Podcasts about The Safety Dance

Episode 027: Grab your Rubik's Cube and slip into those leg warmers, because this week on Six Picks Music Club, we're totally tubular with our radical rundown of 1980s One Hit Wonders! Geoff, Dave, and Russ are busting out their finest Members Only jackets to bring you a gnarly selection of tunes that'll have you reaching for your Aqua Net. We're talking about the bands that burned brighter than neon and faded faster than your acid-washed jeans! Get ready to take on A-ha's "Take On Me" without needing to jump into any pencil-sketched worlds. We'll be walking on sunshine with Katrina & the Waves, spinning right round (baby, right round) with Dead or Alive, and don't worry - we promise not to make you listen to "Don't Worry, Be Happy" on repeat like your local radio station did back in '88. But wait, there's more! We're blasting off with Peter Schilling's "Major Tom," proving that space was the place in the 80s. And of course, what would a trip back to the 80s be without doing the Safety Dance with Men Without Hats? As if that weren't enough to overload your Walkman, the guys dive into a totally mental discussion about the lyrics of some classic songs that'll have you saying, "Gag me with a spoon!" So, flip up your collar, grab a New Coke, and settle in for an episode that's more jam-packed than your Trapper Keeper. It's time to party like it's 1985 on Six Picks Music Club!   Apple Podcasts Instagram Spotify Playlist YouTube Playlist Official Site Listener Listens -Magna Carda - Instagram Original A-ha "Take On Me" Video - YouTube

Susan and Renee discuss what it means when candidates talk about “school safety.” 

Lily Allen and Miquita Oliver answer your questions about safety.Next week, we want to hear your questions about DRIVING. Please send us a voice note on WhatsApp: 08000 30 40 90. Or, if you like, send us an email: missme@bbc.co.uk.This episode contains very strong language, adult themes and discussions about sexual assault. If you have been affected by any of the issues raised, you can find support via the BBC Action Line: https://bbc.co.uk/actionline/ Credits: Producer: Flossie Barratt Technical Producer: Will Gibson Smith Production Coordinator: Hannah Bennett Executive Producers: Dino Sofos and Ellie Clifford Assistant Commissioner for BBC: Lorraine Okuefuna Commissioning Editor for BBC: Dylan Haskins Miss Me? is a Persephonica production for BBC Sounds

This week we take it in turns to report on the history of a different One Hit Wonder. We cover Louie Louie by The Kingsman, The Safety Dance by Men Without Hats and Who Let The Dogs Out by Baha Men. Recorded live at the Melbourne International Comedy Festival.This is a comedy/history podcast, the report begins at approximately 04:37 (though as always, we go off on tangents throughout the report).Support the show and get rewards like bonus episodes: patreon.com/DoGoOnPodSupport the show on Apple podcasts and get bonus episodes in the app: http://apple.co/dogoon Live show tickets: https://dogoonpod.com/live-shows/ Watch Do Go On The Quiz Show: https://youtu.be/GgzcPMx1EdM?si=ir7iubozIzlzvWfKSubmit a topic idea directly to the hat: dogoonpod.com/suggest-a-topic/Check out our merch: https://do-go-on-podcast.creator-spring.com/ Twitter: @DoGoOnPodInstagram: @DoGoOnPodFacebook: https://www.facebook.com/DoGoOnPod/Email us: dogoonpod@gmail.com Check out our other podcasts:Book Cheat: https://play.acast.com/s/book-cheatPrime Mates: https://play.acast.com/s/prime-mates/Listen Now: https://play.acast.com/s/listen-now/Who Knew It with Matt Stewart: https://play.acast.com/s/who-knew-it-with-matt-stewart/ Our awesome theme song by Evan Munro-Smith and logo by Peader ThomasDo Go On acknowledges the traditional owners of the land we record on, the Wurundjeri people, in the Kulin nation. We pay our respects to elders, past and present. REFERENCES AND FURTHER READING:https://www.imdb.com/title/tt9617782/ https://www.vice.com/en/article/ppm93v/the-baha-men-will-outlive-us-all-000https://www.smithsonianmag.com/smart-news/the-fbi-investigated-the-song-louie-louie-for-two-years-78752777/ Hosted on Acast. See acast.com/privacy for more information.

Send us a Text Message.Can you imagine forgetting about a balloon stuffed up your nose for 18 years? This bizarre tale kicks off an episode packed with humor, music, and all things 80s. DJ Paulie and Lou bring you "Covering the 80s," spotlighting your favorite hits reimagined by lesser-known cover bands. Alongside these musical treats, we share hilarious anecdotes about some not-so-bright criminals, including a thief who practically handed himself to the police via Instagram and car burglars who picked the absolute worst mark—a federal agent. The energy is high as we set the tone for a Monday filled with laughter and nostalgia.Ever heard of Anton Syndrome or monkey testicle grafting? Brace yourself for "Odd Facts and Bizarre Tales," where we dive into some truly eclectic trivia. From the eeriness of blind people not knowing they're blind to the freaky phenomenon of spectrophilia, we cover the oddities that make you question reality. We even throw in some sports trivia and historical quirks that are sure to blow your mind. Plus, marvel at the unforgettable renditions of 80s classics like "The Safety Dance" by Radio Star and "I Ran" by Kings County. This chapter guarantees both enlightenment and entertainment.Step back in time as we reminisce about iconic 80s fads and the unforgettable Jersey club scene. Remember Valley Girl speak, breakdancing, and those stylish Swatch watches? We talk fashion trends, from shoulder pads to Members-only jackets, and relive the ritual of getting ready for a night out, complete with Cavaricci pants and gold chains. We wrap up with some side-splitting awkward date stories and play iconic covers of '80s hits by Quiet Drive and First to 11. So, buckle up for a ride through a decade filled with wild stories, infectious music, and enough nostalgia to make your Monday truly memorable.Support the Show.Thanks for listening. Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

Another look at sets of songs that are the same... but different! Artists include Santana, Wham!, Donna Summer, Brooklyn Dreams and Men Without Hats! (R)

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. This week, we are all about those songs that can get stuck in your head, whether you like it or not, aka “Earworms”. On today's episode, Andy Atherton is watching, “The Safety Dance” by Men Without Hats from 1983. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=nM4okRvCg2g

First up - we need your votes to hold on to our African Podcast Association Best Music Show award. You can help by voting here, and voting constantly. It's what George Michael would have wanted: Vote Here. (Shameless plug, but Paulo is in the running with his other podcasts, vote for his sports show, Working Title FC and his career and entrepreneurship show, Curse of the Creative). We follow up last week's Tom Selleck avo story with insider info and take time to mourn the Richard Simmons come-back the world was denied. We suggest the only way to dance to "Gloria" by Laura Branigan and compare Rob Lowe to a Star Wars character. Paulo delves into the mechanics of obscure 80s video game formats and Dori hears about an 80s movie character we haven't thought about since her story ended. Vote for That 80s Show (00:01:17) Paulo and Dori discuss their nomination and ask for votes for the African Podcast and Voiceover Association awards. Tom Selleck Water Controversy (00:05:33) Paulo corrects a previous story about Tom Selleck's water controversy and discusses the true details with Dori. Richard Simmons' Passing (00:14:26) Paulo and Dori express their sadness over the passing of Richard Simmons and discuss the circumstances surrounding his death. Dr. Ruth's Passing (00:21:12) Paulo and Dori briefly mention the passing of Dr. Ruth and reminisce about her TV appearances in the 80s. Dr. Ruth and the 80s (00:21:33) Discussion about Dr. Ruth and her impact on the 80s, her character, and her sex tips. Getting Back into the Swing of Things (00:22:38) Paulo and Dori discuss getting back into work and socializing after an injury, sharing personal experiences. Renovations and Challenges (00:23:14) Dori talks about challenges faced due to building renovations and the impact on accessibility. Netflix Recommendations (00:24:52) Dori shares recommendations from Netflix and discusses their experience with the platform's content. Discussion of "Eric" on Netflix (00:26:05) Paulo and Dori discuss the show "Eric," its setting, and the portrayal of the 1980s. Plot of "Eric" and Dark Themes (00:27:39) Discussion of the plot of "Eric," its dark themes, and references to other shows. Soundtrack of "Eric" (00:31:20) Discussion of the music used in "Eric," including specific tracks and their impact on the show. Impact of "Eric" and Benedict Cumberbatch's Performance (00:31:40) Discussion of the impact of "Eric" and the performance of Benedict Cumberbatch in the show. The Brat Pack and Hollywood Perception (00:35:42) Paulo and Dori explore the negative perception of the Brat Pack in Hollywood and their experiences with the label. Rob Lowe and the Brat Pack (00:40:21) Discussion of Rob Lowe's experiences with the Brat Pack, his career, and his enduring good looks. The Thompson Twins Video Game (00:44:15) Paulo revisits the topic of 80s music video games, specifically the Thompson Twins' promotional video game for "Doctor Doctor." Safety Dance Video Game (00:45:24) Discussion about the potential for a video game based on the music video for "Safety Dance," involving a quest and a dance-off in medieval times. Miami Vice Video Game (00:46:43) Mention of an existing video game based on the TV show "Miami Vice," along with the prevalence of video games based on TV shows in the 80s. Interactive Board Game for the 80s (00:47:31) Paulo's idea for an interactive board game based on 80s music videos, featuring Milli Vanilli music videos and spotting lip-syncing. The Empress from The Neverending Story (00:51:37) Paulo and Dori discuss Tami Stronach, the actress who played the Empress in "The Neverending Story," and her life after the movie. Tami Stronach's New Fantasy Movie (00:54:14) Details about Tami Stronach's return to acting in a new fantasy movie called "Man & Witch," along with the star-studded cast.

The Dads discuss safety on the job site & safety on the home front, all the while graced by the wit and wisdom of Jeff Gill, Operations Manager for The Kawartha Home Hardware Group of Stores, our new sponsors!

Ivan is the lead vocalist and founding member of Men Without Hats, best known for the hit songs The Safety Dance and Pop Goes the World. The band broke up in 1993 but reformed in 2002-2003 and then reunited for good in 2010. They have released nine studio albums and still tour the world.

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Prisencolinensinainciusol by Adriano Celentano (1972)Song 1: Ol' Red by Blake Shelton (2001)Song 2: Anarchy in the U.K. by Sex Pistols (1976)Song 3: A Whiter Shade of Pale by Procol Harum (1967)Song 4: Since You're Gone by The Cars (1981)Song 5: Bizarre Love Triangle by New Order (1986)Song 6: Colors by Black Pumas (2019)Song 7: Since U Been Gone by Kelly Clarkson (2004)Song 8: Sucker M.C's (Krush-Groove 1) by Run-D.M.C. (1982)Song 9: The Safety Dance by Men Without Hats (1982)Song 10: Since You Been Gone by Rainbow (1979)

Ready to relax and have some darkly delicious fun? The annual Dark Nation Radio GOTHIC BEACH PARTY can now be streamed! As in years past, this one plays fast and loose with genre, with the Beastie Boys and B-52s rubbing shoulders with Siouxsie and My Life With the Thrill Kill Kult while Gnarls Barkley and Karen O keep company with Adam Ant, Poison, and (of course) the Vampire Beach Babes—so turn it up and ride the wave

The SEC has introduced a safety bag to their conference tournament. Is this necessary? Is it "woke"? We dissect the conference's new ploy for safety.

In episode 51 with Bri Zborowski, we got into the reasons why it might be time to leave a dance studio.  But what to look for in a new studio and how to get the answers you need before making such a big decision for your dancer! Today we want to dive into all the things you want to research and consider when choosing a new dance studio. Welcome to Two Dance Moms Podcast!WHAT TO LISTEN FORLocation: How far can you realistically drive Training: Classes offered & levels availableCompetition Program: Number and types of competitions and conventions Safety: Dance studio and staff rulesValues: From the director down to the families, what will be accepted?Price: Does it fit in your budget?Top of the Topic: Top 3 Questions to ask the studio directorEPISODES MENTIONEDEp. 51 - Switching Teams / Leaving Studios: Insights with Bri ZbrorowskiEp. 40 - Safety at Dance Competitions: A Discussion on Protecting Your Child Ep. 8 - Family Values: Aligning the Competition Dance World & Your Family Values  Ep. 15 - Budget: Spending Your Money with IntentionEPISODE SPONSORSDream Duffel, the original rolling duffel with a built in garment rack! Choose from multiple sizes, colors, patterns, & styles!Reinforce Dance Experience Fall 2024 Convention Tour: IGNITE a passion for the arts, FOSTER collaboration, & GIVE BACK to our vibrant community. Apolla Performance Compression Socks, Made by dancers for dancers! Increase stability and support, while reducing pain and fatigue. RATE & REVIEWRate & Review Apple Podcast Rate on Spotify SOCIALS Instagram: https://www.instagram.com/twodancemomspodcast/

Ivan Doroschuk is a Canadian musician best known as the lead vocalist and songwriter for the band Men Without Hats. Born on October 9, 1957, in Champaign, Illinois, USA, he formed Men Without Hats in 1977 with his brothers Stefan and Colin. Doroschuk's distinctive vocals and quirky lyrics contributed to the band's success, particularly with their hit song "The Safety Dance." Throughout his career, Doroschuk has continued to create music and perform, maintaining a cult following among fans of 1980s synth-pop, while "The Safety Dance" has embedded itself into popular culture with appearances in TV shows such as "The Simpsons", "Beavis and Butthead" and "Glee" Let Christy Take It are proud to bring you Doroschuk. If you enjoy our show please like and subscribe wherever you listen to your podcasts.  Thanks to our sponsor Irish Woodcraft. Please check them out at ⁠https://irishwoodcraft.ie⁠

Episode #340 This week on the show Toni-Ann and special guest Co-Host Andy Hoffman welcome, Torie Hunt, Rebecca Rudin, and Glenn Kessler. They all share stories from a recent trip to Walt Disney World. They celebrated Torie's Birthday on this trip, along with some cake at the Japan Pavilion in Epcot, and there was a very special moment that a guest shared with the group. Monsieur Paul for a group meal and Yak& Yeti and you find out if anyone has plans to return to Monsieur Paul. Savor the Savanna, and STK was on their must do list for many, are they a must do again for any of them?. Dapper Purple Day, Fireworks Cruise and so much more. www.thedisneycrush.com thedisneycrush@gmail.com www.patreon.com/thedisneycrush  

ESPN Wisconsin's Mark Tauscher says ahead of the NFL Draft this month, don't expect to hear too much strategy from the Packers brass on who they'll select with their first pick.

In this riveting episode of Packernet After Dark, the conversation kicks off with a deep dive into the NFL's recent kickoff rule changes, starting at 0:00. Brian from Illinois opens the discussion with a strategic suggestion on utilizing blocking to create advantages for kickoff returns. The panel explores how these changes might affect player roles, highlighting the potential mismatch for talents like Keyshawn Nixon under the new kickoff regime. The discussion extends to the adaptation required not just by players but also by coaches to embrace these changes, pondering over the future of traditional roles in special teams. By 7:53, the talk shifts to workplace safety with a comparison drawn between NFL rule changes and OSHA regulations. The debate is fiery, with opinions clashing over the balance between safety and efficiency both in the workplace and on the football field. Speaker 3's frustration with OSHA parallels concerns about NFL safety measures, sparking a broader conversation on the value of safety versus the essence of the game. The episode continues to tackle NFL injuries and safety measures from 12:43, where the panelists express their vexation over the league's handling of player safety and the recent kickoff ban, suggesting a need for more proactive and creative solutions to protect players without diluting the game's competitiveness. Further, at 27:24, NFL team ownership and management come under scrutiny, particularly focusing on the contrasting approaches of the Green Bay Packers and teams like the Dallas Cowboys under Jerry Jones. The discussion underscores differing priorities between football success and business acumen, questioning the impact of ownership structures on team achievements. Rounding off at 40:24, the conversation turns to the upcoming NFL draft, with insights on potential picks that could address the linebacker needs for better pass-rushing and intelligence on the field. Speaker 1 and Speaker 3 share their analyses on player fit, emphasizing the importance of aligning draft choices with the team's strategic direction under Matt LaFleur and Jeff Haffley. Timestamps: NFL Kickoff Rule Changes: 0:00 Workplace Safety and NFL Rule Changes: 7:53 NFL Injuries and Safety Measures: 12:43 NFL Injuries and Potential Solutions: 17:48, 22:27 NFL Team Ownership and Management: 27:24 NFL Team Ownership and Priorities: 34:18 NFL Draft Picks and Linebacker Needs: 40:24 Join us for this comprehensive exploration of the latest in NFL rule changes, the ongoing debate over player safety, and the intricacies of team management and draft strategy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this riveting episode of Packernet After Dark, the conversation kicks off with a deep dive into the NFL's recent kickoff rule changes, starting at 0:00. Brian from Illinois opens the discussion with a strategic suggestion on utilizing blocking to create advantages for kickoff returns. The panel explores how these changes might affect player roles, highlighting the potential mismatch for talents like Keyshawn Nixon under the new kickoff regime. The discussion extends to the adaptation required not just by players but also by coaches to embrace these changes, pondering over the future of traditional roles in special teams. By 7:53, the talk shifts to workplace safety with a comparison drawn between NFL rule changes and OSHA regulations. The debate is fiery, with opinions clashing over the balance between safety and efficiency both in the workplace and on the football field. Speaker 3's frustration with OSHA parallels concerns about NFL safety measures, sparking a broader conversation on the value of safety versus the essence of the game. The episode continues to tackle NFL injuries and safety measures from 12:43, where the panelists express their vexation over the league's handling of player safety and the recent kickoff ban, suggesting a need for more proactive and creative solutions to protect players without diluting the game's competitiveness. Further, at 27:24, NFL team ownership and management come under scrutiny, particularly focusing on the contrasting approaches of the Green Bay Packers and teams like the Dallas Cowboys under Jerry Jones. The discussion underscores differing priorities between football success and business acumen, questioning the impact of ownership structures on team achievements. Rounding off at 40:24, the conversation turns to the upcoming NFL draft, with insights on potential picks that could address the linebacker needs for better pass-rushing and intelligence on the field. Speaker 1 and Speaker 3 share their analyses on player fit, emphasizing the importance of aligning draft choices with the team's strategic direction under Matt LaFleur and Jeff Haffley. Timestamps: NFL Kickoff Rule Changes: 0:00 Workplace Safety and NFL Rule Changes: 7:53 NFL Injuries and Safety Measures: 12:43 NFL Injuries and Potential Solutions: 17:48, 22:27 NFL Team Ownership and Management: 27:24 NFL Team Ownership and Priorities: 34:18 NFL Draft Picks and Linebacker Needs: 40:24 Join us for this comprehensive exploration of the latest in NFL rule changes, the ongoing debate over player safety, and the intricacies of team management and draft strategy. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Voice of the Vikings, Paul Allen, offers his takes on an already crazy offseason, and a potentially franchise-altering draft for the Vikings. Jim Schwarzbauer of DAYBA previews the upcoming Border Battle HS All-Star Basketball games. Vencie Glenn does his usual "Safety Dance" with a little zest from NIT basketball this week.

Welcome to PTBN Pop's Video Jukebox Song of The Day! Every weekday will be featuring a live watch of a great and memorable music video. We are once again dedicating our theme week to 80's One-Hit Wonders. On today's episode, Keith Langston is watching, “The Safety Dance” by Men Without Hats from 1983. The YouTube link for the video is below so you can watch along! https://www.youtube.com/watch?v=nM4okRvCg2g

The guys react to the Packers signing of safety Xavier McKinney, Packers reporter Jason Wilde joins the show with his thoughts on the Green & Gold's signings and will Jordan Love get more or less on his new contract after Kirk Cousins signed with the Falcons for 4 years $180M?

Ivan Doroschuk in conversation with David Eastaugh https://www.safetydance.com/ Men Without Hats are a Canadian new wave and synth-pop band, originally from Montreal, Quebec. Their music is characterized by the voice of their lead singer Ivan Doroschuk, as well as their elaborate use of synthesizers and electronic processing. They achieved their greatest popularity in the 1980s with "The Safety Dance", a worldwide top ten hit (No. 3 in the United States), and "Pop Goes the World". After a hiatus for most of the 1990s and 2000s, Doroschuk reformed the band in 2010, and released Love in the Age of War (2012). The group, based in Vancouver, has continued to perform, including tour dates announced in support of the release of two studio albums, Men Without Hats Again (Parts 1 & 2), in 2021 and 2022 respectively.

Today we interview the legendary Ivan Doroschuk of Men Without Hats going over their 20 plus year career and the success of a song that is now intergenerational "The Safety Dance" a truly incredible story and amazing songwriter you wont want to miss this!Support the showPlease give us a quick rate and review. If you enjoyed the audio version head over to our Youtube for video content! Follow the Instagram for special content and weekly updates. Check out our website and leave us a voice message to be heard on the show or find out more about the guests!https://www.youtube.com/channel/UCONMXkuIfpVizopNb_CoIGghttps://www.instagram.com/hook_and_bridge_podcast/https://www.thehookandbridgepodcast.com/

Check Playlist This episode of The Five Count featured an exclusive interview with musician Ivan Doroschuk. Ivan is best known as the founder and singer for the band Men Without Hats. Men Without Hats are best known for hits like The Safety Dance, Where Do the Boys Go? and Pop Goes the World. During the show he discussed Men Without Hats being back on the road, the success of The Safety Dance over the last 40 years, and the impact bands from the ‘80s had on today's popular music. See Men Without Hats at a venue near you!During the rest of the show we discussed which holograms we would like to see in concert, Ton explained his love/hate relationship with Metallica, and we replaced all our old-man supplements and vitamins with whippets. We've never felt better! https://youtu.be/nM4okRvCg2g?si=tbcrWRPoFA5HVt61

Below Deck Med S8 Ep11 Safety Dance In this episode:Tumi struggles to keep Kyle in check while Lily learns the ropes. Luka comes under fire for not managing the deck team well enough and we also meet some new charter guests and there's a doozy on board. Support the showClick the link above to head over to Patreon where you can join our community & access ad-free, early release episodes from $2 per month (USD) or for $5 USD per month enjoy all the above perks AND our weekly bonus episode 'The Wrap Up' for Patreon subscribers only! You can also support us by clicking the link below to purchase a 'virtual coffee'! https://www.buymeacoffee.com/theaftdeckpodAs an entirely independent podcast, we appreciate ALL of your support!!! Ask us questions, give us your thoughts on the show or tell us what you'd like us to cover in future episodes at theaftdeckpod@gmail.com or DM us @theaftdeck.podMusic by: AudioCoffee (Denys Kyshchuk)

Y'all better not sleep on Southern Hospitality. Season 1 only has 8 episodes and the season 2 premiere did not disappoint! The weekly Bravo lineup is jam packed. We even squeeze in some Paris in Love and Scandoval updates. Bravo Weekly Lineup: 3:56 RHOP Real Housewives of Potomac Season 9 Pie In The Sky 5:29 Married to Medicine Season 10 Episode 5 Resurrection Rejection 8:27 Below Deck Mediterranean Season 8 Episode 11 Safety Dance 9:11 RHOSLC Real Housewives of Salt Lake City Season 4 Episode 13 Bermuda Blues and Bathtub Blues 15:06 Winter House Season 3 Episode 7 Parental Advisory 15:35 Scandoval Update (Ariana Madix, Tom Sandoval, Rachel Leviss) 22:14 RHOBH Real Housewives of Beverly Hills Season 13 Episode 7 Dazed and Accused 22:46 Paris In Love Season 2 33:00 RHOM Real Housewives of Miami Season 6 Episode 6 Farmer of the Opera 35:00 Southern Charm Season 9 Episode 12 Chasing Waterfalls 37:00 Southern Hospitality Season 2 Episode 1 When Push Comes To Shovel ⁠Join ⁠⁠Patreon⁠⁠⁠ for monthly bonus episodes! ⁠⁠Amazon Store:⁠ Today's ONESIE Links Mentioned: ⁠Cannabis & Women's Health with Dr. Simone⁠ ⁠⁠Jason Cameron Interview⁠⁠ Southern Hospitality Season 1 Reunion on WWHL Watch What Happens Live Blog Post Audio podcast available: ⁠⁠⁠⁠Spotify⁠⁠⁠⁠, ⁠⁠⁠⁠Apple⁠⁠⁠⁠, ⁠⁠⁠⁠Google⁠⁠⁠⁠, ⁠⁠⁠⁠iHeartRadio⁠⁠⁠⁠, and wherever you get your podcasts. Video and visuals available on ⁠⁠⁠⁠YouTube⁠⁠⁠⁠. ⁠⁠⁠⁠SHOP⁠⁠⁠⁠ Bravo & Blaze Subscribe to ⁠⁠⁠⁠⁠⁠NEWSLETTER⁠⁠⁠⁠⁠⁠ here Follow along on social media: ⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠ ⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠Tik Tok⁠⁠⁠⁠⁠ Shout outs: @bravobygays @TheRealHousewiveszone @vanderpodrecaps @allaboutrh @theblondepuertorican @byewighellodrama @bravobravobravobri @tasteof_reality Is This Real Life with Mandy Slutsker #rhop #married2med #belowdeckmed #rhoslc #winterhouse #rhobh #rhom #southerncharm #southernhospitality #wwhl #realhousewives #housewives #realhousewivesofpotomac #married2medicine #marriedtomed #marriedtomedicine #belowdeck #belowdeckmediterranean #realhousewivesofsaltlakecity #realhousewivesofbeverlyhills #realhousewivesofmiami #watchwhathappenslive #andycohen #bravoandy #bravoandblaze #jennyblaze --- Send in a voice message: https://podcasters.spotify.com/pod/show/jenny-blaze1/message Support this podcast: https://podcasters.spotify.com/pod/show/jenny-blaze1/support

AN IMPORTANT NOTE FOR NEXT WEEK: We are going to be releasing the episode on Saturday instead of Friday. Sorry for the inconvenience, we will be in your ears just a day later than normal!Hi Below Dexperts! Today we are recapping Below Deck Mediterranean Season 8, Episode 11 - Safety Dance. Our main talking points are:Kyle and Jack (Kyle being paranoid about everyone out to get him) Lily not doing well (physically and at her job lol) Luka not being a perfect bosun any longer...Lane also shares some of his stories from when he was in a frat in college..(yikes). We are so thankful for all the likes and subscribes to both our YouTube and our TikTok! Please continue to like/follow/subscribe on all our platforms.YouTube: @BelowDexpertsTikTok: @BelowDexpertsInstagram: BelowDexpertsWe would very much appreciate if you would leave us a review on whatever platform you are listening on, it helps us very much. THANK YOU SO MUCH FOR THE SUPPORT!Support the show

The Below Deck Boys are back for a dramatic episode of Below Deck Med Season Eight. Hosts John Farley and Sean Cole breakdown this Season's eleventh installment which features Captain Sandy micromanaging the deck team and actually criticizing Luka. Also, the boys discuss: Kyle starting unnecessary fights with Jack; Lily will an all-time brutal hangover; and the provisioner sending a mentalist as entertainment for a James Bond party. John and Sean also hand out episode awards and decide whether Tumi will be asked back as Chief Stew for a second season. Follow @OverBoard_Pod on Twitter to keep up on all the Below Deck Action.

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Denim and Pearls - Safety Dance - 0913 When we embark on a personal journey or pursuing one's goals, it can mean leaving certain people or aspects of the past behind. The idea might be that sometimes, in order to achieve success or personal growth, one has to make choices that involve moving away from familiar situations or relationships. And as an entrepreneur we where many hats. We are the accountant, the marketer, and more. But it is a mission to remove or transfer these hats to others so that we can build our businesses.

The Packers are getting healthier in their secondary. What does that mean for the safety position? --- Support this podcast: https://podcasters.spotify.com/pod/show/aaron-nagler9/support

Lauren and JJ answer listener mail: When is it appropriate to cry while attending a patient's euthanasia? How can you cope with the uneducated veterinary opinions of friends and family members?

It's just the Titterpigs on their own, having a watercooler discussion about a harmonious and unifying topic that we are sure will not garner any negative feedback or criticisms on either side of the table...and if you believe that, we are also going to buy the Dungeon Hobby Shop Museum for the asking price of 5 million bucks. :-D Enjoy, and as always we welcome any and all feedback.  You can support Titterpigs for as little as 99 cents a month. Click the Support button on our homepage: ⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/titterpigs⁠⁠⁠⁠⁠⁠ Check out our Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/titterpigs?fan_landing=true&view_as=public⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can Email us at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠titterpigspod@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ with your comments, questions, or soundbites. Episode Intro by Dr. Mitch. You can follow Dr. Paul Mitchener on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheTweedmeister⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for more ukulele goodness and also to check out his many TTRPG offerings. Most especially ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Liminal ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Give us a follow on all our socials: Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@Titterpigs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠facebook.com/Titterpigs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky: ⁠⁠@titterpigs.bsky.social⁠⁠ Scott: Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@HailOrcusdorkus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Mastodon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dice.camp/@orcusdorkus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky: ⁠⁠@orcusdorkus.bsky.social⁠⁠ YouTube at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠OrcusDorkus' RPG Shenanigans⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Keith: Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@DM_Modoc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Mastodon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠dice.camp/@Modoc⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Bluesky: ⁠⁠@modoc.bsky.social⁠⁠ and his blog ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Rolling Boxcars Blog --- Send in a voice message: https://podcasters.spotify.com/pod/show/titterpigs/message Support this podcast: https://podcasters.spotify.com/pod/show/titterpigs/support

this is a comedy ""podcast"" btw believe it or not. It is a joke, it is parody, it is satire. It is not serious; it is not meant to be taken seriously. I do not condone the physical harming or even light harassment of real estate agents in any way shape or form. Do not call, text, or email Jeffrey Doussan or Keller Williams of New Orleans. Do not write funny bad reviews on yelp or google or furnished finder. Do not send pipe bombs or bomb threats to his house or any of his listed properties. I mean it! If you do any of these things you will be banned from podcasts forever. Thank you enjoy the show. Looking at rentals is really fun cuz real estate agents and property managers are some of the most redacted and oblivious people you have to trust with your livelihood. Recently I had scheduled to see a place and the guy no showed, no contact I messaged and emailed him multiple times and 3 days later he texted "apologies out of town." He then proceeds to try to reschedule immediately for the next day at 11am I say can we do 2pm he says no we can't let's do Monday 2pm I say okay Monday 2pm he says great I say great and then he says actually we can do tomorrow Friday 2pm i say perfect cool then Friday at 11am he says you must think we're crazy but we're actually just short-handed can you do monday 2pm and then i showed up today Monday at 2pm and the guy is 10 minutes late, I text the guy and he said "oh Philip's not there?" Philip the minion shows up within 1 minute of me texting, Philip says haha it's good thing our office is right around the corner and he points to a building literally right behind the rental and gives me the dorkiest fcking smile and I want to drown Philip in a puddle. We go to open the door and he doesn't have the right keypad code. I stand around in the rain for about 5 minutes while he calls and texts people and then he's like oh we can just try the other side of the duplex and I asked if the other side is the same layout and price and furnishings and he said no so I said no and so we sat in the rain for another 5 minutes and he finally gets the code and we go in. It looks like the last tenant had just left, all the lights and tvs are on and trash cans full, poop splatters on the toilet and it smells like cat piss. Despite this, I message the property manager that I am interested and would like to move forward with my application and he likes my message and says nothing else. $1400/month. a few years ago, a property manager was stunned that I requested to inspect the house before signing a legal document that said we conducted an inspection and told me I was the first person to ever do so. He addressed me as "Gay bro" in a text and it was never acknowledged $1754/month 440 sq feet #italiano #realestateagent #propertymanagement When you were investing in real estate, I studied the blade. When you were having open houses, I mastered the blockchain. While you wasted your days at the bank in pursuit of equity, I cultivated inner strength. And now that the world is on fire and the barbarians are at the gate you have the audacity to come to me for rent.   It's free! Real estate! We're giving you land! It's free. We're giving you a house. It's real estate. Free. It's a free house for you, Jim. This is free real estate! You gotta bring furniture, but the house is free! Two bedrooms, no rugs. It's free! You unlock the door to your free house, we got you the real estate! It's a two bedroom house, its free, its got a pool in the back. I'm not carrying this around all day! It's for your house! Free real estate, I'll pee my pants. Jim, come get your damn land. It's a free house! Jim, I got real estate. Jim, does it get better than this? Jim! The house is free! Jim! The house is free! It's a free fucking house. It's free real estate!   Dis shitpost is conquered by Naily, along with Wacky Workbench, UmbraSnivy, whose ego will ensure this will stay near the top, Monster Jam: Urban Assault, Taco, because youtube is where the poop is, All character userboxes, Vsauce, people who wear band t-shirts thinking it's a brand, Palm Tree Panic Will Venable busting a move on top of the dougout with Mr. Met, the letters Q, A, K, H, P, and Y, Work That Sucker To Death by Xavier (ft. George Clinton and Bootsy Collins), George W. Bush, Jeb Bush, Crazy Hand, Ampullae of Lorenzini, my sword, my bow, and my axe, The Onion, Gregorio's Tightie Whities Company, Flipnote Hatena, The 1997 World Series, Jet fuel, someone who should have been the one to fill your dark soul with LIGH-GHT! That one annoying Mets fan who interfered with a live ball and gloated by waving his mitt at David Dahl, ʎɥdʎlƃnɹəɔ Cameradancer100 singing "Hit me baby one more time," George Carlin saves President Obama from bad Indie Mu sic, Lazytown, Mother 3, Quadrupedal Dolphins, The Miami Dolphins, Miami Heat, Miami Marlins, University of Miami's Basketball Team, 2001: A Space Odyssey, Space Jam, Guitar Hero Encore: Rocks the 80's, Samsung, Six Flags, Laffy Taffys, Donald Trump, Italian people who live in Japan and have the last name Baldelli, the italian knock off of baldis basics called baldellis basics, the real Baldi's Basics in Education and Learning, Supreme, LemonMouthTheCat, Flamer, "Don't You Evah" by Spoon, Carlos Guevara's Tweets that say "It's a good night" 90 percent of the time, the rest of Carlos Guevara's Tweets including the one where he got really really really mad because his food at Chili's was too cold or something (he even put a picture of his food with a caption saying "this angers me every time"), a runabout (She stole it! NO ONE WILL EVER KNOW!!!!!!!!!!!!) Toontown Online, ShamWow, Derpyunikitty, All of MrFlamerBoy's OCs, Ruhmoat, Tubbybloxian the robloxian teletubby, Reater the Cheater, Bomby, Tim Lincecum's hair, Taylor Swift's hit single "Delicate", Houses, Tanline666 and his blog post announcing he is unblocked, asdfmovie, pineapples, Thunderstruck by ACDC Other Real Estates, The creator Takeo Ischi singing about chickens, Geno, People who release boring songs as their debut singles, Hypseleotris compressa, That spider you killed back when you were 8, A fruit fly corpse, Mr. Moseby's lobby, Flying Battery Zone, r/softwaregore, Paul Blart Mall Cop 2, bruv moment, Steel beams, laser beams, pretty much every other kind of beam there is, "Counting Stars" by OneRepublic, Katajrocker, Dehumidifiers, Kayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayayday AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAkamatsu, XXXTentacion's Death P.A.C.T, Tzipi Shavit, Yogurtslavia, Hiccory, Benny No, Cavendish Bananas, LeAlgae, octahedrons, Crash Twinsanity, F-Zero, Io, SpongeBob SquarePants (The Show), people who put anything before Wacky Workbench, Coiny, your pests, Super Smash Bros Brawl, Bruce Lee, Jackie Chan, An electric guitar made out of acryllic and is filled with liquid and glitter to make a cool snow globe, two Number 9's, a Number 9 Large, a Number 6 with extra Dip, a Number 7, Two Number 45's, one with Cheese, and a large Soda. squid eyeballs, Eraser, Svalbard, Nickelodeon, Game Shakers, Oshawott, Snivy (And Tepig) SNSD Gee, Dante Bichette Sr., Dante Bichette Jr., and Bo Bichette, An Oxi Clean Container autographed by Billy Mays, My absence from this wiki, Vsauce, Nappa, The UK, KarateMario4Life, the Illuminati, Windows 10 Shop, The Battlecats, All of the squirrels in the universe, the color Amaranth, Warioware Gold, people who follow every page they edit, Mario Kart Wii, Bothus the flounder, Joanna Newsom, SammyNWIKI (and all sockpuppets thereof), a heckin y e l l o w house, Asian Carps, 8-Ball's Fumes, Some Firey hater or something, USERNAME Template, Selene vomer, Fartnut Bottle Royalty, The muffin that wants to die die die, Spicy Af Roblox Memes, The Impractical Jokers, the people who are wai --I HATE YOU (talk) 00:56, November 15, 2019 (UTC)--I HATE YOU (talk) 00:56, November 15, 2019 (UTC)--I HATE YOU (talk) 00:56, November 15, 2019 (UTC)ting for BFB 13, People who believe that this might be offensive and want it deleted but are actually good people that mean well but please listen to me we just want to make a funny joke and we aren't trying to be offensive, Giorno Giovanna, Fake Smash ultimate Leaks, 4 dozen eggs, A crazy Asian guy by the name of Kenji Johjima who is on the loose trying to steal mashed potatoes from your local Popeye's, Foxtrot comics, Chiaotzu's death scene, The now closed trollpasta wiki,Roblox Creepypasta, DANK MEMES,scrampled egg, phyllo dough, Greg Heffley's nickname "Bubby", Picross 3d Round 2, Tide pods, The Safety Dance by Men Without Hats, the ugliest myna bird in existence, PediaSure, Super Mario Odyssey, Gay People, Puzzle Body: Beware! Invading bigs! Yag People, The Elite Beat Gaents sequel that has yet to release, various kinds of loach (including but not limited to Pangio incognito, Nemacheilus selangoricus, and Chromobotia macracanthus), The numbers 47, 99, 519, 24, 963, 8, 69, 658, and 82, Nokia, Rude Buster, ₯, その言語のエスペラント, Some really dumb joke, Yuri's death scene, Three Nights At Harry's, Sony Pictures, SMG4, doggo's of all sizes, ppl who write him/her instead of them, Autism, Swordfish antlers, The people that have made Despacito a meme, The fact that i barely protect the meme from straying too far from my vision, The Disrespectoids, "You Say Run" from My Hero Acadamia, badly coded Minecraft mods, Pen Island (no spaces all caps), the Cat-Bear-Burger, Schaffrilas Productions, this mailbox, this triagonal sign, Fries' fries, whatever the heck is on top of Bell's string, Despacito, Despacito 2, Despacito (Justin Bieber remix), Despacito (Mini Pop Kids version), Johnny Johnny, Everything Firey and Leafy own, Baconator, Son of Baconator, Baconator Fries, Crocs, Princess Stapy, Become Woody from Roblox, Leafy, Evil Leafy, Metal Leafy, FOOTBALL, people who use the

Specs and Will finally figure out what they need to do and find a way out of this place, Investigation discovers that the construction had put in place a seriesContinue readingTo Morrows End Ep91 – The Safety Dance

Rishi Sunak has gathered big-name technology executives, including Elon Musk, for a summit on the safety of artificial intelligence. While politicians including Italy's Georgia Meloni and US Vice-President Kamala Harris are also attending, it's notable how many world leaders have skipped the event. Lizzy Burden and Tom Mackenzie are at Bletchley Park - home of World War II code breaking - with guests including Deputy Prime Minister Oliver Dowden. We also bring you interviews with two CEOs working in the AI space: Aidan Gomez of Cohere and Vishal Marria of Quantexa. See omnystudio.com/listener for privacy information.

Robbie's Rundown includes stories on the US State Department issuing a new advisory for citizens abroad, one British man completes a challenge that has everyone cheering and the city of Minneapolis names a new safety commissioner.

Caleb (@kdiggs74) and Derek (@derekrusinek) are here to go through the world of the NFL. This time they give each of their spotlights on headlines or different reactions from the past week. We go into DeMeco Ryans being the best coach of the 2023 class, the enjoyment of chaos week, and Caitlin Clark and Iowa Women's Basketball playing in Kinnick Stadium. Then they talk through their GOATs of the week in Maxx Crosby and his Safety Dance and Justin Tucker kicking across the pond. Instead of the stockwatch this week they jump into a Brodie 6 pack with takes on the Jets, parity, the coaching hot seats, the Cardinals, the injury issues, and playoff pictures at this point in the season. Then they turn to the Game of the week between the Jacksonville Jaguars and New Orleans Saints and say some of the specific positional matchups they are looking at in that contest. Finally it is the Brodie Bets where Derek was average and Caleb was awful in week 6 but they are looking to improve in week 7. Theme music by The Riley Brothers Band. Find them at therileybrothersband.bandcamp.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/brodie-sports/message

Mikey recalls the time he looked like he was melting on live television. Mikey may have had a stroke during the recording of this podcast. Vinny Cedrone stops by to chat about recent gun law proposals. Mikey is frustrated with today's baseball players. Mikey flexes his 1960s baseball knowledge. Mikey reads some news stories. Castiglioke leaves their friends behind with the Safety Dance. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back for Season 3! We start this season off by speaking with body-centered psychotherapist Heidi Andersen about why trauma healing has to happen in the body, not just the mind. Heidi Andersen is the founder of Reclaiming Beauty.  "I believe embodiment heals. I'm here to support you in healing your relationship with food and your body so you can free yourself from destructive thoughts and behaviors and discover the inner peace and freedom you deserve.As a Body-centered psychotherapist, I have 15 years of experience supporting clients in addressing trauma and attachment wounds that have led to a challenging relationship with food and body. I use an integrated approach drawing on my training in Embodied Recovery for Eating Disorders, Internal Family Systems, Sensorimotor Psychotherapy, Expressive Arts and Yoga. I am thrilled to have completed my certification process as a Certified Body Trust® Specialist."IG: @reclaimingbeautyFollow us on Instagram.Check out our bonus YouTube content.Latchkey Urchins & Friends website.Audio mastering by Josh Collins.Song "One Cloud is Lonely" by Próxima Parada.Cover art by Claire Dierksen.

Robbie's Rundown includes stories on Mayor Frey picking a new commissioner, McDonald's makes a shift that could be the last straw for some and Aaron Rodgers' debut for the Jets goes anything but planned.

The episode discussed is Season 5, Episode 12 "Bad Blood". Safety Dance and Chibi guest host! Cover photo is Safty Dance's very good dog. The next episode in X-files coverage is Season 5, Episode 5 "Post-Modern Prometheus".

Ever find yourself reminiscing about the good old days when tunes from The Tragically Hip filled the airwaves? My pals, Tim and Pete, and I sure did, as we took a deep dive into their 6th studio album, Phantom Power. We discovered that our own past experiences and relationships managed to shape our views on this collection of radio hits, which seemed like a pivotal moment for the band. We weren't just content with superficially jamming out to the music. We dissected the unique sound and lyrical themes, compared them to previous Hip releases, and found ourselves swapping stories from past concerts. One standout memory was Tim being recognized by lead vocalist Gord Downie backstage. We also discussed the historical context of the album, like how its recording coincided with a major ice storm and a surprise tour that benefited a children's cancer camp. Stick around as we analyze some standout tunes like 'Poets' and its references to Gwen Jacobs' fight for women's equality. We also shared our thoughts on 'Fireworks' and how it reminded us of Canada's victory in the hockey series against Russia in 1972. So, whether you're a die-hard Hip fan or just love a good music chat, this episode is for you!TranscriptSpeaker 1 It's June of 1998 and I'm done with York University. To celebrate, my friends and I embarked on a camping trip to the Pinary Provincial Park just down the road from Grand Bend. It was just outside the liquor store in town that I heard a finished version of Pullets for the first time. Gord had long been one of my favorite Pullets, so to me this song resonated in a way that I can't quite describe. It was a feeling of euphoria and relief. This new record was going to be just fine, i thought to myself. Little did I know that several tracks on this record would stand the test of time and join the pantheon of great hip songs I still enjoy to this day, from the meandering escape is at hand to the traveling man, to the exquisite Bob Cajun and the downright delicious Emperor Penguin. Phantom power was right in the pocket, coming off of the exceptional trouble at the henhouse. As I got inside the truck to head back to the campsite I turned the volume up and just let Pullets sink into my brain. This was living. Today. We're going to hear from our friends Pete and Tim to check out what they think of Phantom power. Will it stack up? Find out today. On Getting Hip to the Hip. 0:01:41 - Speaker 2 Long sliced brewery presents Getting Hip to the Hip Hey it's JD here. 0:01:58 - Speaker 1 Welcome back to Getting Hip to the Hip. This week we are talking about Phantom Power, the sixth studio record by Seminole Canadian rock band, the Tragically Hip. I'm joined this week, as always, by my pals Tim and Pete Fellas. how are you doing? 0:02:19 - Speaker 3 Hey guys, hey guys, hey guys, glad to be here. Good to see you, i'm ecstatic to be here. 0:02:26 - Speaker 4 I'm ecstatic to be here right now. 0:02:27 - Speaker 1 Oh, I love it. 0:02:28 - Speaker 4 I love the energy This is happier than a pig and shit. 0:02:31 - Speaker 1 Oh boy, oh boy, that's pretty happy. I've seen some, some porcine creatures rolling in fecal matter and they sure love it. Okay, so if you are wanting to experience The Tragically Hip's music for the first time, tim and Pete are your avatars this week because they got to experience the record Phantom Power, which again is the sixth record produced by Steve Berlin, first record on Universal. But I guess I should tell you guys both. I guess I should say this to you both as honorary Canadians. Now, happy Canada Day. It's almost the 4th of July. It's July 3rd today, but it's July 4th tomorrow for you, but July 1st for us is Canada Day. So happy Canada Day, folks. 0:03:20 - Speaker 4 Wow, Yeah, Very close to the other 4th of July, which is America's Independence Day. In the UK they call that Thanksgiving. No, No, I had a. I took a flight one time on some shitty airline and the pilot was British and it was on the 4th of July and he was like so I just want to say you know, that's my shitty British accent Happy 4th of July was we call it. We're on from Thanksgiving. Enjoy Whatever. 0:03:57 - Speaker 1 That's great. Oh, anytime you can burn an American a little bit, it's. you know there's some fun. There's some fun there because you guys are so goddamn good at this shit, you know Anyway let's get into the record as a whole. Before we go into the song by song segment, let's just talk about this record, produced, like I said, by Steve Berlin. Five singles come from this record. All music rates at a three out of five Three. So there's that. What did you guys think? I want to know where you listen to it, how you listen to it and what your initial thoughts were, and you know, maybe, what they percolated up to. What do you say there, tim? 0:04:45 - Speaker 3 Well, there's a pause. I thought it was a three star album, kind of like all music I felt wasn't really sure. it felt a little bit deluded in a way. to me It felt a little bit, a little bit more generic from what I've heard in the past. But it also felt kind of expected for the whole catalog of albums this band has produced and the timeline going into the late 90s. You know this album felt like full of radio hits but at the same time I was missing a little bit of that raw kind of hip feeling. You know, i was wondering like, should I be okay with this album just being kind of fine? This was the turning point for me. I was really not sure. When I read kind of some reviews about it, i think there was some sentiment, some shared sentiment, and also some people were like it's my favorite album and some hip fans said it's their least favorite album. So this one's kind of a gray area for me. 0:06:00 - Speaker 1 It's funny. Well, I'll get into my, you know, sort of backgrounder on this for you guys after we hear from Pete. Pete, what did you think? 0:06:09 - Speaker 4 I hear you on the gray area, because I could totally see that. I could totally see how some hip fans are like this is the best album they did. Or this is not my favorite album. For me I listen to it everywhere. I listen to it in my office, so for my computer, with some some decent cans, i took it out running a lot. Probably. I think maybe the first time I listened to it was that took it in the car. It sounded great. The thing I found like I would say 3.5 for me, tim, instead of a 3. But you know I feel you on that My initial thoughts were that a lot of rawness of the hip was gone from this. In the first couple of listens it sounded very watered down. It was like somebody pulled Gord Downey aside and said Hey man, can we just like, kind of like the dude, can you, can, you fucking can you take it easy, man, you know, just like. Told him to just like chill out a little bit, and I don't know. The more I listen to it though, the more I dug into it and see how much work maybe not production, but just from the band themselves went into this record maybe changed my tune a lot Like I dig it. And Phantom Power, that was the coolest thing in the 90s, man Like because sometimes you didn't know what it was. If you never heard of Phantom Power before, it has a fucking cool name. If you had a guy that had like a condenser mic or something with Phantom Power, you're like dude, yeah, he's got a mic, that's got a Phantom Power. It was just like fucking. You were 17 and you heard that it was fucking cool. 0:08:00 - Speaker 3 Yeah, you know, i went and looked at a number of albums sold by a bunch of different bands, including the hip, and I was trying to kind of have this try to find this correlation of how many albums sold from the band start to like 10 years later, or 10 albums later, something like that. And I compared the hip with a bunch of bands And it's, it's. It's really all apples, oranges, of course, but when you look at how many albums they've sold and how they, you know, started off selling a ton and then just kind of went down to this million album mark. And then when I heard this album and I like UP, i listened to it all over the place. I listened to it on the plane I traveled, listened to it in the car, listened to it at home with the cans on. I mean I listened to it in more places than past listens because I was really trying to give it a go. I mean, it was the first time, upon first listened, that there were a couple songs where I was like okay, get it, i'm going to go to the next one, like I had not fast forwarded songs, you had her skipped ahead. So this, yeah, but but one of those songs that I skipped ahead on, sorry hip fans. You know I came back to and it's might be one of my most favorite on the album, so this this one like yeah, this one, this one to me like didn't grab me right away. Maybe it will more over time, maybe it's one of those types of albums, but well, i'll tell you what this record has. 0:09:36 - Speaker 1 An interesting, an interesting story, i think, and it it's my own headcanon This is. This is not like actual fact by any stretch, but in my opinion, trouble at the Henhouse, which is one of my absolute favorite records by the Tragically Hip or or or any other band, is, was maligned Like it, it, it, it, it both it and day for night didn't perform as well as fully, completely, and fully completely was very, if you recall, it was very polished, it was very produced. You know they went to London to record it. It was like a big deal. And then, following that, the next two records, they were sort of self-produced, with Mark Vreakin and Mark Howard on day for night and just Vreakin on fully, on Trouble at the Henhouse, and those records are sparse and they are. The core energy is, is there, it's, it's. It's like boiling hot magma, you know, and they're and they're forming these songs that are just age old now and and just wonderful, and then phantom power comes out and phantom power goes back to the like. To me it's sort of back to the back, to the basics. It's like back to really structured songs, really produced, and, like I always said, that this record was the baby of day for night and fully and completely, fully, completely, rather not fully and completely fully. It's sort of the baby of those two records. It's got the, it's got the production values, but it's still got songs. So I'll challenge you guys on that, because I think this record has songs and I think it has songs for days. You know what? 0:11:40 - Speaker 4 you are JD, let me tell you who you are. So when I was like 19 or 18, working with the movie theater, i dated this girl that that worked at the calendar place across the way And I just kind of went out with her because I was like really stoked. She gave me your number But I really wasn't that into her and all my friends were like, dude, she's really hot man, she's really amazing, and I just didn't see it. And so then like I stopped going out with her. We only went out a couple of times and that was that. And then I saw her again. I was like, damn, i really screwed that one up And that's kind of felt with this record, but I didn't want to like make that same mistake again. So like I, i'm sticking with it. I'm sticking with this being a solid album. Yeah, you know, yeah Masked it for, you know, a third and fourth date. 0:12:26 - Speaker 1 Yeah, i think, and I think three out of five stars is fair Like it's not it's not one of my. it's not my favorite record, but it's a lot of hit pants favorite record It's a lot Yeah, yeah. 0:12:39 - Speaker 3 That's that's what I found in my research. The covers are awesome. The covers are great. 0:12:43 - Speaker 1 They have that They actually have that panel in in their studio and bath, which is really cool. Yeah, so that's, you know this is. I want to say this is the second record they recorded at their studio. So they didn't go anywhere, you know, adventurous or anything like that, but they were at home. And what happened in 1998, i don't know if it made news anywhere else but Quebec and Ontario there was a major ice storm, yeah, major ice storm, and in Ontario it, like it absolutely shut down the city of Toronto. It shut down, you know, major thoroughfares. It was like devastating this ice storm. And we'll get into that a little bit more as we talk about the songs. But you know, they bring Berlin in and they're sort of trapped in the studio. You know like during during this, so really fascinating I think. 0:13:43 - Speaker 3 But yeah, it's a go ahead. Did you see this tour? Did you see them play on this tour? You want to hear a story Now? 0:13:52 - Speaker 1 people who listen to the movie and completely heard this. But the hip announced five secret shows that they were going to do, and all proceeds from these shows were going to go to a charity I forget which charity now at the oh, it was Camp Trillium. Camp Trillium, which is a camp for children with cancer, children that have cancer, and there's a location of that is near where I grew up And I'll show you when we, when you're in town for the finale. My friend's parents were on the committee for the cancer camp in our community, and so my friend Heather had intel and she she knew that they were going to go on sale at this time in this place in Hamilton, which is about an hour outside of Toronto, when traffic's good, and so we ended up getting third row center seats Wow, in this small theater in Hamilton, like 2000 people, and they blew the roof off the place. And a band called oh my goodness. They sang, come for a ride. Open for them, and they were tremendous as well. I forget the bands right now who open for them, but if you know it, send me an email. Jd at getting hip to the hipcom. So we're third row center. We watched the show, But the kicker here is is that Heather has got gifts to give the band And it's been arranged with the stage manager that we're going to go backstage afterwards to give. She's going to go backstage afterwards to give these gifts And she ended up inviting me along And so we got to go backstage and I introduced her to the tragic lab. So this was like this was like full circle for the two of us And it was just a wonderful experience. We went backstage after the show and they were all there and Gord had a. Gord Downey had a soccer ball And he was doing that thing where you flip it out, catch it and roll it back in your arms. Flip it out, catch it, roll it back in your arms And he just kept doing that And I remember at one point I must have looked silly or something, because somebody said and maybe it was Gord Downey said is everything all right? And I said, oh, everything is fucking perfect. I could go outside and get hit by a bus right now And it just wouldn't matter. And Gord Downey looked at me and he goes Oh, don't do that, jane. He called me Jane, only my mom calls me Jane. Like it was so cool It was cool. 0:16:37 - Speaker 4 How did I not know the story? How did I not know that you had interactions with Jesus? 0:16:44 - Speaker 1 Yeah, yeah, how was this? 0:16:45 - Speaker 4 coming up in episode. What fucking episode are we on. 0:16:48 - Speaker 1 Well, it was Tim asked me the question, yeah. 0:16:50 - Speaker 3 I don't know. We're like 15 minutes in. I think we could just call it. That was good enough. 0:16:55 - Speaker 1 Well, here's the kicker. Here's the kicker. I don't think I told this part on fully and completely, but the kicker is I had been dating a girl all through university and I broke up with her the summer of 98 and sewed my wild oats And this was all toward the end of the summer of 98. And she was in Hamilton to meet me after the show. So I'm backstage with the hip and they go Okay, well, we're going to go to the after party now in the next room over, because this was in the green room or whatever And we're going to go in the after party room and drink some beers. Do you guys want to join us? And I had to say no. I had to say no because my girlfriend was waiting outside for me. Now, in hindsight, what a boner move I made, because I wanted to get back together with her. Totally. It only lasted another two years after that, like I then absolutely blew up, but it was those. Those final two years were awful anyway, like they just weren't, you know, like both of us would agree to that now I'm sure the university years were wonderful, they were, they were great, but those those two years after our break up we're not so good And I blew a chance to go party with the hip. 0:18:15 - Speaker 3 You had a Davis Manning moment. 0:18:18 - Speaker 1 Yes, Yeah, yeah, absolutely. 0:18:22 - Speaker 3 He chose the girl over your fandom. 0:18:25 - Speaker 1 The hip lived between us. 0:18:27 - Speaker 3 They totally lived between you. They might still sorry, sorry, jess. 0:18:38 - Speaker 1 Well, folks, should we go song by song? 0:18:41 - Speaker 3 Yeah, let's do it, let's do it. 0:18:44 - Speaker 4 So I really liked this song. I really liked poets. This is probably the song I would say I have the least to say about. I really like the verse phrasing. I think it's probably the best part of this song, the way he phrases the verses. There's a part where the lines of a verse he kind of like carries into the next measure. It's really weird, like, like, like the mind, you think, okay, you sing the verse, then it's the next measure, but like he sings that verse over there Because it's when you look at it it's a complete line. I can't remember the line specifically, but it was. It was cool man. It's a hard thing to pull off man, but like that guy just does. It was so much, so much finesse. I liked the layered guitars in it, yeah. But I think, going back to what we're saying sort of at the beginning of the top of the show, it was, this song didn't punch me in the face Like right when I, right when I started listening, i dug it. I it was a soft open, it was a soft open. 0:19:59 - Speaker 1 All right, how'd you feel, tim? 0:20:01 - Speaker 3 I felt it was a harder open. I thought it was it. You know this. Like we've talked about before the cadence of songs and track orders. You know the first one I expect to really get me, bring me in, and this one did it. I thought it was pretty good. There's a fun kind of change over into the chorus It again I spoke about this a little bit before, but the kind of remind me of REM in REM's, like first half of the 90's albums, like they come on with like a punch of a song and then, like the cadence of the album kind of goes soft and then gets whoa, got a little dirty there, gets a little bit harder as time evolves. But yeah, this I thought this was a good start off. The themes you know I looked into a little bit of the song's meaning regarding lyrics and you know just talk about agriculture and super farms and like I don't know, ultimately fresh vegetables versus buying frozen and what that means. And this, this is the song that references Gwen Jacobs. Right, you know the story about her JD, and she was this woman who walked into town I think in Ontario topless and it created this whole. I don't have to look into this more, but I'm pretty sure this was the song about the Gwen Jacobs case. So Gwen was a woman who walked through town topless and was arrested and started this whole kind of woman's lib. You know movement with. You know making it okay to cut your lawn without a shirt on, just like the men do. That's kind of where the line in here from Gord comes from. It's a let's see. 0:22:02 - Speaker 1 Oh, that's great Lawn caught by breasted women. 0:22:04 - Speaker 3 Yeah, it's kind of this comment on pushing for women's equality and gender rights. So I thought that was fucking cool And that, to me also, is like really appropriate for the 90s or late 90s, you know it was. we were kind of circling back to, of course, some things we've had in North America before and prior decades. So I thought this song was cool. Again, it really reminded me of REM. I kind of went back and started looking at some of REM's albums and I wish, again, i wish I could know what the band listened to when they were traveling Me too. You know what they were sharing, what albums they were digging. you know if any of them were like Oh my God, did you hear REM's new one? We're going to put it in the the the buses stereo or whatever. Like I wish I could know what was influencing them, because I'm hearing, i'm hearing some some themes for sure. 0:22:57 - Speaker 1 Okay, earlier I was telling you about the ice storm. The next track, something on, was recorded and they literally were trapped in the studio. They were, you know, they couldn't leave the bath house, they couldn't leave the studio in bath. So they did what they do best They wrote a song and there's some lyrical content in there about the ice storm even And I think it's really wonderful lyricism. What did you guys think of something on? 0:23:33 - Speaker 3 I felt like, okay, i read about it, i read about this and I read about the ice storm and you know sounded awful. And for I hate to say this, but to go get stuck in a studio, for me that'd be like the time to really fuck things up, like really experiment. You know, you know, just hopefully somebody shows up with a huge bag of weed and somebody shows up with a bunch of acid and somebody shows up with a shit ton of beer and like this is when you like really go to town to experiment and what do we got out of it? We got like kind of a radio hit. So it was a little surprise to kind of hear the whole story and it just made me realize that maybe for this era, the guys were really I mean, they were at a point to where they could bust out a really good album, you know, and what, for me, that really good album is? like you go to a restaurant and it's like yo, that was a good meal. You know, everything was like satisfactory. 0:24:37 - Speaker 1 Well, yeah, it's a blooming onion man. 0:24:38 - Speaker 3 It's a blooming onion, Yeah, but to get stuck in a studio and ice storm, it's like I personally would want to just start going places. I haven't been before with my band, but you know this one's interesting take. Yeah, this one felt. This one felt a little radio felt a little you too, dave Matthews like splash of John Cougar melon camp or something like I don't know. Man, it felt, i know. I know, i know, i know. 0:25:10 - Speaker 1 And I was a big melon camp guy at one point. 0:25:13 - Speaker 4 But Dave, Matthews are regular. 0:25:16 - Speaker 1 Cougar and regular. 0:25:18 - Speaker 3 Yeah, like I couldn't get overly excited about this one. Well, again. 0:25:26 - Speaker 1 I think you were waiting for the follow up from the follow up to trouble at the house, and this isn't the follow up that you're expecting on a trajectory perspective. You know no no, i agree. 0:25:44 - Speaker 4 It's funny. You talk about getting trapped in the studio, like I mean, i don't know if I'd go like full steely Dan when they recorded the Albuquerque show, where, like you know, there maybe was not that much cocaine around, but I still agree with him, i would. I'd get really spacey, and I think they do it on a couple songs that we'll get into, but first time I heard this song got some heavy Jim Blossom's feels. Yeah yeah, Yes that's the first thing that hit me and I couldn't think of any of the band that it was like a buddy of mine used to play the band that they open for them a ton, and I was like the first band that came to mind like this Oh, and it was really poppy. And okay, my notes. Once you get past the repeated cheesiness of the chord progression and the vocal melody, it's not a bad song. 0:26:40 - Speaker 1 Oh dammit, with faint praise here. No, no, no, it's not a bad song. 0:26:44 - Speaker 4 I think it's a good song, but you know it's a good song. If, like you, take this song and go, is this a good song? Anybody will say it's a good song, but like you, said to me compared to the follow up of what you really wanted after trouble. Then else, and this was a song where I feel like Gord sounded a bit like he was put in the cage Like whoever was a universal when this record was getting recorded, put baby in the corner. And this is a song where really I feel like you know he's, he wants to be himself, but somebody's like, hey, man, just could you like you don't have to do it all the songs, but like at least on this one could you just, fucking, you know, tone it down a little bit. And I was just like, ah, where's my fucking, where's my lead singer. 0:27:33 - Speaker 3 Yeah, I totally agree, Because you know it's still a good song, because it's still all the guys and it still has themes, because it's Gord, you know you're still going to get one liners that are amazing. I feel like probably no matter what in any hip song there's going to be some standout lyric to me, some standout part like to the core fan. That's. That's really what I'm imagining. The line that stood out in this one for me was your imaginations having puppies, I mean yeah, yeah. I've had so many letters of puppies, you guys. It's like I'm just, i've got puppies all over the place. It's like. 0:28:11 - Speaker 4 I was a cool. I really like that one. Yeah, like that, like that video for new recruits or something. 0:28:17 - Speaker 3 Yeah, so I like identified in it. You know, at that personal level, which I think they're able to do just about on any song which is fucking amazing for a band to do, because I could probably name 10 bands right now. What that does not happen to me, yeah, so you know. So, in that regard, like hip fans, you know I'm, i'm I'm not really trying not to be the bad guy here, but we this, this, this just made this song, just made me keep going So into save the planet. I mean, i got to this one, arrived at this one, and I was like, is this the band's fucking Earth Day song? or stretch their reach to get on the farm aid bill, like what is going on here? I felt like I don't know, there's a flute in there. Who's playing the flute? 0:29:09 - Speaker 1 Who plays the flute? You know, i don't. I don't have the liner notes handy And on the wiki page it is remarkably barren in terms of additional players. Yeah, it doesn't, it doesn't have them, so I need people to write in. 0:29:25 - Speaker 3 If people know, let us know, because there's some flute in there And it made me wonder like what else? 0:29:31 - Speaker 1 there's keys all over this record. 0:29:33 - Speaker 3 Yeah, what else have I been missing in the background that maybe other people are participating in? But I felt, like you know this song, in the placement we were, we were filling, we were filling in the gaps on the menu And you're like, no, I had a burger yesterday. No, I'm not in the mood for that. Oh, I could really use some lasagna. Here we go. That's that's how Save the Planet felt, felt very time appropriate. This is, like you know, the millennial song. 0:30:02 - Speaker 1 Okay. 0:30:03 - Speaker 4 All right. So if anybody's got a line on the flute player, email Tim getting hip to the hip, talk there you go. Right, i copy Pete at getting hip Yeah. Save the Planet. I thought it was a banger. I really dug it. I at first I saw that too, but then I kind of look past the name of it And just look at the song itself. There's a. There's two references in this album to Crossing the Street, to pedestrian crossings. Yes, i'll point out the other one. This is the first one Fucking solo bangs in this. I thought the flute at the end was cool because it was so random. 0:30:47 - Speaker 3 I was like well, what the fuck is that? Yeah? 0:30:50 - Speaker 4 Same. 0:30:52 - Speaker 1 There's. You just can't imagine listening to road apples and having a flute right Like. It's just not part of this band. You know like and and and it works It works well, no, right? 0:31:05 - Speaker 4 Yeah, you know, if they went into that I'd be like, well, what the fuck's going on? 0:31:10 - Speaker 3 But I'll just quickly, quickly add that I'm okay with the flute. Like sometimes, the flute really is awesome. Oh, i think it's great. So you know, like some people like hear the flute and they're like oh why You know, but it works. 0:31:24 - Speaker 4 No, i dug it And this is again. This is not the first song, or not the only song in this record where I got some heavy Alanis vibes. The phrasing on if the bathwater is clear and my ears underwater, it's a tolerant hum from the core. Carry the water Like that the way he phrases that shit, it's just. I don't know if I see because it's a Canadian band, if I see everything through the lens of like Canadian pop artists. But like it's just the vibe I got from this and it's a great tune to get out and move your feet to get running. It's a fucking cool song to run. 0:32:09 - Speaker 3 All right, i'll put it on my point first I hear your Alanis vibes marry and up with my Michael Stipe vibes. I think those are in sync for sure, for sure. 0:32:20 - Speaker 1 I think there's a nice correlation between the hip and REM, like I think you're right, like they both have that enigmatic front man, you know, who is really literate and really interesting in the way they sort of phrase things and put things together. 0:32:39 - Speaker 4 They both went bold too, halfway through the careers, that's right, that's a fair point. 0:32:45 - Speaker 1 Fair point, fair point, all right, we're getting in the car right now and we are cruising northeast of here and we're going to Bob Cajun. I left your house this morning. 0:33:40 - Speaker 7 It was quarter after nine. I left your house this morning. I left your house this morning. I drove back to town this morning This morning with working on my mind, i thought I'd maybe try to leave an ear behind. I went back to bed this morning and it's time pulling down the blind. Yeah, the sky was dull, it was high but never come. And morning went down at a time that night in Toronto And I was jacking boardboards, riding on horseback and keeping order restored. Tell the men they couldn't hide. Step to the mic and sign and their voices rang with the area of time. To your house this morning. It was quarter after nine. In the middle of that riot I couldn't get you off of my mind. To your house this morning. It was just a little hour tonight Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. To your house this morning It's a little after nine Cause it was in my page on the rossard and constellation, but they themselves won't starve at time. 0:37:32 - Speaker 5 Tell the men they couldn't hide, they didn't choose your bones and bones. They're all south of the wind and down the lawn to the lake For as long as it takes. 0:38:05 - Speaker 7 I don't want to be a hill of the birds last hour. I don't want the last words out of my mouth to be stained Out of my way. 0:38:16 - Speaker 4 Okay, I fucking love this tune. I got some heavy and Tim, yes or yes. If I hear no, I'm just I'm off this podcast Got some really strong G love special sauce vibes from this. Yes, Just the way they owe up. Am I my GD? 0:38:42 - Speaker 1 I don't know, i think I think I'm very familiar. 0:38:46 - Speaker 3 I did not go there, but I will Okay. 0:38:51 - Speaker 4 Right, i mean the. there's a oh dude that it could have been Willie, could have been the wine. I heard that song. The first time I heard that song I was. I took it out for a run and I came home and I like I listened to it again because I just thought it was such a good fucking song, because it's a weed. reference to may not necessarily be about them listening to Willie Nelson. It's like they were smoking weed or they were drinking wine, absolutely Yeah. The opening, like spacey guitar licks The dobro which I think he's playing. there's a dobro in there that he's playing which kind of gets sort of like a banjo slash guitar vibe. Oh God, just. 0:39:40 - Speaker 1 I feel like that lyric that you just quoted, though, could have been the Willie Nelson, could have been the wine. That's like one, like when he wrote that he should have just put the book down, put on a fedora, long overcoat, grabbed his briefcase, just went home for the day, that's. That's the days. That's the day at the office, that's a fucking. Exactly. 0:40:00 - Speaker 4 That's just a great lyric Exactly dude, no, 100%, it's so good. I was like you know. You know, a line is a good line when you hear it and it's so good you think you've heard it before. Meaning like I'm like right, i mean because it just sounds like it belongs on this in the history of life, Like like someone has, like if someone hadn't said it, they sure as shit should have said it. Does that make sense? Yeah, you know, it sounds like it's just. It's a great fucking line. I thought I maybe quit that line. It's just. It's really the part of this song where Gord starts coming out of the cage. On this record, i feel like that was the moment Somebody gave, somebody unlocked the door of the cage and he's starting to come out, and then the song ends on a random minor chord, which is so weird, it's such a happy, spacey song that ends on this minor chord. 0:41:09 - Speaker 3 I loved that. I loved that about it. So for me this one it felt a little Out of the gates. I need to listen to the beginning of it to see your G-Love reference. But out of the gates. It felt to me a little bit country and a little bit like are we reaching again for some crossover fans Along? the southern belt of the US. Like where are we? What's happening here? You know there's some slide guitar, but is it a song about lost love? You know looking up at the stars waiting for a reveal. You know there's synth work in here again, so there's some sort of keyboard happening, which is fucking cool. And to me, the first lesson I had all those kind of questions going through my head And then I thought at one moment like this is actually a fucking beautiful song. Like it's a little bit of an odd man out on the album, but it's actually a beautiful song. There's this long ending with no singing. It's just mysterious. Like you said, pete, the last five seconds or so, or this just bizarre tune out. It's like I found one quote when Gord was asked about this song. He said this was an interview in 2004,. He said this one asks the question evil in the open or evil just below the surface? That was his comment about this song. So it's like this song to me was super mysterious Yeah, super mysterious song which I fucking love, like I don't need literal storytelling every single song you know. Social themes, i don't know all these different things, i don't need that. Every single song I love you know kind of the knuckleball that comes in. You're like whoa okay, this is reeling me back in to the album in a good way, a way that I'm looking for, you know, i'm hoping for, but still, again, this one felt a little bit odd, man, just the way it fits into the album. They've done this before. They've gotten. 0:43:15 - Speaker 4 They lose green man. 0:43:16 - Speaker 3 Yeah, they've gone on this path of like okay, this one, now we're going to turn off the highway and head down this two-lane road and we're going to stop at this farm and we're going to have an afternoon barbecue with this family, and you know, i don't know, like it's just this one's off the highway. 0:43:35 - Speaker 1 Cool. What do you guys think of the bridge? It makes my arm hair stand up That night in Toronto with the checkerboard floors. There's a bar in Toronto that's famous legendary in fact called the Horseshoe and that references the Horseshoe, the checkerboard floors. Oh shit, that's one of the first big gigs they played in Toronto. 0:43:55 - Speaker 4 Can I get taken to that bar when I come visit Toronto? 0:43:57 - Speaker 1 Absolutely. Let's do it. Sure shit hopes so man. 0:44:00 - Speaker 4 That would be cool. This song is actually the most listened to hip song on Spotify. 0:44:07 - Speaker 1 Oh, wow Yeah. 0:44:09 - Speaker 3 Surpasses. I read something about that as well. 0:44:13 - Speaker 4 What was the one that it surpassed? 0:44:16 - Speaker 1 I can't remember Anyway yeah Well, so it's a hit all around Pop Cage. 0:44:21 - Speaker 3 Yeah, it was a fucking interesting song, right? This is. 0:44:25 - Speaker 1 So we shift gears now in a well, not in a huge way, because this is sort of low tempo or slower tempo. We go to Thompson Girl and you're both hesitating to start Thompson Girl. 0:44:41 - Speaker 4 Go ahead Tim. 0:44:42 - Speaker 3 Yeah, well, you know what's the story about here. I don't know. It's the story potentially about where is it here, This town in Manitoba, thompson, yeah, or it's. You know it's potentially about a nickel mining company up there. You know it's got this kind of sweet, forlorn grunt work somewhere between dream and duty, poking through with all them shoots of beauty. I mean, what is that about? You know, this is kind of a cute, in a way stripped down acoustic song. There's some banjo in there. You know, i've kind of been waiting for, I had been waiting for this type of stripped down, simpler song that you know it's kind of this forlorn, sad song to me at the same time. 0:45:42 - Speaker 1 Probably Pete. 0:45:44 - Speaker 4 I loved it. I thought it was cool. I think I don't know if it's consistent with you and I, tim, but like I really try not to look too deep into the lyrics because oftentimes I'm disappointed, that's why I don't do it. I know you do it a lot more than I do I totally do. 0:46:03 - Speaker 3 I mean it's because of Gord, like Gord Gord. for me, gord merits it. 0:46:09 - Speaker 4 I get intrigued though, but like dude so does. I mentioned Celie Daner earlier. Like Donald Fagan's lyrics are notoriously cool as fuck. But have you ever asked that guy like what he you know what's, what's the meaning of? you know Dr Woo or whatever, like he'll be, like I don't know man, we're on so much cocaine. Back in the day I was just getting shipped to prime or whatever you know like, and I know that's not really the case here. But that line, the way he goes up so high with grunt work, i can't. I'm not even gonna fucking try lest I fucking destroy your listener base JD by singing that line. But when he goes grunt work time between dream and duty the melody is so fucking good It's then there's a part. Um, i don't know if it's like, i don't know, i wouldn't call it the bridge, but it is a bit of a some sort of key change to the regular chord progression. When he goes really high and then the mandolin starts to come in fucking dug that. And then the piano kind of comes in at the end as well, it's fucking cool. I really dig it. Yeah, i liked it First. I didn't like it. I didn't like the chord progression. It just seemed to like, like you said, tim, acoustic. It's sending, like it was like this should be an acoustic song. 0:47:30 - Speaker 3 Keep it that way. Yeah, yeah. But then it grew on me real quick, which is maybe something I would potentially envision. From a stuck in the studio couple days, you know, you'd get to a point to where everybody's kind of burned out and you pick up the acoustic and somebody says to the piano and you talk about is it INCO, inco and the fucking nickel mining, and I, you know, i looked at it a little bit into that in Manitoba and was like, oh geez, here's, here's a historical. You know, just rabbit hole that I can't go down right now. But it just this, to me, is just one of those, one of those songs that fits in well with this whole album And it's something we haven't really had in the past. So it's kind of happy to hear it. Next one membership Who's who's singing backups Somebody found, is it Gord Is? 0:48:28 - Speaker 1 it Gord over. Usually it's Paul Angla, usually Well. 0:48:32 - Speaker 3 I don't think it's Paul. It might be doubled. If you, if you go in and listen again, check out membership and listen to the backups, because it sounds like a woman to me and it sounds really familiar, like I've heard this voice before And I've looked and looked and looked but I can't find anything. It might be one of the guys, just you know, editing it in post or something, i don't know. But there's, there's some beautiful backup happening. This one, though you know it's wasn't my favorite on the album, i'm not going to put it on the playlist There's kind of a big change after the three minute mark with, like this new chorus. Of course it has my fade out at the end. You know there's there's kind of this bigger start to the song, but it's kind of slow in a way. I don't know. It's maybe about addiction, it's kind of a ballad. you know this, this one, it just felt like it didn't really fit in, didn't really wasn't really sure how it was working and it it made me consider you know I've done this a few times that it made me consider the band and what they were feeling you know they're coming in on 2000 here What they were feeling after 10 years, which is long for any band to retain some amount of success 10 years of playing and predominantly being popular in their home country and not even gaining a huge you know the level they deserved in the neighboring USA. So this this kind of made me think about all those things. I just didn't know if it was like about power abuse of power addiction or longing loss, i don't know. This song was kind of all over the map for me, but ultimately the chorus bugged me and it stuck in my head for a little while. I was like, oh, i need, i need some other, i need some other hip song stuck in my head and that's kind of where, honestly, that's where, like blow a high dough, just comes and takes over my brain. So that's what happened. 0:50:50 - Speaker 4 on membership, I you know I have a ton to say about this song. It's kind of like I put in the same categories Poets. It wasn't my favorite song in the record. I liked it, felt it like it was a very drone rock with a chord progression. It's the way it sounded. I love the harmonies. Tim mentioned the harmonies being drawn along by it. Like that line with the harmonies come in The middle, guitar solo where they kind of tease you with the guitar solo helps build the song kind of cool. But then, yeah, the fade out at the end is just like to me. It felt like they maybe didn't have, they didn't nail everything down with this one. That's all I'll say, you know, but yeah we can move on if you want, let's slide over to fireworks. 0:51:46 - Speaker 7 You like fireworks? Yeah, me neither. The frustrating part Never back in old 72 Without school, just a gun, without a gun or trigger. I don't remember a reason. Set me sight of you. You said I couldn't get a fuck about the party. Never heard something true back before You held my hand. We were on the long way Loosing in my grip on Bobby Moore. Never heard anything wrong before I blushed. When these ever sensations get in your way, no doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now I'm not together every single moment. That's what we thought. We'd be married. We both do deep with the grip of art, of fish chaos, believing in the country, me and you. Christ has a faith in Christ, the sinner cramming Yeah, we've heard all this before It's winter time. The house is solid to the bones, loosing in our grip on this fake cold war. Is it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your shoulder, and that an amazing what you can't accomplish now, next to your comrades in the nation of fitness, the program regarding some eternal past time, clopping to the mind in a fit of laughter, showing no patience, no tolerance, no respect By your words, next to the distance, contemplating towering, towering star By your words. And in late, never, till there are no stars anymore By your words. And in, straight in heaven, contemplating towering, towering star, till there are no stars shining up in heaven, till there are no stars anymore. Isn't it an amazing and a better accomplish When we don't let no nation get in our way? No doubt this shit me spurred right now By your brand of error, shining up in heaven, contemplating towering, towering star. I think this one thing never goes away And this ones thing's always supposed to stop. Oh, this funny thing doesn't have to go away, and I'm gonna lie. 0:55:41 - Speaker 4 Oh fuck, How much time you got, then Fucking song, this song, i just have the word. It's this fucking rush, rush, rush, rush, rush. Just so much rush in this song. Really, there's a couple of rush references on this record and this is number one. I would say that is it. Gord Sinclair, yeah, so like and I think he would agree with me, because I don't know that I don't know any bass player in Canada, let alone the entire world, would put them up against Geddy Lee. So I can't like, true, Like. I don't think the bass in this song was supremely rushed, but the chord progression, the structure of the song, the lyrics, isn't it amazing? anything's accomplished Is fucking. It's so fucking dude, it's fucking rush, completely Fucking. It's like they should have just made a record with one song on it and sent it to Rush and been like this is for you guys, we love you guys. And dude, i'm not saying anything remotely like they jocked anything. It's an homage in the sweetest sense. It's fucking beautiful. I fucking listened to the song so many times. There's I don't know if he's playing a Les Paul or a Hamer Rob Baker, but it's got some hollow tone electric guitar. There's a line in there Christ in the Kremlin. I'm fucking. The words in this song are fucking spectacular. I bet it just destroyed. Destroyed. The crowd live Like. I mean if they played this fucking live you'd have to close with this or I don't know what you'd play with this. I mean it's just fuck. What's the other line Next year? comrades in the National Fitness Program caught in some external flex arm hang dropping the mat. Dude the lot. This that the way he speeds up that verse and fits all those fucking words into that, and then he goes back to the normal cadence, like when I say cadence I mean like the tempo, not a modal cadence, but like tempo. He goes back to that. I just bet when they, when they all listened to this track after it was mixed, or they all recorded everything, they all just fucking high-fived and hugged each other and had a big old fucking circle 100% Yeah. Dude, it's a fucking. It's one of my favorite fucking hip songs period. 0:58:23 - Speaker 3 Oh, you know what they. You know what they said after they recorded this. They were like this is going to be an every jukebox across Canada. I mean, it's a jukebox song. I mean, really, this is like play something by the tragically hip. Okay, i'm at the jukebox. Stick in a quarter. Oh, here's fireworks. Everybody loves this song. You know, that's that's. I couldn't agree more, pete. I just felt like this could be put on a seven inch only and out in the world. You know it was one of the first songs in a while where, like, i immediately just started snapping my fingers. It was like, okay, this, this song's, this song's moving. I completely agree with the rush references I love. I so identified with this girl. There was actually a girl who said she didn't give a fuck about hockey. I never heard a girl swear and I've never heard someone say that before. It was like there was some whole other world out there which is hard to fathom at times. I don't follow hockey. I totally identify with this. When I go on Facebook and it's like near the weekend it's mostly fucking NFL comments from people I know in Southern California. It's like, god damn, i wish I had a sports filter on my life because I don't really follow any sports. So the hockey the hockey comment, i was like yes, i, i want to hang out with you, let's go drink beers. You know, i probably follow that. It's whatever I just I just identify with that part, it's. You know this, though, you're right, pete, isn't it amazing you could do anything when the notion isn't in your way, believing in the country of me, and you, ah, you know, it's just, it's, it's, this is, it's more. It's more than an anthem. 1:00:17 - Speaker 4 You know, the crazy is so it's so, Getty Lee, though man. 1:00:21 - Speaker 1 Yeah, yeah, for sure, for sure. What's? 1:00:24 - Speaker 4 this, it's, it's spirit of the radio. Okay. That's the song thing you have in so many ways. Yeah, i mean, and I don't think any musician in the band would say like they can you know drum? like Neil Pert? I think the guitar is pretty. It's got some solid Alex life and vibes. like you could fucking compare that guitar wise. but like bass and drums, you can't fucking come close to those, like it's just. but sorry, tim, i didn't mean to interrupt you, but it's just a fucking. 1:00:55 - Speaker 3 That's good. Good, it's such a JD. What JD, what? what were your thoughts on the song? Do you have, do you have memories of hearing the song, or anything, or like? 1:01:03 - Speaker 1 I think it's, I think it's a romantic song, Like. I think it's like the firework of like meeting somebody that is just, you know, absolutely the sparkle of your eye, you know, sort of thing. The context, to give you some context, the goal that he's talking about, the goal that everyone remembers, is when Canada beat the Soviets in 1972. And that was, that was during the Cold War. So it was a big deal, that series, Canada playing hockey against Russia. you know a few games here in Canada and a few games in Moscow. It was a big deal, Like for these Canadian hockey players to go to Russia. Like at that time Russia was so mysterious And there was a very famous goal that won the series by Paul Henderson that everyone remembers. It's one of those moments in Canada, the, if you're of the right age or generation I'm not, I'm born in 74. So it's over my head, But if you were there then it's one of those like you know where you were moments. you know what I mean. 1:02:10 - Speaker 3 It's huge huge moment in sports history. 1:02:13 - Speaker 1 So for him to be just blown away. Like you know, loosening my grip on Bobby Orr, like I just picture, the 16 year old who's in love with Bobby Orr has the hockey cards on the wall, you know, he's just tremendous and all of a sudden he just oh, there's girls out there. Oh, and there's this particular girl who doesn't give a fuck about what, like whoa fireworks, you know. 1:02:40 - Speaker 3 Yeah, great song, Great song. This. yeah, I could have had this song, you know, and had a satisfied meal and went to bed. 1:02:49 - Speaker 1 You and your food All right. Go next to vapor trails. 1:02:58 - Speaker 3 So vapor trails, like I started this one and paused and had to come back to it, i didn't keep going like this, this, this, this was one of the breaks. And now for me, where I was like, okay, i'm not, either not in it enough or not focused enough, let's come back to it and didn't hold your attention. He would not not at the get go, but eventually it did. Oh, eventually it did bring me in. It totally was one of those songs that I wasn't so sure about, but over time was like humming it while walking around the house. You know, there's just to me it has some mysticism to it. There's this mysterious not to say it again but backup singer, whoever is in there. I mean there's some really good backup singing happening, but I just love some of the lyrics. There's nothing uglier than a man hitting a stride. 1:04:00 - Speaker 1 What a great lyric, right Dude And just the way he says it as well. There's nothing uglier than a man hitting a stride, yeah. 1:04:09 - Speaker 3 I can't wait to use that some point in life. You know, watching something happen, yeah, chords, use that line, throw away the rudder, float away, like they portrayals. You know, i get this. It's like, it's this feeling of like giving up. You know, at some point we all, everyone, i think everyone has contemplated, you know, life being different or serious change, or giving up, or you know, we've all had these heavy times in our lives and maybe the song kind of hits on that. There's amazing guitar riffing just towards four minute mark. It felt, you know, just to kind of wrap it up. For me it felt like a produced ending. You know, the fade out was like it wasn't just let's wrap the song up, let's just fade it out, it was like let's produce the fade out. So it was a little, i don't know a little more, a little more orchestrated. But yeah, it's, this song is. This song was a banger. I think it was really good for the spot in the album. I think it was like really fitting. 1:05:27 - Speaker 1 Yeah, because we're well into the second side now. Yeah yeah. Second track, second side, if you're playing by those roles, It has a good place, good place in the album. What do you think of APR Trail's Pete? 1:05:39 - Speaker 4 Well, this is the other thing that I thought was it's not. It's not a Rush reference, but I actually think there's a possibility that Rush's 2001 record Vapor 12, vapor Trails was perhaps, maybe, an homage to Tragically Hip. Wow, i don't know, that's my, that's my in my dream world. I don't know if that's really true, but and I saw them on that tour and they were fucking just amazing. Saw them at the Irvine Meadows man. 1:06:18 - Speaker 1 Such a great show. 1:06:19 - Speaker 4 Never saw. 1:06:20 - Speaker 1 Rush. I was supposed to see Rush on a tour in 93 and guess who was opening for them? Who, tragically Hip Jesus Christ. Wow, on Road Apples. Yeah, dude. 1:06:30 - Speaker 4 I don't know what's a bigger fail That or not partying with them. 1:06:34 - Speaker 1 Oh God, it's the, that's the, that's the fail. 1:06:36 - Speaker 3 They're close. Not partying, I think. 1:06:39 - Speaker 4 Well, we, let's put it this way, we, we, we showed to that concert, i think, and they were they, we were at that time. It's strange, real quick, because I know. but during that time, because 2001 was coming out of the Napster years and years, right And into, like I think it was right where the iPods came out, um, so people started buying music online again, sort of. So bands didn't have money to pay for opening bands during that time, so a lot of bands would tour and be like who's opening? And like there's nobody opening. So we assumed that somebody was opening, for Rush happened to me with pavement one time, but that's another story Um, and we walked, we're, we're racing through the parking lot Because we hear a spirit of the radio, but right into Red Bar Chat after that and just fucking made my, made my life. But to the song. Paper Trails. Um, the fucking vocal melody in the opening verse same. I got the same cadence, Tim. I don't know if you mentioned this as Thompson girl. Um, but the song I loved it. I imagine when they sung this song live, that when Gord sings the line you can throw away the rudder. He probably blows out either part of the low end or part of the mid end frequencies in the fucking speakers at this this, this house, his voice is just at that frequency where, if he really punches it like he could, he could break. He could break some fucking windows, because it's, it's just fucking just the way he delivers that shit. Throw away the rudder, um, uh, what else? Yeah, just that line to me was worth buying the fucking record. Pulled the car over. There's nothing uglier. Yeah. Then a man hitting his stride. Yeah, there's a transition from the bridge back to the chord progression. That's super abrupt And it's so cool because there's no transition. It's just like boom, boom, they go right back into the chord progression and it's fucking cool. I'm not, can't think of any band that I've heard do that. And then the last thing is the line, and it's it's. It's maybe Rob Baker, i don't know who's singing the backup, but Mexicans dressed in beige shirts Crazy line, yeah. 1:09:16 - Speaker 1 Yeah, I've never heard that Mexicans dressed in beige shirts. 1:09:19 - Speaker 4 It's. It's like almost whispered. 1:09:25 - Speaker 3 Wow references you know references, folks who spend their life picking the strawberries and raspberries. 1:09:31 - Speaker 1 We, i believe, Yeah, I would guess so. 1:09:37 - Speaker 3 I believe it does So yeah. 1:09:39 - Speaker 4 Are we going to? 1:09:40 - Speaker 1 rules. You got it, dude. 1:09:48 - Speaker 4 I love the song. It was so fucking cool and so chill. This starts out with those huge cymbal crashes in the beginning. This is the second song in the record that references a pedestrian crossing, talks about a crossing guard not doing their job. 1:10:04 - Speaker 1 So yeah, it's really reference of and the second reference of super farmer. Uh-huh Right. 1:10:11 - Speaker 3 In that same in that same Stan's line. Got some agricultural themes happening. Probably the third agricultural theme. 1:10:21 - Speaker 4 Yeah, I don't know I just the phrasing was beautiful. I'm wondering what a bard is. B-a-r-d. 1:10:28 - Speaker 3 There's a couple of references with that. One is it has to do with a Shakespeare reference. 1:10:35 - Speaker 1 That's what I thought, yeah. 1:10:36 - Speaker 3 Yeah, and then the other one is I'm not going to butcher it, the other one has to do with fighting. I have to look it up. 1:10:46 - Speaker 1 Let's just go with Shakespeare. 1:10:48 - Speaker 3 Yeah, it's some Shakespeare reference. 1:10:52 - Speaker 4 And then to the line about the vacuum's got a guarantee. I just that line hooked me in so much because it was so random that I was like really in just pay super close attention to what he said. And the next line that he delivers, which is it could suck a virus, an ancient virus from the sea, is like what the like again put on the hat, put on your jacket, close the briefcase. Fucking. Done your job today. 1:11:23 - Speaker 1 Leave the office, gordon, that's right Punch out or whatever. 1:11:27 - Speaker 4 The whole, that whole stand is fucking amazing. There's a table slide And then oh, by the way, this song, and fuck, there was one other song. God damn this song. and one other song at the record. on the record It's earlier. I want to say it may be something on or say the planet. at the very end of it You hear the word somebody in the studio is cool. Yeah, so it doesn't feel so and there was one other two, one other song on the record that they did, so I was like they did that twice. 1:12:05 - Speaker 1 That's cool. I'm going to need access to your premium sound system. 1:12:10 - Speaker 4 Well, I mean GD, that's. We know this is not stuff we just hand on. It's kind of like you know top secret Clarence, There's a lot involved, A lot of screaming All right, all right, all right. 1:12:22 - Speaker 3 He passed. He's done it. Yes, true, yes, we're adjourning my current, for he's had it. Yeah, i heard the song and I thought Pete loves this song so much And when we come talk about it on the pod it's going to be all Pete. 1:12:43 - Speaker 1 You know how much to say. 1:12:44 - Speaker 3 I thought it was kind of a yonder. I got you know some, some from it, But you know I was like this. The song isn't for me. I thought it was kind of a yonder. I was going to leave it to Pete. 1:12:58 - Speaker 1 We're going to come back in a year because it's going to be a grower for you. I guarantee this song will be a grower for you. 1:13:04 - Speaker 3 If it's not, you guys both have to buy me beers. I can live with that, Yeah, yeah. 1:13:11 - Speaker 1 Okay. Well then let's slide into Sugar and Falls Ohio. 1:13:15 - Speaker 4 Take it Timbo. 1:13:17 - Speaker 3 Yeah, so Sugar and Falls. So this song I thought was basically a huge fuck off to corporate man, to the man. I thought this is like. This song is driving some culture into the fan base. It's probably, you know, was played a lot on the radio. I thought this one you know I could be wrong, but this song to me felt like on the verge of angry a little bit more than usual. I'd maybe really wonder about it live, if this got more raucous, if it got a little bit more I don't know violent feeling. And I think it's because it thematically, which is where I'm going to go, not so much with music on this one, but thematically it Sugar and Falls, in my research. That's the headquarters of Clear Channel, which at the time Clear Channel Corporation was slowly taking over media, especially North America. Yeah, so that's a lot of the references to Grand Falls. You know where the unknown won't even go. Because at this point I mean that line to me says if you're an artist and you're trying to make it like, avoid your Grand Falls, avoid Clear Channel, you know, be careful with what radio you're sending your tapes to your CDs to like this. This is that song that is kind of the band's shout to the world of, you know, corporate media is taking over the airwaves, you know, be aware So that that to me the song has like a mission. It felt like the first time I listened to it. When I got to you know, three quarters, two thirds of the way through, i thought is this song like over five minutes? you know it felt long, but it didn't feel long in a bad way, like it felt like a good, just a really well written song. Like I was kind of digging through Grand Falls, it felt like a five minute song, but it's not a five minute song. I didn't look up live versions of it but I definitely want to find something. 1:15:47 - Speaker 1 Yeah, get the answers to your questions. I can't, unfortunately, answer because I saw them on that tour and I don't remember if they played it, but I can't. 1:15:57 - Speaker 3 It was somewhat rare. I feel like it was probably going to be a rare rarely. 1:16:01 - Speaker 1 Yeah, it would be one that would be, you know, gosh. Well, let me just quickly look up how many times they played it. 1:16:09 - Speaker 3 I mean for people that don't know, Clear Channel took over corporate. I mean took over FM radio. Over time, like so many stations became Clear Channel stations and became programmed. And I remember hearing the transition because, as a big radio listener, being bored in 71, you know, i listened to radio for like 20 years, 15 at least, 20 years and they just completely took over And I remember hearing DJs demeanor changing from independent radio station to now being put into this box And I feel like that's what the band is trying to talk about in this song And I think it's their fuck you to this corporate system of being in a band and trying to make it and just to inspire people to be independently minded. 1:17:08 - Speaker 4 Yeah, it's funny you mentioned Clear Channel only because I want to talk about the song, because I feel a little bit different about the song in some ways than you do, tim, and it's funny, like Tim, i didn't do fucking a pubic here. The research you did for this fucking song. I had to look up where Chagrin Falls was but, and I dug it. But yeah, that's when there used to be a great station in classic rock station in LA called Arrow 93. And they went over to that Jack. You know that Jack format Jack FM, which is just, it's just a guy who like record something and it's like a cheesy line and he

The guys are pumped about the Giants recent surge but also cover very important matters such as the song "The Safety Dance", the New Orleans funk band, "The Meters", and Paulie's new Camilo Doval Pink Floyd tune.  Plus, serious questions are answered such as, does Bochy have charisma?   And, do you Yelp?  See omny.fm/listener for privacy information.

The guys are pumped about the Giants recent surge but also cover very important matters such as the song "The Safety Dance", the New Orleans funk band, "The Meters", and Paulie's new Camilo Doval Pink Floyd tune.  Plus, serious questions are answered such as, does Bochy have charisma?   And, do you Yelp?  See omnystudio.com/listener for privacy information.

The Steelers waited until Draft Week to sign safeties lat offseason. Damontae Kazee is in, but will they do that dance again with Terrell Edmunds? This will be just one of the subjects that will be discussed on the Scho Bro Show. the brotherly love entry of the Steel Curtain Network's family of podcasts. As always, it sure is a good time to get on the airwaves and discuss the black-and-gold. On this show, Dave and Big Bro Scho break down all things Steelers, still talk stats, and also answer questions from fans! Learn more about your ad choices. Visit megaphone.fm/adchoices

ChatGPT is everywhere: destroyer of worlds, or modern convenient pocket calculator; Section 230 ruling coming; gravity batteries & Tesla factories; Spotify, Vox Media layoffs; TikTok, Twitter gaming their systems; Justice Department after Google's ad business; AWS expanding in Virginia; Easter Sunday; Elvis; Madoff; Strange World; Slow Horses; White Lotus; the Last of Us; the Schulmister Effect & the DeFillippo Effect; shiny new Apple stuff; Microsoft investing in OpenAI; the World Walker; Annie Grace & Russel Brand on addiction; Disneyland & the pure joy of Star Wars Land; the Safety Dance.Sponsors:Hover - Go to Hover now and grab your very own domain or a few of them at hover.com/gog and get 10% off your first purchase.Lectric eBikes - Start your next adventure with a Lectric XP 3.0 today. Visit lectricebikes.com to learn more, and mention GOG at checkout because you love us!Show notes at https://gog.show/586FOLLOW UPGOG on StitcherGOG on PandoraGrumpy Old Geeks by Drayk.itIN THE NEWSTech experts ask Supreme Court to rule that Section 230 protections apply to algorithmic recommendationsGravity batteries in abandoned mines could power the whole planet, scientists sayTesla will spend $3.6 billion to build a Semi and a battery factory in its Nevada complexSpotify Will Cut About 6% of Jobs in Latest Tech LayoffsVox Media Lays Off 7% of StaffThe Justice Department is suing Google to break up its ad businessTikTok confirms that its own employees can decide what goes viralTwitter engineers can still use 'GodMode' to tweet as any account, claims whistleblowerTwitter makes it easier to avoid the annoying 'For You' tabAmazon Web Services to Spend $35 Billion on Data Centers in VirginiaMEDIA CANDYEaster SundayElvisMadoff: The Monster of Wall StreetEncanto at the Hollywood BowlStrange WorldRalph Breaks the InternetSlow Horses, Season OneWhite Lotus, Season TwoWhy Do We Do That?The Last of UsENG SUB [Three-Body] EP01 | Tencent VideoNetflix Has Created A Self-Fulfilling Cancelation Loop With Its New ShowsFuture Tense Newsletter: My Husband Was Right About DVDs All AlongAPPS & DOODADSApple M2 Macbook Air, MidnightApple iPad AirApple TV 4KJason on Mastodon - @jpdef@hachyderm.ioMicrosoft invests billions more dollars in OpenAI, extends partnershipChatGPT users spot $42 Professional Plan with perksGoogle is freaking out about ChatGPTBYRNA BALLISTIPAC IIIA - BLACK - [HANDGUN RATED] [NO MOLLE] - $499.00 USDRezvani VengeanceAT THE LIBRARYThe World Walker (The World Walker Series, Book One) by Ian W. SainsburyThe Mechanical: The Alchemy Wars Book 1 by Ian TregillisThis Naked Mind: Control Alcohol, Find Freedom, Discover Happiness & Change Your Life by Annie GraceRecovery: Freedom from Our Addictions by Russell BrandReadowSECURITY HAH!The CyberWireDave BittnerHacking HumansCaveatControl LoopMacGPTMacWhisperUnderstanding The Safety DanceSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we're talking about The Safety Dance by Men Without Hats, released in 1982. What makes the dance so safe, why can't they wear hats, how are they still touring? We're still not sure. Also in this prepisode music news of the weird, listener emails and we announce next week's album. In this episode we discuss failure, sweatpants, Clue, genies, secondary locations, robbery, The Baader Meinhof Complex, Crispin Glover, nuclear proliferation, compliments, musicals, and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album

Aesha gives Magda a second chance at service; safety issues come to a head between Captain Jason and Jamie, but when Jamie doesn't agree with the captain's orders, he tries to get the deck team on his side.JOIN REALITY GAYS EXTRA! Either on Patreon, https://www.patreon.com/RealityGays?fan_landing=true or Supercast, https://realitygaysmulti.supercast.tech/ NOTE: The $15 video tier is on Patreon only.Buy Tix for LIVE SHOWS HERE! https://linktr.ee/realitygaysFind us on the Socials:Tik Tok @RealityGaysInstagram @RealityGaysPodcastFacebook @RealityGaysPodcastTwitter @RealityGaysPodLEAVE A REVIEW ON APPLE PODCASTS: https://podcasts.apple.com/us/podcast/reality-gays-trash-tv-and-gaydd-with-mattie-and-poodle/id1477555097Find all our podcasts on our podcast network, www.RealityGaysPodcast.com.Y'ALL--COME AT US ON CAMEO! Book Jake or Matt! We will read you, sing to you, or tell you if your BF has BDF.SISSY SWAG! Get a mug, shirt, pillow at our MERCH STORE!Wanna talk with your Sissy Squad? Join our PRIVATE FACEBOOK GROUPFind Mattie! Instagram: @theMattMarr Twitter: @theMattMarrFind Jake! Twitter: @jakeitorfakeit Instagram: @jakeitorfakeitListen to Mattie's other ADVICE podcast, THE DEAR MATTIE SHOW! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.