Podcast appearances and mentions of George C. Wolfe

Tony Award-winning director George C. Wolfe and Tony Award-nominated director and choreographer Camille A. Brown joined Shelley Wade at The Sound Space @ Audacy New York for a conversation about Black excellence on Broadway and their work on "Gypsy" on Broadway starring Audra McDonald.

Dylan and Connor are joined by Olivier Award-winner Lesli Margherita (Gypsy, Matilda). The Queen has arrived, y'all. Lesli is starring in Gypsy on Broadway, where she's making audiences hoot, holler, and gag eight shows a week as Tessie Tura. Hear about the twins' experience at the show, Lesli's personal history with it, and how she took a “big swing” to get George C. Wolfe to notice her self tape audition. Everyone loves Queen Lesli and you're going to fall even deeper for this diva. Hear about her love of Star Wars (Storm Troopers and light sabers at her wedding? Hello!), how she keeps herself busy during act one of Gypsy, and her dreamy West End theatre experience in Zorro. Did we mention she won an Olivier? She gushes over co-stars Audra McDonald and Danny Burstein, shares tales from Matilda's innovative transfer from London, and reflects on her most cherished theatrical experiences… which you'll have to listen to find out about. Stick around for RuPaul's Drag Race chatter, TikTok hackings, Bad Sisters and Summer House, and MORE. You cannot miss Lesli as Tessie Tura. You'll regret it for the rest of your LIFE. Let us entertain you!Follow Lesli on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway!Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Hosted by Jane Pauley. In our cover story, Ted Koppel looks at how a theater program at the Sing Sing Correctional Facility in New York is causing recidivism rates to plummet. Also: Tracy Smith talks with Nicole Kidman about her latest film, “Babygirl”; David Martin sits down with Defense Secretary Lloyd Austin; Mo Rocca chats with actress Audra McDonald and director George C. Wolfe about the new Broadway revival of “Gypsy”; Luke Burbank profiles singer-songwriter Maggie Rogers; Techno Claus (a.k.a. David Pogue) makes his annual visit to share gift suggestions for the gadget lovers on your shopping list; and comedian Jim Gaffigan shares what gifts you should NOT give this holiday season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.  Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet's The Blacks, Branden Jacobs-Jenkins's An Octoroon, George C. Wolfe's Shuffle Along, Lin-Manuel Miranda's Hamilton, Anna Deavere Smith's Notes from the Field, and Claudia Rankine's The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts. In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship. Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

Curtain up on the 50th deep dive of KNOW THE SHOW as Anika and Michael delve into GYPSY, widely considered to be the greatest musical of all time.

Episode Summary: Christian Vincent, an Emmy-nominated choreographer and dancer with extensive experience in the entertainment industry, shares his professional journey. From his early beginnings in Ontario, Canada, to working with iconic artists like Madonna and Prince. Christian delves into the early influences that shaped his career, such as his pivotal encounter at Joe Tremaine's dance convention and the motivational support from choreographer Jackie Slate. His career in Los Angeles is marked by a dynamic range of roles from dancing to acting in films and TV shows like Hallmark Christmas movies. Christian discusses the transition from dance to choreography and directing, highlighting his work in various cities beyond LA, like Atlanta and Nashville. Furthermore, Christian offers sage advice for young dancers on navigating the transition from academic settings to professional stages, stressing the importance of continuous learning, networking, and versatility in dance styles. His approach underscores the need for dancers to be well-rounded and proactive in seeking opportunities. Show Notes: (0:03) Christian´s career in dance, including his early beginnings in Ontario, Canada, and his journey to becoming an Emmy-nominee (5:16) Dance career path, from early interest to college and professional training. (9:25) The importance of education in the dance industry. (13:53) Race and identity in the dance industry. (19:10) Dance and acting career progression in Los Angeles. (23:21) Career options for dancers beyond LA. (28:12) Career paths in the entertainment industry, choreography, directing, and producing. (32:58) Transitioning from dance competitions to professional dance industry (37:09) Dance training programs and their benefits for young dancers. (41:17) Transitioning from dancer to choreographer. (45:36) Dance career paths, visa requirements, and job opportunities in the US and Canada. (50:25) Dance career paths and recording self-tapes. (55:20) Transitioning from college to professional life in the performing arts. Biography: As a dancer, Christian danced and/or toured with artists such as Madonna (dance captain, Drowned World tour), Prince, Britney Spears, Gloria Estefan, Shakira, Ricky Martin, Stevie Wonder, Chayanne, Mandy Moore, Geri Halliwell, Macy Gray, Brian Setzer Orchestra, and Ashanti. He was also featured in various film projects such as She's All That, Starsky and Hutch, Rent, The Wedding Planner, Walk Hard: The Dewey Cox Story, Flintstones: Viva Rock Vegas, Ms. Congeniality 2, and GI Joe 2: Retaliation.  In addition, his extensive television appearances include Buffy, Disney's Annie, Arrested Development, Baywatch, Mad TV, The George Lopez Show, Cold Case, and Dancing with the Stars.  Christian was recently nominated for the 74th Emmy awards in the category of outstanding choreography for scripted programming for his work on The Porter series. Christian's choreographic expertise can also be seen in Netflix's series Self Made: Inspired by the Life of Madam C. J. Walker, starring Oscar winner Octavia Spencer, the Lifetime biopic about rap super group Salt-N-Pepa, and The Christmas Dance. Christian's other choreographic works include Noah's Arc: Jumping The Broom, and the Global TV  series Canada Sings.  Christian appeared in the Off-Broadway production of Radiant Baby, directed by George C. Wolfe. He has made appearances on Smallville, Center Stage 2, Fringe, Fallen, Sins of the Mother, Continuum, and Hidden America with Jonah Ray. He´s currently a faculty member with LA Dance Magic Dance Convention and Triple Threat Dance Convention, and he was also a professor at the highly esteemed USC Glorya Kaufman School of Dance. Christian is an active and proud member of the Academy of Television Arts & Sciences (ATAS). Connect on Social Media: https://www.instagram.com/christian.jd.vincent https://www.facebook.com/christian.vincent Webpage https://www.christianvincentonline.com/

Listen along as we discuss Netflix's three hundred and twenty-fifth film, the 2020 drama film ‘Ma Rainey's Black Bottom' directed by George C. Wolfe starring Viola Davis, Chadwick Boseman, Glynn Turman, Colman Domingo and Michael Potts.    Please follow us at Flix Forum on Facebook or @flixforum on X (Twitter) and Instagram and answer our question for the episode, 'Ma says ‘only black people understand the blues'. Is this true?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; Jesse  MJ   We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'The Midnight Sky', so check out the film before then. You can see the trailer here.   Flix Forum acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Wurundjeri and Bunurong people of the Kulin Nation. We pay our respects to their Elders past, present, emerging and extend that respect to all Aboriginal and Torres Strait Islander cultures. 

Listen in for a brilliant post-screening discussion about Sing Sing, before revisiting our Rustin interviews with Colman Domingo and George C. Wolfe. The post Sing Sing Conversation, Rustin Interviews appeared first on idobi.

Listen in for a brilliant post-screening discussion about Sing Sing, before revisiting our Rustin interviews with Colman Domingo and George C. Wolfe. The post Sing Sing Conversation, Rustin Interviews appeared first on idobi.

Listen in behind the scenes with this special episode featuring media room speeches from 2024 Tony Award winners Shaina Taub, Dede Ayite, Tom Scutt, George C. Wolfe, Justin Peck, Ryan Rumery, Nikiya Mathis, Will Brill, Kara Young, Daniel Radcliffe, Kecia Lewis, Branden Jacobs-Jenkins, Sarah Paulson, Jonathan Groff, and Maleah Joi Moon. Guest hosted and edited by fellow Broadway Podcast Network host Sarah Goodman! Make sure to check out her podcast too. Connect with GOOD SHOW: Listen and follow the podcast at http://bpn.fm/goodshow Connect with The Theatre Podcast: Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

TONY TONY TONY! Sarah had the amazing opportunity to fill in for Alan Seales & The Theatre Podcast at the 77th Annual Tony Awards press room. All the winners are brought to the press room right after they receive their Tony Awards and then all the press folx get to ask questions, it's so fun! Sarah had the time of her life speaking to these incredible artists on Broadway's biggest night. The first half if a designer spotlight! Hear clips from Dede Ayite, Nikiya Mathis, Ryan Rumery, and Cody Spencer. Enjoy highlights from George C. Wolfe, Shaina Taub, Kara Young, Sarah Paulson, Branden Jacobs-Jenkins, Jonathan Groff, and Maleah Joi Moon. Good Show Instagram: @goodshowpodcast  Good Show Tik Tok: @goodshowpodcast   broadwaycares.org Connect with The Theatre Podcast: Visit: http://bpn.fm/ttp Support the podcast on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com My personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

Today, I'm thrilled to announce my interview with Sara Gettelfinger, who is currently returning to Broadway after a 10-year hiatus to star as Barbara in Water for Elephants. Tune in today to hear some of the stories of her legendary career, including how her persistence got her into CCM, why Michele Pawk was an early hero of hers, rehearsing with Gwen Verdon, a special audition for Jack O'Brien, working with Jerry Zaks on The Addams Family, the shows she'd like to see done at Encores!, the importance of Rick Elice's work in her return to acting, the thrills and challenges of working with George C. Wolfe, how she created the character of Little Edie Beale, the process of being let go from Grey Gardens, and so much more. She also shares the moving and inspiring details of her hard-won journey back to Broadway. You won't want to miss this intimate conversation with one of Broadway's best.

On today's Louisiana Considered, we hear how Baton Rouge Community College's Port Allen branch is helping train truck drivers.  The school recently relaunched a course for students looking to get a commercial driver's license, which is required to drive 18-wheelers and other large ground transport vehicles. The school hopes it can help address the state's driver shortage.  Heather Guidry, BRCC's dean of technical studies and adult education, spoke with WRKF's Adam Vos about the program.  We also chat with Bobby Hjortsberg, captain of the Krewe of Freret, about his decision to ban plastic beads next Mardi Gras.  The krewe made headlines last week when it announced it would shift to more sustainable throws for the 2025 Carnival season. Hjortsberg says the move will help protect NOLA's storm drains and “inject some sustainability” into Mardi Gras culture.  And we take a tour of a new immersive play in New Orleans' Treme neighborhood. The Nola Project theatre company and the New Orleans African American Museum have partnered to present Tony Award-winning dramatist George C. Wolfe's The Colored Museum. Performances run through March 9.  ____ Today's episode of Louisiana Considered was hosted by Diane Mack. Our managing producer is Alana Schreiber. Today's episode was produced by Matt Bloom and Aubry Procell. It was engineered by Garrett Pittman. You can listen to Louisiana Considered Monday through Friday at 12 and 7 p.m. It's available on Spotify, Google Play and wherever you get your podcasts.  Louisiana Considered wants to hear from you! Please fill out our pitch line to let us know what kinds of story ideas you have for our show. And while you're at it, fill out our listener survey! We want to keep bringing you the kinds of conversations you'd like to listen to. Louisiana Considered is made possible with support from our listeners. Thank you!See omnystudio.com/listener for privacy information.

Mike and Kenny discuss and spot faith reflected in the biopic about civil rights leader Bayard Rustin. Starring Best Actor nominee Colman Domingo, Rustin, directed by George C. Wolfe and co-staring Chris Rock, GlynnTurman, and fellow 2024 Academy Award acting nominees Jeffery Wright and Da 'Vine Joy Randolph, tells the story of Bayard Rustin, the organizer and driving force behind the 1963 March on Washington. The March is best known for Martin Luther King's "I Have A Dream" speech and is considered not only one of the seminal moments in the Civil Rights movement, but in modern American history.  Faith Notes: The nature of servant leadership, that leaders are to serve and not be served as demonstrated by Jesus' life and ministry, and His washing the feet of the disciples. As seen in the film and lives of Bayard Rustin, MLK, and Medgar Evers, the need of and call to prophetic speech and action and the accompanying risks, suffering and sacrifice. God using those who are imperfect to accomplish God's righteousness. The temptation to allow ego and pride to damage or sabatage God's calling and mission.  The seeds or racism that are blooming again and that they are incompatible with the teaching and life example of Jesus.    

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, the panel returns to 1985 and reviews The Greatest Night in Pop, Netflix's star-studded documentary about how “We Are the World” (a charity single performed by USA for Africa, a supergroup comprised of the most popular artists not only of the time, but arguably, ever) came to be and the legendary night it was recorded. Although it features cameos from Michael Jackson, Lionel Richie, Diana Ross, Paul Simon, Tina Turner, Cyndi Lauper, and more, the documentary manages to be quite modest in its ambition. Then, the three discuss Rustin, director George C. Wolfe's biopic about Bayard Rustin, an advisor to Martin Luther King Jr. whose legacy has often been glossed over. Rustin stars a fantastic Colman Domingo as its titular lead and is a celebratory example of the importance of telling gay/queer stories with queer creatives above and below the line of production. Finally, it's the Slate True-Crime Canon! Cheyna Roth, contributor to the Canon and author of Between Two Wars: A True Crime Collection: Mysterious Disappearances, High-Profile Heists, Baffling Murders, and More joins to break down the monstrous endeavor.  (Roth's other book is Cold Cases: A True Crime Collection) In the exclusive Slate Plus segment, the panel discusses Super Bowl LVIII and analyzes the advertisements, Usher's half-time performance, and the Taylor Swift and Travis Kelce love story at the center of it all.  Email us at culturefest@slate.com.  Outro music: "Self Made Woman" by Katharine Appleton Endorsements: Dana: Her perfect plane movie, Dumb Money, which features a superstar cast that's always in-sync.  Julia: Small Mercies by Dennis Lehane, an “all-consuming tale of revenge, family love, festering hate, and insidious power, set against one of the most tumultuous episodes in Boston's history.”  Steve: A liquidus piano album by Mary Lou Williams, Zodiac Suite. The 1945 album seamlessly mixes classical and jazz influences throughout 12 pieces, each named for a different astrological sign.  Podcast production by Jared Downing. Production assistance by Kat Hong.  Hosts Dana Stephens, Julia Turner, Stephen Metcalf Learn more about your ad choices. Visit megaphone.fm/adchoices

Colman Domingo is nominated for an Academy Award™ for his portrayal of civil rights activist and strategist Bayard Rustin in the biopic RUSTIN. This film and Bayard Rustin's life are the inspiration for our conversation with Robert Raben around organizing for justice and freedom, and reclaiming the hidden history of the foot soldiers of the movement. Robert Raben, who grew up in the South, is founder of the March on Washington Film Festival, and the Raben Group, a strategic communications firm based in Washington, DC. Directed by George C. Wolfe, RUSTIN tells the story of activist and organizer Bayard Rustin, the architect of 1963's momentous March on Washington. Bayard Rustin  challenged authority, never apologized for who he was, what he believed, or whom he desired. He clashed with his contemporaries and inner circle leaders of the civil rights movement, and energized youth to get involved in making change in America.  LANGUAGE Content: The word "horseshit" occurs at approximately 50:41 Download the transcript for Episode 47 PLEASE NOTE: TRANSCRIPTS ARE GENERATED USING A COMBINATION OF SPEECH RECOGNITION SOFTWARE AND HUMAN TRANSCRIBERS, AND MAY CONTAIN ERRORS. 0:08 - Baryard Rustin, forgotten Civil Rights leader 5:58 - Untold and Mis-told Stories 12:01 - Narrative film and social change 19:41 - Strategy and change in the Civil Rights Movement 30:48 BREAK 31:24 - American changemakers and revolutionary heroes (of social justice) 35:16 - Bayard Rustin, LGBTQ identity and social change 45:09 - Policy, legislation and social change 51:52 - We don't have a shared story 55:11 - Role of arts in social justice 1:00:05 - Race, Culture, and Storytelling 1:10:06 - Lightning Round 1:10:52 - Honoring Fannie Lou Hamer 1:14:00 - Closing (Stream, Like, Subscribe, Share) 1:15:54 - Disclaimer STAY ENGAGED with HISTORICAL DRAMA WITH THE BOSTON SISTERS SUBSCRIBE to the podcast on your favorite podcast platform LISTEN to past past podcasts and bonus episodes SIGN UP for our mailing list SUPPORT this podcast on Spotify or SHOP THE PODCAST on our affiliate bookstore Thank you for listening! --- Support this podcast: https://podcasters.spotify.com/pod/show/historicaldramasisters/support

In which the Mister and I check out RUSTIN (2023), which we caught on Netflix.  From director George C. Wolfe and writers Julian Breece and Dustin Lance Black, the film tells the story of Bayard Rustin (Colman Domingo, who is in contention for the Best Actor Oscar at this year's Academy Awards), the main architect and organizer of the 1963 March on Washington.  While battling racism and homophobia, Rustin channels his power for the greater good and gets to work on organizing the largest peaceful protest in the service of furthering the civil rights movement.  Chris Rock, Glynn Turman, Aml Ameen, Gus Halper, Johnny Ramey, CCH Pounder, Michael Potts, Audra McDonald and Jeffrey Wright (also up for a Best Actor Oscar for his turn in AMERICAN FICTION) round out the star studded cast.  The film clocks in at 1 h 46 m and is rated  PG-13.  Please note there are SPOILERS in this review. Opening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library  --- Support this podcast: https://podcasters.spotify.com/pod/show/jokagoge/support

Stephen is the incoming President & CEO of the Music School of Delaware of which Patrick is an alumnus (but Stephen doesn't know that when we start so keep it under your hat). Topics include: sensitive kids, deceptive simplicity, passing on Rooster, mom's lullabies, George C. Wolfe's Annie, and the teachers who poured themselves into us. The Music School of Delaware Featured recordings: Annie - Original Cast Recording (1976) ORIGINAL CAST MERCH! Visit our Patreon for access to our monthly live stream The Original Cast at the Movies where 2024 is THE YEAR OF *BARBARA* celebrating the filmography of Tony winner and Oscar nominee Barbara Harris! Patreon • Twitter • Facebook • Email

Singer-songwriter extraordinaire, actor, designer and superstar Lenny Kravitz has been crafting his unique fusion of rock, funk, reggae and soul for more than three decades, creating such massive hits as “It Ain't Over ‘til It's Over,” “Again,” “Let Love Rule,” “Are You Gonna Go My Way,” “Fly Away” and “American Woman.” He's a Grammy winner and has won numerous awards, including American Music Awards, MTV Video Music Awards, Radio Music Awards, Brit Awards and has old over 40 million albums worldwide - all done with his distinctive flair, passion and drive. As an actor, Lenny has appeared in numerous films, including Precious and the Hunger Games series, among others. Recently he took his work in film to a whole new level by pouring his heart and soul into writing a powerful song, “Road to Freedom,”  for the inspiring Netflix film Rustin.  Directed by George C. Wolfe, scored by Branford Marsalis, and starring Colman Domingo, Chris Rock, Da'Vine Joy Randolph, Jeffrey Wright and Audra McDonald, Rustin tells the story of Bayard Rustin, the architect of 1963's March on Washington, who, along with Martin Luther King Jr. inspired a movement and blazed a path forward toward a better world. Lenny recently talked to VERSED to share how he wrote “Road to Freedom,” how Martin Luther King, Jr.'s march continues today and his plans for hitting the road himself this year in support of his new album due for release in March. Listen to “Road to Freedom” and other Kravitz classics Watch Lenny perform “Road to Freedom” on Jimmy Kimmel Live Visit Lenny's website  

Director and writer George C. Wolfe is our guest on the podcast this week as he chats with Dom Lenoir about re-creating black civil rights marches and moments of American history with his latest award winning film RUSTIN!. George, who has won five Tony Awards, also directed the feature Ma Rainey's Black Bottom discusses: Making a complicated homosexual factual film. Financing through President Obama. Adapting a true story using a mix of documentary techniques. Starting out in Theatre, what to show and not show when adapting for the screen. The screenwriting process and casting the perfect lead. Rustin is out now on NETFLIX! PODCAST MERCH Get your Xmas pressies here with our very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/ COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/ PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides and feedback on your film projects! SUPPORT THE PODCAST Check out our full episode archive at TheFilmmakersPodcast.com CREDITS The Filmmakers Podcast is hosted, produced, edited and written by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey CONTACT THE PODCAST email us: thefilmmakerspodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

In the Netflix film Rustin, activist Bayard Rustin faces racism and homophobia while helping change the course of Civil Rights history by orchestrating the 1963 March on Washington. Today, we'll turn things over to host Tre'vell Anderson of Netflix's The Official Rustin Podcast. In this episode from the podcast series, Tre'vell talks with director George C. Wolfe about his process of taking a life and turning it into film. Then he speaks to actor Colman Domingo about what it took to portray Rustin and the significance of a gay Black man playing a gay Black man on screen. Listen to more from Netflix Podcasts.

‘Rustin' gives new life to the legacy of Civil Rights leader Bayard Rustin. Though Rustin was a influential figure in the civil rights movement — he was the adviser to Martin Luther King, Jr., and was architect to the 1963 March on Washington — his contributions have been largely overlooked in the movement's history. Directed by George C. Wolfe and starring Colman Domingo as the titular activist, this biopic hopes to thrust Rustin's hard work and dedication finally into the spotlight. Film critic Reggie Ponder shares his thoughts on the film for “The Reel Critic.” ‘Rustin' is streaming on Netflix "The Reel Critic" is hosted and produced by Reggie Ponder. Follow Reggie on Twitter and Instagram @TheReelCritic, and on Facebook @ReggieTheReelCritic.

The First of Its Kind: The Inaugural HBCU Film Festival The Obamas were there. Colman Domingo and director George C Wolfe from 'Rustin' were there. And Loni Love was one of the judges. We'll talk about the HBCU First Look Film Festival. #HBCUFirstLook #CafeMochaRadio #RustinMovie #ESPNCrossover #BassLawman #Oscars #BlackFilmmakers Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of the Black Girl Nerds podcast, we welcome Iyanla Vanzant and actor Aml Ameen. Segment 1: Iyanla Vanzant is best known as the host of the hit OWN series “Iyanla, Fix My Life,” which recently completed its 10th and final season. From welfare mother to New York Times best-selling author, from the Brooklyn projects to Emmy Award winner, from broken pieces to peace, Iyanla is one of the country's most celebrated writers and public speakers, and she's among the most influential, socially engaged, and acclaimed spiritual life coaches of our time. Host: Ryanne Segment 2: Aml Ameen plays Martin Luther King Jr. in Netflix's film Rustin, directed by George C. Wolfe and produced by former President Barack and Michelle Obama's Higher Ground Productions. The film follows civil rights activist Bayard Rustin as he organizes the 1963 March on Washington and as you may know, it's already getting a ton of awards buzz this season. Host: Jamie Music by: Sammus Edited by: Jamie Broadnax

This week on Black on Black Cinema, the crew returns to discuss the film, Rustin, starring Colman Domingo as Bayard Rustin. The is a 2023 American biographical drama directed by George C. Wolfe, highlights the life of Bayard Rustin, a charismatic gay civil rights icon. Rustin was instrumental in organizing the 1963 March on Washington, a pivotal event in the civil rights movement where Martin Luther King Jr. delivered his iconic "I Have a Dream" speech.

Unsung civil rights hero Bayard Rustin gets his due at last, courtesy of our guy Colman Domingo. Then, since Thanksgiving was this week, we dole out our honorary Turkeys of the Year. Plus, Christmas Movie Minute ramps into high gear!What's GoodAlonso - Tru-Tone Christmas LightsDrea - Yorkshire Tea Biscuit BrewIfy - Christmas at the AmericanaITIDICAwards Ceremony News (also this)Animation In Its Imperfection EraDune 2 Moved…AgainNB: The ep where Alonso said he wanted to see a Bayard Rustin biopic is #241, Aline.Staff PicksAlonso - Brother Outsider: The Life of Bayard RustinDrea - Quiz LadyIfy - ZolaSupport our sponsor!Museum of Flight's “The Flight Deck” PodcastListen at museumofflight.org/podcast or search “The Flight Deck” on your favorite podcatcher. New episode every Tuesday beginning October 24.Follow us on BlueSky, Twitter, Facebook, or InstagramWithDrea ClarkAlonso DuraldeIfy NwadiweProduced by Marissa FlaxbartSr. Producer Laura Swisher

It's another jam-packed episode of the Empire Podcast this week, folks. First, Chris Hewitt sits down on Zoom with ace composer and musician, Jon Batiste, and Matthew Heineman, about their new documentary, American Symphony; then he battles an uncooperative microphone stand and emerges with an enormously fun interview with Napoleon stars, Joaquin Phoenix and Vanessa Kirby; and lastly two walking Disney encyclopaedias meet, as our Ben Travis sits down with Jennifer Lee, the writer of this week's Wish and Chief Creative Officer of Walt Disney Animation Studios. On either side of all of those is a fun episode in which Chris is joined in the podbooth by Helen O'Hara and James Dyer to discuss the actor whose back catalogue they would choose to watch for the rest of their lives; natter about the week's movie news; and review Napoleon, Bradley Cooper's Maestro, George C. Wolfe's Rustin, and Wish. And yes, Chris does know he misquoted Dodgeball. First the Attack of the Clones review, now this: Film Twitter will find his resignation on their desk first thing tomorrow. As for this episode: enjoy. RUNNING ORDER (all timings approx.)INTRO/LISTENERS QUESTION: 0:00.00 - 20:13.00JON BATISTEMOVIE NEWS: 38:33.00 - 1:01:14.00JOAQUIN PHOENIX & VANESSA KIRBYREVIEWS: 1:19:03.00 - 1:43:45.00JENNIFER LEE & OUTRO

On this episode, JD and Brendan discuss George C. Wolfe's latest film RUSTIN, starring a to-be-Oscar-nominated Colman Domingo! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy

This episode originally aired just over a year ago, on Nov 17, 2022. Since then, actor Rahul Kohli has joined yet another Mike Flanagan project, one we love here at Feeling Seen -- The Fall of the House of Usher. Happy Thanksgiving!In this episode, Rahul (who starts in NEXT EXIT, directed by Mali Elfman) tells us the many ways that he feels seen by Daniel LaRusso (Ralph Macchio) in the KARATE KID films, and does so with a scrappy spirit that Daniel would approve of. Then, Jordan's one quick thing is an ode to Rebecca Hall and her latest, RESURRECTION.***With Jordan Crucchiola and Rahul Kohli

Sophia and Nick are back to discuss more awards contenders with strong performances that will haunt and inspire you. In Rustin, Colman Domingo plays the titular activist who was instrumental in leading the 1963 March on Washington. Listen to hear what they liked about the film, including George C. Wolfe's direction and a poignant script, before watching the film on Netflix.Next, dive into the twisted world of Emerald Fennell's sophomore film, Saltburn, featuring an unforgettably funny, wily, and brilliant cast (19:01). They avoid spoilers as they review the daring film and debate whether The Academy will love this as much as they did Promising Young Woman.Follow us on Twitter, Instagram, and TikTok @oscarwildpodFollow Sophia @sophia_cimFollow Nick @sauerkraut27More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

In this week's segment, Reggie “The Reel Critic” Ponder interviews actor Colman Domingo and director George C. Wolfe of new film ‘Rustin.' As Reggie dives into the story of Bayard Rustin, Domingo and Wolfe shed light on the intricate layers of Rustin's character, from his upbringing to his role as an activist and key advisor to Martin Luther King, Jr. Rustin's openly gay identity and the conflicts he faced during the civil rights movement are explored with its contrast to typical depictions of Black masculinity. ‘Rustin' is available to stream on Netflix starting Nov. 17. "The Reel Critic" is hosted and produced by Reggie Ponder. Follow Reggie on Twitter and Instagram @TheReelCritic, and on Facebook @ReggieTheReelCritic.

For this week's third podcast review, I am joined by Josh Parham, Dan Bayer & guest Brandon Lewis. Today, we are reviewing the newest film from director George C. Wolfe, "Rustin," starring Colman Domingo, Chris Rock, Jeffrey Wright & Audra McDonald. Based on the life of civil rights activist Bayard Rustin, this biopic has been a long time coming and has finally given Colman Domingo a leading role worthy of his many talents. What did we think of the performance from Domingo, the supporting cast ensemble, the writing, and the direction from George C. Wolfe? Tune in as we discuss these talking points, the film's awards potential, and more in our SPOILER-FILLED review. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

It's the SHERIN & MAE CAFE on Geek Girl Riot. Featuring Colman Domingo, George C. Wolfe, and a cameo from Julian. Along with the wildest movies we've seen in a while. The post Interviews with Colman Domingo and George C. Wolfe for Rustin + The Marvels, Scott Pilgrim, Saltburn, Poor Things, May December appeared first on idobi.

It's the SHERIN & MAE CAFE on Geek Girl Riot. Featuring Colman Domingo, George C. Wolfe, and a cameo from Julian. Along with the wildest movies we've seen in a while. The post Interviews with Colman Domingo and George C. Wolfe for Rustin + The Marvels, Scott Pilgrim, Saltburn, Poor Things, May December appeared first on idobi Network.

In front of an audience at the SCAD Savannah Film Festival, one of the premier writers and directors of stage and screen reflects on directing the original Broadway production of 'Angels in America' (for which he won one of his three Tonys), transitioning to film directing and, most recently, telling the story of the largely forgotten Black gay activist who organized the 1963 March on Washington. Learn more about your ad choices. Visit megaphone.fm/adchoices

EVAN RETURNS!!!!! He fills us in on what he's been doing, and then we get down to biz. First, we talk RUSTIN (3:27), George C. Wolfe's by-the-numbers biopic of gay Black activist Bayard Rustin elevated by Colman Domingo's masterful turn in the title role. Then it's THE MARVELS (26:22), Nia DaCosta's superhero film starring Brie Larson, Teyonah Parris, and Iman Vellani, and we answer that age-old question: Does this new Marvel movie make up for the crud that is Phase Four? We have some mixed opinions (one of us found it fun!), as you may expect. Over on Patreon, we talk about the 1944 noir classic LAURA (it's Noirvember, after all), directed by Otto Preminger and starring Gene Tierney, Dana Andrews, and Clifton Webb. We have lots of patron tiers, and for $5 you get access to voting in monthly polls and our exclusive audio content, which has a bajillion (technical number) bonus episodes available for you right now! Thanks for your patronage, and welcome back, Evan!

Neal Huff has had a remarkable career including multiple Broadway and off-Broadway shows, and numerous roles in film and television. His training journey has been equally remarkable. He seems to have had an instinct for searching out just the right teachers and institutions at just the right time - he describes them as stones in a river placed before him that allowed him to take the next important step in his journey. He has most recently been working on Broadway in the acclaimed production of To Kill a Mockingbird, in which he originated the role of the town drunk, Link Deas, alongside Jeff Daniels as Atticus Finch. After a record-smashing year, Neal switched roles to play Bob Ewell opposite Ed Harris as Atticus. Just before Mockingbird, Neal played the dissolute lawyer Willy Oban in George C. Wolfe's hit production of The Iceman Cometh starring Denzel Washington. --- Send in a voice message: https://podcasters.spotify.com/pod/show/storyofacting/message

Director George C. Wolfe discusses his new film, Rustin, with fellow Director Reinaldo Marcus Green in a Q&A at the DGA theater in Los Angeles. In the conversation, Wolfe discusses roadmapping his scenes by taking reference from some of Rustin's real-life tactics, working with and taking notes from the Obamas- who acted as Executive Producers, and displaying the characters' growth through the framework of compositions by jazz composer, Branford Marsalis. The film tells the true story of Bayard Rustin, an advisor to Martin Luther King Jr., who dedicated his life to the quest for racial equality, human rights and worldwide democracy. However, as an openly gay Black man, he is all but erased from the civil rights movement he helped build. See photos and a summary of this event below: https://dga.org/Events/2023/December2023/RUSTIN_QnA_1023.aspx

Jose Llana returns to Broadway in the highly anticipated production of David Byrne & Fat Boy Slim's Here Lies Love, for which he earned a Lucille Lortel Award nomination for creating the role of “Marcos” at the Public Theatre. He most recently starred as The King Of Siam in Lincoln Center Theater's Tony Award Winning revival of The King & I on Broadway, the US National Tour and the UK Tour. Previous Broadway credits include Chip Tolentino in William Finn's The 25th Annual Putnam Country Spelling Bee (Drama Desk Award, dir. James Lapine), El Gato in Wonderland, Wang Ta in David Henry Hwang's adaptation of Rodgers & Hammerstein's Flower Drum Song, Angel in RENT (dir. Michael Greif), Jessie-Lee in Streetcorner Symphony and his debut as Lun Tha in the 1996 Revival of Rodgers & Hammerstein's The King & I opposite Donna Murphy and Lou Diamond Phillips. Off-Broadway appearances include Adam in Falling For Eve (York), Gabey in On the Town (dir. George C. Wolfe, Delacorte) and Adam Guettel's Saturn Returns (dir. Tina Landau, Public Theater). Regional appearances include Bill Sikes in Oliver! (Papermill), Guillaume in Cameron Mackintosh's Martin Guerre (Guthrie Theater), Tin Man in Ballad of Little Jo (Steppenwolf Theater, dir. Tina Landau, Jefferson Nomination - Best Supporting Actor) and Candide in Candide (Prince Theater, Barrymore Nomination - Best Actor). TV/Film appearances include HBO's Sex and the City opposite Margaret Cho and Hitch with Will Smith. Appearing on numerous cast albums Jose is also a best-selling recording artist on the VIVA Philippines label. He has made two appearances with American Songbook in 2019 and 2015 which led to the release of his second solo CD, Altitude in the spring of 2016. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week, Krista takes a look back at her 2021 interview with Viola Davis. In this conversation, Davis discusses her acclaimed performance in “Ma Rainey's Black Bottom,” based on the play by August Wilson and directed by George C. Wolfe. She talks about the fears she faced in embracing the role, how she prepared to play Ma, and her experience working with Chadwick Boseman. She also reflects on the arc of her career, the significance of playing Annalise Keating in “How to Get Away with Murder,” how her definition of success has evolved over time, and she shares her advice for the next generation pursuing a life in the arts.

Welcome to a new episode of the Film at Lincoln Center podcast. This week we're excited to present a special episode featuring the star-studded speeches from our recent 48th Chaplin Award Gala honoring Viola Davis. Having taken place on April 24 at Lincoln Center's Alice Tully Hall, the Gala encompassed a joyful celebration of the actor and producer's incredible body of work, featuring notable speakers and film clips, and culminating in the presentation of the Chaplin Award, an annual honor bestowed upon cinema's most outstanding talents. The evening's guest speakers included, in order of appearance, Jayme Lawson, who starred in THE WOMAN KING, George C. Wolfe, who directed Davis in NIGHTS IN RODANTHE and MA RAINEY'S BLACK BOTTOM, Meryl Streep, who co-starred in DOUBT, Gina Prince-Bythewood, who directed THE WOMAN KING, Jessica Chastain, who co-starred in THE HELP and THE DISAPPEARANCE OF ELEANOR RIGBY with Davis, and, presenting Davis with the Chaplin Award, Steve McQueen, who directed the actor in WIDOWS.

Running through the month of April, Lincoln Center's "American Songbook: A Place You Belong" concert series celebrates four historic NYC music institutions of yesteryear: the Savoy Ballroom, Palladium Ballroom, Cafe Society, and Paradise Garage. Lincoln Center chief artistic officer Shanta Thake and George C. Wolfe, the writer and director who helped conceive the series, join us to preview.