Podcast appearances and mentions of vish khanna

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Best podcasts about vish khanna

Latest podcast episodes about vish khanna

RAW impressions with Lou Barlow and Adelle Barlow

Lou plays Adelle an acoustic version of a song he co-wrote, remotely, with Mike Watt, Alan Licht and Vish Khanna for Vish's Kreative Kontrol podcast. The concept of the song, hope, was a request from a KK listener. Lou consults his favorite mailing list for lyric inspiration: The Marginalian. -watch- on LouTube https://www.youtube.com/watch?v=4c3aF4rvfEE-listen- to Kreative Kontrol! http://vishkhanna.com/-read- The Marginalian piece: https://mailchi.mp/themarginalian/optimism-despair?e=79dbb45454-subscribe- to our Substack for podcast related stuff + !!! https://barlowfamilygeneral.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

The Best Show with Tom Scharpling
TOP 50 FAST FOOD ITEMS! JAMES FRITZ! VISH KHANNA! ATLAS IN CASTLEBRIDGE!

The Best Show with Tom Scharpling

Play Episode Listen Later Nov 20, 2024 195:00


Callers ring in on the topic, TOP 50 FAST FOOD ITEMS OF ALL TIME! Who's got the best chicken sandwich, the best burger, the best fries, breakfast? Find out! JAMES FRITZ comes by the studio to weigh in, and to talk about his upcoming comedy special! VISH KHANNA zooms in to talk to Tom about music, Canada, and his Kreative Kontrol podcast! Also, Tom gets a call from ATLAS IN CASTLEBRIDGE! SUPPORT THE BEST SHOW ON PATREON! WEEKLY BONUS EPISODES & VIDEO EPISODES! https://www.patreon.com/TheBestShow WATCH THE BEST SHOW LIVE EVERY TUESDAY NIGHT 6PM PT ON TWITCH https://www.twitch.tv/bestshow4life FOLLOW THE BEST SHOW: https://twitter.com/bestshow4life https://instagram.com/bestshow4life https://tiktok.com/@bestshow4life https://www.youtube.com/bestshow4life THE BEST SHOW IS A FOREVER DOG PODCAST https://thebestshow.net https://foreverdogpodcasts.com/podcasts/the-best-show HEARD IT ON THE BEST SHOW PLAYLIST https://open.spotify.com/playlist/2XIpICdeecaBIC2kBLUpKL?si=07ccc339d9d84267 Learn more about your ad choices. Visit megaphone.fm/adchoices

Office Hours Live with Tim Heidecker
318. Eric Wareheim, Madi Diaz

Office Hours Live with Tim Heidecker

Play Episode Listen Later Nov 14, 2024 66:58


Rats off to Tim's comedy life partner Eric Wareheim for joining us on zoom to officially ACKNOWLEDGE* the 20 year anniversary of Tom Goes to the Mayor and musical guest Madi Diaz for going to Glendale to grace us with the gift of song with "For Months Now." We also heard about Tim's continued escapades with aliens visiting him at night, and met a new friend/spiritual advisor during the City of the Day segment. *this is not a special episode. Watch another hour with more Madi, a zoom from Vish Khanna, Doug's new Movie Bands game and get tons of other stuff when you subscribe to OFFICE HOURS+. Get a FREE seven-day trial at patreon.com/officehourslive. Go see Tim on tour this winter! Get tickets at timheidecker.com/live. Find everything Office Hours including the merch store at officialofficehours.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock Docs
Fugazi Instrument with Vish Khanna

Rock Docs

Play Episode Listen Later Sep 17, 2024 83:27


Today's episode is about "Instrument", a 1999 film about the D.C. post-hardcore legends Fugazi, directed by Jem Cohen in collaboration with the band. Check out "Celebrate the Catalog: Fugazi" on treblezine.com Our guest today is Vish Khanna, the host of the Kreative Kontrol podcast. This is a first for Rock Docs...in prep for this episode, and in recognition of the film's 25th anniversary, Vish got Jem Cohen and all four members of Fugazi together for a rare interview on his show. You can listen to that episode here. We over at Rock Docs HQ are thrilled to have played any small part in that momentous event. Nonetheless, we managed to keep it together and have a lively conversation with Vish about the band, his history with them, and this incredible film. Finally, Vish was also nice enough to share his thoughts about his friend, the late Steve Albini, a Rock Docs legend who we never approached about being on the show, to our regret. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt  

Meeting Malkmus - a Pavement podcast

This week on the show jD welcomes Vish from his own Kreative Kontrol, if you haven't checked it out get after it!Vish discusses song 18 and shares his Pavement origin story.Transcript:Track 1:[0:00] Previously on the Pavement Top 50.Track 2:[0:02] This week we're going deep on Box Elder. How are you feeling about song number 19, Kyra, from the COWI? I fucking love Box Elder so much. It's a great song. It's one of the earlier Pavement songs. I think it's a very early Pavement song, which is cool. And it's one that really holds up.Track 1:[0:25] I think, too. you. Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to The Countdown.Track 3:[0:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement. Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own top 20 ballads. I then tabulated the results using an abacus, a wet towel, and some scrawny kid from 10th grade gym class. How will your favorite songs fare in the rankings? You'll need to tune in to find out. So there's that. This week I'm joined by Pavement superfan Vish from Creative Control with Vish Khanna. Dude, thanks for taking some time to do this. It means a lot. How the hell are you doing? I'm well, JD. Thanks for having me on your show. How are you doing? I'm great today. It's a little overcast here, but it's about five degrees so i'm gonna go for a walk later and uh.Track 3:[1:24] And that's a, that's, those are good times for me. Very nice. That's good. Going outside. Can't beat it. Yeah. No, you can't at all. Well, let's not beat around the bush, speaking of beat it, and get right into your Pavement Origins story.Track 3:[1:38] Talk to me about that, Vish. Well, I was trying to, you know, I knew I was coming on your show, so I figured I should try to ponder this, you know, and I, I was trying to remember. Remember, I think I first came upon the band when I read about them in Spin Magazine, like, I think before Crooked Rain came out. And I don't know what it was about that piece. This is right around the time I started getting to go to record stores. You know, I'm, what would I have been then? I would have been 15, 16. Some of us were driving so we could leave Cambridge, Ontario, where I'm from, and we could go to Kitchener and Waterloo and Toronto. They had the cooler record stores those were like uh college university towns so then we started going to record stores and then you start talking to the record store people and they tell you what they like and you respect them because they're your surrogate parents so somebody somebody somewhere along the line told me about pavement i i'm pretty sure it was the spin magazine article that i was i started devouring more and more music journalism and i think it was that so i remember owning uh slanted and enchanted and also uh the record store had the trigger cut single so i think i bought both things and i'm fairly certain about both things and uh i will say that that first single got me completely obsessed with their singles um because i think they're.Track 3:[3:07] I don't know, they're one of the greatest treasure troves of any band I can think of. I know you've probably talked about this with others, but I really value Pavement B-Sides. Like, I wasn't that surprised. I mean, I was surprised that Harness Your Hopes went kind of bonkers recently, but like, I'm not surprised. Like, Pavement B-Sides, I know some of them better than I know the album songs, to be honest with you. I just became so obsessed with how great, like, the the quality of their B-sides really spoke to me. And then, yeah, that's one of the, and then I feel like that was a gateway into like, what is Silver Jews? Like, why is this, what is Silver Jews in the pavement section? What is it? Oh, it's a, it's a project. Oh, there's Bob and Steve on the back of the album covers. So they're in this, I guess. And so, yeah, the B-side alternate pavement universe if you will really spoke to me and still does uh i find myself uh kind of you know mumbling song lyrics and and tunes and melodies from you know humming them from from all the b-side so yeah i i would i would position myself that way as someone who i get a little obsessive so it wasn't just the album uh the albums it was like i want to get all the singles so i owned every single.Track 3:[4:24] On mostly on compact disc when i was coming up of age and now i've got them all on actually you know what i ordered i ordered that thing that you ordered the box that i ordered the singles box that i have a bunch of them but i was like what the hell i'm gonna do it so the book looks good yeah everything about it looks good i love pavement so uh i just thought i would get that too and uh yeah i think that's pretty much it that's where i discovered them and then of course they blew up uh you know they're one of those bands that all your cool uh heroes were talking talking about before you even heard them you know so you'd read a interview with somebody you liked and they'd mention pavements you're like what is this pavement so really have a time and place for me word of mouth and then actually digging in i have still a sense memory of playing slanted and enchanted and hearing summer babe and you're just like what the hell so yeah i'd say that's that that that's that's got to be it i think that's it and you got to be there for the release of watery then did you as somebody who was like sort of ep and single obsessed did you pick that up when it came out i did i did pick it up i don't know if i got it right when it came out i can't say that for sure because i feel like i still came to them a little bit later um because i'm sure they were that article was 93 like i don't think it was about slanted it was just mentioned so but i got it yeah and as you may have heard me talk about it's yeah it's my it's like my favorite thing, really, in some ways. I love, and yeah, I miss Gary Young.Track 3:[5:51] I never got to meet or talk to Gary Young, but yeah, the drumming as a drummer as well, as a budding drummer, like hearing Gary's playing, that had a huge influence on me too. So yeah, that era. Put your finger on what it is, isn't it?Track 3:[6:06] Like, what it is about Gary's drumming. I love Westy. I love him. He's a great guy, and he's a great drummer. But there's something about Gary. There's something about the looseness and the showmanship of people like Gary Young. I would say here in Canada, we have Mark Gaudette, who was in Eric's trip, and his drumming, too. Like, it's punk rock, but it's a bit more technical. And it's precise, but it's loose. And it just has it. He's making an instrument. you know they have their own voice i suppose as drummers they have their own like you hear it and you're like oh that's that's that's either gary or as i mentioned mark for two examples uh or it's someone copying them you know it's someone someone kind of ripping them off so i certainly was of this learning how to play the instrument and getting into some really amazing drummers at the time uh just because i didn't take drum lessons i would just listen to things or go see bands and And certain people and their drumming had a huge impact on me. And certainly early pavement drumming, you know, I think it's an underrated facet of that band. Did you get a chance to see the Gary Dock?Track 3:[7:18] No, you know what? I haven't seen that doc. That's a good call. I've been rather swamped of late and I need to do that. Have you seen it? Yeah, it's really, it's, it's pretty fabulous. Yeah, I can imagine. You're right. I should, I don't know. I'm at a thing where I got to do so much and I process so much information and music and I can't keep up with everything. So yeah, I saw it come through and I was like, yeah, I will watch that eventually. And then before you know it, I don't think I'm alone in this where there's just so much stuff to consume, but yeah, good Good call. Good call. I'll try to track it down on, I don't know if it's on a thing, a service or whatever, a streaming service, but I'll try and watch that. Yeah, I think it is because I don't know how I would have seen it. I forgot. Yeah. Um, when, when did you finally get to, uh, see them live or did you see them live in the original sort of run? I saw them for the first time in Barrie, Ontario at Lollapalooza in 1995. This was the. Wow. Lollapalooza curated by Sonic Youth.Track 3:[8:18] So also on the bill was, it was supposed to be Sinead, or sorry, it was supposed, yeah, it was supposed to be Sinead O'Connor, but I think I attended the first show that she couldn't play because she was pregnant. And so Elastica filled in, but the day was like a mighty, mighty Boston's first time I got to see the Jesus lizard. Blizzard, uh, uh, Pavement obviously played during the day, uh, Hole played. Beck was on the lineup too, wasn't he? Yeah, I saw Beck play two sets, one on the main stage, uh, this was just ahead, uh, ahead of Odile coming up, and, um, he also did a side stage, uh, performance where I actually spoke to him, he, he came down and, uh, signed autographs, so he signed, I don't know where it is but he signed my Lollapalooza ticket stub and I asked him I actually I think I, I tripped him out a little because I'd heard that he was going to be collaborating with a Toronto musician. And when I mentioned it, he was like, oh, yeah, we have been talking about that. Like he was I kind of nardwired him.Track 3:[9:23] I didn't mean it was just a rumor. I just said it. And he was like, oh, yeah, we were talking about that. So anyway. Yeah. So, yeah. And the Far Side played and Moby played and all sorts of amazing eclectic. Yeah. Yeah, Cypress Hill was one of the headliners. Bob Nastanovich, when he was on my show, I did a little documentary about Bright in the Corners. And he talked extensively about their experiences with some of the artists and their experiences playing Lollapalooza. And Bob's amazing innovation of suggesting that instead of getting a bus, they would each get minivans. He got a great deal in some rental minivans and that way they could play and then just drive ahead to the show and not worry about the gear and all that stuff and and and they could kind of travel at their leisure and uh yeah anyway so Lollapalooza 95 is the first show then I saw them at the Phoenix in Toronto for the Bright in the Corners tour and then I saw them play uh you remember the cool house and the, sorry, for those wondering in Toronto.Track 3:[10:33] There was a venue and it had two rooms. It was called the Warehouse. And then beside it was something called the Government, a smaller room. And then the Warehouse became, it was like the RPM Warehouse or something like that. That's right. And then it changed names. It was the Cool House, but I think the Government was still there. So for Terror Twilight, as I recall, Pavement played the Government. So the smaller room on that tour. So I saw them there. And then I saw them on Toronto Island on the first reunion tour with the Broken Social scene.Track 3:[11:08] And I think that's the last time I was invited or I was supposed to go see them in Austin, Texas. And Bob hooked me up. And I think I might have even been able to attend the Austin City Limits taping. But unfortunately, I couldn't make it at the last minute. So that was a bit of a bummer. But I regret it. But, you know, it was weird, still weird pandemic times then. And I, I think there was also other stuff going on. So I didn't get to see them on this current reunion, but it still seems to be going as we're speaking. So who knows?Track 3:[11:42] Maybe I can see them somehow. now yeah yeah and we are recording this in early april so yeah there's we're not uh that's not a scoop people just in case you're listening to this in october and you're like oh christ they're coming back um they may they very may well be i just edited the bob episode and you know i sort of teased him because he's like we're done after south america and i was like come on come on yeah i'll believe you're done when i when when you're done yeah but um enough about me back to you uh i'm curious about the lola performance like so you got to see them in a government isn't intimate but it's nice um and then you got to see them in um lollapalooza in front of a big crowd what do you think of the the festival version of pavement well i mean obviously it's well documented that they didn't have the best time on that tour on some level uh in slow century there's obviously the the fracas uh you know uh where people are throwing mud at them and all sorts of a rock at steven actually uh you know i i was a kid i mean that was sensory overload i i was just going to how old was I? So 95 I was had I even turned.Track 3:[13:08] Yeah, I was not even, what was I, seven, 16 or something like that? I don't know. I was not an old, I was young. You were 76? No, wait a minute. Yeah, I was 17. So I was born, no, I was born in 77. So I hadn't yet turned 18. So I was 17. And yeah, it was just, that was a bonkers year, to be honest with you. That summer, I went to everything. I went to so many festivals.Track 3:[13:31] For all my bellyaching about my parents not letting me do stuff, they let me do a lot of stuff that summer so uh yeah i don't i think i was just overwhelmed by how many people were surrounding me and and and i got up as close as i could for pavement um and we got up really close like seeing the jesus lizard was a bit i love the jesus lizard already at that point i just love them and to see them was like they were larger than life and you know yeah for those who've never seen them or footage of them at that point, Yao would come into the crowd, you know, he would leap off the stage and crowd surf and all that kind of stuff and sing while he was doing it. So it was very immersive. And then Pavement, relatively the opposite, you know, they're on stage and the songs are great and they played well, as I recall. But on some level, I remember just making a point of getting up as close as possible and trying not to, at the same time, you know, be conscious of not bothering people as you move your way up, you know, because I was kind of annoyed at everyone running around and pushing their way forward and all that stuff. So, uh... Never made sense to me. Yeah, it just... That's my main memory of just, like, trying to... I was probably... For the Jesus Lizard and Pavement, I was probably... That was the closest I was probably, uh, to the stage. And, uh... And then otherwise, yeah, I don't know. I mean, I have...Track 3:[14:57] I have a real sense memory of the Phoenix show for Bright in the Corners for a few reasons. And I've talked about them with Bob, at least.Track 3:[15:05] Bob did an interpolation of a Cool Keith song, which I just, I was like, oh, I didn't know people knew about Cool Keith. Like I had only started listening to Cool Keith at that time. And he did. I have no clue. blue cool keith is a a really uh innovative uh underground hip-hop superstar he was in a group called ultra magnetic mcs and then he went solo as dr octagon and as cool keith has all these pseudonyms and uh to be precise uh and oh yeah black elvis like he had all these cool names so to be precise i believe as i recall bob was quoting dr the dr octagon project and he just did it in the middle of a song and then also the other thing that occurred to me and it's sort of relevant to the song today is during uh stereo when steven malcolm is saying the lines about getty lee and his voice being so high he shot his voice up super high like a comically high effect how did it get so like just pitch perfect super high i think it's i think it's documented in a much music interview that they did that day or whatever, like while they were in town. And then obviously afterwards, they interspersed some live footage of the band playing.Track 3:[16:26] And Stephen singing, you know, on this song that we're here to talk about today is so remarkable to me. And I remember that I had this sense memory of him singing that and thinking it was very amusing. I thought it was more amusing than impressive at the time. but over over time as i um have come to value steven's singing voice and his range and his ability, And just instincts as a singer, I view it as more impressive now than, I still think it's funny because I think he's got a comical element to his choices and certainly live anything can happen, but they were just, I think that Bright in the Corner show is the, it's certainly one of the best shows I've ever seen. So I would also say it's one of the, if not the, it was the best time I saw Pavement probably. Oh, that's a great venue. That's what I, that's, I think the Phoenix is phenomenal. I don't want to discount the reunion show I saw because I think with age and time away from each other, they actually have, I don't know, I don't know how many reunion shows you've seen, but often I find that these bands that, particularly for us, you know, the bands around in the 90s, when they come back, they're better. Yeah. They seem more at ease with themselves as people and as players.Track 3:[17:45] And so the absence, I don't know what it is. They just seem more relaxed. And I think when you're more relaxed, you play better. I think 20-something angst, we'll call it. I think if you're not relaxed with each other, you don't play as well. You're just a little uptight. And then as you sort of resign yourself to, well, not resign yourself, but as you sort of get, yeah, you let go of things. I guess that is a way of putting it. You kind of let go of any little grudges and you don't have that angst, whether it's your own or whether it's about yourself or whether it's interpersonal. And I think you just play better. So when I saw the Jesus Lizard on the reunion tour, having seen them several times in the 90s, I just was like, I think they're better. You know, they might be better. better and pavement as i recall from the toronto island show it felt good they played so well you know together um but up until that point yeah i would say that bright in the corners show i saw at.Track 3:[18:46] The phoenix in toronto was just like they were just on fire it was brilliant so yeah cool yeah well before we get into song number 18 i gotta ask you as one of the only people i know that has interviewed Mark Eibold, the reclusive Mark Eibold, how the hell did you do it? And that interview, by the way, was phenomenal. It was great.Track 3:[19:09] Well, that's very kind of you to say. I have to draw back on my memory for this. So the occasion was the Terror Twilight reissue from a year or two or a couple of years ago, whenever it was. Yeah, who knows? And like you, I think my social entry point into this band is Bob Mstanovich.Track 3:[19:32] Absolutely. So Bob is, uh, I've gone on record saying this to others. I think I said it maybe to him during our terror twilight discussion. Bob is the greatest podcast guest of all time. You don't even have to ask him a question and he starts. He's so funny and he's so frank and he says things that I surprised he might say. I love him so much and he's been very kind to me over the years as well. I first spoke with Bob, uh around the time of that reunion uh tour um uh and so what was that 2009 10 thank you very much yeah sorry i think the jesus lizard was 2009 so yeah i spoke to bob around that period and then we've maintained contact basically ever since that was for my college radio show actually and then so that was here in toronto yes that's right yeah well i lived when i was living in ontario at at the time. Um, I had a college radio show and would play some pavement and Bob was a guest on that show. And he's, and I probably wrote a magazine article for exclaim magazine as well. That's what I do and used to do more often. Anyway. Um.Track 3:[20:43] Yeah. So the Tara Twilight thing came about by this point, Bob and I had, he'd been on my podcast a few times. And so I just, I'm sure I went through the proper channels to get, try to figure out the interview and get the music and the, and you know, all the assets and all that. But Bob, I think I was like, Bob, like, can we get everyone? Let's just get everyone on the show. Probably like you have done, like you just, you know, you're, you're trying to do this now. You're trying to talk to as many of the members as you possibly can. Absolutely. And in the loop. So, yeah, you know, I'm emailing Stephen and I think I texted Stephen because, you know, he wasn't responding.Track 3:[21:22] And so we sort of landed on Westy and Bob and Mark and then Jesper, who was involved in the reissue for Matador, was going to take part. And then at the day of, Mark couldn't do it. He was in transit. He couldn't join us for the group call. But yeah, Bob connected us over email, I believe, and maybe text, I don't recall. And so Mark and I, Mark felt, I think, kind of badly that he couldn't do it, like that he said he would do it and that he didn't end up doing it. And uh i i assume bob vouched for me you know um and so that was kind of it uh really we corresponded uh he felt badly that he couldn't make the group call we arranged a time we had a good talk you heard it uh and then i believe i put it out the right after i had put out that that group call uh so back to back it was like pavement week on my show for terror twilight light. Um, so, uh, yeah, I don't, can't recall cause I do so many of these, uh.Track 3:[22:37] Exactly what mark and i talked about i think we talked about some of his, radio listening habits you did yes he still uses a radio yeah you might actually have a better perspective on it than me at this point because i just don't remember uh you know i jd i'm sure you're familiar with this you do so many of them uh interviews uh episodes you're just like oh yeah, i forgot i had so and so on the show what the hell did we talk about again i that happens to me all the time when i edit i'll be listening and i'll be like it sounds like a conversation between somebody who doubles my voice and my guests because i don't recall virtually anything about what we talked about well i remember realizing it was um a real kind of rarity for mark to do such a thing i think at the time um a sonic youth uh archival compilation had had just come out that mark appeared on so there's just a fair amount to talk about it was a lot of memory jogging unfortunately for him like you know trying to remember the terror twilight sessions trying to remember playing with sonic youth like all about a decade out from doing it you know or more a decade or more 20 years um so uh yeah i i he was very lovely and uh and forthcoming and um.Track 3:[23:59] I really appreciate it. I think I've spoken to everyone but Gary, I suppose. I never got a chance to speak to Gary Young. But in terms of the, I guess, whatever, core or original lineup, yeah, I've talked to all of them at some points in my life. And I hope to talk to them again.Track 3:[24:20] Yeah, I do adore them. So it's, yeah. You can tell. You can really tell. And we should have said this off the top, but Viche is, Creative Control is a podcast, if you haven't listened to it, you should listen to it. If you like music, if you're maybe a bit obsessive about music, Viche does a really phenomenal job of, you know, conversations with famous people. People uh for people who listen to this show you might want to start with some of the david berman stuff because it's it's pretty spectacular and uh and then work your way through the pavement but it's all it's all good from the stuff that i've heard for sure well thank you for the kind words and for saying so yeah i uh i do love doing the show and uh it has uh you know it's granted me access and insight, uh, to, and from people I really, truly admire and adore. And, uh, yeah, I marvel at, uh, what I've been able to, uh, accomplish and get away with, uh, it is, it is, I don't really understand it, but certain people like Bob and others, uh, uh, have a fondness for me and return to the show and all that sort of stuff. And, uh, so yeah, it means a lot. Thanks for saying that. No, no, I should have said it off the top. but uh what do you say we talk about the the song this week song number 18 let's do it okay we'll be back right after this hey.Track 1:[25:48] This is bob mistanovich from pavement uh thanks for listening and now on with a countdown 18.Track 3:[29:27] So today we're talking all about song number 18 from the masterpiece Wowie Zowie. It's the absolutely gorgeous Father to a Sister of Thought. Vish, what are your initial thoughts about this song? Well, you know, I was so happy that we landed on this as a song to talk about because I do love Wowie Zowie. I have a sense memory of picking it up when it came out. I think the day it came out. um and um obviously a strange sort of a strange record uh an eclectic record uh and this is interesting it's a really fascinating song because in some ways it's super accessible uh musically it leans with the pedal steel and some of the other moves it leans towards country music.Track 3:[30:18] I will say, as I was pondering it, I mean, I know we are in a vacuum here of people who love Pavement and who love Stephen Malcomus, but as I was listening to this in preparation for our chat, I'm like, Malcomus is like an underrated everything. I really feel that way. And in particular, I think he's a remarkable singer. And, you know.Track 3:[30:51] And this song, I think, exemplifies that. He makes super fascinating choices with his phrasing, I think, and just the notes he's going to go for on words. Like, I don't know how to put it. I'm not super adept at maybe talking about music on that level. But it's just very dynamic, the way he shoots his voice up and sort of speaks, sings one line.Track 3:[31:17] And I think aside from missing his sort of grittiness, he also is a great screamer, great yeller. He really is. Like Paul McCartney level dynamic range, I think, with Steven when he wants to. Like he can sing. I don't know if that resonates with you. Like McCartney, to me, can sing anything. He can sing a ballad. He can sing like a Little Richard Rocker and sound like a punk. Like it's bonkers, that guy's vocal range. And I think Malcomus is in that, totally in that vein. So he's not yelling on this song but i think if anyone is interested like this song is a perfect showcase for what he can do as a vocalist and before i go much further jd does that resonate with you it certainly does i when i think of this song you know the word i used right off the bat was gorgeous uh and it's gorgeous in a number of ways the vocal the melody uh like his ability as a songwriter. I don't know how much of the arranging he did, or if it was Easley who said, let's use this pedal steel.Track 3:[32:25] But nevertheless, it just works so well with the timbre of his voice. And it all comes together in a really lovely ball.Track 3:[32:36] Yeah, and I think the little contrarian aspect to, or I don't know how to describe it, this little element of, yeah, it's a little contrary, I think, you know, I don't think I'm saying anything untoward where there's an element of self-sabotage sometimes in the pavement realm where everything's going fine, and then all of a sudden, let's pull the plug and do something wild and nuts or crazy, you know what I mean? And then yeah so this song has this really jaunty country vibe and then it ends with this like, minimalist noise rock stomp damn yeah yeah yeah like it gets it suddenly becomes a little more punk after the sort of so it's kind of this and it's all part of this it's that end it has nothing to do with anything else we've heard no instrumentally nothing but it works like it works so perfectly and i think it's a way of being like all right i think i think we're getting a little saccharin here it's too gentle or something let's end a little more raucous and uh so to me i hadn't really pondered it as such before but between malchumus i think singing his ass off and and really showing his range uh the band also ends up playing very dynamically and really beautifully and and also grit like as i say there's some grit towards the end so in a weird way.Track 3:[34:03] And again i hadn't thought of it like this was a single as i recall um like there was a video for it and whatnot and they're all dressed up in like country western garb and all these sorts of things, but uh no it's a nice exemplification like this is a pretty good gateway in the pavement if you were like yeah listen to this song again you never heard of this band try this song just try it it's got humor it's enigmatic lyrically the arrangement itself is beautiful but funny uh yeah i i really think uh 18 this should be in the top five it's really wonderful wow yeah i would have it in my top 10 yeah i know you top 10 sure i don't know what these ratings mean i don't believe in ratings and awards but it's water cooler talk no it's i'm just saying as i think about it more first of all uh anyone out there listening uh once i dig into a topic i get a little excitable. So, uh, you can make the argument like, what about these other 10 songs? And I'd be like, yeah, yeah, those are also great. But this, this to me, I think, as I say, it's got a nice balance of earnestness, irreverence, beautiful singing, wonderful playing. Uh, yeah, I just think all across the board, it's beautiful. Yeah. Uh, well said.Track 3:[35:20] When you think back to buying Wowie Zowie, you said you got it on the day it came out. First of all, that's very cool.Track 3:[35:29] And second of all, I wonder, just to go on a tangent for a moment.Track 3:[35:34] I wonder if your penchant for B-sides helped you with that record. Because it's almost constructed to me where there's like a song and then more of a b-side song than a song than more of a b-side song uh you know i'm thinking like brink's job and and and stuff like that um yeah you know so that that would have really helped but what were you thinking the first time and this is asking you to really stretch your brain i apologize but what were you thinking the first time you heard this song on this wicked roller coaster ride of a record you know what it's i know this song gets come or rather the album why always how he gets compared a lot to the white album sure by the beatles um who are from liverpool uh and are no longer around but they were uh that album was um i think it's rightly regarded as this uh odd pastiche niche of sounds and ideas and somehow it it only coheres because contextually they made it cohere like it doesn't really make a ton of sense as an album but it's one of those albums where like i couldn't tell you what the best song on it is because i almost view it conceptually as a whole Oh, wow. Wow. So, there's some of it, like, you can, there are singles from it and whatnot.Track 3:[37:01] But I have a weird, this is more about me, I suppose, JD, than maybe most people, but like, I'm an albums person. So, when an artist or a band puts out an album, I assume, rightly or wrongly, in some cases it's not the case, but I assume it's a unified statement that they're making of a time, of.Track 3:[37:25] Rolling Stones, certain bands, you'll be like, yeah, this album is actually like odds and sods from the previous couple of albums that they just reworked or whatever, revisited. Um, and they still count as albums, you know, certainly Stones in the seventies, you can make that argument. There's a few records where, yeah, like just what I'm describing, it's an album, but it's really like leftovers from some ideas they had. Um, I would put Wowie Zowie in that white album category of like, it's a whole thing. Like, the way it's sequenced, the way songs blend together.Track 3:[38:04] As soon as you hear an artist do that, where the songs kind of barely, there's barely any air between them. Right. That's a sequencing choice. That's a mastering choice. That's all sorts of choices they're making. but there's then tends to be this coherence between them this isn't the case all across wowie zowie but there are songs as you know where it's just the next one just starts you're just right into another song um so it becomes a sort of sweet like thing all this to say uh i might be stalling to answer your question because i haven't listened to the whole album in some time this is going to prompt me to i listened to this song on its own and i will say it was a bit weird.Track 3:[38:48] To hear it on its own because i don't listen to pavement sorry as i've tried to just maybe exemplify i generally don't listen to um bands i got a friend pointed out to me a few years ago he was we were in a band together and he said yeah you once said you don't like greatest hits compilations i said i said that said yeah we were driving we were listening to like acdc or something and you were just it came up in conversation and you said you don't like greatest hits compilations because the context of the music is all out of order and i said right that makes sense to me yeah you're i said yeah okay i don't remember saying that sometimes i say things and i don't remember that i said them and i said oh yeah well i mean i said i said it and it stuck with him like he said yeah i've started to listen that way now because you're right like the context of an album is so important to it so when you asked me to be on the show and and suggested uh you know that we were going to talk about this particular song i just listened to it on its own.Track 3:[39:52] Totally weird. Totally weird to hear it out of the album context. So I think going back to my sense memory, I don't know. I mean, it starts with We Dance, which is weird. And then you're right. Some of the songs seem, I mean, to some people, they would seem like half finished ideas. That's right. Right. Or just like little jabs of things, you know. So you're absolutely right too, like Serpentine Pad, Brink's Job, those sound like they could be B-sides, but I would argue that the pavement B-sides are never really, they don't feel like throwaways to me. I agree. Sometimes they're a little looser and more fun, like things happen and that you wouldn't really hear. No I don't even you know what I'm just going to retract that I think they are all fully.Track 3:[40:48] Realized songs that stand on their own but yeah Wowie Zowie I suppose might have been the first sort of inkling that this band could do anything and they weren't afraid to try anything, I'm sure some people were disappointed after Crooked Rain Crooked Rain to hear this, band be a little more punk but also as we're talking about a song that like I say who knows I don't know I I've not really thought about this in a long time but I'm sure making the construction of wowie zowie and the sequencing was potentially a reaction to how much success and how they broke through with crooked rain.Track 3:[41:34] Yeah, I can get behind that thought because, I mean, it's almost outlined in Cut Your Hair, right? Yeah. That's sort of the blueprint for Wowie Zowie in a way. Yeah, like not deliberately self-sabotaging themselves, but being like, we're maybe a little too big. Let's do something a little less accessible. Like, let's do something a little more. I just want to be clear. I think it's brilliant. I don't find it confusing. But if you got into Cut Your Hair or Gold Sounds or got into that band that you saw freak out on The Tonight Show, you know... And then listen to Pueblo. Yeah, yeah. I think you're kind of like... Yeah. You would just be like, as a band, I doubt it was even conscious, but maybe it was. Maybe we should do something that's a little more like wild. And if that was the case, I'm not sure it was, I'm sure there's literature and I should have maybe revisited some of the liner notes and reissues and things to read about where their mindset was at. But, you know, even describing father to a sister of thought, it has that mix of totally, totally accessible. I could play this for my country music loving grandfather, but then it ends with like, Hey, grandpa, we're still kind of a punk band. You know what I mean? Yeah. Yeah.Track 3:[43:02] Oh, that's great. Going back to the theory of potentially sabotaging themselves, which I'm with you, I don't think they did it on purpose.Track 3:[43:13] I almost think it's like a sound and style change. You're right, Crooked Rain, Crooked Rain was so accessible, and it had a familiar sound. It had sort of a California classic rock kind of vibe to it. It crooked rain is i will interject only to say that i think crooked rain is also super weird.Track 3:[43:35] It is it helped them break through but it is a weird album like it starts weird it has like a full studio sound like it sounds like i know that was made in a bit of a patchwork as well but like it sounds more like a studio record um sure they went they went to a place that that it wasn't going to be noisy and hissy and ambient even though it has elements of that like it has a warmth to it but it's a weird and wildly arranged album too but this is even well coming off a slant coming off a slanted though it seems it just seems more you know readily available i suppose to to a wider birth of people yeah but what i was going to say is it almost reminds me of what sm did when he went solo that first record is so accessible and so poppy and so hooky and so earwormy it's amazing and then he did piglib after that which i fucking adore but it's so off the wall compared to the self-titled debut yeah and if we're viewing malcolm as you know uh obviously obviously the main driver of of their songs then yeah it's it's his whims and it's his.Track 3:[44:50] His notions for a batch of songs like you know i think bright in the corners is uh on some level it's the cleanest sounding pavement album but it's also the most esoteric and and you know i the songs sprawl and they're all over the place as well but it's also somehow more coherent and contained than wowie zowie like but but the songs stretch out that's their what did we talk about with somebody recently uh maybe it was with the pavement guys uh grateful dead type stuff yeah sure yeah like it it has a it's it's a little more zen it's less frenetic even though the imagery and whatnot is pretty intense and some of the arrangements are too so yeah i think it's just modes again this goes back to my argument i love albums i love knowing that we're hearing where a band was at, at that given time. Uh, and, and that, that batch of songs, however, like wowie zowie, however disparate the songs might be from one another, that's what they were into. Like, that's what was going on with them at the time, whether it had anything to do with external considerations or perceptions about who they were, uh, how successful they wanted to be. Like Like, that might just be all bullshit I'm making up. It could just be that's just what he had, what Malcomus and what the band had going.Track 3:[46:18] And this is it. You know, why waste it? This is, it's all over the place. Let's put it out as one thing. The next album, a little, like, I think it's, it's fair to say, uh, Bright in the Corners. Well, you know, maybe it's not fair to say, I'll ask you. Bright in the Corners, probably safe to say a more coherent sounding album than Why We Sowie. Absolutely. Yeah. It's, it's a more album-y album. Right. In a sense. But I also think Slanton and Enchanted all sounds like it's from the same expression, too. Sure, I guess I mean album to album. I just love the way it opens. There's a middle, and then there's an end. There's a finite end with Finn. Yeah yeah well i mean maybe i don't know like we we mentioned lollapalooza uh there was something going on in the in the moment in the cultural moment where you it was really cool to be an open-ended music listener it was really cool to be like yes we're playing with a folk musician we're playing with shanae o'connor and cypress hill on the same day bonkers and the jesus lizard like on some level that is a culture saying everyone is welcome every sound has merit.Track 3:[47:34] We're sick of the orthodoxies we're sick of there being camps um and so maybe wowie zowie reflects that too uh on a musical level it can be noise damaged it can be a beautiful if strange folk song, it can be a country song, it can be a goddamn screamer where Malcolm clearly loses his voice you know, on Half a Canyon or whatever. Like, it's.Track 3:[48:01] Yeah, as we speak of it, I love that album. And like I say, though, I'm having trouble decontextualizing this song from the whole. Right. And that's more about me. But if we really dial into it, when I say this is a good exemplification of Pavement as a whole, maybe it's a good exemplification of Wowie Zowie as a whole. It has that beauty and thoughtful lyricism where you're like, what's he talking about? What's going on? this is really interesting imagery. Is he talking about Corpus Christi, Texas? Or is he talking about Corpus Christi, the kind of event? Like, I remember just thinking right away, why is he singing about Texas? Like, I have that sense memory. And I have this song and some, I'm just a man. Like, I have just little bits of lyrics that are just always with me that I just hum to myself. And yeah, I, this is one of those songs where I just have sort of mindlessly sung it out loud to myself as i'm sort of tooling around my my life you know i don't know if you have that where you just have these lyrical lyrical fragments but this is definitely one of those songs.Track 3:[49:08] And uh i think um yeah it exemplifies both the band and the album in a really fascinating way for me cool well is there anything you want to say uh more about father to a sister of thought or, well you know i'm a lyrics guy and we didn't uh have a chance to get too far into it but i also i know that i mean it's on the surface it seems to be about spirituality and uh people's relationships to that but with malcolm is also you never really know um on some level i think he's spoken about this song and whatnot but um no i don't know all i'll say is i marvel at the guy and i don't think uh he's one of these people i don't think we marvel at enough as a guitar player as a musician as a as a lyricist and particularly on this song as a singer and i hope uh this isn't uh some people don't find this to be a hyperbole but you know i think we take him for granted as He's a vocalist, and this is a great example of what he can do.Track 3:[50:15] Agreed. Well, Vish, it's been dynamite to talk to you today. We went off on a few different directions, and I'm glad we got to do that. Do you want to talk a little bit more about you and the podcast? And I want to say right off the bat that I said it earlier, Creative Control, it's with K's, Creative Control. So if you're searching for it on the Google, you're going to want to spell it correctly. Correctly well thank you thank visha style of correctly well i will uh immediately say that this is a reference to a hot snake song of the same name creative control um so that's why i didn't make up the case thing and now there's like a fashion company called creative control and i think someone like fashions themselves a rapper and they call themselves creative control but they kind of show up and they don't show up i don't know what's going on but anyway yeah that's my show i mean on the internet they'll be like tweeting ramp like rabidly and then they just disappear. And then I don't know what's going on. Anyway. Yeah. Nothing to do. I, Hey, I copped the name from a band I like, so I can't really complain. Complain spelled with a K by the way.Track 3:[51:23] So, uh, yeah, I have this podcast and as we're speaking, uh, you know, it's, it's still going, uh, and it's more important to me than ever because, uh, it is now my main, job at the moment as maybe by October it won't be, but, um.Track 3:[51:41] Yeah, so all I can say is if you support the work of people like me and JD and want to support podcasters, crowdfunding, I don't know about you, JD, and we don't have to talk too much shop, but the advertising revenue is very minimal and it's honestly a little gross. No offense to your sponsors.Track 3:[52:01] I'd rather just not have it. Yeah, I'd rather not have it. But yeah, the crowdfunding and the Patreon that I have is particularly important to me at the moment. So I have different incentives and different tiers and all that kind of stuff, like pay tiers, and it's flexible and monthly and all that kind of stuff. So sorry to make this about the money. We've already talked about some of the content or whatever, like the people I talked to. Yeah, I'm proud of it. It seems to be relentless. It's never going to stop unless I do and stop making it. That sounded morbid. uh by the way if i die the show will likely die too i i just want to be clear about that but no i i love doing the show it's afforded me um some wonderful experiences and both in the conversations and then just from people like you jd reaching out wanting to talk i mean it means a lot to me so thank you for giving me a time to some time to plug and thank you for having me on this wonderful show of yours and for the the lovely conversation it means a lot yeah for me Me too. Thank you so much. All right, everybody, that's what we've got today. So be cool. Make sure you're safe and wash your goddamn hands.Track 1:[53:15] Thanks for listening to Meeting Malcolmists, a pavement podcast where we count down the top 50 pavement tracks as selected by you. If you've got questions or concerns, please shoot me an email. JD at MeetingMalcolmists.com. You.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Washed Up Emo
#243 - Vish Khanna (Kreative Kontrol)

Washed Up Emo

Play Episode Listen Later Jul 2, 2024 88:28


Today on the podcast, we welcome Vish Khanna from the Kreative Kontrol podcast. Vish has had almost 900 guests from across the creative spectrum. A truly amazing interviewer, and it was an honor to have him on the show. Thanks to Holmes from American Football for connecting us! http://vishkhanna.com/ https://www.patreon.com/washedupemo Learn more about your ad choices. Visit megaphone.fm/adchoices

Jokermen: a podcast about bob dylan
STEVE ALBINI, THE ARTIST with Vish Khanna

Jokermen: a podcast about bob dylan

Play Episode Listen Later Jun 7, 2024 56:06


In a very special episode, Evan is joined by Vish Khanna of Kreative Kontrol Podcast, on which Steve Albini was a regular guest, to reflect on Albini's artistic life and legacy.

The Next Chapter from CBC Radio
Louise Penny, C.S. Richardson -- The Full Episode

The Next Chapter from CBC Radio

Play Episode Listen Later Mar 25, 2023 53:38


Louise Penny discusses A World of Curiosities, the latest in the Inspector Armand Gamache series, C.S. Richardson takes the Proust questionnaire and columnists Vish Khanna and Treasa Levasseur recommend books on music and self development.

Jokermen: a podcast about bob dylan
Teaser // Silver Jews: LOOKOUT MOUNTAIN, LOOKOUT SEA with Vish Khanna — Side B

Jokermen: a podcast about bob dylan

Play Episode Listen Later Jan 5, 2023 12:30


SUBSCRIBE ON PATREON TO HEAR THE FULL EPISODE

Jokermen: a podcast about bob dylan
Silver Jews: LOOKOUT MOUNTAIN, LOOKOUT SEA with Vish Khanna — Side A

Jokermen: a podcast about bob dylan

Play Episode Listen Later Jan 2, 2023 50:01 Very Popular


The Jokermen kick off the inaugural David Berman Week with Vish Khanna of Kreative Kontrol, who joins for a fond look back at his relationship with David and the last record in the Silver Jews catalog. FOLLOW VISH ON TWITTER LISTEN TO KREATIVE KONTROL + SUBSCRIBE ON PATREON SUBSCRIBE TO JOKERMEN ON PATREON NEW MERCH NOW AVAILABLE ON JOKERMEN.NET LISTEN TO OUR BEST OF JOHN + BEST OF LOU 70s PLAYLISTS FOLLOW JOKERMEN ON TWITTER, INSTAGRAM, AND YOUTUBE

Blink-155
Fugazi "Facet Squared" (ft. Vish Khanna of Kreative Kontrol)

Blink-155

Play Episode Listen Later Aug 18, 2022 135:06 Very Popular


FUGUZT (Fugazi August) week three and we are already losing our minds. This week we're joined by Vish Khanna, who hosts his own indie rock and pop culture show Kreative Kontrol. Check it out here: http://vishkhanna.com/  

Aquarium Drunkard - SIDECAR (TRANSMISSIONS) - Podcast
Transmissions :: Vish Khanna

Aquarium Drunkard - SIDECAR (TRANSMISSIONS) - Podcast

Play Episode Listen Later Jul 13, 2022 85:52 Very Popular


Crossover time. Today on the show, Canadian podcaster, broadcaster, music journalist, and music lifer Vish Khanna. He's the host of the long running and inspirational Kreative Kontrol, a podcast dedicated to creativity. Here's what Bonnie “Prince” Billy said about talking with him: “…it's rewarding, relaxing, fulfilling to engage with Vish, as the exchanges have always been just rife with that rarest rarity: communication.” Alongside Will Oldham, Vish has hosted members of Pavement, Sonic Youth, Warren Ellis of The Bad Seeds, Jeff Tweedy, Ian MacKaye, and many other major alt rock figures. For this episode of Transmissions, Khanna and host Jason P. Woodbury embark on a revealing conversation about niche music podcasting and creative process. Rate, review, subscribe, and spread the word if you dig Transmissions, which is part of the Talkhouse Podcast Network. Wanna go further? Check out Aquarium Drunkard on Patreon. Next week on the show: guitarist Glenn Jones on his new album Vade Mecum and John Fahey. Transmission concluded. 

Aquarium Drunkard - SIDECAR (TRANSMISSIONS) - Podcast
Transmissions :: Joan Shelley

Aquarium Drunkard - SIDECAR (TRANSMISSIONS) - Podcast

Play Episode Listen Later Jul 6, 2022 64:19 Very Popular


On Joan Shelley's fantastic new album The Spur, the singer/songwriter reaches out from a place of solitude, seeking connection. Rooted in Britfolk aesthetics, it's an album that feels intimate but spacious too, all finger picked acoustic guitars, Richard Thompson inspired electrics, and sparse percussion. Alongside her collaborators, who include producer James Elkington, Bill Callahan, with whom she sings a duet, and Shelley's husband, archivist and guitarist Nathan Salsburg, she explores deeply human territory with an almost supernatural calm in her voice. We've interviewed Joan for Aquarium Drunkard a few times, but this is her first appearance on Transmissions. She spoke with host Jason P. Woodbury from Kentucky, and this talk offers a respite from the intensity of the news cycle.  Rate, review, subscribe, and spread the word if you dig Transmissions, and if you want to take things further, we're on Patreon. We are a part of the Talkhouse Podcast Network. Next week on the show: podcaster and music lifer Vish Khanna of the Kreative Kontrol podcast.

Art Design Music
S1E11 – Season finale: Listener Feedback; Michelle Holme, Vish Khanna, & Loel Campbell

Art Design Music

Play Episode Listen Later Dec 21, 2021 115:11


In this season finale we go through feedback from listeners, announce our contest winners and have three fun conversations with Bruce Springsteen's graphic designer Michelle Holme, podcaster Vish Khanna, and drummer/producer Loel Campbell. 

The Dork Forest
Bob Dylan is STILL ALIVE w Vish Khanna – EP 653

The Dork Forest

Play Episode Listen Later Dec 21, 2021 60:51


Vish Khanna (@vishkhanna of Kreative Kontrol podcast) loves him some Dylan. Not stalkery… but THOROUGHLY. And I learn all about it. Starting with, he's still alive and working! You will love. It's December and it's time to NOT DONATE TO THE DORK FOREST BUT, INSTEAD, FIND A FOOD BANK. or if yer not in the USA GOOGLE “food bank” and “name of town” New album -STAY-KASHIAN is out NOW. Merch: TDF tshirts, standup shirts and other CDs and just videos of my comedy. Touring Info. All the things. jackiekashian.com Premium eps of TDF are taped live and available here: https://thedorkforest.bandcamp.com/ Youtube has everything too. It's @jackiekashian on all the social mediaz. Audio and Video by Patrick Brady Music is by Mike Ruekberg Website design by Vilmos #applepodcasts #spotify #pandora #youtube #tiktok

Kreative Kontrol
Ep. #653: Dorothea Paas, Brian Borcherdt, Anyika Mark, Ruth Belay, Ani Castillo on Long Night

Kreative Kontrol

Play Episode Listen Later Dec 3, 2021 57:07


This episode of Long Night with Vish Khanna was recorded before a live studio audience at St. Anne's Anglican Church in Toronto, Ontario during Long Winter on Friday November 26, 2021. The theme was unaffordable living and the prospect of unviable cultural livelihoods in cities like Toronto, and our guests were author and cartoonist Ani Castillo, Anyika Mark and Ruth Belay from Black Urbanism Toronto, musician Brian Borcherdt from Holy Fuck and Dusted, and musician Dorothea Paas. Live audio salvaged by Patrick McKenna and vish. Produced by vish and Long Winter. Photos by Shane Parent. Supported by you on Patreon, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online. Support this show http://supporter.acast.com/kreative-kontrol. See acast.com/privacy for privacy and opt-out information.

Wear Many Hats
Ep 75 // Perry Shall - T-TIME

Wear Many Hats

Play Episode Listen Later Oct 29, 2021 62:53


Perry Shall is an Art Director, Designer, and Vintage T king! He has designed album art for Green Day, Kurt Vile, Yola, The Black Keys, Ted Leo, Mannequin Pussy and Diarrhea Planet. Yes, Mannequin Pussy and Diarrhea Planet. He's designed T-Shirts for Questlove, Gilbert Gottfried, Ceremony, Kurt Vile, Hop Along, Tigers Jaw, Pup, Dan Auerbach, Best Coast, Soul Glo, Spirit of the Beehive and the 3 main staples of Philly such as Reanimator, Pizza Brain, Union Transfer. Tons of Posters for Screaming Females. His Illustrations and collages always adds the signature Perry Shall sense of humor. Perry has also directed music videos for Waxahatchee and his own band Hound that he plays guitar in. He is the Art Director for Easy Eye Sound, Dan Auerbach's label. Perry is the host of T-TIME, a vintage t-shirt show on IG LIVE that livestreams every Friday at 6pm EST. He's had Gilbert Gottfried, Vish Khanna, Ted Leo Damien Abraham from Fucked Up and Marc Maron on. Everyone has a T-Shirt that tells a story. Please give it up for your hostess with the mostess, who wears many vintage tees instead of Hats. Please welcome Perry Shall to Wear Many Hats. instagram.com/perryshall instagram.com/wearmanyhatswmh instagram.com/rashadrastam rashadrastam.com wearmanyhats.com dahsar.com

Retail Nightmares
Retail Nightmares Episode 307 - Vish Khanna!

Retail Nightmares

Play Episode Listen Later May 17, 2021 92:35


Expert interviewer, podcast host and writer Vish Khanna joins the co-ghosts to discuss collecting bonus points, horse ancestry, and vigilante pizza justice!

comedy vancouver expert edmonton puppo retail nightmares alicia tobin vish khanna jessica delisle
Retail Nightmares
Retail Nightmares Episode 307 - Vish Khanna!

Retail Nightmares

Play Episode Listen Later May 17, 2021 92:35


Expert interviewer, podcast host and writer Vish Khanna joins the co-ghosts to discuss collecting bonus points, horse ancestry, and vigilante pizza justice!

expert retail nightmares vish khanna
Inside The Artist's Studio
087 - Vish Khanna

Inside The Artist's Studio

Play Episode Listen Later Mar 5, 2021 65:15


On this episode of Inside the Artist’s Studio, Sean talks to Vish Khanna about how he went from doing interviews for magazines and radio to starting his own successful interview podcast, Kreative Kontrol. Vish moved to Edmonton just a couple months before the COVID-19 pandemic began, and Sean asks him about getting settled in the city, about booking spectacular guests for his show, and about crashing your first car. Be sure to check out the 600th episode of Kreative Kontrol, which comes out Wednesday, March 10th, 2021.Recorded on January 14th, 2021Featured Track: The Neutron Stars - “So Many Times”Intro/Outro Music: Laundry Week - “Nuthin’ On My Mind”

The Alphabetical Fugazi
"Foreman's Dog" with Vish Khanna

The Alphabetical Fugazi

Play Episode Listen Later Dec 5, 2020 86:44


"Foreman's Dog" by Fugazi https://fugazi.bandcamp.com/track/foremans-dog Kreative Kontrol http://vishkhanna.com/ Ian MacKaye on KK http://vishkhanna.com/2020/12/01/ep-583-ian-mackaye/ Ian MacKaye and Steve Albini on KK http://vishkhanna.com/2015/11/12/ep-223-ian-mackaye-steve-albini-part-i/ Guy Picciotto and Xylouris White on KK http://vishkhanna.com/2018/06/12/ep-400-guy-picciotto-xylouris-white/ The Messthetics on KK http://vishkhanna.com/2018/03/21/ep-385-the-messthetics/ Interview, Addicted to Noise, April 1998 https://www.oocities.org/drawcamp/addict98.htm "Taxman" by the Beatles https://www.youtube.com/watch?v=l0zaebtU-CA Email the podcast: fugaziAtoZ@gmail.com Donate to the podcast: https://tips.pinecast.com/jar/the-alphabetical-fugazi

Kreative Kontrol
Ep. #528: Nana Aba Duncan, Daniel Woodrow, Abu Amuquandoh on Long Night

Kreative Kontrol

Play Episode Listen Later Feb 25, 2020 63:14


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Workman Arts in Toronto, Ontario during Long Winter on Friday February 21, 2020. Our guests were CBC Fresh Air and Podcast Playlist host, Nana Aba Duncan, comedian Daniel Woodrow, and comedian/actor Aba Amuquandoh. With special house band replacement, keyboard virtuoso Robin Hatch. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #518: Robin Hatch, Ian Daniel Kehoe, Boosie Fade's Jordan Sowunmi, James Rathbone on Long Night!

Kreative Kontrol

Play Episode Listen Later Jan 16, 2020 60:21


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Gladstone Hotel in Toronto, Ontario during Long Winter on Saturday January 11, 2020. Our guests were keyboard virtuoso Robin Hatch, multi-instrumentalist poet Ian Daniel Kehoe, and Jordan Sowunmi and James Rathbone of Toronto's hip-hop party enterprise, Boosie Fade. With the Khanna Family Singers. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

The Landlord and Tenant Podmess
E130: 2019 in Review with Cultural Tastemaker Vish Khanna!

The Landlord and Tenant Podmess

Play Episode Listen Later Jan 1, 2020 91:26


This week, James and Michael are hosting the internet’s largest New Year’s Eve party. It’s also the debut of the exciting new segment “Bye Bitch: Things We Loved and Hated in 2019!” Our guest is pop culture critic, journalist and podcaster Vish Khanna, who stops by to tell us about the best movies, TV shows, music and comedy of the year. Support The Landlord and Tenant Podmess Brought to you By: The Sonar Network

Kreative Kontrol
Ep. #513: Sloan's Jay Ferguson, Joi T. Arcand, The Gravy Train's Jordan Heath-Rawlings, Laura Barrett on Long Night!

Kreative Kontrol

Play Episode Listen Later Dec 17, 2019 72:28


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Harbourfront Centre in Toronto, Ontario during Long Winter on Friday December 13, 2019. Our guests were Toronto musician Laura Barrett, podcaster/host of The Gravy Train, Jordan Heath-Rawlings, Saskatchewan-based Cree visual artist Joi T. Arcand, and from the band Sloan, Jay Ferguson. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Kate Killet. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #511: A live talk about Tomorrow is Too Late: Toronto Hardcore Punk in the 1980s

Kreative Kontrol

Play Episode Listen Later Dec 11, 2019 97:46


This episode features a panel discussion about the award-winning book, Tomorrow is Too Late: Toronto Hardcore Punk in the 1980s, and was recorded before a live audience at the Toronto Reference Library on Tuesday July 23, 2019. Our panelists were authors Derek Emerson and Shawn Chirrey and contributors Simon Harvey, Fran Grasso, Steve Perry, and Doug Galbraith. Recorded by the Toronto Reference Library. Produced by Vish Khanna and Shawn Chirrey. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #509: Owen Pallett, Zalika Reid-Benta, Michael Balazo, James Hartnett on Long Night

Kreative Kontrol

Play Episode Listen Later Nov 27, 2019 56:58


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Tranzac in Toronto, Ontario during Long Winter on Friday November 22, 2019. Our guests were author Zalika Reid-Benta, comedians/Landlord and Tenant Podmess hosts Michael Balazo and James Hartnett, and Oscar-nominated musician Owen Pallett. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #477: Queer Songbook Orchestra at Kazoo! Fest

Kreative Kontrol

Play Episode Listen Later May 22, 2019 50:13


This episode was recorded before a live studio audience at Kazoo! HQ in Guelph, Ontario during Kazoo! Fest on Saturday April 13, 2019, and features an interview with Queer Songbook Orchestra's Shaun Brodie, Thom Gill, and Stephen Jackman-Torkoff. Recorded by Dave MacKinnon. Produced by Vish Khanna and Kazoo! Photos by Nicolette Hoang. Supported by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, CFRU 93.3 FM, and Grandad's Donuts.

Kreative Kontrol
Ep. #469: Baroness Von Sketch Show's Aurora Browne and Jennifer Whalen, Vintage Tech Hunters' Shaun Hatton on Long Night!

Kreative Kontrol

Play Episode Listen Later Apr 3, 2019 62:29


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Workman Arts in Toronto, Ontario during Long Winter on Friday March 29, 2019. Our guests were Vintage Tech Hunters co-host Shaun Hatton and Baroness Von Sketch Show's Aurora Browne and Jennifer Whalen. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #464: City Fidelia, Erin Lowers, Jonathon Shamar on hip-hop at MEGAPHONO!

Kreative Kontrol

Play Episode Listen Later Feb 28, 2019 69:52


This episode was recorded before a live audience at the Knot Project Space at SAW Video in Ottawa, Ontario during MEGAPHONO on Thursday February 7, 2019 Entitled Northern Touch: The Canadian Hip-Hop Landscape & Ottawa's Potential, this panel featured rapper City Fidelia, journalist Erin Lowers, and artist manager Jonathon Shamar. Produced by Vish Khanna and MEGAPHONO. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, CFRU 93.3 FM, and Grandad's Donuts.

Kreative Kontrol
Ep. #462: Syrus Marcus Ware, Robyn Maynard, Desmond Cole on Long Night

Kreative Kontrol

Play Episode Listen Later Feb 19, 2019 61:05


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Workman Arts in Toronto, Ontario during Long Winter on Saturday February 9, 2019. Our guests were visual artist and activist Syrus Marcus Ware, scholar and activist Robyn Maynard, and journalist and activist Desmond Cole. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.

Kreative Kontrol
Ep. #454: John Orpheus, Chanty Marostica, Joyful Joyful on Long Night

Kreative Kontrol

Play Episode Listen Later Jan 8, 2019 57:51


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Gladstone Hotel in Toronto, Ontario during Long Winter on Friday January 4, 2019. Our guests were musician John Orpheus, comedian Chanty Marostica, and musical guest, Joyful Joyful. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.  

Kreative Kontrol
Ep. #451: Anupa Mistry, Jeremy Dutcher, Lee Reed on Long Night!

Kreative Kontrol

Play Episode Listen Later Dec 13, 2018 62:34


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Polish Combatants Hall in Toronto, Ontario during Long Winter on Saturday December 8, 2018. Our guests were journalist Anupa Mistry, musician Jeremy Dutcher, and musician Lee Reed. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.  

Kreative Kontrol
Ep. #446: Chippy Nonstop and Harrison on Long Night

Kreative Kontrol

Play Episode Listen Later Nov 27, 2018 58:39


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Tranzac in Toronto, Ontario during Long Winter on Friday November 16, 2018. Our guests were DJ/rapper Chippy Nonstop and music producer Harrison. With announcer/sidekick James Keast and our house band, the Bicycles. Recorded by Dave MacKinnon. Produced by Vish Khanna and Long Winter. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.  

Liner Notes
Ep 1. Intro

Liner Notes

Play Episode Listen Later Nov 14, 2018 1:53


An introduction to Liner Notes, by Vish Khanna.

liner notes vish khanna
Kreative Kontrol
Ep. #386: Podcast Summit with Katie Jensen, James Hartnett, Michael Balazo, Michelle Parise, and Tyler Allen on Long Night

Kreative Kontrol

Play Episode Listen Later Mar 28, 2018 58:12


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Tranzac in Toronto, Ontario during Long Winter on Friday March 23, 2018. Our guest panellists were podcast hosts/producers, Katie Jensen from The Secret Life of Canada, James Hartnett and Michael Balazo of The Landlord and Tenant Podmess, Michelle Parise of Alone: A Love Story, and Tyler Allen of The Minds of Madness. With announcer/applause wrangler Linda J. Paolucci and our house band, the Bicycles. Produced by Vish Khanna and Long Winter. Photos by Spring Morris. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Planet of Sound, and Humber College's online Music Composition course.   

Kreative Kontrol
Ep. #381: Anti-Black Racism, Anxiety, & the Arts Panel with Sydanie, Sajae Elder, Dr. Keith Cunningham, Sharine Taylor & Coko Galore on Long Night

Kreative Kontrol

Play Episode Listen Later Feb 28, 2018 53:25


This episode was recorded before a live studio audience at Workman Arts in Toronto, Ontario during Long Winter on Saturday February 24, 2018. Our discussion delved into how anti-Black racism impacts stress and anxiety levels among artists and creators, and our guest panellists were Sydanie, Sajae Elder, Keith Cunningham, Sharine Taylor, and Coko Galore. Produced by Long Winter and Vish Khanna. Live mix by Aleda Deroche. Recorded by A. David McKinnon. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Freshbooks, and Hello Fresh Canada.

Kreative Kontrol
Ep. #380: Anti-Black Racism in Canadian Music MEGAPHONO Panel with Melissa Vincent, Rita Carter, Seiiizmikk, and Ali "Captain" Misana

Kreative Kontrol

Play Episode Listen Later Feb 21, 2018 74:03


This episode was recorded before a live studio audience at The Origin Arts & Community Centre in Ottawa, Ontario during MEGAPHONO on Saturday February 10, 2018. Our topic was Black-Canadian music history and anti-Black racism in this country's music culture and our guest panellists were Melissa Vincent, Rita Carter, Seiiizmikk, and Ali "Captain" Misana. Produced by Elsa Mirzaei, MEGAPHONO, and Vish Khanna. Live mix by Maxime Brunet. Photos by Irene Jansen. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Freshbooks, and Hello Fresh Canada.

Kreative Kontrol
Ep. #378: Erin Ashley, DTS, Tia Gordon, Just John, Jwyze, James Keast on Long Night

Kreative Kontrol

Play Episode Listen Later Feb 7, 2018 60:30


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Gladstone Hotel in Toronto, Ontario during Long Winter on Friday January 5, 2018. Our topic was the state of Canadian hip-hop and our guest panellists were Erin Ashley, DTS, Tia Gordon, Just John, and Jwyze. With sidekick James Keast and our house band, the Bicycles. Produced by Vish Khanna and Long Winter. Recorded by Matthew Lederman. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Freshbooks, and Hello Fresh Canada.

Kreative Kontrol
Ep. #372: Denise Donlon, Sandy Miranda, April Aliermo on Long Night

Kreative Kontrol

Play Episode Listen Later Dec 26, 2017 40:44


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. Our topic was 'do women thrive in the music industry' and our guests were broadcasting icon Denise Donlon, Fucked Up's Sandy Miranda, and Hooded Fang's April Aliermo. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Colin Medley. With sidekick James Keast and our house band, the Bicycles. Sponsored by Freshbooks, Hello Fresh, Long and McQuade, Encore Records, and SappyFest. Watch the Long Night tv show on its YouTube channel.   

Kreative Kontrol
Ep. #370: Cadence Weapon, Aliya Pabani, Emma Hunter, and Miguel Rivas on Long Night

Kreative Kontrol

Play Episode Listen Later Dec 13, 2017 59:28


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Polish Combatants Hall in Toronto, Ontario during Long Winter on Saturday December 9, 2017. Our guest panellists were Cadence Weapon, The Beaverton's Emma Hunter and Miguel Rivas, and The Imposter's Aliya Pabani. With sidekick James Keast and our house band, the Bicycles. Produced by Vish Khanna and Long Winter. Recorded by A. David McKinnon. Photos by Shane Parent. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Freshbooks, and Hello Fresh Canada.

Kreative Kontrol
Ep. #367: Lido Pimienta, Sara Hennessey, Friendly Rich, and James Keast on Long Night

Kreative Kontrol

Play Episode Listen Later Nov 21, 2017 54:40


This episode of Long Night with Vish Khanna was recorded before a live studio audience at the Tranzac in Toronto, Ontario during Long Winter on Friday November 17, 2017. Our guest panellists were 2017 Polaris Music Prize winner Lido Pimienta, comedian Sara Hennessey, and music composer Friendly Rich. With sidekick James Keast and our house band, the Bicycles. Produced by Vish Khanna and Long Winter. Photos by Roy Cohen. Sponsored by Pizza Trokadero, the Bookshelf, Planet Bean Coffee, Grandad's Donuts, Freshbooks, and Hello Fresh Canada.   

Kreative Kontrol
Ep. #356: Damian Abraham, Casey Mecija, Tim Falconer, Micah Barnes on Long Night

Kreative Kontrol

Play Episode Listen Later Oct 12, 2017 43:28


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. Our guests were Damian Abraham of Turned Out a Punk and Fucked Up, Casey Mecija, Tim Falconer, author of Bad Singer, and vocal coach and singer Micah Barnes. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Amy Wilson. With sidekick James Keast and our house band, the Bicycles. Sponsored by Freshbooks, Hello Fresh, Long and McQuade, Long Winter, and Planet Bean Coffee. Watch the Long Night tv show on its YouTube channel.   

Kreative Kontrol
Ep. #339: Why are indie-rock and indie gaming in love? Long Night with Mare Sheppard, Raigan Burns and Shaun Hatton

Kreative Kontrol

Play Episode Listen Later Aug 3, 2017 37:52


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. Our guests were game designers Mare Sheppard and Raigan Burns of Metanet Software and musician Shaun Hatton of Laser Destroyer Team. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Amy Wilson. With sidekick James Keast and our house band, the Bicycles. Sponsored by Long and McQuade, Encore Records, and SappyFest. Watch the Long Night tv show on its YouTube channel.     

tv toronto ontario photos bicycles long night indie rock great hall mcquade amy wilson indie gaming vish khanna shaun hatton raigan burns mare sheppard metanet software sappyfest james keast
Kreative Kontrol
Ep. #335: The Sadies on Long Night

Kreative Kontrol

Play Episode Listen Later Jul 20, 2017 35:23


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. Our guests were the world's greatest rock 'n' roll band, The Sadies, who performed five songs and stuck around for conversations about their 2007 record, New Seasons, and their 2017 album, Northern Passages. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Amy Wilson. With sidekick James Keast and our house band, the Bicycles. Sponsored by Long and McQuade, Long Winter, and Planet Bean Coffee. Watch the Long Night tv show on its YouTube channel.   

Kreative Kontrol
Ep. #329: Is social media making us desperate for fame? Long Night with Anne T. Donahue and Nirvanna the Band the Show

Kreative Kontrol

Play Episode Listen Later Jun 29, 2017 43:48


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. The central theme and discussion point of the program was "Is social media making us desperate for fame?" and our guests were culture columnist and comedy writer Anne T. Donahue and Matt Johnson and Jay McCarrol of Nirvanna the Band the Show. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Colin Medley. With sidekick James Keast and our house band, the Bicycles. Sponsored by Long and McQuade, Long Winter, and Planet Bean Coffee. Watch the Long Night tv show on its YouTube channel. 

Kreative Kontrol
Ep. #325: Is rock music dead? Long Night with Carl Wilson, Shad, and Weaves' Jasmyn Burke

Kreative Kontrol

Play Episode Listen Later Jun 16, 2017 41:21


This episode of Long Night with Vish Khanna was recorded before a live studio audience at Longboat Hall in the Great Hall in Toronto, Ontario, as an actual TV show for FibeTV1. The central theme and discussion point of the program was "Is rock music dead?" and our guests were music writer Carl Wilson, hip-hop artist and Peabody Award-winning broadcaster Shad, and singer and songwriter Jasmyn Burke of the band Weaves. Produced by Ian Daffern, Vish Khanna, and FibeTV1. Photos by Colin Medley. With sidekick James Keast and our house band, the Bicycles. Sponsored by Long and McQuade, Long Winter, and Planet Bean Coffee. Watch the Long Night tv show on its YouTube channel. 

Kreative Kontrol
Ep. #320: Long Night at Lawnya Vawnya with Chippy Nonstop, Jim Bryson, and Renee Sharpe

Kreative Kontrol

Play Episode Listen Later May 19, 2017 70:17


This episode of Long Night with Vish Khanna was recorded at the Rocket Room in St. John's, Newfoundland, as part of the seventh annual Lawnya Vawnya festival on Saturday May 13, 2017. Our guests were community advocate, rapper, and dance music enthusiast Chippy Nonstop, singer songer Jim Bryson, and punk rocker and women's defence activist Renee Sharpe. Recorded by Chris Meyers. Photos by Tom Cochrane. House band is Hooded Fang. Produced by Lawnya Vawnya and Vish Khanna. Special thanks to Jud Haynes and Krista Power. Sponsored by the Bookshelf, Pizza Trokadero, and Planet Bean Coffee.   

Kreative Kontrol
Ep. #309: Long Night with Pat Thornton, Leanne Betasamosake Simpson, and a Toronto Music Venue Panel

Kreative Kontrol

Play Episode Listen Later Mar 28, 2017 47:53


This episode of Long Night with Vish Khanna was recorded at the Gladstone Hotel in Toronto, Ontario, as part of the Long Winter festival on Friday March 24, 2017. Our guests included a Toronto music venue discussion panel featuring April Aliermo (Hooded Fang, Phèdre), Brian Wong (It's Not U It's Me), Greg Benedetto (Not Dead Yet Fest), and Kevin Ritchie (NOW Magazine), actor and comedian Pat Thornton (Filth City, Cousins, Different Times), and award-winning Michi Saagiig Nishnaabeg scholar, writer and artist, Leanne Betasamosake Simpson. Recorded by Dave MacKinnon. Photos by Rick Clifford. House band is The Bicycles. Produced by Long Winter and Vish Khanna. Sponsored by the Bookshelf, Pizza Trokadero, and Planet Bean Coffee. 

Kreative Kontrol
Ep. #301: Long Night with Walied Khogali, L CON, Ali Hassan, Tina Hassannia & Mallory Andrews

Kreative Kontrol

Play Episode Listen Later Feb 7, 2017 64:21


This episode of Long Night with Vish Khanna was recorded at the Theatre Centre in Toronto, Ontario, as part of the Long Winter festival on Saturday February 4, 2017. Our guests were Toronto consultant, activist, and organizer Walied Khogali, Lisa Conway and Andrew Collins of L CON, comedian Ali Hassan, and film critics and Everything But Sports podcast hosts Tina Hassannia […]

Kreative Kontrol
Ep. #297: Long Night with The Magic, Jhanelle Dennis, & Mitch Fillion

Kreative Kontrol

Play Episode Listen Later Jan 10, 2017 67:13


This episode of Long Night with Vish Khanna was recorded at the Gladstone Hotel in Toronto, Ontario, as part of the Long Winter festival on Friday January 6, 2017. Our guests were Evan and Geordie Gordon of The Magic, comedian Jhanelle Dennis, and Who is This Now? filmmaker/Southern Souls curator, Mitch Fillion. Live mix by Patrick Rory McKenna. Recorded by […]

live magic ontario long night long winters fillion gladstone hotel jhanelle vish khanna southern souls
Kreative Kontrol
Ep. #291: Long Night Reviews 2016 with Aliya Pabani, Freddie Rivas, Jill Krajewski, John Semley, & Laura Hermiston

Kreative Kontrol

Play Episode Listen Later Dec 4, 2016 57:56


This episode of Long Night with Vish Khanna was recorded at the Polish Combatants Hall in Toronto, Ontario, as part of the Long Winter festival on Friday December 2, 2016. It was a thoughtful, funny, and fascinating year in review discussion about 2016, featuring some very wise panelists. Aliya Pabani is the host of The Imposter, Canadaland’s arts […]

Kreative Kontrol
Ep. #260: Long Night with BRAIDS, Dan Meades, Freyja & Zamudio, and Eastern Owl

Kreative Kontrol

Play Episode Listen Later Jun 1, 2016 63:37


This episode of Long Night with Vish Khanna was recorded at the Rocket Room in St. John’s, Newfoundland, as part of the Lawnya Vawnya Arts Festival on Friday May 6, 2016. My guests were multi-instrumentalist Austin Tufts of BRAIDS, social policy expert/anti-poverty advocate/Third Place Tonic co-founder Dan Meades, independent design studio proprietors Anjela Freyja and Teo Zamudio of […]

Kreative Kontrol
Ep. #250: Long Night with Dr. Carys Massarella, Hadani Ditmars, and Omar Musa

Kreative Kontrol

Play Episode Listen Later Apr 20, 2016 78:53


This episode of Long Night with Vish Khanna was recorded at the TRANZAC in Toronto, as part of the Spur Festival on Friday April 8, 2016. My guests were Emergency Physician and a leading expert on transgender care, Dr. Carys Massarella, acclaimed journalist, author, and Middle East expert, Hadani Ditmars, and Malaysian-Australian author, rapper, and poet Omar Musa. My […]

Kreative Kontrol
Ep. #244: Long Night with Shad, Sloan’s Jay Ferguson & Patrick Pentland, Caitlin Durlak, So Long Seven, & Bobby Ruin

Kreative Kontrol

Play Episode Listen Later Mar 23, 2016 62:53


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Saturday March 19, 2016. My guests were, security expert Bobby Ruin, filmmaker Caitlin Durlak, a band called So Long Seven, Jay Ferguson and Patrick Pentland of Sloan, hip-hop artist and the host of CBC […]

Kreative Kontrol
Ep. #239: Long Night with Jordan Ferguson, STACEY, Sam Sutherland, and Carol Zoccoli

Kreative Kontrol

Play Episode Listen Later Mar 2, 2016 65:09


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Friday February 19, 2016. My guests were writer Jordan Ferguson who discussed his 33 1/3 book about Donuts by J Dilla, musician and Toronto Women in Music founder STACEY, Sam Sutherland who’s the host and […]

music toronto women in music long night j dilla great hall long winters carol zoccoli toronto women sam sutherland vish khanna jordan ferguson
Kreative Kontrol
Ep. #235: Long Night with Tom Power, Deadpan Powerpoint, TUNS, & Michelle McAdorey

Kreative Kontrol

Play Episode Listen Later Jan 21, 2016 56:31


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Saturday January 16, 2016. My guests were CBC Radio’s Tom Power, life gurus Deadpan Powerpoint, Chris Murphy (Sloan), Mike O’Neill (The Inbreds), and Matt Murphy (The Super Friendz) of the new supergroup […]

Kreative Kontrol
Ep. #232: Long Night with Casey Mecija, Denise Benson & Matt O’Brien

Kreative Kontrol

Play Episode Listen Later Dec 17, 2015 72:12


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Saturday December 12, 2015. My guests were Casey Mecija, the host of the CBC Radio show The Doc Project, Then and Now – Toronto Nightlife History author and DJ Denise Benson, and comedian Matt […]

Kreative Kontrol
Ep. #228: Long Night with Desmond Cole, Matt Collins, & Elaquent

Kreative Kontrol

Play Episode Listen Later Dec 2, 2015 48:00


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto, as part of the Long Winter festival on Friday November 13, 2015. My guests were Toronto journalist/broadcaster Desmond Cole, stand-up comedian Matt Collins, and hip-hop artist Elaquent. My sidekick is James Keast and the Long Night house band is the […]

Kreative Kontrol
Ep. #183: Long Night with the Burning Hell, Amery Sandford, Elisabeth de Mariaffi, Eva Ísleifs, Rakel McMahon, Erin Turcke, & Suds

Kreative Kontrol

Play Episode Listen Later Apr 30, 2015 64:55


This episode of Long Night with Vish Khanna was recorded at the Eastern Edge Gallery in St. John’s Newfoundland during the Lawnya Vawnya festival on Friday April 24, 2015. For this edition of Long Night, my sidekick was my bandleader, Mathias Kom of the Burning Hell and my guests were visual artist Amery Sandford, novelist […]

Kreative Kontrol
Ep. #179: Long Night with Rachel Giese, Sabrina Ramnanan, Daniel Schulman, Lee Reed

Kreative Kontrol

Play Episode Listen Later Apr 14, 2015 71:47


This episode of Long Night with Vish Khanna was recorded at the Tranzac in Toronto during the Spur Festival, Canada’s first national festival of politics, art, and ideas, on Friday April 10, 2015. Aside from Long Night sidekick James Keast and house band the Bicycles, Vish’s guests were Rachel Giese, Sabrina Ramnanan, Daniel Schulman, and Lee Reed. Rachel Giese is a National […]

canada toronto national bicycles long night schulman lee reed vish khanna rachel giese tranzac james keast
Kreative Kontrol
Ep. #172: Long Night with Scott Thompson, Damian Rogers, Don Pyle, and Overnight

Kreative Kontrol

Play Episode Listen Later Mar 16, 2015 72:20


This episode of Long Night with Vish Khanna was recorded at the Great Hall in Toronto during the Long Winter multi-disciplinary arts festival on Friday March 13, 2015. Aside from Long Night sidekick James Keast and house band the Bicycles, Vish’s guests were Don Pyle, Damian Rogers, Scott Thompson, and Overnight. Don Pyle is a punk rock historian […]

Kreative Kontrol
Ep. #164: Long Night with Jesse Brown, David Heti, and L CON

Kreative Kontrol

Play Episode Listen Later Feb 17, 2015 70:01


Here’s another live episode of Long Night with Vish Khanna recorded before an audience at the Great Hall on Friday February 13, 2015, as part of Long Winter in Toronto. Listen to hear the talk show band stylings of the Bicycles, the talk show sidekick stylings of James Keast, basically my first ever attempt at a stand-up set, the debut […]

Kreative Kontrol
Ep. #157: Long Night with Me, Aisha Alfa, Freddie Rivas, Anne Kingston, and the Weather Station

Kreative Kontrol

Play Episode Listen Later Jan 14, 2015 50:16


As some of you know I host a live talk show called Long Night with Vish Khanna every month (between November and March) at the Great Hall, as part of Long Winter in Toronto. The most recent episode on January 9, 2015 was actually recorded and so I’m presenting most of it to you here. […]

Kreative Kontrol
Kreative Kontrol with Vish Khanna Podcast #1: John Cook, Tyler Francks

Kreative Kontrol

Play Episode Listen Later May 22, 2013 44:20


On the first episode of the Kreative Kontrol podcast, Gawker‘s John Cook joins me to discuss breaking the ‘Rob Ford smokes crack cocaine on video‘ story, plus Tyler Francks stops by to discuss the Eden Mills Arts Festival, which takes place this weekend.

The Official Danko Jones Podcast
Episode #37: Gordon Korman, Vish Khanna, Nick Flanagan

The Official Danko Jones Podcast

Play Episode Listen Later Feb 1, 2013 44:33


Danko, Nick and Vish speak to author, Gordon Korman, about his beloved children's books (This Can't Be Happening At Macdonald Hall, The War With Mr. Wizzle, Who Is Bugs Potter?, No Coins Please, Don't Care High). The post Episode #37: Gordon Korman, Vish Khanna, Nick Flanagan appeared first on Danko Jones.

The Official Danko Jones Podcast
Episode #30: Stuart Berman, Vish Khanna, JC

The Official Danko Jones Podcast

Play Episode Listen Later Oct 27, 2012 46:34


A Special Live Taping with guest host, Vish Khanna, for the book release of TOO MUCH TROUBLE – A VERY ORAL HISTORY OF DANKO JONES with writer Stuart Berman and JC and Danko. The post Episode #30: Stuart Berman, Vish Khanna, JC appeared first on Danko Jones.