Podcasts about Berberian

27º episódio da 3º temporada. Neste episódio trataremos dos aspectos que correspondem ao debate em torno da negligência e desproteção social. Contamos neste episódio com a participação da Assistente Social do TJ São Paulo Thais Berberian, mestra em Serviço Social pela PUC-SP.Indicações de leitura:BERBERIAN, Thais P. Serviço Social e avaliações de negligência: debates no campo da ética profissional. Serv. Soc. Soc., São Paulo, n. 121, p. 48-65, jan./mar. 2015.BERBERIAN, T. P. Serviço Social e avaliações de “negligência” contra criança e adolescente: debates no campo da ética profissional. Dissertação (Mestrado em Serviço Social) — Pontifícia Universidade Católica, São Paulo, 2013.FÁVERO, Eunice Teresinha. Questão social e perda do poder familiar. São Paulo: Veras, 2007.

durée : 00:59:28 - Mauvais genres - par : François Angelier - Charles Berberian, par une déambulation bouleversée dans les rues de Beyrouth, revisite les figures et les lieux de sa mémoire familiale. - invités : Charles Berberian Dessinateur et scénariste de BD

durée : 00:59:28 - Mauvais genres - par : François Angelier - Charles Berberian, par une déambulation bouleversée dans les rues de Beyrouth, revisite les figures et les lieux de sa mémoire familiale. - invités : Charles Berberian Dessinateur et scénariste de BD

Sermons given at Mount Hope Church's campus in Belmont, MA

durée : 00:02:49 - BD bande dessinée - par : Jean-Christophe OGIER - Un quart de siècle après avoir livré son "Journal" en bandes dessinées, Fabrice Neaud revient avec une nouvelle tétralogie autobiographique. Où il renoue avec les épisodes du passé, et poursuit sa réflexion intime.

Episode 100 Crosscurrents in Early Electronic Music: Italy—Part 1 Playlist Berio, Maderna, Nono, Zuccheri, RAI Studio di Fonologia Musicale (RAI), Milan Luciano Berio, “Mutazioni” (1955) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). The first complete tape work by Berio at the newly founded RAI studio, which he was running with composer Bruno Maderna. Sound engineering by Marino Zuccheri. Berio and Maderna kept an open mind about the music that would be produced under its roof. They did not align themselves aesthetically with either the musique concrète approach taken in Paris or the serialist, rules-based composing style of Cologne. “Bruno and I immediately agreed,” explained Berio, “that our work should not be directed in a systematic way, either toward recording acoustic sounds or toward a systematic serialism based on discrete pitches.”[1] As a consequence, Alfredo Lietti Marino Zuccheri, engineers for the studio, filled it with equipment that appealed to a wide spectrum of compositional needs. In 1956, studio no. 3 at RAI had a custom-built cabinet with six vertical racks consisting of audio generators (9 sine wave oscillators, 1 white noise generator, 1 pulse generator), sound modifiers (plate reverb, octave filter, high pass filter, low-pass filter, variable band-pass filter, third-octave filter, ring and amplitude modulators), and a mixing panel. Several tape recorders were available mix and match sounds. You can almost sense the excitement of the creation of these foundational works as each composer brought their own individualism to the sound a translated that into electronic music. 3:36 Berio & Maderna, “Ritatto di Città (poema radiofonico)” (1955) (1955 RAI). File from the RAI Archives. This is an excerpt from a radiophonic production that was 26' long. 6:05 Bruno Maderna, “Notturno” (1956) from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). Maderna's first official solo tape work produced at the RAI studio. From an original disc released by the RAI in 1956. 3:24 Luciano Berio, “Perspectives” from Prospettive Nella Musica (1956 RAI Radiotelevisione Italiana). An eight-part work of experiments in transforming musical sounds and rhythms with electronic manipulation. 6:36 Bruno Maderna, “Música su Due Dimensioni” from História da Música Eletroacústica (1958). 7:10 Luciano Berio, “Momenti”(1960) from Images Fantastiques (Electronic Experimental Music) (1968 Limelight). This release was an American collection of European electronic music released on the Limelight label, a subsidiary of Philips. Although released a few years after “Momenti” was available elsewhere, this was an album that captivated my imagination at the time. You hear Berio's innate sense for fashioning unique sounds and rhythms with this sound material, adding some reverb to give it depth, producing audio that is reminiscent of natural sounds, but transformed to give it an other-worldly quality. 7:02 Bruno Maderna, “Dimensioni II (Inventione su Una Voce)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Anyone familiar with Italian new music will know the name of Cathy Berberian. She was an American operatic mezzo-soprano and for a time (1950-64) was married to Luciano Berio. She was a kind of muse for the modern composers at the Milan studio, lending her incredible vocal capabilities to tracks that could then be transformed into electronic music. One such famous piece, not included here because it is so familiar, is “Thema (Omaggio a Joyce)” by Berio. Instead, I wanted to feature another tape piece, this one by Maderna, because he not only transforms Berberian's voice using electronic techniques but allows her to express herself as well in some unmodified sections. This marks a period where Maderna was longer magnetic tape pieces, ten minutes or more each. Unlike his shorter, more frenetic works, these longer pieces gave him time to develop themes, apply long silences, and structure his works around variations on his audio materials. 10:52 Luigi Nono, “Omaggio a Vedova” (1960) (1976 Wergo). A magnetic tape work by another outstanding contributor to electronic music in Italy, Luigi Nono. Like Berio, Nono went on to be better known for his instrumental and vocal compositions. This work is an homage to artist Emelie Vedova. Note that we feature another homage to Vedova from 1967 later in the podcast, “Parete 1967 _1” by Marino Zuccheri. 4:52 Niccolò Castiglioni, “Divertimento” (1960) from Elektron 3 (1967 Sugar Music). Produced at the Studio di Fonologia Musicale di Milano. Castiglioni was an Italian composer, born in Milan who later came to the United States to teach composition at the University of Michigan. This work sounds a bit like chirping insects and is the only tape piece he produced at the RAI. 2:38 Bruno Maderna, “Le Rire” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). Another long-form tape piece by Maderna. The voices heard and processed are those of Maderna, Cathy Berberian, and the sound designer Marino Zuccheri. The sounds in the beginning are modulated by sine waves and filters, plus some occasional ambient sounds like footsteps and rain. The second part of the work, beginning around the 11-minute mark, switches to more traditional musique concrete sounds reminiscent of drums, flutes, as well as white noise. 15:53 Luigi Nono, “La Fabbrica Illuminata” for voice and magnetic tape (1964) from Luigi Nono La Fabbrica Illuminata (1968 Wergo). Nono was also expanding his use of electronic sounds and wrapping them in vocal music. This work combines sounds created at the RAI with vocals written for a choir ( Chor Der RAI Mailand) and sopranos (Carla Henius). Marino Zuccheri helped Nono with the tape music. 16:28 Jon Hassell, “Music for Two Vibraphones” (1965) (1965 RAI). Yes, this is the Jon Hassell, the American composer and trumpeter. I know he is American, but I couldn't resist including this brief track that he recorded while in Milan in 1965. To my ears, this has an especially digital sound, especially when you consider how time consuming it must have been to assemble the opening sequence using tape editing. It is also a work of contrasts, with the explosive opening section giving way to about a minute of extremely quiet, almost ambient sound to close the work. 2:43 Marino Zuccheri, “Parete 1967 _1” (1967) from Parete '67 Per Emilio Vedova (2018 Die Schachtel). The sound mixer and designer at the RAI studio, Zuccheri often appears as a credit on works created in the studio. Working as a sound technician after World War II, Zuccheri was transferred to the RAI headquarters in Milan where he met Luciano Berio. He was instrumental in developing the system and layout of the Studio di Fonologia Musicale, where he worked until 1983. His close collaboration with the composers working at the Studio, above all Berio, Maderna and Nono, gave rise most of their notable tape pieces. Visitors, such as John Cage, were quick to acknowledge his steady hand as chief orchestrator of sound and engineering at the studio. He was often asked to provide electronic music for broadcast and film productions, of which this is one, a collaboration with Emilio Vedova for the preparation of the Italian pavilion of the Montreal Expo. 15:03 Luigi Nono, “Contrappunto Dialettico Alla Mente” (For Magnetic Tape)(1968) from Roland Kayn / Luigi Nono – Cybernetics III / Contrappunto Dialettico Alla Mente (1970 DGG). Another one of Nono's exquisite works combining vocals and electronic music on magnetic tape, recorded at RAI. In this work you can see how Nono complements the sound palette of the usual RAI sounds with sounds that are uniquely presented by human voices. Chorus, Coro Da Camera Della RAI; Conductor, Nino Antonellini; Soprano Vocals, Liliana Poli; Other Voices, Cadigia Bove, Elena Vicini, Marisa Mazzoni, Umberto Troni. 19:48 Opening background music: Bruno Maderna, “Serenata III” (1962)” from Musica Elettronica / Electronic Music (1994 Stradivarius). 11:20 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.   [1] Joel Chadabe, Electric Sound: The Past and Promise of Electronic Music (Upper Saddle River, NJ: Prentice Hall, 1997), 48

Feat. "Demoiselles d'horreur".Au programme : Judith arrive à lire les émotions dans les fluides corporels, Alice affronte des milliers d'aliens gluants en forme de poulpes, Raphaël confesse son penchant sadique pour les films où le héros est réduit en charpie purulente.Et aussi : le quiz visqueux de Robin, des anecdotes sur nos mères, un dindon géant, Blob Dylan, des faux liquides…--Cette émission vous a plu ? Parlez-en autour de vous !Pour accéder à du contenu additionnel (analyses de films, conseils…), suivez "Une invention sans avenir" sur Twitter : https://twitter.com/SansAvenir_pod--Nos chroniqueurs et chroniqueuses ont du talent ! Allez jeter un œil à leurs autres activités :Judith :son compte Twitter : https://twitter.com/DemdHorreursa chaîne Youtube "Demoiselles d'horreur" : https://www.youtube.com/c/DemoisellesdHorreur/son podcast : https://podcasts.apple.com/fr/podcast/demoiselles-dhorreur/id1619003752le site du collectif "S'Horrorité" : https://lashorrorite.fr/Alice :son compte Twitter : https://twitter.com/philopoulpeRobin :son compte Twitter : https://twitter.com/videopithequeson Instagram sur la vie de parents en néonatologie : https://www.instagram.com/neonat_anywayson émission "C'est un tube" (sur la chanson francophone) : https://cism893.ca/emissions/cest-un-tubeRaphaël :son compte Twitter : https://twitter.com/raphael_jaudonson groupe Goatfather (Stoner/Metal) : https://goatfather.bandcamp.com/--LISTE DES FILMS CITÉS :Attention au blob ! (L. Hagman, 1972)Le Blob (C. Russell, 1988)Junior (J. Ducournau, 2011)Grave (J. Ducournau, 2016)Titane (J. Ducournau, 2021)Le Voyage de Chihiro (H. Miyazaki, 2001)Princesse Mononoke (H. Miyazaki, 1997)District 9 (N. Blomkamp, 2009)Pacific Rim (G. Del Toro, 2013)Premier contact (D. Villeneuve, 2016)Dune (D. Lynch, 1984)Dune (D. Villeneuve, 2021)Starship Troopers (P. Verhoeven, 1998)Alien (R. Scott, 1979)The Thing (J. Carpenter, 1982)Annihilation (A. Garland, 2018)I'm Not There (T. Haynes, 2007)Le Transporteur 2 (L. Leterrier, 2005)Fils de (HPG, 2014)La Cité de la peur (A Berberian, 1994)L'Exorciste (W. Friedkin, 1973)Un ticket pour l'espace (E. Lartigau)Ghostbusters (I. Reitman, 1984)Terminator 2 (J. Cameron, 1991)Jurassic Park (S. Spielberg, 1993)Indiana Jones et le Temple maudit (S. Spielberg, 1984)L'homme qui rétrécit (J. Arnold, 1957)L'Étrange Créature du lac noir (J. Arnold, 1954)Godzilla (I. Honda, 1954)La Forme de l'eau (G. Del Toro, 2017)Eraserhead (D. Lynch, 1977)Videodrome (D. Cronenberg, 1983)La Mouche (D. Cronenberg, 1986)Ring (H. Nakata, 1998)Dark Water (H. Nakata, 2002)eXistenZ (D. Cronenberg, 1999)Prince des ténèbres (J. Carpenter, 1987)L'Antre de la folie (J. Carpenter, 1995)Scanners (D. Cronenberg, 1981)The Host (Bong J.-h., 2006)Hostel (E. Roth, 2006)Santa Clarita Diet (V. Fresco, 2017)AUTRES ŒUVRES CITÉES :L'innommable (H.P. Lovecraft, 1923)Symphonie n°3 "héroïque" (L.V. Beethoven, 1803) Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Episode 63 An Electronic Poetry Slam   Playlist Roland Giguere, “Les Heures Lentes” from Voix De 8 Poètes Du Canada (1958 Folkways). Spoken poetry intermixed with musique concrete by Francois Morel. The electronic music and poetry are never heard simultaneously on this album, but the music was composed to set the tone for each work that followed. 1:29. François Dufrêne & Jean Baronnet, “U 47” from A Panorama Of Experimental Music, Vol. 1: Electronic Music / Musique Concrete (1967 Mercury). Dufrêne was a French sound poet and visual artist who performed what he called "crirythmes," a style of vocal noises. The electronic music on tape was composed by Baronnet, who was a co-founder, with Pierre Henry, of Studio Apsome, their private studio for electronic music, after their break from the GRM studios of Pierre Schaeffer in 1958. Recorded under the supervision of Pierre Henry, in collaboration with the sound laboratories of the West German Radio (Cologne), Italian Radio (Milan), French Radio and Television (Paris), and the Studio Apsome (Paris). 3:33 Intersystems, “A Cave in the Country” from Peachy (1967 Pentagon). This was the Canadian experimental music band that produced some radically original music and performed live events mostly in the Toronto area from 1967 to 1969. Poetry and vocals by Blake Parker. Electronic music using the Moog Modular synthesizer by John Mills-Cockell. Performers, Blake Parker, Dik Zander, John Mills-Cockell, Michael Hayden. 1:50 Intersystems, “Carelessly Draped in Black” from Peachy (1967 Pentagon). This was the Canadian experimental music band that produced some radically original music and performed live events mostly in the Toronto area from 1967 to 1969. Poetry and vocals by Blake Parker. Electronic music using the Moog Modular synthesizer by John Mills-Cockell. Performers, Blake Parker, Dik Zander, John Mills-Cockell, Michael Hayden. 4:32 Bruce Clarke, “Of Spiralling Why” from The First See + Hear (1968 See/Hear Productions). From See/Hear, a quarterly publication of recordings of contemporary sound arts. There were three issues total. All from Canada. When there was electronic music, it was provided and created by Wayne Carr using a Buchla Box. Carr was associated with all three of the See/Hear albums/issues. This piece was commissioned for the Adelaide 1968 Arts Festival by the Melbourne ISCM, fragments of poetry were chosen at random from the unpublished works of the late Ann Pickburn, whom I believe you hear performing her words on this track. 9:35 Jim Brown and Wayne Carr, “Blues for Electric” from Oh See Can You Say (1968 See/Hear). Poetry and synthesizer. Poetry and voice, Jim Brown; engineer, Buchla Box, Wayne Carr. The second LP of this quarterly LP/magazine that seemed to only have three issues. “Wayne Carr plays synthesizer whenever it happens.” This is noted on another LP as a Buchla Box, so I've assumed that's what he used on all three albums. 3:09 bill bissett & Th Mandan Massacre (sp), “fires in th tempul” from Awake In Th Red Desert (1968 See/Hear Productions). Poetry and voice, Bill Bissett; Toy Flute, Roger Tentrey; Flute, Tape Recorder, Ross Barrett; Guitar, Terry Beauchamp; Percussion, Gregg Simpson, Harley McConnell, Ken Paterson, Martina Clinton; Producer, Jim Brown; Buchla Box, engineer, Wayne Carr. 3:32 bill bissett & Th Mandan Massacre (sp), “now according to paragraph c” from Awake In Th Red Desert (1968 See/Hear Productions). Poetry and voice, Bill Bissett; Toy Flute, Roger Tentrey; Flute, Tape Recorder, Ross Barrett; Guitar, Terry Beauchamp; Percussion, Gregg Simpson, Harley McConnell, Ken Paterson, Martina Clinton; Producer, Jim Brown; Buchla Box, engineer, Wayne Carr. 2:40 Ruth White, “The Irremediable” from Flowers Of Evil (1969 Limelight). Electronic music, translations, and vocalizations by Ruth White. Words by Charles Baudelaire. Legendary American electronic music pioneer, most noted for her early explorations of sound using the Moog synthesizer. "An electronic setting of the poems of Charles Baudelaire composed and realized by Ruth White." 4:55 Ruth White, “The Cat” from Flowers Of Evil (1969 Limelight). Electronic music, translations, and vocalizations by Ruth White. Words by Charles Baudelaire. Legendary American electronic music pioneer, most noted for her early explorations of sound using the Moog synthesizer. "An electronic setting of the poems of Charles Baudelaire composed and realized by Ruth White." 3:27 Charles Dodge, “Speech Songs: No. 1 When I Am With You (Excerpt)” and “Speech Songs: No. 2 He Destroyed Her Image (Excerpt)” from from 10+2: 12 American Text Sound Pieces (1975 1750 Arch Records). Realized at the Bell Telephone Laboratories for computer music in 1975. 3:45 William Hellermann, “Passages 13 – The Fire (For Trumpet & Tape)” from Peter Maxwell Davies / Lucia Dlugoszewski / William Hellerman, Gerard Schwarz, Ursula Oppens, The New Trumpet (1975 Nonesuch). Composed by William Hellermann; voices, Jacqueline Hellerman, John P. Thomas, Marsha Immanuel, and Michael O'Brien; words by Robert Duncan. This poem was first published in 'Poetry,' April-May 1965. Tape realized by Hellerman at the Columbia-Princeton Electronic Music Center. 25:28 Robert Ashley, “In Sara, Mencken, Christ And Beethoven There Were Men And Women (Excerpt)” from 10+2: 12 American Text Sound Pieces (1975 1750 Arch Records). Lyrics By – John Barton Wolgamot; Moog Synthesizer,Paul DeMarinis; Voice, Robert Ashley. Excerpt from an album-length work released in 1974 on Cramps Records. 3:53 Robert Ashley, “Interiors with Flash” from Big Ego (1978 Giorno Poetry Systems). A study for what would become Automatic Writing, a longer work by Ashley. recorded at Mills College, Oakland, California, May 14, 1978. Voice, Mimi Johnson; Electronics, Polymoog, Voice, written, produced, and mixed by Robert Ashley. 3:05 Joan La Barbara, “Cathing” from Tapesongs (1977 Chiaroscuro Records). Composed, produced, edited and sung by Joan La Barbara. The story behind this piece is a great one. In the 1970s, La Barbara, along with Meredith Monk, emerged in America as two of the premiere practitioners of avant garde vocalizing. Some might recognize the name of this piece as possibly a tribute to Cathy Berberian, the earlier generation's version of an avant garde diva (La Barbara and Monk would never consider themselves as divas in the sense that Berberian was). Rather than being a tribute to Berberian, La Barbara was responding to a radio interview (apparently broadcast during the intermission of her concert at the 1977 Holland Festival). Berberian was outspoken about the new generation of vocalists and wondered out loud how any respectable composer could write for “one of those singers.” La Barbara's response, composed in response, took excerpts from the interview (20 phrases), edited and rearranged them, altered them electronically to compose this piece. In her liner notes, she only identifies Berberian as another “professional singer.” Take that! 8:01. Laurie Anderson, “Closed Circuits” from You're The Guy I Want To Share My Money With (1981 Girono Poetry Systems). One of Anderson's tracks from this 2-LP collection of text and poetry that also includes works by John Giorno and William Burroughs. I think this was the tenth album from Giorno that began in 1975 with the Dial-A-Poem Poets. Electronics (Microphone Stand Turned Through Harmonizer), Wood Block, voice, Laurie Anderson. 7:23. Background music for opening Laurie Anderson, “Dr. Miller” from You're The Guy I Want To Share My Money With (1981 Girono Poetry Systems). Another of Anderson's tracks from this 2-LP collection of text and poetry that also includes works by John Giorno and William Burroughs. This is another version of a track that later appeared on Anderson's Unted States Live LP in 1984. Saxophone, Perry Hoberman; Synthesizer, Percussion, voice, Laurie Anderson. 4:19 Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Two time PGA Professional Player of the year Rich Berberian Jr. takes us through how he got into the game of golf and how he became such a good player and PGA Professional. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Two Songs Radio France 17 April 1972 Cathy Berberian Ensemble Ars Nova Conductor: Marius Constant

This episode is the first part of a tribute I have been wanting to create for quite some time. It honors the extraordinary artist and musician Cathy Berberian (1925-1983), the cosmopolitan Armenian-American vocalist who made an indelible mark on contemporary classical music and the public recital. Possessed of an extraordinarily flexible intelligence and sensibility, she influenced an entire generation of composers, including John Cage, Sylvano Bussotti, Henri Pousseur, and, in particular, her one-time husband Luciano Berio. Each of these composers wrote music with Berberian specifically in mind, and Berberian’s input strongly influenced the shape and form that these works assumed. Divorcing Berio in 1964 freed her to pursue her own musical interests, which included her own compositions, a musical friendship with Igor Stravinsky, a burgeoning interest in folk music, and the music of the Beatles. Her 1967 recording of so-called Beatles Arias (titled Revolution in its US release) is a unique document, which both explores the hidden depths of this material, at the same time poking fun at the entire crossover genre. Her daring theatricality and vibrant personality continue to exert an indelible influence that extends far beyond the avant garde. In two weeks I will explore the directions that she pursued in her later career. Countermelody is a podcast devoted to the glory and the power of the human voice raised in song. Singer and vocal aficionado Daniel Gundlach explores great singers of the past and present focusing in particular on those who are less well-remembered today than they should be. Daniel’s lifetime in music as a professional countertenor, pianist, vocal coach, voice teacher, and journalist yields an exciting array of anecdotes, impressions, and “inside stories.” Occasional guests from the “business” (singers, conductors, composers, coaches, and teachers) lend their distinctive insights. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. At Countermelody’s core is the interaction between singers of all stripes, their instruments, and the connection they make to the words they sing. Please visit the Countermelody website (www.countermelodypodcast.com) for additional content including artist photos and episode setlists. And please head to my Patreon page at www.patreon.com/countermelody to pledge your monthly support at whatever level you can afford. Bonus episodes available only to Patreon supporters are currently available. Cathy Berberian resources: Music is the Air I Breathe, a 1994 documentary on Cathy Berberian by the late filmmaker Carrie de Swaan: Links to audio interviews and performances on CathyBerberian.com.

Matt has the honor of sitting down with Michael Berberian, owner of legendary label Season of Mist to talk publishing, breaking it down for DIY bands. Find out more about Season of Mist on their website: https://www.season-of-mist.com/ And find Matt on TikTok or Instagram! https://www.tiktok.com/@bacons.bits? https://www.instagram.com/bacons.bits/ Learn more about your ad choices. Visit megaphone.fm/adchoices

STRAVINSKY: Epitaphium (A la memoria del príncipe Max Egon de Fürstenberg) (1.21). L. Mac Ghee (fl.), D. Ashkenazy (cl.), C. Bianchi (arp.), European Soloists Ensemble. Dir.: V. Ashkenazy. Variaciones orquestales (A la memoria de Aldous Huxley) (4.53). Orq. Sinf. “Columbia”. Dir.: R. Craft. Septeto (arr. para dos pianos) (11.19). H. Bugallo (p.), A. Williams (p.), Dúo de piano Bugallo-Williams. Monumentum pro Gesualdo. Arreglo libre de 3 Madrigales de Carlo Gesualdo: Asciugate I begli occhi (Madrigal XIV, Libro V), Ma tu, cagion di quella (Madrigal XVIII, Libro V), Belta Poi che t´Assenti (Madrigal II, Libro VI) (7.04). Orq. Sinf. Columbia. Dir.: I. Stravinsky. Tilimbom (Historias para niños, nº 1) (1.01). E. Lear (sop.), Orq. Sinf. Columbia. Dir.: R. Craft. 3 Pequeñas canciones. Recuerdos de mi infancia (La Urraca, La Graja, La Grajilla) (4.02). C. Berberian (mez.), Orq. Sinf. Columbia. Dir.: I. Stravinsky. Scherzo a la rusa (arr. para veinte pianos) (4.36). Dir.: M. Bon. Escuchar audio

STRAVINSKY: Abraham and Isaac (Balada sacra para barítono y orquesta) (10.28). D. Fischer-Dieskau (bar.), Orq. Sinf. de la Radio del Sur de Alemania. Stuttgart. Dir.: G. Bertini. Concierto para violín en Re mayor (19.12). I. Stern (vl.), Orq. Sinf. Columbia. Dir.: I. Stravinsky. Anthem: Da Pacem Domine (nº 1 de 3 Sacrae Cantiones) (3.20). The Dove descending breaks the air (2.50). Collegium Vocale de Gante. Dir.: P. Herreweghe. Elegy for J. F. K. (1.54). C. Berberian (mez.), P. Howland (cl.), J. Kreiselmann (cl.), C. Russo (cl.). Escuchar audio

Episode 31 Electronic Literature The Marriage of Electronic Music, Poetry, and Literature   Playlist Luciano Berio, "Thema (Omaggio A Joyce)," from Orient-Occident/Momenti-Omaggio A Joyce/Continuo/Transition 1 (1967 Philips). Composed by Luciano Berio at the RAI studio in Milan. Vocals, Cathy Berberian. The piece dates from 1958-59. An exploration of editing and tape composition with the voice as a key source of audio material. This is an interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce. This release on the Philips Prospective 21e Siècle is shorter than the one released around the same time on the Turnabout label in America. It omits the spoken sequence at the beginning where Berberian recites the words prior to them being manipulated on tape. John Cage/David Tudor, "Side 3" excerpt from Indeterminacy: New Aspect of Form in Instrumental And Electronic Music (1959 Folkways). John Cage reads previously prepared stories and anecdotes, David Tudor performs electronic music at the same time with no Earthly connection between the two. This was a long-standing performance practice of theirs and I saw them do this several times. John Cage, "Part One (To Line 220)" from Roaratorio: An Irish Circus On Finnegans Wake (1992 Mode), excerpt, for speaker, Irish musicians and 62-track tape. Speaker, John Cage. Production: WDR, Köln; Süddeutscher Rundfunk, Stuttgart; Katholieke Radio Omroep, Hilversum; Technical cooperation: IRCAM, Paris. First transmission: 22 October 1979, WDR3-Hörspielstudio. This score is a means for translating any book into a performance without actors, a performance which is both literary and musical or one or the other. In this case, the book was Finnegans Wake by James Joyce. The text of Roaratorio was published separately as Writing for the Second Time Through Finnegans Wake. This was part of the evolution of Cage's interest in creating works of text for performance with music and other activities. It further evolved into his use of texts by Henry David Thoreau for which he used chance processes to derive a text for solo vocal performance. Shakespeare, excerpt, (1962 Odhams Books Ltd.). BBC radioplay production with musique concrète by Desmond Leslie. King Henry is played by Richard Burton. Electronic music provided on tape for a set of Shakespeare play productions. This short. 2 and a half-minute segment is from Act IV, Scene 3 and gives you an idea of how the sound effects was joined with the dialog. This was a common outlet for electronic music in the UK. Shackleton, “Music For The Quiet Hour, Part 2,” excerpt, from Music For The Quiet Hour (2012 Woe To The Septic Heart!). Vocals, words (poetry), Vengeance Tenfold; Composer, producer, A. Gerth, K. Biswas, Sam Shackleton. A collaboration between producer Shackleton and vocalist Vengeance Tenfold. Beats, bass and rhythm patterns provide a backdrop for some stark poetry. This is a portion of a longer work that whose overall length is about an hour. Lily Greenham, “Traffic” from Lingual Music (2007 Paradigm Discs). Reissue of text-sound works made by Danish concrete poet Lily Greenham, probably between 1972-75. Hugh Davies is credited with assisting on the electronics for this work. Voice: Lily Greenham. Anne Clark, "Swimming" and "An Ordinary Life" from The Sitting Room (1982 Red Flame). Clark is a foremost British poet who fuses her texts with electronic music. This was the first of her albums. Words, Keyboards, Electronic Percussion, Water Percussion, Anne Clark; Guitar, Effects, Voice, Gary Mundy; Keyboards, Domonic Appleton, Patrik Fitzgerald; Keyboards, Electronic Percussion, Andrea Laschetti. Rick Wakeman, “The Journey,” excerpt, from Journey to the Center of the Earth (1974 A&M). Recorded in concert at The Royal Festival Hall London on Friday January 18th 1974. Synthesizers and other keyboards, Rick Wakeman; Narrator, David Hemmings; drums, Barney James; guitar, Mike Egan; accompanied by the London Symphony Orchestra conducted by David Measham. Alan Parsons Project, "The Raven" from Tales of Mystery and Imagination - Edgar Allan Poe (1976 Charisma). Words from the tale of the same name by Poe. The Harmony Vocoder heard on "The Raven" was invented and built by EMI Central Research Laboratories.Keyboards, Alan Parsons, Andrew Powell, Billy Lyall, Christopher North, Eric Woolfson, Francis Monkman; Composed by Alan Parsons, Andrew Powell, and Eric Woolfson. Silver Apples, "Dust" from Silver Apples (1968 Kapp). "INSTRUCTIONS: Play Twice Before Listening." Composed and Arranged by Dan Taylor and Simeon; Percussion, Dan Taylor; Oscillators, mixers, electronic gear (The Simeon), Simeon; Vocals, Dan Taylor, Simeon. Alice Shields, " Study For Voice And Tape" from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records). Recorded Voice, Buchla synthesizer, poem by Alice Shields. Ronald Perera, "Three Poems of Gunter Grass," part 1, “Gleisdreieck" from Music And Words (1980 CRI. Ronald Perera, electronic music on tape created in the Smith College Electronic Music Studio; soprano, Elsa Charlston; Conductor, Richard Pittman. John Hill, "Europa" from Six Moons Of Jupiter (2009 Finders Keepers). Recorded at Sigma Sound, Philadelphia, January-August 1970, but I don't think it was ever released. Uses a Moog Modular synthesizer programmed by Walter Sear. Composed, arranged produced, Moog Modular Synthesizer, Guitar, Bass, Flute, Recorder, Hammond organ, John Hill; Drums, Percussion, Jimmy Valerio; Performer (Poetry), Susan Christie; poetry, Ian Michaels. Ruth White, "The Clock," "Evening Harmony," "Lover's Wine," Owls," from Flowers of Evil (1969, Limelight). Composer, vocals, electronics (Moog Synthesizer), Ruth White; based on poetry by Charles Baudelaire, translated by Ruth White. Fantastic music from this singular composer who owned a Moog Modular Synthesizer. Her other music was often composed for media, television, and children's records.     Archive Mix In which I play two records at the same time to see what happens. The recordings were: Lily Greenham, “ABC in Sound” from Lingual Music (1968/2007 Paradigm Discs). Recording from 1968 and includes the words of poet Bob Cobbing. Arif Mardin, “The Prophet,” excerpt from side 1, from The Prophet (1974 Atlantic). Narrator Richard Harris; keyboards, Bob James, Pat Rebillot, and Ken Bichel (ARP 2600). Poetry by Kahlil Gibran.     The opening montage consists of excerpts from Milt Gabler and a reading of “The People Yes (Excerpt)” by Carl Sandburg and some saxophone music from Avant Slant (1968 Decca); James Joyce reading “Anna Livia Plurabelle” (1929 The Orthographic Institute); John Cage and David Tudor, Indeterminacy (1959 Folkways); Alice Shields, Dance Piece No. 3 from Columbia-Princeton Electronic Music Center 1961-1973 (1998 New World Records); Luciano Berio, "Thema (Omaggio A Joyce)," from Electronic Music III (1967 Turnabout);  Anne Clark, "The Sitting Room " from The Sitting Room (1982 Red Flame); Arif Mardin, “The Prophet,” excerpt from The Prophet (1974 Atlantic); Ruth White, "Owls" from Flowers of Evil (1969, Limelight).   Background music is excerpted from Shackleton, “Music For The Quiet Hour, Part 2,” from Music For The Quiet Hour (2012 Woe To The Septic Heart!).   Opening and closing sequences voiced by Anne Benkovitz.      

Suite de l'entrevue entre Michael Berberian, fondateur et label manager de Season of Mist et Dans le Secret des Dieux. Entre anecdotes sur des artistes signés sur le label, avis tranchés sur une poignée de disques sortis sur son label et analyse de l'évolution de l'industrie de la musique, "Mika" nous régale de sa franchise coutumière. Lien de la playlist musicale Spotify : Playlist (Spéciale Season of Mist) Pour soutenir le podcast: Tipee ÉCOUTEZ DANS LE SECRET DES DIEUX : Horns Up Facebook YouTube Spotify Deezer Apple Podcasts Google Podcasts Instagram

Si les années 1990 n'ont pas encore sonné l'heure de la gloire des groupes de Metal français - arrivée bien plus tard - elles ont pourtant permis de voir émerger ce qui a été l'une des spécificités du pays du fromage à l'époque : ses labels spécialisés. Holy Records, Osmose, Listenable, Adipocere, et j'en oublie, sont nés peu ou prou à cette époque et se sont développés jusqu'à obtenir une reconnaissance internationale pour leur flair et leur roster impressionnant. Parmi eux, figure le benjamin Season of Mist, devenu depuis l'un des plus gros labels indépendants de l'hexagone. C'est avec son fondateur et label manager, Michael Berberian, que Dans le Secret des Dieux s'entretient, afin d'en savoir plus sur l'histoire passionnante du label et de son créateur. Débuts, premières signatures, professionnalisation, développement de la distribution, signatures de Nocturnus puis de Mayhem, "suicide" de Yattering, "Mika" nous conte les annales de S.O.M. avec la franchise dont il est coutumier. Lien de la playlist musicale Spotify : Playlist (Spéciale Season of Mist) Pour soutenir le podcast: Tipee ÉCOUTEZ DANS LE SECRET DES DIEUX : Horns Up Facebook YouTube Spotify Deezer Apple Podcasts Google Podcasts Instagram

durée : 00:42:45 - Par les temps qui courent - par : Marie Richeux, Jeanne Aléos, Romain de Becdelievre - Rencontre avec le dessinateur pour son exposition "Une époque fantastique" à la Galerie Barbier à Paris, visible jusqu’au 27 février 2021, ainsi que pour la parution de son nouvel album "Histoire secrète de la musique moderne", édité par la galerie. - réalisation : Jean-Christophe Francis, Lise-Marie Barré - invités : Charles Berberian Illustrateur, auteur de bande dessinée

durée : 00:42:45 - Par les temps qui courent - par : Marie Richeux, Jeanne Aléos, Romain de Becdelievre - Rencontre avec le dessinateur pour son exposition "Une époque fantastique" à la Galerie Barbier à Paris, visible jusqu’au 27 février 2021, ainsi que pour la parution de son nouvel album "Histoire secrète de la musique moderne", édité par la galerie. - réalisation : Jean-Christophe Francis, Lise-Marie Barré - invités : Charles Berberian Illustrateur, auteur de bande dessinée

STRAVINSKY: Pribaoutki para voz masculina y ocho instrumentos (arr. para mez. y orq.) (3.51). C. Berberian (mez.), Orq. Sinf. “Columbia”. Dir.: I. Stravinsky. FARR: Concierto para violoncello y orquesta “Chemin des dames” (29.02). S. Hurtaud (vc.), New Zealand Symphony Orchestra. Dir.: B. Northey. STRAVINSKY: Estudio nº 2 en Re mayor. Allegro brillante (4 Estudios para piano, Op. 7) (2.37). J. Nakamatsu (p.). Escuchar audio

STRAVINSKY: Historia del soldado (31.16). D. Oppenheim (cl.), L. Glickman (fg.), R. Nagel (tp.), E.-L. Price (trombón), A. Howard (perc.), A. Schneider (vl.), J. Levine (con.). Dir.: I. Stravinsky. 3 Canciones sobre textos de Shakespeare (7.08). C. Berberian (mez.), Con. de Cámara de Columbia. Dir.: I. Stravinsky. Estudio nº 3 en Mi menor (Andantino) (4 Estudios para piano, Op. 7) (1.54). J. Nakamatsu (p.). Escuchar audio

durée : 00:19:56 - La Discothèque idéale de France Musique : Luciano Berio, Recital I for Cathy, par Cathy Berberian - La flamboyance d'un enregistrement phare de la deuxième moitié du XXe siècle, celui de Luciano Berio et de son alter ego, la mezzo-soprano Cathy Berberian, consacré à trois œuvres essentielles du compositeur italien. Un choix de Gabrielle Oliveira Guyon.

Sphero- one of the first companies to consumerize robotics- was still hunting for the right business model when the Walt Disney Company came knocking with a life-changing proposition. Sphero was offered the opportunity to build the BB-8, which would become the #1 toy in the world- in partnership with Disney. In this episode, Paul Berberian- the former CEO of Sphero- breaks down how he helped shepherd the company through this transformative opportunity and towards a new vision, mission and 10x revenues. We learn: Why consensus-building is a core skill needed for a manager, How traction is sometimes a strong substitute for culture, and Why saying no to opportunity is sometimes better in the long run for a business. Management readings: Team of Rivals (Dorris Goodwin).

durée : 00:54:50 - Côté club - par : Laurent Goumarre - Toute la scène musicale française et francophone se retrouve dans Coté club, du rap à la chanson, du métal à l'électro, tous les artistes se donnent rendez-vous chaque soir de 22h à 23h. - invités : Mathias MALZIEU, Daria Nelson, Charles BERBERIAN - Mathias MALZIEU, Daria NELSON, Charles BERBERIAN

durée : 00:54:50 - Côté club - par : Laurent Goumarre - Toute la scène musicale française et francophone se retrouve dans Coté club, du rap à la chanson, du métal à l'électro, tous les artistes se donnent rendez-vous chaque soir de 22h à 23h. - invités : Mathias MALZIEU, Daria Nelson, Charles BERBERIAN - Mathias MALZIEU, Daria NELSON, Charles BERBERIAN

Nick Berberian is the Security Leader (Head of Physical Security) at CSAA Insurance Group, a AAA insurer. Nick has a diverse background in Military, Security, and Executive Protection.You can hear more episodes of the Fearless Mindset Podcast at https://the-fearless-mindset.simplecast.com/.

Here we go again, another round of superlative sounds from musicians based around the globe. Let us get straight into the new names added to the list of the thousands who’ve given us listening pleasure over the years. Azu Tiwaline sound from the desert, drawing on Berberian and Saharan trance music that connects human beings with nature. Recorded on various fixed and modular analog gear during a particularly gloomy and rainy winter, US-based Corey Holmes. Pabellón Sintético performing entirely on the Moog Mother 32 & a member of the Argentina band Cartas De Japon, whose path ranges between cosmic, ambient, and sequenced electronic music. With a nearly 30 year career in the underground Chvad SB often leans towards an aggressive & industrial edge. The symphonic & classical scores of their music from David Pena & Terry Lee Nichols, the latter a message for all the earths people from the great late astronomer & science communicator Carl Sagan & finally experimental dark ambient music by Jason Herrboldt, producing soundscapes that are both delicate and unsettling, melodic and chaotic. On a sad note, John Kerr musician & a wonderful human being passed away recently. The love of the human voice and classical choirs reached a new level in his final album “Prelude To A Requiem’, with virtual software instruments adding a new dimension to John’s symphonic style. You can now hear us on the new Amazon podcast site, all editions from no 44 to the latest. https://music.amazon.com/podcasts/02699b4d-59c9-4773-a71e-f41749bbd9d6/Sequences-Magazine Sequences Podcast No 181 02.21 John Kerr ‘Voices, Voices, Voices’ (album Prelude to a Requiem) www.groove.nl 07.39 Sensory++ ‘Becoming Energy, Nothing Matters’ (album Exoversum) www.jegelie.bandcamp.com 17.59 Helene Vogelsinger ‘New Horizon’ https://helenevogelsinger.bandcamp.com 25.24 Pollard & Dolente ’Tentacles’ (album Live & More) https://brendanpollard.bandcamp.com 35.17 Corey Holms ‘Containment Dilation’ (album Vestige House) www.coreyholms.bandcamp.com 41.07 Erik Wollo ‘Metaphor’ (album Emotional Landscapes) www.spottedpeccary.com 45.40 Erik Wollo ‘Valley’ 48.33 Martin Neuhold ‘Meerweh’ (album Die Blue Reise) www.martinneuhold.bandcamp.com 55.20 Daniel Dorobantu ‘Concert De Basm, Live 17th August 2020’ *** 01.03.53 Jason Herrboldt ‘ Bringing the Stars Closer by Degrees and Degrees’ (album The Inventor’s Dilemma) www.jasonherrboldt.bandcamp.com 01.10.31 Jason Herrboldt ‘A Cockatoo, a Fake Beard, and a Closet Full of Dreams’ 01.15.35 Rene De Bakker ‘Adaptility’ (album Uncertain Path) www.groove.nl 01.25.02 Bonifácio ’Tori’ (EP Hanami) https://regulatorrec.bandcamp.com/album/hanami 01.29.56 Azu Tiwaline ‘Berbeka’ (Draw Me A Silence Part 1) www.azutiwaline.bandcamp.com 01.36.40 Cartas De Japon ’Tangerine Traum’ (album Evelyn) www.cartasdejapon.bandcamp.com 01.46.43 Pabellón Sintético ‘Mother part 2/4/11/12’ (album Mother 32 Days Traveling) www.pabellonsintetico.bandcamp.com 01.54.38 RadioSilence ‘Alpha’ (album RadioSilence Vlll) *** www.andypickford1.bandcamp.com 02.06.25 Ann Grace ‘Embracing The Stars’ (album Miracle) https://soundcloud.com/anagraciela 02.10.34 Ann Grace ‘Purple Air’ 02.13.33 Murcof & Vanessa Wagner ‘In A Landscape’ :John Cage: (album Statea) www.infine-rec.bandcamp.com 02.23.49 Terry Lee Nichols ‘Train To Dachau Redux’ http://www.terryleenichols.com/ 02.30.40 Chvad SB ‘Ellis Island 1892’ (album Sans Fixer) www.silbermedia.com 02.35.38 Blue Monk/Michael Whalen ‘The Trance’ (Karmic Dreams) www.michaelwhalen.com 02.39.21 Blue Monk/Michael Whalen ‘Secret Garden’ 02.44.02 Pablo J Garmon ’Supernova’ (album Chillscape Vol 1 various artist) www.heartdancerecords.com 02.46.43 Ivan Teixeira ‘Malvin’ album Chillscape Vol 1 various artist) www.heartdancerecords.com 02.50.51 David Pena ’Smoke Signals Rising’ (album Thinking Of You) www.higherlevel.media 01.54.35 Terry Lee Nichols ‘Asteroids’ (The Pale Blue Dot) Edit***

Listen to the first episode of the "MeetUp" interview series, where we chat with Noosh Berberian, popular and loved by many Eurovision vlogger. Our guest answer 25 questions connected with her mindset, lifestyle, and of course being Eurovision Song Contest fan and video reactor. Be ready for an amazing package of information that will surely help you get to know Noosh even better!

Detroit Action, a nonprofit that helps economically marginalized Detroiters empower themselves.

On today's episode of Gritty Founder, Kreig Kent talks with Paul Berberian about his journey building seven businesses over the course of his career. Paul shares valuable advice on staying future-focused, optimistic, and gritty. Paul Berberian is the former CEO and co-founder of Raindance Communications, a web and phone conferencing services company acquired by West Corporation in 2006. Before founding Raindance, he was co-founder and CEO of LINK-VTC, a video teleconferencing company, which was sold in 1995 to Frontier Communications. Paul is a distinguished graduate of the US Air Force Academy. Some Questions Kreig asks Paul: - When did you decide you wanted to start a company? (7:39) - What was your first tech company? (11:08) - What do you think is the most important ingredient for a founder? (36:41) - What is one thing that you believe to be true that most people would disagree with? (40:18) In This Episode, You Will Learn: - About Paul’s background and how he became an entrepreneur (4:30) - How Paul built and sold his first tech business, LINK-VTC (12:21) - The story of how Paul and his co-founders took Raindance Communications public (30:28) - Founders need to be future-focused and optimistic, but also realistic about what has been created (36:58) - Thoughts on why people have trouble following their dreams (42:56) Connect with Paul Berberian: Twitter Sphero Also Mentioned on This Show... Paul’s favorite quote: “You can always make more money, but you can’t make more time.” —Paul’s father Paul’s book recommendation: Team of Rivals by Doris Kearns Goodwin More resources: Reboot by Jerry Colonna

Recebemos de volta o fantástico psicólogo Arthur Berberian, dessa vez para desvendar as engrenagens por trás da ideia do "politicamente correto". Falamos sobre a relação dessa tendência com a pulsão de morte do Freud e como o uso de um conceito moral no debate público democrático pode gerar tanto antagonismo, desinformação e intolerância de todos os lados.

This is Draw The Line Radio Show with Jacki-e, featuring my mix in the 1st hr of music made by women and then, for the 2nd hr, I hand the decks over to a female DJ. Helping me Draw The Line this week it's Azu Tiwaline. Her origins are the Sahara and El Djerid region in the south of Tunisia and it is from there that she takes her inspiration, drawing on Berberian and Saharan trance music Her mixes envelop you in a mystic sonic halo creating polyrhythmic patterns whose contours are revealed as we listen. Links for Azu Tiwaline:- https://soundcloud.com/azu-tiwaline https://www.facebook.com/azu.tiwaline/ https://www.instagram.com/azu.tiwaline/ In my mix in the first hour I’m featuring tracks by Nocturnal Sunshine, Peggy Gou. Joyce Muniz, Nadix and Dub Resort, Miss Kittin and Anna and lots more. It's time to say NO to gender imbalance in dance music. It's time to Draw The Line!! Track list 1st hour mixed by Jacki-E 1. HVOB – Shinichi (original mix) PIAS. 2. Nocturnal Sunshine – Bass Bin (original mix) I/AM/ME. 3. Nocturnal Sunshine – It’s Alright (original mix) I/AM/ME. 4. Anne Delamaine – Prisme (original mix) Unreleased 5. Nadix, Dub Resort – Existe Salida (original mix) Tannhauser Recordings. 6. Jacki-E, Eric Louis – Marionette (original mix) Get Physical Music. 7. Nina Kraviz – Dream Mahine (original mix) Trip. 8. Danja Uosh – Strangers ft MadMat Loves Juno (original mix) Analog Musiq. 9. Jacki-E, Eric Louis – Marionette (Jazzuelle’s Spaced Out Dream remix) Get Physical Music. 10. Peggy Gou – Handpan (originnal mix) Gudu. 11. Joyce Muniz – Toxic People ft Demet1us (The Model remix) Gigolo. 12. Invinta – Gud (original mix) Landr Self-Released. 13. Joyce Muniz – Give Me the Taste ft Kim Anh (original mix) Gigolo. 14. Jacki-E – Nightmare (original mix) Unreleased. 15. Christina Semmler – Base (original mix) Kamarad Meyer Musik. 16 Miss Kittin, ANNA – Forever Ravers (ANNA’s Raving in Space remix) Kompakt Extra. 17. Gudrun Gut – Baby I Can Drive My Car (Donna Maya remix) Bandcamp release https://gudrungut.bandcamp.com/ 18. Gudrun Gut – Baby I Can Drive My Car (Elisa remix) Bandcamp release https://gudrungut.bandcamp.com/ 19. Spectral Bazaar – Venus (original mix) Bandcamp release https://spectralbazaar.bandcamp.com/album/the-planets-album-in-various-formats 2nd hour Azu Tiwaline- An Exclusive Guest Mix for Draw The Line Radio Show. 1. Black Merlin - Stalking the Canopy (original mix) 2. Bedouin Drone - The Border (original mix) 3. RJ Stefansky - Field Recordings - Islamic Call Prayer 4. Bruce - Before you Sleep (original mix) Hemlock Recordings. 5. Roberto Musci - Improbably musica (original mix) 6. Abul Mogard - O.M.A. ft Aisha Devi (Abul Mogard remix) Houndstooth. 7. Akkord – Monolith (original mix) 8. Soundwalk Collective - Shiva Mother Ganges (original mix) 9. Lucy - Baba Yagas Hut (original mix) Stroboscopic Artefacts. 10. Wuhan Wuchang - Total Art of Percussion (original mix) 11. Shinigami San – Colledscape (original mix) 12. Dj Ki - 3rd Lab 05 Connexion 13. Soundwalk Collective - Xiao Youmei Corridor (original mix) Apollo. 14. China Expedisound Banksound (original mix) 15. Black Merlin – Sibi (original mix) 16. Akkord - Title Sequence (original mix) Houndstooth. 17. Abu Ama – Bassja (original mix) Draw The Line Radio Show is produced for radio by Sergio Erridge and is A Darker Wave production.

Liz and Sarah have an update on their new office space in Sarah’s house. It’s done! And they love it! In From The Treadmill Desks Of, they reveal that Liz recently hit the wall and declared they needed a break. Turns out, taking a few days off made them way more productive when they came back. Then Liz and Sarah debut a new segment, You’re The Boss, about how we can all be in charge of our own careers. Starting with our social media presence. Umpqua Oats Director of Marketing, Jessica Berberian, offers concrete tips for building an Instagram following. Hint — use hashtags. Lots of them. This week’s Hollywood Hack comes from a wedding Liz recently attended: rent arcade games to make a party more fun. Finally, at that same wedding Liz had a celebrity sighting — Masi Oka from Heroes. The Strength Code:https://www.thestrengthcode.com/ Umpqua Oats:https://umpquaoats.com/ Masi Oka:https://www.imdb.com/name/nm1199811/

Artist, author and playwright Vahe Berberian is best known for his comedy stand-up routines about life in Armenia and the diaspora. He spoke at the first Innovate Armenia about the necessity of revamping Armenian culture, and learning how to laugh without feeling guilty. He covered a wide range of themes including preservation of language, investing in artists, and creating role models. This talk was recorded live at Innovate Armenia on February 21, 2015 at USC. To learn more about the USC Institute of Armenian Studies, visit http://armenian.usc.edu.

The classic Brad Dourif voiced Chucky is back to terrorize Nica one last time this week in Cult of Chucky. Ieva Berberian joins us on our final stop before the brand new reboot. Star ratings help us build our audience! Please rate/review/subscribe to us on Apple Podcasts or wherever you listen, and share us with your therapist! Email us at sequelrights@gmail.com with feedback or suggestions on future franchises! Special Guest: Ieva Berberian.

We take a look at this French comic called Monsieur Jean by Dupuy and Berberian. Spoilers and Fandom is like a book club for geeky stuff. Join us as we delve into the depths of our back logs and sift through the games, comics, shows, movies and books we haven’t checked out yet. Follow us on Twitter @spoilfans Follow our Instagram @spoilersandfandom Also look for us on Anchor to be a part of the show https://anchor.fm/spoilersandfandom

How did Sphero CEO Paul Berberian make the number one toy in the world? Sphero got to make the BB8 toy robot because of a connection made during a Techstars accelerator. That’s the power of the network. Hear him tell that story, and more.

No quinto episódio do podcast, recebemos o psicólogo Arthur Berberian para descobrir as origens do comportamento tribal e suas repercussões nos dias de hoje. Falamos sobre o processo biológico e a filosofia por trás do conceito de individualidade e como isso interage com as mídias sociais, afetando a política, tendências e vários outros aspectos da sociedade moderna. Link para o evento “Dia da Pessoa com Esquizofrenia” da Unifesp: https://www.unifesp.br/eventos-anteriores/item/3797-ii-dia-da-pessoa-com-esquizofrenia

Andrew sits down and interviews Oud master John Berberian about his life, 50-year career in music, balancing work and the arts and performing throughout the country. Topics Include: Working with record labels making albums with Mainstream Records, Verve Forecast, RCA and MGM starting in the early 1960s The thriving Middle Eastern music scene of Berberian's early years, and the mixing and collaboration of different cultures Berberian's father's role as an oud player in his musical development, and the initial design to start with the violin Using western classical approaches to play Middle Eastern music The comparison of Ravi Shankar and the Sitar to the industry effort to promote the oud The landmark oud rock album Berberian's love of Arab music Discussion of different types of oud playing The symbiotic relationship of the oud and the guitar and making music with these instruments together Advice to those learning the oud

In her newest book, Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian and Ottoman Worlds (University of California Press, 2019), Dr. Houri Berberian uses a transnational or transimperial approach to examine the interconnectedness of 1905 Russian Revolution, the Iranian Revolution and the Young Turk Revolution and the role that Armenian revolutionaries played in each. Dr. Berberian’s unique approach allows readers to see the linkages between these events that are often viewed as separate and encapsulated and see how the Armenians who lived at the epicenter of these events participated. She examines how Armenian revolutionary intellectuals were able to utilize another revolution, the technological revolution, to facilitate the spread of information, revolutionary literature, people and arms between these three empires and the widespread Armenian diaspora using steam ship, telegraphs and increased access to printing technology. She also examines how the revolutionaries indigenized and interpreted the various liberal and socialist ideas they now had greater access to in a way that fit the Armenian context: split between three empires and facing increased persecution and ethnic conflict. Listen in as we discuss the successes and failures of this understudied revolutionary movement and the lives and struggles of individual Armenian revolutionaries navigating the complex realties of living at the confluence of three empires in the throes of collapse and revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her newest book, Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian and Ottoman Worlds (University of California Press, 2019), Dr. Houri Berberian uses a transnational or transimperial approach to examine the interconnectedness of 1905 Russian Revolution, the Iranian Revolution and the Young Turk Revolution and the role that Armenian revolutionaries played in each. Dr. Berberian’s unique approach allows readers to see the linkages between these events that are often viewed as separate and encapsulated and see how the Armenians who lived at the epicenter of these events participated. She examines how Armenian revolutionary intellectuals were able to utilize another revolution, the technological revolution, to facilitate the spread of information, revolutionary literature, people and arms between these three empires and the widespread Armenian diaspora using steam ship, telegraphs and increased access to printing technology. She also examines how the revolutionaries indigenized and interpreted the various liberal and socialist ideas they now had greater access to in a way that fit the Armenian context: split between three empires and facing increased persecution and ethnic conflict. Listen in as we discuss the successes and failures of this understudied revolutionary movement and the lives and struggles of individual Armenian revolutionaries navigating the complex realties of living at the confluence of three empires in the throes of collapse and revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her newest book, Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian and Ottoman Worlds (University of California Press, 2019), Dr. Houri Berberian uses a transnational or transimperial approach to examine the interconnectedness of 1905 Russian Revolution, the Iranian Revolution and the Young Turk Revolution and the role that Armenian revolutionaries played in each. Dr. Berberian’s unique approach allows readers to see the linkages between these events that are often viewed as separate and encapsulated and see how the Armenians who lived at the epicenter of these events participated. She examines how Armenian revolutionary intellectuals were able to utilize another revolution, the technological revolution, to facilitate the spread of information, revolutionary literature, people and arms between these three empires and the widespread Armenian diaspora using steam ship, telegraphs and increased access to printing technology. She also examines how the revolutionaries indigenized and interpreted the various liberal and socialist ideas they now had greater access to in a way that fit the Armenian context: split between three empires and facing increased persecution and ethnic conflict. Listen in as we discuss the successes and failures of this understudied revolutionary movement and the lives and struggles of individual Armenian revolutionaries navigating the complex realties of living at the confluence of three empires in the throes of collapse and revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her newest book, Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian and Ottoman Worlds (University of California Press, 2019), Dr. Houri Berberian uses a transnational or transimperial approach to examine the interconnectedness of 1905 Russian Revolution, the Iranian Revolution and the Young Turk Revolution and the role that Armenian revolutionaries played in each. Dr. Berberian’s unique approach allows readers to see the linkages between these events that are often viewed as separate and encapsulated and see how the Armenians who lived at the epicenter of these events participated. She examines how Armenian revolutionary intellectuals were able to utilize another revolution, the technological revolution, to facilitate the spread of information, revolutionary literature, people and arms between these three empires and the widespread Armenian diaspora using steam ship, telegraphs and increased access to printing technology. She also examines how the revolutionaries indigenized and interpreted the various liberal and socialist ideas they now had greater access to in a way that fit the Armenian context: split between three empires and facing increased persecution and ethnic conflict. Listen in as we discuss the successes and failures of this understudied revolutionary movement and the lives and struggles of individual Armenian revolutionaries navigating the complex realties of living at the confluence of three empires in the throes of collapse and revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

In her newest book, Roving Revolutionaries: Armenians and the Connected Revolutions in the Russian, Iranian and Ottoman Worlds (University of California Press, 2019), Dr. Houri Berberian uses a transnational or transimperial approach to examine the interconnectedness of 1905 Russian Revolution, the Iranian Revolution and the Young Turk Revolution and the role that Armenian revolutionaries played in each. Dr. Berberian’s unique approach allows readers to see the linkages between these events that are often viewed as separate and encapsulated and see how the Armenians who lived at the epicenter of these events participated. She examines how Armenian revolutionary intellectuals were able to utilize another revolution, the technological revolution, to facilitate the spread of information, revolutionary literature, people and arms between these three empires and the widespread Armenian diaspora using steam ship, telegraphs and increased access to printing technology. She also examines how the revolutionaries indigenized and interpreted the various liberal and socialist ideas they now had greater access to in a way that fit the Armenian context: split between three empires and facing increased persecution and ethnic conflict. Listen in as we discuss the successes and failures of this understudied revolutionary movement and the lives and struggles of individual Armenian revolutionaries navigating the complex realties of living at the confluence of three empires in the throes of collapse and revolution. Learn more about your ad choices. Visit megaphone.fm/adchoices

Viken Berberian examines the pitfalls of development with his new graphic novel, *The Structure is Rotten, Comrade*. Plus: Dan Richards on his new book *Outpost* and Fayann Smith’s new project in Venice.

Identity, diaspora, literature -- Dr. Lilit Keshishyan explores these topics in a conversation with the Director of the Institute of Armenian Studies, Salpi Ghazarian. Her dissertation examines the representation and reconceptualization of identity in Armenian Diaspora literature focusing on the works of Vahé Oshagan, Hakob Karapents and Vahe Berberian. To learn more about the USC Institute of Armenian Studies, visit http://armenian.usc.edu.

Dr. Berberian joins EMRA*Cast with Alex Kaminsky to delve deeper into the pathophysiology and electrical findings associated with diagnoses such as WPW, Brugada and ARVD in part 1 of this series. Lumps and Bumps: Can’t-Miss Diagnoses in Syncope (Part 1) Host: Alex Kaminsky Guest: Jeremy Berberian, MD Associate Director of Resident Education: Christiana Health System Editor-in-chief: EMRA EKG Guide Author EM Resident Monthly ECG Challenge. Overview: Residents are well programmed to recognize cardiovascular emergencies such as STEMIs at a glance. However, during a busy shift it can be easy to overlook dysrhythmias and other electrophysiologic urgencies and emergencies. Syncope is a prime example of a chief complaint that may be uncovered with an EKG alone -- however syncopal emergencies are often subtle and nuanced. Dr. Berberian joins EMRA*Cast with Alex Kaminsky to delve deeper into the pathophysiology and electrical findings associated with diagnoses such as WPW, Brugada and ARVD in part 1 of this series. Key Points: Wolff-Parkinson-White (WPW) Prevalence: 0.7 to 1.7 per 10000 Overview: Accessory Pathway Connecting the atria to the ventricle. In some instances, this can cause the accessory pathway to travel FASTER than through the AV node. Orthodromic (Narrow): Travels down the AV node (can bypass) Antidromic (Wide): Bypasses AV node and UP the his-purkinje system.   Courtesy of CardioNetworks: Free use image Key Features:  Image: Courtesy of EMRA EKG Guide Short PR (less than 120ms) “Delta” wave -- which is a “slurring” of the QRS complex QRS might be “a little” wide (still 2mm with a negatively deflected T in right precordial leads (V1-V3) Potentially diagnostic as isolated EKG finding. Type 2: ST elevation in right precordial leads (V1-V3) with a “saddleback.” Within the STE.   Not completely diagnostic but concerning fr workup.   Clinical Criteria (EKG Findings PLUS one or more): SYNCOPE Nocturnal Agonal Respirations Brugada gets WORSE with parasympathetic stimuli. Family member with known Type 1 Observed/Documented VT/VF Sudden cardiac death in family member 55ms (in 95% of patients) Slightly prolonged QRS >110ms (Right precordial leads) VT looks more like a Left-bundle morphology -- Appreciate that AFTER the patient is out of VT.   Key Resources: *If needed and/or different than references* EMRA EKG Guide Clinical Policy: Critical Issues in the Evaluation and Management of Adult Patients Presenting to the Emergency Department with Syncope: Huff J.S., Decker W.W., Quinn J.V., Perron A.D., Napoli A.M., Peeters S., Jagoda A.S.( 2007)  Annals of Emergency Medicine,  49 (4) , pp. 431-444. Epidemiological profile of Wolff-Parkinson-White syndrome in a general population younger than 50 years of age in an era of radiofrequency catheter ablation. Lu C.-W., Wu M.-H., Chen H.-C., Kao F.-Y., Huang S.-K. (2014)  International Journal of Cardiology,  174  (3) , pp. 530-534. Reference, G. (2019). Brugada syndrome. [online] Genetics Home Reference. Available at: https://ghr.nlm.nih.gov/condition/brugada-syndrome#statistics [Accessed 14 Feb. 2019]. McNally E, MacLeod H, Dellefave-Castillo L. Arrhythmogenic Right Ventricular Cardiomyopathy. 2005 Apr 18 [Updated 2017 May 25]. In: Adam MP, Ardinger HH, Pagon RA, et al., editors. GeneReviews® [Internet]. Seattle (WA): University of Washington, Seattle; 1993-2019. Available from: https://www.ncbi.nlm.nih.gov/books/NBK1131/

Are artists born or created? What sacrifices must be made in order to produce art that resonates with others? What role does fear play in an artist's life? Vahe Berberian takes us on a journey into the essence of how and why he creates. With depth and levity, and a charm that is uniquely his, he allows us a glimpse into his revolutionary world. www.vaheberberian.com

A casa di Bruno Canino. Siamo andati a casa di Bruno Canino per farci raccontare qualcosa della sua lunga vita musicale, ..iniziata 63 anni fa con la formazione della famosa coppia Canino-Ballista. Qualche gustoso aneddoto sui ..personaggi incontrati in concerto in tutti questi anni (circa 250) ce lo ha raccontato, ma ben altro potrà ancora dirci ..in occasione di un ulteriore incontro. A cura di Claudio Ricordi.

A casa di Bruno Canino. Siamo andati a casa di Bruno Canino per farci raccontare qualcosa della sua lunga vita musicale, ..iniziata 63 anni fa con la formazione della famosa coppia Canino-Ballista. Qualche gustoso aneddoto sui ..personaggi incontrati in concerto in tutti questi anni (circa 250) ce lo ha raccontato, ma ben altro potrà ancora dirci ..in occasione di un ulteriore incontro. A cura di Claudio Ricordi.

HSM Series: A L I V E Title: Freedom In Jesus Scripture: Colossians 2:16-23 Speaker: Andrew Berberian Date: July 11, 2018

HSM Series: A L I V E Title: Freedom In Jesus Scripture: Colossians 2:16-23 Speaker: Andrew Berberian Date: July 11, 2018

HSM Series: A L I V E Title: Light = Life In Color Scripture: Colossians 1:1-14 Speaker: Andrew Berberian Date: June 6, 2018

HSM Series: A L I V E Title: Light = Life In Color Scripture: Colossians 1:1-14 Speaker: Andrew Berberian Date: June 6, 2018

HSM Series: Offending God Title: What’s Your Nineveh? Scripture: Various Passages Speaker: Andrew Berberian Date: May 16, 2018

HSM Series: Offending God Title: What’s Your Nineveh? Scripture: Various Passages Speaker: Andrew Berberian Date: May 16, 2018

HSM Series: Offending God Title: Lift Your Gaze Scripture: Jonah 2 Speaker: Andrew Berberian Date: April 25, 2018

HSM Series: Offending God Title: Lift Your Gaze Scripture: Jonah 2 Speaker: Andrew Berberian Date: April 25, 2018

HSM Series: Offending God Title: The Storm Before The Calm Scripture: Jonah 1 Speaker: Andrew Berberian Date: April 18, 2018

HSM Series: Offending God Title: The Storm Before The Calm Scripture: Jonah 1 Speaker: Andrew Berberian Date: April 18, 2018

HSM Series: Love In Real Life Title: SIBLINGS Scripture: Genesis 41:15-16, 28-33, 39-40; 45:1-8 Speaker: Andrew Berberian Date: January 24, 2018

HSM Series: Love In Real Life Title: SIBLINGS Scripture: Genesis 41:15-16, 28-33, 39-40; 45:1-8 Speaker: Andrew Berberian Date: January 24, 2018

Episode 57 features oud player Antranig Kzirian. Antranig studied with oud masters Ara Dinkjian and John Bilezikjian, and kanun master Jack Chalikian. Kzirian’s performances and recording credits extend to works with The Gaslamp Killer, duduk master Jivan Gasparyan, Jr., Capital Cities (co-founded by Sebu Simonian) among many others. In this podcast we discuss the history of oud, upcoming album, research on the ancient instrument, future of oud, historical perspective, improvisation, collaborations and much more. To learn more about Antranig Kzirian please visit: http://www.theoudplayer.com/ http://100years100facts.com/facts/the... http://offthepodium.weebly.com   https://www.facebook.com/OffThePodium... © Off The Podium, 2017

  HSM Series: Out Of The Blue Title: Did That Really Just Happen? Scripture: Luke 2:1-20 Speaker: Andrew Berberian Date: December 13, 2017

  HSM Series: Out Of The Blue Title: Did That Really Just Happen? Scripture: Luke 2:1-20 Speaker: Andrew Berberian Date: December 13, 2017

Media Litter Sandwich Ep 63: Harry Artin Berberian "MC Sampler" talks about his past on Howard Stern, Man Cow, and as a rapper, stand up comic, and his current Luv U Detroit projecthttps://www.luvUDetroit.comhttps://www.facebook.com/luvudetroit/Catch up or see the video versions on www.MediaLitterSandwich.com for this ep it is www.MediaLitterSandwich.com/63  

HSM Series: The Revolutionary Way Title: New Wisdom Scripture: Matthew 7:15-29 Speaker: Andrew Berberian Date: August 16, 2017

HSM Series: The Revolutionary Way Title: New Wisdom Scripture: Matthew 7:15-29 Speaker: Andrew Berberian Date: August 16, 2017

HSM Series: The Revolutionary Way Title: The Impossible Secret Scripture: Matthew 6:1-4 Speaker: Andrew Berberian Date: May 10, 2017

HSM Series: The Revolutionary Way Title: The Impossible Secret Scripture: Matthew 6:1-4 Speaker: Andrew Berberian Date: May 10, 2017

Evan sets a podcast geography record by interviewing Facebook friend Raffi Berberian all the way from Armenia!! With a 12-hour time difference between them, hear how Evan and Raffi met at Bucknell University and then how Raffi moved to Armenia to do photography. He’ll also tell you where Armenia is on the map. It’s a fun […] The post Raffi Berberian – Ep027 appeared first on Evan Wecksell.

Listen in as Paul Berberian walks us through the life changing events in his personal life that forced him to step down as CEO of his highly successful company, stumble through a slew of business failures and eventually become the CEO of Sphero, the company that worked with Disney to create the BB-8 droid used in the most recent Star Wars movie. In this episode you’ll hear: How a life changing event forced him to step down as CEO of his own, hugely successful company and how he processes the professional decisions years later How this decision led to a slew of business failures from 2003 - 2010 How he became the CEO at Sphero About the biggest strategic move their company could possibly make Their experience with the Disney Accelerator Program Story of the day they met Bob Iger, Chief Executive of Disney and how they went from their initial meeting to partners in the creation of the BB-8 droid for the most recent Star Wars movie, The Force Awakens The current relationship his company has with Disney Example of a meeting his team had with Disney where they were given some Disney Love, Attention and Scrutiny Feature of BB8 that ended up being dropped for safety reasons Why Sphero cares so much about their customers getting value Why they have such a great synergy with Disney How they help ensure their customers are satisfied with their product They sold 300,000 BB-8 Droids in the first four days

Paul Berberian is the CEO of Orbotix, the company that created Sphero, the robotic ball controlled from your smartphone. They have investment from our friends in Boulder, Brad Feld and David Cohen. Prior to Sphero, Paul was the co-founder of Raindance Communications (NASDAQ: RNDC). Paul also founded Market Force Information, an emerging information company with a vision to provide retailers. As well as, LINK-VTC, a video teleconferencing company, which was sold in 1995 to Frontier Communications.  In Today’s Episode with Paul You Will Learn: 1.) How Paul came to be CEO @ Sphero? 2.) Paul has founded and run 7 businesses, How has Paul seen his style of leadership change over the past decade or so? 3.) Question from Brad Feld: When Paul disagrees with his board, how does he resolve it? What have been Paul's learnings in maintaining a happy board environment? 4.) Sphero have raised, at last count, $80m? How has Paul seen investor sentiment to hardware alter over the 5-6 years? How did he meet his investors? What did Paul do well and what would Paul like to improve upon for next time? 5.) Question from Brad Feld: ‘Sphero looks like a massive success but every startup has had failures, so what have Paul's failures been and what did he learn from them? Items Mentioned In Today’s Show: Paul’s Fave Blog and Newsletter: Quora Paul’s Fave Book: The Black Box As always you can follow Harry, The Twenty Minute VC and Paul on Twitter here! Likewise, you can follow Harry on Snapchat here for mojito madness and all things 20VC. Eve make 1 perfect mattress – made with 3 layer technology and next generation memory foam. It comes packaged in a beautiful box and arrives the day after you order. You get 100 nights to try it with free return pick-up – it really is the perfect mattress for everyone. Just go online to evemattress.co.uk and enter the code 20VC for £50 off. Everybody deserves the perfect start with Eve.

Repaso al resto de estrenos [01:26] Ahora me ves 2 [02:30] Berberian sound studio [10:48] La correspondencia [19:40] La historia interminable [28:13] La leyenda de Tarzan [36:44] Un pequeño análisis de la serie de televisión Stranger Things [48:10], los comentarios de los oyentes y la taquilla [57:30].

On this episode Robert chats with photo industry veteran Peter Berberian about the business of photography. Peter's career has run the gamut from photographer to master printer, art consultant and most recently, Director of Brand Development for Agency Access. They discuss how important branding is for photographers and much more on this episode of The Photo Brigade Podcast. 

Welcome to our episode sponsored by diabolikdvd.com, the place to get all your hard to find releases!!! This week it was Sammy's turn to pick and he chose Berberian Sound Studio (2012) directed by Peter Strickland and Prison (1988) directed by Renny Harlin!!! Sit back and enjoy the conversation, we had a blast discussing these two very different films and much more!! Emails to midnitecinema@gmail.com Voicemails to 206-666-5207 Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Jason Wood, Director of Programming at Curzon Cinemas, gives us his review of Peter Strickland’s latest feature, Berberian Sound Studio.

Épisode 61 : Les 20 ans de la collection Aire Libre, Dupuy et Berberian, Tanquerelle.

Épisode 61 : Les 20 ans de la collection Aire Libre, Dupuy et Berberian, Tanquerelle.

Das Kapital: A Novel of Love and Money Markets (Simon & Schuster)Viken Berberian writes in a post-modern apocalyptic vein about billionaire stock traders, terrorists and nationalists.  

Viken Berberian's first novel attempts to take us inside the head of a failed suicide bomber, exploring his connection to the subject and the models in music and poetry that brought him closer to this dissociated and shattered personality...