Podcasts about toodle

Reel Britannia - a very British podcast about very British movies...with just a hint of professionalism.   This week, join Scott and Steven as they discuss'The Father'. A movie that poignantly depicts an elderly man's descent into dementia, masterfully portraying his disorienting reality. As Anthony's memory fractures, his daughter Anne struggles to care for him. The film uniquely places the audience within Anthony's confused perspective, where timelines shift and faces change, creating a deeply moving and unsettling exploration of aging, memory, and loss.   Episode 170 - The Father (2020)   All episodes at: https://directory.libsyn.com/shows/view/id/reelbritannia   Florian Zeller's 2020 film, The Father, is a poignant and unsettling cinematic experience that immerses the audience directly into the disorienting world of an elderly man grappling with dementia. The story centers on Anthony (Anthony Hopkins), a fiercely independent and proud 80-year-old living in a spacious London flat. His daughter, Anne (Olivia Colman), struggles to care for him as his grasp on reality deteriorates, yet he vehemently rejects every caregiver she hires. The film's brilliance lies in its innovative narrative structure, which eschews a conventional linear plot for a fragmented and subjective perspective. We see the world through Anthony's eyes, a confusing and ever-shifting landscape where time and space are fluid. Familiar faces inexplicably change, as different actors portray Anne and her husband, Paul. The layout of the apartment morphs, with rooms and furniture appearing and disappearing without warning, mirroring Anthony's internal turmoil and profound sense of loss. This clever and disquieting approach masterfully conveys the frustration, fear, and confusion that dementia inflicts. The audience is placed in the same bewildering position as Anthony, questioning the reality of events and the identities of those around him. We share his moments of lucidity, which are heart-wrenchingly interspersed with paranoia and accusations, particularly his recurring belief that his cherished watch has been stolen. As the narrative unfolds, it becomes devastatingly clear that Anthony's perception is unreliable. The flat we believe to be his is actually somwhere else, and his timeline of events is a jumble of memories, anxieties, and present moments. The film's climax is not a singular event but a gradual and heartbreaking erosion of Anthony's identity with some final gut wrenching scenes and a powerhouse performance from Anthony Hopkins. The Father is a powerful and empathetic exploration of dementia, leaving a lasting impression of the profound human tragedy of a mind unraveling.   "I don't need any help from anyone. And I'm not going to leave my flat. All I want is for everyone to fuck off. Having said that... it's been a great pleasure. Au revoir. Toodle-oo."   This and previous episodes can be found everywhere you download your podcasts Follow us on Twitter @rbritanniapod    Thanks for listening Scott and Steven

Sam Webb 1-on-1 with 4-star LB Shadarius Toodle pt1See omnystudio.com/listener for privacy information.

Sam Webb 1-on-1 with 4-star LB Shadarius Toodle pt2See omnystudio.com/listener for privacy information.

2024 is over! Well, it is for us anyway, here at HaaH, and we're closing the year out with a discussion of the end of What We Do in the Shadows and also a little Christmas slashing and a little dirt goleming.  Then we hit one last 2024 release to talk Cuckoo! Toodle a little flute with us as we talk about weird vomit vibes, unexpected time loops, and screaming.

Hello! This is the final teaser we will be posting on this feed, so be sure to follow Now Entering Clatfartburg to keep up with us. Toodle-hoo! Find us here on Apple:  https://podcasts.apple.com/us/podcast/now-entering-clatfartburg/id1743679889?app=podcast  Or here on Spotify: https://open.spotify.com/show/0Mj1ImZy59KYmWG4KCcM5Z?si=161939530adb49a1  You can follow/get in touch with the new podcast here: Instagram: @Clatfartburg Tiktok: @Clatfartburg Clatfartburg@gmail.com

Join Eric, @EnglishNick67, @TimAndrewsHere, @Autopritts, @JaredYamamoto, and Greg as they chat about the superiority of Roswell, ancient civilizations, driverless ATL cars, and much more! *New episodes of our sister shows: The Popcast, Radio Labyrinth, Power Pod, The Nightcap w/ Jared Yamamoto, and One Topic are available as well!* “Brought to you by Findlay Roofing”

Shadrick Toodle hand-made t-shirts to wear to support his kids' sports teams. Other parents wanted them, too. Today he's selling promotional clothing for teams across his hometown area and well beyond. His presence at events is a big deal. Kids and parents want photos with him. He's a celebrity. And it all transfers into more and more and more sales of his gear, from football parents wearing shits for their kids to cheerleader gear. He's a nice man and a master of kindness, support, and promotion.  Contact Shadrick wherever you are:  C: 251.209-2346 Facebook: Shadrick Toodle, Sr. Instagram: Shadrick Toodle, Sr.  Web Page Show Sponsors: Mason Hills Farms - True Farm to Table Meats E3 Termite & Pest Control Roy Lewis Construction Trey Langus - Transworld Business Advisors Allison Horner - State Farm Agent Angelo DePaola - The Coastal Connection Realty Persons Services Corp Seth Cherniak - Jeffrey Matthews Financial Bill-E's Bacon Harris Vacation Rentals Roosters Restaurant in Downtown Mobile, Alabama Bay Business News Find Cam Marston's book - What Works: The Ten Best Ideas from the First Two-Hundred Episodes on Amazon.com.  To get the Top 3 Tips of the show each week and a Free Chapter of What Works, sign up here. 

As Sharpay finishes her expert manipulation of Troy, our basketball boy prepares to gently confront Gabriella about her upcoming Honors Program. Chandra and Tyler talk everything about Minute 66 of High School Musical 3: Senior Year, and we discuss the 2004 Disney film Confessions of a Teenage Drama Queen. Wildcat Minute is a production of the Amateur Nerds. Rate, review, subscribe, tell your friends! Follow us on Instagram @amateurnerds, Twitter @amateurnerds, and Tumblr @WildcatMinute Email us amateurnerdspresent@gmail.com Logo by @tgoldenart Music by Joe Winslow

Toodle-pip 2023! The first series of ‘Love Thy Neighbourhood' is at an end. To mark such an historic juncture we've put together all our favourite clips from the first 13 episodes. Thanks to all of our amazing guests so far, all of whom appear in this episode, in this order:Big ZuuSophie DukerDoc BrownFern BradyAnia MaglianoHans Ulrich ObristBiminiPaul FeigHelen BauerPaul ChowdhryDerren BrownPaloma FaithChloe PettsWe'll be back for an action-packed series two in the new year. Love thyself, and love thy neighbourhood!Like the podcast? Stay on top of all things London with Time Out's truly excellent newsletter, Out Here.Production, editing and sound design by David Clack at Perfect Loop Productions. Hosted on Acast. See acast.com/privacy for more information.

In this week's episode, Ange and David are back together again…but it's their final show!David is feeling into Canadian life and has been busy exploring the sites with a visiting friendDavid gives some insight into his preparations for his new jobAnge shares some of the jewellery highlights of her yearAnge finally spills the beans about her ‘big surprise' - her appearance on BBC one programme ‘Make It At Market'Our hosts share their plans for Christmas and the coming new yearDavid J LillyInstagramWebsiteAngela BenjaminInstagramWebsiteLinks:If you're in the UK and want to catch Ange on Make It At Market -https://www.bbc.co.uk/programmes/m001t4rt - its available to view on BBC iplayer and Britbox, and will be available in the USA in the new year.

A Special interview with Patricia Cameron - a terminal cancer patient approved for medically assisted dying

Thanks for listening to the Doric Express, lang may your lum rick! Toodle oo the noo

Charlie Brown is the talk of the girl's camp as Peppermint Patty meets the legendary Little Red Haired Girl, and Linus makes a bold move. Back at home Charlie Brown tries his hand at football, and Snoopy almost pens an epic. Plus: Woodstock takes the win. Transcript available at UnpackingPeanuts.com Unpacking Peanuts is copyright Jimmy Gownley, Michael Cohen, and Harold Buchholz. Produced and edited by Liz Sumner. Music by Michael Cohen. Additional voiceover by Aziza Shukralla Clark.  For more from the show follow @unpackpeanuts on Instagram and Twitter, and @unpackingpeanuts on Facebook and YouTube. For more about Jimmy, Michael, and Harold, visit unpackingpeanuts.com.   Thanks for listening.

Go follow the IG and Tik Tok for Funny enjoyable Soprano Memes. Youtube: Good Earners (Reviewing The Sopranos) Podcast IG: Goodearnerpod_Sopranos Tik Tok: https://www.tiktok.com/@goodearnerpod_sopranos?lang=en Email: goodearnerpod@gmail.com Other Podcast: Another Week In The Books Music By: Jay Z, Mev The Renegade Clip By: HBO & James Gandolfini WE DO NOT OWN THE RIGHTS TO THE MUSIC OR CLIPS USED TO PRODUCE THIS PODCAST Other Podcast: Another Week In The Books

hey everyone. thank you so much for clicking on this episode. today I shared 20 of my unpopular opinions and just note, these are unpopular so if you don't agree DONT come at me please. but you can tell me if you agreed/disagreed in the comments and you can also tell me some of your unpopular opinions too! thank you all so much for listening and I'll see you next time! Toodle loo! :))) --- Send in a voice message: https://podcasters.spotify.com/pod/show/greta-and-theta/message

Richie Aprile is here! Meadow is a spoiled brat! Melfi is regressing! Anything else? You bet your ass! --- Send in a voice message: https://podcasters.spotify.com/pod/show/the-sibling-sitdown/message

Join Eric, @WesMoss365, @TimAndrewsHere, @Autopritts, @JaredYamamoto, @EnglishNick67, and Greg as they chat about March Madness, danger rugs, crony capitalism, and much more! “Brought to you by Findlay Roofing”

When last we saw our misfit heroes, Nikolas was unleashing his mighty "Eldrick Blast" in an attempt to escape his captors with a ferocious cry of, "Toodle-ooo, bitches!" Hang out and see if he's made his situation worse, or if his brand of crazy somehow manages to help for once! Make sure to check out our  friends over at geckosmedia.com for both the  Geckos and Grottos  podcast, as well as a ton of other fantastic pods  that we share a network with! Also, give our friends @Crithitcreations  @Dravenwood and   @Desired.Effect.Dice a follow on Instagram and make  sure you use our code: HAMMPOD15 on their  websites at  www.criticalhitcreations.com   www.dravenwood.com and  www.etsy.com/shop/DesiredEffectDice to get a 15% discount and to let 'em  know who sent ya! Music: Hammer of the Gods Theme by DM Rick and Kay; The Last Stand, Fighting Through the Feywild, and Jungle Combat by Ivan  Duch (https://ivanduch.com) Licensed under Creative Commons: By  Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ --- Support this podcast: https://podcasters.spotify.com/pod/show/hammpod/support

Thanks for listening to the Doric Express, please tell a pal aboot this podcast, see you a week on Monday once we've returned (hopefully) safe and sound from Fuerteventura. Toodle ooo the noo

Rev. Kate Ofikuru, Rev. Johnetta Toodle-Tarkington

For their end-of-the-year episode of Rational Security, Alan, Quinta, and Scott took on a number of hard-hitting questions posed by you, the listeners, including:What did Quinta mean when she referenced "the radical political statement" of the Star Wars series Andor?How should we grade Biden as a foreign policy president? Has he made America credible again?Will recent mass shootings make Congress more open to any sort of "domestic terrorism" legislation?What delay tactics did former President Trump use in the courts, and what can be done to stop others from doing the same?Who wins, werewolf or vampire? And how?How would the Afghan Adjustment Act provide legal protections for Afghans who fled the Taliban in the final days of the U.S. military presence? And what is stopping Congress from enacting it?Why has the United States let Turkey bully Stockholm and Helsinki over NATO membership? How can we get Americans to care about foreign policy? Which Muppet does each host identify with most strongly and why?Support this show http://supporter.acast.com/lawfare. Hosted on Acast. See acast.com/privacy for more information.

For their end-of-the-year episode, Alan, Quinta, and Scott took on a number of hard-hitting questions posed by you, the listeners, including:What did Quinta mean when she referenced "the radical political statement" of the Star Wars series Andor?How should we grade Biden as a foreign policy president? Has he made America credible again?Will recent mass shootings make Congress more open to any sort of "domestic terrorism" legislation?What delay tactics did former President Trump use in the courts, and what can be done to stop others from doing the same?Who wins, werewolf or vampire? And how?How would the Afghan Adjustment Act provide legal protections for Afghans who fled the Taliban in the final days of the U.S. military presence? And what is stopping Congress from enacting it?Why has the United States let Turkey bully Stockholm and Helsinki over NATO membership? How can we get Americans to care about foreign policy? Which Muppet does each host identify with most strongly and why?They also passed along listener-submitted object lessons, including:The World Affairs Councils of America network, a group of grassroots nonprofits from all over the country that are dedicated to promoting international affairs knowledge at the local level. “How Not to Network a Nation” by Benjamin Peters, an interesting book that contrasts the Soviet and American attempts to build early computer networks, focusing on the competition that made the Soviet attempts flounder, and the state-subsidized programs that made the American attempts succeed.Net Assessment, the War on the Rocks' bi-weekly journal club podcast that the listener considers the "serious and professional" Rational Security (cue Quinta's eye-rolling).Bag Man, a seven-part podcast miniseries by Rachel Maddow about the Spiro Agnew scandal.Finally, listener Mike shared his favorite cocktail of the year—a variant of the standard Gold Rush formula that swaps Nocino or another walnut liqueur out for a third of the honey syrup—and asked each host their own. Alan endorsed any and all cocktails involving miso paste. Quinta endorsed her old stand-by the Dark and Stormy, while also recommending hot mulled cider for the season (which Scott supplemented by recommending the addition of some citrus fruit, demerara sugar, and star anise, plus a spike of bourbon and cognac). And Scott passed along the Diplomatic Handshake, a phenomenal cocktail from Local Jones in Denver, CO, the recipe for which he'll share on social media as soon as he has their permission...Happy holidays everyone, and here's hoping for a fantastic New Year! We will see you in 2023... Hosted on Acast. See acast.com/privacy for more information.

Join Eric, @TimAndrewsHere, @Autopritts, @JaredYamamoto, @EnglishNick, and Greg as they chat about the state of The Von Haessler Doctrine, slags, #DischargeDecember, and much more! “Brought to you by Findlay Roofing”

Holly Reid Toodle, CPA, is an award-winning author, speaker, and Financial Education Instructor dedicated to helping her audiences manage their finances as responsible stewards.As the youngest of 4 siblings, Holly grew up no stranger to doing more with less. In 2012, she created The Master Playbook to break the cycle of paycheck-to-paycheck living.Through her award-winning book, future millionaire money camp for kids, speaking engagements, and YouTube channel, Holly works to help families ditch-debt, save with purpose, and build wealth. Socials:Website- https://themasterplaybook.com/YouTube- https://www.youtube.com/channel/UCFtC1SSGaklj0si1YcQfwGwInstagram- https://www.instagram.com/themasterplaybook/Facebook- https://www.facebook.com/Themasterplaybook/Twitter- https://mobile.twitter.com/masterplaybook At Inspire Wealth, we believe everyone should be able to live the retirement they've always wanted. Your financial situation is different from that of your parents, your neighbors, and even your closest friends, so a cookie-cutter approach isn't going to cut it. We can work with you to create a retirement strategy that fits your unique retirement needs — a strategy designed to get you to your goals. When you have concerns about things like how long your money will last or what will happen if you pass away before your spouse, we can help you answer those questions, too!Learn More: https://inspireyourretirement.com/The Inspired Business Leaders Podcasthttps://businessinnovatorsradio.com/the-inspired-business-leaders-podcast/Source: https://businessinnovatorsradio.com/ep-17-interview-with-holly-reid-toodle-cpa-w-nick-bour-founder-of-inspire-wealth

This has been a significant week for the biggest Australian media company that you probably haven't heard of. Headquartered in Perth and with more than 100 staff, The Market Herald has completed a $27m fund raising to buy classified sites Gumtree, Carsguide and, Autotrader.The Market Herald is parent company of the Hot Copper trading forum and the new acquisitions will catapult it the front row of the classified media battle. TMH is the seventh largest media company (of seven) listed on the ASX.In the Unmade interview, TMH's CEO and founder Jag Sanger explains the company's business model, and reveals his plans to launch a new national weekly business newspaper alongside a push into lifestyle publishing and a 24 hour business news streaming channel.Today's episode of the Unmade podcast was edited by Abe's audio.TranscriptTim Burrowes:I'm talking today to the founder and CEO of the biggest Australian media company that you've probably never heard of. Jag Sanger is the boss of The Market Herald, who surprised the market by announcing that they were buying Gumtree, Carsguide and Autotrader. The move makes them a big player in the classified advertising space. The Market Herald itself is a publication focusing on business news in both written and video form. Tim Burrowes:They've got big ambitions including a new weekly national business newspaper and a 24-hour business channel. The company also owns the gossipy investor forum, Hot Copper. I began by asking Jag how the company got to this point.Jag Sanger:Well, thank you. That's a good question. Right now we're at about 110 people split between Australia and Canada. I think one of the reasons why we're somewhat under the radar is in Australia, we're based in Perth, which is perhaps not known as a hotbed of media, and in Canada we're based in Vancouver.Jag Sanger:I think one of the things that has happened, and it hasn't been a deliberate plan on our part, is that because we've built an audience which is in Australia and it's in Vancouver, but it's also... Sorry in Canada, but it's also very much a global audience and we're building some activities which are outside of Australia, people haven't noticed who we are. In Nielsen always though, as a finance play, we've always been number one for impressions.Jag Sanger:We always are delighted about the success of our legacy competitor, the AFR. I think because there is a misunderstanding sometimes of business media, people don't quite understand that we're here, but we're here and we're growing very fast.Tim Burrowes:Well, in a moment we'll talk about The Market Herald now and let's talk about the wider portfolio as well. You're also... I'm not sure if the right phrase is to be owner of a community, but let's say it is. You're also the owner of probably the best-known finance community in Hot Copper. How do you think about that within the portfolio?Jag Sanger:Sure. I think this is a very important part of our journey and a very important part of how we think media organisations are evolving. If we look at how media business has worked, that once upon a time you would have, let's say a newspaper and then you would have classifieds and then by accident you had a community. Classifieds made all the money, community were people who sent you letters and your reason for being was the front page.Jag Sanger:We are that almost in opposite. We have built digital communities. Here in Australia, Hot Copper is easily the largest community for stock market investors. In Canada, Stockhouse is easily the largest community for stock market investors as well, so we own two of the largest communities. We're in that process of acquiring classifieds. We're bucking the trend there. It's a very important part of our business, and the punchline is that we will be releasing broadsheet national business newspapers, in this country and in other countries.Jag Sanger:It will be the first launch of a national business newspaper in this country since what? 1962. There's only two national newspapers in this country. We hope to be the third. This community is incredibly important for us because, one, it gives us readers, it allows us to turn some of the economics of journalism on its head and I'm happy to talk about how that works.Jag Sanger:But it's where we find out what people want to read, we want to find out what people want to view, and that community is a source of petabytes of data for us, which drives our data-led journalism.Tim Burrowes:Well, there's several interesting things there that I'll try and unpack, particularly the launch of a news master head in print form I think you're saying. Let's just talk for a moment about The Market Herald and that model because I'm amused with your labeling the AFR as your legacy competitor but fair enough. How do you think about your publishing ethos for The Market Herald?Jag Sanger:Well, firstly, just to talk about the Financial Review, I used to work for Fairfax. I used to run media and strategy there, a huge affection for the AFR and all its people and as they write about us often I suspect that we're forever in their thoughts as well, so we love to bits.Tim Burrowes:You're referring there to your occasional appearances in the Rear Window column of the AFR.Jag Sanger:You know one day I'll break out of Rear Window and they'll celebrate what we're doing somewhere else in the book and it'll be a happy day for us all. But no, no, we like them and we think they're doing good work. In terms of The Market Herald, just repeat the question. What was the question for The Market Herald?Tim Burrowes:Yeah. The Market Herald, what's your publishing ethos for The Market Herald?Jag Sanger:Sure. One of the things that we think is really important as a news outlet and as a media proposition in a world which is very noisy, with many audiences and huge fragmentation, all the stuff that we know, is to have a very, very clear sense of who your reader or viewer is to understand why they want to read and view you and then make a very, very quick decision, are you in the utility news business or are you in the must-know news business?Jag Sanger:We think utility users is going to a handful of publishers worldwide. There'll be this global giant, but in this must-read world, what we do is help people make decisions in a short period of time without all the information with a financial consequence and we give them that information quickly. Our classic reader is a... And to be horribly gendered for a second, a 55-year-old man who wants to buy a $10,000 worth of Telstra stock. Should I do it? Should I not do it?Jag Sanger:In that moment, we provide the information to them. But again, to be horribly gendered, the other kind of buyer we have is an equally intelligent and often smarter 25-year-old woman who's thinking about spending 10 grand on a used Chanel handbag. She also has information needs, she also needs to know in real time and we serve both those audiences.Jag Sanger:By giving people information they need when they're in state, and this is a very specific language that we use, we're ultimately a data business, when we track this degree of almost psychological arousal for why they must know, we are there and that's what The Market Herald is about.Tim Burrowes:This is both in the written word and in video?Jag Sanger:Absolutely. I think video is very interesting for us. We are easily one of the largest standalone streamers in this country of broadcast quality content. We are running at around nine to 11 million streams a month here in Australia and elsewhere. To understand how people consume media, how they consume video, how they consume the written word, that's something we spend a lot of time in actually working out but that's what we get from the communities we own.Tim Burrowes:Now, something you just mentioned was that you plan on launching a financial broad sheet, which was new information for me. I probably missed an announcement at some point. What is your plan there?Jag Sanger:Sure. We said this right from the beginning that we consider ourselves a newspaper and that we consider there is a viable business model for something we think is as beautiful and as amazing as a newspaper. We think as a product, as a cultural artefact, as a revenue stream, as a reason for being, it's really important to us and it's something we will be launching soon.Tim Burrowes:That's as a daily offering?Jag Sanger:No. I think if you look at the way the business meter is running around the world, it is let's say a Monday through Thursday digital offer, which is what most even print newspapers are doing. Then the weekend offer, which is a very interesting revenue earner and a very different proposition at the weekend for most of the big business press, that will be in print.Jag Sanger:It will be something which will have the cover mounts and the inserts that you have in traditional business news but the two will complement each other. We think a business audience at the weekend looks, feels, consumes differently and we'll serve them as well.Tim Burrowes:This will be available nationally?Jag Sanger:It will be available nationally. We're working out our print runs and our plans right now. We've been talking about this several times and I think it's an important part of the portfolio that we have. We believe here in Australia, we're already number one for online finance news. We are easily number one for business finance, TV streaming news and print is an amazing complement to both of them.Tim Burrowes:Fascinating. Last question on that one, have you yet set a cover price?Jag Sanger:It's a very interesting series of conversations that we're having. All I can say is it will definitely be at a premium.Tim Burrowes:Okay. Now, I suppose one of the other things which interests me about the business model for your portfolio is that some of the business model includes taking effectively shares in some of your advertising clients as they grow their businesses. How does that side of things work?Jag Sanger:There's two ways to look at it. We have a small amount of what exactly what say News Corp does or Seven West does, which is contract. You want to buy X, well, we'll do it in this way. Some of it is that kind of conversation.Tim Burrowes:This for instance would be like where Seven West ventures had stake in Airtasker for instance?Jag Sanger:Correct. They had a stake in Airtasker, they had a stake in... Or they've recently taken a stake in CarExpert, which is a property which we admire greatly and we do some things differently to that but we are kind of in that space. Very similar to that model and it's something that the contra deals people have been doing since the '50s. We get that. We do some of that as well.Jag Sanger:The other thing that we do is because we have a large business audience, one of the areas which we focus on and we see some of our competitors moving into it as well and we think we have different propositions is to provide an opportunity for listed companies and wealth brands to speak to affluent audiences. Now, for these businesses, often which they're smaller, they can be private or they can be listed, we allow them to pay their fees or their cost to ours for billings in stock.Jag Sanger:We don't manage these portfolios. It's not held as a way of making money, just simply a cash flow mechanism for smaller businesses. Sometimes we win and sometimes we lose and every time we're indifferent because it's not about making money on those portfolios, it's just simply a way of reaching different kinds of advertisers who may not yet have funds but who we believe in.Tim Burrowes:Presumably some of this content that you then create for these people is what... The phrase has gone out of fashion a bit, but would've previous been called advertorial or native advertising. How do you ensure the independence of your general reporting on business versus your coverage of those clients?Jag Sanger:One of the things that we do here, which is really interesting is our editorial team and our newsroom, they do not know what is a paying client and what isn't. That's the first thing. The second, when it comes to native, advertorial and sponsored, one of the things that we are almost religiously fixated on is if it's sponsored, it says sponsored at the top in 12-point font, it's orange and it's clear that it's sponsored. Jag Sanger:Our word of sponsored is if we have been paid for it or if there's been any degree of editorial sign-off from a client, then it says sponsored. What we don't do is to do what, for example, Forbes do where I think there is potentially an opportunity to... or a situation where you may begin to devalue some of your trust where sponsored is called something else.Jag Sanger:What we don't do is use the word special report, which again, some of our peers do and what we absolutely don't do, which is what some of our other competitors do, which is to barely mention it at all. The way that we do it is to be very much on the sunny side of the street. We do work with clients, we do advertorial and native sponsorship, but it's say sponsored if it's sponsored.Tim Burrowes:Well, you're about to make, certainly from where I'm sitting, looks like the biggest move in the history of the company so far, which is acquiring Gumtree, Carsguide, Autotrader. Why?Jag Sanger:I think there's a handful of reasons. First of all, the prescription we had for the business media or any kind of media, how it was is you had the front of the... Let's just take a newspaper. You have the front of the book, which is where your reputation sits. You have the back page, which is sports, which is where your readers sit because it's entertainment. But somewhere towards the back you had those traditional rivers of gold, you had those classified sections which paid for the whole shooting match. Jag Sanger:All journalism has always been sponsored, but usually it was sponsored by small ads for cars and houses and jobs. Well known to everybody, everybody knows this, but over the last 10, 20, 25 years, those classified sections have migrated out of newspapers and they become standalone businesses by themselves. You have the very interesting situation where you take for example Nine in this country, which is a $4 billion business-Tim Burrowes:Well, 3.5 these days. They've not had a good couple of weeks.Jag Sanger:I think there are some travails for everybody, but I think we like to go with four. You then look at the largest real estate listing site, the largest car site, the largest job site, and they have an aggregate valuation of $40 billion plus, 10 times bigger than the largest media business. They own no journalists. From our perspective, the largest general classified site in this country is Gumtree. It's a brand which 90% of this country knows. Jag Sanger:There's a degree of affection and warmth to that brand and to build something of that scale and reach would cost us hundreds of millions of dollars. The first thing is we're back in classifieds and we're back in classifieds with a vengeance. Number two, the opportunity to build other products around that audience, especially in terms of streaming video, especially transactional streaming video are huge.Jag Sanger:Great announcement from the news I think this week or last week about in-video commerce and that's something that we are probably going to be natural leaders in. Then the final thing is it gives us scale. Instead of reaching a million, a million and a half, typically male, typically wealth, typically eastern states, we've now got an audience which is almost one in two economically active adults in this country. Jag Sanger:We think we have great editorial opportunities with that and it gives us classifieds, it gives us what we need structurally and it gives us huge reach. That's why we did it.Tim Burrowes:Obviously that plays you into a couple of classified verticals. Are there others you'd be interested in acquiring or launching into? I guess I'm thinking about jobs in real estate, which are obviously lucrative but also quite competitive.Jag Sanger:That's a really good question. I think there are one or two categories where we are very, very well-positioned, and one of those is autos. Against Carsales who we admire and who we like and who we know very well, against Carsales, we now have similar traffic. Over recent years, the business... This is the Gumtree business, has consolidated the second, third and fourth largest competitor to Carsales. One of those is Carsguide, which I was on the board of, and we know it very well and we think we have a red hot chance in cars.Jag Sanger:To put this in context, we've got similar traffic for private party, cars, people selling their own cars. We're bigger than Carsales. For some aspects of dealer, we're kind of at the similar level. Some of the things structurally we're in possibly a better position for... Carsales is a $6/7 billion business so we think there's a huge amount of opportunity there. Jag Sanger:For some other areas, I'm not sure if the brand travels naturally, so we won't push it, but because we're number one in general classifieds, we actually aggregate several thousand categories and within those categories there are always some gems and we'll put our time and effort into those.Tim Burrowes:Now, you're also looking to play yourself into the, I suppose, consumer lifestyle space with the launch of Market Herald Fancy. How are you thinking about that?Jag Sanger:If you look at how business media used to work, and this is the Wall Street Journals, the New York Times, the Financial Times, let's say the AFR here, if you pick up the newspaper on a Friday or a Saturday, the book will have 48 pages, 52 pages, and it will have maybe two or three ads. We like to think that business newspapers took the ads out to make them easier to read. Jag Sanger:But on a Saturday or a Sunday, that same book will have three inserts in it and there will be 74/76 pages and they will be 60% full page, full colour, glossy and they're carrying ads for high ticket consumer, high-engagement but infrequent purchases. It's travel and jewellery and luxury and all that kind of thing. Fancy is in the same vein of that, probably the closest comp would probably be How To Spend It, which is from the Financial Times. How To Spend It is now probably 30% of the EBIT of the entire Financial Times business. Jag Sanger:If you look at the Wall Street Journal, they have Penta, if you look at... Sorry, yeah, they have Penta, the New York Times has the T Magazine. It's very similar. It's a way of selling product and introducing very, very affluent audiences which are hard to reach, to high-end brands. That's something we're doing.Tim Burrowes:Now, you are also looking ever more closely at the streaming space as well, 24 hours streaming with your ambitions for The Market Herald with TMH One. How will you go about that?Jag Sanger:One of the things that we do very well is... And this is something that we talk about and we're very open about and is very much hidden in plain sight, is we've created a different kind of multi-platform journalism and everybody says that, but our newsrooms look different, they act different and they're run different. We begin at the plumbing layer. We are ultimately plumbers. We have built and plumbed a different kind of newsroom, not hired for a different kind of newsroom.Jag Sanger:We're multiplatform from the beginning. Our workflows editorially link into our news gathering and production for video. Our video streaming, we're one of the largest streaming publishers in Asia Pacific. Certainly we're told that by our streaming partners and we built our own play out. What that basically means is we can produce high quality broadcast quality content. We're not terrestrial, but we can do it maybe at 20% of the cost of terrestrial.Jag Sanger:Now, that ability to take that infrastructure and apply it to different kinds of business and then lifestyle programming absolutely is something that we're focused on and is something we'll be talking about more in the next few months. We've committed to launching a streaming channel called TMH One. We're definitely on track and we look forward to getting that out of the tracks very soon.Tim Burrowes:Would you see that as a potential competitor to the likes of Ausbiz for instance?Jag Sanger:I think, Kylie, we have a huge affection and time for. I think that she's-Tim Burrowes:She's Kylie Merritt me who runs Ausbiz?Jag Sanger:Correct. Yeah. I think, look, it's very interesting. Most of the business TV experiments in this country have failed. If you look at CNN Digital, which it was touted as being one of the biggest changes to CNN for many, many years. They spent two years on it, they spent $300 million and they pulled it after six weeks. If you look at the failed experiments in the UK right now, which have been GB News and a handful of others.Tim Burrowes:Well, in defense of GB News, they are beginning to find an audience now, I think.Jag Sanger:You are correct, there are some programs and some slots which have more than zero views, which was a challenge for them for some time. I give you that. They have got at least one view for most of their slots now. Took a while. I think that we've learned a lot from those failed experiments and I think that that model which was embodied in so many people, which was a terrestrial workflow but somehow tweaked for streaming, we don't believe that works. We think a ground-up integrated workflow is the way to do it.Tim Burrowes:Presumably the rise of connected TVs is one of the factors that makes this the timely moment to do so.Jag Sanger:I think that the opportunity for connected TV is both much greater than people think, but will take much longer to get there. I think that the ability to wrap an idea of programmatic TV, which is how advertisers think about connected TV or always on TV or TV everywhere, doesn't quite match the reality of how people engage with that content. Jag Sanger:One of the really interesting opportunities and realities of business television on big screens, especially streaming business television, is more business TV is walked past in lobbies than watched in seats. We're there. We're thinking about it closely. We have learned a lot from the failed experiments of many of the other terrestrial to streaming formats and we hopefully will get it right and we're going to find out very soon, but we're very confident.Tim Burrowes:You're raising something like $27 million at the moment from your existing shareholders. I noticed there's a slight delay in getting that stock back up and trading on the ASX, certainly as we're talking. I think it was about now we were expecting, but maybe there'll be another week's delay or so. What's the reason for that change in timings?Jag Sanger:First of all, the rights... Sorry, the rights issue was incredibly well supported. We have had all of our existing shareholders take it up, especially institutional shareholders. We'll be announcing who some of those are very soon, which will be very interesting because some of them move past certain thresholds. There was the unfortunate death of a monarch this week, which doesn't happen often and that has delayed our timings. Jag Sanger:Then there's this big kicking and jumping game that happens in Victoria. For those two reasons, the timings were pushed out very slightly but we are hugely pleased by how successful the raising was. There are a number of other things that we have to do to finance this transaction but everything is on track.Tim Burrowes:Now, the organisation has a turnover approaching 30 million. The normalised EBITDA I seem to remember as being about 5 or 6 million. In your last annual report, current debt was about 7 million. Usually the markets like the ratio of the debt to be below the EBITDA. After the raising, where are you expecting your debt to sit?Jag Sanger:I think that we put forward a pro forma in our raising documents and we expect to be about $120-ish million revenue. We expect to be at around 20 million dollars EBITDA. Excuse me. We're not giving guidance on either. We are raising debt and there's a number of different things that will come into play there. It's also worth saying that typically for a media business in the growth phase that we're in and we're growing incredibly quickly each year, the ratio of debt to our market cap is often more significant. Jag Sanger:It'd be fair to say that we are somewhat undervalued at this moment. We're very conscious of that, and the reason for that is that we're very tightly held. One of the things that's happened in this rights issue is most of our shareholders... Well, nearly all of our additional investments come from existing shareholders, which means there's not a lot of stock in the market. For all kinds of reasons, as we grow that will change, our valuation will change.Jag Sanger:Clearly we're not making any forward-looking statements, but I think a rerate would possibly be on the card at some point. At that point we do things differently.Tim Burrowes:Let's talk a little bit more about your background. You've touched on some of this already. You actually found your way into the media with ITV, which is the biggest commercial broadcaster in the UK, back in 1989, which would've been before it was one ITV I guess. What was it that interested you in media in the first place?Jag Sanger:That I think is really interesting. First of all, LWT is I think one of the most interesting broadcasters in the world at the time, and certainly was. It was absolutely that kind of stepping stone between this post-war Reithian public service and the brave new world of selling things. There are so many innovations that happened there that a lot of traditional TV around the world learnt from what happened at LWT but nobody's heard about LWT because it's such a long time ago because I'm so old.Tim Burrowes:London Weekend Television.Jag Sanger:Once upon a time you only saw it at weekends. No, I was incredibly fortunate at that time to get a great job, which was carrying bags and getting people's tea and all that kind of thing. But to me it was actually quite fascinating because I remember so vividly at that time, I earned the grand sum of I think about, I don't know, a few hundred pounds a week, and 30 years later a runner in Central London still earns 300 pounds a week, so it's changed and it hasn't.Tim Burrowes:You then went through cable television and also consulting with McKinsey and later with PwC and along the way, as you've already mentioned, two years at Fairfax, which I think was 2006 to 2008, which was probably when things there were at the most panicked and desperate as the newspaper model went away. What did you learn from that?Jag Sanger:Well, look, if I think and reflect on all of those experiences, I began to work first in probably the world's most significant and interesting broadcast, which doesn't exist anymore. Then I worked at Videotron, which was the most important European cable business, which doesn't exist anymore. Then of course CableTel which literally consolidated to European Cable that doesn't exist anymore. Then I came here and worked a bit for Fairfax, which doesn't exist anymore.Jag Sanger:Your conclusion could be you're a desperately unlucky kind of guy, Jag, which would be one conclusion, or I've seen a lot of things and we kind of know what works and what doesn't work and hopefully we're applying some of those lessons.Tim Burrowes:Without giving any forward-looking guidance, what is your take on the economic outlook for media generally at the moment?Jag Sanger:I think that one of the really interesting things is the growth of the streamers and the decline of the streamers, the way that audiences are going to continue to fragment, but media won't care. Then the really interesting opportunity in business media, and clearly I'm talking my own book because we're in business media. We think the growth and the decline of the streamers is that the magnificence of Netflix and then that short period of existential land grab for anybody grossly distorted production around the world.Jag Sanger:We can see that tide flowing out and it will change a lot of things very quickly. Fragmentation of audience, no one's actually going to care because it's as fragmented as it's going to get. There's enough micro audiences and smart people will realise that there's a difference between utility. Everything will be everywhere at the same time and super, super niche and the super, super niche will thrive. Jag Sanger:Then with business, one of the things that we're very conscious of is we attract in large numbers some of the most affluent, influential, engaged, curious and hard to reach audiences on the planet and unlocking that, getting closer to transactional outcomes means good business programming, coverage news will always attract an audience and that audience is more valuable than people think.Tim Burrowes:Just finally for The Market Herald obviously you're doing the big acquisitions now, Gumtree, Carsguide and Autotrader, is that likely to be it for the short and medium term in terms of acquisitions or do you see more down the track as well?Jag Sanger:If you look at my LinkedIn profile, you will see that I say I'm an M&A guy in media, so I would assume that we will do more on both and this is a platform transaction, which as we publicly said, gives us the opportunity and hopefully the right to do more going forward.Tim Burrowes:Look, and I did say it was the last question, but I have thought of just one more actually, which is inspired by you being the M&A guy. I'd love to know what you do think about that wider media landscape on why these big mergers haven't happened yet. Because it felt like two years ago, maybe even just prior to the pandemic, everything was set for some of the big beasts to come together. Has that, well changed or are we still going to see that, do you think?Jag Sanger:Look, I think there's probably two big reasons. Number one is the history of outside in M&A in media is not good. Let's take Australia for a second. If you look at Nine, if you look at Ten, look at Bauer, the winner was the seller. I think that it's an interesting opportunity to better reflect on some of the reasons why. The second is when you look at the shifting priority of non-financial strategic buyers, it's very different.Jag Sanger:Media is not a fast-growth business to some of these people unless you do things very differently. That then means that the future will be driven very much by non-trade financial buyers and those guys are going to be much more operationally focused. They'll look a lot more like we do and we think that that's the kind of player which will begin to consolidate some of these big beasts.Tim Burrowes:Jag, thank you very much indeed for your time.Jag Sanger:No, I appreciate it. Thank you.Tim Burrowes:That's it from the Unmade podcast for today. If you aren't already signed up to the Unmade email, you can do so at unmade.media. Today's podcast was edited by our friends at Abe's Audio. I'm Tim Burrowes and I'll be back with more soon. Toodle-pip.Speaker 4:Unmade. Podcast edit by Abe's Audio. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Alright guv, can you pop down the apples and pears and put the kettle on? While we wait we can ave a butcher's at this brand spankin' video game, it's called bloody DIGIMON SURVIVE. In addition to that we can discuss Xenoblade Chronicles 3 and the fantastic British accents featured within, plus all the interesting stuff from yesterday's Pokemon Presents and all of the games Knox played on his flight to Edinburgh. Toodle pip!Check out our other podcast, Hollywood Phonies, on Spotify, Apple Podcasts, or wherever you like to listen.Patreon - weekly bonus episodes and secret Filthy groupBandcamp Premium EpisodesYouTube - including live streams and Let's PlaysTwitch See acast.com/privacy for privacy and opt-out information.

Andrew and Oli indulge in some forced fun before enjoying a cosy conversation about an old jazz standard. "A reanimated Harryhausen jazz skeleton." Further listening... Duke Ellington and his Kentucky Club Orchestra – East St. Louis Toodle-Oo (1927 version) The Temperance Seven – East St. Louis Toodle-Oo Humphrey Littleton – East St. Louis Toodle-Oo Mercer Ellington and the Duke Ellington Orchestra – East St. Louis Toodle-Oo Emerson Lake and Palmer – Fanfare for the Common Man Duke Ellington and his Orchestra – East St. Louis Toodle-Oo (1957 version)

Thanks for lugging in, farever you are. Cheers. Mind and tell a pal! Toodle oo the noo.

Season 1, Episode 16 includes: How the Whale Got His Throat by Rudyard Kipling; Old MacDonald, a traditional American children's song; Toodle and Noodle's Little Sister from Toodle and Noodle Flat-tail: The Jolly Beaver Boys by Howard Roger Garis; Mrs. Elephant's Moonlight Dance by Royal Dixon containing the song Tigers Bold and Monkeys Wild, lyrics by Royal Dixon and Jessie McKeon, music. performed, and recorded by Jessie McKeon. Raggedy Auntie Reads Theme and Closing Song written, performed, and recorded by Jessie McKeon. **Engage with Raggedy Auntie: linktr.ee/raggedyauntie**

The Battle Apples discuss East St. Louis Toodle-Ooo, Duke Ellington, and Jazz in general.

Thanks for listening to the Doric Express. If you have any feedback, whether it be merely good, or indeed excellent please contact thedoricexpress@gmail.com. you can also view some outstanding pictures of Aberdeenshire, although mainly the streets of Kintore, aside my hoose, on Doric Express on Instagram! Cheers. Toodle oo.

This is your job, BEN!!!….I love it when my Co-Host leaves me posted notes of love…I may have forgotten to write the episode notes again… We've made it to Season 2...Barely. Will this be the season we finally get into our stride? Has Ben grown to love his weekly 6 am meeting with Dan? Has Dan improved upon his Season 1 performance? Will Ben curb his Movie Spankers inspired waffling? Will Dan do a better job of editing out said waffling? Is anyone still interested in finding out? Ben is...For now. If you like what you hear or just appreciate the effort, please reach out and follow us on Twitter @SopranosRe & Instagram @sopranosredefined P.S. Sorry about Dan, I know he's not very good. Would you mind sliding into @FilmFloggers Dm's with your co-hosting credentials? Topics discussed during the episode include: Your hosts agree to a marriage of convenience to see us through The Sopranos. Were you at the legendary 123 Echo Avenue party of 1991? Please reach out & tell us your recollection of events. I miss dumping Milk & Chocolate all over my kitchen; up yours, Mum & Dad. Does Dan have one of those punchable or smash a coffee jug into kind of faces? Married life sounds fun… Does Ben keep up to date with his nightmare journal? Ben has no feelings to hurt. Is Janice a worthy successor to our girl Livia's crown? Have you had sexual relations with Dan Machholz? Can he only perform in the dark? Please reach out to @filmfloggers on the socials to confirm. Would prison be better option than continuing with this show? We attempt to bring warmth & joy to one another. Socials https://twitter.com/SopranosRe https://www.instagram.com/sopranosredefined/ Dan Machholz's dating profile - https://twitter.com/DanMachholz Who's this? - https://linktr.ee/FilmFloggers

2022 is upon us! Begone foul demon 2021!!!! Toodle loo!!!! Let's talk about this year and what we are gonna do to change our world. If you would like a reading or consultation - you can find more information at: www.auntiepanpan.com

In today's podcast episode of Unmade, I chat to Michael Stephenson, sales boss of Nine.The timing was ahead of this week's Nine annual general meeting and, coincidentally, just after Stephenson celebrated ten years in charge of what is now the country's largest media sales operation.The discussion covers the ratings year, the rise of ad-supported streaming, the rival networks' techstack battles and the move to a national sales operation.During the conversation, Stephenson reveals that from July 1, WIN staff will become Nine employees. I think that's new info. At the time of Nine's 2022 upfronts back in September, the company announced it was integrating its sales team with that of its regional affiliate WIN Corporation, but did not spell out that the staff would change employer.With WIN represented on the Nine board by CEO Andrew Lancaster, and WIN owner Bruce Gordon now Nine's biggest shareholder, it's starting to feel like we all failed to notice that there had been a virtual merger between Nine and WIN, rather than a traditional affiliate deal.And also new, was that it felt like Stephenson went further in acknowledging how bad the impact of the cyber attack was, than Nine has done previously, including the need to rebuild its SME platform Voyager.Transcript:Tim Burrowes:Welcome to the Unmade podcast. I'm Tim Burrowes. Nine's Annual General Meeting takes place on Thursday. It's been an unusual year for Australia's largest local media company. The second half of a pandemic, a change of CEOs, a ransomware attack. Just some of the things that you don't usually see. The man in charge of keeping the revenue ship afloat is Chief Sales Officer Michael Stephenson, who joins me now. Welcome, Stepho.Michael Stephenson:Thanks Tim. Thanks for having me.Tim Burrowes:Now, before we talk about this year, I noticed looking on your LinkedIn profile that you've just celebrated your 10 year anniversary since becoming Director of Sales for Nine, which was back in September 2011. Now that was long before the merger with Fairfax, of course. I think it's fair to say that Nine was kind of in the doldrums back then. The banks were circling. There were a bunch of ratings misses. What did you think you were getting yourself into?Michael Stephenson:Gosh, well, thanks for reminding me that it's been 10 years. I would not have remembered that myself. Oh, you know what? I've always loved media and I've loved television. And of course I've been in this role for 10 years, but I've been at Nine now for 15 years in a whole range of different roles. And I love Nine. I'm very passionate about it. But as you rightly point out, a lot has changed since that moment. We were recovering as a business at that particular point in time. We would've had two linear TV channels, I think back then. NineMSN would've been a business.Michael Stephenson:And of course you fast forward to today and we are Australia's largest and most diverse media company. We have a whole range of assets and we've evolved from being just a content business to a content data and technology company. So, we've really positioned ourselves well, I think, for the future. I've been very fortunate to have been a part of that and been involved in a lot of those decisions. And so it's been a pretty fascinating journey. And mind you, I think the next part of it's going to be equally as exciting. There's a lot of incredible things just about to happen.Tim Burrowes:Well, before we look too far forward, let's talk about 2021. Which also was unusually an Olympic year. Seven had the rights. How does that influence your sales strategy for the network? When you know that there's this big lump, which is going to drag some revenue into the TV sector as a whole, but also it's going to change how you plan for the year. How do you think about it?Michael Stephenson:The Olympic games clearly is a significant one-off event. It happens every four years, but whilst I enjoyed watching it we don't spend that much time really thinking about what our competitors are doing in and around that space. We've got our own business. We think about our content and the consistency of that content through the year. It starts with the Australian Open, goes right through until December. We're way more focused on what we're doing than what others are doing. And of course, next year it won't be there and we will continue on. From a TV point of view it's about having that consistency of ratings delivery right through the year. Whether that's news or whether that's sport or whether that's our entertainment formats. I think advertisers really want consistency of audience delivery. And I think that's been our great strength.Tim Burrowes:And we're kind of approaching that point in the year. Hey, maybe we're even here with the AGM coming up. We're certainly approaching that point in the year where we start calling winners and losers in the ratings. Winners for the year et cetera. It strikes me that it's become a lot more complex now. So we have network share, primary channel share, total viewing, including catch up and BVOD. Metro versus national, the different demographics. Of a morning, you have to look at one number first. Which number do you look at first and why?Michael Stephenson:You say it's complicated. I actually don't think it's complicated. I actually think it's pretty simple. We have ratings from the 1st of January to the 31st of December, every year. We have ratings for all of our channels. From the moment we start broadcasting in the morning to the moment where we're finish in the evening. And so if you think about all channels all day, against the thing that matters to advertisers, which is demographics. And in particular three. 16 to 39 year olds, 25 to 54 year olds and grocery shoppers with children. That is the vast majority of advertising campaigns are bought against those demographics. Then we are the undisputed leader. We win in all of those demographics. This will be our sixth year of dominance. And so I look at it through that lens.Michael Stephenson:Now of course, at different times, different agencies or advertisers might look at specific segments. Someone might look at primetime on the main channel as an example, because it's where they spend the vast majority of their money. If you look at it through that lens, we're the leader again, 16-39, 25-54, grocery shoppers with children. We'll win that as well again for the sixth year in a row. So however people want to look at it, I think that's fine. We win in all of those, against every one of those metrics. And I think that's really important to advertisers. It's what they buy. They're looking for a return on their investment. And with us, you get scale because we're the leader. Scale because we're number one. And a consistency right through the year.Michael Stephenson:The metric is really simple. 1st of January, 31st of December, all channels against the demos. Now, as you mentioned, the Olympic games earlier on, of course, what advertisers do, and marketers, is they exclude one-off or special events. And as I reference, the Olympics. Wasn't their last year. Won't be there next year. And therefore, or it's excluded from any analysis.Tim Burrowes:Although I'm sure Seven would argue differently, obviously.Michael Stephenson:We can't really argue it. That's been the way it has been forever. And it makes complete sense because when marketers are making decisions around their advertising investment, they need an apples for apples comparison. And so they compare one period to were another period and you remove one-off events. And last time I looked, Tim, that was a one-off event.Tim Burrowes:And one of the things I'm curious about is you... Hey look, we're recording this not long after the ratings will have come in for this morning. What do you look to first? You open your phone. Do you just look at how a show from last night did? Because there must be something you look for first. Where would you usually go personally?Michael Stephenson:Straight to the top. Overnight ratings are still incredibly important, but I think everybody does need to realize that they're only a part of the story. So, in the morning when I get the ratings report come through, I go straight to 25 to 54 year olds. I look at how many shows we had in the top 10, what our share of the evening was against that demographic. And importantly, I look at what percentage of our total audience was against the demographic. Regularly, we are somewhere between 50 and 60% of our total audience is in the demo. And that's really, really important. So that's where I would go to first, every morning. Followed very quickly by what happened in live streaming and what happened on demand for the previous day as well.Michael Stephenson:The notion of total television is a real thing. It is the future of television. The ability to connect with audiences as they consume content, either via the live signal, via a live stream or on demand. So when we're thinking about the success of a particular piece of content, you've got to look at it across all of those platforms. There's some great examples. Love Island right now, of course is on air and on 9Now. Episode number one has just ticked over 800,000 viewers. Of course, on demand and live streaming viewing is the major driver of that audience number. So looking at it holistically is critical and really important.Tim Burrowes:Love Island is a really interesting example, I guess because it skews to a younger audience. That show's probably a really good indicator of where the trends are going. And as you say, there are some episodes now where there are more people who've watched it on BVOD, broadcast video on demand, than watched it when it went out on linear TV. Assuming we take that as the sign to come, how should did that affect how marketers and media agencies plan and how you trade with them, as that becomes the new reality?Michael Stephenson:I think it's a really interesting point, because I'm not sure that's the reality for everything. I think what's interesting about Love Island, when we played on Channel Nine, if we played at 8:30 or 9:30 or 10:30, it actually doesn't change the audience profile at all. And the reason why that is, is because they're the people who are viewing that content, they're what I would call fanatics. They are lovers of Love Island and so they find it.Michael Stephenson:Now, of course, increasingly because of the demographic profile of the show, it obviously skews a lot younger. They are increasingly watching it via our live stream or on demand. But if you think of about tent-pole shows or sport or news, and the like. Whilst people will increasingly view on other platforms or connected devices, the foundation of that yesterday, today, tomorrow, and for probably as long as we can see, linear television will still be the foundation and the driver of audience. And that's really important if you're an advertiser, because when advertisers are buying advertising campaigns, they are trying to maximize reach. And of course, they're trying to do that efficiently. And so I think the challenge for advertisers, and it's why VOZ is clearly so important, is what is the mix of advertising in both linear television, within a live stream and on demand, to maximize your reach and do that at the minimal cost?Tim Burrowes:VOZ, for Virtual Australia, the overall measure.Michael Stephenson:That's right. There is an optimal allocation of funds across all of those platforms, which will allow you to maximize your reach and reduce the cost of every incremental reach point. And that is of course the role of media buyers. And so you're increasingly seeing people talking about total television for those two reasons. And I think that's fascinating because that is the science, if you like, in media buying. The ability to analytically make decisions to maximize those returns, I think is really important.Tim Burrowes:Well, we are well into the final quarter now for the ratings year. Any more twists to come? Or is it pretty much, do we know where we are now do you think?Michael Stephenson:I think in terms of who is the leader? Who is the number one network against those demographics? I think that race has run. And of course that's us. We're the leader by more than two points against 16 to 39 year olds. We're the leader by almost four points against 25 to 54 year olds and over four points against grocery shoppers with children. So we will, once again like I said, win the year. That's really important for advertisers because it's how they will allocate their investment into the following year. But there are still twists and turns.Tim Burrowes:In fairness to Seven, we have to note that they'll win total people though. Not that you care about that?Michael Stephenson:No, absolutely Channel Seven will win total people. And we will come second against people 65 plus. So we won't win those two. But the things that advertisers buy, those three demos, we will win that. And to your point around, are there more twist and turns? There are because Parental Guidance has got off to a cracker of a start. So there's some really interesting stuff coming over the next couple of weeks in that show. And then of course we've got the Lego Christmas content and we obviously have Snack Masters. So there's a lot of premium Australian content to come on Nine between now and Christmas.Tim Burrowes:The Block's obviously gone well in the end, but did it give you a bit of a scare when it started slowly this year?Michael Stephenson:This is not new news, but these types of formats generally have a hockey stick shape to their audience performance. So they start strongly, after the course of the two or three weeks, you see the audience come back a little and then of course you see that build towards the finale. And that's exactly what we've seen again. We've had many, many, many seasons of The Block. It is got to be the most valuable show on television because audiences love it. Increasingly they love it across all platforms. And brands love it as well, because it's a show built for brands to integrate into. And this season didn't disappoint in terms of, I would say, innovative integration and brand storytelling that we brought to life. It's been another great year for The Block. And next year, of course, it goes to the bush. So more twists and turns.Tim Burrowes:Let's talk about Galaxy. So you've invested heavily in allowing brands to effectively match their own first party data. And to then make looking to cross the network, everything apart from maybe channel primetime. You announced that in Nine's upfront this year. Seven and Ten made similar announcements. One thing I found myself sort of thinking about from the outsider perspective was that, once you heard from everybody, it's actually quite hard to tell what's real, what smoke and mirrors? And I'm not sure that's necessarily a good thing for television as a medium as a whole. So you're a board member of ThinkTV, the industry body for television. Are you yet in a position where you can speak as an industry, as a whole, clearly about what television actually is able to offer across the board towards marketers' tech stacks?Michael Stephenson:There are a whole range of projects ongoing at an industry level, whereby Seven, Nine, Ten and Foxtel can come together to make the transaction of television easier, if you like. We're doing a lot of work with third party software suppliers right now. Ensuring that all of the agency systems of Oz ready. And we're doing that as an industry. The ability to standardize things like file types and the technical transaction of data between TV company and agency. All of these things are happening in the background. Will that be one system that everybody can access to buy television? And the answer that is no.Michael Stephenson:And therefore Seven, Nine, Ten and Foxtel are either building or licensing their own. Of course for us, it's Galaxy. That is a real thing. It exists. And we have some agencies placing up to 70% of their off-peak and multi-channel bookings through that platform. Fully automated, no makegoods, no shortfalls. It's the future of how you would buy television. And it's here.Michael Stephenson:Of course, in our upfronts, we made some more announcements. We want to make it even more accessible to people. We are in the process of opening up all of our live avails to all of our agency partners. So they can see exactly what is available to be purchased, make that transaction more simple. And of course, we're giving them direct access into this system. They'll be able to come in and create and place their own campaigns directly into Nine Galaxy.Michael Stephenson:We spend a lot of time talking to international technology companies who are fascinated by what we've built. You asked me at the beginning of this podcast, "God, I've been here 10 years. Was it what I expected?" Well, of all of the things that we've achieved in the last 10 years, I think the development of Galaxy has got to be one of the things that I'm most proud of. Because we went into the globe, looking for a piece of technology and it didn't exist. And it doesn't exist today, so we built it. And it's great to see the other guys also taking the investment in technology seriously, because it's a big part of, I think, the future of all of our businesses.Tim Burrowes:And do you think in their upfronts they gave the market a fair impression of how far advanced they are with their own progress?Michael Stephenson:I didn't see all of it. I don't know, it feels like it's right. I'm not sure. I'm not close enough to their businesses to know exactly what they are doing. But I think what is obvious is, the future of television is automated, it's addressable and it's a total television ecosystem. So you need to have a platform that takes the laborious, heavy lifting of buying 30 second ad spots away from media buyers. That's not efficient. So you need to automate it. You need to be able to buy against your first party data asset and you need to be able to buy live, live-streaming and on demand. And Galaxy does all of those things. And of course, as I announced that our upfronts we're obviously, as we speak, building it for regional television. So we will not only have world class technology, you'll be able to buy metro, regional and BVOD all from one stack.Tim Burrowes:We'll come to that WIN arrangement in a moment. Just one more question on the technology first. You talked about building stuff yourself and I was really interested when you announced it. Voyager the effectively self service platform for smaller advertisers. Now, I think it was somewhat disrupted by the ransomware attack. Is it back on track now?Michael Stephenson:I love Voyager and our focus on the SME market. I kind of feel like it's a little startup sort of incubating alongside us. So you're right. It was impacted by the cyber attack. We're in the process of rebuilding that. So it can sit in the cloud obviously. And we're building that app today. You're able to access television, radio and BVOD through Voyager. But I think what's obvious to us as we're learning, is the SME market, of course, predominantly today use search and social. So what we are building at and will happen over time is the ability to connect with our digital audiences through Voyager. Because I suspect for small businesses, not so much medium enterprise, but for small business, their first exposure or experience with Nine will be through digital. And then it'll build through radio and ultimately end up in television. As small businesses become bigger businesses, clearly television becomes the utopia. So we're building that out for that particular reason.Tim Burrowes:Well, you alluded to regional just now. Now Seven in the last week or two announced the Prime takeover, which gives them a kind of nationally owned offering. You had already talked about having one sales team with WIN as Bruce Gordon's WIN has become increasingly close to Nine as an organization. He's a shareholder. In terms of the practicalities, when you saying one team, how much of one team is it? I suppose what I think about is, if you tell your sales team what to do, they've got to do it. With WIN's team are you telling them, or are you asking them?Michael Stephenson:I would like to think that I'm not telling anybody anything, but working collaboratively with all of the guys and girls that work in our team across the country. I guess there are a couple of stages. The first stage is what we're doing right now, which is, I would say we've aligned our teams. And so all of the WIN sales team are co-located in our offices around the country. We've invested in resource, into trade marketing, into Powered to ensure that the Nine story can be told in both metro and regional markets.Michael Stephenson:We are increasing collaboration between both the metro and the regional teams. And we're just working more closely together. And of course there's great efficiency and opportunity in doing that. But it'll only get you so far. So stage two, which will happen on the 1st of July, to answer your question, is that all of the WIN team will become Nine employees. So they are a part of the Nine team. And Nine will be responsible for representing Nine's assets in regional Australia into the market. So that is complete integration.Michael Stephenson:But even that only gets you to stage two. The real benefit for agencies and marketers is our ability to automate the buying and selling of regional television. Because if you think the metro markets are complex, then the regional markets are five times as complex. There's five times as many markets. And so we're working through that process right now. And when we have Galaxy for regional, that's a game changer. No shortfalls, no makegoods. That is our absolute point of differentiation, because nobody else in the market has that product or the ability to deliver that for clients and agencies. And it will drive incredible efficiencies for agencies and clients. But ultimately it will deliver them a better outcome.Tim Burrowes:Well, if we count your time at NineMSN, which is what brought you into the organization, you've been through four CEOs now, with Eddie McGuire, David Gyngell, Hugh Marks and now Mike's Sneesby. It's a slightly unfair question, but which of them would you say has so far made the greatest contribution to the state the business finds itself in right now?Michael Stephenson:Mike Sneesby, definitely! Mike's literally six months in, so it's super early days for him. But I think our first exposure to Mike as a CEO was of course managing our business through the cyber attack. And I don't think we could have been in safer hands through that process. So-Tim Burrowes:He's got an engineering background, of course.Michael Stephenson:Yeah, I guess that helps. But I just think the way as a leader he managed our company through what was a very difficult time. And I don't think he could have done that any better than he did. Through my time at Nine I've had different CEOs and I've probably been... I was younger or learning different things. I mean, Hugh Marks, I think, has to go down as one of the most successful CEOs of all time anywhere in media. What he achieved in his five years at Nine was quite incredible. And we have a lot to thank him for, for being the business that we are today. And he was the architect of that. But of course, Gynge was so charismatic and so content driven and just an incredible person to be around. So, I learned different things from different people, but when you think about those names we've had a pretty incredible lineup of leaders.Tim Burrowes:(Chuckling) And Eddie McGuire commissioned Underbelly.Michael Stephenson:And of course, back in our schedule next year with Underbelly: Vanishing Act. So the brand lives onTim Burrowes:This is a thought that's just occurred hearing you talk about these things. There were lots of strong internal candidates for the vacancy created by Hugh going. And it was kind of in the public domain that you were one of them. If you had taken that role, would the company look any different right now to how it looks?Michael Stephenson:Oh gosh. That's a really big question. We've got a very clear strategy. I think it's one the things that has allowed us to be as successful as we have been over the last little while. We create great content, we distribute it across multiple platforms to ultimately engage audiences and advertisers. Within that, of course, we're accelerating towards our digital future. It's what we started five years ago. It's what Mike is accelerating. Which is exactly what I would've done if I had have been given that opportunity. But, as I said, I think Mike's doing a fantastic job and I'm very fortunate to be able to work right alongside him. And I think we're a good team.Michael Stephenson:We've got a great executive team here at Nine. We're good friends and we take everything very seriously, but not ourselves that seriously. So it's good fun. And we're doing that now in an ad market that's recovering really quickly. So I the next period of time, I think is going to be an interesting period, as you think about points of inflection, not just for Nine, but I think for our industry. This whole notion of total television. The notion of total audio. The role of subscription and advertising and how they coexist in a diversified business like ours. All of these things are really interesting and I think the next 12 months you're going to see all of that play out.Tim Burrowes:Michael Stephenson. Thank you very much for your time.Michael Stephenson:Thanks for having me.Tim Burrowes:The Unmade podcast is produced with the enthusiastic support of Abe's Audio. If you don't already, do sign up for the Unmade newsletter at unmade dot media. More soon. I'm Tim Burrowes. Toodle-pip.Speaker 1:Unmade. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

Growing up, Holly Reid Toodle learned everything from her parents except money management. After losing her first job due to the recession, Holly realized just how unprepared and uneducated she was when it came to managing her money. With no job, no savings, and a significant amount of debt, Holly had to dig her own way out of a financial hole. Today, Holly has used her personal experience to publish The Master Playbook, a guide that explains how to break the cycle of living paycheck to paycheck and achieve financial freedom. Managing money is one of life's most crucial skills, but many parents aren't teaching their children how to do it. According to Holly, this is because they weren't taught how to do this either! In order to break cycles of poor financial habits, Holly says parents need to be talking to their children about money at an early age. Holly suggests being open to sharing your financial successes and failures with your kids and discussing ways in which they can avoid financial pitfalls.  Tune into this week's episode of Southern Soul Live Stream for a conversation with Holly Reid Toodle about wealth management. Learn more about Holly's personal story, the basic principles of saving and investing, and how communicating with your children about finances can help them attain a debt-free future.    Quotes • “I was pretty much the epitome of young and successful. I was at the top of my game, I was living above my means, I was doing everything our America teaches us to do, which is to accumulate debt. I was accumulating debt, I was living high on the hog, I wasn't thinking about tomorrow, and then I got hit with a corporate layoff.” (06:49-07:20) • “My wake up call was that I was so naive and so ill-prepared for the unexpected.” (08:34-08:39) • “Here I am: an accounting major, graduated with honors, CPA, auditing million dollar fortune 500 companies, yet I couldn't manage my own personal finances.” (13:59-14:11)  • “You call it passion, I call it purpose. There's purpose behind my work. I've worked with a number of families and taught enough kids to see the impact. I am literally planting seeds and the seeds can be planted from many different places, not just me. It could be planted from people they looked up to, whether they're celebrities, books they read (where they're getting information from different perspectives), or financial educators like myself. But the main point of this is that it has to come from home, too. It's got to come from the parents. I tell my parents, they are their kids' first financial advisor, and I know that money management may be an intimidating topic, especially if the parents aren't good at it.” (19:47-20:51) • “A lot of adults aren't good at managing money because no one ever taught them how to do it or how to go about it. But here's the thing, whether you're good at it or bad at it, we all have experience with it.” (20:54-21:08)   Links Connect with Holly Reid Toodle: • https://themasterplaybook.com • https://www.facebook.com/TheMasterPlaybook/ • https://www.instagram.com/themasterplaybook/   Connect with Southern Soul Live Stream: • Want to listen to our next episode live? Click here to register. • Website: www.SoulLiveStream.com • Facebook: https://www.facebook.com/SouthernSoulLiveStream/ • Instagram: https://www.instagram.com/southern_soul_livestream/ • Twitter: https://twitter.com/soul_livestream

Welcome to Unmade's second podcast edition.Today saw ViacomCBS share its plans for 2022, across Ten, Paramount Plus and the rest of its broadcast channels. There are several new formats, a big new soccer rights acquisition and new advertising formats.The company's two local executive vice presidents, Bevereley McGarvey, and Jarrod Villani, both joined me for the converation. As well as talking about the slate, I asked Villani asked whether Ten might be open to acquiring either Prime or Southern Cross Austereo's TV operation to round out its national offering.I'll be back with more analysis in tomorrow morning's Unmade newsletter when I offer my own thoughts on how Ten's plans stack up.A transcript of the podcast appears below.TranscriptTim Burrowes:Welcome to the Unmade Podcast. I'm Tim Burrowes. This week Ten became the third of Australia's big three TV networks to unveil its plans for 2020. There's a significant investment in new formats. Some new commercial opportunities and a sports rights announcement too. Ten is part of ViacomCBS, and I'm delighted to say that the company's two bosses in Australia and New Zealand, Executive Vice Presidents, Bevereley McGarvey, and Jarrod Villani join me now.Beverley McGarvey:Hi Tim. Thanks for having us.Jarrod Villani:Thanks very much Tim.Tim Burrowes:So we'll come to the content in a moment and there is a lot to cover, but first I'm going to invite you to jump in, Jarrod. A lot of Unmade's audience comes from the media agency and marketing world so we'll talk about the commercial stuff right upfront. A couple of the new announcements for next year, Happy Hour, which is something that's going to be available on Tenplay, which effectively gives the audience an hour of ad free viewing, thanks to a sponsor, and dynamic e-trading placement. So let's talk about those two things to start off with.Jarrod Villani:Great, Tim, and thanks very much for having us. So we're really excited about the Happy Hour announcement. We think it gives great brand exclusivity to advertisers in a way that really cares for the viewer. We see that with the ongoing developments of paid streaming services, that viewers love that uninterrupted viewing experience. So we thought that we would trial Happy Hour to see what both the viewer resposne to it was, and indeed the advertisers. And it gives that brand exclusivity to advertisers, which is almost unobtainable anywhere else. So we think it provides both a great opportunity for viewers to experience something different on an ad supported platform-Tim Burrowes:... And the way I works, I take it, is that at the front of the hour, there's a message from the sponsor who gets credit for the experience they're about to have?Jarrod Villani:That's right, as well as overlays and other ways in which we can work in the messaging about that particular sponsor throughout that hour, without being as invasive as a 60 or 90 second ad pod.Tim Burrowes:And how do you price that for the sponsor?Jarrod Villani:Well, I think we'll continue to work through that with the agency, as we get into the detail of that, I think it's a new area. It's something that clearly will attract a premium because you do have that exclusive benefit over the course of the period. So we'll continue to work and Rod will work through that with the agencies-Tim Burrowes:... This is Rod Prosser who leads the sales?Jarrod Villani:Indeed, yes.Tim Burrowes:And tell me about the dynamic e-trading placement.Jarrod Villani:Well, I think it's all about offering that dynamic nature of the way in which agencies want to buy advertising space and indeed the ability to be more nimble as you see fluctuations in particularly in the BVOD space. So we think that... And as you can see across many organisations, the ability to adapt to pricing demands and indeed, if you have an advertiser who wants to adjust images or offers with short notice, it gives you that ability to do that.Tim Burrowes:So how does this stack up against…  And this, this is obviously where everybody tends to use sort of slightly different terminologies. One of the things we've seen over the last few weeks is Nine and then Seven come to the market, talking about what they're now able to offer with... not trading, so much as automated buying, because humans are still having to negotiate the price, how does it stack up against that?Jarrod Villani:Well, this is all about, and I think this is a collaboration between us and an agency world, which is about what is it that works best for them? So we think about our products in an agency led environment because they're the ones... There's no good us designing something that we think is wonderful and whiz bang, and provides everything that we need. But of course it still requires a significant amount of manual work around from an agency perspective. So we think that our products are connected with the way in which agencies want to buy. I can't comment on that of other platforms, but Rod Prosser and the team to do a lot of work in understanding what eases the friction from the buyer's perspective and how we continue to reshape and model our platforms to make that an ease of trade.Tim Burrowes:Well, let's get into some of the formats. So Bev it really strikes me that... I think it's fair to say that of the three networks, TYen is investing the far the most this year in new formats. And they tend to be formats, which have at least been already tried in the US, or UK. So let's talk through a few of those. One of the ones that most intrigues me is The Bridge.Beverley McGarvey:Well, The Bridge is really interesting. It's actually for Paramount Plus and what we're interested in is having some high-end constructed reality on a streaming service. And as you know, lots of the other global streaming services have had a lot of success with high-end premium non-scripted content, as well as the premium scripted. So we just want to make sure that our local service is offering both scripted and non-scripted and The Bridge is intriguing and as you know, Australians love that non-scripted content and The Bridge is intriguing because it's quite authentic. The format beats that free to air audiences enjoy with things like Master Chef and Survivor, where there're tribal councils and mystery boxes and all that sort of thing. The Bridge is slightly more organic than that, you're kind of thrown in at the beginning with an end game, here's a group of people, here's a giant bucket of cash.Can you get it? And if you do get it, how do you split it? And it's really a social experiment in that how do those people work together and how do they split the money at the end? That's what's really intriguing because actions that you might take in Day Two will affect the outcome and day 10, so it's quite immersive. We will most likely drop it as a binge experience, and it's a much shorter run than the free to air and big constructed reality formats. And also we're shooting in Tasmania and as you know, not, not a great deal of content is shot in Tasmania and it's beautiful. And I think just having that different geographical look we see lots of beaches on Australian TV, we see lots of the Outback and beautiful red dirt. So I think just seeing that really interesting green environment. We have a bit of jungle in I'm a Celebrity, but I think it will look really different and I think that's really important. So we're excited about that.Tim Burrowes:With that one, as I was saying is it's a format which has already gone to air in the UK.  I've not had time to view much beyond a few trailers, but I know reading one review, it made the point that casting is really important, which obviously always is for these things. I know one of the points made in at least one of the reviews in the U.K was they were quite an agreeable group of people. And perhaps as a result, it lacked some of that tension you sometimes see, but equally you don't just want, I know they won't be called a tribe, but a tribe of dickheads. So how are you coming at the casting question for something like The Bridge?Beverley McGarvey:The casting on any of those shows is absolutely critical and really what you're looking for is a mix of people that reflect an environment that you might actually find yourself in that you do find some people who are agreeable and some people that might add a bit more tension to proceedings. And also you want some surprises. So it's been very successful in both the U.K on the U.S and for example, in one of those series, they had someone who actually knew how to build a bridge who was actually a bridge builder in the army. But he was a gentle character and the others didn't quite ever find that out about him because they didn't ask him enough questions, and that's fascinating because they actually had an expert in their midst and didn't use it. So you're also looking for those surprising elements and I think the company that are making it, they cast Survivor, they cast MasterChef.They really know what they're doing. The great thing about Australian characters is that Australians are, we get phenomenal casting on some of our big shows. People really put their hand up for this sort of thing. So I think Australians really like to challenge themselves and they really enjoy this sort of content. So I think the casting will be, as it often is with us, you almost have too much choice. And the hard thing is just whittling it down to a group of people that make, as if you're casting a drama, you get a really great mix that make it a compelling watch.Tim Burrowes:Well, let's talk about a couple of other formats, which are quite well known in other markets. Would I Lie To You?, now again, this is one where quite a well-known cast in the U.K, and of course it's already available on Australian television. So I guess one of the daunting things for your cast, and I don't think you've said yet, who it'll be, is there's going to be a point of comparison for them?Beverley McGarvey:Absolutely, so I will tell you who it's going to be. So the point of comparison is something that we do think about, but I think that the point of comparison does two things. It makes you think, well, this is what works in the U.K and how do you take that and apply it to Australian audience, and what makes Australian audiences enjoy things differently? So we are going with Chrissy Swan in the hosting chair and Chrissy is an incredibly generous performer, and she's warm and funny. The other wonderful thing about Chrissy is that she gives other people space to be funny. And that's incredibly important in the show because there will be six big characters sitting in those other six chairs every week. And you need somebody who can not only wrangle that, but allow each person to find the flow and be themselves.The two team captains will be Chris Taylor from The Chaser, who as you know, is an incredibly smart, witty, fast comedian. And we need that, we need somebody who can be that fast. And then the other team captain will be Frank Woodley, also smart, funny man, but a very physical comedian, so very different. And we just think that balance of those three characters will be a really great foundation for the show. And then of course, every week you have four guests. Now, those four guests aren't necessarily always going to be comedians, although they often will be, they will be well-known Australians who are good at kind of telling a tall tale.So we think it's a really exciting show that it allows us to cast from a very broad group of people. And it won't be the same people that you used to see everywhere else, we need to get different people in those chairs. So we're really excited about that. A panel comedy, when it's done well, tends to go very well for us. I think there's an appetite for it and particularly the environment we find ourselves in at the minute, I think people really will embrace something funny.Tim Burrowes:And speaking of panel comedy, The Cheap Seats and Have You Been Paying Attention, are both coming back?Beverley McGarvey:Absolutely, they are both coming back and HYPBA, it's been on for a really long time now, that team do a phenomenal job, they are consistently funny, week in, week out in every segment. They're great at using established talent at bringing through new talent and just bringing through that new talent has really... It's what's led to The Cheap Seats. So The Cheap Seats, obviously it's a slightly younger cast, probably a slightly different pace, if you watch that show, they are fast. They're kind of in their mid twenties, those guys, and they just rip through the material, which is really interesting. And we have a really good core audience for that show and it took us a bit of time to build Hyper, like Cheap Seats has got a broader following in a much faster time frame. So we're really excited about that and those shows worked really well in a complimentary fashion. They both tend to start around that kind of Q2. So we just wanted something funny at the top of the year, which is why we've put, Would I Lie To You? in at the very front.Tim Burrowes:And I'll come on to some more new content in a moment. Jarrod, let me come back to you in a moment because it strikes me that as we're chatting -  and although our audience can't, I can see you both. So on the left though, as I look, I've got Jarrod, on the right I've got Bev. Bev's job is to spend the money and Jarrod's job is to find it. So I'm guessing it's a bigger content budget this year. I'm wondering if that is indeed the case and if so, where you're finding the money from?Jarrod Villani:Well, I think if you, if you look at the way in which our organisation has evolved over the last 18 months, we're certainly spending more on content, there is no doubt about that. For the first time in 2022, we'll have all of our brands under one roof, obviously Network 10 and Tenplay, Nickelodeon, MTV, Nick Jr. Paramount Plus, and the enormous investments that we're making in that area. And what it does allow us to do is to look at the way in which our content lives across platforms and look at the levels of investment that we make and the way in which that can complement all of our services and the way in which we can cross promote that and engage with viewers in different ways on each of those platforms.And indeed, hopefully drive viewers across those platforms as well, which presents wonderful opportunities, obviously for our viewers, but also for advertisers as well. We think that if you have, if you have integration into one of our free to air programs and that, that also shows on Paramount Plus at some point in the future, then you will be tapping into a broader and additional audience also, without necessarily having to pay twice for that opportunity. So we think it presents great value to advertisers as well, but that has allowed us to invest even more strongly than what we have in the past, across our content slate.Tim Burrowes:Let's talk a bit more about that content. Bev a format which we've previously seen on screen, but at another network, over at Seven, was First Dates. So what is it you like about that format and what is it that you see in that format that Seven presumably didn't from the fact they let it go?Beverley McGarvey:I think these days shows have moved around a little bit and there's always a moment in time thing with certain formats. We've always loved First Dates. What I love about First Dates and what I think our audience will love about First Dates is the authenticity and humour that you find in a show like Gogglebox. These are real Australians having an experience that we're kind of voyeuristically watching. And I think it's sweet and it's different than the big dating shows. It's different than the Bachelor and The Masked (Singer) and those big shows, which have a place and are incredibly important, but this is very different.It is, as I say, more in that Gogglebox, Travel Guide space, they're regular people, they're people that you see in Coles and Woolies, they're those type of people. And I think those authentic characters are something that we don't have a great deal of, we tend to have the bigger constructor reality shows and people who apply for those shows are big personalities. These are more everyday Australians and I think there's room for that on our schedule. And I think our audience will really embrace it. And it's one hour, once a week, it's kind of down the back of the week and we think it will do a really good job in attracting an audience that will come to it for the humour and the sweetness, as opposed to the spectacle that we often offer on a Sunday, Monday, it's just about getting a bit of balance in the slate.Tim Burrowes:And a key thing, I suppose, for First Dates is the narrator voice. Have you made a decision on that yet?Beverley McGarvey:No, we haven't gotten that far yet. We're actually, we're casting at the minute and it will be for Q1. So we're just looking at those sorts of things right now, but it's a really good point, it's kind of critical.Tim Burrowes:Let's talk about another one, which feels like a potentially, I guess, an expensive one because it takes place out in the world, Hunted.Beverley McGarvey:So Hunted is really interesting, I think from an audience point of view, it's really exciting. And also from an industry professional point of view, it's really exciting. So Hunted is kind of, it's a big constructed reality show. And the interesting thing for us is it's an urban city scape and you know, we've talked about this, we do jungles, we do out in the Outback we do lots of other things, but in terms of shooting in an urban cityscape, it tends to be the domain of Australian drama that does that. So Hunted will be shot in Melbourne, hopefully in a bustling busy city. And the idea is you start with a group of people, they literally lose their phones, lose their credit cards, lose their money and it is 3, 2, 1 go. And basically a team of people chase you in what I ambitiously say, a Bourne Identity style and the last person caught basically wins money, it's literally, can you evade capture?So where the production works is there's a production team with the hunted and there's a production team with the hunters, and they don't overlap so that the production is authentic in terms of the production not knowing what's going on. And then there's a central team that are watching both. And they can get out of the city a little bit, it's been very successful all over Europe, in the U.K and in markets like Italy. And it's a really exciting, fast paced format and again, attracts a very different type of cast. Australians, as I said are really, they're competitive and I think we're casting it at the minute and then it will get a great cast and also a different looking show and a different dynamic. And also a lot of constructed reality shows are in a bubbled environment so you're in the Bachelor mansion, you're in the MasterChef kitchen, this is out in the world, so it feels a bit different to some of our other shows. So we're really excited about that.Tim Burrowes:And while we're talking about the big formats, Survivor comes back again. Now one of the great things for me about Paramount launching as a service here was having availability of all the U.S Survivor episodes. So I haven't yet worked my way through all 40 seasons, so I don't know if this is based on a U.S season gone by, but there's a twist this year?Beverley McGarvey:It absolutely is based on a U.S Season gone by. And what we tend to do is we look at some of the thematic Survivor versions that play in other markets, and then kind of adapt them for Australia so that it really works for us like Champions versus Contenders was quite original to Australia, although it was loosely based on something else. So what we're doing is Blood versus Water and effectively what that means is you play with someone you love for a certain amount of time.And Survivor's really interesting because at the end you are the sole survivor. So adding the dynamic of... Some people are very ruthless in Survivor, which we love. If your mother is with you, the question is, is blood thicker than water? So we're filming at the minute. It's really, really interesting. That dynamic really brings out interesting character traits in people. And Survivor really is... Survivor fans are super committed to it and they love those extra layers of complexity and interest. So it's a really interesting theme and we've also got fantastic casting. Most of the cast are new, we do have some favourites coming back, but they're not playing alone, they're playing with a sister or a mother. So again, it's not like... You've seen them before, but you're seeing them in a different way now cause everybody behaves differently when their mother's around, I think, so it's a really good theme this year.Tim Burrowes:And Survivor obviously has become a really reliable partner schedule now, would you do two series in a year, would you contemplate that?Beverley McGarvey:We have done in the past. We actually nearly did two cycles last year, but COVID kind of scuppered that idea. It's an incredible investment, a show like Survivor and it's very successful. I think probably the audience appetite for it is maintained when we do one cycle a year, if there was ever a reason to do a second one, we would never say never. We also do slightly more hours than some of the international versions. So our audience already get a decent amount of Survivor. So possibly one day, certainly not next year.Tim Burrowes:Jarrod,  where are we now, in October, three months or so into is the switch of affiliations from the previous connection with WIN Corporation over to Southern Cross Austereo. How has that gone so far? Because I guess you were pretty much thrown in the deep end to arrive and then make that negotiation nearly straight away?Jarrod Villani:It's going well, we're very fortunate as we were with WIN, to have terrific partners and we still have a very substantial relationship with WIN in Northern New South Wales. So that continues to go very well and Southern Cross in most other major markets. And of course, as the affiliate landscape works in Australia, a smattering of other in smaller markets. So we're very fortunate, it's going quite well with Southern Cross. We have really strong engagement with them. Their feedback from their clients has been really strong about the performance of the content and the engagement from advertisers. So we're really happy with the way in which that has played out. And indeed, we're very happy with the way in which our relationship continues to work with WIN in certain markets also.Tim Burrowes:And obviously the new arrangement was only a two-year deal, which is quite short for affiliate arrangements. Was that your preference, or would you have preferred a longer arrangement?Jarrod Villani:We're in a world where it's moving quite fast at the moment. And we had a really great conversation with Southern Cross about what our desires were, and it was a mutual agreement between the parties that we would enter into a two year agreement and see where the world was in a couple of years' time. So we're both very comfortable with that, and we don't really think it makes any difference in terms of the continuity of services or indeed our relationship.Tim Burrowes:And as you say, in a little bit under two years' time, both this arrangement, but also Prime's arrangement with Seven comes up. Have you had any conversations with Prime yet?Jarrod Villani:Well, other than the ones that, as I say in certain markets, that we do engage with them on already, as a joint venture partner in some of those, but look, I think that we'll cross all those bridges when we come to them in a couple of years' time.Tim Burrowes:And before we go back to the content, again, a final question on the affiliate arrangement. We thought a while back that Seven and Prime was going to be, were going to come together and be the first national offering. Is there any further appetites for investment for you to pick up, and I guess it would probably be Prime, but it might be Southern Cross Austereo. Is there a way the numbers would actually stack up to become a national offering do you think?Jarrod Villani:That has to work for both parties, obviously. So I think that like all investment activity, whether you're talking about ViacomCBS, or seven or Nine or whoever you might be talking about at any point in time, we work through the process of saying, does this make sense? Does this work for both parties? And there can only ever be an agreement if it does work for both parties. So, I view it like all commercial agreements. You never say never, you see what unfolds, you see what can work for each of the parties and you make those decisions as you go.Tim Burrowes:So it sounds like at least sort of with ViacomCBS internationally, it's not as if they've said rule out spending money on that sort of potential acquisition. If you can make it stack up, then they might back you on that case?Jarrod Villani:We have terrific support, full-stop, internationally for our investments in Australia, be they in content or further acquisitions or whatever it might be. So we've got really strong engagement with our international colleagues and it is set us up in a really good place in Australia and New Zealand.Tim Burrowes:Well, let's talk a bit about sport, which we haven't yet today. Bev, my accent gives me away as a person from the U.K where the FA Cup is a big deal. So this is the... I suppose you could think of it as a, the main league is the EPL in the U.K, and then the FA cup is the knockout format. And they're both pretty much as meaningful as each other, really in terms of U.K sport. So you're now going to have some rights to show the FA cup, how are you going to make that work within the schedule?Beverley McGarvey:So the FA Cup will... A lot of the games will, all of the games will be on Paramount Plus, and then some of the games will play on the linear services, but really we're just wanting to round out our football offering. So as you know we have the FA with Socceroos, Matildas and the A-Leagues. So we were really just looking for other events to kind of round that out. And as you say, it is such a big deal in the U.K, there's a lot of expats here.And even if you're not from that part of the world, there's a lot of players that you'd know because a lot of big names play, in the British Leagues, so you know who they are. So we're really excited about that, and it really just enhances our football offering for fans. And it will be mainly on Paramount Plus, but some of it will sit on the linear services, so that's how we see it working really and we're pretty excited about it though. Because as you say it's a knockout and also in a knockout interesting things can happen, you never really know where it's going to end. So I think that keeps it really exciting right to the end of the season.Tim Burrowes:And you say, you've got all of the games. So obviously you... With the knockout thing, it starts off with a lot of games per round. Then it presumably hits that point where you might have sort of eight or four games per round going on. So you'll presumably actually be streaming multiple games at the same time?Beverley McGarvey:Yeah, we do have the capacity to do that and we will be streaming multiple games at the same time across the board, that also sometimes happens with the local leagues as well. So that's kind of the beauty of having, as Jarrod has mentioned, just having a full suite of distribution mechanisms so that we can do multiple things at the same time. I think the interesting thing is just about making it clear about what's on when and what we have where and making the curation easy for the audience. So we have the Matildas on Ten this Saturday night and we've a couple of like FA games. And then we move into the APL, which will be exclusive mainly on Paramount Plus coming into November.Tim Burrowes:Now Jarrod one of the tap dances of a commercial network, particularly with streaming is the viewers are already paying for the products so they don't necessarily want to see much advertising at all, but equally this is a commercial world and one of the ways that pays for the content is the ads. How do you think about that when it comes to the advertising around football or soccer, I suppose we should call it in here in Australia?Jarrod Villani:Yeah. Tim, there's obviously lots of different models playing out across the world at the moment, in relation to our football, which will be available on Paramount Plus, it will be supported by a light ad load. We think it gives great continuity to advertisers across both the free to air product and the Paramount Plus product to ensure that if you are part of football in this country, that you are part of the viewer experience also, and people really can see that brand association, irrespective of which platform. Now we are going to be very conscious of the load that exists on Paramount Plus, but we think we can do that in a respectful and non-intrusive manner.Tim Burrowes:And sticking with Paramount Plus, a couple of other formats -  Couples Therapy and the return of Five Bedrooms?Beverley McGarvey:Yeah. So Five Bedrooms has been phenomenally successful for Paramount Plus and for Ten. So series three will drop very, very, very early next year, which we're really excited about, we're filming at the minute. It's a really strong series, really good writing, fantastic talent. And then we have a show called Couples Therapy and Couples Therapy will be the first local non-scripted content to drop on the service. And again, we're making it at the minute. It plays on HBO Max in the U.S and it's a very different type of show. It is not a show that you would see sitting on Linear. It's a very no producer intervention type show. So you see two people talking to your therapist about their relationship and there are no format beats. There is no, at the end of the series, two people are going to stay together. And two people are going to split up. You watch the kind of how their relationship grows or doesn't across the period of their conversations with the therapist.And at the end of the series, you find out where they are at that moment in time. It's not like a hard closed ending. It's really interesting conversations and the way the show works. If you're in the show as one of the couples, you don't see producers, you don't see camera men, you only see your therapist, it's kind of shot with two-way mirrors etc, so you're really honest. So I think it's a really, and again, it's been very successful in other markets because I think people are curious and they like to see what's happening in other people's lives. So we're really excited to see how that goes and it's one of those things that had we not had Paramount Plus we wouldn't be able to do that type of show because it will appeal to a very bespoke market. So just having that extra platform gives us more flexibility in our commissioning and kind of gives us more scale in our buying.Tim Burrowes:So Jarrod, this will be your first upfronts since joining Ten, I found myself thinking of James Warburton's return to Seven, where he used his first upfronts to tell his audience that what had come before was not good enough. Now I'm not going to ask you to do that, but I do wonder if you could wave a magic wand and change just one decision by any predecessor over the last 15 years, what would it be?Jarrod Villani:Tim I think that whenever we're reflecting on any decision made in business, in life, unless you know, all of the factors at that point in time, that those people have to consider at that point in time, you knew the dynamics of what was playing out the condition of a balance sheet or P and L or what was the strategic objectives at that point in time, then you can never look back. And sometimes even on your own decisions and say whether they are good or bad ones.And I think that's true of this situation, and Bev and I've spent... We've been lucky enough to work together on and off over the last four or five years, we've got a great working relationship. And we're very much about looking forward and about the organisation, not just the network, it's much bigger than that. The networks are a very important part of what we do, but the organisation as a whole and the way in which we build out ViacomCBS in Australia, and the position that we'll take in the market, we're really excited about making those decisions together and ensuring that we get those right based on the information that we have to hand at any given point in time.Tim Burrowes:Do you ever look back there and think ‘Oh, I wonder how things would be if Lachlan Murdoch had fought a bit harder to keep some AFL' for instance?Jarrod Villani:Perhaps, but you're probably best asking Lachlan that.Tim Burrowes:Hey, it might just be worth painting a bit of a picture. And this might be one of the final questions of how the... I'm particularly interested for Ten, how the schedule will sort of unfold over the coming year. Where you actually see yourself placing the main shows throughout 2022.Beverley McGarvey:Well, I think for many years now, we've been very transparent about what our schedule looks like and that we want it to be consistent. So we're quite comfortable to talk about what the year looks like. It's very, very set for the first half, we do I'm A Celebrity on January 3. We talk about that quite publicly and tend to put January 3 on billboards all over the country and then we go into Survivor. We didn't have Survivor in Q1 this year only because we couldn't get it made in time because of the lockdown situation last year but luckily this year we've managed to fix that. So we go I'm A Celebrity, Survivor, some other enhancements in Q1, like First Dates and Would I Lie To You? as we've talked about and then we go into MasterChef and really that takes us through the first half of the year.And we're very happy to be open about that. We think the market needs to know that we have a consistent schedule, what the content is, what the integration opportunities are. And then in the back half of the year, we tend to have things like Bachelor and some other big kind of more stunty shows, Hunted will play on that second half. So we tend to be quite open about it because we think it works for us to be upfront about what we're doing. And I think these days, your clients really want to know in advance. You can't kind of be hiding things and stuffing around and you need to be quite honest about where your shows are going to land. I think it works. It's better for our sales team to have that visibilityTim Burrowes:Well, Upfronts is always a busy week. So I will let you both go Beverly McGarvey and Jarrod Villani. Thank you very much.Beverley McGarvey:Thank you so much.Jarrod Villani:Thanks so much for having us Tim. Thank youTim Burrowes:The Unmade Podcast is produced with the enthusiastic support of Abe's Audio, more soon. I'm Tim Burrowes.Toodle pip.  This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.unmade.media/subscribe

We talk about how the baby boomers changed parenting, Richie's darkly ambiguous sexuality, and our first blowjobs--did you hear that?

See omnystudio.com/listener for privacy information.

Whelp, being in person was short lived.Dane, who had to spend school holidays in Noosa now that he is a parent, dialed in from Lockdown in QLD.He's been called a lot of things in his time, and Epidemiologist comes as a surprise but hoping it may help him get back home if he can get in a good word with his Good mate D.Andrews.He has charity work to doWe absolutely remembered the discount code for Balla, it is for 20% off and it is 100% towards the end of the bonus episode!Don't miss itFollow & support us elsewherePodcast : @swannyandfriendsDane: @danes84Samantha @samantharichesRalphy: Year Round CarnivalSupport us in the Merch store: Shop here :)Toodle pip Support this show http://supporter.acast.com/hump-day-with-swanny-and-friends. See acast.com/privacy for privacy and opt-out information.

Back to basics this week with our basic af hosts, Emily & Joy. It's just the two of them slinging scary stories at one another, talking about their kids, & lamenting a severe lack of New York pizza in the LA area. Joy shares a story with so many paranormal events that Emily calls it The IKEA of Hauntings. When it's her turn, Emily recounts a tale so terrifying it makes Hollywood's versions of the unexplained seem mild. Kick back in your most protective salt circle & sage your sofa...it's time for The Residuals. * * * * * * * * * * * * * Between the present & past there are memories held in the walls & earth. Follow Emily & Joy as they explore the spaces between the living & the dead. Hauntings, extrasensory perception, & all things paranormal. Welcome to The Residuals. patreon: The Residuals: A Paranormal Podcast email: TheResidualsPodcast@gmail.com instagram: @the_residuals_podcast twitter: @theresidualspod  music: purple-planet.com   ©2021

Toodle loo Taurus! It's been lit, but your days are done: on Thursday, May 20th, the Sun is shifting into chatty and charming air sign Gemini, ushering in another zodiac season. With this new 2021 Gemini season comes new 2021 summer vibes. And transits. And retrogrades. And eclipses. And... well, it's a good idea satirical astrologer Cosmic Cannibal recorded this 2021 Gemini season survival guide, because you're definitely going to need it. In this episode, the snarky astrology non-expert covers Gemini season and all the important dates and transits therein, so you don't want to miss it. Want more astro-logic from Cosmic? Follow on Instagram (@cosmiccannibalcamille) and Twitter (@cosmicCamille), and be sure to check out Cosmic's astrology book The Zodiac Abstract. To read this episode as a blog post, visit www.cosmiccannibal.com This episode originally aired on the subScribe newscast for UCCS Radio Music: https://www.bensound.com

Terry and Zito have a hard time talking about anything except Richie Aprile. That's charisma, baby. They are then joined by an unexpected and perhaps unwelcome figure from their past. Old buddy from the halcyon days, or malignant specter of forgotten sin? Who can say. Regardless, there is going to be an absolute ass-load of Fifth-pleading after this one. Produced by Phil Thompson and Tim Mountain. Cover art by Sarah Stinson. Ask questions on Twitter @SatrialesLive and follow the show on Instagram @LiveFromSatriales.

Christians v Pharisees: Choosing Sides And How To Fight For Them In The Mormon Civil War EPISODE 5B -  THIS IS YOUR PLACE IN THE PHARISEE FINANCIAL FEUDAL SYSTEM:  ‘TOODLE PIP, TITHING!'- TOODLE PIP, TITHING - THE MARX BRETHREN PRESENT:  THE THREE RICHEST STOOGES IN THE WORLD- FULL STEAM BACK TO THE FUTURE WITH DALLIN - LIBERATE THE CAPTIVE MISSIONARIES              - MAUNDY MONEY

In Podcast 81 (S13 E08), a murderer drowns a chav, smashes a golfer and decks some pecs with a Pec Deck. All of this over a spa, or a book, or goats or sheep or right of way. Tom, Joyce and Culley’s last episode! Toodle-pip! Maniac merch for a good cause! - https://shop.spreadshirt.com/midsomer-maniacs-podcast/

This week we talk with Taylor Bushong from DT SWISS about gravel wheels.  We dig into the considerations surrounding rim width and wheel sizes to tease out the considerations when upgrading your wheels.   We also get a glimpse into the company's interesting history. DT Swiss Website The Ridership Forum Support the Podcast Full Episode Transcription: DT Swiss Craig: [00:00:00]  [00:00:00]Hello and welcome to the gravel ride podcast. I'm your host Craig Dalton.  [00:00:10]This week on the podcast i'm excited to welcome taylor bushong from dt swiss to the show. [00:00:15]We're going to explore a little bit of the interesting history behind DT Swiss as the company. But also critically explore some of the dimensions and rim technology and some of the features. You need to be considering when looking at wheel sets. [00:00:30]Before we jump in, I need to thank this week, sponsors our friends at athletic greens, the most comprehensive daily nutritional beverage I've ever tried. As you know, if you've been a listener, I've been a athletic greens customer for about three years. And I really consider it the fundamental building block. [00:00:48] Of my, sometimes less than perfect nutritional strategy. [00:00:52]With so many life stressors this last year and into 2021 with the COVID pandemic, it's difficult to maintain effective [00:01:00] nutritional habits and give our bodies the nutrients.   It needs to thrive where their busy schedules, our workouts are tough rides. We simply cannot eat enough of the right foods and it can leave us deficient in key nutrients. [00:01:13]For me, that's where athletic greens slips in with 75 vitamins minerals and whole foods sourced ingredients. Including multivitamins, multi minerals, probiotic. Green superfood blend and more. They all work together to fill that nutritional gap in my diet, increase energy and focus aid with digestion and support a healthy immune system. [00:01:35] All without having to take multiple products or pills. So, if you're interested in more information, please visit athleticgreens.com/thegravelride gravel ride. They've been a long time supporter of the show and you having curiosity about what they provide is very important to me and the podcast. So thanks for visiting [00:02:00] www.athleticgreens.com/thegravelride to check them out.  [00:02:02] [00:02:02]One further note from last week's episode where Randall had a great interview with Ted Wong. I'm definitely curious to get your feedback on that episode. It's a bit of a departure and something I felt strongly was well within Randall's wheelhouse. To conduct that type of interview and really extract those points about motivations around why we ride. [00:02:24] I was excited to hear it myself. It was great being on the other side of this feed and getting delivered at episode I enjoyed. So if you have any specific feedback about that episode, definitely hit me up or visit us in theRidership forum.  www.theridership.com to let us know your thoughts. With that said let's dive right in to this week show. [00:02:46]Taylor welcome to the show.   [00:02:48] Taylor: [00:02:48] Thanks. Glad to be here. [00:02:49]Craig: [00:02:49] Yeah. I'm excited to have you and just kind of dig into wheel technology and rim technology for the listener. I think so many people, obviously we get a wheel [00:03:00] set with the bike we buy from the bike shop and at the onset, we don't think too much about it, but as we get into the sport more and more and learn a bit more. [00:03:10] A replacement wheel set, a wheel set upgrade is always been one of those things that can really increase the performance of a bike. So it's going to be great to dig into some of those details with you. [00:03:22] Taylor: [00:03:22] Yeah. Yeah. I mean, as you know, as we all know, you're the motor on a bike, so the more efficient you can make that motor the the better time you're going to have, whether it's a update in the wheel or anything along the lines. [00:03:34] So [00:03:34] Craig: [00:03:34] right on, we'll tell her, let's start off by just learning a little bit more about you and get a brief background about you as a cyclist. And then let's talk about some of the storied history of DT Swiss as a brand. [00:03:46]Taylor: [00:03:46] Okay. Yeah. Not that I have an incredibly exciting cycling background. I studied exercise physiology in college that got me real excited on you know, more endurance during sports. [00:03:56] I grew up in Valdez, Alaska, where there's a [00:04:00] heavy adrenaline rush. You know, upbringing there, you have snowmobiles snowboards, all that sort of business. So I'm the kind of the combination of the two led me to more, more of the the Enduro free rides type mountain biking. But then as I went through the schooling there got realized that cardiovascular health is a very important for longevity. [00:04:20] So I started making roads into the more narrow, tired drop bar realm and been. Yeah, recreationally and recreationally competitively riding bikes for probably seven, eight years now. Right. And how long have you been working at DT Swiss? Yeah. So I am rounding out year with, with DT and I am the representative for North America in most of the marketing activities, whether that's a road, mountain gravel, I'm just kind of the liaison between our think tank over in Switzerland and the us market and North American market in general. [00:04:58] So. [00:04:58] Craig: [00:04:58] Nice for [00:05:00] me as someone who's been around the sport for a while. I always think about DT Swiss in terms of the hubs. When we were talking earlier, before the broadcast, you were telling me about some of the rich history of the company, and I'd love for the listener to understand more about DT Swiss and what was the origins of the company? [00:05:19] Taylor: [00:05:19] Yeah, that's a great question. And you know, when most people revert back to the, the huggy hub and the star ratchet system, as knowing though that's the identity of DET we actually have a long lineage. It's been in Switzerland for many, many years. DT as most people know it started with a management buyout in 1994 from United wire works. [00:05:39]And United wire works was a manufacturer spokes in Switzerland, probably since then, early 1930s. And prior to that if you're aware of what drawn wire was used for in Switzerland as, as a very neutral area in Europe that's where the hired mercenaries lived and worked. And that drawn wire was [00:06:00] actually used to make chain mail. [00:06:01] So way back in the day this drawn wire was used for chain mail and it slowly, it started working its way into bicycles as that, you know, turn of the century became a little more. Exciting to do. And then in 94 our current man, our current owners you know, did a management buyout. And at that time they had three skews of spokes. [00:06:20] That was the revolution, the competition and the champion. So since 1994, our portfolio has grown to having a skew chart. So big that I can't tell you everything that's on it today. So. It's kind of a short, skinny, amazing. So that says it, suffice it to say that it sounds like DT Swiss as whoever figured out to put metal spokes on a bicycle DT Swiss sounds like they were around for when that happened. [00:06:48] And we're supplying spokes to the first wheels that were ever made. Yeah. And, and I don't want to say that was DT Swiss at that time. It would have been United wire works. But yeah, I mean, long, [00:07:00] long ago they realized that the stainless steel or steel in a spoke provided a better ride quality than you know, wooden spokes or something. [00:07:08] So since then it's been the meat and potatoes kind of, of DT Swiss. Spoke to themselves. So [00:07:14] Craig: [00:07:14] interesting. Well, I wanted to speak to you as an expert on wheels and wheels technology, because I, as I said earlier, I think a lot of listeners think about getting an upgraded wheel set for their bike and with gravel as with everything in this sector of the sport. [00:07:29] There's so many variables to consider whether it's. The size of wheel between 706 50 B the type of spoke the type of Ram. So kind of Le let's break down the wheel set for people and just talk about those different components and the effect it has on ride quality. For example. [00:07:49] Taylor: [00:07:49] Yeah. So that's a good place to start with, with anyone looking for any sort of upgrade or, or, you know, entry-level or any sort of level of bike. [00:07:58] My first question would [00:08:00] be, what is your intended purpose? What are you trying to get out of the ride? What are you trying to get out of the bike? Because that could really, that could really narrow down your selection and make it a lot easier to digest. I mean, we're in. The today's the day and age where you can pretty much anything under the sun is available. [00:08:15] If your pocket book is large enough. So that's, that's the best place to start is what are the intended needs of the, of the rider and then going from there. [00:08:25] Craig: [00:08:25] How broad would you like if we were having, if you were asking me about it, what are the broad categories we're talking about there? Are we talking about a spectrum from. [00:08:34] Hey, I want to race my gravel bike on one side too. Hey, I want to go on a bike packing trip on the other side. [00:08:41] Taylor: [00:08:41] Yeah, that's, that's a great question as well. And that's why I think the gravel space is so cool is because there's not the biggest definition of you know, what a gravel bike is. I went to an event I guess that was two years ago now where I had never seen a flat bars on a six 50 B with a frame bag and a dropper post, but that's [00:09:00] gravel and that's, that's, that's just fine. [00:09:01] So there's there's categories from, you know, more skinny tire. Not DK. Oh, what is that one called now? Unbound gravel. Yes. There's, you know, more skinnier tire events like Unbound gravel, or more party type atmosphere with a bigger tire like grinders. So or any bike packing needs in between. [00:09:20] So whether it's recreational or racing, there's also different avenues within those within gravel and particularly picking a particular wheel to match your needs. I think. Goes far better than than just getting something off the, off the shelf and going from there. [00:09:35]Craig: [00:09:35] Before we blow out and sort of talk about wheel sizes and rim diameters, let's start at the hub. [00:09:42] Is there, are there things that we should be considering when looking for a wheel set in terms of comparing one hub to another, for example? [00:09:49] Taylor: [00:09:49] Well, in general I would say, GRA gravel can get you into some places kind of far away from any sort of support. So, number one, to me, my thoughts would [00:10:00] be durability reliability of those products, but also that comes off a little bias as I am you know, work for DT. [00:10:06] And, you know, the, the restart ratchet hub has been pretty, pretty strong for many, many years. So yeah, hubs As long as you have something that's durable, reliable engagement is somewhat of a question, you know, but also drag is, is another thing to keep in mind because you are going to be on these these bicycles for a really long period of time, not have to be, but that's kind of the allure of gravel as well. [00:10:31] Craig: [00:10:31] Is there a way to quantify these things sort of beyond the reputation of the hub manufacturer? [00:10:37]Taylor: [00:10:37] You know, there that's, that's a good question. And getting me kind of on point here. I don't know if we actually have exact data that says you know, one system or one type of system is better than another. But yeah, that's definitely something that I should follow up on with you and see if I can provide more info. [00:10:54] Craig: [00:10:54] Yeah. Not to put you on the spot. Cause I do think, you know, for me, oftentimes I seek out. [00:11:00] The reputation of the brand to get a sense from other writers as to the hubs durability, but at the end of the day, you know, who knows how hard people are riding these products when they're giving me their personal feedback, you know it's going to vary a ton, I imagine. [00:11:16] Taylor: [00:11:16] Yeah. Yeah. And the, and the interesting thing that we see with gravel especially is you get kind of in a In the middle ground between the road, you know, road grupos and mountain group hose, and people are mixing and matching certain things and you can get really big cassettes that put more torque on the, you know, on the hub driving systems. [00:11:36] So that that's where a durable, reliable hub in a gravel wheel is pretty important because you can get these super low gear ratios. And if your bikes weighed down and you're pedaling up a steep Hill, that's you got to think that that's Wearing on your equipment, a little more than a you know, a smaller cog set with a, you know, a road road set up on there. [00:11:54] So [00:11:55]Craig: [00:11:55] that's a good point that it's so interesting to think about because obviously we're all these [00:12:00] bikes, regardless of what category and you're pedaling the bike. You're putting some torque on your components and onto the wheel set. But thinking about how you apply torque to the bike on a mountain biker, gravel bike is obviously different than sort of the consistent power you're often putting into a road bike. [00:12:18]So if we, if we move out from the hub now we're then into the spokes. Is there a modern kind of sort of average number of spokes that people are putting in these wheels? Or is it, is it all over the board? Is that something that as a buyer you need to consider at this point? [00:12:33] Taylor: [00:12:33] Yeah. You know, if, if you have some specific needs you know, in terms of, you know, that you're going to. [00:12:39] Put all of your life on this bike. Then, you know a higher spoke count is probably, is probably the, the place to go. But I would say most you know, speaking for our brand itself, DT itself we've, we've settled in at 24. Spokes is for the, for the gravel or application, but we also do have. [00:12:57] Components that are available, that if a [00:13:00] driver has specific needs, you can bump that to 28 32 holes. So it, you know, our system wheels not to get into our product, right. Right out the gate we're fixed on a 24 hole setup, but yeah, there's different, you know, different needs require different products. [00:13:16] So there are, [00:13:17] Craig: [00:13:17] is it safe to assume then that your mountain bike wheel sets would have more than 24 spokes? [00:13:23] Taylor: [00:13:23] That is safe to say. And the DT mountain bike wheel lines, if it's a you know, out of the box, DT set is going to be a 28 hole. [00:13:31] Craig: [00:13:31] Okay. And then do they go even less for road wheels or is 24 kind of where you landed there as well? [00:13:37]Taylor: [00:13:37] 24 is where we landed with our road wheel lineup. If you start getting into rim brake road wheels with the less, you know, less torque off the hub itself and more on the rim there are options that have 20 and 21 holes. Actually our road wheels have like an asymmetric lacing where two to one on the rear wheels. [00:13:54] So it just kind of depends on the intended use of that product. And that's where You know, knowing, [00:14:00] knowing kind of what you're going for is, is a great place to start. And then, then folks can help you narrow down those best to use categories for you. [00:14:09] Craig: [00:14:09] Yeah. It's an interesting thing. You highlighted around the torque on the hub and I hadn't really thought about it specifically until you mentioned it. [00:14:16] The idea that obviously the disc brake is putting a lot of torque on that hub and it's gotta be a little stronger down there than a rim brake equivalent. [00:14:25]Taylor: [00:14:25] Yeah. Yeah. And breaking force is pretty darn heavy compared to peddling force peddling forces, mostly, you know, not all the time, but it's a, it's oftentimes consistent or breaking force. [00:14:37]Something runs out in front of you and you grab a whole handful. Like it's that's a lot. [00:14:42] Craig: [00:14:42] Yeah. And then if we continue moving out along the spoke, you then come to the nipple. And in modern wheel technology, you, you have both, I don't know if it's referred to as nipple LIS, but you've got nippled spokes and, and sort of non replaceable spokes. [00:14:56] When we talked earlier, we had talked about how [00:15:00] bike packing sort of the replaceability factor is, can be super important and critical. Can you talk about the differences between a nippled spoke and a non nipple spoke? [00:15:12] Taylor: [00:15:12] Yeah. So with that Speaking for our brand. We've moved away from any of the proprietary stuff that would, it would require a nipple list. [00:15:20]Fastener. Now what we're using is called hidden spoken nipples that are actually inside of the rim. So they just, they have a little concaved. Piece that fits buttons right up in next to the rim. And that saves a few you know, half a water, so on, you know, for those people who are looking for aerodynamics, but you're exactly right on a bike packing more adventure type setup. [00:15:40] The external spoke nipple is a, is a. Far more practical use for those. And you know, if you're weighing down that bike with everything, you're on it you know, a watt or two in aerodynamic gains may not necessarily be the most highly sought after items. So the fact that you know, you have external [00:16:00] spoke nipples and can, and can, you know, true up something if you know, right there on the bike using, you know A chopstick and a zip tie or brake calipers, if you're a rim breaker or, you know, anything like that. [00:16:10]So that's where the external versus internal spoke nipples would be beneficial for each intended use. And if you've got an internal spoke nipple, is it a different tool that's used in truing? Yeah, so you're gonna have to for one the tire, and if there's an inner tube, the inner tube will have to be removed. [00:16:31] If there's tubeless tape, the tubeless tape would have to be removed. And then there is a specific square driver that would fit into that rim that allows you to actually turn those. . [00:16:41] Craig: [00:16:41] Gotcha. As you say, more labor intensive. Yeah. As you say things, I'm just processing in my mind thinking, Oh, okay. [00:16:47] I get how that would work. [00:16:50] Taylor: [00:16:50] And imagine if you had a sew up that's glued on these days, man, that's even another step. Absolutely glad we're behind the, those for the most part. [00:17:00] [00:17:00] Craig: [00:17:00] So going out to rims and rim with let's tackle rim width first, because I think that's one area that I struggled to get my head around for a while. [00:17:10] So for the uninitiated. How do people, how should people think about the width of a rim and the ramifications on, you know, the tire, et cetera? [00:17:21]Taylor: [00:17:21] Yeah. So that's, that's all, that's great question there. And that's one that can be hotly debated, depending on who, where, what you're, you're looking to do rim with does it does a multitude of things. [00:17:32] It also increases the amount of air volume that you have in your. Having your tire because that just simply makes that chamber a little bit larger. And the biggest thing that we're seeing with a wider rim with is that you can lower those tire pressures and that allows for a little less rolling resistance. [00:17:51]And the rolling resistance is that tire deforming, that leading edge of that tire deforming, as it hits the ground, the less air you have in [00:18:00] that tire, the easier it does that. But the less air you have in that tire, if you have a low volume, then you can get the snake bites or pinch flats. So with an increased volume, you can reduce the amount of air. [00:18:12] And one way to do that without only going with the tire is increasing that rim. So that's where a gravel bike may differ from a cyclocross or a road bike, is it allows for bigger tires and bigger rims too, to do that is to lower that air pressure. So that's just one Avenue. [00:18:28] Craig: [00:18:28] So maybe to set the stage for the listener. [00:18:31] And if we think about, and I, and I know this number could be all over the board, but if we think about a road bike rim, and maybe even take one that someone might've had for the last five years, what type of rim diameter would that likely be? Ballpark wise? Rim diameter or rim wit that we're talking. What do you think is the easiest thing for people to understand? [00:18:52] Between the two [00:18:54]Taylor: [00:18:54] well rim diameter on the drop bar segment, hasn't changed much in a long [00:19:00] time. We have now started to see the introduction of the six 50 B or the 27 and a half inch wheel making its way to the road bike or gravel bike aspects. So I would say maybe in a rim width would be a better place to start and set the scene here because. [00:19:19] Yeah, cause there's a S a more incremental changes that we've seen over the years in those, in that realm that has got us to where we are today. And so what would our inner rim width, what would it, what would one be on the road typically? So a road bike say five to eight years ago. You'd probably see a 15 mil internal rim with And, you know, five to eight years ago, mountain bikes had a 22 mil internal rim. [00:19:47] So, and that has grown over the, over the years with you know, roadies, Anita. 30 or 23 C with a 15 mil rim, because narrow is arrow and it's light. [00:20:00] Well with a little more technology behind things we're finding you know, other things like rolling resistance are a bigger Bigger headwind to overcome. [00:20:07] So those rims have bumped our aerodynamic road wheel. These days has a 20 mil internal rim. So if you're following me, mountain bike of five to eight years ago was at 22. Now our aerodynamic road wheels that we're putting on triathletes and time trial, his bikes are coming in at a 20 mil internal rim. So just to own it. [00:20:29] Yeah, there's a huge progression in that, you know, inner rim width moving, moving forward. And over the past years it's changed quite a bit. [00:20:37]Craig: [00:20:37] And where did it go for mountain bike rims then if it started at 22 millimeter five years ago, where is it today? [00:20:44]Taylor: [00:20:44] You know, it, it, it did one of the, you know, the classic  it got wide enough and has been reeled back in. [00:20:50] And so now we're finding about, about 30 mil is, is the You know, if you're using a microwave number, a number that ends in a five or a zero, it's probably right there. Some [00:21:00] brands use a 29, some brands use a 32 but about 30 mill from all disciplines our, our land in there. I mean, even in cross-country racing, we're starting to see 30 mill internal rims with 2.4 inch tires on, on a cross-country race track. [00:21:15] So which, you know, three, four years ago, you wouldn't. See a 2.4 anywhere except, you know, downhill purposes. So the about 30 mil is where mountain bikes have landed. All right. So we've, we've sort of looked at the, the inner and outer edges, where do your gravel wheel setups land? The gravel comes. The gravel wheel line from DT comes in at 24 mil. [00:21:38] And the cool thing about that number is from our entry-level wheel on the G 1800, all the way up to our high end carbon wheel, they will have the same internal rim width. So doesn't matter. The quality of the components used the. The ideas behind them are going to be the same, whether entry-level or top of the line. [00:21:58] Craig: [00:21:58] And does that number [00:22:00] stayed the same between 700 C and six 50? [00:22:03]Taylor: [00:22:03] It does. Yes, it does. [00:22:06] Craig: [00:22:06] And yeah. Is there a thought on the optimum tire size for that, or is it, is it sort of based around a range? [00:22:16] Taylor: [00:22:16] It's based around a range and also your, your intended use. If you're doing the Unbound gravel, and you, you have a, you know, you want to keep 20 miles per hour for X amount of time, then we'd recommend, you know, a, about a 40 C tire on that 24, because then you still gain some aerodynamic advantages. [00:22:37] If you're going to be using a six 50 B wheel You know, on a, on a bike packing application pretty much is as wide as your frame will accept or about 2.2 is what we, 2.2 inches is what we say is is that range for that 24 mil internal. [00:22:52]Craig: [00:22:52] Gotcha. That makes sense. Yeah. And then, so if we look at the DT Swiss lineup, I [00:23:00] believe you've got three models focused on gravel right now. [00:23:03] Is that right? [00:23:04] Taylor: [00:23:04] That is correct. Yeah. So the G 1800 is the most entry-level wheel. The gr 1600 is our mid range. And then the GRC 1400 is the, the high end option. [00:23:18]Craig: [00:23:18] And from your website, I'm just going to read to give people a context of what these wheels let's go for. The G 1800 has an MSRP of $492. [00:23:28] The gr 1600 has an MSRP of $707. And the GRC 1400, which is the carbon wheel set is starting at 24 79, 2,479. [00:23:45] Taylor: [00:23:45] Yeah. Yeah. And that's exactly correct. And you notice that there is a, you know, pretty close jump between the two aluminum versions and then a large jump into the the, the carbon option. And there's some R and D purposes that maybe we'll get into a [00:24:00] little later in this talk behind behind what, what led to those Those different price points, but yeah they're pretty wide range there to meet different needs, but also hopefully a price for an entry-level set to get someone excited, whether they have a 700 C current set and want to just give six 50 B a try without breaking the bank. [00:24:19]That's, that's a great spot for that entry-level wheel. [00:24:22] Craig: [00:24:22] There's a lot of interest in that, in my audience about getting that second set of wheels, regardless of whether you started it. Six 50 or 700. I see a lot of people obviously riding the wider tires on their six 50 B wheel set for more adventure riding or hardcore off-road riding. [00:24:40] Whereas the 700 C might be your road wheel set, or your more lighter gravel fare. [00:24:46]Taylor: [00:24:46] Yeah, that's definitely a good, a good mix between the, between the two. And that's, that's honestly what I'm doing with my gravel bike as well. I got a G 1800, six 50 set and a GRC 14, 700 C set, [00:25:00] so narrow and arrow and Widen having a lot of fun on the other ones. [00:25:05] Craig: [00:25:05] And frankly, for me, for me, the realization has come, you know, I'm not religious about six 50 versus 700, but I am more religious about the ties, the tire size that I want to be riding. And as frame design continues to evolve, we'll probably start to see. And obviously there are examples of this in the market today of 700 C. [00:25:30] Wheel sets on frames that can take a 700 by 50 tire. [00:25:36] Taylor: [00:25:36] Yeah. And that's that's do you know, that's one thing where people ask wheel brands, Hey, are you the one who's changing the HubSpot, Hey, are you the one who's changing this? And that's all down to the frames, you know? So those guys keep pushing those frames a little wider. [00:25:49] That's going to continue. I'm making for adaptations on the component suppliers. So. Yeah. [00:25:55] Craig: [00:25:55] Do you want to dig into sort of what type of riders or experiences each, [00:26:00] each model of wheel is sort of designed for in your mind? [00:26:04] Taylor: [00:26:04] Yeah. I think starting with just kind of the, the, a little bit of the technical differences between the two, because what I don't want to do is put a rider, you know, exclude them from a category. [00:26:14]What I think would be best is, is talking about the differences between, between them and let the viewers figure out why, you know, what might be the most relevant for them. If that's a good place to go. All right. So just starting starting from the work in the way from entry to the, to the top of the line and we'll start from the inside out. [00:26:33]Just kind of the way we did with with the breakdown of hubs, spokes, nipples, and rims. So the G 1800 is based around DT. Swiss is three Paul hub design. So if you're familiar with the star ratchet system, this wheel does not feature that system. This and that, that's what gets you that you know, very entry level price point, and that is an entry level for DT Swiss, not necessarily entry-level for the bicycle industry [00:27:00] itself. [00:27:00] So just getting that out there right away. But with that, there is no hold backs from you. You can, you can run it. 12 by one 42. So the actual spacing and the ability to change within those axle spacing, not future proof, but future resistance is also built into this wheel as well. We are using a bladed spoke on this wheel to give you some it allows for radial you know, with radial torque to it, it's very stiff, but also allows for a little lateral compliance. [00:27:30] If you're getting off of a, you know, onto a bumpy gravel ride because of the, because of the intended use of these wheels, more adventure, more You know, that that sort of element there are external spoke nipples and it is a sleeve jointed, aluminum rim. And the reason I say it like that is that's another breakdown between the 1800 and the 1600 model. [00:27:52] So when the rim. Leaves the extrusion, there is a small aluminum sleep that is placed in there and then pins. It [00:28:00] does accept a tubeless tire and as long as that tape inspect the tape and it goes from wall to wall and that tire fits in there. So it is a tubeless ready rim profile. And that's kind of the, you know, 10,000 foot view of what what's inside the G 1800. [00:28:16] Okay. And then onto the, the gr 1600. Yep. And so moving on there, that is that, that hub based in that one is a three 50 level hub. If, if your viewers are familiar with the breakdown of DT Swiss hub hierarchy, the three 50 is the the entry point to the star ratchet system. So with that It has an 18, two star ratchet in there. [00:28:41] It does have the ability to swap freehub bodies, just like all wheels in our lineup. Whether you have even the new, even the new campy 13 speed or XDR or GX or whatever you would like to use these wheels. All throughout the whole lineup do have and are free, have bodies and end [00:29:00] caps that can be changed to, to accommodate those differences. [00:29:03]Like I mentioned before at is 24, 24 hole 24 spoke wheel. This also features the same arrows bladed spoke to. To have that radial rigidity, but a little bit of lateral compliance built in there. And then moving on to the spoken nipple, it does have the external spoke nipple because the, the idea of this gr 1600 from our product management was to be kind of an all around wheel, if you wanted to You know, get out and bike pack on it. [00:29:31]It's, it's a really robust, really sturdy rim in this product. And it also has a welded rim joint. So I mentioned when the rim comes out of the extrusion on the 1800 it's asleep, but then on the 1600 model, then we actually do a finishing weld around that sleep joint to just make a more robust product. [00:29:51]It is a tubeless ready rim as well. So To meet all of the, you know, all of those cool new tires that everyone else is trying out, whether it's a [00:30:00] 57 C or a 38 C you know, it can it's compatible here. So that's kind of the, the over overview of the 1600 model. Nice. And I will say I've been riding the DT Swiss three 50 hub on my primary wheel set for at least the last two years. [00:30:20] Craig: [00:30:20] And I, it, it takes everything I've ever thrown at it. It's, I mean, there's a reason why it's been a industry standard hub for so long. It's just super high quality in my opinion. [00:30:31] Taylor: [00:30:31] Yeah. And so when you do look at this, this hub, it'll look just a little different than than the aftermarket three 50 that's out there. [00:30:38] That's black with the white and black sticker down the middle. These wheels all are designated by the spline or the straight pole line of wheels. So it is the gr 1600 spline that spline references, the straight pull hub. So this is a three 50 version of that straight pull hub. So just getting that one out [00:31:00] there as well. [00:31:00] That was a nice, nice lead in [00:31:03] Craig: [00:31:03] and onto the the top end of the line, the GRC 1400. [00:31:08] Taylor: [00:31:08] Yeah. So as you could see, there's a C in the nomenclature, it stands for carbon. Anytime you see that in the DT wheel lineup, whether it's the XMC or which is a cross mountain carbon, or an all mountain carbon wheel, or the PRC and the road we align, that's the performance road, carbon line. [00:31:26] So that's just like designation there. But the cool thing with this particular rim, as well as a few other Road wheels in our product lineup, we partnered with an aerodynamics expert called Swiss side. That group there is you know, they came from the formula one racing background and designed wind foils for those different cars. [00:31:44]Well they happen to be. Extreme bike nerds. So they fully dove into helping us design the aerodynamic profile of this rim. So that's where that tire rim combination recommendation earlier. As soon as you start getting too wide [00:32:00] out of that recommendation, of course it will work, but. [00:32:03] If you become less arrow at that time. So some of those design features in this wheel also give it that bigger jump that we talked about earlier in price points. But I kinda jumped ahead and went straight from the rim to the rim, not started with the hubs. So I'm going to backtrack just real quick. [00:32:19] This is a two 40 version of the straight pole hub. So with that, it has a little more refining than that three 50 version on the The hub shell itself. So you get a little lighter weight product. And , the inner axles and bearings are a little higher quality than the three 50 version, but you still have the same star ratchet system inside, but this one comes stock with the 36 tooth upgrade. [00:32:44]And as well freehub bodies. Future resistant as possible. Axle spacing resistant as possible on this product. So the classic DT tool necessary swapping is exactly what you'll get with this product. [00:33:00] Spokes are a arrow comp and arrow light on this product. So a little, a little lighter weight, but still bladed spoke that you saw featured in the other two options. [00:33:11]And this is just you know, To help increase the, the quality of this product and have the most durable, reliable one out there. So moving on from the spoke comes the spoken nipple with this product. The fact that it has a aerodynamic prowess to it. We chose to use the hidden or internal spoke nipples on this one. [00:33:32] So you will notice that no, no turning from the outside on these ones. And I already dove into the rim tech behind this, the sky rims developed by Swiss side, full carbon full carbon rim. And it's got a 42 millimeter. Deep rim on it that allows for that to aerodynamics, to, to play more of effect in there. [00:33:54]And as I mentioned earlier, they're all 24 mil internal rim. So interesting. And that I [00:34:00] have to say that GRC room, that wheel set is a badass looking wheel set. It does. And you know, if you, if you choose to go that direction with a six 50 B and put an extra big tire on there, you're starting to get into, you know, it looks like a deep dish wheel on a gravel bike. [00:34:17] So it's kinda, it's kind of a cool look to it. [00:34:20] Craig: [00:34:20] Yeah, definitely. It's interesting. When are we can, vanity is in bicycles. No one's ever bought a product just because of that. Yeah, exactly. I had a question for you on the on the ability to change the, the axle. How does that, how does that work in practice? [00:34:36]Taylor: [00:34:36] So the, the I'm gonna check you there real quick. We're not changing the axle. We're changing the end caps, which allows the interact are for the. The axle of the bike to meet the specific needs. So the interactional itself say on the rear wheel is just over a 12 mil because it's a fit a 12 mil axle through there. [00:34:58] You're going to have to be just a tiny [00:35:00] bit larger. But with that, if you, if you happen to have a bike that has the one 35 quick release But still with disc brake option, then those end caps can actually pop off. And that quick release skewer will then push the frame to, to push on those end caps and use that 12 mil inner axle as, as the support piece. [00:35:22] So whether your QR or there's a 10 mill interacts, all that was used kind of before through axles were a thing. Those are options in all three of these different wheels. [00:35:33] Craig: [00:35:33] Gotcha. So it's just as an capstan. Is that a tool free swap over. [00:35:38] Taylor: [00:35:38] Yeah. Yeah. They're, they're pressed fitted on there with, with the two 40 version of the hubs. [00:35:42] So the GRC 1400, there's a little there's a little detent cut into the interactional. So yeah, you can even you know, yeah, it's tool-free and that's, that's the whole name of the game. It doesn't pop off, you know, very easily. There is a little bit of elbow grease that's needed in there. But there's a YouTube video out there probably [00:36:00] by not just us to show you any sort of compatibility needs there. [00:36:05] Craig: [00:36:05] Yeah. Gotcha. If you have the opportunity as a listener, if you're listening in front of your computer or have access to your computer, the DTS was.com website. Has some very useful visuals, obviously you'll be, you can see the wheels as we've described them, but also have some visuals. If you're looking for an adventure wheel versus a race wheel, some of the different dynamics that come into play across the product line. [00:36:30] Taylor: [00:36:30] Yeah. Yeah. And I appreciate you mentioning that we have been working to put some more 3d renderings on our website. So if you're curious about what the inside of a hub looks like while it's actually ratcheting around you can see what's going on with the, with the little Springs and the gears that are rolling on each other. [00:36:48] So if you, if you have questions yeah. Toodle around on there. And you could probably answer them or if not hit that support button and just doesn't matter what region you're in. We'll have someone reply to you in whatever your native [00:37:00] languages, [00:37:00] Craig: [00:37:00] so perfect. Taylor, thanks for the overview. I appreciate you letting me dig in a little bit and I hope we've provided some good guidance to people as they're thinking about upgrading or swapping out wheels for their gravel bikes. [00:37:12] Taylor: [00:37:12] Yeah, yeah. Not a problem at all. And like I mentioned, if you have more questions, have you have your listeners reach out? We're happy to help. [00:37:18]Craig: [00:37:18] Cheers. Thanks, Taylor. [00:37:20] All right. Thank you. [00:37:21]So that's it for another episode of the gravel ride podcast. I hope you enjoyed digging into wheel technology with Taylor. I appreciate his time and I appreciate everything DT Swiss has done in the wheel market over the years. [00:37:36] We've always got a pretty active discussion about wheels and tires over in the ridership forum so if you've got interest in engaging in that discussion just visit www.theridership.com for your invite or if you're already a member jump right in [00:37:52]And finally, if you're interested in supporting the show, as you know, we're supported by a small number of sponsors. But we're also supported [00:38:00] by listeners. Like you simply visit buymeacoffee.com/thegravelride and contribute to our efforts here at the gravel ride podcast and the ridership community. [00:38:12]Until next time here's to finding some dirt under your wheels    

Welcome to the podcast! Your hosts, Nikki Reese and Kat Jetson discuss X-Files episodes 1x10 ”Eve” and 1x11 "Fire". We talk all about "Eve" and nearly none about "Fire". In "Eve," two very young girls say the word "exsanguinate" with no problem (I'm jealous) and Mulder's old flame roars back in "Fire," aka, the episode where Gillian Anderson casually and swooningly pops in for a second with her British accent. Toodle pip!  New episodes drop every Friday at noon PST. Join us as we swoon over a nearly 30 year old show, and specifically Dana Scully. 

The news that matters to the UAE just keeps coming and we manage to condense it all into a few easy-listening minutes, you lucky ducks. Today's 8@8 with David Light includes gems such as new visa policies for local uni students and their families, an AI car looking to nab Dubai's parking violators and Abu Dhabi being crowned the safest city in the world. Join the discussion. If you want to get in touch for any reason, please mail david@khaleejtimes.com. Toodle pip.

Show #874 Beardo's Birthday Bash 2020 An eclectic show in honor of Beardo with a songs selected by a couple of faithful listeners to Bandana Blues. 01. Mothers Of Invention - Call Any Vegetable (7:22) (Just Another Band From L.A., Bizarre/Reprise Records, 1972) 02. Little Feat - A Apolitical Blues (3:53) (Waiting For Columbus, Warner Bros Records, 1978) 03. Cream - Politician (4:12) (Wheels Of Fire, Polydor Records, 1968) 04. John Prine - Egg & Daughter Nite Lincoln Nebraska 1967 (4:05) (The Tree Of Forgiveness, Oh Boy Records, 2018) 05. Hollywood Fats Band - Poor Boy (4:16) (Rock This House, PBR International, 1979) 06. The Hoax - Twenty Ton Weight (4:00) (Sounds Like This, Code Blue Records, 1994) 07. Steve Goodman - I Ain't Heard You Sing No Blues (0:55) (Somebody Else's Troubles, Buddah Records, 1972) 08. Savoy Brown - Mr. Downchild (5:25) (Getting To The Point, Decca Records, 1968) 09. JB Lenoir - Alabama [1965] (3:14) (Vietnam Blues, Evidence Records, 1995) 10. Jimmy Bowskill & Carlos del Junco - Beale St. Toodle-oo (4:49) (Blues Etc, Big Reed Records, 2016) 11. Carlos del Junco - The Crazy Bastard (4:24) (Mongrel Mash, Big Reed Records, 2011) 12. Jef Lee Johnson - Boo Stew (3:18) (Black & Loud, Dreambox Media, 2011) 13. Nighthawks - Felt Too Good (4:30) (Live At The Chestnut Cabaret, 1983) 14. Paul Butterfield's Better Days - Small Town Talk (5:13) (It All Comes Back, Bearsville Records, 1973) 15. David Bromberg - Suffer To Sing The Blues (4:48) (David Bromberg, Columbia Records, 1972) 16. Cash Box Kings - The Wine Talkin’ (3:49) (Hail to the Kings!, Alligator Records, 2019) 17. Bear and a Banjo - No Way (That's Not America) (3:29) (Bear and a Banjo, Jingle Punks, 2019) 18. Harmonicas Of The World - Blue Drag (4:00) (Single, self-release, 2020) https://www.youtube.com/watch?v=0-tJ7F0Jmgg 19. Frank Zappa - Muffin Man (5:37) (Bongo Fury, DiscReet Records, 1975) 20. Michael Osborn - Mint Gin (4:30) (Hangin' On, Checkerboard Records, 2018) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

The highs, the lows, and the lessons of 2020.Support the show (https://calvary.us/give/)

Daimon returns for his third appearance, as we talk about toenails, Marvel, and being tired.

What ho people (we're running out of ways to say hi!). Join us this week as we discuss the extinction of the mighty Gunnersaurus, the possible extinction of the ugly Trumpasaurus and why postboxes have actually solved racism. Toodle pip!

Richie Aprile is discussed as he gets out of jail after ten years and Meadow trashes and then cleans a house.

Don’t miss David Proval (otherwise known as the one and only Richie Aprile) as he reminisces with Drea and Chris about the time he thought he offended Drea on an elevator, what it was like auditioning for The Sopranos, and a crazy Martin Scorsese story! Then, join the girls as they re-hash Season 2 EP 3 “Toodle-FN-oo” and all of its drama including the giant party Meadow throws at Livia’s, Tony and Dr. Melfi’s awkward encounter, and so much fuckn more! SUBSCRIBE NOWA Special Thanks to This Episode’s Sponsor:  TheraOne CBD (theragun.com/gg) http://theragun.com/gg *Let's get social: Instagram: https://instagram.com/GangsterGoddessBroadcast Facebook: https://www.facebook.com/gangstergoddessbroadcast/ Twitter: https://twitter.com/ggbroad_cast Check out our website - Website https://www.gangstergoddessbroad-cast.comDownload & Stream: https://link.chtbl.com/gangstergoddess

Welcome to Gabagool & Roses, the ONLY leftist Sopranos podcast. John has seen HBO's "The Sopranos" a bunch of times, Ben and Rachel have never seen it. We're watching it episode-by-episode and talking about it from a leftist perspective. Follow us on Twitter: @PodSopranos, Rachel is @whatshakesloose, Ben is @esentialcnsltnt, and John is @johnnyawful. This week on the podcast we talk about Season 2 Episode 3 "Toodle-Fucking-Oo", also, the dangers of normalizing domestic violence, the return of DreamBible.com, Captain Crunch, horny for violence, and of course What Do You Want In Your Mouth?, Who's Horny? our Stans of the Week, and THE DIALECTIC. The closing song this week is Biggie's "Juicy". Support us on Patreon! Until next week: take your meds, go to therapy, and organize for the Revolution. We love you. Find out more at https://gabagool-roses.pinecast.co

Evil has arrived and its name is Richie Aprile! In this episode Michael and Steve get into the dramatic appearance of this season’s villain and Meadow’s insane house party. They discuss how Tony is now getting it from all sides. Janice is conniving her way through the family, Meadow is playing the Mob boss like a fiddle and Melfi is now using Tony as her therapy. Watch out Beansie the car is in high gear it's headed for you. Plus Michael and Steve talk about what it’s like to audition for a gig and some of their funniest hits and misses. It’s all on this week’s episode of Talking Sopranos #16 S2 Ep3 Toodle-F**king-Oo. Make sure to subscribe to the Talking Sopranos podcast wherever you get your podcasts and check out some of Michael’s music at TalkingSopranos.com.

Join Eric, Wes Moss, and the Doctrinaires as they chat about Jon Ossoff, self pleasure, mailbox ants, and much more!

Our special guest this month is Jeff Henshaw, organizer the Tulip Ride, a fund raiser for Seattle Humane. Derek shares some interesting news on a recent helmet review by the DOT. Spring is on the horizon and it's time to plan your sanity escape route. Is there some spring training in your future? All that and more on this month's show.

-Episode Discussion (Richie Aprile!!!!) -Joe's Erotic Fan Fiction -Fuckin' Internet

This week’s challenge: enjoy a marijuana.

Jon, Drew, and Sam discuss how to pronounce certain words, Sam's goats, and more.

Pod Yourself A Gun, the world's only Sopranos rewatch podcast, is back with another fresh and wholly original hour of thoughtful Sopranos critique/offensive impressions of Italian-Americans and jokes about dick sucking lips. This week Matt and Vince watched season 2, episode 3 "Toodle-Fucking-Oo" or as Vince titled it "Hey We're Old School, Right?" This episode introduces Richie Aprile and Beansy into Sopranos lore and we see three generations of Soprano women (Meadow, Janice and Livia) flex their manipulation muscle. General themes include: -Old school vs new age -Dr. Melfi vs Jennifer Melfi -Lips vs tits -Can you beat a woman if she's not your wife? -You can't even beat your kids anymore! Matt and Vince welcome the hilarious Shereen Younes (of the Ethnically Ambiguous podcast) who offers a MIND BLOWING theory regarding the relationship between Beansy and Richie. It honestly will change the way you watch the rest of season 2. Enjoy this episode you worthless bookyaks. GABAGOOOOOL!

Welcome to Episode 1 of Time out with MJM! Listen as you get a feel for the new podcast as Mir, Jasmine, and Miranda do the same. This week Jasmine cover the Top 100 rock bands, Mir covers an Exorcism?,and Miranda has one story about weed and another about di**s! We hope you guys enjoy the podcast and will subscribe! Follow us on instagram @timeoutwithmjm and like us on Facebook. Toodle doo!

Carl Weathersby – Feels like rain - Live At Rosa's Lounge – 2019 Samantha Fish – Bullitproof - Kill Or Be Kind (2019) Achievers, The – Easy line - Lost Arc – 2019 Beth Hart – Bad woman Blues - War In My Mind - Deluxe Edition (2019) James Pitts Band – Come to play the blues - Come To Play The Blues - 2019 Steve Strongman – Highway man - Tired Of Talkin' - 2019 Mick Pini – Something on my mind - Into The Distance – 2019 Paulie Cerra – You got me thinking - Hell & High Water – 2019 Diana Braithwaite & Chris Whiteley – Toodle oodle loo - Gold Cadillac (2019) Loyd Spiegel – ratle your cage - Cut and Run - 2019 JC Gafford & Friends – I’m not the man you want me to be - Love Too Much (2019) Memphis Slim – The train is coming - The Real Honky Tonk + The Blues Every Which Way (Remastered) (2019)

First only in English episode!

John & @sttheosaurusrex talk about how God can give us experience without experiencing, Kierkegaardian metaphysics convos, teaching science, meaningless numbers, liking what your supposed to like, the importance of art in illustrating abstract concepts, creativity & randomness, bringing back toodle-oo, new idioms, I can’t stand your friends, worldliness, people who say what we want to hear, Cannibis on the worship team, worshiping to remember who you are, % of our mores, Biblical fear is an impetus for change, rather than a reason for paralysis and dread, wise and courageous choices becoming second nature, fruits of the spirit, bad moods, and horses vs. Tanks.

Deborah sits down with me to talk about A Clever Production, her nonprofit platform designed to elevate the voices of children of color. From her personal experience as a black woman in America to the process of founding her organization, Deborah shares insight into the empowerment of people of color, and the importance of depicting role models.

Vik, Niia and the @sopranosgram duo get real with Richie Aprile and explore the many facets of episode 3 of season 2, Toodle-F**king-Oo. 

In the third episode of season two, Alex and Val discuss Meadow getting her Discover Card taken away and cleaning up after throwing a sweet party, find out who Parvati Wasatch really is, continue analysis of characters sizes (this week's new character is no calzone with legs), hear one of Paulie's jokes (twice), do some yoga, and meta-over analyse our obsessive over-analysis of the show along with Elliot Kupferberg.     Alex and Val (Obsessive Analysis) dive into the deeper issues of The Sopranos episode by episode immediately after watching.  New episodes come out Mondays and Thursdays at 2:30pm.  Email us at inattheendpodcast@gmail.com and please rate and review!

In the last episode of the current series, we have another (unsuccessful) attempt at the feature: Listener's Telephone In followed by the very final part of Tales Of New Albion - Volume One. This time it's In The Shadow Of The Moon (chapter 1) part 2 or some such. Toodle pip for now dear listeners. All music by Charlotte Savigar, once again. Why not let us know what you think of this podcast series, email the show at: letters@talesofnewalbion.com with your thoughts.

Uh oh, we got ourselves a new character, Richie Aprile has been released from jail after doing a 10 year bid and he is already making waves for Tony Soprano. Just one more thing for Tony to worry about as Meadow Soprano throws a huge party trashing her grandmother’s house. “IN YOUR GRANDMOTHER’S HOUSE!?” Jim...

This week: Toodle-loo Wahoo! The majorly racist logo of a major league baseball team is knocked out of the park in Cleveland... sort of. Turfed by Trudeau: The PM's cross country road show gets awkward when so-called 'hecklers' are shown the heck out. Media victim-blaming: Recent headlines about a 15-year old girl seem to put her on trial as much as her accused killer. Joining host Rick Harp this week are Kim TallBear, associate professor of Native Studies at the University of Alberta, and Candis Callison, associate professor at UBC's Graduate School of Journalism. // Our theme is 'nesting' by birocratic.

It’s funny how a new character can alter the overall character of an entire series. The introduction of Richie Aprile presents Gavin and Hannibal with much to discuss as they analyze what makes him so extraordinarily terrifying. They also address Meadow’s powers of manipulation and of course, whether or not “toodle-oo” is an acceptable form of “goodbye.”

Hosts of the podcast, And That's Why We Drink, Em Schulz and Christine Schiefer gush about Christine's adorable dog Gio and share some fascinating paranormal/true crime dog stories. ZOINKS! We also learn some Scooby Doo trivia and Monique meets a "Toodle" named T-Bone while meeting the dogs in the neighborhood.

Cars, cancer, kidney stones, cats, cosmetics, a cacaphony of cookery criticism, and tubing. One of these things is not like the others! Sigh. Such a typical Grits to Glitz kind of Independence Day! Call us -- 44-222-96269! Amy's Lincoln is so polite! Bay lusts for a totally different kind of car! It's not the c word; it's atypical ductal hyperplasia! Kidney stones can make you feel like you need to go! Lips By Amy! Cracker Barrel on steroids (especially the prices)! Whist, Stove & Spirits seems awfully nice! Toodle on a tube in Townsend, TN!

William takes his Liberal speakeasy ways to the House of Lords to meet and chat with Lynne Featherstone. A very open and frank conversation about her time in the coalition and also her thoughts on the Lib Dems current predicament. Feel free to leave a lovely review or check us out on Facebook, twitter and yonder! Toodle pip and down with the....

show#697 06.25.17 B&S Together Again!! 1. Jon Cleary & the Absolute Monster Gentlemen - Smile in a While from Pin Your Spin 2004 Basin Street (3:40) 2. Delta Wires - Devil's in My Headset from Born in Oakland 2017 Mudslide Records (4:45) 3. Thorbjoern Risager & The Black Tornado - City Of Love from Change My Game 2017 Ruf (4:58) 4. Hank Mowery - If I Knew What I Know from Account To Me 2013 Old Pal Records (3:45) 5. Mighty Sam McClain - Can You Feel It? from Too Much Jesus (Not Enough Whiskey) 2008 Mighty Music (3:16) 6. David Migden and the Dirty Words - I Can't See Her Face from Killing It 2012 (3:22) 7. Selwyn Birchwood - Heavy Heart from Pick Your Poison 2017 Alligator (5:00) 8. Jim Allchin - Blew Me Away from Decisions 2017 Sandu Key Music (3:16) 9. Shun Ng - Creepy Crawlies from Funky Thumb Stuff 2012 self-release (3:10) 10. Eight O'Five Jive - My Mumblin Baby from Swing Set 2017 Red Rudy Too Tunes (2:36) 11. Jimmy Bowskill & Carlos Del Junco - Beale St. Toodle-oo from Blues Etc... 2016 Indie (4:49) 12. Samantha Fish - It's Your Voodoo Working from Chills & Fever 2017 Ruf Records (3:42) 13. Lee McBee - It's Your Voodoo Working from Soul Deep 2002 Crosscut (2:29) 14. Eric Bibb - Four Years, No Rain from Migration Blues 2017 Stony Plain (2:36) 15. Albert Castiglia - Public Enemy #9 from Living the Dream 2012 Blues Leaf Records (3:40) 16. Austin Young & No Difference - Not As Strong from Blue As Can Be 2013 Redeye Records (4:17) 17. Robin Sylar - Shot Time from Tricked Out 2004 Topcat (4:18) 18. Hound Dog Taylor - See Me in the Evening from Deluxe Edition 1999 Alligator (4:58) 19. Grand Marquis - Empire Of Dirt from Blues And Trouble 2013 self-release (5:23) 20. Hot Barbeque from Soul Jazz Grooves 2012 Highnote Records, Inc. (4:42) 21. Jim Roberts And The Resonants - Dog Done Bit My Baby from Beneath The Blood Moon 2017 KKP Records (4:21) 22. Jon Zeeman - All Alone from Blue Room 2017 Membrane Records (4:40) 23. Booker T. & The M.G.'s - L.A. Jazz Song from Melting Pot 1971 (4:21) 24. Doc Pomus - The Last Blues from Blues in the Red 2006 Revola (2:29) 25. The Hoax - Fingers Of One Hand from Unpossible (3:19) 26. The Motives feat. Matt Taylor - Gangsters from The Motives feat. Matt Taylor 2012 (4:00)

You know, a listener said it best when they commented, "Watching Scott trying to handle Lurch and The Apprentice on the show together is like watching a dad struggling to keep his ADHD riddled kids from running chaos at Disneyland". And they're not far wrong.. In this latest episode of The DHB Radio Show, hear how Lurch has blown another wad of cash to one-up Scott, how The Apprentice has been matched with chocolate on Tinder and how absent show guests deal with a woman refusing to get off the toilet so they can be sick. All this and a LOT more on the latest show! Scott.  

The Grease Rat shows himself to be a pushy salesman as Jessie decides to leave Max at the Garage and venture off in search of ice cream. We have some fun with etymology today as Rick digs up the roots of words like “Donk” and “Toodle-pip.” There’s also discussion about the idea of upselling and we ask important questions like: “Why did Jessie leave Max Behind?” and: “Is Max lactose intolerant?” Visit us at our Website: www.madmaxminute.com

Something To Talk About.....Intro, Bon Ecosse, Stephen at Hampden, The 3 seashells, #NoExpendablesWithoutStallone, Rambo better than Die Hard, The Raid remake, @carnojoe, Some people are oxymorons, Left & Right, #NaziTrev, 80's TV cars, Eco friendly toothpaste, Are seals endangered? A dolphin powered motor, See my vest!, Smith's theory of relativity, Genius, FX, Feud 2: Charles & Diana, Was Di kinky?, Timothy Spall Denial, Big up Mick Jackson!, Stephen's hoodies, Best gigs, Radio 6 Music, What makes a comedian?, Diverse casting, Diane & Jason Donovan in Tesco, Neighbours, Alf Stewart's rape dungeon, Long running roles, Branagh, The Fugitive, Is Saving Private Ryan true?, #GunnyHighway Best gigs, Worst gigs, Live 8, Mandela gig, Iron Lady, Thatcher Conway Sturgeon, Lionel Blair cut, Geez a choon, Bob's hooked on Lego, Unboxing videos, Death of the Special Features, Reality TV music, Torture tunes, Diane got 33 on PopMaster! *not on the radio, Zoe Ball/Sara Cox, Jason Statham real actor, Sly and his dug, Toodle pip...

Hljómsveit Tómasar R. Einarssonar flytur sex lög af plötunni Bongó: Ég myndi aldrei, Stelpur, Sundhetjan, Dakíri, Eyja og Man ekki neitt. Arturo Sandoval og hljómsveit leika fimm lög eftir trompetleikarann Clifford Brown: Sandu, Jordu, Blues Walk, Daahoud og Joy Of Spring. Dave Grusin og félagar leika sex lög eftir Duke Ellington og fleiri: Sophisticated Lady, Mood Indigo, Just Squeeze Me, But Don´t Tease Me, East St. Toodle-oo og Cotton Tail. Sonny Clark og félagar leika: Cool Struttin' eftir Sonny Clark og síðan Lover.

Hljómsveit Tómasar R. Einarssonar flytur sex lög af plötunni Bongó: Ég myndi aldrei, Stelpur, Sundhetjan, Dakíri, Eyja og Man ekki neitt. Arturo Sandoval og hljómsveit leika fimm lög eftir trompetleikarann Clifford Brown: Sandu, Jordu, Blues Walk, Daahoud og Joy Of Spring. Dave Grusin og félagar leika sex lög eftir Duke Ellington og fleiri: Sophisticated Lady, Mood Indigo, Just Squeeze Me, But Don´t Tease Me, East St. Toodle-oo og Cotton Tail. Sonny Clark og félagar leika: Cool Struttin' eftir Sonny Clark og síðan Lover.

Join Eric and the Doctrinaires as they chat about President Trump's executive orders, modern country music, and Ninja Madonna.

Best of the Rest Video Games and Albums 2016, Review of The Last Guardian, record and tune from Tenement and the Enjoy the Rides test press winner announced in Post Game.   02:30 Best of the Rest 2016: Video Games Mantis Burn Racing Quantum Break Doom Titanfall 2 NES Classic Ratchet & Clank 13:00 Video Games Inside The Last of Us Remastered Bioshock Pure Pool 24:00 Review: The Last Guardian    36:50 Notable New Record Tenement Bruised Music, Volume 2 44:35 Best of the Rest 2016: Albums Brett Newski Land Air Sea Garage Iggy Pop Post Pop Depression Weezer Weezer Deep Sea Diver Secrets Steve Gunn Eyes On The Lines Glenn Hughes Resonate Michael Kiwanuka Love & Hate Alter Bridge The Last Hero Sturgill Simpson A Sailor's Guide to Earth Kula Shaker K2.0 The Dead Daisies Make Some Noise   59:00 Post Game Winner of the Best of Batman Arkham Knight test press announced   Music Played In This Episode (With Permission) Intro and video game segment transition by Tiny Rockets --> https://tinyrockets.bandcamp.com Tenement "Wouldn't Let You Go" (clip before album discussion) Tenement "Taking Everything" Bruised Music, Volume 2 --> https://tenement.bandcamp.com/album/bruised-music-volume-2   Join The Community Discord Facebook Group Links Subscribe To Podcast (RSS Feed) Website ABandofGamers.com Twitter @ ABandofGamers Instagram.com/ABandofGamers Email ABOGpod@gmail.com Thank you for listening! If you ejoy the show and would like to support ABOG, please tell a friend and share it on social media.

show#654 08.07.16 HELL WEEK!!!!! Dennis Gruenling - Think Twice from Ready Or Not 2016 (4:13) Big Jon Atkinson & Bob Corritore - Here Comes My Baby from "House Party At Big Jon's" 2016 (3:00) James 'Buddy' Rogers - Can't Get You Off My Mind - Acoustic Version from By My Side 2016 (2:24) Mac Arnold & Plate Full O' Blues - Nickel And Dime from Give It Away 2016 (3:51) Clayton Doley - Lose It from Bayou Billabong 2015 (5:03) Peter Struijk - don't be so mean from Straight Blues 2015 (2:38) Sugar Ray & the Bluetones - Misery from Living Tear To Tear 2014 (8:12) Jimmy Bowksill & Carlos del Junco - Beale St. Toodle-oo from Blues Etc. 2016 (4:50) Al Basile - Keep Your Love, Where's My Money from Mid-Century Modern 2016 (3:42) Sugar Blue - Cyber Blues from Voyage 2016 (3:30) Big Harp George - Home Stretch from Wash My Horse In Champagne 2016 (4:17) Joe Rusi - Gipsy Rolling Stone from Who I Am 2015 (6:06) Minor Cabinet - Island from Black Ink On White Sheets 2015 (3:50) Steve Burnside - Better Bait from Story Teller Of The Blues 2007 (4:56) Gurf Morlix - Your Picture from Fishin' in the Muddy 2002 (3:31) Chet Baker - kiss of Spain from No Problem 1985 (7:19) Lady Bianca - Party Like You Wanna from Real People Music 2014 (4:52) The Alastair Greene Band - Last Train Around The Sun from Trouble At Your Door 2014 (4:27) Davina and the Vagabonds - I Really Try to be Good from Sunshine (2:59) Les Copeland - Knucklehead from To Be In Your Company (4:08) The Mitch Laddie Band LIVE - What Are You Living For from 2015 (6:44) Inventionis Mater - Catholic Girls from Kong's Revenge 2014 (2:55)

On The Gist, listener C. Andrew Frank shares his experience caucusing in Iowa last night. Plus, Slate’s Jamelle Bouie explains what the Iowa results tell us, if anything. For the Spiel, how to discuss Iowa better in the media. Learn more about your ad choices. Visit megaphone.fm/adchoices

On The Gist, listener C. Andrew Frank shares his experience caucusing in Iowa last night. Plus, Slate’s Jamelle Bouie explains what the Iowa results tell us, if anything. For the Spiel, how to discuss Iowa better in the media. Join Slate Plus! Members get bonus segments, exclusive member-only podcasts, and more. Sign up for a free trial today at slate.com/gistplus. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the first podcast of 2014, Tommy & Eddie run in to Alec Baldwin, Christmas Carol, an astronaut and a cat. They talk about movies, TV, Podience mail, and how Tommy needs to lose weight!

In the first podcast of 2014, Tommy & Eddie run in to Alec Baldwin, Christmas Carol, an astronaut and a cat. They talk about movies, TV, Podience mail, and how Tommy needs to lose weight!

Well, it's a notable day on HMS SG UK - it's the final episode that CaptainAverage, MightyMutt and Yamster will be doing on Sarcastic Gamer. So join us in waving the show a misty-eyed goodbye, and raise a cup of tea in honour of all the waffling.   This week, we burble on about: The new Xbox 360 dash PS Vita Rooms are going on tour The Spike Video Game Awards Shinobi (3DS) After Hour Athletes (PS Move) The Great British Debate: Is it time to call 'Game Over' on Game Over screens?   We'd just like to say a sincere thank you to everyone who's supported the show.   We'll miss you all greatly - you were spiffing.

Ahoy hoy! It's that time of the week where you're doubtlessly preparing yourself for a smidge of rip-snorting British Sarcasm. Well, since we don't like to see you irked and disappointed, CaptainAverage, MightyMutt and Yamster are proud to present the positively bombastic - and surprising - nineteenth episode of On Her Majesty's Sarcastic Service. This week, we rambled on about: Halo: Reach Playstation Move The Great British Debate: Pirates or Ninjas? Toodle-bye-ee!

This week we say goodbye to Shawn “Lusipurr” Cooper as he leaves the podcast and the site to pursue his education. Our listeners have lots... The post RPGCast – Episode 55: “A Tremulo’d Toodle-oo” appeared first on RPGamer.

Duke Ellington: New East St. Louis Toodle-Oo

Wow, lots of crazy news came out recently. We look at the big flex into Sunday Night Football against the Chiefs. Then the news that caught us all of guard, the release of Chargers 2019 first round pick Jerry Tillery. In more trench news practice squad tackle Foster Sarell gets first team reps with Trey Pipkins sidelined by injury. We look at the injury report leading up to our Sunday night showdown with the 49ers. Craig returns with a new experience, he looks at last game and what we need to do to get the W against the 49ers. Jason Reed from Bolt Beat returns with another segment looking at the Jerry Tillery news and some betting advice for our upcoming game. We finish up with Bolt Predictions.Episode Chapters:The Craig Experience - 24:33The Bolt Beat - 36:20Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy