Podcasts about Barbizon

Comedians Mark Bailey and Mike Miller talk funny by reviewing and explaining common reference terms we use in the podcast, including April Cash, callback techniques, bicycle stops, Niagara falls, duckman, goodfellas references, car searches, dropped vegetables, Barbizon hotel, etc. Brought to you by Nagoyaradio.com, Nagoyacomedy.com, and stand up comic Mark Bailey.

On this week's episode, we chatted with lighting designer and Barbizon Lighting Company Senior Sales Associate Kearston Dillard-Scott about the USITT25 Lighting Lab presented by the Lighting Design & Technology Commission in collaboration with Barbizon Lighting Company. Get insider knowledge of the lab, learn the positives of taking selling out of learning spaces, and join Kearston and her crew at the USITT25 Lighting Lab next week!Click here to view dates and times for the USITT25 Lighting Lab.Click here to view the full USITT25 schedule.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

durée : 00:59:12 - Le Cours de l'histoire - par : Xavier Mauduit, Maïwenn Guiziou - Dès les années 1820, des peintres parisiens multiplient les villégiatures à Barbizon, petit village près de la forêt de Fontainebleau qui devient le lieu d'une révolution picturale majeure, où la nature cesse d'être un simple décor pour devenir un sujet en soi. - réalisation : Thomas Beau, Laurence Millet - invités : Servane Dargnies-de Vitry Historienne de l'art, conservatrice peinture au musée d'Orsay; Isolde Pludermacher Historienne de l'art, conservatrice générale du département peinture du musée d'Orsay

Francesco Carovillano shares his journey as a landscape photographer, discussing his transition from commercial work to personal projects, particularly focusing on his book 'Fontainebleau Intimate Landscape.' He reflects on the importance of finding creative freedom in photography, the influence of social media, and the lessons learned from the Barbizon painters who fought to accept landscape art. Through his experiences, Francesco emphasizes the significance of personal expression and the limitless potential of deeply exploring a single location. In this conversation, Matt Payne and Francesco delve into the evolution of photography as an art form, discussing the historical context of intimate landscapes and the philosophical debates surrounding artistic interpretation versus documentary representation. Watch on YouTube Resources Mentioned Francesco's book: Fontainebleau - Intimate Landscape Francesco's camera kit: Canon R5 and the Canon 100-500 Guy Tal's latest book: Be Extraordinary Natural Landscape Photography Awards Volume 4 Book Support the podcast on Patreon

The Barbizon Hotel was a place of freedom and upward mobility for many ambitious young women in the 20th century, including women like Sylvia Plath and Grace Kelly. The debut novel from former Dear Prudence advice columnist Daniel Lavery tells the story of people working and living at a similar kind of hotel. Lavery joins us to discuss the book Women's Hotel.

Send us a textMeg tells the tale of how a group of rent controlled tenants bested Donald Trump. Jessica reports on the press conference announcing Christie Brinkley as the first super model to control her image and brand.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

durée : 00:34:08 - CO2 mon amour - par : Denis Cheissoux - L'arboriste-grimpeur, Thomas Brail, et le pianiste Patrick Scheyder se sont donnés rendez-vous en forêt de Fontainebleau pour parler défense des arbres, art et militantisme - réalisé par : Juliette GOUX

Story time with Katie & Allie. Grab a glass and pour a drink. Let's talk Barbizon Hotel for Women & Huda Sha'arawi

On this week's episode, we sat down with special guest Xotchil Musser — our 2024 Barbizon Lighting Company Jonathan Resnick Lighting Design Award winner, to talk about their design process, their study of the connection between lighting and mental health, advocacy for anti-racist theatre, and more.Click here to learn more about Xotchil Musser and the Barbizon Lighting Company Jonathan Resnick Lighting Design Award.TECHnically Speaking is a public service of USITT, which seeks to have a broad conversation on topics of interest to its members, but it is neither a legal interpretation nor a statement of Institute policy. The views expressed on this podcast by guests are their own and their appearance herein does not imply an endorsement of them or of any entity they may represent. Reference to any specific product or idea does not constitute an endorsement or recommendation. Views, opinions, recommendations or use cases expressed on this podcast do not necessarily reflect the views of USITT, its Board members or employees.

durée : 00:03:19 - La main verte - par : Alain Baraton - .

durée : 00:59:00 - Le Cours de l'histoire - par : Xavier Mauduit - Dès les années 1820, des peintres parisiens multiplient les villégiatures à Barbizon, petit village près de la forêt de Fontainebleau qui devient le lieu d'une révolution picturale majeure, où la nature cesse d'être un simple décor pour devenir un sujet en soi. - invités : Servane Dargnies-de Vitry Historienne de l'art, conservatrice peinture au musée d'Orsay; Isolde Pludermacher Historienne de l'art, conservatrice générale du département peinture du musée d'Orsay

durée : 00:33:30 - Une histoire particulière - George Sand soutient la mobilisation des peintres de Barbizon et appelle à protéger la nature dans une tribune qui fera date. Car un nouveau danger menace les arbres de Fontainebleau : après la défaite de 1870, l'État doit renflouer ses caisses... - invités : Martine Watrelot Chercheuse, spécialiste de George Sand; Andrée Corvol-Dessert Historienne, directrice de recherche honoraire au CNRS, spécialiste de l'histoire des forêts, directrice du groupe "Histoire des forêts"; Patrick Scheyder Pianiste, compositeur, auteur, créateur de spectacles; Pascal Villebeuf Président du collectif "Sauvez la forêt de Fontainebleau"

durée : 00:33:30 - Une histoire particulière - George Sand soutient la mobilisation des peintres de Barbizon et appelle à protéger la nature dans une tribune qui fera date. Car un nouveau danger menace les arbres de Fontainebleau : après la défaite de 1870, l'État doit renflouer ses caisses... - invités : Martine Watrelot Chercheuse, spécialiste de George Sand; Andrée Corvol-Dessert Historienne, directrice de recherche honoraire au CNRS, spécialiste de l'histoire des forêts, directrice du groupe "Histoire des forêts"; Patrick Scheyder Pianiste, compositeur, auteur, créateur de spectacles; Pascal Villebeuf Président du collectif "Sauvez la forêt de Fontainebleau"

In its early days, the magazine Mademoiselle positioned itself as “the magazine for smart young women.” It published work by Truman Capote, Albert Camus, and Flannery O'Connor. Each summer, the magazine selected 20 women from colleges around the country to come to New York and work as guest editors. For housing, they were put up in a women-only hotel at East 63rd and Lexington Avenue: The Barbizon Hotel. Historian Paulina Bren says: “The Barbizon was a sanctuary." Say hello on Twitter, Facebook and Instagram. Follow the show and review us on Apple Podcasts: https://apple.co/2BmMZr5 Want to listen to This is Love ad-free? Sign up for Criminal Plus – you'll get This is Love, Criminal, and Phoebe Reads a Mystery ad-free. Plus, behind-the-scenes bonus episodes of Criminal and other exclusive benefits. Learn more and sign up here. We also make Criminal and Phoebe Reads a Mystery. Artwork by Julienne Alexander. Check out our online shop. Episode transcripts are posted on our website. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Can't we all just get along? Specifiers, integrators, engineers, manufacturers, contractors, end-users… Bryan, with Webster and Ron, decries the lack of communication between entities. And it's not just people. Where's the cohesion between the different types of controllers, control platforms, fixtures, and connections? And then there's the lack of education and standards. How can anyone be expected to design a system? That's why you should have Bryan on your project, he'll work with you to find a solution, and he knows a lot! Bryan Lussier currently is a Systems Integrator for Barbizon of New England. For over 20 years Bryan has worked in the lighting industry as an entertainment and architectural lighting professional for distributors, manufacturers, and specifiers. Bryan began his career at the University of Massachusetts. After graduating he was hired as the Master Electrician at the Massachusetts Museum of Contemporary Art where he was responsible for both the theatrical and gallery lighting designs. He then earned his MFA in Lighting Design at the University of Florida. After which he was a member of IATSE Local 5 in Cincinnati and was Master Electrician on some national tours. Bryan is an award-winning lighting designer and has his LC, CLCP and is a member of the IES, IALD and is Vice-President for the Designers Lighting Forum of New England (DLFNE). Bryan also has a pending patent entitled Light Emitting Diode Sports Lighting Luminaire Assembly which describes how to best apply LED lighting sources in sports lighting applications. 

Mit dem Fahrrad durch Frankreich radeln, entlang der Seine bis Paris, begleitet von einem liebenswerten, kleinen Flusskreuzfahrtschiff, das als schwimmendes Hotel dient: Cruisetricks.de war mit der Barge Fleur von Boat Bike Tours auf einer Kurzreise unterwegs. In dieser Podcast-Episode sprechen wir über diese reizvolle Kombination aus Schiffs- und Fahrrad-Tour. Höchstens 20 Passagiere haben Platz auf der Fleur, einem ehemaligen Frachtschiff, das 2002 in ein Passagierschiff umgebaut wurde. Ziemlich umweltfreundlich ist die Fleur übrigens, ausgestattet mit Solar-Panels am Dach, Diesel als Treibstoff und einem Landstrom-Anschluss im Hafen sowie Kompensation de CO₂-Ausstoßes. Während die Fleur von einem Ort zum nächsten fährt, radeln die Passagiere per Fahrrad oder E-Bike entlang der Seine oder machen Sightseeing-Abstecher beispielsweise zum Schloss Fontainebleau, durch den faszinierend Fontainebleau-Wald und zum Künstlerdorf Barbizon. Im Podcast sprechen wir über das Schiff Fleur, das Konzept von Boat Bike Tours, wie sich eine solche Fahrrad-Flusskreuzfahrt anfühlt und für wen sie geeignet ist. After-Show als Bonus und Extra-Podcast für unsere Steady-Abonnenten In der „After Show“ zu dieser Podcast-Episode sprechen wir über ein Brandschutzproblem, das zunächst die Auslieferung der bei Fincantieri in Italien gebauten Explora I verzögert, möglicherweise aber auch Auswirkung auf weitere Kreuzfahrtschiffe hat, auf denen Brandschutz-Paneele verbaut wurden, die nachträglich ihre Zertifizierung verloren haben. Zum Zeitpunkt des Redaktionsschlusses sind die genauen Konsequenzen und das Ausmaß des Problems noch unklar. Wir erklären in der After-Show, was genau das Problem ist und welche Optionen es jetzt gibt. Die After Show, ebenso wie die werbefreie Version des Podcasts, ist ein besonderes Goodie exklusiv für unsere Unterstützer via Steady, das wir in einem eigenen, kleinen Podcast bereitstellen. Bei Steady finden Sie als Abonnent eine genaue Anleitung, wie Sie diesen Podcast inklusive der werbefreien Haupt-Show abonnieren können. Hinweis zur Werbung innerhalb des Podcasts Um etwas mehr Einnahmen mit dem Podcast zu erzielen und den Aufwand für die Produktion des Podcasts dauerhaft wirtschaftlich zu machen, haben wir einen Vermarktungsdienstleister ins Boot geholt. Ab sofort werden während der Podcast-Episoden automatisch einige wenige Werbeblöcke eingespielt. Wir bitten um Verständnis, dass wir diesen Weg wählen – auf diese Weise kann es den Podcast auch zukünftig kostenfrei geben. Werbefrei hören den Podcast aber weiterhin all diejenigen von Ihnen hören, die uns mit einem Steady-Abonnement monatlich unterstützen. Künftig gibt es dafür den Podcast und die Aftershow an einem Stück komplett und ohne Werbeunterbrechungen über den personalisierten RSS-Podcast-Feed, über den wir bisher schon die Aftershow bereitstellen – Steady-Abonnenten müssen also nichts aktiv verändern, sie bekommen den werbefreien Podcast inklusiver Aftershow automatisch auf dem schon bisher bei der Aftershow gewohnten Weg. Sehr zu unserem Bedauern ist es technisch leider nicht sinnvoll umsetzbar, den Podcast auch für diejenigen von Ihnen werbefrei bereitzustellen, die uns beispielsweise über Paypal unterstützen. Das tut uns sehr leid, denn natürlich schätzen wir auch die Unterstützung auf diesem Weg sehr. Hier bleibt also leider nur der Weg, die Werbeeinblendungen zu überspringen, sprich: jeweils ein Stück vorzuspulen. Wenn wir eine bessere Lösung finden sollten, setzen wir die natürlich sofort um und informieren Sie darüber.

Mad Men & Tonic is back for Season 4! It's S4E1, “Public Relations,” and there's a noticeable lack of holiday spirit on Thanksgiving 1964. K&E mix New York Sours, put on their chicken Kiev ponchos, and battle through rude barking podcast guests to take stock of SCDP and a post-Draper marriage world. Plus, Kristina finds a way to save humanity from aliens AND poltergeists. (Note: Background noise settles after 15ish minutes when the “guest stars” calmed down.)  https://www.instagram.com/madmenandtonic/ https://www.imdb.com/title/tt1615656/ Episode IMDB https://madmen.fandom.com/wiki/Public_Relations Wiki: Public Relations (Mad Men), John and Marsha, Virginia Mayo, The School for Scandal, Wide World of Sports (American TV program), The Picture of Dorian Gray, Jantzen, S.C. Johnson, Andrew Goodman (activist), Poltergeist (1982 film), Sign-on and sign-off, Barbizon 63, Supernumerary actor https://www.smartblend.co.uk/blog/new-york-sour-cocktail-recipe-amp-history  https://www.diffordsguide.com/cocktails/recipe/3398/new-york-sour-cocktail https://www.youtube.com/watch?v=-06ki92PyVY Why doesn't ross eat the other friends https://serialpodcast.org/season-two Serial Season 2  https://bewitched.fandom.com/wiki/Louise_Tate https://www.youtube.com/watch?v=-2KnzcoqYSI One quick pop Louise (bewitched) https://www.youtube.com/watch?v=MgIwLeASnkw Grandma got run over by a reindeer https://www.youtube.com/watch?v=eYlJH81dSiw I'm MyOwn Grandpa https://www.youtube.com/watch?v=KX5Z-HpHH9g The chaunukuh song  https://www.youtube.com/watch?v=97RjuC9YeXg Disco duck https://www.youtube.com/watch?v=Sd5ZLJWQmss Convoy song https://www.youtube.com/watch?v=SEnRePOf708 John & Marsha song https://www.youtube.com/watch?v=8414uArsBOs ESPN the ocho (clip) https://www.portlanddesignhistory.com/post/jantzen  https://griswoldinn.com/food-wine/historic-dining/  https://andrewgoodman.org/ https://www.pbs.org/wgbh/americanexperience/features/freedomsummer-murder/  https://www.tunefind.com/show/mad-men/season-4  https://www.newyorker.com/magazine/2021/03/08/when-the-barbizon-gave-women-rooms-of-their-own --- Send in a voice message: https://podcasters.spotify.com/pod/show/mad-men-tonic/message

‘For the nineteenth century, Dutch artists had to try to emulate artists from the seventeenth century. It was the standard that they had to try and find. And if they exhibited in Paris, that's also what the critic said: "this is like a Ruisdael; that's like a Rembrandt; he's doing a very good imitation of that artist." And that's something they had to fight against, or overcome. And that only happened, with the advent of The Hague school, and its artists. There's also a French-Dutch part of the French School of Barbizon, whose own artists actually looked back to the Dutch seventeenth century. But it's that moment, in which the Dutch nineteenth-century artists come into their own. And they in-turn, become an export product, and become internationally known. Especially in America and Great Britain, these artists were very much sought after.' —Mayken Jonkman For the seventh episode of ‘Dutch Art & Design Today', I sat down with Mayken Jonkman, who is a Senior Curator of Nineteenth-Century Art, at The Netherlands Institute for Art History, in The Hague. Mayken is an art historian and researcher who takes an approach to her work that is kaleidoscopic in its nature. Since 2007, she has been a curator at the RKD, focused entirely on the nineteenth century, and specifically, interactions and artistic exchanges between France and the Netherlands. She has also been a lecturer in art history at numerous universities in the Netherlands; sits on the board of the European Society for Nineteenth-Century Art; and has authored a seemingly endless list of publications on artists, the use of photography by artists, and much more besides. In this episode, we trace these events in her life, all through the prism of the fabulously multi-faceted nineteenth century; with its many interlocking innovations, as related to society at large, from its cities, to its new modes of travel and transportation, to photography; and how all this affected its art. We then discuss her PhD, which she is completing at Utrecht University in the Netherlands, and is entitled ‘Retour de Paris. Artistic Exchanges Between the Netherlands and France 1789-1914', as well as the exhibition she guest-curated titled 'The Dutch in Paris 1789-1914', held at the Van Gogh Museum in Amsterdam and in Paris at the Petit Paleis. Lastly, Mayken explains what it is about the art of the nineteenth century that most fascinates her; and what it is that this period in history can teach us, today. Here you can listen to the podcast we reference in the episode, 'Dutch Artists in Paris', in which Mayken discusses her research. You can find out more about the RKD over on their website. You can find John on X @johnbezold and at his website johnbezold.com. 'Dutch Art & Design Today' is published by Semicolon-Press.

Intimacy expert to millions, Susan Bratton is a champion and advocate for all those who desire intimacy and passion their whole life long. She is co-founder and CEO of two corporations: Personal Life Media, Inc., a publisher of heart-connected lovemaking techniques and bedroom communication skills, and The20, LLC., a manufacturer of organic and botanical supplements that enhance sexual vitality. Susan is the best-selling author and publisher of 34 books and programs including “Sexual Soulmates,” “Relationship Magic,” “Revive Her Drive,” Ravish Him,” “Steamy Sex Ed™,” “The Passion Patch,” “Hormone Balancing,” and “Hot To Trot.” She has been featured in the New York Times and on CNBC and the TODAY show as well as frequent appearances on ABC, CBS, The CW, Fox, and NBC. You can find The Susan Bratton Show® at BetterLover.com, her personal shares on Instagram @susanbratton, and her lust-for-life supplements, FLOW and DESIRE at The20store.com. Susan holds a Bachelor of Science in Business Administration from the University of Phoenix, where she graduated with honors. She also completed post-graduate studies at Stanford University Business School. Susan is a member of Vintage TED (the original group of TEDsters), Women of Sex Tech, Mindshare Collaborative, and FlightClub Mastermind. A coral chaser, she earned her scuba certification and has done over 50 dives. As a Barbizon-trained model, Susan did mannequin modeling in department stores to put herself through college. She became a multi-millionaire by age 37, lost everything, then went on to rebuild her business with incredible success. Her core expertise lies in the intersection between passionate lovemaking techniques and bedroom communication skills. She has studied extensively what makes intimacy truly passionate, surrendered, and connected, and she boils down those skills to simple practices anyone can use to achieve profoundly pleasurable results. Learn more at SusanBratton.com and The20Store.com. Join us as we chat about Achieve ageless passion and unlock the secrets to life-long vitality with Susan Bratton Personal Life Media The20 Store SusanBratton.com Instagram Facebook Twitter BetterLover Videos LinkedIn YouTube ‘Better Lover' Channel Want more free resources, visit my website lisapitelkillah.com or follow me on social @lisapitelkillah. To learn more about how to optimize your health and #livebetter visit LisaPitelKillah.com Follow Lisa Pitel-Killah on social media: Facebook Instagram LinkedIn YouTube Twitter

Join us at the Barbizon Hotel in New York this week as we explore its past as the hotel that freed women. First opened in 1928, the Barbizon is still going strong as a condominium for those who can pay the new prices for rent in New York. Celebrities abound! Resources: https://en.wikipedia.org/wiki/Barbizon_63https://www.newyorker.com/magazine/2021/03/08/when-the-barbizon-gave-women-rooms-of-their-ownhttps://untappedcities.com/2021/05/07/secrets-barbizon-hotel/https://www.nytimes.com/2021/03/02/books/review/the-barbizon-paulina-bren.htmlhttps://history.howstuffworks.com/american-history/barbizon-hotel.htmhttps://www.theguardian.com/lifeandstyle/2021/mar/14/waking-up-to-new-york-secrets-of-the-worlds-most-famous-women-only-hotelhttps://www.cbc.ca/radio/day6/astrazeneca-s-vaccine-mishaps-the-mighty-ducks-nhl-history-ryan-mcmahon-the-barbizon-hotel-and-more-1.5964106/new-york-s-female-only-hotel-the-barbizon-gave-women-freedom-to-dream-and-work-1.5964110https://lithub.com/on-the-barbizon-hotel-and-the-women-writers-who-lived-there/ Help us bring you more history with better quality by subscribing at https://plus.acast.com/s/what-do-you-know-about. Hosted on Acast. See acast.com/privacy for more information.

“Rosa Bonheur (1822-1899)“au Musée d'Orsay, Paris du 18 octobre 2022 au 15 janvier 2023Interview de Leïla Jarbouai, Conservatrice en chef au musée d'Orsay, et co-commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 17 octobre 2022, durée 23'24.© FranceFineArt. https://francefineart.com/2022/10/18/3329_rosa-bonheur_musee-d-orsay/Communiqué de presseCommissariat :Leïla Jarbouai, Conservatrice en chef au musée d'OrsaySandra Buratti-Hasan, Directrice-adjointe au musée des Beaux-Arts de Bordeaux, conservatrice des collections XIX-XXe s.Sophie Barthélémy, Directrice, conservatrice en chef du musée des Beaux-Arts de BordeauxAvec la collaboration de Katherine Brault, Présidente du Château de Rosa Bonheur, assistée de Michel Pons.À l'occasion du bicentenaire de la naissance de Rosa Bonheur à Bordeaux, le musée d'Orsay, Paris et le musée des Beaux-Arts de sa ville natale organisent une importante rétrospective de son oeuvre. Le Château de Rosa Bonheur à Thomery (Seine-et-Marne), où l'artiste vécut près d'un demi-siècle, ainsi que le Musée départemental des peintres de Barbizon sont les partenaires exceptionnels de l'exposition. Le bicentenaire de la naissance de Rosa Bonheur est inscrit au calendrier des commémorations de France Mémoire 2022.Événement majeur sur le plan national et international, cette exposition met à l'honneur une artiste hors norme, novatrice et inspirante, Rosa Bonheur. Cette artiste connue comme icône de l'émancipation des femmes plaça le monde vivant au coeur de son travail et de son existence. Elle s'engagea pour la reconnaissance des animaux dans leur singularité et chercha par son travail à exprimer leur vitalité et leur « âme ». Par sa grande maîtrise technique, elle sut restituer à la fois l'anatomie et la psychologie animales.Cette exposition permet de faire (re)découvrir au public la puissance et la richesse de son oeuvre, en rassemblant et choisissant dans l'immense corpus de l'artiste une sélection exigeante d'environ 200 oeuvres (peintures, arts graphiques, sculptures, photographies) issues des plus prestigieuses collections publiques et privées d'Europe et des États-Unis.[...]L'exposition est accompagnée d'un catalogue, en coédition musée d'Orsay-Flammarion, sous la direction de Sandra Buratti-Hasan et Leïla Jarbouai, qui est la première publication scientifique depuis le catalogue de 1997 visant à donner une vision d'ensemble des multiples aspects de l'oeuvre de Rosa Bonheur.Et aussi À noter, deux expositions au Château de Rosa Bonheur à Thomery By, Le musée des oeuvres perdues (1er mars – 1er septembre 2022) et Rosa Bonheur intime (2 septembre – 31 décembre 2022). https://www.chateau-rosa-bonheur.fr/ Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Aujourd'hui je rencontre Charlotte Huguet, styliste et directrice artistique pour de prestigieux magazines comme le ELLE et co-autrice du livre Campagne, Pour un nouvel art de vivre édité chez Flammarion. Charlotte a quitté il y a 10 ans la vie parisienne pour s'installer à côté de la forêt de Fontainebleau, à Barbizon au Sud de Paris. Avec Charlotte on discute des bascules géographiques et de l'impact du lieu où l'on vit sur la connaissance de soi et la vie que l'on a envie de se façonner. On discute des injonctions à consommer en ville et comment notre rapport à la nature peut bouleverser ce schéma, jusqu'à nous faire aimer la simplicité et l'imperfection. On parle aussi du temps qu'on se permet de prendre pour réparer, rapiécer les vêtements, et que prendre soin des choses, c'est prendre soin de soi en réalité. j'espère que cet épisode vous plaira et vous inspirera autant que Charlotte au coeur de la forêt de Fontainebleau un matin brumeux. Belle écoute! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Friedrich es el representante del Romanticismo en su vertiente más idealizada, con su actitud contemplativa casi religiosa de la naturaleza. Constable y Turner fueron paisajistas ingleses que exhibían el empirismo inglés. Muchas gracias por la paciencia y espero poder subir contenido pronto con la voz totalmente recuperada.Escucha este episodio completo y accede a todo el contenido exclusivo de Planeta Invierno. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/661198

The world is in shambles so Abby briefly discusses emergency contraception for fat people and gives an update on Edinburgh Fringe prep for More Than Tracy Turnblad the solo show. Then she is joined by writer, producer, host, and creator of The Fat Girl Show Yael Tygiel to chat about Barbizon, hosting, early puberty, dating apps, and reading  fat romance. Yael's Website: http://www.yaeltygiel.com/Yael's Instagram: https://www.instagram.com/yaeltygiel/The Fat Girl Show: http://www.thefatgirlshow.com/The Fat Girl Show on Instagram: https://www.instagram.com/thefatgirlshow/Emergency Contraception & Weight (Patreon article): https://www.patreon.com/posts/68239824GoFundMe: https://gofund.me/102e8994Patreon: https://www.patreon.com/morethantracytAbby's web site: http://abbyrosemorris.comAbby's Instagram: https://www.instagram.com/abbyrosemorrisAbby's Twitter: https://twitter.com/abbyrosemorris_Follow @morethantracyt on Instagram, Twitter, and TikTok!http://www.morethantracyturnblad.com

Als Frau alleine wohnen und arbeiten? Aus gesellschaftlicher Sicht war das verpönt. Das Hotel Barbizon in New York machte jedoch aus dem Wunsch nach Selbstbestimmung ein Geschäft: Leben im Wellnesshotel, netzwerken mit anderen Damen, tagsüber Job, abends Bar - und keinerlei Männerbesuche!

Ik kruip deze keer in het hoofd van Filip Peeters. Niet alleen in Vlaanderen, maar ook in Duitsland en Oostenrijk heeft hij carrière gemaakt als acteur. Hij is het best bekend van zijn hoofdrollen in Recht op Recht, De Hel van Tanger en Salamander. Maar wist je ook dat hij een opleiding tot kok volgde en in het begin van zijn loopbaan meer in de keuken dan op de set stond? Hij werkte ondermeer in restaurant Barbizon in Jezus-Eik, dat toen twee Michelinsterren had en in De Gulden Bock in Antwerpen. De liefde voor koken en gastronomie is duidelijk nooit overgegaan want door toedoen van (of is het dankzij?) corona heeft hij het roer opnieuw omgegooid en keerde hij terug naar zijn roots. Samen met z'n gezin is hij een taartenzaak gestart, Les soeurs Miller, gespecialiseerd in tarte tatin. 45 minuten sappig kijk- en luisterplezier. Over Nonkel Bob en Fabian Van Fallada. Over acteren en koken. Over Gérard Depardieu en Hugo Claus. Over De Leeuw Van Vlaanderen en de hel van Tanger. Over Filip Peeters zijn passie voor gastronomie en voor acteren en waarom je dat probleemloos kan combineren. Over het belang van perspectief hebben. Over een familie die collectief beslist om zelfmoord te plegen en waarom Filip Peeters dit waargebeurd verhaal met zijn eigen gezin heeft nagespeeld in theater. Over kippen en varkens. Over tarte tatin en paté. Over het belang van werkgeluk en werkzekerheid. Over zijn groeiversnellers. Over Les Soeurs Miller. Over het belang van jezelf heruitvinden. Over thuiskomen. En over de sprankel in de champagne én in het leven!Hij wil mensen een beleving en een moment van geluk bezorgen. Daarom legt hij de lat heel hoog. In alles wat hij doet. Ik had nog zo veel vragen maar ik heb er amper 4 gesteld, want Filip Peeters had zoveel te vertellen en het gesprek ging helemaal anders dan gepland, net zoals dat bij loopbanen als eens gebeurt :-)Veel kijk- en luisterplezier…+++Honger naar meer? SCHRIJF JE IN VOOR DE NIEUWSBRIEF - https://zigzaghr.be/inschrijving-nieuwsbriefLEES DE ARTIKELS - https://zigzaghr.be/inspiratie/ABONNEER JE OP HET TIJDSCHRIFT - https://zigzaghr.be/tijdschrift/And don't forget: it's a great time to be in HR!+++Opgenomen op de kantoorboot van #ZigZagHR 

durée : 00:06:38 - La main verte - par : Alain Baraton - La balade : Fête des Parcs et Jardins à Barbizon (77)

The gorgeous unGROWN-UPS, Matthew and Ryan, are back in action! The two Barbizon rejects make up for lost time and start the episode off with a discussion about Ryan's new neighbors that he has no desire to meet and the joys of day drinking at Little League games with grandparents. Both of the gentlemen recap their recent travel adventures to Maui and Chicago including: free airport lounge access, the crappiest rental car, an NDA for $88, ignoring talkative seatmates, House of Blues times two, bar buddies, missed flights, airplane seat logic, t-shirt souvenirs, impromptu art purchases, and other travel shenanigans. Beyond travel, the dudes talk about the pains of modern gaming consoles, doing doughnuts, traffic detectives, blood types, new doctor visits, Pikes Peak plans, international travel in a pandemic, buying money online, coin collecting, stocks for kids, battery-powered vehicles, and other glamorous topics.

This week we interview Paulina Bren, an award-winning writer and Vassar College historian. Her latest book, The Barbizon: The Hotel That Set Women Free is a New York Times Editor's […]

A joint episode containing an abridged part 2 of “Fitch, Please” (A&F Deep Dive) as well as listener stories about mall modeling & scams masquerading as magazine classified “modeling schools.” The episode begins with Kate's windy thoughts about her obsession with malls, magazine editors, models, and related media, and while she draws almost no helpful conclusions, she has plenty of thoughts. This episode also contains snorkels aplenty in between stories about A&F and modeling, from 90s commercial jingles, to Barbies, Kate's own issues with body image, orange juice conspiracies, and more! There may be a Babysitter's Club detour? Perhaps not a ‘model' episode, but a fun one nonetheless. Enjoy! And head to patreon.com/bethereinfive later this week for the cut footage and extra stories.Works Cited:https://www.businessinsider.com/abercrombie-and-fitch-is-back-how-af-became-cool-again-2021-4 https://www.washingtonpost.com/lifestyle/style/abercrombie-fitch-new-generation/2021/11/22/da33feec-488e-11ec-b05d-3cb9d96eb495_story.htmlhttps://www.thecut.com/2014/02/why-abercrombie-is-losing-its-shirt.htmlSUPPORT OUR SPONSORSAllform is offering 20% off all orders for our listeners at Allform.com/bethereinfiveButcherBox is giving new members free ground beef FOR LIFE! Sign up at ButcherBox.com/BETHEREINFIVE and get 2 lbs of ground beef free in every order for the life of your membershipEverlywell is offering a special discount of twenty percent off an at-home lab test at everlywell.com/bethereinfiveGo to Zocdoc.com/BETHEREINFIVE and download the Zocdoc app to sign-up for FREE and book a top-rated doctor. Many are available as soon as today

[REBROADCAST FROM March 16, 2021] A new book tells the history of the Barbizon Hotel, a New York City residential hotel for women that served as a home for many local greats from Sylvia Plath, to Joan Didion, Phylicia Rashad, Liza Minnelli, and many more. Author Paulina Bren joins us to discuss her book, The Barbizon: The Hotel That Set Women Free, and take calls from listeners who stayed or lived at the Barbizon.  

Everything's bigger in Texas, including Kate's problems!! First, there's an intro detailing the chaotic series of events that happened this week while stuck in Texas, e.g. having to cancel a show for the first time, a cryptic doctor's voicemail, a hotel scam, and a confusing housing situation, among other things. Following that, podcast regular Merritt Beck joins Kate (as both her host for the week and a guest for the pod) to have a casual conversation whilst pregaming an icy walk to a bar to mourn the delay of Track 5. They discuss things like influencers leaving Instagram for the algorithm, putting kids on the internet, the magic of “getting ready” in college, DARE, Instagram husbands, home decor styles, dating as an influencer, among other things. Part 2 of A&F (and mall models/Barbizon!) coming next week but Kate hopes this will be sufficient for now given the unforeseen circumstances. Enjoy!SUPPORT OUR SPONSORSHelix is offering up to 200 dollars off all mattresses mattress orders as well and two free pillows for our listeners at HelixSleep.com/bethereinfiveFind your forever pieces at jennikayne.com and get 15% off your first order when you use code BETHEREINFIVE at checkoutDon't fall for subscription scams. Start canceling today at Truebill.com/bethereinfive

Everything's bigger in Texas, including Kate's problems!! First, there's an intro detailing the chaotic series of events that happened this week while stuck in Texas, e.g. having to cancel a show for the first time, a cryptic doctor's voicemail, a hotel scam, and a confusing housing situation, among other things. Following that, podcast regular Merritt Beck joins Kate (as both her host for the week and a guest for the pod) to have a casual conversation whilst pregaming an icy walk to a bar to mourn the delay of Track 5. They discuss things like influencers leaving Instagram for the algorithm, putting kids on the internet, the magic of “getting ready” in college, DARE, Instagram husbands, home decor styles, dating as an influencer, among other things. Part 2 of A&F (and mall models/Barbizon!) coming next week but Kate hopes this will be sufficient for now given the unforeseen circumstances. Enjoy!SUPPORT OUR SPONSORSHelix is offering up to 200 dollars off all mattresses mattress orders as well and two free pillows for our listeners at HelixSleep.com/bethereinfiveFind your forever pieces at jennikayne.com and get 15% off your first order when you use code BETHEREINFIVE at checkoutDon't fall for subscription scams. Start canceling today at Truebill.com/bethereinfive

Amy reviews two books focused on 20th-century women who broke barriers in their careers and personal lives. Great Circle by Maggie Shipstead is a historical novel centred around the lives of famed aviator Marian Graves. The Barbizon: The Hotel that Set Women Free by Paulina Bren is a social history of the world's most famous women's hotel. Located in Manhattan, the hotel has been the home to starlets, writers, models and secretaries.Streaming show Why Women Kill on Amazon and novel Recipe for a Perfect Wife by Karma Brown is also discussed.Books and Resources discussed:Great Circle by Maggie ShipsteadBarbizon Hotel: The Hotel that Set Women Free by PaulinaWhy Women Kill, Amazon PrimeRecipe for a Perfect Wife by Karma BrownThe Hours by Michael CunninghamMrs. Dalloway by Virginia WoolfCircling the Sun Paula McLainThe Bride's Reference Book by the editors of Bride's Magazine, 1956West with the Night by Beryl MarkhamAstonish Me by Maggie ShipsteadSeating Arrangements by Maggie ShipsteadFollow Red Fern Book Review:Website: https://www.redfernbookreview.comInstagram: @redfernbookreviewFacebook: https://www.facebook.com/redfernbookreview/Newsletter: https://redfernwriting.com/newsletter 

Auf der ARD-Buchmessen-Bühne in Frankfurt begrüßen Anja Brockert und Anja Höfer fünf Gäste mit ihren neuen Büchern: Florian Illies hat mit "Liebe in Zeiten des Hasses" ein herrlich funkelndes  Epochenporträt der Jahre zwischen 1929 und 1939 geschrieben und erzählt von großen und kleinen Lieben, von berühmten Männern und Frauen, von Scheidungskriegen und offenen Beziehungen. Pascale Hugues porträtiert in "Mädchenschule" eine Frauengeneration, die nicht mehr wirklich der Nachkriegsgeneration angehörte und die zu jung war für die 68er-Revolution: Was ist aus den Mädchen geworden, die sich im Poesiealbum von 1969 so brav und sittsam gaben? Darauf gibt Pascale Hugues überraschende, humorvolle  und anrührende Antworten. Nicole Seifert erklärt in ihrem Buch "FRAUEN LITERATUR. Abgewertet, vergessen, wiederentdeckt", warum der Begriff "Frauenliteratur" - eigentlich mal weg kann. Und sie geht der Frage nach, warum Frauen bis heute im Literaturbetrieb eine deutlich geringere Rolle spielen als ihre männlichen Kollegen. Hannah Lühmann gelingt mit "Auszeit" ein erstaunlich schwereloses Debüt zu einem ernsten Thema: Henriette, um die 30, fällt nach einem Schwangerschaftsabbruch in ein tiefes Loch. Ihre beste Freundin nimmt sie mit auf eine "Auszeit" in den Bayerischen Wald. Hier lösen sich die Dinge plötzlich auf sehr überraschende Weise. Andreas Schwab nimmt uns in "Zeit der Aussteiger" mit auf eine abenteuerliche Reise zu den "Künstlerkolonien von Barbizon bis Monte Verità": Gegenwelten, die abseits der Metropolen neue Lebensstile ausprobierten: Faszinierende Geschichten von Aussteigern und Sehnsuchtsorten! Florian Illies - Liebe in Zeiten des Hasses S. Fischer Verlag, 432 Seiten, 24 Euro ISBN: 978-3-10-397073-9 Anja Brockert im Gespräch mit dem Autor Pascal Hugues - Mädchenschule Rowohlt Verlag, 304 Seiten, 20 Euro ISBN: 978-3-498-00271-8 Anja Höfer im Gespräch mit der Autorin Hannah Lühmann - Auszeit Verlag hanserblau, 176 Seiten, 19 Euro ISBN 978-3-446-26195-2 Anja Höfer im Gespräch mit der Autorin Nicole Seifert - Frauenliteratur Verlag Kiepenheuer & Witsch, 224 Seiten, 18 Euro ISBN: 978-3-462-00236-2 Anja Brockert im Gespräch mit der Autorin Andreas Schwab - Zeit der Aussteiger C. H. Beck Verlag, 333 Seiten, 26 Euro ISBN: 978-3-406-77524-6 Anja Brockert im Gespräch mit dem Autor

Today on The Feelings, we talk cat updates with biblical allusions, more on Ted Lasso, the 20th anniversary of 9/11, therapy (and how we feel about it), the randomness of The NYT Magazine, and Barbizon commercials. We also cover Gabby Petito, Crystal Turner, and Kylen Schulte. We dig into recent near misses for us, intuition, dark roads, healing from anxious thoughts, feeling jaded, the punishing elements of life, and a navel/naval pun. Also, a good advice column write-in and children who say terrifying things. Ships ahoy!“Pull it Together” by The Greeting CommitteeRead along in Ingress: Volume Nine – The Journals of Meghan McDonnellPlaylist on SpotifyFollow us on InstagramEmail us at thefeelingspodcast@gmail.comThe Feelings (buzzsprout.com)Music: “When it All Falls” by Ketsa* All names and identifying characteristics have been changed to protect identities. We have solely recorded our interpretations and opinions of all events. Certain place names have been changed.

Durant tout l'été je vous propose des Hors Série avec Patrick Scheyder. Vous l'aviez découvert dans l'EP 16 aux côtés de Jonathan Attias en Corrèze. Il est musicien, auteur aux ed.Belin de « Pour une pensée écologique positive ». Nous allons avec lui vous raconter le côté vert de personnages historiques : Léonard de Vinci, Lafontaine, Descartes, Rousseau, George Sand. Raconter ces personnages, c'est l'occasion d'intégrer les combats écologiques présents aux prises de conscience passées. Dernier épisode de ces Hors Séries avec George Sand qui a toujours eu une relation intime avec La Forêt de Fontainebleau. Elle a été un soutien de la ZAD créée par les artistes peintre de Barbizon, dont Théodore Rousseau ou Jean-François Millet. Elle a contribué à faire de la forêt une zone protégée en 1861. Une première mondiale ! Un combat écologique qui rejoint son militantisme ayant débuté avec la défense du droit des femmes. Dès 1835, elle milite pour le droit au divorce ou celui d'être maîtresse de son patrimoine. En 1848, c'est la révolution. Sand se mobilise avec énergie en faveur de la République, et la démocratie. Enfin, son dernier combat en 1872 sera pour l'Ecologie, et la préservation de la forêt de Fontainebleau. Lundi 30 Août, épisode 1 de la saison 2 avec Didier Van Cauwelaert. Vous pouvez m'écrire ici : sebastien@lescombattantspacifiques.com Et me retrouver là : https://www.instagram.com/sebastienfolin_off/ https://twitter.com/sebastienfolin https://www.facebook.com/Sebastien.Folin.Officiel N'hésitez pas à laisser un commentaire et une note sur votre plateforme. Merci !

How Joseph Mercola built an empire out of anti-vaccine propaganda; what COVID-19 can teach journalists about covering climate change; the cost-effective drug-testing kit that turns smartphones into overdose prevention tools; Roger Bennett's love letter to America, his chosen home; New York's female-only hotel, the Barbizon, gave women freedom to dream; and more.

Did you know that Sylvia Plath stayed in a famous all-female hotel with other budding authors to work a NYC internship at a magazine? Many novelists stayed at the Barbizon, like Meg Wolitzer and Joan Didion, launching their author careers in the 20th century. Prior to Paulina Bren's book “The Barbizon: The Hotel that Set Women Free,” there was not much information about the history of the hotel. In this interview, Paulina explores why she decided to research the hotel in the first place and the challenges that she was faced with in her process.

A l'heure où la crise sanitaire a mis en berne le monde culturel pendant de longs mois… Le temps n'est-il pas venu de produire les narratifs de demain ?  Nous avons souhaité vous proposer ce rdv “hors série” pour témoigner de notre solidarité à la culture, et notre soutien à 2 projets culturels engagés, en apportant un éclairage sur le rôle et l'importance de la culture, de la création dans la mise en mouvement de la société, indispensable à la transition écologique. Car la culture va bien au-delà du divertissement. La culture permet de proposer de nouveaux imaginaires, et de construire ensemble une nouvelle histoire.  Loin des discours anxiogènes ou dystopiques* sur le futur, nous allons nous poser la question “à quoi pourraient ressembler ces nouveaux récits qui mettraient nos sociétés en mouvement ?” et essayer d'y répondre avec Patrick Scheyder, co-auteur d'une tribune parue dans Marianne en avril dernier sur l'écologie culturelle.  Patrick Scheyder nous apportera un éclairage sur comment la culture peut faire émerger l'écologie culturelle comme partie intégrante de notre civilisation et répondra à vos questions. Nos deux autres invités présenteront chacun leur passionnant projet culturel engagé !     À propos des intervenants  Patrick SCHEYDER, éco-historien, pianiste et auteur.  Patrick mène une double carrière d'artiste et d'auteur sur le thème de l'histoire et son histoire. Il a créé les spectacles en plein-air "Des Jardins et des Hommes", avec le comédien Michael Lonsdale, et a enregistré 13 albums de musique classique et improvisée. Coup de cœur de la Fondation Nicolas Hulot, il est aussi Lauréat de la Fondation Cziffra. A ce jour , il a écrit 7 ouvrages sur l'écologie et son histoire, notamment "Pour une pensée écologique positive" (Editions Belin - 2020) et "Léonard de Vinci et la Nature" (Editions Ouest-France-2019.). En préparation, un ouvrage sur “George Sand, les peintres de Barbizon et la forêt de Fontainebleau. Une ZAD au XIXème siècle."  Sébastien FOLIN, producteur engagé et conscient, président d'honneur du Festival Atmosphères et créateur du podcast “LES COMBATTANTS PACIFIQUES”. Il soutient les missions du Festival Atmosphères depuis sa création en 2010, Cinéma, Arts et Sciences pour un monde durable, plus juste, en harmonie avec la nature. Il nous présentera les temps forts de la 11e édition, les nouveautés et l'impact des nouveaux récits qui seront au cœur de la programmation du festival !  Raphaël DANIEL, auteur-réalisateur, fera le pitch son prochain court métrage “NIQUE LE PRIVÉ". Ce film de fiction questionne notre rapport à la propriété privée et aux biens communs. Il sera diffusé sur Canal +, en 2021, dans le cadre de la collection "On s'adapte", 10 courts-métrages de fiction qui invitent à créer les imaginaires d'une transition écologique et sociale souhaitable. Un projet engagé à découvrir !     Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

WELCOME TO NEW YORK'S LEGENDARY HOTEL FOR WOMEN Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had—exclusive residential hotels with daily maid service, cultural programs, workout rooms, and private dining. Built in 1927 at the height of the Roaring Twenties, the Barbizon Hotel was intended as a safe haven for the “Modern Woman” seeking a career in the arts. It became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, its almost 700 tiny rooms with matching floral curtains and bedspreads housed Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith, Phylicia Rashad, and Cybill Shepherd; writers Joan Didion, Diane Johnson, Gael Greene, and Meg Wolitzer; and many more. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel's residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream. Not everyone who passed through the Barbizon's doors was destined for success—for some it was a story of dashed hopes—but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations or expectations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since. Beautifully written and impeccably researched, The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women who came to New York looking for something more, and an epic history of women's ambition --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/pbliving/message Support this podcast: https://anchor.fm/pbliving/support

Original Air Date: Monday 21 June, 9 pm EasternDescription:Dean and Phil follow up on last week's awesome show by discussing more about “Hollywood accounting” and how in show biz the “bottom line” is often NOT the bottom line! Last week, while discussing the box office struggles of the brand new In the Heights, Dean and Phil were inspired to look back at two dance films based on the same craze that opened on the same day many years ago, one of which boasted a music score from Phil's frequent collaborator, Greg De Belles. Greg composed the score for Phil's Karl Rove, I Love You and for Dean and Phil's The Truth Is Out There and The Lady Killers. Greg died on Friday, and Dean and Phil speak of their immensely talented friend. Of course, the box office struggles continue, so Dean and Phil discuss how a Pixar movie might have been able to change everything. That leads into a deep dive into Disney +, the movie Soul, the miniseries “WandaVision” and the episodic series “The Mandalorian”. There is also a lot of talk about painting, from the advice given by the great Leigh McCloskey to the thematic approach of the Barbizon school of artists and the brilliance of Julian Schnabel's Van Gogh film At Eternity's Gate. Finally, Dean and Phil celebrate the careers of an Oscar-nominated character actor and a beloved sitcom actor and director.

Quali sono le differenze tecniche tra la Scuola di Barbizon e la pittura dei Macchiaioli?Quello di Arte ve lo dice in 1 minuto! Non vi basta? Chiedete qualcosa di più nei commenti qua sotto. Troverai questo e tanti altri podcast su https://quellodiarte.com/2021/06/11/quali-sono-le-differenze-tecniche-tra-la-scuola-di-barbizon-e-la-pittura-dei-macchiaioli/Vuoi richiedere una puntata di MONO della tua opera d'arte preferita? Richiedila cliccando il seguente link: https://quellodiarte.com/2021/01/11/arte-monografie-on-demand/Se vuoi scrivere a Quello di Arte l'email è quellodiarte@gmail.comPlaylist©QuellodiArte, Michelangelo Mammoliti, Answer, 2021---Come viene rappresentata la natura nella Scuola di Barbizon?L'intenzione degli artisti della scuola di Barbizon è di rappresentare la natura così come è vista con gli occhi. Preferiscono rappresentare il dato atmosferico naturale, come l'alba, il tramonto, la pioggia, mettendo fuori la visione sentimentale, personale, come accadeva nel romanticismo.Nel paesaggio che rappresenta Gli stagni di Gylieu, Charles-François Daubigny usa una pennellata fatta di piccoli e sottili tratti di colore e restituisce l'umido dell'acqua, i riflessi della luce, l'impalpabilità della natura, il degradarsi sfumato delle montagne all'orizzonte.Ha una resa fotografica, dettagliata. Il suo non è un paesaggio fermo, ma fuggevole, e questa idea di un “attimo di natura” Daubigny lo fissa ritraendo due cicogne che si sono fermate solo un attimo alla ricerca di qualche animaletto da mangiare tra le piante acquatiche, regalandoci uno scorcio dove la natura parla da sola di se stessa.

Come viene rappresentata la natura nella Scuola di Barbizon?Quello di Arte ve lo dice in 1 minuto! Non vi basta? Chiedete qualcosa di più nei commenti qua sotto. Troverai questo e tanti altri podcast su https://quellodiarte.com/2021/06/11/come-viene-rappresentata-la-natura-nella-scuola-di-barbizon/Vuoi richiedere una puntata di MONO della tua opera d'arte preferita? Richiedila cliccando il seguente link: https://quellodiarte.com/2021/01/11/arte-monografie-on-demand/Se vuoi scrivere a Quello di Arte l'email è quellodiarte@gmail.comPlaylist©QuellodiArte, Michelangelo Mammoliti, Answer, 2021---Come viene rappresentata la natura nella Scuola di Barbizon?L'intenzione degli artisti della scuola di Barbizon è di rappresentare la natura così come è vista con gli occhi. Preferiscono rappresentare il dato atmosferico naturale, come l'alba, il tramonto, la pioggia, mettendo fuori la visione sentimentale, personale, come accadeva nel romanticismo.Nel paesaggio che rappresenta Gli stagni di Gylieu, Charles-François Daubigny usa una pennellata fatta di piccoli e sottili tratti di colore e restituisce l'umido dell'acqua, i riflessi della luce, l'impalpabilità della natura, il degradarsi sfumato delle montagne all'orizzonte.Ha una resa fotografica, dettagliata. Il suo non è un paesaggio fermo, ma fuggevole, e questa idea di un “attimo di natura” Daubigny lo fissa ritraendo due cicogne che si sono fermate solo un attimo alla ricerca di qualche animaletto da mangiare tra le piante acquatiche, regalandoci uno scorcio dove la natura parla da sola di se stessa.

Alguns livros sugeridos pelo Thiago Costa Catálogos: Christies, Sothebys, Evandro Carneiro. Cartas a Theo – Van Gogh Cartas de Paul Gauguin a Georges Daniel de…

Alguns livros sugeridos pelo Thiago Costa Catálogos: Christies, Sothebys, Evandro Carneiro. Cartas a Theo – Van Gogh Cartas de Paul Gauguin a Georges Daniel de Monfreid Assim se compõe um quadro – Parramon El gran libro del retrato – Parramon Luz e sombra en dibujo artistico – Parramon Monet ou o triunfo do impressionismo Minhas … 99. Thiago Costa. Barbizon Atelier, livros e catálogos de arte para artistas. Leia mais » O post 99. Thiago Costa. Barbizon Atelier, livros e catálogos de arte para artistas. apareceu primeiro em Arte Academia.

 Francis-Marie Martinez de Picabia le 22 janvier 1879 à Paris (2e arrondissement) et mort le 30 novembre 1953 dans la même ville, est un peintre, dessinateur et écrivain français, proche du mouvement dada, puis surréaliste.Francis Picabia est le petit-fils de Juan Martinez Picabia, né à Cuba, puis émigré à New York et Madrid et, côté maternel, d'Alphonse Davanne (1824-1912), chimiste et photographe, et président de la Société française de photographie. Son oncle, Maurice Davanne, est conservateur à la bibliothèque Sainte-Geneviève à Paris.Sa mère, Marie Davanne, meurt en 1886. Il fait ses études chez les maristes au collège Stanislas, puis au lycée Monge, à Paris. En 1894, voulant éprouver la vocation tôt manifestée de son fils, « Pancho » Picabia envoie, au Salon des artistes français, la toile de Francis intitulée Vue des Martigues. Le tableau ayant été non seulement accepté, mais primé, Picabia entre, après une scolarité compliquée, à l'École des arts décoratifs l'année suivante, où il sera l'élève de Wallet, Humbert et Cormon; mais il fréquente plus volontiers l'École du Louvre et l'Académie Humbert, où il travaille aux côtés de Georges Braque et de Marie Laurencin. L'année 1897 marque un tournant dans sa carrière : la découverte d'Alfred Sisley lui révèle l'impressionnisme, pour lequel son enthousiasme se renforce avec la rencontre de la famille Pissarro, en 1898. Il commence à exposer régulièrement au Salon des artistes français. C'est pour lui le début d'une période extrêmement féconde, qui durera dix ans ; les centaines de toiles qu'il peint alors, où l'influence impressionniste reste toujours plus ou moins sensible, sont propres à séduire le public : sa première exposition personnelle de 1905, à la galerie Haussmann à Paris, est un triomphe. Les tableaux exposés, étrangers aux nouvelles recherches plastiques, relèvent de l'imitation du « pur luminisme impressionniste »[réf. nécessaire] (Bords du Loing, 1905, Philadelphie, Museum of Art). Cependant, Picabia remet peu à peu en cause les valeurs plastiques qui lui valent son succès grandissant et, en 1908, sa rencontre avec Gabrièle Buffet — qui l'encourage à poursuivre de récentes recherches —, détermine la rupture avec l'impressionnisme comme avec ses marchands, rupture permise aussi par sa fortune personnelle. De 1903 à 1908, influencé par les peintres de Barbizon, il côtoie Alfred Sisley, Camille Pissarro et Marius Borgeaud. Son aquarelle Caoutchouc de 1909 (Musée national d'Art moderne, Paris), qui serait antidatée de 1907 et pourrait représenter des balles de caoutchouc, comme dans La Petite fille au ballon de 1908 de František Kupka, fut considérée plusieurs années plus tard, comme une des œuvres pionnières et fondatrices de l'art abstrait. À sa majorité, il prend possession de l'héritage maternel qui lui assure de confortables revenus. Sa première exposition personnelle (61 tableaux) est organisée en 1905 à Paris à la galerie Haussmann, chez Danthon, la suivante à Berlin à la Kaspar Kunstsalon. Il montrera ensuite ses œuvres à nouveau chez Danthon en 1907, puis à Londres, Munich, Barcelone. De 1905 à 1908, Picabia séjourne deux fois à Martigues et réalise de nombreux paysages de style impressionniste de la ville et de ses canaux. En 1909, il épouse Gabrièle Buffet, peut-être petite-nièce d'Alphonse de Lamartine[réf. nécessaire], petite-fille de l'amiral de Challié et descendante d'un frère de Jussieu, « l'homme qui rapporta le cèdre du Liban dans son chapeau », dixit Picabia[réf. nécessaire]. Une fille, Laure Marie Catalina, naît en 1910 ; un garçon, Pancho Gabriel François, en 1911. Ils auront encore une fille, Gabrielle Cécile, dite « Jeannine », en 1913, et un garçon, Vincente, né en 1919. À cette époque, il peint de manière très colorée à la manière des Fauves et fait ses premières incursions dans le domaine de l'abstraction. En 1911, il rejoint le groupe de Puteaux qui se réunissait dans le studio du peintre Jacques Villon, frère de Marcel Duchamp, qu'il a rencontré en 1910. Il devient aussi orphiste et crée en 1912, à Puteaux, le Salon de la Section d'Or, avant de connaître un premier succès international à l'exposition de l'Armory Show de New York, en 1913. Marqué par la Broyeuse de chocolat et le concept de ready-made de Marcel Duchamp, il confectionne, dès 1913, une série d'œuvres où il reprend l'esthétique du dessin industriel, recopiant ou simplifiant des images qu'il trouvait dans le magazine scientifique La Science et la Vie.

For young women who wanted a room of their own in the 1930's, to pursue a career in the arts, the Hotel Barbizon in NYC was custom built for them.

This week we catch up with news about Jessie's win at the ABIA, Asians winning at the Oscars, and our experience at last Saturday Stop Asian Hate Vigil. Our main topic is the lesser spoken of Asians in ANZAC, the rejections many asians faced during WWI enlisting. The Barbizon https://www.booktopia.com.au/the-barbizon-paulina-bren/book/9781529393033.html The forgotten Chinese Anzacs https://apac.news/the-forgotten-chinese-anzacs/ Uncovering the forgotten stories of our Chinese-Australian Anzac soldiers https://www.sbs.com.au/news/uncovering-the-forgotten-stories-of-our-chinese-australian-anzac-soldiers Chinese Anzacs https://anzacportal.dva.gov.au/resources/chinese-anzacs Anzac Day 2018: The Chinese-Australian woman who worked as a decoder in WWII https://www.abc.net.au/news/2018-04-24/the-chinese-australian-woman-who-became-a-codebreaker-in-wwii/9683878 Get your tickets for Women Revue now! https://www.seymourcentre.com/event/womn-s-revue-2021-a-noughty-new-year?fbclid=IwAR15ax669ux4Fe2dsmr668DwgxPymc0GdA9dsZErrg12U5DieEylha2RqyY Facebook | Asian Bitches Down Under Instagram | Asian Bitches Down Under  Email: asianbdownunder@gmail.com  

We now know that Nazanin Zaghari Ratcliffe has been sentenced to another year in an Iranian prison, plus she's banned from travelling abroad. This time she's charged with spreading propaganda. Her husband, Richard Ratcliffe, has not seen his wife since her initial imprisonment in 2016 and is living in London with their six year old daughter Gabriella. He maintains that his wife was imprisoned as leverage for a debt owed by the UK over its failure to deliver tanks to Iran in the seventies that had been paid for. Meanwhile, it's been announced that Iran will sit on a UN committee on women's rights, yet it has a poor track record when it comes to rights for women. Rana Rahimpour is from the BBC's Persian Service. Built in 1927 The Barbizon hotel was home for the ‘modern woman’ seeking a career in the arts. It offered young women a safe and respectable place to stay while they launched their careers and looked for a husband. Students from the Katharine Gibbs Secretarial School lived on two floors of the Barbizon while they learned typing and shorthand. Powers’ models and guest editors for Mademoiselle magazine also stayed there. Many went on to writing careers, including Joan Didion, Sylvia Plath, Gael Greene, and Meg Wolitzer. In her novel “The Bell Jar,” Plath fictionalized the Barbizon as the Amazon, including details from her fateful last night at the hotel, when she threw every article of clothing she had brought to the city. Its 688 tiny pink feminine boudoirs also housed actresses including Grace Kelly and Liza Minelli and Phylicia Rashad. Some residents became known as “the women” – those who checked in and never checked out. Emma talks to Paulina Bren, writer and historian and Professor at Vassar College in New York, and author of The Barbizon- The New York Hotel That Set Women Free. It’s reported that during sex only 20% of women orgasm from penetration alone. Results from a nationally representative study of 4,000 adult women in the United States, and published in the science journal Plos One, identified Angling, Rocking, Shallowing and Pairing – four previously unnamed techniques women use to make vaginal penetration more pleasurable. To discuss these terms and other ways women can achieve orgasm, Emma is joined by Dr. Devon Hensel Assistant Professor of Sociology at the University of Indiana, and Tracey Cox, sex and relationships expert and author.

Paulina Bren is the author of The Barbizon: The Hotel That Set Women Free.  It's the fascinating true story of one of the first residences for women only. From its opening in 1928 to the present, Paulina brings us the evolution of both the place and the women who stayed there. Located in the heart of New York City, it drew women from all over the country. Each one brought ‘a suitcase and a dream.' Paulina delves into how the Barbizon was supposedly setting women free. And explains the reality of how it didn't. Some made it, others did not. Known as a safe haven for the 'Modern Woman' seeking a career, the women all were expected to have the same goal. That goal being one of marriage, family and suburban living. Some of the famous among its residents were Sylvia Plath, Joan Crawford, Grace Kelly, Liza Minelli, Ali MacGraw, Cybill Shepherd and Joan Didion. Meet Paulina  A writer, historian and professor, Paulina teaches International Studies, Women’s Studies, and Media Studies at Vassar College.  Her previous books include the award winning The Greengrocer and His TV: The Culture of Communism after the 1968 Prague Spring. Paulina is also co-editor of a collection of essays entitled Communism Unwrapped: Consumption in Cold War Eastern Europe. She alternates her time between the Bronx, Poughkeepsie and MetroNorth. Paulina was born in the former Czechoslovakia and lived in the U.K. before moving to the United States. She received her B.A. from Wesleyan University, her M.A. from the Jackson School for International Studies at the University of Washington, Seattle and her PhD in Modern European History from New York University. My conversation with award-winning author Paulina Bren: The Bell Jar and Sylvia Plath’s inspiration The building of a ‘safe haven’ The many women The 30’s and restrictions on women Single women, hotels and no check-in after 6pm Ambitions and society Women, careers and goals Rich and poor The not-so glamorous modeling career Contests and summer internship The hidden stories, lost ambitions and suicides ‘The Women’ and standing their ground A timeline for the women’s movement The start of equality and the end of The Barbizon

Nicole Byer is back again with Shea to discuss her first memories of Tyra, her experiences with casting in Hollywood, and how she's living out her early 2000's fashion dreams via online shopping. Plus Shea reveals some Tyra Tips that she learned from watching Top Model that she still uses today. Listen to Race Chaser Ad-Free on Forever Dog Plus SUBSCRIBE TO WANNA BE ON TOP? HOSTED BY SHEA COULEE: *Apple Podcasts *Spotify *Amazon Podcasts *Forever Dog Listen to Wanna Be On Top? Ad-Free on Forever Dog Plus Want to send us your own Tyra Mail? Email us at beontoppod@gmail.com FOLLOW SHEA Instagram - @sheacoulee SheaCoulee.com FOLLOW MOM PODCASTS WANNA BE ON TOP? IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCAST Learn more about your ad choices. Visit megaphone.fm/adchoices

Nicole Byer is back again with Shea to discuss her first memories of Tyra, her experiences with casting in Hollywood, and how she's living out her early 2000's fashion dreams via online shopping. Plus Shea reveals some Tyra Tips that she learned from watching Top Model that she still uses today.Listen to Wanna Be On Top? Ad-Free on Forever Dog PlusWant to send us your own Tyra Mail? Email us at beontoppod@gmail.comFOLLOW SHEAInstagram - @sheacouleeSheaCoulee.comFOLLOW MOM PODCASTSWANNA BE ON TOP? IS A FOREVER DOG AND MOGULS OF MEDIA (M.O.M.) PODCASTSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In his new book, “Life’s Edge,” Carl Zimmer asks the modest questions: What is life? How did it begin? And by what criteria can we define things as “living”? On this week’s podcast, Zimmer, a science columnist for The Times, talks about just how difficult it can be to find answers.“There are actually philosophers who have argued that maybe we should just try not to define life at all, in fact; that maybe we’re getting ourselves into trouble,” Zimmer says. “If you look for a definition of life from scientists, you will find hundreds of them; hundreds of published definitions that are different from each other. And every year a new one comes out, or maybe two, and they just keep going. there was a paper I read not too long ago that said that there are probably as many definitions of life as people who are trying to define life.”Paulina Bren visits the podcast to discuss her new book, “The Barbizon,” an account of the storied hotel for women that first opened in 1928.“It went through all sorts of incarnations,” Bren says. “This hotel really follows in so many ways not just the history of women in the 20th century, but truly the ups and downs, the history, of New York.”Also on this week’s episode, Elisabeth Egan and John Williams talk about what people are reading. Pamela Paul is the host.Here are the books discussed in this week’s “What We’re Reading”:“Visitors” by Anita Brookner“Firekeeper’s Daughter” by Angeline Boulley“I Am, I Am, I Am” by Maggie O’Farrell

The Barbizon, Paulina Bren Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had—exclusive residential hotels with daily maid service, cultural programs, workout rooms, and private dining.Built in 1927 at the height of the Roaring Twenties, the Barbizon Hotel was intended as a safe haven for the “Modern Woman” seeking a career in the arts. It became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, its almost 700 tiny rooms with matching floral curtains and bedspreads housed Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith, Phylicia Rashad, and Cybill Shepherd; writers Joan Didion, Diane Johnson, Gael Greene, and Meg Wolitzer; and many more. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel’s residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream.Not everyone who passed through the Barbizon’s doors was destined for success—for some it was a story of dashed hopes—but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations or expectations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since.Beautifully written and impeccably researched, The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women who came to New York looking for something more, and an epic history of women’s ambition.Savage Son, Jack CarrDeep in the wilds of Siberia, a woman is on the run, pursued by a man harboring secrets – a man intent on killing her.Half a world away, James Reece is recovering from brain surgery in the Montana wilderness, slowly putting his life back together with the help of investigative journalist Katie Buranek and his longtime friend and SEAL teammate Raife Hastings.Unbeknown to them, the Russian mafia has set their sights on Reece in a deadly game of cat and mouse.In his most visceral and heart-pounding thriller yet, Jack Carr explores the darkest instincts of humanity through the eyes of a man who has seen both the best and the worst of it.

The Barbizon Hotel in New York City opened its doors in 1928, and over more than five decades was home to a slew of famous women including Rita Hayworth, Grace Kelly, Sylvia Plath, Joan Didion, Ali MacGraw, Candice Bergen and many more. It was a hotel for women only with 720 rooms across 23 floors. They were women who came to the big apple following their dreams as aspiring writers, artists and actresses, and the Barbizon became a launching pad for some pretty big careers. Paulina Bren is a historian at Vassar College. Her book The Barbizon: The New York Hotel that Set Women Free, traces the history of the Barbizon and its fascinating residents, as well as the changing cultural perceptions of women's ambitions throughout the 20th century.

The Barbizon Hotel in New York City opened its doors in 1928, and over more than five decades was home to a slew of famous women including Rita Hayworth, Grace Kelly, Sylvia Plath, Joan Didion, Ali MacGraw, Candice Bergen and many more. It was a hotel for women only with 720 rooms across 23 floors. They were women who came to the big apple following their dreams as aspiring writers, artists and actresses, and the Barbizon became a launching pad for some pretty big careers. Paulina Bren is a historian at Vassar College. Her book The Barbizon: The New York Hotel that Set Women Free, traces the history of the Barbizon and its fascinating residents, as well as the changing cultural perceptions of women's ambitions throughout the 20th century.

Built in 1927, The Barbizon Hotel was first intended as a home for women who came to New York seeking a career in the arts. It quickly became the place to stay for ambitious independent women like Grace Kelly, Liza Minnelli and Sylvia Plath. Author, Paulina Bren chats to Dave about her new book, 'The Barbizon: The Hotel That Set Women Free'!

Tracking AstraZeneca's many vaccine mishaps; how Disney turned The Mighty Ducks into a real NHL hockey team; a damning RCMP watchdog report highlights the need for reform; a school for asylum seeking children on the U.S.-Mexico border; Ryan McMahon on his new docuseries, Stories from the Land; the history of the Barbizon Hotel and more.

A glamorous social history of the women-only New York hotel that changed the world. WELCOME TO THE BARBIZON, NEW YORK'S PREMIER WOMEN-ONLY HOTEL Built in 1927, New York's Barbizon Hotel was first intended as a home for the 'Modern Woman' seeking a career in the arts. It became the place to stay for ambitious, independent women, who were lured by the promise of fame and good fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and over the years, its 688 tiny pink 'highly feminine boudoirs' also housed Joan Crawford, Grace Kelly (notorious for sneaking in men), Joan Didion, Candice Bergen, Charlie's Angel Jaclyn Smith, Ali McGraw, Cybil Shepherd, Elaine Stritch, Liza Minnelli, Eudora Welty, The Cosby Show's Phylicia Rashad, and writers Mona Simpson and Ann Beattie, among many others. Mademoiselle boarded its summer interns there - perfectly turned-out young women, who would never be spotted hatless - as did Katherine Gibbs Secretarial School its students - in their white-gloves and kitten heels - and the Ford Modelling Agency its young models. Not everyone who passed through the Barbizon's doors was destined for greatness - for some it was a story of dashed hopes and expectations - but from the Jazz Age New Women of the 1920s, to the Liberated Women of the 1960s, until 1981 when the first men checked in, The Barbizon was a place where women could stand up and be counted. THE BARBIZON is a colourful, glamorous portrait of the lives of these young women, who came to New York looking for something more. It's a story of pushing the boundaries, of women's emancipation and of the generations of brilliant women who passed through its halls.

A new book tells the history of the Barbizon Hotel, a New York City residential hotel for women that served as a home for many local greats from Sylvia Plath, to Joan Didion, Phylicia Rashad, Liza Minnelli, and many more. Author Paulina Bren joins us to discuss her book, The Barbizon: The Hotel That Set Women Free, and take calls from listeners who stayed or lived at the Barbizon.

Actor Lexie Duncan recently joined host Elias in the cave. Lexie stars as Karen on NBC's Young Rock where she plays opposite Bradley Constant (the 15-year-old version of Johnson). Karen, a popular, charismatic, high-school girl with dreams of attending Barbizon beauty school. Constant’s character catches her eye, and they begin dating. Lexie is making her debut with 'Young Rock', but does have two other acting credits to her name. She played the role of Tahlia in the TV series The Secret Daughter and Alice in the short film "VeeBees". In 2019, the actress won an Honorable Mention at the Independent Shorts Awards International Film Festival for Best Dark Comedy for 'VeeBees' You can watch this interview on YouTube You can find Lexie on Instagram @lexie_duncan_  Have a question? Email us  themccpodcast@gmail.com Follow us on Social Media for the latest show updates! www.twitter.com/themccpodcast www.instagram.com/themccpodcast www.facebook.com/themancavechroniclespodcast www.themccpodcast.com   

Simona Bartolena"I Macchiaioli. Una rivoluzione en plein air"Forte di Bard. Valle d'Aosta24 febbraio – 6 giugno 2021https://www.fortedibard.it/In mostra ottanta capolavori del movimento artistico che ha rivoluzionato la storia della pittura italiana dell'OttocentoDate e orari potranno subire variazioni sulla base delle eventuali chiusure disposte nell'ambito della classificazione dell'indice di rischio delle regioni stabilito dalle autorità di governo.La stagione 2021 delle mostre d'arte al Forte di Bard si apre con un'importante esposizione dedicata ai Macchiaioli, movimento artistico attivo soprattutto in Toscana che ha rivoluzionato la storia della pittura italiana dell'Ottocento. Dal 24 febbraio al 6 giugno 2021, il polo culturale valdostano ospita la mostra I Macchiaioli. Una rivoluzione en plein air. Curata da Simona Bartolena, prodotta e realizzata da ViDi - Visit Different in collaborazione con il Forte di Bard, la mostra presenta 80 opere di autori in grado di analizzare l'evoluzione di questo movimento, fondamentale per la nascita della pittura moderna italiana. Nella seconda metà dell'Ottocento, Firenze era una delle capitali culturali più attive in Europa, punto di riferimento per molti intellettuali provenienti da tutta Italia. Al Caffè Michelangelo, si riuniva un gruppo di giovani artisti accomunati dallo spirito di ribellione verso il sistema accademico e dalla volontà di dipingere il senso del vero. Nacquero così i Macchiaioli, il cui nome, usato per la prima volta in senso dispregiativo dalla critica, venne successivamente adottato dal gruppo stesso in quanto incarnava alla perfezione la filosofia delle loro opere. «In un momento di grande difficoltà e smarrimento come quello che stiamo attraversando è indispensabile continuare ad investire nella cultura, prezioso motore di sviluppo per il territorio – evidenzia la Presidente del Forte di Bard, Ornella Badery -. Questo nuovo progetto si colloca bene nella filosofia espositiva del Forte di Bard che ogni anno propone appuntamenti di grande richiamo dedicati all'arte. L'auspicio, nonostante le tante incertezze che stiamo vivendo, è che anche questa mostra possa incontrare i favori del pubblico e della critica ed esser anche motivo ed occasione di crescita e arricchimento personale».«Questa mostra offre molti spunti per rileggere la storia risorgimentale e quegli anni complessi – spiega il Direttore del Forte di Bard, Maria Cristina Ronc -. Anni rivoluzionari, costellati di nomi e personaggi da riscoprire e da rileggere nella prospettiva del tempo che è intercorso. Il Forte di Bard non è “solo” un luogo espositivo ma prima ancora è un edificio storico e come tale in questa occasione, più che in altre, amplia e dialoga con l'esposizione dei Macchiaioli e con le vite e le opere di questi pittori soldati. Ci piace ricordarne uno. Nino Costa, arruolato nel reggimento dei Cavalleggieri d'Aosta a Pinerolo che dopo varie peregrinazioni si sposta a Firenze e frequenta il Caffè Michelangelo. Lì conosce Giovanni Fattori, certamente il nome più noto tra i Macchiaioli, e che lo stesso Costa rammenterà come colui che “gli aprì la mente e lo incoraggiò”».Il percorso espositivo all'interno delle Cannoniere del Forte di Bard, prende avvio dalle opere di Serafino de Tivoli, precursore della rivoluzione macchiaiola, che si confronteranno con un lavoro giovanile di Silvestro Lega, dallo stile ancora purista, per giungere alle espressioni più mature della Macchia con Telemaco Signorini, Vincenzo Cabianca, Raffaello Sernesi, Odoardo Borrani e Cristiano Banti, che si allontanano definitivamente dalla tradizionale pittura di paesaggio italiana ma anche dalla lezione della scuola francese di Barbizon, particolarmente incline a indugiare in tendenze formalmente raffinate e legate al romanticismo, per scegliere un approccio più asciutto e severo, cogliendo impressioni immediate dal vero.Non mancano i dipinti a interesse storico, con i soldati di Giovanni Fattori, né tantomeno quelli firmati dai protagonisti del gruppo dopo gli anni sessanta, quando la ricerca macchiaiola perde l'asprezza delle prime prove e acquisisce uno stile più disteso, aperto alla più pacata tendenza naturalista che andava diffondendosi in Europa. La mostra si chiude con una riflessione sull'eredità della pittura di Macchia.I Macchiaioli. Una rivoluzione en plein airForte di Bard. Valle d'Aosta24 febbraio – 6 giugno 2021 (*)Catalogo SkiraOrariferiali: 10.00 | 18.00sabato, domenica, festivi: 10.00 | 19.00lunedì chiusonota: Sino al 28 febbraio aperta da martedì a domenica nel seguente orario: 10.00 | 18.00IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

“L'Atelier de la nature, 1860-1910” Invitation à la Collection Terraau musée des impressionnismes, Givernydu 12 septembre 2020 au 3 janvier 2021Extrait du communiqué de presse :Commissariat :Katherine Bourguignon, conservateur à la Terra Foundation for American ArtLe musée des impressionnismes Giverny invite à l'automne 2020 la Terra Foundation for American Art à présenter une sélection de paysages des XIXe et XXe siècles issus de cette collection en provenance des États-Unis. Organisée du 12 septembre 2020 au 3 janvier 2021, l'exposition L'Atelier de la nature, 1860-1910. Invitation à la Collection Terra propose ainsi aux visiteurs de mieux appréhender l'évolution de l'art du paysage chez les artistes américains. Elle bénéficie d'importants prêts du musée d'Orsay, de la Bibliothèque nationale de France et de la Société de Géographie.Dans une lettre ouverte écrite en 1855, le peintre paysagiste Asher B. Durand déconseille aux élèves d'étudier dans les ateliers renommés et les enjoint plutôt à travailler en plein air et à se confronter à « l'atelier de la nature ». De nombreux jeunes artistes suivent ses recommandations. Ils remplissent leurs carnets de croquis de paysages extrêmement détaillés et se concentrent sur la singularité de chaque pierre, plante, arbre ou nuage. L'observation directe de la nature leur permet d'accéder à une forme d'authenticité lorsqu'ils retournent peindre dans leurs ateliers. Plus tard, les artistes américains vont rejeter l'imitation servile de la nature et se tourner vers des créations reposant sur l'émotion et l'expressivité. Selon James Abbott McNeill Whistler, seul un artiste peut transformer les éléments de la nature en un chef d'oeuvre. Pour lui, l'imagination supplante l'imitation. À partir des années 1880, les artistes américains peignant à Barbizon et à Giverny abordent la nature à travers le regard des naturalistes et des impressionnistes. Ils délaissent les grands panoramas pour des scènes ordinaires, certes moins spectaculaires mais qu'ils dépeignent avec un style novateur. Le travail en plein air les incite à appliquer la couleur en larges touches afin de capturer les effets changeants d'ombre et de lumière. De retour aux États-Unis au tournant du siècle, ces artistes continuent d'employer les méthodes et les tonalités impressionnistes tout en expérimentant avec des nouvelles techniques plus modernes. Cette évolution se retrouve dans les cinq sections de l'exposition qui proposent des temps forts selon un déroulé chronologique. Ainsi, les liens entre photographie et peinture de paysage dans les années 1870 constituent le premier thème abordé, suivi de la réinvention radicale du paysage par Whistler et des paysages aux ambiances poétiques des années 1880. L'exposition s'achève avec l'impressionnisme coloré de Giverny, et les diverses interprétations de la nature par des artistes urbains du XXe siècle.De 1860 à 1910, la représentation du paysage chez les artistes américains évolue sans cesse, passant de la description méticuleuse à l'expression subjective, des panoramas aux scènes intimes. L'exposition permet d'évoquer trois idées plus larges : l'influence artistique ; l'identité nationale ; et le rapport de l'homme à la nature. Si la plupart des paysages de l'exposition montrent un peuple en harmonie avec la nature, d'autres apparaissent comme une mise en garde sur l'éventualité de sa perte et sur l'impact de l'implantation des populations, du tourisme et de l'urbanisation. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Christiane a pour ancêtre l'abbé Mouls qui a fait partie des fondateurs de la ville d'Arcachon et sa famille y est installée depuis 160 ans. Elle est donc très attachée à sa ville. Elle a créé cette association il y a 14 ans, pour transmettre l'histoire d'Arcachon différemment et créer du lien social. Pendant l'été, l'association propose de faire une visite guidée en costume d'époque. Lors de ce parcours, on y rencontre des comédiens qui incarnent des personnages célèbres, qui sont venus à Arcachon. Le reste de l'année, elle propose également des promenades nature où elle explique l'utilisation des plantes sauvages ainsi que des marches patrimoine. Parmi les personnages célèbres Hildegarde de Bingen, botaniste, laquelle donne des recettes pour avoir une meilleure santé et être plus beau, l'Impératrice d'Autriche Sissi, qui a séjourné à Arcachon entre 2 destinations ou encore la peintre Rosa Bonheur, peintre de l'Ecole de Barbizon. Les membres de l'association incarnent ces illustres personnes en racontant leur histoire et même en prenant leur langue maternelle. Les podcasts : Christiane Mouls, la Présidente de l'association Arc en ciel nous présente les différentes activités qu'elle propose et notamment les balades costumées Christiane Mouls met à l'honneur 3 personnages illustres que l'on retrouve lors de ses balades costumées D'autres personnages costumés sont présentés et surtout les adhérents d'Arc en Ciel expriment tout le bonheur que l'association leur apporte 252 Boulevard de la Plage 33120 Arcachon Tél : 05.56.54.56.24 associationarcencielarcachon@gmail.com https://www.facebook.com/groups/arcencielarcachon/ https://www.instagram.com/arc_en_ciel_arcachon/ Arc en Ciel Association L'article Rencontre avec Christiane Mouls : Association Arc en ciel est apparu en premier sur Les Essentiels du Bassin.

Today we’re on the line with the 2020 Barbizon Lighting Company Jonathan Resnick Lighting Award winner Jasmine Lesane.Jasmine is a Lighting Designer & Director dedicated to realizing visions through innovative design solutions. A recent grad of Carnegie Mellon's School of Drama, Jasmine's experience extends across of all types visual design. Recent Lighting Design credits are School Girls; Or African Mean Girls Play (2019) at the Pittsburgh Public Theater, and Adding Machine: A Musical at the Pittsburgh Playhouse. She has also recently assisted on Season 2 of America’s Got Talent: The Champions. With the belief that light transcends genre- Jasmine designs for Theatre, Dance, Installations, Concerts, and Film projects, and continuously sets out to use her artistry to react to the current happenings around us all. Jasmine was also the recipient the ETC Live Design International Sponsorship for 2018. She was also named an Andrew Carnegie Scholar for the School of Drama. Let’s welcome Jasmine.If you’d like to learn more about Jasmine and her work, you can visit her website at www.jasminelesane.com.If you’d like to learn more about USITT visit us at usitt.org. We encourage you to explore our new monthly subscription membership options at usitt.org/membership.

From Buckingham Palace to Benefit! Episode 20 starts with Denine Papalardo, SVP of US sales & SVP of Global Education, Sara Botwood-Guest discuss previous jobs that lead them to Benefit from Barbizon to Buckingham Palace.  In “Break Rules with Wit & Wisdom,” we finish up with Lee Woodruff, one of the first PR employees of Benefit who gives us some very practical advice from Oprah that sounds like advice from Jean & Jane. In “Problem Solve with Courage & Creativity,” VP of Global Product Marketing, Kate Helfrich whets our appetite with Porefessional Hydrate! In “Make Real Connections” we hear from Kate Dillen copywriter and kickboxer! 

In deze podcast van Drenthe Toen neemt Aaldert Oosterhuis ons mee naar een theemiddag in de Asser Hertenkamp in 1926. Ook krijgt Drenthe Toen alvast een voorproefje op de tentoonstelling Barbizon van het Noorden en vertelt literatuurhistoricus Henk Nijkeuter over Drentse Sinterklaasgebruiken.

In deze podcast van Drenthe Toen neemt Aaldert Oosterhuis ons mee naar een theemiddag in de Asser Hertenkamp in 1926. Ook krijgt Drenthe Toen alvast een voorproefje op de tentoonstelling Barbizon van het Noorden en vertelt literatuurhistoricus Henk Nijkeuter over Drentse Sinterklaasgebruiken.

Nell'ottocento i quadri di paesaggio assumono una propria autonomia e l'artista è sempre più motivato a descrivere i fenomeni che regolano lo spettacolo della natura. Questo è quel che accade nel bosco di Fontainebleau, nel paese di Barbizon.Tutte le immagini su https://quellodiarte.com/2019/11/08/il-paesaggio-cosi-come-corot-e-barbizon/Vuoi rimanere aggiornato su tutte le novità su Quello di Arte? Iscriviti alla mailing list di Quello di Arte cliccando su questo link https://mailchi.mp/e5da93e9fc36/mailinglistPlaylistMichelangelo Mammoliti, Walkman Main, 2019

Critics rave about the unexpected and clever plot twists in Fiona Davis's historical bestsellers, dual timeline stories set in the Big Apple's most iconic buildings, from the Chelsea Hotel to Grand Central Station and the Dakota building to the Barbizon. Hi there. I'm your host Jenny Wheeler and today in the 98th episode of The Joys of Binge Reading, Fiona talks about the famous and sometimes eccentric people who bring New York - and her books to life. Six things you'll learn from this Joys of Binge Reading episode: What excites Fiona about historic hotelsThe thing that shocked her most researching her latest bookWhy New York is a great place to set novelsThe 100th anniversary of The Age of InnocenceHow film is influencing fictionWhat she'd do differently second time around Where to find Fiona Davis:  Website: www.fionadavis.net Facebook: @FionaDavisauthor Twitter: @fionajdavis Instagram:  @fionajdavis What follows is a "near as" transcript of our conversation, not word for word, but pretty close to it, with links to important mentions. Jenny: But now, here's Fiona. Hello there Fiona, and welcome to the show. It's great to have you with us. Fiona Davis, historical fiction author. Fiona: Thank you. I'm thrilled to be here. Jenny: Now this is the question I always start with, but it never gets stale. Was there and Once Upon a Time moment for your fiction writing, a moment when you thought 'I've just got to do this' or I will have wasted my life. The 'Once Upon A Time' moment Fiona: That's a great question. Yes, and it came to me later. I was in my late 40s when it hit.   What happened was, I had been working as a journalist for a number of years and there was a story that I thought would make a great article about the Barbizon Hotel and some of the older tenants who were still living there, as it was turned into luxury condos. And I thought oh, what a great story - it represents the change in the city and the building, over time, but the women who live there were very private and they would not be interviewed. I just couldn't shake it. And I thought ‘All right. You know what? I'm going to make this into a book and I will write it.' That means I have to make stuff up and that's very scary. The Dollhouse - Fiona Davis' first novel, set in the Barbizon Hotel, New York. But I was really determined and I'm so glad I did it. It's just it took my career in a completely new direction, which has been really fulfilling. The Chelsea Girls - latest book Jenny: It's wonderful. You've now got four best-selling historical novels to your credit, and the most recent of them, The Chelsea Girls, is also focused on  another very famous New York hotel, the Chelsea Hotel, which is almost notorious because of the numerous luminaries that have lived there, everyone from Dylan Thomas to Janis Joplin.  Tell us about the Chelsea. Fiona: Yes, sure. So, the hotel really intimidated me as an idea for setting a book there, because so many people have passed through its doors. It was built in 1884 as kind of a utopian cooperative, but that didn't work and it went bankrupt and it became a hotel, but one where people could stay for years and sometimes even decades. For years it's been this a hotbed of intrigue in terms of both art and politics and fashion, music, and poetry. It just was almost overwhelming - the thought of trying to create a story around that building - because there were so many to tell. The allure of the McCarthy Era I really started focusing in on the McCarthy era and 1950 and also the late 60s because that's when it was really bubbling with creativity. And the more I dug, the more I learned about it, the more I thought yes, this is the perfect setting for a book because on top of everything, it has a secret tunnel, which as an author, you're like, yes, that's a gift. I'm gonna go with that. Jenny:Yes that's right.

Kristina chats with Susan Liebesman, owner of Barbizon Chique. Barbizon specializes in developing life skills in children, teenagers and adults and provides development advice in the fields of modeling, acting, and singing. Susan also owns B2B Management, a boutique management company that manages corporate clients as well as top models, actors and artists, including Cover Girl Christina and movie star Regine Nehy. Liebesman discusses the importance of self-confidence and how Barbizon helps foster this extremely important characteristic in students. It’s also very important, she notes, for students to have a positive, balanced life to achieve their personal happiness. Barbizon’s curriculum includes looking at the whole person and honestly discussing body issues. Liebesman also notes that the entertainment industry can be dicey for parents and young kids unless parents do their due diligence to check out the bona fides of those offering opportunities for their children. This episode was sponsored by TESOL, www.tesol.org; Character Strong, www.characterstrong.com and NWEA, www.nwea.org.         

Hugo, Lamartine, Musset, Baudelaire, George Sand... En 1855, ces grands auteurs, parmi une trentaine d’autres, rendent hommage à Claude-François Denecourt, dans un ouvrage remis en main propre à l’intéressé lors d’un banquet à Paris. Son titre de gloire ? Avoir mis à la mode la forêt de Fontainebleau – bientôt terrain de jeu des peintres de l’École de Barbizon – mais, plus encore, avoir inventorié ses essences, fixé ses sentiers de randonnée, bâti partout des marches en pavés de grès... Denecourt a écrit un guide célèbre, sans cesse réédité, qui accompagne le promeneur dans sa découverte. Théophile Gautier n’ira-t-il pas jusqu’à le comparer à Sylvain, la divinité des bois ? « Son paletot est couleur bois, dit-il, son pantalon noisette, ses mains, hâlées par l’air, font saillir des muscles semblables à des nervures de chêne ; ses cheveux mêlés ressemblent à des broussailles ; (...) ses pieds mordent le sol comme des racines." CRÉDITS Un podcast interprété par Franck Ferrand. Auteur : Christophe Dard. Direction éditoriale et voix : Catherine Lalanne. Prise de son : Emmanuel Viau, Nolwenn Thivault. Création sonore, montage et mixage : Gabriel Fadavi. Production : Laurence Szabason. Création visuelle : Marc Guillon. Edition : Cécile Picco et Anne-Lyne Cabarrou.  Musique : « the Moldau DG » – Composé par Bedrich Smetana -(p) & © Chappell recorded Music Library Ltd – Avec l’aimable autorisation d’Universal Production Music France Un podcast Le Pèlerin – 2019. 

Have you fallen prey to something that seemed too good to be true? Given your hard-earned money to a company that made huge promises but didn't deliver?On this episode of the VIP Ignite podcast, your host Deneen White and Michael Fomkin will address questions that many talent and their parents have about Barbizon Modeling. The most common complaints we found include:“My daughter was going to classes and I was paying over $2,000 every time she was picked. It was about the money!”“They were supposed to help my daughter get placed, but they never sent the papers. She got her certificate when she finished, but they never placed her and this was back in 2015/16.”“I had to buy her makeup, outfits, shoes  and whatever else she needed out of pocket.”We will address these grievances and more from real talent that have been allegedly scammed, hustled and ripped off in what may be the world's largest modeling and talent scam for the past 75 years.If this sounds familiar to you, hit subscribe to the VIP Ignite Live podcast and tune into this episode! 

Have you fallen prey to something that seemed too good to be true? Given your hard-earned money to a company that made huge promises but didn't deliver? On this episode of the VIP Ignite podcast, your host Deneen White and Michael Fomkin will address questions that many talent and their parents have about Barbizon Modeling. The most common complaints we found include: “My daughter was going to classes and I was paying over $2,000 every time she was picked. It was about the money!” “They were supposed to help my daughter get placed, but they never sent the papers. She got her certificate when she finished, but they never placed her and this was back in 2015/16.” “I had to buy her makeup, outfits, shoes  and whatever else she needed out of pocket.” We will address these grievances and more from real talent that have been allegedly scammed, hustled and ripped off in what may be the world’s largest modeling and talent scam for the past 75 years. If this sounds familiar to you, hit subscribe to the VIP Ignite Live podcast and tune into this episode!  

Il romanticismo ha reso il paesaggio un genere indipendente e carico di emozioni. C’è però chi si appassiona alla natura così com’è. Oggi a StArt parleremo di Corot e della Scuola di Barbizon.Tutte le immagini su https://quellodiarte.com/2018/10/24/corot-e-la-scuola-di-barbizon/

All aboard! Jody and Alison analyze chapters 12-13 of "Domestic Arrangements," a YA treasure written by Norma Klein in 1981. Rusty poses with some cherries for Seventeen Magazine and does an exclusive interview on cable TV (you don't wanna miss this lively reenactment)! She also goes back to school but finds herself accosted by her jealous classmates. Rude! The gals present another treasure from The Karen Files and receive some fabulous tidbits about Barbizon and Scoliosis from Blume Head Helen. Come inside the Cocoon for idle banter about the creative liberties of James Franco, the shooting in Jody's backyard, '80s blush, and pre-teen nymphettes (ugh!). Congratulations to Jennie McKeon, this week's Blume Head of the Week! It's a Judy Blume book club. Join us every week!

RR054 Expletive warning Ried says “ass” and there is mature subject matter in this episode. Ried shares her thoughts about the new policy at Hanover Park High School in New Jersey which lets any child on the cheer squad. This led to sharing thoughts about Barbizon and beauty pageants. The core question for this episode is if everybody is included striving for excellence can get lost. Word of the week: Exclusivity (16:43) Rental Movie Review: Kissing Booth (17:58) Research and Links Cheerleading Controversy In N.J.:https://www.youtube.com/watch?v=CVa-gb6zPnY New York Post article: https://nypost.com/2018/05/07/everyone-makes-schools-cheer-squad-after-parent-complains/ Barbizon Reviews:https://www.consumeraffairs.com/modeling/barbizon.html Barbizon Model Search Concerns: http://www.crimes-of-persuasion.com/modeling/letters/barbizon/letters-barbizon-02.html Modeling and Talent Agents Talk about Barbizon: https://www.youtube.com/watch?v=whtz-QSPp9g Dateline interview transcript: http://www.nbcnews.com/id/30156875/ns/dateline_nbc-the_hansen_files_with_chris_hansen/t/modeling-schools-steep-price/#.WwGD-ooh2Uk Little Darlings movie info: https://www.imdb.com/title/tt0081060/ 2016 0206 Alcohol Poisoning Ried Rants Bulls Radio Show episode: https://youtu.be/gRdz06JJ0IA Like, share, comment, subscribe: https://riedrants.com/ @RiedRants on Instagram and Twitter https://www.patreon.com/RiedRants https://www.facebook.com/RiedRants/ https://itunes.apple.com/us/podcast/riedrants/id1234080385?mt=2 https://www.stitcher.com/podcast/ried-rants?refid=stpr https://soundcloud.com/riedrants Music: http://www.bensound.com/royalty-free-music

Fun Fact: I was the Barbizon Honor Graduate of my year

Alison and Jody crack open "Deenie," Judy Blume's YA novel about a beautiful teen with scoliosis! Deenie gets rejected from Barbizon, disappoints her ma, and doesn't make the cheer squad. But she does get a few lunchtime stares from Buddy Brader! Meanwhile, Jody and Alison take a look at life in 1973, swap stories of disastrous cheerleading tryouts, sisterly rivalry, and practice their ASMR technique. Get out your back braces and join us, won't ya?It's a sort-of book club. Join us every week!

This week, we check out the small town of South Lake Tahoe, California, where a man honed his twisted fantasies, and eventually acted on them, drawing the attention of the nation to this town of ski chalets, and trailer parks. Along the way, we learn how one casino can lead to a lot of snow plowing, how smoking in a closed car can apparently turn a child insane, and to never let a man who is clearly wearing a disguise have access to teenage models!! Hosted by James Pietragallo & Jimmie Whisman New episodes every Thursday!! Please subscribe, rate, and review! Listen on Apple Podcasts, Spotify, Stitcher, or wherever you listen to podcasts! Head to shutupandgivememurder.com for all things Small Town Murder! For merchandise: crimeinsports.threadless.com Check out James and Jimmie's other show: Crime in Sports   Follow us on social media! Facebook: facebook.com/smalltownpod Instagram: instagram.com/smalltownmurder Twitter: twitter.com/MurderSmall   Contact the show: crimeinsports@gmail.com

Kelly and Katai talk Diane Hoh’s THE SILENT SCREAM, the first of the Nightmare Hall series! They talk dot matrix, worldly teenagers, and death by Barbizon headshot.SUBSCRIBE TO THE TEEN CREEPS PATREON to get bonus episodes, merch, and more:https://www.patreon.com/teencreepsCONNECT W/ TEEN CREEPS: https://twitter.com/teencreepspodhttps://www.instagram.com/teencreepspodhttps://www.facebook.com/teencreepspodBUY TEEN CREEPS MERCH:https://www.teepublic.com/stores/teen-creepsTEEN CREEPS IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/teen-creeps*All creepy opinions expressed are those of the hosts and guests.

The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, near the Forest of Fontainebleau, where many […] The post Half Hour Prophecy: Barbarian Barbazon appeared first on Sexpot Comedy.

Deep and Future House as usual. The love is strong! This mixtape is sponsored by Barbizon Intimate Apparel. Ladies (and maybe gents too) you can visit and shop at www.Barbizon.com.ph for comfortable, dependable lingerie and intimate wear.

The radical changes wrought by the rise of the salon system in nineteenth-century Europe provoked an interesting response from painters in the American South. Painterly trends emanating from Barbizon and Giverny introduced a visual vocabulary of style, color, and content that was soon successfully adopted by American artists. Many painters in the South took up the stylistics of Tonalism, Impressionism, and Naturalism to create equally picturesque works that celebrated the Southern scene as an exotic other, a locale offering refuge from an increasingly mechanized urban environment.

French artist Jean-Baptist Corot was a leading member of the Barbizon School, a group that championed Realism and whose plein air studies of nature anticipated the work of the Impressionists.

Lors de la restauration de l'auberge en musée, on a retrouvé, sous les papiers peints, les traces d'études peintes par ceux que les Barbizonnais appelaient alors les peint'à Ganne.

Lors de la restauration de l'auberge en musée, on a retrouvé, sous les papiers peints, les traces d'études peintes par ceux que les Barbizonnais appelaient alors les peint'à Ganne.

Jean-François Millet lived in this house with studio from 1849 until his death in 1875

Jean-François Millet lived in this house with studio from 1849 until his death in 1875

Rousseau began to paint Under the birches, evening in Berry in central France, at the lowest point of his official artistic career. After initial success at the Paris Salon from 1831 to 1835, all of his works were refused between 1836 and 1841. Discouraged, he then refrained from submitting works to the jury until after the 1848 Revolution, when the selection system was reformed. The artist then received an official commission, subsequent acceptance at the Salon, and honours from the state. In the early 1840s, however, when this painting was executed, Rousseau’s dreams of winning the Prix de Rome were over; nonetheless he continued to paint, in his own way. The atmosphere and charm of Under the birches, evening also characterise the artist’s better-known sojourns in the Forest of Barbizon, a place identified with Rousseau for three decades. In summer he worked outdoors in a little hut made for him, painting studies and sketches that were then finished in his studio in Paris.1 Most striking in the composition of Under the birches, evening is the theatrical presentation of a central clump of trees, birches bright with autumnal foliage and their unique black-and-white bark. The dark foreground is echoed by the steel blue–grey fading light of day, changing as night begins to fall. Light is concentrated upon a central oval, where a slight narrative interest is given by human presence in the form of the humble curé. No means of entry is provided to the viewer, however, no path, rising hill nor descent into a valley. The grove is presented as a visual fait accompli, a feature that struck the artist’s eye full-on. Rousseau’s debt to seventeenth-century Dutch landscape is obvious in his division of the canvas into three horizontal bands, concentrating on the middle ground, and his stubborn portrayal of the unexceptional, anti-Romantic theme. Contemporary English masters – Constable, Bonington, Turner – awoke painters in France to the importance of exact depictions of changing conditions: light, atmosphere, times of day. For Rousseau, the lessons of past Dutch and present English art meant a continuing attachment to his own country and its unique landscapes. There is nowhere more satisfying to be than here, under these trees at this moment, and no finer artist than Rousseau to describe the scene for us. Christine Dixon 1 Théodore Rousseau 1812–1867, Paris: Réunion des musée nationaux, 1967, cat. 22, p. 35.

Here in Brittany the peasants have a medieval air about them and do not for a moment look as though they think that Paris exists and it is 1889 Gauguin, letter to Van Gogh, 18891 Haystacks in Brittany is among a small number of works painted by Gauguin in 1890 at Le Pouldu, on the Breton coast. From July 1886 until his departure for Tahiti in March 1891, Gauguin travelled regularly between Paris and towns in Brittany and Provence – the latter the site of his notorious collaboration with Van Gogh – searching for a way to consolidate his style, as well as a place to live cheaply. He stayed at Le Pouldu, some twenty kilometres south-west of Pont-Aven, late in 1889 and during 1890. The works he painted there, images of peasant life, the landscape and harvest scenes, are some of the most radically simplified of his career. Gauguin described how he ‘scrutinised the horizons, seeking that harmony of human life with animal and vegetable life through compositions in which I allowed the great voice of the earth to play an important part’.2 Like many of his generation Gauguin recognised the strength of landscape painting at this time. His early works show the impact of Corot and other Barbizon painters; he painted in an Impressionist mode until the late 1880s and, introduced by Pissarro, was included in several Impressionist exhibitions. By 1885 Gauguin had started painting full-time and, from his first campaign in Brittany, reduced traditional modelling to a strict minimum: in his Pont-Aven and Le Pouldu works it is his combination of colour and form, rather than narrative or sentiment, which appeals to the viewer. Gauguin’s absorption of the peasant traditions of the region, music and especially woodcarving, as well as the influences of ‘primitive art’ and Japanese prints, is apparent.3Having abandoned Pont-Aven – he complained that it was now too spoilt by crowds – Gauguin set off for the remote hamlet of Le Pouldu. The isolated region, with its dramatic rocky peninsula, windswept dunes, sandy beaches and scattered farms, suited Gauguin. At the Buvette de la Plage – an inn owned by a young local woman, Marie Henry – he was joined by Sérusier and the Dutch painter Jacob Mayer de Haan (1852–1895). Haystacks in Brittany has the structure of a traditional landscape. The painting is composed of a series of bands: the distant sky, fields in the mid-ground and crops of the foreground, with a frieze of cows and their female attendant in front. Despite its variant titles, it is not the agricultural land that is of interest here, but the rich patterns that Gauguin develops from various elements. The disjunction between the landscape’s recession and the frieze-like procession of cows and cowherd emphasises the stained-glass qualities of Haystacks in Brittany. The previous year Gauguin had experimented with a technique he learnt from a restorer. The technique, using paste, newspaper and horn irons, produced a matt surface.4His synthétiste paintings and subsequent work in Tahiti appear to have benefited from this new process. Lucina Ward 1 Written in Le Pouldu, c. 20 October 1889, to Vincent Van Gogh, in Douglas Cooper, Paul Gauguin: 45 lettres à Vincent, Théo et Jo Van Gogh. Collection Rijksmuseum Vincent Van Gogh, Amsterdam, ‘s-Gravenhage: Staatsuitgeverij, 1983, no. 36. 2 Belinda Thomson, Gauguin, London: Thames & Hudson, 1987, p. 102. 3 Gauguin also made sculpture, ceramics and prints as well as carving in wood. 4 Thomson, p. 102.

Constable painted several oil sketches of the view towardsEast Bergholt rectory, showing the fields where he walked with his beloved Maria Bicknell. He painted this lively impression of the rising sun glowing over and through the fields from an upper floor window at the back of his family home. His response to the scene is expressed through energetic brushstrokes and the use of intense reds and greens – the expanded chromatic range that Constable was using in his oil sketches at this time (Rosenthal 1983, p. 45). Constable’s description of East Bergholt appeared in the letterpress to the second edition of Lucas–Constable mezzotints, English Landscape: East Bergholt, or as its Saxon derivation implies, ‘Wooded Hill’, is thus mentioned in ‘The Beauties of England and Wales’ … It is pleasantly situated in the most cultivated part of Suffolk, on a spot which overlooks the fertile valley of the Stour, which river divides that county on the south from Essex. The beauty of the surrounding scenery, the gentle declivities, the luxuriant meadow flats sprinkled with flocks and herds, and well cultivated uplands, the woods and rivers, the numerous scattered villages and churches, with farms and picturesque cottages, all impart to this particular spot an amenity and elegance hardly anywhere else to be found (Beckett, Discourses, pp. 12-–13). East Bergholt is now a twin town with the village of Barbizon, in the Forest of Fontainebleau, France. Given that East Bergholt was Constable’s birthplace, and that his work was much admired by Eugène Delacroix, Paul Huet, Jules Dupré, Théodore Rousseau and other artists associated with the area around Barbizon, this is a most appropriate association.