Podcasts about indie filmmakers

 In this episode of Strap On Your Boots, I reflect on nearly twenty years of independent filmmaking and why I believe there has never been a better time to make a movie. Using my latest documentary, Before the Moon, as an example, I explore how affordable cinema cameras, drones, editing tools, social media, direct screenings, physical media, and digital distribution have transformed what independent filmmakers can accomplish. The technology is more accessible than ever, but the real advantage comes from finding a great story, building an audience around it, and creating something people genuinely want to see. 

In this episode, we welcome co-directors Christian Hurley and Ben Oliphint, and producer Matt Wassong—the filmmakers behind the horror feature A Most Atrocious Thing, made for just $8,000 and ultimately landing distribution on Roku and other platforms. In our conversation, the team shares the inspiration behind the film, writing it during the pandemic, shooting the feature on a shoestring budget, and navigating its evolving post-production process. They also demystify indie film distribution—sharing their experiences on the festival circuit, making a key connection at Tubi, and other secrets behind the film's success.“The Making Of” is presented by AJA:Futureproofing with IP videoAs production workflows rapidly evolve, IP video is key to building more scalable, future-ready pipelines. To get up to speed on the IP fundamentals and gain insights into the various IP paths – like ST 2110, NDI, Dante AV, and SRT – download AJA's free IP video white paper today.Screamfest 2026October 6-15 | Los Angeles, CAReady for a thrill? Screamfest returns October 6–15 with ten nights of spine-chilling world premieres, terrifying shorts, and exclusive filmmaker Q&As and panels. Catch the newest discoveries in horror on the big screen before anyone else. Don't wait—secure your festival passes and tickets today before they sell out! Learn more hereA Solution Built Around Your WorkflowThe OWC Express 4M2 Ultra is available in a range of configurations to fit your workflow and budget. Choose from ready-to-run solutions with up to 32TB of high-performance NVMe storage, giving you the speed, capacity, and reliability needed for everything from multi-camera editing to demanding VFX and finishing workflows. Available now. Explore hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereElgato Prompter XLThe Elgato Prompter XL is a professional all-in-one teleprompter with a 15.6” removable display and a reading range of up to 15 feet. Featuring USB 3.2 connectivity and broad compatibility, it's ideal for live productions and content creation. Available now at Videoguys.com—call 800-323-2325 to learn more.Explore herePodcast Rewind:July 2026 - Ep. 146.Partner with The Making Of:Reach 275K film production industry, broadcast pros, and content creators reading this newsletter. To explore advertising, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Erin Ainé and Kyle Valle return for a chat about their Micro horror film, Autonomous. Watch Autonomous on https://www.screamify.com Kyle and Erin's links: Zombieconvol1.com Bigsquidproductions.com Erin's socials: @erin_aine Kyle's socials: @Kykyv71   Support the Rings Of Adventure Kickstarter: https://www.kickstarter.com/projects/rvb1/rings-of-adventure-anthology   Podcast Website: thetrueandthefictional.com Contact the show: thetrueandthefictional@gmail.com Support the show: Buymeacoffee.com/sttatf Buy Merch: Jabryden.printify.me   Follow us on the socials: FB: Facebook.com/storiesthetrueandthefictional IG: @stories_podcast X: @stories_ttatf Youtube: https://www.youtube.com/channel/UCzIXhRcUvPPAzpCL-_a9N4w   Dropbear/logo designed by Mike Crumbs: Cartooncrumbs.com   Sponsor 1: Rebecca Cassells Buy her books on Amazon: https://www.amazon.com/.../e/B08WCH6RHG/ X: RACassells_auth IG: Rebecca.cassells.92 FB: Facebook.com/RebeccacassellsbooksTikTok: @rebeccacassellsauthor   Sponsor 2: J.A. Bryden  Website: Jabryden.com Socials: @jabryden   Indie Book Award Winners 2025:   Janelle Schiecke: Socials: J_Schiecke Buy her books: https://www.amazon.com.au/stores/author/B0CCXHKVGH/allbooks?_encoding=UTF8&ref_=aufs_ap_ahdr_dsk_ab&pd_rd_w=XSV9m&content-id=amzn1.sym.b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_p=b4344408-bcb0-46d7-b9b0-ac31160009fa&pf_rd_r=358-0097934-1431222&pd_rd_wg=8hy1R&pd_rd_r=f0f7368c-365a-4c1c-8cc2-4a75595b0f92   Alexander Rob: Socials: @TheStarwald Website: Alexanderrob.com   #indieauthorpodcast #meettheauthor #books #indiebooks #booktube

Send us Fan MailOne night.  A scavenger hunt that's supposed to feel like freedom, until the past forces its way into the open. Filmmaker Gregory Pellerito joins us to talk about ‘Moments Of Youth' and what it really takes to finish an independent feature film when plan meets reality. If you love indie movies, coming-of-age stories, or the nuts and bolts of movie production, you'll get a candid look at how a film goes from page to screen without a studio safety net.Then we go deep on craft: how you shoot a story set over one night across multiple years, how he trims within scenes to protect pacing, and what happens when locations change or access disappears at the last minute. Gregory also explains his directing approach to improv, including getting a clean script take first and then letting great performers find extra laughs and texture. Listen now, then subscribe, share this with a filmmaker friend, and leave a review so more indie film fans can find the show. What's the hardest production problem you've ever had to solve? Support the show

One of the biggest challenges for indie filmmakers isn't making the movie—it's getting access to the people who can help make it happen.In this clip, I share three practical strategies I've learned for reaching talent, studios, agents, managers, composers, and other decision makers when you're starting from the outside looking in.Topics Include: Why foreign representatives can sometimes be easier to work with How entertainment lawyers can help open doors to companies that don't accept unsolicited submissions Why casting directors are often worth the investment when pursuing talent attachments The role reputation and relationships play in Hollywood outreach How to position your project for studios, investors, and collaboratorsIf you're trying to get your film off the ground and wondering how people actually connect with actors, managers, and industry decision makers, these strategies can help shorten the learning curve.

TOPICS: Ryan and Zak Sloan talk about “Obsession” topping the box office with less than a $1m budget; how to fix Spotify; our guest this week is music executive Russ Rieger. Russ is the co-founder of Not Dead Yet Media, a company that aims to give indie artists management, label, catalog acquisition, events, and content services under one roof. You can find out more about our guest's work by visiting notdeadyetmedia.com.Rate/review/subscribe to the Break the Business Podcast on iTunes, SoundCloud, Stitcher, and Google Play. Follow Ryan @ryankair and the Break the Business Podcast @thebtbpodcast. Like Break the Business on Facebook and tell a friend about the show. Visit www.ryankairalla.com to find out more about Ryan's entertainment, education, and business projects.” Hosted on Acast. See acast.com/privacy for more information.

Send us Fan MailClay Epstein drops distributor secrets every young filmmaker must hear on Part 2 of The Film Hustlers Podcast — The budget sweet spot, making a commercial calling card. The added value you need for indie success, and the new Nancy Joan Epstein CSUN “New Voices” scholarship. Hit play if you dare.

In this #podcast episode, I interview Brent Lindstrom. I ask Brent to share with you how he discovered his calling as an independent writer and filmmaker. I also ask Brent about how he leaned into the calling even when things were hard and he had doubts. Brent also shares some misconceptions he's discovered as an entrepreneur.   Show Notes and Resources.   Want to be a guest on Inspired Stewardship? Send Scott Maderer a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/scottmaderer

Ethan Marten shares his journey from growing up around Hollywood through his father's connections to forging his own path as an actor, producer, and filmmaker outside the traditional system. From landing early acting roles to learning the realities of auditions, collaboration, and directing, he offers a grounded perspective on what it actually takes to sustain a career in the film industry. His experiences highlight the importance of preparation, adaptability, and understanding both the creative and business sides of filmmaking.The conversation also dives deep into indie filmmaking realities—raising money, producing projects, navigating distribution, and building films from the ground up in places far from Hollywood. Ethan emphasizes that passion is the driving force behind every successful project, and without it, the process becomes unsustainable. His insights offer a practical roadmap for filmmakers looking to create meaningful work while navigating the challenges of an increasingly competitive industry.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Vertical dramas originated in China in the late 2010s, and they've only grown in popularly since then: in 2024, revenue from vertical dramas in China surpassed traditional Chinese film box office receipts. Worldwide, they're an $11 billion dollar industry, and the industry is only growing. Shot in 9:16 (specifically for phones) for apps like ReelShort and DramaShort, episodes of these serialised dramas are one to two minutes long and pay-as-you-go; in order to get to the end, viewers need to buy credits. The stories themselves rely on very specific genre tropes, including werewolves, forbidden love affairs, and secret identities, and have titles like Found a Homeless Billionaire Husband for Christmas, Fated to my Forbidden Alpha, and Married for Green Card, Stayed for Love (which are all real titles).Vancouver has become a go-to destination for the filming of these vertical dramas. However, even though vertical productions employ many of the same artists who work on independent film productions, content-wise, there isn't a lot of crossover between the two. Is it even possible for indie filmmakers to leverage the vertical space to tell their stories? According to Julie Bruns, there is indeed space for indie filmmakers in the world of vertical dramas. Julie is an award-winning indie filmmaker and actress (including Ada, about 19th-century genius mathematician Ada Byron King), a veteran of 25 vertical dramas, and the force behind Beneath Crimson Sails, which recently premiered on the vertical streamer Muvpix. Beneath Crimson Sails is a fully independent fantasy pirate vertical series filled with treasure, magic, sword fights, ships, stunts, and nary a trope in sight. In this fascinating and informative interview, Julie speaks with Sabrina about the world of vertical dramas, and what a project like Beneath Crimson Sails tells us about what's actually possible in that space. Episode sponsor: Fish Flight Entertainment

What does it actually take to fund an indie film?I break down the real tension behind making a movie like The Arbiters—balancing the business side (funding, development, pitching) with the creative side (storyboarding, building the film itself). Because the truth is, every dollar spent trying to raise money is a dollar not going directly into the art.I talk about the constant trade-offs: Do you invest more into development to secure funding? Or push forward creatively and prove the vision through execution? There’s no perfect answer—just a constant effort to “thread the needle.”Beyond that, I also reflect on how global events, shifting markets, and cash flow realities impact not just the budget, but the people behind the project. From rising costs to supporting a worldwide team, this is a candid look at the emotional, financial, and strategic weight of bringing an ambitious film to life.If you’re a filmmaker, freelancer, or creative entrepreneur, this is the side of the process people don’t often talk about—but absolutely should.

This is a recording of a members-only Substack Live I hosted two weeks ago. If you're a paid subscriber, this is exactly the kind of access and conversation you're signing up for! Carolina Alvarez, writer-director and founder of Femme Regard, is the force behind Sync — a self-financed sci-fi feature now streaming on Amazon Prime that received SIX distribution offers. In this special chat, she breaks down what film school doesn't teach you:  how she crowdfunded a feature in stages built a festival strategy around genre and community (not just prestige) reached out to 20+ distributors without a rep spotted the red flags in bad offers decoded the unsexy deliverables that can quietly blow your budget in post-production This episode is for any filmmaker trying to figure out how to actually get your movie seen! Subscribe to the AOP Substack for free to stay in the loop, or go paid to get access to members-only lives like this one, bonus content, and the full archive. Links are in the show notes. AOP SUBSTACK Musings, Mixers, Workshops, and Exclusive Content https://angleonproducers.substack.com/   LISTEN TO THE SHOW Spotify: https://open.spotify.com/show/6UBux9RgxeW1MiQDXSMrnr iTunes: https://apple.co/3FDyhmC   JOIN THE AOP COMMUNITY  Instagram: / https://instagram.com/carolinagroppa | https://instagram.com/angleonproducers  TikTok:   / https://www.tiktok.com/@carolina_groppa  LinkedIn:   / bit.ly/2BqHs8L   QUESTIONS ​Submit them in our on going AMA  https://tinyurl.com/5aprkzz6    

Host Scott duPont walks through a detailed list of important items NEEDED to successfully finance a movie.

Ethan Marten shares his journey from growing up around Hollywood through his father's connections to forging his own path as an actor, producer, and filmmaker outside the traditional system. From landing early acting roles to learning the realities of auditions, collaboration, and directing, he offers a grounded perspective on what it actually takes to sustain a career in the film industry. His experiences highlight the importance of preparation, adaptability, and understanding both the creative and business sides of filmmaking.The conversation also dives deep into indie filmmaking realities—raising money, producing projects, navigating distribution, and building films from the ground up in places far from Hollywood. Ethan emphasizes that passion is the driving force behind every successful project, and without it, the process becomes unsustainable. His insights offer a practical roadmap for filmmakers looking to create meaningful work while navigating the challenges of an increasingly competitive industry.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

HEADS-UP! Amour is beautiful but heavy (have the tissue ready!). Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

HEADS-UP! Amour is beautiful but heavy (have the tissue ready!). Do you want to write gritty stories that leave readers grief struck long after they read THE END and close the book? Amour is a fantastic template for a complex moral problem that will never be resolved. This is another example of how a story can have an arc when the protagonist is constant. And Valerie does a stellar job of working out who or what the force of antagonism is and how the speech in praise of the villain applies when the antagonist isn't obvious. -M. Acquire the power to write a bestselling story at storynerd.ca/courses For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.To learn to read like a writer, visit Melanie's website.

In this session, we begin a new series of discussions about pursuing the craft of filmmaking from the indie perspective by outlining the basics of production, format, and distribution.

YouTube and AVOD platforms like Tubi are changing how independent filmmakers make money. In this episode, filmmaker Tom Malloy explains why strong openings, smart pacing, and understanding ad-based audiences are now essential—and how filmmakers can reverse-engineer successful YouTube movies to build a sustainable filmmaking career.

A spark of madness is often the first step toward creation. On today's episode, we welcome Bojan Dulabic, a passionate Vancouver-based filmmaker who pulled off a small miracle—he made a full-length zombie movie for just $5,000. But this isn't just a story of budgeting brilliance; it's a tale of relentless passion, artistic vision, and the kind of self-taught wisdom you can't get in film school.Born in Bosnia, raised in Germany and Croatia, and finally settled in Canada, Bojan Dulabic's journey into filmmaking is stitched together by war, displacement, and a child's fascination with VHS tapes in his mother's shop. His early life sounds like something out of a global coming-of-age novel. And perhaps that nomadic upbringing seeded in him a gift for observation—a key trait in any great storyteller. When he finally turned his teenage creativity into a film project in high school, something clicked. Not just the shutter on a camera, but the internal compass of a man who knew he had to follow the path of cinema, even if it meant doing it on his own terms.This wasn't a journey paved in gold. His first feature, shot for $4,000, was a comedy that taught him the ropes. His follow-up? A feature-length zombie film titled Project Eugenics.What could have been a cliché genre dive instead becomes a thoughtful narrative on misinformation, the chaos of modern life, and yes—zombies as metaphors. “To me, a zombie flick... it's not about the zombies. It's always about something else,” Bojan reflects. In his hands, the walking dead become symbols of mass confusion, manipulation, and the blurred lines of truth in our hyper-connected world.There is a playful seriousness to Bojan's philosophy. He reveres Romero and admires Rodriguez, but he walks his own road. Like Alan Watts would muse about the dancer and the dance, Bojan seems less concerned with final outcomes and more with being in the creative flow—tripping over obstacles and finding meaning in the madness. He shares stories of juggling a wedding, a tight shooting schedule, and DIY visual effects like a magician with duct tape. His secret? A mindset that embraces “safe confusion”—a term borrowed from Tarantino—that invites the audience into mystery without losing them.What's more, Bojan brings a rare humility to the table. He speaks about his cast and crew with deep respect, understanding that low-budget filmmaking doesn't give you the license to burn out others for your dream. His actors often worked just a few days, each scene scheduled with precision.His respect for time, energy, and goodwill may be the real reason his film came together. For him, filmmaking is not just a creative act but a spiritual contract—with himself, with his collaborators, and with the audience.This podcast isn't just a technical breakdown of low-budget indie cinema. It's a spiritual blueprint for artists who feel the fire but lack the funds. Bojan's approach is radical because it's so simple: take stock of what you have, and build from there. Whether it's stock footage, free VFX plugins, or your friend's living room—use it. More importantly, finish it. Don't wait for permission. Make your movie now.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

In this episode, Bill and Chris discuss various Halloween anthologies, focusing on the VHS series and its evolution over the years. They review the latest installment, VHS Halloween 2025, and critique its segments, including 'Coochie Coochie', 'Ootsuprasikinfraara', 'Fun Size', 'Kid Print', and 'Home'. The conversation touches on themes of storytelling, the effectiveness of horror, and the importance of wraparound narratives in anthologies. They also announce the release of 'Don't Forget to Leave' and discuss its availability through public libraries. In this conversation, Chris and his co-host review and discuss the horror films 'VHS Halloween' and 'All Hallows Eve 2'. They provide recommendations, grades, and insights into the filmmaking process, particularly focusing on the indie aspect of horror films. The discussion highlights the strengths and weaknesses of each film, with a particular emphasis on storytelling, production quality, and viewer engagement. They also touch on the evolution of horror anthologies and the significance of supporting small filmmakers.

Actress Kim Novak receives a special tribute at the 51st American Film Festival in Deauville, while newcomers Cole Webley, Christian Swe­gal and first-time directors Scarlett Johansson and Kristen Stewart screen their features in the Normandy resort town. FRANCE 24's Genie Godula takes time out from her duties as mistress of ceremonies to bring us the highlights, with Pamela Anderson's Talent Prize kicking off this year's festival and a rich selection of documentaries and retrospectives also on the bill. 

A24 has solidified itself as the "indie darling" of film studios, gaining a sizable cohort of devotees (many of them young) who rep the studio's merch like fans of a rock band. Started in 2012, A24 made a name itself by releasing smaller art-house and art-house adjacent films in a time when the mid-size movie was quickly being shuffled from theaters to streaming. Some of the studio's early successes include Harmony Korine's Spring Breakers, Barry Jenkins' Moonlight, and Robert Eggers’ The Witch. The latter being a prime example of A24's unique business model: mid-budget movie gets a mid-size release with some edgy, digital-first marketing to turn a mid-size profit. But, as A24 has grown, so has its movies' budgets. We probably won't see an A24 Superman anytime soon, but the studio’s more recent in-house productions and festival acquisitions show a trend away from the indie films that helped set it apart. Today on FilmWeek, Larry speaks with culture editor for the New Yorker, Alex Barasch, about the rise and evolution of A24. Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

The boys come together and rank the first director on Show Us Your Basement. Is Kevin Smith Greatness? Does he have a permanent home in Midness? Or should he be locked in the Basement?

This month we are joined by Andy Elias, one of the founders of the production company Caio Handy ( @CiaoHandy  ). A writer, producer, director, and actor, he's made films like “The Numbers”, “The Beast of No Man's Land”, and the award-winning “Tales from the Great War. He's also acted in a variety of films, from big-budget Hollywood flicks “The Phantom Menace” and “The Mummy” to indie hits like the dazzling “Pocket Film of Superstitions”. Join us for a chat with Andy about everything from his favourite horror films to finding a World War I trench to film in to what he shares in common with Marlon Brando.

Alyssa Roman is an indie film director, writer, and costume designer.Why do movies not hit the same anymore? How have streaming services changed the landscape for movies? Why is there little support for indie films still? How are indie films made?In this episode, expect to learn the answer to all the questions above and get to know what life is like as an indie filmmaker.Alyssa's Instagram:https://www.instagram.com/alyssaroman/https://www.instagram.com/ifimayfilm/Get in touch in the comments below or head to:Website: https://thewetslap.com/Instagram: https://www.instagram.com/thewetslap/Email: booking@thewetslap.com

Join TSL Workshops: https://tslworkshops.circle.so How do you turn a real-life moment into a movie — without studio backing or a big festival launch? Jeff talks with The Bragg Brothers about making PINBALL: THE MAN WHO SAVED THE GAME, an indie biopic about GQ journalist Roger Sharpe, who helped overturn New York's ban on pinball in 1976. They share how they spotted the story's potential, built trust with Roger and their financier MPI, and crafted a fun, visually bold film — complete with narration and performances from major talent like Mike Faist (CHALLENGERS). If you're developing a true story or curious how two filmmakers turned a niche moment into a breakout debut, this episode is for you. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we cover the top 3 things to watch out for in any sales or distribution contract: term length, sales fees, and expense caps. Learn how to protect your film and maximize your earnings.

Film-Makers Justin Graves and Byron Manuel talk about what it takes to make movies in 2025 being young, talented, and black. They talk about finding the dream of movies and giving up the dreams of music and sport.  They talk about doing what it takes on a budget, fundraising, festivals, developing a ton of projects, and getting their movie “Swoon” on Tubi. They also talk about being able to handle the gut punches that the business offers and keeping your spirits high. Bio: Justin Antuan Graves was born Nov 17, 1984. He is an American writer and producer. Born in Beaufort, South Carolina. A military brat his whole life, he moved around a lot and found comfort in watching movies and cartoons all day as a child, especially comedies. Everything from Honey, I Shrunk The Kids to Friday to Superbad and beyond gave him the passion and confidence to begin writing. Justin started his first screenplay in 2016 and in 2018 he made the move from Jacksonville, Florida to Los Angeles to pursue a career as a screenwriter. With no network, he made his own short films and content that eventually led to becoming a writer for comedians and influencers online such as Juhan Jones, Virgil Harris and Kassandra Lee. Justin is best known for What Had Happened Was (2020), Booty Call Chronicles (2019) and  most recently Swoon (2025) and Allure (2025). Justin is Co-President of On Script Pictures and is currently building a Hard R Comedy Film and TV slate with his partner Byron Manuel.Byron Manuel is a Writer, Producer, Director, and Filmmaker from Los Angeles. He expresses his passion for storytelling through a unique lens.  Byron got his start on critically acclaimed shows such as Showtime's "Kidding", HBO's "Euphoria", Disney's "KC Undercover", and "Run The World" on Starz, while simultaneously carving out his own lane as an Indie Filmmaker.

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Welcome to Trilith Institute Talks!     In this episode of Trilith Institute Talks, host Hunter Barcroft converses with Kristina Arjona, an emerging director and professional intimacy and mental health coordinator. Kristina shares her journey in the film industry, the role of intimacy coordinators, and the significance of mental health on set. Joined by film students Josh and Aaron, they discuss the necessity of establishing work-life balance, implementing effective intimacy coordination, and promoting mental health awareness in the film industry. Kristina also highlights her upcoming dark comedy vampire feature, 'Randy Mandy and the Curse of the Plaza Theater,' and its associated mentorship program aimed at bridging the gap between indie film projects and industry standards.      Episode Timestamps     00:00 Introduction and Content Warning 00:19 The Role of Intimacy and Mental Health Coordinators 00:42 Meet the Host and Guests 01:26 Kristina Arjona's Journey into the Film Industry 02:39 The Importance of Safety Protocols 05:44 Mental Health Support on Set 07:01 Practical Strategies for On-Set Mental Health 12:17 The Impact of Intimacy Coordinators 15:58 The Role of Mental Health Coordinators 27:13 Advice for Leadership in the Film Industry 29:25 Communication Tools for Actors 30:13 Protecting Child Actors on Set 31:22 Breaking Down Industry Norms 33:10 Balancing Personal Life and Film Career 34:22 Compassion and Support in the Industry 36:50 Resources for Indie Filmmakers 38:16 Intimacy Coordinators and Industry Standards 50:19 Directing and Mentorship Programs 59:59 Conclusion and Final Thoughts     About Trilith Institute Support The Next Generation of Storytellers Take A Professional Education Course Get Involved With Trilith Institute Contact Us Follow Us On Social Media! Trilith Institute Talks Instagram Trilith Institute Instagram Trilith Institute Facebook Trilith Institute LinkedIn

A spark of madness is often the first step toward creation. On today's episode, we welcome Bojan Dulabic, a passionate Vancouver-based filmmaker who pulled off a small miracle—he made a full-length zombie movie for just $5,000. But this isn't just a story of budgeting brilliance; it's a tale of relentless passion, artistic vision, and the kind of self-taught wisdom you can't get in film school.Born in Bosnia, raised in Germany and Croatia, and finally settled in Canada, Bojan Dulabic's journey into filmmaking is stitched together by war, displacement, and a child's fascination with VHS tapes in his mother's shop. His early life sounds like something out of a global coming-of-age novel. And perhaps that nomadic upbringing seeded in him a gift for observation—a key trait in any great storyteller. When he finally turned his teenage creativity into a film project in high school, something clicked. Not just the shutter on a camera, but the internal compass of a man who knew he had to follow the path of cinema, even if it meant doing it on his own terms.This wasn't a journey paved in gold. His first feature, shot for $4,000, was a comedy that taught him the ropes. His follow-up? A feature-length zombie film titled Project Eugenics.What could have been a cliché genre dive instead becomes a thoughtful narrative on misinformation, the chaos of modern life, and yes—zombies as metaphors. “To me, a zombie flick... it's not about the zombies. It's always about something else,” Bojan reflects. In his hands, the walking dead become symbols of mass confusion, manipulation, and the blurred lines of truth in our hyper-connected world.There is a playful seriousness to Bojan's philosophy. He reveres Romero and admires Rodriguez, but he walks his own road. Like Alan Watts would muse about the dancer and the dance, Bojan seems less concerned with final outcomes and more with being in the creative flow—tripping over obstacles and finding meaning in the madness. He shares stories of juggling a wedding, a tight shooting schedule, and DIY visual effects like a magician with duct tape. His secret? A mindset that embraces “safe confusion”—a term borrowed from Tarantino—that invites the audience into mystery without losing them.What's more, Bojan brings a rare humility to the table. He speaks about his cast and crew with deep respect, understanding that low-budget filmmaking doesn't give you the license to burn out others for your dream. His actors often worked just a few days, each scene scheduled with precision. His respect for time, energy, and goodwill may be the real reason his film came together. For him, filmmaking is not just a creative act but a spiritual contract—with himself, with his collaborators, and with the audience.This podcast isn't just a technical breakdown of low-budget indie cinema. It's a spiritual blueprint for artists who feel the fire but lack the funds. Bojan's approach is radical because it's so simple: take stock of what you have, and build from there. Whether it's stock footage, free VFX plugins, or your friend's living room—use it. More importantly, finish it. Don't wait for permission. Make your movie now.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

This episode's guest is, actor, director, producer, improviser, and all-around wonderful human, Jennifer Clymer.Jen's journey is a rich tapestry of creativity, resilience, and community building. From founding Chicago's Playground Improv Theater to producing and directing both indie darlings and major studio projects (Spider-Man, Charlie's Angels), Jen brings heart and hustle to everything she does.We talk about her early days in Chicago's theater scene, how she pivoted into producing, and the powerful work she does now at the Motion Picture & Television Fund (MPTF)—where she helps care for aging and retired members of the entertainment industry. 

We're debuting a new series on the Toolkit feed; a look into some of the challenges and opportunities facing independent filmmakers in 2025. First up, we sit down with veteran producer Alex Saks, to dig into why even our most successful independent filmmakers are struggling to make a living right now. If directors like Sean Baker and Brady Corbet can work with the best indie studios, get great reviews, win awards, and STILL can't make rent, what does that mean for indie filmmaking as a whole? Watch the entire interview here: https://youtu.be/KTMP36_o-sk Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Blake talks about indie filmmakers Sean Baker and Brady Corbet and the Oscar wins for their films Anora and The Brutalist. Oh, and are they really both broke?Learn more about my indie film:http://www.caseymakesamixtape.comWatch Variety's Directors on Directors:https://youtu.be/3e5BQ1cFXzg?si=hsjElpmhYT7LE3KMWatch "Why to NOT make a film with an iPhone" series:https://youtu.be/VzHTiU8afygThanks for listening!©2025 ImageWorks Inc.

We are joined by local Chicago filmmaker Ashland Thomas to talk about his horror journey and the very first horror convention in the Wisconsin area, Milwaukee horror con!Get your tickets and find more details for the convention here: https://www.mkehorrorcon.com/ Follow Ashland Thomas here: https://www.instagram.com/ashlandt/?hl=en Hosts: Ethan Noyes, Jamie Verwys, and Nina Yarrington   Check out unedited episodes and support our podcast at Patreon! https://www.patreon.com/BloodyEssentialsPodcast  Stay up to date on all the creepy things we are up to by following us on our social media platforms! https://linktr.ee/bloodyessentials  If you want to let us know how much we are on your mind, feel free to buy us a coffee! We will give you a shoutout on our next episode! https://www.buymeacoffee.com/bloodyessentials  Bloody Essentials Logo by: Greg Stark   Intro/Outro Music: Sweet Little Nightmare by Darren Curtis   Video Footage in Intro Courtesy of: Suspiria 1977 (20th Century Fox), Halloween 1978 (Compass International Pictures & Trancas International Films), and Scream 1996 (Paramount Pictures)

Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf)  For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.com HOSTS:Adam RaniChristine Chen GUEST:Jordyn Aquino WEBISODE version of the Podcastgetreelisms.com  00:00 AI Voice Controversy: Scarlett Johansson's Voice in Ads 00:27 Introduction to Get Reelisms Podcast 01:04 Meet Our Special Guest: Jordan Aquino 01:41 Jordan's Career Journey and Move to LA 03:21 Challenges and Opportunities in Smaller Markets 04:39 Tech Issues and Leveling Up in LA 13:21 Streaming Platforms and Monetization Challenges 18:15 AI in the Entertainment Industry 21:21 Actors' Struggles with AI and Contracts 30:05 Empowerment Through Creating Your Own Work 31:18 Jordan's Passion Project: Can't Have It Both Ways 32:57 The Power of Community in Filmmaking34:32 Challenges and Realities of Hollywood 35:47 The Importance of Creating Your Own Content 37:17 Acting and Coaching Insights 39:08 The Collaborative Nature of Filmmaking 42:07 The Value of Producing Your Own Work 46:28 Navigating the Industry as an Actor 50:03 Jordan's Coaching Business 54:14 Final Thoughts and Encouragement Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

Show Notes:In this week's episode, I talk to indie filmmaker James Morris about how he got into horror later in life and the process for making his latest film He Never Left. We discuss why we think the horror genre is so unique and whether he's ever seen a UFO since he lives in Utah and much more. Don't forget to go check out his film He Never Left on VOD!James' Socials:  Instagram: http://www.instagram.com/jamesmorris7403  Rent “He Never Left” on VOD: https://tinyurl.com/wby88et6  Witching Season Films: https://witchingseasonfilms.com/Who's There? Socials: Bluesky: https://bsky.app/profile/whostherepc.bsky.social  Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com  Website: https://www.whostherepodcast.com  Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup

Are you looking to have more control over your distribution?Do you want to learn ways to get your film out there through non-traditional options?Indie distribution companies, indie streamers, and filmmaker-controlled platforms give you back your power. They have more transparency when it comes to rev share too. Through our discussion with Nancy Criss, whose distribution channels are numerous (Tubi, Walmart, Up Faith & Family, Plex, Amazon, Netflix, and her own), we'll learn about more options for indie filmmakers to take control back.(Episode 64)Hosted by Director/Producer⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Jenn Page.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Looking for a full service production company or pre-list stage with talk show set, green & white cyc, XR wall, and more?!? Check out Heart On Fire Studios and if you book directly and tell us you found us on The Working Director Podcast you'll receive 10% off your first booking! Looking for a filmmaker community? Join our private FB group for directors so you can attend these live conversations and get your questions answered. allfilmmakerswelcome.com

Indie filmmakers are always told to keep it small—one location, minimal cast, limited scope. But what if you flipped that thinking on its head? Instead of shrinking your vision, expand it. More locations. A bigger cast. A film that feels massive without breaking the bank.The truth is, playing big doesn't have to mean spending big. Strategic planning, creative problem-solving, and leveraging resources differently can give your indie film the scope of a blockbuster without the budget of one. In this episode, I break down how you can shatter the “small indie film” mold and make something truly ambitious without losing control of your costs.Let's redefine what's possible for indie filmmakers. Ready to go big? Let's talk in the comments!Don't forget to like, share, and subscribe! Yours truly,Phil SvitekFilmmaker, author, podcaster & 360 Creative Coach⁠http://philsvitek.com⁠

On today's episode, we welcome Curt Wiser, a writer and director whose journey proves that the path to making movies doesn't require a New York or Los Angeles zip code. From the sunny shores of Florida, Curt has forged his own cinematic destiny, creating the suspenseful and thought-provoking film Cam Girl—a story of isolation, control, and survival. But as with any journey worth taking, his was not without its trials.Filmmaking is often romanticized as an artistic dreamland, yet reality demands perseverance. Curt Wiser spent years writing scripts, refining his vision, and navigating the labyrinth of independent film production. He understood a fundamental truth—great stories come from deep within the storyteller. The seed of Cam Girl was planted not in a boardroom or a Hollywood studio, but in the quiet hours of personal discipline, writing at night after long workdays, shaping ideas into something tangible. He described his creative process as a structured yet fluid endeavor, saying, “I outline thoroughly, but when I start writing, it just pours out. I wrote the first draft of Cam Girl in 14 days.” Passion fuels discipline, and discipline, in turn, fuels success.His film, Cam Girl, takes a simple yet gripping premise—a woman working as a webcam performer who finds herself taken hostage—and transforms it into an intense, psychological unraveling. With one primary location and a tight cast, it is proof that compelling storytelling doesn't require a blockbuster budget. The industry often pressures filmmakers to define themselves within a niche, to follow trends rather than intuition. But Curt remains steadfast in his desire to explore diverse narratives, aware that Hollywood loves to box artists in, but true creators resist those constraints.Challenges are inevitable in both life and filmmaking, and Curt has encountered his fair share. Whether it was dealing with malfunctioning equipment, shifting schedules, or the ever-present financial constraints of independent cinema, he never allowed these obstacles to derail his vision. He understands that setbacks are not roadblocks, but rather, unexpected plot twists in the grand narrative of creation. “Filmmaking is like solving a puzzle while the pieces keep changing,” he mused. The lesson? You don't control the waves, but you learn how to ride them.Independent filmmaking is a test of patience, resilience, and the ability to pivot when necessary. Distribution, marketing, and audience reception all present their own set of challenges, but Curt embraces the uncertainty, knowing that each project is a stepping stone to the next.Cam Girl has found its way to audiences through Amazon and other platforms, an accomplishment that many filmmakers never reach. His approach to networking, to putting work out into the world, proves a vital point: persistence, not perfection, is what leads to opportunity.Filmmakers, writers, and creatives alike can take inspiration from Curt's journey. The industry is a maze, but the way through it is to keep moving. Too many aspiring artists get caught in the paralysis of waiting for the perfect moment, the perfect budget, the perfect conditions. But perfection is an illusion. Start where you are. Use what you have. Tell your story anyway.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Michael and I talk about making films and his new film Crossroads. You can find all his info here: https://www.instagram.com/crossroadsfilmjournal?igsh=NTc4MTIwNjQ2YQ==

Top 7 Trends Shaping the European Film Market (EFM) & Independent Filmmaking in 2025 In this episode, we dive deep into the hottest trends transforming the European Film Market (EFM) and the indie film space. Discover how filmmakers are adapting to new industry standards with topics including: Micro-Budget Film Success – Creating marketable films for $50K or less. Niche Genre Demand – Why thrillers, action, and faith-based films are thriving. Global VOD Opportunities – Leveraging YouTube and AVOD platforms. The Rise of Free Content – How ad-supported viewing is changing revenue models. Co-Production Strategies – Unlocking funding and tax incentives with international partners. Tax Rebates Up to 50% – Filming in locations that maximize your budget. AI in Filmmaking – The role of creative AI in reducing costs and shaping the future of production. If you're a filmmaker or industry insider, this episode is packed with actionable insights to help you navigate the evolving film landscape. Tune in and stay ahead of the trends!

AP correspondent Donna Warder reports, Hollywood director Jeff Baena is dead at age 47.

Ethan Henry discusses music, veganism, and indie horror filmmaking.

Michelle has written and produced a variety of projects, from indie films to major productions. She has crafted over 250 pieces of content, taking indie films to new heights and getting recognized at prestigious film festivals like ABFF and BronzeLens. In this episode, Michelle will share everything you need to know to make it in the world of indie filmmaking—from her storytelling passion to the importance of supporting each other in this creative space. Watch the weekly LIVE stream on ⁠⁠BraveMaker ⁠YouTube⁠⁠⁠. Follow BraveMaker on social media: ⁠⁠Instagram⁠⁠ ⁠⁠TikTok⁠⁠ ⁠⁠Facebook⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/bravemaker/support

Show Notes: In this week's episode Jacob shares how he got into filmmaking, the horror movie that he watched way too young, and his favorite movies that he saw at Fantastic Fest this year. He also reveals the horror movies he'll probably never watch and his awesome pick for a horror movie that he'd love to remake. Jacob's Socials:  YouTube: https://www.youtube.com/playlist?list=PL7hdbf3NTN-deuEYg_M6KbDgAAHoiwfJM  Talking Terror Podcast: https://open.spotify.com/episode/47IaKd25W2KPy3nodg6EAC?si=f0ef33b7bb8140dc&nd=1&dlsi=7b777295866a4545  Linktree: https://linktr.ee/jacobtheharper  Website: https://jacobtheharper.com/  Who's There? Socials: Join the Patreon: https://www.patreon.com/user?u=103143437  Twitter: https://www.twitter.com/whostherepc  Instagram: https://www.instagram.com/whostherepc Email: whostherepc@gmail.com  Website: https://www.whostherepodcast.com  Join the Email List: https://mailchi.mp/4a109b94d3bc/newsletter-signup --- Support this podcast: https://podcasters.spotify.com/pod/show/whostherepod/support

Episode 205: This episode was recorded October 30, 2024 and published November 5, 2024. Our topic for this episode is an introspect on the indie filmmaker's dream.  Joey Min and Susy Botello discuss three phases: The production process and distribution; funding; and if the outcome predetermines the potential for the next film. Learn more about Fade In To Film on the SBP Podcast: http://fadeintofilm.com  SBP Podcast Mobile Filmmaking: The Voice of Mobile Film™ is for everyone who ever wanted to or is curious about making movies and videos using smartphones.  Producer, writer, director, editor, composer, graphics and host: Susy Botello. This podcast does not use AI voices or generative AI. Enjoying our free podcast? You can support us!  BuyMeACoffee: https://www.buymeacoffee.com/susybotello  Patreon: https://www.patreon.com/sbppodcast  Sign up for our Podcast Newsletter: http://eepurl.com/iwK-dM Subscribe to listen in your own app: https://www.podbean.com/site/podcatcher/index/blog/kOpp1Xtzvu6l  SUBMIT YOUR FILMS TO IMFF'S 14TH EDITION: http://internationalmobilefilmfestival.com  Follow Joey and Susy: Joey's Instagram: https://www.instagram.com/thatguyjoeymin/ Susy's Instagram: https://www.instagram.com/susybotelloofficial/  Susy on Threads: https://www.threads.net/@susybotelloofficial  Susy on Twitter: http://twitter.com/susybotello  Susy's Substack: https://susybotello.substack.com  Our Links:  SBP Podcast Website: http://sbppodcast.com  Smartphone Filmmaking Publication: https://medium.com/smartphonefilmmaking Podcast Twitter: http://twitter.com/sbppodcast    Facebook: http://facebook.com/sbppodcast       Instagram: https://www.instagram.com/mobilefilmsd/   Apple Podcasts: https://apple.co/3QbEFUm © 2024 S. Botello Productions. All rights reserved.

Kitten Caboose is the star of his own rootin' tootin' cartoon series set on a goofy train passing through a Wild West town. One day, Kitten Caboose discovers he can venture beyond his small world and finds a beautifully rendered video game called Tome of Mana where he can be more than just a cartoon conductor. But when the villain of his series find his foe missing, he goes looking for him, and wherever the sinister Ollie Outlaw goes, trouble is close behind...Scripts start at 46:25StarringLaura PetroSadie LancreteHobert ThompsonNathan HallAnd Ryan Trimble as Kitten Caboose 

Nadine Crocker started her career with a passion for acting, but later found her calling in writing and directing. Drawing from her own lived experience, her award-winning feature film "Continue" is currently in the film festival circuit and shines a light on the topics of suicide prevention and mental health. To elevate the voices of others, Nadine formed Continue On, a non-profit focused on providing financial support for fellow storytellers and creating a subsidy for youth in need of mental health services. In today's episode, Nadine discusses the unique challenges of indie filmmaking, creating a family dynamic on set, and how when it comes to choosing her actors, it's all in the eyes. Ultimately, Nadine explains that directing is a beautiful, intricate dance between collaboration, problem-solving, and knowing when to step out of the actor's way. These are the unforgettable stories that landed Nadine Crocker right here. CREDITS:  Continue Desperation Road Supergirl Cabin Fever Rodeo & Juliet The Amityville Haunting Castle 10 Things I Hate About You No Ordinary Family GUEST LINKS: IMDB: Nadine Crocker INSTAGRAM: @nadinecrocker THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THAT ONE AUDITION'S LINKS: SELF TAPE MAY: Class is BACK! WHAT TYPE OF ACTOR ARE YOU: Quiz !!! THE BRIDGE FOR ACTORS: Become a WORKING ACTOR THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com ITUNES: Subscribe to That One Audition on iTunes SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher CREDITS: Host/Producer: Alyshia Ochse WRITER: Erin McCluskey WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu