November 28 – December 3. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works  See website for 2024 season. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Home for the Holidays, Dec. 8-10; 15-17. Fundraiser with Lamont Ridgell and Anita Veramontes. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Upcoming shows to be announced. Cutting Ball Theatre. See website for upcoming productions. 42nd Street Moon. Falsettos, February 29 – March 17, 2024. Golden Thread  Upcoming season to be announced. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Saint John Coltrane Church service, Sundays 11 am. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Ruthless, December 1 – January 7. Oakland Theater Project.  Cost of Living by Martyna Majek, March 1-24. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Guys and Dolls,  November 16 – January 13. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. October 28 – December 30. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. The 25th Annual Putnam County Spelling Bee, November 29 – December 24,  Lucie Stern Theatre, Palo Alto. Word for Word.  See website for upcoming productions. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     y. The post Bookwaves/Artwaves – November 23, 2023: Jan Morris (1926-2020) appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues  ​ Bookwaves Tim O'Brien, whose latest novel, a contemporary satire, is “America Fantastica,” in conversation with host Richard Wolinsky, recorded at Book Passage on November 6, 2023. The author of ten previous novels, winner of the National Book Award in 1978 for Going After Cacciato, and acclaimed for his linked collection of stories about the Vietnam War, The Things They Carried, Tim O'Brien took a 20-year break from writing to help raise his late-in-life children. He returned with a non-fiction book about those years, Dad's Maybe Years, and has now come out with a satirical novel, America Fantastica. This new book, written before and during the Covid pandemic, focuses on the nature of lying, and how America has fallen into a pandemic of lying. A satire set in California, Texas and Minnesota, and focuses on a former journalist who made a career of lying, and on other assorted liars. In the interview, Tim O'Brien discusses this new book, and also discusses his feelings about war, about Vietnam, and about being a writer.   Review of “Hedwig and the Angry Inch” at Shotgun Players Ashby Stage through December 30, 2023.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Felonious Mixtape runs Nov. 30-Dec. 2 and Dec. 7-9. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Bulrusher by Eisa Davis, October 27 – December 3, 2023, Peets Theatre. Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose:  How the Grinch Stole Christmas, November 28 – December 3. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 19. Extended. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Home for the Holidays, Dec. 8-10; 15-17. Fundraiser with Lamont Ridgell and Anita Veramontes. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Upcoming shows to be announced. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 19, extended, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  Upcoming season to be announced. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Saint John Coltrane Church service, Sundays 11 am. Mother/Tongues, based on Sam Shepard and Joseph Chaikin's experimental play, Tongues. November 18, one night only. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Ruthless, December 1 – January 7. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Guys and Dolls,  November 16 – January 13. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. October 28 – December 30. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. The 25th Annual Putnam County Spelling Bee, November 29 – December 24,  Lucie Stern Theatre, Palo Alto. Word for Word.  Big Bang, A Celestial Celebration, November 16 benefit for Z Space and Word for Word, 6 pm – 11 pm. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     y. The post Bookwaves/Artwaves – November 16, 2023: Tim O'Brien appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves ​​​​​Kazuo Ishiguro, in conversation with host Richard Wolinsky, recorded October 6, 2000 while he was on tour for his novel “When We Were Orphans.” The winner of the 2017 Nobel Prize in Literature, Sir Kazuo Ishiguro is recognized today as one of the world's leading authors. Nominated four times, he won the Booker Prize in 1989 for The Remains of the Day, and was most recently nominated for an Academy Award for his screenplay for the 2022 film “Living.” In this interview, he discusses his most recent book at that time, When We Were Orphans, and talks about how he became a writer and the relationship of his Japanese heritage to his life in Great Britain, where he's lived since he was six years old. His most recent novel, a parable, is titled Klara and the Sun, and was published in 2021. This interview was digitized, remastered and edited in November 2023 and has never been heard in its entirety. Along with Living, which can be seen on Netflix, Kazuo Ishiguro has written screenplays for The Saddest Music in the World, now on AMC plus. An Adaptation of Never Let Me Go can be found on Starz, and one of An Artist of the Floating World is on Amazon Prime. Both The White Countess, for which he wrote the screenplay, and his adaptation of the Remains of the Day can be rented on various apps. Complete 43-minute interview. Photo: Sara Danius   Bookwaves Mick Herron discusses his latest novel, “The Secret Hours,” and the Slough House series of of spy novels and stories with host Richard Wolinsky. Second of two parts. Mick Herron has written eight books in the Slough House series of novels about a tiny corner of MI5 for rejects and misfits, people who have screwed up but not been fired. They are known collectively as “Slow Horses,” which is the title of the television series starring Gary Oldman as their boss, Jackson Lamb. “The Secret Hours” is located in the same world as the series, but serves as a stand-alone novel about an inquiry into MI5's past, set up by a conservative government out to rein in the Secret Service. In the interview, Mick Herron discusses the origins of the book and of the Slough House series, as well as his career as a writer, and his writing process. Recorded via Zencastr September 22, 2023. Complete Interview.   Review of “Bulrusher” at Berkeley Rep Peets Theatre through December 3, 2023.     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Felonious Mixtape runs Nov. 30-Dec. 2 and Dec. 7-9. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Bulrusher by Eisa Davis, October 27 – December 3, 2023, Peets Theatre. Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Spiderman: Into the Spiderverse, Live in Concert November 13; How the Grinch Stole Christmas, November 28 – December 3. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Upcoming shows to be announced. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, Streaming through November 12. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Saint John Coltrane Church service, Sundays 11 am. Mother/Tongues, based on Sam Shepard and Joseph Chaikin's experimental play, Tongues. November 18, one night only. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Ruthless, December 1 – January 7. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: Everybody's Talking About Jamie, June 1 – 23, 2024. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Guys and Dolls,  November 16 – January 13. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. October 28 – December 17. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. The 25th Annual Putnam County Spelling Bee, November 29 – December 24,  Lucie Stern Theatre, Palo Alto. Word for Word.  Citizen by Greg Sarris, October 18 – November 12, Z Below. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – November 9, 2023: Kazuo Ishiguro – Mick Herron appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Ben Fountain, whose latest novel is “Devil Makes Three,” in conversation with Richard Wolinsky, recorded at Book Passage Bookstore in Corte Madera. Ben Fountain is the author of one previous novel, “Billy Lynn's Long Halftime Walk,” which won the  National Book Critics Circle Award and was a finalist for the National Book Award in 2012. His non-fiction book about the 2016 election, “Beautiful Country, Burn Again” was published in 2018. His earlier short stories were collected in “Brief Encounters with Che Guevara,” which won the PEN/Hemingway Award in 2007/ “Devil Makes Three” is a long dense novel set in Haiti in 1992, beginning with the coup that toppled the democratically elected government of Jean-Bertrand Aristide, and features four main characters: a young CIA agent on her first assignment, an American everyman who runs a dive shop, and a brother and sister from a wealthy family. The young American becomes a favorite of the leader of the coup, who is a scuba fanatic, and the story goes from there. Complete 59-minute Interview     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Felonious Mixtape runs Nov. 30-Dec. 2 and Dec. 7-9. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Bulrusher by Eisa Davis, October 27 – December 3, 2023, Peets Theatre. Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. See website for upcoming shows. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Ain't Too Proud, October 31 – November 5. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Upcoming shows to be announced. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Saint John Coltrane Church service, Sundays 11 am. Mother/Tongues, based on Sam Shepard and Joseph Chaikin's experimental play, Tongues. November 18, one night only. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Fall Benefit November 5, 2023. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: The Rocky Horror Show, Oasis Nightclub, October 6  – November 4. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Nollywood Dreams by Jocelyn Bioh, September 28 – November 4, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. October 28 – December 17. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. The 25th Annual Putnam County Spelling Bee, November 29 – December 24,  Lucie Stern Theatre, Palo Alto. Word for Word.  Citizen by Greg Sarris, October 18 – November 12, Z Below. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – November 2, 2023: Ben Fountain appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Mick Herron discusses his latest novel, “The Secret Hours,” and the Slough House series of of spy novels and stories with host Richard Wolinsky. Mick Herron has written eight books in the Slough House series of novels about a tiny corner of MI5 for rejects and misfits, people who have screwed up but not been fired. They are known collectively as “Slow Horses,” which is the title of the television series starring Gary Oldman as their boss, Jackson Lamb. “The Secret Hours” is located in the same world as the series, but serves as a stand-alone novel about an inquiry into MI5's past, set up by a conservative government out to rein in the Secret Service. In the interview, Mick Herron discusses the origins of the book and of the Slough House series, as well as his career as a writer, and his writing process. Recorded via Zencastr September 22, 2023. Complete 47-minute Radio Wolinsky podcast.   Bookwaves Vauhini Vara, author of the novel,  “The Immortal King Rao,” in conversation with host Richard Wolinsky. Recorded via zencastr September 8, 2022. Vauhini Vara studied at the Iowa Writers Workshop, worked as tech reporter at The Wall Street Journal and wrote for the business section of The New Yorker. She is a contributing writer at Wired. Her upcoming collection of short stories, This is Salvaged, will be published in 2023. The Immortal King Rao tells two stories, that of a fictional tech billionaire who grew up in humble beginnings in the 1950s in southern India and eventually came to the United States, and during the novel flashes forward a hundred years to a dystopia in which algorithms determine the success or failure of any individual. Vauhini Vara webpage. Complete 45-minute Interview     Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. K Ming Chang, October 26, 7 pm. Hammer Theater. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  All Hallows Gala, October 27, August Hall. A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep Bulrusher by Eisa Davis, October 27 – December 3, 2023, Peets Theatre. Harry Clarke by David Cale, featuring Billy Crudup, Roda Theatre, November 15 – December 23, 2023. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. All Hallows Eve, October 26-28. At the Speakeasy. See website for details. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Ain't Too Proud, October 31 – November 5. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Tiny Fires by Aimee Suzara, October 19-29. CounterPulse, 80 Turk Street, San Francisco. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Saint John Coltrane Church service, Sundays 11 am. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Nollywood Dreams by Jocelyn Bioh, September 28 – November 4, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. Performances start October 28. South Bay Musical Theatre: A Little Night Music, January 27 – February 17, 2024. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Mrs. Christie by Heidi Armbruster, October 4 -29, Mountain View Center for the Performing Arts. Word for Word.  Citizen by Greg Sarris, October 18 – November 12, Z Below. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – October 26, 2023: Mick Herron – Vauhini Vara appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves John Scalzi, noted science fiction/fantasy author, in conversation with host Richard Wolinsky, during the promotion period for his latest novel, “Starter Villain.” . John Scalzi has written over thirty books, five of which are non-fiction, plus short stories, essays, chapbooks and audio books. His specialty is the comic science fiction/fantasy novel, often dealing with common tropes in films and television, figuring out how they would work in real life (Kaiju monsters, Star Trek red shirts, etc). His best known works include the Old Man's War series, and several of his stories have been nominated and won various awards. His latest novel, “Starter Villain,” looks at James Bond type supervillains and how they might operate in the real world. The book also serves as a satire on the egotism and hubris of the very rich. John Scalzi has also written for television, and several of his stories have been adopted for the “Love, Death and Robots” series on Netflix. He has raised money for Americans United for the Separation of Church and State and has been a strong supporter of feminist causes. Complete 65-minute Interview. John Scalzi's blog, “Whatever'   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  All Hallows Gala, October 27, August Hall. A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Awesome Theatre Company. See website for upcoming productions. Berkeley Rep POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, by Selina Fillinger, September 16 – October 22, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. All Hallows Eve, October 26-28. At the Speakeasy. See website for details. Brava Theatre Center: See calendar for current and upcoming productions. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Les Miserables, October 17-22. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Tiny Fires by Aimee Suzara, October 19-29. CounterPulse, 80 Turk Street, San Francisco. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. Soulful Christmas, December 14-17, Magic Theatre. Magic Theatre. See website for events at the Magic. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  we are continuous by by Harrison David Rivers, October 20 – November 26. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Nollywood Dreams by Jocelyn Bioh, September 28 – November 4, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players.  Hedwig and the Angry Inch. Performances start October 28. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Mrs. Christie by Heidi Armbruster, October 4 -29, Mountain View Center for the Performing Arts. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – October 19, 2023: John Scalzi appeared first on KPFA.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Bookwaves Heather Cox Richardson discusses her latest book, “Democracy Awakening: Notes on the State of America,” with host Richard Wolinsky, recorded in Oakland October 4, 2023. A Professor of History at Boston College, Heather Cox Richardson began four years ago a daily newsletter on Facebook, “Letters from an American.” Today, that newsletter has become a must-read for anyone interested in how current history relates to the historical record. She is the author of “How the South Won the Civil War” and several other books, with her specialty being the history of the Republican Party in the 19th Century. “Democracy Awakening” is a look at how America's politics changed into the current crisis in democracy, what that crisis looks like, and using history as a guide, helps us understand where to go in the future. In this interview, Prof. Richardson discusses much of this, with side-journeys into the 19th Century and some current issues. Podcast version. Photos: Richard Wolinsky. Review of “Nollywood Dreams” at San Francisco Playhouse through November 4, 2023.   Book Interview/Events and Theatre Links Note: Shows may unexpectedly close early or be postponed due to actors' positive COVID tests. Check the venue for closures, ticket refunds, and vaccination and mask requirements before arrival. Dates are in-theater performances unless otherwise noted. Some venues operate Tuesday – Sunday; others Wednesday or Thursday through Sunday. All times Pacific Time. Closing dates are sometimes extended. Book Stores Bay Area Book Festival  Event calendar and links to previous events. Book Passage.  Monthly Calendar. Mix of on-line and in-store events. Books Inc.  Mix of on-line and in-store events. The Booksmith.  Monthly Event Calendar. Center for Literary Arts, San Jose. See website for Book Club guests in upcoming months. Green Apple Books. Events calendar. Kepler's Books  On-line Refresh the Page program listings. Live Theater Companies Actor's Reading Collective (ARC).  See website for past streams. Alter Theatre. See website for upcoming productions. American Conservatory Theatre  All Hallows Gala, October 27, August Hall. A Christmas Carol, December 6 -24, Toni Rembe Theater. Aurora Theatre  1984 by George Orwell, adapted by Michael Gene Sullivan, In Theater, November 10 – December 10, Streaming, December 5-10. Awesome Theatre Company. Lizard Women by Eteva Trinidad, through October 14. Phoenix Theater. Berkeley Rep POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive, by Selina Fillinger, September 16 – October 22, Roda Theatre. Berkeley Shakespeare Company. See website for upcoming productions. Boxcar Theatre. All Hallows Eve, October 26-28. At the Speakeasy. See website for details. Brava Theatre Center: See website for upcoming and current events. BroadwaySF: See website for assorted upcoming events in 2023. Disney's The Lion King, November 22 – December 30, Orpheum. Broadway San Jose: Les Miserables, October 17-22. California Shakespeare Theatre (Cal Shakes). See website for events. Center Rep: The Legend of Georgia McBride by Matthew Lopez, November 4 -26, Lesher Center for the Arts. Central Works The Engine of Our Disruption by Patricia Milton, October 14 – November 12. Cinnabar Theatre. The Addams Family, November 17-December 2. The Last Five Years, January 5-21, 2024, Club Fugazi. Dear San Francisco. Open-ended run. Contra Costa Civic Theatre ;Tintypes, October 20 – November 12. Curran Theater: See website for upcoming live events and streaming choices. Custom Made Theatre. Tiny Fires by Aimee Suzara, October 19-29. CounterPulse, 80 Turk Street, San Francisco. Cutting Ball Theatre. Rossum's Universal Robots by Karel Capek, adapted by Chris Steele, October 20 – November 12, Cutting Ball Theatre, 277 Taylor St., SF 42nd Street Moon. Mame, November 2 -19, 2023. Golden Thread  ReOrient Festival of Short Plays, October 13 – November 4, 2023. Lorraine Hansberry Theatre. See website for upcoming productions and events. Magic Theatre. See website for events at the Magic. The Travelers by Luis Alfaro, at Los Angeles Theater Center, thru October 15. Marin Theatre Company Dragon Lady written and performed by Sara Porkalob, November 24-December 17. Mission Cultural Center for Latino Arts Upcoming Events Page. New Conservatory Theatre Center (NCTC)  Before The Sword by Andrew Alty, September 15 – October 15. we are continuous by by Harrison David Rivers, October 20 – November 26. Oakland Theater Project.  See website for upcoming events. Pear Theater. In Repertory, November 17 – December 10: District Merchants by Aaron Posner; William Shakespeare's The Land of the Dead by John Heimbuch. PianoFight. Permanently closed as of March 18, 2023. Presidio Theatre. See website for schedule of events and performances. Ray of Light: The Rocky Horror Show, Oasis Nightclub, October 6  – 31. See website for Spotlight Cabaret Series at Feinstein's at the Nikko. San Francisco Playhouse. Nollywood Dreams by Jocelyn Bioh, September 28 – November 4, 2023. SFBATCO See website for upcoming streaming and in- theater shows. San Jose Stage Company: The Play That Goes Wrong. November 15 – December 10. Shotgun Players. Wolf Play by Hansol Jung, streaming through October 14. Hedwig and the Angry Inch. Performances start October 28. South Bay Musical Theatre: Rent, September 30 – October 21. The Breath Project. Streaming archive. The Marsh: Calendar listings for Berkeley, San Francisco and Marshstream. Theatre Rhino  Group Therapy by Tanika Baptiste, November 9 – December 3, Thursday thru Sunday. Streaming: Essential Services Project, conceived and performed by John Fisher, all weekly performances now available on demand, New performances most Wednesdays. TheatreWorks Silicon Valley. Mrs. Christie by Heidi Armbruster, October 4 -29, Mountain View Center for the Performing Arts. Word for Word.  See schedule for live and streamed performances and readings. Misc. Listings: BAM/PFA: On View calendar for BAM/PFA. Berkeley Symphony: See website for listings. Chamber Music San Francisco: Calendar, 2023 Season. Dance Mission Theatre. On stage events calendar. Oregon Shakespeare Festival: Calendar listings and upcoming shows. San Francisco Opera. Calendar listings. San Francisco Symphony. Calendar listings. Filmed Live Musicals: Searchable database of all filmed live musicals, podcast, blog. If you'd like to add your bookstore or theater venue to this list, please write Richard@kpfa.org                                     The post Bookwaves/Artwaves – October 12, 2023: Heather Cox Richardson appeared first on KPFA.

Matthew Lopez's play The Legend of Georgia McBride is a study in performance. It follows an Elvis impersonator who becomes a celebrated drag queen, and uses celebratory drag performance throughout to do so. Listen in as Jackson and Jacob talk about this romp of a play.  ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Our theme song is “Upbeat Soda Pop” by Purple Planet Music. Credit as follows: Music: http://www.purple-planet.com ------------------------------ Thanks so much for listening! We'll see you next week. ------------------------------ Please consider supporting us on Patreon. For as low as $1/month, you can help to ensure the No Script Podcast can continue.  https://www.patreon.com/noscriptpodcast  ----------------------------- We want to keep the conversation going! Have you read this play? Have you seen it? Comment and tell us your favorite themes, characters, plot points, etc. Did we get something wrong? Let us know. We'd love to hear from you. Find us on social media at:  Email: noscriptpodcast@gmail.com Facebook: https://www.facebook.com/No-Script-The-Podcast-1675491925872541/ Instagram: https://www.instagram.com/noscriptpodcast/ Twitter: https://twitter.com/noscriptpodcast/ ------------------------------ Thanks so much for listening! We'll see you next week.

Harrison Homer-Guy (First Black Grand Marshal Houston Pride) -- Stages LGBT plays -- Naughty poetry reading Aaron Coleman Aaron Coleman speaks with Harrison Homer-Guy about his life and two events he has coming up for Black Pride.  Guy was born in La Marque, Texas, in 1976. He has two sisters and two brothers, and his young mother's parents adopted and raised Guy and his older sister. “They were incredible parents,” Guy says. “I wouldn't change a thing.” Guy attended La Marque public schools from kindergarten through his senior year. “School, for me, was about creative things. I was involved in numerous performance activities—theater, choir, marching band,” he recalls. He played the trumpet and tuba in the band, and admits that he would love to join Houston's Pride Band. “But I'm so busy as it is.” Guest: Harrison Homer-Guyhttps://www.outsmartmagazine.com/2019/06/pride-houstons-2019-male-grand-marshal-harrison-guy/Deborah Moncrief Bell talks with Michael Greco, associate artistic director, about two plays taking place at Stages Theater.  The first is "The Legend of Georgia McBride", Casey is desperate to be the best Elvis impersonator, complete with his flashy sequin jumpsuit. But just like that, his audiences lose interest and his act is replaced by the new drag show in town. With rent overdue and a baby on the way, “The King” takes the plunge and transforms into an all-out queen with the help of his new friends who teach Casey what it's like to walk in someone else's heels. But how will he reveal his newfound love of drag to his wife? With snappy zingers and dance-worthy numbers, this wildly entertaining story challenges our perceptions of identity and classic gender roles with extraordinary humor and depth.The second play is "Drag Wonderettes". You know and love The Marvelous Wonderettes—now it's time for a new twist! Re-imagined as a high drag performance, you'll hear the same 50s and 60s songs like “Stupid Cupid,” “Lollipop,” and “It's My Party,” and get a whole new view of how friendship can be truly marvelous. These queens are bringing a whole new level of fabulous to the stage!Guest: Michael Grecohttps://stageshouston.comFinally we have some naughty poetry.  Aaron Coleman and Deborah Moncrief Bell read some selections.  Be sure to check out these poems.Guest: Aaron Colemanhttp://www.outsmartmagazine.com/2011/07/return-to-love/

La Obra que sale mal, Vedette, La leyenda de Georgia Mcbride, Güevos, Micheviche botanería.Edgar Estrada nos cuenta todo sobre el mundo del entretenimiento; espectáculos, cultura, cine, televisión, teatro y muchas recomendaciones a tu alcance. ¡Estamos "Del Tingo al Tango"! Una producción original de Audio Centro

Heart attack survivor, stroke survivor, and slaying it in heels 4 times a week as Lola in the Opera House Theatre Company production of KINKY BOOTS. Hear what Justin Allen Tate has to say about his health journey, putting in the work, and returning to the Land of Lola.About the GuestJustin Allen Tate ( Mr. Mid-South Pride 2020) returns to the Memphis stage after recently being named the 2019 Broadway World Regional Best Actor in a Musical for his performance of Lola in Kinky Boots at POTS. National Broadway Tour Credits include Smokey Joe's Cafe, Flashdance & Cirque Dreams. Favorite Regional Credits include Violet, The Legend of Georgia McBride, and Memphis the Musical. Justin has been a Lead Featured Vocalist for Royal Caribbean International and Holland America Line for five years. A Background Vocalist for Blake Shelton, Gene Simmons of KISS and K. Michelle. T.V. Appearances: Wedding at Graceland ( Hallmark ), The Deuce ( HBO), ELLEN (NBC) & Dick Clark's New Year's Rockin Eve, twice. He is a former four-year member of the USO Show Troupe, entertaining our military and their families around the world including tours in Hawaii & South Korea. He graduated from the American Musical & Dramatic Academy in New York City. And most of honored to serve as your King of Mid-South Pride 2020.LinksJustin's WebsiteOpera House Theatre CompanyHistoric Thalian Hall

The 17th century. The English Civil War. Whitehead, a man of letters, maker of lace, and self-described coward, is tasked with finding and arresting the colleague and rival alchemist who stole his master's papers. He enlists the aid of Cutler, a soldier who claims he can take them to a nearby alehouse, and two deserters, the wily Jacob and dull-minded Friend. Upon arriving at Cutler's destination – not the alehouse, but a wide open field strewn with hallucinogenic mushrooms, the group locates the alchemist, O'Neil. But instead of taking in his man, Whitehead, along with Jacob and Friend, find themselves O'Neil's prisoners. And as Whitehead becomes a literal tool in O'Neil's plot to seek out a deposit of gold in the field, this one-time familiar place quickly turns strange and otherworldly. Intro, Math Club, and Debate Society (spoiler-free) 0:00-20:20 Honor Roll and Detention (spoiler-heavy) 20:21-50:34 Superlatives (so. many. spoilers.) 50:35-1:05:17 Director Ben Wheatley Screenplay Amy Jump Featuring Julian Barratt, Peter Ferdinando, Richard Glover, Ryan Pope, Reece Shearsmith, Michael Smiley Bobby Frederick Tilley is a costume designer for theater, film, and TV. His theater credits include Be More Chill (Lyceum Theater, Broadway, Drama Desk nomination for Outstanding Costume Design, 2019 Theatre Fans Choice Award Best Costume Design); Bulldozer: The Legend of Robert Moses starring Constantine Maroulis; Hot Mess; The Legend of Georgia McBride; the World Premiere of Guards At The Taj (Henry Hewes Design Award nomination for Costume Design), The Loneliness Of The Long Distance Runner, and the World Premiere of Annie Baker's Body Awareness (Atlantic Theatre Company); Joe Iconis's Broadway Bounty Hunter starring Annie Golden; The Power of Duff (Geffen Playhouse); the World Premiere of Open House (Signature Theatre); the World Premiere of Stephen Karam's Sons of the Prophet (Roundabout); the World Premiere of All New People (2econd Stage); Thinner Than Water (LAByrinth Theater Company); the World Premiere of Annie Baker's The Aliens (Rattlestick); Nora and Delia Ephron's Love Loss and What I Wore (Westside Theater); and Lizzie Borden (The Living Theater, Drama Desk Award nomination for Outstanding Costume Design and Henry Hewes Design Award nomination for Costume Design). His costume designs for film and television include Hello, I Must Be Going, The Green, Four Lane Highway, Little Kings, Rubout, Robert Smigel's “TV Funhouse” for Comedy Central, “Manhattan Valley,” and “Once in a Lifetime.” With Laura Bauer, he worked on Woody Allen's Sweet and Lowdown, Peter Hedges' Pieces of April, Theresa Rebeck's Spinning Into Butter, and Tom Donaghy's Story of a Bad Boy. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar. Music from “A Field in England” by Jim Williams. “Baloo My Boy” performed by Richard Glover. For more information on this film, the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, scareupod.com. Please subscribe to this podcast via Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our Facebook group. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with the Broadway Icon, who discusses her new role in the new off-Broadway musical ‘BETWEEN THE LINES' at Second Stage which is running from now until Sunday, September 11. Julia also shares her experience bringing the legendary character of ‘Elphaba' to life in ‘WICKED' on tour and on Broadway, how instrumental the ‘WILD PARTY' original cast album was to the longevity of the show, and the importance of supporting your fellow Artist friends before closing out the episode with a fun round of ‘Wicked Trivia'! About BETWEEN THE LINES Don't miss this “whimsical and wonderful” new musical and the perfect summer theatrical escape for the entire family! BETWEEN THE LINES is an empowering and enchanting new musical for anyone who has ever sought to find their place in the world. An outsider in a new town and a new school, Delilah seeks comfort in the pages of her favorite book, where she feels heard and understood by the handsome Prince Oliver. But as the lines between fantasy and reality begin to blur in both extraordinary and astonishing ways, Delilah discovers how to find her place in the real world while keeping her dreams alive.  Produced by Daryl Roth (Kinky Boots, Indecent) and based on the novel by international bestselling author Jodi Picoult and Samantha van Leer, BETWEEN THE LINES stars Arielle Jacobs as Delilah, Jake David Smith as Prince Oliver, Vicki Lewis as Ms. Winx/Jessamyn Jacobs/Mrs. Brown/Kyrie, Hillary Fisher as Allie/Princess Seraphima, Will Burton as Frump/Ryan, Jerusha Cavazos as Janice/Marina, John Rapson as Dr. Ducharme/Rapskulio, Wren Rivera as Jules/Ondine, Sean Stack as Martin/Troll/Delivery Person, and Julia Murney as Grace/Queen Maureen. They are joined by understudies Heather Ayers, Dan Hoy, Martin Landry and Aubrey Matalon. Directed by two-time Tony Award nominee Jeff Calhoun (Newsies) and choreographed by Paul McGill (The Legend of Georgia McBride), BETWEEN THE LINES features a book by Timothy Allen McDonald (Jim Henson's Emmet Otter's Jug- Band Christmas) and music & lyrics by Elyssa Samsel & Kate Anderson (Apple TV+'s “Central Park”), in their New York theatre debuts. Tickets and more information are available here.  The episode opens with Samantha and Jason sharing a mic check where they throwback to the shocking ‘GREY'S ANATOMY' musical episode. The exclusive video can be found here on Broadway World and the audio only can be found on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps.  You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Please excuse any sound issues, Friends! We are still in a pandemic!! Info on Julia Murney:  "Between the Lines" Tickets here! TDF Discounted Tickets Today Tix Discount Follow Julia on Instagram  Follow Julia on Twitter  Mic Check Links: Survival Jobs Broadway World Video/Article "Chasing Cars" from "Grey's Anatomy" musical episode P!nk "Glitter in the Air" Trapeze Buffy the Vampire Slayer: "Once More With Feeling" Important Links: Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Check out Six Ways to Help the Buffalo Shooting Victims Check out Nine Ways to Be a Better Ally to Black People Register to VOTE here Where to Donate to Support Access to Abortions Right Now Info on Your Hosts:  Follow Samantha:  Instagram.   |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Broadway World Article on our Season 2 Launch Party Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.   If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!

It's time for another visit with Midday theater critic J. Wynn Rousuck, who joins us each week with her reviews of Maryland;s regional stage. Today she tells us about The Legend of Georgia McBride, playwright Matthew Lopez's quirky, tuneful 2014 comedy about show biz & social norms, now on stage at The Maryland Ensemble Theatre in Frederick, Maryland. Directed by MET's Associate Artistic Director, Julie Herber, the play features cast members Steve Cairns, Eric Jones, Ray Hatch, Michael Mattox, and Jeremy Myers. The Legend of Georgia McBride continues at The Maryland Ensemble Theatre in Frederick through June 12. Follow the links above for show details and ticketing information. See omnystudio.com/listener for privacy information.

Links:For more information on ARTS AXIS FLORIDA, visit: https://www.artsaxisfl.org/For more information on the Florida Studio Theatre, visit: visit: https://www.floridastudiotheatre.orgFor more information on “The Legend of Georgia McBride,” visit: https://www.floridastudiotheatre.org/legend-georgia-mcbride Social Media: ARTS AXIS FLORIDAInstagramFacebook Florida Studio TheatreInstagramFacebookTwitter

“I think there needs to be a new wave of producers who lead from the heart. Producing can be an artistic, beautiful process if you choose to make it that way.” Vasthy Mompoint has frequented Broadway in shows such as The Prom, Spongebob, Mary Poppins, and more. Most recently, Vasthy played Tameka in the Ryan Murphy Netflix film version of The Prom. She is also the creator of Vasthy's Friends, a children's show born out of the realization that there is a disconnect in the education system regarding racism and equality, which promotes activism in kids.  To Vasthy, a multi-hyphenate is using all parts of the artistic brain without the limits put on you by the industry. It's breaking the handcuffs of all the technicalities and allowing for artistic freedom.  Vasthy produces, she performs, she plays the guitar, she writes… “And it's not because I'm brilliant at them,” she says, “I just genuinely enjoy doing those.” A little over two years before we recorded this episode, Vasthy became very sick - and because she was sick she wasn't able to do many of the things she loved. Instead, she started writing which came out freely. After writing and producing a show for 54 Below and then submitting her writing to CBS, Vasthy found a whole new voice as a writer and producer. Out of illness came a new identity.  “Producing your own show doesn't have to be imitating something someone else did, or looking at the way it's all been done… it's literally bringing who you are, your authentic self, how you feel, how you want to tell your story because it's you - you get to control everything.” Vasthy wants to see real people and stories on stage - so going from Spongebob to The Prom on Broadway was incredibly special as she was able to connect with audiences of a younger age who were able to see themselves on stage. Vasthy also keys us into the incredible way she fights the system, by producing Vashty's Friends which provides young children to not only see themselves on screen, but also to learn compassion and empathy about others. “It's easier to teach a kid to love, than to teach an adult how to not hate.” Vashty says. And she's completely correct.  Vasthy Mompoint is an Actress, Dancer, Singer, by way of Alabama, North Carolina, and Haiti. On-screen Vasthy has appeared in Nora from Queens (Daniel Kwan and Daniel Scheinert), The Prom Movie (dir Ryan Murphy), Dick Johnson is dead (Kirsten Johnson) The Mysteries of Laura (Norman Buckley), The Detour (Jason Jones) and The Cartoon show, The Winx Club. On stage, Vasthy has appeared on numerous stages from Broadway to Egypt including Prom The Musical, Spongebob Squarepants, Mary Poppins, The Taming of the Shrew, Rocky, Ghost, The Legend of Georgia McBride, Aida, Hair, 42nd Street, and Ragtime. As a dancer, Vasthy has performed with James Corden, Yolanda Adams, Brian McKnight, Michael Jackson, Marc Anthony, Gloria Gaynor and more. And Vasthy has also created Vasthy's Friends, a video platform for Broadway performers to write, choreograph, and and compose original kid-friendly programming. Connect with Michael: @themichaelkushner (IG and TikTok) @dearmultihyphenate (IG) www.michaelkushneronline.com Produced by Alan Seales and the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

There was no better guest to commemorate Easter weekend in the Gayborhood than the extraordinary Larry Powell. After originating roles in some of the most popular new American plays of the last decade, including The Christians, The Legend of Georgia McBride, and Father Comes Home from the Wars, we are thrilled to chat with Larry to learn about the journey that led him to create his own award-winning play (and now an acclaimed series!) The Gaze ...No Homo. We're also honored to hear all about Larry's experiences as an activist in Louisville on behalf of Breonna Taylor and about his spiritual identity too. A shining beacon of warmth, grace, and generosity, get ready to embrace the "Powell of Love!" Go on Instagram to follow Larry at @powellplease and The Gaze at @thegazeseries, and learn everything you can about the folx highlighted by Larry in this week's Gayborhood Watch: Galen J. Williams, Kenneth Lee Roberson, and Danny Johnson. And don't forget to follow @rogerq.mason and @lovell.holder on Instagram for all your Gayborhood updates!

In today's episode, I welcome Darnell Benjamin again! This is part two of a two-part interview with this incredible actor, filmmaker, choreographer, dancer, and all-around amazing artist. He shares his heart about bringing dance to more people, and how fortunate he always feels to be an artist. His interview is truly inspiring, so enjoy part two today! Get in touch with Darnell Benjamin: www.13thandrepublic.com | https://www.facebook.com/darnell.p.benjamin | www.instagram.com/darnell.p.benjamin Support Artfully Told: www.paypal.me/elevateartArtfully Told links: www.facebook.com/artfullytold | www.artfullytold.podbean.com | elevateartskc@gmail.comGet a free audiobook through Audible!  http://www.audibletrial.com/ArtfullyToldSchedule your interview with Artfully Told! https://calendly.com/artfullytold/podcast-interview Episode 41 - Darnell Benjamin (Part 2)Lindsey Dinneen: Hello, and welcome to Artfully Told, where we share true stories about meaningful encounters with art.[00:00:06] Krista: I think artists help people have different perspectives on every aspect of life.[00:00:12] Roman: All I can do is put my part out into the world.[00:00:15] Elizabeth: It doesn't have to be perfect the first time. It doesn't have to be perfect ever really. I mean, as long as you, you're enjoying doing it and you're trying your best, that can be good enough.[00:00:23] Elna: Art is something that you can experience with your senses and that you just experience as so beautiful.[00:00:31]Lindsey Dinneen: Hey, Artfully Told listeners, Lindsey here--just a really quick moment to let you know that this is part two of a two-part interview. If you recall from last week , we actually broke this episode into two different recordings because it was so good. Darnell has so many wonderful things to share with us. And the interview just is a little bit longer than our typical episode length. And so if you'll recall, part one was last week. Part two is this week. If you haven't already listened to part one, I would highly encourage you to go back and do that real quick before you jump onto today's episode so that it flows really well for you, but you are in for an absolute treat, and I am so excited to share Darnell with you once again. And without further ado, enjoy.[00:01:25] Darnell Benjamin: It's like, I don't know about you. I think a lot about how, you know, the people who inspired me and I, you know, we all have those people who really just inspired us and why we do what we do. And , and, and some, for me, it came so late. And, it's been a very important thing for me to try and visibly be that person that I wish I would have seen. I never growing up seeing a really, really out queer black man. I, I didn't accept, you know, obviously you can see these people on TV, but that can feel very removed. You know, I didn't see that in my community.[00:02:06] And so it's been very important for me to, to be that person and to be unapologetic about it. And, and know that you can know that I can still be unapologetic about it, but still be able to not lose my sense of being grounded. You know what I mean? Not getting so sort of removed and unapologetic to where you don't, where you disconnect with people. Like for me, I thrive on those connections with people and I thrive on even the connections with my students. And I try to be that person that I wish I could've seen. You know, that's what it boils down to. And now granted, you know, we all have good days and bad days. Haha! 'Cause there was some days that I, I don't know if I'm winning at being that person, but that's a part of the cycle. And, and, and I didn't know. I mean, I'm just, I'm grateful to have even had an opportunity to share that story. You know, I really am. I really, really am.[00:03:05] Lindsey Dinneen: Yeah. Yeah. That, that is incredible. So yeah. Good, good for you and, and good for you for, you know, wanting to be that for the people coming behind you, right? Not just, you're not just sort of reflecting on, "Oh, I didn't have that. Oh, that's too bad." But you know, "Oh, I didn't have that, but I wish I could have, and I know that I can be that for someone else," so, yeah.[00:03:29] Darnell Benjamin: Yeah. And even looking at this pandemic right now and thinking about how--oh, my goodness, I don't know about you-- but this pandemic has really made me feel so small. It's made me realize how small we are all are in the larger spectrum of things, and so what I've been doing, I'll share this. I've been going back to all of those favorite movement books that I'd read in the past. And I've just been sort of immersing myself in being reminded of basic-level things. Like I re-read the "Viewpoints" book. I re-read the Labon efforts book. I re-read both Tadashi Suzuki books that I have, which is what, is The Art of Acting." And then there's also "On the Technique of Acting." I read that one. I've just been kind of reimmersing myself into--because coming from a dance background, it, it was a no-brainer for me that in the work that I do as an actor, it always comes from a movement perspective. I can't not. Like that's the first thing my brain thinks is, how does this character walk ? You know, little things like that. And going back to the basics, that's been, it, it's been kind of humbling and very, just kind of, it's just kind of nice to be reminded of how small we all are. You know what I mean? I, I've been in that place of being reminded of that and being gracious. So that's, that's, that's, that's where I am right now in regards to all that.[00:04:59] Lindsey Dinneen: I love it. I love it. You know? Yeah. I just love the fact that that art can do that kind of thing for us. And, and that's what makes it so special. And, you know, before we started recording, we had a chance to chat a little bit, and you had talked a little bit about how you feel that art can be experienced by everybody in different ways, sort of. Do you want to chat more about that?[00:05:26] Darnell Benjamin: Yeah. I mean, I think about like, for example, growing up in a small town in Southern Louisiana , my family, you know, they, they are not people who are big art people. And I think some of that comes from the perspective they have of not being invited to or are a part of that world. But I was just the kid who art was where I--there was never a question--I mean, it, it was so clear to me that this is the world in which I sit. And what I found is that, you know, growing up in those environments -- my family that, you know, it's kinda not the greatest story in the world, but my dad, he passed away in March unexpectedly and he had been telling me-- the last thing my dad had seen me do and as far as performance was in grad school, and that was like in 2008 and here we are now, you know, in 2021, he passed in March of 2020. And he kept saying, every year, "I'm going to come to Cincinnati. I'm going to see something you're doing when it come to Cincinnati. I'm going to see something you're doing." And that's over and over again.[00:06:29] It's the same thing with my mom's side of the family. And they don't, you know, and I know a big reason why that is, is because they and, and I'm only speaking the words that they, my mom particularly, has said to me herself is that she sometimes will say she doesn't get it. She doesn't get it and I, I, it's so easy for people to think that art is above them. And I think that's really a sad thing. The reality is that art is for anybody and everybody. Now granted that are a particular piece of art may not speak to you. And that's valid. I don't think anybody should feel guilty because something doesn't speak to them. I think about, for example, Beyonce, as much as everybody loves Beyonce, I'm just not that much of a fan. And I don't feel badly. And I'm a gay black man and people get mad at me about not being a fan. But my thing is I love Solange. I love her sister. Her sister does some weird, interesting music. And I am all for that. I love people who take those risks like that.[00:07:28] So I guess what I'm getting at is that there is no such thing-- there is no reality to the idea that art is not for everybody. Art is for everyone. Art should rather be for everyone. And unfortunately though, people start to drink that Kool-Aid and they start to believe that, "Oh, this is not meant for me." Like what I think about what happened to me.  And that professor, if I would have listened to that professor, I would never be doing Shakespeare. I would have given up and I would have closed the door and I would have limited the potential of my career, not even just my career, but my work as an artist. And what a foolish thing, you know what I mean? So, for me, it's so incredibly important to know that you just have to find the art that you like, because there are so much out there.[00:08:15] I think about like, you know, for example, I struggle sometimes in art galleries, that's just, that's, I'm more of a -- I like art that moves, like art galleries, where it's more of a -- whether that's video work or experiential work. I love that kind of art. I have to admit I'm not as big into paintings on a wall. And does that mean that paintings are not amazing and valid pieces of art? Of course not! That just means that for some reason, to me, it doesn't speak as much. Now, granted, have I found expressionists work? Absolutely. That speaks to me. I love when I can just fall into a painting and not understand it necessarily in the--and what I mean by not understand it is--I might not be able to know exactly what the artist's intention was, but guess what? I am a, a consumer of art, so I have a right to digest it how I digest it, and to translate it in a way that applies to me.[00:09:20] For example, I think about in grade school or even high school, the book choices that schools choose. I'm from, like I said, Southern Louisiana and my high school was primarily BIPOC. And we had a really high Asian population as well as black. And we were reading things that--I mean, you know, for example, the conversation on "The Great Gatsby." It's hard for a kid growing up in a small Southern Louisiana town who doesn't have much exposure, for example, to , to white individuals or to individuals outside of his world. So he might read that and not connect at all. He probably is not going to even finish reading it because it's going to be like, "I don't get this, this doesn't do anything for me."[00:10:09] But, so that's why I think what it boils down to is from a young age, right, teachers, mentors, parents should expose their kids to the art that speaks to their communities, that speaks to their world because that will open the door then to them expanding their reach of what art they connect with. But if they're not even given that opportunity, then if, or rather if they're given work, art that doesn't relate to any of their world, that's, that's not going to affect them. I was a weirdo kid who got affected by everything. I was so interested in a lot. I remember reading "The Red Pony," and I liked "The Red Pony." I'm pretty sure I was the only kid who liked  "The Red Pony." But, that was just me, but that's not going to be like that for everybody.[00:10:57] So I guess what I'm getting at is that if we're not, if we're not sharing art that a kid can relate to, then that kid is not going to gravitate to the art in the way that you would like them to. And so we have to start from a young age and some of that comes to also you know, support. So I think supporting friends, supporting family, and going take in people's art and... art, in my opinion, I think art also applies to if you're an entrepreneur and let's say for example, you have a, a, a shop when you sell bags, that's art. I think people forget how much they are surrounded by art. I will never forget reading that, that article, it was at least--it was in a newspaper here in Cincinnati, where they had at the bottom of essential workers was artists.[00:11:44] And I remember being mind-blown by that because all I kept thinking was here, we are in a shutdown with a pandemic and you are at home doing what? You're watching TV shows and films. You're listening to music when you workout. You are playing with your kids, with toys are games that were created by artists. So the whole time, I'm just kind of like, how are we not essential when we're the only reason why you've not lost your mind right now? Right? I think about that all the time. How just, I think our culture in America is so disconnected with what art is. I don't think people really understand that art exists in--even for example, engineers, I think, are kind of artists like creating devices that work in a certain way and having to put all the pieces in, in the only way that'll make it work correctly. And over time, we think about the technology of phones getting better and better and better and technology getting better and better, but there is an art to that. And I wish that that kind of art understanding was taught. So people genuinely understand that you are surrounded every single day. That lamp that's sitting on your desk, that's art.[00:13:02] So I think the more we can get our culture to truly embrace and see the art that's around them, that I think that whole conversation on the , on the art being for someone or not will stop. But I think until we get that understanding to people that they are surrounded by--these masks, I think of everybody choosing their own specific mask, buying it from friends who are designing these, I'm like, "Oh my gosh, that is a designer! That is a costume designer or purely just somebody who loves to, so who is making a piece of art. Art for you to wear on your face." And that is amazing. That is so amazing to me.[00:13:42] Lindsey Dinneen: Yes. I love that. I love that perspective and you're absolutely right. We are literally surrounded by art. Even the furniture is designed by somebody. I mean, that's an art. Everything--almost everything-- yeah, is, is artfully created on some level. I mean,  I have a friend who is an engineer and he was having trouble seeing what he did as art. And I was like, are you kidding me? What do you design? It's designed! That's art. Like you have a unique, you know, you get to include the science and the math and all that with it too. But like it's, it's art. Yeah. It's so cool.[00:14:24] Darnell Benjamin: Yeah. I even think about like, for example, us as dancers. Oh my goodness. The understanding you have to have of anatomy and even physics to really, truly understand how you can make your body dance. And dance specifically--I mean, science and art, in my opinion are constantly best friends, always working together. And the stronger your understanding, in my opinion of science, and particularly in regards to anatomy, the stronger your ability to dance, when you can know and understand what your body is doing little, tiny little adjustments. Like one of my favorite things in dancing, even as a dancer or as a choreographer, I'm big on isolations. I love isolating body movements. I'm very into that. 'Cause I love that little tiny movement that you might do with your hip can tell a whole story. I love that stuff.[00:15:18] Lindsey Dinneen: Yeah, me too. And. Yes. Oh, yes. That's all I can say about that.[00:15:25] Darnell Benjamin: We are scientists, darn it. We are scientists.[00:15:29] Lindsey Dinneen: There you go. Or at least we have to have a solid understanding. Goodness. Yes, you're so right. That's one of my favorite things to teach my kiddos and adults in jazz classes, isolations and learning that your body does not have to move as a whole, like you can move individual parts. It's pretty cool.[00:15:47] Darnell Benjamin: Oh yes. Oh yes. The body is a funny and strange thing. So strange.[00:15:54] Lindsey Dinneen: Indeed. Well, this has been so much fun and you have so much insight to share. So thank you for all of these stories. And I'm just curious, is there anything in particular that really stands out to you as an encounter with art that's like a moment to remember? Something that really matters that stands out as like "I've got to file that away."[00:16:16] Darnell Benjamin: Oh, my goodness. So many. Oh gosh.  I'll share a couple. One of them was in Houston. When I was in grad school, I went to see a show at the alley theater. I cannot remember what show it was offhand. But that company of actors--it's they're an ensemble. So it's a lot of times the same people in productions and you develop a relationship with them, you know, over time. But when watching this one show, I would never forget, there was this table behind this couch. And, you know, they would put things on it on occasion. Somebody would lean on it. In one moment somebody was leaning on it, right? And the table broke and the actor almost fell, but didn't quite, but every single actor on stage had this sort of moment of the gasp and nobody did anything for a little bit.[00:17:08] And slowly you started to see people start to tremble, 'cause they were wanting to laugh so badly. And one by one, they broke, and they laughed for--no joke--probably like a solid two minutes. They could not stop. Like, and you know how that is. Anytime one of them would pull it together, and another one pull it together, and then somebody else would start laughing again. It was the most phenomenal thing to watch on stage when you have that, that sort of --the layer peeled away and you're just seeing these real people on stage. It was magical and hilarious. I will never forget that. That goes down in easily one of the top theatrical experiences of my life.[00:17:52] And then I got to say another one too. This one is this one isn't as funny. This was pretty intense, but yeah. It was, I was still in undergrad at the time. And there's this festival called ACTF, which is American College Theater Festival is ACTF. Yes, that's right. Yes. And it's in Fayetteville, Arkansas, or it was that year. And the students go to compete for this Irene Ryan scholarship. So there's this production of "Pterodactyls" by Nicky Silver. And if you are into playwrights who write very sort of dark comedy-type plays, that's perfect. Well, this play, this guy is building this pterodactyl on the stage, like a life-size pterodactyl, he's climbing on a ladder and everything. It's really just amazing to watch. And yeah, throughout the play, there's this tension between him and his mother and he's trying to confront her and tell her. And he ultimately, she thinks he's about to come out as gay. And so she's avoiding it and dodging and dodging, and he just keeps saying, "But mom, I need to tell you something." And she's like, "Oh, well, you know, you can tell me later, there's this going on." And that's going on and on and on and on.[00:19:00] And then out of nowhere, it's building up and building up and building up and then suddenly he just screams, "I have AIDS." And the lights go out. Oh my God. I did not see that coming it. Yeah. Right. I was probably 19 or 20 at the time and it just came absolute--it was so unexpected, that it's a moment I will never forget because it was done so beautifully, the orchestration of the lines and the buildup. And then what you expect is going to be one thing and they completely pulled the rug under you. And then complete blackout right after the line. And it was just like, "Are you serious?" Oh my God, I've never -- well that's a lie--I've cried in the theater quite a bit, but that was one of those cries I was not ready for. And on top of that, it was the lights coming up in the house and I'm mortified sitting there bawling my eyes. I will never forget that. I will never, never, never forget that.[00:20:01] And it also, okay. Sorry, I got another one. You will appreciate this as a dancer too. I got to do this show, "bobrauschenberbergamerica" by Chuck Mee, and it's a phenomenal script. It's very kind of -- I didn't, I mean, I think in some ways you could call it an expressionist piece--but I played this character, Wilson, who is just hopelessly in love with this woman who comes like, sort of plays him like a yo-yo. She's back and she's gone and she's back and she's gone and there is this beautiful dance we got to do. And by the way, we got to do a Viennese waltz. And I don't know if you're a, a ballroom dancer, so you know what I'm talking about. Exactly. That is a tricky piece of movement to do and do smoothly. And while we're dancing, these ping pong balls are thrown all over the stage. By the end of the dance, there are seriously somewhere around 500 ping pong balls all over the stage, and we're navigating this dance through this. It was so, so magical and challenging, but the great thing, and you know what I'm talking about when I say this, she was an amazing partner. So the trust was so solid. We just floated. And it was just absolutely magical. Okay. I got one more, one more and I promise this is the last one.[00:21:22] Lindsey Dinneen: Go for it.[00:21:23] Darnell Benjamin: This was over a year ago. Wow.  2019, December. I was doing "Alice in Wonderland" and I was playing  the March Hare.  And since the director knew that I-- I, so I roller skate. I'm really big into roller skating. I love it. I refuse to get rid of my my roller skates. And she knew this about me because I'd done a show a few years back where I got to roller skate on stage while drunk with a bottle of Zima. And, but in this particular production I got to skate and I got to do tricks actually. And that was the most fun thing to do to bring in, you know, a hobby, a fun thing that I love to do in my personal life to bring that on stage. I mean, I don't know, just having those moments where you could bring a little bit of yourself, truly yourself into a stage experience. That was just fun. And I will never forget, there was this one day I got the best compliment ever . It meant the world to me because--so I had to skate on stage from stage left, which for anyone who's listening, if you were sitting in the audience, that's going to be to the right-- so I have to skate in from stage left and drop this miniature table, but I had to put it down in such a way to where the face--'cause there was a character's face on it--that was facing out toward the audience. It had to be facing out. And I just messed it up a couple of times in rehearsal.[00:22:50] So, the break came and me being me, I went back and forth for probably like, no joke, 20 to 25 times getting it right. 'Cause I, it just had to be right. I wanted to nail it and I wanted to hit my turn and do a smooth exit. So one of the actors in the show was just watching that whole time, watching me go back and forth and back and forth. And she said, "Darnell, I love your commitment." And yeah. I don't know if she knows this--Sarah, if you're listening to this, just know that I went backstage and cried. I don't know why that really kind of affected me because, you know, I think about, and I'm sure you know this as a ballet dancer, the amount of discipline the work takes to make it effortless is a lot more than what the audience knows. You get to see the final product, but here we are like--especially if you're one of those obsessive people like me--you're, you're working so hard, not even just in rehearsal, but when you're home to try, and get it right. And to have someone acknowledge that, that was pretty huge for me.[00:23:53]Lindsey Dinneen: Perfect. I love it. Well, you know, what's so funny is--you'll actually appreciate this-- so a couple of years ago--I also, I really love roller skating. And a couple of years ago I asked one of my dancers-- who also choreographs quite extensively on the company-- and I asked her if she would like to set a piece that included some roller skating. And her being the sweet yes person she is, was like, "Sure, I'm up for this challenge." So she created this adorable--and I'm going to have to dig it up and maybe I can post a link to it at some point-- but this adorable, like fifties diner piece where it was myself and one of the other dancers were in roller skates. 'Cause we were the only two that were brave enough/foolish enough to undertake this. And , and we were the waitresses and then it was like, all these we're trying to do all. It was like cute little love story. And we're trying to do all this partnering and, oh my goodness. Do you realize how much weight is added when you do rollerskates? And then this, my poor partner, I think he was like, "What is happening?" 'Cause I, you know, there's all this weight at the bottom of your feet now. And so anyway, it was such a hoot in rehearsals and... I'm not gonna lie. One of the walls suffered a little bit when I totally fell, like biffed it, fell. And like my skate went right through the wall. So that's my roller skate dancing story.[00:25:21] Darnell Benjamin: But isn't that the best, though? That's the, like, I don't know about you--my favorite moments on the stage are the ones where there is an , a mistake that happens when something goes wrong and you have to figure it out. I mean, I will never forget--I was doing this production of a show called "The Legend of Georgia McBride," and I'm playing this drag queen in the show and I happen to have on these heels that were probably good solid five inchers, but it also had a platform to it. So they were, they were, I was working. Right? And this one night I was feeling myself, you know, because we're doing the final number and it was a matinee, you know, those matinees, you're all energized. At the beginning of the day, I was getting my best life and I added, you know, how, like, whenever you watch those runway models and sometimes they kind of land on the outside of their foot and roll it flat when they're crossing the legs, and I somehow did that and I was feeling myself and I landed directly on the ground and I was so embarrassed because I got through the entire run of that show, not falling. But the, best part about it was that while I was down there, because my character is kind of like the messy type, I was like, "Well, okay, here we go. We're going to make this a bit." And so I turned it into this whole crawling routine and had fun. And I just think that's my favorite stuff I love when not--let me not say that, please. Okay. I don't love when things go wrong, but I appreciate when things happen that remind us. Oh, yes, yes. We got to stay present.[00:26:59]Lindsey Dinneen: Oh, my word that, that is exactly it. Yes. I, I joke about it, but it's a true fact--and I'm sure you've experienced this too--when you know a piece of choreography in and out, and eventually you go on autopilot to some degree, but the problem is that is, that is effective only if you don't quote, unquote, wake up in the middle of your autopilot, because you had this experience where all of a sudden you're like, "Hmm, I'm in the middle of the stage. I don't even know what comes next." Like have you had that?[00:27:33]Darnell Benjamin:  I have totally had that happen so many times and I've had it happen to the point where you're autopiloting--it's autopilot, autopilot, and then you realize that you're there and then you get in your head because you realize that you're there and you're watching somebody who happens to be looking at your footwork. And then suddenly you forget how to move your feet. Oh, trust me. There was this one number in a show, "All Shook Up," and I was in the ensemble in this show and we got this great choreographer who gave us this movement where it was basically it was kind of like, I guess, a soft shoe sorta sorta kinda. Yeah, it was kind of a soft shoe and for some, and the feet are like moving in many different directions. So if you mess up one thing, good luck. You're in trouble. And I messed up one thing and this woman watched my feet the entire time smiling and laughing and I'm like, "Oh my goodness. I'm so glad you're enjoying this because I am not." In, at the same show--this is another thing that happened with this show--so the shoes they got us for that number were these really, you know, and that's always the challenge when it comes down to shoes for dance shows, you know--spend that extra money and get the better pair, but they did not do this, right?[00:28:43] And the sole of the shoe from the heel forward started coming apart, but it came apart at a fast rate. So I'm doing this very heavy footsie moment where we are crossing the feet and moving in all these different directions and the shoes, the sole starts flapping throughout the entire dance. It's so all this time, I'm just mortified because I can't quite land on my foot flat. And it gets to a point where finally I did this one kick little thing and the entire thing just flew off it. Yeah. I mean, live theater didn't get better than that. Live art is my favorite for all of those little mistakes. And yep, everybody saw it. There was no hiding it. So I kind of like laughed through the entire number because I was like, they're enjoying it. I'm going to enjoy it too. I love that.[00:29:35] Lindsey Dinneen: I'm sure everybody has a shoe story to tell. I, oh my goodness. I had one time where we were doing a ballroom-inspired piece. It was , it was really fun choreography and it had like some elements of a Foxtrot mixed in with just a little bit of ballet. And anyway, it was, it was really charming piece. And I realized about five seconds--I don't even know--into the piece that my ballroom shoe wasn't buckled securely. And I spent that entire dance with this, like, you know, the gritting teeth smile where you're just, you're--it's not genuine. You're just, yeah. It's like, "Look at my face. Look at my face. Don't look at my feet. I'm going to distract from my flailing limbs." Yes, and so this--I'm gripping so tightly with my arch that I'm like, "This shoe is not coming off." 'Cause I cannot think of any sort of way to gracefully get out of this situation. If the shoe comes off, it's going to be bad, right? So the entire time I'm like gripping it with my arch muscles. And I'm like, this isgonna stay on. And the last few seconds there are these high kicks that I do. And I cannot tell you, I had the biggest cramp after that dance, because I was like, "This dang shoe is staying on my foot. I don't care what happens." Oh my word. And hopefully no one noticed, but I was a mess and, oh my goodness. And I don't think even my partner,--'cause I like whispered to him--I was like, "My shoe's coming off." And I'm pretty sure he didn't even hear me. And he was just smiling the whole time anyway. So...[00:31:13] Darnell Benjamin: But you know, I mean, what a joy, I mean, these are--some of my favorite stories from theater are these sort of tragic moments where we, you know what I mean? Because I feel like so often when we perform, it's very, we, you know, we become these characters. We join that world. And what these mistakes do for me, they remind me that, oh, my God. It's not that serious. We can have fun. I get reminded of that whenever those things happen, that we have to remember that we get to do this. We get to do this. So, yeah, I love, I love when those mishaps happen. Well, the ones that we can fix.[00:31:52] Lindsey Dinneen: Yes, amen to that. And it is so fun because these stories are what makes it just charming and where you build this comradery around being an artist, being a dancer, being an actor, anything. And you know, like we've talked about, we both have skating stories, ironically. We both have shoes stories, ironically, and they're not the same, but we get it. It's so fun. I love that about art.[00:32:15] Darnell Benjamin: Yes, even when the stage falls on you. I mean, I remember this one performance where we were doing a show, "Love's Labour's Lost." And the director did it in this way that it was sort of a character in the, in the present, like today's world, kind of opening this book. And I, and as the character starts to tell this story, or to dig into this story, the, the, the front part of the stage--sort of, I don't know, like a door, like one big, huge door opens up. For some reason--I could not believe this of all times for this to happen--on the first preview, the wall starts to fall. And, and it's so funny. Nobody can control themselves. But at the same time, you know, that's their mixture of horror, 'cause you don't want anybody to get hurt, of course. But there's also that mixture of, "Oh, my goodness. Is this happening in front of the audience? And am I the person who looks so stupid right now? Oh my goodness. What is happening?" It's, but I will never forget that. I won't forget watching this actor friend of mine, Kelly, stand there as this wall is falling and trying to figure out, "Do I save my life and get off the stage? Or do I stay in character and pretend like nothing?"[00:33:35] Lindsey Dinneen: Oh yes. Yes. I think everybody has experienced that who's done any kind of live theater production of, "Do I stay in character or do I die basically?" Yeah.[00:33:49] Darnell Benjamin: And it's so funny to watch, watch the person think. You can see their brain running through, "What do I do? Do I leave the stage? Do I stay?" And I'm just like, "I want you to do whatever you want to do because right now it is entertaining. I want this moment, whatever this moment is, keep doing it."[00:34:06] Lindsey Dinneen: Yes. Oh, I love that. And so a lot of what my company has done in the past is bring, try to bring some humor and some lightheartedness and a lot of joy into, into our productions. And one of the pieces we did was where we had a bunch of dancers ahead of time, record themselves saying things that they would say in their head during a performance, just to be funny. So like, part of it was something like, you know, commenting on how bright the lights were, or somebody  noticed abBobby pin on the floor that they have to avoid, or, you know, "Nailed it!" after a turn or just like all sorts of like hilarious things. And then we compiled them all into this piece. And, and so it became sort of like the introspection, like the audience getting to hear what goes through dancers' heads as they're actually performing and it was a hoot, yeah.[00:35:02] Darnell Benjamin: Yes. I love that idea. Oh my goodness. I wish I could have seen that. That's right up my alley. I love when we look at the art that we do and that we can not take it so seriously. You know what I mean? That yes, absolutely art can, you know, because that's the one thing that I, I, you know, I was thinking about that even most of the first half of this, I know a lot of what I was talking about were these heavy, serious things. But even in the film, that's why I made sure there was a moment of joy because I'm like, despite all the bad, despite all the complications--I mean, look at the world of art right now, as far as performing arts, like how we're not able to do what we do. And, and how sad that is, but also what I'm noticing a lot of people are doing, they're reminiscing. They're telling stories, they're sharing things on social media about this funny thing that happened backstage or whatever. And I just think of as much as we bring joy to people who watch what we do, I think about the joy we get from each other when we're creating. And we're in that making it happen. And the fun, the fun that happens in a rehearsal process is everything for me. I love the joy in rehearsal. I love it. I show up to rehearsal and I'm that person who shows up excited to be there every single day, because it's, "Oh my goodness. We get to do this. We get to do this. What a joy, what a joy."[00:36:27] Lindsey Dinneen: Amen. I love that. Well, I have some questions that I always like to ask my guests if you're up for that.[00:36:34] Darnell Benjamin: Please![00:36:36] Lindsey Dinneen: Okay. So first of all, how do you personally define art or what is art to you?[00:36:43] Darnell Benjamin: Oh, child. Wow. That's rich.  Hm. I guess the best way I would describe art--art is perspective. Art is when someone shares their perspective through a specific medium whether that be film, theater, dance , visual , music. I mean, the list goes on. It's perspective. I think art is a person's perspective through a medium. I know that sounds very simple, but I think that that's, that's how I would define what art is.[00:37:20] Lindsey Dinneen: Oh, I think that's perfect. Yeah. I love that. And then what do you think is the most important role of an artist?[00:37:28] Darnell Benjamin: Ooh. I think the number one rule for an artist is to be honest. I think that, to be honest, whatever that means, to be honest.[00:37:39] Lindsey Dinneen: Perfect. Yeah, absolutely. And then I'll define my terms a little bit in my final question, but do you think that art should be inclusive or exclusive? And inclusive referring to an artist who puts some work out into the world and shares a little bit of context behind that, whether that show notes or titles or whether it's the inspiration behind it or something like that. Versus exclusive referring to an artist who puts their work out into the world and doesn't provide context behind it, so he or she leaves it entirely up to the viewer or participant to come up with their own interpretation.[00:38:20] Darnell Benjamin: You know, that's such a tough one because I'm a firm believer in, you know, we can't please, everybody. Everybody's going to not like our art, even if we do back it up with whether that's statistics, information, whatever. So I'm a believer in you do what you want to do. I don't know if I think it should be one way or another or the other, because it's, it depends on the intention of what the artist is trying to accomplish. I think about, for example, "13th and Republic" is non-linear. It's abstract and it, what I, what was important to me is just to make sure people understood that this is a conversation on mental health. Boom. But other than that, I want people to take it, how they take it. I want people to digest it however they want to digest it, because I can go and give a dissertation on what every single moment in the film meant. But how was that going to be helpful to them? I mean, I think it's only going to be helpful when somebody can take from something, what they get from it, as opposed to me trying to force something down their throat.[00:39:28] And that's also not me saying that because an artist does decide, let's say for example, to be inclusive with their work, I don't think that means that they're shoving it down their throat. I think there's a, there is a difference between sharing information to get people , give people insight and give them understanding about what it is versus saying, this is what this is. You cannot see it any other way. Oh my God. That does not sound like art to me. If it's like, you're forcing your audience, but if you are purely just sharing to let them in on it. I think about like, for example, when I go to a, an interactive performance and I really am not given any kind of direction, and I'm just kind of like, "What do I do?" And I know to some degree, some people love that, but I like a little bit of direction when it's something like that. But as far as if I'm going to a, to see a dance piece, or if I'm going to see a theater, I want the work to speak for itself.[00:40:24] And then I love having conversations. Like I love talk backs, Q&As. I am all about that because to me, that's the moment where we can start to open the dialogue about what this piece is, but I don't see Q&As as like--the questions I don't like as much is stuff where somebody is asking me to tell them what something means as opposed to me just sharing with them what I was feeling when I created this and what my inspiration was. I love sharing that, but I don't necessarily like to tell people this is exactly what this means from start to finish. Yeah. That's not as fun for me, but to answer your question overall, I think it should be dependent upon the work and the artist. So I'm, I'm open to either as long as I don't feel completely abandoned by my artists. You know what I mean?[00:41:11] Yeah. Yes. I think that's a great perspective and I like that, that the artist can choose to include you so to speak or not, but it is based on what the artists intended and all that. So, yeah. That's great. Well, thank you so, so very much for being here today, this has been so much fun. I've loved hearing your stories and I'm so excited for you in this new pathway that you're kind of blazing with "13th and Republic" and all that. What's going to happen as a result of that, it's just so cool. And if there's a way that our audience can kind of connect with you and follow your journey, is there a way for them to do that?[00:41:56] Ah, yes. Okay. Well, okay. We had this conversation before. I am so in the stone age, sometimes when it comes down to social media, but I do have a Facebook: Darnell Pierre Benjamin. You can find me there. Add me as a friend, be a friend, all that good stuff. And I, I, I tend to be pretty regular about keeping people up to date about things there. I'm currently in the process of revamping my website completely. So I'm not even going to share that one right now, but it will be updated in the next couple months. That's part of my New Year's plan. And I'm on Instagram as well. I do not use it as much, but I am making an intentional choice to share it because this is going to force me to use it more. And it is at Darnell.P.Benjamin. So that's, those are the two, I'd say Facebook and Instagram for now or where you can find me most. And again, the film is at onethreeandrepublic.com. So check out what's going on there as well. Especially whenever we move into this next phase of getting it out now. I do want to make it very clear. We're staying in the sort of a tri-state area of Ohio, Indiana, and Kentucky.[00:43:06] Lindsey Dinneen: Perfect. Awesome. And you heard it here first folks. So we're going to hold him to his Instagram  resolution for this year.[00:43:14]Darnell Benjamin: It's true. I cannot hide it. I have to own it. I have put it out there.[00:43:20] Lindsey Dinneen: There you go, and we'll love following your journey, but thanks again so, so much. I've just loved everything and really appreciate your perspective and your heart for art, your heart for your students, your heart for change in the world. So thank you.[00:43:36] Darnell Benjamin: Thank you. Thanks so much for having me and thanks for doing this. Thanks for like collecting artists and talking about art. I mean, what a joy, what a joy. I thank you for doing that. And thank you for inviting me to be a part of this. Really. It means a lot.[00:43:49] Lindsey Dinneen: Oh, of course. Absolutely, of course. And thank you also to everyone who has listened to this episode, and if you're feeling as inspired as I am right now, I would love if you would share this with a friend or two and we will catch you next time.[00:44:05] That's all for today. Thank you so much for listening. If you enjoyed this episode, please feel free to share it with your friends. If you'd leave us a review and rating and subscribe to our podcast, you'll get notified when the newest episodes come out. Thank you for sharing art with us, and we hope your day has been Artfully Told .[00:44:24] Hey, Artfully Told listeners, Lindsey here, and I just want to share with you a little bit more about The SpeakEasy Method. Now, if you've had a chance to listen to Gregg Gonzales' interview on Artfully Told, you're already a little familiar with the process that is so unique. The SpeakEasy Method is for people who are ready to write their books, but maybe aren't super confident about their own writing ability, or just want a more streamlined way of doing it. Gregg and his team at SpeakEasy are experts at these amazing questions that help your authentic voice to shine through. So what they do is they go through recorded audio interviews with you, and these recordings are then transcribed and put into manuscript format ready to go. So what's cool about that is instead of months and months, or years and years, of you writing a book, they will actually take you from concept to published and it can be as little as nine months. That is one of the most recent success stories that they have accomplished. And it is just a really innovative method that I am personally so excited to help represent and help share the word about because what Gregg and his team are doing is absolutely life-changing for prospective authors. And I highly encourage you to book a discovery call with Gregg or another member of his team to learn more and see if this could be the perfect fit for you. It's a hundred percent complimentary and you can do so easily by going to his website and that's www.joy-ful-living.com/speakeasy. And again, that spelled out is J O Y dash F U L dash living.com/speakeasy.

Ryan Murphy to Bring “Georgia McBride” to Netflix, EVERY Broadway Star Joins HBO Drama, Watch the “Fiddler” Doc “Today on Broadway” is a daily, Monday through Friday, podcast hitting the top theatre headlines of the day. Any and all feedback is appreciated:  Alicia Ramírez alicia@broadwayradio.com | @aramirezgar31Ashley Steves ashley@broadwayradio.com | read more

Welcome to Hang & Focus. In this show we will celebrate the conversations, people and art that lights us up. We were so excited about our production of The Legend of Georgia McBride but due to COVID-19 and the need to socially distance, we postponed the show until the 21-22 Season. However, we did have just enough time to do an amazing Opening/Closing night and record this conversation with the cast.

Jamison Stern is a life-long actor who works constantly and puts everything he has into his characters. From one-man onstage triumphs like his recent “Fully Committed,” to full-body transformations such as his turn as Tracy in “The Legend of Georgia McBride,” Jamison commands an audience. His current role as “Paul #1” in the Emmy-winning Amazon series “After Forever” is particularly special, as it’s clear that the cast loves each other as much as the characters do, and audiences fall in love with a slice of New York that is unique and familiar at the same time. Jamison also has a gorgeous singing voice — just enter “Jamison Stern” into a youtube search for songs from Stephen Sondheim to Jule Styne. It was important to me to have Jamison on the show because he is so clearly DOING THE WORK — being an actor is hard and he has put in years. For those of you out there who want to really do this, Jamison can offer insight into the persistence, tenacity and resolve required to make it as a performer. 

Paul McGill (IG:@paul_mcgill_) has directed and choreographed for theater, TV/film, and circus around the world. His passion for coupling the human experience with graceful athleticism is apparent in his work. Recently, he worked with his mentor, Jeff Calhoun, on their “all tap-dancing” hit production of the Music Man. His most critically acclaimed work is both the Off-Broadway and LA productions of The Legend of Georgia McBride, winning him an Astaire Award and an LA Ovation Award for his Choreography, as well as a Lucille Lortel Award Nomination. his other off-Broadway work includes the New Group’s Steve, directed by Cynthia Nixon, and Redbull’s School for Scandal.  On Broadway, he imparted the physicality of Hedwig and the Angry Inch to Tony Award winner John Cameron Mitchell, Darren Criss, Michael C. Hall, Taye Diggs, Lena Hall, and Euan Morton. Paul also trained Laverne Cox for her starring role in Rocky Horror Picture Show on FOX as well as Neil Patrick Harris for his Michael Jackson tribute on Lip Sync Battle. Paul’s passion for dance on film can be seen on the Disney Channel, in the new movie Diamond Soles, and in commercials for companies like Bunny Shapiro Jewelry and ALT coffee. His desire to continue to make dance films is evident, whether it be on a big budget sound stage or with his iPhone Gimble. In circus, Paul choreographed the European and Australian premiers of Filament with Shortround Productions. He has also contributed work to the circus company Grounded Aerial. His charity work has helped the Ali Forney Center, Broadway Cares/Equity Fights AIDS, the I’ll Be There Project, Artspire DC, and Covenant House. Paul continues to develop his own projects in his free time.

A Southwest Ohio politician has stirred anger for a Sunday post on social media in which she blamed mass shootings on "drag queen advocates," "homosexual marriage," open borders and even former President Barack Obama. In this episode we continue our discussion on Mass Shootings in America with guest Drag Queen "Marina Mac" Timothy McIntosch. We'll also discuss the most recent NY Times article blaming mass shootings in America on a hatred for women and domestic violence. Tim will also talk about the difference between a semiautomatic weapon and an automatic weapon and why these weapons should not be sold to the general public. Timothy McIntoch was born in Los Angeles, Ca and raised in Covina Ca. He was always a rambunctious kid and loved to be center of attention. Upon Graduating High School in 1998 at the age of 18 he joined the United States Marine Corp and served active Duty for Four and half years. HE re-enlisted in the Air National Guard and served an additional three and half years. In 2009 Tim decided to hone a hidden love of makeup and went to Makeup Artistry School at Mt. San Antonio College. Since then Tim has done Makeup for Fashion shows, theater, Film, and has worked with several Celebrity clientele. In 2010 shortly after moving to Palm Springs, Tim fell into the Beautiful art of Drag. He adopted the name Marina Mac (Marina a play on being from the Marines, and Mac, a shortened version of McIntosh.) Drag has given Tim so many opportunities to help in various charitable organizations such as Desert Aids Project, Aids Assistance Program, American Cancer Society, and Safe Schools. Tim is voted the 2019 Desert Suns best Drag Personality of the Coachella Valley, 2019 Outstanding Best Actor, 2017 Champions of Youth award, and 2019 Desert Theater League award for best Professional Makeup artist for the Theater Production of “Georgia McBride”. www.TimothyMacMUA.weebly.com www.facebook.com/missfabmarina throw us some bucks, and help support our cause! Venmo: @Nurses-Hypo https://www.gofundme.com/nurses-hypochondriacs-podcast Give us a rating on itunes... Need consulting or have questions: nursesandhypochondriacs@gmail.com

For the Honest Pint production of Matthew Lopez's THE LEGEND OF GEORGIA MCBRIDE, Director Susannah Hough enlisted the help of Vivica C. Coxx, Durham’s Drag Diva, to coach the cast (Matthew Hager and David Henderson) on the art of drag by putting them through drag queen boot camp. Hear what Coxx, Henderson, Hager, and Hough have to say about drag, being the best version of yourself, and finding your logical family. About the Guests Vivica C. Coxx brings beauty, comedy, and social justice to a head in the most beautiful way. Crafting a nightlife culture AND making drag accessible to everyone, she has made a name for herself and keeps growing! Vivica seeks to create an open and inclusive drag community where love and entertainment are most important. If you’re not having fun, she’s not interested. Most often, her shows are amateur-centered and about giving young performers the opportunity to become something more. With a B.S. in Medical Anthropology and Gender Studies from the University of Maryland, Baltimore County and an M.Ed. from North Carolina State University, she is focused on progressing social justice efforts in Durham and the surrounding community. For more information visit: http://www.vivicaccoxx.com/ (http://www.vivicaccoxx.com/). David Henderson is the Founder and Co-Artistic Producer of Honest Pint Theatre Company. He is a Morehead Scholar graduate of UNC-Chapel Hill. Most recently, he was seen in Honest Pint’s one-man show, THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY. Prior to that, he played Doc in THE NIGHT ALIVE and played the title role in HAMLET, which earned him the Broadway World award for Best Actor in a Play. He also starred as Sweeney in SWEENEY TODD at Raleigh Little Theatre and understudied for the role for Playmakers Repertory Company. For the past 23 years, he has had the pleasure of playing Jacob Marley in Theatre in the Park’s annual production of A CHRISTMAS CAROL. Susannah Hough is the Co-Artistic Producer of Honest Pint. She hails from Los Angeles but has called the Triangle home for many years now, and is a veteran of numerous stage and film companies here. Some of her favorite Honest Pint roles are ANNAPURNA (Honest Pint Theatre Co.), THE NIGHT ALIVE (Director), and THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY (Director). She has appeared in the short films Righteous (Bombshell Studios), Endings (Turnip Films), and Katie’s Dog (Carbon Footprint), as well as numerous commercials, industrial videos, and TV. She coaches actors for auditions and teaches acting classes, as well. For more information visit: http://www.susannahhough.com/ (www.susannahhough.com). Matthew Hager is an actor, children’s musical theatre composer, and theatre educator based out of Raleigh, NC. He is a graduate of UNC School of the Arts (high school – drama) and UNC Chapel Hill (BA Dramatic Arts), with additional training at DePaul University, Shakespeare & Co., and Michael Howard Studios. Matthew has performed with many theatre companies in the Triangle, including North Carolina Theatre, Bulldog Ensemble Theater, Manbites Dog, Deep Dish, and Burning Coal (for whom he has been a company member since 2012). In 2017, Matthew founded https://www.aggregatetheatre.com/ (Aggregate Theatre Company) with the mission of developing a younger theatergoing audience in the Triangle. Connect with RDU on Stage Facebook – @rduonstage Twitter – @rduonstage Instagram – @rduonstage Web http://www.rduonstage.com/ (www.rduonstage.com) Support this podcast

Patrick Jordan of Barebones Productions discusses his newest show, The Legend of Georgia McBride, the evolution of their production company, their space in Braddock and more! Review: Barebones’ ‘The Legend of Georgia McBride’ powered by a cast that embraces the show’s camp and glamour (https://www.pittsburghcurrent.com/georgia-mcbride/)

In this episode we talk dining: La Luce at Hilton Bonnet Creek, Bulla in Winter Park, and Dixie Dharma in Market on South... all delicious! We also talk about Garden Theatre's current production of The Legend of Georgia McBride... tune in to hear all about this hilariously entertaining production right here in Central Florida!

Jennie & Brandon & Talk With ME host Marcia share laughter & conversation about Art & Goodness & Fearlessness.   Jennie Washburn has a wide range of expertise and experience, and is committed to ongoing learning, personal growth, kindness, and fun!  She is an esthetician, the co-host of Soul Salon, and the host of The Goddess Within women's circle, all in Lawrence, KS  www.facebook.com/The-Goddess-Within-252751568549725/     Brandon Eisman / Deja Brooks is a Drag Queen. July 2018, he performed KS Repertory Theatre's "The Legend of Georgia McBride."  Brandon stays very busy with Transformations and other events which raise awareness and funds for service organizations; as well as providing Deja's Reading Rainbow story times at Lawrence Public Library. One of Brandon’s goals is to continue to educate and to open minds, to increase support of ALL people. ME / Marcia Epstein is an advocate for all the arts & a mental health social worker,https://MarciaEpstein.biz

Lori is back from Montana. She loved the book “Baby Teeth”. Chilling. Guest is Jayson Speeters. He plays the lead in The Guthrie's “The Legend of Georgia McBride”. Mila Kunis talks to The Today Show about her new movie, “The Spy Who Dumped Me”.

Jennie & Brandon & Talk With ME host Marcia share laughter & conversation about Art for Opening Minds & Hearts & Creating Goodness.   Jennie Washburn has a wide range of expertise and experience, and is committed to ongoing learning, personal growth, kindness, and fun!  She is an esthetician, the co-host of Soul Salon, and the host of The Goddess Within women's circle, all in Lawrence, KS  www.facebook.com/The-Goddess-Within-252751568549725/     Brandon Eisman / Deja Brooks is a Drag Queen. July 2018, she is featured in KS Repertory Theatre's "The Legend of Georgia McBride."  She stays very busy with Transformations and other events which raise awareness and funds for service organizations; as well as providing Deja's Reading Rainbow story times at Lawrence Public Library. One of Brandon’s goals is to continue to educate and to open minds, to increase support of ALL people. ME / Marcia Epstein is an advocate for all the arts & a mental health social worker,https://MarciaEpstein.biz

Dramaturg Lusie Cuskey and Drag Queen Brandon Eisman / Deja Brooks excite us about The Summer Of Drag, Summer 2018 at Kansas Repertory Theatre in Lawrence, KS.   "La Cage Aux Folles" promises an evening full of lashes, laughter and ultimately love. In "The Legend of Georgia McBride," sometimes learning to be a man requires learning to be a really exquisite woman. The shows are performed alternating nights from July 13 - 29, 2018.  Info at http://kutheatre.com/performances    

Wendy Butler talks to co-organizers of the first Trinidad Bay Art and Music Festival coming up August 25-27. Also on today's Artwaves , learn about Matthew Lopez' " The Legend of Georgia McBride" at Redwood Curtain Theater. The show previews on Thursday and Friday, July 6 and 7, and runs through July.

KPFA theater critic Richard Wolinsky reviews “The Legend of Georgia McBride” by Matthew Lopez, at Marin Theatre Company through July 2, 2017. Marin Theatre Company website The post Review: The Legend of Georgia McBride, at Marin Theatre Company appeared first on KPFA.

The new Off Broadway show "The Legend of Georgia McBride" by Matthew Lopez is a comedy about a young Elvis impersonator named Casey who’s barely making a living performing in a Florida Panhandle bar. With an empty bank account and pregnant wife, during the course of the play Casey makes a rather surprising career switch from struggling Elvis impersonator to successful drag queen. New York Times theater critic Charles Isherwood lets us know if "The Legend of Georgia McBride" is something to get all shook up about. The MCC Theater production directed by Mike Donahue with choreography by Paul McGill runs through Oct. 11 at the Lucille Lortel Theatre.