Podcast appearances and mentions of George C. Wolfe

To discuss George C. Wolfe's 2023 film, Rustin, Matt and Daryl are joined by film writer, branding & design specialist, Natalia Albin. You can find Natalia's works here. You can find all season artwork designs (from the ridiculously talented Stephen Trumble) on our Teepublic store. We also have our old intro themes and interludes over on Bandcamp. The intro theme was performed by Daryl Bär. Please drop us a Five Star Review us at Apple Podcasts, or a Five Star Rating on Spotify. Find us on Twitter and Instagram (@ispauldanook), and drop us an email at ispauldanook@gmail.com 

**THIS EPISODE CONTAINS FULL SPOILERS**For our Connections Series finale, we close out with a powerful, resonant adaptation of August Wilson's "Ma Rainey's Black Bottom" (2020), directed by George C. Wolfe and adapted for the screen by Ruben Santiago-Hudson. This tense, intimate drama set in a 1927 Chicago recording studio explores exploitation, racism, and the self-hate that racism breeds - all anchored by powerful performances from Viola Davis and the late Chadwick Boseman. Does this play translate well to the big screen? Listen to find out! And thanks for joining us this season - Film is Lit will be back later this summer with season 16 - our most thrilling season yet! Surprises are on the horizon ;)#FilmIsLit #MaRaineysBlackBottom #Season14Finale #FilmPodcast #Adaptation #AugustWilson #BlackVoicesMatter #ViolaDavis #ChadwickBoseman #GlynnTurman #ColmanDomingo #MichaelPotts #BroadwayToScreen #NetflixFilm #SummerPreview #ConnectionsSeries

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

This month we talk to the 6-time Tony-winning director about 'Gypsy' and his miraculous career, and the editors introduce our Spring print issue.

Tony Award-winning director George C. Wolfe and Tony Award-nominated director and choreographer Camille A. Brown joined Shelley Wade at The Sound Space @ Audacy New York for a conversation about Black excellence on Broadway and their work on "Gypsy" on Broadway starring Audra McDonald.

Dylan and Connor are joined by Olivier Award-winner Lesli Margherita (Gypsy, Matilda). The Queen has arrived, y'all. Lesli is starring in Gypsy on Broadway, where she's making audiences hoot, holler, and gag eight shows a week as Tessie Tura. Hear about the twins' experience at the show, Lesli's personal history with it, and how she took a “big swing” to get George C. Wolfe to notice her self tape audition. Everyone loves Queen Lesli and you're going to fall even deeper for this diva. Hear about her love of Star Wars (Storm Troopers and light sabers at her wedding? Hello!), how she keeps herself busy during act one of Gypsy, and her dreamy West End theatre experience in Zorro. Did we mention she won an Olivier? She gushes over co-stars Audra McDonald and Danny Burstein, shares tales from Matilda's innovative transfer from London, and reflects on her most cherished theatrical experiences… which you'll have to listen to find out about. Stick around for RuPaul's Drag Race chatter, TikTok hackings, Bad Sisters and Summer House, and MORE. You cannot miss Lesli as Tessie Tura. You'll regret it for the rest of your LIFE. Let us entertain you!Follow Lesli on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Hosted by Jane Pauley. In our cover story, Ted Koppel looks at how a theater program at the Sing Sing Correctional Facility in New York is causing recidivism rates to plummet. Also: Tracy Smith talks with Nicole Kidman about her latest film, “Babygirl”; David Martin sits down with Defense Secretary Lloyd Austin; Mo Rocca chats with actress Audra McDonald and director George C. Wolfe about the new Broadway revival of “Gypsy”; Luke Burbank profiles singer-songwriter Maggie Rogers; Techno Claus (a.k.a. David Pogue) makes his annual visit to share gift suggestions for the gadget lovers on your shopping list; and comedian Jim Gaffigan shares what gifts you should NOT give this holiday season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Curtain up on the 50th deep dive of KNOW THE SHOW as Anika and Michael delve into GYPSY, widely considered to be the greatest musical of all time.

Episode Summary: Christian Vincent, an Emmy-nominated choreographer and dancer with extensive experience in the entertainment industry, shares his professional journey. From his early beginnings in Ontario, Canada, to working with iconic artists like Madonna and Prince. Christian delves into the early influences that shaped his career, such as his pivotal encounter at Joe Tremaine's dance convention and the motivational support from choreographer Jackie Slate. His career in Los Angeles is marked by a dynamic range of roles from dancing to acting in films and TV shows like Hallmark Christmas movies. Christian discusses the transition from dance to choreography and directing, highlighting his work in various cities beyond LA, like Atlanta and Nashville. Furthermore, Christian offers sage advice for young dancers on navigating the transition from academic settings to professional stages, stressing the importance of continuous learning, networking, and versatility in dance styles. His approach underscores the need for dancers to be well-rounded and proactive in seeking opportunities. Show Notes: (0:03) Christian´s career in dance, including his early beginnings in Ontario, Canada, and his journey to becoming an Emmy-nominee (5:16) Dance career path, from early interest to college and professional training. (9:25) The importance of education in the dance industry. (13:53) Race and identity in the dance industry. (19:10) Dance and acting career progression in Los Angeles. (23:21) Career options for dancers beyond LA. (28:12) Career paths in the entertainment industry, choreography, directing, and producing. (32:58) Transitioning from dance competitions to professional dance industry (37:09) Dance training programs and their benefits for young dancers. (41:17) Transitioning from dancer to choreographer. (45:36) Dance career paths, visa requirements, and job opportunities in the US and Canada. (50:25) Dance career paths and recording self-tapes. (55:20) Transitioning from college to professional life in the performing arts. Biography: As a dancer, Christian danced and/or toured with artists such as Madonna (dance captain, Drowned World tour), Prince, Britney Spears, Gloria Estefan, Shakira, Ricky Martin, Stevie Wonder, Chayanne, Mandy Moore, Geri Halliwell, Macy Gray, Brian Setzer Orchestra, and Ashanti. He was also featured in various film projects such as She's All That, Starsky and Hutch, Rent, The Wedding Planner, Walk Hard: The Dewey Cox Story, Flintstones: Viva Rock Vegas, Ms. Congeniality 2, and GI Joe 2: Retaliation.  In addition, his extensive television appearances include Buffy, Disney's Annie, Arrested Development, Baywatch, Mad TV, The George Lopez Show, Cold Case, and Dancing with the Stars.  Christian was recently nominated for the 74th Emmy awards in the category of outstanding choreography for scripted programming for his work on The Porter series. Christian's choreographic expertise can also be seen in Netflix's series Self Made: Inspired by the Life of Madam C. J. Walker, starring Oscar winner Octavia Spencer, the Lifetime biopic about rap super group Salt-N-Pepa, and The Christmas Dance. Christian's other choreographic works include Noah's Arc: Jumping The Broom, and the Global TV  series Canada Sings.  Christian appeared in the Off-Broadway production of Radiant Baby, directed by George C. Wolfe. He has made appearances on Smallville, Center Stage 2, Fringe, Fallen, Sins of the Mother, Continuum, and Hidden America with Jonah Ray. He´s currently a faculty member with LA Dance Magic Dance Convention and Triple Threat Dance Convention, and he was also a professor at the highly esteemed USC Glorya Kaufman School of Dance. Christian is an active and proud member of the Academy of Television Arts & Sciences (ATAS). Connect on Social Media: https://www.instagram.com/christian.jd.vincent https://www.facebook.com/christian.vincent Webpage https://www.christianvincentonline.com/

Listen along as we discuss Netflix's three hundred and twenty-fifth film, the 2020 drama film ‘Ma Rainey's Black Bottom' directed by George C. Wolfe starring Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo and Michael Potts.    Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'Ma says ‘only black people understand the blues'. Is this true?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'The Midnight Sky', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Listen in for a brilliant post-screening discussion about Sing Sing, before revisiting our Rustin interviews with Colman Domingo and George C. Wolfe. The post Sing Sing Conversation, Rustin Interviews appeared first on idobi.

Listen in for a brilliant post-screening discussion about Sing Sing, before revisiting our Rustin interviews with Colman Domingo and George C. Wolfe. The post Sing Sing Conversation, Rustin Interviews appeared first on idobi.

Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon. Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too. Connect with GOOD SHOW: Listen and follow the podcast at http://bpn.fm/goodshow Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

TONY TONY TONY! Sarah had the amazing opportunity to fill in for Alan Seales & The Theatre Podcast at the 77th Annual Tony Awards press room. All the winners are brought to the press room right after they receive their Tony Awards and then all the press folx get to ask questions, it's so fun! Sarah had the time of her life speaking to these incredible artists on Broadway's biggest night. The first half if a designer spotlight! Hear clips from Dede Ayite, Nikiya Mathis, Ryan Rumery, and Cody Spencer. Enjoy highlights from George C. Wolfe, Shaina Taub, Kara Young, Sarah Paulson, Branden Jacobs-Jenkins, Jonathan Groff, and Maleah Joi Moon. Good Show Instagram: @goodshowpodcast  Good Show Tik Tok: @goodshowpodcast   broadwaycares.org Connect with The Theatre Podcast: Visit: http://bpn.fm/ttp Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I'm thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O'Brien, working with Jerry Zaks on The Addams Family, the shows she'd like to see done at Encores!, the importance of Rick Elice's work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won't want to miss this intimate conversation with one of Broadway's best.

On today's Louisiana Considered, we hear how Baton Rouge Community College's Port Allen branch is helping train truck drivers.  The school recently relaunched a course for students looking to get a commercial driver's license, which is required to drive 18-wheelers and other large ground transport vehicles. The school hopes it can help address the state's driver shortage.  Heather Guidry, BRCC's dean of technical studies and adult education, spoke with WRKF's Adam Vos about the program.  We also chat with Bobby Hjortsberg, captain of the Krewe of Freret, about his decision to ban plastic beads next Mardi Gras.  The krewe made headlines last week when it announced it would shift to more sustainable throws for the 2025 Carnival season. Hjortsberg says the move will help protect NOLA's storm drains and “inject some sustainability” into Mardi Gras culture.  And we take a tour of a new immersive play in New Orleans' Treme neighborhood. The Nola Project theatre company and the New Orleans African American Museum have partnered to present Tony Award-winning dramatist George C. Wolfe's The Colored Museum. Performances run through March 9.  ____ Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber. Today's episode was produced by Matt Bloom and Aubry Procell. It was engineered by Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Mike and Kenny discuss and spot faith reflected in the biopic about civil rights leader Bayard Rustin. Starring Best Actor nominee Colman Domingo, Rustin, directed by George C. Wolfe and co-staring Chris Rock, GlynnTurman, and fellow 2024 Academy Award acting nominees Jeffery Wright and Da 'Vine Joy Randolph, tells the story of Bayard Rustin, the organizer and driving force behind the 1963 March on Washington. The March is best known for Martin Luther King's "I Have A Dream" speech and is considered not only one of the seminal moments in the Civil Rights movement, but in modern American history.  Faith Notes: The nature of servant leadership, that leaders are to serve and not be served as demonstrated by Jesus' life and ministry, and His washing the feet of the disciples. As seen in the film and lives of Bayard Rustin, MLK, and Medgar Evers, the need of and call to prophetic speech and action and the accompanying risks, suffering and sacrifice. God using those who are imperfect to accomplish God's righteousness. The temptation to allow ego and pride to damage or sabatage God's calling and mission.  The seeds or racism that are blooming again and that they are incompatible with the teaching and life example of Jesus.    

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Colman Domingo is nominated for an Academy Award™ for his portrayal of civil rights activist and strategist Bayard Rustin in the biopic RUSTIN. This film and Bayard Rustin's life are the inspiration for our conversation with Robert Raben around organizing for justice and freedom, and reclaiming the hidden history of the foot soldiers of the movement. Robert Raben, who grew up in the South, is founder of the March on Washington Film Festival, and the Raben Group, a strategic communications firm based in Washington, DC. Directed by George C. Wolfe, RUSTIN tells the story of activist and organizer Bayard Rustin, the architect of 1963's momentous March on Washington. Bayard Rustin  challenged authority, never apologized for who he was, what he believed, or whom he desired. He clashed with his contemporaries and inner circle leaders of the civil rights movement, and energized youth to get involved in making change in America.  LANGUAGE Content: The word "horseshit" occurs at approximately 50:41 Download the transcript for Episode 47 PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. 0:08 - Baryard Rustin, forgotten Civil Rights leader 5:58 - Untold and Mis-told Stories 12:01 - Narrative film and social change 19:41 - Strategy and change in the Civil Rights Movement 30:48 BREAK 31:24 - American changemakers and revolutionary heroes (of social justice) 35:16 - Bayard Rustin, LGBTQ identity and social change 45:09 - Policy, legislation and social change 51:52 - We don't have a shared story 55:11 - Role of arts in social justice 1:00:05 - Race, Culture, and Storytelling 1:10:06 - Lightning Round 1:10:52 - Honoring Fannie Lou Hamer 1:14:00 - Closing (Stream, Like, Subscribe, Share) 1:15:54 - Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

Stephen is the incoming President & CEO of the Music School of Delaware of which Patrick is an alumnus (but Stephen doesn't know that when we start so keep it under your hat). Topics include: sensitive kids, deceptive simplicity, passing on Rooster, mom's lullabies, George C. Wolfe's Annie, and the teachers who poured themselves into us. The Music School of Delaware Featured recordings: Annie - Original Cast Recording (1976) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2024 is THE YEAR OF *BARBARA* celebrating the filmography of Tony winner and Oscar nominee Barbara Harris! Patreon • Twitter • Facebook • Email

Singer-songwriter extraordinaire, actor, designer and superstar Lenny Kravitz has been crafting his unique fusion of rock, funk, reggae and soul for more than three decades, creating such massive hits as “It Ain't Over ‘til It's Over,” “Again,” “Let Love Rule,” “Are You Gonna Go My Way,” “Fly Away” and “American Woman.” He's a Grammy winner and has won numerous awards, including American Music Awards, MTV Video Music Awards, Radio Music Awards, Brit Awards and has old over 40 million albums worldwide - all done with his distinctive flair, passion and drive. As an actor, Lenny has appeared in numerous films, including Precious and the Hunger Games series, among others. Recently he took his work in film to a whole new level by pouring his heart and soul into writing a powerful song, “Road to Freedom,”  for the inspiring Netflix film Rustin.  Directed by George C. Wolfe, scored by Branford Marsalis, and starring Colman Domingo, Chris Rock, Da'Vine Joy Randolph, Jeffrey Wright and Audra McDonald, Rustin tells the story of Bayard Rustin, the architect of 1963's March on Washington, who, along with Martin Luther King Jr. inspired a movement and blazed a path forward toward a better world. Lenny recently talked to VERSED to share how he wrote “Road to Freedom,” how Martin Luther King, Jr.'s march continues today and his plans for hitting the road himself this year in support of his new album due for release in March. Listen to “Road to Freedom” and other Kravitz classics Watch Lenny perform “Road to Freedom” on Jimmy Kimmel Live Visit Lenny's website  

Director and writer George C. Wolfe is our guest on the podcast this week as he chats with Dom Lenoir about re-creating black civil rights marches and moments of American history with his latest award winning film RUSTIN!. George, who has won five Tony Awards, also directed the feature Ma Rainey's Black Bottom discusses: Making a complicated homosexual factual film. Financing through President Obama. Adapting a true story using a mix of documentary techniques. Starting out in Theatre, what to show and not show when adapting for the screen. The screenwriting process and casting the perfect lead. Rustin is out now on NETFLIX! PODCAST MERCH Get your Xmas pressies here with our very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is hosted, produced, edited and written by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey CONTACT THE PODCAST email us: thefilmmakerspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the Netflix film Rustin, activist Bayard Rustin faces racism and homophobia while helping change the course of Civil Rights history by orchestrating the 1963 March on Washington. Today, we'll turn things over to host Tre'vell Anderson of Netflix's The Official Rustin Podcast. In this episode from the podcast series, Tre'vell talks with director George C. Wolfe about his process of taking a life and turning it into film. Then he speaks to actor Colman Domingo about what it took to portray Rustin and the significance of a gay Black man playing a gay Black man on screen. Listen to more from Netflix Podcasts.

‘Rustin' gives new life to the legacy of Civil Rights leader Bayard Rustin. Though Rustin was a influential figure in the civil rights movement — he was the adviser to Martin Luther King, Jr., and was architect to the 1963 March on Washington — his contributions have been largely overlooked in the movement's history. Directed by George C. Wolfe and starring Colman Domingo as the titular activist, this biopic hopes to thrust Rustin's hard work and dedication finally into the spotlight. Film critic Reggie Ponder shares his thoughts on the film for “The Reel Critic.” ‘Rustin' is streaming on Netflix "The Reel Critic" is hosted and produced by Reggie Ponder. Follow Reggie on Twitter and Instagram @TheReelCritic, and on Facebook @ReggieTheReelCritic.

The First of Its Kind: The Inaugural HBCU Film Festival The Obamas were there. Colman Domingo and director George C Wolfe from 'Rustin' were there. And Loni Love was one of the judges. We'll talk about the HBCU First Look Film Festival. #HBCUFirstLook #CafeMochaRadio #RustinMovie #ESPNCrossover #BassLawman #Oscars #BlackFilmmakers Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the Black Girl Nerds podcast, we welcome Iyanla Vanzant and actor Aml Ameen. Segment 1: Iyanla Vanzant is best known as the host of the hit OWN series “Iyanla, Fix My Life,” which recently completed its 10th and final season. From welfare mother to New York Times best-selling author, from the Brooklyn projects to Emmy Award winner, from broken pieces to peace, Iyanla is one of the country's most celebrated writers and public speakers, and she's among the most influential, socially engaged, and acclaimed spiritual life coaches of our time. Host: Ryanne Segment 2: Aml Ameen plays Martin Luther King Jr. in Netflix's film Rustin, directed by George C. Wolfe and produced by former President Barack and Michelle Obama's Higher Ground Productions. The film follows civil rights activist Bayard Rustin as he organizes the 1963 March on Washington and as you may know, it's already getting a ton of awards buzz this season. Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

This week on Black on Black Cinema, the crew returns to discuss the film, Rustin, starring Colman Domingo as Bayard Rustin. The is a 2023 American biographical drama directed by George C. Wolfe, highlights the life of Bayard Rustin, a charismatic gay civil rights icon. Rustin was instrumental in organizing the 1963 March on Washington, a pivotal event in the civil rights movement where Martin Luther King Jr. delivered his iconic "I Have a Dream" speech.

Unsung civil rights hero Bayard Rustin gets his due at last, courtesy of our guy Colman Domingo. Then, since Thanksgiving was this week, we dole out our honorary Turkeys of the Year. Plus, Christmas Movie Minute ramps into high gear!What's GoodAlonso - Tru-Tone Christmas LightsDrea - Yorkshire Tea Biscuit BrewIfy - Christmas at the AmericanaITIDICAwards Ceremony News (also this)Animation In Its Imperfection EraDune 2 Moved…AgainNB: The ep where Alonso said he wanted to see a Bayard Rustin biopic is #241, Aline.Staff PicksAlonso - Brother Outsider: The Life of Bayard RustinDrea - Quiz LadyIfy - ZolaSupport our sponsor!Museum of Flight's “The Flight Deck” PodcastListen at museumofflight.org/podcast or search “The Flight Deck” on your favorite podcatcher. New episode every Tuesday beginning October 24.Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

It's another jam-packed episode of the Empire Podcast this week, folks. First, Chris Hewitt sits down on Zoom with ace composer and musician, Jon Batiste, and Matthew Heineman, about their new documentary, American Symphony; then he battles an uncooperative microphone stand and emerges with an enormously fun interview with Napoleon stars, Joaquin Phoenix and Vanessa Kirby; and lastly two walking Disney encyclopaedias meet, as our Ben Travis sits down with Jennifer Lee, the writer of this week's Wish and Chief Creative Officer of Walt Disney Animation Studios. On either side of all of those is a fun episode in which Chris is joined in the podbooth by Helen O'Hara and James Dyer to discuss the actor whose back catalogue they would choose to watch for the rest of their lives; natter about the week's movie news; and review Napoleon, Bradley Cooper's Maestro, George C. Wolfe's Rustin, and Wish. And yes, Chris does know he misquoted Dodgeball. First the Attack of the Clones review, now this: Film Twitter will find his resignation on their desk first thing tomorrow. As for this episode: enjoy. RUNNING ORDER (all timings approx.)INTRO/LISTENERS QUESTION: 0:00.00 - 20:13.00JON BATISTEMOVIE NEWS: 38:33.00 - 1:01:14.00JOAQUIN PHOENIX & VANESSA KIRBYREVIEWS: 1:19:03.00 - 1:43:45.00JENNIFER LEE & OUTRO

On this episode, JD and Brendan discuss George C. Wolfe's latest film RUSTIN, starring a to-be-Oscar-nominated Colman Domingo! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This episode originally aired just over a year ago, on Nov 17, 2022. Since then, actor Rahul Kohli has joined yet another Mike Flanagan project, one we love here at Feeling Seen -- The Fall of the House of Usher. Happy Thanksgiving!In this episode, Rahul (who starts in NEXT EXIT, directed by Mali Elfman) tells us the many ways that he feels seen by Daniel LaRusso (Ralph Macchio) in the KARATE KID films, and does so with a scrappy spirit that Daniel would approve of. Then, Jordan's one quick thing is an ode to Rebecca Hall and her latest, RESURRECTION.***With Jordan Crucchiola and Rahul Kohli

Sophia and Nick are back to discuss more awards contenders with strong performances that will haunt and inspire you. In Rustin, Colman Domingo plays the titular activist who was instrumental in leading the 1963 March on Washington. Listen to hear what they liked about the film, including George C. Wolfe's direction and a poignant script, before watching the film on Netflix.Next, dive into the twisted world of Emerald Fennell's sophomore film, Saltburn, featuring an unforgettably funny, wily, and brilliant cast (19:01). They avoid spoilers as they review the daring film and debate whether The Academy will love this as much as they did Promising Young Woman.Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

For this week's third podcast review, I am joined by Josh Parham, Dan Bayer & guest Brandon Lewis. Today, we are reviewing the newest film from director George C. Wolfe, "Rustin," starring Colman Domingo, Chris Rock, Jeffrey Wright & Audra McDonald. Based on the life of civil rights activist Bayard Rustin, this biopic has been a long time coming and has finally given Colman Domingo a leading role worthy of his many talents. What did we think of the performance from Domingo, the supporting cast ensemble, the writing, and the direction from George C. Wolfe? Tune in as we discuss these talking points, the film's awards potential, and more in our SPOILER-FILLED review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

It's the SHERIN & MAE CAFE on Geek Girl Riot. Featuring Colman Domingo, George C. Wolfe, and a cameo from Julian. Along with the wildest movies we've seen in a while. The post Interviews with Colman Domingo and George C. Wolfe for Rustin + The Marvels, Scott Pilgrim, Saltburn, Poor Things, May December appeared first on idobi.

It's the SHERIN & MAE CAFE on Geek Girl Riot. Featuring Colman Domingo, George C. Wolfe, and a cameo from Julian. Along with the wildest movies we've seen in a while. The post Interviews with Colman Domingo and George C. Wolfe for Rustin + The Marvels, Scott Pilgrim, Saltburn, Poor Things, May December appeared first on idobi Network.

In front of an audience at the SCAD Savannah Film Festival, one of the premier writers and directors of stage and screen reflects on directing the original Broadway production of 'Angels in America' (for which he won one of his three Tonys), transitioning to film directing and, most recently, telling the story of the largely forgotten Black gay activist who organized the 1963 March on Washington. Learn more about your ad choices. Visit megaphone.fm/adchoices

EVAN RETURNS!!!!! He fills us in on what he's been doing, and then we get down to biz. First, we talk RUSTIN (3:27), George C. Wolfe's by-the-numbers biopic of gay Black activist Bayard Rustin elevated by Colman Domingo's masterful turn in the title role. Then it's THE MARVELS (26:22), Nia DaCosta's superhero film starring Brie Larson, Teyonah Parris, and Iman Vellani, and we answer that age-old question: Does this new Marvel movie make up for the crud that is Phase Four? We have some mixed opinions (one of us found it fun!), as you may expect. Over on Patreon, we talk about the 1944 noir classic LAURA (it's Noirvember, after all), directed by Otto Preminger and starring Gene Tierney, Dana Andrews, and Clifton Webb. We have lots of patron tiers, and for $5 you get access to voting in monthly polls and our exclusive audio content, which has a bajillion (technical number) bonus episodes available for you right now! Thanks for your patronage, and welcome back, Evan!

Neal Huff has had a remarkable career including multiple Broadway and off-Broadway shows, and numerous roles in film and television. His training journey has been equally remarkable. He seems to have had an instinct for searching out just the right teachers and institutions at just the right time - he describes them as stones in a river placed before him that allowed him to take the next important step in his journey. He has most recently been working on Broadway in the acclaimed production of To Kill a Mockingbird, in which he originated the role of the town drunk, Link Deas, alongside Jeff Daniels as Atticus Finch. After a record-smashing year, Neal switched roles to play Bob Ewell opposite Ed Harris as Atticus. Just before Mockingbird, Neal played the dissolute lawyer Willy Oban in George C. Wolfe's hit production of The Iceman Cometh starring Denzel Washington. --- Send in a voice message: https://podcasters.spotify.com/pod/show/storyofacting/message

Director George C. Wolfe discusses his new film, Rustin, with fellow Director Reinaldo Marcus Green in a Q&A at the DGA theater in Los Angeles. In the conversation, Wolfe discusses roadmapping his scenes by taking reference from some of Rustin's real-life tactics, working with and taking notes from the Obamas- who acted as Executive Producers, and displaying the characters' growth through the framework of compositions by jazz composer, Branford Marsalis. The film tells the true story of Bayard Rustin, an advisor to Martin Luther King Jr., who dedicated his life to the quest for racial equality, human rights and worldwide democracy. However, as an openly gay Black man, he is all but erased from the civil rights movement he helped build. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/RUSTIN_QnA_1023.aspx

Jose Llana returns to Broadway in the highly anticipated production of David Byrne & Fat Boy Slim's Here Lies Love, for which he earned a Lucille Lortel Award nomination for creating the role of “Marcos” at the Public Theatre. He most recently starred as The King Of Siam in Lincoln Center Theater's Tony Award Winning revival of The King & I on Broadway, the US National Tour and the UK Tour. Previous Broadway credits include Chip Tolentino in William Finn's The 25th Annual Putnam Country Spelling Bee (Drama Desk Award, dir. James Lapine), El Gato in Wonderland, Wang Ta in David Henry Hwang's adaptation of Rodgers & Hammerstein's Flower Drum Song, Angel in RENT (dir. Michael Greif), Jessie-Lee in Streetcorner Symphony and his debut as Lun Tha in the 1996 Revival of Rodgers & Hammerstein's The King & I opposite Donna Murphy and Lou Diamond Phillips. Off-Broadway appearances include Adam in Falling For Eve (York), Gabey in On the Town (dir. George C. Wolfe, Delacorte) and Adam Guettel's Saturn Returns (dir. Tina Landau, Public Theater). Regional appearances include Bill Sikes in Oliver! (Papermill), Guillaume in Cameron Mackintosh's Martin Guerre (Guthrie Theater), Tin Man in Ballad of Little Jo (Steppenwolf Theater, dir. Tina Landau, Jefferson Nomination - Best Supporting Actor) and Candide in Candide (Prince Theater, Barrymore Nomination - Best Actor). TV/Film appearances include HBO's Sex and the City opposite Margaret Cho and Hitch with Will Smith. Appearing on numerous cast albums Jose is also a best-selling recording artist on the VIVA Philippines label. He has made two appearances with American Songbook in 2019 and 2015 which led to the release of his second solo CD, Altitude in the spring of 2016. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Krista takes a look back at her 2021 interview with Viola Davis. In this conversation, Davis discusses her acclaimed performance in “Ma Rainey's Black Bottom,” based on the play by August Wilson and directed by George C. Wolfe. She talks about the fears she faced in embracing the role, how she prepared to play Ma, and her experience working with Chadwick Boseman. She also reflects on the arc of her career, the significance of playing Annalise Keating in “How to Get Away with Murder,” how her definition of success has evolved over time, and she shares her advice for the next generation pursuing a life in the arts.

Running through the month of April, Lincoln Center's "American Songbook: A Place You Belong" concert series celebrates four historic NYC music institutions of yesteryear: the Savoy Ballroom, Palladium Ballroom, Cafe Society, and Paradise Garage. Lincoln Center chief artistic officer Shanta Thake and George C. Wolfe, the writer and director who helped conceive the series, join us to preview.